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This sale room has seen impressive results this year. | 0:00:02 | 0:00:04 | |
A signed photograph of Emperor Hirohito made £3,000. | 0:00:04 | 0:00:08 | |
A ship's bell made £9,000. | 0:00:08 | 0:00:10 | |
And a collection of letters from Lawrence of Arabia made well over £11,000. | 0:00:10 | 0:00:14 | |
So, fingers crossed, we're going to get some mammoth results for our owners. | 0:00:14 | 0:00:19 | |
You never know what's going to happen at an auction. | 0:00:41 | 0:00:44 | |
That's the fun part! That's the exciting bit of the show. | 0:00:44 | 0:00:47 | |
We use our knowledge and experience to the best of our abilities to put a sensible estimate on things. | 0:00:47 | 0:00:53 | |
But, fingers crossed, we're always hoping it's going to go sky high. | 0:00:53 | 0:00:56 | |
And hopefully that's what's going to happen later. But right now, we need some antiques. | 0:00:56 | 0:01:01 | |
'And to find them, we've come to Warminster. | 0:01:02 | 0:01:05 | |
'During the 60s and 70s, this town was world famous | 0:01:05 | 0:01:09 | |
'for being a UFO hotspot. Today, though, we're looking out for UAOs, | 0:01:09 | 0:01:14 | |
'that's Unidentified Antique Objects. | 0:01:14 | 0:01:17 | |
'The crowd here at the Assembly Rooms want to know exactly what they've got and what's it worth? | 0:01:17 | 0:01:23 | |
'And helping them do just that are our team of experts, led by Kate Bliss | 0:01:24 | 0:01:29 | |
'and David Fletcher. | 0:01:29 | 0:01:31 | |
'They're both experienced auctioneers and valuers, so our crowd couldn't be in safer hands.' | 0:01:32 | 0:01:37 | |
It's very heavy. | 0:01:37 | 0:01:39 | |
'And coming up in the programme, Kate has to break some bad news.' | 0:01:39 | 0:01:43 | |
-The market's come down a bit. Come down quite a lot, actually. -Yeah. | 0:01:43 | 0:01:47 | |
'And I might have bitten off more than I can chew.' | 0:01:47 | 0:01:51 | |
We're looking for an alien with the initials AB. | 0:01:51 | 0:01:53 | |
'But the first object to go under the Flog It microscope is Rod's beautiful jardiniere.' | 0:01:55 | 0:02:01 | |
This is a great lump of porcelain you've brought in today. | 0:02:01 | 0:02:04 | |
The first question I've got to ask you is, have you got any Irish blood in you? | 0:02:04 | 0:02:08 | |
-None at all, actually. -None at all? -Welsh blood, if anything. | 0:02:08 | 0:02:14 | |
So is this a family piece? I suspect not. | 0:02:14 | 0:02:16 | |
No, it isn't. When my mother retired some years ago, | 0:02:16 | 0:02:21 | |
she became friends with an elderly neighbour. | 0:02:21 | 0:02:24 | |
In fact, she tended to her in the last three or four years of her life. | 0:02:24 | 0:02:29 | |
And that was on the lady's sideboard. | 0:02:29 | 0:02:31 | |
She always admired it and kept an eye on it. | 0:02:31 | 0:02:34 | |
And when she eventually died, | 0:02:34 | 0:02:36 | |
her daughter knocked on the front door and she said, | 0:02:36 | 0:02:39 | |
"Mum used to tell me that you liked this, so please have it." | 0:02:39 | 0:02:44 | |
And she kept it until she died, about 12 or 13 years ago, | 0:02:44 | 0:02:48 | |
and, to be honest, I didn't really like it very much. I thought it was quite ugly. | 0:02:48 | 0:02:53 | |
But my mother did a little bit of research on it | 0:02:53 | 0:02:57 | |
and found out it was worth a few pounds and I sort of started to like it. | 0:02:57 | 0:03:01 | |
Oh, did you now? THEY LAUGH | 0:03:01 | 0:03:03 | |
Do you know anything about the Belleek factory? | 0:03:03 | 0:03:06 | |
That's what it is, Belleek Irish porcelain. | 0:03:06 | 0:03:09 | |
-I know it's close to the border with Southern Ireland in the village of Belleek. -That's right. | 0:03:09 | 0:03:14 | |
-And that's really all I know. -OK. | 0:03:14 | 0:03:17 | |
This is encompassing a lot of the main distinctive characteristics of Belleek for me. | 0:03:17 | 0:03:23 | |
It has this lovely cream, pearly lustre. You've got these quite heavy scroll feet, | 0:03:23 | 0:03:30 | |
typically Victorian or perhaps even from an earlier period. | 0:03:30 | 0:03:35 | |
It is a jardiniere. Have you ever had a plant in it? | 0:03:35 | 0:03:38 | |
-I haven't, but my mother did. -It's very clean. | 0:03:38 | 0:03:40 | |
She used to keep an aspidistra in a plastic pot inside. | 0:03:40 | 0:03:45 | |
If we look on the bottom, we can see, because Belleek marked their pieces, | 0:03:45 | 0:03:50 | |
we can see the distinctive black printed mark there. | 0:03:50 | 0:03:53 | |
-Yep. -And the marks are bracketed into periods, | 0:03:53 | 0:03:57 | |
and this is known as the second period, | 0:03:57 | 0:04:00 | |
which dates from 1891 to 1926. | 0:04:00 | 0:04:04 | |
So, really, I think this is a Victorian piece. | 0:04:04 | 0:04:07 | |
-The amazing thing for me is the condition, Rod. -Mm. | 0:04:07 | 0:04:11 | |
You've obviously looked after it, because these pieces, this encrusting, is so fragile. | 0:04:11 | 0:04:17 | |
-But we have a chip which, funnily enough, I felt rather than I noticed, just here. -Yep. | 0:04:17 | 0:04:22 | |
-Just on the top here. -I didn't notice that. -You can feel the glaze is missing, it feels rough. | 0:04:22 | 0:04:27 | |
It's just been knocked a little bit there, so that will keep the price down. | 0:04:27 | 0:04:31 | |
Strange, isn't it? All the delicate parts have remained intact. | 0:04:31 | 0:04:35 | |
-The thick bit has got chipped. -THEY LAUGH | 0:04:35 | 0:04:38 | |
So what about value? What can you see it fetching at auction? Have you got any ideas? | 0:04:38 | 0:04:42 | |
About four years ago, I sent some photographs to a couple of the well-known London auction houses | 0:04:42 | 0:04:49 | |
-and it was valued then at somewhere towards £2,000. -Right. | 0:04:49 | 0:04:57 | |
The market's come down a bit. It's come down quite a lot, actually. | 0:04:57 | 0:05:02 | |
And with that damage on the edge here, that's going to knock it a little bit more. | 0:05:02 | 0:05:07 | |
-I have to say, I'm not going to value it at anything like that. -No. | 0:05:07 | 0:05:10 | |
I still think it's an important piece, it's relatively rare. | 0:05:10 | 0:05:14 | |
I think a realistic estimate at auction is going to be between £400 and £600. | 0:05:14 | 0:05:18 | |
-Yep. -Are you still happy to sell it at that? | 0:05:18 | 0:05:21 | |
-Yes. -Yes? -Sell it or break it. | 0:05:21 | 0:05:24 | |
THEY LAUGH Is that what worries you? | 0:05:24 | 0:05:27 | |
-The fear of dropping it? -Yeah. | 0:05:27 | 0:05:30 | |
-Well, we're very happy to sell it for you. -Yes, do that, by all means. | 0:05:30 | 0:05:35 | |
-We better find a pair of safe hands for it. -Yes. | 0:05:35 | 0:05:38 | |
'It just goes to show how tough the antiques market can be. | 0:05:38 | 0:05:41 | |
'Prices can go down as well as up. | 0:05:41 | 0:05:44 | |
'David is valuing an object that's almost the antithesis of that highly-decorative Belleek.' | 0:05:44 | 0:05:50 | |
Thank you for bringing this little glass vase along. | 0:05:51 | 0:05:54 | |
-Do you collect glass? -No, but my wife collects various items, including carnival glass. | 0:05:54 | 0:06:01 | |
-Quite a different type of glass. -Yes. | 0:06:01 | 0:06:04 | |
-But she snatched these things up at a boot sale. -Did she? Right. | 0:06:04 | 0:06:09 | |
-So she gobbled up this little vase. -Yes. -What did she pay for it? | 0:06:09 | 0:06:14 | |
-Probably pence. -Pence. Right. | 0:06:14 | 0:06:17 | |
Whenever I go to a car boot sale, I can't see anything, nothing I'd like. | 0:06:17 | 0:06:21 | |
You should go with her. THEY LAUGH | 0:06:21 | 0:06:23 | |
It's Holmegaard | 0:06:23 | 0:06:26 | |
and it's Scandinavian | 0:06:26 | 0:06:29 | |
and it's really characterised by its simplicity. | 0:06:29 | 0:06:34 | |
So its strength, really, not its physical strength but its visual strength, | 0:06:34 | 0:06:39 | |
derives from its bareness. | 0:06:39 | 0:06:42 | |
If we have a look at the mark, we can see it's dated. | 0:06:42 | 0:06:45 | |
1957. | 0:06:45 | 0:06:48 | |
It's quite rare for people, even today, | 0:06:48 | 0:06:51 | |
to be interested in modern glass. | 0:06:51 | 0:06:55 | |
And I think for your wife to have spotted this, she must have a good eye. | 0:06:55 | 0:06:59 | |
Britain, as a nation, has always been a bit reluctant to accept modern design. | 0:06:59 | 0:07:05 | |
In the 1930s, for example, when the rest of Europe was building houses with flat roofs and steel windows, | 0:07:05 | 0:07:13 | |
we still tended to be building houses that looked like medieval cottages. | 0:07:13 | 0:07:18 | |
After the war, I think we became a little bit more sophisticated in our taste | 0:07:18 | 0:07:23 | |
and objects like this started being collected really enthusiastically. | 0:07:23 | 0:07:30 | |
-Do you like it? -I like it, yes. | 0:07:30 | 0:07:33 | |
-But it's of little use to me. -So you're not really going to miss it. -No, not at all. | 0:07:33 | 0:07:38 | |
Have you any idea what it might be worth? | 0:07:38 | 0:07:40 | |
I've been told £20 to £30. | 0:07:40 | 0:07:44 | |
Yeah, I think that's spot on. | 0:07:44 | 0:07:46 | |
-And would you be happy to sell it for that reserve? -Yes. -OK. | 0:07:46 | 0:07:50 | |
So you have to be philosophical, really. You've decided to sell it, | 0:07:50 | 0:07:54 | |
you're not going on a world cruise, but you realise that, I realise that | 0:07:54 | 0:07:58 | |
and, who knows, we might have a nice surprise. | 0:07:58 | 0:08:01 | |
'OK, well, it might not be terribly useful, but it's a beautiful little object | 0:08:03 | 0:08:07 | |
'and at least John's wife is pretty much guaranteed a profit. | 0:08:07 | 0:08:10 | |
'Precious metal is selling really well at the moment, | 0:08:13 | 0:08:16 | |
'so I was delighted to meet Mike, who has brought in something rather special.' | 0:08:16 | 0:08:20 | |
-Thank you for bringing this wonderful piece of silver in. I know you're a Wiltshire lad. -Yes. | 0:08:20 | 0:08:25 | |
Born and bred. What's the best thing about Warminster? | 0:08:25 | 0:08:28 | |
I think that, really, the whole area, there's so much to see, | 0:08:28 | 0:08:34 | |
-there's so much to do. -I'm going to ask you a question. You've been here all your life. | 0:08:34 | 0:08:38 | |
-Have you ever seen a UFO? -Erm, not really, but I've seen various lights in the sky | 0:08:38 | 0:08:44 | |
-that I blame on the military, but there you go. You have to blame somebody. -They are based around here. | 0:08:44 | 0:08:50 | |
-That's right. -Do you believe in UFOs? -I believe there've got to be other people other than us on the earth. | 0:08:50 | 0:08:56 | |
-That's for sure! -Yeah. -Hopefully they'll be at the auction! | 0:08:56 | 0:09:00 | |
Yes, there is that! | 0:09:00 | 0:09:02 | |
It's a very good time to sell precious metal. Silver and gold is at a premium. | 0:09:02 | 0:09:08 | |
Every time there's a recession, people invest in gold and silver. I'm going to open this up | 0:09:08 | 0:09:13 | |
and tell everybody what it is. It's a little sovereign case with two sovereigns | 0:09:13 | 0:09:18 | |
-and one half sovereign in it. -Yep. | 0:09:18 | 0:09:20 | |
-It's very special. -It is. -And it's in exceptionally good condition. | 0:09:20 | 0:09:25 | |
So, tell me the story behind this. | 0:09:25 | 0:09:27 | |
-How did you come by it? -Well, my grandfather's brother | 0:09:27 | 0:09:32 | |
failed the medical to go to war, | 0:09:32 | 0:09:35 | |
so his wife purchased this for him and gave it to him in 1913. | 0:09:35 | 0:09:41 | |
He didn't last as long as Auntie May, as we called her. | 0:09:41 | 0:09:46 | |
She came down from London and stayed with us for a while and she gave me that | 0:09:46 | 0:09:51 | |
and said that it was Uncle Albert's. | 0:09:51 | 0:09:55 | |
-And that's his monogram. -That's his monogram. And I said, "Thank you, I will treasure it" | 0:09:55 | 0:10:01 | |
-which I have, but all you do with it is keep it in a cupboard. -You put it in a draw. | 0:10:01 | 0:10:06 | |
-Nobody wears a watch chain any more. -You mentioned 1913, when it was given. -Yes. | 0:10:06 | 0:10:12 | |
The full sovereign and the half sovereign both say 1913. If I look, | 0:10:12 | 0:10:16 | |
I've got a book of hallmarks here, and it's so easy. For £10, you can pick up one of these little guides | 0:10:16 | 0:10:22 | |
and it tells you exactly what to look for. If you can see, | 0:10:22 | 0:10:26 | |
every part of the silver has been stamped. | 0:10:26 | 0:10:29 | |
But inside the lid, you can just about make the Chester sign. | 0:10:29 | 0:10:34 | |
And I know it's made in Chester because this little sign tells me. | 0:10:34 | 0:10:37 | |
-Oh, it's Chester. -Yeah. | 0:10:37 | 0:10:40 | |
And their symbol is a shield with three wheat sheaves and a sword. OK? | 0:10:40 | 0:10:45 | |
And if you look here, it says uppercase N. If I look here at uppercase N, what's the date? | 0:10:45 | 0:10:53 | |
-1913. -Same as the coins. | 0:10:55 | 0:10:57 | |
-1913. -So this was made for the coins as a presentation set. | 0:10:57 | 0:11:01 | |
-So, in a way, it'd be nice to keep them together. -Yes. | 0:11:01 | 0:11:05 | |
So, all in all, it's very, very nice. | 0:11:05 | 0:11:09 | |
I would like to value this as one lot. | 0:11:09 | 0:11:13 | |
The auctioneer might say we should split them, because there's people that collect sovereigns | 0:11:13 | 0:11:18 | |
-and they don't want the sovereign case. -Right. -But right now, let's give it a value. | 0:11:18 | 0:11:22 | |
-Let's put £80 to £120 on each sovereign. -Right. | 0:11:22 | 0:11:26 | |
£60 to £80, half sovereign. | 0:11:26 | 0:11:30 | |
£60 to £80 on the Chester sterling silver case. | 0:11:30 | 0:11:34 | |
-Fine. -If you tot all that up, | 0:11:34 | 0:11:37 | |
the lower end of the estimate, that makes £280. | 0:11:37 | 0:11:40 | |
I think we'll put a reserve at £280 and we'll call the valuation £280 to £320. | 0:11:40 | 0:11:46 | |
-And, hopefully, you'll get a little bit more than the top end. -Hopefully. | 0:11:46 | 0:11:50 | |
-And, with a bit of luck, somebody will have the initials AB. -You never know. That'd be a bonus! | 0:11:50 | 0:11:55 | |
That's what we're looking for. An alien with the initials AB. | 0:11:55 | 0:11:59 | |
THEY LAUGH | 0:11:59 | 0:12:01 | |
'Well, we're about to find out if there are any little green men in the sale room, | 0:12:01 | 0:12:05 | |
'because we've found our first three items to go under the hammer. | 0:12:05 | 0:12:10 | |
'There's the Belleek jadiniere. Kate's valuation might not have met with Rod's expectations, | 0:12:11 | 0:12:16 | |
'but what will the bidders think? The beautifully simple Holmegaard vase, | 0:12:16 | 0:12:21 | |
'bought for just a few pence by John's wife. | 0:12:21 | 0:12:24 | |
'And last but not least, Mike's sovereigns in that beautiful case. | 0:12:24 | 0:12:29 | |
'We travel to Devizes for the auction and before it gets underway, | 0:12:30 | 0:12:33 | |
'I want to find out what auctioneer Alan Aldridge has decided to do with the sovereigns.' | 0:12:33 | 0:12:39 | |
-I like this lot, and I chose this one. I put a value of £280 to £320 on it as one lot. -Yep. | 0:12:39 | 0:12:45 | |
They belong to Michael. We've got two sovereigns, a half sovereign and a spring-loaded little fob case, | 0:12:45 | 0:12:51 | |
-which I think is wonderful. I kept them together because they obviously came together. -Yeah. | 0:12:51 | 0:12:56 | |
-I'm more mercenary than you. -OK. You have to be, it's your business. | 0:12:56 | 0:13:00 | |
I looked at it and saw two different clients. | 0:13:00 | 0:13:05 | |
At the moment, people are not buying sovereigns because they're coins. | 0:13:05 | 0:13:10 | |
They're buying them purely because it's gold and they're buying it as bullion. | 0:13:10 | 0:13:14 | |
Sovereigns now are £120 to £150 each, half sovereigns half of that price. | 0:13:14 | 0:13:20 | |
I thought your estimate, bottom to top, was going to cover those beautifully. | 0:13:20 | 0:13:25 | |
-Then this is a little bonus. -Yes. -Because we have people that collect these. | 0:13:25 | 0:13:30 | |
-OK. And we're looking at what for that? -I think between £30 and £60 | 0:13:30 | 0:13:34 | |
-and maybe, on a good day... -£80? -£80. -It's a nice little item, isn't it? | 0:13:34 | 0:13:39 | |
They are beautifully tactile. Mind you, I do find gold tactile. | 0:13:39 | 0:13:42 | |
-THEY LAUGH -I prefer silver. -So do I. | 0:13:42 | 0:13:45 | |
Silver is softer. There's something very special about silver. | 0:13:45 | 0:13:50 | |
-It's understated. -Yeah. -Fingers crossed. See you on the rostrum. -Look forward to it. | 0:13:50 | 0:13:54 | |
'Well, Alan's up on the rostrum now and we're about to find out | 0:13:54 | 0:13:58 | |
if that Danish glass vase appeals to the bidders.' | 0:13:58 | 0:14:01 | |
Coming up now, we've got a bit of 20th century modern. | 0:14:01 | 0:14:04 | |
It's Danish, it's glass and it's Holmegaard. | 0:14:04 | 0:14:07 | |
And it belongs to John. I know your wife picked this up for a few bob! | 0:14:07 | 0:14:11 | |
-A few pence. -A few pence! At a car boot sale. | 0:14:11 | 0:14:14 | |
-Yes. Or a jumble sale, wherever. -How long have you had this? | 0:14:14 | 0:14:18 | |
I think about 30 years. | 0:14:18 | 0:14:21 | |
You've done well, haven't you? You've looked after it, that's the main thing. | 0:14:22 | 0:14:26 | |
David, you've put £20 to £30 on this. | 0:14:26 | 0:14:29 | |
-I think this sort of thing is underpriced at the moment. -Definitely. | 0:14:29 | 0:14:33 | |
People are moving away from Victorian furniture | 0:14:33 | 0:14:35 | |
from the Victorian interiors that we were used to when I started in this business. | 0:14:35 | 0:14:39 | |
People are increasingly interested in minimalism | 0:14:39 | 0:14:42 | |
-and this is just that sort of thing. -It's going under the hammer now. | 0:14:42 | 0:14:46 | |
The little Danish piece of retro glass. | 0:14:46 | 0:14:50 | |
Where do we start? Do we start at £1,000? | 0:14:50 | 0:14:54 | |
-HE LAUGHS -Would be nice, wouldn't it? | 0:14:54 | 0:14:57 | |
-You never know! -Nearly fell off my perch then! | 0:14:58 | 0:15:01 | |
Lovely piece of glass. £40. | 0:15:01 | 0:15:04 | |
£30 start me? £20 get me away. | 0:15:04 | 0:15:08 | |
£20 I've got. At £20 I've got. | 0:15:09 | 0:15:12 | |
£22. £25. | 0:15:12 | 0:15:15 | |
£27. | 0:15:15 | 0:15:16 | |
£30. £32. | 0:15:17 | 0:15:20 | |
£34. £36. | 0:15:21 | 0:15:23 | |
£38. | 0:15:24 | 0:15:26 | |
At £36 on my right. | 0:15:26 | 0:15:28 | |
At £36. Is there £38? At £36. | 0:15:28 | 0:15:31 | |
At £36, all going. | 0:15:31 | 0:15:34 | |
Good result! | 0:15:34 | 0:15:36 | |
-I'm thrilled. But it's still affordable, isn't it? -Yes. | 0:15:36 | 0:15:40 | |
If you were looking for anything to collect, you could do worse than Holmegaard. | 0:15:40 | 0:15:44 | |
'What a great find. Over a 36-fold return can't be bad on your investment. | 0:15:44 | 0:15:50 | |
'Now time to see what they make of the Belleek.' | 0:15:50 | 0:15:53 | |
Kate and I have just been joined by Rod in the nick of time. It's a packed sale room | 0:15:55 | 0:15:59 | |
and the biggest piece of Belleek I've ever seen. We're just about to go under the hammer. £400 to £600. | 0:15:59 | 0:16:05 | |
All credit to you, cos you've had this 15-odd years, looked after it. It's a hard thing to clean. | 0:16:05 | 0:16:10 | |
How do you clean it? Hoover it from a distance? | 0:16:10 | 0:16:13 | |
Stood it in the sink and sprayed it with Fairy Liquid and let it dry. | 0:16:13 | 0:16:17 | |
Aww! Let's hope it goes all the way back to Ireland. This is it. | 0:16:17 | 0:16:22 | |
I think probably the biggest piece of Belleek I've seen. | 0:16:24 | 0:16:27 | |
It's a lovely big piece. Somewhere around about 400 quid. | 0:16:27 | 0:16:31 | |
400? 300 start me? | 0:16:31 | 0:16:34 | |
250 get me away. | 0:16:34 | 0:16:36 | |
Will anyone start me at 250? What about 200, then? | 0:16:38 | 0:16:42 | |
No? | 0:16:45 | 0:16:47 | |
Thank you, sir. 150 I've got. | 0:16:47 | 0:16:49 | |
-200? -Well, it's a starting point. | 0:16:49 | 0:16:52 | |
300? | 0:16:54 | 0:16:56 | |
-275. -Gosh, it's gone quiet. | 0:16:56 | 0:16:58 | |
300? At 275. Is there 300? | 0:16:58 | 0:17:02 | |
At 275. That's not quite enough. | 0:17:02 | 0:17:05 | |
-Oh. -No. -I'm sorry. -Nowhere near, I'm afraid. -No. | 0:17:05 | 0:17:10 | |
-Just the right person wasn't there. -The thing is, there's probably one person that really did like it | 0:17:10 | 0:17:15 | |
but you need two people to bid against each other to push it to that reserve. | 0:17:15 | 0:17:19 | |
-I'm very sorry. -That's all right. -There's another day. | 0:17:19 | 0:17:22 | |
It's not necessarily this auction room. You could bring it back in a month's time and ten people want it. | 0:17:22 | 0:17:27 | |
-They're strange old places, auction rooms. -Yeah. It's a lovely thing. | 0:17:27 | 0:17:31 | |
'What a shame. But that's the gamble you take at auction. | 0:17:31 | 0:17:34 | |
'I just hope next item fares somewhat better in this packed room.' | 0:17:34 | 0:17:39 | |
OK, it's my turn to be the expert now. Remember the gold sovereigns in the fob case? | 0:17:39 | 0:17:44 | |
They're about to go under the hammer and I've been joined by Michael. I had a chat to the auctioneer. | 0:17:44 | 0:17:49 | |
He's decided to split your sovereigns and your fob case into two lots. | 0:17:49 | 0:17:52 | |
He thinks that the tiny fob case might make £30 or £50. | 0:17:52 | 0:17:57 | |
We've still got a value of around £320 so, fingers crossed, you're going to be in the money. | 0:17:57 | 0:18:03 | |
And it's going under the hammer now. | 0:18:03 | 0:18:05 | |
Nice bit of gold. Give me 300 quid. | 0:18:06 | 0:18:10 | |
Nice round figure, £300. | 0:18:10 | 0:18:13 | |
Gold weight's there. Thank you, sir. £300 I've got. | 0:18:14 | 0:18:18 | |
-Right. -310. 300. 310. I shan't dwell. I shall sell them. | 0:18:18 | 0:18:22 | |
310. 320. | 0:18:22 | 0:18:26 | |
At 310. £310. | 0:18:26 | 0:18:28 | |
-That's what we said. -Yes. | 0:18:28 | 0:18:30 | |
310. 320. | 0:18:30 | 0:18:31 | |
That's tops. That is tops. | 0:18:31 | 0:18:34 | |
320. 330 anywhere else? 320. | 0:18:34 | 0:18:37 | |
-320. And going. -Yeah. Good. -That's good. | 0:18:38 | 0:18:41 | |
Now, this little fob case would be the bonus. Hopefully £30 to £50. | 0:18:41 | 0:18:46 | |
Lovely little thing. Chester 1913. | 0:18:47 | 0:18:51 | |
£50 for it. £50. | 0:18:51 | 0:18:54 | |
Straight in at 50. 50 I've got. 55? | 0:18:54 | 0:18:57 | |
At £50. 55. 60. | 0:18:57 | 0:18:59 | |
60? 65. | 0:19:01 | 0:19:03 | |
At £60. 65 anywhere else, quickly? | 0:19:03 | 0:19:06 | |
At £60. All going. | 0:19:06 | 0:19:08 | |
£60. The hammer's gone down. Fantastic! | 0:19:08 | 0:19:12 | |
-£380. -Thank you very much. -Top money. | 0:19:12 | 0:19:14 | |
-£380 all told. -There is commission to pay | 0:19:14 | 0:19:17 | |
It's 16 percent. That's how the auctioneers earn their living. It pays for everything here. | 0:19:17 | 0:19:22 | |
What will you put the rest of the money towards? | 0:19:22 | 0:19:24 | |
-Well, I'm off to Oberammergau to see the Passion Play. -Are you? | 0:19:24 | 0:19:29 | |
It's every ten years, as you know. In July. | 0:19:29 | 0:19:32 | |
And as the Euro's gone down a bit, this'll help a bit. | 0:19:32 | 0:19:36 | |
-OK. Enjoy it! -Thank you very much. -A man of taste! | 0:19:36 | 0:19:38 | |
'And talking of taste, we've got some great items coming up later in the programme.' | 0:19:38 | 0:19:44 | |
-How do you put a value on this? -I don't know. You tell me! -SHE LAUGHS | 0:19:45 | 0:19:50 | |
-Do you like this fancy Baroque style of decoration? -Not really, no. -No. | 0:19:50 | 0:19:56 | |
'But first, it's back to Warminster, | 0:19:56 | 0:19:58 | |
'where a local firm are keeping some traditional artisan skills very much alive.' | 0:19:58 | 0:20:03 | |
If this was the 19th century, right here and now, I would be breaking a key rule in etiquette | 0:20:11 | 0:20:16 | |
by walking down this street in my bare hands. | 0:20:16 | 0:20:18 | |
It sounds silly, doesn't it? But back in Victorian England, | 0:20:18 | 0:20:21 | |
the wearing of gloves while walking down the street was considered a necessity in polite society. | 0:20:21 | 0:20:27 | |
'Since then, fashions have come and gone and our social manners have obviously changed a lot. | 0:20:27 | 0:20:33 | |
'But for this Warminster firm, when it comes to the actual process | 0:20:33 | 0:20:36 | |
'of making fine gloves, things have changed very little. | 0:20:36 | 0:20:41 | |
'The company was founded back in 1777 by John Dent. | 0:20:41 | 0:20:45 | |
'Over the next few years, it enjoyed rapid growth, | 0:20:45 | 0:20:48 | |
'and within a couple of decades, the name of Dent's had become famous all over the world.' | 0:20:48 | 0:20:54 | |
Unlike many other businesses in the 19th and early 20th century, | 0:20:55 | 0:20:59 | |
the glove-maker's craft didn't become mechanised. | 0:20:59 | 0:21:03 | |
And today, it's still as reliant on the skilled hand and the keen eye of the artisans | 0:21:03 | 0:21:07 | |
as it was back then in the days of its founder. | 0:21:07 | 0:21:10 | |
'Each glove is individually hand-cut and hand-stitched. | 0:21:11 | 0:21:14 | |
'The whole process involves over 32 different stages | 0:21:16 | 0:21:20 | |
'and it takes a total of around six hours. | 0:21:20 | 0:21:22 | |
'But it all starts with the hide. | 0:21:22 | 0:21:24 | |
'Creative Director Deborah Moore has agreed to give me a tour.' | 0:21:24 | 0:21:28 | |
This is actually where it all starts. This is the first process. | 0:21:28 | 0:21:32 | |
It is. And this skin here is hair sheep, which is a mixture between a goat and a sheep. | 0:21:32 | 0:21:37 | |
-I know, it is wonderful, isn't it? And the beauty of this skin is that it's very stretchy. -OK. | 0:21:37 | 0:21:42 | |
So when we cut gloves out of it, they shrink back and they fit like a glove. | 0:21:42 | 0:21:47 | |
Now, this comes from South America. | 0:21:47 | 0:21:50 | |
-It's a wild pig. -That's buckshot, isn't it? | 0:21:50 | 0:21:53 | |
-I think so, yeah. And also, because they're wild animals... -It's been peppered. | 0:21:53 | 0:21:58 | |
Because they're wild animals, you often get scarring. | 0:21:58 | 0:22:00 | |
But this is actually a very good skin. We get much worse. | 0:22:00 | 0:22:04 | |
-Do you? -Yeah, definitely. -Is this the most expensive skin? | 0:22:04 | 0:22:07 | |
-This is the most expensive. -How much would that cost, in glove terms? | 0:22:07 | 0:22:11 | |
A pair of gloves made from this would cost between £200 and £300 in the stores. | 0:22:11 | 0:22:16 | |
-Wow. -It's the finest gloving leather in the world. | 0:22:16 | 0:22:21 | |
-We've got the hides, the skins... -We then go over to here where we cut the leather. | 0:22:21 | 0:22:26 | |
What Des is doing is stretching the leather. | 0:22:28 | 0:22:31 | |
He looks at each skin and decides where he's going to get the gloves. | 0:22:31 | 0:22:37 | |
And now he's placing his pattern on the skin | 0:22:37 | 0:22:41 | |
and he's marking it with his fingernail. | 0:22:41 | 0:22:43 | |
He's trimming it up. | 0:22:46 | 0:22:49 | |
-And that's one glove. -Gosh. | 0:22:49 | 0:22:52 | |
Now he'll cut the thumbs and the foreshirts. | 0:22:52 | 0:22:55 | |
The foreshirts are the pieces that go on the inside of the finger. | 0:22:55 | 0:22:59 | |
Is it a fact or a generalisation that sometimes your hands are normally the same time as your feet? | 0:23:00 | 0:23:06 | |
With men, you often find that men's feet and hand size is about the same size. | 0:23:06 | 0:23:12 | |
I've got nine and a half feet. Will my hands be nine and a half? | 0:23:12 | 0:23:15 | |
Your hands, I can tell now, are actually a size nine. | 0:23:15 | 0:23:18 | |
-Oh, are they? -So there's a half size difference. | 0:23:18 | 0:23:20 | |
-What's happening here? -The girls are machining and sewing the gloves together. This is Lily. | 0:23:23 | 0:23:30 | |
-Hi, Lily. -Hi. -How long have you been working here? | 0:23:30 | 0:23:33 | |
-44 years. -44 years? Wow! | 0:23:33 | 0:23:36 | |
-Have you used that same machine for 40-odd years? -No, I've done several. | 0:23:36 | 0:23:40 | |
-You've got through them! -I've done several! -THEY LAUGH | 0:23:40 | 0:23:44 | |
There is, actually, no new machinery for the gloving industry. | 0:23:47 | 0:23:50 | |
These are the old, original gloving machines, | 0:23:50 | 0:23:54 | |
which are very difficult. Lily's making it look easy but it's not. | 0:23:54 | 0:23:58 | |
Just like garments, when they're manufactured, they're very creased, | 0:24:05 | 0:24:09 | |
-so what we have to do is... -Iron them, basically. -Absolutely. | 0:24:09 | 0:24:13 | |
-So that's quite hot, is it, Dennis? -It is. | 0:24:13 | 0:24:16 | |
People have been making gloves for centuries, haven't they? | 0:24:16 | 0:24:19 | |
They have, but it wasn't until about the 13th or 14th century when people really started wearing gloves. | 0:24:19 | 0:24:25 | |
Up until then, they were just very rough mittens | 0:24:25 | 0:24:27 | |
and then in the 13th and 14th century, | 0:24:27 | 0:24:29 | |
-nobles, princes... -What was a glove-maker called back then? A glover? | 0:24:29 | 0:24:34 | |
Glover. William Shakespeare's father was a glover. | 0:24:34 | 0:24:39 | |
-I guess the proof is in the pudding, trying them on. -It is. | 0:24:42 | 0:24:45 | |
-Would you like to try them on? -I've got big, fat farmer's hands. I'll probably ruin them. | 0:24:45 | 0:24:50 | |
-These are the peccary ones. -Is there a right way to put them on? | 0:24:50 | 0:24:53 | |
What you do is, because you don't want a lot of pulling here, | 0:24:53 | 0:24:58 | |
-you actually turn the tops over and then pull gently. -OK. | 0:24:58 | 0:25:02 | |
-And then ease it down, ease the fingers down. -OK. | 0:25:04 | 0:25:08 | |
-And this is a size nine. -Yes. -Do you guessed right. -Yep. | 0:25:08 | 0:25:13 | |
-I go round the world staring at men's hands. -That fits like a glove. | 0:25:13 | 0:25:17 | |
Fits like a glove. Those would last you a lifetime. | 0:25:17 | 0:25:21 | |
When you pull the glove off, pull it off by the fingers, don't just grab it off. | 0:25:21 | 0:25:26 | |
-Like that? -Yeah, exactly. | 0:25:26 | 0:25:28 | |
And then, when you take them off, straighten them out. | 0:25:28 | 0:25:33 | |
-Don't screw them up. Straighten them out. -There you are, some top tips. | 0:25:33 | 0:25:38 | |
You know, I've thoroughly enjoyed my little tour around Dent's. It's so reassuring | 0:25:42 | 0:25:47 | |
to see these gloves made with traditional skills and methods | 0:25:47 | 0:25:50 | |
by this bunch here, Lily and her colleagues, and long may it continue. | 0:25:50 | 0:25:55 | |
'In the Warmister Assembly Rooms, it's still a packed house | 0:26:06 | 0:26:09 | |
'and there are plenty more antiques left to identify. | 0:26:09 | 0:26:12 | |
'Kate is intrigued by a book that John has brought along.' | 0:26:12 | 0:26:15 | |
We have a beautifully tooled leather volume here. | 0:26:17 | 0:26:20 | |
But what lies within its pages? | 0:26:20 | 0:26:24 | |
Well, it's a book I've had for 50-odd years in my family. | 0:26:24 | 0:26:27 | |
It was given to me by an old aunt | 0:26:27 | 0:26:29 | |
and it's a journal of Mary H O'Brien. | 0:26:29 | 0:26:34 | |
So, you found the name inscribed here, dated November 22nd, 1831. | 0:26:34 | 0:26:40 | |
-So what did you find about Mary? -We went onto the internet | 0:26:40 | 0:26:44 | |
and we found that she married an admiral | 0:26:44 | 0:26:47 | |
and also he was the captain of the Beagle, which is Darwin famed, | 0:26:47 | 0:26:54 | |
-so from there on, it proved a little bit interesting. -How fantastic. | 0:26:54 | 0:26:57 | |
Because, to place this in history, what you've found out is very important. | 0:26:57 | 0:27:03 | |
Mary Henrietta O'Brien | 0:27:03 | 0:27:06 | |
married Vice Admiral Robert Fitzroy in 1836. | 0:27:06 | 0:27:11 | |
But in 1831, before they were married, | 0:27:11 | 0:27:14 | |
HMS Beagle was on its second voyage | 0:27:14 | 0:27:17 | |
to Tierra del Fuego. | 0:27:17 | 0:27:20 | |
And Darwin, you're right, was on board that ship at the time. | 0:27:20 | 0:27:24 | |
And Mary, obviously, has gone with him, | 0:27:24 | 0:27:28 | |
because we see sketches in the back. | 0:27:28 | 0:27:31 | |
We've got one entitled Rio De Janeiro just here. Look at that. | 0:27:31 | 0:27:36 | |
A sketch, presumably in her hand, | 0:27:36 | 0:27:39 | |
and dated December 1831. | 0:27:39 | 0:27:42 | |
Not one of the better sketches. But there are all sorts of things in here. | 0:27:42 | 0:27:46 | |
That's a lovely little vignette of a lady, heightened with watercolour. | 0:27:46 | 0:27:51 | |
But I think one of my favourites is this botanical study. | 0:27:51 | 0:27:57 | |
This is beautifully done in watercolour and she's annotated down here, | 0:27:57 | 0:28:03 | |
"Given at the Cape of Good Hope to..." and she's put her initials, MHJ, | 0:28:03 | 0:28:09 | |
"October 1843." So that's a little bit later. | 0:28:09 | 0:28:13 | |
So it's a collection of things from her travels as a whole, | 0:28:13 | 0:28:17 | |
not just from the voyage with Darwin and her husband to be. | 0:28:17 | 0:28:22 | |
-What a fascinating collection. -It's interesting. | 0:28:23 | 0:28:26 | |
And I think, John, something which collectors would really find exciting. | 0:28:26 | 0:28:32 | |
-How do you put a value on this? -I don't know. You tell me! | 0:28:32 | 0:28:36 | |
-THEY LAUGH Any idea what it might fetch at auction? -No. | 0:28:36 | 0:28:38 | |
I think it's got to be £300 to £500. | 0:28:38 | 0:28:43 | |
-I'm going to stick my neck out. -Right. | 0:28:43 | 0:28:47 | |
I think I would probably usually say £200 to £300. | 0:28:47 | 0:28:52 | |
But with this Darwin connection, with the sketches, annotating her voyage, | 0:28:52 | 0:28:58 | |
I think it's got to be between £300 and £500. | 0:28:58 | 0:29:00 | |
And if two collectors really want it, who knows, it might make even more. | 0:29:00 | 0:29:04 | |
-Well, you amaze me. That's quite good. -What a piece of history! | 0:29:04 | 0:29:09 | |
-And it's been sat around doing nothing for a long time. -Thank you very much. | 0:29:09 | 0:29:13 | |
'And what a great find! You never know what will turn up at our valuation days. | 0:29:13 | 0:29:18 | |
'Laura's brought along a beautiful piece of Victoriana.' | 0:29:18 | 0:29:21 | |
-Looks as if it's a wine ewer. -Right. | 0:29:23 | 0:29:26 | |
-I don't suppose you've ever used it for that purpose? -No. | 0:29:26 | 0:29:29 | |
It takes the form of the 17th century, perhaps early 18th century prototype, | 0:29:29 | 0:29:35 | |
but in this particular case, Victorians have taken that shape | 0:29:35 | 0:29:39 | |
and have designed and manufactured a purely decorative object. | 0:29:39 | 0:29:44 | |
-Is it something you bought? -No, it belongs to my grandmother | 0:29:44 | 0:29:48 | |
-and she got it from her great aunt. -Right. -She lived in a big house in Derbyshire. | 0:29:48 | 0:29:53 | |
-Derbyshire? -Yes. -That's very interesting, | 0:29:53 | 0:29:57 | |
because this is a Royal Crown Derby ewer. | 0:29:57 | 0:30:00 | |
-We can see that by looking at the mark. -Yep. | 0:30:00 | 0:30:04 | |
Typical red transfer-printed mark. | 0:30:04 | 0:30:07 | |
Royal Crown Derby, England. | 0:30:07 | 0:30:10 | |
The fact it's marked England indicates it was made after 1890. | 0:30:10 | 0:30:14 | |
-Right. -And that's borne out by the fact it has a date mark beneath | 0:30:14 | 0:30:20 | |
-which is a symbol, it's a code mark, really, for 1897. -Right. | 0:30:20 | 0:30:25 | |
-Do you know if they had other items like this in their collection? -Lots. It's all scattered round the family. | 0:30:25 | 0:30:30 | |
It's lovely quality. Beautifully crafted objects made out of porcelain. | 0:30:30 | 0:30:36 | |
Not pottery, this is porcelain. | 0:30:36 | 0:30:39 | |
But what really dignifies this is the nature of the decoration. | 0:30:39 | 0:30:43 | |
This fabulous upside down heart shape | 0:30:43 | 0:30:47 | |
enclosing this view of, I think, Tuscany. | 0:30:47 | 0:30:52 | |
-Yes. -It evokes Italy or perhaps Southern France, doesn't it? | 0:30:52 | 0:30:57 | |
-And it's beautifully painted. -Is that hand-painted? | 0:30:57 | 0:31:00 | |
Absolutely, it's hand-painted. | 0:31:00 | 0:31:03 | |
There would once have been a pair to this which would have had an opposing landscape. | 0:31:03 | 0:31:08 | |
This type of decoration, I suppose, is probably not everyone's cup of tea. | 0:31:08 | 0:31:12 | |
-Do you like this fancy Baroque style of decoration? -Not really, no. | 0:31:12 | 0:31:18 | |
-Is that why you're thinking of selling? -Yes. My grandmother wants to get rid of most of her pieces | 0:31:18 | 0:31:24 | |
because none of the family want them and she may as well split the money up amongst her family | 0:31:24 | 0:31:29 | |
rather than have individual pieces that don't go in anybody's houses. | 0:31:29 | 0:31:33 | |
-None of us own Victorian houses. -We haven't discussed value yet. | 0:31:33 | 0:31:37 | |
-Do you have an idea what it might be worth? -No really, no. | 0:31:37 | 0:31:41 | |
OK. | 0:31:41 | 0:31:43 | |
I'm tempted to say £300 or £400. I'd like, though, to suggest an estimate of £200 to £300. | 0:31:43 | 0:31:50 | |
-OK. -And a reserve just below that. | 0:31:50 | 0:31:54 | |
-And I think it'll do well. -Sounds good. -I look forward to seeing it in the sale and meeting you again. | 0:31:54 | 0:32:00 | |
OK? Thank you. | 0:32:00 | 0:32:02 | |
'Was David right about the valuation? Well, we'll find out shortly. | 0:32:02 | 0:32:07 | |
'But not all of the people who come along want to sell. | 0:32:07 | 0:32:10 | |
'Jenny and Ian collared me with an item they knew I just couldn't resist.' | 0:32:10 | 0:32:14 | |
You just grabbed me because you know I love a bit Michael Cardew. You don't want to sell. | 0:32:14 | 0:32:19 | |
-You're pottery enthusiasts. But he collects Torquay. -I do. | 0:32:19 | 0:32:22 | |
This is much better than Torquay ware! Flog all the Torquay ware | 0:32:22 | 0:32:26 | |
and keep this. Let me just tell you, it is Michael Cardew. | 0:32:26 | 0:32:29 | |
-Can you see the impressed mark? -Oh, I see. -MC, just there. Michael Cardew. | 0:32:29 | 0:32:35 | |
And I can date this for you so quickly right now. | 0:32:35 | 0:32:39 | |
-Winchcombe Pottery, WP. 1926 to 1939. That's when this was made. -Quite early. | 0:32:39 | 0:32:46 | |
There you go. And he was taught by Bernard Leach. | 0:32:46 | 0:32:50 | |
And I think Michael Cardew is one of the greatest slipware designers of all time. | 0:32:50 | 0:32:56 | |
-Right. -And I love this. This is known as tiger glaze. This is all slipware. | 0:32:56 | 0:33:00 | |
It's so typically old English. It's an 18th century shape. | 0:33:00 | 0:33:03 | |
-It's a typical cider flagon. There you go. Hey presto. -Very interesting. | 0:33:03 | 0:33:08 | |
-And I know what you're going to say. What's it worth? -Go on. | 0:33:08 | 0:33:12 | |
-If you did want to sell this, it would possibly get about £170, £200 in auction. -Gosh. As much as that? | 0:33:12 | 0:33:18 | |
Yeah. You've got a nice investment there. How much did you pay for it? | 0:33:18 | 0:33:23 | |
-Nothing. -Well, there you go. | 0:33:23 | 0:33:26 | |
'Gosh, what would I give to be given a present like that? | 0:33:27 | 0:33:30 | |
'Kate's found a beautiful pendant brought along by Judy.' | 0:33:30 | 0:33:34 | |
This is a super period pendant, | 0:33:34 | 0:33:37 | |
which also has a very contemporary look about it, doesn't it? | 0:33:37 | 0:33:40 | |
-Yes, it does. -So how did you acquire it? | 0:33:40 | 0:33:43 | |
I think it was first my grandmother's and then my mother's, | 0:33:43 | 0:33:47 | |
but I remember having it when I was quite young. | 0:33:47 | 0:33:49 | |
Lovely. So did you wear it? | 0:33:49 | 0:33:51 | |
I did. I think I wore it a few times, but because it's long here, | 0:33:51 | 0:33:56 | |
it needed a fairly low-cut garment, so it needed a party or... | 0:33:56 | 0:34:01 | |
-And a posh dress. -Yeah, that sort of thing. | 0:34:01 | 0:34:04 | |
Well, I can see you've got blue eyes, so they would look perfect with the blue aquamarine set in here. | 0:34:04 | 0:34:12 | |
-Thank you. -I think it would suit you very well. So what we've got here | 0:34:12 | 0:34:16 | |
is a super Edwardian piece, but it is crafted, really, | 0:34:16 | 0:34:21 | |
to give it a very delicate, light look. | 0:34:21 | 0:34:25 | |
-Yes. -It's got this lovely aquamarine right at the top here. | 0:34:25 | 0:34:30 | |
And then an articulated suspension incorporating that pearl, | 0:34:30 | 0:34:34 | |
right down to this lovely floret at the base. | 0:34:34 | 0:34:38 | |
I'm just going to hold it up, because I'm just wondering if the gold is marked. | 0:34:38 | 0:34:43 | |
And I think it is just here. | 0:34:43 | 0:34:46 | |
-Yes, we've got a little 15 stamped here, just on the back. -It's so tiny, I wouldn't see it. | 0:34:46 | 0:34:51 | |
It is tiny. So, 15 carat. | 0:34:51 | 0:34:55 | |
-Why do you want to sell it? -I don't think I would wear it again | 0:34:55 | 0:34:59 | |
and I really want to raise some money for helping with children's school fees in Tanzania. | 0:34:59 | 0:35:05 | |
It's something I'm trying to do now I'm living here. | 0:35:05 | 0:35:08 | |
I lived in Tanzania most of my life | 0:35:08 | 0:35:10 | |
and I know a lot of people whose children can't go to secondary school when they get a place | 0:35:10 | 0:35:16 | |
because the parents can't afford the fees. So whatever I can raise from this | 0:35:16 | 0:35:21 | |
-will go towards helping with school fees. -What a lovely idea. | 0:35:21 | 0:35:25 | |
Well, I think it ought to fetch between £150 and £180, perhaps even £200. | 0:35:25 | 0:35:33 | |
I think, if we put a reserve at £140... | 0:35:33 | 0:35:38 | |
-You don't look so happy. Would you prefer it slightly higher? -I'd rather have £150, really. -OK. | 0:35:38 | 0:35:44 | |
If you're happy, let's put it at £150. It should reach that. | 0:35:44 | 0:35:47 | |
-And I really hope it makes towards the top end for you. -I hope so, too. Thank you very much. | 0:35:47 | 0:35:54 | |
'It's always important to protect your lot with a reserve that's right for you | 0:35:54 | 0:35:58 | |
'because once that number is called out from the rostrum, it's all too late. | 0:35:58 | 0:36:02 | |
'Now time to find out what the bidders at Devizes think of all of our items. | 0:36:02 | 0:36:06 | |
'Here's a quick reminder of what we're selling. | 0:36:06 | 0:36:10 | |
'The Crown Derby porcelain with the beautiful Tuscan scene. | 0:36:10 | 0:36:14 | |
'That amazing journal with a link to HMS Beagle. | 0:36:15 | 0:36:19 | |
'And Judy's Edwardian pendant. | 0:36:20 | 0:36:23 | |
'I think they're all gems. | 0:36:23 | 0:36:25 | |
'And we're about to find out if the bidders agree. | 0:36:25 | 0:36:28 | |
'Judy is first up.' | 0:36:28 | 0:36:31 | |
Our next item is a 15-carat gold pendant | 0:36:31 | 0:36:33 | |
and the proceeds from the sale are going to help pay for school fees for children in Tanzania, | 0:36:33 | 0:36:37 | |
courtesy of Judy here. We need top money, really, don't we? | 0:36:37 | 0:36:41 | |
We do. It would be nice to get that. The thing about this piece is, | 0:36:41 | 0:36:45 | |
it's such a delicate design. | 0:36:45 | 0:36:47 | |
But it is very commercial today for somebody to wear it. So I've got high hopes for this one. | 0:36:47 | 0:36:53 | |
If we get the top end of the estimate, £200, | 0:36:53 | 0:36:56 | |
-how many children will it help over a year? -Erm, over one year? | 0:36:56 | 0:37:00 | |
Well, it could do five or six children maybe for primary | 0:37:00 | 0:37:05 | |
and maybe one for secondary, or two, depending if it's a day or boarding school. | 0:37:05 | 0:37:09 | |
-Boarding school would need all of that for one year. -Right. | 0:37:09 | 0:37:12 | |
Fingers crossed we get a little bit more. Here we go. This is it. | 0:37:12 | 0:37:17 | |
A late 19th century fine-work pendant | 0:37:18 | 0:37:21 | |
set with aquamarine and sea pearls. | 0:37:21 | 0:37:24 | |
Should be around £150, £200. | 0:37:24 | 0:37:26 | |
£150? | 0:37:26 | 0:37:28 | |
-What about starting at £100? £100 I have. -People put their hands up. | 0:37:28 | 0:37:33 | |
£110. £120. | 0:37:33 | 0:37:35 | |
£130. | 0:37:35 | 0:37:37 | |
£140. £150. Go on! | 0:37:37 | 0:37:40 | |
It's only money. What about £145? | 0:37:40 | 0:37:43 | |
£145. £150. | 0:37:43 | 0:37:45 | |
£155? | 0:37:45 | 0:37:47 | |
At £150 on my right. £155 anywhere else? At £150. | 0:37:47 | 0:37:51 | |
At £150 on my right. Is there 55? | 0:37:51 | 0:37:56 | |
£150. That's good. | 0:37:56 | 0:37:59 | |
-It's... -Every penny helps. | 0:37:59 | 0:38:01 | |
It will certainly help, yes. Thank you. | 0:38:01 | 0:38:04 | |
-I'm sorry we didn't squeeze a little bit more out of that. -I am, too. | 0:38:04 | 0:38:09 | |
Good luck with the rest of the fundraising, | 0:38:09 | 0:38:11 | |
-because I know it's going to go on and on, isn't it? -Oh, it never ends. | 0:38:11 | 0:38:15 | |
-Thank you so much for coming in. It's been a pleasure meeting you. -Thank you. | 0:38:15 | 0:38:19 | |
'Well, we just got that one away. | 0:38:19 | 0:38:21 | |
'But will that Victorian wine jug fetch a good price?' | 0:38:21 | 0:38:25 | |
-Going under the hammer next we've got a Crown Derby jug. It belongs to Laura. Who have you brought? -Alia. | 0:38:25 | 0:38:30 | |
-Your little daughter. How old are you? Six months? -Yes. | 0:38:30 | 0:38:33 | |
Hello! | 0:38:33 | 0:38:36 | |
-What an unusual name. Alia. -Yes, it's Arabic. | 0:38:36 | 0:38:39 | |
-But we did get it from a science fiction novel. -Did you? -Yes. | 0:38:39 | 0:38:43 | |
-Were you trying to choose a really unusual name that nobody else had? -Yes. | 0:38:43 | 0:38:48 | |
-I think you succeeded! -Yes! -Don't you? | 0:38:48 | 0:38:50 | |
-I won't say hello, cos I'll start her crying. I have that effect on babies. -She's so beautiful! | 0:38:50 | 0:38:55 | |
Don't wave your hand about, you might be buying mummy's jug back! | 0:38:55 | 0:38:58 | |
This has been in the family a long time, three generations, | 0:38:58 | 0:39:02 | |
from a big collection, at least. Why isn't is Alia's? Why isn't it going on to the fifth generation? | 0:39:02 | 0:39:08 | |
-It's just... For us, it's outdated. -OK. | 0:39:08 | 0:39:12 | |
-So the money's going to come in very useful, anyway. -Yes. | 0:39:12 | 0:39:15 | |
Not everyone's cup of tea, but a lovely piece. | 0:39:15 | 0:39:17 | |
£200 to £300 should do it. We're going to find out right now. | 0:39:17 | 0:39:21 | |
This is a pretty little thing, this. | 0:39:22 | 0:39:25 | |
Somewhere around about 300 quid? | 0:39:25 | 0:39:28 | |
300? It's pretty. | 0:39:28 | 0:39:31 | |
250, then, start me. | 0:39:32 | 0:39:34 | |
A couple will get me away. 180, then. | 0:39:35 | 0:39:39 | |
160. Thank you. | 0:39:39 | 0:39:41 | |
160 I've got. | 0:39:41 | 0:39:43 | |
170. 180. 190. 200. 210. | 0:39:43 | 0:39:48 | |
220. 230. 240. | 0:39:48 | 0:39:52 | |
-This is good. -250. -Yes! | 0:39:52 | 0:39:55 | |
At 240. Is there 50, quickly? | 0:39:55 | 0:39:58 | |
At £240. | 0:39:58 | 0:40:01 | |
Yes! £240. That's great. That's going to come in so handy | 0:40:01 | 0:40:04 | |
because you need buggies, pushchairs, car seats, travel cots. | 0:40:04 | 0:40:08 | |
-I mean, it just doesn't stop, does it? -No. | 0:40:08 | 0:40:10 | |
-Tell me about it. I know. -She grows and then she needs the next size up. | 0:40:10 | 0:40:15 | |
-Yeah. -And then the iPods and then it'll be university. | 0:40:15 | 0:40:19 | |
-I'm not worrying about that. -OK. -Then it'll be antiques! -THEY LAUGH | 0:40:19 | 0:40:23 | |
'And once you've caught the antiques bug, there's no stopping you. | 0:40:24 | 0:40:28 | |
'This next lot really fired up my imagination. I hope it's done the same to some of the bidders here.' | 0:40:28 | 0:40:34 | |
I've been looking forward to this one. It's that lovely personal volume collated by Mary O'Brien | 0:40:34 | 0:40:39 | |
-which dates back to the early 19th century. It belongs to John. We've got £300 to £500 on this. -Hopefully. | 0:40:39 | 0:40:45 | |
-There's a lot of nice material in there. -I know. | 0:40:45 | 0:40:48 | |
The sketches are superb, and you've got the Fitzroy correlation with Darwin's voyage of discovery | 0:40:48 | 0:40:53 | |
on HMS Beagle, so the whole package is very nice. | 0:40:53 | 0:40:56 | |
And I know you waxed lyrical about it all day. | 0:40:56 | 0:40:59 | |
It's a great story. John unearthing it and finding it and realising that it's something a bit special. | 0:40:59 | 0:41:05 | |
-It's an unknown quantity. -It is. -It's a difficult thing to value. | 0:41:05 | 0:41:08 | |
Let's see what happens. This is it. Let the bidders decide. | 0:41:08 | 0:41:11 | |
I reckon start me at £400. | 0:41:13 | 0:41:18 | |
It's something you will never see again. £400. | 0:41:18 | 0:41:20 | |
300 start me, 200 get me away. | 0:41:20 | 0:41:22 | |
200 I've got. | 0:41:23 | 0:41:27 | |
220. 240. 260. | 0:41:27 | 0:41:30 | |
280. 300. | 0:41:30 | 0:41:33 | |
At £280. | 0:41:33 | 0:41:35 | |
280. At 280. Is there 300? | 0:41:35 | 0:41:40 | |
It's very cheap, but I'll sell. | 0:41:40 | 0:41:41 | |
300. 320. 340. | 0:41:41 | 0:41:45 | |
360. 380. 400. | 0:41:45 | 0:41:49 | |
420. 440? | 0:41:49 | 0:41:53 | |
At 420. At £420. | 0:41:53 | 0:41:56 | |
At £420. | 0:41:56 | 0:41:59 | |
440. 460? | 0:42:01 | 0:42:03 | |
450. 460. 470. | 0:42:04 | 0:42:08 | |
480. | 0:42:08 | 0:42:09 | |
At 470. 470 for persistence. | 0:42:09 | 0:42:14 | |
At £470. | 0:42:14 | 0:42:16 | |
Hammer's gone down. Yes! That's what we like to see. £470. | 0:42:16 | 0:42:21 | |
-Thank you, Kate. -Pleased? I'm pleased, actually. | 0:42:21 | 0:42:24 | |
That was a very good valuation. There is commission to pay, 16 percent. | 0:42:24 | 0:42:28 | |
-He definitely earned his money. -He has. | 0:42:28 | 0:42:30 | |
Alan's done us proud. What will you put the money towards? | 0:42:30 | 0:42:34 | |
I think it might go towards a holiday. | 0:42:34 | 0:42:36 | |
On the other hand, I might get the car taxed. | 0:42:36 | 0:42:39 | |
THEY LAUGH | 0:42:39 | 0:42:41 | |
-Thank you, Alan. -Thanks for bringing it along. It's been fascinating. | 0:42:41 | 0:42:45 | |
-Thank you very much indeed. You were proved right. -Well... -Well done, Kate. | 0:42:45 | 0:42:49 | |
'What an incredible journal and story. | 0:42:49 | 0:42:53 | |
'We never know what we'll find at our valuation days. | 0:42:53 | 0:42:56 | |
'There are so many undiscovered historical gems | 0:42:56 | 0:42:59 | |
'just waiting out there in homes all over the country. So, please, bring them along to our valuation days. | 0:42:59 | 0:43:04 | |
'Look for details on our website. Go to: | 0:43:04 | 0:43:09 | |
'And then click F for Flog It! Then follow the links | 0:43:11 | 0:43:13 | |
'to find the list of towns we're coming to very soon.' | 0:43:13 | 0:43:18 | |
That's it. It's all over. We've come to the end of another show. | 0:43:18 | 0:43:21 | |
We've had a few sticky moments and a few ups and downs, | 0:43:21 | 0:43:24 | |
but that's auctions for you. That's why we love doing them. | 0:43:24 | 0:43:27 | |
Do join us again soon for many more surprises. | 0:43:27 | 0:43:30 | |
So until then, from Devizes, it's cheerio. | 0:43:30 | 0:43:33 | |
Subtitles by Red Bee Media Ltd | 0:43:35 | 0:43:39 | |
E-mail [email protected] | 0:43:39 | 0:43:43 |