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Hello, and welcome to For What It's Worth, | 0:00:14 | 0:00:16 | |
the show that brings a new definition to Q&A - | 0:00:16 | 0:00:20 | |
quiz and antiques. | 0:00:20 | 0:00:23 | |
Three pairs of contestants are ready to play, | 0:00:23 | 0:00:25 | |
and in each team there's a quizzer, | 0:00:25 | 0:00:26 | |
responsible for answering general knowledge questions, | 0:00:26 | 0:00:29 | |
so that their partner, the picker, | 0:00:29 | 0:00:31 | |
can choose an antique item to add to their collection. | 0:00:31 | 0:00:34 | |
The aim of the game is to amass the most valuable collection. | 0:00:34 | 0:00:38 | |
First up, we have Caroline and Peter, | 0:00:38 | 0:00:41 | |
a married couple from Leicestershire. | 0:00:41 | 0:00:43 | |
-Welcome to the show, both of you. -Hello. -Thank you. | 0:00:43 | 0:00:45 | |
Caroline is the team's picker. | 0:00:45 | 0:00:46 | |
What sort of collections do you indulge in? | 0:00:46 | 0:00:49 | |
Anything 1930s, 1940s - hats and handbags. | 0:00:49 | 0:00:52 | |
-This is how we dress a lot of the time. -Fantastic. | 0:00:52 | 0:00:56 | |
Well, Peter, you're trying to get all the questions right for the team. | 0:00:56 | 0:00:59 | |
-Yes. -Who is the boss in your relationship? | 0:00:59 | 0:01:02 | |
-Erm, I think it's an equal partnership. -You THINK so? | 0:01:02 | 0:01:06 | |
-A good team. -We make a good team, yeah. | 0:01:06 | 0:01:08 | |
I'm sure you are. Thank you both very much indeed. | 0:01:08 | 0:01:10 | |
Next we have Kim and Noel, who are from Birmingham, | 0:01:10 | 0:01:13 | |
who are very good friends. | 0:01:13 | 0:01:15 | |
Hello to you both. Now, Kim, you are the picker on your team today. | 0:01:15 | 0:01:19 | |
Have you ever picked up a bargain? | 0:01:19 | 0:01:22 | |
I have, yes, Fern. | 0:01:22 | 0:01:23 | |
Once I bought a beautiful black and red vase | 0:01:23 | 0:01:26 | |
from a car-boot sale for £35 | 0:01:26 | 0:01:29 | |
only to realise afterwards | 0:01:29 | 0:01:31 | |
it was a Noritake Japanese vase worth £500. | 0:01:31 | 0:01:35 | |
Mmm, fantastic! | 0:01:35 | 0:01:36 | |
And sitting next to you is your friend Noel. | 0:01:36 | 0:01:38 | |
Noel, you are the team's quizzer. | 0:01:38 | 0:01:40 | |
Do you share Kim's interest in antiques and collectibles? | 0:01:40 | 0:01:43 | |
I do collect a lot of things, but it's mainly to do with music. | 0:01:43 | 0:01:46 | |
I'll often buy an old musical instrument that's worn out | 0:01:46 | 0:01:49 | |
and I'll have to do it up | 0:01:49 | 0:01:50 | |
and get it back into condition so I can play it again. | 0:01:50 | 0:01:53 | |
Wow. What instruments do you play? | 0:01:53 | 0:01:55 | |
I play mainly stringed instruments, | 0:01:55 | 0:01:57 | |
so mainly the guitar but also the violin. | 0:01:57 | 0:01:59 | |
-I've just started to learn the piano. -Wow. | 0:01:59 | 0:02:02 | |
Noel and Kim, thank you both very much indeed. | 0:02:02 | 0:02:05 | |
And finally, we have Nicole and Josie, | 0:02:05 | 0:02:08 | |
who are from Cheshire and are great friends. | 0:02:08 | 0:02:11 | |
A warm welcome to you, ladies. | 0:02:11 | 0:02:13 | |
Nicole, you are the picker in your team today. | 0:02:13 | 0:02:16 | |
Do you think Josie has confidence in you spotting the top lots? | 0:02:16 | 0:02:20 | |
Not in the slightest, no. | 0:02:20 | 0:02:23 | |
Don't be so silly, woman! | 0:02:24 | 0:02:26 | |
I have greatest confidence in her. | 0:02:29 | 0:02:30 | |
It's her that doesn't have the confidence, | 0:02:30 | 0:02:33 | |
I have to keep nudging her. | 0:02:33 | 0:02:35 | |
She is great at it, but she doesn't believe me. | 0:02:35 | 0:02:37 | |
Well, you better start believing, Nicole - you better had. | 0:02:37 | 0:02:40 | |
And, Josie, you are answering the questions for your team. | 0:02:40 | 0:02:44 | |
-Do you like quizzes? -Very much so. | 0:02:44 | 0:02:46 | |
I do quizzes in magazines, I do general knowledge, crosswords, | 0:02:46 | 0:02:49 | |
cryptic crosswords, anything like that that takes my eye. | 0:02:49 | 0:02:53 | |
OK. Well, good luck, everybody. | 0:02:53 | 0:02:56 | |
And here are today's lots for your consideration. | 0:02:56 | 0:02:59 | |
There are 16 different antiques and collectibles. | 0:02:59 | 0:03:01 | |
We have... | 0:03:01 | 0:03:03 | |
glass eyes, | 0:03:03 | 0:03:05 | |
a banana knife, | 0:03:05 | 0:03:07 | |
a book, | 0:03:07 | 0:03:08 | |
a glass, | 0:03:08 | 0:03:09 | |
urns, | 0:03:09 | 0:03:11 | |
a writing table, | 0:03:11 | 0:03:12 | |
a coin, | 0:03:12 | 0:03:14 | |
a Chinese jar, | 0:03:14 | 0:03:16 | |
a carriage cosy, | 0:03:16 | 0:03:18 | |
a figurine, | 0:03:18 | 0:03:20 | |
a wind instrument, | 0:03:20 | 0:03:22 | |
a toy, | 0:03:22 | 0:03:24 | |
a lens, | 0:03:24 | 0:03:25 | |
a movie prop, | 0:03:25 | 0:03:27 | |
a stamp, | 0:03:27 | 0:03:29 | |
and a pair of lamps. | 0:03:29 | 0:03:32 | |
All very different, with very different values. | 0:03:32 | 0:03:34 | |
One is worthless - worth £10 or less - | 0:03:34 | 0:03:37 | |
and the rest increase in value, up to our top lot, | 0:03:37 | 0:03:40 | |
which is worth a whopping £2,500. | 0:03:40 | 0:03:43 | |
That is the lot to spot, | 0:03:43 | 0:03:44 | |
because at the end of the show | 0:03:44 | 0:03:46 | |
the winning pair will walk away with the cash equivalent | 0:03:46 | 0:03:49 | |
of one of these items. | 0:03:49 | 0:03:51 | |
Now, earlier, our teams inspected the lots, | 0:03:51 | 0:03:53 | |
but could they separate the relics from the rubbish? | 0:03:53 | 0:03:56 | |
-Ah. -Ooh. | 0:03:59 | 0:04:01 | |
Let's have a good quick snoop round. | 0:04:01 | 0:04:05 | |
-Goodness me. -I would definitely want to have this. | 0:04:05 | 0:04:08 | |
-I know nothing about stamps. -No. | 0:04:08 | 0:04:11 | |
-Pair of lamps. -They're clearly quite modern, | 0:04:11 | 0:04:14 | |
-you can get stuff like that fairly easily. -'50s/'60s I think. | 0:04:14 | 0:04:17 | |
Just ignored them, because I think they're hideous. | 0:04:17 | 0:04:20 | |
This is nicely made. | 0:04:20 | 0:04:21 | |
In good condition. | 0:04:21 | 0:04:23 | |
It's very roughly made. | 0:04:23 | 0:04:25 | |
Dark furniture's not really in fashion at the minute. | 0:04:25 | 0:04:29 | |
This is really heavy. | 0:04:29 | 0:04:30 | |
Yeah. | 0:04:30 | 0:04:32 | |
I think they turn to candleholder. | 0:04:32 | 0:04:33 | |
Oh, yes, of course. | 0:04:33 | 0:04:35 | |
-Can I have that one? -You can have that one. -Thank you. | 0:04:35 | 0:04:38 | |
Oh, right. A Lord Of The Rings prop. | 0:04:38 | 0:04:40 | |
-It would be nice to have a prop from the film. -Oh, sure. | 0:04:40 | 0:04:43 | |
How to price stuff like that, isn't it? | 0:04:43 | 0:04:46 | |
-I don't think that's worth very much at all. -No. No. | 0:04:46 | 0:04:49 | |
Made in Paris. | 0:04:49 | 0:04:51 | |
-Nice bit of engineering. -It is. | 0:04:51 | 0:04:54 | |
Don't drop it. | 0:04:54 | 0:04:55 | |
Rules Of Golf. That's Art Nouveau. | 0:04:57 | 0:05:00 | |
Which would take it round about 1910. | 0:05:00 | 0:05:03 | |
I think that's a bit special, that one. | 0:05:03 | 0:05:06 | |
I'd like that, if you don't mind, please. | 0:05:06 | 0:05:09 | |
Oh, carriage cosy. | 0:05:09 | 0:05:10 | |
Keep the hands or feet warm. | 0:05:10 | 0:05:11 | |
And a carriage cosy - that would keep your feet warm. | 0:05:11 | 0:05:14 | |
Do you think it's for a horse? | 0:05:14 | 0:05:15 | |
-No, it says it's a banana knife! -Oh, sorry! | 0:05:15 | 0:05:18 | |
That's lethal, isn't it? | 0:05:18 | 0:05:20 | |
-It's Dinky. -It is a Dinky. -It is a Dinky. | 0:05:23 | 0:05:26 | |
Yeah, I remember these, when I was a kid. | 0:05:26 | 0:05:29 | |
Oh, glass eyes. | 0:05:30 | 0:05:32 | |
Oh, my God. | 0:05:32 | 0:05:33 | |
Bit creepy. | 0:05:33 | 0:05:36 | |
Now then, I know you've got the three parts of the glass - | 0:05:36 | 0:05:39 | |
the foot, stem | 0:05:39 | 0:05:41 | |
and the bowl. | 0:05:41 | 0:05:43 | |
Could be really special. | 0:05:43 | 0:05:44 | |
I like it, you see, and I would take it home. | 0:05:44 | 0:05:46 | |
You can't take it home. | 0:05:46 | 0:05:47 | |
Oh. Wonder if that's a piece of eight. | 0:05:48 | 0:05:51 | |
Oh, hang on - it's a British coin. | 0:05:51 | 0:05:52 | |
All that glitters is not gold. | 0:05:52 | 0:05:55 | |
This is a ginger jar, and I collect these. | 0:05:56 | 0:05:59 | |
Do you think it would have a lid? | 0:05:59 | 0:06:01 | |
There's no mark on that at all. | 0:06:01 | 0:06:04 | |
It's an ocarina, Josie. | 0:06:04 | 0:06:05 | |
You put your finger on there. I've got one at home. | 0:06:05 | 0:06:08 | |
Oh, it's Meissen. Quite unique. | 0:06:08 | 0:06:10 | |
HE BLOWS INTO OCARINA | 0:06:10 | 0:06:12 | |
-I like the... This is the... -I just don't like it. | 0:06:14 | 0:06:16 | |
-No, I don't like her face. -Right. | 0:06:16 | 0:06:19 | |
I think that's quite ugly. | 0:06:19 | 0:06:21 | |
Yes, well, so did I, but it still got a lot of money. | 0:06:21 | 0:06:23 | |
Wade. | 0:06:23 | 0:06:25 | |
-Wade figures. Hate it. -Right. | 0:06:25 | 0:06:27 | |
Are we going to go with this, the desk... | 0:06:27 | 0:06:30 | |
-And the urns. -..and the urns? -Yeah. | 0:06:30 | 0:06:32 | |
-Lord Of The Rings prop. -Yeah. | 0:06:32 | 0:06:35 | |
The golf book. And the glass. | 0:06:35 | 0:06:37 | |
-And the glass. -Yeah? | 0:06:37 | 0:06:39 | |
I would like to take the urns, the two urns. | 0:06:39 | 0:06:42 | |
-Right. -The golf book. | 0:06:42 | 0:06:45 | |
-Golf book. -The illustrated golf. -And we like that. | 0:06:45 | 0:06:47 | |
And the little glass. | 0:06:47 | 0:06:48 | |
Joining me is our resident antiques expert, Charlie Ross. | 0:06:49 | 0:06:53 | |
How do you arrive at these valuations, Charlie? | 0:06:53 | 0:06:56 | |
Well, all the values for each lot have been agreed by... | 0:06:56 | 0:06:59 | |
myself... | 0:06:59 | 0:07:01 | |
and an independent valuer, based on hammer price. | 0:07:01 | 0:07:05 | |
The hammer price is the price you pay | 0:07:05 | 0:07:08 | |
when the auctioneer's gavel falls - | 0:07:08 | 0:07:10 | |
bang, sold, that's what you pay, | 0:07:10 | 0:07:12 | |
but not including any of the auctioneer's costs. | 0:07:12 | 0:07:16 | |
Fair enough. OK. | 0:07:16 | 0:07:17 | |
Well, as well as those little treasures, | 0:07:17 | 0:07:20 | |
we have our Mystery Lot, | 0:07:20 | 0:07:21 | |
which is hidden under the Shroud Of Mystery. | 0:07:21 | 0:07:25 | |
It is poised to be uncovered at the end of the show | 0:07:25 | 0:07:28 | |
to tempt our winners. | 0:07:28 | 0:07:29 | |
It could be priceless or worth peanuts. | 0:07:29 | 0:07:33 | |
We'll be unveiling it later. | 0:07:33 | 0:07:34 | |
But, for now, it is time for Round One. | 0:07:34 | 0:07:37 | |
I'm going to ask ten general knowledge questions. | 0:07:39 | 0:07:42 | |
Quizzers, if you would buzz in with the correct answer, | 0:07:42 | 0:07:46 | |
your picker gets to add a lot to your collection. | 0:07:46 | 0:07:48 | |
But beware, buzz in incorrectly | 0:07:48 | 0:07:51 | |
and you'll be frozen out of the next question. | 0:07:51 | 0:07:54 | |
Quizzers, get the questions right | 0:07:54 | 0:07:56 | |
and your picker will have the chance to collect the best lots first. | 0:07:56 | 0:08:01 | |
Fingers on buzzers - question number one. | 0:08:01 | 0:08:04 | |
In 1996, which country became the first | 0:08:04 | 0:08:08 | |
to win the Eurovision Song Contest seven times? | 0:08:08 | 0:08:12 | |
BELL Peter. | 0:08:12 | 0:08:14 | |
Norway. | 0:08:14 | 0:08:15 | |
No, incorrect. | 0:08:15 | 0:08:16 | |
It was Ireland. | 0:08:16 | 0:08:18 | |
Frozen out of the next question. | 0:08:18 | 0:08:20 | |
Question two. | 0:08:20 | 0:08:22 | |
In 1553, which English monarch reigned for just nine days? | 0:08:22 | 0:08:27 | |
BELL Josie. | 0:08:27 | 0:08:29 | |
Lady Jane Grey. | 0:08:29 | 0:08:30 | |
It is Lady Jane Grey, correct. | 0:08:30 | 0:08:32 | |
Right. Nicole, your turn to pick something from the board. | 0:08:32 | 0:08:36 | |
-The urns, please. -The urns. | 0:08:36 | 0:08:38 | |
They're coming into your collection right now. | 0:08:38 | 0:08:41 | |
And you are off the mark. | 0:08:41 | 0:08:43 | |
Well done. Peter and Caroline, you're now unfrozen. | 0:08:43 | 0:08:46 | |
Question three. A silverback is the mature male | 0:08:46 | 0:08:50 | |
of what type of animal? BELL | 0:08:50 | 0:08:52 | |
Yes, Peter. | 0:08:52 | 0:08:53 | |
Gorilla. | 0:08:53 | 0:08:55 | |
It is a gorilla, well done. Caroline, your pick. | 0:08:55 | 0:08:58 | |
The glass, please. The glass. | 0:08:58 | 0:09:01 | |
That's your collection started. Question four. | 0:09:01 | 0:09:04 | |
Who directed and starred | 0:09:04 | 0:09:07 | |
in the 2004 film Million Dollar Baby? | 0:09:07 | 0:09:10 | |
BELL Noel. | 0:09:10 | 0:09:11 | |
Is it Clint Eastwood? | 0:09:11 | 0:09:12 | |
It was Clint Eastwood, correct. | 0:09:12 | 0:09:14 | |
Kim, your choice. | 0:09:14 | 0:09:16 | |
Can we have the writing table? | 0:09:16 | 0:09:17 | |
The writing table. It's yours. | 0:09:17 | 0:09:20 | |
Good. That's lovely, everybody's off the mark. | 0:09:21 | 0:09:24 | |
Question five. | 0:09:24 | 0:09:26 | |
Where in your body is your septum? | 0:09:26 | 0:09:28 | |
BELL Peter? | 0:09:28 | 0:09:30 | |
On the lip. | 0:09:30 | 0:09:31 | |
Incorrect. You're frozen out. | 0:09:31 | 0:09:33 | |
-Ah. -The answer is your nose. | 0:09:33 | 0:09:36 | |
Question six. | 0:09:37 | 0:09:38 | |
What is the Aboriginal name for Ayers Rock and its...? | 0:09:38 | 0:09:42 | |
BELL Josie. | 0:09:42 | 0:09:43 | |
Ulu...ru... Can't pronounce it! Ulu-uru. | 0:09:43 | 0:09:49 | |
I'm so sorry - you were so close. | 0:09:49 | 0:09:51 | |
-I know. -It's Uluru. | 0:09:51 | 0:09:54 | |
And it's spelled U-L-U-R-U. | 0:09:54 | 0:09:57 | |
And I think you said Ulu-ru-ru, but there's not two "rus" on the end. | 0:09:57 | 0:10:01 | |
-I did, sorry. -No, not at all. | 0:10:01 | 0:10:03 | |
Josie and Nicole, you are frozen out of the next question. | 0:10:03 | 0:10:06 | |
Question seven. | 0:10:06 | 0:10:08 | |
In 2005, which British sailor broke the world record | 0:10:08 | 0:10:11 | |
for the fastest solo circumnavigation of the globe by sail? | 0:10:11 | 0:10:15 | |
Time's up. Ellen MacArthur. | 0:10:19 | 0:10:21 | |
And she was given her damehood immediately, I think, | 0:10:21 | 0:10:24 | |
before she'd even stepped on British soil. | 0:10:24 | 0:10:26 | |
Josie and Nicole, you can play on this one. | 0:10:26 | 0:10:29 | |
Question eight, which is the largest planet in our solar system? | 0:10:29 | 0:10:32 | |
BELL Yes, Noel. | 0:10:32 | 0:10:34 | |
-Jupiter. -It is Jupiter, good. | 0:10:34 | 0:10:36 | |
Kim, what would you like? | 0:10:36 | 0:10:38 | |
The lens, please. | 0:10:38 | 0:10:40 | |
The lens. | 0:10:40 | 0:10:42 | |
There we are. | 0:10:42 | 0:10:43 | |
Question nine. | 0:10:43 | 0:10:44 | |
Which cartoon features Cartman, Kyle and Kenny? | 0:10:44 | 0:10:48 | |
BELL Noel. | 0:10:48 | 0:10:50 | |
South Park. | 0:10:50 | 0:10:51 | |
It is South Park, well done. Correct. | 0:10:51 | 0:10:53 | |
Kim, this will be your third item in your collection. | 0:10:53 | 0:10:57 | |
Can we have the coin, please? | 0:10:57 | 0:10:58 | |
You can have the coin. It's yours. | 0:10:58 | 0:11:01 | |
And our final question in Round One. | 0:11:01 | 0:11:04 | |
Which British actor played Russell "Stringer Bell" in The Wire. | 0:11:04 | 0:11:10 | |
BELL Noel? | 0:11:10 | 0:11:11 | |
-Idris Elba. -It is Idris Elba. | 0:11:11 | 0:11:14 | |
Congratulations. | 0:11:14 | 0:11:15 | |
Kim, what would you like? | 0:11:15 | 0:11:17 | |
-Go for the book. -The book. It's yours. | 0:11:17 | 0:11:20 | |
Well, let's have a little look at that. | 0:11:21 | 0:11:23 | |
At the end of Round One, | 0:11:23 | 0:11:25 | |
Caroline and Peter, you have the glass. | 0:11:25 | 0:11:28 | |
Kim and Noel, you have the table, the lens, | 0:11:28 | 0:11:31 | |
the coin, and the book in your collection. | 0:11:31 | 0:11:35 | |
Whilst, Nicole and Josie, you have the urns. | 0:11:35 | 0:11:38 | |
Our teams have started to build their collections | 0:11:38 | 0:11:41 | |
but, before they have the chance to add to them, | 0:11:41 | 0:11:43 | |
Charlie is going to give each pair a fact about a lot of their choice. | 0:11:43 | 0:11:48 | |
Now, these snippets of information | 0:11:48 | 0:11:50 | |
should give you vital clues about what it's worth, so choose wisely. | 0:11:50 | 0:11:54 | |
And it could be one of your lots, | 0:11:54 | 0:11:56 | |
one of someone else's lots, | 0:11:56 | 0:11:58 | |
or something that is still up for grabs on the grid. | 0:11:58 | 0:12:02 | |
Caroline, let's start with you. | 0:12:02 | 0:12:04 | |
Which lot would you like to hear about? | 0:12:04 | 0:12:06 | |
Could I hear about the book, please? | 0:12:06 | 0:12:08 | |
You may. Charlie, the book. | 0:12:08 | 0:12:11 | |
The Rules Of Golf, illustrated by Charles Crombie, | 0:12:11 | 0:12:14 | |
who specialised in cartoons and newspaper illustrations. | 0:12:14 | 0:12:18 | |
When his collection of humorous postcards | 0:12:18 | 0:12:21 | |
was published in 1906 | 0:12:21 | 0:12:24 | |
it rapidly became a bestselling series. | 0:12:24 | 0:12:27 | |
This is the sort of thing | 0:12:27 | 0:12:29 | |
that has been printed and reprinted | 0:12:29 | 0:12:31 | |
and turns up at most antique warehouses. | 0:12:31 | 0:12:34 | |
But have you ever seen an original? | 0:12:34 | 0:12:38 | |
Caroline, did that help you? | 0:12:38 | 0:12:40 | |
-Yes, it did. Thank you. -Oh, it did. Oh, good. | 0:12:40 | 0:12:42 | |
Kim, what lot would you like to know more about? | 0:12:42 | 0:12:45 | |
I would like to know about the urns. | 0:12:45 | 0:12:47 | |
Charlie, the urns. | 0:12:47 | 0:12:48 | |
This pair, made from ormolu and marble, | 0:12:48 | 0:12:51 | |
are really special and are perfectly proportioned. | 0:12:51 | 0:12:55 | |
And they are cleverly designed - | 0:12:55 | 0:12:58 | |
they are reversible. | 0:12:58 | 0:13:00 | |
Take the tops off, turn them over - | 0:13:00 | 0:13:02 | |
hey presto, you've got candlesticks. | 0:13:02 | 0:13:05 | |
Two uses - double the value? | 0:13:05 | 0:13:09 | |
Ooh! | 0:13:09 | 0:13:11 | |
I like the turning-over. | 0:13:11 | 0:13:13 | |
I did, when I went to inspect them. They're beautiful. | 0:13:13 | 0:13:15 | |
Good. So you're happy with that. OK. | 0:13:15 | 0:13:17 | |
I don't think Nicole and Josie are too happy about that, | 0:13:17 | 0:13:20 | |
because that's in their collection at the moment. | 0:13:20 | 0:13:22 | |
So why would she be wanting to know about yours? | 0:13:22 | 0:13:25 | |
Mm, we'll find out later. | 0:13:25 | 0:13:27 | |
Nicole, what would you like to find out more about? | 0:13:27 | 0:13:30 | |
I'd like to find out more about the glass, please. | 0:13:30 | 0:13:33 | |
Then you shall, Nicole. | 0:13:33 | 0:13:35 | |
Thank you. | 0:13:35 | 0:13:36 | |
Georgian, 1790, | 0:13:36 | 0:13:39 | |
knot-stemmed wineglass | 0:13:39 | 0:13:41 | |
with snapped-off Pontil. | 0:13:41 | 0:13:43 | |
Sounds painful! | 0:13:43 | 0:13:44 | |
Pontil mark is the scar where the leftover bit of the glass - | 0:13:44 | 0:13:48 | |
once you've finished blowing - was broken away. | 0:13:48 | 0:13:51 | |
It indicates that a piece of glass was blown freehand | 0:13:51 | 0:13:55 | |
and is therefore old. | 0:13:55 | 0:13:57 | |
So I've told you so much about it | 0:13:57 | 0:13:59 | |
you now must be able to pinpoint its value. | 0:13:59 | 0:14:02 | |
Thank you very much indeed, Charlie. | 0:14:02 | 0:14:04 | |
Well, now you are a bit more clued up on today's lots, | 0:14:04 | 0:14:07 | |
let's give you the chance to add more of them to your collections. | 0:14:07 | 0:14:11 | |
Bear in mind that at the end of this round | 0:14:11 | 0:14:14 | |
the team with the least valuable collection will be eliminated. | 0:14:14 | 0:14:18 | |
Three more lots are now available to each pair, | 0:14:20 | 0:14:23 | |
and this time, pickers, you target a lot, | 0:14:23 | 0:14:26 | |
and, quizzers, you then try to secure it by answering a question correctly. | 0:14:26 | 0:14:30 | |
But in this round, | 0:14:30 | 0:14:32 | |
the lots come with their own question categories. | 0:14:32 | 0:14:35 | |
So, for instance, if your picker chose the wind instrument, | 0:14:35 | 0:14:40 | |
the quizzer would be offered a question | 0:14:40 | 0:14:43 | |
in either the category of British Films or Modern Art. | 0:14:43 | 0:14:47 | |
Caroline and Peter, you are up first. | 0:14:47 | 0:14:49 | |
So, Caroline, what's your lot? | 0:14:49 | 0:14:51 | |
Could I have the Chinese jar, please? | 0:14:51 | 0:14:54 | |
The Chinese jar. | 0:14:54 | 0:14:55 | |
Peter, would you like to answer a question | 0:14:55 | 0:14:57 | |
on the Romans or Definitions? | 0:14:57 | 0:15:00 | |
-Romans, please. -The Romans, OK. | 0:15:00 | 0:15:01 | |
Here is your question. | 0:15:01 | 0:15:03 | |
Which Roman road | 0:15:03 | 0:15:04 | |
stretches from Rome to Brindisi in southern Italy? | 0:15:04 | 0:15:09 | |
Erm... | 0:15:10 | 0:15:11 | |
I don't know. Is it the A5? | 0:15:11 | 0:15:14 | |
-SHE LAUGHS It's the Appian Way. -Yes. | 0:15:14 | 0:15:17 | |
So, I'm so sorry, the Chinese jar stays on the grid. | 0:15:17 | 0:15:21 | |
Kim, what's your lot? | 0:15:21 | 0:15:23 | |
I'll go with the stamp. | 0:15:23 | 0:15:25 | |
The stamp. | 0:15:25 | 0:15:27 | |
Noel, would you like Africa or British Films? | 0:15:27 | 0:15:30 | |
-I'll try Africa. -Africa, here we go. | 0:15:30 | 0:15:33 | |
Rabat and Casablanca are both cities | 0:15:33 | 0:15:36 | |
in which north African country? | 0:15:36 | 0:15:38 | |
I think it's Morocco. | 0:15:38 | 0:15:40 | |
Correct. It is Morocco. | 0:15:40 | 0:15:44 | |
The stamp is in your collection. | 0:15:44 | 0:15:46 | |
You are now up to five lots. | 0:15:46 | 0:15:48 | |
Josie and Nicole, what's your lot? | 0:15:48 | 0:15:51 | |
I'll go for the figurine, please. | 0:15:51 | 0:15:53 | |
The figurine. Josie, would you like Modern Art or the Olympics? | 0:15:53 | 0:15:57 | |
The lesser of the two evils - Modern Art, please! | 0:15:59 | 0:16:01 | |
I'm so sorry! | 0:16:01 | 0:16:03 | |
Modern Art - here's your question. | 0:16:03 | 0:16:05 | |
Which pair of artists are well known | 0:16:05 | 0:16:08 | |
for their stained-glass- window-inspired images? | 0:16:08 | 0:16:11 | |
I have absolutely no idea. | 0:16:13 | 0:16:15 | |
I can't even make a guess. | 0:16:15 | 0:16:17 | |
John and Maisie Smith. | 0:16:17 | 0:16:19 | |
Well, actually, it was Gilbert and George. | 0:16:19 | 0:16:22 | |
That means the figurine stays on the grid. | 0:16:24 | 0:16:27 | |
Caroline, what's your lot? | 0:16:27 | 0:16:28 | |
-The wind instrument, please. -The wind instrument. | 0:16:28 | 0:16:32 | |
Peter, do you want Modern Art or British Films? | 0:16:32 | 0:16:35 | |
British Films, please. | 0:16:35 | 0:16:37 | |
British Films. | 0:16:37 | 0:16:39 | |
Which English actor starred in Kind Hearts and Coronets, | 0:16:39 | 0:16:43 | |
The Ladykillers, and The Bridge On The River Kwai? | 0:16:43 | 0:16:47 | |
-Alec Guinness. -Correct. | 0:16:48 | 0:16:50 | |
OK, the wind instrument is coming to you. | 0:16:50 | 0:16:53 | |
You now have two lots in your collection. | 0:16:53 | 0:16:57 | |
Kim, what's your lot? | 0:16:57 | 0:16:58 | |
I think I'll go with the banana knife. | 0:16:59 | 0:17:02 | |
Noel, Composers or The Olympics? | 0:17:02 | 0:17:06 | |
I think I'll go for Composers, please. | 0:17:06 | 0:17:08 | |
Composers. | 0:17:08 | 0:17:10 | |
Featuring the Hallelujah Chorus, | 0:17:10 | 0:17:13 | |
which composer wrote the Messiah? | 0:17:13 | 0:17:15 | |
Handel. | 0:17:15 | 0:17:16 | |
Correct. The banana knife is yours. | 0:17:16 | 0:17:19 | |
Well done! | 0:17:19 | 0:17:20 | |
-Six items in your collection. -Ooh. | 0:17:20 | 0:17:23 | |
But are they worth anything? This is the point. | 0:17:23 | 0:17:26 | |
Nicole, what's your lot? | 0:17:26 | 0:17:28 | |
It's between the glass eyes and the figurine, | 0:17:28 | 0:17:31 | |
so I'll go for the figurine, please. | 0:17:31 | 0:17:33 | |
Figurine. | 0:17:33 | 0:17:34 | |
Modern Art or The Olympics, Josie? | 0:17:34 | 0:17:36 | |
Oh, sorry - I've done it again! | 0:17:36 | 0:17:38 | |
-Mm-hmm. -I'm so sorry, Josie. | 0:17:38 | 0:17:40 | |
-We'll try Modern Art again! -I'm so sorry, I didn't look... | 0:17:40 | 0:17:44 | |
I'll kill her when we get home, you're all right. | 0:17:45 | 0:17:49 | |
Modern Art. Stand by. | 0:17:49 | 0:17:51 | |
No. 5, 1948, and Blue Poles | 0:17:51 | 0:17:56 | |
are works by which abstract expressionist? | 0:17:56 | 0:17:59 | |
Picasso. | 0:18:02 | 0:18:03 | |
Incorrect. Jackson Pollock. | 0:18:03 | 0:18:05 | |
Let's take a look at our teams' collections. | 0:18:05 | 0:18:07 | |
Caroline and Peter, you now have the wind instrument and the glass. | 0:18:07 | 0:18:11 | |
Kim and Noel, along with the table, the lens, | 0:18:11 | 0:18:14 | |
the coin and the book, | 0:18:14 | 0:18:16 | |
you also had the stamp and the banana knife. | 0:18:16 | 0:18:18 | |
Nicole and Josie, you have the urns - | 0:18:18 | 0:18:21 | |
which, you never know, that might be THE top lot. | 0:18:21 | 0:18:24 | |
OK, teams. Your collections are growing. | 0:18:25 | 0:18:28 | |
Now, remember, at the end of this round, | 0:18:28 | 0:18:31 | |
the pair with the least valuable collection will be leaving us. | 0:18:31 | 0:18:34 | |
So, have you missed out on one particular thing | 0:18:34 | 0:18:37 | |
that you desire above all else? | 0:18:37 | 0:18:40 | |
If so, here is your chance to secure it. | 0:18:40 | 0:18:43 | |
There is one last lot available to each team, | 0:18:43 | 0:18:46 | |
and this time you can either go for what's left on the grid, | 0:18:46 | 0:18:50 | |
or you can try to steal an antique | 0:18:50 | 0:18:53 | |
that is in a rival team's collection. | 0:18:53 | 0:18:55 | |
But, pickers, be warned - | 0:18:55 | 0:18:58 | |
if you choose to steal from another team, | 0:18:58 | 0:19:00 | |
their quizzer will get to decide your quizzer's category. | 0:19:00 | 0:19:03 | |
There's only one rule here - | 0:19:03 | 0:19:05 | |
you can't steal from a team who has just one lot in their collection. | 0:19:05 | 0:19:10 | |
So that gives you a little chance there, Josie and Nicole. | 0:19:10 | 0:19:15 | |
Right, Caroline - do you want to target a lot from the grid | 0:19:15 | 0:19:18 | |
or have you got your eye on something in another collection? | 0:19:18 | 0:19:22 | |
I'd like to go for the book, please. | 0:19:22 | 0:19:24 | |
The book - which is in Noel and Kim's collection. | 0:19:24 | 0:19:28 | |
So, Noel, you get to pick a category of question for Peter | 0:19:28 | 0:19:33 | |
from any of those subjects on the board. | 0:19:33 | 0:19:35 | |
I think I'll go for composers, please. | 0:19:35 | 0:19:38 | |
Composers. | 0:19:38 | 0:19:39 | |
Peter, the War Requiem and the opera Peter Grimes | 0:19:39 | 0:19:43 | |
are works by which English composer? | 0:19:43 | 0:19:45 | |
I know this. | 0:19:45 | 0:19:46 | |
But it's not coming to me. | 0:19:48 | 0:19:49 | |
Erm... | 0:19:49 | 0:19:51 | |
Lennon and McCartney. | 0:19:51 | 0:19:52 | |
Oh! Incorrect. | 0:19:52 | 0:19:55 | |
Benjamin Britten. | 0:19:55 | 0:19:56 | |
The book is safe. | 0:19:56 | 0:19:58 | |
Well defended, Noel. | 0:19:58 | 0:20:00 | |
Kim, what lot would you like to go for? | 0:20:00 | 0:20:02 | |
I've got my eye on the wind instrument. | 0:20:02 | 0:20:05 | |
Which is in Peter and Caroline's collection. | 0:20:05 | 0:20:07 | |
Peter, you decide what question Noel's going to have. | 0:20:07 | 0:20:11 | |
The Olympics. | 0:20:11 | 0:20:13 | |
The Olympics. | 0:20:13 | 0:20:14 | |
Noel, athlete Greg Rutherford | 0:20:14 | 0:20:17 | |
famously competes in which event? | 0:20:17 | 0:20:19 | |
It's a guess. I think it's the steeplechase. | 0:20:21 | 0:20:23 | |
Incorrect. Long jump. | 0:20:23 | 0:20:26 | |
Well done, Peter, you've defended your wind instrument. | 0:20:26 | 0:20:29 | |
Whoo! | 0:20:29 | 0:20:31 | |
Josie and Nicole. | 0:20:31 | 0:20:34 | |
Nicole, what would you like to target? | 0:20:34 | 0:20:37 | |
-I would like to go for the glass eyes, please. -Glass eyes. | 0:20:37 | 0:20:40 | |
And give Josie half a chance. | 0:20:40 | 0:20:42 | |
LAUGHTER | 0:20:42 | 0:20:44 | |
Josie, how are you with Composers and Festivals And Holidays? | 0:20:44 | 0:20:47 | |
Probably as well as I was with Modern Art, but we'll do Composers. | 0:20:47 | 0:20:52 | |
Fingers crossed. Here we go. Composers. | 0:20:52 | 0:20:54 | |
Who composed the music | 0:20:54 | 0:20:56 | |
to the ballets The Nutcracker and Swan Lake? | 0:20:56 | 0:20:59 | |
Tchaikovsky. | 0:20:59 | 0:21:01 | |
Correct. Well done. | 0:21:01 | 0:21:03 | |
The glass eyes are yours. | 0:21:03 | 0:21:05 | |
THEY LAUGH | 0:21:05 | 0:21:07 | |
Well done, everybody. | 0:21:07 | 0:21:09 | |
OK, that's it for Round Two. | 0:21:09 | 0:21:10 | |
And at the end of that round, Caroline and Peter, | 0:21:10 | 0:21:13 | |
you still have the wind instrument as well as the glass. | 0:21:13 | 0:21:16 | |
Kim and Noel, you still have the table, the lens, the coin, | 0:21:16 | 0:21:20 | |
the book, the stamp, and the banana knife. | 0:21:20 | 0:21:23 | |
Nicole and Josie, you still have the urns, | 0:21:23 | 0:21:25 | |
and have added the glass eyes to your collection. | 0:21:25 | 0:21:29 | |
The team with the least valuable collection will be eliminated, | 0:21:29 | 0:21:33 | |
taking their lots out of the game. | 0:21:33 | 0:21:35 | |
Charlie has been keeping tabs. | 0:21:35 | 0:21:37 | |
So, Charlie, who is leaving us first? | 0:21:37 | 0:21:40 | |
The pair leaving us first is... | 0:21:40 | 0:21:43 | |
Caroline and Peter. | 0:21:48 | 0:21:49 | |
-Oh, my goodness. -Never mind. We really enjoyed it. | 0:21:49 | 0:21:52 | |
-Thank you. -Well, thank you. | 0:21:52 | 0:21:54 | |
But before you leave, | 0:21:54 | 0:21:55 | |
let's find out about the lots that are leaving the game with you. | 0:21:55 | 0:21:59 | |
Charlie, what do you make of their collection? | 0:21:59 | 0:22:02 | |
Caroline, you really liked the glass, didn't you? | 0:22:02 | 0:22:05 | |
-Yes. -Did you feel the Pontil mark? | 0:22:05 | 0:22:08 | |
-Yes. -Well done. I think they've come off the boil a little bit, | 0:22:08 | 0:22:11 | |
these cordial glasses, | 0:22:11 | 0:22:13 | |
nevertheless it's quite a valuable item. | 0:22:13 | 0:22:15 | |
We would say £300. | 0:22:15 | 0:22:18 | |
Wow, very good. | 0:22:18 | 0:22:20 | |
Nicole, you knew it was an ocarina. | 0:22:20 | 0:22:22 | |
It's rather a pleasing object - | 0:22:22 | 0:22:23 | |
it looks a little bit like an aeroplane, doesn't it? | 0:22:23 | 0:22:26 | |
This is Meissen, as you no doubt spotted, | 0:22:26 | 0:22:28 | |
because it's got "Meissen" on it. | 0:22:28 | 0:22:29 | |
It's the very famous Blue Onion pattern. | 0:22:29 | 0:22:32 | |
A lot of these were made under the Meissen name. | 0:22:32 | 0:22:36 | |
Whether Meissen gave them permission or not we'll never really know. | 0:22:36 | 0:22:40 | |
Sadly it's only worth £80. | 0:22:40 | 0:22:42 | |
So that gives you a total of £380 | 0:22:43 | 0:22:46 | |
which, sadly, on this occasion, is not enough. | 0:22:46 | 0:22:48 | |
-Never mind. -Never mind. | 0:22:48 | 0:22:50 | |
Peter and Caroline, it is time to bring the hammer down | 0:22:50 | 0:22:52 | |
on your collection, I'm afraid. | 0:22:52 | 0:22:54 | |
So thank you for playing For What It's Worth. | 0:22:54 | 0:22:57 | |
Thank you. And good luck. | 0:22:57 | 0:22:58 | |
Aw, well done. | 0:22:58 | 0:23:00 | |
I think the top lot might be the pair of urns. | 0:23:02 | 0:23:05 | |
I didn't like those, but you could well be right! | 0:23:05 | 0:23:08 | |
The unclaimed lots in the grid are now also leaving the game, | 0:23:11 | 0:23:15 | |
so let's quickly find out from Charlie what they were worth | 0:23:15 | 0:23:18 | |
and if the top lot is still in the game. | 0:23:18 | 0:23:22 | |
-Charlie. -We've got the carriage cosy. | 0:23:22 | 0:23:24 | |
Are you thrilled you left that behind? | 0:23:24 | 0:23:27 | |
I think two people thought it was for warming your hands and feet. | 0:23:27 | 0:23:32 | |
Well, I suppose you'd have to open it up, stuff your feet in it, | 0:23:32 | 0:23:34 | |
and then you wouldn't be able to close it, would you? | 0:23:34 | 0:23:36 | |
But it is actually a Victorian carriage tea cosy. | 0:23:36 | 0:23:40 | |
So you open it up and it's padded enough to hold the teapot inside. | 0:23:40 | 0:23:44 | |
It's rather fun, but it's not very valuable. | 0:23:44 | 0:23:47 | |
You did well to leave it behind, because it's worth £25. | 0:23:47 | 0:23:51 | |
Well... | 0:23:51 | 0:23:53 | |
But what have we got next? | 0:23:53 | 0:23:55 | |
A pair of lamps. | 0:23:55 | 0:23:57 | |
May I quote Josie here? "Hideous!" | 0:23:57 | 0:24:01 | |
Noel - "Modern and easy to get." | 0:24:01 | 0:24:03 | |
They're very, very '60s. | 0:24:03 | 0:24:06 | |
And '60s is coming back into fashion - | 0:24:06 | 0:24:09 | |
and they are love-them-or-hate-them, aren't they? | 0:24:09 | 0:24:11 | |
Probably more than you thought - £150. | 0:24:11 | 0:24:14 | |
Now, a Wade figure. | 0:24:14 | 0:24:17 | |
Don't think anybody really liked this. | 0:24:17 | 0:24:19 | |
Josie, another priceless comment - "Ugly... | 0:24:19 | 0:24:23 | |
"but it might be worth something." | 0:24:23 | 0:24:25 | |
Nicole - "I don't like her face." | 0:24:25 | 0:24:28 | |
THEY LAUGH | 0:24:28 | 0:24:31 | |
Now, it's a Wade figure. A lot of Wade figures are of no great value. | 0:24:31 | 0:24:35 | |
There's something that makes this rather valuable - | 0:24:35 | 0:24:39 | |
nobody can find it in any reference book. | 0:24:39 | 0:24:42 | |
So therefore, if you're a Wade collector, | 0:24:42 | 0:24:45 | |
it isn't just a five-pounder, | 0:24:45 | 0:24:47 | |
it's a 250-pounder. | 0:24:47 | 0:24:49 | |
Not bad for "ugly". | 0:24:49 | 0:24:51 | |
-(Told you.) -Good heavens. | 0:24:51 | 0:24:53 | |
The next lot we have is the toy. Yes, the service station. | 0:24:53 | 0:24:57 | |
Well, a lot of Dinky Toys are very, very collectible. | 0:24:57 | 0:25:00 | |
Is the box in good order? Yes. | 0:25:00 | 0:25:02 | |
Is the toy in good order? | 0:25:02 | 0:25:04 | |
It's missing the rear door. | 0:25:04 | 0:25:07 | |
Nevertheless, these things are collectible - | 0:25:07 | 0:25:09 | |
with the original box, it's obviously quite an unusual item, | 0:25:09 | 0:25:13 | |
quite a rare item, and it's worth £450. | 0:25:13 | 0:25:17 | |
Good heavens. | 0:25:17 | 0:25:19 | |
-Now, Josie, you collect ginger jars. -Mm-hmm. -Got one like this? | 0:25:19 | 0:25:23 | |
-Not exactly like that, and mine has a lid. -Ah, this is missing the lid. | 0:25:23 | 0:25:28 | |
Well, it's a 19th-century ginger jar. | 0:25:28 | 0:25:30 | |
There are thousands of these everywhere you look - | 0:25:30 | 0:25:34 | |
and you're all nodding like the clappers, | 0:25:34 | 0:25:36 | |
because you know as well as I do | 0:25:36 | 0:25:38 | |
that this is more or less worthless. | 0:25:38 | 0:25:40 | |
The bottom lot's gone. | 0:25:40 | 0:25:42 | |
Oh! The bottom lot's gone. | 0:25:42 | 0:25:45 | |
Isn't this the bottom lot? | 0:25:45 | 0:25:47 | |
Well, obviously it isn't the bottom lot - | 0:25:47 | 0:25:49 | |
I thought it might be. No. | 0:25:49 | 0:25:51 | |
Might be good because it's something to do with Lord Of The Rings. | 0:25:51 | 0:25:55 | |
There's provenance with this - | 0:25:55 | 0:25:57 | |
we know it came from The Lord Of The Rings. | 0:25:57 | 0:26:00 | |
-Wow. -Used by a patron of the Prancing Pony tavern. | 0:26:00 | 0:26:06 | |
This makes it very valuable. | 0:26:06 | 0:26:09 | |
Original films... You think of the things from Star Wars - | 0:26:09 | 0:26:12 | |
a Star Wars helmet's probably worth £7,000. | 0:26:12 | 0:26:16 | |
You have both missed out | 0:26:16 | 0:26:18 | |
on the top lot. | 0:26:18 | 0:26:20 | |
£2,500. | 0:26:21 | 0:26:24 | |
Good grief. | 0:26:24 | 0:26:26 | |
Good heavens. | 0:26:26 | 0:26:29 | |
Did any of you rate that as anything at all? | 0:26:29 | 0:26:32 | |
-No. -Well, we now know that the bottom lot and the top lot | 0:26:32 | 0:26:38 | |
have left the game. | 0:26:38 | 0:26:40 | |
However, there are still some really interesting items in play. | 0:26:40 | 0:26:43 | |
So, before we go any further, | 0:26:43 | 0:26:45 | |
Charlie's going to give you another fact about a lot of your choice. | 0:26:45 | 0:26:49 | |
Kim, what lot do you need to know more about? | 0:26:49 | 0:26:52 | |
I'd like to know about the writing table. | 0:26:52 | 0:26:55 | |
The writing table, Charlie. | 0:26:55 | 0:26:56 | |
An ingenious little George III writing table, | 0:26:56 | 0:27:00 | |
dating to about 1800. | 0:27:00 | 0:27:02 | |
It's fairly rare, insomuch as it's quite small, | 0:27:02 | 0:27:06 | |
has an under-tier, and a clever little pull-out candle stand | 0:27:06 | 0:27:10 | |
so that you could illuminate yourself while you were working. | 0:27:10 | 0:27:14 | |
It's a classic piece of furniture. | 0:27:14 | 0:27:17 | |
As we're told regularly on antiques shows, | 0:27:17 | 0:27:19 | |
brown furniture doesn't get the prices it used to. | 0:27:19 | 0:27:24 | |
But would this little writing table buck the trend? | 0:27:25 | 0:27:28 | |
Kim, has that given you food for thought? | 0:27:28 | 0:27:31 | |
Yeah, it's given me something to think about now. | 0:27:31 | 0:27:34 | |
Nicole, what lot would you like to know more about? | 0:27:34 | 0:27:38 | |
I would like to know about the stamp, please. | 0:27:38 | 0:27:41 | |
A ten-shilling stamp from around 1913, | 0:27:41 | 0:27:45 | |
the reign of George V, | 0:27:45 | 0:27:47 | |
done by the Australian sculptor Bertram Mackennal, | 0:27:47 | 0:27:50 | |
who included the King's head in profile. | 0:27:50 | 0:27:53 | |
Stamps from this group are known as seahorses | 0:27:53 | 0:27:56 | |
because of their dramatic design depicting Britannia on her chariot | 0:27:56 | 0:28:00 | |
behind three writhing horses on a stormy sea. | 0:28:00 | 0:28:04 | |
These stamps represent a collecting field in their own right. | 0:28:04 | 0:28:08 | |
This one's an indigo-blue version. | 0:28:08 | 0:28:12 | |
But the image - very central, | 0:28:12 | 0:28:15 | |
something that delights collectors. | 0:28:15 | 0:28:18 | |
This example is also unused. | 0:28:18 | 0:28:22 | |
Hmm. What do you feel about that, Nicole? | 0:28:22 | 0:28:24 | |
I feel fine. | 0:28:24 | 0:28:26 | |
-Thank you very much. -Good answer. Very good answer. | 0:28:28 | 0:28:31 | |
Well, those are all the facts available to you, | 0:28:31 | 0:28:33 | |
so it's now time for our final round, | 0:28:33 | 0:28:36 | |
and at the end of it we'll have our winners. | 0:28:36 | 0:28:39 | |
So, I'm going to give the Quizzers a category | 0:28:41 | 0:28:45 | |
and then they take turns to say answers in that category. | 0:28:45 | 0:28:48 | |
For example, if I say Bones In The Body, | 0:28:48 | 0:28:51 | |
you might say humerus, you might say a rib, | 0:28:51 | 0:28:54 | |
and then clavicle, and so on. | 0:28:54 | 0:28:56 | |
If you fail to give an answer, | 0:28:56 | 0:28:57 | |
or if you repeat an answer or give a wrong answer, | 0:28:57 | 0:29:00 | |
you lose that category | 0:29:00 | 0:29:02 | |
and the opponents' Picker will be able to steal a lot | 0:29:02 | 0:29:05 | |
from your collection. | 0:29:05 | 0:29:07 | |
Remember, it's the total value of your collections that matter | 0:29:07 | 0:29:10 | |
at the end of this round. | 0:29:10 | 0:29:11 | |
One high-price lot could be more valuable | 0:29:11 | 0:29:14 | |
than your opponents' entire collection. | 0:29:14 | 0:29:17 | |
You can steal the last item in your opponents' collection, | 0:29:17 | 0:29:21 | |
so this round is all about defending what you've got, | 0:29:21 | 0:29:24 | |
as well as pilfering your opponents' lots. | 0:29:24 | 0:29:27 | |
There are three categories. | 0:29:27 | 0:29:28 | |
The pair with the most valuable collection at this point go first. | 0:29:28 | 0:29:31 | |
So, Charlie, who is that? | 0:29:31 | 0:29:33 | |
I can reveal, Fern... | 0:29:33 | 0:29:34 | |
..the team who currently has the most valuable collection is... | 0:29:36 | 0:29:41 | |
Kim and Noel. | 0:29:44 | 0:29:45 | |
Kim and Noel. | 0:29:45 | 0:29:47 | |
You have six items in your collection. | 0:29:47 | 0:29:50 | |
Josie and Nicole, you have two. | 0:29:50 | 0:29:52 | |
But at the end of this round, | 0:29:52 | 0:29:54 | |
it may have changed altogether. | 0:29:54 | 0:29:56 | |
OK, Noel, you will start us off. | 0:29:56 | 0:29:59 | |
And the first category is... | 0:29:59 | 0:30:01 | |
So, Noel, please give me an answer. | 0:30:05 | 0:30:08 | |
Jonathan. | 0:30:09 | 0:30:12 | |
Incorrect. | 0:30:12 | 0:30:13 | |
Jonathan is not on the list of top 20 names. | 0:30:15 | 0:30:18 | |
You could have had | 0:30:18 | 0:30:20 | |
Ava, Charlie, | 0:30:20 | 0:30:22 | |
Thomas, James, | 0:30:22 | 0:30:24 | |
Jessica, | 0:30:24 | 0:30:25 | |
but no Jonathan. | 0:30:25 | 0:30:27 | |
Noel, I'm so sorry. | 0:30:27 | 0:30:28 | |
OK, Nicole, would you like to steal something from Noel's collection? | 0:30:28 | 0:30:33 | |
I would love to steal something, please. | 0:30:33 | 0:30:35 | |
LAUGHTER | 0:30:35 | 0:30:36 | |
I would like to steal the stamp, please. | 0:30:36 | 0:30:39 | |
The stamp is yours. | 0:30:39 | 0:30:40 | |
Here comes the next question. | 0:30:40 | 0:30:42 | |
So what we mean by that | 0:30:48 | 0:30:49 | |
is the 16 bodies of water listed as the largest | 0:30:49 | 0:30:53 | |
by the Lake District National Park Authority. | 0:30:53 | 0:30:56 | |
Josie, if you're ready, would you give me an answer? | 0:30:56 | 0:30:58 | |
Windermere. | 0:31:00 | 0:31:02 | |
Correct. Noel. | 0:31:02 | 0:31:05 | |
Derwentwater. | 0:31:05 | 0:31:07 | |
Correct. Josie. | 0:31:07 | 0:31:08 | |
Thirlmere. | 0:31:10 | 0:31:11 | |
Correct. Noel. | 0:31:11 | 0:31:14 | |
I can't think of any at all. It's gone. | 0:31:18 | 0:31:20 | |
It's so hard, this, isn't it? I'm so sorry. | 0:31:20 | 0:31:23 | |
You could have had Brotherswater, | 0:31:23 | 0:31:25 | |
-Coniston Water... -Ah, yes. | 0:31:25 | 0:31:27 | |
..or Ullswater. | 0:31:27 | 0:31:29 | |
This is such a tough round, isn't it? | 0:31:29 | 0:31:31 | |
Nicole doesn't care. | 0:31:31 | 0:31:33 | |
Nicole, steal something from Noel. | 0:31:33 | 0:31:35 | |
I would like to steal his book, if I may, please. | 0:31:35 | 0:31:39 | |
The book. It's yours. | 0:31:39 | 0:31:41 | |
-Thank you. -Right. Come on, here we go. | 0:31:41 | 0:31:43 | |
Last question in this round - | 0:31:43 | 0:31:46 | |
Noel, you kick it off. | 0:31:46 | 0:31:48 | |
And it is... | 0:31:48 | 0:31:51 | |
Noel, would you give me an answer. | 0:31:57 | 0:31:59 | |
Vladimir Putin. | 0:32:01 | 0:32:02 | |
Correct. Josie? | 0:32:04 | 0:32:06 | |
Barack Obama. | 0:32:08 | 0:32:09 | |
Correct. Noel. | 0:32:09 | 0:32:11 | |
Francois Hollande. | 0:32:12 | 0:32:14 | |
President of France. | 0:32:16 | 0:32:18 | |
Francois Hollande, Noel, is incorrect. | 0:32:18 | 0:32:21 | |
You could have had... | 0:32:21 | 0:32:24 | |
Angela Merkel, | 0:32:24 | 0:32:25 | |
Bjork, Bradley Cooper, | 0:32:25 | 0:32:28 | |
Diane von Furstenberg, | 0:32:28 | 0:32:30 | |
Hillary Clinton. | 0:32:30 | 0:32:32 | |
Gosh, this is a tough round. | 0:32:32 | 0:32:34 | |
However, for Nicole - she says, "Yippee, that's a great round" - | 0:32:34 | 0:32:37 | |
what would you like to pinch? | 0:32:37 | 0:32:39 | |
I'm probably going to regret this, | 0:32:40 | 0:32:42 | |
but I'm going to go for the coin, please. | 0:32:42 | 0:32:45 | |
The coin. It is yours. | 0:32:45 | 0:32:48 | |
Well done, you've survived the final round. | 0:32:48 | 0:32:51 | |
And that is it, your collections are now fixed | 0:32:51 | 0:32:54 | |
and will determine which team is victorious. | 0:32:54 | 0:32:56 | |
So, it's time to find out who are today's winners. | 0:32:56 | 0:33:00 | |
Charlie, who's got the most valuable collection? | 0:33:00 | 0:33:04 | |
Girls, have you no shame? | 0:33:04 | 0:33:07 | |
Theft! | 0:33:07 | 0:33:08 | |
Not at all. | 0:33:08 | 0:33:10 | |
Well, I can reveal | 0:33:10 | 0:33:12 | |
that the team with the most valuable collection | 0:33:12 | 0:33:15 | |
and the winners of today's show... | 0:33:15 | 0:33:19 | |
are... | 0:33:19 | 0:33:20 | |
Nicole and Josie. | 0:33:23 | 0:33:25 | |
Whoa, congratulations, girls. | 0:33:25 | 0:33:29 | |
But commiserations to Noel and Kim, | 0:33:29 | 0:33:31 | |
you didn't create a valuable enough collection. | 0:33:31 | 0:33:34 | |
Before we say goodbye, though, | 0:33:34 | 0:33:36 | |
let's find out what items are also leaving the game, | 0:33:36 | 0:33:39 | |
and their value. | 0:33:39 | 0:33:40 | |
Charlie, what did you make of their collection? | 0:33:40 | 0:33:43 | |
First of all you had the banana knife. It's 19th-century. | 0:33:43 | 0:33:46 | |
It's a fascinating object, | 0:33:46 | 0:33:48 | |
but it doesn't have quality. | 0:33:48 | 0:33:52 | |
£60 worth. | 0:33:52 | 0:33:54 | |
The Petzval Lens, 1860. | 0:33:54 | 0:33:57 | |
An extraordinary invention. | 0:33:57 | 0:33:59 | |
People love collecting camera equipment, | 0:33:59 | 0:34:03 | |
and I think all of you enjoyed playing with that and looking at it. | 0:34:03 | 0:34:07 | |
It's a very collectible item, it's a lovely object, | 0:34:07 | 0:34:10 | |
and I'm not surprised you had it on your list. | 0:34:10 | 0:34:13 | |
And it's £600 worth. | 0:34:13 | 0:34:15 | |
-Wow. -Yeah. | 0:34:15 | 0:34:17 | |
And then the writing table. | 0:34:17 | 0:34:19 | |
Somebody suggested, Nicole, it was roughly made. | 0:34:19 | 0:34:21 | |
I think it's superbly made. | 0:34:21 | 0:34:24 | |
I think it is absolutely magnificently made. | 0:34:24 | 0:34:27 | |
It's beautiful. | 0:34:27 | 0:34:29 | |
And, you know, 20 years ago, Fern, | 0:34:29 | 0:34:31 | |
this would've been an easy £3,000 or £4,000 | 0:34:31 | 0:34:35 | |
in the sale room. | 0:34:35 | 0:34:37 | |
It's still worth £1,500 today. | 0:34:37 | 0:34:41 | |
So, you've got a really good collection together, | 0:34:41 | 0:34:44 | |
and it was still worth a good chunk of money. £2,160. | 0:34:44 | 0:34:49 | |
Shouldn't really be a losing score, but it is. | 0:34:49 | 0:34:53 | |
Well, congratulations, | 0:34:53 | 0:34:55 | |
because it was a very good collection. | 0:34:55 | 0:34:57 | |
But commiserations, because we're going to lose you. | 0:34:57 | 0:35:00 | |
Kim and Noel, it is time to bring the hammer down | 0:35:00 | 0:35:02 | |
on your collection, I'm afraid. | 0:35:02 | 0:35:04 | |
But thank you for playing For What It's Worth. | 0:35:04 | 0:35:07 | |
-Thank you. -Thank you very much. | 0:35:07 | 0:35:08 | |
No regrets, because we did really well. | 0:35:10 | 0:35:12 | |
We had a good collection in our lot, | 0:35:12 | 0:35:14 | |
but unfortunately just some of it got stolen right towards the end! | 0:35:14 | 0:35:18 | |
Well done, Nicole and Josie! | 0:35:22 | 0:35:24 | |
You built the most valuable collection - mostly via theft! | 0:35:24 | 0:35:27 | |
But you are today's winners, | 0:35:27 | 0:35:29 | |
and now all that remains is for you to claim your prize. | 0:35:29 | 0:35:32 | |
As we know, the top lot has gone from the game | 0:35:32 | 0:35:36 | |
and, happily, so has the bottom lot. | 0:35:36 | 0:35:38 | |
However, there are some very interesting items in your collection. | 0:35:38 | 0:35:43 | |
All you have to do now is pick one | 0:35:44 | 0:35:46 | |
and we will give you its value in cash. | 0:35:46 | 0:35:49 | |
So, try to pick a good one. | 0:35:49 | 0:35:51 | |
I'm between the urns, | 0:35:54 | 0:35:56 | |
the book and the stamp. | 0:35:56 | 0:35:58 | |
I think the coin might be a red herring. | 0:35:58 | 0:36:00 | |
Could. I loved the urns and I adore that book, | 0:36:00 | 0:36:04 | |
but I can't make up my mind. | 0:36:04 | 0:36:06 | |
I leave it to you as my Picker. | 0:36:06 | 0:36:08 | |
-I'm going to go for a gut instinct. -Right. | 0:36:08 | 0:36:12 | |
Your gut instinct is telling you what, Nicole? | 0:36:12 | 0:36:15 | |
The marble urns. | 0:36:15 | 0:36:17 | |
The marble urns. | 0:36:17 | 0:36:19 | |
I think they're very heavy... | 0:36:19 | 0:36:22 | |
SHE GUFFAWS | 0:36:22 | 0:36:24 | |
Well, that's...a winner every time(!) | 0:36:24 | 0:36:27 | |
We sell by weight here, Fern! | 0:36:27 | 0:36:30 | |
So you're going for the marble urns with the ormolu decorations? OK! | 0:36:30 | 0:36:35 | |
Before we tell you what it's worth - | 0:36:35 | 0:36:37 | |
Charlie, please can you tell us the value of the lots they have rejected? | 0:36:37 | 0:36:40 | |
-I can. -Good. | 0:36:40 | 0:36:42 | |
Glass eyes, you rejected. | 0:36:42 | 0:36:46 | |
They are limited in collectability. | 0:36:46 | 0:36:49 | |
These were made in about 1900 by Gustav Taylor. | 0:36:49 | 0:36:53 | |
He was a man for glass eyes! | 0:36:53 | 0:36:56 | |
He was so skilled | 0:36:56 | 0:36:57 | |
he could make you a glass eye while you waited. | 0:36:57 | 0:37:01 | |
Can you imagine the sign above the door - "glass eyes while you wait"?! | 0:37:02 | 0:37:06 | |
Just absurd. | 0:37:08 | 0:37:10 | |
£125. | 0:37:10 | 0:37:11 | |
Oh, my goodness. | 0:37:11 | 0:37:13 | |
Well, the stamp. Philately is difficult. | 0:37:13 | 0:37:16 | |
There are lots of colour variations, | 0:37:16 | 0:37:18 | |
and therefore lots of different prices. | 0:37:18 | 0:37:21 | |
You did well to get it into your collection here, | 0:37:21 | 0:37:25 | |
because it's worth... | 0:37:25 | 0:37:28 | |
£1,200. | 0:37:28 | 0:37:29 | |
Oh, sugar! | 0:37:29 | 0:37:31 | |
Now, when you were looking at this first of all | 0:37:31 | 0:37:34 | |
we had the comment, "All that glitters is not gold." | 0:37:34 | 0:37:37 | |
Then we had that rather splendid comment, | 0:37:37 | 0:37:40 | |
"Could be a red herring." | 0:37:40 | 0:37:42 | |
Well, it's 22-carat gold, | 0:37:42 | 0:37:45 | |
20-shilling piece. | 0:37:45 | 0:37:47 | |
Called a Unite because Charles I's father | 0:37:47 | 0:37:50 | |
united England and Scotland. | 0:37:50 | 0:37:53 | |
So this is an important coin, | 0:37:53 | 0:37:55 | |
this is a rare coin. | 0:37:55 | 0:37:57 | |
This coin is worth... | 0:37:57 | 0:37:59 | |
-£1,850. -Oh... | 0:37:59 | 0:38:03 | |
Pfft! | 0:38:06 | 0:38:07 | |
Sorry, Josie. | 0:38:07 | 0:38:08 | |
Mr Crombie - the book. | 0:38:10 | 0:38:12 | |
I'm sure you will have seen cheap prints of these images, | 0:38:12 | 0:38:17 | |
probably in people's loos and things, | 0:38:17 | 0:38:19 | |
but to get an original book with all the illustrations in it | 0:38:19 | 0:38:24 | |
is really quite exciting. | 0:38:24 | 0:38:26 | |
And it's a valuable item. | 0:38:26 | 0:38:28 | |
But you've discarded it. | 0:38:28 | 0:38:30 | |
It's worth £750. | 0:38:30 | 0:38:32 | |
-(We're going downhill a bit.) -So, what do you think? | 0:38:34 | 0:38:37 | |
You still have these two urns, | 0:38:37 | 0:38:41 | |
which you both really like. | 0:38:41 | 0:38:43 | |
Nicole and Josie, come and join me | 0:38:43 | 0:38:46 | |
to take a closer look at your urns, | 0:38:46 | 0:38:48 | |
and let's see if we can tempt you with our mystery lot. | 0:38:48 | 0:38:51 | |
-Well, they're pretty, aren't they? -Aren't they? | 0:38:53 | 0:38:56 | |
But before we tell you its value, | 0:38:56 | 0:38:58 | |
we're going to tempt you with today's mystery lot. | 0:38:58 | 0:39:01 | |
Are you watching, girls? | 0:39:01 | 0:39:04 | |
It's the propeller | 0:39:06 | 0:39:08 | |
from a Royal Flying Corps ace Frank Billing's plane, | 0:39:08 | 0:39:12 | |
after a close encounter with German Fokkers. | 0:39:12 | 0:39:17 | |
It was later turned into a clock | 0:39:18 | 0:39:20 | |
and presented to Empress Eugenie, | 0:39:20 | 0:39:24 | |
Napoleon III's wife, | 0:39:24 | 0:39:27 | |
who had converted her house, Farnborough Hill, | 0:39:27 | 0:39:30 | |
into a makeshift military hospital, | 0:39:30 | 0:39:33 | |
where Frank recovered from his wounds. | 0:39:33 | 0:39:37 | |
That's your information. | 0:39:37 | 0:39:38 | |
Come up with your valuation. | 0:39:40 | 0:39:42 | |
All that's left for you to do | 0:39:42 | 0:39:44 | |
is decide whether to stick with your urns | 0:39:44 | 0:39:48 | |
or dump them in favour of this mystery lot. | 0:39:48 | 0:39:51 | |
Discuss amongst yourselves, | 0:39:51 | 0:39:53 | |
what would you like to do? | 0:39:53 | 0:39:54 | |
Well, like Charlie said, it's got a lot of provenance, | 0:39:54 | 0:39:58 | |
and provenance is a good thing, isn't it? | 0:39:58 | 0:40:01 | |
You are right. | 0:40:01 | 0:40:02 | |
But I'm still not sure that that makes that extremely valuable. | 0:40:02 | 0:40:07 | |
-These turn into... -Candlesticks. -Candlesticks. | 0:40:07 | 0:40:11 | |
I think they're absolutely beautiful. I really do. | 0:40:11 | 0:40:13 | |
-Have you felt the weight? -They are tremendously heavy, aren't they? | 0:40:13 | 0:40:17 | |
I thought they were French but they might be Greek - | 0:40:17 | 0:40:19 | |
-I have no idea what they are. -No, no. | 0:40:19 | 0:40:22 | |
Erm, I don't think we should go for that one. | 0:40:22 | 0:40:26 | |
Right, OK. I'll agree. | 0:40:26 | 0:40:29 | |
-I think... -We'll stick with these. That's the decision made. | 0:40:29 | 0:40:33 | |
-The decision, then, is? -The urns. -The urns, please. | 0:40:34 | 0:40:37 | |
-Urns. -The two urns. -Phew! So you're going to go with the urns. | 0:40:37 | 0:40:41 | |
That means you have won their worth in cold hard cash. | 0:40:41 | 0:40:45 | |
So, Charlie, please tell us what they have thrown away. | 0:40:45 | 0:40:49 | |
In itself, without the provenance, | 0:40:49 | 0:40:51 | |
this is really quite a common object. | 0:40:51 | 0:40:53 | |
You see them - you've probably seen them before, haven't you? | 0:40:53 | 0:40:56 | |
You go into antique shops, you see clocks in old propellers. | 0:40:56 | 0:40:59 | |
It's one way of making an old propeller a bit more valuable, I suppose. | 0:40:59 | 0:41:02 | |
But provenance - that was the word you came up with, wasn't it? | 0:41:02 | 0:41:05 | |
-Yes. -Provenance, provenance, provenance... | 0:41:05 | 0:41:07 | |
The pilot, Frank Billings - well, that's one thing. | 0:41:07 | 0:41:10 | |
But Empress Eugenie, | 0:41:10 | 0:41:13 | |
I mean, that's really pretty blooming important, isn't it? | 0:41:13 | 0:41:16 | |
And there's a little plaque on the front telling us all about it. | 0:41:16 | 0:41:21 | |
So it's not guesswork - we know the provenance of this item. | 0:41:21 | 0:41:25 | |
And therefore, somebody that likes this sort of memorabilia | 0:41:25 | 0:41:30 | |
is really going to go bonkers. | 0:41:30 | 0:41:32 | |
This is worth... | 0:41:32 | 0:41:34 | |
..£1,200. | 0:41:37 | 0:41:38 | |
Wow. | 0:41:38 | 0:41:40 | |
-£1,200 you've just chucked down the drain. -I know. | 0:41:40 | 0:41:42 | |
But we're like that, you see. | 0:41:42 | 0:41:44 | |
You have had great faith with these urns - | 0:41:44 | 0:41:46 | |
you've stuck with them from the beginning. | 0:41:46 | 0:41:49 | |
Charlie, what about the value of the lot they have chosen? | 0:41:49 | 0:41:52 | |
Aren't they superb? | 0:41:52 | 0:41:54 | |
-They're French, by the way. -I thought they were French. | 0:41:54 | 0:41:57 | |
Date - can you date them? | 0:41:57 | 0:41:59 | |
Erm, I would say sort of middle of the 18th or early 18th. | 0:41:59 | 0:42:03 | |
They're a bit later - getting on for 1900. | 0:42:03 | 0:42:07 | |
They are marble, they are ormolu. | 0:42:07 | 0:42:10 | |
But it is that wonderful thing | 0:42:10 | 0:42:12 | |
that they are interchangeable. | 0:42:12 | 0:42:14 | |
I'm just going to do it again, | 0:42:14 | 0:42:16 | |
because it gives me huge satisfaction to do that. | 0:42:16 | 0:42:19 | |
-It is lovely to do it. -Reversible. | 0:42:19 | 0:42:22 | |
And what about the value? | 0:42:22 | 0:42:24 | |
-What about the value? -What have we chucked away? | 0:42:24 | 0:42:27 | |
-1,200 quid. -1,200 quid. What have we got? | 0:42:27 | 0:42:29 | |
-£800. -Oh! | 0:42:31 | 0:42:33 | |
-Close. -£800, nonetheless, is a very nice sum of money. | 0:42:35 | 0:42:40 | |
I was hoping they would be above 100, | 0:42:40 | 0:42:42 | |
and they are, and I would've been quite happy with 100. So, yes... | 0:42:42 | 0:42:46 | |
Josie, that's marvellous. So you are going home with £800 - £400 each. | 0:42:46 | 0:42:51 | |
So lovely to have you here. Charlie, did you enjoy that game? | 0:42:51 | 0:42:54 | |
-It was fantastic, wasn't it? -It was up and down. | 0:42:54 | 0:42:56 | |
I was right on the edge of my seat. | 0:42:56 | 0:42:58 | |
I was, too. That is it for today. | 0:42:58 | 0:43:01 | |
Join us next time when three new teams | 0:43:01 | 0:43:03 | |
try to spot the lot to win the lot on For What It's Worth. | 0:43:03 | 0:43:06 | |
We'll see you then. Goodbye. | 0:43:06 | 0:43:07 | |
Congratulations! | 0:43:07 | 0:43:09 | |
I like those urns. I would like to take them home with me. | 0:43:12 | 0:43:16 | |
-I did try, but Fern stopped me! -Did she? | 0:43:16 | 0:43:19 |