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This incredible red-brick sculpture depicts the famous locomotive | 0:00:03 | 0:00:08 | |
Mallard, and that certainly puts a smile on your face! And it lies just | 0:00:08 | 0:00:12 | |
yards away from the track of the world's first public railway system, | 0:00:12 | 0:00:16 | |
which ran from Stockton to | 0:00:16 | 0:00:18 | |
our valuation destination of Darlington. Welcome to Flog It. | 0:00:18 | 0:00:22 | |
I love all of these bricks. | 0:00:57 | 0:01:00 | |
They represent all the smoke billowing out of the back of | 0:01:00 | 0:01:03 | |
the locomotive as it charges by you. | 0:01:03 | 0:01:05 | |
There's 185,000 bricks used in this construction, and it weighs | 0:01:05 | 0:01:11 | |
15,000 tonnes. It's one of the largest single sculptures to be | 0:01:11 | 0:01:14 | |
built in the United Kingdom, with a length of 40 metres, and it took | 0:01:14 | 0:01:19 | |
34 bricklayers, with apprentices and labourers, five months to complete. | 0:01:19 | 0:01:24 | |
And I bet once they finished it, they stood back | 0:01:24 | 0:01:27 | |
and they looked at that and they were all chuffed to bits! | 0:01:27 | 0:01:31 | |
And at the Dolphin Centre in the heart of Darlington, | 0:01:31 | 0:01:34 | |
fingers crossed Will Axon and Adam Partridge will make equally | 0:01:34 | 0:01:37 | |
impressive finds, but, hopefully, on a slightly smaller scale. | 0:01:37 | 0:01:41 | |
Well, I think it's about time we got everybody inside to see what | 0:01:41 | 0:01:45 | |
the people of Darlington have to offer. Don't you? | 0:01:45 | 0:01:48 | |
Show us what you've got! | 0:01:48 | 0:01:50 | |
Whilst the crowds have been getting settled, Adam's made his first find, | 0:01:53 | 0:01:57 | |
but Valerie's vases aren't what they first appear to be. | 0:01:57 | 0:02:00 | |
Good afternoon. | 0:02:03 | 0:02:04 | |
-Good afternoon, Adam. -Welcome to Flog It. | 0:02:04 | 0:02:06 | |
-Thank you. -How are you today? | 0:02:06 | 0:02:08 | |
-I'm very well, thank you. -A lot of people at home | 0:02:08 | 0:02:10 | |
might look at these vases and think, "Oh, more Moorcrofts! | 0:02:10 | 0:02:14 | |
-"Here we go, Flog It!" But they're not Moorcroft, are they? -No. | 0:02:14 | 0:02:18 | |
And they're not that Stanley ware Jacobean that looks a bit like | 0:02:18 | 0:02:21 | |
-Moorcroft either. -No. -What are they? | 0:02:21 | 0:02:23 | |
-Well, they're Dutch. -Yes, they are. | 0:02:23 | 0:02:24 | |
And how did you come to own? | 0:02:24 | 0:02:27 | |
They're by Gouda. | 0:02:27 | 0:02:29 | |
-Gouda ware. -Yes, yes. Well, they belonged to my husband's father. | 0:02:29 | 0:02:33 | |
-Right. -And I think he was probably given them as a gift, | 0:02:33 | 0:02:37 | |
because he did quite a lot of business in Holland, Norway... | 0:02:37 | 0:02:39 | |
Right, so it may have been a gift from a client or something? | 0:02:39 | 0:02:43 | |
Yes, to do with shipping. | 0:02:43 | 0:02:45 | |
-Right. And when was that? In the '40s, or something? -Er, '30s. | 0:02:45 | 0:02:50 | |
'30s, '40s. These very much look the Art Deco style. | 0:02:50 | 0:02:53 | |
-Yes. -Do you like them? -No. -No? | 0:02:53 | 0:02:55 | |
-No, no. -Why don't you like them? I think they're quite pleasant. | 0:02:55 | 0:02:59 | |
No, they're dark, and I don't do dark. | 0:02:59 | 0:03:01 | |
That's why you're selling? | 0:03:01 | 0:03:02 | |
-That's why I'm selling them, yes. -What would you go for instead? | 0:03:02 | 0:03:07 | |
-Well, I would go for something like probably a piece of Royal Worcester. -Right. | 0:03:07 | 0:03:12 | |
Or even a bit of pretty Doulton, something like that. | 0:03:12 | 0:03:15 | |
These are too dark and overpowering? | 0:03:15 | 0:03:16 | |
Yes. And I've had them for quite a long time | 0:03:16 | 0:03:19 | |
-and I've never known where to put them. -Are they out on display at home? | 0:03:19 | 0:03:22 | |
-They're out on a very high shelf in the breakfast room. -OK. | 0:03:22 | 0:03:26 | |
-It would be like this to see them! -So you're not going to miss them? | 0:03:26 | 0:03:29 | |
-No, no. -Any idea what they're worth? -No. -£1,000? | 0:03:29 | 0:03:32 | |
Oh, no, definitely not! | 0:03:32 | 0:03:35 | |
I think they're probably worth £40-60. | 0:03:35 | 0:03:38 | |
Yes, yes. | 0:03:38 | 0:03:40 | |
They're decorative, but they're not particularly rare or | 0:03:40 | 0:03:43 | |
exceptionally valuable, but they should make £40-60 between them. | 0:03:43 | 0:03:46 | |
-Yes. -Happy with that? -Yeah. | 0:03:46 | 0:03:48 | |
-Put a reserve on them? -Yes. -What do you think, 40? | 0:03:48 | 0:03:51 | |
-Put... Yeah. -With discretion? -No, just put 40 on them. | 0:03:51 | 0:03:55 | |
If not, what will you do with them? | 0:03:55 | 0:03:56 | |
Put them back on the shelf. | 0:03:56 | 0:03:58 | |
Not give them away or something? | 0:03:58 | 0:04:00 | |
-No. Put them back on the shelf. -And you were telling me about the Flogs. | 0:04:00 | 0:04:04 | |
I said, "What are you going to do | 0:04:04 | 0:04:06 | |
"with the money?" And you said, "I'm going to give it to the Flogs." | 0:04:06 | 0:04:10 | |
Does that mean the Flog It team?! | 0:04:10 | 0:04:12 | |
No, no, no. Well, I've got four granddaughters, and they're called | 0:04:12 | 0:04:17 | |
Fleur, Lucinda, Olivia and Georgina. | 0:04:17 | 0:04:20 | |
-Right. -So I've christened them the Flogs. | 0:04:20 | 0:04:22 | |
-OK. Did they like that? -Oh, yes, they loved it, yes. | 0:04:22 | 0:04:25 | |
They had T-shirts done with a Flogs name across it. | 0:04:25 | 0:04:28 | |
Friends, the four of them, and they did me a badge. | 0:04:28 | 0:04:32 | |
-It said "Flogs team leader". -Oh! | 0:04:32 | 0:04:35 | |
Cos I'd taken them out picnicking and this sort of thing, you see. | 0:04:35 | 0:04:38 | |
I hope they sell well, but I don't think we'll be | 0:04:38 | 0:04:41 | |
-fainting with excitement for these. -No, no. I didn't think so. | 0:04:41 | 0:04:44 | |
But it'll be a bit more pocket money for the Flogs. | 0:04:44 | 0:04:47 | |
Yeah, and something different for the viewer as well. | 0:04:47 | 0:04:50 | |
For the viewer, yes, yes. | 0:04:50 | 0:04:52 | |
Judith, I like these little silver pepperettes, or salt and pepper, | 0:04:56 | 0:05:00 | |
that you've brought in today. How have you come by them? | 0:05:00 | 0:05:03 | |
I was in Bishop Auckland and they had a church fair. And I thought | 0:05:03 | 0:05:08 | |
they looked interesting, cos they had the little finials on the top. | 0:05:08 | 0:05:11 | |
These were on a stand at the fair, were they? | 0:05:11 | 0:05:13 | |
-Among all the rubbish. -Were they? | 0:05:13 | 0:05:16 | |
Yes, and I got them for 60p. | 0:05:16 | 0:05:18 | |
60p?! Did the person selling them know they were silver? | 0:05:18 | 0:05:22 | |
No, she was banging them together | 0:05:22 | 0:05:24 | |
and saying, "Oh, they're only tin." | 0:05:24 | 0:05:26 | |
"They're only tin"! Imagine that! | 0:05:26 | 0:05:28 | |
Were they as shiny as now? They're in wonderful condition. | 0:05:28 | 0:05:31 | |
No, that's why I got them, they desperately needed a good clean. | 0:05:31 | 0:05:36 | |
You get that with silver. It's just a reaction with the atmosphere. | 0:05:36 | 0:05:39 | |
It tarnishes the surface, which is why you get that blackening, which | 0:05:39 | 0:05:42 | |
can sometimes be a clue that things are silver, rather than | 0:05:42 | 0:05:46 | |
silver plate, where you don't get that tarnishing so much. | 0:05:46 | 0:05:49 | |
So, you've paid 60p for a pair | 0:05:49 | 0:05:51 | |
of solid-silver salt and pepper. Any idea of the date? | 0:05:51 | 0:05:55 | |
Yes, I did have a look in a book and I thought it was 1890. | 0:05:55 | 0:05:58 | |
1890? Well, if I have a look at the hallmark on this on here... | 0:05:58 | 0:06:03 | |
They can be hard to find, but usually under the rim. There we are. We've got three hallmarks there. | 0:06:03 | 0:06:08 | |
We've got the Assay Office, which is Birmingham. | 0:06:08 | 0:06:11 | |
-Then you've got the date letter, which is a Z. -Yes. | 0:06:11 | 0:06:13 | |
And then you've got the sterling-silver mark, and then a maker's mark, | 0:06:13 | 0:06:18 | |
which I can't quite make out. It's a little bit rubbed, to be honest. | 0:06:18 | 0:06:21 | |
But that doesn't detract from them. | 0:06:21 | 0:06:23 | |
Now, the date letter, Z, is going to be 1899. | 0:06:23 | 0:06:27 | |
Nine years from what you thought, but the right decade. | 0:06:27 | 0:06:30 | |
Typical from that period. | 0:06:30 | 0:06:32 | |
This nice, moulded body here, | 0:06:32 | 0:06:34 | |
a bit of scrolling, bit of chasing here and there. | 0:06:34 | 0:06:36 | |
And then these, I think, rather fine little finial tops, that you said | 0:06:36 | 0:06:41 | |
attracted them to you in the first place. Have you any idea of value? | 0:06:41 | 0:06:44 | |
You're not going to be a genius to guess they're worth | 0:06:44 | 0:06:47 | |
a little bit more than the 60p you paid for them. What do you think? | 0:06:47 | 0:06:50 | |
-Do you think we can put a nought on the end of that? -Maybe. | 0:06:50 | 0:06:54 | |
I think you're looking at £60-80 as a sensible estimate, | 0:06:54 | 0:06:56 | |
which for your investment is not a bad return. | 0:06:56 | 0:06:59 | |
How long ago was it you came across them? | 0:06:59 | 0:07:01 | |
-12 years. -OK. So that's not bad at all. | 0:07:01 | 0:07:04 | |
More than if you'd stuck it in the saving account. | 0:07:04 | 0:07:06 | |
-Oh, yes! -So if we estimate them | 0:07:06 | 0:07:08 | |
at £60-80, I'd like to set the reserve at, let's say, £50. | 0:07:08 | 0:07:13 | |
Fixed £50 reserve. What do you think you'd do with the money? | 0:07:13 | 0:07:17 | |
Start trawling more church fairs, perhaps, looking for more bargains? | 0:07:17 | 0:07:21 | |
No, what I would like to do is, my grandson's just taken up golf and he needs a lot of... | 0:07:21 | 0:07:25 | |
Equipment and so on, and green fees. | 0:07:25 | 0:07:27 | |
That's not cheap, is it? It's not a cheap hobby. | 0:07:27 | 0:07:30 | |
-Is he any good? -I believe so. -Yes? | 0:07:30 | 0:07:32 | |
How old is he? Has he started young? | 0:07:32 | 0:07:34 | |
-He's 12. -You've started him young. | 0:07:34 | 0:07:35 | |
Let's hope we see him winning the Open in future. | 0:07:35 | 0:07:38 | |
I'll look out for him. And £50 towards a budding golf career. Let's hope we get you that figure. | 0:07:38 | 0:07:42 | |
OK. We'll see you at the saleroom. | 0:07:42 | 0:07:45 | |
-Thanks, Judith. -Thanks very much. | 0:07:45 | 0:07:47 | |
Jean, this album is just so fascinating. | 0:07:51 | 0:07:55 | |
It's all your family history, really. Your social history. | 0:07:55 | 0:07:58 | |
-It is. -So when did your mother give you this? | 0:07:58 | 0:08:01 | |
It was grandmother who gave me them just before she died, which would | 0:08:01 | 0:08:04 | |
probably be about 30 year ago, and I've kept them safe. | 0:08:04 | 0:08:07 | |
-All these were sent to her? -They were all sent to her from her | 0:08:07 | 0:08:10 | |
-husband in the First World War. -Yeah, during the Great War, through | 0:08:10 | 0:08:14 | |
the sort of 1914-1917 period. | 0:08:14 | 0:08:16 | |
-That's right. -He must have loved her so much, because | 0:08:16 | 0:08:19 | |
they're all sent to her from France. | 0:08:19 | 0:08:21 | |
-That's true. -It's incredible. "To my dear wife". | 0:08:21 | 0:08:23 | |
-There's some loving sentiments from a very brave man. -Yes. | 0:08:23 | 0:08:28 | |
Did she look at it much? | 0:08:28 | 0:08:29 | |
Oh, yes, and we used to look at it as children and go through it, and | 0:08:29 | 0:08:32 | |
she used to talk about these days. | 0:08:32 | 0:08:34 | |
And some of the cards are sent to my mother, which is her daughter, | 0:08:34 | 0:08:38 | |
-of course. -Yeah. Some are worth a lot more than others. | 0:08:38 | 0:08:40 | |
I mean, there's a great double-page spread. | 0:08:40 | 0:08:43 | |
-Yes. -Condition, very good. These silk cards are lovely, and they're | 0:08:43 | 0:08:46 | |
-worth around about £7-9 each. -Right. | 0:08:46 | 0:08:49 | |
So, you know, there's quite a bit of monetary value here as well. | 0:08:49 | 0:08:53 | |
I've picked out these two from a previous page. | 0:08:53 | 0:08:56 | |
Lord Kitchener and Charles Fryatt. | 0:08:56 | 0:08:58 | |
I mean, they've not been sent in the post, which helps. Hasn't devalued them. | 0:08:58 | 0:09:02 | |
-Yes. -So they're worth £20 each. | 0:09:02 | 0:09:04 | |
-Oh, good. -A lot of them are so personal to your grandma. | 0:09:04 | 0:09:07 | |
-Well, they are. -I really should be trying to talk you out of | 0:09:07 | 0:09:11 | |
selling this. I should, you know. Is there no-one...? | 0:09:11 | 0:09:15 | |
-No, I only have distant cousins. -No children to...? No, I haven't got any children, no. | 0:09:15 | 0:09:20 | |
There was one in here of Whitby, wasn't there? | 0:09:20 | 0:09:22 | |
-You've just passed it. -The cats! | 0:09:22 | 0:09:24 | |
-That's my favourite one. -You like that? -I breed Persian cats. | 0:09:24 | 0:09:27 | |
Would you like to keep them? Shall we take them out? | 0:09:27 | 0:09:29 | |
Well, yes, it would be rather nice, cos it was sent to my mother when she was a little girl! | 0:09:29 | 0:09:34 | |
You've got to have something. | 0:09:34 | 0:09:36 | |
-Well, yes. -Well, look, that one's yours. | 0:09:36 | 0:09:39 | |
That is mine because it was sent to my mother, so, | 0:09:39 | 0:09:42 | |
-yes, that's special. -Are you seriously selling these? | 0:09:42 | 0:09:45 | |
I'm seriously going to sell those, yes, | 0:09:45 | 0:09:48 | |
-because they'll only go in a skip. -Oh, what are we doing?! | 0:09:48 | 0:09:51 | |
This is quite nice, Whitby. Cos this one pulls out. | 0:09:51 | 0:09:54 | |
It does, yes. Concertina one. | 0:09:54 | 0:09:56 | |
-So you can see exactly what Whitby was like... -That's true. | 0:09:56 | 0:09:59 | |
-..in the early 1900s. -That's right. | 0:09:59 | 0:10:01 | |
-That's quite nice. Collectors will buy this. -Oh, yes. | 0:10:01 | 0:10:04 | |
The sad thing is, when this sells in auction, it'll be split up. | 0:10:04 | 0:10:07 | |
It won't have any sentimental value to anyone else, let's face it. | 0:10:07 | 0:10:11 | |
-And you feel the time is right now? -Yes. | 0:10:11 | 0:10:13 | |
I'm sure my gran would have wanted me to hand them to someone who will appreciate them. | 0:10:13 | 0:10:17 | |
Any idea of the value? | 0:10:17 | 0:10:19 | |
No, I have no idea of the value, really, at all. | 0:10:19 | 0:10:21 | |
It's not really important. | 0:10:21 | 0:10:23 | |
Well, I think there is a great deal of value here. | 0:10:23 | 0:10:25 | |
-There's a lot of silk cards. -Yes. | 0:10:25 | 0:10:27 | |
Those two, as I said, are worth £20 each, so you've | 0:10:27 | 0:10:30 | |
already got £40. I think we could | 0:10:30 | 0:10:31 | |
-put these into auction with a value of round about £100-150. -Oh, gosh. | 0:10:31 | 0:10:35 | |
I think they'll get the £150 mark. | 0:10:35 | 0:10:38 | |
-Oh, right. -Fingers crossed, on a good day. | 0:10:38 | 0:10:41 | |
-Right. Lovely. -Is that OK? -Yes, fine. | 0:10:41 | 0:10:44 | |
We'll put a reserve of £80 on. | 0:10:44 | 0:10:46 | |
-Right, yes. -You can change your mind. | 0:10:46 | 0:10:48 | |
-I won't change my mind. -OK. | 0:10:48 | 0:10:50 | |
-I've given it thought. -Let's put them into auction. | 0:10:50 | 0:10:52 | |
-Yes. -And I guess it's a book that we have to shut, isn't it? | 0:10:52 | 0:10:55 | |
-You're right. -Let's hope they go to a good home, OK? -That is | 0:10:55 | 0:10:58 | |
the most important thing, that they go to someone who | 0:10:58 | 0:11:01 | |
appreciates them. People wouldn't buy them if they weren't interested. | 0:11:01 | 0:11:05 | |
Exactly. And that's going back to a good home. | 0:11:05 | 0:11:07 | |
That is going to a good home and then that'll be treasured as well. | 0:11:07 | 0:11:11 | |
I'll see you in the auction. | 0:11:11 | 0:11:12 | |
Yes, I'd love that. Thank you. | 0:11:12 | 0:11:14 | |
-Hi, Dave. -Hello. -How are you today? | 0:11:20 | 0:11:23 | |
-Not bad, not bad. -And what's made you come along to Flog It? | 0:11:23 | 0:11:26 | |
-Well, I watch the programme and I've actually seen one similar to this sold. -Have you? | 0:11:26 | 0:11:31 | |
-Without the heraldic bits. -Yep. | 0:11:31 | 0:11:33 | |
-Got this one from a charity shop. -Did you? -How long ago? | 0:11:33 | 0:11:38 | |
-About 18 months. -18 months ago. How expensive was it? | 0:11:38 | 0:11:41 | |
-£1.90. -£1.90? | 0:11:41 | 0:11:43 | |
-Yes. -Yeah. And you're selling it. | 0:11:43 | 0:11:45 | |
It appears to be a Georgian cannon. | 0:11:45 | 0:11:48 | |
This bit is Georgian. The stand is later. | 0:11:48 | 0:11:50 | |
Little garrison stand there, | 0:11:50 | 0:11:53 | |
which is probably in the last 50 years, I'd have thought. | 0:11:53 | 0:11:55 | |
So, what attracted you, just cos it was a bargain? | 0:11:55 | 0:11:58 | |
Well, I thought it was an excellent piece of workmanship when I saw it. | 0:11:58 | 0:12:01 | |
And it was that that attracted me. | 0:12:01 | 0:12:03 | |
It's a nice piece of brassware. It's a good piece of workmanship, and you've got | 0:12:03 | 0:12:07 | |
the George III cipher on there. Any idea what it's worth? | 0:12:07 | 0:12:11 | |
-Not really. -Well, I'd estimate that at £30-50 at auction. And | 0:12:11 | 0:12:16 | |
I think it would probably make that, perhaps a little bit more. | 0:12:16 | 0:12:19 | |
It's a miniature example. | 0:12:19 | 0:12:20 | |
The big ones on the big cast-iron stands can make hundreds, even sometimes | 0:12:20 | 0:12:24 | |
thousands, but this is fairly ordinary. | 0:12:24 | 0:12:26 | |
So I'd expect that sort of money. Are you happy with that? | 0:12:26 | 0:12:30 | |
-Yeah, yeah. -OK. Say it makes £80, what would you do with it? | 0:12:30 | 0:12:33 | |
Probably most of it would go to | 0:12:33 | 0:12:36 | |
-a computer programme or some such thing. -OK. Or back to the charity | 0:12:36 | 0:12:40 | |
-shops for more bargains? -Oh, always. | 0:12:40 | 0:12:42 | |
-Yes, yes. -Do you scour them a lot? Is that a hobby of yours? | 0:12:42 | 0:12:45 | |
-Well, I look. I look. -So, off to auction with it. | 0:12:45 | 0:12:48 | |
We'll put it in the auction with a £30-50 estimate on it. Any reserve? | 0:12:48 | 0:12:51 | |
Well, I would like a £30 reserve. | 0:12:51 | 0:12:54 | |
Bottom of estimate, see what happens. | 0:12:54 | 0:12:56 | |
-If it doesn't make that, we'll take it home. -Uh-huh. | 0:12:56 | 0:12:59 | |
Thank you for coming, I'll see you at the auction. | 0:12:59 | 0:13:01 | |
OK. No problem. | 0:13:01 | 0:13:03 | |
They haven't got long to wait. It's now that time | 0:13:03 | 0:13:06 | |
where we head off to the saleroom, and here's what's coming with us. | 0:13:06 | 0:13:11 | |
I hope Valerie's vases do well so she has a stash of cash | 0:13:11 | 0:13:13 | |
to give to the granddaughters, the well-named Flogs. | 0:13:13 | 0:13:18 | |
Judith's bound to make a profit on the salt and pepper shakers. | 0:13:18 | 0:13:21 | |
They're definitely going to make more than the 60p she paid for them. | 0:13:21 | 0:13:26 | |
And with a valuation of £30-50, | 0:13:26 | 0:13:28 | |
I'm convinced the cannon will go with a bang. | 0:13:28 | 0:13:31 | |
And Jean is selling a real piece of her past here. | 0:13:31 | 0:13:34 | |
They're are some smashing postcards in the album, | 0:13:34 | 0:13:38 | |
so I just hope the collectors are in the saleroom to spot them. | 0:13:38 | 0:13:41 | |
And this is where the auction will take place, Thomas Watson's in the heart of Darlington. | 0:13:48 | 0:13:53 | |
The room's to filling up. Let's hope it'll be | 0:13:53 | 0:13:55 | |
jam-packed full of bidders and they're all here for our lots. | 0:13:55 | 0:13:59 | |
And the auctioneer with the gavel at the ready is Peter Cartwright. | 0:13:59 | 0:14:03 | |
Under the hammer, two Dutch vases with a valuation of | 0:14:05 | 0:14:07 | |
£40-60. They belong to Valerie, and all the money's going to the Flogs. | 0:14:07 | 0:14:12 | |
-So, remind us about the Flogs. -Well, I have four granddaughters. | 0:14:12 | 0:14:16 | |
Their initials are... Well, they're Fleur, Lucinda, Olivia and Georgina. | 0:14:16 | 0:14:20 | |
Spells Flogs, taking the initials. | 0:14:20 | 0:14:22 | |
It's an anagram of Flogs! | 0:14:22 | 0:14:23 | |
-So I call them the Flogs. -So we need top money, Adam. | 0:14:23 | 0:14:26 | |
We do. They're attractive vases, but | 0:14:26 | 0:14:28 | |
I don't think we'll be surprised. | 0:14:28 | 0:14:29 | |
Too dark for Valerie. Will that put many people off? | 0:14:29 | 0:14:32 | |
Well, they're quite stylish, though. | 0:14:32 | 0:14:34 | |
I think they're quite Deco-looking. | 0:14:34 | 0:14:36 | |
-Yeah. -I think they'll be all right, but I think | 0:14:36 | 0:14:39 | |
we should be delighted if they hit three figures, and very surprised. | 0:14:39 | 0:14:43 | |
I hope so. Well, I hope so! | 0:14:43 | 0:14:46 | |
Well, we can't say any more, really. | 0:14:46 | 0:14:47 | |
The lot is just about to go under the hammer. | 0:14:47 | 0:14:50 | |
Let's see what the bidders think. | 0:14:50 | 0:14:51 | |
The two Dutch Gouda vases, each with a flora decoration. | 0:14:51 | 0:14:55 | |
Interest in these. I can start these away at £65 for the two. | 0:14:55 | 0:14:58 | |
65 straight in. | 0:14:58 | 0:15:00 | |
70 now for the two. At £65 with me. The bid at £65 for the two. | 0:15:00 | 0:15:04 | |
Straight in and straight out. | 0:15:04 | 0:15:05 | |
£65. Are we all done at £65? | 0:15:05 | 0:15:09 | |
Hammer's gone down. £65. That's not too bad. | 0:15:09 | 0:15:12 | |
-£15 each for the Flogs. -Yeah. | 0:15:12 | 0:15:14 | |
-That's not bad, is it? -Yeah. -Yeah. | 0:15:14 | 0:15:16 | |
-That's OK. -That's a good day out. | 0:15:16 | 0:15:18 | |
Well, they'll be pleased to start with that. | 0:15:18 | 0:15:20 | |
-And you didn't like them anyway, did you? -No, I didn't! | 0:15:20 | 0:15:23 | |
No, they were too dark for me. Yeah, I like lighter china. | 0:15:23 | 0:15:27 | |
-They had the look, and I'm sure somebody's going to enjoy them. -I think so. | 0:15:27 | 0:15:31 | |
Next up, we've got some solid-silver salt and pepper shakers | 0:15:37 | 0:15:40 | |
with a value of £60-80. | 0:15:40 | 0:15:41 | |
They belong to Judith, and she's brought along her partner. | 0:15:41 | 0:15:44 | |
-Hi, what's your name? -Alan. -Alan, pleased to meet you. | 0:15:44 | 0:15:47 | |
Why are you flogging these? Don't they come in handy? | 0:15:47 | 0:15:50 | |
Not really, because I don't want to use them. | 0:15:50 | 0:15:52 | |
-I would. -They're too nice. -I would! | 0:15:52 | 0:15:54 | |
I've had them in the cabinet for a long time. | 0:15:54 | 0:15:56 | |
-I've had them 17 years. -Yeah. | 0:15:56 | 0:15:58 | |
And I paid the great sum of 60p for them! | 0:15:58 | 0:16:02 | |
-That was a bargain! -At a church fair. | 0:16:02 | 0:16:04 | |
Never happens to me, that. A church fair? | 0:16:04 | 0:16:06 | |
And they were really black and dirty. | 0:16:06 | 0:16:07 | |
I think we can turn a profit here! | 0:16:07 | 0:16:09 | |
I would have thought so. Little bits | 0:16:09 | 0:16:11 | |
of silver, that's what the market is taking well at the moment. | 0:16:11 | 0:16:15 | |
-So I'm confident we'll get these away for you. -And precious metals, | 0:16:15 | 0:16:18 | |
-they're riding high as well. -Certainly. | 0:16:18 | 0:16:20 | |
The price of silver's gone up a lot. | 0:16:20 | 0:16:22 | |
Yeah. And pepper's not cheap! | 0:16:22 | 0:16:24 | |
The scrap value... Pepper's not cheap either! | 0:16:24 | 0:16:27 | |
Saffron shakers, there we go! | 0:16:27 | 0:16:29 | |
Let's they find a good home here today. | 0:16:30 | 0:16:32 | |
Good luck, you two. This is it. | 0:16:32 | 0:16:34 | |
Victorian silver salt and pepper shakers with embossed | 0:16:34 | 0:16:37 | |
decoration. Birmingham, 1899, these. | 0:16:37 | 0:16:40 | |
And I have 35 to start for the pair. | 0:16:40 | 0:16:42 | |
At 35. 40 now for the pair. 40. 45. | 0:16:42 | 0:16:44 | |
50. In the room, the bid. | 0:16:44 | 0:16:46 | |
-Doing well at 50. -£50. | 0:16:46 | 0:16:49 | |
The lady's bid at £50. 55 now. 55. | 0:16:49 | 0:16:51 | |
60. 65. 70. 75. | 0:16:51 | 0:16:55 | |
80. At £75 in the gallery. | 0:16:55 | 0:16:57 | |
Gentleman's bid at £75. | 0:16:57 | 0:16:59 | |
-Are we all done at £75 the pair? -Yes. Yes! The hammer's gone down. | 0:16:59 | 0:17:03 | |
£75, and I think that lady on the second row has bought them. | 0:17:03 | 0:17:08 | |
The lady you were sitting next to. | 0:17:08 | 0:17:09 | |
-Yes. -They've gone to a good home, and I hope she's going to use them. | 0:17:09 | 0:17:12 | |
-Yes. -I would. I would love to go and buy fish and chips, bring | 0:17:12 | 0:17:15 | |
them home in newspaper and sit there with my silver salt and pepper pots! | 0:17:15 | 0:17:19 | |
Silver knife and fork, and you're away, aren't you?! Good idea! | 0:17:19 | 0:17:23 | |
Firing things right now for us, we've got | 0:17:28 | 0:17:31 | |
David's little Georgian brass cannon with a value of £30-50. | 0:17:31 | 0:17:35 | |
Fixed reserve at 30. We're not giving this little gem away, are we? | 0:17:35 | 0:17:39 | |
You picked it up for a couple of quid? | 0:17:39 | 0:17:41 | |
-Yeah. -So you've got keen eyes. -Well, yeah. | 0:17:41 | 0:17:44 | |
Any other bargains you've found? | 0:17:44 | 0:17:45 | |
-'Fraid not. -That's the only one. | 0:17:45 | 0:17:47 | |
I've never found a bargain in a charity shop. | 0:17:47 | 0:17:49 | |
-A little gem. -A sweet little thing. | 0:17:49 | 0:17:51 | |
I thought it was a bit of you, actually, when I saw it. | 0:17:51 | 0:17:54 | |
Yeah, I do like it. It's a nice little desk toy. | 0:17:54 | 0:17:56 | |
This should get the top end. | 0:17:56 | 0:17:58 | |
-Should be £50, shouldn't it? -Mmm. -Be nice. | 0:17:58 | 0:18:01 | |
We're going to find out right now. | 0:18:01 | 0:18:02 | |
-This is it. -The Georgian model of a cannon on the mahogany stand. | 0:18:02 | 0:18:07 | |
Interest in the lot, and I can start this away at £30 for the cannon. | 0:18:07 | 0:18:10 | |
-Good. -At 35. 40 upstairs. 45. 50. | 0:18:10 | 0:18:15 | |
55. 60. 65. 70. 75. | 0:18:15 | 0:18:18 | |
At £70 in the gallery now. | 0:18:18 | 0:18:20 | |
At £70, your bid, sir, at £70. | 0:18:20 | 0:18:22 | |
75 for the lot now. 75. | 0:18:22 | 0:18:24 | |
80. 85. 90. At £90. Still in the gallery, then, at £90 for the lot. | 0:18:24 | 0:18:30 | |
Are we all done at £90? | 0:18:30 | 0:18:33 | |
Yes! £90! That's fantastic. | 0:18:33 | 0:18:37 | |
You see, quality always sells. What | 0:18:37 | 0:18:38 | |
are you going to do with that money? Less a bit of commission. | 0:18:38 | 0:18:42 | |
Erm, Photoshop 6. | 0:18:42 | 0:18:45 | |
So you're into your computers? | 0:18:45 | 0:18:47 | |
Well, yeah, I'm getting there, getting there. I combine it with art. | 0:18:47 | 0:18:53 | |
-Erm, merging watercolours with line stuff... -Yeah. | 0:18:53 | 0:18:58 | |
-For pleasure, of course. -Hours of fun! | 0:18:58 | 0:19:00 | |
You pretend you understand what he's talking about! | 0:19:00 | 0:19:03 | |
Oh, Jean, that brings back some memories, doesn't it? Look at that. | 0:19:11 | 0:19:14 | |
We saw that at the valuation day. | 0:19:14 | 0:19:16 | |
That's the one we've kept back. | 0:19:16 | 0:19:17 | |
We've got quite a lot of these First World War postcards | 0:19:17 | 0:19:20 | |
-going under the hammer with a valuation of £100-150. -Right. | 0:19:20 | 0:19:25 | |
Let's hope we get that top end, shall we? | 0:19:25 | 0:19:27 | |
I'm pleased you kept that one back. | 0:19:27 | 0:19:29 | |
Yes, I'm pleased, cos that was the one thing that | 0:19:29 | 0:19:31 | |
started off with breeding my cats, so it's very special. | 0:19:31 | 0:19:35 | |
Did you say goodbye to them this morning? | 0:19:35 | 0:19:37 | |
-Oh, yes, I certainly did! -Did they wish you luck? | 0:19:37 | 0:19:40 | |
Yes, they did! My friends all rang, anyway! | 0:19:40 | 0:19:42 | |
These cards have been in the family a long, long time. | 0:19:42 | 0:19:46 | |
-They certainly have. Almost 100 years. -Let's hope | 0:19:46 | 0:19:48 | |
they find a good home today. | 0:19:48 | 0:19:50 | |
-I hope so. -Let's say goodbye to them. | 0:19:50 | 0:19:52 | |
They're going under the hammer right now. | 0:19:52 | 0:19:54 | |
Interesting lot. It's three albums of postcards. | 0:19:54 | 0:19:57 | |
Silk cards in amongst this lot. | 0:19:57 | 0:19:58 | |
Interest in the lot. Start these at £55, the lot. | 0:19:58 | 0:20:01 | |
At 55. 60 now. At 55. 60. 65. 70. 75. | 0:20:01 | 0:20:06 | |
-80 at the back. At £80. Gentleman's bid in the room... -We've sold. | 0:20:06 | 0:20:10 | |
85. 90. 95. | 0:20:10 | 0:20:12 | |
100. And 10, sir. 120. 130. 140. | 0:20:12 | 0:20:16 | |
-150. 160. 170. -They love it. -Yeah. | 0:20:16 | 0:20:19 | |
The cats will be pleased! | 0:20:19 | 0:20:22 | |
-Certainly will! -At £200. Downstairs, the bid at £200. | 0:20:22 | 0:20:24 | |
-Are we all done at £200? -Yes! £200! | 0:20:24 | 0:20:29 | |
-I'm ever so pleased. -Wonderful. Thank you. | 0:20:29 | 0:20:31 | |
-They got the right money. -They're going to | 0:20:31 | 0:20:33 | |
someone who's going to look after them. | 0:20:33 | 0:20:35 | |
Yeah. Will you treat the cats? | 0:20:35 | 0:20:36 | |
Oh, it'll pay for some cat shows, that's one thing! | 0:20:36 | 0:20:39 | |
It will get me to two cat shows, anyway! | 0:20:39 | 0:20:42 | |
I hope you get a winner as well. | 0:20:42 | 0:20:44 | |
I certainly hope so. Thank you very much. | 0:20:44 | 0:20:46 | |
Now, 27th September, 1825, is certainly a date | 0:20:56 | 0:21:00 | |
to remember here in Darlington, because it was the first time ever | 0:21:00 | 0:21:04 | |
a steam locomotive was used to haul passengers on a public railway | 0:21:04 | 0:21:08 | |
system, and the locomotive involved was Stephenson's Locomotion No. 1. | 0:21:08 | 0:21:13 | |
It certainly was a piece of railway history. | 0:21:13 | 0:21:15 | |
And today in Darlington, yet another is just about to unfold. | 0:21:15 | 0:21:19 | |
I'm here at Darlington Locomotive Works to find out a little bit more. | 0:21:19 | 0:21:23 | |
There's thousands of rail enthusiasts in the UK, | 0:21:28 | 0:21:30 | |
but one group in particular took their | 0:21:30 | 0:21:32 | |
passion, their energy and their enthusiasm a lot further than most. | 0:21:32 | 0:21:36 | |
They turned a pipe dream into a reality. Meet Tornado. | 0:21:36 | 0:21:40 | |
49 A1 locomotives were built between 1948 and 1949, and each and every | 0:21:40 | 0:21:47 | |
one of them was scrapped by 1966, replaced by modern diesel engines. | 0:21:47 | 0:21:52 | |
So the A1 became a missing part of railway history till 1990. | 0:21:52 | 0:21:58 | |
The idea was hatched to build a brand-new A1 from scratch, and work | 0:21:58 | 0:22:01 | |
began on the 50th locomotive of this class. | 0:22:01 | 0:22:06 | |
Hopefully, Director of Engineering David Elliott can tell me how a seed of an idea with thousands | 0:22:06 | 0:22:11 | |
of little parts like this can turn into something like this. | 0:22:11 | 0:22:15 | |
The A1 was the last development in a long line of locomotives, | 0:22:15 | 0:22:19 | |
which included the Flying Scotsman and Mallard. | 0:22:19 | 0:22:21 | |
Created as a simplified version of the earlier models, | 0:22:21 | 0:22:25 | |
the A1 was developed for post-war conditions, when there | 0:22:25 | 0:22:28 | |
was a combination of poor coal with a shortage of manpower. | 0:22:28 | 0:22:31 | |
Tornado has also been tweaked from the original, but this time | 0:22:31 | 0:22:35 | |
to compete with modern diesel trains on the UK's mainlines. | 0:22:35 | 0:22:40 | |
David, great to meet you. | 0:22:40 | 0:22:41 | |
Thank you for showing us around. I want to know who came up with the idea, because this is awesome. | 0:22:41 | 0:22:46 | |
It was down to a group of enthusiasts who also happened to be businessmen | 0:22:46 | 0:22:50 | |
and the rumour has it that it came out of a convivial party, and after | 0:22:50 | 0:22:54 | |
they'd got past the first two or | 0:22:54 | 0:22:56 | |
three bottles of wine, the question came up, discussing the whole railway | 0:22:56 | 0:23:01 | |
movement about the engines which were missing from the national collection. | 0:23:01 | 0:23:05 | |
And it wasn't very long before they decided that this A1 Pacific | 0:23:05 | 0:23:08 | |
was the biggest omission from the collection of preserved locomotives. | 0:23:08 | 0:23:12 | |
Wonderful craftsmanship. How many are in the team here? | 0:23:12 | 0:23:15 | |
Well, at the moment we've got | 0:23:15 | 0:23:17 | |
about six people regularly working on it, plus a number of volunteers | 0:23:17 | 0:23:21 | |
and others who come in just for specific activities as required. | 0:23:21 | 0:23:24 | |
Thousands of hours. | 0:23:24 | 0:23:26 | |
Many thousands of man hours. We haven't totted it up, but I should | 0:23:26 | 0:23:29 | |
think it's heading for 90,000-100,000 when it's finished. | 0:23:29 | 0:23:32 | |
Gosh. Have you any idea of what it's cost so far? | 0:23:32 | 0:23:35 | |
Up till now, we're approaching £3 million, and by the time she's | 0:23:35 | 0:23:38 | |
finished, over 3 million. | 0:23:38 | 0:23:40 | |
That's a lot of money. So how have you managed to fund this? | 0:23:40 | 0:23:43 | |
The vast proportion has come from | 0:23:43 | 0:23:44 | |
individuals contributing regularly to the project. | 0:23:44 | 0:23:48 | |
What have been the main problems? | 0:23:48 | 0:23:49 | |
First, we had to establish whether there were any drawings for the engine. | 0:23:49 | 0:23:53 | |
Luckily, as a result of a major trawl | 0:23:53 | 0:23:55 | |
through the National Railway Museum, we discovered they had | 0:23:55 | 0:23:58 | |
-around of 95% of the original drawings for the loco. -Yeah. | 0:23:58 | 0:24:02 | |
This made the whole project possible, because if we'd had to work just off | 0:24:02 | 0:24:06 | |
an arrangement drawing and redraw all the detailed parts, | 0:24:06 | 0:24:09 | |
it would have been a huge task, and really outside our capabilities. | 0:24:09 | 0:24:13 | |
People said you could never build a new steam locomotive - | 0:24:13 | 0:24:16 | |
-the specialist skills you need are no longer there. -Yes. | 0:24:16 | 0:24:19 | |
The difficulty was, unlike the old days when there was | 0:24:19 | 0:24:22 | |
a loco works that did everything on the same site, we've had to source this | 0:24:22 | 0:24:26 | |
from all over the UK, and into Europe and South Africa and beyond. | 0:24:26 | 0:24:29 | |
Yeah. Can we take a guided tour? | 0:24:29 | 0:24:31 | |
-Certainly, by all means. -Where do you actually start? | 0:24:31 | 0:24:34 | |
Well, we laid the frames in the first instance. | 0:24:34 | 0:24:37 | |
That is what everything else hangs off. | 0:24:37 | 0:24:39 | |
-Yes. -We did actually have the wheels made early on. | 0:24:39 | 0:24:44 | |
This enabled us to get going with | 0:24:44 | 0:24:46 | |
-something that was very identifiable as part of a steam locomotive. -Yeah. | 0:24:46 | 0:24:50 | |
Early on, the essential thing was to make progress to make it look as though we were building an A1. | 0:24:50 | 0:24:55 | |
And the boiler, where was that made? | 0:24:55 | 0:24:56 | |
Well, the boiler was and has been the biggest single problem. | 0:24:56 | 0:25:00 | |
There's no manufacturing facility in the UK that | 0:25:00 | 0:25:03 | |
produces steam-locomotive-type boilers on this scale. And finally, we chose the Mining | 0:25:03 | 0:25:08 | |
and Locomotive Works in Germany, which is, astonishingly, still | 0:25:08 | 0:25:12 | |
a fully-fledged steam-locomotive works here in the 21st century. | 0:25:12 | 0:25:16 | |
What's been the highs and lows so far? | 0:25:16 | 0:25:18 | |
One of the highest points was when we steamed this boiler for | 0:25:18 | 0:25:21 | |
the first time. They invariably leak somewhere. | 0:25:21 | 0:25:24 | |
-This didn't leak anywhere, which is what we'd hope. -Once you've | 0:25:24 | 0:25:27 | |
got the steam up, you've got to generate it into power. | 0:25:27 | 0:25:30 | |
Yeah. In order to be able to create enough pull to start a heavy train, | 0:25:30 | 0:25:34 | |
three axles are coupled together so that they all go round at once, | 0:25:34 | 0:25:38 | |
and altogether, when this | 0:25:38 | 0:25:39 | |
is running at, say, in the order of 75 or 80 miles an hour, she's capable of | 0:25:39 | 0:25:44 | |
-producing about 2,600 horsepower. -Wow. | 0:25:44 | 0:25:47 | |
That's equivalent to most of the larger diesels that are around today. | 0:25:47 | 0:25:51 | |
Have you had to modify the brakes? | 0:25:51 | 0:25:53 | |
Only to enable them to haul modern rolling stock. | 0:25:53 | 0:25:55 | |
This must be special for the people of Darlington. Do they keep an eye on what's going on? | 0:25:55 | 0:26:00 | |
23 of these were actually built in the Darlington Locomotive Works of British Railways. | 0:26:00 | 0:26:05 | |
Fantastic. Every morning when you come to work here and you | 0:26:05 | 0:26:08 | |
look at this, you must go, "What a great day." | 0:26:08 | 0:26:11 | |
It's not always like that. | 0:26:11 | 0:26:13 | |
More often than not I'm coming in to sort a problem out, but | 0:26:13 | 0:26:16 | |
there are times at the end of the day when I just stand back and look at it | 0:26:16 | 0:26:19 | |
and think, "What is this that this team has created?" | 0:26:19 | 0:26:23 | |
-Yeah. -Cos the opportunity to build a new steam locomotive of this scale | 0:26:23 | 0:26:27 | |
and size in this century is just astonishing. | 0:26:27 | 0:26:31 | |
Wow! That's all I can say. | 0:26:35 | 0:26:37 | |
I really wasn't expecting that. | 0:26:37 | 0:26:39 | |
It's magnificent. What an incredible achievement, and the great thing is, | 0:26:39 | 0:26:43 | |
Tornado's built right here in Darlington. That's history. | 0:26:43 | 0:26:48 | |
One day I'm going to take a ride on her, and I'm sure all the | 0:26:48 | 0:26:51 | |
people of Darlington will as well, and they'll feel extremely proud. | 0:26:51 | 0:26:55 | |
Well, it's now time for our second lot of valuations, | 0:27:01 | 0:27:04 | |
and everything seems to be running like clockwork for Will. | 0:27:04 | 0:27:07 | |
Joanne and Carole, thanks for coming | 0:27:07 | 0:27:09 | |
along today. You were here nice and early. | 0:27:09 | 0:27:11 | |
-Yes, we were. -That's what we like, good! | 0:27:11 | 0:27:14 | |
You've brought along some tinplate toys for us to look at. | 0:27:14 | 0:27:17 | |
What can you tell me about these? | 0:27:17 | 0:27:18 | |
They were my father-in-law's. He passed away, and we brought them along just to see what they are, | 0:27:18 | 0:27:23 | |
what they're worth, if they're worth selling. | 0:27:23 | 0:27:26 | |
I mean, date-wise, | 0:27:26 | 0:27:28 | |
they're going to be from perhaps the '50s, perhaps the early '60s. | 0:27:28 | 0:27:31 | |
Tinplate toys and, as you can see, in the box, "Made in Romania". | 0:27:31 | 0:27:35 | |
Now, before we get too excited, as people do about tinplate toys, | 0:27:35 | 0:27:39 | |
the market for the collectable tinplate toys is really the Japanese and German tinplate. | 0:27:39 | 0:27:44 | |
Romanian tinplate toys, I'm afraid, haven't quite reached those heights, | 0:27:44 | 0:27:48 | |
so we're not talking megabucks here. | 0:27:48 | 0:27:50 | |
But let's have a closer look anyway. | 0:27:50 | 0:27:52 | |
You've got here the steamroller. | 0:27:52 | 0:27:54 | |
-Yeah. -That's a bit of fun. And if I take this one here out of | 0:27:54 | 0:27:57 | |
the box, look at this sort of modern, futuristic design. | 0:27:57 | 0:28:01 | |
See the way the buildings are designed? You say they work? | 0:28:01 | 0:28:04 | |
-Yes. -Well, let's put it to the test, shall we? I've got the key here. | 0:28:04 | 0:28:08 | |
Look at that. All modes of transport. It's a little bit sticky. | 0:28:10 | 0:28:13 | |
A bit of oil, that'll go nicely. | 0:28:13 | 0:28:15 | |
I'm sure even the kids of today, with their minds plugged into the | 0:28:15 | 0:28:19 | |
computer games, I'm sure they would find those appealing. | 0:28:19 | 0:28:22 | |
The steam tractor also works? | 0:28:22 | 0:28:24 | |
-Yes, it does. -So when I wind this up | 0:28:24 | 0:28:26 | |
and let it go on the table, it won't fly off the end? | 0:28:26 | 0:28:28 | |
No, no, no. It'll go backwards and forwards. | 0:28:28 | 0:28:31 | |
Oh, it's got forwards and reverse? | 0:28:31 | 0:28:32 | |
-It has. -Clever. Let's look if we can get that... | 0:28:32 | 0:28:35 | |
There it is, look. Ah! | 0:28:37 | 0:28:40 | |
That's great fun, good. Backwards and forwards. I'll just let that run down, | 0:28:41 | 0:28:45 | |
cos otherwise it'll go non-stop. | 0:28:45 | 0:28:47 | |
So we'll put those down there. Have you | 0:28:47 | 0:28:50 | |
-thought about value at all? -No, no idea at all. -Like I say, | 0:28:50 | 0:28:53 | |
the market for Romanian tinplate isn't as collectable. | 0:28:53 | 0:28:57 | |
I mean, I would value the two pieces, bearing in mind one's got the box... | 0:28:57 | 0:29:01 | |
It is a little bit tatty, the corners have gone. | 0:29:01 | 0:29:03 | |
You've lost the lid on that box, haven't you? | 0:29:03 | 0:29:05 | |
But they've got to be worth a tenner apiece. I'd suggest | 0:29:05 | 0:29:08 | |
putting them into auction at an estimate of £20-30. | 0:29:08 | 0:29:12 | |
To be honest, I'd probably advise you not putting a reserve on them. | 0:29:12 | 0:29:15 | |
Then they will make what they make. | 0:29:15 | 0:29:17 | |
Bit of a gamble, at auction, not putting a reserve on. | 0:29:17 | 0:29:20 | |
Well, I'm confident we'll get close to the £20. | 0:29:20 | 0:29:23 | |
Carole, you didn't even expect to be here this morning? | 0:29:23 | 0:29:27 | |
She texted me for coffee this morning, and I end up in here on this show. | 0:29:27 | 0:29:32 | |
-You end up in the Flog It queue. -Yes. | 0:29:32 | 0:29:34 | |
You came into town for a skinny latte and instead you've got | 0:29:34 | 0:29:37 | |
-a skinny valuer! -Yes! | 0:29:37 | 0:29:40 | |
-You could come with us if you want! -Well, that's very kind of you! | 0:29:40 | 0:29:44 | |
On the day, perhaps if I get | 0:29:44 | 0:29:45 | |
close to your £20, I'll take you up on that offer. | 0:29:45 | 0:29:48 | |
We'll have a nice cup of coffee at the saleroom. | 0:29:48 | 0:29:50 | |
Yes, we will do! | 0:29:50 | 0:29:52 | |
-David? -Yes. -Shirley? -Yes. | 0:29:58 | 0:30:00 | |
Welcome to Flog It. And you've brought along a very interesting | 0:30:00 | 0:30:03 | |
-thing. This Taurus the bull. -Taurus, yes. -Can you tell us about it? | 0:30:03 | 0:30:07 | |
Where did you get it from, David? | 0:30:07 | 0:30:09 | |
-Bishop's Stortford in Hertfordshire. -OK. Who chose it? | 0:30:09 | 0:30:12 | |
We both saw it, and his birthday is in May, which is Taurus the bull. | 0:30:12 | 0:30:17 | |
-Is that what attracted you? What do you like about it? -Well, actually, I wanted the eagle. | 0:30:17 | 0:30:22 | |
There was a ceramic eagle. | 0:30:22 | 0:30:25 | |
And then my wife said, "Well, here's a bull. | 0:30:25 | 0:30:28 | |
"You're May. Shall we have it?" And I liked it straightaway, really. | 0:30:28 | 0:30:31 | |
-OK. But your wife made the decision? -I think so. | 0:30:31 | 0:30:33 | |
-There's a pattern there, isn't there? -Oh, yes! | 0:30:33 | 0:30:37 | |
So when was this that you brought it down in Bishop's Stortford? | 0:30:37 | 0:30:40 | |
It must be about 40 years ago. | 0:30:40 | 0:30:42 | |
-40 years ago. Quite a while ago? -Oh, yes, yes. | 0:30:42 | 0:30:45 | |
-And do you remember what you paid for it? -£25. | 0:30:45 | 0:30:48 | |
-Good memory, David! -Oh, yes! | 0:30:48 | 0:30:49 | |
-Yeah? -Money, isn't it?! | 0:30:49 | 0:30:51 | |
A good memory for numbers?! | 0:30:51 | 0:30:53 | |
-Erm, fairly. -No, he leaves that to me! | 0:30:53 | 0:30:56 | |
Well, this is an interesting piece | 0:30:56 | 0:30:58 | |
by Wedgwood, the zodiac bull, Taurus the bull. Obviously, as you've seen, | 0:30:58 | 0:31:02 | |
it's got signs of the zodiac all the way around it. | 0:31:02 | 0:31:05 | |
This was designed by Arnold Machin. | 0:31:05 | 0:31:07 | |
He was a designer for Wedgwood, but what he was particularly famous for was the postage stamp. | 0:31:07 | 0:31:13 | |
He designed that famous profile portrait of the Queen, and that | 0:31:13 | 0:31:16 | |
image has been reproduced over 200 billion times. | 0:31:16 | 0:31:20 | |
-Yes. -He also designed a number of other things, including this bull, | 0:31:20 | 0:31:23 | |
which kind of shows the diversity of his work, really. | 0:31:23 | 0:31:27 | |
So it's quite interesting. Any idea what the current value is? | 0:31:27 | 0:31:30 | |
Cos £25 40 years ago was quite a lot of money. | 0:31:30 | 0:31:33 | |
-It was, yes. -What was it the equivalent of? | 0:31:33 | 0:31:35 | |
-Can you think, Shirley? -No, no. | 0:31:35 | 0:31:37 | |
-A week's wage. -A week's wage? -It could be, yes. | 0:31:37 | 0:31:40 | |
So, what's a week's wage now? | 0:31:40 | 0:31:42 | |
-It's anywhere from 150 upwards, isn't it, I suppose? -Yes, yes. | 0:31:42 | 0:31:46 | |
I've sold a lot of these in auction. | 0:31:46 | 0:31:47 | |
They generally make between 100 and 200. | 0:31:47 | 0:31:50 | |
Sometimes a little bit more. | 0:31:50 | 0:31:52 | |
But that's the guide price that I would suggest on it, and | 0:31:52 | 0:31:54 | |
we'll put a reserve of £100 on it. | 0:31:54 | 0:31:56 | |
-And it'll go on the internet? -I believe it will. | 0:31:56 | 0:31:58 | |
-So I think we should put a £100 reserve on it. -Great. | 0:31:58 | 0:32:01 | |
Cos if it doesn't make that, it's worth that, and it should make | 0:32:01 | 0:32:06 | |
-a couple of hundred quid. -Oh, great. | 0:32:06 | 0:32:08 | |
-Why are you selling it? -The family don't really appreciate it, and as my | 0:32:08 | 0:32:14 | |
51st wedding anniversary's coming up, | 0:32:14 | 0:32:16 | |
I'll get something for the wife and something to replace it. | 0:32:16 | 0:32:19 | |
Yeah. Have you got anything in mind? | 0:32:19 | 0:32:21 | |
Not really, no. | 0:32:21 | 0:32:22 | |
We're going to Carlisle, so there's some good shops there, | 0:32:22 | 0:32:26 | |
-antiques. -Something nice. -Yeah. | 0:32:26 | 0:32:28 | |
A nice idea to commemorate 51 years. | 0:32:28 | 0:32:29 | |
-Oh, yes. -Thank you for bringing it along. | 0:32:29 | 0:32:32 | |
I think it'll make a couple of hundred pounds. I do hope it makes a good price. | 0:32:32 | 0:32:36 | |
-Right, thank you. -I'll be at the auction there for moral support, and | 0:32:36 | 0:32:39 | |
-let's hope it goes well. -Smashing. -Thanks for coming to Flog It. -Thanks very much. | 0:32:39 | 0:32:44 | |
Dane, thanks for coming in today to see us here at Flog It, and | 0:32:49 | 0:32:52 | |
you've brought with you | 0:32:52 | 0:32:53 | |
a piece of jewellery. Now, we always like seeing | 0:32:53 | 0:32:56 | |
good-quality jewellery boxes as valuers and auctioneers - that | 0:32:56 | 0:32:59 | |
generally means the piece inside is going to be good quality, too. Let's have a look. | 0:32:59 | 0:33:03 | |
If I open it up, well, there it is. Look at that. Quite a showy piece | 0:33:03 | 0:33:07 | |
What can you tell me about it? Is it something you've inherited? Purchased? | 0:33:07 | 0:33:12 | |
Well, I did purchase it, but not how you think. | 0:33:12 | 0:33:15 | |
I bought an old pine tool chest full of old tools. | 0:33:15 | 0:33:18 | |
And in the bottom of there was | 0:33:18 | 0:33:20 | |
an old Oxo tin, and inside the Oxo tin... There we go. | 0:33:20 | 0:33:24 | |
-Don't tell me this was inside the... -Yeah, that was inside. | 0:33:24 | 0:33:27 | |
And did you know it was there when you were bidding? | 0:33:27 | 0:33:29 | |
I didn't, no. I was after the box, the chest itself, cos I like wooden | 0:33:29 | 0:33:33 | |
-boxes. -So this was literally a bonus in the bottom of the box? | 0:33:33 | 0:33:36 | |
-A good bonus. -And how much did you pay for the box? | 0:33:36 | 0:33:38 | |
-£15! -No! Get out! | 0:33:38 | 0:33:40 | |
-And where was this saleroom? You can tell me afterwards! -I will do! | 0:33:40 | 0:33:45 | |
Quite a story. It's those sort of stories | 0:33:45 | 0:33:47 | |
that make the auction room so exciting. | 0:33:47 | 0:33:50 | |
That's why you've got to go to these places and view well. | 0:33:50 | 0:33:53 | |
Right, well, let's have a closer look at it, if I take it out of its nicely-fitted box. | 0:33:53 | 0:33:58 | |
We can see that it's fully diamond encrusted. | 0:33:58 | 0:34:01 | |
We've had a look at the size of the diamonds, and we've calculated that | 0:34:01 | 0:34:05 | |
there are roughly sort of 2.1 carats' worth of diamonds there in total. | 0:34:05 | 0:34:10 | |
Good-quality stones. | 0:34:10 | 0:34:11 | |
-They're old-brilliant cut, which is just the style of cut. -Yeah. | 0:34:11 | 0:34:14 | |
And if I spin it over, with nice-quality | 0:34:14 | 0:34:18 | |
jewellery, you can tell a lot more sometimes by the back of a piece | 0:34:18 | 0:34:22 | |
than you can about the front. | 0:34:22 | 0:34:25 | |
These are the parts you're not meant to see, not show, but | 0:34:25 | 0:34:28 | |
the quality in the workmanship and the finish is top notch, | 0:34:28 | 0:34:31 | |
which would suggest to you that someone's taken a lot of care over this. | 0:34:31 | 0:34:34 | |
And here we've got the pin attachment. | 0:34:34 | 0:34:37 | |
And have you ever noticed that you can actually take this piece off? | 0:34:37 | 0:34:40 | |
Yeah, you can. I believe you could put it on a pendant or, like, a... | 0:34:40 | 0:34:44 | |
That's generally how they worked. | 0:34:44 | 0:34:46 | |
I'll see if I can take this off now. | 0:34:46 | 0:34:47 | |
There we go. So I've taken that off, and you can see you've got an area | 0:34:47 | 0:34:51 | |
there where you can either attach this perhaps to a pendant, | 0:34:51 | 0:34:54 | |
and occasionally they would attach to a bracelet. | 0:34:54 | 0:34:57 | |
So, very versatile. I'll pop that back on so we don't lose it. | 0:34:57 | 0:35:02 | |
Well, let's pop that back in its case safely. | 0:35:02 | 0:35:05 | |
The only other thing to say is that it's set in silver on gold. | 0:35:05 | 0:35:08 | |
Generally, they would set these diamonds in silver, because if they | 0:35:08 | 0:35:11 | |
set them in gold, it would tend to discolour the diamonds, because of the | 0:35:11 | 0:35:15 | |
yellow of the gold, and then that would just give a bit of a yellow | 0:35:15 | 0:35:18 | |
tint to the diamonds, when really people are after the brilliant white. | 0:35:18 | 0:35:23 | |
And I would suspect that this dates from that late 19th century. | 0:35:23 | 0:35:26 | |
1890, that sort of period. | 0:35:26 | 0:35:28 | |
So why did you want to sell it? | 0:35:28 | 0:35:30 | |
Well, it's not modern or, you know... | 0:35:30 | 0:35:33 | |
It doesn't really have any practicability. | 0:35:33 | 0:35:35 | |
Yeah. I mean, it's wearable. It is a wearable brooch. | 0:35:35 | 0:35:39 | |
Value-wise, I don't know if you've ever had it valued? | 0:35:39 | 0:35:42 | |
-I haven't, no. -No, you didn't go back to the auction you bought it from?! -I didn't dare! | 0:35:42 | 0:35:47 | |
They'd say, "We'll have that back, thank you!" | 0:35:47 | 0:35:49 | |
-Yes! -I think a sensible estimate for it | 0:35:49 | 0:35:52 | |
at auction... I would like to see it in a catalogue at, let's say, £6-800. | 0:35:52 | 0:35:57 | |
How do you feel about that? | 0:35:57 | 0:35:58 | |
-Is that a figure you were thinking of? -That will get us | 0:35:58 | 0:36:01 | |
-a painter and decorator in up the whole stairs and landing. -Will it? | 0:36:01 | 0:36:05 | |
We're doing half the house already on that! Dane, it's been | 0:36:05 | 0:36:08 | |
great seeing it, and I think it could be one of the stars | 0:36:08 | 0:36:11 | |
of the show at the auction. | 0:36:11 | 0:36:13 | |
And I'll see you there. £6-800. We'll reserve it at £600. | 0:36:13 | 0:36:16 | |
We'll fix it at that, because | 0:36:16 | 0:36:18 | |
I don't think the auctioneer's going to need any discretion. | 0:36:18 | 0:36:21 | |
That's right, yeah. Good! | 0:36:21 | 0:36:23 | |
Well, there you are. Another three items valued, and another trip to the auction room. | 0:36:25 | 0:36:30 | |
What a lot of fun these toys are, and I'm sure any big kid would | 0:36:30 | 0:36:33 | |
want to get their hands on these and have a play. | 0:36:33 | 0:36:36 | |
And I hope the stars are on our side today and there's a stampede of | 0:36:36 | 0:36:39 | |
bidders when the Taurus bull goes under the hammer. | 0:36:39 | 0:36:43 | |
And finally, the brooch. | 0:36:43 | 0:36:44 | |
I know diamonds are a girl's best friend, but at £600-£800, they could be Dane's, too. | 0:36:44 | 0:36:50 | |
Will certainly has high hopes for the gorgeous diamond brooch, | 0:36:50 | 0:36:53 | |
but how does auctioneer Peter Cartwright think it's going to do? | 0:36:53 | 0:36:57 | |
This is a bit of quality. Look at this sparkling away. | 0:36:57 | 0:37:00 | |
It's a real little gem. | 0:37:00 | 0:37:02 | |
2.1 carats, this diamond brooch. | 0:37:02 | 0:37:04 | |
Belongs to Dane. You're going to love this, because | 0:37:04 | 0:37:07 | |
it was inside a tool chest that they got for £15 in a little tiny tin. | 0:37:07 | 0:37:10 | |
Very good £15 spent. | 0:37:10 | 0:37:12 | |
We've got a value of £600-£800, | 0:37:12 | 0:37:15 | |
-with a fixed reserve of 600. -Well, worth it. -Can we flog it? | 0:37:15 | 0:37:19 | |
I'm sure we can. We've a good quality diamond brooch, | 0:37:19 | 0:37:23 | |
late Victorian, original box, from Conduit Street in London, Mayfair. | 0:37:23 | 0:37:26 | |
Fantastic piece. I don't think we'll have a problem selling this. | 0:37:26 | 0:37:30 | |
-OK. -It should make the top estimate. -And more? | 0:37:30 | 0:37:33 | |
And more, hopefully, on the day. I would hope so. | 0:37:33 | 0:37:35 | |
OK, if you had to put a value on this the afternoon when somebody | 0:37:35 | 0:37:37 | |
walked in, would you say 600-800, or would you say 800-1,000? | 0:37:37 | 0:37:40 | |
I would hope for 800-1,000. I would hope. | 0:37:40 | 0:37:43 | |
We're going to be relying on you to weave some magic. We want to see £1,000. | 0:37:43 | 0:37:47 | |
It would be fantastic if we could. | 0:37:47 | 0:37:49 | |
I believe coffee and cake is in order after this little lot. | 0:37:55 | 0:37:58 | |
-Don't you, Joanne and Carole? -Yes. | 0:37:58 | 0:37:59 | |
We've got tin toys and a valuation from Will of £20. | 0:37:59 | 0:38:02 | |
Yeah, not a lot, but we explained that on the day, didn't we? | 0:38:02 | 0:38:05 | |
And I think if they sell, you've promised me coffee and cake, so I've got my eye on a little... | 0:38:05 | 0:38:10 | |
-Can I come as well? -I think there's enough for two. -Hey, who came up with the idea of no reserve? -Him. | 0:38:10 | 0:38:16 | |
-Oh! -Yes, well, you always like to have a couple no reserve. | 0:38:16 | 0:38:19 | |
-Guaranteed sales. -What happens if it struggles at £10? Guess who's not getting coffee and cake? | 0:38:19 | 0:38:24 | |
Me again. I will stick my own hand up. | 0:38:24 | 0:38:26 | |
I'll buy it for 20 quid and take you all out, how's that? | 0:38:26 | 0:38:29 | |
I'm pretty sure it'll do the top end. | 0:38:29 | 0:38:31 | |
-It's a bit of quality. -Yeah, and it's a bit of fun | 0:38:31 | 0:38:33 | |
and, hopefully, there's some toy collectors in here and dealers. | 0:38:33 | 0:38:37 | |
We've got a packed house... | 0:38:37 | 0:38:39 | |
The two Romanian, clockwork, tinplate toys. | 0:38:39 | 0:38:42 | |
And I have 15 to start on these. At 15. 20 now for the toys. | 0:38:42 | 0:38:45 | |
Well, 15 sells them. | 0:38:45 | 0:38:48 | |
20 at the back, the bid. At £20. | 0:38:48 | 0:38:50 | |
-This is good. -Are we all done at £20? | 0:38:50 | 0:38:54 | |
Well, it sold at the lower end. That's not bad, is it? | 0:38:54 | 0:38:57 | |
-We got it away. -Yeah. | 0:38:57 | 0:38:58 | |
-Coffee and cake! -We're in! | 0:38:58 | 0:39:00 | |
-For you two. -I'm paying. | 0:39:02 | 0:39:04 | |
-Fair enough. -Thank you so much for being so much fun. | 0:39:04 | 0:39:08 | |
David and Shirley, it's now time to find out exactly what that china bull will do. | 0:39:14 | 0:39:19 | |
It's the sign of Taurus. Adam, is it a bullish price? | 0:39:19 | 0:39:22 | |
I think it will hit towards 200. | 0:39:22 | 0:39:25 | |
-Plus a little more. -Mm. -Had a chat to the auctioneer. | 0:39:25 | 0:39:27 | |
He liked it as well. We both sort of thought it was very unusual. | 0:39:27 | 0:39:31 | |
-Yes, it was, yeah. -You never know, do you? | 0:39:31 | 0:39:33 | |
-We could get that £200 mark. -Could do. -Why do you want to sell it? | 0:39:33 | 0:39:37 | |
I've had it a long time and our sons aren't interested in it, and you have to start getting rid of things. | 0:39:37 | 0:39:43 | |
-OK. -And it's our 51st anniversary of our wedding... -Congratulations. | 0:39:43 | 0:39:48 | |
We've been away for a week and now... | 0:39:48 | 0:39:50 | |
-Where did you go? -Just outside Carlisle. Beautiful hotel. -Business spa hotel. | 0:39:50 | 0:39:55 | |
Oh, lovely. | 0:39:55 | 0:39:57 | |
So now you're going to pay for it? | 0:39:57 | 0:39:58 | |
-That will pay for it. -No, I thought of buying something for me wife. | 0:39:58 | 0:40:02 | |
Oh, lovely. Well, let's hope we get top money. This is it. | 0:40:02 | 0:40:05 | |
The Wedgwood Taurus bull, decorated | 0:40:05 | 0:40:07 | |
with colour transfer prints depicting signs of the zodiac. | 0:40:07 | 0:40:10 | |
Interest in this lot. I can start this away at £90. | 0:40:10 | 0:40:13 | |
100 now. 100 seated. 110 I'll take. | 0:40:13 | 0:40:17 | |
At 110. 120. 130. 120 with the lady seated in the third row at 120. | 0:40:17 | 0:40:22 | |
130 now for the lot. Are we all done? 130 at the back. | 0:40:22 | 0:40:26 | |
140. 150. 140 with the lady still. | 0:40:26 | 0:40:29 | |
At £140. Are we all done at £140? | 0:40:29 | 0:40:33 | |
Hammer's gone down. We've sold it at mid estimate. | 0:40:33 | 0:40:36 | |
-It's gone. -Yes. -It's gone. | 0:40:36 | 0:40:39 | |
-Oh, yes, -Big smiles. It's a good result. -Yes. | 0:40:39 | 0:40:42 | |
-Well, it is a good result. -Yes. | 0:40:42 | 0:40:44 | |
As good finds go, it doesn't get much better than this next lot. | 0:40:50 | 0:40:54 | |
We've got a diamond brooch. It belongs to Dane | 0:40:54 | 0:40:56 | |
and it was found in a tool chest that you bought for £15. | 0:40:56 | 0:40:59 | |
-That's right. -Gosh. 2.1 carats. | 0:40:59 | 0:41:02 | |
-Good size. -£600, £800 possibly. | 0:41:02 | 0:41:05 | |
Got to be worth that. I mean, if it doesn't sell, I'll be disappointed. | 0:41:05 | 0:41:08 | |
At £600-£800, it's worth all of that. | 0:41:08 | 0:41:10 | |
You work down the high street and see what sort of equivalent they're | 0:41:10 | 0:41:13 | |
putting on these sort of things in the shop window and you can put a nought on the end. | 0:41:13 | 0:41:17 | |
-Had a chat to the auctioneer. He totally agreed with the valuation. -Good. | 0:41:17 | 0:41:21 | |
I'm hoping for the top end. | 0:41:21 | 0:41:22 | |
What went through your mind when you found that? | 0:41:22 | 0:41:24 | |
Did you think, "It's costume jewellery," or something? | 0:41:24 | 0:41:27 | |
No, I wasn't really interested at first, cos I was more interested in the handles what was on top of it. | 0:41:27 | 0:41:31 | |
-Yeah. And then you saw it and you thought... -It looked a bit dirty and cleaned it up and I thought, | 0:41:31 | 0:41:37 | |
-"Well, it's sparkling, so it's got to be something." -Did you get it valued? | 0:41:37 | 0:41:40 | |
No, no, it's been in a cupboard. | 0:41:40 | 0:41:42 | |
So the first time you knew exactly how much it was worth was when you met Will at the valuation day? | 0:41:42 | 0:41:47 | |
-That's right, yes. -Mm. -That must have been a nice moment? | 0:41:47 | 0:41:49 | |
It was and it's come at the right time, cos we're doing up the house. | 0:41:49 | 0:41:54 | |
-Haemorrhages money, doesn't it? -Yeah, it does. -This is it. | 0:41:54 | 0:41:57 | |
We're going to find out exactly what this is worth. | 0:41:57 | 0:41:59 | |
This very good-quality, late-Victorian, diamond brooch | 0:41:59 | 0:42:02 | |
in the form of a Catherine wheel. | 0:42:02 | 0:42:04 | |
Interest in the lot. I'll open this up at £450. | 0:42:04 | 0:42:08 | |
At 450. 500. And 50. 600. In the room the bid. | 0:42:08 | 0:42:12 | |
-We're there. -We need another bidder. -650 now. | 0:42:12 | 0:42:14 | |
At £600, gentleman's bid. At £600. 650 surely now for this brooch. | 0:42:14 | 0:42:19 | |
At £600. Are we all done? At £600. | 0:42:19 | 0:42:22 | |
650. 700. At 650 beside me now. | 0:42:22 | 0:42:25 | |
At £650. Are we all done at £650? | 0:42:25 | 0:42:29 | |
£650! Phew, did it! | 0:42:29 | 0:42:33 | |
Yeah, we got it away for you. | 0:42:33 | 0:42:35 | |
-We've got the paint. -Yeah, got the paint. I think you've got some wood, | 0:42:35 | 0:42:39 | |
-some screws, some nails. I think you've got quite a bit there... -I've already got the tools. | 0:42:39 | 0:42:44 | |
Yeah, they're in the bottom of the box! | 0:42:44 | 0:42:46 | |
Well, how about that? Another great Flog It day out in the auction | 0:42:52 | 0:42:56 | |
room here in Darlington and we're coming to the end of the show now. | 0:42:56 | 0:42:59 | |
All our owners have gone home happy. | 0:42:59 | 0:43:01 | |
Probably spending the money on holidays, nights out, | 0:43:01 | 0:43:05 | |
doing up the house, pairs of shoes. | 0:43:05 | 0:43:06 | |
But that is what it's all about, turning unwanted collectables into spending cash. | 0:43:06 | 0:43:11 | |
I hope you've enjoyed today's show. | 0:43:11 | 0:43:13 | |
So until the next time from Darlington, cheerio. | 0:43:13 | 0:43:16 | |
For more information about Flog It, including how the programme was made, | 0:43:21 | 0:43:25 | |
visit the website at bbc.co.uk | 0:43:25 | 0:43:28 | |
Subtitles by Red Bee Media Ltd | 0:43:30 | 0:43:32 | |
E-mail [email protected] | 0:43:32 | 0:43:35 |