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Hello and welcome to For What It's Worth | 0:00:14 | 0:00:17 | |
three pairs of contestants are ready to play. | 0:00:17 | 0:00:20 | |
In each team is a quizzer, | 0:00:20 | 0:00:22 | |
responsible for answering general knowledge questions, | 0:00:22 | 0:00:25 | |
so that their partner, the picker, | 0:00:25 | 0:00:28 | |
can choose an antique item to add to their collection. | 0:00:28 | 0:00:31 | |
The aim of the game is to amass the most valuable collection. | 0:00:31 | 0:00:35 | |
So, what are the lots? Let's have a look. | 0:00:35 | 0:00:37 | |
For your consideration we have 16 different antiques and collectables. | 0:00:37 | 0:00:42 | |
We have... | 0:00:42 | 0:00:45 | |
the Da Vinci Code suit, | 0:00:45 | 0:00:48 | |
a decorative mask, | 0:00:48 | 0:00:50 | |
a medal and a clock... | 0:00:50 | 0:00:53 | |
an ink well, | 0:00:53 | 0:00:55 | |
a box, | 0:00:55 | 0:00:56 | |
figures, | 0:00:56 | 0:00:58 | |
spoon warmer... | 0:00:58 | 0:01:00 | |
a painting, | 0:01:00 | 0:01:01 | |
a budgie, | 0:01:01 | 0:01:03 | |
some torcheres, | 0:01:03 | 0:01:05 | |
a shoe brush, | 0:01:05 | 0:01:06 | |
balls... | 0:01:06 | 0:01:08 | |
glasses, | 0:01:08 | 0:01:10 | |
camera, | 0:01:10 | 0:01:12 | |
and a caddie. | 0:01:12 | 0:01:13 | |
Very nice. All very different and with very different values. | 0:01:13 | 0:01:17 | |
One is worthless, worth £10 or less, | 0:01:17 | 0:01:20 | |
and the rest increase in value | 0:01:20 | 0:01:23 | |
up to our top lot which is worth a whopping £2,500. | 0:01:23 | 0:01:28 | |
That is the lot to spot | 0:01:28 | 0:01:29 | |
because at the end of the show, the winning pair will walk away with the | 0:01:29 | 0:01:33 | |
cash equivalent of one of these items, | 0:01:33 | 0:01:36 | |
so you want to go for the top lot. | 0:01:36 | 0:01:38 | |
First up are Jez and Kath, who are a married couple from Lincolnshire. | 0:01:38 | 0:01:44 | |
Welcome to the show, both of you, lovely to have you here. | 0:01:44 | 0:01:47 | |
Kath, you are the picker on your team. | 0:01:47 | 0:01:49 | |
Do you have any particular areas of interest in the world of antiques? | 0:01:49 | 0:01:54 | |
I like antiques in general but I do actually like the Art Deco | 0:01:54 | 0:01:59 | |
and also the Art Nouveau period. | 0:01:59 | 0:02:02 | |
-She's sounding like an expert, Charles. -She is. -Very expert. -I wish! | 0:02:02 | 0:02:05 | |
And sitting next to you is Jez, your husband. Jez, you're the quizzer. | 0:02:05 | 0:02:09 | |
And I understand that you would like to start collecting one particular | 0:02:09 | 0:02:13 | |
type of item, but Kath won't let you? | 0:02:13 | 0:02:17 | |
Yes, the moulds, the jelly moulds or blancmange moulds. | 0:02:17 | 0:02:21 | |
I do like to collect those. | 0:02:21 | 0:02:22 | |
I've got one which is a crock one which I think, that's probably... | 0:02:22 | 0:02:27 | |
I'm not sure, roundabout the 17, 1800s maybe. | 0:02:27 | 0:02:31 | |
-Have you made a jelly in it? -I have actually, yes. | 0:02:31 | 0:02:33 | |
-And does it come out well? -It does. | 0:02:33 | 0:02:35 | |
Well, look, Kath's nodding her agreement there. | 0:02:35 | 0:02:37 | |
Sitting next to you, | 0:02:37 | 0:02:39 | |
we have Scott and Rob who are a married couple from Leicestershire. | 0:02:39 | 0:02:42 | |
It's lovely to have you here, chaps. | 0:02:42 | 0:02:45 | |
Scott, you are the team picker and I gather you are very passionate | 0:02:45 | 0:02:49 | |
about your collections, so what are they? | 0:02:49 | 0:02:52 | |
I collect anything from silver trays, | 0:02:52 | 0:02:54 | |
anything that catches my eyes, paintings, pottery, china... | 0:02:54 | 0:03:00 | |
-Glassware. -You're a magpie? -Yeah. -Yes, you are. -I am. | 0:03:00 | 0:03:04 | |
-Well, sitting next to you is Rob, the quizzer. -Hiya. -Hi, Rob. | 0:03:04 | 0:03:07 | |
You are confident that Scott will spot the winning lot? | 0:03:08 | 0:03:12 | |
Yes, I am, because every time I come home from work, | 0:03:12 | 0:03:14 | |
there is always something waiting for me in a plastic bag | 0:03:14 | 0:03:17 | |
cos he's been out to either an antiques shop or a charity shop | 0:03:17 | 0:03:22 | |
-or something, so, yeah, I have that pleasure every night. -OK. | 0:03:22 | 0:03:26 | |
And finally today, | 0:03:26 | 0:03:27 | |
we have Susie and Jane who are friends from East Yorkshire. | 0:03:27 | 0:03:32 | |
Welcome to the show, Susie and Jane. | 0:03:32 | 0:03:34 | |
Jane, you're the picker and what do you collect? | 0:03:34 | 0:03:37 | |
-I've got a collection of chairs. -Really? That takes up a lot of space. | 0:03:37 | 0:03:41 | |
Some are very small. Some are bigger. | 0:03:41 | 0:03:44 | |
-Collected from very unusual places. -What's your favourite one? | 0:03:44 | 0:03:48 | |
From a skip. | 0:03:48 | 0:03:49 | |
LAUGHTER | 0:03:49 | 0:03:51 | |
What is it? | 0:03:51 | 0:03:52 | |
It's just a little brown chair | 0:03:52 | 0:03:54 | |
but I have a, a really nice cushion made from it. | 0:03:54 | 0:03:57 | |
And with you, as the quizzer, | 0:03:57 | 0:03:59 | |
is Susie and you have an interest in old things. | 0:03:59 | 0:04:04 | |
-I've a couple of pews. -Pews? | 0:04:04 | 0:04:07 | |
Yeah, pews. And a nice monks bench...full of shoes. | 0:04:07 | 0:04:10 | |
-It's a lot of sort of churchy stuff there. -Yeah. -Yes. | 0:04:10 | 0:04:14 | |
Earlier, our teams did inspect the lots | 0:04:14 | 0:04:16 | |
but could they separate a valuable from the value less? | 0:04:16 | 0:04:20 | |
Oh, this is interesting. | 0:04:22 | 0:04:24 | |
I didn't expect it to be like this. Where do you want to go first? | 0:04:24 | 0:04:27 | |
-Painting. -Painting, some glassware. | 0:04:27 | 0:04:30 | |
-Don't like him, do you? -I don't think I'd like that in my lounge. | 0:04:31 | 0:04:35 | |
-It looks almost like a reproduction to me. -It does, yeah. | 0:04:37 | 0:04:40 | |
-I would say, you know, 80 quid? -I'd have nowhere to hang that. | 0:04:40 | 0:04:45 | |
Spoon warmer, where would you use a spoon warmer? | 0:04:45 | 0:04:48 | |
-It's well hallmarked. -It reminds me of a cheap christening gift. | 0:04:48 | 0:04:51 | |
I think that would be valuable enough because of the silver. | 0:04:51 | 0:04:55 | |
Tea caddy, lead lining. | 0:04:56 | 0:04:59 | |
1770 Chippendale. Quite like that. | 0:04:59 | 0:05:05 | |
-I think that's quite Victoriany. -Yeah. -Boxed in 1881. | 0:05:05 | 0:05:09 | |
-Jet. -That's what I was going to say. | 0:05:09 | 0:05:11 | |
I was thinking because it's really heavy, isn't it? | 0:05:11 | 0:05:15 | |
-I like. -I don't like that at all. | 0:05:15 | 0:05:17 | |
-It's not wood, is it? -It's been used as a pencil case, whatever it is. | 0:05:17 | 0:05:20 | |
But then is it ivory? | 0:05:20 | 0:05:22 | |
Indian, maybe Moroccan. | 0:05:22 | 0:05:25 | |
The da Vinci code suit with Tom Hanks. | 0:05:25 | 0:05:27 | |
He was in that, wasn't he? | 0:05:27 | 0:05:29 | |
-I don't know. -It's just a suit, isn't it? -Yeah. -The film was awful. | 0:05:29 | 0:05:33 | |
I don't know anything about cameras. I'm totally lost. | 0:05:35 | 0:05:38 | |
There's a lot of collectors for cameras. | 0:05:38 | 0:05:42 | |
You'd love that. | 0:05:42 | 0:05:43 | |
-I love the bird, actually. -I do. -I don't know what he is. | 0:05:45 | 0:05:48 | |
-That's too big for a scent bottle, isn't it? -Oh, there's a thought. | 0:05:48 | 0:05:52 | |
A couple of hundred quid? | 0:05:52 | 0:05:53 | |
These are when you join a golf club and they blackball you, don't they? | 0:05:55 | 0:05:59 | |
There's probably loads of those floating around. | 0:05:59 | 0:06:02 | |
-Let's have a look at the medal. -No date. Queen Victoria. -The Boer War. | 0:06:02 | 0:06:08 | |
And that's the defence of Ladysmith. | 0:06:08 | 0:06:10 | |
-Presume it's a Staffordshire Flatback. -Why do people collect these? | 0:06:11 | 0:06:15 | |
I mean it's ugly, isn't it, it's really ugly but how rare is it? | 0:06:15 | 0:06:18 | |
-That's different. -No, it's ugly. I don't like... -I like that. | 0:06:20 | 0:06:23 | |
I'd be very surprised if that's more than a tenner. | 0:06:23 | 0:06:25 | |
-Worthless. -Car boot. -Car boot. | 0:06:25 | 0:06:27 | |
-Has that been glued? -I don't think there's a lot of worth in that. | 0:06:31 | 0:06:35 | |
Cheers. | 0:06:36 | 0:06:38 | |
How much could you get in there? | 0:06:38 | 0:06:39 | |
LAUGHTER | 0:06:39 | 0:06:41 | |
To me, that just seems modern. | 0:06:41 | 0:06:43 | |
I like that, is that a troika? | 0:06:43 | 0:06:46 | |
-Yeah, it's quite delicate. -5 to 600 on that one. -What are our top three? | 0:06:46 | 0:06:50 | |
-The bird? -The bird. -The painting? -Yeah. -And the caddy. | 0:06:50 | 0:06:55 | |
The silver, the tea caddy and that little scent bottle. | 0:06:55 | 0:06:59 | |
The camera, the silver and the troika. | 0:06:59 | 0:07:02 | |
Thank you. | 0:07:02 | 0:07:04 | |
And joining us is our resident antiques expert, the lovely, | 0:07:08 | 0:07:11 | |
Charles Hanson. Charles, what do you make of our pickers here? | 0:07:11 | 0:07:16 | |
I feel a real vibe for having watched you all in that | 0:07:16 | 0:07:20 | |
delightful viewing room. I can see you're all very discerning. | 0:07:20 | 0:07:24 | |
You're quite meticulous so, very good luck to you all. | 0:07:24 | 0:07:28 | |
Now, the art of valuation is interesting. | 0:07:28 | 0:07:30 | |
How did we get to the value that you've put on these? | 0:07:30 | 0:07:33 | |
All the values for each lot have been agreed by myself | 0:07:33 | 0:07:37 | |
and also an independent valuer, based on their hammer price | 0:07:37 | 0:07:42 | |
-which essentially means mid-auction estimate. -Excellent. | 0:07:42 | 0:07:47 | |
As well as those little treasures, we have our mystery lot, | 0:07:47 | 0:07:50 | |
hidden under the shroud of mystery and poised to be uncovered | 0:07:50 | 0:07:53 | |
at the end of the show to tempt our winners. | 0:07:53 | 0:07:56 | |
It could be worthwhile or it could be worthless. | 0:07:56 | 0:07:59 | |
We'll be unveiling it a little bit later | 0:07:59 | 0:08:01 | |
but, for now, it is time for Round 1. | 0:08:01 | 0:08:03 | |
I'm going to ask ten general knowledge questions, quizzers, | 0:08:05 | 0:08:09 | |
if you buzz in with a correct answer, your picker gets to add | 0:08:09 | 0:08:12 | |
a lot to your collection but beware, | 0:08:12 | 0:08:14 | |
if you buzz in incorrectly, | 0:08:14 | 0:08:16 | |
you will be frozen out of the next question, OK? | 0:08:16 | 0:08:20 | |
Quizzers, get the questions right | 0:08:20 | 0:08:22 | |
and your pickers will have the chance to collect the best antiques first. | 0:08:22 | 0:08:26 | |
So, fingers on buzzers, please. Question number one... | 0:08:26 | 0:08:30 | |
The airline Qantas has which animal on its logo? | 0:08:30 | 0:08:33 | |
BELL | 0:08:33 | 0:08:34 | |
-Susie. -Koala? | 0:08:34 | 0:08:37 | |
No, you are frozen out, I'm sorry. It is actually the kangaroo. | 0:08:37 | 0:08:41 | |
Question two. Sugarloaf Mountain overlooks which South American...? | 0:08:41 | 0:08:45 | |
BELL | 0:08:45 | 0:08:46 | |
-Yes, Jez? -Cape Town. | 0:08:46 | 0:08:48 | |
Sugarloaf Mountain overlooks which South American city? | 0:08:48 | 0:08:52 | |
The answer is, Rio de Janeiro. | 0:08:52 | 0:08:54 | |
I'm sorry, Jez and Kath, you're frozen out of this round, | 0:08:54 | 0:08:57 | |
Susie and Jane, you're back in. | 0:08:57 | 0:08:59 | |
Question three. | 0:08:59 | 0:09:00 | |
In Star Trek, which character was known for saying, "Live long and...?" | 0:09:00 | 0:09:04 | |
BELL | 0:09:04 | 0:09:06 | |
-Rob? -Mr Spock. | 0:09:06 | 0:09:07 | |
Yes. The full question is, "In Star Trek which character was known for | 0:09:07 | 0:09:11 | |
"saying, 'Live long and prosper'?" And the answer is, Mr Spock. | 0:09:11 | 0:09:14 | |
Well done, Rob, and Scott, | 0:09:14 | 0:09:16 | |
you are the first person to pick a lot from the grid. | 0:09:16 | 0:09:20 | |
OK, I think I'm going to go with the decorative mask first of all. | 0:09:21 | 0:09:26 | |
Really? The decorative mask? | 0:09:26 | 0:09:29 | |
It's going to start your collection nicely. There it is. | 0:09:29 | 0:09:33 | |
Jez and Kath, you are back in the game. | 0:09:33 | 0:09:35 | |
Question four. Which Russian playwright wrote The Seagull, | 0:09:35 | 0:09:40 | |
Uncle Vanya and The Cherry Orchard? | 0:09:40 | 0:09:42 | |
BELL | 0:09:42 | 0:09:43 | |
-Yes, Rob? -Dostoyevsky. | 0:09:43 | 0:09:45 | |
No, I'm sorry, you're frozen out. | 0:09:45 | 0:09:47 | |
The answer is Anton Chekhov. | 0:09:47 | 0:09:50 | |
Question five. | 0:09:50 | 0:09:52 | |
What model of car is used to make a time machine in the 1985 film | 0:09:52 | 0:09:57 | |
Back To The Future? | 0:09:57 | 0:09:58 | |
Bell | 0:09:58 | 0:09:59 | |
-Yes, Jez? -DeLorean. | 0:09:59 | 0:10:00 | |
It is a DeLorean, good. | 0:10:00 | 0:10:02 | |
-Yes! -Ooh, Kath! Come on, Kath. -Come on! -Right. | 0:10:02 | 0:10:06 | |
What would you like to take from the grid? | 0:10:06 | 0:10:10 | |
-I'll take the spoon warmer, please. -The spoon warmer? There you go. | 0:10:10 | 0:10:16 | |
And there it is. Rob and Scott, you're back in the game. | 0:10:16 | 0:10:20 | |
Question six. | 0:10:20 | 0:10:22 | |
What type of mammal is a macaque? | 0:10:22 | 0:10:25 | |
BELL | 0:10:25 | 0:10:26 | |
-Jez? -It's a monkey. | 0:10:26 | 0:10:28 | |
-It is a monkey, well done. -Yes! Get in there! Get in there! | 0:10:28 | 0:10:32 | |
Do I sense some competition over there? | 0:10:32 | 0:10:34 | |
Can I have the budgerigar, please? | 0:10:34 | 0:10:37 | |
-You'd like the budgerigar, it is yours. -Keep 'em coming. | 0:10:37 | 0:10:41 | |
Question number seven. Which British athlete won gold | 0:10:41 | 0:10:44 | |
in the women's 400 metre hurdles at the 1992 Barcelona...? | 0:10:44 | 0:10:48 | |
BELL | 0:10:48 | 0:10:49 | |
-Yes, Rob? -Sally Gunnell? | 0:10:49 | 0:10:51 | |
It was Sally Gunnell, correct. | 0:10:51 | 0:10:53 | |
I was going to say, | 0:10:53 | 0:10:54 | |
the 1992 Barcelona Olympics. Sally Gunnell is the correct answer. | 0:10:54 | 0:10:58 | |
Rob, well done. Scott, pick a lot. | 0:10:58 | 0:11:02 | |
-I'm going to go for the camera this time. -The camera? It's yours. | 0:11:02 | 0:11:07 | |
Question eight. | 0:11:09 | 0:11:10 | |
In which country would you find the ski resort of St Moritz? | 0:11:10 | 0:11:13 | |
BELL | 0:11:13 | 0:11:14 | |
-Yes, Susie? -France? | 0:11:14 | 0:11:16 | |
No, I'm sorry, you're frozen out. | 0:11:16 | 0:11:18 | |
Switzerland. | 0:11:18 | 0:11:20 | |
Question nine. in Scrabble, how many points is the J tile worth? | 0:11:20 | 0:11:25 | |
BELL | 0:11:25 | 0:11:26 | |
-Yes, Jez? -Three. | 0:11:26 | 0:11:28 | |
No. It is eight. | 0:11:28 | 0:11:30 | |
You're frozen out of the last question but Susie and Jane, you are in. | 0:11:30 | 0:11:34 | |
Question ten. | 0:11:34 | 0:11:35 | |
What were the last names of dancing duo Fred and Ginger? | 0:11:35 | 0:11:39 | |
BELL | 0:11:39 | 0:11:40 | |
-Susie? -Rogers and Astaire? | 0:11:40 | 0:11:43 | |
-Correct! -Yay! -Wow! Good. Jane... | 0:11:43 | 0:11:48 | |
-what would you like to take from the grid? -Erm...the caddie please. | 0:11:48 | 0:11:54 | |
The caddie, it's yours. | 0:11:54 | 0:11:56 | |
Let's take a quick look at our teams' collections after that round. | 0:11:58 | 0:12:01 | |
Well, Kath and Jez, you have the spoon warmer and the budgie. | 0:12:01 | 0:12:06 | |
Scott and Rob you've got the decorative mask and camera | 0:12:06 | 0:12:10 | |
whilst the tea caddy has gone to Jane and Susie. | 0:12:10 | 0:12:14 | |
Our teams have started to build their collections | 0:12:14 | 0:12:16 | |
but before they have the chance to add to them, Charles is going | 0:12:16 | 0:12:19 | |
to give each of you a fact about a lot of your choice, | 0:12:19 | 0:12:24 | |
now, these snippets of information | 0:12:24 | 0:12:26 | |
should give you vital clues about what it's worth, so choose wisely. | 0:12:26 | 0:12:32 | |
I'm going to start with you, Kath. | 0:12:32 | 0:12:33 | |
Which lot would you like to hear about? | 0:12:33 | 0:12:36 | |
The Da Vinci Code suit, please. | 0:12:37 | 0:12:40 | |
Charles, the Da Vinci Code suit. | 0:12:40 | 0:12:42 | |
Kath, I like to think I'm a man of style a bit | 0:12:42 | 0:12:44 | |
and this costume was worn in the production | 0:12:44 | 0:12:48 | |
of Ron Howard's Dan Brown novel adaptation of The Da Vinci Code. | 0:12:48 | 0:12:53 | |
The costume is pretty good. | 0:12:53 | 0:12:55 | |
It's comprised of a tailored grey suit, a dark blue | 0:12:55 | 0:12:59 | |
Hugo Boss shirt, a shirt actually intended for stunt performing. | 0:12:59 | 0:13:04 | |
It's all there. It's a great outfit. | 0:13:04 | 0:13:08 | |
Dressed to very much hopefully impress you. | 0:13:08 | 0:13:12 | |
-Kath has that given you some interesting...? -It has, thank you. | 0:13:13 | 0:13:17 | |
Very good. OK, Rob and Scott, Scott, what would you like to hear about? | 0:13:17 | 0:13:22 | |
-The painting. -The painting. | 0:13:22 | 0:13:25 | |
-Scott, do you like it? -I do, actually, yeah. -Good, yeah. | 0:13:25 | 0:13:28 | |
This is an oil on canvas by a pretty well-known artist, British artist, | 0:13:28 | 0:13:33 | |
Munro Scott Orr. | 0:13:33 | 0:13:35 | |
His work spanned that wonderful creative period | 0:13:35 | 0:13:39 | |
of the late-Victorian and Art Nouveau times. | 0:13:39 | 0:13:43 | |
This appears, though, in its formality of costume to be | 0:13:43 | 0:13:48 | |
an earlier work of this very handsome couple walking out. | 0:13:48 | 0:13:54 | |
Are they walking out to you though | 0:13:54 | 0:13:56 | |
and again have they got that key value? | 0:13:56 | 0:13:59 | |
Ah, OK. Now, Susie and Jane, Jane, this is your turn. | 0:13:59 | 0:14:03 | |
What would you like to know something about? | 0:14:03 | 0:14:06 | |
Can you tell me more about the box? | 0:14:06 | 0:14:08 | |
Jane, I feel like saying from Persia with love. OK? | 0:14:09 | 0:14:13 | |
This is 19th century. It's quite interesting. Also the shape of it. | 0:14:13 | 0:14:17 | |
It's quite long and flat, and it's a calligrapher's box. | 0:14:17 | 0:14:22 | |
It's beautifully made and it's almost that Persian version | 0:14:22 | 0:14:26 | |
of marquetry where you've got | 0:14:26 | 0:14:28 | |
wonderful different timbers of, | 0:14:28 | 0:14:31 | |
of wood, bone and metal, precisely cut to create this amazing inlay. | 0:14:31 | 0:14:37 | |
So, we talk about the market today, | 0:14:37 | 0:14:40 | |
many objects are full of Eastern promise, is this? | 0:14:40 | 0:14:45 | |
OK, so now that you are a little bit more clued up on today's lots, | 0:14:45 | 0:14:49 | |
let's give you the chance to add more of them | 0:14:49 | 0:14:51 | |
to your collection, bearing in mind that, at the end of this round, | 0:14:51 | 0:14:55 | |
the team with the least valuable collection will be eliminated. | 0:14:55 | 0:14:59 | |
So, three more lots are now available to each pair | 0:15:02 | 0:15:05 | |
and, this time, pickers, you target a lot | 0:15:05 | 0:15:08 | |
and, quizzers, you then try and secure it | 0:15:08 | 0:15:11 | |
by answering a question correctly, | 0:15:11 | 0:15:13 | |
but, in this round, the lots come with their own question categories. | 0:15:13 | 0:15:20 | |
And here they are. | 0:15:20 | 0:15:22 | |
So for instance, if the picker said, I'd like to go for the box, | 0:15:22 | 0:15:25 | |
your quizzer has the choice of answering a question | 0:15:25 | 0:15:29 | |
for fashion or animated films. OK? | 0:15:29 | 0:15:32 | |
Jez and Kath, you are up first. | 0:15:32 | 0:15:34 | |
So, Kath, what's the lot you would like Jez to get you? | 0:15:34 | 0:15:39 | |
The da Vinci suit. | 0:15:39 | 0:15:41 | |
-The da Vinci suit? -Yes. | 0:15:41 | 0:15:42 | |
Right, how are you on Italian food and British art there, Jez? | 0:15:42 | 0:15:46 | |
I like eating Italian food and that's about it! | 0:15:46 | 0:15:49 | |
-Would you like to pick that category? -Why not? -OK, here we go. | 0:15:51 | 0:15:55 | |
Your question on Italian food is this. | 0:15:55 | 0:15:58 | |
The name of which pudding literally means cooked cream in Italian? | 0:15:58 | 0:16:03 | |
Oh! | 0:16:05 | 0:16:07 | |
Rice pudding? I haven't got a clue. Rice pudding. | 0:16:07 | 0:16:11 | |
Rice pudding? | 0:16:11 | 0:16:12 | |
He hasn't eaten much Italian food, has he? | 0:16:12 | 0:16:15 | |
No, it's panna cotta. | 0:16:15 | 0:16:17 | |
Of course it's panna cotta. | 0:16:17 | 0:16:19 | |
-So, the suit stays on the grid. -Sorry. | 0:16:19 | 0:16:23 | |
Rob and Scott. Scott, this is your chance. | 0:16:23 | 0:16:26 | |
Pick something that you think you want and maybe Rob can answer. | 0:16:26 | 0:16:30 | |
-I'm wanting to go for the painting. -The painting it is. | 0:16:31 | 0:16:36 | |
-Rob, British art or tennis? -I think I'll go for British Art, yeah. -OK. | 0:16:36 | 0:16:40 | |
Here we go. | 0:16:40 | 0:16:41 | |
Which English painter, born in 1775, has a prestigious art prize | 0:16:42 | 0:16:48 | |
named after him? | 0:16:48 | 0:16:50 | |
Is it Turner? | 0:16:50 | 0:16:51 | |
-It is Turner. So, the painting is yours. -Great! | 0:16:51 | 0:16:57 | |
Susie and Jane. Jane, this is your chance. What would you like? | 0:16:57 | 0:17:01 | |
Susie would know a bit about fashion maybe. | 0:17:01 | 0:17:03 | |
-So let's have a go for the box. -Very good. | 0:17:03 | 0:17:05 | |
What would you like to answer the question on? | 0:17:05 | 0:17:07 | |
-Are you going to go for fashion? -No. -Animated films? | 0:17:07 | 0:17:10 | |
I think I'd rather have animated films. | 0:17:10 | 0:17:13 | |
OK, and your animated film question is... | 0:17:13 | 0:17:16 | |
what type of kung fu fighting animal does Jack Black voice | 0:17:16 | 0:17:20 | |
in the films of the same name? | 0:17:20 | 0:17:22 | |
-Panda. -Correct. | 0:17:22 | 0:17:23 | |
So the box is coming to you. | 0:17:23 | 0:17:26 | |
Jez and Kath? This is your second chance of getting something here. | 0:17:26 | 0:17:30 | |
Kath, what would you like? | 0:17:30 | 0:17:32 | |
Let's stay with the da Vinci suit. Sorry. | 0:17:32 | 0:17:35 | |
You've got to get one right! | 0:17:35 | 0:17:39 | |
British art, Italian food, which one do you want to go for, Jez? | 0:17:39 | 0:17:42 | |
British art, of course. | 0:17:42 | 0:17:43 | |
-Yes, of course, you'll be much stronger on that! -Absolutely. | 0:17:43 | 0:17:46 | |
Here we go, your British art question is this. | 0:17:46 | 0:17:48 | |
Which noted Yorkshire-born sculptor | 0:17:48 | 0:17:51 | |
is best remembered for his reclining figures? | 0:17:51 | 0:17:54 | |
-I know the answer as well. -Have you got a name in your mind? | 0:17:54 | 0:17:58 | |
Have you got anything in your mind? | 0:18:00 | 0:18:03 | |
-I will have to press you. -Let's go for John Davidson. | 0:18:06 | 0:18:09 | |
Oh, I'm so sorry. | 0:18:09 | 0:18:11 | |
-Oh, no. Kath? -Henry Moore? | 0:18:11 | 0:18:13 | |
It is indeed Henry Moore. Oh, my goodness. | 0:18:13 | 0:18:16 | |
Rob and Scott, your go. Scott, what are you going to pick? | 0:18:16 | 0:18:20 | |
I'm going to go for the medal. | 0:18:20 | 0:18:23 | |
The medal. So, Italian food or animals, Rob? | 0:18:23 | 0:18:27 | |
I think I'll go for animals. | 0:18:27 | 0:18:29 | |
Here we go, this is your question for animals. | 0:18:29 | 0:18:32 | |
What name is given to the offspring of a male donkey and a female horse? | 0:18:32 | 0:18:37 | |
-Mule. -Correct. | 0:18:37 | 0:18:39 | |
Yes, there you go, the medal is yours. Well done. | 0:18:39 | 0:18:42 | |
Building up a nice collection over there. | 0:18:42 | 0:18:45 | |
And Susie and Jane? Jane, what do you want to have a go at there? | 0:18:45 | 0:18:49 | |
The inkwell. | 0:18:49 | 0:18:51 | |
The inkwell. Animated films or British art, Susie? | 0:18:51 | 0:18:55 | |
-I'll go with animated films again. -Animated films again. | 0:18:55 | 0:18:59 | |
Gru, Vector and Dr Nefario are all characters | 0:18:59 | 0:19:03 | |
from which 2010 family film? | 0:19:03 | 0:19:06 | |
-Despicable Me. -It is Despicable Me. | 0:19:06 | 0:19:09 | |
Well done, the inkwell is yours. | 0:19:09 | 0:19:11 | |
OK, teams, your collections really are growing. | 0:19:13 | 0:19:16 | |
Now remember, at the end of this round, | 0:19:16 | 0:19:18 | |
the pair with the least valuable collection will be leaving us. | 0:19:18 | 0:19:21 | |
There's one last lot available to each team | 0:19:21 | 0:19:25 | |
and this time you can either go for what's left on the grid | 0:19:25 | 0:19:28 | |
or you can steal an antique that is in a rival team's collection. | 0:19:28 | 0:19:34 | |
But pickers, be warned, if you choose to steal from another team, | 0:19:34 | 0:19:37 | |
their quizzer will get to decide your quizzer's category. | 0:19:37 | 0:19:43 | |
Right? Kath, we're going to start with you. | 0:19:43 | 0:19:46 | |
Do you want to target a lot from the grid | 0:19:46 | 0:19:48 | |
or have you got your eye on something in someone else's collection? | 0:19:48 | 0:19:52 | |
Let's go for the figures. | 0:19:52 | 0:19:56 | |
-The figures? -Yes. | 0:19:56 | 0:19:58 | |
The question categories on the grid there are animated films or animals. | 0:19:58 | 0:20:03 | |
Which are you going to choose, Jess? | 0:20:03 | 0:20:05 | |
-Animals. -Animals. Here we go. | 0:20:05 | 0:20:08 | |
What type of creatures are loons, ibises and boobies? | 0:20:08 | 0:20:12 | |
Otters. | 0:20:15 | 0:20:16 | |
The loons and the ibises and boobies are birds. | 0:20:18 | 0:20:22 | |
-Oh, right. -The booby bird. | 0:20:22 | 0:20:24 | |
Sorry. | 0:20:24 | 0:20:25 | |
Rob and Scott, what are you going to do? | 0:20:25 | 0:20:27 | |
Go for something on the grid or nick it from another team? | 0:20:27 | 0:20:29 | |
I'm going to go for the glasses on there. | 0:20:29 | 0:20:33 | |
-The blue glasses. -Yes. | 0:20:33 | 0:20:35 | |
OK, the questions here to choose from, Rob, are... | 0:20:35 | 0:20:38 | |
Who is not looking happy about this. | 0:20:38 | 0:20:41 | |
The weather or fashion. | 0:20:41 | 0:20:43 | |
-I think I'll go for weather, please, Fern. -Weather, OK. | 0:20:46 | 0:20:49 | |
What common term refers to the amount of water vapour | 0:20:49 | 0:20:53 | |
that is held in the air? | 0:20:53 | 0:20:54 | |
Humidity. | 0:20:57 | 0:20:58 | |
It is humidity. Well done. | 0:20:58 | 0:21:00 | |
The glasses are yours. | 0:21:00 | 0:21:03 | |
Susie and Jane, are you going to go for the grid or steal something? | 0:21:04 | 0:21:09 | |
Oh, we really like the budgie. | 0:21:09 | 0:21:14 | |
-All right. Are you going for the budgie? -Yes, please. | 0:21:14 | 0:21:17 | |
OK, which means that, Jez, you have to decide | 0:21:17 | 0:21:21 | |
which category Susie's going to answer | 0:21:21 | 0:21:24 | |
and now all the categories come into play. | 0:21:24 | 0:21:26 | |
What would you like to give Susie? | 0:21:26 | 0:21:28 | |
Thinking Susie might not like tennis too much. | 0:21:28 | 0:21:33 | |
OK, she did go... | 0:21:33 | 0:21:35 | |
SHE SIGHS | 0:21:35 | 0:21:37 | |
What does it mean? | 0:21:37 | 0:21:38 | |
OK, tennis is your question, Susie, and here it is. | 0:21:38 | 0:21:41 | |
In 2015, which country did Great Britain beat in the Davis Cup final? | 0:21:41 | 0:21:47 | |
Spain. | 0:21:48 | 0:21:49 | |
Belgium. | 0:21:51 | 0:21:52 | |
-Does that mean we've saved him? -Well defended, Jez. | 0:21:52 | 0:21:55 | |
You keep that little budgie. Hooray! | 0:21:55 | 0:22:00 | |
Boo-boo the budgie stays in. | 0:22:00 | 0:22:03 | |
Let's take one final look at our teams' lots. | 0:22:03 | 0:22:06 | |
Kath and Jez, no budging from the budgerigar and your spoon warmer. | 0:22:06 | 0:22:11 | |
Scott and Rob, you've managed to put together an ample collection | 0:22:11 | 0:22:15 | |
with the decorative mask, the camera, the painting, the medal | 0:22:15 | 0:22:18 | |
and, last but not least, the glasses. | 0:22:18 | 0:22:21 | |
Jane and Susie still with the box, the inkwell and the caddy. | 0:22:21 | 0:22:25 | |
OK, that's it for round two | 0:22:25 | 0:22:27 | |
and, for one team, though, it is the end of the road. | 0:22:27 | 0:22:30 | |
We have calculated the combined value of your items | 0:22:30 | 0:22:34 | |
and the team with the least valuable collection will be eliminated, | 0:22:34 | 0:22:38 | |
taking their lots out of the game as well. | 0:22:38 | 0:22:41 | |
Well, Charles has been keeping tabs | 0:22:41 | 0:22:43 | |
so, Charles, who is leaving us first? | 0:22:43 | 0:22:46 | |
The pair sadly leaving us first is... | 0:22:46 | 0:22:50 | |
-..Susie and Jane. -No! Oh, no. | 0:22:52 | 0:22:56 | |
But, before you leave, of course you want to know | 0:22:56 | 0:22:58 | |
what those lots were worth. Charles. | 0:22:58 | 0:23:00 | |
This delightful Ashford marble and inlaid inkstand or standish. | 0:23:00 | 0:23:06 | |
Huge market, really collectable | 0:23:06 | 0:23:08 | |
but it's worth £125. | 0:23:08 | 0:23:11 | |
-The next item... -The box. -It was very funny. | 0:23:11 | 0:23:14 | |
One couple I won't mention thought it was a pencil case, OK? | 0:23:14 | 0:23:18 | |
There we are. Look at me. I can see you. | 0:23:18 | 0:23:21 | |
Rob, you said, "This is awful." Scott, you liked it. | 0:23:21 | 0:23:25 | |
You thought maybe it was Indian or Morocco | 0:23:25 | 0:23:30 | |
but there wasn't much of an impression made on this. | 0:23:30 | 0:23:33 | |
I love it for what it represents in handicraft and skills | 0:23:33 | 0:23:38 | |
and it has a value. Fern, what's it worth? Have a guess, on the spot. | 0:23:38 | 0:23:42 | |
OK, 450 quid. | 0:23:42 | 0:23:44 | |
-Take 50 off, it was £400. -Never! -Well, well, well. | 0:23:44 | 0:23:48 | |
-Very good. -So the last lot, the caddy. | 0:23:48 | 0:23:52 | |
Jane and Susie, this tea caddy is actually made from tortoiseshell | 0:23:52 | 0:23:55 | |
which, of course, isn't to everybody's taste, | 0:23:55 | 0:23:58 | |
although this particular caddy was certainly made | 0:23:58 | 0:24:01 | |
prior to that important year 1947 | 0:24:01 | 0:24:04 | |
when controls were imposed by the CITES Agreement | 0:24:04 | 0:24:08 | |
which governs the trade of items | 0:24:08 | 0:24:10 | |
like ivory and tortoiseshell products. | 0:24:10 | 0:24:14 | |
Of course, tea was a very precious commodity | 0:24:14 | 0:24:16 | |
during the early 18th century | 0:24:16 | 0:24:18 | |
and only the wealthier could afford a cuppa. | 0:24:18 | 0:24:21 | |
And so small. | 0:24:21 | 0:24:23 | |
It's worth £800. So well done. Unlucky. | 0:24:23 | 0:24:29 | |
You did build a very nice collection of lots there | 0:24:29 | 0:24:32 | |
but, sadly, Susie and Jane, | 0:24:32 | 0:24:35 | |
it's time to bring the hammer down on your collection, I'm afraid, | 0:24:35 | 0:24:38 | |
but thank you for playing For What It's Worth. You've been wonderful. | 0:24:38 | 0:24:41 | |
Thank you. | 0:24:41 | 0:24:43 | |
Well... | 0:24:44 | 0:24:46 | |
She was greedy and wanted to pinch. | 0:24:46 | 0:24:50 | |
I was trying to play tactical. | 0:24:50 | 0:24:53 | |
No, I just... Well, it was just not our day, really. | 0:24:53 | 0:24:56 | |
Well, the unclaimed lots in the grid are now also leaving the game, | 0:25:00 | 0:25:04 | |
but let's quickly find out from Charles what they were worth | 0:25:04 | 0:25:07 | |
and if the top lot is still in the game. | 0:25:07 | 0:25:10 | |
So, Charles, shall we start with the figures? | 0:25:10 | 0:25:13 | |
Made by Howard & Co of Staffordshire, | 0:25:13 | 0:25:15 | |
they were made for middle market in mass quantities | 0:25:15 | 0:25:18 | |
during the Industrial Revolution. | 0:25:18 | 0:25:20 | |
Value - no more than £20. | 0:25:20 | 0:25:22 | |
-Wow. -I know. | 0:25:22 | 0:25:24 | |
The next object is the shoe brush. | 0:25:24 | 0:25:27 | |
It's a bellboy shoe brush. 1930s. It's just so striking. | 0:25:27 | 0:25:31 | |
Made of celluloid and actually went out of fashion | 0:25:31 | 0:25:34 | |
because they really were a fire hazard. | 0:25:34 | 0:25:37 | |
Value... What's it worth? | 0:25:37 | 0:25:39 | |
£60. | 0:25:39 | 0:25:40 | |
Yeah, drop £10. It's worth £50. | 0:25:40 | 0:25:44 | |
And the next lot is the torcheres. | 0:25:44 | 0:25:47 | |
I think the big question was here - are they Baroque in period | 0:25:47 | 0:25:50 | |
or are they 19th-century and Florentine? | 0:25:50 | 0:25:53 | |
The answer was they are Italian | 0:25:53 | 0:25:55 | |
and quite late, | 0:25:55 | 0:25:57 | |
but they are giltwood torcheres, probably lime wood. | 0:25:57 | 0:26:00 | |
They are very tired but they are original, | 0:26:00 | 0:26:03 | |
they are genuine and they are a pair. | 0:26:03 | 0:26:06 | |
Still £300. | 0:26:06 | 0:26:07 | |
-Wow. -OK? | 0:26:07 | 0:26:09 | |
OK, let's have a look at what else is left. | 0:26:09 | 0:26:12 | |
-Balls. -Golf balls. | 0:26:12 | 0:26:14 | |
Well, these balls, they've rolled over many years. | 0:26:14 | 0:26:17 | |
We've got to be quite precise here. | 0:26:17 | 0:26:19 | |
A number of these very-early/late-Victorian balls, | 0:26:19 | 0:26:22 | |
the Silvertown-style Gutta ball is a rare one | 0:26:22 | 0:26:26 | |
and also the Haskell patent Bramble Four is exceedingly rare. | 0:26:26 | 0:26:32 | |
Hold tight, these would roll out at auction | 0:26:32 | 0:26:35 | |
and career up to £1,000. | 0:26:35 | 0:26:38 | |
-Oh, my life! -Joking! -So they were left there sitting pretty. | 0:26:38 | 0:26:42 | |
OK. The da Vinci suit which Kath was so keen on | 0:26:42 | 0:26:46 | |
and it was not going to come to you. | 0:26:46 | 0:26:49 | |
Tell me about it. | 0:26:49 | 0:26:50 | |
Kath, you were clawing your way towards that suit. | 0:26:50 | 0:26:52 | |
It's got that provenance, | 0:26:52 | 0:26:54 | |
so important when we assess these iconic objects of the 20th century. | 0:26:54 | 0:27:01 | |
Great object in the right specialist sale. | 0:27:01 | 0:27:04 | |
Hold tight, you were so near, Kath. | 0:27:04 | 0:27:06 | |
-£1,500 is its value. -Really? | 0:27:06 | 0:27:11 | |
Absolutely. | 0:27:11 | 0:27:12 | |
And the final lot that has been rejected is this very handsome clock. | 0:27:12 | 0:27:17 | |
Yeah, this is almost a bit deceiving | 0:27:17 | 0:27:18 | |
because this is 1880s, 130 years old. | 0:27:18 | 0:27:21 | |
Importantly...when it comes to clock enthusiasts... | 0:27:21 | 0:27:25 | |
it's got a really good movement. | 0:27:25 | 0:27:26 | |
Unusual three train grande sonniere striking movement | 0:27:26 | 0:27:32 | |
which means it would strike a chord at auction. | 0:27:32 | 0:27:36 | |
It's worth £2,000. | 0:27:36 | 0:27:39 | |
-Wow. -It is. | 0:27:39 | 0:27:41 | |
-Good heavens. -Missed. | 0:27:41 | 0:27:43 | |
It is still not the top lot | 0:27:43 | 0:27:46 | |
which means the top lot is somewhere amongst these collections, | 0:27:46 | 0:27:51 | |
but also the booby is out there too. | 0:27:51 | 0:27:54 | |
So just two pairs of contestants left | 0:27:54 | 0:27:56 | |
and, before we go any further, Charles is going to give you | 0:27:56 | 0:27:59 | |
another fact about a lot of your choice. | 0:27:59 | 0:28:02 | |
Kath, you're first, what lot do you really need to know more about? | 0:28:02 | 0:28:07 | |
Let's have the medal, please. | 0:28:07 | 0:28:11 | |
The medal, please, Charles. | 0:28:11 | 0:28:12 | |
This medal is a Boer War defence medal of Ladysmith. | 0:28:12 | 0:28:18 | |
The Siege of Ladysmith, a city in South Africa, | 0:28:18 | 0:28:21 | |
took place between November 1899 and February 1900. | 0:28:21 | 0:28:27 | |
It's unique to one man and his reward for his valour. | 0:28:27 | 0:28:32 | |
-Does that help you, Kath? -Thank you. -Good. | 0:28:32 | 0:28:35 | |
Rob and Scott. | 0:28:35 | 0:28:37 | |
What would you like to pick, Scott? | 0:28:37 | 0:28:39 | |
I would like to pick the spoon warmer. | 0:28:41 | 0:28:44 | |
Yes, the spoon warmer, Charles. | 0:28:44 | 0:28:47 | |
This is a solid silver spoon warmer | 0:28:47 | 0:28:51 | |
made by William Hutton & Sons | 0:28:51 | 0:28:54 | |
in London in the year 1896. | 0:28:54 | 0:28:58 | |
Ordinarily, we see lots which are silver plate. | 0:28:58 | 0:29:01 | |
To find them in solid silver is pretty unusual. | 0:29:01 | 0:29:06 | |
The Victorians liked a warm spoon, I do as well, | 0:29:06 | 0:29:10 | |
but is this lukewarm in value? I'll leave that to you. | 0:29:10 | 0:29:14 | |
Scott, did any of that information help you? | 0:29:14 | 0:29:17 | |
Yes. It has. It's made my mind a little bit more clear on it. | 0:29:17 | 0:29:22 | |
Oh. OK, well, those are all the facts available to you | 0:29:22 | 0:29:26 | |
so it's now time for our final round | 0:29:26 | 0:29:29 | |
and, at the end of it, we will have our winners. | 0:29:29 | 0:29:31 | |
Now, I'm going to give the quizzers a category. | 0:29:33 | 0:29:36 | |
They then take turns to say answers in that category. | 0:29:36 | 0:29:40 | |
For example, if I said actors who played Doctor Who, | 0:29:40 | 0:29:44 | |
you might say David Tennant, you might say Jon Pertwee | 0:29:44 | 0:29:48 | |
and then you might say Tom Baker and so on and so on. | 0:29:48 | 0:29:51 | |
Now, if you fail to give an answer, if you repeat an answer | 0:29:51 | 0:29:55 | |
or if you give a wrong answer, you lose that category | 0:29:55 | 0:29:58 | |
and the opponents' picker will be able to steal a lot | 0:29:58 | 0:30:02 | |
from your collection. | 0:30:02 | 0:30:03 | |
Remember, it is the total value of your collection that matters | 0:30:03 | 0:30:07 | |
at the end of all of this and a high-priced lot | 0:30:07 | 0:30:10 | |
could be more valuable than your opponents' entire collection. | 0:30:10 | 0:30:15 | |
Now, you can steal the last item in your opponents' collection | 0:30:15 | 0:30:18 | |
if you want to, so this round is all about defending what you've got | 0:30:18 | 0:30:23 | |
as well as pilfering from your opponents. | 0:30:23 | 0:30:27 | |
There are three categories | 0:30:27 | 0:30:29 | |
and the pair with the most valuable collection at this point goes first | 0:30:29 | 0:30:33 | |
so, Charles, who is that? | 0:30:33 | 0:30:36 | |
I can reveal the team | 0:30:36 | 0:30:38 | |
who currently have the most valuable collection | 0:30:38 | 0:30:41 | |
is... | 0:30:41 | 0:30:42 | |
..Kath and Jez. | 0:30:46 | 0:30:47 | |
-How did that happen? -Wow. -Uh-oh. -Uh-oh. | 0:30:47 | 0:30:53 | |
I have a feeling you're going to be defending hard | 0:30:53 | 0:30:57 | |
because Rob and Scott have five items and you have only two. | 0:30:57 | 0:31:02 | |
But congratulations. OK, here we go. | 0:31:02 | 0:31:04 | |
Quizzer, Jez, you will start us off and the first category is this. | 0:31:04 | 0:31:10 | |
-Jez, give me an answer. -Adele. | 0:31:19 | 0:31:23 | |
-Correct. Rob. -Coldplay. | 0:31:23 | 0:31:26 | |
-Correct. Jez. -Paloma Faith. | 0:31:26 | 0:31:30 | |
-Correct. Rob. -Sam Smith. | 0:31:30 | 0:31:34 | |
-Correct. Jez. -Hozier. | 0:31:34 | 0:31:37 | |
Incorrect. Hozier is not a Brit Award winner. | 0:31:37 | 0:31:41 | |
Jez, I'm sorry about that. | 0:31:42 | 0:31:44 | |
But you know what's going to happen now. | 0:31:44 | 0:31:47 | |
Rob and Scott, you get a chance to steal. | 0:31:47 | 0:31:51 | |
What lot would you like? | 0:31:51 | 0:31:53 | |
I have a feeling I'm going to go for the budgie. | 0:31:55 | 0:32:00 | |
And the budgie is yours, Rob and Scott. | 0:32:00 | 0:32:04 | |
Let's have a look at the next category. | 0:32:04 | 0:32:06 | |
Rob, I'm going to start with you. Please give me an answer. | 0:32:12 | 0:32:14 | |
The Thames. | 0:32:14 | 0:32:16 | |
-Correct. Jez. -Severn. | 0:32:16 | 0:32:19 | |
-Correct. Rob. -The Trent. | 0:32:19 | 0:32:22 | |
-Correct. Jez. -Larne. | 0:32:22 | 0:32:25 | |
Jez, that's incorrect. | 0:32:25 | 0:32:27 | |
-I am so sorry. Uh-oh. -Uh-oh. | 0:32:27 | 0:32:32 | |
Scott, you can steal. | 0:32:32 | 0:32:34 | |
Well, I have a feeling I might go for the spoon warmer. | 0:32:34 | 0:32:38 | |
-Since it's the last one in their collection. -Yeah. | 0:32:38 | 0:32:42 | |
Oh, you're killers, boys. | 0:32:42 | 0:32:44 | |
It is now going to your collection. | 0:32:44 | 0:32:47 | |
Knife in the heart. | 0:32:47 | 0:32:48 | |
Oh, and Jez and Kath... | 0:32:48 | 0:32:51 | |
We have one category left. | 0:32:51 | 0:32:53 | |
Steal! | 0:32:53 | 0:32:55 | |
Are we ready? | 0:32:55 | 0:32:56 | |
The next category, please. | 0:32:56 | 0:32:58 | |
Oh, Jez looks so happy about this. | 0:33:01 | 0:33:03 | |
How about you, Rob? | 0:33:03 | 0:33:05 | |
No. | 0:33:05 | 0:33:07 | |
Jez, please give me an answer. | 0:33:07 | 0:33:09 | |
Ruby. | 0:33:09 | 0:33:10 | |
-Correct. Rob. -Silver. | 0:33:10 | 0:33:14 | |
-Correct. Jez. -Wood. | 0:33:14 | 0:33:17 | |
-Correct. Rob. -Platinum. | 0:33:17 | 0:33:20 | |
-Correct. Jez. -Paper. | 0:33:20 | 0:33:23 | |
-Correct. Rob. -Wood. | 0:33:23 | 0:33:26 | |
A repeat! That is a repeat! | 0:33:26 | 0:33:29 | |
Well done. OK, Jez, you're in. | 0:33:29 | 0:33:32 | |
Think very, very carefully. Think very, very carefully. | 0:33:32 | 0:33:36 | |
We know that, in that collection of lots that Rob and Scott have, | 0:33:36 | 0:33:41 | |
there is the worthless lot, | 0:33:41 | 0:33:43 | |
there is the top lot. | 0:33:43 | 0:33:44 | |
Pick very carefully, please, Kath. | 0:33:46 | 0:33:48 | |
I want my budgie back. | 0:33:52 | 0:33:54 | |
Budgie. Budgie, would you please fly away from Rob and Scott | 0:33:54 | 0:33:58 | |
and land in Kath and Jez's collection. | 0:33:58 | 0:34:02 | |
That's it. Your collections are now fixed | 0:34:02 | 0:34:05 | |
and will determine which team is victorious. | 0:34:05 | 0:34:08 | |
It's time to find out who are today's winners. | 0:34:08 | 0:34:11 | |
Charles, who's got the most valuable collection? | 0:34:11 | 0:34:15 | |
I can reveal | 0:34:16 | 0:34:19 | |
that the team... | 0:34:19 | 0:34:20 | |
..with the most valuable collection... | 0:34:22 | 0:34:25 | |
..and the winners | 0:34:26 | 0:34:28 | |
of today's show... | 0:34:28 | 0:34:31 | |
..are... | 0:34:32 | 0:34:33 | |
-..Kath and Jez. -Oh, my goodness! -No way! -Yes way! | 0:34:36 | 0:34:40 | |
-High five, then! -One lot! | 0:34:42 | 0:34:46 | |
Wow. That is amazing. Can you believe that one lot will beat six lots? | 0:34:46 | 0:34:51 | |
That is extraordinary. Rob and Scott, you've been amazing, | 0:34:51 | 0:34:54 | |
but you were beaten by one little budgie. | 0:34:54 | 0:34:57 | |
Our huge commiserations to you. | 0:34:57 | 0:34:59 | |
You didn't create a valuable enough collection. | 0:34:59 | 0:35:01 | |
But before we say goodbye, we want to find out... | 0:35:01 | 0:35:05 | |
-Definitely. -..what items are also leaving the game | 0:35:05 | 0:35:08 | |
and what they are worth. | 0:35:08 | 0:35:10 | |
Charles, let's value the first item, the medal. | 0:35:10 | 0:35:13 | |
Absolutely. It had that sentiment, it was a good object. | 0:35:13 | 0:35:16 | |
-It was worth £200. -Wow. -Thought it'd be more than that. | 0:35:16 | 0:35:21 | |
Next was the painting. | 0:35:21 | 0:35:22 | |
That picture, Scott, | 0:35:22 | 0:35:24 | |
you loved and it's great to see that passion for the aesthetic | 0:35:24 | 0:35:28 | |
and that's a real aesthetic picture - just gorgeous, | 0:35:28 | 0:35:31 | |
in a book illustration, good value. | 0:35:31 | 0:35:34 | |
£350. | 0:35:34 | 0:35:37 | |
OK, what's next? | 0:35:37 | 0:35:39 | |
Oh, the spoon warmer! | 0:35:39 | 0:35:41 | |
A great object, a real bygone, so sophisticated for you guys | 0:35:41 | 0:35:46 | |
and I'm pleased it was in your horde. It's lovely. | 0:35:46 | 0:35:50 | |
It warmed me in value, a cracking object. | 0:35:50 | 0:35:53 | |
£500, so well done. | 0:35:53 | 0:35:56 | |
And the next lot is... | 0:35:56 | 0:35:58 | |
Right, how much is this hideous decorative mask? | 0:35:58 | 0:36:01 | |
This was the first thing you bought and I knew straight away | 0:36:01 | 0:36:04 | |
you had that interest in the Troika mask of the 1970s. | 0:36:04 | 0:36:07 | |
Importantly, when you viewed it, guys, | 0:36:07 | 0:36:10 | |
you saw it was in lovely condition. | 0:36:10 | 0:36:12 | |
There were no chips, no issues | 0:36:12 | 0:36:14 | |
and that makes a modern-day collectible importantly valuable. | 0:36:14 | 0:36:18 | |
£600... | 0:36:18 | 0:36:20 | |
-Wow! -..was its value, so well done. | 0:36:20 | 0:36:23 | |
-The next object - again, Jez, you liked this. -Yeah! -Of course. | 0:36:23 | 0:36:29 | |
A really nice object. This was your Shew Eclipse wet plate camera. | 0:36:29 | 0:36:34 | |
All there, all complete, so vintage, late Victorian. | 0:36:34 | 0:36:39 | |
Lovely colour as well. It was worth £750. | 0:36:39 | 0:36:45 | |
-Wow. -Gosh. -Goodness. | 0:36:45 | 0:36:46 | |
You have a good eye in there, Rob and Scott, you really do. | 0:36:46 | 0:36:51 | |
-And the next one? -And it kept on going. | 0:36:51 | 0:36:53 | |
You had more and I love the blue, Fern, by the way. | 0:36:53 | 0:36:57 | |
These goblets are very much that kitsch 1950s... Great objects. | 0:36:57 | 0:37:03 | |
They were kitsch of a time, but today their value is just about... | 0:37:03 | 0:37:10 | |
worthless. | 0:37:10 | 0:37:11 | |
-LAUGHTER -Sorry! -Oh! | 0:37:11 | 0:37:14 | |
You did accrue a wonderful collection, which had a value... | 0:37:14 | 0:37:19 | |
Of £2,400. | 0:37:19 | 0:37:22 | |
-Oh, my God! -Well, thank you, Charles. | 0:37:22 | 0:37:24 | |
-Pleasure. -And thank you so much, Rob and Scott, | 0:37:24 | 0:37:26 | |
for playing For What It's Worth, brilliant. | 0:37:26 | 0:37:30 | |
If we'd have picked some of those items, | 0:37:31 | 0:37:33 | |
we probably would have been able to beat the budgie, you know. | 0:37:33 | 0:37:37 | |
-He's blaming me now. -No, I'm not, no! | 0:37:37 | 0:37:40 | |
Well done, Cath and Jez. You were incredible. | 0:37:46 | 0:37:50 | |
You built the most valuable collection with just one item, | 0:37:50 | 0:37:54 | |
the crucial top lot. | 0:37:54 | 0:37:57 | |
Tell me, is it because you loved it, | 0:37:57 | 0:37:59 | |
or because you really thought it was worth the money? | 0:37:59 | 0:38:02 | |
I did genuinely love it. | 0:38:02 | 0:38:03 | |
So you obviously know that this is worth £2,500. | 0:38:03 | 0:38:06 | |
But I tell you what - | 0:38:08 | 0:38:09 | |
can we tempt you with something which might be worth even more? | 0:38:09 | 0:38:13 | |
-There's little budgie. Tell us about him, Charles. -He's just a... | 0:38:15 | 0:38:19 | |
As you say, he flew a flight of fancy. | 0:38:19 | 0:38:22 | |
He is so wonderful in that he will date to 1882. | 0:38:22 | 0:38:26 | |
What's remarkable is that these budgies had glass bodies | 0:38:26 | 0:38:30 | |
in that period - he's got a silver, | 0:38:30 | 0:38:32 | |
solid body that has also unusually been enamelled as well. | 0:38:32 | 0:38:37 | |
Made by a great man at first, Alexander Crichton, | 0:38:37 | 0:38:40 | |
-who was so luxurious, he went bust. -Oh! | 0:38:40 | 0:38:44 | |
And Sampson Mordan, another very important name, | 0:38:44 | 0:38:47 | |
overstamped his mark and, of course, you can lift the lid, Fern. | 0:38:47 | 0:38:51 | |
-Cos it's hinged at the back. -It is. -If you lift his beak up, watch this. | 0:38:51 | 0:38:56 | |
-Oh! -Can you see? | 0:38:56 | 0:38:57 | |
There's the glass stopper - I won't take it out - | 0:38:57 | 0:39:00 | |
-that's the chamber for the perfume. -Yeah. | 0:39:00 | 0:39:03 | |
That is life-sized, that is the real size of a budgie, isn't it? | 0:39:03 | 0:39:06 | |
It is, and look at the feathery chased detail on the bird. | 0:39:06 | 0:39:10 | |
Look at those glass eyes and clearly he was in your nest at the very end. | 0:39:10 | 0:39:15 | |
But we don't want you just to have that to decide on. | 0:39:15 | 0:39:19 | |
-We want to tempt you with the mystery item. -Quite right. -Charles. | 0:39:19 | 0:39:24 | |
This is some mystery item. | 0:39:24 | 0:39:26 | |
-There we go. -Ah. | 0:39:28 | 0:39:30 | |
-OK! -Doesn't look quite as beautiful as budgie, does he? | 0:39:30 | 0:39:34 | |
But we've learned beauty need not be in the eye of the beholder. | 0:39:34 | 0:39:37 | |
This was made a short time after a man called Thomas Chippendale. | 0:39:37 | 0:39:43 | |
It would date to around 1770 and behind its, I suppose, | 0:39:43 | 0:39:48 | |
neat facade and tapering legs and shaped apron, | 0:39:48 | 0:39:52 | |
the slim lid reveals a secret. | 0:39:52 | 0:39:55 | |
Do you fancy, Fern, taking the lid off for me? | 0:39:55 | 0:39:58 | |
And if you were a Georgian dandy at your dining table, | 0:39:58 | 0:40:01 | |
drinking port and maybe enjoying the successes of life, | 0:40:01 | 0:40:06 | |
you would have your commode not too far away from you in around 1770. | 0:40:06 | 0:40:11 | |
So the chamber pot would have been | 0:40:11 | 0:40:13 | |
just something else that was portable in there? | 0:40:13 | 0:40:15 | |
The ceramic pot would have been taken away by the maid. | 0:40:15 | 0:40:18 | |
What's lovely is this dished oak lid | 0:40:18 | 0:40:22 | |
over this gorgeous mahogany timber. | 0:40:22 | 0:40:25 | |
Mahogany was expensive, luxurious and it came in the mid-18th century. | 0:40:25 | 0:40:30 | |
I love the colour. | 0:40:30 | 0:40:32 | |
Colour, patination, condition, | 0:40:32 | 0:40:35 | |
originality is what exists in this... | 0:40:35 | 0:40:40 | |
object. | 0:40:40 | 0:40:41 | |
So all that's left for you to decide is stick with Boo-Boo the budgie | 0:40:41 | 0:40:46 | |
or dump him in favour of... | 0:40:46 | 0:40:49 | |
LAUGHTER | 0:40:49 | 0:40:51 | |
-..today's mystery lot? -Ohhh... | 0:40:51 | 0:40:55 | |
I think we've been superseded by flushing toilets now, | 0:40:55 | 0:40:58 | |
so how useful would it be to have? | 0:40:58 | 0:41:00 | |
Would you like to have that sat in your living room as a talking piece? | 0:41:00 | 0:41:04 | |
I'd rather have the budgie. | 0:41:07 | 0:41:08 | |
-I want my budgie. -Yes? | 0:41:10 | 0:41:11 | |
-Jez, do you agree? -I absolutely agree. | 0:41:11 | 0:41:14 | |
-You're going with this beautiful little budgie. -I love him. | 0:41:14 | 0:41:16 | |
I think he's won everybody's hearts and everybody at home too. | 0:41:16 | 0:41:20 | |
So this has now been rejected. | 0:41:20 | 0:41:22 | |
Charles, what is it worth? | 0:41:22 | 0:41:24 | |
You've left something that was made 150 years before the budgie. | 0:41:24 | 0:41:28 | |
The budgie gave you luck, but you stayed with it. | 0:41:28 | 0:41:32 | |
This commode... | 0:41:32 | 0:41:33 | |
my passion is if only it could talk. | 0:41:33 | 0:41:36 | |
Who has sat on it, what homes has it been in across our great country? | 0:41:36 | 0:41:40 | |
It is high and mighty, from a noble household. | 0:41:40 | 0:41:44 | |
The market for furniture of these small types is buoyant | 0:41:44 | 0:41:48 | |
for originality, but despite all I can tell you, | 0:41:48 | 0:41:53 | |
this commode today on the open auction market... | 0:41:53 | 0:41:57 | |
..is worth £160. | 0:42:01 | 0:42:03 | |
THEY WHOOP | 0:42:03 | 0:42:05 | |
-Well done. -Fantastic! | 0:42:08 | 0:42:09 | |
-Oh, well done, Cath! -Thank you. -That was great, well done, Jez. | 0:42:09 | 0:42:14 | |
-Oh, my goodness, what a game! -What a game. | 0:42:14 | 0:42:17 | |
I'm almost lost for words, because you stuck with that budgie | 0:42:17 | 0:42:21 | |
-and he brought back the rewards, well done. -He did. | 0:42:21 | 0:42:24 | |
-Charles, thank you so much for lending us your expertise. -Pleasure. | 0:42:24 | 0:42:27 | |
As always, it's been wonderful. | 0:42:27 | 0:42:29 | |
Kath and Jez, we're full of admiration for you. | 0:42:29 | 0:42:32 | |
Congratulations, you are today's winner and they go home with £2,500. | 0:42:32 | 0:42:36 | |
Phew! Are you exhausted? Did you pick the budgie? | 0:42:36 | 0:42:39 | |
We'd love to see you again next time when three new teams join me | 0:42:39 | 0:42:43 | |
to play For What It's Worth. | 0:42:43 | 0:42:45 | |
We'll see you then, bye-bye. | 0:42:45 | 0:42:46 | |
Uh, ecstatic, I'm shocked. I'm shaking, I can't believe it. | 0:42:53 | 0:42:58 | |
Elated! I feel like a thief in the night, but I'm still elated. | 0:42:58 | 0:43:02 | |
I'll have it, I'll take it. | 0:43:02 | 0:43:03 | |
Thank you! | 0:43:03 | 0:43:05 |