Bodmin Flog It!


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This is St Petroc's Church in Cornwall and it's one of the largest churches in the county.

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It's a Grade I listed building and it's big enough to fit the entire Flog It crew inside and

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this massive crowd that have come to ask that all important question, which is...

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ALL: What's it worth?

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-And when you've found out, what are you going to do?

-Flog it!

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Largely rebuilt in the 15th century, this church has its own treasure tale.

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The relics of St Petroc were hidden during the Reformation and

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they were only rediscovered here

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over the porch of this parish church four centuries later.

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That's quite incredible!

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Our booty is likely to be much more modest and probably not as well hidden,

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but on hand are experts Catherine Southon and Mark Stacey and we're hoping their eagle eyes

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will uncover at least some surprises for us and our owners.

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Well, it is now 9.30, it's time to open the doors and get this massive crowd inside.

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As everyone takes to their seats,

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all that hunting in the queue has paid off.

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Mark has managed to find something

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that looks perfectly at home in these surroundings.

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-Hello, Margaret.

-Hello, Mark.

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Well, we're in a church, a wonderful church here in Bodmin.

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-It is.

-And you've brought in something very appropriate.

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Now, tell me where you got it from?

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Well, it's been in our family for as long as I can remember,

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but I think my grandmother, who was Portuguese but born in India...

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-Oh, right.

-..must have brought it over when she came.

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-Right.

-And it's just been there and when I moved into my own home, my mother said did I want it, so...

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Well, it was quite interesting because as soon as I saw it

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I thought it was a continental version of Mary,

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-or as she is now wearing the crown Mary Queen of Heaven.

-Yeah.

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I think it's a very Catholic-type figure.

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You think of southern Europe for these type of figures where people are a lot more religious

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and have a lot more shrines at home than we did in the United Kingdom.

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And you've had it for how long now?

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Well, getting on for 60 years I should say.

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Well, I think it's probably 19th century, it's going back

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to the 19th century, which I think is quite interesting.

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These little religious artefacts can be quite collectable.

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There is a little bit of damage on the circular base, but I think we've got this nice little gilt metal.

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I don't think it's gold.

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-No, nor do I.

-I think it's gilt-based metal.

-Yeah.

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But she is beautifully carved through and I think somebody who's a specialist in this type of wares

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would quite like it, either a collector or a specialist dealer and that's why I've chosen it.

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-Plus, of course, it's quite nice to have something which fits in with the location so well.

-Yes, yes.

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You've obviously had it a fair while.

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Why have you decided to sell it with us today?

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Well, we've always liked Flog It and when we saw it was in the area we thought, "What can I bring?" and

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I've always been a bit interested in, you know,

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its origins and I thought, "Well, let's see what they say, really."

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Well, I think if we were putting it into auction, I would say maybe around £100 to £150.

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I'm amazed at that, I really am.

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-Really?

-I am, yes.

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-Well, we'll put the reserve at £100, with a 10% discretion, if that's OK with you?

-Yeah, yeah.

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I would hope that if two people liked it, we should get between the 100 and 150.

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-I am amazed.

-But we'll guarantee it with a reserve of 90.

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-Fine.

-So if it doesn't sell for that then you can take it back home and live with it.

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-Yes.

-But I really hope it does well.

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-Yeah. Thank you very much.

-We've showed the vicar and he quite liked it.

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-He did like it. He even took a picture of it.

-Oh, did he?

-Yes, he did!

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That could be divine intervention.

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Maybe, who knows?

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Angela, welcome to Flog It.

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I love Teddy bears, so thank you very much for bringing along this beautiful example.

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Tell me about him.

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-Where did you get from?

-Well actually, he belonged to my husband.

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I think he had it for his sort of second or third birthday, something like that.

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-Fantastic, so he went everywhere with him?

-Yes.

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-When he travelled, Teddy came too.

-Yes.

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And he looks like he has been well loved. I can see here a little...

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-A little bit of wear here.

-Yes.

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Tell me, do you know anything about the history of the bear?

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No, apart from the fact that I was told that he was a Farnell.

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-Farnell.

-Yes.

-Right.

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Well, I think he could well be a Farnell bear.

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-Unfortunately, there's no label or anything to tell us that.

-He had a label.

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Ah yes, I can see, yeah. So it is quite possible

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the label was here and it may have well have said Farnell.

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Farnell were making bears from 1908 right up until the '60s.

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Now this bear, I would probably date to about 1930s, so when was your husband born?

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-1935.

-So, 1935. So that sort of ties in quite nicely. So, 1930s.

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As I say, they were making from 1908 and Farnell was known

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as the English Steiff, Steiff being the German make.

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Farnell often adopted quite a lot of the Steiff characteristics,

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this lovely pronounced snout here and the lovely nicely sewn nose.

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He certainly is pre-war, 1930s, because pre-war bears often had these longer limbs.

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After the war, we seen much shorter limbs and they start to get the sort of...

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They lose the pronounced snout and they get the sort of flatter nose.

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You can see here as well the lovely glass eyes.

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I mean, the fact that he is very well travelled, I think he is actually in quite good condition.

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-Quite often we see that these have been very well worn and sometimes they've been restitched.

-Yes.

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But he seems to have all his original stitching and

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it's that lovely colour, this lovely blonde colour which people often go for.

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I've also noticed here he's got the lovely centre seam which is another feature

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that we find with the Steiff bears.

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I would probably like to say value wise, he...

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I mean, bears unfortunately aren't making as good prices as they used to in, say, the '90s,

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but value wise, I would probably like to see him still fetch between £100 to £150.

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-How does that sound?

-Yeah, that would be fine. Yes.

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I would like to see us put a reserve on of £90.

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-Yeah.

-I don't think he should go for any less than that.

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He's a lovely bear in great condition. We'll see what happens at the auction.

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-Fingers crossed.

-Thank you, Angela. It's been lovely to meet you.

-Thank you very much.

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Pat, thank you for popping in today.

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And what do you think of our location?

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-It is the largest parish church in...

-It's the largest parish church in Cornwall. Yeah.

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-So you're local to Bodmin?

-I live in Bodmin.

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-How long have you been in Cornwall?

-Since 1964.

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-Is your house full of lovely things like this?

-I just like old things.

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I don't mind if they're lovely or not, or expensive or not.

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As long as they're old. This is a lovely little sampler. It's absolutely divine.

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What's the history to you?

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Well, all I can tell you is I've known it all my life.

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It was in my family home where I grew up, but the origin before that, I honestly don't know.

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Galloway sounds a Scottish name.

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It does. It's not a Cornish one.

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-My mother was Scottish, so I think maybe it came...

-Somewhere along the lines.

-Yes, some old cousin.

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It's by Elizabeth Galloway and it was done in 1814. It's a shame that she hasn't put aged 11 or aged 13.

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-I know.

-And this was a wonderful skill that was taught to young girls of the day.

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The discipline in getting these stitches so right is an art form.

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And this was taught to young girls by the seamstress of the house to teach needlework skills,

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discipline and a way of educating and learning.

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And to think that an eight to ten-year-old could sit down and do all this cross stitching and

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get that in such a perfect straight line.

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It's lost some of its chromatic hue.

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-It's been in the sun somewhere, hasn't it?

-Well, yes.

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Not with me. I've had it back to the window always, but when it's as old as that, I suppose over the years...

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It's faded a bit, but otherwise it's fantastic.

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It's got its house for symmetry. It's got its two trees.

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Also, looking here, there's the initials...

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I can't make out what that is but it's something G, and that one's AG, so that must be Elizabeth's parents.

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Parents, I would think so. I'd think so.

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-I have seen some that have come up in auction that were done by boys.

-Really?

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They're extremely rare and when they do,

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they fetch an awful lot of money, they're up in the thousands.

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We can, we can sew, but we're just a bit lazy.

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-Yes.

-I think our fingers are too fat.

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But that's fantastic.

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There's a couple of holes in there.

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-Yeah.

-There's one or two up there I've just noticed.

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-Yeah, I had noticed those.

-Also just there, look.

-Oh, yes.

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There's two there.

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But I've got to say, looking at the back...

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Is it in a dreadful condition?

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-It's... No, this is what the collectors like.

-Yeah.

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A lot of textile dealers and interior designers and decorators will love this.

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-They'll look at the back and they'll say, "That's never been touched or renewed."

-That's true.

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-No.

-"That's just come from the wall of the house where it's sat for the last 100 years",

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and that's what people will be buying into, the social history of this.

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Especially if their name is Galloway or they know someone named Galloway, that's going to put the price up.

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I think we could put this into the sale with a value of £250 to £350

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-and I'd like to see it do that top end. Fixed reserve at £250.

-Yes.

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-And hopefully we'll get 350 plus.

-That will be very nice indeed.

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-I can't wait to see you at the auction.

-No, I can't wait to see you either.

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-Roy.

-Hi.

-Welcome to Flog It.

-Nice to meet you.

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And thank you for bringing along these three beautiful tortoiseshell boxes.

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-Tell me a little bit about them. Where did you get them from?

-They came from my wife's mother

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and I think they came from her mother.

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But it seems a shame that we never really have anywhere to put them to display them that well, you know...

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-So your wife remembered them as a child?

-Yeah, yeah.

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See them in a glass cabinet, you know? Was not allowed to touch, you know?

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Oh, absolutely. Well, I'm glad she didn't touch, because they are in absolutely perfect condition.

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Let's just have a look at them.

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First of all, we've got two lovely snuff boxes.

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This one obviously slightly larger.

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Gentleman would have put their snuff in here, taken...

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Perhaps put it in their pocket, taken it out, take a little bit of snuff.

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What I like about this is the colour of the tortoiseshell.

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-It's beautiful, isn't it?

-It's that really beautiful colour here and it looks to be in pristine condition.

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This obviously splits and cracks so easily, but in really lovely, lovely order.

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And we've got four beautiful turned ivory finials here.

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-And this one, I love the shape of this first of all.

-It's gorgeous, isn't it?

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Oh, it's absolutely lovely.

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Let's open this up.

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And we can see a little thimble holder.

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-Wonderful.

-Beautiful.

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-So we've got ivory all around the edge there. I mean, date wise I'd say about 1830s on this.

-Right.

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-So that probably coincides with your family.

-Yeah.

-Why is it...?

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Why do you want to sell these?

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Well, it seems a shame to be just tucked away.

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I think somebody would appreciate them, you know, that collects that type of thing before they get to

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-the point of central heating getting at them or something like that.

-Absolutely.

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It is a material that does crack, it does damage quite easily.

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Collectors will go for these because they are in superb condition and

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the three of them work so nicely together.

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Have you any idea on value of these?

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I would have thought over £100, maybe two, but, I don't know. It depends.

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And I know they are collectable and they are in good, you know, very good condition.

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Mint condition, I would say. In perfect condition.

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What I would do is put the three together because they do work together rather nicely,

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probably put an estimate on of about 150 to 250.

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I think we should fix the reserve at 150 because I wouldn't like to see these go any lower than that...

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-No. I wouldn't either.

-But I would hope they would make more towards the top end of that because

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they are some of the best snuff boxes I've seen for a long time.

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-Lovely.

-And I... I love this!

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People are going to go crazy for this. It's superb.

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-I hope, I hope.

-I hope so, too, and I would like to see them make top estimate.

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-Super.

-So 150, 250.

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-Smashing. Deal.

-Are we going to flog them?

-Absolutely.

-Deal.

-Great.

-Thanks, Roy.

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-Hello, Jan.

-Hello, Mark.

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I must say, all the women in Cornwall are so glamorously dressed here today.

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-Oh, thank you!

-Come out in your best outfits to see us!

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-Oh, yes.

-Wonderful.

-Best bib and tucker.

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And they've brought some wonderful objects and this is another cracking item, so tell me a bit about it.

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It belonged to my late husband's family and, as far as I know,

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-it was at one time a pair.

-Yes.

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But with the large Victorian families, they got separated.

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Absolutely.

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-Do you like it?

-I do like it up, but I'm going on holiday next year.

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-Are you?

-To China.

-Oh!

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So I would like a little bit of pocket money.

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You haven't got room in a suitcase for a small one, have you?

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-Maybe.

-Well, if it makes enough money.

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-That's right.

-I'll tell you a little bit about it because you don't know that much...

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-No, no, I don't.

-Apart from it's a blue and white vase.

-Yes.

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It's from a period in English history that we called the aesthetic period.

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It's towards the end of the 19th century and we've got influences of

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Japan and the Orient here, and we've also got influences of the aesthetic period

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-that it incorporated, people like Oscar Wilde, you know, it was that great time of change.

-Yes, yes.

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Of course, on this side we have these wonderful flowering Prunus,

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and that lovely sort of circular willow pattern which looks like a little plate that's stuck on there.

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But as we turn it around we see the other side,

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again, has got flowering branches, but with these wonderful sort of circular

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designs that we call mons, and then you've got this lovely gilt and blue design here and these weird legs.

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And this shape, this sort of flattened circular form, is known as a moon flask shape.

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In terms of date, as I say, it's right about 1870 I suppose, something like that.

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-There's no marks on it as far as we can see...

-No, no.

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So it's very difficult to pin it down to a factory.

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My best guess is between two factories, Doulton or Minton, and

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if it was either of those then, you know, they are important factories.

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And I like... The quality is there.

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-Yes.

-You know, the detailing here's wonderful and these lovely little feet it stands on.

-Yeah.

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I'm not quite sure with the feet because they look as if

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-they want to walk off in opposite directions...

-Yes.

-Don't they?

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Now, having said all that,

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-what's it worth?

-What is it worth?

-What are you hoping for?

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Well, round about £200 would be very nice.

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You are greedy, aren't you?

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-You want money for your holiday.

-Oh, I do, I do.

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I want to tweak it a little bit lower than that.

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-I would like to say an estimate of between £150 and £250.

-Yes.

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-So it which straddles your 200.

-Yes.

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-With a reserve of 150.

-Yes.

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-Are you happy for us to do that?

-Yes, that's fine.

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-We'll put a fixed reserve of 150.

-Yes.

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Thank you so much. It's been a pleasure to meet you...

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-Thank you very much.

-And I look forward to seeing you at the auction.

-Yes, OK. Lovely, thank you.

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The rugged landscape of Cornwall is steeped in tradition, folklore and history

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and through the ages, the people have fiercely clung on to their identity and culture.

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While some of the long-established industries like mining and fishing are in decline

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and the language has virtually disappeared,

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there is one traditional pastime that still clings on - Cornish wrestling.

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Wrestling is one of the oldest of the martial arts.

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Cornish wrestling has its origins far back in time.

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It's thought that one of the first wrestling matches here goes back to the days of myths and legends.

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Around the year 1,000 BC, Corinaeus, the first chief of Cornwall, defeated a giant named Gog Magog

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by throwing him into the sea from Plymouth Hoe.

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Wrestling was thought to have derived from hand-to-hand combat

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during battle when soldiers got so close together they couldn't use their weapons,

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and outside of warfare, soldiers would practise this type of fighting as part of their training.

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As testament to the tough nature of the sport, it's traditionally played on grass in all weathers.

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Three referees, called sticklers, oversee the contest and keep scores.

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Cornish wrestlers had a fierce reputation.

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At the Battle of Agincourt in 1415, they led the English army into battle,

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and right up until the 19th century, wrestling has been the most popular sport

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here in the county, with tens of thousands of people coming to see the wrestlers fight in competitions

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and the champions back then would have been household names.

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The heyday of Cornish wrestling has sadly gone now,

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but it does continue to flourish in a small part of the county,

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just a few miles from Bodmin in St Columb.

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Historian Gerry Cawley is a retired heavyweight Cornish wrestling champion

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and I've come to a historic site in Bodmin to find out what's keeping the sport alive today.

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Firstly, Jerry, I've got to ask you - what is the significance of this spot?

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Well, this particular site is the area that's been used for the ancient wrestling ring for Bodmin.

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We know it's not far from here they had meetings in Saxon times, but for many hundreds of years,

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this is the site of the Bodmin wrestling ring.

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How has it survived all these years?

0:18:180:18:20

Is it a testament to the sort of Cornish character?

0:18:200:18:23

Well, in times gone by it was an integral part of Cornish life.

0:18:230:18:28

-When the... Before the other modern sports, there was just purely hurling and Cornish wrestling.

-Yeah.

0:18:280:18:33

And Cornish wrestling being the most popular and the national sport for Cornwall.

0:18:330:18:39

Talk me through a typical bout. I mean, how different is it,

0:18:390:18:41

let's say, to the wrestling that we see on TV?

0:18:410:18:44

Well, there's no choreography.

0:18:440:18:47

-OK.

-It's real man-to-man wrestling.

0:18:470:18:49

The contestants, they strive to pick up the man and throw him cleanly on to his back.

0:18:490:18:54

To better understand the subtleties of Cornish wrestling, I need to get to grips with the rules, literally.

0:18:540:19:00

The object of the sport is to throw your opponent so he lands flat on his back.

0:19:000:19:04

-That's his two shoulders and his two hips at the rear, not on the sides, but completely at the rear.

-OK.

0:19:040:19:09

-So like a book landing flat on a table.

-Yeah.

0:19:090:19:13

When that occurs, that's a knockout throw and that's what the wrestlers are striving for.

0:19:130:19:17

If nobody obtains a back during the bout, there's a simple points system.

0:19:170:19:22

A point for a pin, so if you get thrown on one shoulder...

0:19:220:19:25

-OK, yeah.

-That's one point and so forth.

0:19:250:19:27

You call that a pin, that a pin.

0:19:270:19:29

Yes. You always shake hands between each hold.

0:19:290:19:31

Whenever they fall or break they shake hands before they restart.

0:19:310:19:35

There's a front crook gone in.

0:19:350:19:37

-OK, I can see that.

-Crook... Crook the leg up with...

0:19:370:19:39

Bolt the toe around and pull his man in under use the... A strongman's throw there, under heave.

0:19:390:19:44

That's... That's completely down like a book, isn't it?

0:19:440:19:47

Yes, you completely put him head over heels, that's a bit of a strongman's lift.

0:19:470:19:50

If you're not aware you can quickly get snatched by the ropes and be over

0:19:500:19:55

-his head and heels before you know...

-That was a nice move.

0:19:550:19:58

He used his legs to sort of take the other guy off balance, so you can do that, can you?

0:19:580:20:01

Yes, because you can't grab a man below the waist.

0:20:010:20:04

It's easy to get a man down if you can grab his legs. So... Oh!

0:20:040:20:07

There's a telly bag heave gone in there.

0:20:070:20:09

-A telly bag heave?

-A telly bag.

0:20:090:20:11

Just like... One collar, one sleeve and just like lifting a... potato sack off the wagon.

0:20:110:20:15

You could imagine this going on for four hours, couldn't you, because no-one could get somebody else

0:20:150:20:19

-on their back?

-There we've got a sprag on. That's a countermove.

0:20:190:20:23

One wrestler has been lifted, another one sprags the legs so he can't do anything with them.

0:20:230:20:27

The lifter ultimately gets tired and has to replace the man down and

0:20:270:20:31

the man in front is in the better position then because he's sat in his lap.

0:20:310:20:35

I would have a go, but I'm just, you know, they're the wrong weight.

0:20:350:20:40

Out of this class, purely by weight.

0:20:400:20:43

Yeah, I think so!

0:20:430:20:45

Good on you guys for doing this, it's freezing cold up here.

0:20:450:20:48

Yeah, a bit chilly, but it makes you feel alive.

0:20:480:20:50

Cornish wrestling has a history of golden eras, ebbing and flowing

0:20:500:20:54

between the sport of kings and falling back into a rural sport.

0:20:540:20:58

The two World Wars had a devastating effect on Cornish wrestling.

0:20:580:21:02

The sport is largely handed down from generation to generation and so the impact of the loss of

0:21:020:21:08

virtually a whole generation of fighting men was profound.

0:21:080:21:11

More recently, an explosion of interest in other forms of martial arts

0:21:110:21:14

has meant that youngsters now have a much greater choice of sport to follow.

0:21:140:21:19

Why is it so important now, especially for you, to keep this sport going?

0:21:210:21:24

-What's it all about for you?

-Well, it's come...

0:21:240:21:27

Come too far now to let it stop.

0:21:270:21:29

-I wouldn't like to be part of a generation that sees it die out...

-Yeah.

0:21:290:21:32

Because it's been going so long and each man has laid hands on the next man to teach him how to do it.

0:21:320:21:39

So there is that living link, that unbroken chain throughout the millennium.

0:21:390:21:42

So what's happening today, what are you doing to ensure this?

0:21:420:21:46

Well, presently the wrestling association has got a couple of clubs in the county and we've traditionally

0:21:460:21:52

not had a set-up for training because it was traditionally handed down within families, but now we

0:21:520:21:59

realise that in the modern times, we need to teach the youngsters to ensure survival in a more modern way.

0:21:590:22:07

It seems the key to the survival of this most rugged of sports lies in the passion inherited

0:22:090:22:14

through the generations,

0:22:140:22:16

and I'm sure that somehow, the sport will be around for many years to come.

0:22:160:22:21

So now we have our first items to sell off at auction.

0:22:310:22:34

First up, the 19th century statue of the Virgin Mary,

0:22:340:22:37

brought in by Margaret, who was surprised by Mark's high valuation.

0:22:370:22:41

Angela's husband's Teddy and much loved toy by the looks of all those wear and tear marks.

0:22:440:22:49

This beautiful sampler that has hung on Pat's wall from as far back as she can remember.

0:22:510:22:56

Jan is going to China and wants to sell her moon vase to get some pocket money for the trip.

0:22:590:23:03

And last, Roy's collection of tortoiseshell boxes that are in absolutely pristine condition.

0:23:050:23:11

I think we've found some real gems this morning, don't you?

0:23:120:23:16

And there could be one or two surprises, so watch out!

0:23:160:23:19

Right now, it's time to put those valuations to the test.

0:23:190:23:21

Let's make our way across to the saleroom.

0:23:210:23:24

And this is where our items are to be sold,

0:23:240:23:27

Jefferys Auction Rooms

0:23:270:23:28

down the road in the pretty town of Lostwithiel.

0:23:280:23:31

And it's a jampacked saleroom,

0:23:310:23:33

so auctioneer Ian Morris is in for a busy day.

0:23:330:23:35

Let's hope they're all here to bid on our items.

0:23:350:23:38

And first to find out is Angela with Teddy.

0:23:380:23:41

Now I wonder, will there be tears on this next lot because Ted is going

0:23:440:23:48

under the hammer and he belongs to Angela.

0:23:480:23:51

Oh, you've had Ted for, well, how many years? Since 1938?

0:23:510:23:55

-Well, it was my husband's.

-It was your husband's.

0:23:550:23:58

Well, me, I've only known Teddy since 1959.

0:23:580:24:01

-That's still a long time.

-Yeah.

-50 odd years.

-Yeah.

0:24:010:24:04

Did Ted have a name?

0:24:040:24:06

-No, he was just Ted.

-Ted, oh.

-Yeah.

-He is a lovely little bear, actually.

0:24:060:24:10

We've got 100 to £150 on him, a fixed reserve at 90, so he's not going cheap.

0:24:100:24:14

-And I noticed you brought in some photographs of Ted...

-Yes.

0:24:140:24:17

-..back in 1938.

-Yes.

-Wow, look at this!

0:24:170:24:20

That's lovely, isn't it? With his original owner on the third birthday.

0:24:200:24:25

Well, look, good luck, OK? Ted's going under the hammer now.

0:24:250:24:29

-Here we go.

-It's the attractive beige Teddy bear there.

0:24:290:24:32

What shall I say? I've got three bids on the book, so...

0:24:320:24:34

-Oh, that's good!

-That's with me at £100.

0:24:340:24:37

At £100 for Teddy. 110. 120. 130.

0:24:370:24:40

140. 150.

0:24:400:24:41

160 and the bid is with me.

0:24:410:24:44

At 160. 170 now. At 160. 170 or not?

0:24:440:24:47

-Done at £160.

-Yes, we've done it!

0:24:470:24:49

-£160.

-Yes.

0:24:490:24:52

-The top end of the estimate. Well done.

-I'm very pleased with that.

0:24:520:24:56

At £40 now I'm bid. 45. £50.

0:24:560:24:59

55. £60.

0:24:590:25:01

65. At £65.

0:25:010:25:04

Good to see you again, Margaret. How far have you come today?

0:25:040:25:06

Just Wadebridge, up the road.

0:25:060:25:08

Oh, that's not bad, is it? We're just about to sell a statue of Mary.

0:25:080:25:11

-It's an ivory figure, possibly continental.

-I think so.

0:25:110:25:14

Yes. And we're looking at £100 to £150. This is it.

0:25:140:25:18

This is it.

0:25:180:25:19

It's the ivory statue of Our Lady.

0:25:190:25:21

Can I say £100? £50 I'm bid.

0:25:210:25:24

At 50. Five. 60. Five. 70?

0:25:240:25:27

70. Five. 80. Five. 90.

0:25:270:25:32

-Yes!

-Just.

0:25:320:25:33

We've got the... 90 is the reserve.

0:25:330:25:35

-Yes.

-I'll take five or not. Are we done? Then £90.

0:25:350:25:38

-The hammer's gone down. Just did it!

-On the reserve.

-Yes. Happy?

0:25:380:25:41

-That went well, yeah.

-Better than a tenner, isn't it?

0:25:410:25:44

Well... Amazed. I'm amazed to be honest.

0:25:440:25:46

45. £50. 55. £60. 65.

0:25:480:25:51

£70. 75. 75. The bid's at the back.

0:25:510:25:54

At £75. 80 or not? At 75. 80 or not?

0:25:540:25:58

Are we done? At 75.

0:25:580:25:59

It's my turn to be the expert and I've just been joined by Pat and

0:25:590:26:03

hopefully you're going home with lots of money.

0:26:030:26:05

Well, it would be nice.

0:26:050:26:06

I'd like to think on a good day in a packed saleroom, we could double the estimate on this sampler.

0:26:060:26:11

-That would be very, very nice.

-Here we go.

0:26:110:26:13

The fine Georgian colour dye needlework sampler at £200. Lot 751.

0:26:130:26:17

At £200 I'm bid. At 200.

0:26:170:26:19

-210. 220. 230. 240.

-It's not much.

0:26:190:26:21

250. 260. At 260. The bid's with me. 270 with two of you at the back.

0:26:210:26:26

280. 290. 300. At 310?

0:26:260:26:29

At £300 the bid's with me. 310 on the phone? At £300.

0:26:290:26:32

310. At 310 in the back there.

0:26:320:26:34

At 310. My bid's out.

0:26:340:26:35

Are we all done at £310?

0:26:350:26:38

Mid estimate. 310.

0:26:380:26:41

-It's OK though, isn't it?

-It's all right.

-It's OK. It could have been worse.

0:26:410:26:45

It ought to have been more.

0:26:450:26:46

-Yeah, I know,

-Never mind.

0:26:460:26:48

-But it could have been a lot less!

-Oh, it could! It could not have sold at all.

0:26:480:26:51

No, no. So there's commission to pay, don't forget.

0:26:510:26:54

-I realise that.

-What are you going to do with your money?

0:26:540:26:57

-It's going to the Cats Protection League.

-Oh, brilliant.

0:26:570:27:00

-My mum supports that, as well.

-Oh, good.

0:27:000:27:02

-That's where it's going.

-Thank you so much for coming in.

-Thank you.

-Brilliant.

0:27:020:27:05

You're selling this because you want to go to China.

0:27:110:27:14

Yes, I would like a trip to China, yes, and a bit of spending money...

0:27:140:27:18

-Yeah.

-Would be very nice.

-Well, we've got £150 to £250 put on by our expert, Mark.

0:27:180:27:23

-Absolutely.

-It's very you, isn't it?

-It's so me.

-Very sort of Oscar Wilde.

0:27:230:27:26

-Very me. Oscar... Very flamboyant.

-Yes.

-Wonderful quality.

0:27:260:27:30

-I always like quality.

-Yes.

0:27:300:27:32

-It's not marked. It could possibly be...

-Minton.

0:27:320:27:34

-Minton. It's certainly one of those good factories because the quality is without doubt.

-Yes.

0:27:340:27:39

It's got the look, you know? We always talk about the look, don't we?

0:27:390:27:42

-It's got the look.

-And I think at 150 to 200 it's got the look,

0:27:420:27:45

it'll satisfy the buyers and it'll give Jan a Chinese takeaway or two.

0:27:450:27:48

And Jan's got the look, as well.

0:27:480:27:50

Let's hope the bidders put their hands up for this. We're going to find out right now.

0:27:500:27:53

-Good luck, Jan.

-Thank you.

-Here we go.

0:27:530:27:55

Lot 74 there is the nice Doulton style, aesthetic designed,

0:27:550:27:58

gilt willow patterned moon flask there.

0:27:580:28:00

£100, the bid's with me.

0:28:000:28:02

At £100 is bid. I'll take 110 to get on. At £100.

0:28:020:28:05

At £100. 110 now. At 110. 120. 130.

0:28:050:28:09

140. 150. 150 in the front row. At 150. At 150. 160 or not?

0:28:090:28:13

Are we done at £150?

0:28:130:28:16

-Lower end. It did sell.

-Excellent.

-You're pleased - excellent!

0:28:160:28:20

I'm pleased I didn't have to take it home with me.

0:28:200:28:22

-You were worried about that.

-I was, yes.

0:28:220:28:24

There's commission to pay, but there's a bit of money

0:28:240:28:27

-towards this big trip now, the trip of a lifetime.

-Yes.

0:28:270:28:29

-I think that's lovely, don't you?

-Have a great trip.

-Thank you very much.

0:28:290:28:33

80. 85. 90. At £90 to the left.

0:28:340:28:38

At £90. I'll take five or not.

0:28:380:28:39

At £90. Five or not? Are we done? At £90.

0:28:390:28:43

Next, we've got some tortoiseshell under the hammer.

0:28:430:28:45

Two snuff boxes and a thimble holder belonging to Roy.

0:28:450:28:48

We've got a group valuation of 150 to 250, put on by Catherine.

0:28:480:28:52

Love the detail, love the quality, nice and bright.

0:28:520:28:56

Why are you flogging these, Roy, because I would call these a keeper?

0:28:560:28:59

-And I think you would.

-They don't take up much space, do they?

0:28:590:29:02

-No, I was going to, but I've got a camper van...

-Right.

-..and the driveshaft fell apart.

-OK.

0:29:020:29:08

So, I'd rather be on holiday, than...

0:29:080:29:09

-Than looking at...

-Looking at those!

0:29:090:29:11

-Looking at snuff boxes!

-Fair enough!

0:29:110:29:13

Well, they are absolutely exquisite and I know that collectors will love them.

0:29:130:29:17

And here we go, Roy. Yeah, good luck.

0:29:170:29:20

Three tortoiseshell boxes.

0:29:200:29:21

Can I say £100, right in, quickly?

0:29:210:29:23

£100, I've got. At £100. 110. 120.

0:29:230:29:25

-130.

-Come on!

-140? 140.

0:29:250:29:28

150. 160?

0:29:280:29:29

-160. 170. 180?

-Well, they've gone.

0:29:290:29:31

180. 190? 190. 200.

0:29:310:29:32

-Yay!

-190 to my left. 200? 200. 210?

0:29:320:29:35

210. 220?

0:29:350:29:36

-220.

-Lovely.

-230? 230. 240? 240.

0:29:360:29:39

-This is good.

-250?

0:29:390:29:40

250. 260? 260. 270.

0:29:400:29:42

-280. 290? 290. 300? 300.

-They love these, don't they?

-Yes!

0:29:420:29:47

320, there, then. At 320 I'm bid. 340 or not?

0:29:470:29:50

Are we done? At £320.

0:29:500:29:52

-Brilliant result.

-Well done!

-£320.

0:29:520:29:54

-Fantastic!

-That will get the driveshaft?

0:29:540:29:57

-Absolutely.

-And the labour?

0:29:570:29:59

-And the labour.

-There you go, you're up and running.

0:29:590:30:01

And a whisky afterwards!

0:30:010:30:03

Is it 80? 80. 85.

0:30:040:30:06

That's the end of our first visit to the auction room today.

0:30:120:30:15

We had some sales, but no big surprises.

0:30:150:30:17

We are coming back later on, but before I go back to Bodmin to join up with our experts,

0:30:170:30:21

I'm going to check out a local craftsman, who is key to keeping

0:30:210:30:25

one of the county's oldest sporting traditions alive.

0:30:250:30:27

This small silver ball weighs about a pound and is about the size of a cricket ball.

0:30:320:30:37

Without it, the ancient game of Cornish hurling wouldn't happen.

0:30:370:30:40

It was made in this workshop and I'll talk to the man

0:30:400:30:43

who makes them, but first, I want to find out more

0:30:430:30:46

about this unique tradition.

0:30:460:30:48

Well, this is St Columb Major.

0:31:000:31:01

It may look like a quiet old Cornish town,

0:31:010:31:03

but twice a year, the windows and doors of all the shops and

0:31:030:31:06

the houses in the street get boarded over and the traffic comes to a grinding halt,

0:31:060:31:12

because an ancient battle takes place - one that's been fought since before records began.

0:31:120:31:18

TV COMMENTARY: Cornwall's beauty queen tossed the ball to the crowd.

0:31:180:31:22

It is made of apple wood.

0:31:220:31:23

Those who live within the town and those living on its outskirts.

0:31:230:31:28

Every Shrove Tuesday and the following Saturday week,

0:31:330:31:36

the whole town is given over to the sport of Cornish hurling.

0:31:360:31:39

Until the 19th century, the game was common all over Cornwall,

0:31:390:31:42

but this became the only place still brave enough to play it in its roughest and most traditional form.

0:31:420:31:49

Townsmen and countrymen are pitted against each other in a battle to win control over the silver ball.

0:31:540:31:59

There are no written rules, there are no referees and it can get really messy at times,

0:31:590:32:04

as keen hurler Colin Roberts is just about to explain.

0:32:040:32:08

Thanks for talking to us.

0:32:080:32:10

HE SPEAKS CORNISH

0:32:100:32:13

-Gosh!

-That's to say, welcome to the historic town of St Columb.

0:32:160:32:19

-Yes, in Cornish.

-Wow, you speak good Cornish.

0:32:190:32:22

A lot speak better than me and there's a lot more

0:32:220:32:25

eminent hurlers that have won the ball,

0:32:250:32:27

but they've asked me to do this and I'm very pleased to show your viewers a bit about St Columb.

0:32:270:32:32

-What's it all about and where does it start?

-It's about that.

0:32:320:32:35

That's the silver ball. You see the motto on there,

0:32:350:32:38

"Town and country do your best, for in this parish I must rest."

0:32:380:32:41

-So, where does it all start?

-Right here, in the Market Square.

0:32:410:32:45

The ball is called up over there, by the winner of the previous hurl.

0:32:450:32:48

At 4.30pm, it's thrown from the steps and that's the start of the game.

0:32:480:32:52

-Yeah.

-And it starts with a very big scrum.

0:32:520:32:54

-There will be hundreds of hurlers here.

-Just piling in?

0:32:540:32:57

Yeah, and then when that ball gets released it gets hurled

0:32:570:33:00

-up and down the town.

-And you all chase it?

0:33:000:33:02

Oh, yes, and you pass it between your teammates,

0:33:020:33:06

with a view to either, eventually getting it to one of the goals.

0:33:060:33:09

The town goal's a mile that way. The country's, a mile down that way.

0:33:090:33:13

Both involve a steep hill at the end.

0:33:130:33:15

-Ha-ha!

-Or it gets hurled

0:33:150:33:18

outside the town and gets taken outside the parish boundary,

0:33:180:33:21

which is between two a half and five miles, depending on your direction.

0:33:210:33:25

And if I was running to pick it up and someone was behind me -

0:33:250:33:28

let's say I was a townsman and they were countrymen -

0:33:280:33:30

-would they tackle me to get it off me?

-Yes.

-Is there body contact?

0:33:300:33:34

-That's exactly what would happen.

-It's quite rough?

-It can be.

0:33:340:33:37

That's why they board the windows and doors of the shops?

0:33:370:33:40

You don't want us to go through a window, which you would easily.

0:33:400:33:43

Is there an even number of townsmen and countrymen?

0:33:430:33:46

-No.

-Just who turns up?

0:33:460:33:47

-Whoever turns up.

-Do they wear kit to identify each other?

-No.

0:33:470:33:50

-We just know who they are.

-Ha-ha-ha!

0:33:500:33:52

I love it! Oh, I love it! Oh, crikey.

0:33:520:33:56

I'm going to come and watch one year, really.

0:33:560:33:58

Brilliant. We'd welcome you here.

0:33:580:34:00

I guess you have to stand out of the action, do you?

0:34:000:34:02

It would be like a raging bull moving up the High Street?

0:34:020:34:05

It's odd. We wouldn't recognise which team you were on, would we?

0:34:050:34:09

-No, but I wouldn't want to play! No, I'll sort of stay at the back.

-That would be all right, yeah.

0:34:090:34:13

Ready?

0:34:130:34:14

ALL: Yeah!

0:34:140:34:16

'The earliest written record of the sport was in 1602, but it's thought to have derived

0:34:180:34:23

'from an old pagan fertility rite, in which a silver ball was cast up in honour of the sun.

0:34:230:34:28

'It was with the coming of Christianity that it's believed Cornish hurling became a game.'

0:34:280:34:33

-What does this game mean to the town?

-Everything to St Columb.

0:34:350:34:38

Cornwall is itself a distinctive Celtic nation, we're very proud.

0:34:380:34:42

St Columb is right in the middle of it and this means everything to us

0:34:420:34:45

-and it'll never, ever stop in this town.

-Sounds good.

0:34:450:34:48

This is St Columb.

0:34:480:34:50

The all-important ball is crafted here in the workshop

0:34:530:34:55

of part time funeral director, Colin Rescorla.

0:34:550:34:58

How long have you been making the balls?

0:35:020:35:04

I've been making the ball since the early '90s.

0:35:040:35:07

So, tell me, how are they made, then?

0:35:070:35:09

-This is apple.

-Right.

-Apple's a beautiful timber to turn.

0:35:090:35:12

-Yeah, not a lot of knots.

-Not a lot of knots.

0:35:120:35:15

It is tough, it won't split, it holds nails and screws well.

0:35:150:35:18

-Yeah.

-And that is the reason.

0:35:180:35:21

-And it'll take all the shock?

-It takes it.

0:35:210:35:23

It's not always covered with this sort of silver.

0:35:230:35:26

-It could be covered with a thinner silver...

-Yeah.

-..like that.

0:35:260:35:31

-And that's the ball of 1906.

-Gosh, that was an old one.

0:35:310:35:34

And you can see there just how thin the silver is.

0:35:340:35:38

It's made in two? The silver's hand-beaten

0:35:380:35:40

-by hammer...

-Yeah.

-..in two sections.

0:35:400:35:43

-In two sections.

-And then you obviously hide the join with this ribbing or band?

0:35:430:35:47

-Is that right?

-Yes.

-I would imagine in days gone by...

0:35:470:35:50

Would a carpenter have made the ball for you?

0:35:500:35:53

-The plumber?

-The wheelwright.

0:35:530:35:54

The wheelwright, in fact, made the ball, because he had the lathe.

0:35:540:35:58

He made the wood bit and the silversmith or watch jeweller,

0:35:580:36:02

he then beat the silver to put it around.

0:36:020:36:04

-Yeah, and the plumber...

-And the plumber...

0:36:040:36:07

-Put on with a soldering?

-Yeah.

0:36:070:36:08

Would put it together and solder it together.

0:36:080:36:11

-But now it's just you.

-It's just me.

0:36:110:36:14

I think you're doing a brilliant job, do you know that?

0:36:140:36:17

-And I think the quality of your work is fantastic.

-I enjoy it.

0:36:170:36:21

This is the ball for next Shrove Tuesday

0:36:210:36:23

and I've made the two halves,

0:36:230:36:27

I've put the band on.

0:36:270:36:29

-A slight change in tradition, now. What I've done...

-No screw holes.

0:36:290:36:33

No screw holes, but I've made special silver screws out of silver wire,

0:36:330:36:38

-which I've screwed in tight.

-Yeah. Then you cut off?

0:36:380:36:41

I shall cut it off.

0:36:410:36:44

Cut it off.

0:36:440:36:46

Rivet that one over, to form a head.

0:36:460:36:51

-Ah, like a Cornish boatbuilder would do?

-It's exactly the same skill.

0:36:510:36:56

On that copper rove, turn it over and hammer.

0:36:560:36:59

It's exactly the... It's exactly the same skill.

0:36:590:37:01

All I have to do now is a couple of hours polishing on this one.

0:37:010:37:05

And how long would one ball take you to make?

0:37:050:37:07

-This is about 20 hours, from the time...

-A lot of work, isn't it?

0:37:070:37:11

From the time the silver drops through the door,

0:37:110:37:14

there's about 20 hours work to get it up to the state where it can be hurled.

0:37:140:37:18

-I can see you are passionate about this.

-I enjoy it.

0:37:180:37:21

And the sons are going to take over?

0:37:210:37:23

-Oh, yes, the youngest boy.

-Yeah. Good for you.

0:37:230:37:26

Isn't that lovely?

0:37:260:37:27

-A bit of history going on, in your back garden!

-Yes, proud of it.

0:37:270:37:30

You must be a very proud Cornishman. And I'm proud to meet you, as well!

0:37:300:37:33

-Thank you so much for talking to me about this.

-You're welcome.

0:37:330:37:36

You've opened my eyes. I never knew this existed.

0:37:360:37:38

When you spend a bit of time here,

0:37:410:37:43

you can understand how important it is to keep this tradition well and truly alive,

0:37:430:37:47

not just for the people, but for the town itself.

0:37:470:37:50

And looking at the skill of the craftsmanship here,

0:37:500:37:53

you know it's going to be in safe hands for many years to come.

0:37:530:37:56

We're holding our valuation day in the heart of Cornwall,

0:38:060:38:08

at the incredible St Petroc's Church in Bodmin.

0:38:080:38:11

And there's still plenty more treasures left to unwrap.

0:38:110:38:14

Mark is delighted to have spotted this painting, by a celebrated local artist.

0:38:140:38:19

-Hello, Cecilia.

-Hello.

0:38:190:38:21

-Now, you can't come to Cornwall and not find a piece of Troika or a Fred Yates, I think.

-Perhaps not.

0:38:210:38:28

Now, tell us a little bit about it. Why have you got it?

0:38:280:38:31

Well, I knew Fred and he spent about,

0:38:310:38:35

I think, perhaps, ten years in Fowey, where I live.

0:38:350:38:38

And I didn't acquire the painting from Fred. I saw this at an auction

0:38:380:38:44

-about 30 years ago, perhaps, and it was for sale for £10.

-No!

0:38:440:38:48

I knew Fred sold his pictures for about £50 in those days.

0:38:480:38:51

I liked his paintings, so I bought it.

0:38:510:38:53

And I recognised the view, it's near where I live.

0:38:530:38:57

-So you snapped it up for a tenner?

-I did.

-Well done.

0:38:570:39:00

I mean, he's a funny artist, isn't he, because this is,

0:39:000:39:03

I think, an early work, as the colours are quite muted.

0:39:030:39:06

-Yes.

-I mean, I've seen a lot of his later work,

0:39:060:39:08

where the colours are really bright and vibrant and garish in some ways.

0:39:080:39:12

His watercolours are very, very bright.

0:39:120:39:14

So, they can... And they make quite a lot of money, those ones.

0:39:140:39:18

I mean, we have got a few problems.

0:39:180:39:19

It probably needs a good clean and an overhaul.

0:39:190:39:22

-There's a few weak patches, here and there.

-OK.

-But having said that,

0:39:220:39:25

-it's a nice big size.

-Yes.

0:39:250:39:27

It's typical of his rather heavy brushstroke style, isn't it?

0:39:270:39:31

Yes, I saw him paint. He would put loads on it.

0:39:310:39:34

I don't know how much paint he got through.

0:39:340:39:36

And then he'd paint with anything.

0:39:360:39:38

-He'd get a stick to make indentations.

-The little lines and...

-Yes, yes.

0:39:380:39:42

It's a good view and, of course, we're selling it locally,

0:39:420:39:45

so that should also enhance its appeal, I think.

0:39:450:39:48

-I mean, Fred Yates was born in 1922, he died in 2008.

-He did.

0:39:480:39:53

Of course, you know, sad though that is, it does reflect possibly an extra

0:39:530:39:57

-value to paintings, because no more are going to be produced.

-Exactly.

0:39:570:40:01

I've been looking at these and the paintings vary, honestly,

0:40:010:40:04

from a few hundred pounds up to, you know, several thousand pounds.

0:40:040:40:08

I think with this one, because it's not one of the vibrant ones,

0:40:080:40:13

because it's got a little bit of weakness,

0:40:130:40:16

-I would like to be cautious with it, you know?

-Mm-hm.

0:40:160:40:19

-I would probably suggest something like £800 to £1,200.

-OK.

0:40:190:40:24

Now, it wouldn't surprise me if it went over the £1,000 on the day,

0:40:240:40:28

but I think if we just show people that it's there to be sold...

0:40:280:40:31

-Are you happy for us to do that?

-OK.

0:40:310:40:33

What sort of reserve would you like on it?

0:40:330:40:36

-Shall I put £1,000 on it?

-Well, you...

0:40:360:40:38

Normally, if you're putting an est... a painting in at £800-£1200,

0:40:380:40:42

-the reserve has to be the low end of the estimate.

-Does it?

0:40:420:40:45

-So, it has to be around 800.

-Mmm.

0:40:450:40:47

If you want to put 1,000, then we'd put an estimate of 1,000 to 1,500, but I would...

0:40:470:40:53

I honestly would caution it a little bit.

0:40:530:40:57

I think it would attract people, at eight to 12.

0:40:570:40:59

Yes, on the other hand, you know, he's...

0:40:590:41:03

He's quite a a renowned artist now

0:41:030:41:05

-and I'd rather keep it, than not get £1,000 for it.

-Right.

0:41:050:41:09

-Shall we put the reserve at 900, then?

-Yes. Shall we comprise?

0:41:090:41:12

-We'll compromise.

-We'll meet halfway.

-Exactly.

-Absolutely.

0:41:120:41:16

That's a good target. Let's put...

0:41:160:41:18

Well, let's put the estimate at 1,000 to 1,500

0:41:180:41:20

-and then we'll put the reserve at 900.

-OK.

0:41:200:41:22

But, hopefully, you know, on the day we should get

0:41:220:41:26

-around 1,200, or more, for it.

-Well, it does depend, I know.

0:41:260:41:29

A good chance - a nice, honest painting.

0:41:290:41:31

-OK, then.

-You're happy with that?

-Let's go for it. Yes.

0:41:310:41:35

-Good morning.

-Good morning.

0:41:460:41:48

-Anthea, thank you for coming along to Flog It.

-That's a pleasure.

0:41:480:41:51

What have you got in your pouch?

0:41:510:41:53

I have got a little American compact.

0:41:530:41:58

That is absolutely beautiful.

0:41:580:42:00

I love it. I love the shape.

0:42:000:42:03

-Now, I have seen something similar to this before.

-Yeah.

0:42:030:42:07

Because I think they made these with the sort of lace glove on, as well.

0:42:070:42:10

-I did see those on the internet with the lace gloves.

-Exactly.

0:42:100:42:13

This is lovely, with the red nail varnish.

0:42:130:42:16

-It is, yes.

-How pretty is that?

0:42:160:42:18

-Very elegant, isn't it?

-It is.

-Very 1940s.

-It is, yes.

0:42:180:42:22

Let's just have a look inside.

0:42:220:42:24

Has it got the original powder, because that's quite important?

0:42:240:42:28

-It has, yes.

-Wonderful.

0:42:280:42:30

Ah, and the name there - Veloute.

0:42:300:42:32

-So you've got the little sort of netting and gauze here...

-Yes...

0:42:320:42:36

They had loose powder in those days.

0:42:360:42:38

-Is it something you've ever used?

-No, no.

-Don't wear powder?

0:42:380:42:42

-Well, not really, no.

-Nobody really carries powder compacts these days,

0:42:420:42:47

-but in the...

-Yet they're lovely things.

-Absolutely.

0:42:470:42:50

In the 1940s, this was such an essential piece to have in the lady's handbag.

0:42:500:42:54

I'm just thinking about this and wondering if this is the original...

0:42:540:42:58

-I don't know whether it's original...

-The puff.

0:42:580:43:00

-I mean, it's the perfect shape, but the fact that it doesn't sort of fit.

-The bits fluff out, don't they?

0:43:000:43:08

-I mean, they do, they sort of overlap slightly.

-Yes.

0:43:080:43:11

I'm wondering if that is the original.

0:43:110:43:12

This is all in lovely condition, as well.

0:43:120:43:15

-A slight chip there...

-Yes.

-..to the nail varnish

0:43:150:43:18

and a little bit of wear there.

0:43:180:43:19

-Yeah.

-But overall, really in very nice condition.

0:43:190:43:22

-For something 60 years old...

-We can expect that, can't we?

-You know.

-Well, 60 years plus.

0:43:220:43:27

It could be 60 years plus, couldn't it?

0:43:270:43:29

I would say, probably, early 1940s.

0:43:290:43:32

-Yes.

-So, as it's not something that you would use, how did you actually come about this?

0:43:320:43:37

-It was given to me by a family friend.

-Right, OK.

0:43:370:43:41

-And somebody who used it themselves?

-Yes. Yes.

0:43:410:43:44

They would have used it, definitely.

0:43:440:43:47

-Now, compacts are collectable.

-Yes.

0:43:470:43:49

People like to have a novelty piece,

0:43:490:43:52

-something slightly unusual and certainly that has the novelty value.

-Yes.

0:43:520:43:56

I would probably like to say, conservatively,

0:43:560:44:00

-I'd put an estimate on of around £80 to £120 on this.

-Yes.

0:44:000:44:04

-I'd probably suggest putting a reserve on of about £70.

-Yes.

0:44:040:44:08

But I could see collectors going for something like this

0:44:080:44:11

and would hope that it would make about £100.

0:44:110:44:13

-Oh, that would be lovely.

-Are you happy to flog it?

-Yes.

-Let's flog it.

0:44:130:44:17

It's a busy day and I've been having a dig around, too.

0:44:170:44:21

An unusual piece of militaria brought in by Prue has caught my eye.

0:44:210:44:26

Prue, it's great to see you

0:44:260:44:28

and thank you so much for bringing in a little bit of militaria because

0:44:280:44:32

it really is a boy's toy

0:44:320:44:34

and I'm quite privileged to be holding this and talking about this. How did you come by this?

0:44:340:44:38

My father brought it home with him

0:44:380:44:41

at the end of the Second World War.

0:44:410:44:44

He was a gunnery captain in the war

0:44:440:44:46

and he came home with a few items, and that's the last of the items.

0:44:460:44:52

So it's been in the family for a little while?

0:44:520:44:55

-Yes.

-You don't...

-Longer than me!

0:44:550:44:57

-You know it's a percussion cap pistol?

-Yes.

0:44:570:45:01

It's not...

0:45:010:45:02

let's say a fanciful duelling pistol, unfortunately.

0:45:020:45:07

It's a working serviceman's pistol.

0:45:070:45:11

I'm looking at a marking here.

0:45:110:45:12

-Can you see Mutzig here?

-Yes.

-De Mutzig.

0:45:120:45:15

That's a region in the north east of France and it's a military region and there's a lot of small factories

0:45:150:45:20

around there that made arms and they made lots of weapons.

0:45:200:45:25

And this is a standard military issue and it's sort of our Regency period.

0:45:250:45:29

It's sort of around about 1810 to 1820.

0:45:290:45:32

I'd love to think

0:45:320:45:34

it was used at the Battle of Waterloo, sort of circa 1815.

0:45:340:45:37

There's a possibility, we're in the right regions...

0:45:370:45:42

Aren't we, really, let's face it?

0:45:420:45:44

-I imagine so.

-It's a holster pistol, basically.

0:45:440:45:47

There's its belt clip. It's a crude pistol.

0:45:470:45:50

Yeah.

0:45:500:45:52

Nevertheless, it could do a lot of damage.

0:45:520:45:56

Look at the bore there, that really is quite frightening to think a ball would come flying out of there.

0:45:560:46:02

You'd ram the ball in with your gunpowder, put the powder in,

0:46:020:46:05

ram the ball in, there is your ramrod, and once that's sealed,

0:46:050:46:11

there is your little entry for your percussion cap which would send

0:46:110:46:15

the spark from the cap straight into the powder

0:46:150:46:18

and shoot that bullet out with such velocity.

0:46:180:46:21

I'll put my finger on the trigger. We'll point it at the table! It's in perfect working condition.

0:46:210:46:26

I like the little sight on the barrel.

0:46:260:46:28

That's not really necessary cos you're not going to shoot great distances with this.

0:46:280:46:32

It doesn't have to be that accurate, it really doesn't.

0:46:320:46:35

Any idea of value?

0:46:350:46:38

Not really, no.

0:46:380:46:40

I think it stands a chance of getting around £200 to £300.

0:46:400:46:44

-OK.

-And I'd like to put it into auction with that kind of estimate

0:46:440:46:47

with a reserve at 200, if you're happy with that?

0:46:470:46:51

If it was a... If it was a flintlock we'd be looking at £400 to £600.

0:46:530:46:58

If the reserve is definitely 200, yes.

0:46:580:47:02

-Happy with that?

-Yes.

0:47:020:47:04

-Sure?

-Yes.

0:47:040:47:06

I'd like to see it do the top end, I really would.

0:47:060:47:09

So would I.

0:47:090:47:11

Hello, Christine.

0:47:190:47:20

-Good afternoon.

-I'm charmed to meet you.

0:47:200:47:22

And you've brought a lovely, charming little object in.

0:47:220:47:25

Has it been in your family long?

0:47:250:47:28

No, I've had it for about 26 years, hidden away in a cupboard.

0:47:280:47:31

It was left to me by an elderly friend and I haven't thought any

0:47:310:47:37

more about it until recently and wondered if there was any value.

0:47:370:47:40

So, you saw that we were coming here today and you thought you'd

0:47:400:47:43

-wander in with a few items and let us have a look?

-That's right.

0:47:430:47:47

Wonderful. I'm so glad you did, because actually it's quite an exciting little carriage timepiece.

0:47:470:47:52

-Is it?

-Yes, it's got a very typical French movement,

0:47:520:47:55

but it's encased in this wonderful exuberant case,

0:47:550:48:00

-which is hallmarked silver...

-It is silver?

-..for London 1915.

0:48:000:48:03

-Right.

-And you...

0:48:030:48:05

Can you imagine at the time we were just starting the Great War?

0:48:050:48:08

-Yes.

-1914. But still, in the fashionable houses of London

0:48:080:48:12

and the rest of the country, when you went to stay with friends,

0:48:120:48:16

you packed up your own little bedroom timepieces.

0:48:160:48:20

-Ladies would have these to take with them...

-Oh, right.

0:48:200:48:23

And they would have them in their rooms, so you'd take the possessions with you.

0:48:230:48:27

I love that we've got all these scrolls here and little

0:48:270:48:30

-floral swags and things.

-It's pretty, isn't it?

0:48:300:48:33

It's a beautiful little thing. Raised on these lovely little feet.

0:48:330:48:36

-There's a little dent here or there, but I think, you know, considering it's nearly 100 years old...

-Quite.

0:48:360:48:43

I think we can forgive that. I've got a few dents and I'm nowhere near 100 yet.

0:48:430:48:47

I love these little things and they're very popular at auction now.

0:48:470:48:50

I mean, sometimes they're very plain or sometimes you can have them with enamelling on them.

0:48:500:48:54

It's very much a Victorian style, before the Art Deco period,

0:48:540:48:59

-when things became a lot more angular.

-Right.

0:48:590:49:01

And we're just after the Art Nouveaux period, where things were much more organic.

0:49:010:49:05

But I'm loving it. What do you think the value might be?

0:49:050:49:09

No idea, really.

0:49:090:49:11

I think if we put it into auction, say at £120 to £180.

0:49:110:49:17

-Right.

-And maybe put the reserve at 100, but I think it'll probably make a bit more than that.

0:49:170:49:22

-Would you be happy if we did that?

-Yes, fine.

0:49:220:49:24

If we got a good price, would you do anything in particular with the money?

0:49:240:49:28

Yes, I would give it to ShelterBox.

0:49:280:49:30

-To?

-ShelterBox? Which is a charity that was set up in Helston

0:49:300:49:33

by the Rotary Club and these ShelterBoxes go all over the world,

0:49:330:49:37

-where there have been terrible disasters...

-Oh, wonderful.

0:49:370:49:40

-It holds everything that would help a family in distress...

-Oh, wonderful.

0:49:400:49:45

-..that have lost their homes.

-What a lovely idea.

0:49:450:49:47

-I hope that it makes good money.

-We'll keep our fingers crossed.

0:49:470:49:50

-Lovely to meet you, Christine. Thank you so much.

-Thank you.

0:49:500:49:54

So, there we have it, our remaining three lots for auction.

0:49:540:49:59

Cecilia spotted a great bargain, when she snapped up this Fred Yates painting at auction.

0:49:590:50:04

But will she get the kind of return she's hoping for?

0:50:040:50:07

And Prue is hoping her pistol will make a big noise at auction.

0:50:090:50:12

This unusual American compact, given to Anthea by a family friend.

0:50:150:50:19

And, finally, Christine's elegant little timepiece.

0:50:220:50:25

We've brought our items here, to Jefferys Auctions in Lostwithiel.

0:50:270:50:31

It's a small, but popular, auction room and today is no exception. It's heaving!

0:50:310:50:35

But before the sale got underway, I was able to have a chat

0:50:350:50:39

with auctioneer, Ian Morris, about Cecilia's painting.

0:50:390:50:42

Fred Yates. You're a Cornishman, you've got to like this,

0:50:440:50:48

because Fred was a local boy. Sadly, he's passed away now.

0:50:480:50:51

We've got a valuation of £1,000 to £1,500 on this, with a fixed reserve of 900.

0:50:510:50:56

That, if it came to the saleroom, is the kind of area I would like it to be in.

0:50:570:51:02

-Now, unfortunately, I spoke to Cecilia since...

-Yeah.

0:51:020:51:06

-Maybe wished not to sell it and...

-She's put the reserve up?

0:51:060:51:12

-Put the reserve up.

-To what?

-To £2,200.

-Cor!

0:51:120:51:16

-That's a lot. That's a big jump, isn't it?

-Yeah.

0:51:160:51:19

She lives in Fowey, it's a Fowey scene. It would be hard to replace.

0:51:190:51:22

Erm...I think, because it's a local view, because it's a local artist,

0:51:220:51:26

we've got an outside chance, but it will take a lot of selling.

0:51:260:51:30

It sounds like it's going to struggle, doesn't it, really?

0:51:300:51:33

-2,200...

-Yeah.

-..is a lot of money. It's a lot of money.

0:51:330:51:36

It is. Since his demise, obviously,

0:51:360:51:38

his work has increased steadily and

0:51:380:51:41

we see a number of his works now making 1,500 to 2,500. Let's hope it's a good day.

0:51:410:51:46

I hope so. You never know, there could be a lot of local interest in it, something somebody wants.

0:51:460:51:51

Somebody like Cecilia may have that view.

0:51:510:51:53

Fowey is a good area and there is money around and if people would like the view and like the artist

0:51:530:51:58

it would probably be no problem to them.

0:51:580:52:00

-OK. Good luck.

-I think I'll need it for that one!

0:52:000:52:03

Well, we'll find out whether she was right later, but now it's time to auction off our first lot.

0:52:050:52:10

However, there is a little problem.

0:52:100:52:12

I'm getting a bit worried, because next up we've got Christine.

0:52:140:52:17

Her little Edwardian travelling clock is going,

0:52:170:52:21

but unless she walks in right now, she's going to miss this.

0:52:210:52:24

We do have Mark Stacey, our expert, here who's put a value of what, about 150 to 180 on this?

0:52:240:52:29

Absolutely. A pretty little thing.

0:52:290:52:31

It's a shame she's not here. I'm sure it's going to make that estimate, if not a little bit more,

0:52:310:52:36

because it's a nice, honest little object.

0:52:360:52:38

A lot of silver here, so fingers crossed,

0:52:380:52:40

this is going to fly out of the room.

0:52:400:52:42

Lot 702, there. It's the silver-cased clock

0:52:420:52:44

with foliate decoration.

0:52:440:52:46

Can I say £100 away? £100? £80 away?

0:52:460:52:49

£50, I'm bid. At 50. 60. 70.

0:52:490:52:52

-At £70, I'm bid.

-Come on, it should be a bit more than that!

0:52:520:52:54

-At £70.

-Come on.

-At 80. 90.

0:52:540:52:56

Is it 100? At £100, the bid's to my left. 110.

0:52:560:52:59

110. 120. 130.

0:52:590:53:02

140. At 140, there.

0:53:020:53:04

-Oh, that's all right, 140.

-£140.

0:53:040:53:06

Mid-estimate, well done. Christine will be pleased.

0:53:060:53:10

Just when we thought we'd have to break the news to her by phone...

0:53:130:53:16

Christine.

0:53:160:53:18

-Hello.

-Here she is. Where were you? You've missed your lot.

0:53:180:53:21

Oh, I was a little bit late.

0:53:210:53:23

I went up to the daughter's, just to have a rest.

0:53:230:53:25

-Does she live up the road?

-Yes, not far away.

0:53:250:53:28

-Do you want the good news?

-Yes, please.

0:53:280:53:30

-Go on, tell her, Mark.

-£140.

0:53:300:53:32

Oh, that's very good. And that's going to ShelterBox, as well.

0:53:320:53:34

Wonderful.

0:53:340:53:36

At 340. 360? 360's bid.

0:53:370:53:39

It's my turn to be the expert now and I'm in the firing line

0:53:410:53:44

because up next we've got the percussion cap pistol. Early 19th century one.

0:53:440:53:48

It belongs to Prue and, hopefully, for not much longer.

0:53:480:53:52

Now, I know we said at the valuation day around £200 to £300.

0:53:520:53:55

That's what I'd like to see.

0:53:550:53:57

We've got a reserve of £200 and I know you've had a chat

0:53:570:54:00

to the auctioneer and you've dropped the reserve back a bit to 150.

0:54:000:54:04

I'm still hoping for the 200 to 300.

0:54:040:54:06

-So am I.

-That's what I want.

0:54:060:54:09

I'm afraid it does stand alone. I've looked in the saleroom today, there are no other weapons or militaria.

0:54:090:54:17

So, fingers crossed it's been spotted, that's all I can say.

0:54:170:54:20

Lot 285, there.

0:54:200:54:22

It's the early 19th century percussion large-bore pistol.

0:54:220:54:25

I have four bids on this and I've got to start it at £280.

0:54:250:54:28

-There you go.

-Great! Wonderful!

-At 280. 280.

0:54:280:54:31

300 now? At 280. At 280. 300 or not?

0:54:310:54:34

At 280. 300 or not?

0:54:340:54:36

300 there. 320. 340. 340 with you.

0:54:360:54:38

I'm now out. At 340. 360? 360. 380?

0:54:380:54:43

380. 400. 420? 420. 440? 440. 460?

0:54:430:54:48

At 440. 460 or not. At £440.

0:54:480:54:49

At £440.

0:54:490:54:52

Brilliant! Well done.

0:54:520:54:54

-That's OK.

-Thank you very much indeed.

-I was a bit...

0:54:540:54:56

-I was a bit disappointed when you said it would only do 150, the auctioneer said.

-So was I.

0:54:560:55:02

But, you know, on a good day... On a good day that would make good money because the condition is exceptional

0:55:020:55:08

and three or four people thought that.

0:55:080:55:09

-Well, it certainly went with a bang rather than a dead squid!

-Damp squib!

0:55:090:55:13

75. At 75. The bid's at the back there.

0:55:130:55:16

At 75. 80 now? At £75.

0:55:160:55:19

Right now, something for the girls. It's the lovely American compact.

0:55:190:55:23

It belongs to Anthea and I know you zoomed in on this at the valuation day.

0:55:230:55:27

I did, I did. It is right up my street.

0:55:270:55:28

You'd like to own that.

0:55:280:55:30

How long have you had the compact?

0:55:300:55:32

Probably about 15 years or so.

0:55:320:55:34

And where's it been? Just...

0:55:340:55:36

-In a drawer.

-In a drawer.

0:55:360:55:38

-Criminal!

-It is, isn't it?

-I know.

-It is, yes.

0:55:380:55:40

-But then that's why it's in that lovely condition.

-It is, yes.

0:55:400:55:43

It's going to go today, isn't it? It's a real collectable. Here we go.

0:55:430:55:47

The USA compact there in the form of a lady's hand.

0:55:470:55:49

-Can I say £80 away? £50 away?

-Come on, where are the ladies?

0:55:490:55:52

At £40 I'm bid.

0:55:520:55:53

I'll take five to get on. At £40 I'm bid. 45. £50. 55.

0:55:530:55:56

£60. 65. £70. At £70 seated.

0:55:560:55:59

At £70 the bid. I'll take five.

0:55:590:56:01

-Oh, come on, a bit more.

-At £70 then seated. At £70.

0:56:010:56:04

-Oh, well, it made its money, reserve.

-Yeah.

0:56:040:56:07

-Just on the reserve.

-Yeah.

0:56:070:56:09

I thought it'd make more cos of the condition, but...

0:56:090:56:11

-Yeah.

-There you go.

0:56:110:56:13

-You never know.

-It's gone.

-It's gone.

0:56:130:56:15

-It's out of the drawer and it's gone.

-Yes.

0:56:150:56:18

660. 680.

0:56:190:56:21

700. 720. 750. 780. 800.

0:56:210:56:25

820. 850. 880. 900.

0:56:250:56:28

At £900.

0:56:280:56:29

One of my favourite artists, Fred Yates, that's on the bill now

0:56:290:56:33

and lots of local Cornish interest I would imagine, Cecilia.

0:56:330:56:36

-Yes.

-Now, we had a valuation put on by Mark, our expert, of about 1,000 to 1,500.

0:56:360:56:41

-That's right, Paul.

-That's right, isn't it?

0:56:410:56:43

-But I know since the valuation day you've had a chat to Ian, the auctioneer.

-I have.

0:56:430:56:47

-You rang him up...

-Yes.

0:56:470:56:48

-And you've now put...

-Two and a half.

0:56:480:56:51

-..the reserve up...

-Yes.

-..to 2,200.

-2,200, yes.

0:56:510:56:55

Right, did you think we undervalued it slightly?

0:56:550:56:58

-I did.

-Hopefully, you can prove us wrong and we can go home with our...

0:56:580:57:01

I'm not unhappy to take it home.

0:57:010:57:02

I gathered that. You've protected it with a fixed reserve.

0:57:020:57:05

We need 2,200 right now before this painting leaves the room.

0:57:050:57:10

Let's find out who wants it, shall we?

0:57:100:57:11

Fred Yates, signed oil on canvas there.

0:57:110:57:14

Can I say £1,000 to start?

0:57:140:57:15

At £1,000. I'll take 1,100 now. At £1,000. At 1,000.

0:57:150:57:19

1,100. 1,200. 1,300.

0:57:190:57:21

1,400. 1,500.

0:57:210:57:23

1,600. 1,600 with me.

0:57:230:57:25

At 1,600. 17 now. At 1,600.

0:57:250:57:27

1,700. At 1,700. At 1,700.

0:57:270:57:29

My bid's out on the book at 1,700. 1,800.

0:57:290:57:33

At 1,800. 1,900. 2,000?

0:57:330:57:34

2,000.

0:57:340:57:36

At 21. 22? 22. 23? At £2,200.

0:57:360:57:40

You were right!

0:57:400:57:41

At 2,200. 23 or not?

0:57:410:57:43

-Cecilia!

-£2,200.

0:57:430:57:45

2,200 you were right.

0:57:450:57:47

Lots of local interest, that's what it's all about, isn't it?

0:57:470:57:51

Well, there we are. You see...

0:57:510:57:52

-Mr Meanie!

-No!

-No, I was with you, I agreed with you.

0:57:520:57:55

But also I think we would have got that anyway...

0:57:550:57:57

-Yes, of course.

-With an estimate of 1,000 to 1,500.

0:57:570:58:00

-Yeah.

-But I do understand from the vendor's point of view you have to satisfy your own...

0:58:000:58:04

-Interest and your curiosity.

-Absolutely.

-Protect your goods.

-Absolutely.

0:58:040:58:08

That's what it's all about and you've done that!

0:58:080:58:10

There's commission to pay, but what will you put the money towards?

0:58:100:58:13

I'll probably go and have a good time. Monte Carlo, perhaps?

0:58:130:58:17

-Would you?

-Maybe I'll make lots of money!

-Oh, wow! We've had a great time here.

0:58:170:58:22

I hope you've enjoyed watching the show, as well.

0:58:220:58:24

Sadly, this is it from Lostwithiel in Cornwall.

0:58:240:58:27

Until the next time, see you soon.

0:58:270:58:29

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0:58:470:58:50

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