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'Today's show from Malvern gets our expert Kate Bateman's pulse racing.' | 0:00:03 | 0:00:07 | |
-He has got lots then? -Oh, he's got loads. -All boxed? | 0:00:07 | 0:00:10 | |
Yep. Every single one of them. | 0:00:10 | 0:00:12 | |
That's enough to make an auctioneer's heart start to race. | 0:00:12 | 0:00:15 | |
How have you come to own these lovely rugby caps? | 0:00:17 | 0:00:20 | |
'The discovery of some Welsh rugby memorabilia causes excitement all round.' | 0:00:20 | 0:00:25 | |
-I'm excited about these. -So was Philip, just before the sale. | 0:00:25 | 0:00:28 | |
-He knows, they're going to go back to Wales. -Really? | 0:00:28 | 0:00:31 | |
Fingers crossed. | 0:00:31 | 0:00:33 | |
"Flog It!" is visiting the charming town of Malvern - | 0:00:56 | 0:00:59 | |
famous for its pure water, the beautiful hills it nestles next to | 0:00:59 | 0:01:03 | |
and the stirring music of one of its most famous sons, | 0:01:03 | 0:01:07 | |
Sir Edward Elgar. | 0:01:07 | 0:01:09 | |
And I'm hoping for a show-stopper here at the Malvern Theatres. | 0:01:14 | 0:01:17 | |
'By the size of the queue, | 0:01:19 | 0:01:20 | |
'it looks like we'll have a full house. | 0:01:20 | 0:01:23 | |
'So, who's leading our team of experts today? | 0:01:23 | 0:01:25 | |
'Well, it's Adam Partridge, who has loved antiques since he was a boy. | 0:01:25 | 0:01:30 | |
'He made his first purchase at the age of ten. | 0:01:30 | 0:01:33 | |
'At 17, he bought a van and started going to auctions - and the rest, as they say, is history. | 0:01:33 | 0:01:38 | |
'And Kate Bateman, who has also got antiques in the blood. | 0:01:38 | 0:01:41 | |
'Her father was a successful artist | 0:01:41 | 0:01:44 | |
'who ran an antique shop and art gallery | 0:01:44 | 0:01:47 | |
'before the family decided to set up their own auction house in Lincolnshire.' | 0:01:47 | 0:01:51 | |
I don't think you're going to appreciate the ducks, | 0:01:51 | 0:01:53 | |
-really, are you? -Not at all. | 0:01:53 | 0:01:56 | |
Hurray! | 0:01:56 | 0:01:58 | |
'While people are busy taking their seats, it's a perfect time for me to see what's come in. | 0:01:59 | 0:02:05 | |
'Meanwhile, some of our experts are already centre stage. | 0:02:05 | 0:02:08 | |
'Let's catch up with Kate. | 0:02:08 | 0:02:10 | |
'She's with Jan, who's brought in a little gem in mint condition, | 0:02:10 | 0:02:14 | |
'belonging to her husband, John. | 0:02:14 | 0:02:15 | |
'I'm sure this will bring back memories for most of us.' | 0:02:15 | 0:02:18 | |
He's had it since he was very, very small. | 0:02:18 | 0:02:21 | |
But he was very careful. | 0:02:21 | 0:02:23 | |
He never, ever played with it. | 0:02:23 | 0:02:25 | |
Right. | 0:02:25 | 0:02:26 | |
I can see it is perfect condition, in terms of the actual car. | 0:02:26 | 0:02:30 | |
The box has seen better days, but it is boxed, which is brilliant. | 0:02:30 | 0:02:34 | |
It is Chitty Chitty Bang Bang. | 0:02:34 | 0:02:36 | |
-Was he a fan of the film? -I think he was, yes. | 0:02:36 | 0:02:38 | |
We're going to date him horribly, by saying, the date here is 1967. | 0:02:38 | 0:02:42 | |
-So we shan't mention how old he must be to have been a child when it came out. -No. | 0:02:42 | 0:02:47 | |
But it's a great thing. It's so unusual to get them in their boxes. | 0:02:47 | 0:02:51 | |
Children get it for Christmas, rip open the box, throw it away, play with it. | 0:02:51 | 0:02:56 | |
So it's so nice to see it in working condition with all its bits. | 0:02:56 | 0:02:59 | |
Do you know its secret - what it does? | 0:02:59 | 0:03:03 | |
Yeah, the wings pop out. | 0:03:03 | 0:03:04 | |
-Do you want to give it a go? -No, you do it. | 0:03:04 | 0:03:06 | |
So if I break it, that's fine?! | 0:03:06 | 0:03:08 | |
This is your item. You've said it live now, we can't go back. | 0:03:08 | 0:03:11 | |
I'm petrified. Do we pull it forward? | 0:03:11 | 0:03:14 | |
There we go. | 0:03:14 | 0:03:16 | |
So it works, and presumably flies off into the distance. | 0:03:16 | 0:03:19 | |
I think it's a really fun thing. Why are you selling? | 0:03:19 | 0:03:23 | |
Well, we've got four boys. | 0:03:23 | 0:03:25 | |
You can't really divide it between the four of them. | 0:03:25 | 0:03:28 | |
The general consensus is to sell it | 0:03:28 | 0:03:31 | |
and it will go towards our holiday fund. | 0:03:31 | 0:03:33 | |
-OK. Flying off in a motorised car somewhere! -Not quite, I don't think, but... | 0:03:33 | 0:03:37 | |
In this condition I would have thought estimate for auction is £80-£120. | 0:03:37 | 0:03:42 | |
-Mm-hmm. -I think we'd reserve it at slightly lower than that, maybe a £60 reserve. | 0:03:42 | 0:03:47 | |
But £80-£120 estimate. | 0:03:47 | 0:03:49 | |
-Would you be happy with that? -Yeah, fine, lovely. | 0:03:49 | 0:03:52 | |
I take it you don't have an attic full of other boxed toys? | 0:03:52 | 0:03:55 | |
-We do. -You do? -We do, yeah. | 0:03:55 | 0:03:58 | |
My husband had two brothers, so whenever one was bought something all three of them were. | 0:03:58 | 0:04:02 | |
He used to hide his and put them away and play with his brothers'. | 0:04:02 | 0:04:05 | |
So his were never touched. | 0:04:05 | 0:04:07 | |
-So are the brothers' completely ruined? -They're wrecked. -Excellent. | 0:04:07 | 0:04:11 | |
He can have the last laugh if this sells for £100. | 0:04:11 | 0:04:13 | |
That would be brilliant. | 0:04:13 | 0:04:15 | |
-So we'll take it to the sale and see if it goes. -OK, lovely. Thank you. | 0:04:15 | 0:04:19 | |
-Thanks for bringing it in. -Thanks. | 0:04:19 | 0:04:21 | |
'It just goes to show, it is well worth looking after things. | 0:04:21 | 0:04:25 | |
'These rugby caps look in pretty good condition.' | 0:04:25 | 0:04:28 | |
-Newport, in Wales. -Wow! | 0:04:28 | 0:04:29 | |
But there's loads of different things. | 0:04:29 | 0:04:32 | |
1905-1906. | 0:04:32 | 0:04:35 | |
'I've no time to stop now. | 0:04:35 | 0:04:37 | |
'Waiting to see me are Kay and Simon, | 0:04:37 | 0:04:39 | |
'and my favourite girl of the day, baby Sienna.' | 0:04:39 | 0:04:42 | |
Can you give me a high five? Yeah! Ah! | 0:04:45 | 0:04:49 | |
So, whose is this then? Who likes the taxidermy? | 0:04:49 | 0:04:53 | |
-My father liked it. -OK. | 0:04:53 | 0:04:56 | |
It was a bit of a talking point in the family. | 0:04:56 | 0:04:58 | |
He was the only one that liked it. | 0:04:58 | 0:05:00 | |
So when my mum moved she didn't want to take it with her, so I took it - | 0:05:00 | 0:05:03 | |
otherwise it was going to end up in the skip. | 0:05:03 | 0:05:05 | |
Then this little one's just turned one. | 0:05:05 | 0:05:07 | |
So we want to invest the money into an antique jewellery box for her. | 0:05:07 | 0:05:10 | |
-Wow! -That's the plan. | 0:05:10 | 0:05:13 | |
That's slightly more girly than a group of arranged dead birds! | 0:05:13 | 0:05:17 | |
You hit the nail on the head - | 0:05:17 | 0:05:19 | |
you either loathe this kind of thing or you love it. And I do love it. | 0:05:19 | 0:05:23 | |
I must admit, I'm a big fan of taxidermy that's done really well. But it has to be good. | 0:05:23 | 0:05:28 | |
It has to be very, very good. This is a nice gathering. | 0:05:28 | 0:05:30 | |
I would say it is an Edwardian piece. | 0:05:30 | 0:05:33 | |
1910, something like that, when everybody | 0:05:33 | 0:05:36 | |
was hunting, shooting and fishing, and they liked to have these trophies of the things they shot. | 0:05:36 | 0:05:40 | |
I know it's a bit macabre, but it was very fashionable then. | 0:05:40 | 0:05:44 | |
And I think this is a good entry piece for somebody who wants to buy some taxidermy. | 0:05:44 | 0:05:48 | |
Because what you've got going for it is, you have actually got a pictorial image. | 0:05:48 | 0:05:53 | |
Somebody's taken the time to make some rock formations, | 0:05:53 | 0:05:56 | |
some fern, some grasses, with this very nice grouping of English birds. | 0:05:56 | 0:06:01 | |
I know that's a little thrush and there's a mallard duck here. | 0:06:01 | 0:06:04 | |
Taxidermy goes right back, believe it or not, to the ancient Egyptians, | 0:06:04 | 0:06:09 | |
-because they used to mummify cats and put them in the tombs as a deity. -Yeah. | 0:06:09 | 0:06:16 | |
The word taxidermy comes from the Greek. | 0:06:16 | 0:06:18 | |
"Taxi", meaning to move around, and "dermy", skin. | 0:06:18 | 0:06:21 | |
So you are moving the skin around. That is exactly what the Victorians did. | 0:06:21 | 0:06:25 | |
They were the consummate artists in taxidermy. | 0:06:25 | 0:06:28 | |
Back in the late 1800s, early 1900s, English taxidermy really was a big thing. | 0:06:28 | 0:06:33 | |
Every parlour had something stuffed. | 0:06:33 | 0:06:36 | |
-Let's get it into auction with a value of £60-£100 and put a reserve of £50, shall we? -Yeah, great. | 0:06:36 | 0:06:41 | |
-Happy with that? -Absolutely. -And I'm sure somebody that wants | 0:06:41 | 0:06:44 | |
some entry level taxidermy, this is the thing to buy. | 0:06:44 | 0:06:47 | |
I know Philip will be annoyed with me, because he said no dead things. | 0:06:47 | 0:06:50 | |
But unfortunately, Philip, this one's on the bill. | 0:06:50 | 0:06:53 | |
'The next item might be more to Philip's taste. | 0:06:56 | 0:06:58 | |
'Remember those rugby caps I spotted earlier? | 0:06:58 | 0:07:00 | |
'Well, Adam's going to value them.' | 0:07:00 | 0:07:03 | |
-Jackie, Christine...? -That's right. | 0:07:03 | 0:07:05 | |
-I believe you are sisters, are you? -Yes, we are. | 0:07:05 | 0:07:07 | |
-Welcome to "Flog It!" -Thank you. | 0:07:07 | 0:07:09 | |
Now, how have you come to own these lovely rugby caps? | 0:07:09 | 0:07:12 | |
Our dad died a couple of months ago so we were searching through all | 0:07:12 | 0:07:18 | |
his stuff and we came across them in a suitcase up in the loft. | 0:07:18 | 0:07:21 | |
So you never knew they were there? | 0:07:21 | 0:07:23 | |
-No. -Really? | 0:07:23 | 0:07:25 | |
No. It was quite a find. | 0:07:25 | 0:07:27 | |
It was, really, wasn't it? Quite surprising. | 0:07:27 | 0:07:30 | |
Can you explain... I'm presuming that this distinguished-looking | 0:07:30 | 0:07:33 | |
rugby player here was the owner of these earlier caps. | 0:07:33 | 0:07:35 | |
That's what we believe. We found the photo with the caps in the suitcase. | 0:07:35 | 0:07:40 | |
OK. These are Newport Rugby Club, aren't they? | 0:07:40 | 0:07:42 | |
-Yes, Newport Gwent. -That's right. | 0:07:42 | 0:07:45 | |
Famous rugby club, aren't they? | 0:07:45 | 0:07:47 | |
Do we know who this person is? | 0:07:47 | 0:07:50 | |
We're not sure, are we? | 0:07:50 | 0:07:52 | |
We think it might be a cousin of my father's. | 0:07:52 | 0:07:54 | |
-Right. -Charlie Priest. | 0:07:54 | 0:07:56 | |
That's Charlie Priest's cap, cos his name is in the cap. It is signed. | 0:07:56 | 0:08:00 | |
-Is it? -Yeah. | 0:08:00 | 0:08:02 | |
CW Priest. | 0:08:02 | 0:08:03 | |
We assume that this is either his father or his grandfather. | 0:08:03 | 0:08:07 | |
Yeah. So you've got four of them there. | 0:08:07 | 0:08:09 | |
They're in fair condition. Some are a bit worn, aren't they? | 0:08:09 | 0:08:12 | |
-Yes. -That one's all right. Is it that one? -It's this one. | 0:08:12 | 0:08:15 | |
That one was heavily worn, was it? | 0:08:15 | 0:08:17 | |
Must have been, mustn't it? Yeah. | 0:08:17 | 0:08:19 | |
-Must have been very proud of that one. -Must have been. | 0:08:19 | 0:08:22 | |
I see you've got this South Wales rugger souvenir over here. | 0:08:22 | 0:08:26 | |
And there's a team photo of some of the Newport lads from '48 to '49, | 0:08:26 | 0:08:32 | |
-which also adds in with this bit, which is '50 to '51. -Yeah. | 0:08:32 | 0:08:37 | |
I had a scan through this line-up here. I'm sure you have as well. | 0:08:37 | 0:08:40 | |
-Yes, we have. -No priests! -No! | 0:08:40 | 0:08:43 | |
We're going to a place where... He's a former rugby player himself. | 0:08:43 | 0:08:47 | |
I know the auction house quite well, Philip Serrell's. | 0:08:47 | 0:08:50 | |
-In fact, he looks kind of... -The rugby build! | 0:08:50 | 0:08:52 | |
Yeah. And I think it's quite a good choice of items to go there. | 0:08:52 | 0:08:55 | |
I think he's going to like them. | 0:08:55 | 0:08:56 | |
Value-wise, I mean, at what price would you rather have them back? | 0:08:56 | 0:09:01 | |
Well, we said we wanted to put a £100 reserve on all of them. | 0:09:01 | 0:09:04 | |
I think that's sensible. You are pitching about the right level. | 0:09:04 | 0:09:08 | |
You don't want to overdo it, cos that will kill it off and no-one will bid. | 0:09:08 | 0:09:11 | |
But £25 each, with a few other bits, £100 reserve sounds sensible. | 0:09:11 | 0:09:16 | |
'Well, that's a nice collection of rugby memorabilia for £100 or so. | 0:09:16 | 0:09:22 | |
'Now, a reminder of the first items going up for auction.' | 0:09:22 | 0:09:26 | |
'Kate's truly scrumptious find - the little toy car, | 0:09:28 | 0:09:31 | |
'in excellent condition, which should grab the bidders' interest. | 0:09:31 | 0:09:34 | |
'Next, my choice, the Edwardian taxidermy, | 0:09:34 | 0:09:37 | |
'which I think is the perfect starter piece | 0:09:37 | 0:09:39 | |
'for a would-be collector.' | 0:09:39 | 0:09:40 | |
'And Adam picked up on those rugby caps I spotted earlier, | 0:09:43 | 0:09:46 | |
'which are bound to appeal to our old friend, Philip Serrell.' | 0:09:46 | 0:09:50 | |
'Our items haven't got far to travel. | 0:09:53 | 0:09:55 | |
'They're being sold down the road in Malvern | 0:09:55 | 0:09:58 | |
'at Serrell's Auctioneers and Valuers. | 0:09:58 | 0:10:00 | |
'There are plenty of people browsing, | 0:10:00 | 0:10:03 | |
'so it should be a good sale.' | 0:10:03 | 0:10:05 | |
'Before the auction starts, I'm going to find out | 0:10:08 | 0:10:11 | |
'what Philip's research about the rugby caps has unearthed.' | 0:10:11 | 0:10:14 | |
I know you're the best person in the business | 0:10:16 | 0:10:18 | |
to bring these to because you are a rugby player. | 0:10:18 | 0:10:20 | |
I love my rugby, Paul, | 0:10:20 | 0:10:21 | |
and these caps, this is where the expression "being capped for your country" came from. | 0:10:21 | 0:10:25 | |
So, England, Scotland, Ireland or Wales, | 0:10:25 | 0:10:28 | |
-every time you played you got a cap. -These are Newport, though. | 0:10:28 | 0:10:30 | |
Yes. The interesting thing about Welsh rugby, now it's all changed and it's regionalised. | 0:10:30 | 0:10:36 | |
So you've got the Ospreys, you've got the Dragons, Cardiff Blues. | 0:10:36 | 0:10:39 | |
And sides like Newport, Pontypool, Pontypridd, Maesteg, Neath, they have all evaporated, in a way. | 0:10:39 | 0:10:46 | |
But these early caps belonged to a splendidly-named Knacker Priest. | 0:10:46 | 0:10:51 | |
What a man, Knacker Priest, he's obviously got that nickname from something. | 0:10:51 | 0:10:56 | |
Whether he dealt with dead horses or it was his style of rugby, I don't know. | 0:10:56 | 0:11:00 | |
But they're just wonderful. | 0:11:00 | 0:11:02 | |
And I think they've been estimated at what, £100-£150. | 0:11:02 | 0:11:06 | |
-We have a lot of interest in them and I think we'll do well. -Good. | 0:11:06 | 0:11:10 | |
'We're kicking off with Jan who's selling her husband John's toy car. | 0:11:12 | 0:11:17 | |
'It should do well, | 0:11:17 | 0:11:18 | |
'because he's kept it boxed and in mint condition.' | 0:11:18 | 0:11:21 | |
-He's a good boy because he kept the box. -He always did, yeah. | 0:11:24 | 0:11:27 | |
I never did. Bad boy! | 0:11:27 | 0:11:29 | |
It's unnatural. It's unnatural not to keep it. | 0:11:29 | 0:11:32 | |
You rip the box up and you play with the toys. | 0:11:32 | 0:11:34 | |
-Christmas Day. -Or birthdays. -Normal children do. | 0:11:34 | 0:11:38 | |
What are you saying about him then? | 0:11:38 | 0:11:40 | |
It's got all the bits. There's all those bits to lose and break on it. | 0:11:40 | 0:11:44 | |
-So that's why it should sell. -And we've got £80-£120, haven't we? | 0:11:44 | 0:11:47 | |
-Yep. -It's a real iconic car. | 0:11:47 | 0:11:50 | |
Every schoolboy knows this car, they loved the film. | 0:11:50 | 0:11:52 | |
-We won't sing. -We won't sing, no, I won't embarrass myself. | 0:11:52 | 0:11:56 | |
-I can't sing anyway. Can you, have you got a good voice? -Er, no. | 0:11:56 | 0:12:00 | |
-I won't put you to the test, then. Good luck. -Thank you. -This is it. | 0:12:00 | 0:12:04 | |
A very collectable Corgi Chitty Chitty Bang Bang model, | 0:12:05 | 0:12:09 | |
complete with its plastic inserts, | 0:12:09 | 0:12:12 | |
and nobody should be without theirs. | 0:12:12 | 0:12:14 | |
I am bid on the book, £40, £45, 50, 60, 70 and five... | 0:12:14 | 0:12:19 | |
-Don't shake your head. -Come on. | 0:12:19 | 0:12:22 | |
It is with me. At 75, one more... | 0:12:22 | 0:12:25 | |
£80, and five, 85. | 0:12:25 | 0:12:26 | |
The bid's with me on the book. | 0:12:26 | 0:12:29 | |
Commission bid. The net's out, the room's out. | 0:12:29 | 0:12:32 | |
£85 on the book. | 0:12:32 | 0:12:33 | |
Can I sell then at £85 and done? Thank you. | 0:12:33 | 0:12:36 | |
-It's gone. -Well done. | 0:12:36 | 0:12:38 | |
He'll be pleased. | 0:12:38 | 0:12:39 | |
-He'll take you out for supper now, do you think? -Oh, it's mine. | 0:12:39 | 0:12:42 | |
It's yours. It's your money. Shoes? | 0:12:42 | 0:12:43 | |
You'll have to dig out the other ones now - see what else you've got! | 0:12:43 | 0:12:46 | |
-He's got lots, then, you said? -Oh, he's got loads. -All boxed? | 0:12:46 | 0:12:49 | |
Yep. Every single one of them. | 0:12:49 | 0:12:52 | |
It's enough to make an auctioneer's heart just start to race. | 0:12:52 | 0:12:55 | |
'I bet Kate wishes her attic was full of boxed, | 0:12:55 | 0:12:58 | |
'mint condition toy cars. | 0:12:58 | 0:13:01 | |
'My choice next, and it's time for my heart to start racing. | 0:13:01 | 0:13:03 | |
'It's Kay and Simon and baby Sienna with the collection of taxidermy.' | 0:13:03 | 0:13:08 | |
Well, we're talking about the water fowl. | 0:13:09 | 0:13:11 | |
We've got those stuffed Edwardian birds in the cabinet going under the hammer right now. | 0:13:11 | 0:13:15 | |
Philip didn't give me a ticking off. | 0:13:15 | 0:13:16 | |
-He didn't say anything, he avoided the subject. -Thankfully. | 0:13:16 | 0:13:19 | |
I just hope they sell after all the effort of bringing them here. Fingers crossed, OK? | 0:13:19 | 0:13:24 | |
-Fingers crossed? -Little one and all. | 0:13:24 | 0:13:26 | |
There we are, the case of taxidermy, two duck and other water fowl. | 0:13:28 | 0:13:33 | |
Bid me £100 for that lot. | 0:13:33 | 0:13:35 | |
The case of taxidermy. £100 to start me. | 0:13:35 | 0:13:38 | |
Well, bid me £50, someone. | 0:13:40 | 0:13:43 | |
Just down here on the left. I'm bid £20 for that lot. | 0:13:43 | 0:13:46 | |
20, and five, 30, and five, 35, bid 40, | 0:13:46 | 0:13:50 | |
40 bid. At 40. | 0:13:50 | 0:13:52 | |
You're not bidding? | 0:13:52 | 0:13:53 | |
Any more at all? At 45. 45. 45. One more? | 0:13:53 | 0:13:58 | |
Come on, one more. | 0:14:00 | 0:14:01 | |
Are you bidding, sir? | 0:14:01 | 0:14:04 | |
At 45, any more at all? No, well, I'm sorry, I can't do that. | 0:14:04 | 0:14:09 | |
-Oh, close. -Close, but no cigar. | 0:14:09 | 0:14:12 | |
I'm ever so sorry. Ever so sorry. | 0:14:12 | 0:14:15 | |
It's been a very worthwhile experience. | 0:14:15 | 0:14:18 | |
-Have you enjoyed it? -It's been really enjoyable. | 0:14:18 | 0:14:21 | |
And we've had a good day out as well. | 0:14:21 | 0:14:23 | |
-Great. -I guess we can hang them up on the wall now. | 0:14:23 | 0:14:25 | |
'Well, that was disappointing, but I'm glad they have enjoyed the day. | 0:14:25 | 0:14:30 | |
'Christine and Jackie's mum needs picking up from the hospital today, | 0:14:30 | 0:14:34 | |
'so we've only got one of the sisters at auction. | 0:14:34 | 0:14:37 | |
'Let's see how the bidders tackle the rugby caps.' | 0:14:37 | 0:14:39 | |
We have got the four rugby caps going under the hammer. | 0:14:42 | 0:14:45 | |
-Early 1900s. -I'm excited about these. I really like these. | 0:14:45 | 0:14:48 | |
So was Philip, just before the sale. He waxed lyrical. | 0:14:48 | 0:14:51 | |
-Because you know he loves rugby, don't you? -Yeah. | 0:14:51 | 0:14:54 | |
-I said that the other day at the valuation desk, he's going to love these. -Perfect place to bring them. | 0:14:54 | 0:14:58 | |
He has contacted a few old mates and he knows they are going back to Wales. | 0:14:58 | 0:15:02 | |
-There are three or four phone lines booked, so... -Really? | 0:15:02 | 0:15:04 | |
Mmm. Fingers crossed. | 0:15:04 | 0:15:05 | |
Lot number 241 is the Newport rugby caps, | 0:15:08 | 0:15:11 | |
and the splendidly-named Knacker Priest. | 0:15:11 | 0:15:14 | |
If you are going to be a rugby player, that's the name for you. | 0:15:14 | 0:15:17 | |
I'm bid £100 on the book bid. Commission bid at £100. | 0:15:17 | 0:15:20 | |
-Well, they're already sold anyway. -120, 130, 140, | 0:15:20 | 0:15:23 | |
150, 160, 170, 180. | 0:15:23 | 0:15:26 | |
190, 200, 210... | 0:15:26 | 0:15:27 | |
They might do 300. | 0:15:27 | 0:15:30 | |
240, 250, 260, 270, 280. | 0:15:30 | 0:15:32 | |
They might do more. | 0:15:32 | 0:15:34 | |
-This is good! -It is. | 0:15:34 | 0:15:36 | |
310. | 0:15:36 | 0:15:37 | |
At £310 only. 320, 330. | 0:15:37 | 0:15:43 | |
330. 340 on the Net, is it? | 0:15:43 | 0:15:45 | |
340, 350. 360? | 0:15:45 | 0:15:50 | |
370. 380 is it on the Net? | 0:15:50 | 0:15:53 | |
380. 390. 400 on the Net, is it? | 0:15:53 | 0:15:57 | |
£390 in the room. Any more? | 0:15:57 | 0:16:00 | |
At £390, and I sell then, thank you. | 0:16:00 | 0:16:04 | |
You must be so pleased. That's great news for your mum. | 0:16:04 | 0:16:07 | |
-That will cheer her up no end. -It certainly will. | 0:16:07 | 0:16:10 | |
Especially as she's coming out of hospital today. | 0:16:10 | 0:16:12 | |
Oh, get on the phone and tell her. You will go around to see her. | 0:16:12 | 0:16:16 | |
I'm going to do the text, yeah. | 0:16:16 | 0:16:17 | |
-What a result! -Philip had a really good TRY there and converted us a good result, didn't he? | 0:16:17 | 0:16:23 | |
'That was a super result. | 0:16:23 | 0:16:26 | |
'I love it when things sell well over their estimate. | 0:16:26 | 0:16:28 | |
'It shows this was the right place to sell them.' | 0:16:28 | 0:16:31 | |
'When we return, Adam sniffs out another interesting item.' | 0:16:34 | 0:16:37 | |
-It did smell a bit when we...cleaned it out. -Perhaps it still does. | 0:16:37 | 0:16:41 | |
I was wondering, we're blaming John here, but it could be the object itself. | 0:16:41 | 0:16:45 | |
I always get the blame for everything anyway. | 0:16:45 | 0:16:47 | |
I'm at the Ruskin Mill Glass House College, right in the heart | 0:17:01 | 0:17:04 | |
of the historic glass quarter of Stourbridge. Now, this whole area | 0:17:04 | 0:17:07 | |
was the Royal Dalton factory, but now this site provides studio space and workshops for many | 0:17:07 | 0:17:12 | |
artisans, both in traditional and contemporary glass-making, but also many other crafts. | 0:17:12 | 0:17:18 | |
'For last 400 years, they have been making glass in Stourbridge. | 0:17:18 | 0:17:21 | |
'It is one of the great names, world-renowned for its cut crystal. | 0:17:21 | 0:17:26 | |
'Not only have the factories in the Stourbridge area created some of the finest glass ever made, | 0:17:26 | 0:17:32 | |
'but the craftsmen from here have influenced the most famous international makers.' | 0:17:32 | 0:17:37 | |
The golden era was in the Victorian period, when everybody wanted cut-glass crystal. | 0:17:39 | 0:17:44 | |
It was hugely fashionable, but sadly, tastes do change | 0:17:44 | 0:17:47 | |
and many of the big manufacturers went out of business. | 0:17:47 | 0:17:51 | |
But Stourbridge today is well and truly alive and kicking in glass. | 0:17:51 | 0:17:54 | |
Many of the traditional methods are still going on around me right now. | 0:17:54 | 0:17:57 | |
But there is also a new wave of creative artisans providing | 0:17:57 | 0:18:01 | |
the most wonderful, exciting and contemporary studio glass. | 0:18:01 | 0:18:05 | |
'This is also the site of the International Festival of Glass, | 0:18:05 | 0:18:09 | |
'which attracts as many as 15,000 visitors every two years. | 0:18:09 | 0:18:13 | |
'It hosts a huge programme of events - | 0:18:13 | 0:18:15 | |
'demonstrations, talks, activities and exhibitions.' | 0:18:15 | 0:18:19 | |
Including the prestigious British Glass Biennale, which is part of the dynamic celebration of | 0:18:20 | 0:18:25 | |
the British modern glass-makers, and I'm here to meet Martin Andrews, who is part of this revival. | 0:18:25 | 0:18:30 | |
Martin, you have got some fabulous pieces here. | 0:18:34 | 0:18:37 | |
How did you get started in glass-making? | 0:18:37 | 0:18:39 | |
I did a degree at West Surrey College of Art and Design in Farnham, | 0:18:39 | 0:18:43 | |
in 1991, and then after that I went to Sweden and I was very fortunate | 0:18:43 | 0:18:49 | |
to work with Asa Brandt, who was one of first studio glass artists. | 0:18:49 | 0:18:54 | |
She set up in 1968. | 0:18:54 | 0:18:56 | |
Do you use traditional methods, but sort of put your own slant on? | 0:18:56 | 0:19:00 | |
Yes, the traditional glass blowing has not really changed for 400 years. | 0:19:00 | 0:19:04 | |
Same sort of tools, same benches. | 0:19:04 | 0:19:07 | |
How do you make something like that? How do you get all the colours? | 0:19:07 | 0:19:10 | |
The plates, in the furnace I have clear glass. | 0:19:10 | 0:19:12 | |
All the colour is added while it is still a solid blob. | 0:19:12 | 0:19:16 | |
Once the design is on, then you start to actually blow the shape. | 0:19:16 | 0:19:19 | |
The skill of the glass-maker is working as fast as possible. | 0:19:19 | 0:19:22 | |
You are literally chasing it - the working temperature of glass | 0:19:22 | 0:19:26 | |
is between 600 and 1,000 degrees, and it will go through that temperature barrier in about 40 seconds. | 0:19:26 | 0:19:32 | |
So every time you reheat it you've got about 40 seconds to do something with it, and then you reheat it. | 0:19:32 | 0:19:38 | |
-Got you. -So you're up and down the bench a lot. | 0:19:38 | 0:19:41 | |
I really do love that, I love the colours in that, I love the golden hues. | 0:19:41 | 0:19:46 | |
Could you show me how to make something? | 0:19:46 | 0:19:48 | |
For a novice like me to attempt something like that? | 0:19:48 | 0:19:50 | |
I'd like to have a go at that, because that looks like a big challenge. | 0:19:50 | 0:19:54 | |
-OK, let's go and have a go. -How long will that take? | 0:19:54 | 0:19:56 | |
It would take about an hour - with my help. | 0:19:56 | 0:19:59 | |
-Come on, then. -OK! | 0:19:59 | 0:20:02 | |
This is actually for real. We're going to take an hour to do this. | 0:20:05 | 0:20:08 | |
I don't know what to do, so just talk me through it. | 0:20:08 | 0:20:11 | |
If you start by heating that up, get that hot. Just keep it there. | 0:20:11 | 0:20:15 | |
We want to heat the tip up, so it is hot enough for the glass to stick to it when we gather. | 0:20:15 | 0:20:19 | |
I'm actually feeling quite nervous, to tell you the truth. | 0:20:19 | 0:20:22 | |
Because I want this to work well. | 0:20:22 | 0:20:24 | |
We can take that out. That's fine. | 0:20:24 | 0:20:27 | |
Right. Now you are going to gather from the furnace. | 0:20:27 | 0:20:30 | |
-Right. -You do the first gather. | 0:20:30 | 0:20:32 | |
-Gosh, that's hot. -And you need to be in and out in about seven seconds. | 0:20:32 | 0:20:37 | |
OK, keep turning. Keep turning. | 0:20:37 | 0:20:39 | |
And go to the bench. Don't touch. | 0:20:39 | 0:20:41 | |
Roll it forward, use all of your arm. | 0:20:41 | 0:20:44 | |
OK, we are just going to reheat that, so, put the paper down. | 0:20:46 | 0:20:50 | |
Reheat it in the glory hole. | 0:20:50 | 0:20:52 | |
-Keep turning? -Keep turning it. | 0:20:56 | 0:20:57 | |
-It's not easy, is it? -No. | 0:20:57 | 0:21:00 | |
I'm actually quite frightened. | 0:21:00 | 0:21:02 | |
This is all by feel, you just know, don't you, by instinct? | 0:21:02 | 0:21:05 | |
Yes, it's all by touch. | 0:21:05 | 0:21:07 | |
I will put some of the other colour out as well. | 0:21:07 | 0:21:09 | |
-This is cooling all the time now. -It is cooling, but the coloured glass is sticking to the clear glass. | 0:21:09 | 0:21:16 | |
-From here, OK... -Pulling back all the time. | 0:21:17 | 0:21:19 | |
Yes. That's good, take it off. | 0:21:19 | 0:21:22 | |
Now, the hard bit is the technique called thumbing. | 0:21:22 | 0:21:27 | |
What you need to do is blow down. | 0:21:27 | 0:21:30 | |
Blow, this in your mouth. | 0:21:30 | 0:21:32 | |
Put your thumb over it and trap the air, so the air expands in the pipe. | 0:21:32 | 0:21:37 | |
-Like that, ready? One big blow? -Yes. | 0:21:37 | 0:21:39 | |
That's good. | 0:21:42 | 0:21:44 | |
You now need to reheat it and repeat that process. | 0:21:44 | 0:21:47 | |
-Keep my thumb on the end? -No. | 0:21:47 | 0:21:50 | |
I see, you could do this for several times, you could just | 0:21:52 | 0:21:55 | |
-keep going until you are happy with the size of air bubble? -Yes. | 0:21:55 | 0:21:58 | |
Roll. Turn. | 0:21:58 | 0:22:01 | |
-Oh, wow. -And then back the other way. | 0:22:01 | 0:22:03 | |
-That's good. -That is better. -Now blow. | 0:22:09 | 0:22:11 | |
It is looking more like a light bulb at the moment. | 0:22:11 | 0:22:14 | |
It is getting bigger and bigger. It's getting harder to come out of that glory hole. | 0:22:14 | 0:22:18 | |
-OK, Martin. -OK, out you come, yep. | 0:22:18 | 0:22:21 | |
Ah! | 0:22:21 | 0:22:23 | |
-Nearly. That's it. -Hang on. | 0:22:23 | 0:22:27 | |
-Ah! -Ah. | 0:22:28 | 0:22:31 | |
That's it. I just ruined it. | 0:22:31 | 0:22:33 | |
Nearly had it. That was about 55 minutes' work, wasn't it? | 0:22:33 | 0:22:36 | |
-Sorry. -That's all right. Never mind. | 0:22:36 | 0:22:40 | |
-It's so difficult, isn't it? -It is very, very difficult. It is. | 0:22:40 | 0:22:43 | |
Thank you so much, you have been brilliant. | 0:22:43 | 0:22:45 | |
You know, we were so close, | 0:22:45 | 0:22:46 | |
ten minutes away from seeing that dish open up. | 0:22:46 | 0:22:50 | |
But I said we would only do this once. | 0:22:50 | 0:22:52 | |
I said we would have an hour on this. | 0:22:52 | 0:22:54 | |
And I knew it. I just knew it would go wrong. | 0:22:55 | 0:22:58 | |
Do you know that? Oh... | 0:22:58 | 0:23:00 | |
Oh, so close, yet so far. | 0:23:06 | 0:23:08 | |
I was five minutes away from creating a wonderful glass charger and it all went wrong. | 0:23:08 | 0:23:13 | |
That is the most stressful thing I have ever, ever done on "Flog It!" in nine years. | 0:23:13 | 0:23:17 | |
Not only is Martin Andrews | 0:23:17 | 0:23:19 | |
a wonderful glass designer and blower, he's also a great teacher - | 0:23:19 | 0:23:23 | |
teaching traditional skills and methods, | 0:23:23 | 0:23:25 | |
and that was really difficult, please believe me. | 0:23:25 | 0:23:27 | |
And if you don't, have a go yourself - you'll see. | 0:23:27 | 0:23:30 | |
'At the Malvern Theatres, there is still plenty to be discovered.' | 0:23:36 | 0:23:40 | |
'The crowds on our valuation day are keeping our team of experts very busy.' | 0:23:42 | 0:23:46 | |
'Kate's been bedazzled by something rather glamorous, that Erica inherited.' | 0:23:50 | 0:23:55 | |
Erica, you brought in something sparkly which has caught my eye. | 0:23:55 | 0:23:59 | |
What can you tell me about it? | 0:23:59 | 0:24:01 | |
Well, originally, it came from Germany, | 0:24:01 | 0:24:04 | |
it belonged to my mum's great aunty, | 0:24:04 | 0:24:07 | |
and it was passed to my mother when she died | 0:24:07 | 0:24:10 | |
and then when my mother died it was passed on to me. | 0:24:10 | 0:24:13 | |
-So, family history. -Yes, but my mother didn't like it. | 0:24:13 | 0:24:15 | |
As soon as she picked it up, it went in her jewellery box and she didn't like it. She didn't wear it. | 0:24:15 | 0:24:21 | |
And I like it, but I'm not... I don't wear it very often. | 0:24:21 | 0:24:25 | |
-Not that attached to it. -Probably a couple of times a year, I wear it. | 0:24:25 | 0:24:28 | |
-It is what you call a dress ring. -It is a dress ring, yeah. | 0:24:28 | 0:24:31 | |
It is very dressy. I'm going to give it a go. | 0:24:31 | 0:24:34 | |
I might have a bit of a Cinderella fantasy and give it a go. | 0:24:34 | 0:24:37 | |
See, I can see that on my finger... if my husband's watching! | 0:24:37 | 0:24:41 | |
But it's very attractive. | 0:24:41 | 0:24:43 | |
I think date-wise, you're talking between... | 0:24:43 | 0:24:46 | |
Probably between the wars, maybe. | 0:24:46 | 0:24:48 | |
So 1930s - does that fit in with the sort of family background? | 0:24:48 | 0:24:51 | |
Or maybe a bit earlier, '20s? | 0:24:51 | 0:24:53 | |
I would think a bit earlier, '20s, probably. | 0:24:53 | 0:24:55 | |
Yes. But it is a classic dress evening ring. | 0:24:55 | 0:24:58 | |
You've got diamonds and sapphire in the middle, an oval cut sapphire. | 0:24:58 | 0:25:01 | |
And it is on continental, so 14 carat gold, which again, | 0:25:01 | 0:25:04 | |
-is not something we usually get in England. -No. | 0:25:04 | 0:25:07 | |
But it's quite a pretty thing. | 0:25:07 | 0:25:09 | |
Very sparkly, you can see this is an old cut brilliant on the diamond, | 0:25:09 | 0:25:12 | |
so it makes it this lovely, sparkly colour. | 0:25:12 | 0:25:15 | |
The diamonds aren't very big, but they are nice and clean. | 0:25:15 | 0:25:19 | |
And they have a good colour to them. | 0:25:19 | 0:25:20 | |
I suppose at auction | 0:25:20 | 0:25:22 | |
you would be talking between £300 and £500 for it. | 0:25:22 | 0:25:25 | |
Is that the kind of figure you would be happy to get? | 0:25:25 | 0:25:28 | |
I think so, yes. | 0:25:28 | 0:25:30 | |
-I would like to think I would get more than £400 for it. -Right. | 0:25:30 | 0:25:34 | |
It depends on the day. | 0:25:35 | 0:25:37 | |
If you don't wear it, you've got to think of who the buyer will be, | 0:25:37 | 0:25:40 | |
and who would wear it. | 0:25:40 | 0:25:41 | |
I suppose if a dealer's buying it, they would make a mark-up | 0:25:41 | 0:25:44 | |
if they were selling it in a shop. | 0:25:44 | 0:25:47 | |
So I think probably, | 0:25:47 | 0:25:49 | |
you can maybe reserve it at 350 and put 400-500 guide price. | 0:25:49 | 0:25:53 | |
Then if it doesn't reach 350, it hasn't sold, so at least you are not disappointed if it only gets to 300. | 0:25:53 | 0:25:58 | |
-Would you be OK with that? -Yes, I would be fine with that. | 0:25:58 | 0:26:01 | |
-Brilliant. -Hopefully we'll get the higher end. | 0:26:01 | 0:26:04 | |
'Let's hope Erica has not set her sights too high. | 0:26:04 | 0:26:07 | |
'From crossed fingers to the work of tiny fingers - I love these samplers.' | 0:26:07 | 0:26:12 | |
'Next, Jill and John get an unusual reaction from Adam.' | 0:26:14 | 0:26:17 | |
A very distinctive object here, isn't it? | 0:26:17 | 0:26:20 | |
-It is, yes. -And quite a distinctive aroma of silage, is it? | 0:26:20 | 0:26:23 | |
It's him, not me. He has been doing the cattle this morning. | 0:26:23 | 0:26:27 | |
-Oh, right, you're farmers? -Yes. -Yes, we are. We're beef farmers. | 0:26:27 | 0:26:30 | |
-Local beef farmers. -Yes, we are. -Farmers are working very hard. | 0:26:30 | 0:26:34 | |
Yes, a lot of hours, not much money, the same as everybody! | 0:26:34 | 0:26:37 | |
-If only they washed their hands! -I did. I did! | 0:26:37 | 0:26:40 | |
-Anyway we are here to talk about this object. -Yes. | 0:26:40 | 0:26:43 | |
Why did you bring it, where's it from, tell me about it, please. | 0:26:43 | 0:26:47 | |
Well, I remember my grandmother growing hyacinths in it. | 0:26:47 | 0:26:51 | |
And then we moved into the farmhouse, we wanted to redecorate, | 0:26:51 | 0:26:55 | |
-so we put it in the cellar and we forgot about it. -Yeah. | 0:26:55 | 0:26:58 | |
One day I went down into the cellar - | 0:26:58 | 0:27:01 | |
or tried to get into the cellar - | 0:27:01 | 0:27:02 | |
and I found that it was over five foot deep in water. | 0:27:02 | 0:27:06 | |
-Ah. -So we had a blocked drain. -We had a blocked drain. | 0:27:06 | 0:27:10 | |
So everything in the cellar was covered in mud and silt. | 0:27:10 | 0:27:14 | |
Luckily it was not toilet drains, it was only water drains! | 0:27:14 | 0:27:17 | |
Lucky it wasn't poo! | 0:27:17 | 0:27:19 | |
That's right, yes, it did smell a bit when we cleaned it out. | 0:27:19 | 0:27:23 | |
-Perhaps it still does. -I was wondering, we are blaming John here, | 0:27:23 | 0:27:27 | |
-but it could be the object itself. -I always get the blame for everything anyway. | 0:27:27 | 0:27:31 | |
Did you have to dig it out of the cellar? | 0:27:31 | 0:27:34 | |
Well, when we uncovered it, it was all covered in silt and mud and what have you. | 0:27:34 | 0:27:39 | |
So we cleaned it up and thought, oh, we don't really like that. | 0:27:39 | 0:27:43 | |
-No. -So, and it has been sort of, sat, hanging around doing nothing, really. | 0:27:43 | 0:27:47 | |
Yeah. It is a bit damaged so we are not expecting it to be a big value. But you never know. | 0:27:47 | 0:27:53 | |
I could tell that you didn't have high expectations. | 0:27:53 | 0:27:56 | |
-No! -Well, it looks to me as though it is Italian, | 0:27:56 | 0:27:59 | |
and a piece of majolica, the tin-glazed earthenware. | 0:27:59 | 0:28:03 | |
Probably the late 19th century is around the date of it. | 0:28:03 | 0:28:07 | |
-Oh, yeah. -There have been quite a few losses, haven't there? | 0:28:07 | 0:28:11 | |
-There have, yes. -We have got some damage this end. | 0:28:11 | 0:28:15 | |
Yes. Even more this end, I'm afraid. | 0:28:15 | 0:28:17 | |
Top of the wing is missing here. | 0:28:17 | 0:28:19 | |
And I'm afraid her head fell off. | 0:28:19 | 0:28:22 | |
It is a very brittle material anyway, it is very prone to damage. | 0:28:22 | 0:28:25 | |
You rarely see them in good condition. | 0:28:25 | 0:28:27 | |
If that was in perfect condition, it would be quite a valuable object. | 0:28:27 | 0:28:31 | |
-But it is far from in good condition. -Well, yes. | 0:28:31 | 0:28:34 | |
-Far from it. Erm, is it something you want back? -No. | 0:28:34 | 0:28:37 | |
-No. -I didn't think so. I would share that opinion. | 0:28:37 | 0:28:40 | |
A lot of people at home will either love this or hate it. | 0:28:40 | 0:28:42 | |
-There is not going to be any middle ground. -No, that's right. -No, yes. | 0:28:42 | 0:28:46 | |
I would suggest taking a gamble and sticking it in at no reserve. | 0:28:46 | 0:28:50 | |
-Fair enough. -It is "Flog It!" | 0:28:50 | 0:28:52 | |
-I don't think it will do more than £100 to £200. -Fair enough. -That's more than I thought. | 0:28:52 | 0:28:56 | |
I would be tempted to put a bit of a lower estimate on it than that. | 0:28:56 | 0:29:00 | |
But let's go with 100-200, shall we? Let's go in bullish. | 0:29:00 | 0:29:03 | |
-Yes, we'll do that. -But don't blame me if it makes 40 quid. -All right! | 0:29:03 | 0:29:07 | |
'No reserve? Well, Adam's taking no risks there.' | 0:29:07 | 0:29:11 | |
'Let's see if Kate's prepared to stick her neck out on the next find.' | 0:29:13 | 0:29:17 | |
Now, you've brought in this fantastic snuff box. | 0:29:17 | 0:29:20 | |
Is it a firm favourite of yours? | 0:29:20 | 0:29:22 | |
Well, not particularly. We do have it on display, and we like it, yes. | 0:29:22 | 0:29:26 | |
It wasn't a romantic present from one to the other? | 0:29:26 | 0:29:28 | |
-No, no, no, no, no, no. -Oh, OK, fine. | 0:29:28 | 0:29:30 | |
What's the story behind it? | 0:29:30 | 0:29:32 | |
Well, I inherited it from my great-grandfather. | 0:29:32 | 0:29:35 | |
Well, it came down through the family, obviously. | 0:29:35 | 0:29:39 | |
-And that's about it. -That's it? Do you know what it is? | 0:29:39 | 0:29:41 | |
Well, it's a snuff box. I understand it's a snuff box. | 0:29:41 | 0:29:45 | |
OK. Well, if we take a look at it, it's obviously very pretty from the outside, and we've got this sort of | 0:29:45 | 0:29:50 | |
machined enamel on the front and a little cartouche in the centre | 0:29:50 | 0:29:54 | |
with a chap on a chariot, and then a floral border. | 0:29:54 | 0:29:57 | |
And at first glance, it looks continental, with all this highly decorated stuff going on, | 0:29:57 | 0:30:04 | |
but if we open it, it's silver gilt, there's gold on the inside, and the hallmark, which is in here, | 0:30:04 | 0:30:09 | |
tells us that it's actually English and Georgian. | 0:30:09 | 0:30:13 | |
And the hallmark, if we look at it, is for 1817. | 0:30:13 | 0:30:17 | |
And we've got a "DH" there for David Hennell, who is the maker. | 0:30:17 | 0:30:21 | |
So, he's a fairly well-known maker of snuff boxes. | 0:30:21 | 0:30:23 | |
Regency, so you're talking George III, basically. It's a lovely thing. | 0:30:23 | 0:30:28 | |
I used to polish it every week! | 0:30:28 | 0:30:30 | |
Oh, my goodness! Because, obviously, it is quite soft, so you can overrub silver. | 0:30:30 | 0:30:35 | |
Yes, I learnt that from "Flog It!" | 0:30:35 | 0:30:36 | |
Ah-ha! We've taught you something! | 0:30:36 | 0:30:39 | |
Public information broadcasting at its best. | 0:30:39 | 0:30:42 | |
So, in terms of valuation, he's a known maker, it's a very pretty thing. | 0:30:42 | 0:30:46 | |
You do have a little bit of wear, I've noticed, on the bottom here, | 0:30:46 | 0:30:49 | |
-which will affect the price a little bit. -Mm. | 0:30:49 | 0:30:52 | |
But it's still very pretty, | 0:30:52 | 0:30:53 | |
and for a snuff box collector I think it's going to be quite fun. | 0:30:53 | 0:30:57 | |
-Auction estimate would be between maybe £200 and £300, something like that. -Mm! | 0:30:57 | 0:31:03 | |
Would that be the sort of price you'd be happy to sell it for? | 0:31:03 | 0:31:05 | |
-Yeah, round about that, yes, certainly. -OK. | 0:31:05 | 0:31:08 | |
Well, we'd normally set a reserve of just below that, so maybe 150 reserve, an estimate of 200 to 300. | 0:31:08 | 0:31:14 | |
-Yeah. -That's OK? | 0:31:14 | 0:31:15 | |
-Yes. -You'd not be sorry to see it go, then? | 0:31:15 | 0:31:18 | |
-No. -No, not really. | 0:31:18 | 0:31:19 | |
-No, no. -Not having to polish it any more? | 0:31:19 | 0:31:21 | |
-Well, I haven't polished it for two years, so...! -No loss. No loss. | 0:31:21 | 0:31:26 | |
OK, we'll try it, and I have high hopes for it at the auction, so hopefully it will go. | 0:31:26 | 0:31:30 | |
-Thank you. -Fingers crossed. Thanks. -Thank you. | 0:31:30 | 0:31:32 | |
'Now, that's more like it! We love a bit of optimism. | 0:31:32 | 0:31:36 | |
'Let's remind ourselves of the final items going off to auction. | 0:31:36 | 0:31:39 | |
'If the bidders like Erica's dress ring as much as Kate does, it should do very well.' | 0:31:39 | 0:31:45 | |
'Jill and John don't like their majolica bowl, so it's time for it to go under the hammer. | 0:31:48 | 0:31:54 | |
'If the serious snuff collectors are in the room on the day, | 0:31:54 | 0:31:57 | |
'I think Bill and Jan could be in for a nice surprise. | 0:31:57 | 0:32:02 | |
'Auctioneer Philip Serrell will be selling the rest of our lots | 0:32:02 | 0:32:06 | |
'in his saleroom in Malvern. | 0:32:06 | 0:32:07 | |
'The room's getting busy, which is always a hopeful sign. | 0:32:07 | 0:32:11 | |
'First, let's find out how Jill and John do with their majolica bowl. | 0:32:11 | 0:32:15 | |
A lovely bit of earthenware. Love it, love it, love it. Why are you selling this? | 0:32:18 | 0:32:22 | |
Well, YOU may love it, but we don't, I'm afraid. | 0:32:22 | 0:32:25 | |
We found it in our cellar, underwater. | 0:32:25 | 0:32:29 | |
Neither of us like it, so we thought, "Well, we'll sell it." | 0:32:29 | 0:32:32 | |
We're going to find out what the bidders think and also what the collectors think. | 0:32:32 | 0:32:35 | |
-It's going under the hammer now. Here we go. -Fingers crossed. | 0:32:35 | 0:32:38 | |
Lot number 540 is this really nice Cantagalli-style oval dish, | 0:32:40 | 0:32:45 | |
a lovely thing. Will you bid me for that? | 0:32:45 | 0:32:47 | |
Start me at £100, someone. | 0:32:47 | 0:32:50 | |
Well, start me! | 0:32:52 | 0:32:54 | |
Bid me £60 for it. | 0:32:56 | 0:32:59 | |
Bid me £50 for it. | 0:32:59 | 0:33:02 | |
20 I am bid. At £20 only. At 20. | 0:33:03 | 0:33:07 | |
At £20 only. At 30. 40. | 0:33:07 | 0:33:11 | |
50. 50 bid. At 50. | 0:33:11 | 0:33:13 | |
At £50 only. Lady's bid at 50. | 0:33:13 | 0:33:17 | |
At £50 only. Your bid, ma'am. | 0:33:17 | 0:33:19 | |
At 50. At 50. 60. At 60. At £60. Have another go! | 0:33:19 | 0:33:23 | |
At 60. | 0:33:23 | 0:33:25 | |
Philip's got to work hard on this. | 0:33:25 | 0:33:27 | |
Is 70 anywhere now? At £60 it's yours. | 0:33:27 | 0:33:30 | |
It's not dear, this, at £60. | 0:33:30 | 0:33:32 | |
Is there any more at all? Any more? | 0:33:32 | 0:33:35 | |
At £60. And it's done and sold, then, at 60. And done. | 0:33:35 | 0:33:38 | |
-JILL: -Oh, well. -Just a bit too badly damaged. | 0:33:38 | 0:33:40 | |
Yes. Well, they said they didn't want it back. Didn't you? | 0:33:40 | 0:33:44 | |
Well, that's right, yes. Yes. | 0:33:44 | 0:33:46 | |
She could have lost her head altogether, so...! | 0:33:46 | 0:33:49 | |
'Well, I can't help thinking that somebody got a real bargain there.' | 0:33:49 | 0:33:53 | |
'Erica's brought her son Kurt to the auction room. | 0:33:56 | 0:33:58 | |
'Let's hope the bidders give them a good price for the diamond and sapphire ring.' | 0:33:58 | 0:34:04 | |
Why have you decided now is the best time to sell this? | 0:34:04 | 0:34:08 | |
Well, I don't wear it. | 0:34:08 | 0:34:10 | |
My mum didn't like it, either. | 0:34:10 | 0:34:12 | |
She had it in her jewellery box and never wore it, and I thought, | 0:34:12 | 0:34:15 | |
-I might as well sell it and use the money to get something I'd like. -OK. | 0:34:15 | 0:34:20 | |
Hopefully the money will go to something you like as well, Kurt. | 0:34:20 | 0:34:24 | |
But I know you really like this, don't you, Kate? | 0:34:24 | 0:34:26 | |
It's a bit of sparkle. It's a girlie lot. | 0:34:26 | 0:34:28 | |
-Something you could wear? -I like to think so, yeah! | 0:34:28 | 0:34:31 | |
Well, let's hope this lot want a bit of sparkle as well, shall we? | 0:34:31 | 0:34:34 | |
Here we go. Let's find out. | 0:34:34 | 0:34:35 | |
The diamond and sapphire cocktail ring, set with a central sapphire. | 0:34:35 | 0:34:41 | |
Come on... | 0:34:41 | 0:34:43 | |
I'm bid £250 bid. At 250. 260. | 0:34:45 | 0:34:47 | |
At 260 bid. 260. At 260. | 0:34:47 | 0:34:51 | |
This is good. | 0:34:51 | 0:34:52 | |
270. 270. 280. | 0:34:54 | 0:34:57 | |
290. At 300 bid. | 0:34:57 | 0:35:01 | |
At £300 only. At 300. | 0:35:01 | 0:35:02 | |
At £300. At 300 out on my left. | 0:35:02 | 0:35:05 | |
At £300 only. Any more? | 0:35:05 | 0:35:07 | |
At £300. Is there any more at all? | 0:35:07 | 0:35:10 | |
At £300 only on my left. Any more? | 0:35:10 | 0:35:13 | |
At 300. There it is. | 0:35:13 | 0:35:15 | |
At 300. Your bid. At £300. Any more? | 0:35:15 | 0:35:18 | |
And done, then, or not at 300. | 0:35:18 | 0:35:20 | |
Well, I'm sorry, I can't do that. | 0:35:20 | 0:35:23 | |
-Oh, well. -No! -It was close, wasn't it? | 0:35:23 | 0:35:25 | |
We had a fixed reserve of 350. | 0:35:25 | 0:35:27 | |
Yeah. So it didn't quite make it. | 0:35:27 | 0:35:30 | |
Oh, I'll take it home and try again another time. | 0:35:30 | 0:35:33 | |
-You're stuck with it, Kurt! -That's it! | 0:35:33 | 0:35:35 | |
Better start liking it! | 0:35:35 | 0:35:38 | |
'Erica's right, there will be another auction on another day. | 0:35:38 | 0:35:42 | |
'No point giving good things away. | 0:35:42 | 0:35:44 | |
'Now, this is a lovely lot, Bill and Jan's silver Regency snuff box.' | 0:35:44 | 0:35:48 | |
Absolutely beautiful, it really is, isn't it? | 0:35:50 | 0:35:53 | |
It's a lovely example of what it is, yeah. | 0:35:53 | 0:35:56 | |
-£200 to £300. -Yeah. Nice. | 0:35:56 | 0:35:58 | |
Why are you selling this now? | 0:35:58 | 0:36:01 | |
I don't know why. It just happened. | 0:36:01 | 0:36:03 | |
We wanted to bring something to "Flog It!" | 0:36:03 | 0:36:05 | |
You thought that was a good item? | 0:36:05 | 0:36:07 | |
We didn't realise it was as old as it is. It's 1817. | 0:36:07 | 0:36:10 | |
That's the great thing about hallmarks, is you can date it precisely, yeah. | 0:36:10 | 0:36:13 | |
Good luck, because this is a piece to treasure. | 0:36:13 | 0:36:16 | |
And there's lots of collectors for | 0:36:16 | 0:36:18 | |
this kind of decorative item, so it should do well. | 0:36:18 | 0:36:20 | |
-And here we go. We're going to find out. -All right. | 0:36:20 | 0:36:23 | |
Georgian silver snuff box. | 0:36:26 | 0:36:28 | |
Bid me, chaps. 150 to start? | 0:36:28 | 0:36:30 | |
Thank you. 150 I'm bid. At 150. 160. | 0:36:33 | 0:36:37 | |
-170. 180. -Still cheap! | 0:36:37 | 0:36:39 | |
-190. 200. -Oh, it's not finished yet! | 0:36:39 | 0:36:41 | |
-Go on! -210. 220. 230. 240. | 0:36:41 | 0:36:47 | |
Don't shake your head, ma'am. One more? | 0:36:47 | 0:36:49 | |
240 with me. At 240. 250. 260. | 0:36:49 | 0:36:54 | |
260. 270. 280. | 0:36:54 | 0:36:59 | |
290. 300. 310, is it? | 0:36:59 | 0:37:02 | |
310. 320. | 0:37:02 | 0:37:05 | |
£320 on the book. | 0:37:07 | 0:37:10 | |
330. 340. 350. 360. 370. 380. | 0:37:10 | 0:37:16 | |
390. 400. And 10 with me. At 410. | 0:37:16 | 0:37:19 | |
Is there any more? | 0:37:19 | 0:37:21 | |
At £410. Any more in the room, phone or internet? | 0:37:21 | 0:37:26 | |
At £410. Any more? | 0:37:26 | 0:37:27 | |
And I sell, then, at £410. And done. | 0:37:27 | 0:37:31 | |
Yes, the hammer's gone down. | 0:37:31 | 0:37:33 | |
What a lovely moment. Well, thank you so much for bringing that in. | 0:37:33 | 0:37:37 | |
-Good result! -Yes! | 0:37:37 | 0:37:39 | |
Just goes to show, quality always sells, doesn't it? | 0:37:39 | 0:37:42 | |
And if you've got anything like that, we want to see it! | 0:37:42 | 0:37:44 | |
-So, what are you going to spend all that money on? -There's still a debate on that. | 0:37:44 | 0:37:48 | |
-You could open a bottle of something and toast Grandad. -We could do that! | 0:37:48 | 0:37:51 | |
Thank you for bringing such a wonderful item in, it really made our day. | 0:37:51 | 0:37:55 | |
And it's a wonderful, fitting end to a great day here in Malvern. | 0:37:55 | 0:37:58 | |
All credit to Philip Serrell. He's done us really proud. | 0:37:58 | 0:38:01 | |
If you've got anything like that, we want to see you. | 0:38:01 | 0:38:03 | |
Bring it along to one of our valuation days. | 0:38:03 | 0:38:05 | |
But from Malvern, until then, it's cheerio. | 0:38:05 | 0:38:08 | |
'And you can find details of our next valuation days | 0:38:08 | 0:38:11 | |
'by logging on to the internet and going to...' | 0:38:11 | 0:38:14 | |
'Click F for "Flog It!" | 0:38:17 | 0:38:18 | |
'then follow the links and find the list of towns | 0:38:18 | 0:38:21 | |
'we're coming to very soon.' | 0:38:21 | 0:38:23 | |
Subtitles by Red Bee Media Ltd | 0:38:43 | 0:38:46 |