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Today's location demands a great deal of respect, | 0:00:07 | 0:00:10 | |
because we're at the magnificent ancestral home of William Cecil, | 0:00:10 | 0:00:15 | |
the Lord Treasurer to Queen Elizabeth I. | 0:00:15 | 0:00:18 | |
And judging by the size of that house, | 0:00:18 | 0:00:20 | |
he must have been pretty good at his job! | 0:00:20 | 0:00:23 | |
So hopefully, some of his financial knowledge will rub off on myself and our two experts today, | 0:00:23 | 0:00:28 | |
because all of these people here in this magnificent queue | 0:00:28 | 0:00:31 | |
want to go home with as much money as possible. | 0:00:31 | 0:00:34 | |
'Burghley House is Flog It's beautiful venue today, | 0:00:53 | 0:00:56 | |
'and we've got lots of smiley people ready to find out more about their antiques.' | 0:00:56 | 0:01:02 | |
Well, I can't resist talking to this lady, | 0:01:02 | 0:01:05 | |
because she's holding a tiny little dog! | 0:01:05 | 0:01:07 | |
You've got the best spot, haven't you? | 0:01:07 | 0:01:09 | |
Aw! Hello! Ooh! | 0:01:09 | 0:01:11 | |
'And to value those lovely valuables we have a team of experts.' | 0:01:11 | 0:01:15 | |
Oh, thank you, Philip! | 0:01:15 | 0:01:17 | |
Is it Earl Grey? There we are. | 0:01:17 | 0:01:19 | |
'It's not just tea he's good at. | 0:01:19 | 0:01:21 | |
'Philip Serrell is also a successful auctioneer and author.' | 0:01:21 | 0:01:25 | |
I can remember those, the Rolf Harris Stylophone. | 0:01:25 | 0:01:28 | |
What a heap of junk that was, wasn't it? | 0:01:28 | 0:01:30 | |
'And friend of Flog It and auctioneer at a saleroom in Norfolk | 0:01:30 | 0:01:33 | |
'Elizabeth Talbot is also a fan of furry creatures.' | 0:01:33 | 0:01:37 | |
Oh, my goodness! | 0:01:37 | 0:01:38 | |
-It's a Hermann bear, and he's signed by the maker. -Look at that! | 0:01:38 | 0:01:42 | |
'And now I think it's only right that we open the gates to explore our grand location for today.' | 0:01:42 | 0:01:47 | |
# I'm walking on sunshine Whoa | 0:01:47 | 0:01:52 | |
# I'm walking on sunshine Whoa | 0:01:52 | 0:01:56 | |
# And don't it feel good? # | 0:01:56 | 0:01:58 | |
'And coming up in the programme, I'm auditioning for a new career...' | 0:01:58 | 0:02:03 | |
Sign me up! Give me a recording deal! | 0:02:03 | 0:02:05 | |
'..Philip gets cheeky...' | 0:02:05 | 0:02:07 | |
-It's beautifully clean. You polish it all the time? -Don't be sarcastic. -Me? | 0:02:07 | 0:02:11 | |
'..I visit a striking landmark...' | 0:02:11 | 0:02:14 | |
This place, even though it's not windy today, has completely blown me away. | 0:02:14 | 0:02:18 | |
'..and Flog It gets the giggles.' | 0:02:18 | 0:02:20 | |
GIGGLING | 0:02:20 | 0:02:22 | |
Oh, very funny, yes! Everyone have a laugh. | 0:02:25 | 0:02:27 | |
Burghley House in Stamford, Lincolnshire, dates back to the 16th century, when William Cecil - | 0:02:33 | 0:02:38 | |
Lord Burghley, in fact - was part of the Queen's entourage. | 0:02:38 | 0:02:42 | |
The estate here is made up of over 9,000 acres of farm and woodland, | 0:02:43 | 0:02:47 | |
and it's its scenery that's attracted many film crews here in recent years, | 0:02:47 | 0:02:53 | |
shooting films like Elizabeth: The Golden Age and Pride and Prejudice. | 0:02:53 | 0:02:57 | |
So, do any of you think I can pass as a Mr Darcy today? | 0:02:57 | 0:03:00 | |
LAUGHTER | 0:03:00 | 0:03:02 | |
Forget the epics, because it's Flog It we're filming here, | 0:03:02 | 0:03:05 | |
and who knows what antiques and bits of history we can uncover today. | 0:03:05 | 0:03:10 | |
And there's no time to waste. | 0:03:10 | 0:03:12 | |
First up at the tables, Philip has found some gold worth talking about. | 0:03:12 | 0:03:16 | |
-How are you doing, Walter? All right? -I'm OK. | 0:03:16 | 0:03:20 | |
-A bit of gold here, isn't there? -Yeah, there is. | 0:03:20 | 0:03:22 | |
-What's the story behind these then, Walter? -They was my father's. | 0:03:22 | 0:03:26 | |
-I got them at the age of nine. -Nine? -Nine. And I wore them for | 0:03:26 | 0:03:30 | |
-about two or three years, and I grew out of them. -I should think you did! | 0:03:30 | 0:03:33 | |
And he was passed down them from his auntie or great-auntie. | 0:03:33 | 0:03:37 | |
-So these are family heirlooms. -Yes, they are. They're very old. | 0:03:37 | 0:03:41 | |
-These are 22 carat gold. -That's right. | 0:03:41 | 0:03:44 | |
OK, so if we just plonk that one on there, | 0:03:44 | 0:03:50 | |
-that's 15.5 or 6 grams. -That's correct. | 0:03:50 | 0:03:54 | |
And we plonk that one on there, and it comes to 43, 44 grams. | 0:03:54 | 0:04:00 | |
-That's correct. It's a lot, isn't it? -Gold is at such a price | 0:04:00 | 0:04:05 | |
that those two rings today are worth between £700 and £800. | 0:04:05 | 0:04:11 | |
-OK. -Which is just enormous, isn't it? -Yeah, it is. | 0:04:11 | 0:04:13 | |
We'll put £600 to £800 on them. | 0:04:13 | 0:04:15 | |
We'll put a fixed reserve of 600, but we'll ask the auctioneer | 0:04:15 | 0:04:19 | |
to keep in contact with you with regard to gold price on the day. | 0:04:19 | 0:04:22 | |
-Four years ago, they'd have probably been worth £200. -Right. | 0:04:22 | 0:04:26 | |
And I think, in a way, it's presenting you, Walter, bless you, | 0:04:26 | 0:04:30 | |
with a bit of a moral dilemma now, because you've got something that | 0:04:30 | 0:04:34 | |
you might not like, you might not wear, you might not want to hand down. | 0:04:34 | 0:04:38 | |
That's correct. | 0:04:38 | 0:04:40 | |
I saw you with a little baby earlier. It might be something | 0:04:40 | 0:04:43 | |
you could do, set up something for your child or do whatever with, | 0:04:43 | 0:04:46 | |
but do you have the wrath of your family come hurling down on you | 0:04:46 | 0:04:51 | |
in years to come because you sold Great-Auntie's rings? | 0:04:51 | 0:04:55 | |
And it's a real problem, this, because people all over create these heirlooms | 0:04:55 | 0:04:59 | |
to pass on to the next generation, and they always assume that | 0:04:59 | 0:05:02 | |
the next generation's going to want them and like them and they've got a place for them. | 0:05:02 | 0:05:07 | |
So are you going to sell these and have the money | 0:05:07 | 0:05:12 | |
and do something useful with it? Will have the wrath of your family | 0:05:12 | 0:05:15 | |
on you when you meet up with them in the great hereafter? | 0:05:15 | 0:05:18 | |
-No pressure! -I've got to run. | 0:05:18 | 0:05:20 | |
-What are you going to do, cash it and run? -Yeah. | 0:05:20 | 0:05:23 | |
Good man, you did the right thing. | 0:05:23 | 0:05:25 | |
Look out later for Walter's gold. | 0:05:26 | 0:05:28 | |
I've taken a moment to give some advice to John about his chair. | 0:05:35 | 0:05:39 | |
It's lacking life, it's lacking love and somebody has stripped this of its patina. | 0:05:39 | 0:05:47 | |
-Can you see that? -I cleaned it about four years ago with detergent. | 0:05:47 | 0:05:51 | |
-Did you? -Yes. | 0:05:51 | 0:05:53 | |
You did the wrong thing. | 0:05:53 | 0:05:54 | |
-Did I? -Yes. | 0:05:54 | 0:05:56 | |
You really can't do that to a piece of furniture because that's where the value is. | 0:05:56 | 0:06:01 | |
What should I do with it now? | 0:06:01 | 0:06:03 | |
Clean it up with soap and water? | 0:06:03 | 0:06:05 | |
No, no. Feed it with a beeswax. | 0:06:05 | 0:06:08 | |
Yeah. Give it some love and some polish. | 0:06:08 | 0:06:11 | |
-I'll take it away and feed it. -But please, bring more furniture in. | 0:06:11 | 0:06:14 | |
If you've got some at home, we would love to see you. | 0:06:14 | 0:06:17 | |
Bring them along to our next valuation day | 0:06:17 | 0:06:19 | |
so hopefully we're coming to an area very near you soon. | 0:06:19 | 0:06:22 | |
Just log on to bbc.co.uk/flogit | 0:06:22 | 0:06:26 | |
for lots more information about the show | 0:06:26 | 0:06:28 | |
and a list of towns we're coming to soon. | 0:06:28 | 0:06:31 | |
Elizabeth's ready at the tables with Jackie and her unwanted vase. | 0:06:35 | 0:06:39 | |
So, Jackie, how did you acquire your lovely vase? | 0:06:39 | 0:06:42 | |
It was a gift about 20 years ago from my ex mother-in-law | 0:06:42 | 0:06:46 | |
-and I understand that her mother gave it to her and her mother worked in the Doulton factory. -Oh, right! | 0:06:46 | 0:06:52 | |
I do like it but it's a relic of a former life. | 0:06:52 | 0:06:57 | |
It doesn't have the greatest associations with me | 0:06:57 | 0:07:00 | |
so I'm quite happy to give it away. | 0:07:00 | 0:07:01 | |
Wanting to relinquish it and move on. OK. | 0:07:01 | 0:07:04 | |
As a piece of Doulton, to a certain extent, it's fairly predictable. | 0:07:04 | 0:07:08 | |
Doulton were a very prolific factory producing some wonderful wares | 0:07:08 | 0:07:13 | |
and their stoneware, which they made predominantly pre-war, | 0:07:13 | 0:07:16 | |
late 19th and into the 20th century, but pre-war, is not uncommon | 0:07:16 | 0:07:20 | |
but what's interesting is they had such a vast array of sizes and shapes of objects | 0:07:20 | 0:07:26 | |
that the decorators then interpreted with different motifs and colours, | 0:07:26 | 0:07:31 | |
so you never really see two the same at any time. | 0:07:31 | 0:07:34 | |
What I like about this one is that it's a handsome good scale vase | 0:07:34 | 0:07:37 | |
but also the mouldings around the outside suit the shape. | 0:07:37 | 0:07:41 | |
-It really blends well. -Yeah, that's what I like about it. | 0:07:41 | 0:07:44 | |
Some of Doulton stoneware can be fairly muddy in colour combination. | 0:07:44 | 0:07:49 | |
They used to do much more in brown and sort of a grimmer colour | 0:07:49 | 0:07:52 | |
and I think this choice of mottled moss green with the blue and the brown | 0:07:52 | 0:07:56 | |
is quite vibrant and strangely enough, quite modern-looking. | 0:07:56 | 0:08:00 | |
You could sit it in a modern environment | 0:08:00 | 0:08:02 | |
and it wouldn't look out of place so it's done full-circle almost. | 0:08:02 | 0:08:06 | |
If you were to say, "Is Doulton collectible?" The answer is yes. | 0:08:06 | 0:08:10 | |
Within the different areas, there are some things that were more collectible at one time than others. | 0:08:10 | 0:08:15 | |
They do yo-yo, but in general terms, stoneware does seem to be creeping back again, | 0:08:15 | 0:08:19 | |
having been a bit low in the last couple of years. | 0:08:19 | 0:08:21 | |
I think a realistic pre-auction estimate would be £60 to £80. | 0:08:21 | 0:08:26 | |
That's fine. I want it to go. | 0:08:26 | 0:08:30 | |
Would you like a reserve on it? | 0:08:30 | 0:08:33 | |
No, I don't know that I will. | 0:08:33 | 0:08:36 | |
-I think just let it go. -That's fair enough. | 0:08:36 | 0:08:38 | |
Well it is a quality vase so I doubt Jackie will regret her leap of faith with no reserve. | 0:08:38 | 0:08:45 | |
Next up, it's Philip, who's moved from gold to silver with Yvonne's tea caddy. | 0:08:55 | 0:09:01 | |
You lovingly look after this, do you? | 0:09:01 | 0:09:03 | |
-Well, not very good. -It's beautifully clean. You polish it all the time? | 0:09:03 | 0:09:08 | |
-Don't be sarcastic. -Me? | 0:09:08 | 0:09:10 | |
Tell us the story behind cleaning it. | 0:09:10 | 0:09:12 | |
Well, I didn't do it until yesterday. | 0:09:12 | 0:09:14 | |
-It hadn't been done... -Since when? -Some years. | 0:09:14 | 0:09:17 | |
Some years! It's a really important member of the family! | 0:09:17 | 0:09:20 | |
-Yes, it just sits there and I ignore it. -Where's it from? | 0:09:20 | 0:09:25 | |
I had it given to me some years ago | 0:09:25 | 0:09:28 | |
-by a very dear friend but I believe it's Dutch. -Yeah. | 0:09:28 | 0:09:34 | |
These scenes around here are very European | 0:09:34 | 0:09:36 | |
and that shape is almost bombe, which is B-O-M-B-E and not B-O-M-B-A-Y. | 0:09:36 | 0:09:41 | |
-If you look here, we've got some Dutch silver marks just there. -Yes. | 0:09:41 | 0:09:46 | |
That was assayed in London in 1892. | 0:09:46 | 0:09:49 | |
Right. | 0:09:49 | 0:09:51 | |
-And it's a little tea caddy. -Yes. | 0:09:51 | 0:09:53 | |
It's beautiful. | 0:09:53 | 0:09:55 | |
What intrigues me is that this was given to you by a dear friend. | 0:09:55 | 0:09:58 | |
-Yes. -And you sort of... -I used to clean it. | 0:09:58 | 0:10:02 | |
No, Yvonne, I wasn't going to have a go at you about your cleaning! | 0:10:02 | 0:10:07 | |
Actually, this is a real vote for everyone at home. | 0:10:07 | 0:10:12 | |
This is the sole vote of confidence for everyone who doesn't polish. | 0:10:12 | 0:10:16 | |
Every time you polish something, it's like you wash your face, you take a layer of skin off. | 0:10:16 | 0:10:20 | |
When you're presented with this thing and it's... | 0:10:20 | 0:10:23 | |
so there in your face so do not do that. | 0:10:23 | 0:10:26 | |
I'd much, much rather see a piece of dirty silver. | 0:10:26 | 0:10:29 | |
This isn't dirty, it's just got that nice patina to it and it's got a warm feel to it. | 0:10:29 | 0:10:34 | |
I really like that. What's it worth do you think? | 0:10:34 | 0:10:38 | |
I've no idea. | 0:10:38 | 0:10:40 | |
I'd like it to be worth something but I've no idea. | 0:10:40 | 0:10:43 | |
I think it's a really pretty thing. | 0:10:43 | 0:10:45 | |
I think you could put a cautious estimate on it of £120 to £180. | 0:10:45 | 0:10:51 | |
-Oh, well! That's rather good. -And you could reserve it at £100. | 0:10:51 | 0:10:55 | |
Um...and... | 0:10:55 | 0:10:58 | |
I think it will do well and it wouldn't surprise me if it topped that. | 0:10:58 | 0:11:02 | |
I was just looking there, is that a... | 0:11:02 | 0:11:04 | |
Is that a young girl in a fairly risque pose on the top? | 0:11:04 | 0:11:08 | |
-Well, I've always thought it was a boy. -Are you sure? | 0:11:08 | 0:11:11 | |
-A mermaid perhaps. -Really? | 0:11:11 | 0:11:13 | |
-We'll let the viewers at home decide that one. -Yeah. | 0:11:14 | 0:11:17 | |
Well, viewers, who do you think that little figure is? | 0:11:17 | 0:11:21 | |
This is where it gets exciting because now we're going to put our valuations to the test. | 0:11:23 | 0:11:27 | |
We've found our first batch of items to take off to auction in Grantham. | 0:11:27 | 0:11:31 | |
It's not an exact science. | 0:11:31 | 0:11:33 | |
This is why we love auction rooms, because some things fly | 0:11:33 | 0:11:36 | |
above the top estimate and other things really do struggle. | 0:11:36 | 0:11:40 | |
Stay tuned and you should have one or two surprises | 0:11:40 | 0:11:42 | |
and hopefully, one of our owners is going to be very, very happy. | 0:11:42 | 0:11:46 | |
Golding Young sale rooms in Grantham | 0:11:47 | 0:11:50 | |
have the job of selling all three of our items. | 0:11:50 | 0:11:52 | |
You've got to pay attention in a sale room. | 0:11:52 | 0:11:54 | |
You've got to "C sharp" or you might "B flat" and go home with nothing. | 0:11:54 | 0:11:58 | |
Let's get on with playing the bass. | 0:11:58 | 0:12:00 | |
Jackie is letting her Royal Doulton vase go with no reserve. | 0:12:00 | 0:12:05 | |
Yvonne's Dutch tea caddy is topped with a mystery figure. | 0:12:05 | 0:12:09 | |
And auctioneer Colin Young has strong feelings on Walter's gold lot. | 0:12:09 | 0:12:15 | |
Everybody will be bidding to it within a fiver of its life. | 0:12:15 | 0:12:18 | |
But first up, it's Yvonne's tea caddy. | 0:12:18 | 0:12:22 | |
-I would be keeping this if I was you. -Really? | 0:12:22 | 0:12:25 | |
Yeah, it's got the look! Architecturally, it's just right. | 0:12:25 | 0:12:28 | |
Why are you selling this? | 0:12:28 | 0:12:29 | |
Well, it's just sitting there. | 0:12:29 | 0:12:31 | |
That's what tea caddies do - they sit there... | 0:12:31 | 0:12:34 | |
And it needs to be cleaned and, I don't know, I've had it an awful long time. | 0:12:34 | 0:12:39 | |
Oh, I like my tea caddies. Yeah, I do. Yes, I do. | 0:12:39 | 0:12:42 | |
I know Philip does. You see, they're proper lots, aren't they? | 0:12:42 | 0:12:44 | |
Yes, but Yvonne's got me nervous because we were talking before | 0:12:44 | 0:12:48 | |
we started filming and she was saying, "I don't know if it will sell." | 0:12:48 | 0:12:51 | |
-120? It's going to sell. -I would be mortified if this didn't sell. | 0:12:51 | 0:12:55 | |
-There are so many people out there that collect tea caddies. -Really? | 0:12:55 | 0:12:59 | |
-It's a good lot, this. -Lead tea caddies, wooden ones, china ones, | 0:12:59 | 0:13:02 | |
silver ones, papier-mache ones. | 0:13:02 | 0:13:05 | |
-Let's hope there's somebody here today. -It's got the look. | 0:13:05 | 0:13:08 | |
-You've got the look today as well! -Thank you. | 0:13:08 | 0:13:11 | |
19th century Dutch silver bombe | 0:13:14 | 0:13:16 | |
silver tea caddy, nice little caddy with nice decoration. | 0:13:16 | 0:13:20 | |
Good embossed decoration to it. Also import marks for 1892 | 0:13:20 | 0:13:25 | |
and sponsor's mark TG. A pretty little lot. | 0:13:25 | 0:13:28 | |
Ought to be a couple of hundred pounds of anybody's money. | 0:13:28 | 0:13:31 | |
Let's start at 100 and get on with it. £100. | 0:13:31 | 0:13:34 | |
110, 120, 130, 140? 140, 150, | 0:13:34 | 0:13:38 | |
160, 170, 180, 190. | 0:13:38 | 0:13:40 | |
At 190. 200, 210, 220, | 0:13:40 | 0:13:42 | |
240. 260 now. 240? 260. | 0:13:42 | 0:13:46 | |
280 now. 280, 300. | 0:13:48 | 0:13:50 | |
And 20. 320, 340, 360, 380. | 0:13:50 | 0:13:53 | |
Yvonne, they love it! | 0:13:53 | 0:13:55 | |
It's their cup of tea! | 0:13:55 | 0:13:57 | |
420. 440 now? 420, any more bids? | 0:13:57 | 0:14:00 | |
440? At 420, are we done? | 0:14:00 | 0:14:02 | |
We're in the fourth row and we're selling at £420. | 0:14:02 | 0:14:07 | |
-Yes! The collectors are here. £420! -That's brilliant. | 0:14:07 | 0:14:11 | |
-That's wonderful! -Pleased for you. -Very pleased with it. | 0:14:11 | 0:14:15 | |
That's a great result. | 0:14:15 | 0:14:17 | |
Now, Jackie's vase has stirred up strong opinion from our auctioneer. | 0:14:17 | 0:14:21 | |
-I think that's a bit of a gem. -It is, absolutely. | 0:14:21 | 0:14:24 | |
It certainly should sell at that sort of estimate. | 0:14:24 | 0:14:27 | |
Classical lines, good baluster and nice Anthenian pattern to it. | 0:14:27 | 0:14:31 | |
Everybody wants to collect the odd piece of Doulton. | 0:14:31 | 0:14:34 | |
Good, solid piece, you can get some heavy flowers in that without it toppling over. | 0:14:34 | 0:14:37 | |
And this is the auctioneers' favourite lot, as well, no reserve? | 0:14:37 | 0:14:41 | |
Absolutely, we like those, we do! | 0:14:41 | 0:14:43 | |
Guaranteed sale and in fairness, | 0:14:43 | 0:14:46 | |
the clients that come with that sort of attitude, | 0:14:46 | 0:14:49 | |
they're usually the clients that have a good result. | 0:14:49 | 0:14:52 | |
So the worst this could go for, with your discretion, would be 30 to 40? | 0:14:52 | 0:14:57 | |
At that sort of level, you'll find I'm the most indiscreet | 0:14:57 | 0:15:00 | |
-auctioneer in the world and it shouldn't go as little as that. -Good. | 0:15:00 | 0:15:04 | |
That's good news, but is there a surprise in store? | 0:15:04 | 0:15:07 | |
-It's about to go under the hammer which Colin, the auctioneer got very excited about. -Did he? | 0:15:07 | 0:15:12 | |
Yes, because he said this is my auctioneers favourite - no reserve. | 0:15:12 | 0:15:16 | |
-Oh, I see. -That's what we've got, no reserve | 0:15:16 | 0:15:18 | |
and it's easily going to do sort of £60 - £80. | 0:15:18 | 0:15:21 | |
Quite easily. It should be 80 - 120. | 0:15:21 | 0:15:24 | |
I love the look - classic balustrade shape. | 0:15:24 | 0:15:26 | |
Everything you want in a vase. And you've come along this morning... | 0:15:26 | 0:15:30 | |
-Except... -What have you done? -Put a reserve on. | 0:15:30 | 0:15:32 | |
Why did you have a change of mind right at the last minute. | 0:15:32 | 0:15:35 | |
-I don't know. I just thought... -Nerves! | 0:15:35 | 0:15:37 | |
That's what it is, be honest. | 0:15:37 | 0:15:39 | |
I've not been to an auction before and I thought, maybe it will go for much less than I think it is worth. | 0:15:39 | 0:15:45 | |
-But when I spoke to him he said, you don't need to worry. -No, Colin will look after you. | 0:15:45 | 0:15:49 | |
He would never sell it for less than £50. | 0:15:49 | 0:15:51 | |
He wouldn't, because he knows its true worth. | 0:15:51 | 0:15:54 | |
Royal Doulton stoneware baluster vase this time. | 0:15:56 | 0:15:59 | |
There we go, good traditional shape and size and scale. | 0:15:59 | 0:16:03 | |
Who's going to start me at 80? 80? 50 to go then? 50? | 0:16:03 | 0:16:06 | |
40? 30? | 0:16:06 | 0:16:09 | |
30 will go then. £30. | 0:16:10 | 0:16:12 | |
20 to go then, surely? It's here to be sold. | 0:16:12 | 0:16:15 | |
20 bid, two bid, five, 30 bid. 35 bid, 40. | 0:16:15 | 0:16:17 | |
45, 50, 50, 55, | 0:16:17 | 0:16:19 | |
60, 65, 70, 70 bid, 75. | 0:16:19 | 0:16:22 | |
Lots of competition, they love it. | 0:16:22 | 0:16:25 | |
£75 bid. At 80, last call. | 0:16:25 | 0:16:27 | |
I'll take 80 if it will help anyone. 75, lady's bid at 75. | 0:16:27 | 0:16:31 | |
80 anywhere else? 75. Last call then. Going at 75. | 0:16:31 | 0:16:34 | |
Great result. So, what are you going to do with the money? | 0:16:34 | 0:16:37 | |
I have some DIY I need to do. | 0:16:37 | 0:16:39 | |
-Oh dear. Lots of DIY! -Yes. | 0:16:39 | 0:16:41 | |
Well, that's a practical use for the money at least. | 0:16:41 | 0:16:45 | |
Gold is our final object and some quality pieces at that. | 0:16:45 | 0:16:49 | |
Auctioneer Colin has the low-down. | 0:16:49 | 0:16:51 | |
Two 22 carat gold rings. They belong to Walter. | 0:16:51 | 0:16:54 | |
It is a really lovely story. | 0:16:54 | 0:16:56 | |
He's had them since he was nine- years-old. They were his father's. | 0:16:56 | 0:16:59 | |
And he wore them till he grew out of them and got fed up with them. | 0:16:59 | 0:17:02 | |
-There's a lot of gold there at today's prices. -There's a heck of a lot of gold. | 0:17:02 | 0:17:06 | |
We're looking at a value of around £600 to £800. | 0:17:06 | 0:17:09 | |
Right. That is probably a good example of how prices fluctuate. | 0:17:09 | 0:17:13 | |
If that was the pricing on it for valuation day, | 0:17:13 | 0:17:17 | |
we're now a little bit nearer to the auction, | 0:17:17 | 0:17:19 | |
and going on latest prices, we put an estimate of 700 to 900. | 0:17:19 | 0:17:22 | |
That's incredible that it fluctuates that much. | 0:17:22 | 0:17:25 | |
Actually you have to monitor what's happening with those precious metal prices every day. | 0:17:25 | 0:17:30 | |
You more or less do. | 0:17:30 | 0:17:31 | |
Over the last week there's been a drop of £3 a gram | 0:17:31 | 0:17:35 | |
and now it's coming back again so the market price will be | 0:17:35 | 0:17:39 | |
exactly what it's worth to the shilling on the day. | 0:17:39 | 0:17:42 | |
-Yeah. And all the potential buyers will be monitoring that scrap value worth? -Absolutely. | 0:17:42 | 0:17:48 | |
Viewing on sale morning, they will be there with the scales, | 0:17:48 | 0:17:52 | |
with their calculators, looking at the price | 0:17:52 | 0:17:54 | |
and everybody will be bidding to it within a fiver of its life. | 0:17:54 | 0:17:58 | |
So with the prospect of a bidding frenzy, has Walter made the right choice to sell the rings? | 0:17:58 | 0:18:04 | |
Having made that decision that you want to get rid of them, I really want you to get top dollar for them. | 0:18:04 | 0:18:09 | |
It is a tough decision, wasn't it? | 0:18:09 | 0:18:11 | |
-Because you were nine-years-old when you first wore the rings. -Yes, I was. | 0:18:11 | 0:18:16 | |
They will go towards the wedding. | 0:18:16 | 0:18:17 | |
Are you getting married? Next summer. Congratulations. | 0:18:17 | 0:18:20 | |
What is the name of the bride? | 0:18:20 | 0:18:22 | |
-Gemma. -Gemma. Well, good luck. | 0:18:22 | 0:18:24 | |
-She'll be happy. -You need every single penny, weddings cost a lot of money. | 0:18:24 | 0:18:29 | |
-They do. -They haemorrhage money, don't they? | 0:18:29 | 0:18:31 | |
-You came to mine. -It was a good do. I thoroughly enjoyed it. | 0:18:31 | 0:18:34 | |
Two 22 carat gold buckle or keeper rings both London assayed. | 0:18:36 | 0:18:42 | |
One is 28.1 grams and the other 15.6 | 0:18:42 | 0:18:47 | |
so that all adds up to a good 700 to 900 of anybody's money. | 0:18:47 | 0:18:51 | |
Who's going to start me? Bottom estimate - 700 for them. | 0:18:51 | 0:18:54 | |
700? 600? Start me at 500 then, it's less than scrap. | 0:18:54 | 0:18:57 | |
500, thank you, sir. 500 bid. | 0:18:57 | 0:18:59 | |
At 500. 550. Now 550. | 0:18:59 | 0:19:01 | |
600? 600, 650. | 0:19:01 | 0:19:03 | |
650 do I see? 650 commission bid. | 0:19:03 | 0:19:07 | |
700 now. 750. At 750. | 0:19:07 | 0:19:09 | |
800. 800 bid, at 800. | 0:19:09 | 0:19:11 | |
850 now. 850. At 850. | 0:19:11 | 0:19:14 | |
That is incredible, isn't it? It is all scrap value. | 0:19:14 | 0:19:16 | |
No-one is buying it for the aesthetic look. | 0:19:16 | 0:19:19 | |
-It is sort of sad in a way. -Yeah. | 0:19:19 | 0:19:21 | |
At 850. 875 if the cut's going to make the difference. | 0:19:21 | 0:19:24 | |
At 875 now - no, 850 - we're in the room then and we're selling at £850. | 0:19:24 | 0:19:30 | |
Incredible. £850 worth of scrap value metal. | 0:19:30 | 0:19:34 | |
-That's going to go a long way towards costs. -Yes it is. | 0:19:34 | 0:19:37 | |
Enjoy the day. Biggest day of your life. | 0:19:37 | 0:19:40 | |
-It will be. Yeah. And Gemma's. -Unless you've been married before! | 0:19:40 | 0:19:43 | |
-What?! -I said biggest day of your life unless you've been married before. | 0:19:43 | 0:19:47 | |
You can't say that to Walter. | 0:19:47 | 0:19:49 | |
-Well, I didn't know, he might be... -You can't say that! -It might be second time round. | 0:19:49 | 0:19:53 | |
-It could been third! -It could be. -THEY CHUCKLE | 0:19:53 | 0:19:56 | |
This will be the first. | 0:19:56 | 0:19:58 | |
-Sorry? -This'll be the first. -And the last. -Yes. -Definitely. | 0:19:58 | 0:20:01 | |
So that's three positive results for our items. | 0:20:01 | 0:20:06 | |
Now from one lot of sales to another. | 0:20:06 | 0:20:09 | |
Heckington Windmill on the edge of the Lincolnshire Fens is a sight to behold. | 0:20:23 | 0:20:27 | |
With its magnificent eight sails and its striking black tower, | 0:20:27 | 0:20:31 | |
it's a landmark of early eco power. | 0:20:31 | 0:20:33 | |
The windmill was built by a millwright in 1830, originally with five sails | 0:20:37 | 0:20:41 | |
for its owner Michael Hare who tragically died when he was a young man. | 0:20:41 | 0:20:45 | |
It was inherited by his widow who passed it on to a new husband. | 0:20:45 | 0:20:48 | |
Some 60 years later a very strong storm blew off | 0:20:48 | 0:20:51 | |
all the sails and the mechanism, leaving the windmill derelict. | 0:20:51 | 0:20:56 | |
Its saviour was to be a local lad, | 0:20:56 | 0:20:57 | |
a Lincolnshire chap called John Pocklington. | 0:20:57 | 0:21:00 | |
Pocklington was a Miller himself and bought an eight sail windmill | 0:21:02 | 0:21:06 | |
from nearby Boston Docks for the princely sum of £72.10 shillings. | 0:21:06 | 0:21:11 | |
In his spare time and taking over a year, Pocklington moved the sails and the machinery to this site. | 0:21:14 | 0:21:20 | |
It's been in eight sail windmill ever since. | 0:21:20 | 0:21:24 | |
The brilliant thing about Heckington windmill is it's the only | 0:21:24 | 0:21:27 | |
working one of its kind in Western Europe, possibly in the world. | 0:21:27 | 0:21:31 | |
Windmills with eight sails are extremely rare because they're very expensive to build | 0:21:31 | 0:21:36 | |
and maintain compared to the ones with five sails. | 0:21:36 | 0:21:39 | |
Anyway, with five floors to explore, it's only right that I start at the top. | 0:21:39 | 0:21:44 | |
The tower of the windmill is 60ft high. | 0:21:52 | 0:21:54 | |
It is a 100ft if you include the full length of the sail. | 0:21:54 | 0:21:58 | |
Where I'm standing now is right in the cap. | 0:22:00 | 0:22:03 | |
This whole section actually revolves with the aid of a fan tail | 0:22:03 | 0:22:07 | |
which sticks out quite a few feet to catch the wind. | 0:22:07 | 0:22:11 | |
When it has found the right direction, then the wind | 0:22:12 | 0:22:15 | |
will put power into the sails, and as these sails turn, like this... | 0:22:15 | 0:22:19 | |
..they turn these massive great big cogs which articulate like that. | 0:22:21 | 0:22:26 | |
That in turn drives that thing there. That is your drive shaft. | 0:22:26 | 0:22:29 | |
That is the engine room, that is what you have got to harness all the power from. | 0:22:29 | 0:22:33 | |
Imagine getting this all up here, | 0:22:33 | 0:22:37 | |
it must have been a colossal task with block and tackle and cart horses really | 0:22:37 | 0:22:43 | |
because there were no cranes or scaffolding back then. 25 tons of it. | 0:22:43 | 0:22:47 | |
And by the early 1900s, milling for wheat in windmills | 0:22:47 | 0:22:52 | |
was virtually a redundant business. | 0:22:52 | 0:22:54 | |
So millers had to look for work elsewhere. | 0:22:54 | 0:22:57 | |
So, what did John Pocklington do when the demand for flour decreased? | 0:23:06 | 0:23:10 | |
Well, I can tell you, he was an entrepreneur, a very clever man. | 0:23:10 | 0:23:14 | |
He built a sawmill adjacent to the windmill, and that ran off the power from the wind. | 0:23:14 | 0:23:20 | |
He'd harnessed this driveshaft up with lots of drive belts, | 0:23:20 | 0:23:23 | |
which would in turn power the huge great big circular saw blades. | 0:23:23 | 0:23:27 | |
He was also a farmer, | 0:23:27 | 0:23:28 | |
so he installed a cattle feed mixer, which he used on his farm | 0:23:28 | 0:23:32 | |
and many other farms. | 0:23:32 | 0:23:33 | |
And if that wasn't enough, | 0:23:33 | 0:23:35 | |
out the back there he ran a coal merchant's business. | 0:23:35 | 0:23:38 | |
He transported coal down from Yorkshire and Nottingham | 0:23:38 | 0:23:40 | |
and then distributed it to all the local houses. | 0:23:40 | 0:23:44 | |
But more than anything, John just loved this wonderful structure, | 0:23:44 | 0:23:47 | |
an architectural delight which he just used to gaze at, | 0:23:47 | 0:23:50 | |
even from the garden, watching the wind spill through the sails. | 0:23:50 | 0:23:53 | |
He died in 1941, and now the county council own this wonderful windmill. | 0:23:53 | 0:23:58 | |
This is a Grade I listed building, but it's still in use. | 0:24:00 | 0:24:04 | |
Special care has been taken to restore and maintain it. | 0:24:04 | 0:24:07 | |
The tower is painted in black tar to keep out the moisture. | 0:24:07 | 0:24:11 | |
And on the sails, special permission was granted to use original style lead paint to repaint them. | 0:24:12 | 0:24:18 | |
Chain moving! | 0:24:21 | 0:24:23 | |
Geoff Wise and Jim Bailey are volunteers - in their own words, gentlemen millers - | 0:24:25 | 0:24:29 | |
who have learnt the process of milling the grain and turning it into flour. | 0:24:29 | 0:24:35 | |
As the mill is undergoing repairs, they have time to show me the ropes. | 0:24:37 | 0:24:42 | |
Hi, guys. Thanks for talking to me. | 0:24:42 | 0:24:44 | |
Firstly, I've got to ask you, Jim, we're on the stone floor, | 0:24:44 | 0:24:48 | |
so how does the grain get ground into flour? What's the process? | 0:24:48 | 0:24:52 | |
When the sails are turning, it drives this large spur wheel around. | 0:24:52 | 0:24:56 | |
That then connects to the drive coming down here, which turns the stones. | 0:24:56 | 0:25:00 | |
-Right. -That's what grinds the wheat into flower. | 0:25:00 | 0:25:03 | |
I don't understand why people wanted white bread. | 0:25:03 | 0:25:06 | |
You make both here, don't you, wholemeal and white? | 0:25:06 | 0:25:09 | |
Basically, wholemeal has just had all the goodness bashed out of it for white bread, hasn't it? | 0:25:09 | 0:25:14 | |
It is, but as a demonstration of wealth, | 0:25:14 | 0:25:17 | |
if you could afford to buy an expensive flour, you did. | 0:25:17 | 0:25:20 | |
A rich person would have white bread, white cakes on his table as a demonstration of wealth. | 0:25:20 | 0:25:25 | |
-Is that what it's all about? -Exactly. -I never knew that. | 0:25:25 | 0:25:28 | |
Everything that comes out of the stone is wholemeal. | 0:25:28 | 0:25:31 | |
For white flour, you've got to separate the bran. | 0:25:31 | 0:25:33 | |
That take special machinery, a special process, therefore it's more expensive. | 0:25:33 | 0:25:37 | |
Of course, it's more labour intense. How many times a day do you go up these stairs? | 0:25:37 | 0:25:41 | |
-Maybe 20 times in a day. -That's five flights. No wonder you're fit. | 0:25:41 | 0:25:45 | |
Then we have to show the visitors around as well. | 0:25:45 | 0:25:47 | |
With a smile on your face! | 0:25:47 | 0:25:50 | |
Wow, look at that. | 0:25:57 | 0:25:59 | |
And the fruits of the windmill's labour and its loyal millers can be experienced right here | 0:26:02 | 0:26:07 | |
in the tea gardens just outside the tea rooms there, because that was John Pocklington's old house. | 0:26:07 | 0:26:13 | |
The cakes that are produced in there are made from the flour | 0:26:13 | 0:26:16 | |
from his windmill, which is just a few metres away. | 0:26:16 | 0:26:19 | |
So, with virtually no food miles for the flour, | 0:26:19 | 0:26:22 | |
eco-friendly, renewable energy, and this windmill's wonderful history, | 0:26:22 | 0:26:27 | |
this place, even though it's not windy today, | 0:26:27 | 0:26:29 | |
has completely blown me away. | 0:26:29 | 0:26:31 | |
We have a lot more interesting things to discover here at Burghley House, | 0:26:46 | 0:26:50 | |
including a pair of Victorian knickers. | 0:26:50 | 0:26:53 | |
Very draughty. | 0:26:53 | 0:26:54 | |
But who's going to model them for you? | 0:26:54 | 0:26:56 | |
-Oh, you can, surely. -No, no, no, we need a beautiful young lady. | 0:26:56 | 0:27:01 | |
Coming up, | 0:27:03 | 0:27:04 | |
Philip might be redundant when looking at Tony and Janet's goblets... | 0:27:04 | 0:27:08 | |
I'm beginning to feel a bit superfluous to this table. | 0:27:08 | 0:27:12 | |
I'm gearing up for my musical debut at Burghley House. | 0:27:12 | 0:27:15 | |
Are you ready? | 0:27:15 | 0:27:16 | |
And two Elizabeths talk silver. | 0:27:18 | 0:27:20 | |
I really wanted to come to Flog It!, you see, so I had to sacrifice something. | 0:27:20 | 0:27:25 | |
We're certainly blessed with wonderful weather today. | 0:27:25 | 0:27:28 | |
The sun is shining and there's a smile on everybody's face. Let's hope those smiles get bigger. | 0:27:28 | 0:27:33 | |
So, it's over to Philip, who's proposing a toast | 0:27:33 | 0:27:36 | |
to Tony and Janet, who've brought in some floral goblets. | 0:27:36 | 0:27:39 | |
-Cheers. -Cheers! -So, where are they from? | 0:27:39 | 0:27:44 | |
-We think Bohemia. -Where's Bohemia? | 0:27:44 | 0:27:46 | |
-No idea. -It's gone, wherever it was. | 0:27:46 | 0:27:50 | |
-Is it around Czechoslovakia? -I would think so. | 0:27:50 | 0:27:53 | |
-That sort of neck of the woods. -It's that area, yes. | 0:27:53 | 0:27:55 | |
OK, so they're Bohemian. How old are they? | 0:27:55 | 0:27:59 | |
We would say late 1800s. | 0:27:59 | 0:28:02 | |
And what are they worth, then? | 0:28:02 | 0:28:04 | |
We think, or we DID think, 100, 150. | 0:28:04 | 0:28:10 | |
I think you may have other ideas. | 0:28:10 | 0:28:12 | |
Well, I'm beginning to feel a bit superfluous to this table, really! | 0:28:12 | 0:28:16 | |
You've got it all right so far. | 0:28:16 | 0:28:18 | |
I think they're interesting things, actually. | 0:28:18 | 0:28:21 | |
-They're pretty, aren't they? -They're pretty. | 0:28:21 | 0:28:23 | |
As with most things, glassware and porcelain in particular, condition's everything. | 0:28:23 | 0:28:28 | |
You've got a bit of a dink to the foot here. Only minor, but they're not perfect. | 0:28:28 | 0:28:33 | |
-No. -They're carved overlay. | 0:28:33 | 0:28:34 | |
Oh, is that how they're made? | 0:28:34 | 0:28:36 | |
So you have this glass here, this milky glass, it's almost applied like an icing, | 0:28:36 | 0:28:42 | |
and then it's scraped off, which gives you these panels, here and here, | 0:28:42 | 0:28:47 | |
and this faceted column here. | 0:28:47 | 0:28:49 | |
It's then decorated, sometimes they're hand painted, | 0:28:49 | 0:28:53 | |
sometimes they're printed, sometimes they're printed and then hand painted on. | 0:28:53 | 0:28:57 | |
It looks like there's a bit of both in this, | 0:28:57 | 0:28:59 | |
a certain amount of print and a certain amount of hand paint. | 0:28:59 | 0:29:02 | |
-Occasionally some of these would have had covers. -Right. | 0:29:02 | 0:29:05 | |
-Never seen covers with these. -We weren't aware of that. | 0:29:05 | 0:29:08 | |
Did you buy them, or did you...? | 0:29:08 | 0:29:10 | |
No, they're inherited from Tony's auntie. | 0:29:10 | 0:29:13 | |
Yes, they've been in a cabinet, just standing there unused. | 0:29:13 | 0:29:17 | |
You are part of this nation of declutterers. | 0:29:17 | 0:29:20 | |
-We are, yes. -We have just downsized, you see, from a large house to a smaller house. | 0:29:20 | 0:29:24 | |
-And it's all got to go? -Yes. | 0:29:24 | 0:29:26 | |
-The children haven't any interest in them. -That's right. | 0:29:26 | 0:29:29 | |
-Right, so you've told me they're 1860-1880, you've told me they're Bavarian, or Bohemian. -Bohemian. | 0:29:29 | 0:29:35 | |
You've told me everything, really. | 0:29:35 | 0:29:37 | |
You have told me they're worth £100-£150. I ought to disagree with you | 0:29:37 | 0:29:41 | |
-as a matter of principle on something, shouldn't I? -You should. -I think you should. | 0:29:41 | 0:29:45 | |
I can't! | 0:29:45 | 0:29:47 | |
-Good. -I'm going to put them in at an auction estimate of £80-£120, the auctioneer's friend, | 0:29:47 | 0:29:52 | |
and if you have a good result, I think that you might find them doing your 150, | 0:29:52 | 0:29:59 | |
and then I shall feel completely inadequate and totally useless. | 0:29:59 | 0:30:03 | |
-I wouldn't like that. -If they reach that or more we'll take you for a drink. | 0:30:03 | 0:30:07 | |
I'm going to hold you to that. | 0:30:07 | 0:30:09 | |
But that's all in a day's work for an expert like Philip. | 0:30:11 | 0:30:14 | |
Now I've picked out something that I like, Mike and Cath's novelty item. | 0:30:15 | 0:30:19 | |
This is an iconic musical instrument from the late 1960s. | 0:30:19 | 0:30:23 | |
It is a Stylophone, played by, as you can see, Rolf Harris. | 0:30:23 | 0:30:27 | |
Wonderful piece of kit. It actually did get used on quite a few albums. | 0:30:27 | 0:30:33 | |
These were really popular. | 0:30:33 | 0:30:34 | |
It was invented by a guy called Brian Jarvis. | 0:30:34 | 0:30:36 | |
It works on a point of contact, here, with this stylus. | 0:30:36 | 0:30:40 | |
Stylophone PLAYS NOTES | 0:30:40 | 0:30:42 | |
Tap it on to the metal keys, it actually closes a vibrating, oscillating circuit. | 0:30:42 | 0:30:48 | |
Dong dong. Simple as that. | 0:30:48 | 0:30:51 | |
They came in three sets - standard, bass and treble, | 0:30:51 | 0:30:55 | |
and David Bowie actually used one of these - | 0:30:55 | 0:30:57 | |
this is how good they are, you can use them in the studio - | 0:30:57 | 0:31:00 | |
in his recording, Space Oddity. | 0:31:00 | 0:31:02 | |
-Also a band called Kraftwerk... -I remember them. -..Had a single out, | 0:31:02 | 0:31:06 | |
-a hit single called Pocket Calculator, with one of these. -Ah. | 0:31:06 | 0:31:10 | |
-Wow. -So, are you ready? | 0:31:10 | 0:31:12 | |
This is how it works. One, two, three, four, here we go. | 0:31:14 | 0:31:18 | |
HE PLAYS 'SILENT NIGHT' MELODY | 0:31:18 | 0:31:24 | |
Ha! Just! | 0:31:32 | 0:31:34 | |
You could just about tell it. | 0:31:34 | 0:31:35 | |
Sign me up, give me a recording deal. I think they're brilliant fun. | 0:31:35 | 0:31:39 | |
Do you want to put in the sale then with a value of £30-£40? | 0:31:39 | 0:31:42 | |
Yes, I think so, please, yes. | 0:31:42 | 0:31:44 | |
Do you want to reserve it on £25? | 0:31:44 | 0:31:46 | |
-Yeah, probably, yeah. -OK, yeah. | 0:31:46 | 0:31:48 | |
Protect it, because it is worth that, because you've got the complete package. | 0:31:48 | 0:31:52 | |
-Yeah, that's fine. -It belongs in a design museum. | 0:31:52 | 0:31:55 | |
If they haven't got one, there's one for sale right now. | 0:31:55 | 0:31:58 | |
We'll see if there are any alternative musicians in Grantham | 0:32:02 | 0:32:05 | |
looking for a Stylophone later. | 0:32:05 | 0:32:08 | |
Elizabeth Talbut's up next, with my friend Elizabeth, | 0:32:09 | 0:32:12 | |
who not only brought in antique bloomers, but also some beautiful silver. | 0:32:12 | 0:32:17 | |
Shining in the sunshine, Elizabeth, is this lovely silver that you've brought. | 0:32:17 | 0:32:21 | |
Thank you. Yes, it is very pretty. | 0:32:21 | 0:32:23 | |
It is very, very pretty. Have you inherited it? | 0:32:23 | 0:32:25 | |
No, it was a present to me some time ago, but I'm living with my daughter | 0:32:25 | 0:32:31 | |
having come from Ireland, and I don't have room for a lot of things, | 0:32:31 | 0:32:34 | |
-it all gets cluttered. -So you are downsizing, making life simpler? | 0:32:34 | 0:32:38 | |
Well, a little bit, but I really wanted to come to Flog It!, you see, | 0:32:38 | 0:32:43 | |
so I had to sacrifice something. | 0:32:43 | 0:32:44 | |
There you go, two things achieved in one day. | 0:32:44 | 0:32:47 | |
They are both pieces of silver assayed in London. | 0:32:47 | 0:32:51 | |
But this one here is slightly earlier. This was assayed in 1893, | 0:32:51 | 0:32:56 | |
and this one was assayed in 1904, | 0:32:56 | 0:32:58 | |
and stylistically that is absolutely spot-on. | 0:32:58 | 0:33:01 | |
They have a Georgian influence, | 0:33:01 | 0:33:04 | |
an 18th-century influence of decoration, with a repousse melon fluting, | 0:33:04 | 0:33:08 | |
the writhing fluting to the bodies, and then the lovely hatching and cross banding, | 0:33:08 | 0:33:13 | |
then they're stamped with wonderful little roundels, almost fleur-de-lis. | 0:33:13 | 0:33:17 | |
So a lot of charm and character in each piece. | 0:33:17 | 0:33:19 | |
-That's good. -Yes, I think so. | 0:33:19 | 0:33:22 | |
So you don't take your morning tea or afternoon tea with milk and sugar from these? | 0:33:22 | 0:33:27 | |
No. You're dead right. | 0:33:27 | 0:33:30 | |
I just look at them. | 0:33:32 | 0:33:34 | |
Precious metals at the moment are selling very well. People are looking for silver | 0:33:34 | 0:33:38 | |
in a way that they haven't for the past few years. | 0:33:38 | 0:33:41 | |
They aren't extraordinary in terms of pieces of silver but they're small and pretty | 0:33:41 | 0:33:45 | |
with lots of craftsmanship in a small space. That helps. | 0:33:45 | 0:33:48 | |
Although there's not a huge amount of weight, if you look at an estimate of £50-£80. | 0:33:48 | 0:33:53 | |
A nice wide estimate like that. | 0:33:53 | 0:33:55 | |
Could you not make it 60? | 0:33:55 | 0:33:56 | |
Any advance on 60? | 0:33:56 | 0:33:58 | |
No, you are all right. £60. | 0:34:01 | 0:34:02 | |
-I would like to say that, thank you. -We will put £60 to £80, £60 reserve. | 0:34:02 | 0:34:07 | |
Would you like that firm or discretionary? | 0:34:07 | 0:34:09 | |
-Can the auctioneer have a bit of discretion on that? -A teeny bit of discretion. | 0:34:09 | 0:34:14 | |
I'll make a note - teeny bit of discretion. £60 to £80, £60 discretionary. | 0:34:14 | 0:34:18 | |
We'll do that for you. Done and dusted. We'll see what we can do. | 0:34:18 | 0:34:22 | |
You'll have another day out at the auction now. | 0:34:22 | 0:34:24 | |
Well, come back soon then. | 0:34:24 | 0:34:26 | |
And now it's time to say a fond farewell to Burghley House, | 0:34:28 | 0:34:32 | |
and see how our items do when they go off to auction in Grantham. | 0:34:32 | 0:34:36 | |
I've got my favourites and you've probably got yours. | 0:34:36 | 0:34:38 | |
Right now, I'm going to catch up with our owners | 0:34:38 | 0:34:41 | |
because they're feeling nervous. | 0:34:41 | 0:34:43 | |
We'll leave you with a run-down of the items going under the hammer. | 0:34:43 | 0:34:46 | |
We have Tony and Janet's pretty perfect goblets. | 0:34:48 | 0:34:53 | |
Mike and Cath's Stylophone | 0:34:53 | 0:34:55 | |
will make an unusual addition in the auction catalogue. | 0:34:55 | 0:34:58 | |
And Elizabeth's stylish silverware. | 0:34:58 | 0:35:01 | |
First, it's the Bohemian goblets which have sparked discussion between auctioneer Colin and myself. | 0:35:01 | 0:35:08 | |
-Colin, I laughed when I first saw these. -Don't you like them? | 0:35:08 | 0:35:11 | |
I didn't to start with | 0:35:11 | 0:35:12 | |
but the more you look at them they actually do grow on you. | 0:35:12 | 0:35:15 | |
I don't know if I'd give them house space but I appreciate | 0:35:15 | 0:35:18 | |
that it's hand-painted and classic Victoriana. | 0:35:18 | 0:35:21 | |
It's the white that puts me off. There's something about it. | 0:35:21 | 0:35:25 | |
Tony and Janet want to sell them. We've got a classic £80 to £120, which is good value. | 0:35:25 | 0:35:29 | |
It is, absolutely. | 0:35:29 | 0:35:31 | |
Very good estimate on it. | 0:35:31 | 0:35:33 | |
Would you take those home? Would you put your lemon sorbet in those? | 0:35:33 | 0:35:36 | |
I don't think I would. They are certainly not my taste. | 0:35:36 | 0:35:40 | |
Not from a collecting point of view but from an auctioneer's point of view, they are fabulous. | 0:35:40 | 0:35:45 | |
-It's a good lot. -Absolutely. -The condition is cracking, very good. | 0:35:45 | 0:35:49 | |
It is, and that's all important on these pieces. | 0:35:49 | 0:35:51 | |
There are not many buyers for them but there are sufficient | 0:35:51 | 0:35:54 | |
that there will be enough competition for them to make their market price. | 0:35:54 | 0:35:59 | |
They are genuine little bits of good works of art in their own right. | 0:35:59 | 0:36:03 | |
-And you've sold these before? -Plenty of them. | 0:36:03 | 0:36:06 | |
Let's hope Colin is right, as they are going under the hammer right now. | 0:36:06 | 0:36:10 | |
-It's time to say goodbye. -It is. -They've been in a cupboard. -They have. | 0:36:10 | 0:36:14 | |
Were they in the cupboard because they were a little bit too loud looking, and white? | 0:36:14 | 0:36:19 | |
They don't suit the house. We've downsized and there just wasn't a home for them any more. | 0:36:19 | 0:36:24 | |
I've got to admit when I first saw them, I laughed. | 0:36:24 | 0:36:27 | |
-They are not your taste. -They are not, but when you look at the work involved | 0:36:27 | 0:36:31 | |
and you see they are all hand-painted... | 0:36:31 | 0:36:33 | |
Yes, they are quite old. | 0:36:33 | 0:36:35 | |
And it's typical high Victoriana. | 0:36:35 | 0:36:37 | |
-It is. -I think they're just a good old-fashioned lot, aren't they? | 0:36:37 | 0:36:41 | |
They are an acquired taste. Good luck. | 0:36:41 | 0:36:44 | |
It's a bit of a roller-coaster ride but I think we are pretty safe. | 0:36:44 | 0:36:49 | |
-Yes. -Fingers crossed. | 0:36:49 | 0:36:50 | |
-This is more the roundabout than the roller-coaster. -They'll sell. | 0:36:50 | 0:36:54 | |
-I prefer roundabouts! -Here we go. | 0:36:54 | 0:36:56 | |
Lot number two are showing there 105, a pair of late 19th-century | 0:36:58 | 0:37:02 | |
Bohemian glass goblets this time, | 0:37:02 | 0:37:05 | |
encased in white and slice cut, hand painted decoration as well. | 0:37:05 | 0:37:09 | |
A fabulous pair of goblets. | 0:37:09 | 0:37:11 | |
Who is going to start me at bottom estimate, £80? | 0:37:11 | 0:37:15 | |
80. | 0:37:15 | 0:37:16 | |
50? | 0:37:16 | 0:37:18 | |
30 bid. 35. 40. 45. | 0:37:20 | 0:37:24 | |
50. 60. 70. 80. | 0:37:24 | 0:37:26 | |
90. 100. 110. | 0:37:26 | 0:37:30 | |
120. 130. 140. | 0:37:30 | 0:37:34 | |
130 at the back of the room. 130 bid. | 0:37:34 | 0:37:37 | |
140. 150. 160 now. | 0:37:37 | 0:37:39 | |
160 bid. | 0:37:42 | 0:37:44 | |
170. Multiple bidders. | 0:37:44 | 0:37:46 | |
180. 190 we are up to now. 190 bid. | 0:37:46 | 0:37:48 | |
Any more now in the room? At 190. | 0:37:48 | 0:37:50 | |
Net bidders have it then. | 0:37:50 | 0:37:52 | |
At 190. Are we finished? | 0:37:52 | 0:37:54 | |
We are selling on the market at £190. | 0:37:54 | 0:37:57 | |
Great result. | 0:37:57 | 0:37:59 | |
That's good, isn't it? | 0:37:59 | 0:38:01 | |
-Lots of competition there. -Yes. -Obviously going to a collector. | 0:38:01 | 0:38:05 | |
-From memory, wasn't there a little nibble? -Yes. On the bottom, on the base. | 0:38:05 | 0:38:08 | |
I'm really pleased with that. | 0:38:08 | 0:38:10 | |
Good, thank you. | 0:38:10 | 0:38:12 | |
Are you going to reinvest in antiques? | 0:38:12 | 0:38:14 | |
No. We are on the other side now. | 0:38:14 | 0:38:17 | |
We've decided what we will do with them. We are going to Italy in September. | 0:38:17 | 0:38:21 | |
-We've got that booked. -We'll have a couple of gondola rides. | 0:38:21 | 0:38:24 | |
You can have just one... No, we can't say one Cornetto, can we? | 0:38:24 | 0:38:27 | |
I almost said that. | 0:38:27 | 0:38:29 | |
One ice-cream. | 0:38:29 | 0:38:31 | |
You can have a 99! | 0:38:33 | 0:38:34 | |
I wondered what you were going to say there, Paul. | 0:38:34 | 0:38:38 | |
That great result for the goblets will buy Tony and Janet a lot of ice creams on holiday. | 0:38:38 | 0:38:43 | |
Next up, my Stylophone find. | 0:38:43 | 0:38:46 | |
Right, it's my turn to be the expert. | 0:38:47 | 0:38:49 | |
Unfortunately I couldn't get Rolf Harris or David Bowie to come along, but I have got Mike and Cath. | 0:38:49 | 0:38:54 | |
Guess what I'm talking about? You've got it, that Stylophone, dee, dee, dee. | 0:38:54 | 0:38:58 | |
Which we got a tune out of, didn't we? | 0:38:58 | 0:39:00 | |
-Silent night, wasn't it? -I was quite impressed with that. -So was I. | 0:39:00 | 0:39:04 | |
It was nearly right, wasn't it? | 0:39:04 | 0:39:06 | |
I could tell what it was. | 0:39:06 | 0:39:08 | |
Mind you, I had an excuse lined up. | 0:39:08 | 0:39:10 | |
The batteries were going! But they were all right. | 0:39:10 | 0:39:12 | |
This is a bit of fun, hopefully we will get around £20 to £25. | 0:39:12 | 0:39:16 | |
-Fingers crossed. -Yep. | 0:39:16 | 0:39:18 | |
I'm feeling a bit nervous, but... | 0:39:18 | 0:39:21 | |
-We enjoyed the day, didn't we? -It was fun. | 0:39:21 | 0:39:24 | |
135 is an original Rolf Harris Stylophone. | 0:39:28 | 0:39:33 | |
Comes with its original box and complete with booklet, | 0:39:33 | 0:39:36 | |
just in case you don't know how to use it. | 0:39:36 | 0:39:38 | |
I wonder what the bidders are thinking down there? | 0:39:41 | 0:39:44 | |
What's this doing here? | 0:39:44 | 0:39:46 | |
30. 20. | 0:39:46 | 0:39:49 | |
You know you can all remember it. | 0:39:49 | 0:39:51 | |
20. £10 to go. | 0:39:51 | 0:39:54 | |
£10 bid. 10. 12. At 10 bid. 12. | 0:39:54 | 0:39:58 | |
12. Anybody else going to join the sweet music? 12 bid. 15 bid. | 0:39:58 | 0:40:02 | |
No, one was enough for him. | 0:40:02 | 0:40:04 | |
12 bid. 15 bid. | 0:40:04 | 0:40:06 | |
Oh, dear. We got 15, there's someone in the room now. | 0:40:06 | 0:40:10 | |
18 bid. 20 bid. 22 now. | 0:40:10 | 0:40:13 | |
At £20 bid. At 22. | 0:40:13 | 0:40:16 | |
25. 25. | 0:40:16 | 0:40:19 | |
At 25. This is no money for this. | 0:40:19 | 0:40:21 | |
At 25. Any more bidders? | 0:40:21 | 0:40:22 | |
Is it dead yet? No, at 25... | 0:40:22 | 0:40:26 | |
Wrong Rolf Harris show. Going at £25. Thank you very much. | 0:40:26 | 0:40:31 | |
We said 25. | 0:40:31 | 0:40:32 | |
-It just reached its reserve. -It reached its reserve. -That's good. | 0:40:32 | 0:40:36 | |
Oh, well. It could have done a bit better, but there you go. | 0:40:36 | 0:40:40 | |
Never mind. At least it went. | 0:40:40 | 0:40:42 | |
It's better than the skip. | 0:40:42 | 0:40:44 | |
Yes, you're right, £25 is better than throwing it in a skip. | 0:40:46 | 0:40:50 | |
And finally we have Elizabeth and her daughter, Vanessa, who have come along for the sale of the silver. | 0:40:52 | 0:40:59 | |
We could be selling your inheritance really. | 0:40:59 | 0:41:01 | |
What do you think about this? Mum, what are you selling? | 0:41:01 | 0:41:04 | |
Yes, but it's going to immortalise us. | 0:41:04 | 0:41:07 | |
Isn't it? I hadn't thought about that. | 0:41:07 | 0:41:11 | |
-That's why I'm selling the silver. -Let's hope we get the top end of the estimate. -I'd hope so. | 0:41:11 | 0:41:15 | |
-I would hope so for that, yes. -I think you were a little doubtful. | 0:41:15 | 0:41:19 | |
I'd said I wanted a reserve. | 0:41:19 | 0:41:21 | |
-I was teasing you, I was teasing you! -Oh, go on! | 0:41:21 | 0:41:25 | |
That's all right then. | 0:41:25 | 0:41:27 | |
It's a good time to sell silver, the market is really high. | 0:41:27 | 0:41:30 | |
It's ripe for it. Yes. | 0:41:30 | 0:41:32 | |
-My little spree. -A spending spree afterwards? | 0:41:32 | 0:41:35 | |
A teeny weeny one, anyway. | 0:41:35 | 0:41:37 | |
The Victorian silver cream jug and two handled sugar bowl to go with it. | 0:41:38 | 0:41:43 | |
A good little pairing this, very nice decoration, moulded and etched. | 0:41:43 | 0:41:47 | |
Who's going to start me at £50? | 0:41:47 | 0:41:49 | |
50? 30. £30 anyone? | 0:41:49 | 0:41:52 | |
30. 20 to go. Here to be sold. 20 bid. | 0:41:52 | 0:41:55 | |
22, 25, 30 on the net. 35. | 0:41:55 | 0:41:56 | |
It's gone down low, hasn't it? | 0:41:56 | 0:41:58 | |
40 bid, 45. | 0:41:58 | 0:41:59 | |
50 now. 50 bid. 55. 60. | 0:41:59 | 0:42:04 | |
60 if you like. 60 there, five anywhere else now? | 0:42:04 | 0:42:07 | |
At £60. More bids over by the jewellery cabinet. 60, I'm asking. | 0:42:07 | 0:42:10 | |
65, anyone? Coming in again on the net. 65. | 0:42:10 | 0:42:13 | |
-70 now. -Goodness. -70, 75 now. | 0:42:13 | 0:42:18 | |
75, surely? At 70 it's back in the room. | 0:42:18 | 0:42:20 | |
At £70 bid. Anybody else going to join in? | 0:42:20 | 0:42:22 | |
-75 on the net. 80 over there. No? -Fantastic! | 0:42:22 | 0:42:24 | |
75. 78 if it's going to help you out. | 0:42:24 | 0:42:26 | |
78 bid? Nope. | 0:42:26 | 0:42:28 | |
At 75 the net bidder has it, last call at £75. | 0:42:28 | 0:42:32 | |
-Yes! -Fantastic. -Well done. | 0:42:32 | 0:42:34 | |
Good valuation. Spot on. | 0:42:34 | 0:42:36 | |
I couldn't hear a word. | 0:42:36 | 0:42:37 | |
What did it sell for? | 0:42:37 | 0:42:38 | |
-£75. The battery has gone on the hearing-aid. -Yes! | 0:42:38 | 0:42:43 | |
Oh, very funny, yes. Everyone have a laugh. | 0:42:43 | 0:42:47 | |
-That's brilliant. So exciting, wasn't it? -It was. | 0:42:47 | 0:42:51 | |
That's brilliant that they sold. You were doubtful about that. | 0:42:51 | 0:42:54 | |
-I wasn't doubtful, I was teasing you. -You weren't, I don't believe a word of it! | 0:42:54 | 0:42:58 | |
-She's a character, isn't she? -She is a character. | 0:42:58 | 0:43:01 | |
Well, that's it. It's all over for our owners. | 0:43:01 | 0:43:04 | |
As you can see, the auction is still going on, | 0:43:04 | 0:43:07 | |
but don't you just love days like that when everything goes well? | 0:43:07 | 0:43:10 | |
I've thoroughly enjoyed myself here today. | 0:43:10 | 0:43:12 | |
All our owners have gone home happy, all credit to our experts. | 0:43:12 | 0:43:16 | |
If you've got any antiques you want to sell, we want to see you. | 0:43:16 | 0:43:19 | |
But for now, from Grantham, it's bye-bye. | 0:43:19 | 0:43:22 | |
Subtitles by Red Bee Media | 0:43:24 | 0:43:28 | |
Email: [email protected] | 0:43:28 | 0:43:31 |