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Welcome to Flog It! | 0:00:03 | 0:00:04 | |
the show that turns unwanted antiques into cash. | 0:00:04 | 0:00:05 | |
And today, it's the turn of the good people of beautiful Cornwall. | 0:00:05 | 0:00:08 | |
Truro is the most southerly city in the UK and we're lucky enough to be holding our valuation day | 0:00:33 | 0:00:38 | |
in the cathedral, Cornwall's most spectacular building. | 0:00:38 | 0:00:43 | |
And just look at all the people who've turned out. | 0:00:43 | 0:00:45 | |
I always like to get out there nice and early to get a first glimpse of what people have brought along | 0:00:45 | 0:00:50 | |
and I'm never alone. Our team of experts are there to make sure we don't miss a thing. | 0:00:50 | 0:00:55 | |
These have not been used for years. | 0:00:55 | 0:00:58 | |
Today, they're headed up by those Flog It! stalwarts David Fletcher and David Barby. | 0:00:58 | 0:01:03 | |
Both are very experienced auctioneers and valuers, so our crowd are in safe hands. | 0:01:03 | 0:01:08 | |
-What did you think? 100 quid? -A little bit more, up in three figures, yes. | 0:01:08 | 0:01:13 | |
Coming up on the programme, we make plenty of interesting discoveries. | 0:01:13 | 0:01:17 | |
Any child would have been delighted to have owned this. | 0:01:17 | 0:01:21 | |
But they aren't always everybody's cup of tea. | 0:01:23 | 0:01:25 | |
I think they're absolutely awful, awful. And this one, the same. | 0:01:25 | 0:01:29 | |
-Do you like amethyst? -I've not reached that age yet. | 0:01:29 | 0:01:33 | |
-It's an age thing, is it? -For me it is! | 0:01:33 | 0:01:35 | |
I think you'll have to agree, our venue today is absolutely stunning. | 0:01:37 | 0:01:42 | |
It really is. It's an architectural delight. | 0:01:42 | 0:01:44 | |
There's such a feel-good factor | 0:01:44 | 0:01:45 | |
inside Truro City Cathedral. | 0:01:45 | 0:01:47 | |
But not only that, there's an air of anticipation and excitement, because any one of these people | 0:01:47 | 0:01:51 | |
could have something in their bag that's worth a small fortune and we're going to find out. | 0:01:51 | 0:01:56 | |
It doesn't take David Barby long to spot these quirky porcelain figures brought in by Susan. | 0:02:00 | 0:02:07 | |
These are delightful collectors' items. | 0:02:07 | 0:02:10 | |
Have they been pride of place at home? | 0:02:10 | 0:02:12 | |
Pride of place in a shoebox. | 0:02:12 | 0:02:14 | |
In a shoebox! Why in a shoebox? | 0:02:14 | 0:02:16 | |
-Downsizing, nowhere to display them any more. -How did you get them? | 0:02:16 | 0:02:21 | |
They were given to me by my neighbour a long time ago, because she knew I liked little things. | 0:02:21 | 0:02:28 | |
-We used to help her out and she popped round with something small for Sue's collection. -How lovely. | 0:02:28 | 0:02:32 | |
Yes, she was very, very sweet. | 0:02:32 | 0:02:35 | |
These are Royal Worcester porcelain and they were produced | 0:02:35 | 0:02:39 | |
towards the end of the 19th, beginning of the 20th century. | 0:02:39 | 0:02:42 | |
They're candle snuffers. | 0:02:42 | 0:02:44 | |
-Yes. -You put out candles with these delightful little objects. | 0:02:44 | 0:02:47 | |
Now they've become collectible. | 0:02:47 | 0:02:49 | |
Colourations are very good and do affect the value of these pieces. | 0:02:49 | 0:02:54 | |
What I like is you've got the puce tartan shawl around this gentleman, | 0:02:54 | 0:02:59 | |
and then you've got the floral decorated nightcap, which is rather nice. | 0:02:59 | 0:03:03 | |
People collect these models, depending on the colouration. | 0:03:03 | 0:03:07 | |
Particularly Mr Caudle, because his shawl varies from one model to another. | 0:03:07 | 0:03:11 | |
The most expensive one that has been sold is £360 and that was for a gentlemen with a pink nightcap. | 0:03:12 | 0:03:19 | |
He's only got a bordered one. Mrs Caudle always looks as miserable as ever. | 0:03:19 | 0:03:25 | |
She does, doesn't she? | 0:03:25 | 0:03:27 | |
I'm hoping if she's not kept in a dark shoebox, she might cheer up a bit. | 0:03:27 | 0:03:32 | |
That could be the case. But they're rather nice. I'd think if these go up for auction, | 0:03:32 | 0:03:36 | |
we're looking at around about £140 to £160, that sort of range. | 0:03:36 | 0:03:41 | |
The other little object you brought along I found fascinating. | 0:03:41 | 0:03:45 | |
You've never liked that, have you? | 0:03:45 | 0:03:47 | |
-I like the fact that it's small but it's not my colours. -It's not your colours. | 0:03:47 | 0:03:52 | |
I say you've never liked it because you've never polished up the silver around the edge. | 0:03:52 | 0:03:56 | |
No. I didn't realise it was silver. In my defence, I didn't realise it was silver. | 0:03:56 | 0:04:01 | |
There are the marks of the silver here. | 0:04:01 | 0:04:03 | |
It's a Chester hallmark and the date for that is 1897. | 0:04:03 | 0:04:07 | |
This little object, what would you use it for? | 0:04:07 | 0:04:10 | |
-It's got a silver rim to stop the chipping. -Right. | 0:04:10 | 0:04:15 | |
You put something in there. | 0:04:15 | 0:04:18 | |
Yes. | 0:04:18 | 0:04:19 | |
This could be a gentleman's piece and just imagine of an evening, | 0:04:19 | 0:04:24 | |
they'd have their pipes and smoked away and may have had cheese or something to eat. | 0:04:24 | 0:04:30 | |
Little toothpicks for cleaning their teeth. | 0:04:30 | 0:04:33 | |
Right. | 0:04:33 | 0:04:36 | |
-That's my theory. -It's not a feminine thing, is it? | 0:04:36 | 0:04:38 | |
I don't think so. | 0:04:38 | 0:04:40 | |
It's quite a butch, masculine piece. | 0:04:40 | 0:04:42 | |
Yes. | 0:04:42 | 0:04:44 | |
As regards value, not a large amount, £15 to £20 at the most. | 0:04:44 | 0:04:48 | |
-We may well get the auctioneer to put the whole lot together. -Really? | 0:04:48 | 0:04:54 | |
If he puts them together, | 0:04:54 | 0:04:56 | |
I'd like to see an estimate in the region of about £150 to £170. | 0:04:56 | 0:05:03 | |
You'd need to reserve it at roundabout...£140. | 0:05:03 | 0:05:09 | |
-Is that acceptable? -Yes, that's fine. | 0:05:09 | 0:05:12 | |
I think they're lovely collectible items and I only hope that someone in that saleroom is like-minded. | 0:05:12 | 0:05:17 | |
Yes. | 0:05:17 | 0:05:19 | |
Well, they certainly won't appeal to everyone but let's hope | 0:05:19 | 0:05:20 | |
David's enthusiasm isn't snuffed out at the auction room. | 0:05:20 | 0:05:25 | |
David Fletcher's found a much prettier prospect, an attractive brooch, belonging to Sandra. | 0:05:25 | 0:05:29 | |
Thank you for bringing this brooch along to us today. | 0:05:29 | 0:05:33 | |
-What's its history? -It was a gift from my uncle to my aunt. | 0:05:33 | 0:05:36 | |
They're both now deceased. | 0:05:36 | 0:05:38 | |
-How long ago did your aunt die? -Six years ago. | 0:05:38 | 0:05:42 | |
It must have been owned by an ancestor of your uncle or he'd have bought it for your aunt. | 0:05:42 | 0:05:47 | |
-I think he'd have bought it, yes. -It would certainly predate both of their lifetimes. | 0:05:47 | 0:05:52 | |
-Right. -In as much as it would have been made in the late 19th century. | 0:05:52 | 0:05:56 | |
-Right. -Do you know what the stone is? -I believe it to be amethyst. | 0:05:56 | 0:05:59 | |
It's an amethyst, you're right. Do you like amethysts? | 0:05:59 | 0:06:03 | |
I do but I haven't reached that age yet. | 0:06:03 | 0:06:05 | |
-It's an age thing, is it? -For me it is! -When do you start wearing amethysts? | 0:06:05 | 0:06:11 | |
When you're are about 70 or 80. | 0:06:11 | 0:06:15 | |
-I've just bought my girlfriend an amethyst brooch. -Sorry! -I shall have to take it back. | 0:06:15 | 0:06:21 | |
I love it. I know it's not everyone's taste a brooch like this | 0:06:24 | 0:06:28 | |
but it speaks so much of its time. The Victorians liked jewellery like this | 0:06:28 | 0:06:33 | |
and it's the sort of jewellery which people buy today either to dress up or to dress down. | 0:06:33 | 0:06:38 | |
You could wear it if you're going out for the evening for dinner | 0:06:38 | 0:06:41 | |
-and equally you could wear it on a T-shirt with a pair of jeans. -Yes. | 0:06:41 | 0:06:45 | |
The appeal is enduring. | 0:06:45 | 0:06:47 | |
The amethyst itself is large and it's rather conservatively | 0:06:47 | 0:06:52 | |
but nicely cut so it reflects the light well. | 0:06:52 | 0:06:54 | |
It's quite a good colour. | 0:06:54 | 0:06:57 | |
Possibly a bit too light for some people. | 0:06:57 | 0:06:59 | |
I think a slightly darker shade would be more widely acceptable. | 0:06:59 | 0:07:04 | |
It's beautifully mounted in this gold filigree setting. | 0:07:04 | 0:07:08 | |
And around it's a band of seed pearls. | 0:07:08 | 0:07:11 | |
Do you have anything in mind for the money? | 0:07:11 | 0:07:13 | |
My French holiday with my husband. | 0:07:13 | 0:07:16 | |
A holiday in France, OK. Jolly good. | 0:07:16 | 0:07:19 | |
-It's not going to pay for the holiday. -No. | 0:07:19 | 0:07:22 | |
It'll buy you dinner or some sort of souvenir. | 0:07:22 | 0:07:25 | |
-That would do. -Good. | 0:07:25 | 0:07:26 | |
I'd have expected it to make between £80 to £120. | 0:07:26 | 0:07:29 | |
Right. | 0:07:29 | 0:07:31 | |
A good old Flog It! estimate. | 0:07:31 | 0:07:32 | |
I'd suggest a reserve of £75. | 0:07:32 | 0:07:35 | |
-Yes, that would be lovely. -Is that all right by you? | 0:07:35 | 0:07:39 | |
-Yes, that's fine. -So we'll go ahead on that basis and I'll look forward to seeing you at the sale. | 0:07:39 | 0:07:42 | |
-OK, thank you very much. -See you there. | 0:07:42 | 0:07:45 | |
So would be au revoir for the brooch? | 0:07:45 | 0:07:47 | |
We'll find out later. There are still plenty more things to see. | 0:07:47 | 0:07:52 | |
Hello, what's your name? | 0:07:52 | 0:07:54 | |
-My name is Anne. -What have you brought along today? | 0:07:54 | 0:07:56 | |
We've brought... | 0:07:56 | 0:07:59 | |
This has given to me, left to be by my aunt. | 0:07:59 | 0:08:03 | |
-This is nice. -She's written... | 0:08:03 | 0:08:05 | |
-Postcards, 1926. -Yes. | 0:08:05 | 0:08:08 | |
Where do you live in Cornwall? | 0:08:08 | 0:08:10 | |
I live in Four Lanes, Redruth. | 0:08:10 | 0:08:12 | |
I know. Right in the centre of Cornwall. | 0:08:12 | 0:08:15 | |
Yes, a lovely part. Lovely part. | 0:08:15 | 0:08:18 | |
-Who's the family, do you know? -No, I don't know who these are, | 0:08:18 | 0:08:21 | |
I've left it just as she did it. | 0:08:21 | 0:08:23 | |
-Do you watch Flog It! regularly? -Regularly. | 0:08:23 | 0:08:25 | |
You see how much photograph albums fetch, don't you? | 0:08:25 | 0:08:28 | |
This is sort of lost social history and civic pride. All these buildings that don't exist any more. | 0:08:28 | 0:08:34 | |
It's hard to put a value on these but we find, in general, some of these albums fetch £200 to £300, | 0:08:34 | 0:08:41 | |
some fetch £400 to £600, it depends how many there are. | 0:08:41 | 0:08:44 | |
If there are 200 to 200, you'll easily get a couple of hundred pounds. | 0:08:44 | 0:08:46 | |
Good luck with these. | 0:08:46 | 0:08:48 | |
Thank you. | 0:08:48 | 0:08:50 | |
It's always fascinating, there might just be one postcard that could be an awful lot of money. | 0:08:50 | 0:08:55 | |
Anne and Jack are showing David Barby a beautiful Ruskin bowl to value. | 0:08:56 | 0:09:01 | |
So, it's Anne | 0:09:01 | 0:09:03 | |
-with an E. No way. -No, thank you. | 0:09:03 | 0:09:07 | |
No E. Ann. And this is Jack. | 0:09:07 | 0:09:09 | |
Jack, that's me, yes. | 0:09:09 | 0:09:11 | |
Who brought this into the marriage? | 0:09:11 | 0:09:13 | |
-I did. -You did. | 0:09:13 | 0:09:15 | |
-From my parents. -From your parents. -Yeah. | 0:09:15 | 0:09:18 | |
-How long have they had it? -They were given it when they walked around the factory in 1930. | 0:09:18 | 0:09:24 | |
So it's never been bought, it was given. | 0:09:24 | 0:09:27 | |
-Do you admire it? -I love it. -Why? | 0:09:27 | 0:09:30 | |
Love it. The colouration. | 0:09:30 | 0:09:33 | |
It's like a bird's egg really, isn't it? | 0:09:33 | 0:09:35 | |
Well, that's true. It's very nice. | 0:09:35 | 0:09:38 | |
I always love these glazes. | 0:09:38 | 0:09:40 | |
Of course, Howson Taylor's factory, which was called Ruskin because he was a devote of Ruskin, John Ruskin. | 0:09:40 | 0:09:48 | |
He called the factory in honour of John Ruskin, the Ruskin Factory. | 0:09:48 | 0:09:53 | |
-I see, yeah. -He specialised in a Chinese glazes. | 0:09:53 | 0:09:56 | |
This isn't the top range. | 0:09:56 | 0:10:00 | |
No, I realise that. | 0:10:00 | 0:10:02 | |
-Do you know why, Jack? -No idea. | 0:10:02 | 0:10:04 | |
The actual glazes that make the money are the flambe glazes. | 0:10:04 | 0:10:10 | |
When you look at these red tones, you can almost see flickering lights and flames. | 0:10:10 | 0:10:14 | |
This is one of his experimental ranges, where he used crystalline glazes but I like the shade. | 0:10:14 | 0:10:23 | |
It's very much part and parcel of the Art Deco period. | 0:10:23 | 0:10:28 | |
Why are you selling this? | 0:10:28 | 0:10:30 | |
Well, we've got so many children, none of them want any money. | 0:10:30 | 0:10:35 | |
They want us to enjoy ourselves. | 0:10:35 | 0:10:38 | |
I've looked at it for... | 0:10:38 | 0:10:41 | |
77 years. | 0:10:41 | 0:10:44 | |
So I've really enjoyed it. | 0:10:44 | 0:10:46 | |
It's beautiful and I'd love it to go to somebody who can really appreciate a thing of beauty. | 0:10:46 | 0:10:51 | |
I think that's a very good attitude. Now let's talk about money. | 0:10:51 | 0:10:55 | |
As I said, it's not top of the range. | 0:10:55 | 0:10:57 | |
-No. -Top of the range, £800 to £1,000, if not more. | 0:10:57 | 0:11:01 | |
If it borders on £100, £150, I shall be delighted. | 0:11:01 | 0:11:07 | |
-I think we're looking £60 to £80 on this type of Ruskin. -Yes. | 0:11:07 | 0:11:13 | |
At that sort of level, you might say to yourself, "What can I do with that money?" | 0:11:13 | 0:11:16 | |
-What would you do with it? -Sequence dancing, a holiday most likely. | 0:11:16 | 0:11:21 | |
-A holiday. -So you're both sequence dancers. -We are. Yes. | 0:11:21 | 0:11:25 | |
I was absolutely fascinated just before Christmas, I went cruising. | 0:11:25 | 0:11:27 | |
Oh, right. | 0:11:27 | 0:11:29 | |
On the cruise, there was sequence dancing and to see all these people go backwards and forwards... | 0:11:29 | 0:11:35 | |
-Oh, yes. -At the same moment, the same beat of the music, it was incredible. | 0:11:35 | 0:11:40 | |
That's lovely. | 0:11:40 | 0:11:41 | |
Beautiful. That's what we do. | 0:11:41 | 0:11:43 | |
This will buy some refreshments in between. | 0:11:43 | 0:11:44 | |
That's free normally. | 0:11:44 | 0:11:48 | |
Jack, thank you very much for bringing Ann along. | 0:11:48 | 0:11:52 | |
And the vase as well. You're both coming to the auction, are you? | 0:11:52 | 0:11:55 | |
-Yes, please. -I shall look forward to seeing you there and let's hope we can get over that £100 barrier. | 0:11:55 | 0:12:00 | |
Yes, that would be wonderful. | 0:12:00 | 0:12:03 | |
-Thank you very much. -More than I thought. | 0:12:03 | 0:12:04 | |
So, now we have got three lots ready to go under the hammer. | 0:12:05 | 0:12:08 | |
Mr and Mrs Caudle, the Royal Worcester candle snuffers, | 0:12:10 | 0:12:14 | |
along with what David thinks might be a toothpick holder. | 0:12:14 | 0:12:16 | |
Sandra is hoping to enter a purple patch with the sale of her amethyst brooch. | 0:12:19 | 0:12:24 | |
And will Ann and Jack's Ruskin bowl dance away at the auction? | 0:12:24 | 0:12:27 | |
For the sale, we've travelled north to Lostwithiel, the home of Jeffreys Auctions. | 0:12:30 | 0:12:34 | |
Partner Ian Morris will be leading the proceedings. | 0:12:34 | 0:12:36 | |
His saleroom charges 15% commission, plus VAT, | 0:12:36 | 0:12:41 | |
to the sellers and buyers. | 0:12:41 | 0:12:43 | |
Sandra's first in the hot seat. | 0:12:43 | 0:12:46 | |
A wonderful little brooch up for grabs, £80 to £120. Put on by our expert David. | 0:12:46 | 0:12:51 | |
I know the money is going towards a French holiday. | 0:12:51 | 0:12:54 | |
You thought this is a brooch more suitable for an older person. | 0:12:54 | 0:12:58 | |
-Yes. -I thought this would suit any age. | 0:12:58 | 0:13:00 | |
You can dress it up, you can dress it down. | 0:13:00 | 0:13:02 | |
It's a lovely brooch. | 0:13:02 | 0:13:04 | |
It's just not me. | 0:13:04 | 0:13:07 | |
-No, I understand. -It's definitely somebody's in this room because there are lots of lady, aren't they? | 0:13:07 | 0:13:12 | |
It's packed. Let's find out what they think. Here we go. | 0:13:12 | 0:13:14 | |
Late 19th century brooch. Pretty little brooch. Can I say £80? | 0:13:17 | 0:13:20 | |
£50 away. | 0:13:20 | 0:13:22 | |
£40, I'm bid. I'll take 5. | 0:13:22 | 0:13:26 | |
-£40 I'm bid. 45, 50... -Getting there. | 0:13:26 | 0:13:30 | |
-60, 65, at 65, at 65, 70 now. -Come on, where are the ladies? | 0:13:30 | 0:13:35 | |
70, we're done. 65! | 0:13:35 | 0:13:39 | |
Didn't sell it. | 0:13:39 | 0:13:41 | |
Close. | 0:13:41 | 0:13:43 | |
No, it's too precious to me to give away. | 0:13:45 | 0:13:50 | |
I don't blame you, always protect things with a reserve. | 0:13:50 | 0:13:53 | |
Make sure you stick a fixed reserve on. | 0:13:53 | 0:13:56 | |
Sandra gets to keep her amethyst brooch but will we be able to sell | 0:13:58 | 0:14:02 | |
our next lot, those candle snuffers and that tiny silver-rimmed tanker? | 0:14:02 | 0:14:07 | |
Next up, we've got some quality, a great name, Royal Worcester, and hopefully it'll fly away. | 0:14:07 | 0:14:11 | |
It belongs to Susan and it's the husband and wife, the miniatures. | 0:14:11 | 0:14:14 | |
£150 to £170, a tight estimate. | 0:14:14 | 0:14:19 | |
I hope so. It's Mr and Mrs Caudle. | 0:14:19 | 0:14:21 | |
There are recognisable characters. | 0:14:21 | 0:14:25 | |
And they've been kept in a shoebox, haven't they? Why in a shoebox? | 0:14:25 | 0:14:29 | |
Because I had to downsize and I no longer had my china cupboard. | 0:14:29 | 0:14:35 | |
You're packing things away into boxes. | 0:14:35 | 0:14:37 | |
Have you moved now? | 0:14:37 | 0:14:39 | |
-Yes, I've moved now. -You're enjoying the new space? | 0:14:39 | 0:14:41 | |
-Very much so. -The neighbours lovely? | 0:14:41 | 0:14:43 | |
-Yes. -Good. Hopefully we can find a new home for Mr and Mrs Caudle, | 0:14:43 | 0:14:46 | |
right here and right now because they're going under the hammer. | 0:14:46 | 0:14:49 | |
Two Royal Worcester candle snuffers, husband and wife. Dalton at Lambeth. | 0:14:51 | 0:14:55 | |
A miniature silver-rimmed, willow pattern tankard. Can I take 150 away. | 0:14:55 | 0:14:58 | |
£100 away? | 0:14:58 | 0:15:00 | |
£80 I'm bid. At £80 I'm bid. | 0:15:00 | 0:15:02 | |
I'll take 90. | 0:15:02 | 0:15:04 | |
90, 100, 110, 120? | 0:15:04 | 0:15:07 | |
120, 130, 140? 140, 150? | 0:15:07 | 0:15:12 | |
140 here. | 0:15:12 | 0:15:14 | |
145, 150, 155? | 0:15:14 | 0:15:18 | |
155, 160, 165. | 0:15:18 | 0:15:22 | |
165? At 165. | 0:15:22 | 0:15:25 | |
Come on! A bit more! | 0:15:25 | 0:15:27 | |
At 165. | 0:15:28 | 0:15:29 | |
Yes! 165, that's brilliant. | 0:15:30 | 0:15:33 | |
A very good result. | 0:15:33 | 0:15:34 | |
-Very pleased. -Was that halfway between my estimate? | 0:15:34 | 0:15:37 | |
You were spot-on, weren't you? | 0:15:37 | 0:15:38 | |
All I want to know is how did he know that? How did you know that? | 0:15:38 | 0:15:42 | |
They are recognisable, according for that sort of money. | 0:15:42 | 0:15:45 | |
We had that additional item, didn't we? | 0:15:45 | 0:15:49 | |
-Hopefully that will help towards doing the house up and bits and pieces. -The garden. | 0:15:49 | 0:15:54 | |
Are you a keen gardener? | 0:15:54 | 0:15:55 | |
No. Not at all. | 0:15:55 | 0:15:58 | |
So, Mr and Mrs Caudle and the tiny tankard have escaped their shoebox for good. | 0:15:58 | 0:16:02 | |
But will Ann and Jack be saying goodbye to their Ruskin bowl? | 0:16:02 | 0:16:06 | |
Next up, that fabulous Ruskin bowl, a great name. | 0:16:06 | 0:16:09 | |
Studio pottery, it belongs to Ann and Jack and hopefully | 0:16:09 | 0:16:12 | |
they can get their dancing shoes on after this. | 0:16:12 | 0:16:14 | |
That's where the money is going, isn't it? Towards the dancing. | 0:16:14 | 0:16:18 | |
Tell us about that. | 0:16:18 | 0:16:19 | |
We go twice a week. | 0:16:19 | 0:16:21 | |
Keeps you fit, doesn't it? | 0:16:21 | 0:16:23 | |
-Very fit. -How long have you been doing it for? | 0:16:23 | 0:16:26 | |
-Since 1991. -'91 we started. | 0:16:26 | 0:16:28 | |
You must be pretty good then. | 0:16:28 | 0:16:30 | |
-Yes, thank you. -Bless. | 0:16:30 | 0:16:33 | |
-We love it. -OK, hopefully we get the top end. | 0:16:33 | 0:16:36 | |
Ruskin is a great name, a wonderful collectible and we should be getting £80, shouldn't we, for this? | 0:16:36 | 0:16:41 | |
We should. It's the thing I advise people strongly to collect this. | 0:16:41 | 0:16:45 | |
The line, the colour. | 0:16:45 | 0:16:48 | |
Let's find out what happens, shall we? | 0:16:48 | 0:16:49 | |
-Here we go. -Ruskin model blue and brown glazed circular bowl. | 0:16:51 | 0:16:54 | |
A nice Ruskin bowl. | 0:16:54 | 0:16:57 | |
Can I say £50 to start me? £30? | 0:16:57 | 0:17:00 | |
At £30. 35, 40, 45, 50, 55, 60, | 0:17:00 | 0:17:06 | |
£60, the bid's to my left. | 0:17:06 | 0:17:08 | |
In the middle. £70, 75? Yes, £75. | 0:17:08 | 0:17:12 | |
80, 85, 90, | 0:17:12 | 0:17:15 | |
at £85 in a middle. 90 now? Are we all done? | 0:17:15 | 0:17:20 | |
At £85, spot on. | 0:17:20 | 0:17:24 | |
Yet again. David is on form today. | 0:17:24 | 0:17:26 | |
£85. Very, very good. | 0:17:26 | 0:17:29 | |
That will keep you dancing for a few years. | 0:17:29 | 0:17:32 | |
David Barby walks out of the sale room with a good set of results | 0:17:34 | 0:17:37 | |
and his luck seems set to continue later in the programme. | 0:17:37 | 0:17:40 | |
This man is on fire! | 0:17:40 | 0:17:43 | |
Right now though, I'm off to shed some light on some old-time magic. | 0:17:44 | 0:17:47 | |
There was once a form of entertainment that for | 0:17:56 | 0:17:58 | |
over 200 years ignited the imagination of generations. | 0:17:58 | 0:18:02 | |
The magic lantern show enthralled and mesmerised its audiences | 0:18:02 | 0:18:06 | |
by allowing them a glimpse into an extraordinary fantasy world. | 0:18:06 | 0:18:10 | |
And the wonderful thing is, that tradition is being kept alive. | 0:18:12 | 0:18:15 | |
David and Eunice Aylesbury have been collecting lanterns and slides | 0:18:17 | 0:18:21 | |
for more than 30 years and regularly put on shows. | 0:18:21 | 0:18:25 | |
I've come to see them and have a private viewing. | 0:18:25 | 0:18:27 | |
David and Eunice, I don't know what to look at first. | 0:18:28 | 0:18:31 | |
Where do you find all this stuff from? | 0:18:31 | 0:18:35 | |
When we started collecting, we found lanterns first of all. | 0:18:35 | 0:18:40 | |
And then with the lantern would come a box of slides. | 0:18:40 | 0:18:42 | |
They came from all sorts of places. | 0:18:42 | 0:18:45 | |
We found lanterns in churches, boot sales as well in those days. | 0:18:45 | 0:18:49 | |
And all the slides seem to be around the same time | 0:18:49 | 0:18:53 | |
so consequently, our collections pretty well late Victorian. | 0:18:53 | 0:18:56 | |
It's all about 1880 to 1900. | 0:18:56 | 0:19:01 | |
Some of the early ones, they're all hand-painted, aren't they? | 0:19:01 | 0:19:03 | |
The early ones are hand-painted, yes. | 0:19:03 | 0:19:05 | |
Hand-painted, early slide, | 0:19:08 | 0:19:10 | |
showing Roman races. | 0:19:10 | 0:19:12 | |
Beautiful. I guess in their heyday, they would have employed the best sort of miniature portrait artists. | 0:19:12 | 0:19:18 | |
They would have done in the early days but when they | 0:19:18 | 0:19:21 | |
started to mass produce slides, that was a different matter. | 0:19:21 | 0:19:25 | |
These are wonderful educational tools. | 0:19:25 | 0:19:26 | |
It was used as an educational tool and for social reform. | 0:19:26 | 0:19:31 | |
We think we have a problem today with alcohol, it was horrendous then. | 0:19:31 | 0:19:35 | |
It was so cheap, let's face it. | 0:19:35 | 0:19:37 | |
That was down to the Georgians, every sort of third shop out of seven was a gin palace or a bar. | 0:19:37 | 0:19:44 | |
We have a typical little set here. | 0:19:44 | 0:19:46 | |
We have one here where we see that chap is spending all of his time | 0:19:46 | 0:19:50 | |
in the pub. | 0:19:50 | 0:19:52 | |
The obvious effect of that is | 0:19:52 | 0:19:55 | |
the workhouse. But he goes along to a temperance meeting and he's inspired. | 0:19:55 | 0:20:00 | |
Learns the error of his ways. | 0:20:00 | 0:20:02 | |
And he signs up - | 0:20:02 | 0:20:03 | |
sign the pledge tonight. | 0:20:03 | 0:20:06 | |
You can imagine that, big on the wall. | 0:20:06 | 0:20:09 | |
These shows were remarkable but the lantern men needed new ideas to keep the audiences excited. | 0:20:11 | 0:20:17 | |
The public wanted action and the next development in the slides gave them exactly that. | 0:20:17 | 0:20:23 | |
These are rack-work slides. | 0:20:23 | 0:20:27 | |
You have a background scene printed on the glass and as I turn | 0:20:27 | 0:20:30 | |
the handle, so the sails of the windmill turn. | 0:20:30 | 0:20:33 | |
Oh, yes, I see it. | 0:20:33 | 0:20:35 | |
The wind changes and you can make them turn the other way. | 0:20:35 | 0:20:38 | |
-That's it. -This one is like a kaleidoscope of colour. | 0:20:41 | 0:20:44 | |
Yes, this is what we call a chromotope. | 0:20:44 | 0:20:48 | |
There are many variations of these. | 0:20:48 | 0:20:50 | |
They came in roughly again about 1850. | 0:20:50 | 0:20:53 | |
They were the highlight of many Victorian shows and they have counter-rotating glasses. | 0:20:55 | 0:21:00 | |
They called them indoor fireworks. | 0:21:00 | 0:21:01 | |
What's this? You've got two boxes here. | 0:21:07 | 0:21:10 | |
Yes, this one links to shadow theatre. | 0:21:10 | 0:21:13 | |
Two little copper figures and they go into the projector upside down. | 0:21:13 | 0:21:18 | |
And operate them here. | 0:21:18 | 0:21:20 | |
If you hold the little bit and you grab that one. | 0:21:20 | 0:21:24 | |
OK. We can make them box. | 0:21:24 | 0:21:26 | |
Have a punch-up. | 0:21:26 | 0:21:28 | |
And this is the favourite when we work in schools. | 0:21:30 | 0:21:32 | |
This is the one the children like best. | 0:21:32 | 0:21:35 | |
Do you have any favourite items you'd like to point out? | 0:21:35 | 0:21:38 | |
One which is a favourite with audiences and was in Victorian times, was this one. | 0:21:38 | 0:21:44 | |
This is arguably the most famous lantern slide ever produced. | 0:21:44 | 0:21:47 | |
-Is it really? -It's called the man swallowing rats. | 0:21:47 | 0:21:52 | |
It shows an old man asleep in bed. You explain, Eunice. | 0:21:52 | 0:21:56 | |
There are two movements here. The lever will make the man's mouth open and close as if he's snoring. | 0:21:56 | 0:22:03 | |
And on this side here, the mouse will creep up across the counterpane and straight into his mouth. | 0:22:03 | 0:22:10 | |
And then he chews it up. | 0:22:10 | 0:22:12 | |
That's when your audience explodes with laughter. | 0:22:12 | 0:22:16 | |
Well, you hope. | 0:22:16 | 0:22:18 | |
I've been in an awful lot of auction rooms in my time but I've never seen at the quality you've got here. | 0:22:18 | 0:22:23 | |
This is very good. | 0:22:23 | 0:22:24 | |
Do you have to recondition your lanterns? | 0:22:26 | 0:22:29 | |
Not necessarily. One can get brass relacquered | 0:22:29 | 0:22:33 | |
but my personal feeling is if it's in reasonable condition, leave it alone. | 0:22:33 | 0:22:37 | |
This lantern opens up at the back here. | 0:22:37 | 0:22:40 | |
Lift this one across. | 0:22:40 | 0:22:43 | |
And this is the oil lantern for it. | 0:22:43 | 0:22:46 | |
If you hold on to that, yeah, I'll lift it up here. | 0:22:46 | 0:22:50 | |
They're your burners. | 0:22:52 | 0:22:54 | |
Underneath here, we have three parallel wicks | 0:22:54 | 0:22:58 | |
and when they're lit, and adjusted, they come up to a point. | 0:22:58 | 0:23:02 | |
It's a point source of light, which you need for projection. | 0:23:02 | 0:23:05 | |
It goes into the back of the lantern like so. | 0:23:05 | 0:23:09 | |
And having lit it, one can put the chimney on and extend it to get a good draught up through it. | 0:23:09 | 0:23:14 | |
Everything is so well thought of! | 0:23:14 | 0:23:18 | |
There we are and we have an oil-burning lantern. | 0:23:18 | 0:23:21 | |
-How crude is that and yet it can make the most wonderful projection on the wall. -That's it. | 0:23:21 | 0:23:25 | |
Thank you so much for showing me around, especially | 0:23:29 | 0:23:32 | |
for showing me how a magic lantern works because I never knew. | 0:23:32 | 0:23:34 | |
And thank goodness you've got this collection. | 0:23:34 | 0:23:36 | |
Just before I go, though, I've got a couple of pence in my pocket, I have to pay you. | 0:23:36 | 0:23:41 | |
We'll put the lights out and put the screen up and have a quick picture show. Shall we do that? | 0:23:41 | 0:23:46 | |
OK. | 0:23:46 | 0:23:48 | |
We're holding our valuation day in Truro's stunning cathedral in Cornwall. | 0:24:39 | 0:24:43 | |
It's been a busy day and there's still a crowded room. | 0:24:43 | 0:24:46 | |
David Fletcher's imagination is well and truly captured by a magical garden he spotted in the crowd. | 0:24:46 | 0:24:51 | |
Isn't this wonderful? | 0:24:51 | 0:24:53 | |
Fantasy is so much more fun than the real thing, isn't it? | 0:24:53 | 0:24:56 | |
Yes, it is. | 0:24:56 | 0:24:59 | |
This is a real fantasy garden. | 0:24:59 | 0:25:00 | |
Any child would have been delighted to have owned this | 0:25:00 | 0:25:06 | |
and to have wandered in their imagination through this garden, under these trees, shaken hands | 0:25:06 | 0:25:12 | |
perhaps with some of the people, even joined these little children here climbing this flagpole. | 0:25:12 | 0:25:18 | |
Amazing. | 0:25:18 | 0:25:20 | |
What can you tell me about it? | 0:25:20 | 0:25:22 | |
How did you come to own it? | 0:25:22 | 0:25:23 | |
Well, it was my grandmother's and my mother had it | 0:25:23 | 0:25:28 | |
and then my mother handed it on to me. | 0:25:28 | 0:25:31 | |
So it goes back | 0:25:31 | 0:25:34 | |
donkey's years in the family. | 0:25:34 | 0:25:35 | |
It does, it's possible that my grandmother had it | 0:25:35 | 0:25:38 | |
when she was young, which would have been about 1870. | 0:25:38 | 0:25:43 | |
I must say, I'm at a bit of a loss as to how to date it. | 0:25:43 | 0:25:46 | |
So often these lead models like this are late 19th century | 0:25:46 | 0:25:53 | |
but I think this is a bit earlier than that. I say that for two or three reasons really. | 0:25:53 | 0:25:58 | |
Firstly, the nature of the decoration of this fencing | 0:25:58 | 0:26:03 | |
looks to me very much in the manner of | 0:26:03 | 0:26:06 | |
architects and designers like Pugin and the costume looks mid-Victorian rather than late Victorian. | 0:26:06 | 0:26:14 | |
-There's something of Dickens about it really, isn't there? -Yes. | 0:26:14 | 0:26:18 | |
I'm inclined to say mid-19th century. | 0:26:18 | 0:26:22 | |
The key to it really lies in us being able to ascertain who the manufacturer was. | 0:26:22 | 0:26:30 | |
If we did a bit of research, | 0:26:30 | 0:26:32 | |
and we asked the auctioneer to do that, we'll be able to find out | 0:26:32 | 0:26:35 | |
who made this little set because this piece is marked. | 0:26:35 | 0:26:41 | |
I can't read what it says underneath. | 0:26:42 | 0:26:44 | |
I'm pretty say certain it's in German. | 0:26:44 | 0:26:46 | |
-That would make sense. I think it's of German manufacture. -Right. | 0:26:48 | 0:26:52 | |
Why are you selling it after all these years? | 0:26:52 | 0:26:56 | |
Well, because it stays in its box and I haven't got anywhere to display it | 0:26:56 | 0:27:01 | |
and I brought it in because I really didn't know what it was. | 0:27:01 | 0:27:05 | |
-Have you got grandchildren? -Yes but they aren't the sort | 0:27:05 | 0:27:09 | |
who would want to play with it. | 0:27:09 | 0:27:12 | |
So it's time now to think about what it might make. | 0:27:12 | 0:27:15 | |
I've not seen anything like this in all my years. | 0:27:15 | 0:27:20 | |
I'd like to suggest an estimate of £60 to £100. | 0:27:20 | 0:27:24 | |
Right. | 0:27:24 | 0:27:26 | |
And a reserve just below the bottom estimate of £50. | 0:27:26 | 0:27:30 | |
-Right, yes. -OK? And I look forward to seeing you at the sale and we hope that it does better than that. | 0:27:30 | 0:27:37 | |
-Thank you very much, yes, lovely. -Thank you. Jolly good. | 0:27:37 | 0:27:39 | |
Have you brought anything in today? | 0:27:44 | 0:27:46 | |
We did but Mr Barby didn't think they were worth more than £200 so we're keeping them. | 0:27:46 | 0:27:50 | |
Oh, Mr Barby, isn't he a meanie? | 0:27:50 | 0:27:54 | |
I hope he's got some better news for Lynn who's keen to offload her items. | 0:27:54 | 0:27:59 | |
Lynn, this is quite an extraordinary mixture. | 0:27:59 | 0:28:02 | |
Why have you brought them along? What's the reason? | 0:28:02 | 0:28:04 | |
These were my great grandmother's | 0:28:04 | 0:28:08 | |
and they've never really been out on display or anything like that. | 0:28:08 | 0:28:11 | |
-Why? -Because I don't like them. -You don't like them! | 0:28:11 | 0:28:15 | |
I think they're absolutely awful, awful. And this one the same really. | 0:28:15 | 0:28:19 | |
-It's just not to my taste. We've got an old cottage. -Right, right. | 0:28:19 | 0:28:24 | |
I've tried with these but they | 0:28:24 | 0:28:25 | |
don't look right. It's not such an endearing subject, I don't think. | 0:28:25 | 0:28:31 | |
-What, these little... -These cherubs. | 0:28:31 | 0:28:33 | |
I've been to several homes recently | 0:28:33 | 0:28:36 | |
where the ladies of the household have decorated rooms with sort of fairy | 0:28:36 | 0:28:41 | |
or children subjects, so these would be quite acceptable to them. | 0:28:41 | 0:28:46 | |
Actually, we call these petits - little children. | 0:28:46 | 0:28:50 | |
-Yes. -Here you have a selection with musical instruments. | 0:28:50 | 0:28:55 | |
Here, you have children with an adopted dolphin here. | 0:28:55 | 0:28:59 | |
Who painted them and where did they come from? | 0:28:59 | 0:29:01 | |
There was one particular company, Minton's, | 0:29:01 | 0:29:04 | |
that had a factory at Kensington Gore and there was a gentleman there called Coleman, who often | 0:29:04 | 0:29:11 | |
did this type of decoration. | 0:29:11 | 0:29:14 | |
Now, these are plaques and at one time, they might have been mounted. | 0:29:14 | 0:29:19 | |
Don't go yuck! In velvet mounts all the way around | 0:29:19 | 0:29:25 | |
and then hung on the wall. | 0:29:25 | 0:29:26 | |
Because otherwise, they would have no purpose. How would you | 0:29:26 | 0:29:29 | |
attach them to the wall? So, we've established you don't like these. | 0:29:29 | 0:29:32 | |
-Not really, no. -Are you a modern girl? -Not really, no, I'm not. | 0:29:32 | 0:29:35 | |
What sort of decorative items do you put in your home? | 0:29:35 | 0:29:37 | |
-Lots of Victorian. -Staffordshire figures and things? | 0:29:37 | 0:29:41 | |
Yes, I've got lots of Copeland Spode china, that kind of thing. | 0:29:41 | 0:29:46 | |
I can understand why you've brought this piece along, which is Paul pottery. | 0:29:46 | 0:29:49 | |
It's far too modern. | 0:29:49 | 0:29:50 | |
-It very jazzy, isn't it? -Very, very. | 0:29:50 | 0:29:53 | |
Paul pottery of this nature are very much in vogue. | 0:29:53 | 0:29:57 | |
-Yes. -Oranges and turquoise and washed-our whites, and I prefer that to these. | 0:29:57 | 0:30:04 | |
I think I do as well. | 0:30:04 | 0:30:06 | |
So we've got to sell these, the two contrasts together. | 0:30:06 | 0:30:09 | |
I think, when they go through to auction, | 0:30:09 | 0:30:12 | |
the auction house will say, right, we'll sell these as a pair and we'll sell that separately. | 0:30:12 | 0:30:19 | |
-OK. -The two plaques, | 0:30:19 | 0:30:22 | |
I think will sell for something in the region | 0:30:22 | 0:30:25 | |
of maybe £70 to £120 that sort of range. | 0:30:25 | 0:30:30 | |
-Yeah. -The Paul pottery I think will sell for £20 to £40. | 0:30:30 | 0:30:35 | |
-Right. -Would that be agreeable? | 0:30:35 | 0:30:37 | |
-It would, yes. -No regrets? | 0:30:37 | 0:30:39 | |
No, not at all. | 0:30:39 | 0:30:41 | |
-Family history going. -That's all right, I'll have more space in the cupboard. | 0:30:41 | 0:30:44 | |
I hope for Lynn's sake, someone at the sale likes them rather more than she does. | 0:30:44 | 0:30:50 | |
So many different things to see. | 0:30:52 | 0:30:54 | |
You'd be surprised what turns up at our valuation days and I can | 0:30:54 | 0:30:57 | |
just dip along here and find all sorts of curios. What's your name? | 0:30:57 | 0:31:02 | |
-Michael. -Mike, hello. Can I have a look at these? | 0:31:02 | 0:31:04 | |
They do say you can tell a man's profession by what cane he'd carry and the way he'd walk with it. | 0:31:04 | 0:31:10 | |
Especially the silver-ended canes, the rather fanciful ones. | 0:31:10 | 0:31:14 | |
Doctors and lawyers would have such a walking cane. | 0:31:14 | 0:31:17 | |
Isn't that nice? A rural, country one, a dog lover. | 0:31:17 | 0:31:20 | |
It's a nice bit of yew wood. He's a boxer dog. | 0:31:20 | 0:31:24 | |
That's Victorian and worth around £60 to £100 on the right day. | 0:31:25 | 0:31:30 | |
What's this one? | 0:31:30 | 0:31:32 | |
I thought that was ivory for a minute but it's resin. | 0:31:40 | 0:31:42 | |
It's a resin head so | 0:31:42 | 0:31:45 | |
not a great deal of value on that one. | 0:31:45 | 0:31:48 | |
Nevertheless, it's a good old, sturdy stick, isn't it? | 0:31:48 | 0:31:51 | |
I'd put a value of £40 to £50. | 0:31:51 | 0:31:55 | |
What's this one? | 0:31:55 | 0:31:57 | |
This is unusual, isn't it? | 0:31:57 | 0:31:58 | |
That to me looks north African. | 0:32:00 | 0:32:03 | |
Sort of late 19th century. | 0:32:03 | 0:32:05 | |
I was thinking that. | 0:32:05 | 0:32:07 | |
With all that wirework. | 0:32:07 | 0:32:09 | |
It's not a club or a mace, I don't think. | 0:32:09 | 0:32:12 | |
It's more ceremonial, | 0:32:12 | 0:32:15 | |
a fashion statement. | 0:32:15 | 0:32:17 | |
Nevertheless, it does make a nice walking cane, doesn't it? | 0:32:17 | 0:32:20 | |
-Do you collect canes? -I do, yes. | 0:32:20 | 0:32:22 | |
-How many have you got? -About 30. | 0:32:22 | 0:32:24 | |
Wow. How do you display 30? | 0:32:24 | 0:32:26 | |
What to do with them? | 0:32:26 | 0:32:28 | |
They're in a walking-stick stand, which my wife hates because she has to dust them. | 0:32:28 | 0:32:33 | |
She said take them along to Flog It! | 0:32:33 | 0:32:35 | |
I saw a wonderful way of displaying walking canes and it's a good tip because if you've got half-a-dozen | 0:32:35 | 0:32:42 | |
and don't know what to do with them, they don't look very nice like that. | 0:32:42 | 0:32:45 | |
On the wall that way, mounted on brackets like say a Victorian whip rack, | 0:32:45 | 0:32:49 | |
on the wall one above the other, they look beautiful. | 0:32:49 | 0:32:52 | |
It's a silhouette of art then going on. You can pick them | 0:32:52 | 0:32:56 | |
-off and muse with them. -A good idea. | 0:32:56 | 0:32:59 | |
That's lovely. | 0:32:59 | 0:33:00 | |
Maybe if James takes my advice, his wife might be more than happy to have them around the house. | 0:33:00 | 0:33:07 | |
David's next item has transported him back to a more glamorous era. | 0:33:07 | 0:33:10 | |
In the 18th century, if you had a cup of tea, you did it in style. | 0:33:11 | 0:33:16 | |
-Yes. -You didn't go and pour boiling water into your mug, splash a bit of milk in afterwards, | 0:33:16 | 0:33:21 | |
you brought the milk in in a jug like this. | 0:33:21 | 0:33:24 | |
This is a beautiful thing. | 0:33:24 | 0:33:26 | |
It's in the neo-classical style, which means that it's in the manner | 0:33:26 | 0:33:31 | |
of the classical period, the period of ancient Rome and ancient Greece. | 0:33:31 | 0:33:36 | |
It's basically in the form of a Roman or a Greek vase. | 0:33:36 | 0:33:41 | |
-The material of course is silver. How long have you owned it? -For about 30, 32 years. | 0:33:41 | 0:33:49 | |
You don't use it? | 0:33:49 | 0:33:51 | |
-No. -You're fed up with cleaning up. | 0:33:51 | 0:33:54 | |
I don't clean it because it's in a box. | 0:33:54 | 0:33:56 | |
-Right. -It's hidden away. -It's hidden away. -Nobody is appreciating it. | 0:33:56 | 0:34:01 | |
-You've decided to sell it. -Yes. | 0:34:01 | 0:34:04 | |
Good for you. Let's have a little look at the hallmarks. | 0:34:04 | 0:34:07 | |
The hallmarks are your guarantee of quality. | 0:34:07 | 0:34:11 | |
There are four of them. The first is the lion standing on all fours. | 0:34:11 | 0:34:14 | |
That's the sterling mark that tells us that it's silver. | 0:34:14 | 0:34:17 | |
The second is the leopard's head, which tells us it was assayed in London. | 0:34:17 | 0:34:23 | |
In this instance the leopard's head is crowned which means it was assayed before 1821. | 0:34:23 | 0:34:27 | |
The third mark is the data letter, a little B, | 0:34:27 | 0:34:31 | |
which tells us it was assayed in 1777. | 0:34:31 | 0:34:35 | |
I think it's the oldest thing I've seen here today. | 0:34:35 | 0:34:37 | |
The fourth mark are the initials of the maker. | 0:34:37 | 0:34:41 | |
The gauge itself isn't particularly heavy. | 0:34:41 | 0:34:44 | |
It weighs about three and a half ounces, which for a silver jug of this period is relatively light. | 0:34:44 | 0:34:52 | |
The quality of workmanship is very good. | 0:34:52 | 0:34:54 | |
You can still see the hammer marks used by the silversmith when he was actually making this. | 0:34:54 | 0:35:01 | |
I'd just mention things like this stiff-leaf decoration | 0:35:01 | 0:35:06 | |
on the cap of the handle. | 0:35:06 | 0:35:09 | |
This is called a scroll handle of course. | 0:35:09 | 0:35:11 | |
-I think this will make between £100 and £150. -Yes. | 0:35:11 | 0:35:16 | |
Georgian silver milk jugs of this type aren't scarce but they're collectible. | 0:35:16 | 0:35:23 | |
So, let's assume it makes £100. | 0:35:23 | 0:35:26 | |
-Yes. -What would you do with the money then? | 0:35:26 | 0:35:28 | |
Probably buy a nice pair of earrings or something like that. | 0:35:28 | 0:35:30 | |
OK, so you'll roll it over. In ten years' time, when Flog It! | 0:35:30 | 0:35:33 | |
-next comes to Truro, bring those back to us and we'll sell those for you. -OK, thank you very much. | 0:35:33 | 0:35:38 | |
Thank you. | 0:35:38 | 0:35:39 | |
That concludes our search for items to take off to auction | 0:35:39 | 0:35:45 | |
so alas we have to take leave of this fantastic building. It's been such a privilege | 0:35:45 | 0:35:47 | |
to hold our event here. | 0:35:47 | 0:35:51 | |
We're in Lostwithiel for the sale and here's what we're selling. | 0:35:51 | 0:35:55 | |
The intriguing model garden, that three generations of Margaret family have played with. | 0:35:55 | 0:36:01 | |
The Minton plates and Paul bowl, which are being sold as two separate lots. | 0:36:01 | 0:36:07 | |
And lastly, the 18th century silver milk jug brought in by Rosalind. | 0:36:07 | 0:36:13 | |
It's a packed saleroom, in fact there's barely any space to move. | 0:36:13 | 0:36:17 | |
Surely out of all these people, | 0:36:17 | 0:36:20 | |
someone is going to want those Victorian plates rather more than Lynn. | 0:36:20 | 0:36:24 | |
I've been joined by the owner Lynn, who is looking fabulous and daughter, Emma. | 0:36:24 | 0:36:28 | |
-So you're supporting Mum today. -I'm supporting her today. | 0:36:28 | 0:36:31 | |
Sounds like trouble. Sounds like a pub lunches as well. | 0:36:31 | 0:36:34 | |
-I should hope so. -Pasties and a pint? | 0:36:34 | 0:36:36 | |
A little bit nicer than that. | 0:36:36 | 0:36:39 | |
OK, look. The auctioneer has decided to split the two lots. | 0:36:39 | 0:36:42 | |
We've got the two plates with the cherubs on, valued at £70 - £90, going under the hammer first. | 0:36:42 | 0:36:47 | |
Later in the sale, we'll get you back | 0:36:47 | 0:36:50 | |
because we're going to sell the Paul pottery. At £20 to £40. | 0:36:50 | 0:36:54 | |
Which should fly through that. | 0:36:54 | 0:36:56 | |
-Happy? -One hopes. | 0:36:56 | 0:36:59 | |
Well, I put the three together because the Paul pottery might push the other ones into a sale. | 0:36:59 | 0:37:03 | |
I know, but Ian was quite confident they would sell. | 0:37:03 | 0:37:06 | |
-Really? -He said not everybody's cup of tea but at £70, they should sell. | 0:37:06 | 0:37:10 | |
-I'd be amazed if they do. -So will I! | 0:37:10 | 0:37:12 | |
They don't do nothing for me. | 0:37:12 | 0:37:13 | |
-You don't like them, do you? -I don't. | 0:37:13 | 0:37:16 | |
-You could inherit them, Emma. -No, I'd rather not! | 0:37:16 | 0:37:19 | |
Good luck. It's going under the hammer now. | 0:37:21 | 0:37:24 | |
A pair of late 19th century attractive enamel wall plaques. | 0:37:26 | 0:37:30 | |
£80 away? £50 away? £30 to start. | 0:37:30 | 0:37:35 | |
£30, at £30. | 0:37:35 | 0:37:37 | |
At £30, and I'm bid five more. 35, £40, 45. At £45 I'm bid. | 0:37:37 | 0:37:43 | |
45, 50, 55, 60, 65, 70, at 65, | 0:37:43 | 0:37:49 | |
at 65, 65. Are we all done? | 0:37:49 | 0:37:53 | |
At 65 are we all done? I'm going to sell. At 65. | 0:37:53 | 0:37:58 | |
Yes, hammer's gone down. | 0:37:58 | 0:37:59 | |
£65 just. It was close, wasn't it? | 0:37:59 | 0:38:02 | |
That's good. They aren't going home, they aren't going on your wall. | 0:38:02 | 0:38:06 | |
-Well done. -Delighted. -I'll see you later on for the Paul pottery. | 0:38:06 | 0:38:10 | |
-Thank you very much. -Thank you. | 0:38:10 | 0:38:13 | |
Thanks to the auctioneer's discretion, the plates away but it was close. | 0:38:13 | 0:38:16 | |
Will Lynn's mid 20th century bowl fare any better? | 0:38:16 | 0:38:20 | |
We'll find out shortly. | 0:38:20 | 0:38:21 | |
First, we're going to see if the sun is shining on that miniature garden. | 0:38:21 | 0:38:25 | |
This next lot will please you keen gardeners. | 0:38:25 | 0:38:29 | |
It's that little model gardens set which belongs to Margaret. | 0:38:29 | 0:38:33 | |
I bet you've had hours of fun playing with this. | 0:38:33 | 0:38:35 | |
-Yes, I have. -It's just... -Not for long time though. | 0:38:35 | 0:38:39 | |
Divine, it really is. | 0:38:39 | 0:38:40 | |
We've got a valuation of around £60 to £100. | 0:38:40 | 0:38:45 | |
We've done a little bit more research on this and the auctioneer has come back. | 0:38:45 | 0:38:47 | |
You know what he said because to rang you up, didn't he? | 0:38:47 | 0:38:49 | |
It's quite a rare set. | 0:38:49 | 0:38:52 | |
He's hoping for £800 to £900. | 0:38:52 | 0:38:55 | |
That's what he said, didn't he? | 0:38:55 | 0:38:57 | |
Fingers crossed. | 0:38:57 | 0:38:59 | |
-You'll get caught out again. -Fingers crossed. | 0:38:59 | 0:39:02 | |
-Public humiliation again. -I'm pulling David's legs really. | 0:39:02 | 0:39:06 | |
We did a bit of research, we couldn't find anything else. | 0:39:09 | 0:39:11 | |
-It's continental. -I knew it was continental. -I know, I know. | 0:39:11 | 0:39:17 | |
It's put a smile on our faces. Hopefully, | 0:39:17 | 0:39:20 | |
it'll go for a little bit more than the top end. Good on you for hanging on to it and enjoy it. | 0:39:20 | 0:39:24 | |
The condition is very good as well. Here we go. | 0:39:24 | 0:39:26 | |
The lead garden figures including palms, railings, bandstands. | 0:39:28 | 0:39:33 | |
Can I say £50 away? | 0:39:33 | 0:39:35 | |
£30 I've got. At £30. | 0:39:35 | 0:39:38 | |
35, £40, 45, £50, 55, £60, 65. | 0:39:38 | 0:39:43 | |
Your bid, sir at £65. | 0:39:43 | 0:39:45 | |
£70. 75, £80 then. | 0:39:45 | 0:39:48 | |
At 75, the bid is in the middle. | 0:39:48 | 0:39:51 | |
At £75, at 75. | 0:39:51 | 0:39:54 | |
Good valuation. | 0:39:54 | 0:39:57 | |
£75, spot on. | 0:39:57 | 0:39:59 | |
-What are you going to do with your money? -Well, I don't really know. | 0:39:59 | 0:40:02 | |
I think probably put it towards a trip somewhere, yeah. | 0:40:02 | 0:40:06 | |
Margaret and David must be pleased with that result. | 0:40:06 | 0:40:08 | |
Now let's see if Lynn gets to say goodbye to that bowl. | 0:40:08 | 0:40:13 | |
It's good to see both back again. | 0:40:13 | 0:40:15 | |
Let's hope we come round this up with the Paul pottery at £100 or even more. | 0:40:15 | 0:40:19 | |
We're looking at £20 to £40, that's the guideline. | 0:40:19 | 0:40:22 | |
Fingers crossed, here we go. | 0:40:22 | 0:40:23 | |
It's a Paul pottery bowl, | 0:40:25 | 0:40:27 | |
black and white painted decoration on orange ground. Can I say £30 away? | 0:40:27 | 0:40:31 | |
£20 I've got. At £20, 22, 25, 28, at £28, the bid's with me. | 0:40:31 | 0:40:36 | |
At £28, £28, £30, 32, 35, at £32, the bid is with me. | 0:40:36 | 0:40:42 | |
At £32, we're done at £32. | 0:40:42 | 0:40:47 | |
Yes, well done. Mid estimate again. | 0:40:47 | 0:40:50 | |
This man is on fire! | 0:40:50 | 0:40:52 | |
Not quite the £100. A few pound short. | 0:40:53 | 0:40:55 | |
You've got £97 in total. | 0:40:55 | 0:40:58 | |
You don't have to take anything home. | 0:40:58 | 0:41:00 | |
-No, lovely. -You've got a bit of money to spend. | 0:41:00 | 0:41:03 | |
-Thank you very much to both of you. -Thank you. | 0:41:03 | 0:41:06 | |
There's one last thing to sell and that's the beautiful silver milk jug but will the bidders lap it up? | 0:41:06 | 0:41:11 | |
We're running along smoothly now | 0:41:11 | 0:41:14 | |
which brings us to possibly one of the oldest things in the sale from the 18th century. | 0:41:14 | 0:41:17 | |
It's hallmarked 1777. | 0:41:17 | 0:41:19 | |
It's that wonderful silver jug brought into our valuation day by | 0:41:19 | 0:41:21 | |
Rosalind who's standing next to me. Hello. | 0:41:21 | 0:41:24 | |
I think I might be the oldest one here. | 0:41:24 | 0:41:27 | |
No, you're not. | 0:41:27 | 0:41:29 | |
-No, you're not. Lovely item, what do you think? -I think it's great. | 0:41:29 | 0:41:34 | |
Rosalind, I must confess that after you left I'd another look at it and there's a spot of damage | 0:41:34 | 0:41:39 | |
on the handle which has been soldered and I think that might put the eagle-eyed person off. | 0:41:39 | 0:41:45 | |
I hope not but I'm a little bit concerned. | 0:41:45 | 0:41:47 | |
-OK. -Fingers crossed and it's a good time to sell precious metals. | 0:41:47 | 0:41:51 | |
The silver market is up. Things are going well today. | 0:41:51 | 0:41:53 | |
So, fingers crossed. We're going to find out. | 0:41:53 | 0:41:55 | |
Silver cream jug by Thomas Sheppard. | 0:41:57 | 0:41:59 | |
1777 dated. London hallmark. | 0:41:59 | 0:42:03 | |
Can I say £100 away? | 0:42:03 | 0:42:06 | |
£50 to start me. £50 I'm bid. | 0:42:06 | 0:42:08 | |
60, 70, 80, 90, | 0:42:08 | 0:42:11 | |
100, 110, 120, 130. | 0:42:11 | 0:42:15 | |
At 120, 130, 140, 150, | 0:42:15 | 0:42:19 | |
160, 170, 160 here. | 0:42:19 | 0:42:23 | |
At £160 I'm bid. | 0:42:23 | 0:42:27 | |
170, 180, is it 180? 180. | 0:42:27 | 0:42:32 | |
190, at £190 there. | 0:42:32 | 0:42:35 | |
We're done at £190. | 0:42:35 | 0:42:37 | |
The hammer has gone down. £190. | 0:42:38 | 0:42:41 | |
Quality always sells. It really does. | 0:42:41 | 0:42:45 | |
And you bought it along. | 0:42:45 | 0:42:48 | |
Of course I did. | 0:42:48 | 0:42:49 | |
A bit of quality here. | 0:42:49 | 0:42:52 | |
Brilliant result there for Rosalind. | 0:42:52 | 0:42:54 | |
If you think you've got any quality items at home and fancy making a bit of money, | 0:42:56 | 0:42:59 | |
bring them along to one of our valuation days. | 0:42:59 | 0:43:03 | |
You can find out where they'll be by going to: | 0:43:03 | 0:43:07 | |
Then click F for Flog It! and follow the links to find a list of towns we're coming too soon. | 0:43:08 | 0:43:14 | |
That's it, that brings us to the end of another show, another day in the auction room. | 0:43:15 | 0:43:19 | |
A day on the road with Flog It! | 0:43:19 | 0:43:21 | |
It's been really special for me because I've come back home to Cornwall. | 0:43:21 | 0:43:24 | |
I'm seeing my mum tonight and having some of her cooking. | 0:43:24 | 0:43:26 | |
I hope you've enjoyed watching the show. | 0:43:26 | 0:43:28 | |
Until the next time, from Lostwithiel, cheerio. | 0:43:28 | 0:43:31 | |
Subtitles by Red Bee Media Ltd | 0:43:31 | 0:43:34 | |
E-mail [email protected] | 0:43:34 | 0:43:38 |