Basingstoke Flog It!


Basingstoke

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This town has witnessed some very dramatic events over the centuries.

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It was destroyed by fire, hit by the plague,

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and in 1880 there was even a riot.

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Well, we're going to be making a bit of commotion of our own

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because today Flog It is in Basingstoke.

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Basingstoke played a key role in one of the bloodiest battles

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of the English Civil War.

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It happened here around Basing House,

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now a ruin but once a Royalist stronghold.

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Oliver Cromwell's army attacked it for over two years.

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The final siege of 1645

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saw victory for the Roundheads and the house razed to the ground.

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Today we're just a stone's throw away

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in the modern heart of Basingstoke.

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This massive crowd we've got here seem to be enjoying themselves,

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they're about ready to take siege of today's venue,

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The Anvil, so let's get the doors open, and let the drama unfold.

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And taking centre stage today are our two experts,

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Catherine Southon and James Lewis.

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It's James who's first in the spotlight

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and he's found something Flog It is very familiar with.

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Angela, Marilyn, what we have in front of us

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everybody at home will know is an old Flog It favourite.

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It is of course Clarice Cliff.

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And people say, "Oh no, not another piece of Clarice Cliff",

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but this is a really interesting piece.

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It has everything about Art Deco that you want to see.

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It has those wonderful bright colours,

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slightly wacky fan-shaped designs, angular designs,

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and it just works, and I love it. What do you think to it?

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-Yeah, it was a family piece and we love it as well.

-Yeah?

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But we're too frightened to use it.

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I have to say these things aren't really for use any more,

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they are far too valuable for use. Tell me its family history.

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Well, it was my mother's mum's, my grandmother's,

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and Mum says she can remember using it as a child.

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So who has it in whose house?

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-Mum has it in her house.

-OK, so you don't own it?

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-No.

-No.

-No, we're here on her behalf.

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-Does she know?

-Yes.

-Yes.

-Sure?

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-Yes.

-Yes.

-Fantastic.

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Well, I think she obviously had very, very good taste.

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-Do you know the pattern name?

-No.

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It's known as secrets.

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And Secrets came in various designs

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and it was well known as being Clarice Cliff's favourite pattern.

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The very common versions are in various tones of green and blue.

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This one is known as the seven colourway Secrets

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for, of course, the simple reason it has seven colours

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and this was produced from 1932 onwards.

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Different things you need to take into consideration when valuing it,

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the first one, no cracks, that sounds fine;

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no chips, but we have got a little bit

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of oxidation on the blue there, that's common, you often found that.

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Devalues it slightly but it's not a massive problem.

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Having said all that, what do you think it's worth?

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-I know Clarice Cliff is popular but we really have no idea.

-No idea.

-No?

-No.

-No.

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I would put an auction estimate of £300 to £500.

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-Ooh.

-Very nice.

-Yeah.

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-Is that all right?

-Yes, lovely.

-Good, yes.

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Having said that, we need to protect it with a reserve.

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If we put £300 on it, I'm sure it will sell.

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-The market is so buoyant for it.

-Brilliant.

-Ooh good.

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I'm 100% confident it will sell.

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-Very good.

-Yes.

-All right?

-Yes.

-Yes.

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Caroline, welcome to Flog It.

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You brought along this lovely Chitty Chitty Bang Bang car

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and it's quite special to me

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because it's something that my grandfather has.

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My grandfather's got a little one,

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but unfortunately his isn't in such beautiful condition,

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his is really battered.

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Yours is in absolute superb condition,

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almost mint and certainly boxed.

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Where did you get it from?

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My husband had it, I believe,

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from his grandparents when he was younger,

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that's all I can say, really.

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They bought it for a present, birthday present, Christmas present, something like that.

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It's amazing to me that a young boy would never have played with this,

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especially because it's got lots of little fiddly bits to touch.

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I mean, these fantastic wings here, you would have pressed them in,

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and then there's a little lever here that you pull forward

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and then the wings would fly out.

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-Yeah.

-I just find that amazing that he just wouldn't touch it.

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I mean a child today would have it all out and probably

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lots of bits would be broken off. Is it something that you like?

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Yeah, we often got it out and had a look at it

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but you know, really, we're sort of condensing collections

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so we just thought that would be one that would go, really.

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-Did you ever see the film?

-Yes, quite a few times.

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Oh, right, so you're big Chitty Chitty Bang Bang fans.

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We've got lovely Dick Van Dyke at the front here waving away,

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and they're all having a little wave and great fun in the car.

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I think it's a super piece,

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do you have any idea of how much this would be worth at auction?

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No, not really, no.

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Well, my husband, sort of we went to an antique thing years ago

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and it was worth something then but, about 200,

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-but then that was a long time ago.

-Right, OK.

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Prices of these have come down slightly

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and I would say that 200 is probably quite high,

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although that does seem a bit unfair considering it is in immaculate condition.

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I would say you would probably ask in the region of £100 to £150...

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-Um-hum.

-..with a fixed reserve of £80.

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-How does that sound to you?

-Yes. Yes, fine, that's lovely.

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-But I hope it makes the top end and flies away at auction.

-Lovely. Thank you.

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Keith, tell me a bit about the clock.

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I actually inherited it from my grandmother on my father's side,

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but it's been staying with my other grandmother in her house, which is a bungalow.

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Unfortunately, she passed away last year and we've had to rent out the bungalow

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so we haven't got anywhere to store it.

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Well, it's a cracking clock

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and it's made by James Fell, and it's Kendall.

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It's a nice brass dial with a silver chapter ring, good Roman numerals,

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a subsidiary dial with a second hand.

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The great thing about it is it's an 8-day longcase.

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You can tell instantly it's an 8-day longcase

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by the two winding movements.

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If it was a 30-hour clock you'd just have the one winding movement.

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-So the 8 day indicates how long it would keep going...

-Yes.

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..on its own without being wound.

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-Yes, one wind on the seventh or eighth day.

-I was curious about what that meant.

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Oh, it's lovely, it's a classic case.

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-It's nice and narrow, it's not too tall.

-Yes.

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It has a nice colour to the grain too,

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but what I would like to take the hood off and have a look at the movement.

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-OK.

-Can we do that?

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-OK.

-You hold the trunk and I'll slide the hood out.

-OK.

-OK.

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-I should put that on the floor.

-Right.

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And I've just noticed, actually, a little bit of the cornice needs some TLC

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-but we've got that bit down there, haven't we?

-Yep.

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You've got the weights, pendulum, and winder, that's good.

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-And that actually sits nicely on the shoulders of the trunk.

-Yeah.

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So that's a good indication as well.

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You can see there's no bits of new pine that's been added

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to make a base for this to sit on, you can see that.

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So that's totally original.

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-Oh, good.

-It's so easy to tell and you can see the wear marks here.

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-Oh, crikey, yeah.

-You see that?

-Yeah.

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-Over the years, where that's just been dropped into place.

-Cool.

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That's another good thing to look for, wear.

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-There's no additional pieces of wood...

-Yeah.

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..that's holding this up, so we know the clock is 100% right.

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It's a shame we can't get the little flywheel to tick over and hammer the bell.

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It does need somebody who specialises in longcase clocks

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to actually get this movement cleaned up, get it working properly,

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and that will cost around about £300.

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-Right.

-That's the downside.

-Yeah.

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A little bit of TLC to the case, not a lot of work,

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possibly around about £50 just to put the missing piece of cornice on

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and touch up the door there.

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But that's what you're looking for for a bit of restoration.

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Had you thought about price?

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Because it does need the restoration work etc,

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-I was thinking 500, maybe 600, at auction.

-Yeah.

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-And then it's for the dealer to restore.

-I think you're spot on.

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-If we can put it in to auction with a valuation of £500 to £700...

-Yeah.

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..a reserve of 500.

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-If it goes for that, there's commission, obviously, to pay.

-Yeah.

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Then there's the restoration costs.

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I think there's profit in it for a dealer to buy it and sell it on.

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-Right, OK.

-OK, happy?

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I'm fine with that, yeah. OK.

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You know, Clive, of all the things I've ever seen on Flog It,

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this has got to be one of the more unusual.

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Tell me, where did you come by it?

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-Winchester car boot sale a couple of years ago.

-Right. How much was it?

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Well, I asked the gentleman behind the stall and he said 50p.

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-OK.

-I had a feeling I knew it was old, very old,

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obviously the person selling didn't.

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The thing that I love about this is everything really.

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It's the fact that it was from a car boot sale for 50p,

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the fact that it's the earliest and oldest thing that I've ever seen on Flog It,

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and probably my favourite thing as well,

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just the feel of it.

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-Do you know what it is?

-I believe it's Greek.

-Yeah.

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-I believe it's over 2,000 years old.

-It is.

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It could be used for oils or...

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Aromatic waters, something like that.

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It's the classic antique shape, isn't it?

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Whenever we're talking about antiquities, that's the shape we're talking about.

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Those wonderful excavations at Pompeii and Herculaneum

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in the 18th century

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brought about this wonderful neoclassical movement in England in the 1770s, 1780s,

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in which Robert Adam was doing these wonderful designs of urns, the Wedgwood urn shape,

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all of them inspired from this type of thing.

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This is sort of a colour-coated ware, we've got a terracotta-type base

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and it was probably held by that, dipped into the glaze,

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and you can see here where it's missed the glaze on the rim there.

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But look at the quality of that turned foot rim

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and thinking in terms of 100 BC possibly up to 200 AD,

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the quality of that and it survived, you know?

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Yeah, that's the amazing thing, isn't it?

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We look at these Doulton plates andthings from the 1930s,

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and it's stapled or it's cracked,

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and here we have the earliest thing ever on Flog It and it's perfect.

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So having said how much I love it,

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back down to earth. What's it worth?

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£50, that's all probably,

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50 to 70, something like that.

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And a reserve, I think, of £50.

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-Yep.

-But you know when people say it's old, it's got to be valuable,

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-just proves it doesn't.

-Not always, no it doesn't. No.

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-That to somebody is a piece of history.

-Yes.

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Well, as you can see, everybody is working flat out down there.

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We're now halfway through our day, we've found some fantastic antiques,

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so it's time to put those experts' valuations to the test.

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While we make our way over to the auction room in Winchester,

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here's a recap of what we've found so far.

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The pattern on Angela's dish was Clarice Cliff's favourite,

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but will it prove just as popular with our bidders?

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And this Chitty Chitty Bang Bang toy car is in perfect condition,

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so I'm sure it'll fetch a grown-up price.

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Keith's grandfather clock is in need of some renovation

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but I doubt if it'll put the buyers off.

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Clive's Grecian urn is 2,000 years old.

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At just 50p what a car boot bargain.

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He's bound to see a good return.

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Here we are in the auction room,

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it's packed full of bidders, all our owners are here with their antiques.

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Catherine, our expert, is here.

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Unfortunately James, our other expert, cannot be with us today. He's in Derby

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but we've got a phone link to him and a camera on him,

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so we can hear his opinions. So fingers crossed,

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-we'll get a profit today on everything.

-We're gonna do well.

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The man brandishing the gavel today is Andrew Smith.

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It wouldn't be Flog It without Clarice Cliff, would it?

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Thankfully, our two lovely sisters, Angela and Marilyn, have brought in a wonderful example. So who owns it?

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-Mum.

-Mum.

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-So where's Mum, then?

-She's not able to come, she's disabled.

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-Oh, she's watching at home.

-Yes.

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-Hopefully, yeah.

-Mum will get all the money?

-No.

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-No.

-No? Marilyn and Angela.

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Ooh. It could be £300 to £500, were you surprised by the valuation?

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-We were, actually, yeah.

-Yeah?

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-James has done you proud.

-Yes, he has.

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James knows his Clarice Cliff.

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I must say, I don't understand it really,

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I'm not a big fan of Clarice but I do know it fetches lots and lots of money.

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-Yes.

-And I hope this pattern is one of the better ones.

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-So do we.

-It's a nice shape bowl though; it's so big, isn't it?

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-Yeah.

-The pointed ends are a little like a boat.

-Yes, it is.

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So why are you flogging it, why's Mum flogging it?

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She doesn't use it any more, she's not able to use it any more.

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-The easiest thing to do is sell it as you can't divide that up?

-No.

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What would you do, James?

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I have to say my house does not suit Clarice Cliff

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so if it was mine, I'd sell it and buy something I like.

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Hopefully we'll get the top end of your estimate.

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OK, we're gonna find out now then, James. It's here.

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Good luck, everybody. Here we go.

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Lot 381 is the Clarice Cliff Bizarre,

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a lot of interest in this.

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We have a commission bid and a telephone up at the back there,

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so I'm going to start the bidding at £300.

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At £300 and selling... is there a 20?

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At £300... any more? At £300...

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is there a telephone there?

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No. At £300 then, all done at £300.

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Last time.

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-Oh.

-Blink and you'll miss it.

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One opening bid of £300, James.

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-But it sold.

-Yeah, I mean it's not being used at home so...

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-I'm happy with that.

-Yes, yes.

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Well, it was a great film and a fantastic car,

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it's Chitty Chitty Bang Bang.

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It reminds me of my childhood because I had one of these cars, it belongs to Caroline.

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-Who have you brought along here?

-My daughter, Susan.

-Hi, hello Susan.

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Something you wouldn't want to inherit, is it?

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-No.

-Chitty Chitty Bang Bang?

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Honestly, I've got one of these, the wings have bust off,

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-nothing works, I chucked the box as soon as I had it.

-Yep.

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I played with car, rammed it along the carpet,

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all the wheels have fallen off, but I've still got it.

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Yes, we've got the same.

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Ours is the same, the wings they break off so easily and just...

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Yeah, yeah. And it's nowhere near worth as much as what we've got on this.

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-Hopefully we'll get the top end £150.

-Ah this is mint, isn't it?

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-It's in mint condition.

-Yes.

-Well cherished.

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Yes, it was my husband's.

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-Never really played with then, did he?

-No, he never played with.

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-A present from his grandparents.

-Unbelievable.

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-Just left it in the box.

-Yes.

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Oh, that burning desire.

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I would have had to get it out of the box and play with it.

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-No.

-He's a very restrained chap.

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-He's over there.

-Oh, is he, right. OK, well good luck.

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Good luck, Susan, as well. It's going under the hammer now.

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Lot 780, Chitty Chitty Bang Bang, the Corgi model.

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So start with £100. £100...

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80 then, £80... Start with 50, £50.

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Thank you, and 5, at £50.

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Come on, we've got a bit of work to do here.

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And 5, 70...

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at £65, at £65... any more?

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At 70... and 5, 80...

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and 5, at £80 and we'll sell, at £80, are you done?

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At £80...

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Last time round at £80.

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-Sold it.

-Just scraped it.

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Just sold it.

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-Phew.

-I think you're right, there's not that many toys there.

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-No.

-They haven't got the toys. It's the start, is it?

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-He's gradually going to sell?

-Maybe.

-Hopefully.

-You've got no sons?

0:17:350:17:41

-No.

-Just me.

0:17:410:17:43

-You don't want cars, do you?

-No.

0:17:430:17:45

Andrew's taking a break from the rostrum

0:17:470:17:50

so it's up to his colleague Nick Jarrett to sell the clock.

0:17:500:17:53

My turn to be the expert, remember that lovely 8-day longcase clock, the oak one?

0:17:530:17:57

It's about to go under the hammer, belongs to Keith, he's not here.

0:17:570:18:01

He's on holiday in Turkey but we've got Keith's mum and dad here.

0:18:010:18:04

-Hi, what's your name?

-Robin.

0:18:040:18:06

-Robin, and?

-Christine.

-Christine.

0:18:060:18:08

Hi. This clock's been in the family a couple of generations,

0:18:080:18:12

-it was your Mum's, wasn't it?

-Yes.

-Then it was yours, now it's Keith's.

0:18:120:18:15

I know Keith's adamant he won't take a penny under £500, will he,

0:18:150:18:19

so if it sells in auction he's now put the reserve at 560,

0:18:190:18:23

so the auctioneer can use a bit of discretion.

0:18:230:18:25

If it sells at 560, you'll still get £500.

0:18:250:18:29

Yes, yes. That'll be OK.

0:18:290:18:31

Lot 840, the longcase clock at the back of the room.

0:18:310:18:36

Now I'm starting you clear bids here at £500, 520 can I say?

0:18:360:18:42

At £500... 520?

0:18:420:18:45

520... 540, 560...

0:18:450:18:48

560 on the phone, 580?

0:18:480:18:51

At 560 on the phone, anybody else in?

0:18:510:18:54

At £560... anybody going on at 560?

0:18:540:18:58

I'll sell it for 560 if you're done.

0:18:580:19:02

-Oh, well.

-I was right, wasn't I?

0:19:020:19:04

-Yeah, dead on.

-On the spot.

0:19:040:19:07

-It's gone.

-At least we don't have to take it home with us.

0:19:070:19:10

Exactly, that's the worrying thing

0:19:100:19:13

-cos the more you move them, the more you damage them.

-Yes.

0:19:130:19:16

I did say to Keith whoever takes this on,

0:19:160:19:18

there's £300 to spend on the restoration project, really.

0:19:180:19:22

I've been looking forward to this.

0:19:280:19:30

I think this is a real little gem, it's so cute to look at, isn't it?

0:19:300:19:33

I wouldn't be selling it if I was you, Clive.

0:19:330:19:36

This is my favourite item in the sale today

0:19:360:19:38

and it's the least expensive item out of all our Flog It owners.

0:19:380:19:42

We've got £50 to £70 on this.

0:19:420:19:44

It's not a lot of money for something that's 100 years BC.

0:19:440:19:48

I know why you like this, James,

0:19:480:19:50

and I can see this sitting on your bureau at home or something like that.

0:19:500:19:54

It's got the look, you know what I mean.

0:19:540:19:56

Paul, you know me too well.

0:19:560:19:58

For me, this is one of the stars of the show, I love it.

0:19:580:20:01

You can forget Clarice Cliff, you can forget Moorcroft,

0:20:010:20:05

I'd love to own this.

0:20:050:20:06

Whoever buys this, I'm sure they're going to enjoy it,

0:20:060:20:09

because it's so tactile.

0:20:090:20:10

Fingers crossed we'll get a lot more than £70.

0:20:100:20:13

-Hopefully.

-It's going under the hammer now. Good luck.

0:20:130:20:15

Lot 440, this is an ancient unguent bottle. Start me at £50?

0:20:150:20:21

£50... 40 then, £40 surely...

0:20:210:20:26

-30 to get it going.

-Oh, come on!

-£30, thank you... and 2, 32...

0:20:260:20:30

35, 37... 40, 42... 45, 47...

0:20:300:20:35

At £45, any more? 47...

0:20:350:20:38

50, and 5... at £50, any more?

0:20:380:20:42

At £50, are you sure?

0:20:420:20:44

Last time, at £50 then.

0:20:440:20:47

James, was spot on.

0:20:470:20:49

You've got a great eye, you found that in a car boot.

0:20:490:20:52

Car boot sale for 50p.

0:20:520:20:54

That's great profit, isn't it?

0:20:550:20:57

I wish we could do that every single day.

0:20:570:20:59

Clive, thank you so much. That was a lovely little thing,

0:20:590:21:02

-so tactile and a beautiful shape, had so much character.

-It did.

0:21:020:21:06

When it comes to the world of fashion,

0:21:170:21:19

Basingstoke isn't necessarily the first town in this country you think of, is it, let's face it.

0:21:190:21:24

But actually this town was the birthplace of one of

0:21:240:21:27

Britain's most enduring internationally-renowned designer labels.

0:21:270:21:32

The story starts back in the 1850s when thanks to

0:21:430:21:47

the ever-expanding railway system, Basingstoke started to thrive.

0:21:470:21:51

And it was at that point that a young apprentice draper

0:21:510:21:54

moved here from Surrey, keen to set up his own business.

0:21:540:21:58

His name was Thomas Burberry, and he was to revolutionise the clothing industry

0:21:580:22:02

and tap straight into the hearts of Edwardian society.

0:22:020:22:06

To tell us more about this entrepreneur and great British tailor is Sue Washington,

0:22:060:22:12

who looks after the Burberry Collection for the Hampshire County Council Museum Service.

0:22:120:22:17

So tell me a little bit more about Thomas Burberry.

0:22:190:22:22

He must have been very ambitious because by the age of 21 he'd moved to Basingstoke,

0:22:220:22:26

which was a thriving market town, and had opened up his own shop by 1856.

0:22:260:22:30

The whole community would have been a farming area.

0:22:300:22:33

Absolutely, yes, a very agricultural community

0:22:330:22:36

and he was influenced by that.

0:22:360:22:38

This is a standard agricultural worker's smock and this is where Burberry got his inspiration from.

0:22:380:22:43

It's woven from the very close-woven twill weave,

0:22:430:22:47

which you can see is very dense.

0:22:470:22:49

It's not just the fabric that it's made of but it's also the way it's constructed

0:22:490:22:54

with this double fabric over the shoulders,

0:22:540:22:56

which would have protected from the rain.

0:22:560:22:58

Burberry was obviously influenced by seeing these

0:22:580:23:01

-and thought that he could adapt the technology.

-Yeah.

0:23:010:23:04

You can see where the inspiration comes from.

0:23:040:23:07

He was something of a dress reformer,

0:23:070:23:09

along with people like Dr Jaeger, in looking at using

0:23:090:23:12

natural fibres to allow the body to breathe.

0:23:120:23:14

His further invention, not just the close-knit cotton twill,

0:23:140:23:19

was to proof the fabric and he did it twice.

0:23:190:23:21

He proofed the yarn before it was woven

0:23:210:23:23

and he proofed the fabric again after it was finished.

0:23:230:23:27

He perfected the technique through the 1870s,

0:23:270:23:30

but he didn't patent the name gabardine until 1888.

0:23:300:23:34

Gabardine, with its weatherproof properties,

0:23:340:23:37

couldn't have come along at a better time. British life was changing.

0:23:370:23:41

The rolling fields of Edwardian England were turning into

0:23:410:23:44

a playground for the urban elite and Hampshire's well-stocked rivers

0:23:440:23:49

and fields of game were an ideal magnet for the country sport set.

0:23:490:23:53

Burberry was perfectly placed to exploit this new desire

0:23:530:23:56

for outdoor pursuits.

0:23:560:23:58

And this, Paul, is an example of an early Burberry motoring coat.

0:24:010:24:05

I thought so. When I saw this, I thought it's either

0:24:050:24:08

motorcycling or motoring and it's got the look.

0:24:080:24:11

It has and Burberry obviously exploited the fact

0:24:110:24:15

that there was so much interest in lots of other activities at that time.

0:24:150:24:18

He made specialist clothing for mountaineering,

0:24:180:24:21

skiing, golfing, you name it.

0:24:210:24:22

-Fishing, shooting.

-Absolutely.

0:24:220:24:25

But the motoring coat was a huge, huge success.

0:24:250:24:28

The revolution with the Burberry gabardine

0:24:280:24:30

was that it was very lightweight, but it was still waterproof and windproof.

0:24:300:24:34

When you're driving along at heady speeds of 4 mph

0:24:340:24:38

-on a rainy day, you need it.

-With the G-force pushing against you!

0:24:380:24:41

-Absolutely.

-So by this period, how successful was Burberry?

0:24:410:24:45

Hugely successful. Burberry expanded his empire enormously.

0:24:450:24:48

-Making lots of money.

-Indeed.

0:24:480:24:50

In 1891 he opened his famous shop in the Haymarket in London

0:24:500:24:55

and then he opened shops in Paris, Berlin, Buenos Aries, Montevideo, even New York.

0:24:550:25:00

-Global brand.

-Absolutely.

0:25:000:25:02

Burberry's clothes were proving their worth

0:25:050:25:07

in the glitzy capitals, but the real test was to come

0:25:070:25:10

in one of the world's most extreme climates.

0:25:100:25:13

Some of the world's most intrepid explorers

0:25:130:25:16

of the time were wearing Burberry, and this one is a reproduction

0:25:160:25:21

of the Shackleton outrig suit.

0:25:210:25:23

Really? Shackleton's Trans-Antarctic expedition?

0:25:230:25:26

Yes, 1914. They had also outfitted Amundsen,

0:25:260:25:29

-the first man to reach the South Pole in 1911.

-I never knew that.

0:25:290:25:32

And Scott, all of his expeditions

0:25:320:25:34

and it wasn't just the outfits. They also made the tents in the gabardine.

0:25:340:25:38

That must have been such a good PR boost for the company

0:25:380:25:42

to see Shackleton trudging across the ice in this.

0:25:420:25:45

It was, and this period was of course the heyday of the British Empire

0:25:450:25:48

and Burberry gabardine was going everywhere in the world.

0:25:480:25:52

It wasn't just good for Arctic conditions,

0:25:520:25:54

it was just as useful in jungles and veldt.

0:25:540:25:57

Burberry published a book called Gabardine In Peace and War,

0:25:570:26:00

and it included testimonials from everyone from Baden-Powell to Kitchener,

0:26:000:26:04

to the kind of intrepid empire builders who were out there

0:26:040:26:08

doing amazing things all over the world wearing their Burberry with pride

0:26:080:26:12

and writing in to tell Thomas Burberry

0:26:120:26:15

that his gabardine was keeping them dry and warm,

0:26:150:26:18

keeping them cool, in one case even protecting them from a tiger attack.

0:26:180:26:21

It was keeping them safe as well.

0:26:210:26:24

But it would be in the blood-soaked trenches of the First World War

0:26:250:26:29

that Burberry would come up with his most famous design, the trench coat.

0:26:290:26:34

Burberry received instructions from the War Office to create

0:26:360:26:40

a new raincoat for officers

0:26:400:26:42

and they came up with a variation of their existing raincoat, the Tielocken.

0:26:420:26:47

The differences for war use were the addition of epaulets and D rings,

0:26:470:26:51

which of course were used to attach kit.

0:26:510:26:53

But again it was the waterproof qualities and the lightweightness

0:26:530:26:57

and the fact that you could wear it over kit and wear kit over it

0:26:570:27:00

-that made it so popular with everybody.

-And you could roll it up.

0:27:000:27:04

And it didn't really matter

0:27:040:27:06

where the theatre of war was, it was suitable.

0:27:060:27:09

The Burberrys were very much for officers' use only. The Edwardian era

0:27:090:27:13

was class conscious and the officers were taken from the upper ranks.

0:27:130:27:18

But even by the time of the Second World War when this coat

0:27:180:27:20

was created, it was still officers only

0:27:200:27:23

and there is a label saying that.

0:27:230:27:26

Post war, it became a symbol of everything that's British.

0:27:260:27:30

This is the style of coat that we see on film stars and what-have-you afterwards,

0:27:300:27:34

well removed from the field of battle but very, very stylish.

0:27:340:27:38

-It's lovely.

-It's beautiful.

-It's just so iconic.

0:27:380:27:41

The trench coat reflects all of Thomas Burberry's

0:27:410:27:44

original objectives of practicality and toughness.

0:27:440:27:47

His clothing captured the British way of life in the Edwardian age,

0:27:470:27:51

but it's the timeless and broad appeal of the design

0:27:510:27:54

that's kept it at the forefront of fashion ever since.

0:27:540:27:59

It's time to head back to the valuation day

0:28:040:28:06

to see if our experts can find any classic pieces amongst our crowd at the Anvil.

0:28:060:28:11

Johanna, what a lovely little box.

0:28:110:28:13

Is this something you've had in the family for years?

0:28:130:28:15

Yes. It was my mother's,

0:28:150:28:17

it was my grandmother's, but it may even go back further down the line.

0:28:170:28:23

-That accent, that isn't a Hampshire accent, is it?

-No.

0:28:230:28:27

-Whereabouts are you from originally?

-No, I'm Dutch. I'm from Holland.

0:28:270:28:31

OK, and on your father's side or mother's side, or both?

0:28:310:28:35

Both, but from my father's side, they date back to Russia.

0:28:360:28:42

Oh, really?

0:28:420:28:44

Was it a style in Russia or...?

0:28:440:28:46

Well, the interesting thing is that

0:28:460:28:50

it's not Russian, it's probably not Dutch.

0:28:500:28:55

The most likely source for this is English.

0:28:550:28:59

-So it's...

-So it's back home again.

0:28:590:29:02

You've brought it back home.

0:29:020:29:04

And this sort of tea caddy was popular from the second quarter

0:29:040:29:09

of the 19th century, right the way through until around 1850, 1860.

0:29:090:29:16

So this little chap started containing tea almost 200 years ago.

0:29:160:29:21

It's lined, if we open it up.

0:29:210:29:22

Funny lining, though.

0:29:220:29:25

This little lining paper is a little zinc lining

0:29:250:29:29

and it's started to degrade over the years.

0:29:290:29:32

So you wouldn't want to be scraping that up with your tea leaves today.

0:29:320:29:36

It's veneered over the whole surface in mother of pearl.

0:29:360:29:40

The most important thing is that we check it for condition

0:29:400:29:42

because with these mother of pearl and tortoiseshell tea caddies,

0:29:420:29:46

the important thing is to make sure there aren't too many pieces missing.

0:29:460:29:49

You've got traces of old glue marks there

0:29:490:29:52

where pieces have been off and on.

0:29:520:29:54

So what do you think that little box will make at auction?

0:29:540:29:58

I haven't got a clue.

0:29:580:30:00

No? Well, without the damage, it would obviously be a lot more.

0:30:000:30:04

-Yes.

-I would think probably 250 to £350 in perfect condition.

0:30:040:30:10

With the damage, 100 to £150, something like that.

0:30:100:30:15

Now, would you like to put a reserve on it?

0:30:150:30:17

You mentioned £200 to 250?

0:30:170:30:20

-Oh, 200.

-Oh, that's when... Yes.

-If it was perfect, 2 to 250.

0:30:200:30:24

People remember the highest figures you tell them.

0:30:240:30:27

They forget all the information that goes with it

0:30:270:30:29

-and just remember the figures.

-All right, £100.

0:30:290:30:32

£100 - we'll do that.

0:30:320:30:34

And I'll see you at the auction.

0:30:340:30:36

-Yes, definitely.

-OK, well done.

0:30:360:30:38

Thank you, James.

0:30:380:30:39

Greta, Donald, thank you very much for coming today.

0:30:450:30:48

Welcome, and thank you for bringing along

0:30:480:30:51

this rather sweet and very small autograph book.

0:30:510:30:54

Have you got any interesting autographs in there?

0:30:540:30:57

Yes, I've got Laurel and Hardy.

0:30:570:30:59

Oh, wonderful, let's take a look then inside

0:30:590:31:03

and there we are, we can see there's a wonderful picture of them there.

0:31:030:31:07

Looks like a little sticker

0:31:070:31:09

of a rather plump Oliver Hardy and a very skinny Stan Laurel.

0:31:090:31:14

-Yes.

-Then they've put there their signatures, Stan Laurel in ink

0:31:140:31:19

and Oliver Hardy, which looks like to be in a little ballpoint pen.

0:31:190:31:24

And they've signed underneath "Hello Greta," which is you.

0:31:240:31:27

-Isn't that sweet?

-Yes.

0:31:270:31:28

Now let's just turn the page here

0:31:280:31:31

and this...

0:31:310:31:33

is what really interests me because there's more information on here.

0:31:330:31:37

"Thanks for a nice hair trim, John. Oliver Hardy."

0:31:370:31:40

And then at the top, you've got, "Me, too. Stan Laurel."

0:31:400:31:45

Tell me a little bit about this. Where did you get this from?

0:31:450:31:48

Well, my father was a lady and gents' hairdresser and Laurel and Hardy

0:31:480:31:54

came to Dun Laoghaire and they stayed in the Royal Marine Hotel.

0:31:540:31:58

My father came home and said they were coming the next day,

0:31:580:32:02

so I said to him, "Oh, please, Daddy, get their autograph."

0:32:020:32:05

-Oh, that's fantastic.

-So he took it along.

0:32:050:32:08

He cut their hair in the hotel.

0:32:080:32:11

That must have been such a privilege to cut their hair.

0:32:110:32:13

It was, absolutely. My father was very, very proud. Very proud.

0:32:130:32:18

He said they were a wonderful couple.

0:32:180:32:20

-I bet they were great fun as well.

-Yes.

-Telling lots of jokes.

0:32:200:32:24

You must really treasure this.

0:32:240:32:26

Well, I did, I still do but the time has come now for...

0:32:260:32:30

-My husband and I are retired.

-Right.

0:32:300:32:32

And we love enjoying ourselves, so...

0:32:320:32:35

And what about you, Donald, are you a big fan of Oliver Hardy?

0:32:350:32:39

Oh, yes, I've got some of his VHSs left at home.

0:32:390:32:44

They were fantastic, weren't they? They were legends, even now.

0:32:440:32:48

-You put them on and they still make you tickle.

-Absolutely.

0:32:480:32:52

It's hard to put a value on these because it's not just one set

0:32:520:32:56

-of autographs, it's two.

-That's right.

0:32:560:32:59

I would suggest probably putting it in with an estimate of 400 to £600,

0:32:590:33:03

and perhaps putting a reserve on of about 350.

0:33:030:33:07

But I would hope that because there's so much interesting

0:33:070:33:11

information here and it's just got a wonderful story,

0:33:110:33:15

I would hope that it makes more towards the top estimate.

0:33:150:33:17

The signatures are nice and clear. It's not "O Hardy" or "S Laurel",

0:33:170:33:22

it's "Stan Laurel".

0:33:220:33:24

-Yes.

-Good signatures, nice and clear, and I think they should

0:33:240:33:28

fetch really good money. They're fantastic.

0:33:280:33:30

Thank you very much indeed.

0:33:300:33:32

When I first saw these, I thought they were

0:33:380:33:40

just a standard string of beads, but they're actually a lot more

0:33:400:33:44

interesting than that, aren't they?

0:33:440:33:46

Well, so I believe. I've been told that they may be Japanese.

0:33:460:33:49

-They are, and do you know what they were used for?

-No idea.

0:33:490:33:52

OK. Well, in fact, each one of these would never have been anywhere

0:33:520:33:56

near the others because they're known as ojime.

0:33:560:33:59

They're normally made from bronze and they're part of a Japanese dress,

0:33:590:34:04

because, of course, in a kimono you don't have pockets.

0:34:040:34:08

So you have what's called an inro, which is a box,

0:34:080:34:12

and that box is suspended by a cord.

0:34:120:34:16

And that cord is then brought under the belt and then to stop the cord

0:34:160:34:19

falling from the belt is a netsuke, which is often carved out of ivory or hardwood.

0:34:190:34:26

That stops the inro falling but under the inro

0:34:260:34:31

is one of these little ojime, which are little beads to support the inro.

0:34:310:34:37

These are all individually cast out of bronze,

0:34:370:34:40

some are dark patinated, some have got little silver flowers on them.

0:34:400:34:45

This one's wonderful. Little gourd shape here and that one

0:34:450:34:51

appears to be a leaf with a crab crawling all over it.

0:34:510:34:55

So they're all wonderful little individual works of art.

0:34:550:35:00

There we've got a little frog on that one. Super, aren't they?

0:35:000:35:04

They're lovely, I love looking at them but I suppose it's time

0:35:040:35:08

to start clearing some junk out.

0:35:080:35:10

Junk? Throw it my way because I think these are great.

0:35:100:35:14

Were they all used as a necklace when you were a child?

0:35:140:35:17

We used to string them together for something to do.

0:35:170:35:20

And then in later years, my husband wore it to a fancy dress party.

0:35:200:35:27

-What did he go as?

-A hippy, of course.

0:35:270:35:29

A hippy, how brilliant.

0:35:290:35:31

I think they're great and I think they'll do very well

0:35:310:35:34

at the saleroom.

0:35:340:35:35

I've counted them up. There are about 60 here,

0:35:350:35:38

and at the fairs, these range from

0:35:380:35:41

3 or £4 each up to 50 or £60 for a slightly more unusual one.

0:35:410:35:46

So I'm going to put an estimate of

0:35:460:35:48

£150 to £250 on them, reserve of £150.

0:35:480:35:53

But if anything has the potential to fly at the auction, it's these.

0:35:530:35:59

-I think they might do really, really well.

-Thank you very much.

0:35:590:36:03

Well, it's auction time again and here are our remaining lots.

0:36:030:36:08

Johanna was astonished to hear her tea caddy

0:36:080:36:10

was English and I hope she's in for another surprise too today.

0:36:100:36:14

Bernadette is parting with the autographs of those stars

0:36:140:36:17

of the silver screen, Laurel and Hardy. Will they achieve a legendary price?

0:36:170:36:22

They've been in a dressing-up box for years

0:36:220:36:24

and James has high hopes for Janet's Japanese beads.

0:36:240:36:27

Just a quick reminder that James can't be here with us today

0:36:330:36:36

but we're getting his reaction from Derby.

0:36:360:36:39

I hope we get James' top end of the estimate, £150.

0:36:430:36:46

Johanna, it's a gorgeous little thing.

0:36:460:36:49

We're talking about the tea caddy.

0:36:490:36:51

Probably you can remember James waxing lyrical over this at the valuation day.

0:36:510:36:55

He fell in love with it. A nice Victorian piece,

0:36:550:36:57

early Victorian, wonderful inlay, the condition's good as well.

0:36:570:37:02

So, James, fingers crossed!

0:37:020:37:04

It's been a long day here and we need some good results.

0:37:040:37:07

This is a great example. It's seen better days, though,

0:37:070:37:10

and those bits of veneer that are missing are expensive to repair.

0:37:100:37:14

So, 100 to 150. Let's hope it makes towards the £200.

0:37:140:37:17

If it does, then that's a great result.

0:37:170:37:19

It's going under the hammer right now, good luck to both of you.

0:37:190:37:23

Lot 810. This is a Victorian mother of pearl veneered single tea caddy.

0:37:230:37:30

We have two commission bids here. I'll start the bidding at 130.

0:37:300:37:35

is there 140 in the room?

0:37:350:37:37

£130... 140, 150...

0:37:370:37:40

160, commission bids out...

0:37:400:37:42

160 in the room, is there 170?

0:37:420:37:44

At £160 and we are selling, at £160 if you're all done.

0:37:440:37:50

For the last time, then.

0:37:500:37:51

-Sold.

-Absolutely excellent, we got £160.

0:37:510:37:55

What are you going to put that towards?

0:37:550:37:58

With Christmas around the corner, well, more or less.

0:37:580:38:02

-Half a year away.

-I think we spend that way.

0:38:020:38:06

How would you say "good result" in Dutch?

0:38:060:38:09

Sounds pretty similar - goede resultaat.

0:38:090:38:12

Oh, it does actually, doesn't it?

0:38:120:38:15

Remember the Laurel and Hardy autographs? It's time to put them under the hammer.

0:38:200:38:25

We are joined by Catherine, Donald, and Bernadette.

0:38:250:38:27

What a fabulous story we've just heard at the valuation day.

0:38:270:38:31

Yes, absolutely. One of my favourites.

0:38:310:38:33

Your father was a hairdresser?

0:38:330:38:36

-Yes, ladies and gents.

-Cut their hair.

-Yes.

0:38:360:38:38

Got their autograph.

0:38:380:38:39

-Beautiful story.

-He said they joked all the time.

0:38:390:38:42

I bet they did. I would have been tempted

0:38:420:38:44

to keep one set of autographs myself and sell the other,

0:38:440:38:49

-but you didn't want to split the book up.

-No.

0:38:490:38:52

-I'm pleased we've protected them with a reserve.

-Absolutely.

0:38:520:38:56

Lots of memories and they're going under the hammer.

0:38:560:38:59

Good luck, both of you.

0:38:590:39:00

-Thank you.

-Here we go.

0:39:000:39:02

Lot 825. This is a miniature autograph book

0:39:020:39:07

signed by Stan Laurel and Oliver Hardy, so start me at £400. £400?

0:39:070:39:15

-350 then... £350.

-Come on.

0:39:150:39:19

Try 300, £300, thank you...

0:39:190:39:21

and 20, 320... 350, at £320...

0:39:210:39:26

make it 350, at £320.

0:39:260:39:29

-Come on, one more.

-We're one bid away.

0:39:290:39:31

We are close at £320 but I'm afraid I can't sell at that figure.

0:39:310:39:35

One bid away, we were one bid away.

0:39:380:39:40

-We were so close.

-We've got a reserve of £350.

0:39:400:39:44

I'm so disappointed.

0:39:440:39:46

It's an absolutely cracking lot, a really super lot.

0:39:460:39:49

-Not to worry.

-Not to worry.

0:39:490:39:51

They're beautiful.

0:39:510:39:52

We've got Janet's Japanese beads

0:40:010:40:03

just about to go under the hammer. That's a tongue twister, isn't it?

0:40:030:40:06

Janet's Japanese beads.

0:40:060:40:08

Are you into textiles?

0:40:080:40:10

-No, I'm not.

-I was going to say you look very colourful

0:40:100:40:12

and sort of as if you were.

0:40:120:40:14

So how did you come across these beads,

0:40:140:40:16

cos they're all from a dress?

0:40:160:40:18

Well, they're the little...

0:40:180:40:20

like the washer, under a netsuke.

0:40:200:40:23

-Yes.

-And they were in a dressing-up box.

0:40:230:40:27

Were they? Where did you find that?

0:40:270:40:29

At my grandmother's house.

0:40:290:40:31

Well, James, you've put 150 to £250 on these. You obviously understand

0:40:310:40:36

what you're looking at because I wouldn't know how to value these.

0:40:360:40:40

Were you surprised at James' valuation?

0:40:400:40:42

I had no idea what they'd be worth. I didn't even know what they were.

0:40:420:40:45

No, it's so hard to put a price on something like this,

0:40:450:40:49

it's quite an academic thing.

0:40:490:40:51

How do you do it, James, how do you know about stuff like this?

0:40:510:40:54

This is a really difficult subject.

0:40:540:40:57

Loads of beads and a couple of them are signed.

0:40:570:41:00

Those signatures could make all of the difference.

0:41:000:41:03

Unfortunately, I can't read Japanese but there are plenty of people out there that can,

0:41:030:41:07

so they might do really well.

0:41:070:41:09

OK, I hope you're right. I hope we get the top end.

0:41:090:41:12

We're gonna find out. It's packed here, so good luck, both of you.

0:41:120:41:15

They're going under the hammer.

0:41:150:41:18

Lot 180. This is the Japanese beads. A lot of interest in these.

0:41:180:41:23

We have four commission bids and a telephone.

0:41:230:41:28

-I shall start the bidding at £450.

-Oh!

0:41:280:41:34

Is there 470 in the room? At £450...

0:41:340:41:37

is there a... 470, commission bids out...

0:41:370:41:41

470 in the room... 500, 520...

0:41:410:41:47

550, 570...

0:41:470:41:51

-600.

-It's incredible.

0:41:510:41:53

And 20...

0:41:530:41:55

650, 670...

0:41:550:41:57

700, and 20.

0:42:000:42:03

James, it's exceeded your top estimate.

0:42:030:42:05

-He said they might fly.

-He did, didn't he?

0:42:050:42:08

At £720... Is there 750?

0:42:080:42:12

-At £720... Any more?

-720 quid!

0:42:140:42:16

At £720, then, for the very last time.

0:42:160:42:21

Bang, that is a big sold sound.

0:42:210:42:24

£720, Janet.

0:42:240:42:26

-Wonderful.

-What are you going to do with all that money?

0:42:260:42:29

It'll pay for the piece of jewellery I've already commissioned.

0:42:290:42:33

-You've designed a piece of jewellery?

-Yes.

0:42:330:42:36

-And you're going to get it made.

-Yes.

0:42:360:42:38

Oh, good for you. Good for you.

0:42:380:42:40

-Thank you so much.

-If you've got anything like that lying around

0:42:400:42:44

at home, do what Janet's done.

0:42:440:42:46

Bring it along to one of our valuation days

0:42:460:42:48

and hopefully James might be there to value it.

0:42:480:42:50

What a lovely moment.

0:42:500:42:53

It's a wonderful end to a wonderful day

0:42:530:42:56

here in Itchen Stoke just outside Winchester.

0:42:560:42:59

Our owners have gone home happy, James has been spot on

0:42:590:43:02

with his valuations and so has Catherine. So all credit to our experts,

0:43:020:43:06

to the auctioneer, and what a great day we've had.

0:43:060:43:08

-See you next time on Flog It.

-Thank you.

0:43:080:43:11

For more information about Flog It, including how the programme was made, visit the website at bbc.co.uk.

0:43:110:43:18

Subtitles by Red Bee Media Ltd

0:43:230:43:26

Email [email protected]

0:43:260:43:28

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