Browse content similar to Darlington. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Today we're at the Gateway to the North. Welcome to Flog It from Darlington. | 0:00:06 | 0:00:11 | |
Darlington is a busy market town situated in the north-east of England in historic County Durham. | 0:00:43 | 0:00:50 | |
The area's most celebrated author Lewis Carroll grew up | 0:00:51 | 0:00:55 | |
just down the road in Croft-on-Tees. | 0:00:55 | 0:00:58 | |
The parish nestles in the picturesque countryside of North Yorkshire along the River Tees | 0:00:58 | 0:01:03 | |
and the town's famous inhabitant has certainly left his mark. | 0:01:03 | 0:01:08 | |
Let's hope Darlington proves to be a wonderland of antiques today. | 0:01:08 | 0:01:12 | |
And already rifling through the heirlooms here at the Dolphin Centre are experts Will Axon | 0:01:13 | 0:01:20 | |
and Adam Partridge. | 0:01:20 | 0:01:22 | |
The clock is ticking, so let's get the doors open. We don't want to be late for our very important date. | 0:01:22 | 0:01:29 | |
And Adam has already been bowled over by some cards featuring sporting heroes of the past. | 0:01:29 | 0:01:35 | |
-Hi, Sue. -Hi. -Welcome to Flog It. | 0:01:35 | 0:01:37 | |
-You've brought along a collection of cigarette cards. -I have. | 0:01:37 | 0:01:41 | |
We see a lot of these in our auction business. Where did you find yours? | 0:01:41 | 0:01:45 | |
I found them in the attic when I was clearing out the house of my new partner | 0:01:45 | 0:01:50 | |
-before he moves up to the north-east. -OK. | 0:01:50 | 0:01:53 | |
-Where is he moving from? -Maidstone. -Do you want to say hello to him? -Hi, Ray. | 0:01:53 | 0:01:58 | |
-Hi, Ray. Does he watch Flog it? -I think so, when he's not working. | 0:01:58 | 0:02:03 | |
Does he know where they came from before? Can he shed any light on them? | 0:02:03 | 0:02:07 | |
He knows that his mother smoked and he assumes that that's where they're from. | 0:02:07 | 0:02:13 | |
-She smoked quite a bit. -Yes. -You got one of these for every packet. | 0:02:13 | 0:02:17 | |
-Scary, isn't it? -It makes you realise how much people used to smoke. | 0:02:17 | 0:02:22 | |
These date from the '20s, '30s. | 0:02:22 | 0:02:24 | |
-We've got examples of cricketers which are quite interesting. -Yes. | 0:02:24 | 0:02:29 | |
-Some famous names - Wally Hammond and Harold Gimblett. I'm quite into my cricket. -Good. I'm not. -No? -No. | 0:02:29 | 0:02:36 | |
Then we've got a few others, the usual kind really. | 0:02:36 | 0:02:39 | |
These are quite nice with the medals, military crosses and things. | 0:02:39 | 0:02:44 | |
There's a few pages of those | 0:02:44 | 0:02:46 | |
and what particularly caught my interest, being a keen poultry keeper, were these ones | 0:02:46 | 0:02:52 | |
-because I've got this breed of birds called Brahmas. -They're so pretty. | 0:02:52 | 0:02:56 | |
-They're lovely and they've got big, hairy legs. Big, fluffy legs. -I'll say no more. | 0:02:56 | 0:03:02 | |
They're real roadrunners. | 0:03:02 | 0:03:05 | |
This page caught my eye because you've got first-aid techniques which are quite interesting - | 0:03:05 | 0:03:11 | |
-how to stop bleeding from the nose. -I'm not sure why you need your arms in the air. | 0:03:11 | 0:03:16 | |
-Pulled up as well. -Yes. -We could re-enact it, but I don't know... -No, thank you. | 0:03:16 | 0:03:21 | |
Then we've got another album here which is all your typical flowers, flora and fauna, and animals | 0:03:21 | 0:03:27 | |
which you see a lot of the time. | 0:03:27 | 0:03:29 | |
-It's an interesting collection, but not a valuable one. -No, OK. | 0:03:29 | 0:03:33 | |
-We would put that in at no reserve, so it makes whatever it makes. -Yeah. | 0:03:33 | 0:03:38 | |
Which is probably gonna be between £20 and £40, but possibly closer to 20. | 0:03:38 | 0:03:43 | |
-It won't make a lot of money, but what else will you do with them? -Nothing. -So, happy to sell? -Yes. | 0:03:43 | 0:03:49 | |
I won't ask you what you'll do with the money. How do you spend £20? Parking and petrol? | 0:03:49 | 0:03:55 | |
-Or going out for a drink. -That's a much better idea. | 0:03:55 | 0:03:58 | |
-When are we going? -I don't know. No, I wouldn't go with you. | 0:03:58 | 0:04:03 | |
-Ray would have something to say? -Yes. -Thanks for bringing them along. | 0:04:03 | 0:04:07 | |
-It's a pleasure. -I look forward to the auction. -Thank you. | 0:04:07 | 0:04:11 | |
Dane, thanks for coming along today and bringing these pieces. | 0:04:16 | 0:04:20 | |
Is this some of your formal wear you're getting rid of? It's very sophisticated. | 0:04:20 | 0:04:25 | |
-Where has this come from? -I'm not too sure. It's come from the family. | 0:04:25 | 0:04:29 | |
But it's something I unearth every time I move house. I find it in the back of a cupboard or something. | 0:04:29 | 0:04:36 | |
It's a nice suite of jewellery. | 0:04:36 | 0:04:38 | |
You've got the four studs at the front there, | 0:04:38 | 0:04:42 | |
each one centred with a diamond. | 0:04:42 | 0:04:45 | |
And then you've also got the matching ring which again is centred with a diamond. | 0:04:45 | 0:04:50 | |
They've come through the family. You've probably not had them valued? | 0:04:50 | 0:04:55 | |
No, they've always been in the back of a cupboard. Every time I move house, I find them again. | 0:04:55 | 0:05:01 | |
-You thought it was time to do something about it? -Yeah. | 0:05:01 | 0:05:04 | |
How many people do you know that wear studs today? | 0:05:04 | 0:05:08 | |
-Not many at all. -Exactly. And I'm afraid that affects the commercial side of these pieces. | 0:05:08 | 0:05:14 | |
But I've got a sneaking suspicion that I know what's gonna happen to these studs at the sale. | 0:05:14 | 0:05:20 | |
I think they're gonna be bought by someone who will turn them into cufflinks. | 0:05:20 | 0:05:26 | |
-Oh, right. -You can imagine two of these joined together, | 0:05:26 | 0:05:30 | |
nice, smart cufflinks with a diamond centre piece. | 0:05:30 | 0:05:33 | |
-And how many people do you know who wear cufflinks? -Everybody. | 0:05:33 | 0:05:37 | |
So plenty of people wear cufflinks. No-one wears studs. | 0:05:37 | 0:05:40 | |
That's what's gonna happen to them. | 0:05:40 | 0:05:43 | |
As cufflinks, they're probably gonna be worth £300, £400, £500. | 0:05:43 | 0:05:47 | |
We can't value them at that now because someone has to work on them. | 0:05:47 | 0:05:52 | |
I would say, for the whole lot, including the ring, which is nice, | 0:05:52 | 0:05:56 | |
but not terribly commercial... | 0:05:56 | 0:05:58 | |
I suppose the ring is worth £50 to £80, that sort of level. | 0:05:58 | 0:06:02 | |
The four studs, I would value at 150 to 250, so if we're gonna put all the pieces together as one lot, | 0:06:02 | 0:06:09 | |
I would suggest an estimate of £200 to £300, | 0:06:09 | 0:06:12 | |
and perhaps setting the reserve at 200 with discretion. I don't know how you feel about that. | 0:06:12 | 0:06:18 | |
-That seems fine. -Yeah? -Yeah. -200 with discretion. If the auctioneer gets to 180, he'll probably sell them. | 0:06:18 | 0:06:25 | |
-If you're happy at that, £200 to £300, see you at the saleroom. -OK. | 0:06:25 | 0:06:29 | |
-It's always good to see things of local interest from Darlington. This is Julia. Born and bred? -Yes. | 0:06:35 | 0:06:41 | |
-What's the best thing about Darlington in a few words? -Friendly. | 0:06:41 | 0:06:45 | |
-Good atmosphere, people look after each other? -Definitely, yeah. | 0:06:45 | 0:06:49 | |
Lot of history here as well. And you're clutching a bit. Tell me a bit about this interesting bottle. | 0:06:49 | 0:06:56 | |
I was digging the garden up and I found it. | 0:06:56 | 0:06:59 | |
-In your back garden? -Yeah, it's got the Darlington train on. -Where did it run from? -Darlington to Stockton. | 0:06:59 | 0:07:05 | |
It's in incredibly good condition. | 0:07:05 | 0:07:08 | |
"Darlington Bottling." | 0:07:08 | 0:07:11 | |
It's mineral water and there's the tiny little train on the front, | 0:07:11 | 0:07:16 | |
the little locomotive. | 0:07:16 | 0:07:18 | |
-If you put that on the windowsill in the kitchen, that'll catch the light. -I have it on the mantelpiece. | 0:07:18 | 0:07:24 | |
It'll remind you of your roots every time you look at it. | 0:07:24 | 0:07:27 | |
If you were clever, you could put coloured minerals and bath salts in there and use it in the bathroom. | 0:07:27 | 0:07:34 | |
-I never thought of that. -Ah! -Clever, aren't you? | 0:07:34 | 0:07:38 | |
-Good morning. -Good morning. -Alan? -Yes. -And Judith? -Yes. | 0:07:41 | 0:07:45 | |
-What made you bring the violin? -I haven't played it for 40 years. | 0:07:45 | 0:07:49 | |
I never was a violinist really, so I'd rather that somebody had it that could get some pleasure from it. | 0:07:49 | 0:07:56 | |
-So it's been in a cupboard for 40 years? -Yes. | 0:07:56 | 0:07:59 | |
How did you end up owning it? | 0:07:59 | 0:08:02 | |
I was a music student at a college. | 0:08:02 | 0:08:05 | |
Violin wasn't my first instrument and I was roped into playing in the orchestra. | 0:08:05 | 0:08:10 | |
-Really? -They had a very scratch orchestra. -"Scratch" being the... | 0:08:10 | 0:08:14 | |
Operative word. Because of my playing! I had to rush off and get a violin from somewhere. | 0:08:14 | 0:08:19 | |
So I went to the nearest junk shop and found that one there. | 0:08:19 | 0:08:23 | |
-How much was it? Do you remember? -The dealer wanted a fiver and I knocked him down to £3. | 0:08:23 | 0:08:28 | |
£3, but that was 40 years ago. | 0:08:28 | 0:08:31 | |
What would £3 be in relation to a day's wages then or something like that? | 0:08:31 | 0:08:36 | |
My grant then was £7 a week. | 0:08:36 | 0:08:38 | |
-So it was no mean sum really. -Nearly half of my weekly... -Half of your week's grant. -Yeah. | 0:08:38 | 0:08:44 | |
Judith, have you ever had any interest in the violin? | 0:08:44 | 0:08:47 | |
I have. My ancestor played in the Philharmonic | 0:08:47 | 0:08:51 | |
and all the top orchestras and he also played for royalty. | 0:08:51 | 0:08:55 | |
-Oh, really? -Yes, in London. | 0:08:55 | 0:08:57 | |
And I was always interested, but unfortunately, being one of ten children, | 0:08:57 | 0:09:03 | |
we couldn't afford any violins or instruments or anything. | 0:09:03 | 0:09:07 | |
-And you've not been tempted to learn? -Not really. | 0:09:07 | 0:09:11 | |
It's a very hard instrument to learn. | 0:09:11 | 0:09:13 | |
This is a fair instrument. It's a German-made instrument. | 0:09:13 | 0:09:17 | |
It's got a pine table. The front we know as a table. | 0:09:17 | 0:09:21 | |
If we go to the back, we've got a two-piece back there...in maple. | 0:09:21 | 0:09:26 | |
Also in nice order and the scroll intact. | 0:09:26 | 0:09:29 | |
A lot of violins that have been played a lot, enthusiastic players sawing away, | 0:09:29 | 0:09:34 | |
they lose their corners here and here, but your corners are still intact. | 0:09:34 | 0:09:39 | |
And there are no cracks which is crucial. | 0:09:39 | 0:09:42 | |
You've got two old catgut strings in the middle as well. | 0:09:42 | 0:09:46 | |
-They've been on there for... -At least 40 years. They were on when I bought it. | 0:09:46 | 0:09:51 | |
If we tune it up... There we are. So it's in tune. | 0:09:51 | 0:09:55 | |
OK, to the valuation bit. Any idea what it's worth? | 0:09:55 | 0:09:58 | |
-Around 100 maybe? -Yeah, that would probably be the top end of my estimate really. | 0:09:58 | 0:10:03 | |
Even though it's 1886 and in good condition, it's not rare, it's not particularly valuable. | 0:10:03 | 0:10:09 | |
I would expect 60 to 100 estimate and you may just get the three figures for it. | 0:10:09 | 0:10:15 | |
We should put a reserve on it of £50 to stop it from going for nothing. | 0:10:15 | 0:10:20 | |
-I would feel awful if it made 20 quid. -So would I. -It would be awful. | 0:10:20 | 0:10:25 | |
-If it doesn't make that, it's worth taking it home. You play music yourself. -Yes. | 0:10:25 | 0:10:30 | |
Would the money go towards something specific musically or just into Judith's back pocket? | 0:10:30 | 0:10:36 | |
-No, no. -It might pay off a week's council tax. | 0:10:36 | 0:10:39 | |
That's a sobering thought, isn't it? | 0:10:40 | 0:10:43 | |
Thanks for bringing it along. I'll be back to see you at the auction. | 0:10:43 | 0:10:47 | |
Let's hope it goes well and we leave on a high note. Sorry about that. | 0:10:47 | 0:10:51 | |
-Helen, one thing to ask you this morning... Who let the dogs out? -My fiance. | 0:10:57 | 0:11:02 | |
-His collection, is it? -Yeah. His mum had bought a couple before. | 0:11:02 | 0:11:07 | |
And then he took over from there. | 0:11:07 | 0:11:10 | |
Beswick, a well-known, collected make. Good factory. | 0:11:10 | 0:11:14 | |
These are typical of the sort of pieces they made. | 0:11:16 | 0:11:19 | |
Any favourites of his? Do you know which one is his favourite? | 0:11:19 | 0:11:23 | |
I don't know which one is his, but that's my one, the little one here. | 0:11:23 | 0:11:27 | |
Let's have a look at him. | 0:11:27 | 0:11:29 | |
A little Border terrier. | 0:11:29 | 0:11:31 | |
-Border terrier? -Looks like one. -I'm not terribly good on my dogs. | 0:11:31 | 0:11:35 | |
I know we've got a few here. There's a spaniel and the Dalmatian. | 0:11:35 | 0:11:41 | |
-This little chap, is that a chihuahua? -Looks like it. | 0:11:41 | 0:11:44 | |
Then you've got the big Afghan hound at the back there, elegant pose there with the beautiful coat. | 0:11:44 | 0:11:50 | |
-Do you know what sort of money he perhaps paid for them? -One or two of the littler ones was £4 or £5. | 0:11:50 | 0:11:56 | |
-£4 or £5. -Back in the '70s, '80s. -OK. | 0:11:56 | 0:11:59 | |
He's done OK because I would suspect that value-wise now, | 0:11:59 | 0:12:05 | |
you're probably gonna be looking at around the 150 mark for the group as a lot. | 0:12:05 | 0:12:10 | |
I don't think there are gonna be any rare variations in this lot here because those ones make the money. | 0:12:10 | 0:12:16 | |
They call them the Colourways where you'll get a Dalmatian and perhaps it's got different coloured spots. | 0:12:16 | 0:12:23 | |
Maybe it's got liver-coloured spots or something like that, | 0:12:23 | 0:12:27 | |
so there might be slight variations on some of these that make them collectable. | 0:12:27 | 0:12:33 | |
But if we put them in at, say, 150, do you think your fiance would be happy with that? | 0:12:33 | 0:12:38 | |
-Do you need to phone him to check? -I already checked. He's happy for them to be sold. -He wants them sold. | 0:12:38 | 0:12:45 | |
He thought with them being stuck up in the loft in a box, they're not getting appreciated. | 0:12:45 | 0:12:50 | |
-They're not on display? -No. -So doing no good up in the loft. -No. | 0:12:50 | 0:12:55 | |
OK, let's put a sensible reserve on them. Let's say 150 with some discretion for the auctioneer. | 0:12:55 | 0:13:01 | |
So, if he gets to perhaps 130, he's gonna sell them. | 0:13:01 | 0:13:05 | |
-Any idea what he'll do with the money? He might buy you a nice surprise? -Fingers crossed. | 0:13:05 | 0:13:11 | |
-Maybe I'll get a real puppy instead. -So you're after a real dog? | 0:13:11 | 0:13:15 | |
I might persuade him slightly. | 0:13:15 | 0:13:18 | |
Fingers crossed, on the day, we get close to 150 and I hope he buys you something nice. | 0:13:18 | 0:13:23 | |
-Thank you. -See you, Helen. -Thank you. | 0:13:23 | 0:13:26 | |
Helen's 12 Beswick dogs join the line-up | 0:13:26 | 0:13:29 | |
of our first items going to auction. | 0:13:29 | 0:13:31 | |
Their kennel mates are... Sue's collection of cigarette cards. | 0:13:31 | 0:13:35 | |
Here's hoping a collector snaps all of these up. | 0:13:35 | 0:13:38 | |
Will a bidder with style spot the potential in Dane's dress studs | 0:13:38 | 0:13:42 | |
and matching ring? | 0:13:42 | 0:13:44 | |
And finally, could a bid of the right notes awaken Alan's abandoned violin? | 0:13:44 | 0:13:50 | |
This is where all the action is taking place today - Thomas Watson Auctioneers in Darlington. | 0:13:56 | 0:14:01 | |
Things are starting to warm up. There's an air of anticipation amongst the bidders. | 0:14:01 | 0:14:06 | |
Let's hope, by the end of the show, things are gonna be steaming. | 0:14:06 | 0:14:10 | |
And wielding the hammer that will decide the fate of the items is auctioneer Peter Cartwright. | 0:14:12 | 0:14:19 | |
We've got three cigarette card albums with a value of £20 to £40. | 0:14:21 | 0:14:25 | |
We've got all the albums, but not the owner Sue, but we do have Sue's best friend also called Sue! | 0:14:25 | 0:14:31 | |
So when did you two first meet? | 0:14:31 | 0:14:34 | |
-We met at school. -A long time back. -High school at the age of 13. | 0:14:34 | 0:14:38 | |
-And you're still best friends? -We're still good friends. -And you live close by? -Yes, I live in Darlington. | 0:14:38 | 0:14:44 | |
-So you know her better than anybody? -Pretty well, yes. | 0:14:44 | 0:14:48 | |
She's gonna be expecting that top end. Adam, can we get £40-plus? | 0:14:48 | 0:14:52 | |
-Possibly. -Possibly. -But they're all fairly common cards. -Oh! | 0:14:52 | 0:14:56 | |
-Oh! -You don't have to say they're common. -"Common" as in we see a lot of those types. | 0:14:56 | 0:15:01 | |
-I'm so sorry. -You never saw these, did you? -No, I didn't. | 0:15:01 | 0:15:05 | |
-You can always bid on them if you want to. -I don't think so. They're not my thing. | 0:15:05 | 0:15:10 | |
We're gonna find out what this lot think now. Good luck, everybody. | 0:15:10 | 0:15:14 | |
Lot number 45 is the three albums of cigarette cards Colin's showing you, | 0:15:14 | 0:15:19 | |
circa 1920s and '30s, these. | 0:15:19 | 0:15:22 | |
Can I have 15 to start on the cigarette cards? | 0:15:22 | 0:15:25 | |
At £15. 20 seated. At £20. 5 now for the lot? At 25. | 0:15:25 | 0:15:29 | |
30, sir? At £25 in the gallery. 30. 5? | 0:15:29 | 0:15:32 | |
At £30 in the gallery. At £30. Are we all done at £30? | 0:15:32 | 0:15:37 | |
35. 40, sir. 45. | 0:15:37 | 0:15:39 | |
50. 5. 60. | 0:15:39 | 0:15:42 | |
5. 70. 5. 80...? | 0:15:42 | 0:15:46 | |
-There's possibly one rare one there! -Are we all done now at 75? | 0:15:46 | 0:15:50 | |
-Yes, the hammer's gone down, £75. -More than I thought. | 0:15:51 | 0:15:56 | |
-Well over estimate. She's gonna be so pleased. -Very pleased. | 0:15:56 | 0:16:00 | |
-Are you gonna ring her up or will it disturb her? -No, I'm going to ring her up. | 0:16:00 | 0:16:05 | |
Next up, we've got a great pair of cufflinks. Well, it could be if you use your imagination. | 0:16:10 | 0:16:16 | |
We've just been joined by Dane. It's those lovely four dress studs. Cracking item. | 0:16:16 | 0:16:21 | |
-I'm sure that's what's gonna happen to them. -They're crying out to be made into cufflinks. | 0:16:21 | 0:16:27 | |
They'll be really classy with the black onyx and diamond inset. | 0:16:27 | 0:16:32 | |
-And there's the ring which is a bonus. -Just to set off the ensemble, a little onyx ring on your pinkie. | 0:16:32 | 0:16:38 | |
Suits you, sir! | 0:16:39 | 0:16:41 | |
Lot 255 is the four 18-carat and platinum dress studs | 0:16:42 | 0:16:46 | |
with diamond set on black, together with the almost matching ring. | 0:16:46 | 0:16:51 | |
Interest in this lot opens us up at £120. | 0:16:51 | 0:16:54 | |
Hopefully, we'll creep up there. | 0:16:54 | 0:16:57 | |
130. 140. 150? | 0:16:57 | 0:16:59 | |
At 140 with me, still the bid at 140. 150 now for the lot? | 0:16:59 | 0:17:03 | |
Are we all done at £140? All done at 140...? | 0:17:03 | 0:17:07 | |
No, we didn't get those away. | 0:17:08 | 0:17:10 | |
Don't put them back in the cupboard. | 0:17:10 | 0:17:13 | |
-No. -The back of the wardrobe. I think another sale on another day. -Yeah. | 0:17:13 | 0:17:17 | |
Next up, a collection of 12 Beswick dogs about to go under the hammer and they belong to Helen. | 0:17:26 | 0:17:32 | |
-They're your fiance's collection. -Yeah. -He's hiding up the back. He's a bit camera-shy. -Very. | 0:17:32 | 0:17:38 | |
We're looking for £150 which isn't a lot of money for 12 Beswick figures. | 0:17:38 | 0:17:42 | |
That's just over a tenner a piece and they've got to be worth that. | 0:17:42 | 0:17:47 | |
-Got to be barking if they go for less than that! -Like it. -Like it. | 0:17:47 | 0:17:51 | |
Lot number 285, a collection of 12 Beswick dogs, | 0:17:51 | 0:17:55 | |
including the bulldog, Dalmatian, terriers, etcetera. | 0:17:55 | 0:17:58 | |
I can open these up at £110. At 110. 120 now? | 0:17:58 | 0:18:02 | |
120. 130. 140 upstairs, the bid. | 0:18:02 | 0:18:05 | |
150 now for the lot? At £140 in the gallery. At 140. | 0:18:05 | 0:18:10 | |
150 now for the lot? Are we all done at £140 in the gallery, at 140...? | 0:18:10 | 0:18:14 | |
Yes, he's put the hammer down. He's sold with a bit of discrepancy. | 0:18:15 | 0:18:19 | |
-We had a reserve of 150. -Yes. | 0:18:19 | 0:18:21 | |
-Phew, just! -Just. -Good result though. | 0:18:21 | 0:18:25 | |
Yeah, bearing in mind that the Beswick market is a little bit on the wane. | 0:18:25 | 0:18:30 | |
-So we've done well. -I'm happy. | 0:18:30 | 0:18:32 | |
Next up, we've got that lovely Victorian violin valued at £60 to £100, belonging to Alan and Judith. | 0:18:36 | 0:18:42 | |
-He's a bit of a muso then, is he? A good musician? -Definitely. | 0:18:42 | 0:18:46 | |
-Did he serenade you? -No. -Never? Surely, he must have done. -Yes. -Of course he did. -Sometimes. | 0:18:46 | 0:18:52 | |
At the end of the bed with the guitar. | 0:18:52 | 0:18:55 | |
-You are a good guitarist? -Absolutely. -And violin was your second instrument? -Yes. | 0:18:55 | 0:19:01 | |
-So why are you selling this? -I haven't played it for 40 years. | 0:19:01 | 0:19:05 | |
-It's just been in a cupboard. -Will we get that top end, Adam? | 0:19:05 | 0:19:09 | |
I think we'll be lucky to get much more than three figures for it. | 0:19:09 | 0:19:13 | |
-But sometimes with violins, people think they've found something... -A bargain. -We might get a surprise. | 0:19:13 | 0:19:19 | |
-Fingers crossed. -Bit unlikely. -It's going under the hammer now. | 0:19:19 | 0:19:23 | |
Lot number 30 is this violin by Maggini with the bow. | 0:19:23 | 0:19:27 | |
In its wooden case, this lot. | 0:19:27 | 0:19:30 | |
-I have interest in this lot and I can open it away at £80. -Straight in. | 0:19:30 | 0:19:35 | |
At £80 for the violin. 90 now for the lot? 90. | 0:19:35 | 0:19:38 | |
100. And 10, sir...? | 0:19:38 | 0:19:40 | |
110 on the telephone, the bid. | 0:19:40 | 0:19:43 | |
At 110. 120 now for the lot? | 0:19:43 | 0:19:45 | |
At £110. On the phone at £110. Are we all done at 110...? | 0:19:45 | 0:19:50 | |
Yes, the hammer's gone down at 110. | 0:19:50 | 0:19:52 | |
It played a good tune right to the end. 110 quid, that's not bad. | 0:19:52 | 0:19:56 | |
-No. -More than I thought. -What will you put that towards? | 0:19:56 | 0:20:00 | |
-I might pay a week's poll tax with it. -A week's poll tax! | 0:20:00 | 0:20:04 | |
-Or I might put it towards a gallon of petrol. -I get the message. | 0:20:04 | 0:20:08 | |
Before heading back to the valuation day, | 0:20:14 | 0:20:17 | |
I've travelled north to the picturesque Yorkshire town of Croft-on-Tees, | 0:20:17 | 0:20:22 | |
once home to a writer who created some memorable characters. | 0:20:22 | 0:20:26 | |
Do you remember the Cheshire cat? | 0:20:27 | 0:20:30 | |
You know, the one that mysteriously grinned down through the trees | 0:20:30 | 0:20:34 | |
in that classic children's novel, Alice's Adventures In Wonderland? | 0:20:34 | 0:20:38 | |
After annoying Alice for a little while with his clever remarks, | 0:20:38 | 0:20:42 | |
it gradually started to disappear, leaving nothing but a grin. | 0:20:42 | 0:20:46 | |
Well, this stone carving here in St Peter's Church in Croft-on-Tees | 0:20:46 | 0:20:50 | |
could well be the inspiration for that character. | 0:20:50 | 0:20:54 | |
Just look at this little grin here. | 0:20:54 | 0:20:56 | |
Its author Lewis Carroll, otherwise known as Charles Dodgson, had easy access to this church | 0:20:56 | 0:21:02 | |
and that grinning little stone carving because his father was the rector here. | 0:21:02 | 0:21:08 | |
Archdeacon Dodgson was the Rector of St Peter's Church from 1843 to 1868. | 0:21:08 | 0:21:15 | |
And Charles spent many happy years just across the road from the church | 0:21:15 | 0:21:20 | |
at the splendid rectory | 0:21:20 | 0:21:22 | |
which was the Dodgson family home for 25 years. | 0:21:22 | 0:21:26 | |
He was one of 11 children, educated first at home, | 0:21:26 | 0:21:30 | |
then later at Rugby School. | 0:21:30 | 0:21:32 | |
Although he was a somewhat awkward, sickly child with a weak chest and a stammer, | 0:21:32 | 0:21:38 | |
by the age of 11, Charles was already showing his extraordinary talent of storytelling. | 0:21:38 | 0:21:44 | |
Charles compiled his verse into magazines | 0:21:44 | 0:21:47 | |
and much of the inspiration was provided by the sprawling grounds of the rectory. | 0:21:47 | 0:21:52 | |
Amongst the many magazines that Charles invented was one quite special one, The Rectory Umbrella, | 0:21:52 | 0:21:58 | |
used for household circulation only, so you had to be quite privileged to look at that one. | 0:21:58 | 0:22:04 | |
But the inspiration came from this very tree that I'm hugging here. | 0:22:04 | 0:22:09 | |
You can imagine looking up there and seeing that naughty Cheshire cat. | 0:22:09 | 0:22:13 | |
During the past 29 years, the rectory has been lovingly restored | 0:22:14 | 0:22:18 | |
by its owners Jane Atkinson and her husband Peter. | 0:22:18 | 0:22:23 | |
And over the last three decades, Jane has gained a real insight | 0:22:23 | 0:22:27 | |
into the childhood of one of Britain's great literary figures. | 0:22:27 | 0:22:31 | |
-Jane, it's a real pleasure to meet you. -Hello. | 0:22:33 | 0:22:37 | |
What a fantastic place! Look at it. | 0:22:37 | 0:22:39 | |
-It's immaculate. -Well, it's green and casual. -You must have worked your fingers to the bone. | 0:22:39 | 0:22:45 | |
-When did the Dodgsons finally leave the premises? -Lewis Carroll's father died in the July of 1868, | 0:22:45 | 0:22:51 | |
then they had to leave in September, so it was three months of packing up and going to Guildford. | 0:22:51 | 0:22:57 | |
-What happened then? -The new rector did a lot of alterations to it. | 0:22:57 | 0:23:01 | |
-Everyone wants to put their mark on a house. -Definitely. | 0:23:01 | 0:23:05 | |
The entrance originally had been here around the side of the house and he moved that to the front | 0:23:05 | 0:23:11 | |
and that had been a window in Lewis Carroll's time. | 0:23:11 | 0:23:14 | |
When you first saw it, it hadn't been lived in for a few years. | 0:23:14 | 0:23:18 | |
No, the ground floor was empty for a couple of years, but it had a lovely, warm, comfortable feel to it. | 0:23:18 | 0:23:24 | |
-A dream house. -Yes. -You found out it was the childhood home of Lewis Carroll. How did you feel then? | 0:23:24 | 0:23:30 | |
It was a lovely connection and we've met a lot of very interesting people through it. | 0:23:30 | 0:23:35 | |
-Have they all given you their input and their suggestions? -Yes. | 0:23:35 | 0:23:39 | |
Some have had photographs of the sisters sitting under trees here and have shown us that. | 0:23:39 | 0:23:46 | |
Charles Dodgson went on to become a brilliant student at Christ Church, Oxford. | 0:23:46 | 0:23:52 | |
And there he met the daughter of the Dean, Alice Liddell, | 0:23:52 | 0:23:56 | |
who famously became the inspiration for the Alice books. | 0:23:56 | 0:24:00 | |
Charles and his friends would take Alice and her siblings on boating trips on the River Thames. | 0:24:00 | 0:24:06 | |
And on one such outing, Dodgson recounted the first story of Alice's Adventures Underground. | 0:24:06 | 0:24:12 | |
Alice begged him to write the story down and the rest...is history. | 0:24:12 | 0:24:17 | |
-How do you think the Dodgson family felt when they first arrived? -I think they loved it. | 0:24:23 | 0:24:28 | |
They were a big family. There were already ten children. They had gardens and a house. | 0:24:28 | 0:24:34 | |
-Just looking at that, it is a lovely family home. -Yes. | 0:24:34 | 0:24:37 | |
-Ten children would... It would ring with enthusiasm and happiness, wouldn't it? -Absolutely. Yes. | 0:24:37 | 0:24:44 | |
-That's a fabulous staircase. You can imagine the kids running down, Charles leading the way. -Yes. | 0:24:44 | 0:24:50 | |
This is nice. Talk me through this. | 0:24:50 | 0:24:53 | |
We asked an artist friend of ours to do a painting of the house for us | 0:24:53 | 0:24:57 | |
and he thought it would be nice to have the Alice connection put in, hence all the figures. | 0:24:57 | 0:25:02 | |
It really works. I gather there's been interesting objects found? | 0:25:02 | 0:25:06 | |
Yes, in the 1950s, when they were turning the house into flats, | 0:25:06 | 0:25:10 | |
they found objects under the floorboards that relate to the stories in Lewis Carroll. | 0:25:10 | 0:25:15 | |
Could the items found in the rectory be the inspiration for Charles' famous Alice stories? | 0:25:16 | 0:25:22 | |
"Alice started to her feet, for it flashed across her mind | 0:25:25 | 0:25:29 | |
"that she had never before seen a rabbit with either a waistcoat pocket or a watch to take out of it." | 0:25:29 | 0:25:36 | |
And here are those intriguing little treasures that the builders found under the floorboards in the 1950s. | 0:25:41 | 0:25:47 | |
We start off with a tiny little glove which in its day was brilliant white, | 0:25:47 | 0:25:52 | |
but has turned a dirty brown over the years. | 0:25:52 | 0:25:55 | |
Remember the white glove dropped by the white rabbit? | 0:25:55 | 0:25:59 | |
"Oh, my fur and whiskers!" So there's a reference point there. | 0:25:59 | 0:26:03 | |
There's a tiny brass thimble there. | 0:26:03 | 0:26:05 | |
Can you remember the story where Alice was given a little thimble as a prize by the Dodo? | 0:26:05 | 0:26:11 | |
There's another little connection. | 0:26:11 | 0:26:13 | |
And this one, I love this, a tiny little, battered leather child's shoe. | 0:26:13 | 0:26:18 | |
This could have been a reference point to the poem that Charles had written, The White Knight's Song. | 0:26:18 | 0:26:25 | |
"And now, if e'er by chance I put my fingers into glue | 0:26:25 | 0:26:29 | |
"Or madly squeeze a right-hand foot into a left-hand shoe..." | 0:26:29 | 0:26:35 | |
Charles Dodgson, Lewis Carroll, had an incredibly fertile mind. | 0:26:39 | 0:26:43 | |
It's wonderful to think that the seeds of that creative imagination were sown right here | 0:26:43 | 0:26:49 | |
at the rectory in Croft-on-Tees where the wonderful world of Lewis Carroll was born. | 0:26:49 | 0:26:54 | |
Back at the Dolphin Centre in Darlington, Will has been inspired by an old Flog It favourite. | 0:27:05 | 0:27:11 | |
Well, Terry, you probably don't need me to tell you what you've brought in to us today at Flog It. | 0:27:12 | 0:27:19 | |
I suspect the viewers have already screamed at the TV what you've brought, a nice piece of Moorcroft. | 0:27:19 | 0:27:25 | |
To be honest, I didn't realise... | 0:27:25 | 0:27:27 | |
It did have the name on it on the bottom, but I didn't realise that there was any great interest. | 0:27:27 | 0:27:33 | |
It was in the bottom of several things that I brought this morning. | 0:27:33 | 0:27:37 | |
It is well documented that Moorcroft does well in the salerooms, is well collected, | 0:27:37 | 0:27:43 | |
depending on various factors such as shape and pattern and so on. | 0:27:43 | 0:27:48 | |
I mean, you've got here, I suppose, a slender vase in the pomegranate pattern. | 0:27:48 | 0:27:53 | |
That's the design that we see. | 0:27:53 | 0:27:55 | |
Typical Moorcroft design with the tube lining, then the colouring in. | 0:27:55 | 0:27:59 | |
What can you tell me about it? How did you come by it? | 0:27:59 | 0:28:03 | |
Is it something you've bought or inherited? | 0:28:03 | 0:28:06 | |
No, we got it as a wedding present 24 years ago | 0:28:06 | 0:28:10 | |
and it's been in a cupboard because it didn't match the decor. We just stuck it in the back of a cupboard. | 0:28:10 | 0:28:17 | |
-You're still married, I hope? That's not the reason for selling it? -No, definitely. -Good. Excellent. | 0:28:17 | 0:28:23 | |
-About to celebrate 25 years of...? -Next year. -Congratulations on that. -Thank you. | 0:28:23 | 0:28:28 | |
Back to the piece here, I noticed on the vase, if I spin it round here, | 0:28:28 | 0:28:32 | |
-we can just see a couple of blemishes. Do you see those? -Yes. | 0:28:32 | 0:28:37 | |
Those happened in the firing of the piece. There would have been perhaps a bit of grit or an air bubble | 0:28:37 | 0:28:44 | |
that has, in the kiln, heated at a different rate to the surrounding clay, causing a small explosion. | 0:28:44 | 0:28:50 | |
That's why it's created these. | 0:28:50 | 0:28:53 | |
I looked underneath because when that happens, they're occasionally sold as seconds. | 0:28:53 | 0:28:58 | |
When they come out imperfect, they adjust the mark to the base and they sell them at a reduced price. | 0:28:58 | 0:29:05 | |
But this is fine. It's got the Moorcroft mark underneath. | 0:29:05 | 0:29:09 | |
And the signature also. | 0:29:09 | 0:29:11 | |
-So have you had it valued? Any idea what sort of value...? -No idea whatsoever. | 0:29:11 | 0:29:16 | |
If I offered you £20, £30 for it, do you think that's fair? | 0:29:16 | 0:29:20 | |
-Something like that. Maybe 40. -Maybe 40? -Yeah. | 0:29:20 | 0:29:23 | |
Because of the two small blemishes that I've pointed out, the firing defects, I'm gonna hold it in | 0:29:23 | 0:29:30 | |
and I think it's gonna be valued around 80 to 120. | 0:29:30 | 0:29:34 | |
-How do you feel about that? -Yeah, I'd be delighted with that. Smashing. | 0:29:34 | 0:29:38 | |
Do you have to check with the wife? Is this gonna scupper your 25 years? | 0:29:38 | 0:29:43 | |
-No. -She won't mind if you sell it? -No. -Good. | 0:29:43 | 0:29:46 | |
-Shall we reserve it at 80 with a bit of discretion? -Yes, please. | 0:29:46 | 0:29:50 | |
-We'll put a reserve on, £80 with discretion, and hopefully we'll get the top end. -Thank you. -No problem. | 0:29:50 | 0:29:56 | |
-John, you've just made my day. -Good. -You really have. -Good. | 0:30:01 | 0:30:05 | |
A wonderful piece of table treen. | 0:30:05 | 0:30:07 | |
It's a spice tower and I think it's absolutely delicious. | 0:30:07 | 0:30:11 | |
It's got the right look and the right colour. Tell me about its history. How did you come by it? | 0:30:11 | 0:30:17 | |
It was a family heirloom and my mother's just passed away. | 0:30:17 | 0:30:21 | |
-And it's come into my possession. -Can you remember seeing this as a little boy? | 0:30:21 | 0:30:26 | |
-Yes. -Did you play with it? -No, I wasn't allowed to. | 0:30:26 | 0:30:30 | |
-A clip round the ear from Mum! -Yeah. -Aw! Your mum had good taste. | 0:30:30 | 0:30:34 | |
-Right. -She really did. I just think this is so tactile. | 0:30:34 | 0:30:38 | |
It's beautifully turned on a lathe. | 0:30:38 | 0:30:41 | |
Quite an accurate modelling lathe. | 0:30:41 | 0:30:44 | |
They've even managed to put a screw thread through, | 0:30:44 | 0:30:47 | |
so every compartment has a proper bottom, | 0:30:47 | 0:30:50 | |
but it sits tight, so it doesn't really matter in which order you put these back. | 0:30:50 | 0:30:56 | |
You could put the cloves back on top of the nutmegs or the ginger back on top of the cinnamon or vice-versa. | 0:30:56 | 0:31:02 | |
It really doesn't matter. It's beautiful. It's a lovely piece of sycamore and it's aged so well. | 0:31:02 | 0:31:08 | |
I would say this is very early 19th century. | 0:31:08 | 0:31:12 | |
This is sort of circa 1800, 1810, somewhere around there. | 0:31:12 | 0:31:16 | |
What's gonna appeal to the treen collectors has got to be its beautiful, variegated colour. | 0:31:16 | 0:31:23 | |
It's so nutty. You can't fake colour like that. | 0:31:23 | 0:31:26 | |
-Can you see that? -Certainly. -It's beautiful. | 0:31:26 | 0:31:29 | |
So where have you had it then? What have you done with it? | 0:31:29 | 0:31:34 | |
Well, as I say, it's just come into my possession. I've just had it on the top shelf of a wardrobe really. | 0:31:34 | 0:31:40 | |
-Kept it out of the way. -Kept it out of the way, yeah. | 0:31:40 | 0:31:43 | |
I mean, we live in a modern house and there's not anywhere to put it really. | 0:31:43 | 0:31:50 | |
Somebody else might appreciate it more than we do. | 0:31:50 | 0:31:55 | |
There's a lot of people that collect treen, items of wood, table treen, | 0:31:55 | 0:32:00 | |
this size, maybe fruit bowls or snuff boxes, things like that. | 0:32:00 | 0:32:05 | |
But there's a lot of spice cabinet collectors and spice jar collectors, | 0:32:05 | 0:32:10 | |
so we've got a double hit here of collectors. | 0:32:10 | 0:32:13 | |
It's a lovely period thing. It's put a smile on my face. | 0:32:13 | 0:32:17 | |
I know for a fact, when we put this into auction, this will sell really well. | 0:32:17 | 0:32:22 | |
-Have you any idea of the value? -I was thinking about £200, £300. | 0:32:22 | 0:32:27 | |
I think you're spot-on. | 0:32:27 | 0:32:29 | |
I'd like to put it into auction with an auction estimate of 200 to 300, but put a reserve on at 200. | 0:32:29 | 0:32:35 | |
-Yeah. -So it won't go for any less than 200. | 0:32:35 | 0:32:38 | |
I think it's worth £200 of anybody's money. | 0:32:38 | 0:32:41 | |
It's beautiful. I would be keeping this if I was you. | 0:32:41 | 0:32:46 | |
But it's certainly made my day. It's put a big smile on my face. | 0:32:46 | 0:32:50 | |
It really has. That's one of the best spice towers I've seen. | 0:32:50 | 0:32:55 | |
-Craig, how are you doing? -Not too bad, Adam. And you? -OK, thanks. | 0:33:04 | 0:33:08 | |
You're very smart at the top and then it terminates in boots. | 0:33:08 | 0:33:12 | |
-I've been out working today. -Hence the boots. | 0:33:12 | 0:33:16 | |
-Yeah. -It's not a fashion statement then. -It's not. -I don't know anything about fashion. | 0:33:16 | 0:33:21 | |
This is rather a fashionable thing. This is pretty smart. | 0:33:21 | 0:33:25 | |
-What do you think of this? -It doesn't really fit in with my minimalistic living room. | 0:33:25 | 0:33:31 | |
Where did you get it from? | 0:33:31 | 0:33:33 | |
I got it from my nan who recently emigrated to Malta. | 0:33:33 | 0:33:37 | |
Then obviously when moving, because of the weight of it and everything else that she was taking with her, | 0:33:37 | 0:33:43 | |
-she said, "Do you want to take that?" -Sacrificed the elephant. | 0:33:43 | 0:33:47 | |
Prior to that, it was a relative that lived in the grounds of a stately home in Northumberland. | 0:33:47 | 0:33:53 | |
The person sold it to a developer who came in and gutted the whole place. | 0:33:53 | 0:33:58 | |
This was one of the things that was going in the skip. | 0:33:58 | 0:34:02 | |
Being in the grounds and selling his house, he went to the subcontractors and said, "Can I take this?" | 0:34:02 | 0:34:08 | |
-They said, "Yeah, whatever." -"What do you want that piece of rubbish for?" | 0:34:08 | 0:34:13 | |
Do you think that's when we lost the tusks? | 0:34:13 | 0:34:15 | |
-Possibly, yes. -We're missing tusks. -Yeah. -Ivory tusks it would've had. | 0:34:15 | 0:34:20 | |
-And also I've noticed that we're missing some eyes out of the tigers. -Three eyes. -Three eyes missing. | 0:34:20 | 0:34:26 | |
The eyes of the tiger missing. One, two, and one of these up here. | 0:34:26 | 0:34:30 | |
-Yeah. -So it's got its problems. And probably in that skip, or wherever it went in, the wooden base. | 0:34:30 | 0:34:37 | |
It would have had a hardwood base with recesses | 0:34:37 | 0:34:40 | |
for these bits to sit in. | 0:34:40 | 0:34:42 | |
So it's incomplete, but it is bronze. | 0:34:42 | 0:34:46 | |
-It's a hell of a weight. -It is. | 0:34:46 | 0:34:48 | |
It's Japanese and it dates from what they call the Meiji period | 0:34:48 | 0:34:52 | |
which is 1868 to 1912. | 0:34:52 | 0:34:56 | |
-This is probably late 19th, early 20th century. -Yeah. -Around about 100 years old or thereabouts. | 0:34:56 | 0:35:02 | |
It's not particularly scarce. There are lots of similar models around. | 0:35:02 | 0:35:06 | |
You've got the elephant on their own, being attacked, and different versions of this type of thing | 0:35:06 | 0:35:11 | |
with the generic signature mark somewhere under here. I can just about feel that. | 0:35:11 | 0:35:16 | |
-I've sold these entire for about £1,000 to £1,500. -Yeah. | 0:35:16 | 0:35:20 | |
Bearing in mind it isn't entire, it's got its problems, | 0:35:20 | 0:35:24 | |
-my estimate would be £600 to £800. How does that sound? -Fantastic. | 0:35:24 | 0:35:29 | |
I think we should put a reserve on it, just slightly less, 550, so you get a chance of getting it away. | 0:35:29 | 0:35:35 | |
-Because you want it sold, don't you? -Yeah. -You don't want to cart it home again. | 0:35:35 | 0:35:40 | |
You won't thank me if you've got to carry it home after the auction. | 0:35:40 | 0:35:44 | |
-The money's gonna go halfway between you and your nan? -She wants me to go over to Malta and see her. | 0:35:44 | 0:35:51 | |
-It'll pay for that. -You'll spend your bit on going over to see her. | 0:35:51 | 0:35:55 | |
-Thanks for bringing it along. -You're welcome. -See you at the auction. | 0:35:55 | 0:35:59 | |
-I might get some boots to match! Cheers. -Cheers. | 0:35:59 | 0:36:02 | |
It's time to put our experts' valuations to the test as we head back to auction. | 0:36:02 | 0:36:07 | |
Here's a quick reminder of what's going under the hammer. | 0:36:07 | 0:36:11 | |
Terry's vase might be small, but the Moorcroft name should help it make a big impact. | 0:36:11 | 0:36:17 | |
I fell in love with John's spice tower, but will the bidders be as keen? | 0:36:17 | 0:36:22 | |
Let's not forget Craig's bronze, the elephant being attacked by tigers. | 0:36:22 | 0:36:27 | |
Will it have a better day at auction? | 0:36:27 | 0:36:30 | |
Before the hammer falls, let's check in with auctioneer Peter Cartwright. | 0:36:30 | 0:36:34 | |
-What do you think? -Personally? -Personally. | 0:36:35 | 0:36:38 | |
-Not a lot. -I tell you what though. There's a lot of work there. | 0:36:38 | 0:36:43 | |
I've not seen a bronze like that before. £600 to £800, that's relatively priced. | 0:36:43 | 0:36:48 | |
I think it is relatively priced. | 0:36:48 | 0:36:51 | |
They are quite popular, these bronzes of wildlife. | 0:36:51 | 0:36:54 | |
-The elephant is being taken down, not everybody's cup of tea. -No. | 0:36:54 | 0:36:59 | |
But it is an interesting piece. It's missing its ivory tusks which may hinder it a bit. | 0:36:59 | 0:37:05 | |
That's solvable and the little glass eyes in the tiger are missing. | 0:37:05 | 0:37:09 | |
But Craig, he wants to sell this. It was his nan's. They're going 50-50 on the money. | 0:37:09 | 0:37:15 | |
I reckon they'll get 400 quid each. | 0:37:15 | 0:37:17 | |
I agree with our expert. This should do the top end. | 0:37:17 | 0:37:21 | |
It's very different. | 0:37:21 | 0:37:23 | |
-I'm not so sure. -No, I wouldn't give it house room either. | 0:37:23 | 0:37:28 | |
I don't like the subject matter, but there's plenty of people out there that would buy this bronze. | 0:37:28 | 0:37:34 | |
I'm sure there is, but my concern is the tusks. | 0:37:34 | 0:37:37 | |
They will be replaceable, but at what cost? I would be looking more at the bottom end. | 0:37:37 | 0:37:42 | |
-Looking at 600? -I would be looking more at 600. | 0:37:42 | 0:37:45 | |
We'll find out in just a moment. | 0:37:45 | 0:37:48 | |
When we talk about antiques, we always say invest in quality, condition and a good maker's name. | 0:37:54 | 0:38:00 | |
This next lot has got the lot. A bit of Moorcroft, belongs to Terry and it's the pomegranate pattern. | 0:38:00 | 0:38:06 | |
We've sold plenty. Hopefully, this one will be no exception. Will we get 150 quid for it? | 0:38:06 | 0:38:12 | |
We could do. I'm not gonna promise anything. But it's got a nice shape, it's easy to display. | 0:38:12 | 0:38:18 | |
-And in the saleroom today, there's a selection of Moorcroft. -Collectors will be here. -Hopefully. | 0:38:18 | 0:38:23 | |
Lot number 315 is the Moorcroft pomegranate, trumpet-shape vase. | 0:38:23 | 0:38:29 | |
And I have interest in this lot. We'll open this up at £120. | 0:38:29 | 0:38:33 | |
-120 straight in. -Yes! | 0:38:33 | 0:38:36 | |
-140. 150? -Yes, that's better. | 0:38:36 | 0:38:39 | |
At £140 with me, the bid. With me on commission then at... 150. | 0:38:39 | 0:38:43 | |
-160. 170. -Still on commission. | 0:38:43 | 0:38:46 | |
At £170 and I'm out now. The gentleman's bid at 170... | 0:38:46 | 0:38:50 | |
The hammer's gone down at 170. It never, ever lets us down. | 0:38:51 | 0:38:56 | |
-It doesn't. -It's like Clarice Cliff. It always does the business. | 0:38:56 | 0:39:00 | |
-Fantastic. -Quality always sells. | 0:39:00 | 0:39:02 | |
-With a maker's name, something like Moorcroft, it's always gonna sell. -I'm pleased. -I'm really chuffed. | 0:39:02 | 0:39:08 | |
-That's a nice present for your grandchildren. -For something in the back of a cupboard. | 0:39:08 | 0:39:14 | |
Next, we've got a cracking bronze with a value of £600 to £800. | 0:39:19 | 0:39:23 | |
-It belongs to Craig and hopefully it is here to sell. -Hopefully. | 0:39:23 | 0:39:27 | |
I had a chat to the auctioneer a little bit earlier. | 0:39:27 | 0:39:31 | |
He said it might struggle, but I think this will get the top end. I'm quite impressed by it. | 0:39:31 | 0:39:38 | |
I think you've loved it as well. The damage won't hold it back too much. | 0:39:38 | 0:39:42 | |
Not major damage. It's a big, showy lump, isn't it? For £500, £600, must be worth it. | 0:39:42 | 0:39:47 | |
-I don't like the subject so much. -No, a bit gruesome. | 0:39:47 | 0:39:50 | |
-But I love the modelling on it. -Yeah, well modelled, nicely cast, attractive bronze. | 0:39:50 | 0:39:56 | |
And there will be someone that will buy this. There's got to be. | 0:39:56 | 0:40:00 | |
Hopefully, it's someone in the room. It's going under the hammer now. Good luck. | 0:40:00 | 0:40:05 | |
Moving along now, it's this Japanese bronze elephant. | 0:40:05 | 0:40:09 | |
On its hind legs. Interest in the lot. I can start this away at £400. | 0:40:09 | 0:40:15 | |
At 400. 450 I'll take? At £400 for the bronze. | 0:40:15 | 0:40:19 | |
-Come on. -450 now? At £400 with me, the bid... 450. | 0:40:19 | 0:40:23 | |
500. And 50? 550 on the telephone. | 0:40:23 | 0:40:26 | |
At £550 on the telephone. 600 now? | 0:40:26 | 0:40:29 | |
-At £550. -Yes! -Are we all done at £550...? | 0:40:29 | 0:40:34 | |
-He's knocked it out, 550. Just got it away. -Scraped it away. | 0:40:35 | 0:40:39 | |
-Pleased? -Yeah. -And you'll split the money with your aunt? -Yeah. | 0:40:39 | 0:40:43 | |
-What will you do with your half? -Go over and see her. She lives in Malta. | 0:40:43 | 0:40:47 | |
It's a good sum of money. And that is a great example of why you should put a reserve on something. | 0:40:47 | 0:40:53 | |
-It would have made 300, 400 quid and it's worth more. -Yeah. | 0:40:53 | 0:40:57 | |
-We've protected it, we've done a good job. Well done. -Thank you. | 0:40:57 | 0:41:01 | |
John, this spice tower is a cracking item. I love it. | 0:41:06 | 0:41:10 | |
I had a chat to Peter the auctioneer and he agreed with the valuation. | 0:41:10 | 0:41:14 | |
Fingers crossed, we'll get that top end. | 0:41:14 | 0:41:17 | |
It's one of those things that you can't help but fall in love with. | 0:41:17 | 0:41:21 | |
-Yeah. -He's parting with it today. You don't know what to say. | 0:41:21 | 0:41:25 | |
-You're slightly reticent, thinking, "Have I done the right thing?" -No, I've made my mind up. | 0:41:25 | 0:41:31 | |
-I hope it goes to a good home. I really do. -Yes, that's important. | 0:41:31 | 0:41:35 | |
We'll find out right now. It's time to wave goodbye, John, because this will definitely sell. Here we go. | 0:41:35 | 0:41:41 | |
An interesting lot now. | 0:41:41 | 0:41:44 | |
We've got the 19th century, treen ware, Victorian spice tower. | 0:41:44 | 0:41:48 | |
I can start this away at £200. At £200. 210 now for the tower? | 0:41:48 | 0:41:52 | |
At 210. 220. 230. | 0:41:52 | 0:41:54 | |
240. 250. 260. 270. | 0:41:54 | 0:41:58 | |
At 270 in the room, the bid. At £270. | 0:41:58 | 0:42:01 | |
270 for the tower. Are we all done at £270? 280. | 0:42:01 | 0:42:05 | |
At 280. 290. 300. | 0:42:05 | 0:42:08 | |
And 10? At £300. In the door at £300. | 0:42:08 | 0:42:12 | |
Are we all done at £300...? | 0:42:12 | 0:42:14 | |
-The hammer's gone down. I'm happy. You've got to be happy. -Yeah. | 0:42:14 | 0:42:18 | |
It's nice when you get the top end of the estimate. I love that item. We won't see another one. | 0:42:18 | 0:42:24 | |
All credit to you for looking after it. It was in pristine condition. | 0:42:24 | 0:42:28 | |
It had such a feel-good factor. It had its own personality. What will you put the money towards? | 0:42:28 | 0:42:34 | |
My wife is taking early retirement shortly and we're going on a Caribbean cruise. | 0:42:34 | 0:42:40 | |
Sadly, we're coming to the end of another show. We've had a fantastic day in Darlington. | 0:42:45 | 0:42:50 | |
We've made new friends and unearthed some bygones. | 0:42:50 | 0:42:53 | |
My highlight was John's spice tower. | 0:42:53 | 0:42:56 | |
I'm so pleased it sold at the top end of the estimate, a real quality item. | 0:42:56 | 0:43:01 | |
I hope you've enjoyed the show. Until the next time, cheerio. | 0:43:01 | 0:43:04 | |
Subtitles by Subtext for Red Bee Media Ltd 2009 | 0:43:23 | 0:43:27 | |
Email [email protected] | 0:43:27 | 0:43:30 |