Browse content similar to Derby. Check below for episodes and series from the same categories and more!
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It's been invaded by the Romans, the Saxons and the Danes. | 0:00:05 | 0:00:08 | |
It's also outlived the plague and leprosy. | 0:00:08 | 0:00:11 | |
But can Derby survive Flog It? We'll see. | 0:00:11 | 0:00:14 | |
When it comes to antiques, Derby's reputation is formidable. | 0:00:45 | 0:00:49 | |
Since 1750, local craftsmen have been producing porcelain. | 0:00:49 | 0:00:53 | |
140 years later, that porcelain won the Royal Seal of Approval from Queen Victoria. | 0:00:53 | 0:00:59 | |
To this very day, Royal Crown Derby remains highly collectable. | 0:00:59 | 0:01:03 | |
But will we find any Crown Derby at today's venue, the Assembly Rooms? | 0:01:03 | 0:01:07 | |
The queue is on its way in, so let's see what the people have got. | 0:01:07 | 0:01:11 | |
It looks like we could be in for great day. No sign of any Crown Derby yet though. | 0:01:11 | 0:01:17 | |
Here at the Derby Assembly Rooms, | 0:01:17 | 0:01:19 | |
our experts are leaving no stone unturned in the hunt for treasures. | 0:01:19 | 0:01:23 | |
Experts Michael Baggott and Mr Philip Serrell | 0:01:23 | 0:01:26 | |
are already on the scent and if they flush it out, we'll flog it! | 0:01:26 | 0:01:30 | |
First up is Michael, who's been intrigued by what looks like a jewellery box. | 0:01:30 | 0:01:35 | |
Rosy, Jane, I love the promise of an unopened box. | 0:01:35 | 0:01:37 | |
So let's have a look and see what we've got here. | 0:01:37 | 0:01:41 | |
Wonderful. I don't think the original box, but a beautiful little gold, aquamarine and sea pearl brooch. | 0:01:41 | 0:01:48 | |
So tell me who does the pendant belong to? | 0:01:48 | 0:01:51 | |
It belongs to me. | 0:01:51 | 0:01:52 | |
And it was my great granddad's. | 0:01:52 | 0:01:55 | |
Did it skip you? Did you say...? | 0:01:55 | 0:01:58 | |
Yes, my mum's had it for years in a cupboard and she gave it to Rosy. | 0:01:58 | 0:02:03 | |
Fantastic thing to be given. No chain, but have you ever worn it, or tried to put it on a chain? | 0:02:03 | 0:02:08 | |
No. It's been in the box for years. | 0:02:08 | 0:02:10 | |
-Not your taste? -No. -It's strange how jewellery goes in fashion. | 0:02:10 | 0:02:14 | |
At the moment, everyone wants bold, 1950s, modernist jewels, Art Deco. | 0:02:14 | 0:02:20 | |
It's moved away from this fine Art Nouveau work, | 0:02:20 | 0:02:23 | |
which is a tremendous shame, because look at the amount of time and care that has been taken to make that. | 0:02:23 | 0:02:29 | |
Those little aquamarines didn't cost a lot | 0:02:29 | 0:02:32 | |
and the sea pearls were a matter of a few pennies each, | 0:02:32 | 0:02:35 | |
but the quality of manufacture... | 0:02:35 | 0:02:37 | |
And there, just in the top corner, | 0:02:37 | 0:02:38 | |
we've got a little pad stamp for nine carats. | 0:02:38 | 0:02:40 | |
It would have been too fragile to mark this with any assay office marks. | 0:02:40 | 0:02:45 | |
You'd have just obliterated it. So they've just thickened it up there so it will take the impression. | 0:02:45 | 0:02:50 | |
-Any idea how old it is? -I don't know. | 0:02:50 | 0:02:53 | |
-No. -Well, it's Art Nouveau, it falls into that period | 0:02:53 | 0:02:56 | |
from 1890 up to about 1905, with commercial production into 1910. | 0:02:56 | 0:03:02 | |
I think this is about 1900, so obviously going back to your great aunt. | 0:03:02 | 0:03:09 | |
That would fit in nicely. It's a lovely thing. | 0:03:09 | 0:03:11 | |
Any idea of the value of it? | 0:03:11 | 0:03:13 | |
-None at all. -Well, it might surprise you, might shock you, but I think in the region of £80 to £120. | 0:03:13 | 0:03:20 | |
-That's good. -Was that what you were expecting? | 0:03:20 | 0:03:23 | |
Oh, yeah! | 0:03:23 | 0:03:25 | |
When something is made of gold and gem stones, you expect it to be wildly valuable. | 0:03:25 | 0:03:29 | |
So you sort have to temper your expectations. | 0:03:29 | 0:03:33 | |
As you say, it's been locked away in a cupboard. | 0:03:33 | 0:03:36 | |
So if we put a fixed reserve of £80 on it, and it makes that or hopefully | 0:03:36 | 0:03:41 | |
makes the top end - keep our fingers crossed - what are your plans for the money? | 0:03:41 | 0:03:45 | |
My mum needs a new car, so I'll probably put it towards that. | 0:03:45 | 0:03:48 | |
It might buy a couple of tyres. We'll see what happens on the day. | 0:03:48 | 0:03:51 | |
-Thank you so much for bringing it in. -Thank you. | 0:03:51 | 0:03:53 | |
Peter, I like this. | 0:04:00 | 0:04:02 | |
This caught my eye from over there. | 0:04:02 | 0:04:04 | |
-Thank you. -I like slightly Impressionistic 20th-century moderns, | 0:04:04 | 0:04:07 | |
slightly loose, that kind of thing. And this fits the bill. | 0:04:07 | 0:04:11 | |
Tell me about it. | 0:04:11 | 0:04:13 | |
-My mother in Germany. -You're German? | 0:04:13 | 0:04:16 | |
My mother-in-law, they had a bit of money, but to turn the money into something more valuable, | 0:04:16 | 0:04:21 | |
because the German mark was losing value, so they bought the pictures. | 0:04:21 | 0:04:26 | |
-OK. -They knew pictures are better... | 0:04:26 | 0:04:30 | |
-A better investment. -A better investment. | 0:04:30 | 0:04:32 | |
And of course she died | 0:04:32 | 0:04:35 | |
and the picture is now left for my wife and me. | 0:04:35 | 0:04:38 | |
-And my wife died two months ago. -I'm sorry to hear that. -Yes, | 0:04:38 | 0:04:44 | |
so I'm left by myself and so what can I do with the pictures? | 0:04:44 | 0:04:47 | |
OK. Well, let's talk about this one. | 0:04:47 | 0:04:49 | |
For me, it's got everything going for it. | 0:04:49 | 0:04:52 | |
It's got the right colours, it's quite loose and it's a good size. | 0:04:52 | 0:04:55 | |
Hoff Muller... | 0:04:55 | 0:04:57 | |
we've got a bit of information on the back here, which is quite nice. | 0:04:57 | 0:05:01 | |
It's in its original frame, isn't it? | 0:05:01 | 0:05:04 | |
-Yes, it is. -You can see it's been signed. | 0:05:04 | 0:05:06 | |
30th October, 1932. | 0:05:06 | 0:05:09 | |
-Hoff Muller. -Hoff Muller. | 0:05:09 | 0:05:11 | |
-And there's the English translation. -That's the English translation. | 0:05:11 | 0:05:14 | |
Autumn on Uppersea near Bernau? | 0:05:14 | 0:05:18 | |
-So that's in Austria? -Yes. | 0:05:18 | 0:05:19 | |
The condition's good as well. | 0:05:19 | 0:05:21 | |
A lot of people go, "It's not my cup of tea," | 0:05:21 | 0:05:24 | |
art is so subjective. But I like it and I wish I could paint like that. | 0:05:24 | 0:05:28 | |
I'd be proud of doing something like that. | 0:05:28 | 0:05:30 | |
-Thank you. -I did look him up ten minutes ago in the book. | 0:05:30 | 0:05:34 | |
Hoff Muller does have form. | 0:05:34 | 0:05:35 | |
There is a price guide. | 0:05:35 | 0:05:37 | |
He's had about ten works of art, oils on canvas, put up for sale | 0:05:37 | 0:05:42 | |
in auction and they have all varied from around 300 to 500 euros. I don't know | 0:05:42 | 0:05:49 | |
if he's more popular in Germany, but he was a poster painter | 0:05:49 | 0:05:53 | |
and his prints sell for quite a lot of money. | 0:05:53 | 0:05:56 | |
Looking at the way he paints, | 0:05:56 | 0:05:58 | |
-you can see, he paints like a poster painter, can't you? -Yes. | 0:05:58 | 0:06:01 | |
It needs more information to go with it to make the whole story full. | 0:06:01 | 0:06:05 | |
Nevertheless, we can put it into auction, | 0:06:05 | 0:06:08 | |
-if you'd like to sell it. Would you like to sell it? -Yes. I would. | 0:06:08 | 0:06:12 | |
We could put this into auction with a value of about £70 to £100. | 0:06:12 | 0:06:15 | |
-Hopefully it will get just a bit above that. Would that be OK? -Yes. | 0:06:15 | 0:06:20 | |
-Hopefully it might end up back in Germany with a collector. -Might do. | 0:06:20 | 0:06:24 | |
-Well, we'll find out. -Thank you. | 0:06:24 | 0:06:26 | |
So here we've got Lady and the Tramp. | 0:06:31 | 0:06:33 | |
Not lady and the tramp, but Lady and the Tramp! | 0:06:33 | 0:06:36 | |
-Lady and the Tramp. -Now, you said that, not me! | 0:06:36 | 0:06:38 | |
-That's right! -Cos these are from the Walt Disney film, aren't they? | 0:06:38 | 0:06:42 | |
-Yes. -How did you come by these? -At a garden party, I either won them or got them for a small amount. | 0:06:42 | 0:06:49 | |
How long ago was this? | 0:06:49 | 0:06:50 | |
-This was 20 years. -So mid 1980s? | 0:06:50 | 0:06:54 | |
Yes. | 0:06:54 | 0:06:56 | |
Right. Cos they're from Lady and the Tramp, which is Walt Disney, | 0:06:56 | 0:07:00 | |
-and Lady and the Tramp would be what, mid-70s? -I don't know. | 0:07:00 | 0:07:03 | |
-They are by Wade. -Yes. | 0:07:03 | 0:07:05 | |
Little Wade whimsies and little Wade Lady and the Tramp figures that we normally associate | 0:07:05 | 0:07:10 | |
are very tiny and these are the blown-up versions. | 0:07:10 | 0:07:13 | |
So that is Dashy the Daschund and which one is this one? | 0:07:13 | 0:07:16 | |
We think that's Trusty. He is a Bloodhound, isn't he? | 0:07:16 | 0:07:19 | |
He's a Bloodhound, absolutely. | 0:07:19 | 0:07:22 | |
These things were mass produced and weren't intended to be great quality like Derby, Worcester or whatever. | 0:07:22 | 0:07:28 | |
So why do you want to sell them? | 0:07:28 | 0:07:30 | |
They're on a window sill at the moment. | 0:07:30 | 0:07:33 | |
Or they were, but we put them into a cupboard, because we thought the value of them, in a window sill, | 0:07:33 | 0:07:40 | |
if a grandchild knocks them off, they won't be worth anything. | 0:07:40 | 0:07:43 | |
-Absolutely right. -So we thought, well, let's dispose. | 0:07:43 | 0:07:46 | |
You know, five years ago, I think these things were probably worth more than they are now. | 0:07:46 | 0:07:50 | |
But the advent of the internet and people selling these things | 0:07:50 | 0:07:53 | |
has meant that it flushes more of them out and the days of high prices for these, in my view, is gone. | 0:07:53 | 0:08:00 | |
Now, we've looked at some auction records this morning and | 0:08:00 | 0:08:05 | |
we've found some figures that, three to four years ago, | 0:08:05 | 0:08:10 | |
these two might have made between £200 and £300. | 0:08:10 | 0:08:15 | |
But I think those days have gone. | 0:08:15 | 0:08:17 | |
If you've got something that's a bit of a kitsch market, which sort of goes up and down on a fad | 0:08:17 | 0:08:22 | |
or a fashion, which I believe these are, then prices of those can fluctuate greatly. | 0:08:22 | 0:08:29 | |
It's my view that at auction you need to estimate these at £80 to £120. | 0:08:29 | 0:08:37 | |
Now, if you have a real result, | 0:08:37 | 0:08:39 | |
it might be | 0:08:39 | 0:08:41 | |
that they might go and make £150 to £200. | 0:08:41 | 0:08:45 | |
I think you might just struggle with them and our 80 to 120 is a good estimate. | 0:08:45 | 0:08:50 | |
You know, the valuation of something, really, is what somebody's prepared to pay for it. | 0:08:50 | 0:08:55 | |
So when we go to Bamford sale room, my guess is we'll find out what these | 0:08:55 | 0:08:59 | |
are worth. And I imagine that we'll all be wrong! | 0:08:59 | 0:09:02 | |
Thank you very much for coming. | 0:09:02 | 0:09:05 | |
-We'll see you at Bamford's. -OK. Thank you. | 0:09:05 | 0:09:08 | |
We'll be coming back to more valuations a little later in the show. | 0:09:08 | 0:09:11 | |
Before that, let's see how our first three items do at auction. | 0:09:11 | 0:09:15 | |
Firstly, there was the little gold and aquamarine brooch that Michael fell for. | 0:09:15 | 0:09:19 | |
But will the price be right for Rosy? | 0:09:19 | 0:09:22 | |
This painting by German artist Hoff Muller certainly caught my eye. | 0:09:22 | 0:09:26 | |
I hope it makes a good price for Peter. | 0:09:26 | 0:09:28 | |
Finally, Philip may have doted on the dog figurines, | 0:09:28 | 0:09:32 | |
but will the bidders be bitten by their charms? | 0:09:32 | 0:09:36 | |
For today's auction we're staying in the heart of Derby. | 0:09:36 | 0:09:39 | |
But before things get going, I grabbed a quick chat with auctioneer and Flog It regular, James Lewis. | 0:09:39 | 0:09:45 | |
We've got a couple of hounds for you and it's not Philip or Michael, | 0:09:45 | 0:09:49 | |
it is in fact two lovely Wade figures. | 0:09:49 | 0:09:52 | |
They're far prettier! | 0:09:52 | 0:09:53 | |
They belong to Cedric and Jean and Philip has put £80 to £120. | 0:09:53 | 0:09:59 | |
It's the name, they're very collectable and they're dogs. | 0:09:59 | 0:10:02 | |
Wade made these blow up figures for a number of years. | 0:10:02 | 0:10:05 | |
The little miniature Wade whimsies sell every time. They're very easy to sell. | 0:10:05 | 0:10:10 | |
It's a mad world when 18th-century porcelain can be very difficult, | 0:10:10 | 0:10:14 | |
and you get something like this from a cartoon that sells week in, week out, without any problem. | 0:10:14 | 0:10:19 | |
-20th-century collectables. That is where the market is. -Childhood memories as well. | 0:10:19 | 0:10:24 | |
And there is a book price, so people feel safe buying things like this. | 0:10:24 | 0:10:28 | |
Dalton figures, isn't it? Flick to the page, look it up, Beswick hunting sets, all the same thing. | 0:10:28 | 0:10:33 | |
I have to say, I actually quite like them, | 0:10:33 | 0:10:35 | |
and I think Philip's got a secret love for them as well. | 0:10:35 | 0:10:39 | |
He's a hound dog! | 0:10:39 | 0:10:42 | |
-Top end? -Yes, I hope they'll make top end. | 0:10:42 | 0:10:44 | |
It's what I'd have put on, typical auctioneer's estimate, £80 to £120. | 0:10:44 | 0:10:48 | |
I hope they'll make a bit more. I like those a lot. | 0:10:48 | 0:10:50 | |
Next under the hammer is Jane's gold and aquamarine brooch. It's been in the family for a long time. | 0:10:56 | 0:11:02 | |
-How can you bear to part with it? -It's been in a drawer for years... | 0:11:02 | 0:11:05 | |
-It's the answer we always get. -The usual answer. | 0:11:05 | 0:11:08 | |
There's no point keeping things in drawers. Move them on | 0:11:08 | 0:11:11 | |
-and get something you want with the money. -Yeah, spend the money. Did you ever wear it? | 0:11:11 | 0:11:16 | |
Nobody wore it, that I know of. | 0:11:16 | 0:11:18 | |
-You don't want to keep it in the family. Kids don't want it? -No, they're not interested. | 0:11:18 | 0:11:23 | |
-Let's flog it. That's what we're here for. -Absolutely. | 0:11:23 | 0:11:26 | |
Let's put it under the hammer right now. This is it, good luck. | 0:11:26 | 0:11:29 | |
Art Nouveau nine-carat gold pendant | 0:11:29 | 0:11:32 | |
set with aquamarines and sea pearls. | 0:11:32 | 0:11:34 | |
And start the bidding, we've got a single bid on it, £60. And five now. | 0:11:34 | 0:11:38 | |
£60. 5. 70. 5. | 0:11:38 | 0:11:40 | |
75. 80 and 5. 85. 90. | 0:11:40 | 0:11:44 | |
Against the commission at £85. 90 now. | 0:11:44 | 0:11:47 | |
At 85. 90 behind? | 0:11:47 | 0:11:50 | |
No. At 85. Lady standing, at £85. | 0:11:50 | 0:11:52 | |
Do I see 90? With you at 85. | 0:11:52 | 0:11:56 | |
-That's a good result. -That's a fair price. -£85, Jane. | 0:11:56 | 0:12:00 | |
It's better than putting it | 0:12:00 | 0:12:02 | |
-in a drawer, at least you've got the money to spend. -Thank you very much. | 0:12:02 | 0:12:06 | |
Spend it on something you're not going to put in a drawer! | 0:12:06 | 0:12:09 | |
-Me and my daughter are going to spend it between us. -There you go. | 0:12:09 | 0:12:13 | |
It's my turn to be the expert. We've got the wonderful, slightly loose, Impressionistic | 0:12:17 | 0:12:22 | |
Hoff Muller oil painting and it belongs to Peter here. | 0:12:22 | 0:12:25 | |
We've got a value of around £70 to £100. | 0:12:25 | 0:12:28 | |
I'm hoping for the top end. Fingers crossed. | 0:12:28 | 0:12:31 | |
This is the first picture in the sale going under the hammer, so we're testing the water, really. | 0:12:31 | 0:12:36 | |
But I know we need top dollar, because the money's going towards | 0:12:36 | 0:12:39 | |
-your wife's headstone, who passed away recently. -Yes. I'd be very grateful. | 0:12:39 | 0:12:44 | |
-What have you been up to in the last few month since we saw you at the valuation? -Not much. | 0:12:44 | 0:12:50 | |
-Just organising things? -Organising, yes, and preparing some more things to go for auction. | 0:12:50 | 0:12:58 | |
OK. Well, good luck, this is it. | 0:12:58 | 0:13:00 | |
Hoff Muller, a super picture, that one. | 0:13:00 | 0:13:03 | |
Really has got a good look about it. | 0:13:03 | 0:13:05 | |
Dated 1932, two bids on it. | 0:13:05 | 0:13:08 | |
One at £55, one higher. £60 starts. And five now. | 0:13:08 | 0:13:10 | |
At £60 and five do I see? | 0:13:10 | 0:13:12 | |
Five. 70. Five? | 0:13:12 | 0:13:15 | |
It's with me, it's against you. £70 with me and five do I see? | 0:13:15 | 0:13:19 | |
At 70, all done at £70. | 0:13:19 | 0:13:21 | |
These are the moments I dread in an auction room. | 0:13:21 | 0:13:24 | |
We give a valuation | 0:13:24 | 0:13:25 | |
at what we think is a good pitch | 0:13:25 | 0:13:27 | |
and hopefully people bid against each other and work the bid up. | 0:13:27 | 0:13:31 | |
But there was only two bids left. | 0:13:31 | 0:13:33 | |
-It can't be helped. -But we got it away and that's a start. | 0:13:33 | 0:13:38 | |
It's an honest start. Thank you so much for coming in. | 0:13:38 | 0:13:41 | |
It's your turn next! We've got the Wade figures. | 0:13:47 | 0:13:50 | |
-Cedric and Jean, great to see you again. Who is the dog lover? -I am. -They were yours, were they? | 0:13:50 | 0:13:55 | |
Why are you flogging them now? | 0:13:55 | 0:13:57 | |
I thought someone might like them for their collection as they're rare. | 0:13:57 | 0:14:01 | |
We've got a value of £80 to £120, Philip. | 0:14:01 | 0:14:04 | |
I had a quick chat to James the auctioneer before the sale | 0:14:04 | 0:14:07 | |
and he chuckled and said, this is so typical, these things are selling so well, | 0:14:07 | 0:14:11 | |
compared to anything, let's say, 18th-century porcelain. | 0:14:11 | 0:14:15 | |
-Nonsense, really. -It is crazy, absolutely crazy. | 0:14:15 | 0:14:18 | |
But there are collectors that want this kind of thing. | 0:14:18 | 0:14:21 | |
-You sell them at your sale room? -Absolutely. | 0:14:21 | 0:14:23 | |
The pair of Wade Disney blow-up figures, Lady and the Tramp. | 0:14:23 | 0:14:29 | |
We've got three bids, | 0:14:29 | 0:14:30 | |
£70 starts them. 70. 80 now? | 0:14:30 | 0:14:34 | |
80 do I see? 80. 90? 100. And 10. | 0:14:34 | 0:14:37 | |
Look at the price of these! | 0:14:37 | 0:14:38 | |
At 120. 130. New place. 140. 150. | 0:14:38 | 0:14:42 | |
150. 160. 170? | 0:14:42 | 0:14:45 | |
170, shakes his head at 170. | 0:14:45 | 0:14:48 | |
Are you sure? At 160, it's here. | 0:14:48 | 0:14:50 | |
All done at 160. 165 if you like. | 0:14:50 | 0:14:54 | |
At £160, are we all done? | 0:14:54 | 0:14:57 | |
The hammer's gone down at £160. | 0:14:57 | 0:15:01 | |
Can you remember buying them? | 0:15:01 | 0:15:03 | |
-Yes. -What did you pay for them? | 0:15:03 | 0:15:05 | |
I got them from a white elephant stall | 0:15:07 | 0:15:10 | |
in a garden party and it was about 20 years ago. | 0:15:10 | 0:15:13 | |
And what did you pay for them? | 0:15:13 | 0:15:15 | |
-I can't remember. -About a pound, I would think. | 0:15:15 | 0:15:18 | |
-A couple of quid. What a good investment! -I bet it wasn't £160, that's for sure! | 0:15:18 | 0:15:23 | |
If you've got any Wade figures like that, hang on to them or put them into an auction, | 0:15:23 | 0:15:27 | |
because they're making top money right now. | 0:15:27 | 0:15:30 | |
For most of us, a wood like this one in Derbyshire | 0:15:38 | 0:15:41 | |
is a place where we come for a pleasant walk for the day, | 0:15:41 | 0:15:43 | |
maybe with the dog, embrace nature and see a lot of wildlife | 0:15:43 | 0:15:47 | |
and hopefully have a nice picnic and then at the end of the day go home. | 0:15:47 | 0:15:51 | |
There's not many of us would think of spending the night here, | 0:15:51 | 0:15:55 | |
especially without a tent, let alone go foraging for food. | 0:15:55 | 0:15:59 | |
But there is one man who does exactly that, and his name is Dave Watson, | 0:16:02 | 0:16:07 | |
and he teaches bushcraft skills here at Spring Wood, and he's promised to show me | 0:16:07 | 0:16:11 | |
how I can live in this environment with just the things that surround me. | 0:16:11 | 0:16:17 | |
Dave! It's great to meet you. | 0:16:20 | 0:16:22 | |
-Hi. -What's your dog called? -Jess. | 0:16:22 | 0:16:25 | |
She's beautiful, a collie, how lovely. | 0:16:25 | 0:16:28 | |
So what are the key ingredients I need to survive in the woods? | 0:16:28 | 0:16:32 | |
Well, you need to have a shelter, you need a fire. | 0:16:32 | 0:16:35 | |
Yeah, keep warm. | 0:16:35 | 0:16:37 | |
Some water and some food. | 0:16:37 | 0:16:39 | |
So everything is here around us right now? | 0:16:39 | 0:16:41 | |
Yes. A bit like learning a language, you've got to understand how to interpret it. | 0:16:41 | 0:16:46 | |
-It's all here. -And you've got to know where to look? -That's right. | 0:16:46 | 0:16:50 | |
OK, I see you've got some A-frames there. Shall we start | 0:16:50 | 0:16:53 | |
by looking at how to build the home? OK. | 0:16:53 | 0:16:56 | |
Here's one that was done yesterday by a bunch of schoolchildren. | 0:16:56 | 0:17:00 | |
About an hour's work there with obviously lots of them, so perhaps two or three hours for yourself. | 0:17:00 | 0:17:06 | |
Looks nice and cosy, that will keep you warm, so we've got a home established there. | 0:17:06 | 0:17:11 | |
That's obviously the start of it, the superstructure. | 0:17:11 | 0:17:13 | |
-It is, it's very important. -Let's have a look at that. | 0:17:13 | 0:17:17 | |
So what we've got here is a strong ridge pole, | 0:17:17 | 0:17:21 | |
which we've just stuffed into the ground to find like buffer. | 0:17:21 | 0:17:25 | |
We've got two strong branches, and they're propping it up. | 0:17:25 | 0:17:30 | |
Next, you want some poles to make the frame. | 0:17:30 | 0:17:34 | |
Shall I give you a hand? What happens here? | 0:17:34 | 0:17:37 | |
OK, thick end at the bottom | 0:17:37 | 0:17:39 | |
and then just find a place where it naturally lays. | 0:17:39 | 0:17:43 | |
-So now we need to weather-proof it. -That's right. -Next stage. | 0:17:43 | 0:17:47 | |
So we need a few more branches to form like an anchorage, and then we get bundles of bracken, | 0:17:47 | 0:17:54 | |
fronds pointing down, and then it really is a thatch. | 0:17:54 | 0:17:59 | |
And this, if it's done well, really keeps the weather out. | 0:17:59 | 0:18:02 | |
That looks nice and cosy. So we've got our home built. | 0:18:02 | 0:18:05 | |
The next thing is to build a fire in front of it so we can keep warm. | 0:18:05 | 0:18:09 | |
Yes, but for the method we are going to use today, we are going to need some string. | 0:18:09 | 0:18:14 | |
String is another invaluable tool that the woods can provide. | 0:18:14 | 0:18:19 | |
Stinging nettles supply the fibres needed to produce a cord. | 0:18:19 | 0:18:23 | |
The nettles are first stripped, revealing the strong internal fibres. | 0:18:23 | 0:18:28 | |
They're then dried out over a number of hours. | 0:18:28 | 0:18:30 | |
These fibres are then bound using a simple twisting technique. | 0:18:30 | 0:18:34 | |
One of the many uses for this natural string is to create a bow. | 0:18:34 | 0:18:37 | |
OK, here's one that I made last year. | 0:18:37 | 0:18:41 | |
This has been used for making several fires. | 0:18:41 | 0:18:44 | |
-Hopefully it'll do another one for us today. -What's the next stage? | 0:18:44 | 0:18:49 | |
Well, we've got string, we've got a bit of hazel, which is like a universal drill. | 0:18:49 | 0:18:53 | |
We get that on, a stone as a bearing block. | 0:18:53 | 0:18:57 | |
That pushes the pressure down. | 0:18:57 | 0:18:59 | |
It could be a hard bit of wood. | 0:18:59 | 0:19:02 | |
Then we need something to catch the coal, so we've got a slip of bark. | 0:19:02 | 0:19:08 | |
So put the drill in place and then start off slowly, | 0:19:08 | 0:19:12 | |
making sure it all sort of works. | 0:19:12 | 0:19:15 | |
And look at that. | 0:19:15 | 0:19:17 | |
That's very quick! I didn't think it would be that quick. | 0:19:17 | 0:19:20 | |
Well, I can make it last longer if you want. | 0:19:20 | 0:19:24 | |
No! | 0:19:24 | 0:19:27 | |
I love the smell. Oh, that's wonderful. | 0:19:27 | 0:19:30 | |
We've wafted it, it continues to smoke, so we know we've got a coal, | 0:19:30 | 0:19:34 | |
and then we take the base away, | 0:19:34 | 0:19:37 | |
let the oxygen feed into this, | 0:19:37 | 0:19:41 | |
and then this is going to get bigger and hotter, so I'm not rushing. | 0:19:41 | 0:19:44 | |
Then we've got some dry grass, | 0:19:44 | 0:19:46 | |
in the centre of which I've got some fine tinder, | 0:19:46 | 0:19:49 | |
a bit of rosebay willowherb. | 0:19:49 | 0:19:51 | |
We've formed it very much into the nest, | 0:19:51 | 0:19:53 | |
and then we take this precious ruby, drop that into the centre. | 0:19:53 | 0:19:58 | |
Fold it over. | 0:19:59 | 0:20:02 | |
Some long, drawn out blows. | 0:20:02 | 0:20:04 | |
-Fire! -Exactly! | 0:20:08 | 0:20:10 | |
-And there we go. -Oh, dear, look at that. | 0:20:13 | 0:20:17 | |
And then you get fine sticks placed on there. | 0:20:17 | 0:20:22 | |
If the flames look like they're dying down, we can... | 0:20:22 | 0:20:25 | |
Get the oxygen in there. | 0:20:25 | 0:20:26 | |
That is really good, Dave. | 0:20:32 | 0:20:34 | |
We've got a great fire going to keep warm. What we need now is some food. | 0:20:34 | 0:20:38 | |
Dave assures me that in this stretch of woods alone there are enough nutrients to sustain us. | 0:20:38 | 0:20:43 | |
And taking a brief stroll from our shelter, we came across just some | 0:20:43 | 0:20:47 | |
of the wood's edible plants and wild foods. | 0:20:47 | 0:20:50 | |
Even more important is knowing what to avoid. | 0:20:50 | 0:20:53 | |
-Plants like this, the foxglove. -It's poisonous, isn't it? | 0:20:53 | 0:20:56 | |
Deadly, so you do need to know what you're talking about. | 0:20:56 | 0:20:59 | |
To highlight what a great diversity of wild foods can be found here, | 0:20:59 | 0:21:03 | |
we headed back to camp, where Dave had prepared some other plants. | 0:21:03 | 0:21:08 | |
-Well, the fire looks good, Dave. It has picked up now. -Yes. | 0:21:08 | 0:21:11 | |
We've talked about what sort of foods are available, | 0:21:11 | 0:21:15 | |
and you went on a forage this morning before I arrived. | 0:21:15 | 0:21:19 | |
-What have you got? -Well, I've got a few treats. | 0:21:19 | 0:21:21 | |
We've got some of those berries. | 0:21:21 | 0:21:23 | |
We've got some redcurrant, which is out, | 0:21:23 | 0:21:26 | |
and that's lovely and sweet. | 0:21:26 | 0:21:29 | |
-Have one of those. -Thank you. | 0:21:29 | 0:21:31 | |
Oh, that's beautiful. | 0:21:31 | 0:21:33 | |
What are those? | 0:21:33 | 0:21:35 | |
-Well, this is ear fungus. -Urgh! | 0:21:35 | 0:21:38 | |
It's quite pleasant, when you chop it up, stir fry it, this is great. | 0:21:38 | 0:21:42 | |
-You can't eat it raw like that. -Well, you can. | 0:21:42 | 0:21:45 | |
It's like rubber, is it? Ear fungus - where does that come from, a tree? | 0:21:45 | 0:21:49 | |
Yes, it comes from elder, mostly. | 0:21:49 | 0:21:51 | |
-Yeah. -We've also got some of the wild garlic, the ramsons, | 0:21:51 | 0:21:55 | |
and that grows abundantly in places. | 0:21:55 | 0:21:58 | |
Lovely! That's gorgeous. | 0:21:58 | 0:22:02 | |
What else is in there? | 0:22:02 | 0:22:04 | |
-We've also got some horns, or the shoots of the reedmace, and this is good food. -Can you eat that raw? | 0:22:04 | 0:22:11 | |
-It's not a good idea, because it comes from a pond. -Oh, right. | 0:22:11 | 0:22:15 | |
So, it's good to make sure you can neutralise all of the bacteria. | 0:22:15 | 0:22:19 | |
So it's best sort of chopped up and cooked. | 0:22:19 | 0:22:22 | |
It's all about knowledge. The more knowledge you've got, the easier it is to survive. | 0:22:22 | 0:22:26 | |
The more time you put into honing your skills, the less effort it is to do whatever task you want to do. | 0:22:26 | 0:22:32 | |
Point out the difference between survival and bushcraft. | 0:22:32 | 0:22:35 | |
Well, on the surface a lot of skills may fit the same, | 0:22:35 | 0:22:39 | |
but the root of them is quite different. | 0:22:39 | 0:22:42 | |
So, in survival you're fighting against the situation, | 0:22:42 | 0:22:46 | |
to get to a better place. | 0:22:46 | 0:22:48 | |
With bushcraft, you're working with your situation. | 0:22:48 | 0:22:52 | |
I can see you love what you doing | 0:22:52 | 0:22:54 | |
and it must be wonderful passing on this knowledge to all people | 0:22:54 | 0:22:58 | |
from all walks of life, kids, city people, | 0:22:58 | 0:23:01 | |
they come here and they develop a new personality, basically. | 0:23:01 | 0:23:05 | |
That's what makes me tick. | 0:23:05 | 0:23:07 | |
Yes, I can see that. | 0:23:07 | 0:23:09 | |
Yeah, I recommend it to anybody, even if it's just for the day. | 0:23:09 | 0:23:13 | |
Come and learn a bit about bushcraft skills. | 0:23:13 | 0:23:17 | |
-Thanks so much. -Pleasure. | 0:23:17 | 0:23:19 | |
We're back to our valuation day at the Derby Assembly Rooms, | 0:23:23 | 0:23:26 | |
and there's plenty more people to see, so let's get things going. | 0:23:26 | 0:23:30 | |
Sheila, thank you for bringing this very intricate drawing along today. | 0:23:30 | 0:23:35 | |
-Can you tell me, how did you come by it? -As far as can I remember, | 0:23:35 | 0:23:39 | |
I found it in a box of bits under a stall at a book fair several years ago. | 0:23:39 | 0:23:43 | |
I think I paid about £2 for it or something. | 0:23:43 | 0:23:47 | |
But it's been stuck in a drawer ever since. | 0:23:47 | 0:23:49 | |
Flog it! | 0:23:49 | 0:23:51 | |
You've got a tremendously good eye if you can pick that out of a box at book fair. | 0:23:51 | 0:23:56 | |
To all intents and purposes, I thought it was a book illustration, | 0:23:56 | 0:23:59 | |
and it well may be a drawing for an illustration that was put into production. | 0:23:59 | 0:24:04 | |
It's that diminutive size and we've got it here, two fantastic tigers | 0:24:04 | 0:24:10 | |
and this wonderful exotic landscape that I don't think really exists. | 0:24:10 | 0:24:14 | |
We've got it signed here by AT Elves. | 0:24:14 | 0:24:18 | |
-I'll be honest, that's not an artist that I... -Or is it Elwes? | 0:24:18 | 0:24:21 | |
Now you're testing me. Let's have a look. | 0:24:21 | 0:24:24 | |
Yes, it is, you're absolutely right, Elwes, | 0:24:25 | 0:24:28 | |
and it's not an artist I have come across before, but he is obviously a very gifted individual to do this | 0:24:28 | 0:24:34 | |
very fine work, simply with a pen, to give such a realistic effect. | 0:24:34 | 0:24:38 | |
How can you tell it is an original? | 0:24:38 | 0:24:40 | |
You can see under a lens that it's fine penwork and not an engraving. | 0:24:40 | 0:24:43 | |
It's really, for a minor artist, | 0:24:43 | 0:24:46 | |
too much trouble to go to forge something | 0:24:46 | 0:24:49 | |
that might only be worth, as you paid for it, £2 at the time. | 0:24:49 | 0:24:53 | |
I think if somebody offered that to me for £500 to £1,000 and it was by a major artist, | 0:24:53 | 0:24:58 | |
and I had nothing to back it up, I would be slightly suspicious, | 0:24:58 | 0:25:02 | |
but the value is an indicator, at least in this case, | 0:25:02 | 0:25:06 | |
of its genuineness as an original pen and ink washed drawing. | 0:25:06 | 0:25:09 | |
It suffers on a couple of points, though. | 0:25:09 | 0:25:12 | |
Because it's monochrome | 0:25:12 | 0:25:15 | |
and because it's diminutive in size and has that look of a book illustration, | 0:25:15 | 0:25:20 | |
it is not the most commercial thing in the world. | 0:25:20 | 0:25:23 | |
But it's a very pleasing subject matter, | 0:25:23 | 0:25:26 | |
and I can't believe that anyone that saw the work that went into it | 0:25:26 | 0:25:29 | |
could value it at less than say £30 or £50. | 0:25:29 | 0:25:34 | |
So, a good return on your £2 but... | 0:25:34 | 0:25:36 | |
-Well, yes. -Why have you decided to sell it now? | 0:25:36 | 0:25:39 | |
Well, I was coming to Flog It and to be legal, I have to bring something that I'm willing to sell, | 0:25:39 | 0:25:46 | |
so that's it. | 0:25:46 | 0:25:47 | |
So you brought this fellow. Well, I'm delighted that you did. | 0:25:47 | 0:25:51 | |
I think if you're happy with that and we put a fixed reserve of £30 on it, | 0:25:51 | 0:25:54 | |
you don't want to sell it for any less than that. | 0:25:54 | 0:25:58 | |
I don't want to sell it for less than £30, no, | 0:25:58 | 0:26:00 | |
there's an awful lot of work in there, | 0:26:00 | 0:26:03 | |
-and if it's underappreciated, OK, I'll keep it. -Absolutely. | 0:26:03 | 0:26:07 | |
We'll give it a go at auction, and hopefully two people that love it as much as we do will be there. | 0:26:07 | 0:26:11 | |
-Thank you so much for bringing it in. -Thank you, Michael. | 0:26:11 | 0:26:14 | |
-Jo, this is a sweet little bracelet. -Yes, I've had it since I was 21. | 0:26:19 | 0:26:23 | |
-Not very long, then. -Flatterer! | 0:26:23 | 0:26:26 | |
So, it was a 21st birthday present. | 0:26:26 | 0:26:29 | |
Yes, but it was the only chain, | 0:26:29 | 0:26:32 | |
-which was half of my father's fob chain. -Fascinating, so you got half. | 0:26:32 | 0:26:38 | |
-Yes. -Who got the other half? | 0:26:38 | 0:26:40 | |
-My sister, for her 21st. -That's quite novel and quite inventive, | 0:26:40 | 0:26:44 | |
but I think that's quite sad, because it was chopped off... well, you haven't. | 0:26:44 | 0:26:49 | |
But then what is it worth to us as a watch chain, as two girls? | 0:26:49 | 0:26:54 | |
I don't know, I've got no answer for you, but... | 0:26:54 | 0:26:58 | |
At least we could do something with it, which as a full length of chain we couldn't do anything with. | 0:26:58 | 0:27:03 | |
I just think in days gone past, our ancestors, bless their cotton socks, they split up silver tea sets, | 0:27:03 | 0:27:08 | |
by giving somebody the jug, | 0:27:08 | 0:27:10 | |
-somebody the tea pot and sugar bowl, and I think it's sad. -It is sad. | 0:27:10 | 0:27:17 | |
It's sad when things get split up, I also think it devalues them, | 0:27:17 | 0:27:22 | |
because it isn't how it started out life. | 0:27:22 | 0:27:25 | |
But in this instance, I can see where you coming from. | 0:27:25 | 0:27:28 | |
What I find fascinating, is that charm bracelets were very much of thing of yore. | 0:27:28 | 0:27:33 | |
-Oh, 1970s. -1970s. | 0:27:33 | 0:27:36 | |
-Everybody wanted one. -You had to have... | 0:27:36 | 0:27:38 | |
Every time you got some money, you went to jeweller and got another little attachment. | 0:27:38 | 0:27:42 | |
And they were like the Rolls-Royce. | 0:27:42 | 0:27:44 | |
So a gold charm bracelet in the '70s, that was right up there with the flock wall paper, that was the best. | 0:27:44 | 0:27:51 | |
So, why do you want to sell it? | 0:27:51 | 0:27:54 | |
They're old fashioned now. | 0:27:54 | 0:27:56 | |
There has been a piece of jewellery, they're very noisy to wear. | 0:27:56 | 0:28:00 | |
Clank-clank. | 0:28:00 | 0:28:02 | |
Also, the sharp edges pull on your clothing and pull threads of your clothing. | 0:28:02 | 0:28:06 | |
That's why I've never worn one. | 0:28:06 | 0:28:09 | |
Well, gold is very much at a premium at the moment, | 0:28:09 | 0:28:11 | |
and I think we can estimate this all day long at £120 to £180. | 0:28:11 | 0:28:16 | |
It might go and make you £200. | 0:28:16 | 0:28:20 | |
It depends where the gold price is on the day of the sale. | 0:28:20 | 0:28:23 | |
We'll put a fixed reserve on it of £120. | 0:28:23 | 0:28:25 | |
What are you going to do with the money? | 0:28:25 | 0:28:27 | |
I have got some guttering that needs repairing. | 0:28:27 | 0:28:30 | |
Guttering? | 0:28:30 | 0:28:31 | |
You see, what I think... | 0:28:31 | 0:28:34 | |
I won't tell you what to do here, but what I think would be really good if this makes £150, | 0:28:34 | 0:28:39 | |
if you can somehow manage to keep a bit of that £150 away from your guttering, | 0:28:39 | 0:28:43 | |
just buy something to replace the 21st birthday present that you had. | 0:28:43 | 0:28:47 | |
So 120-180, you're happy to sell it? | 0:28:47 | 0:28:50 | |
-That's fine. -All the sentiment in world won't dissuade you not to. -Not when I don't wear it, no. | 0:28:50 | 0:28:54 | |
-I think you're probably right, really. Let's hope it sells well. -Good. | 0:28:54 | 0:28:58 | |
Claire, thank you for bringing these wonderful pieces of jewellery along. | 0:29:04 | 0:29:08 | |
-Can you tell me where you got them from? -Yes, this was left to me by my grandmother 20 years ago, | 0:29:08 | 0:29:14 | |
and this one with was left to me by my great aunt. | 0:29:14 | 0:29:18 | |
-Fantastic. Were they ladies that wore a lot of jewellery? -Oh, yes, in their day, yes. | 0:29:18 | 0:29:23 | |
-So these will have seen a lot of use. -I think so, yes. | 0:29:23 | 0:29:26 | |
If we look at the ring first, | 0:29:26 | 0:29:28 | |
-if your grandmother was wearing it, that would be around 1900, 1910? -Yes. | 0:29:28 | 0:29:33 | |
Which is absolutely right for the period of the ring. | 0:29:33 | 0:29:37 | |
We've only got a little 18 carat stamp there, that's fairly normal. | 0:29:37 | 0:29:41 | |
The one thing that immediately strikes me as being wrong about it is the central stone, | 0:29:41 | 0:29:47 | |
because you have got this fabulous diamond, probably set into silver, | 0:29:47 | 0:29:51 | |
so it makes the diamonds very white, | 0:29:51 | 0:29:54 | |
and I would expect to see an opal there, | 0:29:54 | 0:29:57 | |
especially that shape, but we've got a rather plain bit of turquoise. | 0:29:57 | 0:30:01 | |
But that was her favourite colour, | 0:30:01 | 0:30:03 | |
so either she bought it because of that, or she had that put in. | 0:30:03 | 0:30:08 | |
I have a feeling Granny was about mischief and she changed that. | 0:30:08 | 0:30:13 | |
-Probably, yes. -Unfortunately, whoever has done it | 0:30:13 | 0:30:16 | |
has ripped off a little bit of the mount just there. | 0:30:16 | 0:30:19 | |
It's almost imperceptible. That's a pretty ring, though. | 0:30:19 | 0:30:21 | |
-If we move on to Great Auntie's watch? -Great Aunt Kit. | 0:30:21 | 0:30:25 | |
Did Great Aunt Kit have the smallest wrists in the world? | 0:30:25 | 0:30:31 | |
She must have, yes. I know it looks small, but I can just about fasten it. | 0:30:31 | 0:30:36 | |
-You can't! -I have, I've just tried. -Oh, my word. | 0:30:36 | 0:30:39 | |
Well, that's phenomenonal. | 0:30:39 | 0:30:41 | |
But if you need a testament as to why people were a bit smaller in the '20s, you've got that. | 0:30:41 | 0:30:46 | |
This is a fabulous cocktail watch, very Art Deco. | 0:30:46 | 0:30:49 | |
You've got these very Odeonesque angular borders, and its parve set with little diamond chips, | 0:30:49 | 0:30:54 | |
and what's nice is you've got diamonds set all the way round, which is really extravagant. | 0:30:54 | 0:31:00 | |
Set in platinum, which was a favoured metal in the '20s and '30s. | 0:31:00 | 0:31:05 | |
I would be very surprised if that dated very much later than 1925. | 0:31:05 | 0:31:08 | |
So, why don't you wear them today? | 0:31:08 | 0:31:13 | |
Well, I don't wear many people wear many cocktail watches now, and the ring just isn't me. | 0:31:13 | 0:31:19 | |
Don't they have any tremendous sentimental attachments for you? | 0:31:19 | 0:31:22 | |
Well, yes, they do, but I have been left some other pieces which I do wear. | 0:31:22 | 0:31:27 | |
And there's no-one else that would look after them or they could be passed to? | 0:31:27 | 0:31:30 | |
No, it's just very big on your hands. | 0:31:30 | 0:31:35 | |
-If they've got no real sentimental value... -Not really, no. | 0:31:35 | 0:31:38 | |
The best thing, to pop them into the sales. | 0:31:38 | 0:31:40 | |
So, any ideas of values of them? | 0:31:40 | 0:31:43 | |
Well, I was hoping about £500. | 0:31:43 | 0:31:46 | |
Right, right. | 0:31:46 | 0:31:47 | |
I think had Granny not whipped the opal out and put a bit of turquoise in, that would not be a problem. | 0:31:47 | 0:31:54 | |
Someone's got to have bit of vision | 0:31:54 | 0:31:56 | |
and see they see it in auction, and imagine it with a different stone set into it. | 0:31:56 | 0:32:00 | |
I think we would be safe at £400 to £600 for that. | 0:32:00 | 0:32:05 | |
The cocktail watch, because it is so small, the bracelet will need some work doing to it. | 0:32:05 | 0:32:10 | |
That is not an inexpensive thing, | 0:32:10 | 0:32:13 | |
so I think we're probably £300 to £500 for that as it stands. | 0:32:13 | 0:32:19 | |
-But a fixed reserve of 400 and 300, if you're happy with that. -Yes. | 0:32:19 | 0:32:23 | |
We'll put them into the sale and hope some very sophisticated, elegant, | 0:32:23 | 0:32:27 | |
Art Deco loving lady with incredibly small wrists comes along to the sale. | 0:32:27 | 0:32:32 | |
-OK. -Thank you very much for bringing them in. -OK, thank you. | 0:32:32 | 0:32:35 | |
Well, that's the last of today's valuations, | 0:32:35 | 0:32:37 | |
but before we head off to auction room, | 0:32:37 | 0:32:39 | |
here is a quick reminder of what we have seen. | 0:32:39 | 0:32:42 | |
Sheila brought in this delicate illustration, | 0:32:42 | 0:32:45 | |
but how will it do with Michael's valuation of £30 to £50? | 0:32:45 | 0:32:49 | |
Joan was given this bracelet from her father's fob chain, and Philip's hoping it will make top end. | 0:32:49 | 0:32:55 | |
Claire treated us to a double valuation. | 0:32:55 | 0:32:57 | |
Firstly, there was the petite but stunning Art Deco cocktail watch | 0:32:57 | 0:33:01 | |
and finally that striking diamond ring with the replacement stone. | 0:33:01 | 0:33:05 | |
Welcome back to the auction room. | 0:33:08 | 0:33:10 | |
Flog It regular James Lewis is on the rostrum, and the sale's under way. | 0:33:10 | 0:33:15 | |
Earlier on, one of our lots had caught James' eye, unfortunately not for the right reasons. | 0:33:15 | 0:33:20 | |
Well, they say diamonds are a girl's best friend. | 0:33:20 | 0:33:22 | |
Well, it's a good job, because more than half of our bidders here are women. | 0:33:22 | 0:33:26 | |
A good 70%? | 0:33:26 | 0:33:29 | |
Probably 60, 65. | 0:33:29 | 0:33:30 | |
This belongs to Claire, before you go ahead. | 0:33:30 | 0:33:34 | |
You're just about to say, "I have to say..." I'm dreading this! | 0:33:34 | 0:33:37 | |
It's an 18 carat diamond set in silver, it belongs to Claire, it's too big for her. | 0:33:37 | 0:33:41 | |
It was her grandmother's, so it's been in the family a long time, | 0:33:41 | 0:33:45 | |
and Michael has put £400 to £600 on this. | 0:33:45 | 0:33:48 | |
Well, I've known Michael since university days, we go back a long way, | 0:33:48 | 0:33:52 | |
and he is a fantastic jewellery valuer. | 0:33:52 | 0:33:54 | |
I disagree with him here, I think he has gone too over the top. | 0:33:54 | 0:33:58 | |
-It is not "pretty" pretty. -It's not a very commercial ring. | 0:33:58 | 0:34:00 | |
-It's been altered. -It has been altered, it is 18 carat, set in platinum not silver, | 0:34:00 | 0:34:05 | |
but that's the case with most of these rings. | 0:34:05 | 0:34:08 | |
Imagine that with a beautiful sapphire or an emerald or ruby. | 0:34:08 | 0:34:12 | |
That would be a good-looking ring. | 0:34:12 | 0:34:14 | |
There's a really ugly clump of turquoise in the middle of this | 0:34:14 | 0:34:18 | |
that looks as if it has nothing to do with the ring whatsoever. | 0:34:18 | 0:34:22 | |
The diamonds on the outside are a lovely colour. | 0:34:22 | 0:34:25 | |
But at the end of the day £400 to £600, | 0:34:25 | 0:34:26 | |
it's a lot of money for a ring with a lump of pale blue turquoise in it. | 0:34:26 | 0:34:30 | |
Too much, I think. | 0:34:30 | 0:34:31 | |
-What would you have put on this if it came into the room? -I would have put way less on it! | 0:34:31 | 0:34:35 | |
-Two to three? -We took this to specialist jewellery sale that we had in Matlock, | 0:34:35 | 0:34:39 | |
and it was on view there and I asked all the people to look at this, | 0:34:39 | 0:34:43 | |
it's not in this sale, but we have got it in a sale coming. | 0:34:43 | 0:34:46 | |
And I've got a lot of bids on it, but there was not a single one above £300. | 0:34:46 | 0:34:49 | |
I think it's gonna struggle, I'm afraid. | 0:34:49 | 0:34:51 | |
Bad news on that one, but I'll try my best. | 0:34:51 | 0:34:53 | |
It sounds like it's going struggle. | 0:34:53 | 0:34:55 | |
We've heard what Michael said, now we've heard what James has said. | 0:34:55 | 0:34:58 | |
You've probably made your own minds up what it is worth. We're going to find out what the bidders think. | 0:34:58 | 0:35:02 | |
-It's now up to you to get on the rostrum and fingers crossed, work some magic. -I'll try. | 0:35:02 | 0:35:09 | |
Sheila and Michael, good luck. | 0:35:14 | 0:35:16 | |
We're just about to put the book illustration under the hammer. | 0:35:16 | 0:35:19 | |
We're looking for £30 to £50. | 0:35:19 | 0:35:22 | |
-Yes! -I take it you both lived a some stage in the same postcode area? | 0:35:22 | 0:35:26 | |
We were both born in the same area of Sutton Coldfield. | 0:35:26 | 0:35:30 | |
-About a mile apart? -Yep. | 0:35:30 | 0:35:31 | |
But many years apart. | 0:35:31 | 0:35:34 | |
You we can always tell one another when you've born in the same area. | 0:35:34 | 0:35:37 | |
-How is that? -If I told you, I would have to kill you, Paul. | 0:35:37 | 0:35:40 | |
Like the Masons' handshake for Sutton Coldfielders. | 0:35:40 | 0:35:44 | |
You look fantastic, Sheila. | 0:35:44 | 0:35:46 | |
-You put us to shame. -Stunning. Well, absolutely. | 0:35:46 | 0:35:50 | |
Thank you, I wore it out shopping yesterday and somebody said you look nice, so I said, "That's it." | 0:35:50 | 0:35:54 | |
That's the outfit for Flog It. | 0:35:54 | 0:35:56 | |
That's the outfit to wear. Let's hope it brings you good luck. | 0:35:56 | 0:35:59 | |
We need the top end of the estimate for this little book etching. | 0:35:59 | 0:36:02 | |
Pen and ink book sketch. | 0:36:02 | 0:36:05 | |
I've got one bid and one bid only, and £30 takes it. | 0:36:05 | 0:36:09 | |
At 30 and two do I see? At 30 and two anywhere. | 0:36:09 | 0:36:13 | |
At 30, all done. | 0:36:13 | 0:36:15 | |
-That was quick, Sheila. -At £30 with, anywhere else? Just take it. | 0:36:15 | 0:36:20 | |
Hammer's gone down, in and out. | 0:36:20 | 0:36:22 | |
I think that was very fair for what it was. | 0:36:22 | 0:36:24 | |
It was a little pen and ink sketch, | 0:36:24 | 0:36:26 | |
and sometimes you can come to an auction like this | 0:36:26 | 0:36:30 | |
and find 50 or 60 in a folio for £40 to £60. | 0:36:30 | 0:36:33 | |
I know you found it very well and bought it cheaply, | 0:36:33 | 0:36:37 | |
which was eagle-eyed of you. | 0:36:37 | 0:36:39 | |
Sheila has a cracking eye. | 0:36:39 | 0:36:40 | |
You've got a good eye. | 0:36:40 | 0:36:42 | |
You know you have, I can see. | 0:36:42 | 0:36:45 | |
Everyone from Sutton Coldfield has, Paul. | 0:36:45 | 0:36:47 | |
Well, this is where we bring out our lucky charm, it's Joan's lucky charm made out of an old watch fob. | 0:36:51 | 0:36:57 | |
We're looking at £120 to £180? | 0:36:57 | 0:37:00 | |
-Yes. -Let's hope we get that top end, because those watch fobs fetch good money. | 0:37:00 | 0:37:04 | |
I've got a distinct feeling that this '60s and '70s vintage and retro stuff are the next things that take off. | 0:37:04 | 0:37:11 | |
This could be a Flog It trend-setting moment. | 0:37:11 | 0:37:13 | |
-OK. -Watch. -Watch this space, and start investing. | 0:37:13 | 0:37:16 | |
Listen to Philip. | 0:37:16 | 0:37:19 | |
No, don't! Oh, do, do, do! | 0:37:19 | 0:37:21 | |
Why are you selling this? | 0:37:21 | 0:37:23 | |
Well, it's '70s, which I don't wear. | 0:37:23 | 0:37:26 | |
OK, so it's out of fashion. | 0:37:26 | 0:37:28 | |
It's chunky, noisy, the charms pull the threads on your clothing. | 0:37:28 | 0:37:32 | |
But bling's in now. | 0:37:32 | 0:37:34 | |
-But it spoils your clothes. -OK! | 0:37:34 | 0:37:36 | |
It's going under the hammer now. This is it. | 0:37:36 | 0:37:39 | |
Nine carat gold charm bracelet | 0:37:39 | 0:37:41 | |
with the sovereign and five bids, 140, 160... | 0:37:41 | 0:37:45 | |
Yes. | 0:37:45 | 0:37:46 | |
-Get in there. -And two of them are identical at the top at £255. | 0:37:46 | 0:37:53 | |
So, 260 do I see? | 0:37:53 | 0:37:55 | |
All the bidding on the absentee form at £255, anywhere else? | 0:37:55 | 0:38:00 | |
260, lady in the centre takes it. Against them all. | 0:38:00 | 0:38:03 | |
£260! | 0:38:03 | 0:38:06 | |
£271. | 0:38:06 | 0:38:08 | |
-Crumbs. -Do you think she is going to wear it? | 0:38:08 | 0:38:11 | |
James put the hammer down with conviction, £260. | 0:38:11 | 0:38:15 | |
That is a surprise, isn't it? | 0:38:15 | 0:38:17 | |
-It is. -It's the fob chains, as you say, very collectable, everyone wants them. | 0:38:17 | 0:38:22 | |
The price of gold as well. | 0:38:22 | 0:38:24 | |
Yes, it is, yeah. What are you going to put that money towards? | 0:38:24 | 0:38:28 | |
It was a 21st present from my parents, so I feel a bit guilty getting rid of it, | 0:38:28 | 0:38:33 | |
so I'm going to buy another piece of jewellery that can I wear and can display, | 0:38:33 | 0:38:38 | |
-and my father would agree with that. -Lovely. Well, well done. | 0:38:38 | 0:38:43 | |
Next under the hammer is Claire's Art Deco watch. | 0:38:48 | 0:38:52 | |
We've got a valuation of £300 to £500, | 0:38:52 | 0:38:53 | |
we do have the watch, it's going under hammer. | 0:38:53 | 0:38:56 | |
Unfortunately Claire can't be with us, but we do have Michael, £300 to £500. | 0:38:56 | 0:39:00 | |
-It's got to be worth that. -I've never seen anything like it before. | 0:39:00 | 0:39:04 | |
Usually you get them with diamonds around the bezel and you get a black strap. | 0:39:04 | 0:39:08 | |
-But you've got diamonds half the way down the strap, which is fantastic. -It catches your eye. | 0:39:08 | 0:39:12 | |
And I have seen one last week go in a sale for 550 that didn't have as many diamonds in it. | 0:39:12 | 0:39:18 | |
-That's a good sign! -So let's hope it hits that top figure. | 0:39:18 | 0:39:22 | |
The ladies' Art Deco diamond and platinum cocktail watch. | 0:39:22 | 0:39:27 | |
Very pretty lot, this one, circa 1920, 1925. | 0:39:27 | 0:39:30 | |
The glass is cracked, but other than that it is a fantastic watch, | 0:39:30 | 0:39:34 | |
don't let it put you off, easy thing to repair. | 0:39:34 | 0:39:36 | |
And £210 bid, at £220. At 210 with, 220 do I see?. | 0:39:36 | 0:39:41 | |
At 210, 220? | 0:39:41 | 0:39:43 | |
220, yes, 220, 240, 260. | 0:39:43 | 0:39:46 | |
240 with, 250 if you like. | 0:39:46 | 0:39:49 | |
240 with me. | 0:39:49 | 0:39:51 | |
It's not going sell at 240. | 0:39:51 | 0:39:54 | |
-Unbelievable. -At 240, are you all sure? | 0:39:54 | 0:39:56 | |
At 240...no, that's not sold. | 0:39:56 | 0:39:59 | |
I won't be getting on the phone to Claire straightaway. | 0:39:59 | 0:40:02 | |
No, I'll have to do it, won't I? | 0:40:02 | 0:40:05 | |
But if it goes in another specialist sale, another day, | 0:40:05 | 0:40:09 | |
because maybe the fact that it is such an esoteric thing has put a few people off. | 0:40:09 | 0:40:15 | |
Yes, it needs a specialist jewellery sale, this is a general auction, and it didn't find a bidder. | 0:40:15 | 0:40:19 | |
It's disappointing not to see Claire's cocktail watch go. | 0:40:19 | 0:40:22 | |
Now there's double pressure on that diamond ring, and remember, the forecast isn't good. | 0:40:22 | 0:40:28 | |
Right, OK, it's time to put Claire's ring under hammer, the one with the turquoise stone. | 0:40:28 | 0:40:32 | |
You saw Michael talk about it at the valuation day. | 0:40:32 | 0:40:35 | |
You've just seen James talk about it in his auction preview chat. | 0:40:35 | 0:40:39 | |
Was he unkind about it? | 0:40:39 | 0:40:41 | |
No, James said he's known you for years and year and everything you say is spot-on. | 0:40:41 | 0:40:46 | |
-Stop there. -I agree with him, cos you're a purist at heart and I love that about you. | 0:40:46 | 0:40:51 | |
-He said... -Too dear. | 0:40:51 | 0:40:54 | |
He did say... He said 200 to 300, rather than 300 to 400. | 0:40:54 | 0:40:58 | |
As you know, we've got off-screen valuers, | 0:40:58 | 0:41:00 | |
and we did have our jewellery specialist there on the day. | 0:41:00 | 0:41:03 | |
-John. -And my initial feeling about the ring... | 0:41:03 | 0:41:05 | |
It's been replaced, the stone. | 0:41:05 | 0:41:07 | |
That horrible turquoise in the middle was about £200. | 0:41:07 | 0:41:11 | |
But he confidently told me the diamonds were worth £500, so we put it in at four to six. | 0:41:11 | 0:41:15 | |
But the trouble is, it needs a member of the jewellery trade to see it to buy and to replace the stones. | 0:41:15 | 0:41:22 | |
-And that's a costly process. -And I can't see any members of the jewellery trade. -No, not today. | 0:41:22 | 0:41:28 | |
Hang on, let me have a good look, Michael. | 0:41:28 | 0:41:29 | |
-No, no. Fingers crossed. -You've heard from Michael as well, | 0:41:31 | 0:41:34 | |
you've probably got your own opinion what is going to happen, | 0:41:34 | 0:41:38 | |
but watch this, cos it might be totally different, this is it. | 0:41:38 | 0:41:41 | |
This 18 carat diamond and turquoise ring, | 0:41:41 | 0:41:44 | |
lovely coloured diamonds, good early ring, | 0:41:44 | 0:41:47 | |
and lots and lots of interest in it. | 0:41:47 | 0:41:49 | |
I can start the bidding at £220. | 0:41:49 | 0:41:53 | |
220, 230? | 0:41:53 | 0:41:55 | |
That's James and me right. | 0:41:55 | 0:41:57 | |
250? 250. 280? 280. | 0:41:57 | 0:41:59 | |
280, 300? 300 with me. 300, 320? | 0:41:59 | 0:42:06 | |
-300 with me, 320? 350, 380. -We've sold it. -Goodness. | 0:42:08 | 0:42:12 | |
390, 400. 390... One more, go on! | 0:42:12 | 0:42:18 | |
-Come on. -I'll buy you a coffee later! | 0:42:18 | 0:42:20 | |
Come on. £400... £400, well done! | 0:42:20 | 0:42:24 | |
-He's doing his best, isn't he? -He's sold it. -At £400, 410 do I see? | 0:42:24 | 0:42:28 | |
At 400 and selling at £400. Anybody else? | 0:42:28 | 0:42:30 | |
Well done, Michael. £400! | 0:42:30 | 0:42:33 | |
Well done, John! After I'd just said that. | 0:42:33 | 0:42:35 | |
-Miracles can happen. -John Kelly was right, he does know his diamonds. | 0:42:35 | 0:42:39 | |
I'll trust him from now on forever. | 0:42:39 | 0:42:41 | |
-And I can't wait to get on the phone and tell Claire as well. -Superb. | 0:42:41 | 0:42:44 | |
Well, that's it, another Flog It auction, | 0:42:50 | 0:42:53 | |
we've come to the end of our day, and it was a tough day. | 0:42:53 | 0:42:57 | |
James Lewis did exceptionally well on the rostrum. | 0:42:57 | 0:43:00 | |
Some things didn't sell, but maybe just maybe they just weren't meant to. | 0:43:00 | 0:43:04 | |
I hope you've enjoyed the show today, so until the next time, it's cheerio. | 0:43:04 | 0:43:08 | |
For more information about Flog It, | 0:43:11 | 0:43:14 | |
including how the programme was made, visit the website at bbc.co.uk. | 0:43:14 | 0:43:18 | |
Subtitles by Red Bee Media Ltd | 0:43:18 | 0:43:22 | |
E-mail [email protected] | 0:43:22 | 0:43:25 |