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Welcome to Malvern, famous for its ancient hills and beautiful clear spring water. | 0:00:06 | 0:00:10 | |
Today, Flog It is drinking up the atmosphere as we head into town. | 0:00:10 | 0:00:14 | |
The magnificent ancient Malvern Hills and Malvern pure spring water | 0:00:37 | 0:00:41 | |
go hand in hand, really, because let's face it, | 0:00:41 | 0:00:43 | |
without the hills there wouldn't be any water | 0:00:43 | 0:00:46 | |
and the hills are a mind boggling 600 million years old | 0:00:46 | 0:00:49 | |
and they consist of a very hard rock formation which have formed into a network of fractures | 0:00:49 | 0:00:54 | |
and the rainwater runs down through these fractures and eventually out into a series of springs | 0:00:54 | 0:00:59 | |
which are dotted all around the town. | 0:00:59 | 0:01:01 | |
Now, because of the unique hardness of the rock in the Malvern Hills, | 0:01:04 | 0:01:08 | |
the spring water is quite pure actually, which is good news. | 0:01:08 | 0:01:12 | |
Not a lot of minerals filter into the water and the great news is, | 0:01:12 | 0:01:16 | |
if you're a local, you don't have to buy this stuff at the supermarket, it's absolutely free. | 0:01:16 | 0:01:21 | |
Just queue up and help yourself and get fully refreshed, | 0:01:21 | 0:01:24 | |
but I'm going to now join up with our experts over at the valuation day | 0:01:24 | 0:01:28 | |
and see what antiques and collectables are springing up over there. Join me later. | 0:01:28 | 0:01:32 | |
And this is where we're valuing all the antiques and collectables today, the Malvern Theatres, | 0:01:36 | 0:01:41 | |
which host many different events throughout the year from pantos to musicals | 0:01:41 | 0:01:45 | |
and even highbrow theatre, but topping the bill today for one day only | 0:01:45 | 0:01:49 | |
the fantabulous Adam Partridge and the glamorous Kate Bateman. | 0:01:49 | 0:01:53 | |
Well, it is now 9.30, it's time to get the curtain up, | 0:01:53 | 0:01:57 | |
get everybody in the seats and let's start the show. | 0:01:57 | 0:02:00 | |
Our team of experts are raring to go. Leading the way are Adam and Kate. | 0:02:00 | 0:02:08 | |
Adam's first-ever job was as an auction porter. | 0:02:08 | 0:02:11 | |
Since then, he's risen to the dizzy heights of owning his own saleroom in Cheshire. | 0:02:11 | 0:02:16 | |
-Do you do any needlework yourself? -No. -She can't even sew a button on! | 0:02:16 | 0:02:20 | |
-Really? -Shocking. -We've got something in common there then. | 0:02:20 | 0:02:25 | |
And Kate nearly became a ballet dancer, but instead fine art and antiques won her heart | 0:02:25 | 0:02:30 | |
and now she runs a successful saleroom with her father in Lincolnshire. | 0:02:30 | 0:02:34 | |
Show and tell, what have you got at the back here? Oh, pictures! | 0:02:34 | 0:02:39 | |
While everybody's getting seated, let's have a sneak preview of what's coming up on today's show. | 0:02:39 | 0:02:44 | |
A father and daughter team bring Kate a curio. | 0:02:44 | 0:02:48 | |
You just basically focus it so your eye focuses | 0:02:48 | 0:02:52 | |
and then look through here and it actually looks like the girls are, like, standing out at you. | 0:02:52 | 0:02:56 | |
And I'm lucky enough to stumble across a real treasure. | 0:02:56 | 0:02:59 | |
And I'm very envious, June, very envious. | 0:02:59 | 0:03:02 | |
But, first, Adam is curious to see what Richard has in his Moroccan red leather box. | 0:03:02 | 0:03:09 | |
-Can you open it up for me, please? -Certainly, my pleasure. | 0:03:09 | 0:03:12 | |
-There we are. -You've got a lovely silver jug. | 0:03:14 | 0:03:16 | |
A lovely silver tankard there. A christening tankard. | 0:03:16 | 0:03:20 | |
Can I take the tankard out? | 0:03:20 | 0:03:21 | |
-Sure. -Let's have a look at it. | 0:03:21 | 0:03:23 | |
It belonged to my step-grandfather, so my father's stepfather. | 0:03:23 | 0:03:28 | |
It's an interesting link because it's been in your family for a long time then, hasn't it? | 0:03:28 | 0:03:33 | |
-Since a couple of generations at least. -We see these initials and monograms | 0:03:33 | 0:03:37 | |
on lots of pieces of silver and you always think I wonder who owned that, but you can actually tell us. | 0:03:37 | 0:03:42 | |
So what are the initials on here? | 0:03:42 | 0:03:43 | |
Well, we have four initials. My step-grandfather's name was Edward Graham Frazier Thompson. | 0:03:43 | 0:03:48 | |
He sounds like a dashing character just from the name! What can you tell us? | 0:03:48 | 0:03:52 | |
I suppose his major contribution was he was a pilot during World War I, | 0:03:52 | 0:03:57 | |
and a reconnaissance pilot, a specialty. | 0:03:57 | 0:04:01 | |
-We have some old photographs of his where he has actually photographed the trenches... -Oh, really. | 0:04:01 | 0:04:08 | |
..and some of the artillery placements and things of that nature. | 0:04:08 | 0:04:11 | |
He actually even went on to write a book about his experiences as a pilot under the pseudonym Spin. | 0:04:11 | 0:04:18 | |
-Really? -So if anybody comes across... -There we go. | 0:04:18 | 0:04:21 | |
..an author named Spin, that was my step-great-grandfather. | 0:04:21 | 0:04:23 | |
Your step-great-grandfather. | 0:04:23 | 0:04:25 | |
These photographs of the trenches sound fascinating. | 0:04:25 | 0:04:29 | |
I mean something like that, that's more personal to me, whereas this is not necessarily of sentimental... | 0:04:29 | 0:04:35 | |
-Yeah. -..or important history, family history. | 0:04:35 | 0:04:39 | |
You've helped answer my question - | 0:04:39 | 0:04:41 | |
isn't it a shame that you're selling it? But now you've explained that... | 0:04:41 | 0:04:45 | |
I have so many other memories. | 0:04:45 | 0:04:46 | |
Well, it must have been quite an affluent family, because this is quite a posh... | 0:04:46 | 0:04:50 | |
I don't know too much about the Thompson family. | 0:04:50 | 0:04:53 | |
-Do you know when he was born? -I couldn't tell you that, even. | 0:04:53 | 0:04:56 | |
-So... -Well, the hallmarks on the cup may help. -Right, yes, I was wondering about that. | 0:04:56 | 0:05:00 | |
Typically late Victorian in its packaging, late 19th century, and then we've had a look at the marks. | 0:05:00 | 0:05:05 | |
We've got the M and W of course for Mappin and Webb, the Sheffield crown, | 0:05:05 | 0:05:09 | |
the lion, of course, and that date letter is for 1895. | 0:05:09 | 0:05:15 | |
-Right, OK. -So, christening mug we may presume he was born in 1895. | 0:05:15 | 0:05:19 | |
So, it's a lovely object, but I think the story really makes it | 0:05:19 | 0:05:23 | |
-because commercially it's not hugely valuable. -No, no. -Any ideas yourself? | 0:05:23 | 0:05:28 | |
I was thinking anywhere sort of between £40 and £80. | 0:05:28 | 0:05:31 | |
Bang on, Richard, well done. Absolutely great. | 0:05:31 | 0:05:34 | |
I think that on its own, 40 to 60. With the box, it might improve it to 60 to 80. | 0:05:34 | 0:05:39 | |
-Fine, yeah. -Put a reserve there at 50, | 0:05:39 | 0:05:43 | |
stop it from underselling because it must be worth £50. | 0:05:43 | 0:05:46 | |
-So, thank you very much for bringing it. -You're very welcome. | 0:05:46 | 0:05:51 | |
As silver christening mugs go, that one's a real beauty. A good find. | 0:05:51 | 0:05:55 | |
But there's still plenty of people to see. | 0:05:55 | 0:05:59 | |
What have we got in here? | 0:06:01 | 0:06:03 | |
Oh, you've got...some pets in there! | 0:06:05 | 0:06:07 | |
-Yeah. -You've got your cat, a little pig. | 0:06:07 | 0:06:09 | |
Kate is examining a stereoscopic viewer belonging to father and daughter James and Molly. | 0:06:09 | 0:06:15 | |
-I've brought a stereoscope. -Did you inherit it, or you bought it? | 0:06:15 | 0:06:19 | |
I bought it from a house sale in Aberdeenshire about 30 years ago. | 0:06:19 | 0:06:23 | |
Can you remember what you paid for it all those years ago? | 0:06:23 | 0:06:26 | |
I just can't remember. It... | 0:06:26 | 0:06:28 | |
I didn't have a lot of money at that time, so it would have been very little. £15, £20 I suppose. | 0:06:28 | 0:06:33 | |
-Oh, that's quite a lot back then, I suppose. -I just can't remember. | 0:06:33 | 0:06:38 | |
Trip Around The World Through The Stereoscope. | 0:06:38 | 0:06:42 | |
We often see the cards loose, but you have the box as well, | 0:06:42 | 0:06:46 | |
made to look like a book. And if we open it up, we've got all of these cards. | 0:06:46 | 0:06:50 | |
Do you know how it works? | 0:06:50 | 0:06:53 | |
Yeah, well, this is my favourite one. The two little girls. | 0:06:53 | 0:06:57 | |
-OK. -So, if you put it in here | 0:06:57 | 0:06:59 | |
and then you look through this bit, | 0:06:59 | 0:07:04 | |
so then you just basically focus it | 0:07:04 | 0:07:07 | |
and then look through here and it actually looks like the girls are standing out at you. | 0:07:07 | 0:07:11 | |
-So it's 3D. -Yeah. -Yeah, and you have to adjust it to get it to work. | 0:07:11 | 0:07:14 | |
Yeah, so your eyes focus to it. | 0:07:14 | 0:07:17 | |
You've got a lot of very interesting different views. So I presume you've looked through all of them? | 0:07:17 | 0:07:24 | |
Yeah, there's some fantastic images of the Boer War, the San Francisco earthquake, | 0:07:24 | 0:07:30 | |
and just various pictures from around the world. | 0:07:30 | 0:07:33 | |
That is quite sweet that one, with the girls at tea, that's quite cute. | 0:07:33 | 0:07:38 | |
Girls today do still have dollies' tea parties, but it's a bygone era. | 0:07:38 | 0:07:42 | |
-Look how they're dressed with perfect dresses and little bows in their hair. It's really sweet. -Yeah. | 0:07:42 | 0:07:47 | |
Any ideas on price? | 0:07:47 | 0:07:49 | |
Well, I wasn't sure. | 0:07:49 | 0:07:51 | |
-About 80 to 100? -It's hard to know. You've got a whole mixed lot. | 0:07:51 | 0:07:55 | |
Maybe put it slightly lower, 60 to 100, a slightly wider estimate for the auction, maybe a £50 reserve. | 0:07:55 | 0:08:02 | |
Yes, that's fine. 60 to 100 estimate for the catalogue. Yeah. | 0:08:02 | 0:08:05 | |
I think it should go. It's one of those things, there are collectors out there. | 0:08:05 | 0:08:09 | |
It'll depend if they're interested in the particular cards you've got. | 0:08:09 | 0:08:13 | |
Apparently you're getting the money when it sells, is that right? | 0:08:13 | 0:08:16 | |
I'm going on a ski trip next year with the school, so it'll go... | 0:08:16 | 0:08:21 | |
The money will go to, like, the hat and the salopettes to go... | 0:08:21 | 0:08:25 | |
OK. An expensive business, then! | 0:08:25 | 0:08:27 | |
We might be able to get you one ski pole or something, but we will try! | 0:08:27 | 0:08:30 | |
-That's a really good thing to aim for, so hopefully it will sell. -Yes. | 0:08:30 | 0:08:35 | |
-Send you off whizzing down a mountain! Thanks very much. -Thanks. | 0:08:35 | 0:08:39 | |
Now this is the bit I love about Flog It, dipping in and out of the crowd, joining up with them | 0:08:45 | 0:08:52 | |
and having a chat to people like June who have brought in something that I recognise instantly | 0:08:52 | 0:08:57 | |
because it's a Robert Lenkiewicz, it's a watercolour. | 0:08:57 | 0:09:00 | |
I had the good fortune of filming at the Plymouth Museum recently, the Lenkiewicz retrospective, | 0:09:00 | 0:09:05 | |
and I was thoroughly impressed and I learnt a lot. | 0:09:05 | 0:09:09 | |
I'm very envious, June, very envious! | 0:09:09 | 0:09:12 | |
-How did you get to own such a wonderful thing? -It was in 1978, | 0:09:12 | 0:09:16 | |
-I was travelling with my late husband, who was also an artist, to sell paintings in Cornwall. -Right. | 0:09:16 | 0:09:23 | |
And we stopped at the Barbican... | 0:09:23 | 0:09:24 | |
-In Plymouth. -At Plymouth, and we met Robert Lenkiewicz, spent the day with him | 0:09:24 | 0:09:29 | |
and he was telling us all about his work and his books and his writing. | 0:09:29 | 0:09:34 | |
Oh, I wish I'd met him, I really do. | 0:09:34 | 0:09:36 | |
-And we also met Diogenes. -Yes, the tramp that... | 0:09:36 | 0:09:39 | |
-the down and out that he used to paint. -Yeah, yeah. | 0:09:39 | 0:09:43 | |
I like the works that he did, the social history aspect of Plymouth. He embraced down and outs - | 0:09:43 | 0:09:50 | |
-at one stage he had about 20 living in his studio! -I know. | 0:09:50 | 0:09:53 | |
£25 you paid for this. £25! | 0:09:53 | 0:09:58 | |
Do you know what it's worth today? Is that what you're here to ask? | 0:09:58 | 0:10:03 | |
-Just as an enquiry, just to see. -OK. | 0:10:03 | 0:10:05 | |
Because it holds great sentimental value for me. | 0:10:05 | 0:10:08 | |
If you put this into auction, it would have a price tag of around £3,000, possibly £4,000. | 0:10:08 | 0:10:16 | |
I think if you had to buy it in a gallery, maybe just over that. | 0:10:16 | 0:10:21 | |
-Really? -Yeah. | 0:10:21 | 0:10:22 | |
-It's got very happy memories for me. -Well, it's put a smile on my face. | 0:10:22 | 0:10:27 | |
-Well, look, enjoy it. Put it on the wall. -Thank you. -And thank you so much for bringing it in. | 0:10:27 | 0:10:31 | |
You look really colourful, as well. In fact, you match, look at that! | 0:10:31 | 0:10:36 | |
-I look like him, do I? -No, no, no! You've got the same lime green. | 0:10:36 | 0:10:40 | |
Same figure, as well! | 0:10:40 | 0:10:43 | |
That really was a real treat. | 0:10:45 | 0:10:47 | |
I just can't believe some of the things that turn up at a Flog It valuation day. | 0:10:47 | 0:10:51 | |
Adam is chatting to Maxine who's brought in her ten Wedgwood plates with a nautical theme. | 0:10:51 | 0:10:58 | |
-Is shipping in the family? -My father was a sailor. He was a captain on oil tankers out of New York. | 0:10:58 | 0:11:04 | |
-Were these your father's plates? -No, he bought them for me as a birthday present. -OK. What every girl wants! | 0:11:04 | 0:11:11 | |
Yeah, well, he didn't have any sons, he had four daughters. | 0:11:11 | 0:11:14 | |
So, birthdays, we'd have plates or ships in bottles or something with...that had a nautical feel. | 0:11:14 | 0:11:22 | |
And I suppose sometimes that was nice | 0:11:23 | 0:11:25 | |
-and sometimes perhaps you'd have liked... -Oh, no, I liked it, yes. | 0:11:25 | 0:11:29 | |
-Is this your father's address in New York? -Yes. He was living in New York | 0:11:29 | 0:11:34 | |
so he wrote to Wedgwood in England to see - he'd heard about them, I suppose - | 0:11:34 | 0:11:40 | |
to find out how much it would be to ship them and how much they were and, in 1969, they were £11/11s. | 0:11:40 | 0:11:47 | |
"Sailing ships and clipper ships in fine earthenware by Wedgwood." | 0:11:47 | 0:11:51 | |
So they did two sets, they did a set of 12 of sailing ships | 0:11:51 | 0:11:54 | |
-and a slightly smaller set for clipper ships. -Yes. | 0:11:54 | 0:11:57 | |
-So, it was a set of 12? -Yes, and unfortunately two got broken. The cat knocked them off the dresser. | 0:11:57 | 0:12:05 | |
They're a printed design on an earthenware plate. | 0:12:05 | 0:12:08 | |
-So they were of a mass-produced type. -Yeah. | 0:12:08 | 0:12:12 | |
They were all designed by a chap called George Whales. | 0:12:12 | 0:12:15 | |
-Really nice things for the collector because all the information about every plate is on the back. -Yes. | 0:12:15 | 0:12:20 | |
So we could pretend to be great experts here | 0:12:20 | 0:12:23 | |
and say, well, the Mayflower... | 0:12:23 | 0:12:25 | |
"The Mayflower brought the pilgrims to Plymouth. | 0:12:25 | 0:12:28 | |
"Based on the model built in 1922 by Anderson for the Pilgrim Society in Plymouth." | 0:12:28 | 0:12:34 | |
-So, you can learn from your antiques, as well. -Yes! | 0:12:34 | 0:12:37 | |
-Did you ever have them on display? -Yes, I had them on a Welsh dresser. | 0:12:37 | 0:12:43 | |
I've recently moved now to a smaller house, no dresser, so... | 0:12:43 | 0:12:47 | |
-The dresser's gone. -So they're just sitting in the cupboard, which seems a shame, really. | 0:12:47 | 0:12:52 | |
Now, to value. I'd like to think they'd make £100 plus. | 0:12:52 | 0:12:56 | |
Oh, that would be good. | 0:12:56 | 0:12:58 | |
I think perhaps we should go with our old 80 to 120 estimate. | 0:12:58 | 0:13:01 | |
The auctioneer's favourite, which is around the £100 mark, | 0:13:01 | 0:13:06 | |
-and then pop the reserve in at about £80. -Yeah, that'd be great. | 0:13:06 | 0:13:09 | |
-Does that sound all right? -Yes. | 0:13:09 | 0:13:11 | |
Maybe put a little bit of discretion on there in case it gets to 75. | 0:13:11 | 0:13:16 | |
-You don't want them going for nothing, do you? -No. -OK, thanks for coming. -Thank you. | 0:13:16 | 0:13:21 | |
We've found our first three items and we're taking them off to sale | 0:13:21 | 0:13:26 | |
at Philip Serrell's Auctioneers and Valuers in Malvern. | 0:13:26 | 0:13:28 | |
Same town, just different weather! | 0:13:28 | 0:13:31 | |
Before we see auctioneer Philip Serrell in action, | 0:13:35 | 0:13:37 | |
I want to hear his thoughts on Richard's christening mug. | 0:13:37 | 0:13:41 | |
I like this a lot and I think this is tremendous value for money. | 0:13:41 | 0:13:45 | |
It's a silver christening tankard with original Moroccan red Mappin and Webb case. | 0:13:45 | 0:13:51 | |
-Great name. -£60 to £80. If you... | 0:13:51 | 0:13:53 | |
If you had to buy a christening present today, | 0:13:53 | 0:13:56 | |
something like that by Mappin and Webb, that's £300 to £400, isn't it? | 0:13:56 | 0:14:01 | |
-All day long. -Yeah. -All day long. | 0:14:01 | 0:14:03 | |
I think the case is worth 100 quid, isn't it? | 0:14:03 | 0:14:05 | |
-I think it'll go into three figures. -Good. -Not wildly into three figures. | 0:14:05 | 0:14:09 | |
You get the expression mint and boxed | 0:14:09 | 0:14:12 | |
-which, as you and I know, always refers to toys. -Yes. | 0:14:12 | 0:14:16 | |
But in this instance it's just... | 0:14:16 | 0:14:18 | |
-It's just the whole package, you know? -It's so right. | 0:14:18 | 0:14:22 | |
-It's so tactile, isn't it? -Yeah, it's just lovely and I think it's... | 0:14:22 | 0:14:25 | |
That on its own probably isn't worth 100 quid, | 0:14:25 | 0:14:28 | |
but put the whole lot together and it's just really, really lovely. So I think it'll do well. | 0:14:28 | 0:14:32 | |
Well, I certainly hope Philip's right and that Richard's christening mug will fly away. | 0:14:32 | 0:14:37 | |
We'll find out shortly. | 0:14:37 | 0:14:40 | |
As well as the mug, we've got Maxine's ten plates, two short of a dozen thanks to her cat! | 0:14:40 | 0:14:46 | |
Let's hope that doesn't put the bidders off. | 0:14:46 | 0:14:50 | |
James and Molly also have high hopes for their stereoscopic viewer. | 0:14:50 | 0:14:53 | |
Let's find out now how it does as it's the first of our items to go under the hammer. | 0:14:53 | 0:14:59 | |
Is there any more at all for it? | 0:14:59 | 0:15:02 | |
I have £100. | 0:15:02 | 0:15:04 | |
Did you not want to persuade Dad to hang on to them and not sell them? | 0:15:04 | 0:15:09 | |
-Well, we've had them a long time. -Yeah, we need the money. -What's the money going towards, then? | 0:15:09 | 0:15:14 | |
I'm going skiing with the school, so to get a new hat or something like that. | 0:15:14 | 0:15:19 | |
Oh, are you? Sounds really exciting. Are you on study leave right now? | 0:15:19 | 0:15:23 | |
-Yes. -So that's why you're here. -Yeah. | 0:15:23 | 0:15:25 | |
-Yeah. And what do you think of the auction room? -Good. | 0:15:25 | 0:15:28 | |
-It's -jam-packed. It's exciting. -Full of electricity and excitement. | 0:15:28 | 0:15:31 | |
-Yeah. -Kate, feeling any pressure? | 0:15:31 | 0:15:34 | |
-No, none whatsoever. -None at all. | 0:15:34 | 0:15:36 | |
Good luck. Let's hope we turn that into a couple of hundred. Here we go. | 0:15:36 | 0:15:41 | |
Great things these. | 0:15:43 | 0:15:45 | |
The stereoscopic viewer, lot number 310. There we are. Bid me. | 0:15:45 | 0:15:50 | |
50 or £60 to start. 20 I'm bid. | 0:15:50 | 0:15:54 | |
At 20. And five. 35. | 0:15:54 | 0:15:56 | |
-There we go. -40. Bid five. | 0:15:56 | 0:15:59 | |
50. 50 bid five. Anywhere five? 60. | 0:15:59 | 0:16:00 | |
Five. 65. Any more? | 0:16:00 | 0:16:03 | |
At 65. Your bid, sir, at 65. 70. | 0:16:03 | 0:16:08 | |
Five. 80. Five. 90. Five. | 0:16:08 | 0:16:12 | |
This is more like it. | 0:16:12 | 0:16:15 | |
95. 100, is it? 100. 110 now, sir? | 0:16:15 | 0:16:18 | |
At £100 only. At 100. Any more? | 0:16:18 | 0:16:20 | |
110. 110. | 0:16:20 | 0:16:22 | |
Fill it up, sir, at 20 now. At £110. | 0:16:22 | 0:16:25 | |
And I sell then at £110 and done. | 0:16:25 | 0:16:28 | |
Oh, I'm ever so pleased we got 110. | 0:16:28 | 0:16:30 | |
-Brilliant! -Well done, Kate. | 0:16:30 | 0:16:32 | |
A lot of these images find their way back to the States | 0:16:32 | 0:16:35 | |
-because the Americans love buying these. I hope you enjoy the trip. -Thank you. | 0:16:35 | 0:16:38 | |
Well, that might get two ski poles or something! | 0:16:38 | 0:16:41 | |
I don't know the cost of things, but that sounds like a good sum. | 0:16:41 | 0:16:45 | |
Wow! That got us off to a very good start. | 0:16:45 | 0:16:48 | |
Let's hope the result is a taste of things to come. | 0:16:48 | 0:16:51 | |
Next it's Maxine's Wedgwood plates. | 0:16:51 | 0:16:54 | |
They've got our valuation of around £100, which is good! | 0:16:54 | 0:16:56 | |
-We've got the old 80 to 120, haven't we? -You have, yes. | 0:16:56 | 0:17:00 | |
However, I'm not very confident. | 0:17:00 | 0:17:03 | |
-Aren't you? -I'm sorry. | 0:17:03 | 0:17:04 | |
-Adam should know. -I've got a gut instinct. | 0:17:04 | 0:17:07 | |
-They are a bargain if someone picks them up for £10 each. -We might just get them sold. | 0:17:07 | 0:17:14 | |
OK, OK. | 0:17:14 | 0:17:15 | |
Wise words. Here we go, Maxine. | 0:17:15 | 0:17:17 | |
Good luck, Adam. | 0:17:17 | 0:17:19 | |
A set of ten Wedgwood plates. | 0:17:21 | 0:17:23 | |
Start me off for them. The ten Wedgwood plates. | 0:17:23 | 0:17:25 | |
£100 for them. | 0:17:25 | 0:17:27 | |
£50 for them. | 0:17:27 | 0:17:29 | |
-£20 for them. -Oh, no! | 0:17:29 | 0:17:31 | |
There's no hands going up. | 0:17:31 | 0:17:33 | |
At 20. 20 bid. And five. 25. 25. | 0:17:33 | 0:17:35 | |
30. 30 bid. And five. 40. 40 bid. | 0:17:35 | 0:17:39 | |
At £40 only. At 40. 40 bid. | 0:17:39 | 0:17:44 | |
At 40. Five. | 0:17:44 | 0:17:47 | |
50. 50 bid. At £50 only. And five. | 0:17:47 | 0:17:50 | |
60. 60 bid. Five. 70. 70 bid. | 0:17:50 | 0:17:53 | |
We're looking at £80 with discretion, aren't we? | 0:17:53 | 0:17:55 | |
Any more at all? | 0:17:55 | 0:17:57 | |
At £70. At 70. Is there any more? | 0:17:57 | 0:17:59 | |
At £70. Any more at £70. | 0:17:59 | 0:18:02 | |
No? I'm sorry, I can't do those. | 0:18:02 | 0:18:04 | |
Sorry, Maxine. | 0:18:04 | 0:18:06 | |
Are they going home or will you leave them for another sale? | 0:18:06 | 0:18:09 | |
I might leave them. | 0:18:09 | 0:18:11 | |
You're selling them because you sold your Welsh dresser... | 0:18:11 | 0:18:15 | |
-That's right, so I've nowhere to put them... -Yeah. | 0:18:15 | 0:18:17 | |
-Leave them with Philip and see what happens there. -Yeah. | 0:18:17 | 0:18:22 | |
That was disappointing. So close! | 0:18:22 | 0:18:25 | |
Hopefully Maxine will have better luck on another day. | 0:18:25 | 0:18:29 | |
Next, it's Richard's silver christening mug. | 0:18:29 | 0:18:31 | |
This should do well. | 0:18:31 | 0:18:34 | |
-I hope it does really well. -I hope so too. -Because in a way you shouldn't be selling it. | 0:18:34 | 0:18:39 | |
-No, I have a lot of other items that belonged to my step-grandfather which are more personal. -OK. | 0:18:39 | 0:18:44 | |
And this will actually help to maybe refurbish the photo album that I have of his. | 0:18:44 | 0:18:49 | |
-Oh, brilliant! -It'll contribute to his legacy even further. | 0:18:49 | 0:18:53 | |
OK, we're going to find out what the bidders think right now. | 0:18:53 | 0:18:55 | |
Silver's up in value, let's hope it's working for us now. Here we go. | 0:18:55 | 0:18:59 | |
Lovely christening mug in its little leather case. | 0:19:02 | 0:19:07 | |
Mappin and Webb, bid me for that. £100 to start me. | 0:19:07 | 0:19:09 | |
Come on, Philip. | 0:19:13 | 0:19:14 | |
Give me 50 to go, someone. 50 I'm bid. At 50. 60. 70. 80. | 0:19:14 | 0:19:18 | |
Good, it's gone! Quickly as well, how about that? | 0:19:18 | 0:19:21 | |
-They like it. -110 with me. At 110. | 0:19:21 | 0:19:24 | |
-110. 110. -More than double. | 0:19:24 | 0:19:28 | |
If you're all out in the room at £110. The bid's with me. | 0:19:28 | 0:19:32 | |
At £110. And I... | 0:19:32 | 0:19:34 | |
20. Hello! At 120. 120. 120. | 0:19:34 | 0:19:37 | |
The bid's just there at £120 only. | 0:19:37 | 0:19:42 | |
Any more? At £120 and I sell then at £120 and done. | 0:19:42 | 0:19:47 | |
Superb. That's real quality and well worth £120. | 0:19:47 | 0:19:51 | |
What can you buy in a modern jewellers now for £120? | 0:19:51 | 0:19:55 | |
-You wouldn't catch me in a modern jewellers! -No. | 0:19:55 | 0:19:57 | |
But what could you buy? Nothing. | 0:19:57 | 0:20:00 | |
-Not much. -Nothing as good as that. -A battery powered clock, probably. | 0:20:00 | 0:20:04 | |
-At best. -At best, yeah. -Certainly nothing of this quality. | 0:20:04 | 0:20:09 | |
-I hope that can, you know, give you the chance to compete that album. -It certainly will. | 0:20:09 | 0:20:13 | |
-Go a bit further than that I think. -That's a good price. -Yes, thanks. | 0:20:13 | 0:20:18 | |
Good result. I love it when things sell well over the estimate. | 0:20:18 | 0:20:23 | |
It shows there's a real market for them. | 0:20:23 | 0:20:26 | |
Later, Adam finds an item which is bound to get a good return. | 0:20:26 | 0:20:30 | |
-So it cost you how much? -£2. -£2! | 0:20:30 | 0:20:33 | |
We can improve on that. | 0:20:33 | 0:20:34 | |
Stick a couple of noughts on that. | 0:20:34 | 0:20:36 | |
It's this eight mile ridge of some of the oldest rocks in Britain | 0:20:44 | 0:20:48 | |
which give us spring water that's world famous for its purity. | 0:20:48 | 0:20:52 | |
I've come here to find out more about the unique relationship | 0:20:54 | 0:20:57 | |
between the town of Malvern and its refreshing spring water. | 0:20:57 | 0:21:00 | |
It's the cold water that sprouts from the fissures in these hills | 0:21:00 | 0:21:04 | |
that's made the fortunes of that town. | 0:21:04 | 0:21:06 | |
You could say, in fact, that Malvern was built on water | 0:21:06 | 0:21:10 | |
and the development of two very different water-related industries. | 0:21:10 | 0:21:15 | |
Now, in both cases Malvern was the first place in the UK to start both of these industries. | 0:21:19 | 0:21:24 | |
The first sounds a little bit like a form of medieval torture - the cold water cure. More about that later. | 0:21:24 | 0:21:31 | |
The second business to put Malvern on the map was the commercial bottling of its spring water. | 0:21:31 | 0:21:36 | |
The lucky locals have always been able to pop along and collect their water for free | 0:21:41 | 0:21:47 | |
because there's around 100 wells and springs all around this area, but what about people further afield? | 0:21:47 | 0:21:54 | |
How could they get to drink some of this refreshing water? | 0:21:54 | 0:21:57 | |
Well, the answer is crystal clear - | 0:21:57 | 0:22:00 | |
look at that - bottle it and sell it to them. | 0:22:00 | 0:22:02 | |
And this is where water was first commercially bottled. | 0:22:02 | 0:22:06 | |
The Holywell Spring. | 0:22:06 | 0:22:08 | |
Strangely, this water has been so highly valued not for what's in it, but for what's not in it. | 0:22:08 | 0:22:14 | |
And it's this same pure water that, back in the Victorian era, | 0:22:18 | 0:22:21 | |
enticed many visitors to Malvern when the cold water cure arrived. | 0:22:21 | 0:22:25 | |
Argh! | 0:22:25 | 0:22:27 | |
The cold water cure, or hydrotherapy, was an alternative treatment which two doctors - | 0:22:28 | 0:22:33 | |
Dr James Wilson and Dr James Gully - brought to the town in 1842. | 0:22:33 | 0:22:38 | |
To find out exactly what the terrifying sound of the cold water cure is, | 0:22:38 | 0:22:42 | |
I've come to meet up with retired GP and Malvern resident Dr John Harcup, who's a bit of an expert. | 0:22:42 | 0:22:48 | |
And I'm meeting him in the building which began life | 0:22:50 | 0:22:54 | |
as Britain's first purpose-built water cure establishment. | 0:22:54 | 0:22:59 | |
John, we're sitting in the bow window of the original building where all this treatment went on. | 0:22:59 | 0:23:05 | |
Yeah, it is, and you can see the bay window where we are. | 0:23:05 | 0:23:09 | |
Incredible, absolutely incredible! And that's a lovely view, as well. | 0:23:09 | 0:23:13 | |
What was this cold water cure all about? | 0:23:13 | 0:23:15 | |
It was a Victorian health package. It was very popular. | 0:23:15 | 0:23:20 | |
Everybody was woken between five and six in the morning, stripped naked, | 0:23:20 | 0:23:25 | |
wrapped in a cold, wet sheet for an hour. | 0:23:25 | 0:23:28 | |
So, people from all over the country would come here to this building... | 0:23:28 | 0:23:31 | |
be woken up at six in the morning! | 0:23:31 | 0:23:34 | |
Yes. | 0:23:34 | 0:23:35 | |
It wasn't a good start. | 0:23:35 | 0:23:37 | |
No, a wet start and a cold start, but you relaxed. It was amazing the effect of the cold wet sheet on you. | 0:23:37 | 0:23:44 | |
Then you were unwrapped by your bath attendant | 0:23:44 | 0:23:46 | |
who popped you in a shallow bath and poured cold water over you and rubbed you down with a rough towel, | 0:23:46 | 0:23:52 | |
it was called a friction rub, and you went up the hills before breakfast... | 0:23:52 | 0:23:59 | |
drinking at every spring. | 0:23:59 | 0:24:00 | |
-You must have been exhausted by ten o'clock in the morning! -Yeah! | 0:24:00 | 0:24:04 | |
And then after you'd been here for about three weeks, you were fit enough to have the douche, which... | 0:24:04 | 0:24:10 | |
-This is the big one! -This is the big one, yes. | 0:24:10 | 0:24:12 | |
Water falling 20 feet from a pipe 2½ or 3½ inches in diameter for about three minutes. | 0:24:12 | 0:24:20 | |
And about 150 gallons of water fell on you at that time. | 0:24:20 | 0:24:26 | |
Gosh! If that's freezing cold, that would have hurt. | 0:24:26 | 0:24:30 | |
Yes. In winter, you got icicles coming down | 0:24:30 | 0:24:33 | |
and people were scored by icicles and there was blood on the floor, as you can imagine. | 0:24:33 | 0:24:39 | |
-But no complaints, everybody loved it. -Oh, yes. | 0:24:39 | 0:24:42 | |
It was a social occasion, to put it mildly. | 0:24:42 | 0:24:45 | |
What sort of ailments was this cure going to solve? | 0:24:45 | 0:24:49 | |
Well, rheumatism and gout were premier things. | 0:24:49 | 0:24:53 | |
-Yeah. -Neuralgia, TB. | 0:24:53 | 0:24:57 | |
Virtually everything, you know? | 0:24:57 | 0:24:59 | |
You name it, we can cure it was the motto here. | 0:24:59 | 0:25:02 | |
-It's fascinating, isn't it? -Absolutely, yes. | 0:25:02 | 0:25:04 | |
It was amazing who came here - | 0:25:04 | 0:25:07 | |
Charles Darwin, Florence Nightingale, Alfred Lord Tennyson came here. | 0:25:07 | 0:25:13 | |
-Some big names. -Yes. | 0:25:13 | 0:25:15 | |
Tennyson said he was half-cured, half-destroyed by the cure. | 0:25:15 | 0:25:18 | |
-Wow. In your expert opinion, obviously, it does work. -Yes. | 0:25:18 | 0:25:23 | |
In the context of Victorian medicine, this is the important thing, | 0:25:23 | 0:25:27 | |
because treatment was so bad in those days. | 0:25:27 | 0:25:30 | |
How long did you have to be here for, then? | 0:25:30 | 0:25:32 | |
Well, about three weeks, three to four weeks. | 0:25:32 | 0:25:35 | |
I mean, Darwin came for three weeks and stayed for 16 | 0:25:35 | 0:25:40 | |
and he got on so much better. | 0:25:40 | 0:25:42 | |
He was depressed and he was... | 0:25:42 | 0:25:45 | |
He went back to Down House a new man, basically. | 0:25:45 | 0:25:50 | |
He was writing a book on barnacles and he went back to the barnacles. | 0:25:50 | 0:25:54 | |
Yeah, I don't know about 16 weeks here though! | 0:25:54 | 0:25:57 | |
-One day with that cold water! -Malvern grows on you, so you'll stay! | 0:25:57 | 0:26:01 | |
So, there you have it, some British towns are built on coal, | 0:26:06 | 0:26:10 | |
some on steel and some on the farming industry, but the majestic town of Malvern is built on water. | 0:26:10 | 0:26:16 | |
Back at our valuation day, there's still a huge queue | 0:26:22 | 0:26:26 | |
and the great thing about my job is I never know where the next antiques will be lurking. | 0:26:26 | 0:26:30 | |
-Oh, my gosh, look at this! -This is... | 0:26:32 | 0:26:35 | |
And some items are just too big to fit in a box. | 0:26:35 | 0:26:38 | |
It's so nice to see furniture brought in to Flog It | 0:26:38 | 0:26:41 | |
because you do have to make a bit of an effort to get this in the car. | 0:26:41 | 0:26:45 | |
That's why we always get lots of ceramics, but whoever brought this, | 0:26:45 | 0:26:50 | |
I'm going to go and shake their hand because this is what we need to see - more furniture. | 0:26:50 | 0:26:54 | |
Please bring us in more furniture. | 0:26:54 | 0:26:57 | |
Adam's talking to Simon who's brought along an item that we see often on Flog It. | 0:26:57 | 0:27:01 | |
Yes, it's a piece of Troika! | 0:27:01 | 0:27:03 | |
This is quite an interesting one for a number of reasons. | 0:27:03 | 0:27:08 | |
Firstly, because of where you got it from. | 0:27:08 | 0:27:10 | |
Well, a car-boot sale, yeah. | 0:27:10 | 0:27:13 | |
Not a bad little earner, there. | 0:27:13 | 0:27:15 | |
-And did you recognise it as a piece of Troika? -No. | 0:27:15 | 0:27:18 | |
-Basically, we just liked the look of it, the bits and bobs on it and... -Do you still like it? | 0:27:18 | 0:27:22 | |
I don't know, I've gone off it a bit now. It's... | 0:27:22 | 0:27:25 | |
We'd seen the markings on the bottom of it. I'd never heard of it. | 0:27:25 | 0:27:30 | |
I thought, "Yeah, somebody's written that on in marker pen." | 0:27:30 | 0:27:34 | |
-Well, it does look like that, doesn't it? -It does, yeah. -Look at that. | 0:27:34 | 0:27:38 | |
-Kind of crude, isn't it? -Yeah. | 0:27:38 | 0:27:41 | |
Pretty... Pretty good condition, isn't it? | 0:27:41 | 0:27:44 | |
I've noticed one little bit of damage, where is it? There. | 0:27:44 | 0:27:47 | |
A little bit of a chip, there. | 0:27:47 | 0:27:49 | |
But that's nothing too major. | 0:27:49 | 0:27:51 | |
-So you're going to sell it, take the money. -Yeah, take the money and run! -It cost you how much? -£2. -£2. | 0:27:51 | 0:27:56 | |
We can improve on that. Stick a couple of noughts on that. | 0:27:56 | 0:28:00 | |
-That's not bad. -This is what is called the large rectangle vase. | 0:28:00 | 0:28:04 | |
On the bottom, you've got that decorator's mark there, which is RGB for Roland Bence. | 0:28:04 | 0:28:10 | |
Roland Bence was one of the main men at Troika. | 0:28:10 | 0:28:13 | |
He was the manager there for all of the '70s. | 0:28:13 | 0:28:15 | |
He is one of your premier names. So not only have you chanced upon a 2 quid vase worth 200 or 300... | 0:28:15 | 0:28:22 | |
-I've got the main man on it, yeah. -You've got one of the main men. | 0:28:22 | 0:28:25 | |
-I think we should put it in at 200 to 300. -Yeah, sounds good, yeah. | 0:28:25 | 0:28:28 | |
Put a reserve in of £180. If it doesn't make that, | 0:28:28 | 0:28:32 | |
-it's worth hanging on to. -Yeah. -Well done. | 0:28:32 | 0:28:36 | |
It just goes to show that quality kit is still out there | 0:28:36 | 0:28:40 | |
waiting to be found if you have the time and the patience to look. | 0:28:40 | 0:28:44 | |
Right, next it's Jim who's brought along a collection of First World War postcards. | 0:28:44 | 0:28:48 | |
So, what's the history here? | 0:28:50 | 0:28:52 | |
They belonged to my wife's uncle who was a private in the Medical Corps | 0:28:52 | 0:28:57 | |
and he served on the hospital ship, the Letitia, and they went all around the Mediterranean. | 0:28:57 | 0:29:04 | |
-During the First World War? -During the First World War. | 0:29:04 | 0:29:08 | |
And this is basically postcards to and from him and his wife. | 0:29:08 | 0:29:12 | |
We've seen lots of First World War postcards, especially in the embroidered silks, | 0:29:12 | 0:29:18 | |
for the guys to send home to their wives, but these are slightly different. | 0:29:18 | 0:29:22 | |
You've got more topographic scenes. | 0:29:22 | 0:29:24 | |
He obviously was travelling, going all over the place. | 0:29:24 | 0:29:27 | |
He's in the Middle East here. | 0:29:27 | 0:29:28 | |
He's at the Sphinx in the Pyramids. | 0:29:28 | 0:29:32 | |
It's like a diary of his journey. Has he written messages on the back? | 0:29:32 | 0:29:36 | |
-He has, yeah. -Oh, how lovely. Is it something you really want to sell? | 0:29:36 | 0:29:40 | |
Basically, it's lying in the bedroom, we don't look at it that often. | 0:29:40 | 0:29:45 | |
We'll maybe go and see our grandchildren, perhaps buy them a present out of it. | 0:29:45 | 0:29:49 | |
Oh, well that's a nice idea. | 0:29:49 | 0:29:51 | |
-Yes. -This is nice. That's George IV, isn't it? | 0:29:51 | 0:29:53 | |
Yeah. | 0:29:53 | 0:29:56 | |
It's personally addressed to him. | 0:29:56 | 0:29:58 | |
"With our very best wishes for Christmas, 1914. | 0:29:58 | 0:30:02 | |
"May God protect you and bring you home safely. Mary and George." | 0:30:02 | 0:30:07 | |
Oh, that's lovely, isn't it? That really does complete this book. | 0:30:07 | 0:30:12 | |
I'm pleased that's on the last page. | 0:30:12 | 0:30:14 | |
Well, look, if you're happy to let this go and you want it to go... | 0:30:14 | 0:30:18 | |
-Yes, we do. -Let's price it to sell. | 0:30:18 | 0:30:21 | |
-Let's put 100 to 200 on it. -Yeah. | 0:30:21 | 0:30:23 | |
Fixed reserve at £100 because you're not going to give this away. | 0:30:23 | 0:30:26 | |
-No. -You'll have to keep it otherwise, but on a good day I think this boat will float. | 0:30:26 | 0:30:31 | |
I just loved Jim's postcard collection. | 0:30:32 | 0:30:34 | |
Fingers crossed it's going to do well. | 0:30:34 | 0:30:37 | |
But before that, Kate's valuing the biggest lump of gold | 0:30:38 | 0:30:42 | |
I've seen in a while, and it belongs to husband and wife Bill and Jan. | 0:30:42 | 0:30:47 | |
-How have you come by it? -It was my second cousin's. | 0:30:47 | 0:30:51 | |
-She was very, very elegant. -We remember Frances very well. | 0:30:51 | 0:30:54 | |
We can remember her smoking Woodbines out of that. | 0:30:54 | 0:30:58 | |
-Brilliant. -But we have other things that she's left to us, so we would like other people to enjoy it. | 0:30:58 | 0:31:04 | |
Well, it's a classic case of very elegant Roaring Twenties gold, | 0:31:04 | 0:31:09 | |
set with what looks to be rubies. | 0:31:09 | 0:31:13 | |
If we open it up, what have we got inside? There we go. | 0:31:13 | 0:31:17 | |
So it is hallmarked gold and the hallmark's Chester and it's 1923. | 0:31:17 | 0:31:23 | |
So, exactly that sort of Roaring Twenties. | 0:31:23 | 0:31:26 | |
You would have had very small, thin lady's cigarettes in it, | 0:31:26 | 0:31:31 | |
possibly with a holder. | 0:31:31 | 0:31:32 | |
But it's a lovely thing. You're not keen on keeping it? | 0:31:32 | 0:31:38 | |
Not particularly. | 0:31:38 | 0:31:40 | |
Well, gold prices are quite high at the moment and you've got the inset rubies to add a little bit of value. | 0:31:40 | 0:31:46 | |
You've also got machine decoration on the top and then this Greek key pattern along the edge. | 0:31:46 | 0:31:51 | |
So it's a very attractive thing. Any ideas on value? | 0:31:51 | 0:31:55 | |
-No. -No. | 0:31:56 | 0:31:58 | |
Your estimate for the auction would be maybe between £550 and £650, | 0:31:58 | 0:32:03 | |
something like that, which for quite a small thing is quite a high price. | 0:32:03 | 0:32:07 | |
-It is indeed. -Is that the kind of figure you'd be happy with? | 0:32:07 | 0:32:10 | |
-Yes, certainly. -OK. | 0:32:10 | 0:32:11 | |
What sort of reserve would you suggest? | 0:32:11 | 0:32:13 | |
I would say just below that, so maybe a 450 reserve. | 0:32:13 | 0:32:18 | |
-Sounds very good. -A lovely thing to have been passed down, isn't it? | 0:32:18 | 0:32:21 | |
-Indeed, yeah. -Let's hope it sells. -Oh, yes. Thank you. -OK. | 0:32:21 | 0:32:24 | |
Well, that's our final items ready to take off to auction | 0:32:28 | 0:32:32 | |
and going under the hammer is Simon's Troika vase which he paid just £2 for at a car-boot sale. | 0:32:32 | 0:32:36 | |
Next it's time for Jim's collection of inherited World War I postcards to find a new home. | 0:32:36 | 0:32:43 | |
Finally, Bill and Jan's elegant gold cigarette case with inlaid rubies | 0:32:43 | 0:32:47 | |
will be testing the current gold prices. | 0:32:47 | 0:32:50 | |
We're now back at Philip Serrell's auction rooms in Malvern. | 0:32:54 | 0:32:59 | |
Let's find out how much profit Simon will make. | 0:32:59 | 0:33:02 | |
I think this is a great lot, Roland Bence. | 0:33:04 | 0:33:07 | |
-What's great is it was bought for £2 in a car boot. -Yeah. | 0:33:07 | 0:33:11 | |
It is unbelievable, isn't it? I would love to have a bit of time to go to a car boot once every... | 0:33:11 | 0:33:17 | |
-You and me would never get anything. -You'll never pick a bargain out. | 0:33:17 | 0:33:20 | |
-They'd put the price up, wouldn't they? Good luck. -Thank you. -And well spotted. Here we go. | 0:33:20 | 0:33:25 | |
The Troika vase, hugely popular. | 0:33:28 | 0:33:32 | |
Bid me. | 0:33:32 | 0:33:33 | |
£50 I'm bid. At 50. 60. 60 bid. | 0:33:33 | 0:33:35 | |
70. 80. 90. | 0:33:35 | 0:33:38 | |
100. 110. 120. 130. 140. 150. | 0:33:38 | 0:33:42 | |
160. 170. | 0:33:42 | 0:33:45 | |
Yes? 180. At 180 bid seated. | 0:33:45 | 0:33:48 | |
At 180. At 180. At 180. At £180 only. Any more at all? | 0:33:48 | 0:33:54 | |
We're struggling at 180 right now. | 0:33:54 | 0:33:57 | |
I can't believe that. | 0:33:57 | 0:33:58 | |
-£180 and done. Thank you. -Just! | 0:33:58 | 0:34:01 | |
-I thought it'd do better. -Yes, so did I. | 0:34:01 | 0:34:06 | |
-But, it's gone. That's the main thing. -Yeah, it's gone. -It's gone. | 0:34:06 | 0:34:09 | |
-And it's an improvement on the two quid. -A vast improvement. | 0:34:09 | 0:34:13 | |
Yeah, big improvement. Are you back at the car boots at all? | 0:34:13 | 0:34:16 | |
Oh, I might have a pop round to see if there's any more out there! | 0:34:16 | 0:34:19 | |
-And what will you put this money towards? -Something for the kids. | 0:34:19 | 0:34:22 | |
-How many have you got? -Three. | 0:34:22 | 0:34:24 | |
-Go on, name check them, what are they? -Brandon, Harrison and Roly. | 0:34:24 | 0:34:26 | |
-OK. Enjoy the money. -Thank you very much. -Well done, Simon. | 0:34:26 | 0:34:30 | |
We just got Simon's Troika away. Still, it was a very good return on the £2 he paid for it. | 0:34:30 | 0:34:36 | |
Now for Jim, the owner of that brilliant postcard collection. | 0:34:39 | 0:34:43 | |
Hopefully, for not much longer because this lot should put their hands up and bid. | 0:34:43 | 0:34:48 | |
I see you've brought the wife along. Hello. | 0:34:48 | 0:34:50 | |
I know you're getting really excited because you want to see your daughter out in New Zealand. | 0:34:50 | 0:34:55 | |
Well, I hope we get you there. | 0:34:55 | 0:34:56 | |
I hope this is part of the airfare. I don't want to let them down. | 0:34:56 | 0:34:59 | |
I hope it's not return to sender, it's going under the hammer now. | 0:34:59 | 0:35:03 | |
Lot number 300 is the Victorian postcard album. Bid me for it. | 0:35:03 | 0:35:09 | |
Where do you want to start me? | 0:35:09 | 0:35:11 | |
Give me £100 to start straight off. | 0:35:11 | 0:35:13 | |
100 I am bid. At 100. And ten now? | 0:35:13 | 0:35:16 | |
100. 100. £100 for the postcard album. | 0:35:16 | 0:35:19 | |
At 100. 100. 100. | 0:35:19 | 0:35:21 | |
It's your bid, sir. | 0:35:21 | 0:35:23 | |
At £100. The maiden bid's got it at 100. | 0:35:23 | 0:35:26 | |
I'll take ten anywhere. | 0:35:26 | 0:35:29 | |
At £100 only. At 100. At £100. | 0:35:29 | 0:35:31 | |
And I sell then at 100 and done. | 0:35:31 | 0:35:35 | |
Yes, we just got it away within estimate, £100, | 0:35:35 | 0:35:39 | |
but I guess it's better than nothing. | 0:35:39 | 0:35:41 | |
-That'll cover the airport tax. -Just about! | 0:35:41 | 0:35:45 | |
Well, I think some lucky buyer got a real bargain with those postcards. | 0:35:45 | 0:35:49 | |
Now it's time to see if Bill and Jan's gold cigarette case will tickle the bidders' fancy. | 0:35:49 | 0:35:54 | |
We've got some real quality going under the hammer right now. | 0:35:56 | 0:36:00 | |
It's that gold cigarette case. Absolutely love it. | 0:36:00 | 0:36:04 | |
We're looking for top money here, somewhere around £500 to £600, Kate. | 0:36:04 | 0:36:07 | |
I hope so. Gold's high though at the moment, so fingers crossed. | 0:36:07 | 0:36:10 | |
And these are real collectables. They look great in display cabinets. | 0:36:10 | 0:36:13 | |
All the waiting is over because they're going under the hammer literally right now! | 0:36:13 | 0:36:19 | |
Lot number 466 is the nine carat gold cigarette case | 0:36:21 | 0:36:25 | |
and I'm bid £400 for that. 410. | 0:36:25 | 0:36:29 | |
420. 430. 440. 450. | 0:36:29 | 0:36:32 | |
£450 bid. | 0:36:32 | 0:36:34 | |
Come on, Philip, work 'em! | 0:36:34 | 0:36:38 | |
470. 480. 490. 500. | 0:36:38 | 0:36:42 | |
520. 550 on the net, is it? 550. | 0:36:42 | 0:36:45 | |
£100 over the reserve already. | 0:36:45 | 0:36:47 | |
580, is it? | 0:36:47 | 0:36:49 | |
Is there any more? | 0:36:49 | 0:36:51 | |
At £550 and I sell, then. | 0:36:51 | 0:36:55 | |
-At 550 and done. -He's selling. Yes. | 0:36:55 | 0:36:57 | |
-Yes. -Very nice. -That was short and sweet, really. | 0:36:57 | 0:36:59 | |
-There was a lot of competition straight away, wasn't there? -Yes. | 0:36:59 | 0:37:03 | |
Smoking is not so fashionable. | 0:37:03 | 0:37:05 | |
-Why have you decided to sell now, though? -Oh, I don't really... | 0:37:05 | 0:37:10 | |
-We wanted to come to Flog It, didn't we? -Did you, really? -Yes! -You could have come just to say hello! | 0:37:10 | 0:37:15 | |
-Well, we could have done, yes. -I'm glad they didn't though! | 0:37:15 | 0:37:19 | |
-Jolly good. -We've enjoyed it. -I hope you've had a great day here. | 0:37:19 | 0:37:23 | |
-We have indeed, thank you, Paul. -We have, we've enjoyed it. | 0:37:23 | 0:37:26 | |
-And you got a bit of spending money now. -Oh, yes. | 0:37:26 | 0:37:29 | |
-Cheers. Thank you very much. -Yes. | 0:37:29 | 0:37:31 | |
Oh, thank you! | 0:37:31 | 0:37:33 | |
Well, that's brought us to the end of another show. | 0:37:38 | 0:37:42 | |
As you can see, people are still eager to bid. | 0:37:42 | 0:37:44 | |
There's plenty more lots going under the hammer, but all credit to Philip Serrell, he did us proud today. | 0:37:44 | 0:37:48 | |
It's wonderful being back here in this lovely old saleroom in Malvern. | 0:37:48 | 0:37:52 | |
Now, if you've got any antiques or collectables you want to turn into cash we would love to see you, | 0:37:52 | 0:37:57 | |
and hopefully we're coming to an area to do a valuation day very near you soon so keep an eye out for us. | 0:37:57 | 0:38:02 | |
So, until then, from Malvern, it's cheerio. | 0:38:02 | 0:38:05 |