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Hello, and welcome to For What It's Worth, the show that | 0:00:15 | 0:00:19 | |
tests your general knowledge and tickles your taste for antiques. | 0:00:19 | 0:00:22 | |
Three pairs of contestants are ready to play. | 0:00:22 | 0:00:25 | |
Each team has a Quizzer, who has to answer a general | 0:00:25 | 0:00:27 | |
knowledge question correctly so that their partner, the Picker, | 0:00:27 | 0:00:30 | |
has a chance to choose an antique or collectible and build a collection. | 0:00:30 | 0:00:34 | |
The aim of the game is to amass the most valuable collection. | 0:00:34 | 0:00:38 | |
And joining me to day is a woman with style, elegance, | 0:00:38 | 0:00:41 | |
and proper pedigree. | 0:00:41 | 0:00:43 | |
If only she was over 100 years old, she'd be worth a fortune. | 0:00:43 | 0:00:46 | |
Would you please welcome Natasha Raskin? | 0:00:46 | 0:00:49 | |
APPLAUSE | 0:00:49 | 0:00:53 | |
Aw, lovely to see you, Natasha. | 0:00:53 | 0:00:55 | |
Now, tell us, what have we got here for our contestants to look at? | 0:00:55 | 0:00:59 | |
A real mixed bag, and for your consideration today, teams, | 0:00:59 | 0:01:02 | |
let me tell you what we have. | 0:01:02 | 0:01:05 | |
We have a pair of binoculars, | 0:01:05 | 0:01:07 | |
a jardiniere, | 0:01:07 | 0:01:09 | |
a horn, | 0:01:09 | 0:01:11 | |
a sampler, | 0:01:11 | 0:01:13 | |
a figure, | 0:01:13 | 0:01:15 | |
a coin, | 0:01:15 | 0:01:17 | |
a ring, | 0:01:17 | 0:01:19 | |
a table, | 0:01:19 | 0:01:21 | |
a cabinet, | 0:01:21 | 0:01:23 | |
a clock, | 0:01:23 | 0:01:25 | |
a tankard | 0:01:25 | 0:01:27 | |
-and three beautiful bottles. -Mmm. | 0:01:27 | 0:01:30 | |
Now, one of these items is our Top Lot, which is | 0:01:30 | 0:01:33 | |
worth a whopping £2,500. | 0:01:33 | 0:01:36 | |
That is the lot to spot, teams, | 0:01:36 | 0:01:37 | |
because at the end of the show, the winning pair will walk away | 0:01:37 | 0:01:40 | |
with the cash equivalent of one of their items. | 0:01:40 | 0:01:43 | |
But beware, because the lots decrease in value, right down | 0:01:43 | 0:01:46 | |
to our Worthless Lot, which is worth £10 or even less, | 0:01:46 | 0:01:49 | |
and that, of course, is the lot to avoid. | 0:01:49 | 0:01:51 | |
So, who's playing today? Let's meet our teams. Team One, who are you? | 0:01:51 | 0:01:55 | |
I'm Angela and this is my fiance, Michael. | 0:01:55 | 0:01:58 | |
I collect James Bond memorabilia | 0:01:58 | 0:02:00 | |
and Angela collects cattle figurines. | 0:02:00 | 0:02:03 | |
Very nice, welcome to the show. Team Two, who are you? | 0:02:03 | 0:02:07 | |
Hi, my name's Dave and this is my team-mate, Mark. | 0:02:07 | 0:02:09 | |
We've been friends for over 20 years and we come from Warrington. | 0:02:09 | 0:02:14 | |
Welcome to the show. Team Three, who are you? | 0:02:14 | 0:02:17 | |
Hi, Fern, I'm Dan and this is my great friend Sophie. | 0:02:17 | 0:02:20 | |
We met at university and now we both live in London. | 0:02:20 | 0:02:23 | |
Very nice to see you. Welcome, everybody, and good luck. | 0:02:23 | 0:02:27 | |
Now, earlier, our teams got to inspect our lots, | 0:02:27 | 0:02:29 | |
watched over by Natasha. | 0:02:29 | 0:02:32 | |
But could they separate the Van Gogh from the no-go? Let's see. | 0:02:32 | 0:02:36 | |
-Wow, what a lot of lovely things. -Quite a selection. | 0:02:37 | 0:02:41 | |
So what's the plan here, Soph? Are we going to have a peruse? | 0:02:41 | 0:02:45 | |
-They look like steampunk binoculars. -Sorry, look like...? | 0:02:45 | 0:02:48 | |
Steampunk binoculars. | 0:02:48 | 0:02:49 | |
-No, I've never heard of that. -Have you not? | 0:02:49 | 0:02:52 | |
-I'm going to give them a clean. -All right. | 0:02:52 | 0:02:54 | |
HE HUMS | 0:02:54 | 0:02:56 | |
It's not going to change the value, Dan. | 0:02:56 | 0:02:59 | |
-That is a hunting horn, isn't it? -I would say it's a hunting horn. | 0:02:59 | 0:03:02 | |
-I really like that. -That's quite trendy as well. | 0:03:02 | 0:03:04 | |
Look at yourself, you look really nice. | 0:03:04 | 0:03:06 | |
Also, it's from St James's Street, London, | 0:03:06 | 0:03:08 | |
and we know that's a high-end street. | 0:03:08 | 0:03:10 | |
-Carriage clock there. -Yep. -Original case. -Yeah, but from when? | 0:03:10 | 0:03:15 | |
-Or what age? -That's the question. | 0:03:16 | 0:03:18 | |
Yes, it's fully hallmarked. Think it's London assay. | 0:03:19 | 0:03:22 | |
I feel like, I don't know, about to start a pub brawl holding this. | 0:03:22 | 0:03:25 | |
It's a bit more refined than that, Sophie. | 0:03:25 | 0:03:28 | |
OK, what about the coin? | 0:03:29 | 0:03:31 | |
-I Like the coin. A bit of Roman. -No. -No? | 0:03:31 | 0:03:34 | |
It's not super, super old. | 0:03:34 | 0:03:35 | |
I mean, obviously, it's not like a Roman coin or anything, | 0:03:35 | 0:03:38 | |
-cos it's big. -It's in good condition. | 0:03:38 | 0:03:39 | |
You're the only one that's thought that, Sophie. | 0:03:39 | 0:03:41 | |
-It's a beautiful cabinet. -Wow, this is stunning. | 0:03:41 | 0:03:44 | |
-Mm. Isn't that wonderful? -It's absolutely lovely. | 0:03:44 | 0:03:47 | |
Now, is that personal taste, or do you think it's worth money? | 0:03:47 | 0:03:50 | |
It's shed work, mate, I would say. | 0:03:50 | 0:03:52 | |
-Twisted glass is... -Mm. -That's stunning. | 0:03:53 | 0:03:56 | |
Do you reckon this is Murano glass? | 0:03:56 | 0:03:58 | |
-Murano glass goes for a lot, and it looks a bit Picasso-esque... -Yeah. | 0:03:58 | 0:04:01 | |
-..so maybe it's a glass interpretation of that. -Well done. | 0:04:01 | 0:04:06 | |
-The sampler. -Wow. That would have taken an age to make, that. | 0:04:06 | 0:04:09 | |
-Somebody aged 11 year. -That's the important point. | 0:04:09 | 0:04:12 | |
"Thine is the kingdom, the power, and the glory." | 0:04:12 | 0:04:15 | |
That makes it C of E rather than Catholic. | 0:04:15 | 0:04:17 | |
I would say that's worthless. | 0:04:19 | 0:04:20 | |
See, that looks like something that my gran would get from | 0:04:20 | 0:04:23 | |
a car boot, and then I would inherit and then I'd be really disappointed. | 0:04:23 | 0:04:26 | |
It's a bit faded on one side. | 0:04:26 | 0:04:28 | |
Looks a modern ring, doesn't it? | 0:04:28 | 0:04:29 | |
Obviously the stones that are in it are... | 0:04:29 | 0:04:32 | |
-I don't know if they're proper. -Real diamonds, are they? | 0:04:32 | 0:04:35 | |
An Arabic-type writing in there. | 0:04:35 | 0:04:37 | |
It's a loop with a light and everything. | 0:04:37 | 0:04:40 | |
Hazard a guess at the '20s. | 0:04:40 | 0:04:42 | |
Oh, come on, see the date, see the date. | 0:04:42 | 0:04:45 | |
-It's right under your hands. -It slots together as one. | 0:04:45 | 0:04:48 | |
-This is lovely, and I don't... -There's a bit of marking here, | 0:04:48 | 0:04:51 | |
-have a look at this. -Yes! | 0:04:51 | 0:04:52 | |
"B something, 1624." | 0:04:52 | 0:04:55 | |
What are they, are they perfume bottles, are they...? | 0:04:55 | 0:04:58 | |
-I would say they're scent bottles. -These two are the same. | 0:04:58 | 0:05:01 | |
That one looks like it's a different hallmark. | 0:05:01 | 0:05:03 | |
-Top lot... -What do you think? -It's got to be the bottles, I think. | 0:05:03 | 0:05:06 | |
I agree. It's a good bet, it's a safe bet. | 0:05:06 | 0:05:08 | |
The figurine. | 0:05:08 | 0:05:09 | |
I think the clock. | 0:05:09 | 0:05:10 | |
-Bottom lot, I think jardiniere, AKA Grandma's plant pot. -Garden. | 0:05:10 | 0:05:15 | |
Probably the field glasses. | 0:05:15 | 0:05:16 | |
-And the bottom lot - tankard? -I agree, yep. | 0:05:16 | 0:05:20 | |
It's harder than I thought. Come on. | 0:05:20 | 0:05:22 | |
What did you make of their knowledge? | 0:05:24 | 0:05:26 | |
Well, first of all, | 0:05:26 | 0:05:27 | |
the best bit is none of you knew that I was watching like | 0:05:27 | 0:05:30 | |
a fly on the wall, but I have to say the knowledge was all pretty even. | 0:05:30 | 0:05:34 | |
Everyone had good knowledge. | 0:05:34 | 0:05:36 | |
And how has the valuation been arrived at for all these lots? | 0:05:36 | 0:05:39 | |
Well, they're all agreed valuations between myself | 0:05:39 | 0:05:42 | |
and an independent valuer, | 0:05:42 | 0:05:43 | |
and they're based on the hammer price that we would expect | 0:05:43 | 0:05:46 | |
the items to achieve at auction but before any auction costs are added. | 0:05:46 | 0:05:51 | |
And just to add an extra twist, we have our Mystery Lot. | 0:05:51 | 0:05:55 | |
Now, it could be worth thousands or it could be worth tuppence. | 0:05:55 | 0:05:59 | |
That's for our winners to decide a little bit later. | 0:05:59 | 0:06:02 | |
But for now, it's time for Round One. | 0:06:02 | 0:06:05 | |
APPLAUSE | 0:06:05 | 0:06:07 | |
I'm going to ask eight general knowledge questions. | 0:06:08 | 0:06:11 | |
Pickers, before each one, | 0:06:11 | 0:06:12 | |
I'll ask you to select which lot you would like to play for, | 0:06:12 | 0:06:15 | |
and Quizzers, if you buzz in with a correct answer, you'll get to add it | 0:06:15 | 0:06:19 | |
to your collection. But beware - buzz in incorrectly | 0:06:19 | 0:06:21 | |
and you'll be frozen out of the next question. | 0:06:21 | 0:06:24 | |
So, Pickers, please make your first pick. | 0:06:24 | 0:06:27 | |
Let's see what you want. | 0:06:30 | 0:06:31 | |
Michael and Angela want the figure, | 0:06:33 | 0:06:35 | |
Dave and Mark want the clock, | 0:06:35 | 0:06:37 | |
Sophie and Dan want the table. | 0:06:37 | 0:06:39 | |
OK, Quizzers, fingers on buzzers, here comes question one. | 0:06:39 | 0:06:42 | |
Which meat is used to make a cock-a-leekie soup? Yes, Dave. | 0:06:42 | 0:06:47 | |
-Chicken. -Chicken is correct. The clock is yours. | 0:06:47 | 0:06:50 | |
Pickers, make a pick. | 0:06:52 | 0:06:54 | |
Michael and Angela want the cabinet, | 0:06:57 | 0:06:59 | |
Dave and Mark want the figure this time, | 0:06:59 | 0:07:01 | |
Sophie and Dan still want the table. | 0:07:01 | 0:07:04 | |
Question two. In 1969, which artist married the musician John Lennon? | 0:07:04 | 0:07:09 | |
Yes, Michael. | 0:07:09 | 0:07:11 | |
-Yoko Ono. -It was Yoko Ono, correct. The cabinet is yours. | 0:07:11 | 0:07:15 | |
Pickers, make a pick. | 0:07:16 | 0:07:17 | |
Michael and Angela want the table now, | 0:07:20 | 0:07:23 | |
Dave and Mark want the figure, | 0:07:23 | 0:07:25 | |
Sophie and Dan sticking with the table. | 0:07:25 | 0:07:27 | |
Who's going to get it? Question three. | 0:07:27 | 0:07:30 | |
Which classical dance form has moves including plie and pirouette? | 0:07:30 | 0:07:34 | |
Yes, Sophie. | 0:07:34 | 0:07:35 | |
-Ballet? -Correct. Are you a dancer yourself? | 0:07:35 | 0:07:38 | |
-I used to be, many years ago. -Well, there you go. | 0:07:38 | 0:07:40 | |
That means you've earned the table. The table is yours. | 0:07:40 | 0:07:44 | |
Pickers, pick a lot. | 0:07:46 | 0:07:47 | |
Michael and Angela want the bottles, | 0:07:50 | 0:07:53 | |
Dave and Mark still want the figure, | 0:07:53 | 0:07:55 | |
but Sophie and Dan want the figure, too. | 0:07:55 | 0:07:57 | |
Question four. | 0:07:57 | 0:07:59 | |
In 1999, which American boyband had a UK number one single | 0:07:59 | 0:08:02 | |
with I Want It That Way? | 0:08:02 | 0:08:04 | |
Yes, Sophie. | 0:08:04 | 0:08:06 | |
-Is that the Backstreet Boys? -Oh, it is the Backstreet Boys. | 0:08:06 | 0:08:08 | |
-Were you a bit of a fan? -I was. -The figure is yours. | 0:08:08 | 0:08:11 | |
Pickers, make a pick. | 0:08:14 | 0:08:15 | |
Michael and Angela want the sampler, | 0:08:17 | 0:08:19 | |
Dave and Mark want the ring, | 0:08:19 | 0:08:21 | |
Sophie and Dan want the bottles. | 0:08:21 | 0:08:24 | |
Here comes question five. | 0:08:24 | 0:08:25 | |
Methane is a chemical compound consisting of carbon and which gas? | 0:08:25 | 0:08:30 | |
Yes, Michael. | 0:08:32 | 0:08:33 | |
-I was going to say oxygen, but... -Incorrect. Hydrogen. | 0:08:33 | 0:08:37 | |
You are frozen out of this question. | 0:08:37 | 0:08:39 | |
Pickers, pick a lot. | 0:08:39 | 0:08:40 | |
Dave and Mark, you want the ring. | 0:08:42 | 0:08:44 | |
Sophie and Dan, you want the bottles, and here's the question. | 0:08:44 | 0:08:48 | |
In which Royal Park is London Zoo located? Yes, Sophie. | 0:08:48 | 0:08:52 | |
-Regent's Park. -It is Regent's Park. Well done, the bottles are yours. | 0:08:52 | 0:08:56 | |
Michael and Angela, you're back in the game. | 0:08:56 | 0:08:59 | |
Pickers, make a pick. | 0:08:59 | 0:09:00 | |
Oh, Michael and Angela want the ring, | 0:09:03 | 0:09:05 | |
Dave and Mark want the ring, | 0:09:05 | 0:09:07 | |
Sophie and Dan want the...horn. | 0:09:07 | 0:09:09 | |
Here we go, question seven. | 0:09:09 | 0:09:11 | |
What name is given to words such as "buzz" and "hiss" | 0:09:11 | 0:09:14 | |
which imitate the sounds they...? Yes, Sophie. | 0:09:14 | 0:09:17 | |
-Onomatopoeia? -The full question is - | 0:09:17 | 0:09:19 | |
what name is given to words such as "buzz" and "hiss", which imitate | 0:09:19 | 0:09:22 | |
the sounds they describe? It is onomatopoeia. | 0:09:22 | 0:09:25 | |
Well done, the horn is yours. | 0:09:25 | 0:09:27 | |
OK, this is the final pick in this round. | 0:09:29 | 0:09:31 | |
Michael and Angela going for the sampler, | 0:09:33 | 0:09:35 | |
Dave and Mark want the ring, | 0:09:35 | 0:09:37 | |
Sophie and Dan want the tankard. | 0:09:37 | 0:09:39 | |
Question eight. At the 2001 Oscars, | 0:09:39 | 0:09:42 | |
singer Bjork wore an iconic dress resembling which type of white bird? | 0:09:42 | 0:09:46 | |
-Yes, Dave. -Dove. | 0:09:48 | 0:09:50 | |
Not a dove, it was a swan. | 0:09:50 | 0:09:53 | |
A swan. Let's have a look at your collections at the end of Round One. | 0:09:53 | 0:09:57 | |
Michael and Angela have... | 0:09:57 | 0:09:59 | |
the cabinet. | 0:09:59 | 0:10:01 | |
Dave and Mark have the clock. | 0:10:01 | 0:10:04 | |
Sophie and Dan have the table, | 0:10:04 | 0:10:07 | |
the bottles, the horn | 0:10:07 | 0:10:09 | |
and the figure. | 0:10:09 | 0:10:10 | |
Our teams have started to build their collections, | 0:10:10 | 0:10:13 | |
but have they chosen wisely? | 0:10:13 | 0:10:15 | |
Well, before they have the chance to add more to them, | 0:10:15 | 0:10:18 | |
Natasha is going to give each pair a fact about a lot of their choice, | 0:10:18 | 0:10:22 | |
which should be everything they need to know to make a valuation. | 0:10:22 | 0:10:25 | |
But before we do, Michael and Angela, | 0:10:25 | 0:10:28 | |
let's get to know you a bit better. | 0:10:28 | 0:10:30 | |
Michael, you used to work in the zoo. | 0:10:30 | 0:10:33 | |
I did indeed, yes, Edinburgh Zoo. | 0:10:33 | 0:10:35 | |
I looked after customers rather than the animals. | 0:10:35 | 0:10:38 | |
We did have our occasions of the animals escaping. | 0:10:38 | 0:10:41 | |
-What, lions? -A couple of monkeys. | 0:10:42 | 0:10:44 | |
-Oh. -Yes, which... | 0:10:44 | 0:10:45 | |
It's very serious, because they're very, very strong, so... | 0:10:45 | 0:10:48 | |
HE LAUGHS | 0:10:48 | 0:10:49 | |
-Angela, what do you do? -I work in a pharmacy. | 0:10:49 | 0:10:52 | |
And do you like collecting and antiques? | 0:10:52 | 0:10:54 | |
I do, I collect mainly cattle figures. | 0:10:54 | 0:10:58 | |
What's your best one? | 0:10:58 | 0:10:59 | |
I have a Beswick figure that I'm really fond of, | 0:10:59 | 0:11:03 | |
of a Hereford. | 0:11:03 | 0:11:05 | |
Very good. Michael and Angela, lovely to have you here. | 0:11:05 | 0:11:07 | |
What would you like to know more about from Natasha? | 0:11:07 | 0:11:11 | |
Erm, I think the sampler, please. | 0:11:11 | 0:11:14 | |
The sampler, yes. It really caught your eye, didn't it? | 0:11:14 | 0:11:17 | |
Well, let me tell you, it's a needlework sampler, | 0:11:17 | 0:11:20 | |
and as it states on the front, it dates from 1912. | 0:11:20 | 0:11:24 | |
Now the maker of this particular one - again, as it says, L Walters - | 0:11:24 | 0:11:28 | |
was only aged 11. | 0:11:28 | 0:11:30 | |
It's not bad for an 11-year-old, wouldn't you say? | 0:11:30 | 0:11:33 | |
Now, to find a sampler of this quality that's been created | 0:11:33 | 0:11:36 | |
by a child is quite rare, so could this have your game sewn up? | 0:11:36 | 0:11:42 | |
What do you think it's worth? Don't tell me, just think about it. | 0:11:42 | 0:11:46 | |
And while you're thinking about it, let's meet Team Two. | 0:11:46 | 0:11:49 | |
Dave and Mark, lovely to have you here. Dave, what do you do? | 0:11:49 | 0:11:53 | |
-I run a pub. We do pub quizzes. -How do you verify your answers? | 0:11:53 | 0:11:56 | |
If I say they're right, they're right. | 0:11:58 | 0:12:00 | |
LAUGHTER | 0:12:00 | 0:12:01 | |
It's a bit like here. If I say it's right, it's right. | 0:12:01 | 0:12:04 | |
-How did you meet Mark? -Mark's a customer in the pub. | 0:12:04 | 0:12:07 | |
What do you like to collect at home? | 0:12:07 | 0:12:09 | |
I collect slot machines. I've got quite a good selection, really. | 0:12:09 | 0:12:12 | |
-I've got eight decent machines. -Lovely. What sort of age range? | 0:12:12 | 0:12:16 | |
Erm, I've got some... One for a clown, | 0:12:16 | 0:12:18 | |
it's about turn of the century, | 0:12:18 | 0:12:21 | |
up to... I've got some '70s stuff, which is shoot the duck. | 0:12:21 | 0:12:24 | |
What lot would you like to hear more about from Natasha? | 0:12:24 | 0:12:28 | |
I would like to hear more about the ring, really. | 0:12:28 | 0:12:31 | |
-The ring? -Please, please, yeah. | 0:12:31 | 0:12:33 | |
First of all, let me tell you it's an abstract diamond | 0:12:33 | 0:12:36 | |
and gold ring made in 1970 by the Swiss jeweller Gilbert Albert. | 0:12:36 | 0:12:41 | |
Now, you got your loop out and you were looking at the hallmark | 0:12:41 | 0:12:44 | |
and you thought, "Is that Arabic there?" | 0:12:44 | 0:12:46 | |
It's actually Gilbert Albert's signature. | 0:12:46 | 0:12:48 | |
That's what's stamped inside. | 0:12:48 | 0:12:50 | |
Now, it's got 13 round brilliant-cut diamonds | 0:12:50 | 0:12:52 | |
set in 18-carat yellow gold. | 0:12:52 | 0:12:56 | |
Now, I think you all decided it was gold, except... | 0:12:56 | 0:13:00 | |
Was it Michael and Angela? | 0:13:00 | 0:13:01 | |
Who decided that could be the red herring? Ha-ha! | 0:13:01 | 0:13:04 | |
Well, you're learning now. | 0:13:04 | 0:13:06 | |
This particular piece is inspired by lava | 0:13:06 | 0:13:09 | |
seeping down the face of a volcano. | 0:13:09 | 0:13:12 | |
It's very ostentatious as a piece of jewellery, | 0:13:12 | 0:13:14 | |
but the question is - is it worth its weight in gold? | 0:13:14 | 0:13:18 | |
-Thank you. -Mmmm. | 0:13:19 | 0:13:20 | |
While you're thinking about that, let's talk more to Team Three. | 0:13:20 | 0:13:23 | |
Welcome, Sophie and Dan. Sophie, what do you do? | 0:13:23 | 0:13:26 | |
-I'm an illustrated book editor. -Very good, and how did you meet Dan? | 0:13:26 | 0:13:29 | |
-At university? -University, yeah. We lived in the same halls. | 0:13:29 | 0:13:33 | |
-Oh, did you? -Yeah. -Who was the messy one in the kitchen? | 0:13:33 | 0:13:36 | |
-Probably me, actually. -FERN LAUGHS | 0:13:36 | 0:13:39 | |
And, Dan, what do you do? | 0:13:39 | 0:13:40 | |
I'm a property developer and personal trainer. | 0:13:40 | 0:13:43 | |
Have you got some good abs going on there, and some good...? | 0:13:43 | 0:13:45 | |
-Maybe, yeah. -Good man. | 0:13:45 | 0:13:47 | |
-What do you collect? -I'm very fond of geeky things. | 0:13:47 | 0:13:51 | |
I like my comics and... I've got a Spider-Man first edition, | 0:13:51 | 0:13:53 | |
which I picked up in a market for £1, | 0:13:53 | 0:13:55 | |
and it's been valued about 400, so I was quite pleased with that. | 0:13:55 | 0:13:59 | |
What would you like to know more about? | 0:13:59 | 0:14:01 | |
I will ask about the coin. | 0:14:01 | 0:14:03 | |
-I think the coin would be interesting to hear about. -The coin. | 0:14:03 | 0:14:05 | |
-It's still in the grid. -Mmm. | 0:14:05 | 0:14:07 | |
What it is is a Charles II Crown dating back to... | 0:14:07 | 0:14:12 | |
Not the Roman period, but as Sophie suggested, a bit later - | 0:14:12 | 0:14:15 | |
1667, so 17th century. | 0:14:15 | 0:14:18 | |
Now, this coin features a portrait of Charles II, | 0:14:18 | 0:14:21 | |
and the inscription reads "Carolus II Dei Gratia", | 0:14:21 | 0:14:25 | |
which translates as "Charles II by the grace of God". | 0:14:25 | 0:14:30 | |
I think you were trying to figure that out. | 0:14:30 | 0:14:32 | |
This coin certainly is in good repair, as you saw, | 0:14:32 | 0:14:35 | |
but does that mean its price tag is high? | 0:14:35 | 0:14:39 | |
And should you make room for this in your collection, | 0:14:39 | 0:14:42 | |
or would you rather leave it confined to the history books? | 0:14:42 | 0:14:46 | |
That's for you to decide. | 0:14:46 | 0:14:48 | |
-Thank you. -Thank you, Natasha. | 0:14:48 | 0:14:50 | |
Well, I hope that's helped the teams. | 0:14:50 | 0:14:52 | |
It's time now, teams, to play Round Two. | 0:14:52 | 0:14:55 | |
APPLAUSE | 0:14:55 | 0:14:58 | |
In this round, the Pickers will select a lot to play for | 0:14:59 | 0:15:02 | |
and the Quizzers will again try and secure it by answering correctly. | 0:15:02 | 0:15:05 | |
But this time around the lots come with their own | 0:15:05 | 0:15:08 | |
question categories, and here they are. | 0:15:08 | 0:15:10 | |
So, for example, if you wanted the binoculars, I'd ask the Quizzer | 0:15:12 | 0:15:16 | |
whether they'd like to choose Sporting Venues or Famous Dates. | 0:15:16 | 0:15:20 | |
All very simple. | 0:15:20 | 0:15:21 | |
At the end of this round the team with the least valuable | 0:15:21 | 0:15:24 | |
collection will be eliminated, so choose wisely. | 0:15:24 | 0:15:28 | |
Michael and Angela, you're up first. | 0:15:28 | 0:15:30 | |
So, Angela, what would you like from the grid? | 0:15:30 | 0:15:32 | |
-The sampler, please. -The sampler. | 0:15:32 | 0:15:35 | |
-Michael, Sporting Venues or Folk Music? -Sporting Venues, please. | 0:15:36 | 0:15:41 | |
Sporting Venues. | 0:15:41 | 0:15:42 | |
PO Box 1966 is the postal address of which English stadium? | 0:15:42 | 0:15:47 | |
-Wembley. -Wembley Stadium, correct. The sampler is yours. | 0:15:48 | 0:15:53 | |
Thank you. | 0:15:53 | 0:15:54 | |
-Mark, what would you like? -The ring, please. -The ring. | 0:15:56 | 0:16:00 | |
OK, Dave, JK Rowling or US Politics? | 0:16:00 | 0:16:02 | |
-Erm, US Politics, please, Fern. -US Politics. | 0:16:09 | 0:16:11 | |
Which former US President was born William Jefferson Blythe III? | 0:16:12 | 0:16:17 | |
No. | 0:16:19 | 0:16:20 | |
-No. Sorry, Fern. -OK, I'll give you the answer - Bill Clinton. | 0:16:22 | 0:16:26 | |
Sorry about that, you don't get the ring. | 0:16:26 | 0:16:29 | |
But, Dan, what would you like to go for? | 0:16:29 | 0:16:31 | |
-I'm going to go for the ring, please. -The ring. -Absolutely. | 0:16:31 | 0:16:34 | |
JK Rowling or US Politics, Sophie? | 0:16:34 | 0:16:36 | |
-I'm going to go for JK Rowling, please. -OK. | 0:16:36 | 0:16:38 | |
Pagford is the village setting of which novel, | 0:16:39 | 0:16:42 | |
JK Rowling's first for adults? | 0:16:42 | 0:16:45 | |
-The Casual Vacancy? -Correct. The Casual Vacancy. | 0:16:45 | 0:16:50 | |
Right, the ring is in your collection. Here we go. | 0:16:50 | 0:16:53 | |
Now, teams, have you missed out on that one item that | 0:16:56 | 0:16:58 | |
you really wanted? If so, here's your chance | 0:16:58 | 0:17:01 | |
to get your hands on it. | 0:17:01 | 0:17:02 | |
From now on, you can either go for what's left on the grid, | 0:17:02 | 0:17:05 | |
or you can steal a lot that is in a rival team's collection. | 0:17:05 | 0:17:09 | |
Pickers, be warned - if you choose to steal from another team, | 0:17:09 | 0:17:12 | |
they will get to choose which category your quizzer must face. | 0:17:12 | 0:17:16 | |
And just one rule here - | 0:17:16 | 0:17:18 | |
you cannot steal from a team who has only one lot in their collection. | 0:17:18 | 0:17:22 | |
Dave and Mark, breathe a sigh of relief, you're OK. | 0:17:22 | 0:17:26 | |
-Angela, pick or steal? -Pick, please. -What do you want? -The binoculars. | 0:17:26 | 0:17:31 | |
The binoculars. OK, Michael, Sporting Venues or Famous Dates? | 0:17:31 | 0:17:36 | |
-I'm going to stick with Sporting Venues again, Fern. -Sporting Venues. | 0:17:36 | 0:17:40 | |
Which sports ground in North London is known as "the home of cricket?" | 0:17:40 | 0:17:44 | |
-The Oval. -Oh, it's the other one, Lord's. -Lord's. | 0:17:46 | 0:17:50 | |
-Dave and Mark, pick or steal? -Steal, please. -What do you want? | 0:17:50 | 0:17:54 | |
-The ring, please. -The ring, from Sophie and Dan. | 0:17:54 | 0:17:58 | |
OK, Sophie and Dan, | 0:17:58 | 0:17:59 | |
you decide which category you think Dave is going to find really hard. | 0:17:59 | 0:18:03 | |
-What do you reckon? -I think... -What about Insects? | 0:18:03 | 0:18:06 | |
No, I reckon he looks like a man who would know about his insects. | 0:18:06 | 0:18:09 | |
-JK Rowling? -I'm thinking JK Rowling, shall we go for that? | 0:18:09 | 0:18:12 | |
-Let's go for that. -JK Rowling. -JK Rowling. | 0:18:12 | 0:18:15 | |
-DAVE: -Cheers, Dan. Cheers, Soph. -LAUGHTER | 0:18:15 | 0:18:17 | |
Dave, here you go. | 0:18:17 | 0:18:19 | |
The Grey Lady is the ghost of which of the four Hogwarts houses? | 0:18:19 | 0:18:22 | |
-I don't know. -Ravenclaw. The house of Ravenclaw. | 0:18:25 | 0:18:28 | |
So, Sophie and Dan, very well defended. The ring is still yours. | 0:18:28 | 0:18:33 | |
Dan, pick or steal? | 0:18:33 | 0:18:34 | |
-Eh, we'll go for a pick. I like the coin, please. -The coin. | 0:18:34 | 0:18:37 | |
JK Rowling or Languages, Sophie? | 0:18:37 | 0:18:40 | |
I think I'm going to have to go for JK Rowling again. | 0:18:41 | 0:18:43 | |
-I think you're a big fan. -I am! I am. -OK. | 0:18:43 | 0:18:47 | |
What name does the letter "K" represent in JK Rowling? | 0:18:47 | 0:18:50 | |
-I think it's Katherine. -Incorrect. | 0:18:52 | 0:18:54 | |
-It's Kathleen. -Oh, so close! | 0:18:54 | 0:18:56 | |
-So close. -Oh, come on. -Kathleen. | 0:18:56 | 0:18:58 | |
So the coin stays on the grid. | 0:18:58 | 0:19:01 | |
Right, let's do it again. | 0:19:01 | 0:19:03 | |
Michael and Angela, steal or pick? | 0:19:03 | 0:19:06 | |
I think we'd like to steal the table, please. | 0:19:06 | 0:19:11 | |
Steal the table, from Sophie and Dan. | 0:19:11 | 0:19:14 | |
Sophie and Dan, give Michael a difficult category. | 0:19:14 | 0:19:16 | |
I think this JK Rowling category's quite a good one for us. | 0:19:16 | 0:19:19 | |
-What do you think? They could be... -What about Insects? | 0:19:19 | 0:19:21 | |
-I'm wondering... -Nah, don't give a man a question about insects. | 0:19:21 | 0:19:24 | |
He'll know his insects. | 0:19:24 | 0:19:25 | |
Do I get to pick, or does Soph get to pick? Or does it need to be...? | 0:19:25 | 0:19:28 | |
-Just somebody say something! -JK Rowling. -JK Rowling. | 0:19:28 | 0:19:31 | |
In 1993, Rowling moved to which Scottish city? | 0:19:33 | 0:19:36 | |
-Edinburgh. -Edinburgh is correct. | 0:19:37 | 0:19:40 | |
-DAN ROARS Well done. -Thank you. | 0:19:40 | 0:19:43 | |
-The table is yours. -Thank you. | 0:19:43 | 0:19:44 | |
-Mark, pick or steal? -Steal the ring, please. | 0:19:48 | 0:19:51 | |
Steal the ring. FERN GASPS | 0:19:51 | 0:19:53 | |
Sophie and Dan, here we go. | 0:19:53 | 0:19:54 | |
I wonder which category you're going to give Dave(?) | 0:19:54 | 0:19:57 | |
Let's try something really random. I think Famous Dates. | 0:19:57 | 0:20:00 | |
He's acknowledged he doesn't read Harry Potter, are you mad? | 0:20:00 | 0:20:03 | |
We're going... JK Rowling, definitely. JK Rowling. | 0:20:03 | 0:20:06 | |
Listen to Soph. | 0:20:06 | 0:20:07 | |
LAUGHTER | 0:20:07 | 0:20:09 | |
In the Harry Potter novels, the surname of which family | 0:20:09 | 0:20:12 | |
literally translates into English as "bad faith?" | 0:20:12 | 0:20:16 | |
-Pass. -Malfoy. | 0:20:16 | 0:20:18 | |
-OK, the ring stays with you, Sophie and Dan. -Oh, yeah. | 0:20:20 | 0:20:23 | |
-Pick or steal? -I think... | 0:20:23 | 0:20:26 | |
steal, I want that table back. | 0:20:26 | 0:20:27 | |
Michael and Angela, this is your chance. Right. | 0:20:29 | 0:20:32 | |
What is the worst category you can think of for Sophie? | 0:20:32 | 0:20:36 | |
-Shall we go Folk Music? -Folk Music, I was thinking, yes. | 0:20:36 | 0:20:39 | |
-Yes? I think Folk Music, please. -Folk Music. | 0:20:39 | 0:20:42 | |
I like it when it plays dirty, don't you? Sophie. | 0:20:42 | 0:20:45 | |
Which US singer-songwriter was born Robert Zimmerman in 1941? | 0:20:45 | 0:20:49 | |
Ooh. | 0:20:50 | 0:20:52 | |
Robbie Williams? | 0:20:52 | 0:20:53 | |
No, incorrect. It's Bob Dylan. | 0:20:54 | 0:20:57 | |
-Well defended, Michael and Angela. The table stays with you. -Thank you. | 0:20:57 | 0:21:02 | |
OK, that's the end of the round, | 0:21:02 | 0:21:03 | |
so let's see how the collections are looking. | 0:21:03 | 0:21:06 | |
Michael and Angela, you have the cabinet, the table and the sampler. | 0:21:06 | 0:21:10 | |
Dave and Mark, you have the clock. | 0:21:10 | 0:21:13 | |
Sophie and Dan, you have the figure, the horn, the ring and the bottles. | 0:21:13 | 0:21:18 | |
OK, for one team, it's now the end of the road. | 0:21:18 | 0:21:20 | |
Natasha has been keeping tabs, | 0:21:20 | 0:21:23 | |
and the team with the least valuable collection will now be eliminated. | 0:21:23 | 0:21:26 | |
So, Natasha, who is leaving us? | 0:21:26 | 0:21:29 | |
Hmmm, well, I can reveal to you that the pair leaving us first... | 0:21:29 | 0:21:33 | |
It's Dave and Mark, with your one item. Oh, commiserations. | 0:21:36 | 0:21:40 | |
-APPLAUSE -Well done, mate. | 0:21:40 | 0:21:43 | |
Dave and Mark, that's heartbreaking. | 0:21:46 | 0:21:50 | |
Not only are you leaving the game, but the clock is coming back to us. | 0:21:50 | 0:21:54 | |
-But you do want to know how much it's worth, don't you? -Yes. | 0:21:54 | 0:21:57 | |
Yes. Natasha. | 0:21:57 | 0:21:58 | |
A fantastic piece, I would say, this clock is. | 0:21:58 | 0:22:01 | |
It's French, gilt brass, and it's a repeating clock. | 0:22:01 | 0:22:05 | |
You click on a button on the top | 0:22:05 | 0:22:07 | |
and it dings a certain amount of time, so that when you're in your | 0:22:07 | 0:22:10 | |
carriage and you want to know how close you are to the hour, | 0:22:10 | 0:22:13 | |
a certain ding means it's quarter past, | 0:22:13 | 0:22:15 | |
another one means it's nearer half past, quarter to, or the hour. | 0:22:15 | 0:22:19 | |
It's an ingenious bit of design. | 0:22:19 | 0:22:21 | |
Now, the clock also remains in its original red Moroccan leather | 0:22:21 | 0:22:25 | |
carrying case, which certainly adds to the value and the rarity. | 0:22:25 | 0:22:29 | |
Well, gentlemen, you've picked a good lot today, | 0:22:29 | 0:22:31 | |
because your collection was worth £800. | 0:22:31 | 0:22:34 | |
Well done. | 0:22:34 | 0:22:35 | |
That was very, very good indeed. | 0:22:35 | 0:22:37 | |
If only you'd had a chance to get in and get some other lots as well. | 0:22:37 | 0:22:41 | |
But, Dave and Mark, you've been brilliant, thank you for coming. | 0:22:41 | 0:22:44 | |
But it's time now to bring the hammer down on your collection | 0:22:44 | 0:22:47 | |
and say thank you for playing For What It's Worth. | 0:22:47 | 0:22:49 | |
-Thank you. -APPLAUSE | 0:22:49 | 0:22:53 | |
And also, the unclaimed items in the grid are now leaving the game, | 0:22:55 | 0:22:59 | |
so let's quickly find out from Natasha what they're worth | 0:22:59 | 0:23:02 | |
and if the Top Lot is still in the game. | 0:23:02 | 0:23:05 | |
Yes, let's start off with this jardiniere. | 0:23:05 | 0:23:08 | |
It's pottery, and it's a jardiniere, and what's that? | 0:23:08 | 0:23:11 | |
It's just a plant stand, isn't it? It's a French term. | 0:23:11 | 0:23:13 | |
It refers to a plant pot on a stand. | 0:23:13 | 0:23:17 | |
Although we can't be sure who made it - | 0:23:17 | 0:23:19 | |
there are no marks on the bottom - it appears to | 0:23:19 | 0:23:21 | |
date from the early 20th century and to be of English design. | 0:23:21 | 0:23:25 | |
It's in good condition, without any chips, | 0:23:25 | 0:23:28 | |
although there are some cracks in the glaze. | 0:23:28 | 0:23:30 | |
And, well, it's only worth £30, | 0:23:30 | 0:23:31 | |
so well done for leaving it on the grid. | 0:23:31 | 0:23:34 | |
And then we go onto our coin, which we've already discussed at length. | 0:23:35 | 0:23:40 | |
Michael, you attempted to translate the Latin with Angela. | 0:23:40 | 0:23:43 | |
You weren't quite sure, but we know what that means - | 0:23:43 | 0:23:45 | |
"by the grace of God". | 0:23:45 | 0:23:47 | |
But, for the grace of God, should you have left it in your collection? | 0:23:47 | 0:23:52 | |
It's only worth £225, so again, well done. | 0:23:53 | 0:23:58 | |
Not too shabby, though. But then we come onto this tankard. | 0:23:58 | 0:24:03 | |
A solid silver tankard, dated 1838. | 0:24:03 | 0:24:07 | |
It's engraved with an inscription telling us that it | 0:24:07 | 0:24:10 | |
was presented to a certain Lady Dyer for - wait for it - | 0:24:10 | 0:24:14 | |
"the best coop of 100 Southdown wether lambs penned for sale, | 0:24:14 | 0:24:19 | |
"bred and reared without corn, pulse, meal, | 0:24:19 | 0:24:23 | |
"cake or seed on a farm in Hampshire." | 0:24:23 | 0:24:25 | |
How intriguing. | 0:24:25 | 0:24:27 | |
But as a prized piece, this item is, of course, completely unique. | 0:24:27 | 0:24:32 | |
It's a one-of-a-kind. | 0:24:32 | 0:24:33 | |
Solid silver, interesting agricultural provenance, | 0:24:33 | 0:24:39 | |
and worth today... | 0:24:39 | 0:24:41 | |
-£1,000. -GROANS | 0:24:41 | 0:24:43 | |
I can't believe you left it on the grid! But that you did. | 0:24:43 | 0:24:47 | |
And then we'll move on to these binoculars. | 0:24:47 | 0:24:50 | |
We've got a pair of binoculars here dating from the mid-20th century. | 0:24:50 | 0:24:54 | |
This particular pair's thought to be commercial, perhaps, | 0:24:54 | 0:24:57 | |
although not really likely, as opera or theatrical glasses, | 0:24:57 | 0:25:00 | |
but they're probably not military. | 0:25:00 | 0:25:03 | |
The condition is fair, they're complete with their original | 0:25:03 | 0:25:05 | |
leather strap, and the lenses are intact. | 0:25:05 | 0:25:08 | |
In fact, they're very clean because Dan gave them a wee wipe. So... | 0:25:08 | 0:25:12 | |
Did you miss a trick? Well, I looked down the lens, and what did I see? | 0:25:13 | 0:25:17 | |
Nothing, because they're today's Worthless Lot. Ha-ha-ha! | 0:25:17 | 0:25:21 | |
Well done for leaving them on the grid. | 0:25:21 | 0:25:23 | |
And of course, what does that mean? | 0:25:23 | 0:25:25 | |
We have not talked about today's Top Lot, | 0:25:25 | 0:25:27 | |
-meaning it's still in play somewhere in your collections. -Mmm. | 0:25:27 | 0:25:32 | |
That is wonderful. | 0:25:32 | 0:25:33 | |
So someone has got £2,500 sitting in their collections. | 0:25:33 | 0:25:38 | |
Teams, congratulations on getting this far. | 0:25:38 | 0:25:40 | |
You now have one last chance to pick our expert's brain, | 0:25:40 | 0:25:43 | |
so which lot do you need to know more about? Angela and Michael. | 0:25:43 | 0:25:47 | |
I'll let you choose, Angela. I'd like to know more about... | 0:25:47 | 0:25:50 | |
I think I'll say the cabinet, please. | 0:25:50 | 0:25:52 | |
The cabinet. Certainly an interesting one here. There it is. | 0:25:52 | 0:25:56 | |
It appears to be a cabinet, | 0:25:56 | 0:25:59 | |
but that's probably not how it started life, is it? | 0:25:59 | 0:26:02 | |
Cos you can clearly see the difference in the types | 0:26:02 | 0:26:04 | |
of wood used between the legs and the body. | 0:26:04 | 0:26:08 | |
So, this item has been put together from various things in the past. | 0:26:08 | 0:26:12 | |
However, what this piece is really about, forget the rest - | 0:26:12 | 0:26:17 | |
it's the painted decoration. | 0:26:17 | 0:26:19 | |
It depicts rustic scenes in a traditional Japanese manner. | 0:26:19 | 0:26:22 | |
Now, as you can see, the varnish shows extensive cracking, | 0:26:22 | 0:26:26 | |
but it's so apparent that in a funny way | 0:26:26 | 0:26:29 | |
it actually forms quite an appealing pattern on the surface. | 0:26:29 | 0:26:34 | |
But is it appealing enough to persuade you to keep | 0:26:34 | 0:26:38 | |
this hybrid in your collection? | 0:26:38 | 0:26:40 | |
-Mm-hm. -Thank you. | 0:26:41 | 0:26:43 | |
Sophie and Dan, what would you like to know more about? | 0:26:43 | 0:26:46 | |
-Could you tell us a little bit about the table, please? -The table? | 0:26:46 | 0:26:48 | |
Gladly. Oh, this table, you put me through my paces with this table, | 0:26:48 | 0:26:52 | |
because you were all looking at it | 0:26:52 | 0:26:54 | |
and only one of you spotted the date - Sophie. | 0:26:54 | 0:26:58 | |
While we aren't sure who crafted it we do know it's made of oak, | 0:26:58 | 0:27:02 | |
and it dates back to the Jacobean era, | 0:27:02 | 0:27:05 | |
which was known for its very plain styling - | 0:27:05 | 0:27:08 | |
and as you can see, this table is very much a product of its time. | 0:27:08 | 0:27:13 | |
However, it's been loved and used, and it does have dents | 0:27:13 | 0:27:17 | |
and score marks in the surface - consistent with its age, of course. | 0:27:17 | 0:27:21 | |
So it's not in perfect condition, | 0:27:21 | 0:27:23 | |
and it is dark brown stained furniture. | 0:27:23 | 0:27:27 | |
But what's it worth? That's the question. | 0:27:27 | 0:27:30 | |
I'm not telling you! | 0:27:31 | 0:27:33 | |
While you're thinking, it's now time for our final round, | 0:27:33 | 0:27:37 | |
and at the end of this we will have our winners. | 0:27:37 | 0:27:39 | |
APPLAUSE | 0:27:39 | 0:27:41 | |
In this round, I'll show you a category and 12 possible answers. | 0:27:42 | 0:27:47 | |
Nine of the answers are correct, three of them are not. | 0:27:47 | 0:27:50 | |
Now, each of you will then take it in turns to choose an answer | 0:27:50 | 0:27:54 | |
you think is correct, and as it's the final round, | 0:27:54 | 0:27:57 | |
both Quizzers and Pickers will play. | 0:27:57 | 0:27:59 | |
Pick a wrong answer | 0:27:59 | 0:28:00 | |
and your opponents will be able to steal a lot from your collection. | 0:28:00 | 0:28:04 | |
If all nine correct answers are given | 0:28:04 | 0:28:06 | |
then the team who gives the final correct answer will be the winners. | 0:28:06 | 0:28:11 | |
We'll play three questions in total. | 0:28:11 | 0:28:13 | |
The pair with the most valuable collection can choose to go | 0:28:13 | 0:28:16 | |
first or second. | 0:28:16 | 0:28:17 | |
Natasha, who is that at the moment? | 0:28:17 | 0:28:19 | |
Well, I can reveal to you know that | 0:28:19 | 0:28:21 | |
the team with the more valuable collection... | 0:28:21 | 0:28:23 | |
..is Michael and Angela. | 0:28:25 | 0:28:26 | |
-Oh, it's that table. -Mmm. -We need that table. -OK. | 0:28:26 | 0:28:30 | |
Angela and Michael, the first question is... | 0:28:30 | 0:28:33 | |
..Types Of Tea. | 0:28:35 | 0:28:37 | |
We're looking for the real names commonly given to varieties of tea. | 0:28:37 | 0:28:41 | |
Would you like to go first or second? | 0:28:41 | 0:28:44 | |
-First, I think. -First, please. -First? | 0:28:44 | 0:28:46 | |
-Yes, please. -Let's have a look at the answers. | 0:28:46 | 0:28:48 | |
-Michael, give me an answer. -Jasmine. | 0:28:50 | 0:28:52 | |
Jasmine. If it goes green, it's correct. | 0:28:55 | 0:28:58 | |
Of course. Scented with jasmine blossoms. Sophie. | 0:28:59 | 0:29:02 | |
-Er, chamomile. -Chamomile. | 0:29:02 | 0:29:04 | |
Yes, made from those little daisy-like plants. Angela. | 0:29:08 | 0:29:12 | |
-Lapsang souchong. -Lapsang souchong. | 0:29:12 | 0:29:15 | |
Correct, of course. A black tea that originates from China. Dan. | 0:29:16 | 0:29:21 | |
-Rooibos. -Rooibos, is it right? | 0:29:21 | 0:29:24 | |
Correct! Caffeine free, from South Africa. Michael. | 0:29:25 | 0:29:30 | |
-Gunpowder. -Gunpowder. | 0:29:30 | 0:29:32 | |
Yes, a form of green tea. Sophie. | 0:29:34 | 0:29:37 | |
-Oolong? -Oolong. | 0:29:37 | 0:29:39 | |
Correct, a traditional Chinese tea. Angela? | 0:29:42 | 0:29:45 | |
-Matcha. -Matcha. | 0:29:45 | 0:29:47 | |
Correct. A green tea. Dan. | 0:29:51 | 0:29:53 | |
-Bara brith. -Bara brith. | 0:29:53 | 0:29:55 | |
Oh, incorrect. It's a Welsh fruit loaf... | 0:29:59 | 0:30:03 | |
-(Oh, man.) -..and is delicious. | 0:30:03 | 0:30:05 | |
Let's have a look at the other wrong answers. | 0:30:05 | 0:30:07 | |
Kenpo, that's a form of martial arts, | 0:30:09 | 0:30:11 | |
and double branch is a type of T-junction that's used in plumbing. | 0:30:11 | 0:30:15 | |
Oh, well, Michael and Angela, | 0:30:18 | 0:30:19 | |
what would you like to steal from Sophie and Dan? | 0:30:19 | 0:30:22 | |
-The figure, I think, yeah? -OK. -The figure, please. | 0:30:22 | 0:30:25 | |
The figure is yours. | 0:30:25 | 0:30:27 | |
It's going into your collection right now. | 0:30:27 | 0:30:29 | |
Right, Sophie and Dan, this is your question. Ready? It is... | 0:30:31 | 0:30:36 | |
..Shapes. | 0:30:37 | 0:30:39 | |
Can you spot the names of two- or three-dimensional geometric shapes? | 0:30:39 | 0:30:43 | |
Would you like to go first or second? | 0:30:43 | 0:30:46 | |
-First? -First, thank you. -First? Let's have a look at the answers. | 0:30:46 | 0:30:49 | |
Would you like to give me an answer, Sophie? | 0:30:49 | 0:30:52 | |
-Trapezium? -Trapezium. | 0:30:52 | 0:30:53 | |
Correct. A four-sided shape. Michael. | 0:30:56 | 0:31:00 | |
-Erm, hexagram. -Hexagram? | 0:31:00 | 0:31:02 | |
Yes, a six-pointed figure. Dan. | 0:31:04 | 0:31:07 | |
-Tetrahedron. -Tetrahedron. | 0:31:07 | 0:31:09 | |
Yes, a three-dimensional shape with four faces. | 0:31:12 | 0:31:16 | |
Angela. | 0:31:16 | 0:31:17 | |
-Dodecahedron. -Dodecahedron. | 0:31:17 | 0:31:20 | |
Yes, a three-dimensional shape with 12 faces. Sophie. | 0:31:22 | 0:31:26 | |
-Nonagon? -Nonagon. | 0:31:27 | 0:31:29 | |
Yes, a nine-sided shape. Michael. | 0:31:32 | 0:31:36 | |
-Pangram. -Pangram. | 0:31:36 | 0:31:38 | |
-Oh. -No, I didn't think so. | 0:31:42 | 0:31:44 | |
-It's a sentence that uses every letter in the alphabet. -OK. | 0:31:44 | 0:31:48 | |
You know when you used to learn to type? | 0:31:48 | 0:31:50 | |
It was "the quick brown fox jumped over the lazy dog." | 0:31:50 | 0:31:53 | |
That's it. | 0:31:53 | 0:31:55 | |
OK, let's see where the other wrong answers are. | 0:31:56 | 0:31:59 | |
Lamia is a shape-shifter in Greek mythology | 0:31:59 | 0:32:03 | |
and Littrell was the surname of a 1990s singer. So, there you go. | 0:32:03 | 0:32:08 | |
Sophie and Dan, that means you can steal a lot from your opponents. | 0:32:08 | 0:32:13 | |
What would you like? | 0:32:13 | 0:32:14 | |
No-brainer. It's got to be the table. | 0:32:14 | 0:32:17 | |
The table is leaving Michael and Angela... | 0:32:17 | 0:32:20 | |
-It's coming home! -..and going to Sophie and Dan. -Well done. | 0:32:20 | 0:32:23 | |
This is the final question and, Angela and Michael, | 0:32:23 | 0:32:26 | |
it is yours. This is what it is. | 0:32:26 | 0:32:28 | |
Doctor Who Companions. | 0:32:31 | 0:32:33 | |
You need to find any of the character names of the Doctor's | 0:32:33 | 0:32:36 | |
companions in the BBC television series Doctor Who. | 0:32:36 | 0:32:39 | |
Would you like to go first or second? | 0:32:39 | 0:32:41 | |
-First. -I think we'll go first, please. -First, OK. | 0:32:41 | 0:32:43 | |
Here are the answers. | 0:32:43 | 0:32:46 | |
-Michael, give me an answer. -Rose Tyler. -Rose Tyler. | 0:32:46 | 0:32:50 | |
Yes, of course. She was played by Billie Piper. Sophie. | 0:32:53 | 0:32:57 | |
-Sarah Jane Smith. -Sarah Jane Smith. | 0:32:57 | 0:32:59 | |
Yes, she was a 1970s companion, and then got a series of her own. | 0:33:02 | 0:33:05 | |
Well done. Angela. | 0:33:05 | 0:33:07 | |
-Laura Trott. -Laura Trott. | 0:33:07 | 0:33:10 | |
-Oh, incorrect. -Unlucky. | 0:33:14 | 0:33:16 | |
No, she's a double gold Olympic champion cyclist. | 0:33:17 | 0:33:21 | |
A brilliant cyclist. Let's have a look at the other wrong answers. | 0:33:21 | 0:33:25 | |
Will Champion is the drummer for Coldplay | 0:33:27 | 0:33:31 | |
and Barney Harwood is a Blue Peter presenter. | 0:33:31 | 0:33:33 | |
Oh, Michael and Angela are looking devastated. | 0:33:34 | 0:33:37 | |
Sophie and Dan, what are you going to take? | 0:33:37 | 0:33:40 | |
-We're going to go for the figure. -The figure is yours. | 0:33:40 | 0:33:44 | |
Right. That is it, teams. | 0:33:47 | 0:33:49 | |
Your collections are now complete | 0:33:49 | 0:33:51 | |
and will determine which team is victorious. | 0:33:51 | 0:33:54 | |
Natasha, who are today's winners? | 0:33:55 | 0:33:57 | |
Well, it's that moment I can reveal to you now that the team with | 0:33:57 | 0:34:00 | |
the more valuable collection, | 0:34:00 | 0:34:01 | |
and therefore the winning team today, is... | 0:34:01 | 0:34:05 | |
It's Sophie and Dan. Well done! Well done. | 0:34:08 | 0:34:11 | |
APPLAUSE | 0:34:11 | 0:34:13 | |
Well done. Well done. | 0:34:13 | 0:34:14 | |
Commiserations, Michael and Angela. | 0:34:16 | 0:34:18 | |
-You were up against Sophie and Dan, who were ruthless. -True story. | 0:34:18 | 0:34:21 | |
-Absolutely ruthless. -True story. -But this is the game, isn't it? | 0:34:21 | 0:34:24 | |
Sadly, you did not create a valuable enough collection, but before | 0:34:24 | 0:34:27 | |
we say goodbye, shall we find out how much your items are worth? | 0:34:27 | 0:34:31 | |
-Please. -Yes, please. -Natasha. | 0:34:31 | 0:34:32 | |
-You worked so well as a team, so well done. -Thank you. | 0:34:32 | 0:34:35 | |
But we have to say goodbye to your collection. | 0:34:35 | 0:34:38 | |
We'll start with the sampler. We've discussed it at length. | 0:34:38 | 0:34:41 | |
Now, it's wool-work, not needlework, and it's 1912, | 0:34:41 | 0:34:46 | |
so it's just the wrong material and it's the wrong date, really. | 0:34:46 | 0:34:51 | |
The wrong side of the 20th century, and as such, | 0:34:51 | 0:34:55 | |
it's only worth £50, believe it or not. £50. | 0:34:55 | 0:34:59 | |
And then we'll move on to this cabinet. We discussed it already. | 0:34:59 | 0:35:03 | |
Funny legs, weird modern interior. But you did love it. | 0:35:03 | 0:35:07 | |
I think you would like to have owned it, actually, | 0:35:07 | 0:35:09 | |
because you were just drawn to it. | 0:35:09 | 0:35:11 | |
But were you drawn to a valuable lot? | 0:35:11 | 0:35:14 | |
The cabinet is only worth £400, but I'm quite surprised. | 0:35:14 | 0:35:19 | |
£400 nonetheless. | 0:35:19 | 0:35:21 | |
Which means that, in total, your collection weighed in at £450, | 0:35:21 | 0:35:26 | |
so well done and thank you for playing. | 0:35:26 | 0:35:28 | |
-Oh, well done. -Thank you. -Well done. | 0:35:28 | 0:35:30 | |
Michael and Angela, thank you for playing For What It's Worth. | 0:35:30 | 0:35:32 | |
-Thank you very much. -Thank you. -Thank you. | 0:35:32 | 0:35:35 | |
APPLAUSE | 0:35:35 | 0:35:37 | |
Well done, Sophie and Dan. | 0:35:38 | 0:35:40 | |
You played the game absolutely right and you are today's winners, | 0:35:40 | 0:35:44 | |
and now all that remains is for you to claim your prize. | 0:35:44 | 0:35:48 | |
All you have to do is pick one of your lots in your collection | 0:35:48 | 0:35:51 | |
and we will give you its value in cash. | 0:35:51 | 0:35:54 | |
So, which one do you want to choose? | 0:35:54 | 0:35:57 | |
I think it's got to be the once-stolen table that we won back! | 0:35:57 | 0:36:00 | |
I think so. We worked hard for that table... | 0:36:00 | 0:36:02 | |
-We worked hard for that table. -..so we'd like to go for that. | 0:36:02 | 0:36:05 | |
-We think that table could be a bit of a gem. -OK. The table. | 0:36:05 | 0:36:09 | |
Final decision, the table. | 0:36:09 | 0:36:10 | |
Before we tell you what that's worth, | 0:36:12 | 0:36:15 | |
shall we tell you what you haven't won? | 0:36:15 | 0:36:18 | |
-Please. -Natasha. -Sure. | 0:36:18 | 0:36:20 | |
What do we have here? A set of Edwardian scent bottles. | 0:36:20 | 0:36:24 | |
The hallmarks on the lids tell us that the sterling silver tops | 0:36:24 | 0:36:27 | |
were created by Mappin & Webb in 1910, | 0:36:27 | 0:36:32 | |
and that they were assayed in the capital, London. | 0:36:32 | 0:36:34 | |
And they have lavishly-designed hand-cut crystal bodies, | 0:36:34 | 0:36:38 | |
which is topped with a hand-chased, round, sterling silver, | 0:36:38 | 0:36:42 | |
florally-decorated, engraved lid. | 0:36:42 | 0:36:46 | |
What are they worth? | 0:36:46 | 0:36:47 | |
-£200. Relax, Dan! £200. -Ooh, it's hot. | 0:36:48 | 0:36:52 | |
We're aiming higher than that. | 0:36:52 | 0:36:55 | |
Now, here we are talking about this horn. | 0:36:55 | 0:36:58 | |
This is a Percival hunting horn, | 0:36:58 | 0:37:01 | |
and if you're going to own a horn or a bugle, then Thomas Percival | 0:37:01 | 0:37:05 | |
of St James's Street in London is the maker to purchase. | 0:37:05 | 0:37:09 | |
That was the property developer in you, he said, "St James's Street. | 0:37:09 | 0:37:12 | |
-"Sounds good to me." -Ah yes, I like that. | 0:37:12 | 0:37:14 | |
Now, a key 19th century crafter of brass instruments, | 0:37:14 | 0:37:18 | |
the quality of this piece is clear to see. | 0:37:18 | 0:37:21 | |
Now, this horn, as you noted, has seen use. | 0:37:21 | 0:37:23 | |
There are a few dents and nicks, but that marks it as a working piece | 0:37:23 | 0:37:28 | |
of equipment rather than a display piece that has never been used. | 0:37:28 | 0:37:32 | |
So, with all that provenance, how much would it cost | 0:37:32 | 0:37:36 | |
the owner of a flat in Shoreditch to stick on a shelf and display? | 0:37:36 | 0:37:39 | |
That is the question. | 0:37:39 | 0:37:40 | |
£300. So, once again, you were right not to pick. | 0:37:40 | 0:37:45 | |
But then we come on to this ring. | 0:37:45 | 0:37:47 | |
Now, we really had a battle for this ring. Everyone was after it. | 0:37:47 | 0:37:50 | |
But it's beautiful, it's diamonds, it's gold. | 0:37:50 | 0:37:53 | |
What's it worth? | 0:37:53 | 0:37:55 | |
-Well, you were right to battle for this ring... -Oh! | 0:37:55 | 0:37:59 | |
..because it's of good value. | 0:38:00 | 0:38:03 | |
£1,200. Ooh, and you've left it behind! | 0:38:03 | 0:38:08 | |
So it boils down to two, doesn't it? | 0:38:08 | 0:38:10 | |
Boils down to this figure and the table. | 0:38:10 | 0:38:12 | |
So, are you on the edge of your seat? | 0:38:13 | 0:38:16 | |
I'm going to tell you more about the figure. | 0:38:16 | 0:38:18 | |
It's a coloured glass sculpture, we know that, and as you may have | 0:38:18 | 0:38:21 | |
suspected, Sophie, it's a piece of Murano glass. Well done. | 0:38:21 | 0:38:25 | |
Now, this piece clearly pays homage to Picasso - of course | 0:38:25 | 0:38:28 | |
you saw that - with its odd arrangement of the facial features | 0:38:28 | 0:38:31 | |
and its contorted body. | 0:38:31 | 0:38:33 | |
However, the makers have injected a little abstract | 0:38:33 | 0:38:37 | |
humour of their own because, I don't know if you clocked it, | 0:38:37 | 0:38:39 | |
they've complimented the feminine facial features with a nice, | 0:38:39 | 0:38:43 | |
rugged, cross-hatched beard. | 0:38:43 | 0:38:45 | |
But women with beards aren't to everybody's taste, and nor, | 0:38:45 | 0:38:50 | |
necessarily, is Murano's avant-garde glass style of sculpture. | 0:38:50 | 0:38:55 | |
This sculpture, Sophie and Dan... | 0:38:56 | 0:38:59 | |
..is worth £700, which means that the table is today's Top Lot, | 0:39:02 | 0:39:06 | |
and worth £2,500. | 0:39:06 | 0:39:09 | |
APPLAUSE | 0:39:09 | 0:39:10 | |
Well done. You spotted the Top Lot. | 0:39:10 | 0:39:14 | |
-Thank you. -Wonderful. | 0:39:14 | 0:39:16 | |
Dan and Sophie, you have won the value of the table. | 0:39:16 | 0:39:19 | |
We know it's the Top lot, we know it's worth £2,500, but... | 0:39:19 | 0:39:23 | |
..can we tempt you with our Mystery Lot? Come and join me. | 0:39:25 | 0:39:28 | |
APPLAUSE | 0:39:28 | 0:39:31 | |
Sophie and Dan, your lot, this gorgeous table, | 0:39:33 | 0:39:37 | |
is right there in front of you. | 0:39:37 | 0:39:39 | |
We know it's the Top Lot and it is worth £2,500, | 0:39:39 | 0:39:42 | |
but can Natasha tempt you with today's Mystery Lot? | 0:39:42 | 0:39:47 | |
Natasha, what have we got? | 0:39:47 | 0:39:49 | |
I'm going to give it a shot. | 0:39:49 | 0:39:50 | |
Now, I think you think you know what size it is, | 0:39:50 | 0:39:53 | |
but let me reveal to you... | 0:39:53 | 0:39:55 | |
-Oh, wow! -..it's smaller than it may at first appear. -Blimey. | 0:39:55 | 0:39:59 | |
Let me tell you more about it. | 0:39:59 | 0:40:01 | |
It's a two pence specimen stamp, but what is a specimen stamp? | 0:40:01 | 0:40:07 | |
Well, when a new stamp was issued, | 0:40:07 | 0:40:10 | |
the Royal Mail would send a specimen of it to postmasters | 0:40:10 | 0:40:13 | |
and postal administrators in order to help them | 0:40:13 | 0:40:17 | |
identify valid stamps and to weed out forgeries. | 0:40:17 | 0:40:20 | |
Now, this orange incarnation dates from the mid-1920s | 0:40:20 | 0:40:25 | |
and it's illustrated with the left-facing bust of George V. | 0:40:25 | 0:40:30 | |
-That's it. -Oh, wow. | 0:40:30 | 0:40:31 | |
Now, stamps themselves are clearly very collectible, | 0:40:31 | 0:40:34 | |
but their value is almost always dependent upon their rarity. | 0:40:34 | 0:40:39 | |
It's obviously, as you see, never been stuck to an envelope or franked | 0:40:39 | 0:40:43 | |
in the post, and that's something that would typically add value. | 0:40:43 | 0:40:48 | |
You tell me. It's time to discuss what you think this stamp is worth. | 0:40:48 | 0:40:52 | |
-Well, it's very pretty. -It's a lovely piece. | 0:40:52 | 0:40:54 | |
It's got a really nice pattern on it, | 0:40:54 | 0:40:56 | |
not that that affects its worth. Or maybe it does, I don't know. | 0:40:56 | 0:40:59 | |
-It's very nice. -Yeah, it is. | 0:40:59 | 0:41:01 | |
-Gosh. -Well, I don't know much about stamps, | 0:41:03 | 0:41:06 | |
so I wouldn't really want to take the risk. | 0:41:06 | 0:41:09 | |
No, I agree. We're very fond of our table. | 0:41:09 | 0:41:13 | |
Erm, and I don't really know very much about stamps either. | 0:41:13 | 0:41:15 | |
-We fought hard to get that table. -You did. -We're sticking with it. | 0:41:15 | 0:41:18 | |
-All right, you're going with the table. -We are. | 0:41:18 | 0:41:20 | |
That means you have won its worth in cash, of course, | 0:41:20 | 0:41:23 | |
but, Natasha, please tell them what they've thrown away with this stamp. | 0:41:23 | 0:41:28 | |
George V was one of the most well-known | 0:41:28 | 0:41:32 | |
stamp collectors in Britain, | 0:41:32 | 0:41:35 | |
so for a stamp collector, | 0:41:35 | 0:41:37 | |
a stamp with the face of THE stamp collector on it | 0:41:37 | 0:41:41 | |
can mean quite a lot. | 0:41:41 | 0:41:44 | |
And this, as we've discussed, was not franked, | 0:41:44 | 0:41:48 | |
wasn't stuck to an envelope. It's quite rare. | 0:41:48 | 0:41:51 | |
-Ooh. -It's sort of a battle, isn't it, of little and large? | 0:41:53 | 0:41:58 | |
And sometimes, as we know, | 0:41:58 | 0:42:00 | |
tiny little items have big values. | 0:42:00 | 0:42:05 | |
So, yes, you have today's Top Lot, but the stamp, believe it or not... | 0:42:06 | 0:42:12 | |
..is only worth £100. Well done! You made the right decision. | 0:42:13 | 0:42:17 | |
APPLAUSE | 0:42:17 | 0:42:19 | |
-Well done. -Extraordinary. -I've got clammy hands. | 0:42:20 | 0:42:23 | |
OK, taken a deep breath because, officially, today, | 0:42:23 | 0:42:27 | |
Sophie and Dan, you have got the most expensive thing | 0:42:27 | 0:42:30 | |
in this studio and you are going home with £2,500. Well done. | 0:42:30 | 0:42:37 | |
-Thank you very much. -Thank you. -Very well done. -So well played. | 0:42:37 | 0:42:40 | |
-APPLAUSE -Well done, Dan. | 0:42:40 | 0:42:44 | |
Dan and Sophie, it's been a pleasure to have you, and well done. | 0:42:44 | 0:42:47 | |
Natasha, you've done such a lovely job, and thank you very much indeed. | 0:42:47 | 0:42:51 | |
-We look forward to seeing you very soon, Natasha. -Thank you. | 0:42:51 | 0:42:53 | |
And we hope to see you next time, when more teams will be | 0:42:53 | 0:42:56 | |
trying to spot the lot to win the lot on For What It's Worth. | 0:42:56 | 0:42:58 | |
Goodbye for now. Bye. | 0:42:58 | 0:43:00 | |
-Well done. -Brilliant. That was brilliant. | 0:43:00 | 0:43:02 | |
APPLAUSE | 0:43:02 | 0:43:06 |