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Today Flog It is from Richmond in North Yorkshire, | 0:00:02 | 0:00:05 | |
situated right on the edge of the Yorkshire Dales National Park. | 0:00:05 | 0:00:08 | |
Welcome to the show! | 0:00:08 | 0:00:10 | |
Richmond is a town of unique character and beauty | 0:00:31 | 0:00:34 | |
which has changed little through the centuries. | 0:00:34 | 0:00:36 | |
It lies on the banks of the River Swale, and the breathtaking Richmond Castle presides over it. | 0:00:36 | 0:00:42 | |
The town has 450 listed buildings and has been called the most beautiful market town in England. | 0:00:42 | 0:00:49 | |
Flog It is the main attraction in town. | 0:00:53 | 0:00:55 | |
We're in the heart of Richmond | 0:00:55 | 0:00:57 | |
and already there's a healthy queue gathering outside the Market Hall, today's venue. | 0:00:57 | 0:01:01 | |
Our two experts are Mr Adam Partridge and James Lewis, already hard at work | 0:01:01 | 0:01:05 | |
delving through all the bags and boxes. | 0:01:05 | 0:01:07 | |
Somebody here has a wonderful treasure | 0:01:07 | 0:01:09 | |
and they're going to go home later on in the show with a lot of money. | 0:01:09 | 0:01:12 | |
Who's it going to be? Well, stay tuned and you'll find out. | 0:01:12 | 0:01:15 | |
It's 9.30am, it's time to get the doors open. | 0:01:15 | 0:01:18 | |
Are you ready to go inside? | 0:01:18 | 0:01:19 | |
Yes! Let's get the show on the road. | 0:01:19 | 0:01:22 | |
-Look what I've spotted. Is this yours? -No, it's my son's. | 0:01:29 | 0:01:33 | |
-Where is he? -He's hiding. -He doesn't want to be on TV, does he? | 0:01:33 | 0:01:36 | |
-No. -Look at this. Can I sit on it? | 0:01:36 | 0:01:38 | |
-Yeah. -Will it take my weight? -Yeah. -How about that? | 0:01:38 | 0:01:41 | |
Shall I give it a go? | 0:01:41 | 0:01:43 | |
Yeah, if you want. | 0:01:43 | 0:01:45 | |
Let's Flog It! | 0:01:45 | 0:01:47 | |
Coming up, find out what's got me nervous. | 0:01:49 | 0:01:54 | |
Mark, I'm very worried. | 0:01:54 | 0:01:56 | |
I am. | 0:01:56 | 0:01:57 | |
I've not been looking forward to this moment! | 0:01:57 | 0:02:00 | |
No? | 0:02:01 | 0:02:03 | |
And I learn all about... | 0:02:07 | 0:02:10 | |
Cheese! | 0:02:13 | 0:02:14 | |
Well, we made it and, as you can see, it's a full house inside. | 0:02:17 | 0:02:20 | |
Everybody's safely seated. Here's the young chap, here's his bike. | 0:02:20 | 0:02:25 | |
He didn't want to be on TV. Well, he is now! | 0:02:25 | 0:02:27 | |
I'll tell you who loves being on TV - James and Adam, our experts. | 0:02:27 | 0:02:32 | |
-Sorry, Bargain Hunt's coming out! -Yeah! | 0:02:32 | 0:02:34 | |
Adam Partridge's day job is as an auctioneer in Cheshire, so he should be used to the climate up North. | 0:02:34 | 0:02:40 | |
I've got my van over there, full of blankets. I'm tempted to go in... | 0:02:40 | 0:02:43 | |
And James Lewis runs a saleroom in Derbyshire and is used to plain talking. | 0:02:43 | 0:02:47 | |
Is this to go back in the car, is it? | 0:02:47 | 0:02:50 | |
Honest answer? | 0:02:50 | 0:02:52 | |
Yes! | 0:02:52 | 0:02:54 | |
But it's Adam first up with David and his metal vase. | 0:02:54 | 0:02:57 | |
And you've brought along, well, a very interesting looking object. | 0:02:57 | 0:03:02 | |
-Is it out on view or shoved away in a cupboard? -Shoved away. | 0:03:02 | 0:03:05 | |
-And that's why you've brought it in today. -That's why I brought it. | 0:03:05 | 0:03:08 | |
-To find a new home for it. -Well, yes. | 0:03:08 | 0:03:10 | |
Well, it's certainly very decorative. | 0:03:10 | 0:03:12 | |
There's this ornate pierced border and then you've got these figures in relief all the way around. | 0:03:12 | 0:03:20 | |
-The more you look at it, the more you see. -Yes. | 0:03:20 | 0:03:23 | |
And as we always do in this business, we'll have a look on the bottom | 0:03:23 | 0:03:28 | |
for the marks, and there you see, you've got a windmill | 0:03:28 | 0:03:32 | |
and a couple of pipes. | 0:03:32 | 0:03:34 | |
-Right. -Well, Holland, the Netherlands, is famous for windmills, | 0:03:34 | 0:03:37 | |
so it doesn't take the best detective to get that it is almost definitely a Dutch piece. | 0:03:37 | 0:03:42 | |
-Yes. -And I think it dates from the late 19th century, the end of the 19th century. | 0:03:42 | 0:03:47 | |
-That's interesting. -So, a little bit over 100 years old. | 0:03:47 | 0:03:50 | |
There are a couple of issues with condition and the main one is this big split, which you can't see. | 0:03:50 | 0:03:56 | |
-You can see fresh air. -Ah, yeah. | 0:03:56 | 0:03:57 | |
And that's going to hurt its value. | 0:03:57 | 0:04:00 | |
-Can you see? -Yes, I can. | 0:04:00 | 0:04:02 | |
I think, if that was in good order, it would be three figures. | 0:04:02 | 0:04:06 | |
£100, £200, maybe a bit more, but because of the damage I think we're going to have to try it a bit lower. | 0:04:06 | 0:04:12 | |
I don't know what your expectations are. | 0:04:12 | 0:04:14 | |
Did you have any thoughts on the value? | 0:04:14 | 0:04:16 | |
None, really. It's only now because I'm getting a little elderly, | 0:04:16 | 0:04:21 | |
that I thought, well, we'll tie it up a little bit, you know? | 0:04:21 | 0:04:24 | |
-So you're thinking of what am I going to do with this now? -That's right. | 0:04:24 | 0:04:28 | |
It's a horrible practicality that a lot of people have to do, | 0:04:28 | 0:04:31 | |
-isn't it? -It comes to us all eventually. -Yeah. | 0:04:31 | 0:04:34 | |
-I would suggest an estimate of £50 to £80. -Right. | 0:04:34 | 0:04:38 | |
-Sound all right with you? -It sounds all right with me. -Good. | 0:04:38 | 0:04:41 | |
I've got a flashy silver pen now and it shows up on my photograph. | 0:04:42 | 0:04:46 | |
-Thank you. -Thank you. | 0:04:46 | 0:04:49 | |
Next up, James is having a chat with Bruce, a collector with the foresight to save his toy boxes. | 0:04:49 | 0:04:54 | |
Bruce, these are just so many memories for me. | 0:04:54 | 0:04:58 | |
It's not just toys, I remember having one of those, I remember having one of those. | 0:04:58 | 0:05:02 | |
I keep thinking, the last time I saw that was in the sandpit at home! | 0:05:02 | 0:05:07 | |
And that's the sort of thing that toy collectors are passionate about. | 0:05:07 | 0:05:12 | |
-Which is your favourite? -I like that one. | 0:05:12 | 0:05:15 | |
That's mine. That's mine. | 0:05:15 | 0:05:17 | |
I love the Beetles. Well, I've got a VW camper now, an old 1969 one. | 0:05:17 | 0:05:22 | |
All my friends say I'm never looking happier than when I'm driving it. | 0:05:22 | 0:05:26 | |
-These have been a great investment. Some of them have still got the price tag on. -Yeah. -What's that? | 0:05:26 | 0:05:31 | |
Catterick, 16p. | 0:05:31 | 0:05:33 | |
There used to be a local shop there and they sold them. | 0:05:33 | 0:05:36 | |
-And you bought them all from the same shop. -Yeah. | 0:05:36 | 0:05:38 | |
So, back as a boy, what did you do, wheel them around | 0:05:38 | 0:05:41 | |
in the sandpit like me, or did you have a proper track? | 0:05:41 | 0:05:43 | |
-I had a proper track, which I've got on the floor down here with me. -Oh, let's have a look. | 0:05:43 | 0:05:48 | |
OK. | 0:05:48 | 0:05:51 | |
-There we go. -Fantastic. | 0:05:51 | 0:05:53 | |
-Well, at least you've got the box. -Yeah. | 0:05:53 | 0:05:55 | |
It's seen better days. Oh, gosh, it's pretty good inside, though. | 0:05:55 | 0:05:59 | |
You've got all the bits, all the ramps. | 0:05:59 | 0:06:02 | |
Fantastic. | 0:06:02 | 0:06:04 | |
The track doesn't have a massive value, | 0:06:04 | 0:06:06 | |
so I think the track should go with the other bits | 0:06:06 | 0:06:09 | |
and sell them altogether, OK? | 0:06:09 | 0:06:10 | |
There we go. | 0:06:12 | 0:06:14 | |
Well, when it comes to value, | 0:06:14 | 0:06:16 | |
the more interesting ones like that and the brighter colours, | 0:06:16 | 0:06:20 | |
£5, £6. | 0:06:20 | 0:06:23 | |
Some of the more common ones and less interesting, | 0:06:23 | 0:06:26 | |
like the truck in yellow and red, maybe £3 or £4. | 0:06:26 | 0:06:29 | |
So if we take an average of, say, £3 each, | 0:06:29 | 0:06:34 | |
we've got 50 of them here, so £150. | 0:06:34 | 0:06:37 | |
-Yeah. -I think we ought to use that as the lower end estimate. | 0:06:37 | 0:06:41 | |
-£150 to £250 and if a couple of the specialists get involved they might make a bit more. -Yeah. | 0:06:41 | 0:06:47 | |
Let's take them along and see how much we can raise for you. | 0:06:47 | 0:06:51 | |
That valuation sounds like it's got the chance to speed away at auction. | 0:06:51 | 0:06:55 | |
But, for me, time is of the essence as I compare watches with owner Mark. | 0:06:55 | 0:06:59 | |
-I've got nearly 20 to. -Well, you're running a bit slow then, aren't you? | 0:06:59 | 0:07:03 | |
-Well, it is an old watch. -That is a nice watch, isn't it? Is it a military watch? | 0:07:03 | 0:07:07 | |
It's a military Air Force watch. | 0:07:07 | 0:07:08 | |
My ex mother-in-law's second husband used to fly in the Air Force, so it was handed down. | 0:07:08 | 0:07:14 | |
-It's a family heirloom, isn't it? -Of course it is. | 0:07:14 | 0:07:17 | |
Have you had that looked at by our experts? | 0:07:17 | 0:07:19 | |
I've had one over and value it and have a look at it and she said it's a very, very sought after, rare watch. | 0:07:19 | 0:07:25 | |
It's stamped on the back and everything and it's 17 jewels. | 0:07:25 | 0:07:28 | |
And you really want to sell it? | 0:07:28 | 0:07:29 | |
-I think anything from £1,000 upwards would be... -OK. | 0:07:29 | 0:07:32 | |
-Are you happy to do that? -I am, yeah. -This is literally off the cuff, | 0:07:32 | 0:07:36 | |
-because you hadn't thought about selling it, had you? -Not really. I brought another item in. | 0:07:36 | 0:07:42 | |
This is most unusual because we haven't rehearsed this, this gentlemen brought in something else | 0:07:42 | 0:07:47 | |
which he's had valued and now he's decided to sell his wristwatch! | 0:07:47 | 0:07:51 | |
We'll stick that in with a reserve at £1,000. Hopefully, we'll get £1,500. | 0:07:51 | 0:07:55 | |
This whole little chat, according to my watch, took four minutes. | 0:07:55 | 0:07:58 | |
Three on mine because I'm slow! | 0:07:58 | 0:07:59 | |
Raymond and Nancy have brought in a rather large number of pipes | 0:08:01 | 0:08:06 | |
they've rescued from the rubbish to show Adam. | 0:08:06 | 0:08:10 | |
-Who's the pipe smoker? -Her granddad. | 0:08:10 | 0:08:13 | |
They were from my granddad, passed down to my uncle. | 0:08:13 | 0:08:15 | |
-OK. -And then my uncle passed away two years ago, so we were left to clear the house. | 0:08:15 | 0:08:20 | |
-So you had to clear Uncle's house. Horrible job, isn't it? -Especially with how much he had. | 0:08:20 | 0:08:25 | |
-Was there are a lot there? -Oh, there's a lot. | 0:08:25 | 0:08:28 | |
And you rescued these, basically. | 0:08:28 | 0:08:30 | |
-We did. They were heading for the skip. -Were they? -They were. | 0:08:30 | 0:08:34 | |
They took my eye, so I asked him if I could have them. | 0:08:34 | 0:08:36 | |
Oh, Raymond's trying to take the credit now! Ray, they took my eye! | 0:08:36 | 0:08:40 | |
It is a good collection. | 0:08:40 | 0:08:42 | |
You've got all sorts here. You've got some 19th century clay pipes. | 0:08:42 | 0:08:46 | |
You've got various Bavarian and Black Forest and porcelain and all sorts of pipes. | 0:08:46 | 0:08:50 | |
Have you got a favourite amongst them? | 0:08:50 | 0:08:52 | |
-I like that one up front with the duck on. -The one with the duck on it. -Yeah. -What about you, Ray? | 0:08:53 | 0:08:59 | |
My favourite's that one, nice picture. | 0:08:59 | 0:09:01 | |
Yeah, continental porter, it's a nice picture, isn't it? | 0:09:01 | 0:09:05 | |
Well, I'm afraid I'm going to have to go for that one. | 0:09:05 | 0:09:08 | |
I think that's a great one, isn't it? | 0:09:08 | 0:09:11 | |
-It's funny, isn't it? -Yeah, it is funny, isn't it? | 0:09:11 | 0:09:14 | |
I think that's European walnut from the Black Forest region, as a number of the carved ones are. | 0:09:14 | 0:09:19 | |
She's a looker, isn't she? | 0:09:19 | 0:09:21 | |
What do you think they're worth? What would you ask for them at a car boot? | 0:09:21 | 0:09:26 | |
£1 each I'd ask for them. | 0:09:26 | 0:09:28 | |
-Yeah, £1 each. -If you got that. | 0:09:28 | 0:09:29 | |
Yeah, I think, you know, you may get £100 for the lot. | 0:09:29 | 0:09:33 | |
Really? | 0:09:33 | 0:09:35 | |
Yeah, yeah. I think you may. | 0:09:35 | 0:09:37 | |
I think we should put an estimate of £60 to £100 and a reserve of £50 | 0:09:37 | 0:09:41 | |
because whatever happens, 50 quid, they must be worth 50 quid. | 0:09:41 | 0:09:44 | |
-Fantastic. -And even then at £1 each, you can... | 0:09:44 | 0:09:46 | |
You know, some of these are £5 or £10 each, I would have thought. | 0:09:46 | 0:09:49 | |
-I wouldn't have thought that. -That's really surprised me. | 0:09:49 | 0:09:52 | |
-It's nice to see a good reaction like that. -It really has. -Very nice. -Excellent. | 0:09:52 | 0:09:56 | |
-We weren't going to bring them until last night. -Weren't you? Then you thought... | 0:09:56 | 0:10:01 | |
-She said, Ray, what about them pipes? -Well, thanks very much for coming along today. | 0:10:01 | 0:10:05 | |
-Thank you. -Thank you. | 0:10:05 | 0:10:07 | |
Well, sounds like it was worth Raymond and Nancy bringing them in. | 0:10:07 | 0:10:11 | |
Well, we've been working flat out. It's now time for our first visit to the auction room. | 0:10:11 | 0:10:15 | |
Let's up the tempo and put the valuations to the test. | 0:10:15 | 0:10:18 | |
Now, our experts are normally on the money, aren't they? | 0:10:18 | 0:10:21 | |
They're pretty good. I know it's not an exact science. | 0:10:21 | 0:10:24 | |
-Who's your favourite, Adam or James? -James. | 0:10:24 | 0:10:26 | |
-Oh, James. James, yes. How about this side? -Adam. | 0:10:26 | 0:10:28 | |
-Adam! -Oh, there you go, look, a nation divided. | 0:10:28 | 0:10:30 | |
You've heard what our experts said about the items. | 0:10:30 | 0:10:33 | |
You've probably made up your own minds, but let's see what the bidders think. Let's get over there. | 0:10:33 | 0:10:38 | |
340. | 0:10:41 | 0:10:43 | |
And now for the moment we've all been waiting for, | 0:10:43 | 0:10:46 | |
where we put our valuations to the test | 0:10:46 | 0:10:48 | |
and today we're the guest of Thomas Watson Auctioneers in Darlington. | 0:10:48 | 0:10:52 | |
It's a packed room. Hopefully, all these people will be putting their hands up | 0:10:52 | 0:10:56 | |
and bidding on our owners' lots. | 0:10:56 | 0:10:57 | |
Now I'm going to catch up with them because I know they're feeling nervous and we'll leave you | 0:10:57 | 0:11:02 | |
with a run-down of all the items we're putting under the hammer. | 0:11:02 | 0:11:05 | |
David's Dutch vase has a crack, but it's an unusual design. | 0:11:05 | 0:11:10 | |
Mark's military watch is on the slow side, but will it catch up in time to meet its estimate? | 0:11:12 | 0:11:17 | |
Adam thinks Nancy and Raymond's collection of pipes are a good lot. | 0:11:17 | 0:11:22 | |
And what will auctioneer Peter Robinson think of the number of cars in Bruce's collection? | 0:11:22 | 0:11:27 | |
Well, take a look at this, Peter. There's a lot of lot, | 0:11:27 | 0:11:31 | |
60 or 61 Matchbox cars. | 0:11:31 | 0:11:33 | |
They belong to Bruce. He's been collecting them since the mid 1970s. | 0:11:33 | 0:11:37 | |
-But the condition is brilliant! And also we've got some track, as well. -And some track, yeah. | 0:11:37 | 0:11:41 | |
I had lots of these. | 0:11:41 | 0:11:43 | |
Well, it's a confession that I'm not going to allude to. | 0:11:43 | 0:11:47 | |
Oh, come on, what? What were you going to say? | 0:11:47 | 0:11:50 | |
I played with mine in the garden, they all got dirty and rusty | 0:11:50 | 0:11:53 | |
and of course now, when you see them like this in the original boxes, | 0:11:53 | 0:11:56 | |
you kind of wonder how much pleasure was had as toys, | 0:11:56 | 0:12:01 | |
but of course they're now great collectors' pieces. | 0:12:01 | 0:12:04 | |
I ran mine into the ground, the wheels came off. | 0:12:04 | 0:12:06 | |
As soon as I got them I took them out of the box and threw the box. | 0:12:06 | 0:12:09 | |
-Yeah. -Did you do the same? -I did the same, yeah. | 0:12:09 | 0:12:12 | |
But, this is a nice collection. | 0:12:12 | 0:12:13 | |
I think we've got a reserve of £150 on this lot. | 0:12:13 | 0:12:16 | |
-That's about £2.50 a car. -You know, we've got interest in the lot. | 0:12:16 | 0:12:20 | |
-We've got one phone line I think booked at the moment, one or two commission bids. -Sounds good. | 0:12:20 | 0:12:25 | |
Interest in the room, so I think we'll exceed the reserve. | 0:12:25 | 0:12:29 | |
By how much, who knows? | 0:12:29 | 0:12:31 | |
You're cautious, aren't you? | 0:12:31 | 0:12:33 | |
I'm a cautious chappie! | 0:12:33 | 0:12:34 | |
'Well, let's hope the bidders throw caution to the wind. But first up are the pipes.' | 0:12:34 | 0:12:39 | |
Nancy and Raymond, it's good to see you. | 0:12:39 | 0:12:42 | |
This is the thing I love about Flog It, we find so many things in skips our owners bring along. | 0:12:42 | 0:12:47 | |
Classic recycling. It doesn't get any greener than the antiques trade, really. | 0:12:47 | 0:12:51 | |
So, why have you decided to sell? It hasn't cost you anything. | 0:12:51 | 0:12:54 | |
-You don't really like them? -They're in her way. -What? | 0:12:54 | 0:12:57 | |
-They're in her away. -You're going away? | 0:12:57 | 0:12:59 | |
-They're in her way. -Oh, IN the way. -They're in my way, but we've got three grandchildren | 0:12:59 | 0:13:03 | |
-and another one on the way, so they're getting the money. -Excellent. | 0:13:03 | 0:13:07 | |
Can you drive past a skip without stopping to have a look? | 0:13:07 | 0:13:10 | |
Well, you kind of go like that, don't you? | 0:13:10 | 0:13:12 | |
-I kind of do a little bit still! -I wouldn't like to be seen diving in. | 0:13:12 | 0:13:18 | |
No, I know! Come back under darkness. I think it's probably theft if it's not your own skip. | 0:13:19 | 0:13:24 | |
Yeah, it could well be. | 0:13:24 | 0:13:26 | |
Anyway, good luck, they're going under the hammer right now. | 0:13:26 | 0:13:29 | |
Let's hope we get the top end. | 0:13:29 | 0:13:30 | |
A lot of pieces here, the collection of | 0:13:32 | 0:13:34 | |
the Austrian and Black Forest pipes there. | 0:13:34 | 0:13:38 | |
A lot of items in the lot. | 0:13:38 | 0:13:40 | |
Over 40 pipes in total. | 0:13:40 | 0:13:42 | |
Commission bids again here, so we can start at £80. | 0:13:42 | 0:13:46 | |
-Smoking! 80, straight in. -Straight in. | 0:13:46 | 0:13:49 | |
At £90. 100 can I have? | 0:13:49 | 0:13:51 | |
100 with me, then. | 0:13:52 | 0:13:55 | |
110. 120. 130. | 0:13:55 | 0:13:58 | |
-140. 150. -Gosh. | 0:13:58 | 0:14:00 | |
150 on my left for the collection. At £150. | 0:14:00 | 0:14:03 | |
-Excellent. -Are we all finished now at £150 for the collection? | 0:14:03 | 0:14:07 | |
-£150! -Pipes sell well. | 0:14:07 | 0:14:10 | |
I told you, didn't I? | 0:14:10 | 0:14:11 | |
Straight in and straight out that was, virtually. | 0:14:11 | 0:14:14 | |
-You wouldn't leave 150 pound notes in a skip would you, eh? -No. | 0:14:14 | 0:14:17 | |
Over estimate, those pipes were in demand. | 0:14:17 | 0:14:20 | |
David's vase is also looking for a new home. | 0:14:20 | 0:14:23 | |
Let's find out what the bidders think, shall we, David? | 0:14:23 | 0:14:26 | |
It's a packed room. Have you been here before? | 0:14:26 | 0:14:28 | |
-No, never. -It's a cracking saleroom, isn't it? | 0:14:28 | 0:14:30 | |
Purpose built saleroom, lots of history here. | 0:14:30 | 0:14:33 | |
We're looking for £50 to £80 for this white metal Dutch... | 0:14:33 | 0:14:36 | |
It's a beautiful little thing. | 0:14:36 | 0:14:38 | |
-It's lovely. There's a lot of work in it, isn't there? -Yes. | 0:14:38 | 0:14:41 | |
For 50 quid, but a bit of damage. | 0:14:41 | 0:14:43 | |
Right, let's see what the bidders think. | 0:14:43 | 0:14:46 | |
The Dutch ornate vase, could do with a polish, but there we go. | 0:14:46 | 0:14:51 | |
At £30 bid on this lot. | 0:14:51 | 0:14:53 | |
At £30. 40 bid. 50. 60 with me, sir. | 0:14:53 | 0:14:57 | |
70 yours. 70 at the back now. | 0:14:57 | 0:14:59 | |
-This is good. -80. 90. 100. | 0:14:59 | 0:15:02 | |
And ten. | 0:15:02 | 0:15:04 | |
£100 on my right, then, the bid. | 0:15:04 | 0:15:07 | |
-That's very good. -It's on my right at £100. | 0:15:07 | 0:15:09 | |
Selling now on my right at £100. | 0:15:09 | 0:15:12 | |
All finished at £100? | 0:15:12 | 0:15:14 | |
Yes, £100. | 0:15:14 | 0:15:16 | |
-That's a good result, isn't it? -It was a good result. -Happy with that? | 0:15:16 | 0:15:20 | |
Happy all round. | 0:15:20 | 0:15:23 | |
'Double the reserve, no wonder we're all smiling! | 0:15:23 | 0:15:26 | |
'However, I do have reserves of my own when it comes to the military watch.' | 0:15:26 | 0:15:30 | |
Mark, I'm very worried. | 0:15:30 | 0:15:31 | |
-I know. -I am. | 0:15:31 | 0:15:33 | |
I've not been looking forward to this moment. | 0:15:33 | 0:15:35 | |
Oh, dear! Do you know, normally, when we get to the auction room, | 0:15:35 | 0:15:39 | |
the auctioneer has a chat to me and says, Paul, that one might struggle, but this will do well | 0:15:39 | 0:15:43 | |
and we normally have an auctioneer chat. | 0:15:43 | 0:15:45 | |
But he hasn't said anything. He said nothing today about the watch. | 0:15:45 | 0:15:49 | |
Well, he's not said nothing, it's something. | 0:15:49 | 0:15:51 | |
Yes, exactly, which means he agrees with the valuation. | 0:15:51 | 0:15:52 | |
We're talking about that wonderful RAF watch | 0:15:52 | 0:15:56 | |
which, hopefully, hopefully, won't be yours after today. | 0:15:56 | 0:15:59 | |
-It might fly away. -Anyway, this is it. | 0:15:59 | 0:16:02 | |
I'm a bit scared. | 0:16:02 | 0:16:04 | |
The pilot chronograph this time, nice lot. | 0:16:05 | 0:16:10 | |
Lot 255, the watch. | 0:16:10 | 0:16:11 | |
I have £600, lot 255. At £600. | 0:16:13 | 0:16:18 | |
£600. And 50 bid. At 650 bid. | 0:16:18 | 0:16:21 | |
At 650 bid. Is it 700 I have? | 0:16:21 | 0:16:25 | |
750. 800. 850. | 0:16:30 | 0:16:33 | |
-900? At 850 the bid's with me. -It's not going to sell. | 0:16:33 | 0:16:37 | |
At £850. 900. | 0:16:37 | 0:16:39 | |
Bidding on the phone. | 0:16:41 | 0:16:42 | |
At £850. Short on the reserve here. | 0:16:42 | 0:16:45 | |
It will be unsold at this point. | 0:16:45 | 0:16:47 | |
At £850. | 0:16:47 | 0:16:49 | |
No? | 0:16:49 | 0:16:51 | |
-No. I had butterflies in my stomach about this one. -Yeah. | 0:16:51 | 0:16:55 | |
This morning when I arrived, I just thought... | 0:16:55 | 0:16:58 | |
I just had a feeling this was going to struggle. | 0:16:58 | 0:17:01 | |
-Think so? -Yeah. | 0:17:01 | 0:17:02 | |
Yeah. Well, there you go, he was calling for 850, so... | 0:17:02 | 0:17:07 | |
That gives an indication of where it could be actually valued at, then. | 0:17:07 | 0:17:09 | |
-Yes, yes. -So, wait until next time. | 0:17:09 | 0:17:12 | |
What will you do? | 0:17:12 | 0:17:14 | |
Well, you're obviously going to take it home. | 0:17:14 | 0:17:16 | |
Well, sit on it for a while and try again. | 0:17:16 | 0:17:19 | |
Will you lower the valuation to £800 to £1,200 as opposed to £1,000 to £1,500? | 0:17:19 | 0:17:24 | |
No, because they are really sought after, so I might still stick with it. | 0:17:24 | 0:17:28 | |
-OK. -You just never know. | 0:17:28 | 0:17:29 | |
Stick by your guns. | 0:17:29 | 0:17:32 | |
Well, Mark's got nothing to lose by biding his time with the watch. | 0:17:32 | 0:17:36 | |
Now we're going from timepieces to toy cars. | 0:17:36 | 0:17:40 | |
And coming up in the next lot, there is a lot of lots. 61 in total. | 0:17:40 | 0:17:44 | |
You know what I'm talking about, it's those Matchbox and Corgi cars belonging to Bruce. | 0:17:44 | 0:17:48 | |
I've been joined by our expert James who put the valuation on. | 0:17:48 | 0:17:51 | |
I had a chat to the auctioneer just before the sale started and we both thought, | 0:17:51 | 0:17:55 | |
wow, what condition, and you've managed to hang on to the boxes as well. | 0:17:55 | 0:18:00 | |
-What will you put the money towards? -Taking the girl to see Status Quo in November. -Status Quo! | 0:18:00 | 0:18:05 | |
Oh, brilliant! | 0:18:05 | 0:18:06 | |
-Oh, what a fun night out! -I wasn't going to tell her, we've got tickets, so she's going. | 0:18:06 | 0:18:11 | |
-Does she know? -I'm afraid so, yes, somebody told her. Yeah. | 0:18:11 | 0:18:15 | |
Well, it's about time we got down to business. | 0:18:15 | 0:18:18 | |
It's going under the hammer now. | 0:18:18 | 0:18:19 | |
Matchbox this time, the track in its box | 0:18:21 | 0:18:24 | |
and a collection of 61 vehicles in total in that box. | 0:18:24 | 0:18:30 | |
And £50 to start for the lot. | 0:18:32 | 0:18:34 | |
-That's low, isn't it? -60. 70. 80. | 0:18:34 | 0:18:37 | |
90. 100. At £100 bid for the collection. | 0:18:37 | 0:18:40 | |
At £100. And ten. 120. 130. | 0:18:40 | 0:18:44 | |
140. 150. | 0:18:44 | 0:18:46 | |
-This is more like it! -150 on my left. | 0:18:46 | 0:18:48 | |
At £150. 160. 170. | 0:18:48 | 0:18:52 | |
180. 190. 200. 210. | 0:18:52 | 0:18:54 | |
210 on my left. | 0:18:54 | 0:18:56 | |
At 220 on my right. 230. 240. | 0:18:56 | 0:18:59 | |
250. 260. | 0:18:59 | 0:19:03 | |
270. | 0:19:03 | 0:19:04 | |
280. 290. | 0:19:06 | 0:19:07 | |
I've got to say, they're racing away now! | 0:19:07 | 0:19:10 | |
320. 330. | 0:19:10 | 0:19:12 | |
340. | 0:19:12 | 0:19:13 | |
360. 370? | 0:19:13 | 0:19:16 | |
No? | 0:19:16 | 0:19:18 | |
360. In the back of the room, at £360 for the lot. Are we all done? | 0:19:18 | 0:19:22 | |
-300... -Oh, he's come back. | 0:19:22 | 0:19:26 | |
380. 390. | 0:19:26 | 0:19:27 | |
400? 400. 410, sir? At £400, then. | 0:19:27 | 0:19:31 | |
In the back of the room at £400. Being sold now at 400 bid. | 0:19:31 | 0:19:36 | |
-Bang, the hammer's gone down! What do you think of that? -Brilliant. | 0:19:36 | 0:19:40 | |
What a great result! | 0:19:40 | 0:19:42 | |
-I didn't expect that, no. -No, nor did I. | 0:19:42 | 0:19:45 | |
The toy market has blossomed over the last few years. | 0:19:45 | 0:19:48 | |
Lots of auctioneers are trying to get into the toy market and that is why. | 0:19:48 | 0:19:52 | |
-And, interestingly enough, the bidding was all going on in the room. -Yeah. -Wow! | 0:19:52 | 0:19:56 | |
-Happy? -I'm fine with that. -It's put a smile on my face! -Oh, it certainly has, yeah. | 0:19:56 | 0:20:01 | |
Well, those cars were a real sterling lot. | 0:20:01 | 0:20:04 | |
I love it when things just fly away. | 0:20:04 | 0:20:06 | |
Wow, just look at that stunning view! | 0:20:17 | 0:20:21 | |
Isn't that incredible? We are so lucky here in this country | 0:20:21 | 0:20:24 | |
to have backdrops like this. | 0:20:24 | 0:20:26 | |
I'm in the stunning Yorkshire Dales and I've come here to find out | 0:20:26 | 0:20:30 | |
about one of the oldest industries in the area. | 0:20:30 | 0:20:33 | |
It dates back around 1,000 years, and it's the art of cheesemaking, | 0:20:33 | 0:20:36 | |
but they don't just make any old cheese here in this region. | 0:20:36 | 0:20:40 | |
Won't you come in? We were just about to have some cheese. | 0:20:40 | 0:20:43 | |
Oh, no, not cheese. | 0:20:43 | 0:20:45 | |
I can't stand the stuff. | 0:20:45 | 0:20:47 | |
Not even Wensleydale? | 0:20:47 | 0:20:49 | |
Yes, that's right, I've come to the town of Hawes in Wensleydale | 0:20:49 | 0:20:53 | |
to find out more about Wensleydale cheese, | 0:20:53 | 0:20:56 | |
the favourite variety from two of the country's best loved characters, Wallace and Gromit. | 0:20:56 | 0:21:01 | |
Wensleydale is actually an area within the Yorkshire Dales | 0:21:01 | 0:21:04 | |
and the history of cheesemaking in this region dates back to the industrious monks, | 0:21:04 | 0:21:08 | |
at the time of the Norman conquest. But after Henry VIII abolished the monasteries, | 0:21:08 | 0:21:13 | |
the art of cheesemaking passed on to local farmers' wives who made cheese from their farmhouses. | 0:21:13 | 0:21:19 | |
Then, in 1897, right here in Hawes, | 0:21:22 | 0:21:25 | |
a local merchant called Edward Chapman began collecting milk from the local farmhouses | 0:21:25 | 0:21:30 | |
to use for the commercial production of Wensleydale cheese, | 0:21:30 | 0:21:34 | |
and it's been made here ever since. | 0:21:34 | 0:21:36 | |
Before I go off to the creamery to find out how cheese is made, | 0:21:36 | 0:21:40 | |
I'm going to take a closer look at the source of the raw ingredient. | 0:21:40 | 0:21:44 | |
And here it is, milk! Well, it will be a bit later when the farmer gets his hands on this lot! | 0:21:46 | 0:21:53 | |
But the cows here in the Wensleydale region get to graze on limestone pastures, | 0:21:53 | 0:21:57 | |
which is incredibly rich in wild flowers and herbs | 0:21:57 | 0:22:01 | |
and it's only milk from these cows that's used at the Wensleydale Creamery in Hawes. | 0:22:01 | 0:22:06 | |
That's it, it's so simple, isn't it? | 0:22:06 | 0:22:08 | |
That's what gives Wensleydale cheese its wonderful Dales flavour. | 0:22:08 | 0:22:12 | |
And right now I'm off to the creamery. | 0:22:12 | 0:22:15 | |
50 local farmers in the Wensleydale area provide milk for this creamery | 0:22:23 | 0:22:27 | |
and tankers arrive every morning. | 0:22:27 | 0:22:30 | |
They pull right up here and this is where the milk is pumped in. | 0:22:30 | 0:22:33 | |
Now, the first process is it has to be pasteurised. | 0:22:33 | 0:22:36 | |
This is quite simple, really. | 0:22:36 | 0:22:37 | |
The milk gets heated to 72 degrees for around 15 seconds | 0:22:37 | 0:22:41 | |
and that will kill off any bad bacteria. | 0:22:41 | 0:22:44 | |
Right, let's have a look at the cheesemaking process! | 0:22:44 | 0:22:47 | |
Once the milk has been pasteurised, 1,000 gallons are pumped into each metal vat. | 0:22:50 | 0:22:55 | |
One vat will end up being 500kg of Wensleydale cheese. | 0:22:57 | 0:23:01 | |
Rennet addition is then stirred into the milk. | 0:23:01 | 0:23:05 | |
The mixture then cools until it sets into what is known as | 0:23:05 | 0:23:08 | |
a semi-solid junket, which has a consistency a bit like blancmange. | 0:23:08 | 0:23:12 | |
Next, the mixture is cut into small pieces by rotating knives and stirrers. | 0:23:12 | 0:23:18 | |
This releases the curds and whey. | 0:23:18 | 0:23:22 | |
Now, the equipment may look hi-tech down there, | 0:23:22 | 0:23:24 | |
but the basic way Wensleydale cheese has been made | 0:23:24 | 0:23:27 | |
hasn't changed for centuries. | 0:23:27 | 0:23:29 | |
Really, that is just a full-scale larger version of what would have been going on in there. | 0:23:29 | 0:23:34 | |
And it's still very much largely a handmade process. | 0:23:34 | 0:23:37 | |
Once the moisture's drained and the correct level of acidity has been reached, it's time to pitch the vat. | 0:23:39 | 0:23:45 | |
The curds are moved to one end in order to allow the whey to run off. | 0:23:47 | 0:23:51 | |
Salt is then added to the curd. This serves as a preservative | 0:23:54 | 0:23:58 | |
and, of course, enhances the flavour. | 0:23:58 | 0:24:01 | |
It's then put through the cheese mill and shredded into small pieces, | 0:24:01 | 0:24:05 | |
which are then packed into stainless steel moulds ready for the press. | 0:24:05 | 0:24:09 | |
Well, it looks like back-breaking work in there. | 0:24:09 | 0:24:12 | |
I'm pleased I'm in the viewing gallery just watching! | 0:24:12 | 0:24:15 | |
Wensleydale cheese is only pressed lightly compared to other varieties | 0:24:19 | 0:24:23 | |
which gives it that distinctive crumbly texture. | 0:24:23 | 0:24:27 | |
The cheeses are bandaged in muslin as soon as they are removed from their moulds. | 0:24:27 | 0:24:32 | |
They are put into the drying room where they are turned over daily. | 0:24:32 | 0:24:36 | |
From here the Wensleydale cheese may be sent to the maturing room | 0:24:39 | 0:24:42 | |
where it'll be stored for four to six months. | 0:24:42 | 0:24:45 | |
And it will be checked regularly by the cheese grader. | 0:24:45 | 0:24:49 | |
Right, I think it's time I got myself a piece of Wensleydale cheese. | 0:24:51 | 0:24:56 | |
Trevor, you work here as a cheesemaker. | 0:24:56 | 0:24:58 | |
-So how long have you been here? -Oh, 14 years. | 0:24:58 | 0:25:01 | |
Crikey! Man and boy, really, all your working life, I know you're a young chap. | 0:25:01 | 0:25:05 | |
I'm going to try some. | 0:25:05 | 0:25:07 | |
-Which shall I go for first? -The Blue Jervaulx is going to be a big seller. | 0:25:07 | 0:25:11 | |
-I never knew there were so many variations. -Oh, yeah. | 0:25:11 | 0:25:15 | |
We do, like, through the samples, if it's a seller, we do more. | 0:25:15 | 0:25:19 | |
Oh, blimey, that is really good! | 0:25:19 | 0:25:21 | |
Cor! Hey, I'm not surprised you haven't put on weight! | 0:25:21 | 0:25:26 | |
All the work we do! THEY LAUGH | 0:25:26 | 0:25:28 | |
I'm going to have another bit of that. | 0:25:28 | 0:25:30 | |
Cor, that is delicious! | 0:25:30 | 0:25:31 | |
So, in your opinion, what sets this apart from other cheese, why is Wensleydale so good? | 0:25:31 | 0:25:36 | |
Well, we use the milk from cows from Wensleydale, basically, | 0:25:36 | 0:25:40 | |
and it's been a seller for years. | 0:25:40 | 0:25:42 | |
It's the way we make it. People come from all over the country and the world. | 0:25:42 | 0:25:48 | |
This is the best advert for local produce. | 0:25:48 | 0:25:50 | |
-Yeah. -It doesn't travel far and food shouldn't travel. -No. | 0:25:50 | 0:25:53 | |
Who would think that eating grass turns into something as delicious as this? | 0:25:53 | 0:25:59 | |
That's incredible, absolutely incredible, isn't it? | 0:26:00 | 0:26:03 | |
Mmmm! | 0:26:03 | 0:26:06 | |
Get off me cheese! Get off! | 0:26:06 | 0:26:08 | |
It's not just Wallace and Gromit that are our friends. | 0:26:14 | 0:26:16 | |
People of all ages come to see us. | 0:26:16 | 0:26:19 | |
-Is that Mum's or yours? -It's my great uncle's. | 0:26:19 | 0:26:22 | |
It's your great uncle's. Oh, how wonderful! | 0:26:22 | 0:26:25 | |
Look at that lovely blue enamel. | 0:26:25 | 0:26:28 | |
And, inside, what a surprise when you open up. | 0:26:28 | 0:26:31 | |
-Are you into antiques? -Er... | 0:26:31 | 0:26:33 | |
Oh, look, look! Your nail varnish nearly matches the enamel, look! | 0:26:33 | 0:26:37 | |
-Gosh, so many people! Good luck, ladies. -Thank you. | 0:26:40 | 0:26:45 | |
Welcome back to our valuation day in the heart of Richmond. | 0:26:45 | 0:26:48 | |
I can't believe there's so many people. | 0:26:48 | 0:26:50 | |
Looks like the whole of North Yorkshire has turned out! | 0:26:50 | 0:26:53 | |
Let's catch up with our experts and find out what they've been up to. | 0:26:53 | 0:26:57 | |
Coming up, Barbara gets some fashion advice from James. | 0:26:57 | 0:27:00 | |
Watches, popular. Necklaces, popular. Brooches, not so good. | 0:27:00 | 0:27:04 | |
Adam's drumming up interest for Andrew's loving cup. | 0:27:04 | 0:27:07 | |
-We've got five prospective bidders already. -We want bidders! | 0:27:07 | 0:27:11 | |
And James has found a bit of quality. | 0:27:11 | 0:27:13 | |
That's 62.5% gold. | 0:27:13 | 0:27:16 | |
But, first, there's a buzz in the air as James talks to Barbara about her insect brooch. | 0:27:16 | 0:27:22 | |
I have to say, whenever somebody says to me "I've got a brooch," | 0:27:22 | 0:27:25 | |
unless it's diamonds, sapphires, something fantastic quality, | 0:27:25 | 0:27:30 | |
generally I say, they're just so unfashionable today. I mean, if we look around, | 0:27:30 | 0:27:34 | |
no brooch, no brooch, no brooch, no brooch. | 0:27:34 | 0:27:38 | |
You're covering yours! | 0:27:38 | 0:27:39 | |
You're a little bit out of fashion wearing a brooch, but everybody's wearing necklaces. | 0:27:39 | 0:27:44 | |
Rings, popular. Watches, popular. | 0:27:44 | 0:27:46 | |
Necklaces, popular. Brooches, not so good. | 0:27:46 | 0:27:50 | |
But with this, it's different because they have a collectors' field of their own right. | 0:27:50 | 0:27:55 | |
Around 1870, 1880, the Victorians started making | 0:27:55 | 0:27:59 | |
these wonderful brooches made in the form of insects. | 0:27:59 | 0:28:02 | |
Sometimes you get them set with sapphires, moonstones, | 0:28:02 | 0:28:06 | |
emeralds, diamonds. | 0:28:06 | 0:28:08 | |
The bigger and more flash, the better. | 0:28:08 | 0:28:10 | |
With this little one we've got garnets, and the wings are set with facet-cut garnets. | 0:28:10 | 0:28:16 | |
The head, again, with facet-cut garnets. | 0:28:16 | 0:28:19 | |
The thorax is a garnet cabochon. | 0:28:19 | 0:28:22 | |
And the abdomen, again, uncut, a cabochon garnet. | 0:28:22 | 0:28:25 | |
Now, where did it come from? | 0:28:25 | 0:28:28 | |
-My mother. -Oh, really, so it's a family thing? -Mmm. | 0:28:28 | 0:28:31 | |
So do you remember your mother wearing this? | 0:28:31 | 0:28:33 | |
I do, yes. My mother liked to get dressed up. | 0:28:33 | 0:28:36 | |
-Did she? -So, she liked to wear, you know, a nice piece of jewellery. | 0:28:36 | 0:28:40 | |
And before that, can you trace it back? | 0:28:40 | 0:28:42 | |
I think it was her mother-in-law, who was my grandmother, who was German. | 0:28:42 | 0:28:48 | |
Ah! Now, if it's German, that might indicate why there's no hallmarks. | 0:28:48 | 0:28:53 | |
-Right. -So, it could be gold. -My grandparents on my father's side were German. | 0:28:53 | 0:28:58 | |
OK. It might be worth having that tested, | 0:28:58 | 0:29:01 | |
-hopefully the auction house will do that before selling it. -Right. | 0:29:01 | 0:29:05 | |
Assuming, and we've got to assume that it's not, | 0:29:05 | 0:29:07 | |
otherwise you just get very excited for no good reason! | 0:29:07 | 0:29:11 | |
Assuming it's not gold, | 0:29:13 | 0:29:15 | |
I think it's worth 60 to 100. If it is gold... | 0:29:15 | 0:29:20 | |
Shall we say if it is gold? | 0:29:20 | 0:29:21 | |
-Yeah. -300 to 500. -That would be better. | 0:29:21 | 0:29:24 | |
It would, wouldn't it? | 0:29:24 | 0:29:26 | |
Sad to see it go? | 0:29:26 | 0:29:30 | |
Well, yes, but if it's stuck in a drawer in a box, you know? | 0:29:30 | 0:29:33 | |
I think we ought to put an auction estimate of £60 to £100 on it. | 0:29:33 | 0:29:38 | |
It might make 120 on the day. | 0:29:38 | 0:29:40 | |
-Are you happy with that? -Yes, I think so. -I think it would do well. | 0:29:40 | 0:29:43 | |
Somebody will love it, | 0:29:43 | 0:29:45 | |
and if it's just been sitting in the jewellery box, | 0:29:45 | 0:29:47 | |
maybe you can buy something that you'd use. | 0:29:47 | 0:29:50 | |
But it's a nice thing. I like it. | 0:29:50 | 0:29:51 | |
I don't generally like brooches, but I like that. | 0:29:51 | 0:29:54 | |
But is the moth brooch actually gold? We'll find out later. | 0:29:54 | 0:29:58 | |
Meanwhile... | 0:29:58 | 0:30:00 | |
# Crocodile shoes... # | 0:30:00 | 0:30:02 | |
It's not crocodile shoes I've been faced with, it's alligator handbags! | 0:30:02 | 0:30:06 | |
Sheila, are these yours? | 0:30:06 | 0:30:09 | |
-Yes. -Did you ever use them? | 0:30:09 | 0:30:11 | |
Oh, no. | 0:30:11 | 0:30:13 | |
They've been in the cupboard for years, about 30 years. | 0:30:13 | 0:30:16 | |
That was some alligator, wasn't it?! | 0:30:16 | 0:30:18 | |
They still look modern, don't they? | 0:30:18 | 0:30:20 | |
Yeah. Well, I guess they've not been used, have they? | 0:30:20 | 0:30:23 | |
And it's still got the things inside, as well. | 0:30:23 | 0:30:27 | |
So, how did you come across these? | 0:30:27 | 0:30:29 | |
My brother was working on an old pub, | 0:30:29 | 0:30:32 | |
and the lady gave 'em him about 35 years ago, and he gave 'em me. | 0:30:32 | 0:30:36 | |
-It's not the kind of thing you want to carry around, really, is it? -No. | 0:30:36 | 0:30:40 | |
What do you do with things like this? It's always a mystery. | 0:30:40 | 0:30:43 | |
we're all frightened to talk about it or to show it or own it | 0:30:43 | 0:30:46 | |
because it's not PC. Rather rare, but... | 0:30:46 | 0:30:51 | |
hard to put a value on this. | 0:30:51 | 0:30:53 | |
Is it something you're hoping to sell? | 0:30:53 | 0:30:55 | |
Yeah, get rid of them. | 0:30:55 | 0:30:57 | |
-Get rid of it and make it snappy! Hmm? -Yeah. | 0:30:57 | 0:31:00 | |
On a more serious note, vintage animal products can be hard to value and sell, | 0:31:00 | 0:31:05 | |
so without knowing more about the provenance, we're not taking them. | 0:31:05 | 0:31:08 | |
Next up, Adam's getting all polite about Andrew's item. | 0:31:08 | 0:31:12 | |
It's a lovely cup. It's a loving cup! Two handles, known as a loving cup. | 0:31:12 | 0:31:16 | |
-You knew that already. -Yes. | 0:31:16 | 0:31:18 | |
-What else do you know about it? -Very little, really. -Right. | 0:31:18 | 0:31:22 | |
It just took my fancy, and... It was about £30 when I bought it. | 0:31:22 | 0:31:26 | |
£30 wasn't bad. It's in lovely condition, isn't it? | 0:31:26 | 0:31:29 | |
-Yeah. -Beautiful condition. | 0:31:29 | 0:31:31 | |
What we've got is sort of lustre printed colours | 0:31:31 | 0:31:34 | |
on the front there, with a classical design | 0:31:34 | 0:31:37 | |
and initials on the back there of... | 0:31:37 | 0:31:40 | |
Is that PMB? | 0:31:40 | 0:31:43 | |
-Yeah, something like that. -Yeah, is your surname a B? | 0:31:43 | 0:31:46 | |
-No, no. -No, shame. | 0:31:46 | 0:31:47 | |
And underneath, of course, where we always look to see the marks, | 0:31:47 | 0:31:52 | |
we've got George slaying the dragon, haven't we? | 0:31:52 | 0:31:55 | |
We've got six valuers here today and we've all looked at that, | 0:31:55 | 0:31:59 | |
we've all looked through the books and none of us can find this mark. | 0:31:59 | 0:32:04 | |
Don't get your hopes up, it doesn't mean it's valuable! | 0:32:04 | 0:32:07 | |
It probably means it's quite an obscure factory. | 0:32:07 | 0:32:10 | |
What's made you decide to sell it now? | 0:32:10 | 0:32:12 | |
Well, I've just got a lot of things in boxes and there's just no room for it. | 0:32:12 | 0:32:16 | |
-Are you a bit of a collector? -A little bit. | 0:32:16 | 0:32:18 | |
Stash it all away in boxes. | 0:32:18 | 0:32:19 | |
My grandmother's house was to clear out two or three years ago and so just accumulated a lot of things. | 0:32:19 | 0:32:25 | |
It's quite nice. What do we think about it behind? | 0:32:25 | 0:32:27 | |
-Very attractive. -General positive comments. -Good. | 0:32:27 | 0:32:31 | |
-We've got five prospective bidders already! -Yeah, we want some bidders! | 0:32:31 | 0:32:35 | |
-50 to 80 is what I think it's likely to make. -Right. | 0:32:35 | 0:32:38 | |
So there's a bit of a profit there and I think that's quite cheap, | 0:32:38 | 0:32:43 | |
really, for a mid 19th century piece, but that's the way it is these days. | 0:32:43 | 0:32:47 | |
So, we'll see how it goes at the auction. | 0:32:47 | 0:32:49 | |
So, with a valuation of £50 to £80, | 0:32:49 | 0:32:51 | |
Andrew's ready to send the loving cup to a new owner. | 0:32:51 | 0:32:55 | |
If you'd like to take part in the show, you have to come to these venues. | 0:32:55 | 0:32:59 | |
Check the details in your local press. | 0:32:59 | 0:33:01 | |
We may be coming to a town near you soon. | 0:33:01 | 0:33:03 | |
Or you can log on to... | 0:33:03 | 0:33:06 | |
Click F for Flog It and then follow the links | 0:33:08 | 0:33:10 | |
to find the list of towns we're coming to soon. | 0:33:10 | 0:33:13 | |
Next up, Paul's pocket watch has caught James' eye. | 0:33:14 | 0:33:18 | |
Paul, I have to say, as an auctioneer, | 0:33:18 | 0:33:20 | |
pocket watches are something you see day after day after day. | 0:33:20 | 0:33:24 | |
There are certain things that every family seem to pass down. | 0:33:24 | 0:33:28 | |
Family Bibles, tea services, | 0:33:28 | 0:33:30 | |
maybe a sewing machine and a typewriter, and a pocket watch. | 0:33:30 | 0:33:34 | |
It seems to be the archetypal thing that passes down generation to generation. | 0:33:34 | 0:33:38 | |
So, is this something that you've had passed down? | 0:33:38 | 0:33:41 | |
-No, it isn't. -Foiled! | 0:33:41 | 0:33:44 | |
After all that, as well! | 0:33:44 | 0:33:46 | |
-No, it isn't. -How did you come to have this? | 0:33:46 | 0:33:48 | |
-When I was in the Army I needed a pocket watch for my mess dress. -Really? | 0:33:48 | 0:33:52 | |
So, I went to an antique shop in York and found this one. | 0:33:52 | 0:33:55 | |
-£200. -For the watch and chain? -All in, yeah. | 0:33:55 | 0:33:59 | |
OK. All right, well, we'll move and see what that's going to end up being worth now. | 0:33:59 | 0:34:04 | |
Well, we've got a 14 carat case, which is good news. | 0:34:04 | 0:34:08 | |
The standard cases that we see are nine carat. | 0:34:08 | 0:34:12 | |
Sometimes we see English cases as 18 carat. | 0:34:12 | 0:34:15 | |
Sometimes, if they're fantastic quality, 22 carat gold, | 0:34:15 | 0:34:18 | |
but here we've got an American Watch Company watch | 0:34:18 | 0:34:23 | |
and that is actually put into an American case, as well. | 0:34:23 | 0:34:26 | |
The chain is hallmarked. | 0:34:26 | 0:34:29 | |
15 carat. | 0:34:33 | 0:34:34 | |
-OK. -The chain is 15 carat gold, which is lovely. | 0:34:34 | 0:34:37 | |
Again, much better than nine. | 0:34:37 | 0:34:39 | |
And it's marked .625, which means that's 62.5% gold. | 0:34:39 | 0:34:45 | |
Lovely. You paid? | 0:34:45 | 0:34:47 | |
-£200 for it. -What do you think it's worth? | 0:34:47 | 0:34:49 | |
-I have no idea. -Oh, you do! You do! | 0:34:51 | 0:34:54 | |
I'd like to say 600, but I doubt it. | 0:34:54 | 0:34:57 | |
I think, retail, I think 600 is about there. | 0:34:57 | 0:35:00 | |
-I think you're right. -That's just guesswork. | 0:35:00 | 0:35:03 | |
I think we ought to put £400 to £600 as an estimate. | 0:35:03 | 0:35:06 | |
-OK. -I'm hoping it'll make over four. | 0:35:06 | 0:35:08 | |
If it doesn't make 400, hang onto it and keep it. | 0:35:08 | 0:35:13 | |
-So put a reserve on it? -A reserve of 400. | 0:35:13 | 0:35:15 | |
-Happy with that? -I am, yeah. | 0:35:15 | 0:35:17 | |
It will take my girlfriend on holiday, so, yeah, that's fine. | 0:35:17 | 0:35:20 | |
-Fantastic. Where are you going? -Hopefully, Amsterdam. -Oh, lovely. | 0:35:20 | 0:35:25 | |
The finest antiques fairs are in Amsterdam, so, you never know, | 0:35:25 | 0:35:28 | |
you might find something interesting to buy for her. | 0:35:28 | 0:35:31 | |
By keeping it to a fixed reserve, will it be | 0:35:31 | 0:35:34 | |
a nice holiday for Paul and his girlfriend, or will it be a big disappointment? | 0:35:34 | 0:35:38 | |
You've heard our experts. | 0:35:38 | 0:35:40 | |
You've probably made your own minds up, | 0:35:40 | 0:35:42 | |
but now let's find out what the bidders think. | 0:35:42 | 0:35:44 | |
We're selling our lots at Thomas Watson Auctioneers in Darlington | 0:35:47 | 0:35:51 | |
and here is what's coming up next. | 0:35:51 | 0:35:53 | |
Barbara's buzzy brooch hoping to fetch £70 to £100. | 0:35:53 | 0:35:58 | |
Paul's quality gold pocket watch, | 0:35:58 | 0:36:01 | |
and Andrew's loving cup, which has caught the attention of auctioneer Peter Robinson. | 0:36:01 | 0:36:06 | |
Here's an interesting one. | 0:36:06 | 0:36:07 | |
19th century loving cup, possibly Staffordshire. It belongs to Andrew. | 0:36:07 | 0:36:11 | |
-He got this ten years ago, paid £30 for it, which I think was quite a lot of money. -Yeah. | 0:36:11 | 0:36:16 | |
Adam has put £50 to £80 on the auction valuation, | 0:36:16 | 0:36:20 | |
but not quite sure about the maker's label. | 0:36:20 | 0:36:23 | |
It's George and the Dragon, | 0:36:23 | 0:36:25 | |
-George slaying the dragon. -George and the Dragon printed mark on the base | 0:36:25 | 0:36:29 | |
and no other information, but a bit of painstaking research... | 0:36:29 | 0:36:33 | |
-Oh, you've done some, have you? -I was able to find the factory | 0:36:33 | 0:36:36 | |
called Baker & Co, so not too special. Staffordshire factory. | 0:36:36 | 0:36:40 | |
But it's in nice condition and it's got this lustre finish to it. | 0:36:40 | 0:36:45 | |
Now you've got the history of the makers, does it affect the value? | 0:36:45 | 0:36:48 | |
Does it go up more than £80? | 0:36:48 | 0:36:50 | |
I think it gives a little bit of confidence to people buying it, | 0:36:50 | 0:36:54 | |
so it'll probably help us secure a sale | 0:36:54 | 0:36:57 | |
-rather than a non sale, put it that way. -Oh, it was that close, was it? -I think so, yeah. | 0:36:57 | 0:37:03 | |
Well, we don't want any no sales, | 0:37:03 | 0:37:05 | |
Peter, so thank you so much for doing your homework on the loving cup. Beautiful glaze. | 0:37:05 | 0:37:10 | |
-The condition is so good. -Yeah. | 0:37:10 | 0:37:11 | |
I think that was a very good buy. You've got a keen eye. | 0:37:11 | 0:37:15 | |
-Hopefully, we'll get the top end, around the £80 mark. -You think so? | 0:37:15 | 0:37:18 | |
Yes, I do. Yeah. It's a nice piece. | 0:37:18 | 0:37:21 | |
It is, isn't it? It's a pleasing object, isn't it? | 0:37:21 | 0:37:23 | |
Loving cup this time, showing on this side, | 0:37:25 | 0:37:27 | |
the Staffordshire Baker & Co loving cup in nice condition. | 0:37:27 | 0:37:31 | |
And opening at £50, this lot. | 0:37:32 | 0:37:35 | |
At £50. Nice piece of Staffordshire, Victorian. At £50. 60 can I say? | 0:37:35 | 0:37:39 | |
At £50. | 0:37:39 | 0:37:41 | |
60, thank you. 70 with me. 80 bid. | 0:37:43 | 0:37:47 | |
90 bid. 100 bid. | 0:37:47 | 0:37:50 | |
At £100 bid. | 0:37:50 | 0:37:53 | |
Are you all finished at £100? | 0:37:53 | 0:37:55 | |
-Selling at £100. All finished. -Lovely, nice round figure. | 0:37:55 | 0:37:59 | |
There's the face of a Yorkshireman that's made a profit! | 0:37:59 | 0:38:02 | |
And you paid £30 for that, I gather? | 0:38:02 | 0:38:04 | |
-Yeah, just over ten years ago, so, yeah. -That was a good investment. | 0:38:04 | 0:38:07 | |
-Yeah. -Trust the eye! | 0:38:07 | 0:38:09 | |
He's obviously got a good eye. He'll be back out there now with that 100! | 0:38:09 | 0:38:12 | |
The auctioneer's research certainly did the job. | 0:38:12 | 0:38:16 | |
Let's hope his advice works for Barbara's brooch, too. | 0:38:16 | 0:38:19 | |
But is it actually made of gold? | 0:38:19 | 0:38:20 | |
Now, will this one fly away? | 0:38:20 | 0:38:23 | |
I hope so! It belongs to Barbara. | 0:38:23 | 0:38:25 | |
I'm not a brooch fan, but I do like that, purely because | 0:38:25 | 0:38:28 | |
it's in the shape of a moth and it looks quite interesting. | 0:38:28 | 0:38:31 | |
We've got a value of £70 to £100 on this, | 0:38:31 | 0:38:34 | |
and it's been in her family for three generations. | 0:38:34 | 0:38:37 | |
She can remember her mother and her grandmother wearing that. | 0:38:37 | 0:38:41 | |
Yeah. Well, it's a very nice late Victorian brooch, 1860s, 1870s. | 0:38:41 | 0:38:48 | |
I also like it, but I like it because of the garnets. | 0:38:48 | 0:38:51 | |
I just really like garnets, | 0:38:51 | 0:38:53 | |
-especially the cabochon for the abdomen. -That's nice, isn't it? | 0:38:53 | 0:38:57 | |
-It's rich-looking. -It's really nice. -It's not mounted in gold, is it? | 0:38:57 | 0:39:02 | |
It's not mounted in gold, unfortunately. | 0:39:02 | 0:39:05 | |
We have tested it and it's not mounted in gold, | 0:39:05 | 0:39:07 | |
but it's still a lovely piece of jewellery. | 0:39:07 | 0:39:10 | |
To make that today would cost a fortune. | 0:39:10 | 0:39:12 | |
The estimate is very reasonable. It's got to sell. | 0:39:12 | 0:39:16 | |
It's got to sell, I like that! | 0:39:16 | 0:39:18 | |
-That's positive, it's got to fly away. -I hope so. | 0:39:18 | 0:39:21 | |
Well, let's hope that confident vibe spreads through the auction room | 0:39:21 | 0:39:25 | |
as Barbara's joined me for the sale of her brooch. | 0:39:25 | 0:39:29 | |
-Hello, there. -Hello. | 0:39:29 | 0:39:30 | |
This is fabulous, isn't it? | 0:39:30 | 0:39:32 | |
-Nice, yeah. -I had a chat to the auctioneer and he fell in love with it. -Did he? | 0:39:32 | 0:39:36 | |
It's real quality. Real quality. | 0:39:36 | 0:39:38 | |
-You just don't see them like that any more. -No, you don't. | 0:39:38 | 0:39:42 | |
And the other thing is, with those cabochon stones | 0:39:42 | 0:39:44 | |
it's so difficult to know what the stones are, | 0:39:44 | 0:39:47 | |
and on a valuation day like at Flog it, | 0:39:47 | 0:39:49 | |
without all those different refractors and looking under lenses and things, | 0:39:49 | 0:39:53 | |
it's difficult, but I think it's a lovely thing. | 0:39:53 | 0:39:56 | |
Let's hope somebody else does! | 0:39:56 | 0:39:58 | |
Let's find out what the bidders think. | 0:39:58 | 0:40:01 | |
The garnet insect brooch there, the moth. | 0:40:02 | 0:40:08 | |
And starting the bidding at £50. | 0:40:08 | 0:40:12 | |
At £50 for the garnet brooch. | 0:40:12 | 0:40:14 | |
At £50. At £50. At 60 bid. £70. £80. | 0:40:14 | 0:40:20 | |
-£90. -More, more. | 0:40:22 | 0:40:24 | |
£100. At £100 bid. At £100. | 0:40:24 | 0:40:27 | |
Are we all finished now at £100? | 0:40:27 | 0:40:29 | |
Selling now at £100 for the garnet brooch. | 0:40:29 | 0:40:33 | |
-Well, it's gone at the top end of the estimate, that's OK. -Yes. | 0:40:33 | 0:40:36 | |
-You can remember as a girl your mother wearing this, can't you? -Yes. | 0:40:36 | 0:40:40 | |
Did you have fun wearing it? | 0:40:40 | 0:40:42 | |
-I didn't wear it a lot. -You didn't? -No. I was frightened I'd lose it. | 0:40:42 | 0:40:46 | |
Well, I'm glad I kept it! | 0:40:48 | 0:40:50 | |
So are we! Because, honestly, it did brighten up our day. | 0:40:50 | 0:40:53 | |
It's a lovely-looking thing. | 0:40:53 | 0:40:54 | |
-Really nice. Good quality. -Well done, great result. -Good! | 0:40:54 | 0:40:58 | |
That was a great result for Barbara, but will Paul be as lucky | 0:40:58 | 0:41:01 | |
with his watch and make enough money for a holiday? | 0:41:01 | 0:41:04 | |
Girlfriend Tina has come to join in with the watch sale. | 0:41:04 | 0:41:07 | |
Time is definitely up. It's not the end of the show! | 0:41:07 | 0:41:10 | |
It's time we put Paul and Tina's gold pocket watch under the hammer, with chain. | 0:41:10 | 0:41:15 | |
I've got to say, there's a lot of gold here. | 0:41:15 | 0:41:17 | |
-We're looking at around £400 to £600. -I hope so. -That caught my eye. | 0:41:17 | 0:41:21 | |
That caught my eye. Why are you selling it, though? | 0:41:21 | 0:41:24 | |
It's been sat in a drawer since I left the Army. | 0:41:24 | 0:41:26 | |
I've left the Army and it's just been sat there and I thought, well, it's just wasted, so... | 0:41:26 | 0:41:32 | |
-No-one to pass it on to soon coming along? -No, no. -Hmmm... | 0:41:32 | 0:41:36 | |
I think the chain's got a lot of value in it. | 0:41:36 | 0:41:38 | |
Yeah, I mean, it's picking the right time to sell, | 0:41:38 | 0:41:41 | |
and this is the best time in history to sell gold. | 0:41:41 | 0:41:44 | |
Gold prices are really high, very strong. | 0:41:44 | 0:41:46 | |
Let's find out what this lot in the room think. It's under the hammer. | 0:41:46 | 0:41:50 | |
14 carat gold hunter, with the 15 carat gold Albert. | 0:41:51 | 0:41:57 | |
Nice condition, as well. Little old box as well to go with it. | 0:41:57 | 0:42:02 | |
And interest. | 0:42:02 | 0:42:04 | |
Starting the bidding at £400. | 0:42:04 | 0:42:06 | |
-Straight in! -At 420. 450. 480. 500. 520. | 0:42:06 | 0:42:11 | |
550? | 0:42:11 | 0:42:12 | |
550. 600. 620. | 0:42:12 | 0:42:18 | |
640. 660. 675. | 0:42:18 | 0:42:23 | |
680? | 0:42:23 | 0:42:25 | |
680 bid. At 680 bid. 690 I'll take. | 0:42:25 | 0:42:30 | |
690. 700. | 0:42:30 | 0:42:32 | |
710. 720. | 0:42:32 | 0:42:34 | |
-I like him! -730. 740. | 0:42:34 | 0:42:37 | |
750. | 0:42:37 | 0:42:39 | |
760. 770. | 0:42:39 | 0:42:41 | |
No? | 0:42:41 | 0:42:44 | |
760 downstairs. | 0:42:44 | 0:42:46 | |
Back on my left at £760. | 0:42:46 | 0:42:47 | |
-All finished now at £760. -Brilliant! | 0:42:47 | 0:42:51 | |
Yes, £760. Brilliant. Good result. | 0:42:51 | 0:42:54 | |
-It's not being melted down at that! -No! Someone's keeping that. -Yeah. | 0:42:54 | 0:42:58 | |
-Happy? -Very happy. -What will you spend the money on? -We're going on holiday. | 0:42:58 | 0:43:02 | |
-Are you? Somewhere nice? -We're going to Corfu. | 0:43:02 | 0:43:04 | |
It was originally Amsterdam, but we changed our minds, so... | 0:43:04 | 0:43:07 | |
-A nice long week away. -Some spending money, that's it. | 0:43:07 | 0:43:10 | |
-Enjoy it. -We will. We will, absolutely. | 0:43:10 | 0:43:13 | |
Well, that's it. It's all over for our owners. | 0:43:13 | 0:43:15 | |
That concludes the end of another Flog It auction, | 0:43:15 | 0:43:18 | |
and what a wonderful day we've had here. | 0:43:18 | 0:43:20 | |
A few highs and a few lows, but that's what auctions are all about, | 0:43:20 | 0:43:24 | |
a rollercoaster ride of emotions. | 0:43:24 | 0:43:26 | |
I hope you've enjoyed the show. | 0:43:26 | 0:43:27 | |
Join us again soon for many more, but for now, it's cheerio. | 0:43:27 | 0:43:31 | |
Subtitles by Red Bee Media Ltd | 0:43:48 | 0:43:50 | |
E-mail [email protected] | 0:43:50 | 0:43:52 |