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Hello and welcome to For What It's Worth, | 0:00:15 | 0:00:18 | |
the show that puts your general knowledge through the wringer | 0:00:18 | 0:00:21 | |
and your antiques expertise to the test. | 0:00:21 | 0:00:24 | |
We've got three pairs of contestants who are ready to play | 0:00:24 | 0:00:26 | |
and each team has a quizzer | 0:00:26 | 0:00:28 | |
who has to answer a general knowledge question correctly | 0:00:28 | 0:00:30 | |
so that their partner, the picker, has a chance to choose an antique | 0:00:30 | 0:00:34 | |
or collectable and build a collection. | 0:00:34 | 0:00:36 | |
The aim of the game is to amass the most valuable collection. | 0:00:36 | 0:00:40 | |
And joining me today in the studio is a man who sleeps, | 0:00:40 | 0:00:43 | |
breathes and eats antiques. | 0:00:43 | 0:00:45 | |
Let's hope he's already had his lunch. | 0:00:45 | 0:00:47 | |
Would you please welcome our antiques expert, David Harper. | 0:00:47 | 0:00:50 | |
Well... | 0:00:50 | 0:00:51 | |
..that's the best introduction I've ever had. | 0:00:54 | 0:00:57 | |
-Today. -Thank you, Fern. Yeah. | 0:00:57 | 0:00:59 | |
David, what have we got for our contestants today? | 0:00:59 | 0:01:02 | |
Oh, Fern, I can tell you. OK, team, certainly. | 0:01:02 | 0:01:05 | |
For your consideration today, we have... | 0:01:05 | 0:01:09 | |
A textile, | 0:01:10 | 0:01:12 | |
a clock, | 0:01:12 | 0:01:13 | |
a jar, | 0:01:13 | 0:01:15 | |
an accordion, | 0:01:15 | 0:01:17 | |
a jug, | 0:01:17 | 0:01:18 | |
a ring, | 0:01:18 | 0:01:20 | |
books... | 0:01:20 | 0:01:21 | |
..a coin, | 0:01:22 | 0:01:24 | |
a box, | 0:01:24 | 0:01:25 | |
a table, | 0:01:25 | 0:01:27 | |
a vanity kit | 0:01:27 | 0:01:29 | |
and a plaque. | 0:01:29 | 0:01:30 | |
Now, one of these items is our top lot and it's worth of whopping | 0:01:32 | 0:01:36 | |
£2,500. | 0:01:36 | 0:01:37 | |
That is the lot to spot, teams, because at the end of the show, | 0:01:37 | 0:01:41 | |
the winning pair will walk away with the cash equivalent of one of their items. | 0:01:41 | 0:01:45 | |
But beware, because the lots decrease in value | 0:01:45 | 0:01:47 | |
right down to our worthless lot, which is a tenner or less. | 0:01:47 | 0:01:51 | |
That is the lot to avoid. | 0:01:51 | 0:01:53 | |
So, who's playing today? Well, let's meet our teams. | 0:01:53 | 0:01:56 | |
Team 1, who are you? | 0:01:56 | 0:01:57 | |
Hello, Fern, I'm Richard and my team-mate is my younger son, Tom. | 0:01:57 | 0:02:01 | |
Hi, Fern. I'm just hoping this experience will stop my dad | 0:02:01 | 0:02:04 | |
-from going on about his caddy spoons. -Caddy spoons? | 0:02:04 | 0:02:07 | |
Well, we'll hear more about that later. | 0:02:07 | 0:02:09 | |
Thank you. Team 2, who are you? | 0:02:09 | 0:02:11 | |
Hello, Fern, I'm Jane, I'm from Aberdeen and this is my friend Mel. | 0:02:11 | 0:02:16 | |
Hello, Fern, I'm also from Aberdeen. | 0:02:16 | 0:02:18 | |
We live in a small village just outside, actually, | 0:02:18 | 0:02:20 | |
and we're quite fond of quizzing. | 0:02:20 | 0:02:22 | |
Ooh. Is that code for, "We're blooming good"? | 0:02:22 | 0:02:24 | |
"We're very good at quizzes", yes. | 0:02:24 | 0:02:26 | |
I think so. Welcome, girls. | 0:02:26 | 0:02:28 | |
Team 3, who are you? | 0:02:28 | 0:02:29 | |
Hi, Fern, my name is Philip and this is my wife Elizabeth. | 0:02:29 | 0:02:32 | |
And we're puppy walkers for the Guide Dogs for the Blind Association | 0:02:32 | 0:02:35 | |
and we come from Loudwater in High Wycombe. | 0:02:35 | 0:02:37 | |
Very nice to meet you. | 0:02:37 | 0:02:39 | |
Very nice to meet you. Good luck, teams. | 0:02:39 | 0:02:41 | |
Now, earlier, our teams got to inspect our lots, | 0:02:41 | 0:02:44 | |
watched over by our expert, David. | 0:02:44 | 0:02:46 | |
But could they separate the awfully good from the just plain awful? | 0:02:46 | 0:02:51 | |
Let's see. | 0:02:51 | 0:02:52 | |
Eclectic collection today. | 0:02:54 | 0:02:55 | |
Oh, my. | 0:02:55 | 0:02:56 | |
What have we got in here? | 0:02:57 | 0:02:58 | |
-Oh, wow. -Oh, yeah. | 0:02:58 | 0:03:00 | |
Let's start over here with the jar. | 0:03:03 | 0:03:05 | |
Italian Majolica. | 0:03:05 | 0:03:06 | |
Majolica, is it? | 0:03:06 | 0:03:08 | |
Get a...feeling about this one. | 0:03:10 | 0:03:12 | |
This business is about that. | 0:03:12 | 0:03:14 | |
Tap into those emotional feelings. | 0:03:14 | 0:03:16 | |
1770... 1790... | 0:03:18 | 0:03:22 | |
-BOTH: -A gaming table. | 0:03:22 | 0:03:23 | |
Straight in, no mucking about. | 0:03:23 | 0:03:25 | |
Celebrating the marriage of Prince Charles... | 0:03:27 | 0:03:30 | |
-Yes, yes. -..and Lady Diana Spencer. | 0:03:30 | 0:03:32 | |
It's got the maker's Mark... | 0:03:32 | 0:03:33 | |
Oh, it's Mappin & Webb, London. | 0:03:33 | 0:03:35 | |
-Oh. -Oh. -THEY LAUGH | 0:03:35 | 0:03:38 | |
Yeah, look at the box, says Mappin & Webb. | 0:03:38 | 0:03:40 | |
Possibly in a limited edition. | 0:03:40 | 0:03:42 | |
Could be. | 0:03:42 | 0:03:43 | |
It's got some typical Italianate ruins in the background. | 0:03:44 | 0:03:48 | |
A little shepherd boy, no doubt. | 0:03:48 | 0:03:51 | |
Load of numbers, so it must have been from a run. | 0:03:51 | 0:03:54 | |
Oh, so he's saying it's a limited edition. | 0:03:54 | 0:03:56 | |
-Native American. It's wool. -Woollen. | 0:03:58 | 0:04:01 | |
I think that the one that's not worth anything. | 0:04:01 | 0:04:03 | |
Yeah, but it's terribly obviously looking like it's not worth a lot, | 0:04:03 | 0:04:06 | |
-don't you think? -Would we really entrap you? | 0:04:06 | 0:04:09 | |
Looks old. Been stapled. | 0:04:11 | 0:04:13 | |
It's been broken and the handle's been reattached. | 0:04:14 | 0:04:17 | |
The books, I'm interested in. | 0:04:19 | 0:04:20 | |
Pope's Alexander Pope. | 0:04:20 | 0:04:22 | |
-It depends... -On the author and... | 0:04:23 | 0:04:25 | |
-..and what's inside them. -Mm-hmm. Yeah. | 0:04:25 | 0:04:30 | |
-It's repousse work. -Mm-hmm. | 0:04:30 | 0:04:33 | |
That's fully hallmarked again. | 0:04:33 | 0:04:35 | |
-Now, is that Chester? -You are too good, Richard. | 0:04:35 | 0:04:38 | |
-I can't even read it, so... -No. -..it's old. | 0:04:41 | 0:04:44 | |
That's Greek. | 0:04:44 | 0:04:45 | |
The earliest ones didn't have the piano keys. | 0:04:48 | 0:04:49 | |
So this is quite a late one, I would think. | 0:04:49 | 0:04:52 | |
-I would think. -Good deductions there, you two. | 0:04:52 | 0:04:54 | |
Looks like the original leather straps and case. | 0:04:54 | 0:04:57 | |
-Cameo? -I think that's Victorian. | 0:04:58 | 0:05:01 | |
It's very sweet. It's very small, as well. | 0:05:01 | 0:05:03 | |
The tops are all initialled, | 0:05:05 | 0:05:07 | |
but it's tarnished. | 0:05:07 | 0:05:09 | |
Oh, that's lovely. Silver. | 0:05:09 | 0:05:11 | |
Is it silver or plated? | 0:05:11 | 0:05:12 | |
-Have a good look. -So, top lot, we're going for the jar. | 0:05:12 | 0:05:14 | |
Yeah, I think so, yeah. | 0:05:14 | 0:05:16 | |
Jar or the clock, maybe. | 0:05:16 | 0:05:17 | |
The majolica pot. | 0:05:17 | 0:05:19 | |
Jug... | 0:05:19 | 0:05:21 | |
-Clock... -Clock... -BOTH: -Plaque. | 0:05:21 | 0:05:23 | |
And then bottom would be... | 0:05:23 | 0:05:24 | |
-What do we think? -Textiles and the vanity kit. -Yeah. | 0:05:24 | 0:05:27 | |
Well, I'm going to go for the jug. | 0:05:27 | 0:05:29 | |
I think the little glass jug will be my bottom one. | 0:05:29 | 0:05:32 | |
Yeah, I'm not sure about that, but fair enough. | 0:05:33 | 0:05:35 | |
OK, we'll beg to differ. | 0:05:35 | 0:05:38 | |
Yes, we will, this time! | 0:05:38 | 0:05:40 | |
Oh, that that must be so much fun, | 0:05:40 | 0:05:42 | |
listening to them as they go round. | 0:05:42 | 0:05:43 | |
Honestly, you really do miss out. | 0:05:43 | 0:05:45 | |
There was some speed, there was dashing around, there's a bit of dawdling, | 0:05:45 | 0:05:49 | |
there's lots of indecision, | 0:05:49 | 0:05:50 | |
but there was a bit of passion in that room, | 0:05:50 | 0:05:52 | |
Fern, as well, you would have loved it. | 0:05:52 | 0:05:54 | |
And how do you come to the valuation of these goods? | 0:05:54 | 0:05:56 | |
Well, very simply, | 0:05:56 | 0:05:58 | |
the values, teams, are agreed between myself | 0:05:58 | 0:06:01 | |
and another independent valuer and they're based on the hammer price. | 0:06:01 | 0:06:05 | |
That's the price something we expect to make in an auction, | 0:06:05 | 0:06:09 | |
but not including the auction fees or costs. | 0:06:09 | 0:06:12 | |
Just to add an extra twist, we have our mystery lot. | 0:06:13 | 0:06:17 | |
Now, it could be worth thousands | 0:06:17 | 0:06:19 | |
or it could be worth very little at all. | 0:06:19 | 0:06:21 | |
That is for our winners to decide later. | 0:06:21 | 0:06:24 | |
But for now, it's time for Round 1. | 0:06:24 | 0:06:26 | |
I'm going to ask eight General Knowledge questions. | 0:06:29 | 0:06:32 | |
Pickers, before each one, | 0:06:32 | 0:06:34 | |
I'll ask you to select which lot you would like to play for. | 0:06:34 | 0:06:37 | |
And, quizzers, if you buzz in with a correct answer, | 0:06:37 | 0:06:39 | |
you'll get to add it to your collection. | 0:06:39 | 0:06:41 | |
But beware, if you buzz in incorrectly, | 0:06:41 | 0:06:44 | |
you will be frozen out of the next question. | 0:06:44 | 0:06:46 | |
So, pickers, please make your first pick. | 0:06:46 | 0:06:48 | |
Let's see what you want. | 0:06:52 | 0:06:53 | |
Tom and Richard have gone for the clock. | 0:06:55 | 0:06:57 | |
Mel and Jane want the jar. | 0:06:57 | 0:07:00 | |
Philip and Elizabeth want the plaque. | 0:07:00 | 0:07:02 | |
Well, quizzers, fingers on buzzers. Here's question number one. | 0:07:02 | 0:07:06 | |
Which English New Wave band | 0:07:06 | 0:07:08 | |
had worldwide hits with Lifeline and True? | 0:07:08 | 0:07:11 | |
-BELL RINGS Yes, Philip? -Spandau Ballet. | 0:07:11 | 0:07:14 | |
Correct. Spandau Ballet. The plaque is yours. | 0:07:14 | 0:07:18 | |
That's started off your collection. | 0:07:18 | 0:07:20 | |
Pickers, make a pick. | 0:07:20 | 0:07:21 | |
Let's see what you want. | 0:07:23 | 0:07:25 | |
Tom and Richard are going for the table, | 0:07:27 | 0:07:29 | |
Mel and Jane want the ring, | 0:07:29 | 0:07:31 | |
Philip and Elizabeth want the books. | 0:07:31 | 0:07:33 | |
Question 2, quizzers. | 0:07:33 | 0:07:35 | |
Poinsettia plants are particularly associated | 0:07:35 | 0:07:37 | |
with which annual holiday? | 0:07:37 | 0:07:39 | |
-BELL RINGS Yes, Philip? -Christmas. | 0:07:39 | 0:07:41 | |
Correct. The books are yours. | 0:07:41 | 0:07:43 | |
Pickers, make a pick. | 0:07:45 | 0:07:46 | |
Let's see what you want. | 0:07:49 | 0:07:50 | |
Tom and Richard want the jar, | 0:07:52 | 0:07:53 | |
Mel and Jane want the accordion, | 0:07:53 | 0:07:55 | |
Philip and Elizabeth want the clock. | 0:07:55 | 0:07:57 | |
Question 3, quizzers. | 0:07:57 | 0:07:59 | |
In EastEnders, which actress plays Kat Moon? | 0:07:59 | 0:08:02 | |
Out of time. Not EastEnders fans? | 0:08:08 | 0:08:11 | |
It's Jessie Wallace. | 0:08:11 | 0:08:12 | |
Jessie Wallace. Pickers, make a pick. | 0:08:12 | 0:08:15 | |
Let's see what you want. | 0:08:15 | 0:08:18 | |
Tom and Richard want the clock, | 0:08:18 | 0:08:20 | |
Mel and Jane want the jar | 0:08:20 | 0:08:22 | |
and Philip and Elizabeth still want the clock. | 0:08:22 | 0:08:25 | |
Question 4, quizzers, what name is given to the enclosed, | 0:08:25 | 0:08:28 | |
raised platform in a church from which a preacher delivers sermons? | 0:08:28 | 0:08:32 | |
-BELL RINGS Yes, Tom? -Pulpit. | 0:08:32 | 0:08:34 | |
Pulpit is correct and the clock is yours. | 0:08:34 | 0:08:37 | |
Nice one, son. | 0:08:37 | 0:08:38 | |
Pickers, make a pick. | 0:08:39 | 0:08:40 | |
Let's see what you want. | 0:08:43 | 0:08:45 | |
Tom and Richard want the jar, | 0:08:46 | 0:08:48 | |
Mel and Jane still want the accordion, | 0:08:48 | 0:08:51 | |
Philip and Elizabeth also want the jar. | 0:08:51 | 0:08:54 | |
OK, who's going to get it? | 0:08:54 | 0:08:55 | |
Question 5 - what was the first name of Daniel Day-Lewis' | 0:08:55 | 0:08:58 | |
poet laureate father? BELL RINGS | 0:08:58 | 0:09:00 | |
-Yes, Mel? -Cecil. | 0:09:00 | 0:09:02 | |
It is Cecil. | 0:09:02 | 0:09:03 | |
Mel, the accordion is yours. | 0:09:03 | 0:09:05 | |
Great. | 0:09:06 | 0:09:07 | |
Pickers, make a pick. | 0:09:08 | 0:09:10 | |
Let's see what you want. | 0:09:11 | 0:09:12 | |
Oh! | 0:09:14 | 0:09:15 | |
You are all chasing the jar. | 0:09:15 | 0:09:17 | |
Who's going to get it? | 0:09:17 | 0:09:18 | |
Here's the question, quizzers. | 0:09:18 | 0:09:20 | |
Which children's cartoon series | 0:09:20 | 0:09:22 | |
features the character Angelica Pickles? | 0:09:22 | 0:09:24 | |
BELL RINGS Philip. | 0:09:30 | 0:09:32 | |
Peppa Pig. | 0:09:32 | 0:09:34 | |
Ooh, bad luck, the answer is Rugrats. | 0:09:34 | 0:09:37 | |
Philip and Elizabeth, you are now frozen out of the next question. | 0:09:37 | 0:09:41 | |
Pickers, make a pick. | 0:09:41 | 0:09:42 | |
Let's see what you want. | 0:09:45 | 0:09:47 | |
-Oh. -Oh. LAUGHTER | 0:09:48 | 0:09:50 | |
The jar is hotly-contested. | 0:09:51 | 0:09:53 | |
Here we go. Question 7 - | 0:09:53 | 0:09:55 | |
which dessert has a name derived from the French for white food? | 0:09:55 | 0:09:59 | |
-BELL RINGS Yes, Mel. -Blancmange. | 0:10:01 | 0:10:03 | |
Blancmange is right. | 0:10:03 | 0:10:05 | |
The jar is yours. | 0:10:05 | 0:10:07 | |
Philip and Elizabeth, you're back in the game. | 0:10:07 | 0:10:09 | |
Final question and final pick, please. | 0:10:09 | 0:10:12 | |
Let's see what you want. | 0:10:13 | 0:10:15 | |
Tom and Richard want the table, | 0:10:17 | 0:10:18 | |
Mel and Jane want the box, | 0:10:18 | 0:10:20 | |
Philip and Elizabeth want the ring. | 0:10:20 | 0:10:23 | |
Which bicycle with a large front wheel takes its name from... | 0:10:23 | 0:10:25 | |
-BELL RINGS Yes, Mel. -Penny Farthing. | 0:10:25 | 0:10:27 | |
Which bicycle with a large front wheel takes its name | 0:10:27 | 0:10:30 | |
from two British coins? It is of course the penny and the farthing. | 0:10:30 | 0:10:33 | |
Well done. Well, everybody is off the blocks. | 0:10:33 | 0:10:35 | |
Let's have a look at your collections at the end of Round 1. | 0:10:35 | 0:10:39 | |
Tom and Richard have the clock. | 0:10:39 | 0:10:41 | |
Mel and Jane have the accordion, | 0:10:41 | 0:10:44 | |
the box and the jar. | 0:10:44 | 0:10:46 | |
Philip and Elizabeth have the plaque | 0:10:46 | 0:10:48 | |
and the books. | 0:10:48 | 0:10:50 | |
So, our teams have started to build their collections, | 0:10:50 | 0:10:53 | |
but have they chosen wisely? | 0:10:53 | 0:10:55 | |
Well, before they have the chance to add more of them, | 0:10:55 | 0:10:57 | |
David is going to give each pair a fact about a lot of their choice, | 0:10:57 | 0:11:01 | |
which should be everything they need to know to make a valuation. | 0:11:01 | 0:11:05 | |
But let's find out some more about you. | 0:11:05 | 0:11:07 | |
-Tom? -I used to be heavily into karate. | 0:11:07 | 0:11:10 | |
Did you get right up to the black belt? | 0:11:10 | 0:11:12 | |
Not quite, unfortunately. | 0:11:12 | 0:11:14 | |
Poor thing, and this is the boy | 0:11:14 | 0:11:16 | |
who grew up wanting to be Rambo, Richard? | 0:11:16 | 0:11:18 | |
-LAUGHTER -Certainly did, yes. | 0:11:18 | 0:11:21 | |
He had the outfit and a row of bullets around his chest | 0:11:22 | 0:11:27 | |
and he used to swing from the apple tree at the top of the garden. | 0:11:27 | 0:11:31 | |
Richard, what do you do? | 0:11:32 | 0:11:34 | |
I'm a minerals engineering consultant. | 0:11:34 | 0:11:37 | |
Ooh. So, looking for... | 0:11:38 | 0:11:41 | |
Sort of, kind of geology thing, is it? | 0:11:41 | 0:11:43 | |
My job is basically to increase the value of any mineral | 0:11:43 | 0:11:46 | |
by removing the waste material from it. | 0:11:46 | 0:11:49 | |
Clever. So, what do you collect? | 0:11:49 | 0:11:51 | |
I collect... | 0:11:53 | 0:11:54 | |
As my son has already mentioned, I collect caddy spoons. | 0:11:54 | 0:11:57 | |
I also collect 20th-century Worcester porcelain | 0:11:57 | 0:12:01 | |
painted by William Powell, | 0:12:01 | 0:12:03 | |
who is one of the best Worcester artists | 0:12:03 | 0:12:05 | |
for painting British songbirds. | 0:12:05 | 0:12:07 | |
It's lovely to have you both here, Tom and Richard, | 0:12:07 | 0:12:10 | |
so, which lot would you like to know more about? | 0:12:10 | 0:12:12 | |
I'd like to know more about the books, please. | 0:12:12 | 0:12:14 | |
The books are in Philip and Elizabeth's collection. | 0:12:14 | 0:12:17 | |
The books. Now, Alexander Pope was an 18th-century English poet, | 0:12:17 | 0:12:21 | |
best known for his satirical verse. | 0:12:21 | 0:12:23 | |
So significant is his work that, after Shakespeare, | 0:12:23 | 0:12:27 | |
he is the second most quoted writer | 0:12:27 | 0:12:30 | |
in the Oxford Dictionary Of Quotations. | 0:12:30 | 0:12:33 | |
This set of his works is made up of six volumes. | 0:12:33 | 0:12:37 | |
Now, we don't think they're first editions, | 0:12:37 | 0:12:39 | |
but they are in good condition considering their age. | 0:12:39 | 0:12:43 | |
Now, the words within, guys, are priceless. | 0:12:43 | 0:12:47 | |
But you've got to ask yourself, what value can we put on the books? | 0:12:47 | 0:12:52 | |
-It's over to you. -Mmm. | 0:12:52 | 0:12:55 | |
Tom and Richard, have a think about that, while we meet Mel and Jane. | 0:12:55 | 0:12:59 | |
Lovely to have you here. Mel, what do you do? | 0:12:59 | 0:13:01 | |
Well, I am partly retired. | 0:13:01 | 0:13:05 | |
I worked for a long time in the oil and gas industry | 0:13:05 | 0:13:08 | |
as a communications manager. | 0:13:08 | 0:13:11 | |
I'm quite involved in a number of things externally - | 0:13:11 | 0:13:14 | |
couple of charitable boards, | 0:13:14 | 0:13:15 | |
I'm also involved with the University of Aberdeen. | 0:13:15 | 0:13:17 | |
You are busy. And you also are a burgess? | 0:13:17 | 0:13:20 | |
It's a very historic thing. | 0:13:20 | 0:13:21 | |
It's the Burgesses of Guild | 0:13:21 | 0:13:23 | |
and it goes back to the reign of Alexander II in Scotland. | 0:13:23 | 0:13:27 | |
In its time, it was about defending... | 0:13:27 | 0:13:29 | |
The citizens who defended the city. | 0:13:29 | 0:13:33 | |
Now, it's more to do with really promoting... | 0:13:33 | 0:13:35 | |
you know, promoting the image, I guess, of the city. | 0:13:35 | 0:13:38 | |
And I hope I'm doing that now, quite well, | 0:13:38 | 0:13:40 | |
-but we'll see. -It's very good. | 0:13:40 | 0:13:42 | |
A burgess, indeed. | 0:13:42 | 0:13:43 | |
What do you do, Jane? | 0:13:43 | 0:13:45 | |
I design and make stained-glass windows. | 0:13:45 | 0:13:48 | |
And your interest in antiques came from your mum in the pub? | 0:13:48 | 0:13:53 | |
Some of her clientele didn't pay their bar bills, | 0:13:53 | 0:13:58 | |
so she was paid in antiques. | 0:13:58 | 0:14:02 | |
Your mother must have had a heart of gold. | 0:14:02 | 0:14:04 | |
No, I just don't think she understood antiques! | 0:14:04 | 0:14:07 | |
Right, what lot would you like to know more about? | 0:14:08 | 0:14:10 | |
I'll just go for the ring, please. | 0:14:11 | 0:14:14 | |
The ring. OK, look at that. | 0:14:14 | 0:14:16 | |
Now, you two, this lovely little item is a cameo ring, | 0:14:16 | 0:14:21 | |
and the most popular cameos today | 0:14:21 | 0:14:23 | |
are carved in seashells just like that. | 0:14:23 | 0:14:27 | |
Now, it is a tradition that began around the 15th century | 0:14:27 | 0:14:30 | |
and was popularised by our very own Queen Victoria. | 0:14:30 | 0:14:34 | |
Now, this ring is 9 carat gold and is in good condition. | 0:14:34 | 0:14:39 | |
Now, these are enduringly popular items of jewellery | 0:14:39 | 0:14:43 | |
and they have long-standing commercial value. | 0:14:43 | 0:14:47 | |
So, you two, will this ring be making a cameo appearance | 0:14:47 | 0:14:52 | |
in your lot today? It's over to you. | 0:14:52 | 0:14:54 | |
Well, they can have a little think about that while we meet Philip and | 0:14:56 | 0:14:59 | |
Elizabeth. And I love it that you did come from Windsor, | 0:14:59 | 0:15:03 | |
so you like to call yourselves... | 0:15:03 | 0:15:05 | |
Elizabeth and Philip from Windsor. | 0:15:05 | 0:15:07 | |
THEY LAUGH | 0:15:07 | 0:15:09 | |
Now, you're a man of many careers. | 0:15:09 | 0:15:12 | |
-Yes. -Tell me what you've done. | 0:15:12 | 0:15:14 | |
When I first left school, I actually studied pathology. | 0:15:14 | 0:15:17 | |
So, I worked in a mortuary for about seven years. | 0:15:17 | 0:15:20 | |
I've run pubs and I've run restaurants | 0:15:20 | 0:15:23 | |
and I've driven just about every type of vehicle you can think of | 0:15:23 | 0:15:26 | |
to deliver things and we puppy walk for the Guide Dogs. | 0:15:26 | 0:15:30 | |
Oh, how lovely, have you got one at the moment? | 0:15:30 | 0:15:32 | |
Yes. Her name's Biscuit. | 0:15:32 | 0:15:35 | |
And, Elizabeth, you obviously help with the guide dogs. | 0:15:35 | 0:15:38 | |
-Yes. -How many have you looked after? | 0:15:38 | 0:15:42 | |
Biscuit's my 27th pup. | 0:15:42 | 0:15:43 | |
-27th? -Yes. -Over how many years? | 0:15:44 | 0:15:47 | |
I've been doing it about 35 years. | 0:15:47 | 0:15:49 | |
How rewarding. | 0:15:49 | 0:15:50 | |
I love it. I really do. | 0:15:50 | 0:15:52 | |
Welcome, Philip and Elizabeth. | 0:15:52 | 0:15:54 | |
What lot would you like to know more about? | 0:15:54 | 0:15:56 | |
I'd like to know more about the clock, please. | 0:15:56 | 0:15:58 | |
The clock, wow, OK. | 0:15:58 | 0:16:00 | |
You all showed interest in this one. | 0:16:00 | 0:16:02 | |
This, guys, is a sterling silver urn in the form of a cylindrical clock, | 0:16:02 | 0:16:09 | |
which comes presented in its original case. | 0:16:09 | 0:16:14 | |
It was made by the renowned jeweller's Mappin & Webb | 0:16:14 | 0:16:18 | |
to commemorate - you all spotted it - | 0:16:18 | 0:16:20 | |
the wedding of Prince Charles to Lady Diana Spencer in 1981 | 0:16:20 | 0:16:25 | |
and it is part of a limited edition of 210 pieces. | 0:16:25 | 0:16:32 | |
Now, this one is number 99, but what the astute valuer will be asking | 0:16:32 | 0:16:38 | |
themselves today is this - | 0:16:38 | 0:16:40 | |
how buoyant is the market for Charles and Diana memorabilia? | 0:16:40 | 0:16:45 | |
Do people still want souvenirs of what became one of the world's most | 0:16:45 | 0:16:50 | |
famously unhappy marriages? | 0:16:50 | 0:16:53 | |
What's it worth? | 0:16:53 | 0:16:54 | |
OK, time to play Round 2. | 0:16:55 | 0:16:57 | |
In this round, the pickers will select a lot to play for | 0:17:01 | 0:17:04 | |
and the quizzers will again try and secure it by answering correctly. | 0:17:04 | 0:17:08 | |
But this time around, the lots come with their own question categories. | 0:17:08 | 0:17:12 | |
And here they are... | 0:17:12 | 0:17:13 | |
So, for instance, if the picker picked the textile, | 0:17:15 | 0:17:18 | |
the quizzer could have a choice of questions in categories about | 0:17:18 | 0:17:22 | |
Famous Painters or British Sitcoms. | 0:17:22 | 0:17:24 | |
At the end of this round, | 0:17:25 | 0:17:26 | |
the team with the least valuable collection will be eliminated, | 0:17:26 | 0:17:29 | |
so choose very wisely. | 0:17:29 | 0:17:31 | |
So, Richard, what would you like from the grid there? | 0:17:31 | 0:17:34 | |
I'm going to go for the table, please. | 0:17:36 | 0:17:38 | |
The table. US States or The Opera, Tom? | 0:17:38 | 0:17:42 | |
I think it'll have to be US States, I think. | 0:17:43 | 0:17:45 | |
US States, OK, here we go. | 0:17:45 | 0:17:48 | |
In which State would you find Plymouth Rock, | 0:17:48 | 0:17:50 | |
the disembarkation point of the Mayflower? | 0:17:50 | 0:17:54 | |
Erm... New York? | 0:17:54 | 0:17:56 | |
Massachusetts. | 0:17:57 | 0:17:59 | |
Massachusetts. | 0:17:59 | 0:18:00 | |
So, sorry, you don't win the table. | 0:18:00 | 0:18:04 | |
Mel and Jane. Jane, what would you like from the grid? | 0:18:04 | 0:18:06 | |
The ring, please. | 0:18:06 | 0:18:08 | |
The ring. Football or Opera, Mel? | 0:18:08 | 0:18:10 | |
Well, it can't be Football, so it's got to be Opera. | 0:18:10 | 0:18:14 | |
Here we are. Which member of the band Blur composed the opera | 0:18:14 | 0:18:18 | |
Monkey - Journey To The West? | 0:18:18 | 0:18:20 | |
Alex James. | 0:18:20 | 0:18:21 | |
Oh, close, but it was Damon Albarn. | 0:18:21 | 0:18:25 | |
Damon Albarn. | 0:18:25 | 0:18:26 | |
Incorrect. The ring stays on the grid. | 0:18:26 | 0:18:29 | |
Elizabeth, what would you like? | 0:18:29 | 0:18:31 | |
I think I'll go for the vanity kit, please. | 0:18:31 | 0:18:33 | |
The vanity kit. | 0:18:33 | 0:18:35 | |
US States or Definitions, Philip? | 0:18:36 | 0:18:38 | |
Definitions, please. | 0:18:41 | 0:18:42 | |
Definitions, here we go. | 0:18:42 | 0:18:43 | |
Which Hebrew word meaning proper is used to describe food prepared | 0:18:43 | 0:18:47 | |
according to Jewish law? | 0:18:47 | 0:18:50 | |
Kosher. | 0:18:50 | 0:18:51 | |
Kosher is correct. | 0:18:51 | 0:18:52 | |
Well done. The vanity kit is yours. | 0:18:52 | 0:18:54 | |
OK. You're doing quite well, | 0:18:56 | 0:18:57 | |
but have you missed out on that one item you | 0:18:57 | 0:19:00 | |
really wanted? Because if so, here's your chance to get your hands on it. | 0:19:00 | 0:19:04 | |
From now on, you can either go for what's left on the grid or you can | 0:19:04 | 0:19:07 | |
steal a lot that's in a rival team's collection. | 0:19:07 | 0:19:11 | |
But, Pickers, be warned, if you choose to steal from another team, | 0:19:11 | 0:19:15 | |
they will get to choose which category your quizzer must face. | 0:19:15 | 0:19:19 | |
And there's only one rule here - | 0:19:19 | 0:19:20 | |
you cannot steal from a team who has only one lot in the collection. | 0:19:20 | 0:19:24 | |
So, Tom and Richard, you're OK. | 0:19:24 | 0:19:26 | |
And it's your turn first. | 0:19:27 | 0:19:29 | |
Richard, do you want to pick from the grid or steal from a rival? | 0:19:29 | 0:19:33 | |
I'd like to steal the jar, please. | 0:19:33 | 0:19:35 | |
Steal the jar from Mel and Jane. | 0:19:35 | 0:19:37 | |
Right. Mel, what category do you think Tom's going to have trouble answering? | 0:19:37 | 0:19:43 | |
-Opera. -Opera. | 0:19:43 | 0:19:45 | |
-Let's see how you do with this one, ready? -Oh, fingers crossed. | 0:19:45 | 0:19:47 | |
The operatic soprano Dame Kiri Te Kanawa | 0:19:47 | 0:19:50 | |
was born in which country? | 0:19:50 | 0:19:52 | |
New Zealand. | 0:19:52 | 0:19:53 | |
It was correct. Well done. The jar is going into your collection. | 0:19:53 | 0:19:58 | |
Jane, do you want to pick or steal? | 0:19:58 | 0:20:01 | |
I'll pick the ring, please. | 0:20:01 | 0:20:02 | |
The ring. Football or Opera, Mel? | 0:20:02 | 0:20:05 | |
Well, we may as well go for three in a row. | 0:20:05 | 0:20:07 | |
-Opera, please. -Opera. | 0:20:07 | 0:20:09 | |
Which Italian city is home to the iconic Opera house La Scala? | 0:20:09 | 0:20:12 | |
Rome. | 0:20:12 | 0:20:14 | |
-Incorrect. BOTH: -Milan! | 0:20:14 | 0:20:16 | |
It's Milan, yes. | 0:20:16 | 0:20:17 | |
The ring's staying on the grid. | 0:20:17 | 0:20:20 | |
Elizabeth, pick or steal? | 0:20:20 | 0:20:21 | |
I'd like to steal the jar, please. | 0:20:23 | 0:20:25 | |
Steal the jar. | 0:20:25 | 0:20:26 | |
Tom and Richard, what category do you want to give Philip? | 0:20:26 | 0:20:30 | |
What do you think? Fashion or Football? | 0:20:30 | 0:20:32 | |
-What about Fashion? -Fashion, please. | 0:20:32 | 0:20:34 | |
Fashion. | 0:20:34 | 0:20:36 | |
Philip, here we go. | 0:20:36 | 0:20:37 | |
Popular in the 1960s, white, plastic, low-heeled boots | 0:20:38 | 0:20:43 | |
are better known by what name? | 0:20:43 | 0:20:44 | |
No, I can't even think. | 0:20:49 | 0:20:50 | |
OK, you're passing? | 0:20:50 | 0:20:52 | |
-Pass. -The answer is... | 0:20:52 | 0:20:54 | |
go-go boots. | 0:20:54 | 0:20:56 | |
I'm so sorry. | 0:20:56 | 0:20:57 | |
Philip and Elizabeth, you don't get the jar. | 0:20:57 | 0:20:59 | |
Tom and Richard, well defended. | 0:20:59 | 0:21:01 | |
-Pick or steal? -I'll go for the ring, please. | 0:21:01 | 0:21:04 | |
The ring. Football or Opera, Tom? | 0:21:04 | 0:21:07 | |
-Football, please. -OK. | 0:21:07 | 0:21:08 | |
Which Premier League football team plays their home games | 0:21:10 | 0:21:12 | |
-at the Britannia Stadium? -Oh. | 0:21:12 | 0:21:15 | |
It's not them, it's not them. | 0:21:19 | 0:21:21 | |
It's not Portsmouth, is it? | 0:21:21 | 0:21:23 | |
-It's not Portsmouth. -No. -Sorry. | 0:21:23 | 0:21:26 | |
The correct answer is Stoke City. | 0:21:26 | 0:21:28 | |
-Kick myself. -Stoke City. | 0:21:28 | 0:21:30 | |
That's ring is sticking there on the grid. | 0:21:30 | 0:21:33 | |
Jane, pick or steal? | 0:21:33 | 0:21:36 | |
-Pick, please. -What would you like? | 0:21:36 | 0:21:39 | |
-The ring. -Going for the ring again. | 0:21:39 | 0:21:41 | |
Football or Opera, Mel? | 0:21:41 | 0:21:43 | |
-Oh, guess what. -Opera? | 0:21:43 | 0:21:45 | |
-Please. -Here we go. | 0:21:45 | 0:21:47 | |
The Toreador Song is from which Bizet opera? | 0:21:47 | 0:21:51 | |
Carmen. | 0:21:51 | 0:21:52 | |
-Correct. -Yay! -There you go. | 0:21:52 | 0:21:54 | |
The ring wants to come to you now. | 0:21:54 | 0:21:56 | |
And there it is in your collection. | 0:21:56 | 0:21:59 | |
Elizabeth, pick or steal? | 0:21:59 | 0:22:01 | |
I'd like to try for the table, please. | 0:22:01 | 0:22:03 | |
The table. US States or Opera, Philip? | 0:22:03 | 0:22:06 | |
US States, please. | 0:22:06 | 0:22:08 | |
At 1,045 square miles, which is the smallest State in the US by area? | 0:22:08 | 0:22:15 | |
Rhode Island. | 0:22:15 | 0:22:16 | |
Correct. Well done. The table is yours. | 0:22:16 | 0:22:19 | |
Thank you. | 0:22:19 | 0:22:20 | |
Well, that is the end of the round. | 0:22:21 | 0:22:23 | |
So, let's see how the collections are looking. | 0:22:23 | 0:22:26 | |
Tom and Richard now have | 0:22:26 | 0:22:28 | |
the clock and the jar. | 0:22:28 | 0:22:30 | |
Mel and Jane have | 0:22:30 | 0:22:32 | |
the accordion, the ring and the box. | 0:22:32 | 0:22:35 | |
Philip and Elizabeth have | 0:22:35 | 0:22:37 | |
the plaque, the vanity kit, | 0:22:37 | 0:22:39 | |
the table and the books. | 0:22:39 | 0:22:42 | |
OK. For one team, it is now the end of the road. | 0:22:42 | 0:22:45 | |
David has been keeping tabs and the team with the least valuable | 0:22:45 | 0:22:48 | |
collection will now be eliminated. | 0:22:48 | 0:22:50 | |
So, David, who is leaving us first? | 0:22:50 | 0:22:52 | |
Oh, Fern, this is a terrible part for me. | 0:22:52 | 0:22:55 | |
But, teams, I can reveal that the pair leaving us first is... | 0:22:55 | 0:22:59 | |
It's tough, but I'm sorry. | 0:23:02 | 0:23:04 | |
It's Jane and Mel. | 0:23:04 | 0:23:05 | |
So sorry, you two. | 0:23:05 | 0:23:07 | |
APPLAUSE | 0:23:07 | 0:23:08 | |
Mel and Jane, you've got three things in a very... | 0:23:11 | 0:23:14 | |
Looks a healthy collection there. | 0:23:14 | 0:23:16 | |
But I'm so sorry, | 0:23:16 | 0:23:17 | |
you are leaving the game and before you go, | 0:23:17 | 0:23:20 | |
you'll want to know the value of the things that you have, won't you? | 0:23:20 | 0:23:23 | |
-Oh, yeah. -David, you have the answers. | 0:23:23 | 0:23:25 | |
OK. This accordion tells you itself that it was made by Cesare Pancotti. | 0:23:25 | 0:23:33 | |
This is one of the largest models the company made and it has a lovely | 0:23:33 | 0:23:37 | |
marble-like finish, which is actually really quite rare. | 0:23:37 | 0:23:41 | |
It dates to around 1910 to 1920. | 0:23:41 | 0:23:44 | |
It's still in perfectly playable condition - | 0:23:44 | 0:23:47 | |
although nobody blinking well touched it - | 0:23:47 | 0:23:49 | |
and it may well sound old-fashioned to the modern ear today, | 0:23:49 | 0:23:53 | |
but in general, it's in pretty good condition. | 0:23:53 | 0:23:57 | |
So, where does that leave us when it comes to value? | 0:23:57 | 0:24:02 | |
£200. | 0:24:02 | 0:24:04 | |
Not much at all, actually. | 0:24:04 | 0:24:05 | |
Quite surprising. Now, next up, Fern, | 0:24:05 | 0:24:09 | |
we have this lovely little Edwardian silver box. | 0:24:09 | 0:24:13 | |
Now, it's nicely detailed, | 0:24:13 | 0:24:15 | |
featuring a beautiful image | 0:24:15 | 0:24:17 | |
on the front of what appears to be two lovers. | 0:24:17 | 0:24:21 | |
Likely used for jewellery or keepsakes, this box has certainly, | 0:24:21 | 0:24:26 | |
like many things, seen better days. | 0:24:26 | 0:24:29 | |
It's sterling silver and it's hallmarked in Chester. | 0:24:29 | 0:24:33 | |
Now, Richard, you're the only person that picked up on that. | 0:24:33 | 0:24:35 | |
What's it worth? | 0:24:35 | 0:24:37 | |
£350 for that box. | 0:24:37 | 0:24:40 | |
So, well done. | 0:24:40 | 0:24:42 | |
The ring. It's a classic example of its type | 0:24:42 | 0:24:45 | |
and I reckon when you hear how much it's worth... | 0:24:45 | 0:24:48 | |
..you'll all be sticking your hands in your pockets. | 0:24:49 | 0:24:51 | |
Only £50. | 0:24:51 | 0:24:53 | |
Remarkable. | 0:24:53 | 0:24:54 | |
So, giving you a total value of £600. | 0:24:54 | 0:24:57 | |
Well done. | 0:24:57 | 0:24:59 | |
Mel and Jane, you've done so well. | 0:24:59 | 0:25:01 | |
It's been a pleasure to have you here. | 0:25:01 | 0:25:03 | |
I hope you've had a good time. | 0:25:03 | 0:25:05 | |
But it's time to bring the hammer down on your collection | 0:25:05 | 0:25:07 | |
and thank you for playing For What It's Worth. | 0:25:07 | 0:25:10 | |
APPLAUSE | 0:25:10 | 0:25:12 | |
And also the unclaimed items in the grid are now leaving the game. | 0:25:15 | 0:25:19 | |
So, let's quickly find out from David what they are worth | 0:25:19 | 0:25:21 | |
and if the top lot is still in the game. | 0:25:21 | 0:25:24 | |
-David. -OK, Fern, let's start off, then, with the textile. | 0:25:24 | 0:25:29 | |
This is a Navaho textile dating from the 1940s. | 0:25:29 | 0:25:33 | |
Now, the Navaho are the second largest Native American tribe. | 0:25:33 | 0:25:38 | |
You two got that, well done. | 0:25:38 | 0:25:40 | |
It's been very well kept. | 0:25:40 | 0:25:42 | |
It's in very good condition. | 0:25:42 | 0:25:43 | |
A piece of real Native American history. | 0:25:43 | 0:25:48 | |
It's value today? | 0:25:48 | 0:25:50 | |
£400. | 0:25:50 | 0:25:51 | |
It's gone. | 0:25:51 | 0:25:52 | |
We're now going to look at a coin. | 0:25:53 | 0:25:56 | |
Now, nobody picked up on this. | 0:25:56 | 0:25:59 | |
Here we have a Richard II groat. | 0:25:59 | 0:26:03 | |
This coin was minted some time during Richard's reign | 0:26:03 | 0:26:07 | |
from 1377 to 1399 in Tower Mint, London. | 0:26:07 | 0:26:14 | |
Now, just take a good look at the shape of that coin. | 0:26:14 | 0:26:17 | |
We can see that this coin has been weakly struck. | 0:26:17 | 0:26:21 | |
It's not the best example in the world. | 0:26:21 | 0:26:24 | |
If it was, it would be worth even more than the price | 0:26:24 | 0:26:29 | |
that you have just thrown away, | 0:26:29 | 0:26:31 | |
which is £1,250. | 0:26:31 | 0:26:36 | |
-That's incredible. -A lot of money. | 0:26:36 | 0:26:38 | |
Right, this is an early 20th-century water jug | 0:26:38 | 0:26:43 | |
in especially good condition, | 0:26:43 | 0:26:46 | |
apart from - and you all spotted it - the repaired handle. | 0:26:46 | 0:26:51 | |
That repair is actually fascinating, because look at it. | 0:26:51 | 0:26:55 | |
It stapled. It's an old form of repair, | 0:26:55 | 0:26:58 | |
which, when they were doing that, was incredibly expensive. | 0:26:58 | 0:27:02 | |
So, whoever owned that little jug, rated it. | 0:27:02 | 0:27:05 | |
So, it was probably valuable at the time. | 0:27:05 | 0:27:08 | |
So, you didn't go down that route and I'm very disappointed, | 0:27:08 | 0:27:12 | |
which means you have just given away... | 0:27:12 | 0:27:15 | |
..the bottom lot. Well done. | 0:27:17 | 0:27:19 | |
That is good news because it means the £2,500 top lot | 0:27:21 | 0:27:25 | |
is still in play. | 0:27:25 | 0:27:27 | |
Teams, congratulations on getting this far. | 0:27:27 | 0:27:30 | |
You now have one last chance to pick our expert's brains. | 0:27:30 | 0:27:33 | |
Tom and Richard, which lot do you need to know more about? | 0:27:33 | 0:27:37 | |
I'd like to know more about the plaque, please. | 0:27:37 | 0:27:41 | |
This fine piece of art is, indeed, a portrait plaque dating back to 1840. | 0:27:41 | 0:27:48 | |
Now, you almost got the title right. It's entitled - | 0:27:48 | 0:27:51 | |
A Little Shepherd Playing The Oboe At The Claudio Aqueduct | 0:27:51 | 0:27:55 | |
On The Roman Compagna. | 0:27:55 | 0:27:57 | |
Now, this lot was painted by the 19th-century artist Leopold Pollak. | 0:27:57 | 0:28:02 | |
So, Richard and Tom, | 0:28:02 | 0:28:04 | |
should this little musical peasant boy play his way into your | 0:28:04 | 0:28:08 | |
collection? You now have to work that one out. | 0:28:08 | 0:28:11 | |
And while you're doing that, | 0:28:13 | 0:28:15 | |
Elizabeth and Philip, what would you like to know more about? | 0:28:15 | 0:28:18 | |
I'd like to know more about the jar, please. | 0:28:18 | 0:28:21 | |
This jar is a stunning piece of majolica pottery | 0:28:21 | 0:28:25 | |
that would have been used by apothecaries to prepare medicine. | 0:28:25 | 0:28:29 | |
You all got the Majolica connection. | 0:28:29 | 0:28:32 | |
It would have been filled with water and herbs to create infusions | 0:28:32 | 0:28:35 | |
with supposedly remedying properties. | 0:28:35 | 0:28:38 | |
So, it dates to the late 18th century | 0:28:38 | 0:28:41 | |
and is in remarkably good condition, | 0:28:41 | 0:28:45 | |
especially for a piece of Majolica, | 0:28:45 | 0:28:47 | |
which is infamous for its biscuit-dry fragility. | 0:28:47 | 0:28:52 | |
But do you think this medicine jar will breathe some life | 0:28:53 | 0:28:58 | |
into your collection? That is the question. | 0:28:58 | 0:29:01 | |
Thank you, David. | 0:29:03 | 0:29:04 | |
Well, now it's time for our final round, | 0:29:04 | 0:29:06 | |
and at the end of it, we'll have our winners. | 0:29:06 | 0:29:09 | |
In this round, I will show you a category and 12 possible answers. | 0:29:11 | 0:29:16 | |
Nine are correct, three are not. | 0:29:16 | 0:29:19 | |
Each of you will then take turns to choose an answer you think is correct. | 0:29:19 | 0:29:22 | |
As it's the final round, both quizzers and pickers will play. | 0:29:22 | 0:29:26 | |
Pick a wrong answer | 0:29:26 | 0:29:27 | |
and your opponents will be able to steal a lot from your collection, | 0:29:27 | 0:29:31 | |
and if all nine correct answers are given, | 0:29:31 | 0:29:33 | |
then the team who gives the final correct answer will be the winners. | 0:29:33 | 0:29:37 | |
We'll play three questions in total and the pair with the most valuable | 0:29:37 | 0:29:41 | |
collection can choose to go first or second. | 0:29:41 | 0:29:43 | |
So, David, who is that at the moment? | 0:29:43 | 0:29:47 | |
OK, Fern, I can reveal that the team | 0:29:47 | 0:29:49 | |
who currently has the most valuable collection is... | 0:29:49 | 0:29:53 | |
You may be surprised. | 0:29:55 | 0:29:57 | |
It's Richard and Tom. | 0:29:57 | 0:29:58 | |
With only two. | 0:30:00 | 0:30:01 | |
Richard and Tom, your first question is... | 0:30:02 | 0:30:05 | |
Pasta Shapes. | 0:30:07 | 0:30:08 | |
You're looking for the Italian words commonly used to describe | 0:30:08 | 0:30:11 | |
types of pasta. Would you like to go first or second? | 0:30:11 | 0:30:15 | |
-Do you want to go first? -Let's go first on this one. | 0:30:15 | 0:30:17 | |
-Yeah, we'll go first, please. -Go first, OK. Here are the answers. | 0:30:17 | 0:30:21 | |
Tom, give me an answer. | 0:30:24 | 0:30:26 | |
Let's go for tagliatelle. | 0:30:26 | 0:30:28 | |
Tagliatelle. If it's correct, it'll go green. | 0:30:28 | 0:30:31 | |
Yes, it's correct and they are ribbon-shaped pastas. | 0:30:33 | 0:30:36 | |
Long ribbons. Philip, give me an answer. | 0:30:36 | 0:30:39 | |
-Spaghetti. -Spaghetti. | 0:30:39 | 0:30:41 | |
Correct. Spaghetti means "little strings". | 0:30:44 | 0:30:47 | |
-Richard. -Ravioli. | 0:30:47 | 0:30:49 | |
Ravioli. | 0:30:49 | 0:30:50 | |
Correct. Those little square pillows of pasta with a filling. | 0:30:52 | 0:30:56 | |
-Elizabeth? -Vermicelli. | 0:30:56 | 0:30:58 | |
Vermicelli. | 0:30:58 | 0:30:59 | |
Correct. Which means "little worms". | 0:31:01 | 0:31:04 | |
-Tom. -Let's try pappardelle. | 0:31:04 | 0:31:07 | |
Pappardelle or pappardelle. | 0:31:07 | 0:31:09 | |
Correct. Flat pasta with a broad ribbon shape. | 0:31:12 | 0:31:16 | |
Philip. | 0:31:16 | 0:31:17 | |
Bertolucci. | 0:31:19 | 0:31:21 | |
Bertolucci. | 0:31:21 | 0:31:22 | |
Incorrect, Bertolucci is actually an Italian film director. | 0:31:24 | 0:31:28 | |
Oh, let's have a look at the other wrong answers. | 0:31:28 | 0:31:31 | |
Lipparini is a 19th-century Italian painter | 0:31:33 | 0:31:36 | |
and Germanotta is Lady Gaga's actual surname. | 0:31:36 | 0:31:41 | |
LAUGHTER It's brilliant, isn't it? | 0:31:41 | 0:31:43 | |
Tom and Richard, | 0:31:43 | 0:31:45 | |
you can now steal from Philip and Elizabeth. | 0:31:45 | 0:31:48 | |
What do you want - the plaque or the books? | 0:31:48 | 0:31:50 | |
-Plaque? -All right, plaque. -We'll have the plaque, please. | 0:31:50 | 0:31:53 | |
The plaque. | 0:31:53 | 0:31:54 | |
That was the very first thing | 0:31:56 | 0:31:58 | |
that Philip and Elizabeth put in their collection. | 0:31:58 | 0:32:00 | |
-I want you to feel guilty about that. -Sorry. -OK. -I do, yes. | 0:32:00 | 0:32:03 | |
OK, here we go, question number two and this is your question, | 0:32:03 | 0:32:06 | |
Philip and Elizabeth, here it is - | 0:32:06 | 0:32:09 | |
Welsh Islands. | 0:32:09 | 0:32:11 | |
So, which of these are real islands off the coast of Wales? | 0:32:12 | 0:32:16 | |
Would you like to go first or second? | 0:32:16 | 0:32:18 | |
-First. -First. Let's have a look at the answers. | 0:32:18 | 0:32:21 | |
Philip, give me an answer. | 0:32:23 | 0:32:25 | |
-Anglesey. -Anglesey. | 0:32:25 | 0:32:27 | |
Correct. By far the largest island of Wales. | 0:32:30 | 0:32:33 | |
-Tom... -It's tricky. | 0:32:33 | 0:32:36 | |
Hopefully it's named after Rob Brydon, | 0:32:36 | 0:32:38 | |
so I'm going to say Brydon Island. | 0:32:38 | 0:32:40 | |
Brydon Island. | 0:32:40 | 0:32:41 | |
-Oh, that was a trick. -Oh, no. -There is no such island. | 0:32:43 | 0:32:46 | |
OK. Let's have a look at the other wrong answers. | 0:32:46 | 0:32:50 | |
There is no such thing as Eggsy Island except Eggsy | 0:32:50 | 0:32:53 | |
is part of a rap group called Goldie Lookin Chain. | 0:32:53 | 0:32:58 | |
You knew that. Berk Island is a fictional island from | 0:32:58 | 0:33:02 | |
How To Train Your Dragon. | 0:33:02 | 0:33:04 | |
Philip and Elizabeth, you can steal from Tom and Richard. | 0:33:04 | 0:33:07 | |
-What would you like? -I'd like to steal the jar, please. | 0:33:07 | 0:33:09 | |
The jar. | 0:33:09 | 0:33:10 | |
Good. How the fortunes change in this game. | 0:33:13 | 0:33:16 | |
Right, Tom and Richard, this is the final question and it's your choice. | 0:33:16 | 0:33:21 | |
It is... | 0:33:21 | 0:33:22 | |
Characters in Rudyard Kipling's The Jungle Book. | 0:33:23 | 0:33:26 | |
So, we need you to find any of the named characters | 0:33:26 | 0:33:28 | |
from Rudyard Kipling's original collection of stories | 0:33:28 | 0:33:31 | |
known as The Jungle Book. | 0:33:31 | 0:33:33 | |
Would you like to go first or second? | 0:33:33 | 0:33:35 | |
-Do you want to go first again? -First again, yeah. | 0:33:35 | 0:33:37 | |
-Yes, first, please. -First, OK. Here are the answers - | 0:33:37 | 0:33:40 | |
Tom, give me an answer. | 0:33:42 | 0:33:44 | |
Let's go with Shere Khan. | 0:33:44 | 0:33:45 | |
Shere Khan. | 0:33:45 | 0:33:46 | |
Of course. The villainous tiger. | 0:33:49 | 0:33:52 | |
Philip, give me an answer. | 0:33:52 | 0:33:53 | |
-Akela. -Akela. | 0:33:53 | 0:33:55 | |
Yes, leader of the wolf pack. | 0:33:58 | 0:34:00 | |
-Richard. -Baloo. | 0:34:00 | 0:34:02 | |
Baloo. | 0:34:02 | 0:34:03 | |
Baloo the bear, The Bare Necessities. | 0:34:06 | 0:34:09 | |
-Elizabeth. -Mowgli. | 0:34:09 | 0:34:11 | |
Mowgli. | 0:34:11 | 0:34:12 | |
The central character. The little human boy. | 0:34:14 | 0:34:16 | |
-Tom. -Er... | 0:34:16 | 0:34:18 | |
let's try Bagheera. | 0:34:18 | 0:34:19 | |
Bagheera. | 0:34:19 | 0:34:20 | |
He's the black panther who escaped from captivity. | 0:34:24 | 0:34:27 | |
I think Baloo calls him old baggy pants, doesn't he? | 0:34:27 | 0:34:30 | |
In the movie, anyway. Philip. | 0:34:30 | 0:34:33 | |
-Kaa. -Kaa. | 0:34:33 | 0:34:34 | |
Correct, Kaa the snake. | 0:34:37 | 0:34:39 | |
-Richard. -I'm going to go for Rafiki. | 0:34:40 | 0:34:44 | |
Rafiki. | 0:34:44 | 0:34:45 | |
Oh! | 0:34:50 | 0:34:51 | |
From The Lion King. | 0:34:51 | 0:34:53 | |
He's the baboon. | 0:34:53 | 0:34:54 | |
Not The Jungle Book. I'm so sorry. | 0:34:54 | 0:34:56 | |
Where are the other wrong answers? | 0:34:56 | 0:34:58 | |
Asami was a member of the pop group called Neon Jungle, | 0:35:01 | 0:35:05 | |
and Sapo is a rainforest in Liberia. | 0:35:05 | 0:35:08 | |
So, there we go. Well, Philip and Elizabeth... | 0:35:08 | 0:35:12 | |
..what are you going to steal from Tom and Richard? | 0:35:13 | 0:35:16 | |
-The plaque, please. -The plaque, get it back, that's what you want, | 0:35:16 | 0:35:19 | |
isn't it? The plaque is coming to your collection now. | 0:35:19 | 0:35:22 | |
That is it. | 0:35:24 | 0:35:25 | |
Your collections are now complete and we'll determine which team | 0:35:25 | 0:35:28 | |
is victorious. David, who are today's winners? | 0:35:28 | 0:35:32 | |
Fern, I can reveal that the pair with the most valuable collection | 0:35:32 | 0:35:36 | |
and the winners of today's show are... | 0:35:36 | 0:35:39 | |
It's Richard and Tom. | 0:35:43 | 0:35:44 | |
-What? -Eh?! | 0:35:48 | 0:35:49 | |
Oh, come on. | 0:35:50 | 0:35:52 | |
That's amazing. | 0:35:54 | 0:35:55 | |
Well, congratulations, gentlemen, | 0:35:55 | 0:35:58 | |
and many commiserations to Philip and Elizabeth. | 0:35:58 | 0:36:01 | |
You haven't created a valuable enough collection. | 0:36:01 | 0:36:03 | |
But my goodness, you did well. | 0:36:03 | 0:36:05 | |
Before we say goodbye, you will want to find out | 0:36:05 | 0:36:07 | |
what your lots are worth, | 0:36:07 | 0:36:09 | |
so, David, what did you make of their collection? | 0:36:09 | 0:36:11 | |
Well, it's a big collection, Fern. | 0:36:11 | 0:36:13 | |
So well done, you two, so well played. | 0:36:13 | 0:36:16 | |
What are they worth? | 0:36:16 | 0:36:18 | |
The books. They're very decorative. | 0:36:18 | 0:36:20 | |
They're still current in the market, | 0:36:20 | 0:36:22 | |
you could see them in a London stripped out penthouse apartment, | 0:36:22 | 0:36:26 | |
just as pieces of art. They are gorgeous, | 0:36:26 | 0:36:29 | |
but only worth £120. | 0:36:29 | 0:36:31 | |
Now, the vanity kit. | 0:36:33 | 0:36:35 | |
This 19th-century vanity kit. | 0:36:35 | 0:36:38 | |
This classy set comprises six containers, | 0:36:38 | 0:36:42 | |
each made of faceted glass and topped with a silver-plated lid, | 0:36:42 | 0:36:47 | |
engraved with the interlocking initials AMW. | 0:36:47 | 0:36:50 | |
Now, we don't know who AMW was, | 0:36:50 | 0:36:53 | |
and bearing in mind these things are over 100 years old, | 0:36:53 | 0:36:57 | |
it's not bad going. | 0:36:57 | 0:36:59 | |
Now, what are they worth? | 0:36:59 | 0:37:00 | |
£100 - not much. | 0:37:02 | 0:37:04 | |
Quite surprising. | 0:37:04 | 0:37:05 | |
Now, what we have here is a Georgian three-tiered card table, | 0:37:07 | 0:37:12 | |
dating - Richard, you got it - from the latter half of the 18th century. | 0:37:12 | 0:37:16 | |
Now, obviously, looking at it, you've all handled it, | 0:37:16 | 0:37:19 | |
it has seen better days, | 0:37:19 | 0:37:20 | |
as you can see from the scratching on the external surface, | 0:37:20 | 0:37:23 | |
and it is in dire need of some really good beeswax. | 0:37:23 | 0:37:29 | |
And I think an absolute bargain | 0:37:29 | 0:37:32 | |
at only £450. | 0:37:32 | 0:37:34 | |
But it's gone. | 0:37:34 | 0:37:35 | |
Now, we move on to the jar. | 0:37:37 | 0:37:39 | |
Everybody wanted it. | 0:37:39 | 0:37:41 | |
It went backwards and forwards. | 0:37:41 | 0:37:42 | |
It's late 18th century. | 0:37:42 | 0:37:44 | |
It's got the look, it's got the condition - | 0:37:44 | 0:37:47 | |
but it doesn't have a fantastic value, not in today's market. | 0:37:47 | 0:37:51 | |
Only £300. | 0:37:51 | 0:37:53 | |
OK, now, we talked about the plaque, also. | 0:37:56 | 0:38:00 | |
This is a particularly good thing. | 0:38:00 | 0:38:03 | |
It's got quality, it's got rarity, | 0:38:03 | 0:38:06 | |
it's got condition and it's got a lovely neat, small size, | 0:38:06 | 0:38:12 | |
so anybody can house it. | 0:38:12 | 0:38:14 | |
That picture there, if on the open market, would cause quite a stir. | 0:38:14 | 0:38:20 | |
You all spotted it for being an absolute cracker. | 0:38:20 | 0:38:23 | |
And, Fern, you would have to pay today, for that little plaque, | 0:38:23 | 0:38:27 | |
£600. | 0:38:27 | 0:38:29 | |
So, very well chosen. | 0:38:29 | 0:38:30 | |
So, we all know what that means. | 0:38:30 | 0:38:34 | |
Tom and Richard, | 0:38:34 | 0:38:35 | |
you have the top lot worth £2,500. | 0:38:35 | 0:38:39 | |
Well done. APPLAUSE | 0:38:39 | 0:38:42 | |
Very well spotted and hung onto. | 0:38:46 | 0:38:48 | |
We are going to talk more about that in a minute, but for now, | 0:38:48 | 0:38:51 | |
Philip and Elizabeth, | 0:38:51 | 0:38:52 | |
we need to thank you so much for doing a really brilliant job today | 0:38:52 | 0:38:55 | |
and I hope that you've enjoyed it. | 0:38:55 | 0:38:57 | |
And please, send our love to Biscuit the puppy. | 0:38:57 | 0:38:59 | |
Thank you so much for playing For What It's Worth. | 0:38:59 | 0:39:01 | |
-BOTH: -Thank you. -APPLAUSE | 0:39:01 | 0:39:04 | |
Tom and Richard, so, you've won the value of the clock. | 0:39:09 | 0:39:12 | |
We know it's the top lot. | 0:39:12 | 0:39:13 | |
We know it's worth £2,500, | 0:39:13 | 0:39:16 | |
but can we tempt you to swap it for our mystery lot, | 0:39:16 | 0:39:20 | |
which could be worth even more? | 0:39:20 | 0:39:23 | |
Come and join me. | 0:39:23 | 0:39:24 | |
Here you are. Tom and Richard, here is your lot. | 0:39:29 | 0:39:32 | |
As things stand, you know you've won it's value in cash and we know it's | 0:39:32 | 0:39:35 | |
the top lot and we know it's worth £2,500. | 0:39:35 | 0:39:39 | |
But I wonder if we can tempt them with today's mystery lot. | 0:39:39 | 0:39:44 | |
So, David, what have you got for them today? | 0:39:44 | 0:39:47 | |
Right, OK, guys, prepare yourselves. | 0:39:47 | 0:39:50 | |
Are you ready for this? | 0:39:50 | 0:39:51 | |
You have never seen anything like it. | 0:39:53 | 0:39:56 | |
-Certainly not. -THEY LAUGH | 0:39:56 | 0:39:58 | |
Very different to your chosen piece, | 0:39:59 | 0:40:01 | |
but let me tell you a little about it. | 0:40:01 | 0:40:03 | |
This interesting looking chap is actually an incense burner. | 0:40:03 | 0:40:09 | |
So, when incense is lit inside him, | 0:40:09 | 0:40:11 | |
scented smoke is released from his eyes and his nose. | 0:40:11 | 0:40:15 | |
It's a good look. It is estimated to have come from Japan | 0:40:15 | 0:40:19 | |
in the late 1800s and is made from wood | 0:40:19 | 0:40:22 | |
and what we think is papier mache. | 0:40:22 | 0:40:25 | |
But the question is - who is he? | 0:40:25 | 0:40:28 | |
We don't know for sure. | 0:40:28 | 0:40:29 | |
But his red robe and emaciated state would suggest that he is a monk | 0:40:29 | 0:40:34 | |
called Daruma, because in Japanese mythology, | 0:40:34 | 0:40:38 | |
Daruma is said to have achieved a state of nirvana through meditation | 0:40:38 | 0:40:43 | |
that meant he didn't sleep or eat, hence his slightly withered state. | 0:40:43 | 0:40:50 | |
So, what about the market for something like this, chaps? | 0:40:50 | 0:40:54 | |
You've got to consider, well, some collectors will absolutely love him, | 0:40:54 | 0:40:59 | |
others will absolutely not. | 0:40:59 | 0:41:03 | |
But either way, | 0:41:03 | 0:41:05 | |
it's fair to say he is extremely rare indeed. | 0:41:05 | 0:41:09 | |
Perhaps even a complete one-off. | 0:41:09 | 0:41:12 | |
And I've certainly never seen anything like him before. | 0:41:12 | 0:41:16 | |
But what do you think? | 0:41:16 | 0:41:18 | |
That's the crucial question. | 0:41:18 | 0:41:20 | |
-What's it worth? -Initial reactions. | 0:41:20 | 0:41:23 | |
It certainly seems like a one-off, doesn't it? | 0:41:23 | 0:41:25 | |
Well, I like him, | 0:41:25 | 0:41:27 | |
but whether I can put a value on it that equates to the star item, I... | 0:41:27 | 0:41:30 | |
I really don't know. | 0:41:30 | 0:41:32 | |
-He's very intricate. -He is very well-fashioned on the head. | 0:41:33 | 0:41:37 | |
He is gorgeous. | 0:41:37 | 0:41:38 | |
-If not grumpy. -He's quite ugly. | 0:41:39 | 0:41:42 | |
The uglier the better, really. | 0:41:42 | 0:41:44 | |
I'd go for the bird in hand. | 0:41:44 | 0:41:47 | |
-Yeah? -Yeah. -I think so, too. | 0:41:47 | 0:41:49 | |
Staying with the clock. OK. | 0:41:50 | 0:41:52 | |
So, they're going to stick with the clock, | 0:41:52 | 0:41:54 | |
which means that you have won its worth in cash, | 0:41:54 | 0:41:57 | |
we know that's £2,500. | 0:41:57 | 0:41:59 | |
But what have you thrown away in the mystery lot? | 0:41:59 | 0:42:03 | |
David, tell them. | 0:42:03 | 0:42:04 | |
Oh, my gosh, guys, let me tell you what you have thrown away. | 0:42:04 | 0:42:08 | |
You surely must have heard of the Oriental market. | 0:42:08 | 0:42:12 | |
Here in the West, | 0:42:12 | 0:42:13 | |
we've had a fascination with the Orient for hundreds of years, | 0:42:13 | 0:42:17 | |
so the market for Chinese things has exploded. | 0:42:17 | 0:42:21 | |
The Chinese are buying them back. | 0:42:21 | 0:42:24 | |
But, remember, where does this fellow come from? | 0:42:24 | 0:42:26 | |
-Japan. -Japan. | 0:42:27 | 0:42:29 | |
You, very fortunately, | 0:42:29 | 0:42:31 | |
-have just given away £1,000. -FERN GASPS | 0:42:31 | 0:42:35 | |
APPLAUSE | 0:42:35 | 0:42:36 | |
Tom and Richard, you are going home with £2,500. | 0:42:41 | 0:42:45 | |
-Does that feel good? -Thank you. -Yes, that's very good. -Yeah? | 0:42:45 | 0:42:51 | |
Well, thank you, David, for lending us all your knowledge and expertise, as always. | 0:42:51 | 0:42:56 | |
Thank you for playing the game. | 0:42:56 | 0:42:57 | |
-Thank you. -Absolutely spot-on. Brilliant. Thank you for watching. | 0:42:57 | 0:43:01 | |
We'll see you next time when more teams will be trying to spot the lot | 0:43:01 | 0:43:04 | |
to win the lot on For What It's Worth. | 0:43:04 | 0:43:06 | |
Goodbye for now. | 0:43:06 | 0:43:07 | |
Brilliant. Absolutely brilliant. Well done. | 0:43:07 | 0:43:10 |