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Welcome to Flog It, the show that values your unwanted antiques and collectables for auction | 0:00:02 | 0:00:08 | |
where hopefully there will be surprises for you or you. | 0:00:08 | 0:00:12 | |
Today we're in Dorset's county town of Dorchester. | 0:00:12 | 0:00:16 | |
It's believed that the origins of Dorchester date back to prehistoric times some 4,000 years ago. | 0:00:40 | 0:00:47 | |
After the Roman invasion, the town became an important market centre and staging post. | 0:00:47 | 0:00:53 | |
There's still a weekly market here. | 0:00:53 | 0:00:57 | |
We're continuing the trading theme here at the Dorford Centre. | 0:00:58 | 0:01:03 | |
It underwent a £1 million refit not so long ago | 0:01:03 | 0:01:07 | |
so let's hope we can trade great items for great prices. | 0:01:07 | 0:01:11 | |
'Coming up on today's show: a surprise for Lillian.' | 0:01:13 | 0:01:16 | |
That is good news. | 0:01:16 | 0:01:18 | |
'David ticks off an art critic.' | 0:01:18 | 0:01:21 | |
-Mr "Owski" would be very cross with you. -I expect he would be! -He spent hours painting this. | 0:01:21 | 0:01:27 | |
'And one owner gets really excited.' | 0:01:27 | 0:01:30 | |
We'll go with the spirit of the programme and flog it! | 0:01:30 | 0:01:34 | |
We have a team of valuers helping us today and they're ably led by two of our finest experts. | 0:01:35 | 0:01:42 | |
Mark Stacey's provenance includes years at a famous auction house, Sotheby's. | 0:01:42 | 0:01:48 | |
I've got the whole world in my hand! | 0:01:48 | 0:01:51 | |
David Fletcher has spent his whole life working with and loving antiques. | 0:01:51 | 0:01:57 | |
Hilda's brought in an unusual collectable that Mark is keen to take a closer look at. | 0:01:57 | 0:02:04 | |
-It's one of the nicest things I've seen. -Well, I rather like it. | 0:02:04 | 0:02:09 | |
-It's so quirky. -That's right. -Absolutely. | 0:02:09 | 0:02:12 | |
The bowl says it all. This is a souvenir of the Boer War, 1899-1900. | 0:02:12 | 0:02:20 | |
-We've got an exact copy of a gun which is... -Lee Metford. -Lee Metford. | 0:02:20 | 0:02:26 | |
Right down to the bayonet. And all these little details of how the gun worked. | 0:02:26 | 0:02:33 | |
You'd have gone like that to fire. | 0:02:33 | 0:02:35 | |
When we turn it over, we've got all the details on the back here - a full set of hallmarks | 0:02:35 | 0:02:42 | |
and a registration number as well. | 0:02:42 | 0:02:45 | |
-It's a lovely bit of commemorative silver. -Anybody who collects spoons or militaria, I thought, | 0:02:45 | 0:02:53 | |
-would be interested. -You don't need me at all. You've stolen my line! | 0:02:53 | 0:02:57 | |
-There are people who collect things to do specifically with the Boer War as well. -Do they? | 0:02:57 | 0:03:03 | |
-Tell me the history of it. -I only know that my mother had it. | 0:03:03 | 0:03:08 | |
She would have been about 14 | 0:03:08 | 0:03:10 | |
-at the end of the Boer War. -Yes. -And that's all I know. | 0:03:10 | 0:03:16 | |
-It came to me. -You would have bought this as an act of patriotism. | 0:03:16 | 0:03:21 | |
-I expect so, yes. -So your mother or a member of your family would have gone out | 0:03:21 | 0:03:26 | |
and been proud to have it on display at home, showing you were behind Britain. | 0:03:26 | 0:03:32 | |
-So for a little object, it's got an awful lot of history. -Yes. | 0:03:32 | 0:03:37 | |
-I think I'm going to be cautious and say maybe £60-£80. -Oh! | 0:03:37 | 0:03:42 | |
-It's a lot for a spoon. -It is, but it wouldn't surprise me on the day if it went | 0:03:42 | 0:03:49 | |
-for over £100. -Really? -Absolutely. Why do you want to sell it? | 0:03:49 | 0:03:54 | |
-My daughter doesn't want it. My son would have loved it, but I lost him a couple of years ago. -I'm sorry. | 0:03:54 | 0:04:00 | |
-So what happens to it after? -And also it's quite nice | 0:04:00 | 0:04:04 | |
-to know it's going to go to another collector. -They'd appreciate it very much so, wouldn't they? | 0:04:04 | 0:04:11 | |
So it's time to pass it on. It's just such a lovely, honest collectable item. | 0:04:11 | 0:04:17 | |
'Valuation days are the perfect opportunity for all those unwanted antiques to get a proper airing. | 0:04:22 | 0:04:28 | |
'There's nothing I like better to do than have a good old rummage to see if there are any hidden gems | 0:04:28 | 0:04:34 | |
'among the bags and boxes in the queue.' | 0:04:34 | 0:04:37 | |
-What have you brought along? -A little vase. Quite delicate. | 0:04:37 | 0:04:41 | |
-A Parian vase. -Oh, is it? -Yeah. -Oh, isn't that lovely? | 0:04:41 | 0:04:45 | |
-Parian is a Victorian invention. -Yes. | 0:04:45 | 0:04:48 | |
It's a cheaper version of white marble. White marble comes from the island of Paros, basically. | 0:04:48 | 0:04:55 | |
Isn't that lovely? Is that something you're going to sell? | 0:04:55 | 0:04:59 | |
-Possibly, yes. If the price is right. -If the price is right! | 0:04:59 | 0:05:04 | |
Back inside, expert David is taking a closer look at Michael's truncheon. | 0:05:04 | 0:05:11 | |
-Thank you for bringing this in. -Pleasure. -Did you smuggle it in in your trouser leg? -Yes! | 0:05:11 | 0:05:17 | |
Well done. I'm not sure if it's an offensive weapon or not. | 0:05:17 | 0:05:21 | |
Correct me if I'm wrong, but I think I'm right that this is the type of truncheon issued | 0:05:21 | 0:05:27 | |
to Navy men | 0:05:27 | 0:05:30 | |
who were responsible for getting together companies to man ships | 0:05:30 | 0:05:37 | |
-in order to supplement the King's Navy. -Yes. | 0:05:37 | 0:05:43 | |
I know that it's initialled WR. | 0:05:43 | 0:05:46 | |
And above that we have IV for four, | 0:05:46 | 0:05:50 | |
-which I take to be William IV. -Yes. -Or related to William IV. | 0:05:50 | 0:05:55 | |
And beneath that it's marked or there's a painted inscription, "St Martins". | 0:05:55 | 0:06:01 | |
-It would be a relatively small force, wouldn't it? -Yes. | 0:06:01 | 0:06:06 | |
It would not be hundreds of people. A small group of 10 or 20 peacekeepers. | 0:06:06 | 0:06:12 | |
I don't know if it was one man for every press man, but if you'd been having a quiet drink | 0:06:12 | 0:06:18 | |
and woke up in the morning going towards the Bay of Biscay, you'd be unhappy! | 0:06:18 | 0:06:24 | |
And you'd need people to keep you away from the officers who did it. | 0:06:24 | 0:06:28 | |
-Yes. So how did it come into your possession, Mike? -My mother gave it to me. She was a nurse in Canada. | 0:06:28 | 0:06:34 | |
-Was she? -And she obviously knew I was in the Navy. | 0:06:34 | 0:06:39 | |
And I think this was a gift from a patient to her. She gave it to me for its naval connections. | 0:06:39 | 0:06:46 | |
-That was a lovely gesture. You're a Navy man? -Yes. | 0:06:46 | 0:06:50 | |
-Hence the beard! -Yes. -What's a beard like that called? A full set? | 0:06:50 | 0:06:54 | |
-It is a full set if you don't shave every day. -All right, OK. | 0:06:54 | 0:06:59 | |
And this is something you're no longer interested in? | 0:06:59 | 0:07:03 | |
I'd like to think somebody with a lot more knowledge about these would add it to his collection. | 0:07:03 | 0:07:09 | |
He may not want to pay a lot for it, | 0:07:09 | 0:07:12 | |
-but it would be nice to think it's going to a good home. -So what I suggest we do is | 0:07:12 | 0:07:17 | |
put this in the sale at an estimate of £100-£150. | 0:07:17 | 0:07:22 | |
-Would that be all right? -Yes, fine. -Good. You're very philosophical. Reserve of £100? -Wonderful. | 0:07:22 | 0:07:28 | |
But I'm sure we'll find someone out there who has a similar collection of similar items | 0:07:28 | 0:07:35 | |
and, who knows, might even have another St Martins truncheon to make a pair. | 0:07:35 | 0:07:40 | |
-So I look forward to seeing you at the sale. -Yes, indeed. -And safe journey home. -Thank you. | 0:07:40 | 0:07:47 | |
Michael wants to see his truncheon go to a better home. There's a mystery about a painting of a house | 0:07:49 | 0:07:57 | |
brought in by Martin and Elizabeth. | 0:07:57 | 0:08:00 | |
-They're signed Henry J Sage. -Yes. -1907. And have you done any research? | 0:08:00 | 0:08:05 | |
-Only this. -He was based in Surrey. In Guildford. | 0:08:05 | 0:08:10 | |
-Yeah. -And he painted gentlemen's houses. -And I think he's a very good watercolour artist. | 0:08:10 | 0:08:16 | |
Lovely muted colours. The condition is very good. And a double aspect of the same house! | 0:08:16 | 0:08:23 | |
We need to find the house. We need to find the current occupant. | 0:08:23 | 0:08:27 | |
This is the side around here. | 0:08:27 | 0:08:30 | |
-Do you like that? -Lovely. | 0:08:30 | 0:08:33 | |
-Do you know whose house that is? -No, but I know a chap who would. -Do you? | 0:08:33 | 0:08:38 | |
Hey! | 0:08:38 | 0:08:40 | |
-And what's your name? -Margaret. -How do you know a chap who would? | 0:08:40 | 0:08:44 | |
There's a course on architecture in old country houses in Dorset. | 0:08:44 | 0:08:49 | |
He can show you pictures of every single house. He's studied them. | 0:08:49 | 0:08:54 | |
-Bob Machin. -This is spooky, isn't it? | 0:08:54 | 0:08:57 | |
-Are you serious? -Yes. | 0:08:57 | 0:09:00 | |
-OK, we'll take your details, the auctioneer will get in touch with you. -Yes, OK. | 0:09:00 | 0:09:05 | |
-And you can refer it to him. -Yes. -Can you do that? -Yes, sure. -Thank you very much. | 0:09:05 | 0:09:11 | |
'What a stroke of luck! It just goes to show valuation days are always full of surprises. | 0:09:11 | 0:09:18 | |
'I hope Martin and Elizabeth are able to track down the location of the house in the paintings. | 0:09:18 | 0:09:24 | |
'Next, Mark has an object brought in by Michael and Josephine that has some magnetic qualities.' | 0:09:24 | 0:09:30 | |
Before we open this, I want to ask where did you get it from? | 0:09:30 | 0:09:35 | |
From an old friend in the Fire Brigade of British Leyland. | 0:09:35 | 0:09:40 | |
-That's going back. -Late '70s. -Early '80s. -Yeah. | 0:09:40 | 0:09:45 | |
Why did you get it from him? | 0:09:45 | 0:09:48 | |
He asked me if I'd like it because I did a lot of sailing, but I never used it. | 0:09:48 | 0:09:54 | |
It's too nice to use. Giving a clue as to what it is! | 0:09:54 | 0:09:58 | |
It's a little travelling compass, which explains the nautical flavour. | 0:09:58 | 0:10:03 | |
The reason I wanted to look at it unopened is because we can tell | 0:10:03 | 0:10:07 | |
an awful lot by the box. It's a circular wooden box, | 0:10:07 | 0:10:11 | |
covered with what is almost like skin. It is, in actual fact, skin. It's sharkskin. | 0:10:11 | 0:10:18 | |
Otherwise known as shagreen. Originally it would be very bright when it was originally made. | 0:10:18 | 0:10:24 | |
It's a little bit fragile, but it's fundamentally there. | 0:10:24 | 0:10:29 | |
When we take it out, we've got a little maker's mark on the back as well - J&W Watkins, Charing Cross. | 0:10:29 | 0:10:36 | |
And this may well be silver. I can't find a hallmark and we shouldn't open the back. | 0:10:36 | 0:10:42 | |
That might affect the sensitive nature of the instruments inside. | 0:10:42 | 0:10:46 | |
You've done some research. What have you found out about it? | 0:10:46 | 0:10:50 | |
We found that J&W stood for Jeremiah and it may have been William | 0:10:50 | 0:10:57 | |
-or Walter. -Yes. What age do you think it is? | 0:10:57 | 0:11:01 | |
The only date that we could find where they mentioned a pocket compass | 0:11:01 | 0:11:06 | |
was 1803. | 0:11:06 | 0:11:08 | |
OK. Well, I think it's a bit earlier than that. One of our fellow experts who is not here today, | 0:11:08 | 0:11:15 | |
Catherine Southon, is a great expert on scientific instruments. | 0:11:15 | 0:11:19 | |
And she's looked it up in her books | 0:11:19 | 0:11:22 | |
and actually it dates to the last quarter of the 18th century. | 0:11:22 | 0:11:28 | |
So we're looking at about 1780, 1790. | 0:11:28 | 0:11:31 | |
These are great collector's items. This is a really nice, original piece to have. | 0:11:31 | 0:11:37 | |
I'm not too worried about the case. The people will get it restored | 0:11:37 | 0:11:41 | |
and it will go to a specialist dealer or a specialist collector. | 0:11:41 | 0:11:45 | |
Have you ever thought of the value? | 0:11:45 | 0:11:48 | |
-No, we haven't any idea. -I think we can put an estimate of £200-£300. -Fantastic. | 0:11:48 | 0:11:54 | |
With a reserve of £150, just to protect it on the day. | 0:11:54 | 0:11:58 | |
If we put that in, it shows it's a privately-entered lot. | 0:11:58 | 0:12:02 | |
Hopefully we'll get a good collector and a good dealer bidding on it. | 0:12:02 | 0:12:06 | |
-Are you happy? -Fantastic. I didn't even know we had it. | 0:12:06 | 0:12:10 | |
-And we've been married 23 years! -Boys and their toys. -Absolutely. | 0:12:10 | 0:12:15 | |
Hidden away. | 0:12:15 | 0:12:17 | |
-In a shoebox! -I'm delighted you brought it. Thank you so much. | 0:12:17 | 0:12:22 | |
Our first items are in the bag, ready for auction. | 0:12:25 | 0:12:29 | |
We're selling at Duke's sale room just up the road. | 0:12:29 | 0:12:33 | |
Two auctioneers are sharing the rostrum - Gary Batt and Matthew Denny. Gary likes one of our lots. | 0:12:35 | 0:12:42 | |
I absolutely love this. I bet you will as well. It's a travelling compass by Watkins. | 0:12:43 | 0:12:50 | |
Made in Charing Cross, late 18th century. Valued at £200-£300. | 0:12:50 | 0:12:54 | |
-I hope that's pointing in the right direction. Plus a bit more! -It could be. | 0:12:54 | 0:13:00 | |
It's a really lovely period piece. It's small, comes to hand nicely. | 0:13:00 | 0:13:04 | |
-It's in its original shagreen case. -It's got the feel about it. Everything is so right. -It's plain, | 0:13:04 | 0:13:11 | |
understated, restrained. Everything English antiques should be. | 0:13:11 | 0:13:15 | |
-A proper gentleman's piece. -A silver case, nicely inscribed. | 0:13:15 | 0:13:19 | |
It's nice that one of the S's is an F, as you would expect. I think that's a very good thing. | 0:13:19 | 0:13:26 | |
-Sensible money as well. -I think it's a reasonable estimate. | 0:13:26 | 0:13:30 | |
It's always going to be slightly limited because what do you do with it? How do you display it? | 0:13:30 | 0:13:36 | |
It's a small collectors' field. | 0:13:36 | 0:13:39 | |
It was possibly an academic's piece and I think it still will be. | 0:13:39 | 0:13:43 | |
Whoever buys this will display it properly and it won't come to any harm, | 0:13:43 | 0:13:49 | |
which is really nice. | 0:13:49 | 0:13:51 | |
Also going under the hammer, Hilda's souvenir Boer War spoon | 0:13:55 | 0:13:59 | |
and Michael's military truncheon. | 0:13:59 | 0:14:03 | |
First up, it's Hilda's spoon. Matthew Denny is on the rostrum. | 0:14:07 | 0:14:11 | |
I know at the valuation day, Mark said everybody would be salivating over your silver spoon. | 0:14:13 | 0:14:19 | |
It's about to go under the hammer. £60-£80, somewhere around there, but it's absolutely divine. | 0:14:19 | 0:14:27 | |
My mother gave it to me when she gave up her home | 0:14:27 | 0:14:31 | |
-because I had been a gunner in the war. My husband was an infantryman. -Why sell it? | 0:14:31 | 0:14:37 | |
-I don't want it any more. -We're only custodians for a little while of certain things. | 0:14:37 | 0:14:44 | |
274. Silver teaspoon, souvenir of the Anglo-Boer War. | 0:14:45 | 0:14:49 | |
Interesting thing in the form of a rifle. Lovely thing. | 0:14:49 | 0:14:54 | |
I've got 30 to start. Shall I take 5? 35. | 0:14:54 | 0:14:57 | |
40. 45. | 0:14:57 | 0:14:59 | |
-Somebody wants it. -A few people. | 0:14:59 | 0:15:02 | |
55. | 0:15:02 | 0:15:04 | |
-Come on. -It's got fresh legs there. | 0:15:04 | 0:15:07 | |
60. | 0:15:07 | 0:15:09 | |
65? At £60 on my left. I'll take 5. 70. | 0:15:09 | 0:15:14 | |
75. 80. 85. | 0:15:14 | 0:15:17 | |
-90. 95. -This is very good. | 0:15:17 | 0:15:20 | |
110. 120? | 0:15:20 | 0:15:22 | |
£110, lady's bid. 120 anywhere? All done? | 0:15:22 | 0:15:26 | |
Thank you very much. | 0:15:26 | 0:15:29 | |
-That was very nice. -Amazing. | 0:15:29 | 0:15:31 | |
-£110. -I know! -Isn't that a lovely surprise? | 0:15:31 | 0:15:35 | |
-I wanted it to do £100, Paul. -Bless you. | 0:15:35 | 0:15:39 | |
Mark's cautious estimate meant Hilda got a super surprise. | 0:15:39 | 0:15:44 | |
Next up, it's Michael's military truncheon. | 0:15:44 | 0:15:48 | |
We're looking for £100-£150 for that wonderful military truncheon belonging to Michael. Great story. | 0:15:49 | 0:15:55 | |
-This came over from Canada. -Yes. -It dates around the 1830s. -Yes. | 0:15:55 | 0:16:00 | |
-So why are you selling this? -Well, I've had it a long time, since the early '70s. | 0:16:00 | 0:16:06 | |
I think it should go to somebody who knows perhaps a bit about it and maybe has others. | 0:16:06 | 0:16:12 | |
Normally people who like truncheons tend to have a collection. They only look good in collections. | 0:16:12 | 0:16:18 | |
It's such a functional thing. What could be more functional? | 0:16:18 | 0:16:23 | |
Yet they took the trouble to decorate them and they have become decorative items. | 0:16:23 | 0:16:28 | |
-And very collectable. So let's hope we get the top end. -I hope so. -Good luck. Here we go. | 0:16:28 | 0:16:34 | |
310. William IV truncheon. St Martins on it. | 0:16:36 | 0:16:41 | |
Nice little thing there. Nice condition, nice painting. | 0:16:41 | 0:16:44 | |
Still nice and visible. 310. I've got bids to start at £50. | 0:16:44 | 0:16:50 | |
60. 70. 80? At £70. I'll take 80. | 0:16:50 | 0:16:53 | |
And 90. 100. | 0:16:53 | 0:16:55 | |
-Phone bidder. -Oh, good. | 0:16:55 | 0:16:58 | |
110? On the telephone at 100. I'll take 110. | 0:16:58 | 0:17:03 | |
At £100, are we all done? | 0:17:03 | 0:17:05 | |
You're out there. At £100 on the telephone. | 0:17:05 | 0:17:09 | |
Yes! The hammer's gone down. £100. Just in there. Happy? | 0:17:09 | 0:17:13 | |
-Yes. Hope it's got a good home. -Squeezed out, but we got there. | 0:17:13 | 0:17:18 | |
What a good result. | 0:17:18 | 0:17:21 | |
Next up is Michael and Josephine's lovely shagreen travelling compass. | 0:17:21 | 0:17:26 | |
If I could own any item today it'd be this. The travelling compass. | 0:17:26 | 0:17:32 | |
It's Georgian. Made by Watkins of London. And it belongs to Jo and Michael. What a lovely item. | 0:17:32 | 0:17:38 | |
-Scientific instruments, such quality. -And a London maker. | 0:17:38 | 0:17:42 | |
London makers add a little premium to anything, don't they? | 0:17:42 | 0:17:46 | |
-How did you come by it? -One of the guys I worked with on the Fire Brigade, | 0:17:46 | 0:17:52 | |
he used to go around antique shops and because I was interested in sailing, walking and climbing, | 0:17:52 | 0:17:59 | |
he thought that he might be able to sell it to me and I'd use it. | 0:17:59 | 0:18:06 | |
-Did you ever take it out in the field? -I never actually used it! -Thank goodness! | 0:18:06 | 0:18:12 | |
Imagine losing it! Gosh! Well, good luck, everybody. Here we go. | 0:18:12 | 0:18:18 | |
The next one is 238. Lovely little travelling compass. | 0:18:20 | 0:18:24 | |
Nice little case on this one. Charing Cross. | 0:18:24 | 0:18:29 | |
Good thing. 238. I've got £60 and will take 70. | 0:18:29 | 0:18:33 | |
£60. 70. 80. 90. | 0:18:33 | 0:18:35 | |
-100. -It's climbing. Going in the right direction! | 0:18:35 | 0:18:39 | |
120. 130. 140? | 0:18:39 | 0:18:44 | |
At 130 at the back. I'll take 140. | 0:18:44 | 0:18:47 | |
150. 160. 170. | 0:18:47 | 0:18:50 | |
180. 190? | 0:18:50 | 0:18:51 | |
At 180 here. I'll take 190. | 0:18:53 | 0:18:56 | |
190. 200. 220? | 0:18:56 | 0:18:58 | |
No, it's £200 on my left. I'll take 220. At £200 here. | 0:18:58 | 0:19:04 | |
All done? Lovely thing. At £200. | 0:19:04 | 0:19:06 | |
-200 and it's gone. -Yeah. -Happy? -Yes, that's good. | 0:19:08 | 0:19:12 | |
Nice find. Well done for looking after it. | 0:19:12 | 0:19:15 | |
-Get searching all his cupboards. -I haven't got any more! | 0:19:15 | 0:19:20 | |
Just a few miles from Dorchester | 0:19:26 | 0:19:29 | |
is a place that held great significance for one of the most famous names of the 20th century - | 0:19:29 | 0:19:36 | |
Lawrence of Arabia. | 0:19:36 | 0:19:38 | |
Thomas Edward Lawrence was known throughout the world as a war hero, | 0:19:44 | 0:19:49 | |
successful for his campaigns in the Middle East during WWI. | 0:19:49 | 0:19:53 | |
He was nicknamed Lawrence of Arabia and mythologized in the 1962 movie by David Lean, | 0:19:53 | 0:19:58 | |
but there was another quieter side to Lawrence, a side that rejected fame and fortune. | 0:19:58 | 0:20:04 | |
He sought solitude and anonymity and it was here in Dorset that he came closest to finding it. | 0:20:04 | 0:20:11 | |
Lawrence pursued a lifelong passion for the Middle East. | 0:20:14 | 0:20:18 | |
During WWI, working for the government, he gave up everything to fight alongside the local Arabs. | 0:20:18 | 0:20:24 | |
They were fighting the Turkish army in a campaign that led to Arab independence. | 0:20:24 | 0:20:30 | |
Lawrence became a high-profile figure after the war. He was lionised by the British public | 0:20:39 | 0:20:45 | |
and relentlessly pursued by the press. But the stresses of the war and his unexpected celebrity status | 0:20:45 | 0:20:51 | |
started to get too much for him. | 0:20:51 | 0:20:54 | |
He was desperate for a new life. | 0:20:54 | 0:20:56 | |
In an attempt to avoid any more attention, Lawrence joined the RAF in 1922, | 0:21:04 | 0:21:10 | |
even changing his name to John Hume Ross, | 0:21:10 | 0:21:13 | |
but he was exposed by the press and forced to leave. | 0:21:13 | 0:21:17 | |
So Lawrence came here to Bovington Camp in Dorset in 1923 | 0:21:19 | 0:21:23 | |
where he rejoined the Army as a private soldier in the Tank Corps. | 0:21:23 | 0:21:27 | |
But he was desperately unhappy, wanting solitude and privacy | 0:21:27 | 0:21:32 | |
and somewhere to nurture his writing talents. Really Lawrence wanted somewhere to hide. | 0:21:32 | 0:21:38 | |
About a mile from here in Wareham, he finally found it. | 0:21:38 | 0:21:43 | |
Clouds Hill was a derelict gamekeeper's cottage. | 0:21:53 | 0:21:57 | |
It was built in 1808, but it was in a dilapidated state when Lawrence first saw it. | 0:21:57 | 0:22:04 | |
However, he found here the peace and the solitude he so craved. | 0:22:04 | 0:22:08 | |
He immediately went to work making it habitable. | 0:22:08 | 0:22:13 | |
By 1934, most of the work had been completed and since then, | 0:22:13 | 0:22:17 | |
the appearance of the cottage has hardly changed. It's now looked after by the National Trust. | 0:22:17 | 0:22:23 | |
Lawrence came here to retreat from Bovington Camp, to live quite minimally. | 0:22:23 | 0:22:29 | |
He spent most of his time reading and writing and listening to music, resting and daydreaming by the fire. | 0:22:29 | 0:22:35 | |
Although he lived alone, he loved to entertain | 0:22:35 | 0:22:38 | |
and some of his most illustrious visitors were George Bernard Shaw, Thomas Hardy and EM Forster. | 0:22:38 | 0:22:45 | |
Gosh, it's quaint. It's very small and dark. | 0:22:49 | 0:22:52 | |
Actually, as soon as you get over the threshold, the whole place seems to embrace you. | 0:22:52 | 0:22:58 | |
Oh, I like this. | 0:23:07 | 0:23:09 | |
Lovely exposed beams. | 0:23:09 | 0:23:12 | |
Instantly, walking in here, you can get a taste on Lawrence's inspiration for interior design. | 0:23:13 | 0:23:19 | |
It's sort of medievalism. That's what strikes me first. | 0:23:19 | 0:23:23 | |
Meets a little bit of Arts and Crafts, some William Morris. | 0:23:23 | 0:23:27 | |
There's no plaster on the walls. It's more organic. | 0:23:27 | 0:23:30 | |
This is nice. That's Henry Scott Tuke. | 0:23:30 | 0:23:34 | |
He was based in Falmouth in the late 1800s, early 1900s, a very important artist. | 0:23:34 | 0:23:39 | |
This is reputedly Lawrence sitting on the beach at St Mawes which is just opposite Falmouth. | 0:23:39 | 0:23:46 | |
This is quite low, this shelf over the fireplace. | 0:23:46 | 0:23:49 | |
That's because Lawrence would love to rest here, perch, with a tin of beans or a tin of soup. | 0:23:49 | 0:23:55 | |
Just have a spoon and a tin because there's no kitchen here. | 0:23:55 | 0:23:59 | |
He felt there was no need for one because the camp is only literally a mile up the road. | 0:23:59 | 0:24:04 | |
Here is his music system. Look at that. Wow! I'd love to hear that. | 0:24:08 | 0:24:13 | |
This was state of the art at the time. He was a man of good taste. | 0:24:13 | 0:24:17 | |
Let's get it up to speed. | 0:24:17 | 0:24:20 | |
He probably sat here with a book, a cigarette. | 0:24:29 | 0:24:33 | |
CLASSICAL MUSIC PLAYS | 0:24:33 | 0:24:36 | |
Look at this. | 0:24:56 | 0:24:58 | |
This is where the final draft was typed by Lawrence for The Seven Pillars Of Wisdom, | 0:24:58 | 0:25:03 | |
based on his times out in the Middle East. | 0:25:03 | 0:25:07 | |
It's a very special place, actually. It does embrace you. | 0:25:09 | 0:25:13 | |
There's an energy here. | 0:25:13 | 0:25:15 | |
This is Lawrence's drawing room with a large day bed here, | 0:25:27 | 0:25:31 | |
so he could relax during the day, maybe fall asleep in the afternoon, | 0:25:31 | 0:25:35 | |
but he did spend his nights back at the camp because of the curfew. | 0:25:35 | 0:25:40 | |
The bookshelves would have been lined with books. There would be well over 2,000 books. | 0:25:40 | 0:25:45 | |
And I'm pretty sure Lawrence would have read most of them. | 0:25:45 | 0:25:49 | |
Lawrence designed this chair specifically for one purpose - | 0:25:49 | 0:25:53 | |
to be tucked in by the fire, | 0:25:53 | 0:25:56 | |
so he could sit there, his feet would be keeping warm by the fire, | 0:25:56 | 0:26:00 | |
but he could have his drinks and his food which he cooked warmed up on the fire, | 0:26:00 | 0:26:05 | |
resting on these nice, big, flat, wide arms. | 0:26:05 | 0:26:09 | |
Then he made a little bridge across the two, | 0:26:09 | 0:26:12 | |
screwed this piece of metal down to make a book rest, so he could sit there and read by candlelight. | 0:26:12 | 0:26:18 | |
Isn't that marvellous? | 0:26:18 | 0:26:21 | |
Despite Lawrence's attempts at anonymity, he was still hounded by the press. | 0:26:23 | 0:26:28 | |
When he retired in February 1935 at the age of 46, | 0:26:28 | 0:26:33 | |
he expected to live quietly at Clouds Hill, | 0:26:33 | 0:26:36 | |
but he returned to find news reporters camped outside the front door. | 0:26:36 | 0:26:41 | |
Sadly, Lawrence was never able to realise his wish for a tranquil retirement. | 0:26:41 | 0:26:46 | |
Just three months after he did retire on May the 13th in 1935, | 0:26:46 | 0:26:50 | |
he was involved in what would prove to be a fatal accident on this very stretch of road. | 0:26:50 | 0:26:56 | |
He collided with two schoolboys whilst riding his motorcycle home to Clouds Hill. | 0:26:56 | 0:27:01 | |
He was taken back to Bovington Camp where he was treated in the military hospital, | 0:27:01 | 0:27:07 | |
but sadly, he never regained consciousness and he died six days later. | 0:27:07 | 0:27:12 | |
One of Lawrence's lesser known legacies is that the surgeon who tried to save his life at Bovington, | 0:27:12 | 0:27:18 | |
Sir Hugh Cairns, started a campaign and his research led | 0:27:18 | 0:27:22 | |
to the compulsory wearing of motorbike helmets. | 0:27:22 | 0:27:25 | |
As a consequence of treating Lawrence, | 0:27:25 | 0:27:29 | |
Cairns would ultimately save the lives of many motorcyclists. | 0:27:29 | 0:27:33 | |
Had motorcycle helmets been compulsory at the time, | 0:27:35 | 0:27:38 | |
Lawrence's life may well have been saved and hopefully, he would have ended up fulfilling his dream | 0:27:38 | 0:27:44 | |
by spending the rest of his days living peacefully at Clouds Hill. | 0:27:44 | 0:27:48 | |
At the Dorford Centre in Dorchester, the crowds are still coming in, | 0:27:55 | 0:28:00 | |
keeping our team of valuers very busy. | 0:28:00 | 0:28:04 | |
Expert David Fletcher is casting a critical eye over Ann's painting. | 0:28:04 | 0:28:08 | |
-You're making a bit of wall space at home, are you? -Yes, yes. -OK. | 0:28:10 | 0:28:14 | |
-You've decided to have a bit of a clear-out? -Yes. | 0:28:14 | 0:28:17 | |
It was my father-in-law's and I'm not particularly... It's not my cup of tea, really. | 0:28:17 | 0:28:23 | |
-And do you know how he came by it? -I don't really, no. | 0:28:23 | 0:28:27 | |
So he acquired it and didn't particularly like it himself? | 0:28:27 | 0:28:32 | |
No. It was always on his wall, but it was just something to hang up, I think. | 0:28:32 | 0:28:37 | |
-Not in pride of place. -No. | 0:28:37 | 0:28:39 | |
-We're looking at an oil painting painted on canvas. -On canvas. | 0:28:39 | 0:28:44 | |
-It depicts, as we can see, a Highland scene. -Yes. | 0:28:44 | 0:28:48 | |
-And it's very well painted without being a masterpiece. -Yes. | 0:28:48 | 0:28:53 | |
If you know what I mean. | 0:28:53 | 0:28:56 | |
I mean, sometimes one is just a little bit rude about pictures like this. | 0:28:56 | 0:29:02 | |
We use the term "the work of a good amateur hand", | 0:29:02 | 0:29:07 | |
which is a bit disparaging, really. | 0:29:07 | 0:29:10 | |
-When you think about it, I certainly couldn't paint like this. -No. | 0:29:10 | 0:29:14 | |
I sometimes feel a bit guilty for saying it's only by an amateur hand, | 0:29:14 | 0:29:18 | |
but I think it's true to say that. | 0:29:18 | 0:29:21 | |
It is signed... | 0:29:21 | 0:29:24 | |
by an artist whose name finishes in "owski". | 0:29:24 | 0:29:28 | |
And I can't make the signature out. | 0:29:28 | 0:29:31 | |
-No, I couldn't read it. -And it's dated 1885. | 0:29:31 | 0:29:35 | |
-You think that's correct? -Absolutely. That's when it was painted. | 0:29:35 | 0:29:40 | |
The Victorians loved this sort of romantic subject. | 0:29:40 | 0:29:44 | |
Queen Victoria spent her holidays in the Highlands and she would have loved this sort of landscape. | 0:29:44 | 0:29:50 | |
-Are you going to miss it or not? -No, no. | 0:29:50 | 0:29:55 | |
-Do you have it hanging up? -No, we don't. -OK. | 0:29:55 | 0:29:58 | |
-It's tucked away in a back room? -Tucked away by the side of a wardrobe. | 0:29:58 | 0:30:03 | |
Mr "Owski" would be very cross with you. He spent hours painting this! | 0:30:03 | 0:30:07 | |
And you've got it tucked away in the airing cupboard. Never mind. | 0:30:07 | 0:30:11 | |
It's not going to make - I'd like to say it would - £300 or £400. | 0:30:11 | 0:30:17 | |
-But I think it could well make £100. -Right. | 0:30:17 | 0:30:21 | |
-And I would like to suggest an estimate of 60 to 100. -OK. | 0:30:21 | 0:30:25 | |
-If that's OK. -Yes. -And as ever, we need to think about a reserve. | 0:30:25 | 0:30:30 | |
-It would be a shame to under-sell it and I would suggest that we put a reserve of £50 on it. -Right. | 0:30:30 | 0:30:36 | |
-And your unloved picture will, I hope... -I hope somebody will... | 0:30:36 | 0:30:41 | |
-..go to someone who will love it. I'll see you at the sale. -Thank you very much. | 0:30:41 | 0:30:46 | |
Although neither Ann nor David are enamoured by the painting, | 0:30:50 | 0:30:54 | |
on the other side of the room, Mark is impressed by the craftsmanship of an item brought in by Lilian. | 0:30:54 | 0:31:01 | |
-Where did you get this wonderful little cane from? -A friend gave it to me 40-odd years ago. | 0:31:01 | 0:31:07 | |
What for? Any particular reason? | 0:31:07 | 0:31:10 | |
Because I liked antiques and things, but I hadn't got anything very much, | 0:31:10 | 0:31:14 | |
and they had it and they said, "Would you like it?" | 0:31:14 | 0:31:18 | |
-You've had it all those years? -Yes. | 0:31:18 | 0:31:21 | |
-Have people admired it in your home? -A lot of people haven't noticed it because I've had it in a corner. | 0:31:21 | 0:31:27 | |
-I'm afraid it would get broken. -You'd need to protect it because it's very delicate. | 0:31:27 | 0:31:33 | |
We've got here what I think is a piece of fruitwood, | 0:31:33 | 0:31:37 | |
-so it's come from a walnut tree or an apple tree or something like that. -Yes. | 0:31:37 | 0:31:42 | |
Somebody, first of all, has carved down and once he's got it down to a particular shape, | 0:31:42 | 0:31:48 | |
he's then started to carve all these little details out. | 0:31:48 | 0:31:52 | |
-I think this is a love token. -Oh, do you? | 0:31:52 | 0:31:56 | |
I think somebody in the 19th century, a young man, | 0:31:56 | 0:31:59 | |
-wanted to create something interesting for a loved one. -Yes. | 0:31:59 | 0:32:04 | |
You find these are very regional. I've from South Wales, for example. | 0:32:04 | 0:32:08 | |
In Wales, you come across what are known as knitting sheaths. | 0:32:08 | 0:32:12 | |
Those were little things that people would keep or store their knitting needles in. | 0:32:12 | 0:32:17 | |
These would be beautifully and intricately carved like this. | 0:32:17 | 0:32:22 | |
This is absolutely charming, this little polygonal design here. | 0:32:22 | 0:32:26 | |
In each of these, there's a little leaf and a different animal. | 0:32:26 | 0:32:30 | |
-The one I find particularly charming is the squirrel. -Lovely. | 0:32:30 | 0:32:34 | |
Then this is where I think it's a friendship or a love thing. | 0:32:34 | 0:32:38 | |
We've got these entwined hands, | 0:32:38 | 0:32:40 | |
then all the way down here, they've done a spiral twist with this lovely decoration of hops. | 0:32:40 | 0:32:46 | |
-And look, there's a little frog there. -Hmm. | 0:32:46 | 0:32:50 | |
And a little lizard carved after him. | 0:32:50 | 0:32:53 | |
-All this intricate detail keeps going on. -Yes. | 0:32:53 | 0:32:56 | |
The reason I think it's got a bit of age is the sheer quality of it, | 0:32:56 | 0:33:00 | |
-the fact that people have handled it over the years and you've got that lovely patina. -Yes. | 0:33:00 | 0:33:06 | |
You've had it 40 years. Why are you thinking of selling it? | 0:33:06 | 0:33:10 | |
Well, because I haven't got lots of room | 0:33:10 | 0:33:13 | |
and I'm beginning to think I should sell some of my bits and pieces. | 0:33:13 | 0:33:18 | |
-De-clutter? -That's right. | 0:33:18 | 0:33:20 | |
-What do you think it's worth? -I don't honestly know. I didn't think about it. | 0:33:20 | 0:33:25 | |
I just brought it to see what you said. | 0:33:25 | 0:33:28 | |
-So, if I said I'll give you £20 for it...? -I don't think I would have accepted that. | 0:33:28 | 0:33:33 | |
Fantastic. And you shouldn't have. | 0:33:33 | 0:33:36 | |
I'd certainly want to put it in at £100 to £150. | 0:33:36 | 0:33:40 | |
-Yes? Oh, lovely. -And maybe with a reserve of 90 fixed. | 0:33:40 | 0:33:44 | |
-If that's OK with you. -Yes. -I really hope that somebody would appreciate it. | 0:33:44 | 0:33:49 | |
-I do think there's a lot there. -It's just fabulous. | 0:33:49 | 0:33:53 | |
I would love it. If I saw that at auction, I'd certainly be very happy to pay £100 for it. | 0:33:53 | 0:34:00 | |
-You're happy to flog it? -Yes. | 0:34:00 | 0:34:02 | |
Fantastic. I look forward to seeing you at the sale | 0:34:02 | 0:34:06 | |
-and I really hope people appreciate it as much as you and I do. -So do I. -Thank you, Lilian. | 0:34:06 | 0:34:11 | |
'On Flog It, our experts are highly knowledgeable and they are backed | 0:34:15 | 0:34:19 | |
'by a team of valuers who know their stuff if we are in doubt about an object.' | 0:34:19 | 0:34:24 | |
Yeah, I thought that was good. | 0:34:24 | 0:34:27 | |
What have we found there? | 0:34:27 | 0:34:29 | |
Well, something comfy to sit on. | 0:34:30 | 0:34:33 | |
'Well, I'm glad I asked. I hate to create a stink by getting it wrong. | 0:34:33 | 0:34:39 | |
'However, there's no doubt about what the item brought in by Cathy and Paul is.' | 0:34:39 | 0:34:44 | |
Now, Cathy, you're far too young for this doll to be yours. | 0:34:44 | 0:34:48 | |
-And I assume it wasn't yours, Paul. -I hope not, no. | 0:34:48 | 0:34:52 | |
Some boys do play with dolls. | 0:34:52 | 0:34:54 | |
-It wasn't me. -Who did it belong to? -My mother-in-law. Paul's mother. | 0:34:54 | 0:34:59 | |
She always thought it was worth keeping because of its age and how well-preserved she thought it was | 0:34:59 | 0:35:05 | |
and I think it is, and "Maybe one day," she said, "when I die, | 0:35:05 | 0:35:10 | |
"you'll inherit it and you can do what you want with it." | 0:35:10 | 0:35:13 | |
-But we've got four sons and two grandsons, so... -Gosh! -No point. | 0:35:13 | 0:35:18 | |
No. That's interesting. | 0:35:18 | 0:35:20 | |
-When was your mum born? Do you know? -Oh, '22. | 0:35:20 | 0:35:24 | |
1922. | 0:35:24 | 0:35:26 | |
This doll was manufactured a bit before then | 0:35:26 | 0:35:31 | |
in, I suspect, about 1900. | 0:35:31 | 0:35:33 | |
It was manufactured by a firm called Armand Marseille. | 0:35:33 | 0:35:37 | |
-Although that sounds... -French? -..as if they should be French, they were in fact German manufacturers. | 0:35:37 | 0:35:43 | |
-Is there a lot of these dolls in England? -There are a lot. | 0:35:43 | 0:35:47 | |
They were expensive when they were made. | 0:35:47 | 0:35:51 | |
They were not the sort of thing you would have bought at the corner shop. They were aspirational toys. | 0:35:51 | 0:35:57 | |
-So, a middle-class family toy? -That's a good way of putting it. | 0:35:57 | 0:36:01 | |
What about the clothes? This doesn't look old. | 0:36:01 | 0:36:04 | |
The clothes date, I would have said, from the 1920s | 0:36:04 | 0:36:08 | |
and that makes me think that it might have been dressed when your mum was young. | 0:36:08 | 0:36:14 | |
-Was this for playing with or was it more a keep...? -I think they were for playing with. | 0:36:14 | 0:36:19 | |
-It's not very playable. -No, they're very fragile. | 0:36:19 | 0:36:23 | |
-The hands and the legs are papier-mache. -Really? -Really? | 0:36:23 | 0:36:26 | |
The head is a bisque porcelain. | 0:36:26 | 0:36:30 | |
She's had a bit of a crop at some stage, hasn't she? | 0:36:30 | 0:36:34 | |
She hasn't had her hair done lately! | 0:36:34 | 0:36:37 | |
It's time she took a trip to the hairdresser's! | 0:36:37 | 0:36:40 | |
I think a serious buyer would probably put a new wig on this. | 0:36:40 | 0:36:44 | |
OK, it's time to think about what it's worth. | 0:36:44 | 0:36:48 | |
There are no chips or cracks, but she is a bit worn. | 0:36:48 | 0:36:52 | |
-Just a little bit tired, isn't she? -Yeah. | 0:36:52 | 0:36:55 | |
Following on from that, she is not particularly rare. | 0:36:55 | 0:36:59 | |
And for those reasons, I would suggest a competitive estimate | 0:36:59 | 0:37:04 | |
-of £60 to £100. -OK. | 0:37:04 | 0:37:07 | |
Do you want a reserve put on it? | 0:37:07 | 0:37:09 | |
-I don't want to give it away. -£50? How about that? | 0:37:09 | 0:37:13 | |
-£50, yes. OK. -OK. -Yeah, we'll go with £50. | 0:37:13 | 0:37:18 | |
-Jolly good. We'll go with that. -OK. -I look forward to seeing you at the sale. -Thank you. | 0:37:18 | 0:37:23 | |
That's the last of our items going to the saleroom, | 0:37:23 | 0:37:27 | |
so here's a quick recap of what else is going under the hammer. | 0:37:27 | 0:37:31 | |
Ann's Highland painting, valued by David at £60 to £100, | 0:37:32 | 0:37:37 | |
and this carved wooden cane, brought in by Lilian, valued by Mark at £100 to £150. | 0:37:37 | 0:37:44 | |
First up, it's Ann's unloved painting. | 0:37:47 | 0:37:50 | |
-I hope this next lot sells because it belongs to Ann and she does not like it. Do you? -No, not at all. | 0:37:51 | 0:37:58 | |
This Highland scene, oil on canvas, £60 to £100. | 0:37:58 | 0:38:01 | |
It hasn't been on the wall where it belonged. Where has it been? | 0:38:01 | 0:38:05 | |
-By the side of a wardrobe. -Tucked down the side, so you can't see it. | 0:38:05 | 0:38:09 | |
To buy an original oil on canvas, a work of art, a one-off, that you can't do your comparables with, | 0:38:09 | 0:38:16 | |
I think is really cheap because everybody can own a print or a photograph and stick it on the wall. | 0:38:16 | 0:38:22 | |
-You can have an original work of art for £60 or £70 which is lovely. Yeah? -Yeah. -So let's big it up. | 0:38:22 | 0:38:28 | |
Let's put it under the hammer right now. | 0:38:28 | 0:38:31 | |
394 we come on to, Scottish scene, | 0:38:32 | 0:38:35 | |
oil on canvas, landscape there. | 0:38:35 | 0:38:38 | |
Nicely presented, 394. | 0:38:38 | 0:38:40 | |
I've got overlapping bids to start you at £50. I'll take 60? | 0:38:40 | 0:38:44 | |
At £50 with me. I'll take 60. 70. | 0:38:44 | 0:38:47 | |
-80. -Good. -85. | 0:38:47 | 0:38:49 | |
90. | 0:38:49 | 0:38:51 | |
90 with you at the back and I'll take 5? At £90. | 0:38:52 | 0:38:55 | |
5 anywhere? All done then at £90 right at the back...? Thank you. | 0:38:55 | 0:39:00 | |
-£90. That's going home and that's going on someone's wall. -Lovely. | 0:39:00 | 0:39:05 | |
-Isn't it? -Yeah. -You've got £90, less a bit of commission. | 0:39:05 | 0:39:09 | |
-It's destined to be seen in its true light, not lurking behind your wardrobe. -A country house probably. | 0:39:09 | 0:39:15 | |
-I don't know about that. -No. Well, you never know. -You never know. | 0:39:15 | 0:39:19 | |
'Everyone's a winner on this show. | 0:39:19 | 0:39:22 | |
'Ann gets to pocket the dosh and the painting will find a fresh lease of life on someone else's wall. | 0:39:22 | 0:39:28 | |
'Now it's Cathy and Paul's German doll.' | 0:39:28 | 0:39:31 | |
Good luck, you two. We're about to find out if there are any doll collectors in the saleroom. | 0:39:31 | 0:39:37 | |
We've got that German doll going under the hammer. We're looking for £100. | 0:39:37 | 0:39:42 | |
Dolls are very collectable. This sale's been online. People around the world know about it. | 0:39:42 | 0:39:48 | |
-Really? -Yes. Collectors will find them. You've got a lot of sons and grandsons? | 0:39:48 | 0:39:53 | |
-Four sons, two grandsons. -Not the sort of thing a son would want to inherit? -No. | 0:39:53 | 0:39:58 | |
-But my mum used to enjoy the programme. -Oh, right. | 0:39:58 | 0:40:01 | |
-We're going with the spirit of the programme and we're going to flog it. -Brilliant. | 0:40:01 | 0:40:07 | |
Armand Marseille doll... | 0:40:08 | 0:40:10 | |
There we are, nice Armand Marseille doll. What shall we say for it? 358. | 0:40:10 | 0:40:15 | |
I've got bids to start you at £40. I'll take 5. 50... | 0:40:15 | 0:40:19 | |
-We're there. -60. | 0:40:19 | 0:40:21 | |
-It's going up. -5. | 0:40:21 | 0:40:24 | |
-70? £65, commission bid. I'll take 70? -Come on, 70. | 0:40:24 | 0:40:28 | |
At £65, commission bid. 70 anywhere...? | 0:40:28 | 0:40:32 | |
All done at 65... | 0:40:32 | 0:40:34 | |
-Yes, £65. Well done, David. -Good. | 0:40:36 | 0:40:39 | |
-I'm happy with that. -What are you going to do with the money? | 0:40:39 | 0:40:43 | |
-Well, we've had a thought... -We're going to get a cat from the Cat Protection. Two cats. | 0:40:43 | 0:40:48 | |
-Rescue them, yes. -We've seen them, two strays. We'll give them a lovely home. | 0:40:48 | 0:40:53 | |
'It makes a pleasant change from putting the money towards decorating the house. | 0:40:53 | 0:40:59 | |
'There will be two very happy moggies running around Cathy and Paul's house thanks to Flog It. | 0:40:59 | 0:41:04 | |
'Last to go under the hammer is Lilian's carved cane and auctioneer Gary Batt will be on the rostrum.' | 0:41:04 | 0:41:11 | |
They say you can tell a man's profession by his walking cane and this is absolutely gorgeous. | 0:41:11 | 0:41:17 | |
-It's a labour of love, whoever carved this. -I just hope this one flies away. | 0:41:17 | 0:41:22 | |
-We've got £100 to £150 on this and you've had this for 40 years. -Yes. | 0:41:22 | 0:41:27 | |
If only it could tell a few stories of where it's been! | 0:41:27 | 0:41:30 | |
-We know there's a lot of collectors out there for walking canes. -Is there? -A very big market. | 0:41:30 | 0:41:36 | |
They will like this a lot. It will go to a collector. | 0:41:36 | 0:41:40 | |
We're going to find out now. Good luck, Lilian. | 0:41:40 | 0:41:43 | |
The wooden cane we're on to now. This is fun. | 0:41:45 | 0:41:49 | |
Lot 226. | 0:41:49 | 0:41:51 | |
A very delicate cane with a nice, carved decoration all over it. | 0:41:51 | 0:41:55 | |
226. Could be a continental piece. | 0:41:56 | 0:42:00 | |
What for this then? | 0:42:00 | 0:42:02 | |
I've got overlapping bids. Interest expressed in this at 150 to start me. | 0:42:02 | 0:42:07 | |
-Straight in. -150, that is good news! | 0:42:07 | 0:42:10 | |
I'll take 160 now. 160 is bid. | 0:42:12 | 0:42:14 | |
170, anyone in the room? 170, anyone in the room? | 0:42:14 | 0:42:18 | |
170 on the book then. 180. 190. | 0:42:18 | 0:42:21 | |
200. And 20. | 0:42:21 | 0:42:23 | |
-There's someone right down at the front there. -Gosh! | 0:42:23 | 0:42:27 | |
240. 260. 280? | 0:42:27 | 0:42:30 | |
At £260. I have 260. 280, anyone? | 0:42:30 | 0:42:33 | |
280 bid. 300. | 0:42:35 | 0:42:38 | |
With me at £300, against you in the room. | 0:42:38 | 0:42:42 | |
-Gosh! -£300, Lilian! | 0:42:42 | 0:42:44 | |
At £300, commission bid. Are we all out and clear, I sell...? | 0:42:44 | 0:42:48 | |
Thank you, £300. Excellent. | 0:42:50 | 0:42:52 | |
-Yes! I love those moments. -You were spot-on. | 0:42:52 | 0:42:56 | |
Absolutely fabulous. What are you going to do with that? | 0:42:56 | 0:43:00 | |
-There is commission to pay, don't forget. -Probably help me go on holiday or something. | 0:43:00 | 0:43:05 | |
-Get a bit of sunshine. -Yes. -What a wonderful end to a lovely day here in Dorchester! | 0:43:05 | 0:43:11 | |
I hope you've enjoyed the show. There's plenty more surprises next time on Flog It! | 0:43:11 | 0:43:16 | |
Subtitles by Subtext for Red Bee Media Ltd 2010 | 0:43:33 | 0:43:37 | |
Email [email protected] | 0:43:37 | 0:43:41 |