Browse content similar to Harlow. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Today we're 20 miles from London, in a town that was at the forefront | 0:00:02 | 0:00:05 | |
of Britain's post-war plans to reinvent urban life. | 0:00:05 | 0:00:09 | |
Welcome to Flog It!, from Harlow. | 0:00:09 | 0:00:12 | |
Many of the buildings in Harlow were designed by world-famous architects. | 0:00:45 | 0:00:50 | |
This is known as The Chantry, designed by | 0:00:50 | 0:00:53 | |
husband and wife team, Maxwell Fry and Jane Drew, | 0:00:53 | 0:00:56 | |
both social idealists | 0:00:56 | 0:00:58 | |
who believed the better the quality of the building, the better the quality of your life. | 0:00:58 | 0:01:03 | |
Maxwell and Jane helped bring Modernist architecture to Britain in the 30s, | 0:01:05 | 0:01:11 | |
introducing us to the bold new ideas of iconic figures such as Walter Gropius and le Corbusier. | 0:01:11 | 0:01:17 | |
They also designed many award-winning public buildings around the world | 0:01:20 | 0:01:25 | |
and today we're in the thoroughly modern Latin Bush Centre(!) | 0:01:25 | 0:01:30 | |
And looking for the best items to take to auction are our two experts, | 0:01:32 | 0:01:36 | |
Mr Charlie Ross and Mark Stacey. | 0:01:36 | 0:01:37 | |
Sorry to interrupt, guys. We've got a massive queue. Good luck. | 0:01:37 | 0:01:41 | |
There's no time to lose, so let's get going with our first valuation. | 0:01:43 | 0:01:49 | |
Chris, you bought this wonderful pot in to show us. Why have you brought it in? | 0:01:51 | 0:01:56 | |
Really to find out a little bit more about it. | 0:01:56 | 0:01:59 | |
-My husband's done a little bit of research on the internet. -The good old internet! | 0:01:59 | 0:02:03 | |
Yes, and we think it's Satsuma, we're not 100% sure, obviously we'd like you to clarify that. | 0:02:03 | 0:02:09 | |
Well, you're spot on, it is Satsuma. | 0:02:09 | 0:02:11 | |
Now, Satsuma is a Japanese earthenware pottery | 0:02:11 | 0:02:15 | |
which tends to be a very creamy texture, | 0:02:15 | 0:02:18 | |
and a key point to identify Japanese Satsuma ware is this mark here, Chris. | 0:02:18 | 0:02:24 | |
You see that circle with the cross in it? That's the Princess Satsuma, | 0:02:24 | 0:02:29 | |
so that tells you that it's come from the Satsuma region, and this, of course, is the maker's mark. | 0:02:29 | 0:02:35 | |
I can't read it, I'm afraid, but it is a very nice piece. | 0:02:35 | 0:02:38 | |
What I can tell you is it won't be one of the major artists, | 0:02:38 | 0:02:42 | |
it won't be by Kinkozan or Yabu Meizan. | 0:02:42 | 0:02:45 | |
They produced top-quality pieces, very finely painted and all-over decorated. | 0:02:45 | 0:02:52 | |
This is typical of that slightly earlier to mid period, | 0:02:52 | 0:02:57 | |
sort of 1880, 1890, because of these deep rich | 0:02:57 | 0:03:02 | |
blue enamels, very thick enamels on that, and basically, | 0:03:02 | 0:03:06 | |
obviously if I could read Japanese it would help, | 0:03:06 | 0:03:08 | |
because this is obviously telling a story. | 0:03:08 | 0:03:11 | |
As we move it around you can see you've got these various | 0:03:11 | 0:03:14 | |
gods and mortals in various scenes going round it. | 0:03:14 | 0:03:17 | |
The whole thing is wonderfully put together, very tactile. | 0:03:17 | 0:03:22 | |
Why are you selling it? | 0:03:22 | 0:03:24 | |
It's a little bit big for our home and it doesn't | 0:03:24 | 0:03:28 | |
hold any sentimental value for myself or my husband, really. | 0:03:28 | 0:03:31 | |
It was his grandparents' and we don't want it, to be truthful. | 0:03:31 | 0:03:36 | |
To be truthful... fair enough. | 0:03:36 | 0:03:37 | |
We live different lives these days. | 0:03:37 | 0:03:39 | |
Our Victorian and Edwardian grandparents wanted the house filled with aspidistras... | 0:03:39 | 0:03:44 | |
-That's what was in there. -You know, and I can tell. | 0:03:44 | 0:03:47 | |
I'm coming onto the bad bit next because inside we've got | 0:03:47 | 0:03:50 | |
-a nasty stain and there's been some water-staining on the outside. -Yeah. | 0:03:50 | 0:03:54 | |
But I just think it's such a lovely pot, it's a really nice, perky piece. | 0:03:54 | 0:03:58 | |
In terms of value, now what do you think? | 0:03:58 | 0:04:02 | |
I don't know about two, three, £400... I don't know! | 0:04:02 | 0:04:07 | |
That's a typical auctioneer's thing two, three, £400, whatever! | 0:04:07 | 0:04:10 | |
-It depends on the day, yeah! -It depends on the day. | 0:04:10 | 0:04:13 | |
I think it's somewhere between those, actually. | 0:04:13 | 0:04:16 | |
I'd put an estimate of £300 to £400 on it with a reserve of £300, | 0:04:16 | 0:04:21 | |
-with 10% discretion on the day. -Yeah, yeah... | 0:04:21 | 0:04:23 | |
Would you be happy with that? | 0:04:23 | 0:04:24 | |
Yes, my husband's told me that he doesn't want it to go for nothing. | 0:04:24 | 0:04:28 | |
Let's hope it does really well at the auction. | 0:04:28 | 0:04:30 | |
Let's hope so! | 0:04:30 | 0:04:31 | |
These are very visual objects, Peter. | 0:04:41 | 0:04:44 | |
I think they're delightfully coloured, very stylised. | 0:04:44 | 0:04:47 | |
-Do you know what they are? -Flagons. | 0:04:47 | 0:04:50 | |
Flagons? Well, that's absolutely right, they're whisky flagons. | 0:04:50 | 0:04:54 | |
-Have you looked at the bottom of them? -I think they're Royal Doulton. | 0:04:54 | 0:04:57 | |
They are, absolutely right. Have you had them a long time? | 0:04:57 | 0:05:00 | |
They belonged to my mother, who is 90 this year. | 0:05:00 | 0:05:03 | |
-Oh, really! -Yes, and she recently... | 0:05:03 | 0:05:06 | |
because of that she had to downsize, and these flagons she offered to my son, | 0:05:06 | 0:05:13 | |
Christopher and he said to her, "Ooh, thank you ever so much", | 0:05:13 | 0:05:18 | |
and then when Mum had gone, he said, "They are absolutely hideous! | 0:05:18 | 0:05:22 | |
"I would not give them house room, dispose of them!" | 0:05:22 | 0:05:28 | |
-So... -Is mum still alive? | 0:05:28 | 0:05:29 | |
-Oh, she is, very much so! -Oh, my goodness me! | 0:05:29 | 0:05:31 | |
She'd better not hear of this story! | 0:05:31 | 0:05:33 | |
Do you know how old they are? | 0:05:33 | 0:05:35 | |
Not at all. I know nothing about them whatsoever. | 0:05:35 | 0:05:38 | |
Right. They're 1920s. | 0:05:38 | 0:05:40 | |
Right... | 0:05:40 | 0:05:42 | |
You can tell from the Doulton stamp with Doulton England underneath it... | 0:05:42 | 0:05:45 | |
they're 1920s with a lovely sort of stylised poppy decoration - | 0:05:45 | 0:05:49 | |
not that the colour's poppy at all, | 0:05:49 | 0:05:51 | |
and then this fabulous crisp acanthus leaf decoration running up the body. | 0:05:51 | 0:05:57 | |
They're not that practical, to be honest, they haven't got spouts. | 0:05:57 | 0:06:01 | |
I suspect they don't pour that well, and I don't suppose you've ever used them for that? | 0:06:01 | 0:06:06 | |
No. They've got no lip, have they? | 0:06:06 | 0:06:07 | |
No, they haven't. What surprises me is the condition. | 0:06:07 | 0:06:10 | |
You would expect, over a hundred years, these to have been chipped. | 0:06:10 | 0:06:14 | |
There are no chippings or damage to them whatsoever. | 0:06:14 | 0:06:17 | |
Now, going onto the value, I would say you ought to have a guess. | 0:06:17 | 0:06:24 | |
My wife guessed about £20 and I guessed about £120, so... | 0:06:24 | 0:06:31 | |
-You've won the valuation award! -If you split the difference... | 0:06:31 | 0:06:34 | |
No. I think we can do better than split the difference, | 0:06:34 | 0:06:37 | |
because I would attach a value of certainly £100 to £150. | 0:06:37 | 0:06:40 | |
I think they might make a little bit more, but I think a safe valuation is £100 to £150 and reserve at £100, | 0:06:40 | 0:06:48 | |
perhaps a bit of discretion, because after all, your son would rather have the money than the pots! | 0:06:48 | 0:06:53 | |
-Yes, I'm sure! -Yeah... | 0:06:53 | 0:06:54 | |
-Thank you very much. -Thank you. | 0:06:54 | 0:06:56 | |
20th century modern world, it doesn't get better than that, does it? Concorde memorabilia... | 0:07:03 | 0:07:08 | |
what an iconic plane and do you know something, if I had the money when | 0:07:08 | 0:07:11 | |
that plane was in service, I would have been on it! | 0:07:11 | 0:07:14 | |
I missed out, but somebody who didn't is Sylvia here. | 0:07:14 | 0:07:17 | |
She flew on that aircraft and here's the memorabilia to go with it - | 0:07:17 | 0:07:20 | |
a certificate, in-flight magazine, Concorde brochure and, of course, | 0:07:20 | 0:07:25 | |
the Concorde menu as well. | 0:07:25 | 0:07:28 | |
Let's see how they travelled in style, shall we. | 0:07:28 | 0:07:31 | |
Oh, look, Kiwi fresh fruit for an appetiser, garnished asparagus and | 0:07:31 | 0:07:37 | |
cucumber as a main course, cheese and crackers, glass of champagne... | 0:07:37 | 0:07:41 | |
all on board Concorde. | 0:07:41 | 0:07:43 | |
If this was part of the plane itself, the fuselage or | 0:07:43 | 0:07:46 | |
part of the interior, it's worth thousands of pounds. | 0:07:46 | 0:07:50 | |
There are so many Concorde collectors out there. | 0:07:50 | 0:07:52 | |
But this little package alone with its menu is worth £60 to £80 | 0:07:52 | 0:07:58 | |
and I think the memories that you've got are worth far more than that. | 0:07:58 | 0:08:03 | |
It's a trip of a lifetime. | 0:08:03 | 0:08:05 | |
I can see you've got tears in your eyes, reliving it, re-flying it. | 0:08:05 | 0:08:08 | |
How many of you would love to fly on Concorde? | 0:08:08 | 0:08:11 | |
All of you! Has anybody? No, no, no! | 0:08:11 | 0:08:14 | |
What lovely memories! Sylvia, thank you so much. | 0:08:14 | 0:08:17 | |
Thank you very much. | 0:08:17 | 0:08:18 | |
-Hello, Keith. -Hi. | 0:08:23 | 0:08:25 | |
You've brought a very interesting object in, | 0:08:25 | 0:08:27 | |
a medal from the Battle of the Nile. Where did you get it from? | 0:08:27 | 0:08:30 | |
I bought it in a shop in Cornwall some three years ago when Nelson was quite popular. | 0:08:30 | 0:08:35 | |
Yes, 2005, the bicentenary. | 0:08:35 | 0:08:38 | |
That's it, yeah, and my view was to buy it with a view to selling it on at some stage. | 0:08:38 | 0:08:43 | |
-And that's why you've brought it in to us today? -Yes, indeed. | 0:08:43 | 0:08:46 | |
Of course, it's the Battle of the Nile, 1798, one of Nelson's famous victories. | 0:08:46 | 0:08:51 | |
At the time, these would have been handed out to different classes so | 0:08:51 | 0:08:55 | |
for Nelson and the other admirals, they would have had a gold version. | 0:08:55 | 0:08:59 | |
For the junior officers, there would have been a silver version, so we | 0:08:59 | 0:09:03 | |
-know, of course, as a bronze medal, it would have been for a rating. -Yes. | 0:09:03 | 0:09:06 | |
We'll have a little look here. | 0:09:06 | 0:09:08 | |
Now we've got here, you know, | 0:09:08 | 0:09:11 | |
Rear Admiral Lord Nelson of the Nile and obviously a portrait of him. | 0:09:11 | 0:09:18 | |
He did actually like | 0:09:18 | 0:09:20 | |
advertising himself, he wasn't shy at the time, | 0:09:20 | 0:09:24 | |
and then we turn it over and then of course we've got | 0:09:24 | 0:09:28 | |
"Almighty God had blessed his Majesty's Arms" and then we've got | 0:09:28 | 0:09:32 | |
the details of the battle underneath and obviously a representation of the ships that were involved. | 0:09:32 | 0:09:39 | |
These do come up from time to time and at the moment, they don't always make a huge amount of money. | 0:09:40 | 0:09:45 | |
This one, for example, we would suggest an estimate of £200 to £300. | 0:09:45 | 0:09:51 | |
-Now does that sit comfortably with you? -It does. | 0:09:51 | 0:09:54 | |
We'll put a £200 reserve, of course, because we want to protect it. | 0:09:54 | 0:09:57 | |
We don't want to give it away, so we should put a £200 fixed reserve. | 0:09:57 | 0:10:00 | |
-How would you feel about that? -Fine, very happy with it. | 0:10:00 | 0:10:03 | |
Thank you for bringing such an interesting | 0:10:03 | 0:10:05 | |
and historical item in and I look forward to the auction. | 0:10:05 | 0:10:08 | |
Thank you very much. | 0:10:08 | 0:10:09 | |
Outside, people are still arriving laden with treasures, | 0:10:09 | 0:10:13 | |
but right now we're heading off to the auction room, | 0:10:13 | 0:10:16 | |
and here's a quick recap of all the items we're taking with us. | 0:10:16 | 0:10:19 | |
First off, it's Christine's piece of Satsuma pottery, which I'm sure | 0:10:19 | 0:10:23 | |
will cause a happy stir in the auction room. | 0:10:23 | 0:10:27 | |
Even though Peter's son thought these whisky flasks were hideous, | 0:10:27 | 0:10:31 | |
they'll hopefully be plenty of Doulton collectors at the sale | 0:10:31 | 0:10:34 | |
who are gonna snap them up! | 0:10:34 | 0:10:35 | |
And finally, it's amazing how much historic medals can fetch, | 0:10:35 | 0:10:40 | |
and I'm sure Keith's is no exception. | 0:10:40 | 0:10:43 | |
All your family heirlooms will be going under the hammer here | 0:10:48 | 0:10:52 | |
and hopefully reaching top prices. | 0:10:52 | 0:10:53 | |
Fingers crossed at Reeman Dansie Auctions in Colchester. | 0:10:53 | 0:10:57 | |
The man on the rostrum is auctioneer James Grintner. | 0:10:57 | 0:11:01 | |
Next up that wonderful Japanese Satsuma jardiniere. | 0:11:06 | 0:11:09 | |
We have that in the sale valued at £300 to £400 but unfortunately, | 0:11:09 | 0:11:13 | |
we don't have its owner, Christine, but we do have Robert, her son. | 0:11:13 | 0:11:17 | |
Now where's Mum? On holiday? | 0:11:17 | 0:11:19 | |
-Grand Canaria. -Oh, lovely! | 0:11:19 | 0:11:20 | |
-Getting a good tan? -Yes, indeed. | 0:11:20 | 0:11:22 | |
-So you're looking after the house, are you? -Oh, yes, yes. | 0:11:22 | 0:11:25 | |
Say no more, then! | 0:11:25 | 0:11:26 | |
Keep quiet, then! | 0:11:26 | 0:11:28 | |
Do you like this jardiniere Mum's selling? | 0:11:28 | 0:11:30 | |
It's not that pretty, but it's OK. | 0:11:30 | 0:11:32 | |
Nothing you want to inherit, really, is it? | 0:11:32 | 0:11:34 | |
-No... -Get the money and spend it, that's what I say! | 0:11:34 | 0:11:38 | |
Mark, we're looking at £300 to £400. | 0:11:38 | 0:11:40 | |
Had a chat to the auctioneer, James Grintner, he agreed with the value. | 0:11:40 | 0:11:43 | |
He did say, though, that the market has slightly dropped. | 0:11:43 | 0:11:46 | |
The Americans and the Japanese aren't buying any more because | 0:11:46 | 0:11:50 | |
of the credit crunch, so it's affecting us all. | 0:11:50 | 0:11:52 | |
It is, and Robert sums it up as well, because he says I don't want it. | 0:11:52 | 0:11:56 | |
The younger generation don't want things like this so that does affect its marketability. | 0:11:56 | 0:12:01 | |
Yeah, and what do you do with them? | 0:12:01 | 0:12:02 | |
Put them in the bay window and put an aspidistra in them! | 0:12:02 | 0:12:05 | |
I love it, I think it's such a lovely shape, that melon shape. | 0:12:05 | 0:12:08 | |
-It's your thing. -So I like it. | 0:12:08 | 0:12:10 | |
OK. Fingers crossed. We're gonna find out. | 0:12:10 | 0:12:12 | |
The good quality late 19th century Satsuma jardiniere. | 0:12:12 | 0:12:15 | |
One there, what do you say for it? | 0:12:15 | 0:12:17 | |
I have two commissions and I'll start the bidding at £200. | 0:12:17 | 0:12:20 | |
Two commission bids! | 0:12:20 | 0:12:21 | |
At 200, 210, 220, 230, 240, | 0:12:21 | 0:12:26 | |
250, 260, 270, 280, 290. | 0:12:26 | 0:12:30 | |
At 290 there's a bid over here now at 290. At £290, are you all done? | 0:12:30 | 0:12:36 | |
GAVEL FALLS | 0:12:36 | 0:12:37 | |
Yes! Would have liked a bit more, but we crept in there, | 0:12:37 | 0:12:40 | |
just under the lower end, £290. | 0:12:40 | 0:12:43 | |
I think you should get on the phone to Christine, now... | 0:12:43 | 0:12:45 | |
And tell her, yeah... | 0:12:45 | 0:12:47 | |
She'll be by the pool and you can actually say, | 0:12:47 | 0:12:49 | |
"Christine, it's gone, £290, less a bit of commission, of course." | 0:12:49 | 0:12:53 | |
-OK? -Thank you. -Thank you, Robert. | 0:12:53 | 0:12:55 | |
# Don't ask me because I don't know what | 0:12:55 | 0:12:58 | |
# But it's like that and that's the way it is. # | 0:12:58 | 0:13:01 | |
It's a great name, Royal Doulton, | 0:13:02 | 0:13:04 | |
it's about to go under the hammer. It belongs to Peter. | 0:13:04 | 0:13:07 | |
We've got the whisky decanters, valued by Charlie Ross here, | 0:13:07 | 0:13:11 | |
our expert, between £100 and £150. Could be drinks all round! | 0:13:11 | 0:13:14 | |
It's going under the hammer. | 0:13:14 | 0:13:16 | |
It's the pair of late Victorian Royal Doulton flasks, with stoppers, | 0:13:16 | 0:13:20 | |
the art nouveau floral decoration, as shown. | 0:13:20 | 0:13:22 | |
What would you say to start me? £100 to start me? | 0:13:22 | 0:13:25 | |
£100, £100 I have, 110, 120, 130... | 0:13:25 | 0:13:29 | |
Bit more, bit more, bit more! | 0:13:29 | 0:13:30 | |
140, 150. | 0:13:30 | 0:13:32 | |
At 150 down here now, at 150. | 0:13:32 | 0:13:33 | |
At 150 as bid. | 0:13:33 | 0:13:35 | |
Are you all done now at 150? | 0:13:35 | 0:13:38 | |
Yes. Hammer's gone down. | 0:13:38 | 0:13:40 | |
£150! | 0:13:40 | 0:13:41 | |
-Top end of the estimate! -Spot on! | 0:13:41 | 0:13:43 | |
Drinks all round, Charlie! | 0:13:43 | 0:13:45 | |
-Interesting story, though, because they were your mother's. -Yes. | 0:13:45 | 0:13:48 | |
-She's now 90. -Yes. | 0:13:48 | 0:13:50 | |
Congratulations, and she passed them onto your son? | 0:13:50 | 0:13:53 | |
-She did. -Why did you miss out? | 0:13:53 | 0:13:57 | |
Basically because I thought they were gross, | 0:13:57 | 0:13:59 | |
so I said to my son, "You're more than welcome to them!" | 0:13:59 | 0:14:04 | |
Oh, brilliant! Good name, good make? | 0:14:04 | 0:14:08 | |
-There are always collectors of Doulton, aren't there? -Brilliant. | 0:14:08 | 0:14:11 | |
We're all ready to do battle. | 0:14:19 | 0:14:21 | |
We've been joined by Keith in the nick of time. | 0:14:21 | 0:14:23 | |
It's that bronze medal from the Nile. | 0:14:23 | 0:14:25 | |
-£200 to £300. -That's right. | 0:14:25 | 0:14:26 | |
Why are you selling this? | 0:14:26 | 0:14:28 | |
-Put some money in the bank. -Right, OK. Save it for a rainy day! | 0:14:28 | 0:14:32 | |
-Absolutely! -Saving up for something. | 0:14:32 | 0:14:34 | |
We've seen a lot of medals before in the past. | 0:14:34 | 0:14:36 | |
It's kind of a hard thing to value? | 0:14:36 | 0:14:38 | |
Very. I was all at sea with this one, I have to say. | 0:14:38 | 0:14:40 | |
I think he's a brave man! I think you need one as well! | 0:14:40 | 0:14:43 | |
I'm gonna pin one on you if we get it. | 0:14:43 | 0:14:45 | |
-You never know with these things. -No, you don't. | 0:14:45 | 0:14:47 | |
I mean fortunately, we had some help from the off-screen team. | 0:14:47 | 0:14:50 | |
-Which helped out. -Which does help us a lot, actually. | 0:14:50 | 0:14:53 | |
The unsung heroes you could say. | 0:14:53 | 0:14:55 | |
One thing I can say to you both is, if we do have a discrepancy on the valuation day, | 0:14:55 | 0:14:59 | |
and you know this at home, we talk to the auctioneer, get his opinion. | 0:14:59 | 0:15:02 | |
He didn't say anything, so he must agree with Mark's valuation. | 0:15:02 | 0:15:06 | |
-That's a relief, anyway! -Right. | 0:15:06 | 0:15:07 | |
Here we go. We're off. This is it. | 0:15:07 | 0:15:09 | |
The George III Davidson Nile Medal. | 0:15:09 | 0:15:11 | |
I have two commissions with me... | 0:15:11 | 0:15:13 | |
-Oh, great! -I'll start the bidding at £180. At 180, At 180, 190. | 0:15:13 | 0:15:17 | |
At 190 I have, at 190, 200? | 0:15:17 | 0:15:21 | |
-Come on. -At 190 I have. | 0:15:21 | 0:15:23 | |
190. £200 I have. At £200 down here. | 0:15:23 | 0:15:26 | |
Do I hear 210 anywhere? At £200. | 0:15:26 | 0:15:28 | |
-You're spot on, Mark! -At £200, are you all done? | 0:15:28 | 0:15:31 | |
Absolutely spot on! £200, right on the money. | 0:15:31 | 0:15:34 | |
-Right on the money. -Well done! | 0:15:34 | 0:15:36 | |
Had you any idea it was worth that much? | 0:15:37 | 0:15:39 | |
I wasn't sure, to be frank, but I'm glad with what I've got. | 0:15:39 | 0:15:42 | |
Comfortably optimistic, weren't we! | 0:15:42 | 0:15:44 | |
Absolutely, yes. | 0:15:44 | 0:15:46 | |
-Well, good luck and... -Thanks for all your help. | 0:15:46 | 0:15:48 | |
-And put it towards that rainy day! -That's right! | 0:15:48 | 0:15:51 | |
Hello and welcome to the Combined Military Services Museum here at Maldon in the heart of Essex. | 0:16:09 | 0:16:14 | |
This place really is a treasure trove of British military history | 0:16:14 | 0:16:17 | |
and behind me is an awesome Thunderbird missile, | 0:16:17 | 0:16:20 | |
and there's plenty more weaponry like that inside, but today | 0:16:20 | 0:16:24 | |
we're going to be taking a peek at something a little more mysterious, so follow me. | 0:16:24 | 0:16:29 | |
'We're inside a unique espionage collection, a genuine spy museum. | 0:16:34 | 0:16:40 | |
'It's one of the most impressive displays of covert | 0:16:40 | 0:16:43 | |
'operations equipment in the world | 0:16:43 | 0:16:45 | |
'and at the centre of the collection are the amazing gadgets and gizmos | 0:16:45 | 0:16:49 | |
'used by two real-life spies who came in from the cold to share their darkest secrets with us. | 0:16:49 | 0:16:55 | |
'Captain Peter Mason and his wife, Pru, were the real thing, | 0:17:00 | 0:17:03 | |
'undercover agents who risked exposure, torture and death for their country's cause. | 0:17:03 | 0:17:09 | |
'Peter and Pru have hung up their reversible jackets now | 0:17:17 | 0:17:20 | |
'and kindly donated more than 250 items of equipment, clothing | 0:17:20 | 0:17:24 | |
'and deadly weaponry to the museum. | 0:17:24 | 0:17:27 | |
'Many of the exhibits here were actually used in secret operations, | 0:17:31 | 0:17:34 | |
'as well as inspiring the exploits of Ian Fleming's fictional hero, | 0:17:34 | 0:17:38 | |
'James Bond, played here by Sean Connery.' | 0:17:38 | 0:17:41 | |
To show me around this fabulous espionage collection | 0:17:43 | 0:17:45 | |
is my own very own Q, manager, Marilyn Bullivant. | 0:17:45 | 0:17:48 | |
Hello! This is absolutely fascinating because it's real, | 0:17:48 | 0:17:51 | |
this is not fictional, it's not made for the movies, is it? | 0:17:51 | 0:17:54 | |
No, not at all. | 0:17:54 | 0:17:55 | |
All these items, everything you see here belonged to two real-life spies. | 0:17:55 | 0:17:59 | |
You must have been so surprised when items started arriving from Peter and Pru? | 0:17:59 | 0:18:04 | |
We were, because to start with we didn't think it was real, | 0:18:04 | 0:18:07 | |
we thought it was a bit of a hoax and then all these items that | 0:18:07 | 0:18:10 | |
you see before you started coming through the post. | 0:18:10 | 0:18:12 | |
But they're dangerous! | 0:18:12 | 0:18:14 | |
-Did you have a specialist to open them? -No, no, just us. | 0:18:14 | 0:18:18 | |
We sort of started opening the parcels and took out a suit and | 0:18:18 | 0:18:23 | |
a pair of well-worn shoes, and they just appeared to be everyday items. | 0:18:23 | 0:18:29 | |
Talk me through just a small part of the collection you've got in front of you. | 0:18:29 | 0:18:33 | |
OK, this one. | 0:18:33 | 0:18:35 | |
Looks like an ordinary tin of cigarettes. | 0:18:35 | 0:18:37 | |
-Is it gonna go off? -No, you're all right, you're safe with this one. | 0:18:37 | 0:18:41 | |
-Is it a camera or a gun? -It just takes a picture of you. | 0:18:41 | 0:18:43 | |
It's a camera. You pull that down and the lens is there, so that would take | 0:18:43 | 0:18:47 | |
the image, and of course these are fake cigarettes but with a couple of real ones in there. | 0:18:47 | 0:18:51 | |
So that's your camera. | 0:18:51 | 0:18:54 | |
Now the shoes, these look like an ordinary pair of shoes. | 0:18:54 | 0:18:57 | |
As you can see, they're really well worn, | 0:18:57 | 0:19:00 | |
but when I looked at them closely, concealed in the heel is a blade. | 0:19:00 | 0:19:04 | |
-Oh, yes, look at that. Locked into the heel! -Yep. | 0:19:04 | 0:19:07 | |
What would that be used for, then? | 0:19:07 | 0:19:09 | |
Well, mainly if they're in a situation where they were tied with rope, they could cut through. | 0:19:09 | 0:19:14 | |
Oh, I get it, yes, so using... | 0:19:14 | 0:19:15 | |
That's it, yep, and I think sometimes if they're in hand to hand combat, | 0:19:15 | 0:19:19 | |
they would take the blade out to inflict a nasty injury. | 0:19:19 | 0:19:22 | |
Now this looks like an ordinary pipe - | 0:19:22 | 0:19:28 | |
it's actually a pistol. | 0:19:28 | 0:19:30 | |
Take that off and you just pull that, and that would | 0:19:30 | 0:19:33 | |
detonate the projectile which would come out through a hole there, which could be a bullet or cyanide capsule. | 0:19:33 | 0:19:39 | |
It seems extremely dangerous! | 0:19:42 | 0:19:44 | |
You need the Marigolds when you're handling some of these! | 0:19:44 | 0:19:47 | |
This is affectionately known as "the kiss of death". | 0:19:47 | 0:19:50 | |
Looks like a lipstick. | 0:19:50 | 0:19:52 | |
You take the cover off, and it reveals a pistol. | 0:19:52 | 0:19:55 | |
-Are you gonna put some on? -And blow my head off! | 0:19:55 | 0:19:57 | |
It probably wouldn't kill someone, but it would certainly inflict a nasty injury. | 0:19:57 | 0:20:03 | |
Or slow them down so you could make your escape. | 0:20:03 | 0:20:05 | |
That's right. | 0:20:05 | 0:20:06 | |
But that was also used when Pru wore this suit. | 0:20:06 | 0:20:10 | |
These are their clothes as well? | 0:20:10 | 0:20:12 | |
Yeah. Their actual clothes. She was actually interrogated when she was wearing this outfit. | 0:20:12 | 0:20:18 | |
'In fact, the KGB took this photograph of Pru just before the interrogation began. | 0:20:19 | 0:20:26 | |
'Another of Pru's covers behind the iron curtain was a bare-backed rider | 0:20:30 | 0:20:34 | |
'in the Circus Americana, and this is the disguise she used.' | 0:20:34 | 0:20:39 | |
-This is hers as well? -This is hers as well. This is a reversible jacket. | 0:20:42 | 0:20:46 | |
You can see here, you've got the plain grey. | 0:20:46 | 0:20:49 | |
One side to the other. | 0:20:49 | 0:20:50 | |
One side, and then if she wanted, if she was being chased or followed | 0:20:50 | 0:20:53 | |
and she wanted to change her appearance, | 0:20:53 | 0:20:55 | |
she would very quickly take it off, turn it inside out... | 0:20:55 | 0:20:58 | |
And mingle in with the crowd so they're not following someone in checks any more? | 0:20:58 | 0:21:02 | |
No. The skirt does as well, but you couldn't whip that off in the street, | 0:21:02 | 0:21:05 | |
could you, but again, you could change her appearance. | 0:21:05 | 0:21:08 | |
-Clever. -And looking at Pru's clothing, this is some of Peter's. | 0:21:08 | 0:21:11 | |
Again, a reversible coat. | 0:21:11 | 0:21:13 | |
If he's wearing the tweed coat, he would wear this hat | 0:21:13 | 0:21:16 | |
which, as you can see, is no ordinary hat. | 0:21:16 | 0:21:18 | |
-There's a little gun holster in there? -Yep, metal carry case, which would have the holster. | 0:21:18 | 0:21:23 | |
He would have the pistol in there, or he would change his appearance to | 0:21:23 | 0:21:27 | |
a sort of flat cap and scarf and the gabardine rain mac. | 0:21:27 | 0:21:31 | |
Yes, yeah. It's beautifully made! | 0:21:31 | 0:21:33 | |
It's very good quality, isn't it? Yes, he did like his good clothes. | 0:21:33 | 0:21:37 | |
-So, what else have we got here? More cigarettes? -More cigarettes, yes. | 0:21:37 | 0:21:40 | |
-This is... -I guess every spy smoked really, didn't they! | 0:21:40 | 0:21:43 | |
That's right. This really is bad for your health, this one. | 0:21:43 | 0:21:46 | |
These are real cigarettes, but that's actually a gun. | 0:21:46 | 0:21:50 | |
If he was in a situation where perhaps he needed to have access | 0:21:50 | 0:21:53 | |
to the gun, he would open the case, and if you notice, the end is burnt. | 0:21:53 | 0:21:57 | |
-Yes, so he knows which one to pick up? -Exactly! | 0:21:57 | 0:21:59 | |
-How does it work? -It twists. | 0:21:59 | 0:22:01 | |
Wow! These things actually worked? | 0:22:01 | 0:22:03 | |
Yes, they're real, that's what we're trying to get across to people. | 0:22:03 | 0:22:07 | |
This is where the James Bond bit finishes. | 0:22:07 | 0:22:09 | |
These are real, and people really used these. | 0:22:09 | 0:22:11 | |
It's only when you walk around this fascinating place, you know, | 0:22:11 | 0:22:15 | |
your head gets around the fact that people risked their lives. | 0:22:15 | 0:22:18 | |
-Yeah. -What's this? | 0:22:18 | 0:22:20 | |
This is just an ordinary hip flask, | 0:22:20 | 0:22:21 | |
but it actually belonged to Ian Fleming, and Fleming gave it to Peter | 0:22:21 | 0:22:25 | |
as a present and Peter would advise Fleming on the type of weapons | 0:22:25 | 0:22:29 | |
and gadgets and guns. | 0:22:29 | 0:22:31 | |
Used in the movies! | 0:22:31 | 0:22:32 | |
Exactly. The real Bond, | 0:22:32 | 0:22:34 | |
and it has still got some whisky in there! | 0:22:34 | 0:22:37 | |
Not only do they end up with Ian Fleming's whisky flask, | 0:22:37 | 0:22:42 | |
but like his Bond character, Captain Peter Mason carried a licence to kill. | 0:22:42 | 0:22:48 | |
Peter was originally a member of the SAS, Britain's crack special forces unit. | 0:22:50 | 0:22:55 | |
Just after World War II, he joined the famous Baker team. | 0:22:55 | 0:22:59 | |
Their task was to hunt down Nazi war criminals and, how shall I put it, dispose of them. | 0:22:59 | 0:23:05 | |
When the Cold War began in the 1950s, Peter and his wife were once again on the front line. | 0:23:08 | 0:23:14 | |
Many of their assignments were so secret that they are still under | 0:23:14 | 0:23:17 | |
wraps, but what we see here gives us a vivid idea of the challenges and dangers they faced. | 0:23:17 | 0:23:23 | |
Spying is difficult, dangerous work with the constant risk of being discovered. | 0:23:24 | 0:23:30 | |
It's nothing like the glamorous Bond movies we see or the books we read. | 0:23:30 | 0:23:34 | |
With the need for total secrecy, its heroes and heroines often | 0:23:34 | 0:23:40 | |
go unnoticed and that's what makes this spy museum so unique - | 0:23:40 | 0:23:43 | |
it gives us a glimpse into a world we rarely see. | 0:23:43 | 0:23:47 | |
After all that intrigue, we had better race back to the | 0:23:57 | 0:24:00 | |
valuation day where Mark has spied something fishy. | 0:24:00 | 0:24:05 | |
Hello, Sally. | 0:24:05 | 0:24:06 | |
-Hello Mark. -Who is the young man next to you? | 0:24:06 | 0:24:08 | |
This is my grandson, Aiden. | 0:24:08 | 0:24:10 | |
-Hello, Aiden. -Hi. -Nice to see you. | 0:24:10 | 0:24:12 | |
Now what have you brought along to show us today? | 0:24:12 | 0:24:15 | |
Well, I've brought along this set of Poole pottery which I've had for some years. | 0:24:15 | 0:24:19 | |
It's very unusual, I think, and I don't know whether it was | 0:24:19 | 0:24:24 | |
bought or a gift to perhaps my mother or even my grandparents. | 0:24:24 | 0:24:27 | |
I don't think my grandparents, they were passed on by then. | 0:24:27 | 0:24:31 | |
By then, yes. Because we've got... | 0:24:31 | 0:24:33 | |
I mean it's not that old, of course. | 0:24:33 | 0:24:35 | |
I would say it goes back to the sort of '50s and '60s. | 0:24:35 | 0:24:38 | |
There's various indications for that - the use of colour. | 0:24:38 | 0:24:41 | |
I love this period because it's actually very sparsely decorated but | 0:24:41 | 0:24:45 | |
it sums it up very nicely, actually, and also the mark on the back. | 0:24:45 | 0:24:50 | |
We've got the typical Poole mark, the dolphin in the middle, and then we've got some artists' initials. | 0:24:50 | 0:24:55 | |
-What I particularly like about it, it's a fish set? -Um hum. | 0:24:55 | 0:24:59 | |
You would have your salmon or your lobster or your crab or whatever in | 0:24:59 | 0:25:04 | |
the middle, and then you would serve it on the plates | 0:25:04 | 0:25:07 | |
and I just think these animals are wonderful. | 0:25:07 | 0:25:09 | |
I mean they're so naive, but in some ways, so quirky, aren't they? | 0:25:09 | 0:25:13 | |
They are, yes. | 0:25:13 | 0:25:14 | |
Have you got a favourite animal? | 0:25:14 | 0:25:16 | |
I like the frog. That attracted me to it in the first place, | 0:25:16 | 0:25:19 | |
but when you look at all of them individually, they are so unusual. | 0:25:19 | 0:25:24 | |
Yes, they are. | 0:25:24 | 0:25:25 | |
Do you have a favourite one? | 0:25:25 | 0:25:27 | |
-The snail. -You like the snail, do you? Do you eat snails? | 0:25:27 | 0:25:30 | |
-No. -I think it's great. | 0:25:30 | 0:25:33 | |
It dates from about sort of 1950s as I said, '60s period, | 0:25:33 | 0:25:36 | |
and I think it's very quirky and I think Poole collectors will like it. | 0:25:36 | 0:25:40 | |
-Really? That's good. -Very difficult to value, I'll be honest with you, | 0:25:40 | 0:25:43 | |
Sally, we don't see them often and the market does fluctuate on this. | 0:25:43 | 0:25:50 | |
I mean, I just like it. I think it's got a lot of fun and I'm just hoping | 0:25:50 | 0:25:53 | |
-somebody else will pick up on the imagination of it as well. -Yes, yes. | 0:25:53 | 0:25:57 | |
My gut feeling is that we should put it in maybe at £80 to £100. | 0:25:57 | 0:26:03 | |
-How would you feel about that? -Yes, yes, I'd be happy with that. | 0:26:03 | 0:26:06 | |
Did you have any particular views yourself of the value? | 0:26:06 | 0:26:09 | |
Well, l didn't think it was going to be madly valuable, but I thought | 0:26:09 | 0:26:13 | |
as it was unusual that somebody might think, ooh, I'll add that to my collection. | 0:26:13 | 0:26:17 | |
-Yes, absolutely. -Somebody who can appreciate it, have it on display, perhaps. | 0:26:17 | 0:26:21 | |
Are you sad that your granny's selling it? Are you? | 0:26:21 | 0:26:25 | |
Or would you use it when you grow up, do you think? | 0:26:25 | 0:26:27 | |
-No. -No. So all I can say is let's hope | 0:26:27 | 0:26:30 | |
they're not shellfish out there and bid a lot of money! | 0:26:30 | 0:26:33 | |
Indeed, that would be good. Thank you. | 0:26:33 | 0:26:36 | |
Alan and Lesley, which one's the golfer? | 0:26:41 | 0:26:43 | |
Me! | 0:26:43 | 0:26:45 | |
-Lesley, you've never tried? -No. | 0:26:45 | 0:26:48 | |
Took his golf clubs round once on the green, but they were too heavy! | 0:26:48 | 0:26:51 | |
-Too heavy? -Yes. -You can get a little cart, can't you? | 0:26:51 | 0:26:54 | |
-They were on my shoulder! -Didn't use you as a caddy? | 0:26:54 | 0:26:57 | |
He tried! | 0:26:57 | 0:26:58 | |
The rotten man! I love these clubs you've brought in. | 0:26:58 | 0:27:01 | |
-Have you ever played with them? -Yes, I did. | 0:27:01 | 0:27:03 | |
-And how did you get on? -Not too bad. | 0:27:03 | 0:27:06 | |
-They're a bit different to use from the modern clubs. -Yes, yes. | 0:27:06 | 0:27:09 | |
These would date from 1900 to 1920. | 0:27:09 | 0:27:12 | |
-Oh, yes. -Yeah. -We suspect about that age. | 0:27:12 | 0:27:15 | |
-That's about right, and the shafts are hickory. -They're hickory shafts. | 0:27:15 | 0:27:19 | |
Hickory shafts, and leather-bound handles which must have been very difficult in wet conditions. | 0:27:19 | 0:27:25 | |
They would have been very slippery, wouldn't they? | 0:27:25 | 0:27:27 | |
-Nowadays with firm rubber grips, you can play in any conditions. -Yes. | 0:27:27 | 0:27:31 | |
And yet they still manage to go round golf courses in 67, 68 shots? | 0:27:31 | 0:27:37 | |
Oh, yes, they did, yes! | 0:27:37 | 0:27:39 | |
And given you're a greenkeeper... | 0:27:39 | 0:27:41 | |
-I was a greenkeeper, yes. -Whereabouts where you greenkeeper? | 0:27:41 | 0:27:44 | |
-Locally, in Harlow. -In Harlow? | 0:27:44 | 0:27:45 | |
Yes, Cannons Brook. | 0:27:45 | 0:27:46 | |
So with all this time on the golf course, your gardening must have suffered at home! | 0:27:46 | 0:27:51 | |
-We haven't got a garden! -You haven't got a garden? -No! | 0:27:51 | 0:27:53 | |
A golfer without a garden! | 0:27:57 | 0:27:59 | |
I think he's grateful for that! | 0:27:59 | 0:28:01 | |
So he couldn't practice in the back garden! | 0:28:01 | 0:28:02 | |
Now getting onto value, these are of huge academic and sporting interest. | 0:28:02 | 0:28:09 | |
-They're not, sadly, worth a huge amount of money. -No. | 0:28:09 | 0:28:11 | |
I think for these to be worth lots of money, and clubs can make lots of | 0:28:11 | 0:28:17 | |
money, they really need to date from the other end of the 19th century, | 0:28:17 | 0:28:21 | |
early 1800s. | 0:28:21 | 0:28:24 | |
Then you can be into hundreds of pounds for a club and of course you can go earlier with the golf balls, | 0:28:24 | 0:28:29 | |
-the feathery balls. -The feathery balls. | 0:28:29 | 0:28:31 | |
If you find one of those, then you're into serious money. | 0:28:31 | 0:28:34 | |
You've got some books, which you'd be happy to sell with the clubs? | 0:28:34 | 0:28:38 | |
Yes, I would. | 0:28:38 | 0:28:39 | |
It would be a great collection for somebody to perhaps start with. That's it, a starter. | 0:28:39 | 0:28:44 | |
You've got one, two, three, four, five, six, seven, eight clubs. | 0:28:44 | 0:28:47 | |
Sadly I think the collection is worth £50 to £100. | 0:28:47 | 0:28:51 | |
-Are you happy with that? -Yes, I'd be very happy with that. | 0:28:51 | 0:28:54 | |
-If you're not going to use them. -No. | 0:28:54 | 0:28:56 | |
We ought to put a reserve on them, don't you think? | 0:28:56 | 0:28:58 | |
-Yes, I'd like a reserve. -£50 with auctioneer's discretion. | 0:28:58 | 0:29:01 | |
So we don't perhaps sell for less than £40. | 0:29:01 | 0:29:04 | |
There's a lot of history in these books, isn't there? | 0:29:04 | 0:29:06 | |
-Oh, yes, there is. -Who Won What? Did you ever win any competitions? | 0:29:06 | 0:29:10 | |
Locally, yes. I won a few club competitions and I've | 0:29:10 | 0:29:12 | |
got my name up on one of the clubs I belong to, one on the board as well. | 0:29:12 | 0:29:16 | |
-So that will be up forever? -That's it, yes. | 0:29:16 | 0:29:19 | |
-Long after you've gone, your name will be on there. -For a long while! | 0:29:19 | 0:29:22 | |
-Lovely to meet you and thank you very much for bringing them along. -Thank you very much. | 0:29:22 | 0:29:27 | |
-Hello Maureen, hello Darren. -Hello. -You're mother and son. | 0:29:30 | 0:29:33 | |
That's right, yeah. | 0:29:33 | 0:29:34 | |
God, I feel like Bruce Forsyth on the Generation Game! | 0:29:34 | 0:29:37 | |
Now, a pair of vases. | 0:29:37 | 0:29:39 | |
Tell me about them? | 0:29:39 | 0:29:41 | |
Well, I bought them about 15 years ago in an antique fair at | 0:29:41 | 0:29:44 | |
-Sawbridgeworth, just up the road, yeah. -And why did you buy them? | 0:29:44 | 0:29:48 | |
Because I fell in love with the colour and the feel of them. | 0:29:48 | 0:29:52 | |
-They are nice. -We both thought they were beautiful. | 0:29:52 | 0:29:54 | |
We thought they were gorgeous when we saw them. | 0:29:54 | 0:29:56 | |
Well, they are. I love this sort of turquoise colour it is? | 0:29:56 | 0:29:59 | |
-That's right. -It's a starry blue colour and this lovely... | 0:29:59 | 0:30:02 | |
it's almost got what is known in the trade as a sort of satin finish. | 0:30:02 | 0:30:06 | |
-That's right. -Very smooth to the touch, and you've got this lovely | 0:30:06 | 0:30:09 | |
lattice work going underneath the pattern, so you've got not only a nice colour but you've got | 0:30:09 | 0:30:13 | |
-a two-tone type pattern, with of course the terribly Victorian frilly edge. -Yeah, that's right. | 0:30:13 | 0:30:21 | |
-These were almost certainly made in the Webb factory in Stourbridge in Gloucestershire. -Well, that's funny! | 0:30:21 | 0:30:26 | |
Our last name is actually Webb! | 0:30:26 | 0:30:28 | |
Well, that's spooky, isn't it! That might be an omen on our favour. | 0:30:28 | 0:30:32 | |
-We didn't know that when we bought them, though. -It wasn't on the ticket? -No. | 0:30:32 | 0:30:35 | |
And it's almost nice to get a pair, because often one gets broken... | 0:30:35 | 0:30:39 | |
Or it's chipped or something like that, yeah. | 0:30:39 | 0:30:41 | |
-Exactly. Now what did you pay for them, 15 years ago? -£120. | 0:30:41 | 0:30:44 | |
£120, which is a reasonable sum of money to pay for porcelain. | 0:30:44 | 0:30:48 | |
-I thought... -A bargain, and it wasn't cheap. | 0:30:48 | 0:30:50 | |
I thought it was a lot, but I loved them that much, | 0:30:50 | 0:30:52 | |
that's why I didn't mind. I thought they were worth it. | 0:30:52 | 0:30:55 | |
I can see how you loved them, and the family love them. | 0:30:55 | 0:30:58 | |
Why are you possibly considering selling them? | 0:30:58 | 0:31:01 | |
Well, they're just packed away in a box. | 0:31:01 | 0:31:03 | |
I thought if nobody sees them, no point in leaving something pretty packed in a box. | 0:31:03 | 0:31:08 | |
But why are they packed in a box? | 0:31:08 | 0:31:09 | |
-They don't go with my colour scheme. -You've changed your colour scheme? | 0:31:09 | 0:31:13 | |
-Yeah I have, yeah. -You see this is the thing. | 0:31:13 | 0:31:15 | |
They went then, but now you've changed it to bright orange... | 0:31:15 | 0:31:18 | |
Not quite! | 0:31:18 | 0:31:20 | |
Well, now it's time to let them go to another collector, who will appreciate them. | 0:31:20 | 0:31:24 | |
Well, yeah and I hope they love them as much as I do, you know. | 0:31:24 | 0:31:27 | |
They're too nice to stay in a box. | 0:31:27 | 0:31:29 | |
Sophia, what a wonderful tea set! | 0:31:37 | 0:31:40 | |
-Thank you. -Where did you find this? | 0:31:40 | 0:31:42 | |
Well, my grandfather has given it to my mother as a wedding gift. | 0:31:42 | 0:31:47 | |
As a wedding gift! When was that? | 0:31:47 | 0:31:48 | |
-1956. -Right. | 0:31:48 | 0:31:52 | |
Handed down from family... | 0:31:52 | 0:31:54 | |
I was going to say, this is not 1950s. | 0:31:54 | 0:31:57 | |
-No. -Do you know how old it is? -I think it's '20s or '30s, I think. | 0:31:57 | 0:32:01 | |
It's 1920s, very much. It's a real... | 0:32:01 | 0:32:03 | |
The Indians were very influenced by the art deco period. | 0:32:03 | 0:32:06 | |
-Right, OK. -So 1920s we've got | 0:32:06 | 0:32:09 | |
pure art deco lines, particularly if you look at the handle. | 0:32:09 | 0:32:12 | |
-Yes. -This is very art deco, squared form... | 0:32:12 | 0:32:15 | |
Right, OK. | 0:32:15 | 0:32:18 | |
..of the handle, which I love. | 0:32:18 | 0:32:19 | |
There are two things, really, that set it aside and make | 0:32:19 | 0:32:22 | |
-it absolutely obvious that it's not an English tea set. -Right. | 0:32:22 | 0:32:26 | |
One is this very intricate Indian chase decoration in the panels. | 0:32:26 | 0:32:30 | |
If you took that decoration out, then you would think it was completely | 0:32:30 | 0:32:34 | |
English and also, this extraordinary, very Indian-looking spout. | 0:32:34 | 0:32:39 | |
You just wouldn't have a spout like that finishing off an English teapot. | 0:32:39 | 0:32:43 | |
-Oh, I see, OK. -It's the combination itself. | 0:32:43 | 0:32:46 | |
It's as if to say this is a pure piece of English workmanship | 0:32:46 | 0:32:50 | |
-but we've just put a bit of Indian, just... -Just put something in. | 0:32:50 | 0:32:53 | |
It looks more or less complete, as far as I can see. | 0:32:53 | 0:32:56 | |
Perhaps there was another plate originally? | 0:32:56 | 0:32:58 | |
-Yes. -And a spoon? | 0:32:58 | 0:32:59 | |
-Yes, and a spoon. -It's quite a weight of silver. | 0:32:59 | 0:33:01 | |
-Yes, yes. -Well, of course we can't date it exactly, | 0:33:01 | 0:33:04 | |
because unlike English silver which would have had to have a hallmark, | 0:33:04 | 0:33:08 | |
and if it had a hallmark we would be able to tell you exactly | 0:33:08 | 0:33:11 | |
where it was made and we would be able to tell you the date and who made it. | 0:33:11 | 0:33:15 | |
None of that information is available here, other than of course the | 0:33:15 | 0:33:19 | |
bottom, where it says "Made in Kashmir". | 0:33:19 | 0:33:23 | |
Well, we know Kashmir for other things, don't we, rather than silver? | 0:33:23 | 0:33:26 | |
-Yes, yes. -Lovely sweaters. | 0:33:26 | 0:33:28 | |
But because of this design, it is a Kashmir design. | 0:33:28 | 0:33:31 | |
-It is a Kashmiri design? Is it? -Yes, it is. | 0:33:31 | 0:33:34 | |
-That's very interesting. -Because they do on a piece of cloth as well, you know, the design. | 0:33:34 | 0:33:38 | |
So we said that this is a Kashmir design, you know, so... | 0:33:38 | 0:33:41 | |
That's very interesting. | 0:33:41 | 0:33:42 | |
You yourself can look at that and tell it's Kashmiri? | 0:33:42 | 0:33:45 | |
-It's Kashmiri, yes. -Well, I'm learning all the time! | 0:33:45 | 0:33:48 | |
I think it's wonderful. I think with regard to valuation, now I suppose | 0:33:48 | 0:33:52 | |
of all the pieces of silver that are least saleable, it's tea sets, | 0:33:52 | 0:33:56 | |
simply because people don't use them any more, | 0:33:56 | 0:33:58 | |
hence it's been in your loft. | 0:33:58 | 0:34:00 | |
-That's right. -When did you last have a cup of tea out of a silver teapot? | 0:34:00 | 0:34:03 | |
-We never. -A long time ago, probably never, so I think | 0:34:03 | 0:34:07 | |
you're really looking at a value of a few hundred pounds. | 0:34:07 | 0:34:11 | |
-£200 to £300. -Yes, OK. | 0:34:11 | 0:34:12 | |
-It might take off and might make a bit more. -Bit more, yes. | 0:34:12 | 0:34:15 | |
But I think £200 to £300 is the sensible estimate. | 0:34:15 | 0:34:17 | |
-Yeah, fine. -All right? -That's fine. | 0:34:17 | 0:34:19 | |
Why are you selling it? | 0:34:19 | 0:34:20 | |
I want to send the proceeds to Mother Theresa's charity | 0:34:20 | 0:34:23 | |
in Calcutta, where my mother used to work. | 0:34:23 | 0:34:25 | |
-Your mother worked there? -Yes. | 0:34:25 | 0:34:26 | |
Let's hope we can leave that £200 to £300 estimate way behind, because it's such a wonderful cause. | 0:34:26 | 0:34:31 | |
-Cause, yes. -For Mother Theresa? -Yes. | 0:34:31 | 0:34:33 | |
-£500 would be nice, wouldn't it! -Oh, it would be! Very nice! | 0:34:33 | 0:34:37 | |
Well, it's goodbye to the valuation day so let's remind ourselves | 0:34:39 | 0:34:42 | |
of all the lots we're taking off to auction. | 0:34:42 | 0:34:45 | |
I'm sure Sally's unusual fish set will attract a pool of interested bidders. | 0:34:45 | 0:34:52 | |
Alan's golf clubs and books would look great decorating the bar | 0:34:52 | 0:34:56 | |
of a local golf club, but will the worn handles handicap the price? | 0:34:56 | 0:35:00 | |
They no longer suit her colour scheme, and have been in a box for 15 years, so can Maureen's vases | 0:35:00 | 0:35:06 | |
find a sympathetic home for £150 to £200? | 0:35:06 | 0:35:11 | |
And finally, Sophia's extraordinary silver tea service is a real gem | 0:35:11 | 0:35:15 | |
and I'm sure will attract plenty of interest. | 0:35:15 | 0:35:18 | |
Next up another of my favourites, | 0:35:23 | 0:35:25 | |
a bit of studio pottery. It's Poole Pottery from Dorset. | 0:35:25 | 0:35:29 | |
We don't have Sally our owner with us today, but we do have her | 0:35:29 | 0:35:32 | |
daughter, Sarah, so where's Mum gone? | 0:35:32 | 0:35:34 | |
-She's unwell today. -She's unwell? | 0:35:34 | 0:35:36 | |
-Oh, I'm sorry about that. -So I'm taking her place, she'll be fine. | 0:35:36 | 0:35:39 | |
-Get well, Sally, and hopefully the top end of the estimate will cheer her up! -I hope so! | 0:35:39 | 0:35:43 | |
We're looking at £80 to £100, Mark? | 0:35:43 | 0:35:45 | |
-Yeah, I love it. -There's a lot of pottery here for that. | 0:35:45 | 0:35:48 | |
Is this a "come and buy me". | 0:35:48 | 0:35:50 | |
I hope so. I like it. | 0:35:50 | 0:35:51 | |
You've got the serving dish for the fish and all those quirky animals in there. We like them on Flog It! | 0:35:51 | 0:35:57 | |
-We like quirky. -We do love quirky and I think quirky adds to value. | 0:35:57 | 0:36:01 | |
It makes it slightly more individual. | 0:36:01 | 0:36:04 | |
We just need an individual or two right now to bid against each other. | 0:36:04 | 0:36:08 | |
We do, absolutely and it might swim away! | 0:36:08 | 0:36:10 | |
Or to shell out top dollar! | 0:36:10 | 0:36:12 | |
This is it. It's going under the hammer. | 0:36:14 | 0:36:16 | |
The 1950s Poole Pottery fish service, there you are, Poole Pottery there. | 0:36:16 | 0:36:20 | |
What do you say to start me? £60? | 0:36:20 | 0:36:22 | |
60, 60 I have down there now, at 60, at £60. Yeah, 65, 65, 70... | 0:36:22 | 0:36:27 | |
I think this is so cheap for what it is! | 0:36:27 | 0:36:29 | |
At £70 down here now. | 0:36:29 | 0:36:30 | |
At 70, 75, 80, at £80... | 0:36:30 | 0:36:33 | |
Come on! | 0:36:33 | 0:36:35 | |
80. At £80 is bid. | 0:36:35 | 0:36:36 | |
All done now at £80. All done? | 0:36:36 | 0:36:38 | |
Well, we got it within estimate, well done, Mark. | 0:36:40 | 0:36:42 | |
-We did, but... -I think that's an affordable collectable. | 0:36:42 | 0:36:45 | |
-It should have been more, but that's auctions for you. -That's fine, yes. | 0:36:45 | 0:36:49 | |
-We needed another couple of people to put their hand up. -Fight over it. | 0:36:49 | 0:36:52 | |
Put their hand up, yeah, a couple more times and we would have got £120, £140 for it. | 0:36:52 | 0:36:56 | |
-As you say, that's auctions for you, but wish Mum all the best. | 0:36:56 | 0:37:00 | |
I will do. | 0:37:00 | 0:37:01 | |
-OK, get well soon! -Thank you. | 0:37:01 | 0:37:04 | |
20, 30, 40... | 0:37:04 | 0:37:06 | |
Well, good luck, Alan and Lesley. | 0:37:10 | 0:37:12 | |
We've got the eight golf clubs with some books, all from the early 1900s, just about to go | 0:37:12 | 0:37:16 | |
under the hammer, with a valuation of around £50, | 0:37:16 | 0:37:18 | |
£60, hopefully £70 odd for the lot. | 0:37:18 | 0:37:22 | |
I think it deserves that kind of money, Charlie, really! | 0:37:22 | 0:37:25 | |
-It should be enough. -Hickory shafts, there's some quality there. | 0:37:25 | 0:37:28 | |
-And some good makers' names, we should be fine. -Yeah. | 0:37:28 | 0:37:31 | |
You were a greenkeeper, weren't you? | 0:37:31 | 0:37:33 | |
-I was, yes. -Good job? -It was a nice, pleasant job working outside, yes. | 0:37:33 | 0:37:37 | |
What are you holding there in your hand? | 0:37:37 | 0:37:39 | |
-It's a little golf tee for Charlie. -Spin it around... there it is. | 0:37:39 | 0:37:42 | |
Oh, it's a little sexy lady, look! | 0:37:42 | 0:37:44 | |
-It's a present. -There you go, Charlie! | 0:37:44 | 0:37:46 | |
-That's fantastic, thank you. -I think you're blushing! Oh, she's beautifully modelled. | 0:37:46 | 0:37:51 | |
-I'd be afraid to lose it, that's the trouble! -There you go! | 0:37:51 | 0:37:54 | |
That's a novelty in itself, isn't it? | 0:37:54 | 0:37:56 | |
It'll make me keep my eye on the ball, won't it! | 0:37:56 | 0:37:58 | |
Yes, it will. Something to aim for! | 0:37:58 | 0:38:00 | |
Well, look, good luck, you two! | 0:38:02 | 0:38:03 | |
-Is he always like this? -Yes. -Is he? | 0:38:03 | 0:38:05 | |
Here we go, it's going under the hammer now. Let's tee off. | 0:38:05 | 0:38:08 | |
The collection of eight vintage hickory shafted golf clubs and the various books to go with them. | 0:38:08 | 0:38:13 | |
-I have two commissions and I start the bidding at £80. -£80! | 0:38:13 | 0:38:17 | |
£80... do I hear 85? | 0:38:17 | 0:38:18 | |
At £80 is bid. 85 anywhere? 85, 90? | 0:38:18 | 0:38:23 | |
At £90, are you all done? | 0:38:23 | 0:38:26 | |
Yeah! The hammer's come down at £90! | 0:38:26 | 0:38:29 | |
-That's a cracking result, isn't it? -It is, isn't it! | 0:38:29 | 0:38:31 | |
Well, done, Charlie. I think he's got a little lucky emblem there! Ever so proud of that! | 0:38:31 | 0:38:36 | |
Perhaps you should try selling that and not the golf clubs! | 0:38:36 | 0:38:40 | |
-That is for the golf clubs! -Brilliant! | 0:38:40 | 0:38:42 | |
Next a pair of glass vases made in Stourbridge by the Webb factory | 0:38:47 | 0:38:51 | |
-and they've been stuck in a box for years, haven't they, Darren and Maureen? -15 years. | 0:38:51 | 0:38:55 | |
-15 years? -That's right, yeah. -15 years they've been stuck in a box! | 0:38:55 | 0:38:59 | |
You opened the box, brought them along to the valuation day. | 0:38:59 | 0:39:01 | |
Were you happy with Mark's valuation... £150 to £200? | 0:39:01 | 0:39:05 | |
Yes, certainly, it's fine, yeah. | 0:39:05 | 0:39:07 | |
Why have they been stuck in a box? | 0:39:07 | 0:39:09 | |
-They don't go with my decor any more. -Don't they? -No. | 0:39:09 | 0:39:12 | |
I don't want them. I'd be frightened to break them. | 0:39:12 | 0:39:14 | |
And you don't want them, you don't want to inherit them? | 0:39:14 | 0:39:17 | |
They don't fit the decor. | 0:39:17 | 0:39:18 | |
They don't fit the decor and they don't always fit in today's market. | 0:39:18 | 0:39:21 | |
It's one of those funny areas, Paul, that we bump into. | 0:39:21 | 0:39:24 | |
Lovely quality, very Victorian, | 0:39:24 | 0:39:26 | |
but not the most desirable. | 0:39:26 | 0:39:28 | |
A few years ago these would have been sought-after, | 0:39:28 | 0:39:30 | |
so I don't think we're gonna have any flyers. | 0:39:30 | 0:39:32 | |
But you never know with antiques, do you? They go round in circles. | 0:39:32 | 0:39:36 | |
Fashion changes and in five years, might be worth a bit more money, | 0:39:36 | 0:39:39 | |
but we're gonna find out exactly... | 0:39:39 | 0:39:41 | |
-I don't think I'll keep them. -You don't want to, but you might change the decor | 0:39:41 | 0:39:44 | |
and all of a sudden they'll fit in in five years time! | 0:39:44 | 0:39:47 | |
We've got to flog them, that's what we're here for. | 0:39:47 | 0:39:49 | |
-That's right. -Let's do it, Maureen. They're going under the hammer. | 0:39:49 | 0:39:52 | |
Victorian blue satin glass oval formed vases. | 0:39:52 | 0:39:55 | |
What do you say to start me? | 0:39:55 | 0:39:56 | |
£100 to start me? 100? £100 I have now, at £100. | 0:39:56 | 0:39:59 | |
At £100. Do I have 110? | 0:39:59 | 0:40:01 | |
At £100 as bid. 110, 120, 130, 140, 150. | 0:40:01 | 0:40:07 | |
At 150, seated now at 150. | 0:40:07 | 0:40:09 | |
Is there 160 anywhere? At £150 are you all done? | 0:40:09 | 0:40:14 | |
Just £150! | 0:40:14 | 0:40:16 | |
You see, you didn't need the boxes. | 0:40:16 | 0:40:18 | |
-Brilliant. No. -Maureen whispered in my ear, | 0:40:18 | 0:40:20 | |
"I brought the boxes, I had a feeling I might be taking them home." | 0:40:20 | 0:40:23 | |
£150, less a bit of commission, that's fantastic. | 0:40:23 | 0:40:25 | |
-Very nice. -What are you going to treat yourself to? | 0:40:25 | 0:40:28 | |
Well, I've had an extension done to the house, so the money will go towards finishing off the interior. | 0:40:28 | 0:40:33 | |
-Get some kitchen work. -Good luck. | 0:40:33 | 0:40:36 | |
90, five, 100. | 0:40:38 | 0:40:39 | |
Sophia's Kashmir silver is certainly becoming a big talking point, isn't it, just? | 0:40:43 | 0:40:49 | |
We had Charlie's original valuation... | 0:40:49 | 0:40:51 | |
£200 to £300 on the day. | 0:40:51 | 0:40:54 | |
It's worth probably £500 in weight of silver, if it was English Sterling silver. | 0:40:54 | 0:41:00 | |
You've cottoned onto this, haven't you, because you rang James up, | 0:41:00 | 0:41:03 | |
because I had a quick chat with the auctioneer just before the sale started. | 0:41:03 | 0:41:07 | |
Sophia is now upped the valuation, we've got a fixed reserve of £450. | 0:41:07 | 0:41:12 | |
So it just might struggle, but you don't know, because you can't tell | 0:41:12 | 0:41:18 | |
the quality, can you, of Indian silver, you don't know if it's equal amount or slightly less? | 0:41:18 | 0:41:23 | |
It's not easy to sell something in this country that's "Made in Kashmir" | 0:41:23 | 0:41:27 | |
on the bottom, as a rule, but, it's stylistically interesting... | 0:41:27 | 0:41:31 | |
-Very... -And it weighs a lot. -And there's a lot there, yes. | 0:41:31 | 0:41:34 | |
So what really made you change your mind? | 0:41:34 | 0:41:36 | |
Was it the fact that it was the weight or the sentimental value | 0:41:36 | 0:41:39 | |
or you just didn't want to let it go for £200? | 0:41:39 | 0:41:42 | |
Yes, I think so. All of it, really. | 0:41:42 | 0:41:44 | |
If I'm giving them the Mother Theresa Charity, why not give a | 0:41:44 | 0:41:49 | |
little bit more than £200, you know. | 0:41:49 | 0:41:52 | |
What's the point actually letting it go? | 0:41:52 | 0:41:54 | |
And tell us a little bit more about the charity. Are you involved with it? | 0:41:54 | 0:41:58 | |
My mother was involved with it. | 0:41:58 | 0:42:00 | |
She actually worked with Mother Theresa, looking after children | 0:42:00 | 0:42:03 | |
who are very, very poor and couldn't really afford anything, so literally | 0:42:03 | 0:42:07 | |
picking them up from the street and looking after them and in fact I was part of it as well. | 0:42:07 | 0:42:12 | |
Oh, wonderful, so you can remember that as a little girl? | 0:42:12 | 0:42:15 | |
-Oh, yes, from age 13. -Did you ever meet Mother Theresa? | 0:42:15 | 0:42:18 | |
-Yes, yes. -Oh, wonderful! | 0:42:18 | 0:42:19 | |
What lovely memories! I can see why you're very protective over this. | 0:42:19 | 0:42:22 | |
-Fingers crossed, OK. Let's see if we get that £450. -Thank you very much. | 0:42:22 | 0:42:26 | |
It's all going to charity, Charlie. | 0:42:26 | 0:42:28 | |
It's made me tingle, actually. | 0:42:28 | 0:42:30 | |
Lot 184 is the 1920s Indian white metal tea service. | 0:42:30 | 0:42:33 | |
I have two commissions on the book and I start the bidding with me at £450. | 0:42:33 | 0:42:39 | |
Oh, yes! Worry over. | 0:42:39 | 0:42:42 | |
460, 470, 480, 490, 500, 520, 540... | 0:42:42 | 0:42:48 | |
-What do I know! -560, 580, 600. | 0:42:48 | 0:42:51 | |
At £600, with me on the book at £600. Are you all done? | 0:42:51 | 0:42:57 | |
Our worries are over! The hammer's gone down. | 0:42:57 | 0:42:59 | |
£600! Well done! | 0:42:59 | 0:43:01 | |
Thank you, thank you. I'm really pleased. | 0:43:01 | 0:43:04 | |
-Giving all the money to Mother Theresa, brilliant! -Yes. That's brilliant. | 0:43:04 | 0:43:08 | |
We've had great fun here at Reeman Dansie in Colchester, so until the | 0:43:08 | 0:43:12 | |
next time, there's plenty more surprises to come on Flog It! | 0:43:12 | 0:43:16 | |
Subtitles by Red Bee Media Ltd | 0:43:38 | 0:43:42 |