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APPLAUSE | 0:00:13 | 0:00:16 | |
Hello and welcome to For What It's Worth, | 0:00:16 | 0:00:19 | |
the show that requires a sharp brain and a discerning eye. | 0:00:19 | 0:00:23 | |
Three pairs of contestants are ready to play. | 0:00:23 | 0:00:26 | |
Each team has a quizzer | 0:00:26 | 0:00:27 | |
who has to answer a general knowledge question correctly | 0:00:27 | 0:00:30 | |
so that their partner, the picker, | 0:00:30 | 0:00:32 | |
has a chance to choose an antique or collectable and build a collection. | 0:00:32 | 0:00:36 | |
The aim of the game is to amass the most valuable collection. | 0:00:36 | 0:00:40 | |
Joining me today is the king of collectables, | 0:00:40 | 0:00:42 | |
he is the ace of antiques, David Harper. | 0:00:42 | 0:00:45 | |
Oh, yeah. | 0:00:45 | 0:00:47 | |
So, tell us what we've got today. | 0:00:48 | 0:00:50 | |
Right, OK, look at the board, guys, we have a jacket... | 0:00:50 | 0:00:54 | |
..a bowl... | 0:00:55 | 0:00:57 | |
some studs... | 0:00:57 | 0:01:00 | |
a game... | 0:01:00 | 0:01:02 | |
some chairs... | 0:01:02 | 0:01:05 | |
some vases... | 0:01:05 | 0:01:07 | |
some plates... | 0:01:07 | 0:01:09 | |
a book... | 0:01:09 | 0:01:12 | |
a tureen... | 0:01:12 | 0:01:14 | |
some drawers... | 0:01:14 | 0:01:16 | |
a screen... | 0:01:16 | 0:01:18 | |
and a locket. | 0:01:18 | 0:01:19 | |
Now, one of these items is our top lot, | 0:01:21 | 0:01:24 | |
which is worth a whopping £2,500. | 0:01:24 | 0:01:26 | |
That is, of course, the lot to spot because at the end of the show, | 0:01:26 | 0:01:29 | |
the winning pair will walk away with the cash equivalent | 0:01:29 | 0:01:32 | |
of one of their items. But beware, because the lots decrease in value, | 0:01:32 | 0:01:36 | |
right down to our worthless lot, which is worth a tenner or less | 0:01:36 | 0:01:40 | |
and that, of course, is the lot to avoid. | 0:01:40 | 0:01:43 | |
So who's playing today? | 0:01:43 | 0:01:44 | |
Team one, who are you? | 0:01:44 | 0:01:46 | |
My name's Jackie and this is my mum, Jenny. | 0:01:46 | 0:01:48 | |
Hello, Fern. I'm hoping that Jackie, as my picker, will spot the top lot. | 0:01:48 | 0:01:54 | |
Well, good luck. Lovely to have you here. | 0:01:54 | 0:01:57 | |
Team two, who are you? | 0:01:57 | 0:01:59 | |
My name is Stephen, and this is my good friend Elaine. | 0:01:59 | 0:02:01 | |
And today I'm the picker because Stephen normally has butterfingers. | 0:02:01 | 0:02:05 | |
Oh, you mean he dropped something valuable? | 0:02:05 | 0:02:08 | |
-Sometimes. -Yeah. | 0:02:08 | 0:02:09 | |
Well, good luck. We won't let you handle anything. | 0:02:10 | 0:02:13 | |
-Be warned, David, about that. -OK, OK. -Team three, who are you? | 0:02:13 | 0:02:16 | |
I'm Paula and this is my husband Ray. | 0:02:16 | 0:02:18 | |
We enjoy car-boot fairs and antique fairs. | 0:02:18 | 0:02:22 | |
Well, welcome, everybody. | 0:02:22 | 0:02:24 | |
Earlier, our teams got to inspect the lots, watched over by David, | 0:02:24 | 0:02:28 | |
but could they separate the worthy from the worthless? | 0:02:28 | 0:02:31 | |
Let's see. | 0:02:31 | 0:02:33 | |
OK. | 0:02:34 | 0:02:35 | |
Oh! | 0:02:37 | 0:02:39 | |
Wow, look at this lot, eh? | 0:02:39 | 0:02:41 | |
Silver, do you think? | 0:02:41 | 0:02:43 | |
-Or not? -Well, that's the question, isn't it? | 0:02:43 | 0:02:46 | |
Can't see anything at all there. | 0:02:46 | 0:02:48 | |
I'm just turning it over because I've seen other people doing that. | 0:02:48 | 0:02:51 | |
I don't think it's got the right ting to it. It feels... | 0:02:51 | 0:02:54 | |
You've tinged a few tureens in your time, then, have you? | 0:02:54 | 0:02:58 | |
Is that a Moorcroft, do you think? | 0:03:00 | 0:03:02 | |
Wemyss. | 0:03:02 | 0:03:03 | |
That's Scottish, I think. | 0:03:03 | 0:03:05 | |
Oh, well done. | 0:03:05 | 0:03:06 | |
It's got a lovely crack right the way down the side of it. | 0:03:06 | 0:03:09 | |
-Oh, yes. -That will affect its value. | 0:03:09 | 0:03:11 | |
Now, you're a furniture person. | 0:03:12 | 0:03:14 | |
I love furniture and this is really nice. | 0:03:14 | 0:03:17 | |
Look at that. | 0:03:17 | 0:03:19 | |
They run nice and smoothly. | 0:03:19 | 0:03:21 | |
Now, is anybody going to check | 0:03:21 | 0:03:22 | |
whether these handles are original or not? | 0:03:22 | 0:03:25 | |
I don't like the handles. | 0:03:25 | 0:03:27 | |
Why? | 0:03:27 | 0:03:28 | |
Do you recognise that? | 0:03:29 | 0:03:30 | |
I remember Wagon Train, we used to watch that. | 0:03:30 | 0:03:33 | |
Doesn't look like it's been opened - it doesn't have the bendy bits | 0:03:33 | 0:03:36 | |
-on the box. Don't open it! -I'm not going to open it. | 0:03:36 | 0:03:38 | |
Women's Transport Service. | 0:03:39 | 0:03:41 | |
ATS, so, yeah, Second World War. | 0:03:41 | 0:03:43 | |
-Does that belong to someone really important? -Or not? | 0:03:43 | 0:03:47 | |
-Ring any bells? -No. | 0:03:49 | 0:03:51 | |
-It looks old. -Are we assuming it's a first edition? | 0:03:51 | 0:03:54 | |
If it is, it's worth something. | 0:03:54 | 0:03:57 | |
You're very good, you two. | 0:03:57 | 0:03:58 | |
-Yes, there is a hallmark. -That what that is? -Mm-hmm. | 0:04:00 | 0:04:03 | |
So that would suggest that the metal was gold. | 0:04:03 | 0:04:05 | |
Well done - always look for hallmarks. | 0:04:05 | 0:04:08 | |
They're not Chippendale, are they? | 0:04:09 | 0:04:11 | |
Certainly not Chippendale. | 0:04:11 | 0:04:13 | |
Quite intricate, isn't it? | 0:04:13 | 0:04:14 | |
-They could be a lot newer than you think they are. -Yeah. | 0:04:14 | 0:04:17 | |
Is it a fire guard? | 0:04:17 | 0:04:19 | |
-Oh, look. -Oh, yes! Oh, wow! | 0:04:19 | 0:04:22 | |
-What have you done to it? -I don't know! | 0:04:22 | 0:04:24 | |
-Have you actually broken it? -No, it'll go back in. | 0:04:24 | 0:04:27 | |
I just don't know how. | 0:04:27 | 0:04:28 | |
THEY LAUGH | 0:04:28 | 0:04:30 | |
Oh, dear. | 0:04:30 | 0:04:32 | |
We'll come back to that. | 0:04:32 | 0:04:33 | |
Is that Japanese or Chinese? | 0:04:35 | 0:04:36 | |
I don't know. I don't speak either. | 0:04:36 | 0:04:38 | |
-They look Oriental. -Yeah, they do, don't they? | 0:04:38 | 0:04:41 | |
They're like mirrors of each other. | 0:04:41 | 0:04:42 | |
-It's like a mirror image. -Oh, yeah. | 0:04:42 | 0:04:45 | |
I would imagine that's silver, looking at that. | 0:04:45 | 0:04:47 | |
It is quite plain, though, isn't it? | 0:04:47 | 0:04:49 | |
Plain's not a bad thing. | 0:04:49 | 0:04:51 | |
-It is a nice piece. -It is nice, that, isn't it? | 0:04:51 | 0:04:53 | |
Nasty crack there. | 0:04:54 | 0:04:57 | |
It's got very small dots, | 0:04:57 | 0:04:59 | |
which would suggest transfer-printed. | 0:04:59 | 0:05:02 | |
Well spotted, Mrs. | 0:05:02 | 0:05:03 | |
-Top, the book. -Yeah. | 0:05:05 | 0:05:07 | |
I mean, I think it's the locket. | 0:05:07 | 0:05:09 | |
-Bottom, the platters. -I think so. | 0:05:09 | 0:05:11 | |
Wagon Train. | 0:05:11 | 0:05:12 | |
Top lot vases, bottom lot bowl. | 0:05:12 | 0:05:15 | |
-And we'll not talk about the screen. -We'll not talk about the screen. | 0:05:15 | 0:05:19 | |
David, what did you make of their knowledge | 0:05:20 | 0:05:22 | |
-when they looked at everything? -It was fascinating. | 0:05:22 | 0:05:25 | |
Three, you are going to discover, distinctly different teams. | 0:05:25 | 0:05:30 | |
This is going to be fascinating. | 0:05:30 | 0:05:32 | |
And tell us how you reached the value of all the lots. | 0:05:32 | 0:05:34 | |
Well, the values are reached by myself and an independent valuer | 0:05:34 | 0:05:39 | |
and we agree what something might sell for | 0:05:39 | 0:05:42 | |
in auction on the hammer but not including the auction costs. | 0:05:42 | 0:05:47 | |
Perfect. Just to add an extra twist, we have our mystery lot. | 0:05:47 | 0:05:52 | |
Now, this could be worth thousands or it could be worth nothing at all. | 0:05:52 | 0:05:56 | |
That's for our winners to decide a little bit later. | 0:05:56 | 0:05:58 | |
But for now, teams, it's time for round one. | 0:05:58 | 0:06:01 | |
I'm going to ask you eight general-knowledge questions. | 0:06:05 | 0:06:08 | |
Pickers, before each one, | 0:06:08 | 0:06:09 | |
I'll ask you to select which lot you would like to play for. | 0:06:09 | 0:06:13 | |
And, quizzers, if you buzz in with the correct answer, | 0:06:13 | 0:06:15 | |
it will get added to your collection. | 0:06:15 | 0:06:17 | |
But beware, because if you buzz in incorrectly, | 0:06:17 | 0:06:20 | |
you will be frozen out for the next question. | 0:06:20 | 0:06:22 | |
OK? So, pickers, would you please make your first pick? | 0:06:22 | 0:06:26 | |
And let's see what you've chosen. | 0:06:29 | 0:06:31 | |
Jenny and Jackie, you want the book. | 0:06:32 | 0:06:35 | |
Stephen and Elaine, you want the vases. | 0:06:35 | 0:06:38 | |
Ray and Paula, you want the locket. | 0:06:38 | 0:06:40 | |
OK, quizzers, fingers on buzzers, question number one. | 0:06:40 | 0:06:43 | |
Which legendary bird sets fire to itself every...? | 0:06:44 | 0:06:47 | |
-Yes, Jenny. -The phoenix. | 0:06:47 | 0:06:50 | |
Which legendary bird sets fire to itself every 500 years, | 0:06:50 | 0:06:53 | |
then rises from the ashes? The answer is the phoenix. | 0:06:53 | 0:06:55 | |
Correct, the book is yours. | 0:06:55 | 0:06:57 | |
-Thank you. -Well done. | 0:06:57 | 0:06:59 | |
Pickers, pick a lot. | 0:06:59 | 0:07:01 | |
Jenny and Jackie want the chairs. | 0:07:03 | 0:07:05 | |
Stephen and Elaine want the studs, | 0:07:05 | 0:07:08 | |
Ray and Paula want the locket. | 0:07:08 | 0:07:10 | |
History was the 14th top-ten single by which British boyband? | 0:07:10 | 0:07:14 | |
Yes, Stephen? | 0:07:15 | 0:07:17 | |
-Westlife? -Oh, incorrect. It's One Direction. | 0:07:17 | 0:07:19 | |
You're frozen out of this question. | 0:07:19 | 0:07:21 | |
Pickers, make a pick. | 0:07:22 | 0:07:24 | |
Jenny and Jackie want the game, | 0:07:27 | 0:07:30 | |
Ray and Paul are still going for the locket. | 0:07:30 | 0:07:32 | |
Which Japanese alcoholic drink is made from fermented...? | 0:07:34 | 0:07:37 | |
-Yes, Ray. -Sake. -The full question - which Japanese alcoholic drink | 0:07:37 | 0:07:41 | |
is made from fermented rice and traditionally served warm? | 0:07:41 | 0:07:44 | |
Sake it is, the locket is yours. | 0:07:44 | 0:07:47 | |
-Yeah! -And Stephen and Elaine, you're back in the game. | 0:07:47 | 0:07:50 | |
Pickers, make a pick. | 0:07:50 | 0:07:51 | |
Jenny and Jackie want the jacket, | 0:07:53 | 0:07:55 | |
Stephen and Elaine the studs, | 0:07:55 | 0:07:58 | |
Ray and Paula want the plates. | 0:07:58 | 0:08:00 | |
In which 1985 romantic drama | 0:08:00 | 0:08:02 | |
does Meryl Streep star as Danish writer Karen Blixen? | 0:08:02 | 0:08:06 | |
-Yes, Ray? -I'll take a wild stab at The French Lieutenant's Woman. | 0:08:09 | 0:08:13 | |
Oh...Out Of Africa is the actual answer. | 0:08:13 | 0:08:18 | |
Ray and Paula, you're frozen out of the next question. | 0:08:18 | 0:08:20 | |
Pickers make a pick. | 0:08:20 | 0:08:22 | |
Jenny and Jackie want the studs, Stephen and Elaine want the tureen. | 0:08:24 | 0:08:29 | |
During the 2015 general election, | 0:08:29 | 0:08:31 | |
David Cameron was re-elected to which UK consti...? | 0:08:31 | 0:08:34 | |
Yes, Jenny? | 0:08:34 | 0:08:36 | |
-The Tory Party. -You anticipated it too quickly. | 0:08:36 | 0:08:39 | |
-Sorry. -The question is, during the 2015 general election, | 0:08:39 | 0:08:43 | |
David Cameron was re-elected to which UK constituency? | 0:08:43 | 0:08:46 | |
It was Witney. | 0:08:46 | 0:08:47 | |
You are now frozen out of the next question. | 0:08:47 | 0:08:50 | |
Pickers, make a pick. | 0:08:50 | 0:08:51 | |
Stephen and Elaine want those studs. | 0:08:53 | 0:08:55 | |
Ray and Paula really want the plates. | 0:08:55 | 0:08:58 | |
Here is the question. On his US chat show, | 0:08:58 | 0:09:01 | |
which British comedian has a regular segment called Carpool...? | 0:09:01 | 0:09:04 | |
-Yes, Stephen. -James Corden. -On his US chat show, | 0:09:04 | 0:09:07 | |
which British comedian has a regular segment called Carpool Karaoke? | 0:09:07 | 0:09:11 | |
-It is James Corden, the studs are yours. -Yay! -Woohoo! | 0:09:11 | 0:09:14 | |
Jenny and Jackie, you're back in the game. | 0:09:14 | 0:09:17 | |
Pickers, make a pick. | 0:09:17 | 0:09:19 | |
Jenny and Jackie want those chairs, Stephen and Elaine want the tureen, | 0:09:23 | 0:09:27 | |
Ray and Paula still want the plates. | 0:09:27 | 0:09:30 | |
Which word links the style of art associated with Andy Warhol | 0:09:30 | 0:09:34 | |
and music of universal appeal? | 0:09:34 | 0:09:36 | |
Yes, Ray? | 0:09:36 | 0:09:38 | |
-Pop. -It is pop. The plates are yours, well done. | 0:09:38 | 0:09:41 | |
Pickers, make a pick. | 0:09:43 | 0:09:45 | |
Ha! | 0:09:47 | 0:09:49 | |
Well, everybody wants the chairs. | 0:09:49 | 0:09:53 | |
But who's going to get them? | 0:09:53 | 0:09:55 | |
This is the final question in this round, so fingers on buzzers. | 0:09:55 | 0:09:59 | |
The furry robotic toys Furbies were first released in which decade? | 0:09:59 | 0:10:04 | |
Yes, Stephen? | 0:10:04 | 0:10:05 | |
-The '90s. -Correct, since the 1990s, the chairs are yours. | 0:10:05 | 0:10:09 | |
And let's have a look at the end of round one. | 0:10:09 | 0:10:12 | |
Jenny and Jackie have the book, | 0:10:12 | 0:10:14 | |
Stephen and Elaine have the studs and the chairs, | 0:10:14 | 0:10:17 | |
Ray and Paula have the locket and the plates. | 0:10:17 | 0:10:20 | |
So our teams have started to build their collections, | 0:10:20 | 0:10:23 | |
but have they chosen wisely? | 0:10:23 | 0:10:25 | |
Because before they have the chance to add more of them, | 0:10:25 | 0:10:28 | |
David is going to give each pair a fact about a lot of their choice. | 0:10:28 | 0:10:32 | |
Team one, let's find out a bit more about you. | 0:10:32 | 0:10:35 | |
Jenny, what do you do? | 0:10:35 | 0:10:37 | |
I'm retired. I used to be a teacher and I loved my job very much | 0:10:37 | 0:10:42 | |
but I REALLY love being retired. | 0:10:42 | 0:10:44 | |
Well, welcome, Jenny. | 0:10:45 | 0:10:46 | |
It's lovely to have you here. You've brought your daughter Jackie. | 0:10:46 | 0:10:49 | |
Jackie, did she boss you into this? | 0:10:49 | 0:10:51 | |
She definitely did. | 0:10:51 | 0:10:53 | |
She applied and then told me she'd done it! | 0:10:53 | 0:10:55 | |
And I don't say no to a schoolteacher mother. | 0:10:57 | 0:10:59 | |
No, difficult to say no, I can imagine. Yes. | 0:10:59 | 0:11:02 | |
So what would the pair of you like to know more about from David? | 0:11:02 | 0:11:05 | |
I'm very interested in that jacket. | 0:11:05 | 0:11:08 | |
We think there might be some interesting history in that jacket. | 0:11:08 | 0:11:13 | |
OK, this is a lovely-looking uniform jacket. | 0:11:13 | 0:11:18 | |
It originates from World War II | 0:11:18 | 0:11:20 | |
and was probably worn by an extremely interesting woman. | 0:11:20 | 0:11:26 | |
She was a member of the ATS and she also belonged to | 0:11:26 | 0:11:29 | |
the First Aid Nursing Yeomanry, or F-A-N-Y. | 0:11:29 | 0:11:35 | |
A small selection took on a far more dynamic role in World War II | 0:11:35 | 0:11:41 | |
when they became agents of espionage. | 0:11:41 | 0:11:45 | |
Could the woman who owned this uniform | 0:11:45 | 0:11:48 | |
have been a spy who helped turn around the war? | 0:11:48 | 0:11:53 | |
Now, we don't know for sure, | 0:11:53 | 0:11:55 | |
but this is an extremely well-preserved jacket. | 0:11:55 | 0:12:00 | |
But what do you think it's worth? | 0:12:00 | 0:12:02 | |
Interesting. | 0:12:02 | 0:12:04 | |
My mother was in the ATS, | 0:12:04 | 0:12:06 | |
and her jacket is still at home in perfect condition. | 0:12:06 | 0:12:08 | |
-Is it really? -Anyway, team two, welcome, Stephen and Elaine. | 0:12:08 | 0:12:13 | |
-Stephen, what do you do? -I currently work as a support worker with people | 0:12:13 | 0:12:17 | |
who have learning disabilities and autism, things like that. | 0:12:17 | 0:12:21 | |
Wonderful. And you have a load of special interests. | 0:12:21 | 0:12:24 | |
Yes. I do amateur dramatics a lot, | 0:12:24 | 0:12:26 | |
as you can tell just by looking at me. | 0:12:26 | 0:12:29 | |
And I did used to play rugby | 0:12:29 | 0:12:30 | |
but then I just got too lazy for it. | 0:12:30 | 0:12:33 | |
-Now I just watch it on telly. -Well, | 0:12:33 | 0:12:35 | |
it's very nice to meet you and you've come with your friend Elaine. | 0:12:35 | 0:12:38 | |
How did you two meet? | 0:12:38 | 0:12:40 | |
We met in the pub. I find that's quite a good place to meet people. | 0:12:40 | 0:12:43 | |
And then about six years later I took the pub over, | 0:12:43 | 0:12:48 | |
-it became my pub, the pub that we met in. -Amazing. | 0:12:48 | 0:12:52 | |
So what would you like to know more about? | 0:12:52 | 0:12:54 | |
OK, I'd really like to know a bit more about the book. | 0:12:54 | 0:12:57 | |
The book. Well, this is a copy | 0:12:57 | 0:13:00 | |
of the controversial and ground-breaking essay | 0:13:00 | 0:13:04 | |
The Subjection Of Women. | 0:13:04 | 0:13:07 | |
Written in 1869 by influential philosopher John Stuart Mill, | 0:13:07 | 0:13:13 | |
it set out an argument for equality of the sexes. | 0:13:13 | 0:13:18 | |
So clearly important literary works like this are collectable, | 0:13:18 | 0:13:22 | |
and what you want to get your hands on, of course, is a first edition. | 0:13:22 | 0:13:27 | |
Like this. | 0:13:27 | 0:13:29 | |
This one's in its original mustard-cloth cover, | 0:13:29 | 0:13:32 | |
which is stained. It has been ring-backed with its original spine | 0:13:32 | 0:13:35 | |
and there is some visible marks on the corners there. | 0:13:35 | 0:13:40 | |
But what is it worth? | 0:13:40 | 0:13:42 | |
Mm. | 0:13:42 | 0:13:43 | |
Something for you to think about, Stephen and Elaine. | 0:13:43 | 0:13:46 | |
Now, let's meet Ray and Paula. | 0:13:46 | 0:13:48 | |
Lovely to have you here. Ray, what have you done in your life? | 0:13:48 | 0:13:51 | |
Quite a few things, actually. | 0:13:51 | 0:13:53 | |
I work for a roofing merchant. | 0:13:53 | 0:13:56 | |
Previous to that, I worked for EMI for about 16-odd years. | 0:13:56 | 0:14:00 | |
-The record company? -Yes, I used to actually print the compact discs. | 0:14:00 | 0:14:05 | |
What was the first one, can you remember? | 0:14:05 | 0:14:07 | |
-Dark Side Of The Moon. -Pink Floyd? | 0:14:07 | 0:14:08 | |
-Yeah. -Wow. And sitting next to you is Paula - welcome, Paula. | 0:14:08 | 0:14:12 | |
What do you collect? | 0:14:12 | 0:14:14 | |
Obviously I love my jewellery. | 0:14:14 | 0:14:15 | |
You've got rings on every finger. | 0:14:15 | 0:14:17 | |
-Look! -Yeah. -And silver you like? | 0:14:17 | 0:14:20 | |
Was there a silver village that you saw in your local shop? | 0:14:20 | 0:14:23 | |
Oh, it was beautiful, yes. | 0:14:23 | 0:14:25 | |
And there was a set of 13 model cottages | 0:14:25 | 0:14:27 | |
and it was beautiful and I kept looking at it and looking at it | 0:14:27 | 0:14:31 | |
and then one day it had gone. | 0:14:31 | 0:14:33 | |
-Oh. -I went home and I cried, I said, "Somebody's bought my village." | 0:14:33 | 0:14:37 | |
He had only bought it for me, unbeknownst to me, | 0:14:37 | 0:14:39 | |
and put it away for Christmas. | 0:14:39 | 0:14:41 | |
-Aww! -So sweet, aren't you? | 0:14:41 | 0:14:44 | |
How lovely. Well, welcome both of you. | 0:14:44 | 0:14:46 | |
Now, what would you like to know more about from David? | 0:14:46 | 0:14:49 | |
The studs quite interest me. | 0:14:49 | 0:14:51 | |
-The studs. -Here we have 18-carat gold gentlemen's dress studs | 0:14:51 | 0:14:58 | |
dating from circa 1910. | 0:14:58 | 0:15:02 | |
They remain in their original box, which, as we all know, | 0:15:02 | 0:15:06 | |
increases the value of anything immensely. | 0:15:06 | 0:15:10 | |
They are practically flawless. | 0:15:10 | 0:15:13 | |
Six gloriously golden spotlights from a bed of navy-blue velvet. | 0:15:13 | 0:15:19 | |
Thank you very much indeed. | 0:15:19 | 0:15:21 | |
I hope that helps, teams. | 0:15:21 | 0:15:23 | |
But it is time now to play round two. | 0:15:23 | 0:15:25 | |
In this round, the pickers will select a lot to play for | 0:15:30 | 0:15:32 | |
and the quizzers will again try and secure it by answering correctly. | 0:15:32 | 0:15:36 | |
But this time around, the lots come with their own question categories, | 0:15:36 | 0:15:39 | |
and here they are. | 0:15:39 | 0:15:41 | |
So, for instance, if you did want to go for that ATS jacket, | 0:15:42 | 0:15:46 | |
your quizzer has the choice of answering a question between animals | 0:15:46 | 0:15:49 | |
or fruit and veg. Quite easy, really, isn't it? | 0:15:49 | 0:15:51 | |
Now, at the end of this round, | 0:15:51 | 0:15:53 | |
the team with the least valuable collection will be eliminated, | 0:15:53 | 0:15:56 | |
so choose wisely. | 0:15:56 | 0:15:58 | |
Jenny and Jackie, you're up first. | 0:15:58 | 0:16:00 | |
Jackie, what's your lot? | 0:16:00 | 0:16:02 | |
I think I'll go for the jacket, please. | 0:16:03 | 0:16:06 | |
The jacket. Animals or fruit and veg, Jenny? | 0:16:06 | 0:16:08 | |
-Animals, please. -Animals? | 0:16:08 | 0:16:10 | |
Beagle and boxer are both breeds of which domesticated animal? | 0:16:10 | 0:16:14 | |
-Dogs. -Absolutely right, dog it is. | 0:16:14 | 0:16:16 | |
The jacket is yours. | 0:16:16 | 0:16:18 | |
And there it is in your collection. | 0:16:18 | 0:16:20 | |
Well done. | 0:16:20 | 0:16:22 | |
Elaine, what's your lot? | 0:16:22 | 0:16:23 | |
I'm going to go for the tureen, please. | 0:16:23 | 0:16:25 | |
The tureen. Landmarks or fruit and veg, Stephen? | 0:16:25 | 0:16:29 | |
Fruit and veg, please. | 0:16:29 | 0:16:31 | |
Fruit and veg. | 0:16:31 | 0:16:33 | |
Which red vegetable is traditionally used as the primary ingredient | 0:16:33 | 0:16:36 | |
of the soup borscht? | 0:16:36 | 0:16:38 | |
-Beetroot. -Correct, beetroot it is. | 0:16:38 | 0:16:40 | |
The tureen is yours. | 0:16:40 | 0:16:42 | |
And, Paula, what would you like? | 0:16:44 | 0:16:46 | |
I would like the vases, please. | 0:16:46 | 0:16:48 | |
The vases. Formula One or Motown, Ray? | 0:16:48 | 0:16:51 | |
-I'll try Motown. -Which Motown singer had hits in the UK | 0:16:51 | 0:16:56 | |
with Sir Duke and My Cherie Amour? | 0:16:56 | 0:16:58 | |
-Stevie Wonder. -Correct, Stevie Wonder. | 0:16:58 | 0:17:01 | |
The vases are yours. | 0:17:01 | 0:17:03 | |
That was an extremely good pass for round two. | 0:17:03 | 0:17:06 | |
So, shall we do it again? | 0:17:06 | 0:17:07 | |
Have you missed out on that one item that you really wanted? | 0:17:07 | 0:17:12 | |
Because if so, here's your chance to get your hands on it. | 0:17:12 | 0:17:14 | |
From now on, you can either go for what is left on the grid | 0:17:14 | 0:17:17 | |
or you can try to steal a lot. | 0:17:17 | 0:17:20 | |
But, pickers, be warned, if you choose to steal from another team, | 0:17:20 | 0:17:23 | |
they will get to choose which category your quizzer must face. | 0:17:23 | 0:17:28 | |
OK, team one, Jackie. | 0:17:28 | 0:17:30 | |
-Do you want to pick or steal? -I think I'll pick the screen, please. | 0:17:30 | 0:17:34 | |
Pick the screen. | 0:17:34 | 0:17:35 | |
Landmarks or historical figures, Jenny? | 0:17:35 | 0:17:38 | |
Historical figures. | 0:17:39 | 0:17:40 | |
On The Origin Of The Species was published by | 0:17:41 | 0:17:43 | |
which renowned scientist in 1859? | 0:17:43 | 0:17:46 | |
-Darwin. -Darwin, Charles Darwin, correct. | 0:17:46 | 0:17:49 | |
The screen is yours. | 0:17:49 | 0:17:51 | |
Elaine, pick or steal? | 0:17:51 | 0:17:53 | |
I think I'm going to steal the book, please. | 0:17:53 | 0:17:58 | |
Ooh. Right, Jenny and Jackie, you now have to pick a category | 0:17:58 | 0:18:01 | |
that you think Stephen is going to have difficulty with. | 0:18:01 | 0:18:04 | |
-Formula One. -Formula One. | 0:18:08 | 0:18:09 | |
Stephen, in which decade was the first | 0:18:11 | 0:18:13 | |
World Championship Formula One race held? | 0:18:13 | 0:18:15 | |
The 1960s? | 0:18:16 | 0:18:18 | |
Oh, incorrect, it's the '50s. | 0:18:18 | 0:18:20 | |
Jenny and Jackie, you keep the book. | 0:18:20 | 0:18:23 | |
Paula, are you picking or stealing? | 0:18:23 | 0:18:24 | |
I would like to steal the studs, please. | 0:18:24 | 0:18:27 | |
Steal the studs. | 0:18:27 | 0:18:28 | |
Stephen and Elaine, that's in your collection, | 0:18:28 | 0:18:31 | |
so which category would you like to give Ray? | 0:18:31 | 0:18:33 | |
Landmarks, please. | 0:18:35 | 0:18:36 | |
Landmarks. Ray, here's your question. | 0:18:36 | 0:18:39 | |
Commissioned by Ivan the Terrible, | 0:18:40 | 0:18:42 | |
in which city is Saint Basil's Cathedral? | 0:18:42 | 0:18:44 | |
I'll have a guess at Moscow. | 0:18:47 | 0:18:48 | |
-Correct, it is Moscow. -Oh, no! | 0:18:48 | 0:18:50 | |
-The studs are yours. -Gutted! | 0:18:50 | 0:18:52 | |
-That's my boy. -OK, they've been stolen from Stephen and Elaine. | 0:18:52 | 0:18:57 | |
Team one, pick or steal? | 0:18:57 | 0:18:59 | |
I'd like to steal the locket, please. | 0:18:59 | 0:19:01 | |
Oh, steal the locket from Ray and Paula. | 0:19:01 | 0:19:03 | |
-Sorry. -Ray and Paula, what question | 0:19:03 | 0:19:05 | |
-do you want Jenny to have problems with? -Formula One? | 0:19:05 | 0:19:08 | |
Yes. Formula One. | 0:19:08 | 0:19:10 | |
Formula One? Oh, dear, she doesn't look happy. | 0:19:10 | 0:19:13 | |
Here we go, Jenny. | 0:19:13 | 0:19:15 | |
The Albert Park Formula One race circuit is in which country? | 0:19:15 | 0:19:18 | |
-India? -Oh, bad luck - Australia. | 0:19:21 | 0:19:25 | |
-Oh! -Well done, Ray and Paula, the locket is still yours. | 0:19:25 | 0:19:27 | |
Yes. Elaine, pick or steal? | 0:19:27 | 0:19:30 | |
I think I'd like my studs back, please. | 0:19:30 | 0:19:33 | |
-Oh, yes. -Sorry! | 0:19:33 | 0:19:35 | |
-What woman wouldn't want her studs back? -Exactly. | 0:19:35 | 0:19:38 | |
OK, Ray and Paula, what are you going to give Stephen? | 0:19:38 | 0:19:42 | |
-Historical figures? -Yeah, historical figures. | 0:19:42 | 0:19:45 | |
Historical figures. | 0:19:45 | 0:19:47 | |
The notorious expression, "Let them eat cake," | 0:19:47 | 0:19:50 | |
is popularly attributed to which French queen? | 0:19:50 | 0:19:53 | |
-Marie Antoinette. -Marie Antoinette is correct. | 0:19:53 | 0:19:55 | |
-Yay! -Well done, the studs are coming back to you. | 0:19:55 | 0:19:58 | |
Ray and Paula, pick or steal? | 0:19:59 | 0:20:02 | |
Can we steal the studs, please? | 0:20:02 | 0:20:03 | |
Oh, yes, how strange. | 0:20:03 | 0:20:05 | |
-Good. -You definitely can't. | 0:20:05 | 0:20:06 | |
Stephen and Elaine, pick a category for Ray. | 0:20:06 | 0:20:09 | |
-We'll go with historical figures as well. -Historical figures. | 0:20:10 | 0:20:14 | |
Which Communist revolutionary | 0:20:15 | 0:20:17 | |
was the longest serving non-royal national leader of the 20th century? | 0:20:17 | 0:20:21 | |
-Fidel Castro. -That's it, it's correct! | 0:20:21 | 0:20:24 | |
The studs are yours! | 0:20:24 | 0:20:26 | |
And that was the last pick or steal of this round. | 0:20:27 | 0:20:30 | |
So let's see how the collections are looking. | 0:20:30 | 0:20:35 | |
Jenny and Jackie have the book, the screen and the jacket. | 0:20:35 | 0:20:40 | |
Stephen and Elaine have the chairs and the tureen. | 0:20:40 | 0:20:43 | |
Ray and Paula have the locket, the vases, the studs and the plates. | 0:20:43 | 0:20:50 | |
OK, for one team, this is the end of the road, | 0:20:50 | 0:20:53 | |
and the team with the least valuable collection will now be eliminated. | 0:20:53 | 0:20:57 | |
So, David, who is leaving us now? | 0:20:57 | 0:21:00 | |
Teams, I can reveal that the pair leaving us first today is... | 0:21:00 | 0:21:06 | |
It's so tough, it's Jenny and Jackie. | 0:21:10 | 0:21:12 | |
-I'm sorry, you two. -Oh. | 0:21:12 | 0:21:14 | |
APPLAUSE | 0:21:14 | 0:21:16 | |
Jenny and Jackie, before we say goodbye to you, | 0:21:16 | 0:21:18 | |
you would like to know the value of your collection, I'm sure. | 0:21:18 | 0:21:21 | |
So, David, you have the answers. | 0:21:21 | 0:21:23 | |
OK, now, the first object we're going to talk about here | 0:21:23 | 0:21:26 | |
is the screen. | 0:21:26 | 0:21:28 | |
Somebody - I'm not going to mention any names - actually broke it. | 0:21:28 | 0:21:32 | |
-Oh, it was me. -It was Elaine! | 0:21:32 | 0:21:36 | |
-Having told us Stephen was the butterfingers! -I know! | 0:21:36 | 0:21:39 | |
What we have here is a Victorian fire screen. | 0:21:39 | 0:21:43 | |
Decorated fire screens took pride of place in the hearth | 0:21:43 | 0:21:46 | |
to lessen the heat in winter and cover the fireplace in summer. | 0:21:46 | 0:21:51 | |
Now, this particular fire screen is made of rich mahogany. | 0:21:51 | 0:21:55 | |
It has wool, floral work, | 0:21:55 | 0:21:57 | |
tapestry to the outer screen which then opens up | 0:21:57 | 0:22:00 | |
to reveal three more screens. With its rich detail, | 0:22:00 | 0:22:04 | |
excellent craftsmanship and overall uniqueness, it comes in at... | 0:22:04 | 0:22:10 | |
£120. | 0:22:10 | 0:22:11 | |
-Oh. -Now, next up is the book and I think, Jenny and Jackie, | 0:22:11 | 0:22:16 | |
you both touched on the fact that - is it indeed a first edition? | 0:22:16 | 0:22:21 | |
That is vital. We know it is a first edition. | 0:22:21 | 0:22:25 | |
It's a fascinating topic. | 0:22:25 | 0:22:27 | |
You two did like it, you bagged it, it's worth £250. | 0:22:27 | 0:22:32 | |
And then, finally, from World War II, | 0:22:33 | 0:22:37 | |
this is a lovely uniform jacket. | 0:22:37 | 0:22:40 | |
Fern, this has a connection to you, doesn't it, | 0:22:40 | 0:22:42 | |
with your mum having one of these jackets at home? | 0:22:42 | 0:22:45 | |
Tell her from me that jacket should go straight online. | 0:22:45 | 0:22:48 | |
I'll sell it for her, because it's worth £500. | 0:22:48 | 0:22:52 | |
Very well chosen. | 0:22:52 | 0:22:54 | |
So a total collection, a whopping and a really respectable £870. | 0:22:54 | 0:23:00 | |
Well done. | 0:23:00 | 0:23:01 | |
Well, Jenny and Jackie, | 0:23:01 | 0:23:03 | |
thank you very much for playing For What It's Worth. | 0:23:03 | 0:23:06 | |
APPLAUSE | 0:23:06 | 0:23:08 | |
And also the unclaimed items in the grid | 0:23:11 | 0:23:13 | |
are now leaving the game as well. | 0:23:13 | 0:23:15 | |
So let's quickly find out from David | 0:23:15 | 0:23:17 | |
what they're worth and if the top lot is still in the game. | 0:23:17 | 0:23:21 | |
-David. -Right, well, here we go. | 0:23:21 | 0:23:22 | |
We're going to start with this boxed toy. | 0:23:22 | 0:23:25 | |
Now, Paula, you were the only person in the room who remembered this. | 0:23:25 | 0:23:29 | |
This, Paula, is a 1950s shooting game | 0:23:29 | 0:23:33 | |
based on the 1950s American Western drama Wagon Train. | 0:23:33 | 0:23:39 | |
And it was enormously popular in its day. | 0:23:39 | 0:23:42 | |
One episode of Wagon Train made history in the UK | 0:23:42 | 0:23:47 | |
by becoming the most watched TV programme of the decade. | 0:23:47 | 0:23:53 | |
Unbelievable - you've just thrown away 20 quid. | 0:23:53 | 0:23:57 | |
Hey! We were right. | 0:23:57 | 0:24:01 | |
Very well done. The next one, | 0:24:01 | 0:24:03 | |
there's only one team that can pronounce the name of this bowl. | 0:24:03 | 0:24:06 | |
Elaine, it's over to you. | 0:24:06 | 0:24:08 | |
-Wemyss Ware. -Wemyss Ware. | 0:24:08 | 0:24:10 | |
And where does it come from? | 0:24:10 | 0:24:11 | |
-Wemyss in Fife. -Of course. | 0:24:11 | 0:24:13 | |
It is a Scottish bowl. | 0:24:13 | 0:24:14 | |
A favourite of collectors, and pieces of this bright, cheerful, | 0:24:14 | 0:24:19 | |
handmade Scottish ceramic have sold for a pretty penny in auction. | 0:24:19 | 0:24:25 | |
Damage to Wemyss pieces doesn't really decrease their value | 0:24:25 | 0:24:28 | |
and, as you might have noticed, our piece here has a hairline fracture. | 0:24:28 | 0:24:32 | |
In fact, that's why I think nobody actually was chasing it. | 0:24:32 | 0:24:35 | |
So its value is... | 0:24:35 | 0:24:39 | |
£100. | 0:24:39 | 0:24:41 | |
So another good one to throw away. | 0:24:41 | 0:24:44 | |
We now move onto the chest of drawers, | 0:24:44 | 0:24:46 | |
dating back to around the late 18th century. | 0:24:46 | 0:24:49 | |
If furniture is Georgian or later, | 0:24:51 | 0:24:53 | |
you'll often find it is made out of mahogany, | 0:24:53 | 0:24:56 | |
and this piece is no exception. | 0:24:56 | 0:24:58 | |
You can see from the front of the drawers they are curved, | 0:24:58 | 0:25:02 | |
giving rise to the name bow-fronted, | 0:25:02 | 0:25:05 | |
and it's a really interesting and difficult feature to get, | 0:25:05 | 0:25:09 | |
I've got to tell you. Nobody spotted that the drawers are original, | 0:25:09 | 0:25:13 | |
nobody spotted that flame mahogany is absolutely wonderful, | 0:25:13 | 0:25:16 | |
the slide is rare. | 0:25:16 | 0:25:18 | |
These things are drop-dead gorgeous and I really would give | 0:25:18 | 0:25:22 | |
more than my back teeth for them. | 0:25:22 | 0:25:24 | |
I'll tell you how much money I would pay for these... | 0:25:24 | 0:25:27 | |
£2,500. | 0:25:27 | 0:25:31 | |
-Oh! -You've given away the top lot. | 0:25:31 | 0:25:34 | |
Oh... | 0:25:34 | 0:25:35 | |
Sitting there so quietly. | 0:25:35 | 0:25:37 | |
Nobody mentioned them. | 0:25:37 | 0:25:39 | |
But, hang on, has the bottom lot not gone? | 0:25:39 | 0:25:43 | |
-It's still there. -So someone has got the bottom lot. | 0:25:43 | 0:25:46 | |
Yeah. | 0:25:46 | 0:25:47 | |
Teams, you now have one last chance to pick our expert's brains. | 0:25:49 | 0:25:52 | |
So which lot do you need to know more about? | 0:25:52 | 0:25:56 | |
-Team two. -I think we'd like to know a bit more about the chairs, please. | 0:25:56 | 0:26:01 | |
The chairs. | 0:26:01 | 0:26:02 | |
Tall-backed, ornate, cane chair designs hark back to one era - | 0:26:02 | 0:26:08 | |
the Carolean style of the late 17th-century Restoration. | 0:26:08 | 0:26:13 | |
But, Elaine, do these chairs look 400 years old? | 0:26:14 | 0:26:19 | |
I don't think so. | 0:26:19 | 0:26:21 | |
No, they don't, because they are not. | 0:26:21 | 0:26:23 | |
These were produced in the early 20th century, | 0:26:23 | 0:26:26 | |
perhaps in homage, really, | 0:26:26 | 0:26:27 | |
to the Carolean style. But don't let the date fool you. | 0:26:27 | 0:26:32 | |
These chairs have been reproduced throughout history | 0:26:32 | 0:26:35 | |
and this style of seat is in demand regardless of when it was crafted. | 0:26:35 | 0:26:39 | |
So, are they tempting you, Elaine? | 0:26:39 | 0:26:41 | |
That is the question. What do you think they're worth? | 0:26:41 | 0:26:45 | |
Hmm. | 0:26:45 | 0:26:46 | |
-Hmm. -Hmm! | 0:26:46 | 0:26:48 | |
You have a little think about that. | 0:26:48 | 0:26:50 | |
Ray and Paula, what would you like to know more about? | 0:26:50 | 0:26:53 | |
Yes, can we try the plates, please? | 0:26:53 | 0:26:56 | |
You were really keen for these plates, and you have them. | 0:26:56 | 0:26:59 | |
So here we have a pair, two imposing meat plates. | 0:26:59 | 0:27:03 | |
Dating from the late 19th century, | 0:27:03 | 0:27:06 | |
they are blue and white transfer-printed earthenware. | 0:27:06 | 0:27:11 | |
You noticed that there are some cracks in them | 0:27:11 | 0:27:13 | |
and the glaze is cracked also. | 0:27:13 | 0:27:16 | |
However, retro kitchenware has become increasingly popular | 0:27:16 | 0:27:20 | |
and these could easily find a good home in many households. | 0:27:20 | 0:27:26 | |
Hmm. | 0:27:26 | 0:27:27 | |
It's now time for our final round and at the end of it, | 0:27:27 | 0:27:30 | |
we'll have our winners. | 0:27:30 | 0:27:31 | |
APPLAUSE | 0:27:31 | 0:27:34 | |
In this round, I'll show you a category and 12 possible answers. | 0:27:34 | 0:27:38 | |
Nine are correct, three are not. | 0:27:38 | 0:27:41 | |
As it is the final round, both quizzers and pickers will play. | 0:27:41 | 0:27:44 | |
Pick a wrong answer and your opponents will be able | 0:27:44 | 0:27:46 | |
to steal a lot from your collection. | 0:27:46 | 0:27:48 | |
We will play three questions in total. | 0:27:48 | 0:27:51 | |
The pair with the most valuable collection can choose to go | 0:27:51 | 0:27:53 | |
first or second, so David, who is that? | 0:27:53 | 0:27:56 | |
The team who currently has the most valuable collection is... | 0:27:56 | 0:28:01 | |
It's Stephen and Elaine, well done. | 0:28:03 | 0:28:05 | |
Oh, Stephen and Elaine. | 0:28:05 | 0:28:07 | |
OK, the first question is... | 0:28:07 | 0:28:10 | |
..Constellations. | 0:28:11 | 0:28:13 | |
You're looking for the names of any of the 88 modern constellations | 0:28:13 | 0:28:17 | |
visible in our night sky. | 0:28:17 | 0:28:20 | |
Would you like to play first or second? | 0:28:20 | 0:28:22 | |
I think we'll play first, please. | 0:28:22 | 0:28:23 | |
First, OK. Here are the answers. | 0:28:23 | 0:28:25 | |
Stephen, give me an answer. | 0:28:27 | 0:28:30 | |
-Sagittarius. -Sagittarius. | 0:28:30 | 0:28:32 | |
Yes, it's correct, it's Latin for "the archer", of course. | 0:28:33 | 0:28:38 | |
Ray, give me an answer. | 0:28:38 | 0:28:39 | |
-Scorpius. -Scorpius. | 0:28:39 | 0:28:41 | |
Yes, correct, Latin for Scorpion. | 0:28:43 | 0:28:47 | |
-Elaine? -Virgo, please. | 0:28:47 | 0:28:49 | |
Virgo. | 0:28:49 | 0:28:50 | |
Yeah, that's correct, Latin for virgin. | 0:28:52 | 0:28:55 | |
Paula? | 0:28:55 | 0:28:56 | |
Erm, Cassiopei... | 0:28:56 | 0:28:59 | |
-whatever. -Cassiopeia? | 0:28:59 | 0:29:01 | |
Yup. Cassiopeia. | 0:29:01 | 0:29:02 | |
Correct, it's in the shape of an M or a W, | 0:29:04 | 0:29:06 | |
depending on where you are that night. | 0:29:06 | 0:29:09 | |
Stephen, give me an answer. | 0:29:09 | 0:29:12 | |
-Pegasus. -Pegasus. | 0:29:12 | 0:29:13 | |
Correct, named after the winged horse. | 0:29:16 | 0:29:18 | |
-Ray. -Lupus. | 0:29:18 | 0:29:21 | |
Lupus. | 0:29:21 | 0:29:22 | |
Yes, Latin for wolf. | 0:29:22 | 0:29:25 | |
-Elaine. -Vespasian. | 0:29:25 | 0:29:27 | |
Vespasian. | 0:29:27 | 0:29:28 | |
Oh, it's actually a Roman emperor. | 0:29:30 | 0:29:34 | |
Oh, bad luck. | 0:29:34 | 0:29:36 | |
Right. Let's have a look where the other wrong ones were. | 0:29:36 | 0:29:39 | |
Reepicheep - he's that little mouse in the Narnia Chronicles. | 0:29:40 | 0:29:46 | |
And Largo is a musical instruction meaning slow. | 0:29:46 | 0:29:51 | |
Well, Ray and Paula, this gets interesting. | 0:29:51 | 0:29:54 | |
This is where you steal something from Stephen and Elaine. | 0:29:54 | 0:29:57 | |
What would you like? The chairs or the tureen? | 0:29:57 | 0:29:59 | |
-The tureen. -The tureen, it's yours. | 0:30:00 | 0:30:03 | |
That hurts, doesn't it, Stephen and Elaine? | 0:30:05 | 0:30:08 | |
-Yeah. -Yeah. -Yeah. | 0:30:08 | 0:30:09 | |
Right, and the next question is for Ray and Paula and here it is. | 0:30:09 | 0:30:13 | |
You need to find the names of authors who have won | 0:30:15 | 0:30:18 | |
the Man Booker Prize, or the Booker-McConnell Prize, | 0:30:18 | 0:30:21 | |
as it was formerly known. | 0:30:21 | 0:30:23 | |
Ray and Paula, first or second on this one? | 0:30:23 | 0:30:25 | |
-First? -Yeah. -We'll go first. | 0:30:25 | 0:30:27 | |
Go first. Let's have a look at the answers. | 0:30:27 | 0:30:30 | |
Ray, give me a right answer. | 0:30:32 | 0:30:34 | |
-Salman Rushdie. -Salman Rushdie. | 0:30:34 | 0:30:36 | |
Did he win the Booker Prize? | 0:30:37 | 0:30:38 | |
Yes, he did. 1981 for Midnight's Children. | 0:30:41 | 0:30:43 | |
Well done. Stephen. | 0:30:43 | 0:30:46 | |
-Hilary Mantel. -Hilary Mantel. | 0:30:46 | 0:30:48 | |
Yes. First person to win it twice | 0:30:50 | 0:30:52 | |
with Wolf Hall and Bring Up The Bodies. Paula. | 0:30:52 | 0:30:55 | |
Kingsley Amis. | 0:30:57 | 0:30:58 | |
Kingsley Amis. | 0:30:58 | 0:30:59 | |
Correct. 1986, The Old Devils. | 0:31:01 | 0:31:04 | |
-Elaine. -Margaret Atwood. | 0:31:04 | 0:31:06 | |
Margaret Atwood. | 0:31:06 | 0:31:07 | |
Correct, she won in 2000 with Blind Assassin. | 0:31:10 | 0:31:13 | |
-Ray. -Kazuo Ishiguro. | 0:31:13 | 0:31:16 | |
Correct. 1989, The Remains Of The Day. | 0:31:18 | 0:31:21 | |
-Stephen. -Yann Martel. | 0:31:21 | 0:31:24 | |
Yann Martel. | 0:31:24 | 0:31:25 | |
Correct. Life Of Pi, 2002. | 0:31:27 | 0:31:31 | |
-Paula? -VS Naipaul. | 0:31:31 | 0:31:34 | |
VS Naipaul. | 0:31:35 | 0:31:36 | |
Correct. 1971, In A Free State. | 0:31:38 | 0:31:41 | |
Oh, it's getting a bit woof, isn't it? | 0:31:41 | 0:31:44 | |
Elaine, we have two right and three wrong now. | 0:31:44 | 0:31:48 | |
I don't really like those odds. | 0:31:48 | 0:31:50 | |
FERN LAUGHS | 0:31:50 | 0:31:52 | |
I'll go with Ian McEwan. | 0:31:52 | 0:31:53 | |
Ian McEwan. | 0:31:53 | 0:31:54 | |
Correct. Amsterdam, 1998. | 0:31:56 | 0:31:59 | |
One right answer left, Ray. | 0:32:01 | 0:32:04 | |
Where are you going? | 0:32:04 | 0:32:05 | |
I'll try Conan Doyle. | 0:32:07 | 0:32:09 | |
Arthur Conan Doyle. | 0:32:09 | 0:32:10 | |
Oh! | 0:32:12 | 0:32:14 | |
The writer of Sherlock Holmes, but he never won the Booker Prize. | 0:32:14 | 0:32:19 | |
Let's have a look at the other wrong answers. | 0:32:20 | 0:32:22 | |
Who didn't win? | 0:32:22 | 0:32:24 | |
Ah, Jane Austen and JRR Tolkien. | 0:32:24 | 0:32:26 | |
But William Golding did. | 0:32:26 | 0:32:28 | |
Well, Stephen and Elaine. | 0:32:29 | 0:32:31 | |
-Yes. -What would you like to steal from Ray and Paula? | 0:32:31 | 0:32:34 | |
I think, given that we lost the tureen and we had | 0:32:34 | 0:32:36 | |
the most valuable collection, | 0:32:36 | 0:32:38 | |
it would make sense to take the tureen back. | 0:32:38 | 0:32:40 | |
Tureen, please. Yes. | 0:32:40 | 0:32:42 | |
It on its way. | 0:32:42 | 0:32:45 | |
-Logic. -Well done. Stephen and Elaine, this is your question, | 0:32:45 | 0:32:48 | |
the final question in this round, and it is... | 0:32:48 | 0:32:50 | |
So you're looking for any of the things Maria lists as her | 0:32:53 | 0:32:57 | |
favourite things in the song from the 1965 film The Sound Of Music. | 0:32:57 | 0:33:01 | |
Would you like to go first or second? | 0:33:01 | 0:33:02 | |
-First. -We'll go first again on this one. | 0:33:02 | 0:33:04 | |
First it is. OK, here are the answers. | 0:33:04 | 0:33:07 | |
Stephen, give me an answer. | 0:33:11 | 0:33:12 | |
Brown paper packages. | 0:33:14 | 0:33:15 | |
Brown paper packages. | 0:33:15 | 0:33:17 | |
Of course. Especially when they are tied up with strings. | 0:33:20 | 0:33:23 | |
Of course. Ray. | 0:33:23 | 0:33:24 | |
Whiskers on kittens. | 0:33:25 | 0:33:27 | |
Whiskers on kittens. | 0:33:27 | 0:33:28 | |
Oh, yes, that's a good one. | 0:33:30 | 0:33:32 | |
-Elaine. -Bright copper kettles. | 0:33:32 | 0:33:34 | |
Bright copper kettles. | 0:33:34 | 0:33:36 | |
Yes, correct. Paula? | 0:33:37 | 0:33:39 | |
Warm woollen mittens. | 0:33:41 | 0:33:42 | |
Warm woollen mittens. | 0:33:42 | 0:33:44 | |
Yes, that's correct. | 0:33:45 | 0:33:47 | |
Stephen. | 0:33:47 | 0:33:48 | |
Crisp apple strudels. | 0:33:49 | 0:33:51 | |
Crisp apple strudels. | 0:33:51 | 0:33:52 | |
That's correct. Well done. | 0:33:55 | 0:33:56 | |
Ray. | 0:33:57 | 0:33:59 | |
Schnitzel with noodles. | 0:33:59 | 0:34:00 | |
Schnitzel with noodles. | 0:34:00 | 0:34:02 | |
Correct. | 0:34:04 | 0:34:05 | |
Elaine. | 0:34:05 | 0:34:07 | |
Rose petals. | 0:34:08 | 0:34:09 | |
Rose petals. | 0:34:09 | 0:34:10 | |
Oh, there are raindrops on roses but no rose petals. | 0:34:13 | 0:34:18 | |
The other incorrect ones are... | 0:34:18 | 0:34:21 | |
White fluffy poodles and bonnets with laces. | 0:34:21 | 0:34:25 | |
This could be the pick of the game. | 0:34:25 | 0:34:28 | |
Ray and Paula, what are you going to steal, the tureen or the chairs? | 0:34:28 | 0:34:32 | |
I think we'll have that tureen, then. | 0:34:32 | 0:34:35 | |
You'll have the tureen. | 0:34:35 | 0:34:36 | |
Get that tureen into your collection and there it is. | 0:34:36 | 0:34:41 | |
That is it, your collections are now complete and will determine | 0:34:41 | 0:34:44 | |
which team is victorious. | 0:34:44 | 0:34:46 | |
So, David, who are today's winners? | 0:34:46 | 0:34:49 | |
What a scrap, but Fern, | 0:34:49 | 0:34:51 | |
I can reveal that the team with the most valuable collection | 0:34:51 | 0:34:56 | |
and therefore winners of today's show are... | 0:34:56 | 0:35:00 | |
-It's Ray and Paula. -Yes! | 0:35:03 | 0:35:05 | |
Hey! | 0:35:07 | 0:35:08 | |
-That tureen that did it. -Absolutely. | 0:35:08 | 0:35:11 | |
Stephen and Elaine, you've been left with the chairs. | 0:35:11 | 0:35:13 | |
I know you want to find out how much they are worth, don't you? | 0:35:13 | 0:35:16 | |
-Yes. -David. -They are delicious. | 0:35:16 | 0:35:20 | |
Gorgeous condition, great style, super quality and well chosen. | 0:35:20 | 0:35:25 | |
They should be worth more, but I think in today's market | 0:35:25 | 0:35:29 | |
they are worth £800. | 0:35:29 | 0:35:31 | |
So well done. | 0:35:31 | 0:35:33 | |
Stephen and Elaine, thank you for playing For What It's Worth. | 0:35:33 | 0:35:35 | |
Thank you very much. | 0:35:35 | 0:35:37 | |
APPLAUSE | 0:35:37 | 0:35:39 | |
Well done, Ray and Paula. | 0:35:40 | 0:35:43 | |
You are today's winners. You played the game perfectly. | 0:35:43 | 0:35:46 | |
All that remains now is for you to decide which of these items | 0:35:46 | 0:35:50 | |
you want to take through to the final. | 0:35:50 | 0:35:53 | |
And remember - the bottom lot is there. | 0:35:54 | 0:35:57 | |
Well, personally... I mean, I like the studs but I think, | 0:35:57 | 0:36:00 | |
because that tureen made so much difference to theirs... | 0:36:00 | 0:36:03 | |
-I think the tureen. -Yeah? | 0:36:03 | 0:36:06 | |
Yeah, we'll go with the tureen, then, please. | 0:36:06 | 0:36:08 | |
Final answer, you're picking the tureen. | 0:36:08 | 0:36:11 | |
Well, before we tell you what your tureen is worth, | 0:36:11 | 0:36:15 | |
David will tell you what you haven't won. | 0:36:15 | 0:36:17 | |
Ray and Paula, I can't believe it, you were desperate for this locket. | 0:36:17 | 0:36:22 | |
So have you made a mistake? | 0:36:22 | 0:36:24 | |
Guys, here we have a Victorian sterling silver | 0:36:24 | 0:36:29 | |
locket and collar | 0:36:29 | 0:36:31 | |
dating from circa 1880. | 0:36:31 | 0:36:35 | |
The solidity and shapes of the collar are representative of | 0:36:35 | 0:36:39 | |
industrial development during the Victorian era | 0:36:39 | 0:36:43 | |
and the stripped-back design of the locket is exemplary. | 0:36:43 | 0:36:47 | |
You've just chucked away £200. | 0:36:47 | 0:36:49 | |
Right, moving on, | 0:36:52 | 0:36:53 | |
this is a pair of Japanese standing vases | 0:36:53 | 0:36:57 | |
dating from the early 19th century, Paula. | 0:36:57 | 0:37:01 | |
These vases embody the eastern principal of chi. | 0:37:01 | 0:37:07 | |
Chi literally translates as "breath" or "air" | 0:37:07 | 0:37:11 | |
and is a major characteristic in many Oriental cultures. | 0:37:11 | 0:37:16 | |
They were likely meant to be placed at the entrance of the dining room, | 0:37:16 | 0:37:20 | |
presumably in the hope of encouraging a peaceful family meal. | 0:37:20 | 0:37:26 | |
Good luck with that one! | 0:37:26 | 0:37:28 | |
But how many chis will they generate? | 0:37:28 | 0:37:32 | |
I shall tell you. | 0:37:32 | 0:37:34 | |
700 chis. | 0:37:34 | 0:37:36 | |
-Oh. -Quite a lump of money. | 0:37:36 | 0:37:38 | |
-I liked those. -Now, then, there was such a battle over these studs. | 0:37:38 | 0:37:43 | |
We know that they are 18-carat gold, they are in their original box, | 0:37:43 | 0:37:47 | |
they've got everything going for them. | 0:37:47 | 0:37:50 | |
The market adores these things. | 0:37:50 | 0:37:52 | |
They are small and they are high value. | 0:37:52 | 0:37:56 | |
The value today, a whopping £600. | 0:37:57 | 0:38:01 | |
Right, we have two lots remaining - | 0:38:03 | 0:38:06 | |
your tureen and the plates. | 0:38:06 | 0:38:09 | |
One of these lots, quite obviously, is the worthless lot. | 0:38:09 | 0:38:13 | |
These meat plates, they are genuine antiques, they are 19th century, | 0:38:13 | 0:38:19 | |
there are no markings on the back, | 0:38:19 | 0:38:21 | |
so it dates them to pre-1891 or there about. | 0:38:21 | 0:38:24 | |
They are lovely decorative things, which makes them worth, | 0:38:24 | 0:38:28 | |
in today's market, in a decent auction... | 0:38:28 | 0:38:32 | |
..absolutely nothing. | 0:38:33 | 0:38:34 | |
Oh! | 0:38:34 | 0:38:35 | |
Well done. | 0:38:37 | 0:38:39 | |
Whoa, phew! | 0:38:39 | 0:38:42 | |
So, Ray and Paula, you have won the value of the tureen, | 0:38:42 | 0:38:46 | |
but can we tempt you to swap it for the mystery lot, | 0:38:46 | 0:38:50 | |
which could be worth even more? | 0:38:50 | 0:38:52 | |
APPLAUSE | 0:38:52 | 0:38:54 | |
Well, here is your lot, Ray and Paula. | 0:38:57 | 0:39:01 | |
As things stand, you have won its worth in cash. | 0:39:01 | 0:39:04 | |
Now, you may be confident that you've chosen something | 0:39:04 | 0:39:07 | |
that is worth a great deal of money. | 0:39:07 | 0:39:09 | |
But before we tell you its value, | 0:39:09 | 0:39:11 | |
David is going to tempt you with today's mystery lot. | 0:39:11 | 0:39:14 | |
My gosh, OK, only I know what is beneath this cloth | 0:39:14 | 0:39:19 | |
and I've got to tell you, guys, | 0:39:19 | 0:39:21 | |
it sends shivers up the back my spine. | 0:39:21 | 0:39:25 | |
We have a little bit of magic. | 0:39:25 | 0:39:28 | |
It's an original script from the very first film in the famous | 0:39:28 | 0:39:33 | |
Harry Potter series, Harry Potter And The Sorcerer's Stone. | 0:39:33 | 0:39:39 | |
This is the title that was used in some countries, although in the UK | 0:39:39 | 0:39:43 | |
we know it simply as Harry Potter And The Philosopher's Stone. | 0:39:43 | 0:39:47 | |
Accompanied with that all-important certificate of authenticity, | 0:39:47 | 0:39:52 | |
this script has been signed by members of the cast and crew, | 0:39:52 | 0:39:57 | |
including director Chris Columbus and actors Rupert Grint, | 0:39:57 | 0:40:03 | |
Emma Watson, and the boy wizard himself, Daniel Radcliffe. | 0:40:03 | 0:40:09 | |
Now, keep in mind the chair JK Rowling used when writing the novel | 0:40:09 | 0:40:16 | |
on which this film is based recently sold in auction | 0:40:16 | 0:40:22 | |
for a whopping £278,000. | 0:40:22 | 0:40:28 | |
It does give you an idea of how Harry Potter memorabilia | 0:40:28 | 0:40:33 | |
can cast a spell over the collectables market. | 0:40:33 | 0:40:37 | |
Is it bewitching to you? | 0:40:38 | 0:40:41 | |
What do you think it is worth? | 0:40:41 | 0:40:43 | |
Oh, that is a good question. | 0:40:43 | 0:40:46 | |
I mean, I know these things go for a real lot of money. | 0:40:46 | 0:40:50 | |
I like that. | 0:40:50 | 0:40:51 | |
I mean, it's a massive movie, | 0:40:52 | 0:40:53 | |
a massive movie franchise as well, so... | 0:40:53 | 0:40:56 | |
I like this as well, though. | 0:40:56 | 0:40:58 | |
It's very tempting, isn't it? | 0:40:58 | 0:41:00 | |
It is very tempting. | 0:41:00 | 0:41:02 | |
What do you think? Will we go for that? | 0:41:02 | 0:41:05 | |
-I think that could be the top. -Yeah. | 0:41:05 | 0:41:07 | |
So, final answer is go with the mystery lot, | 0:41:07 | 0:41:10 | |
the Harry Potter script. | 0:41:10 | 0:41:12 | |
OK. First of all, | 0:41:12 | 0:41:14 | |
tell us what they've thrown away with this tureen. | 0:41:14 | 0:41:17 | |
What we're looking at here is an old Sheffield plate-silver soup tureen. | 0:41:17 | 0:41:24 | |
It is a piece of Regency tableware dating from between 1810 and 1820. | 0:41:24 | 0:41:31 | |
It isn't solid silver. | 0:41:31 | 0:41:34 | |
Being Sheffield plate, | 0:41:34 | 0:41:36 | |
which is pretty rare and particularly rare in that condition, | 0:41:36 | 0:41:40 | |
I've got to tell you, | 0:41:40 | 0:41:41 | |
because Sheffield plate, when polished, | 0:41:41 | 0:41:43 | |
does something that we refer to as bleeds - | 0:41:43 | 0:41:46 | |
copper comes through. | 0:41:46 | 0:41:47 | |
There is no copper there. | 0:41:47 | 0:41:49 | |
This thing is immaculate. | 0:41:49 | 0:41:52 | |
You rated it, and rightly so, | 0:41:52 | 0:41:56 | |
because the value of that silver-plated object... | 0:41:56 | 0:41:59 | |
..£1,200. | 0:42:00 | 0:42:04 | |
Oh, can we change our minds? | 0:42:04 | 0:42:06 | |
No! | 0:42:06 | 0:42:08 | |
Your eye was in and you chose a good piece there, | 0:42:09 | 0:42:11 | |
so let's hope that your eye is still in when we look at this script. | 0:42:11 | 0:42:16 | |
Right, completely poles apart. | 0:42:16 | 0:42:20 | |
A real antique full of quality and desirability in the antique market, | 0:42:20 | 0:42:26 | |
something altogether different. | 0:42:26 | 0:42:28 | |
It's just paper, it's just signatures, | 0:42:28 | 0:42:31 | |
but it taps into exactly what you were talking about, | 0:42:31 | 0:42:36 | |
that big movie. | 0:42:36 | 0:42:37 | |
The film itself was Oscar and Bafta-nominated and made over | 0:42:37 | 0:42:42 | |
a quarter of a billion dollars. | 0:42:42 | 0:42:45 | |
So the value, the amount of money you have won... | 0:42:46 | 0:42:50 | |
-..£550. -Oh! | 0:42:53 | 0:42:55 | |
Still, I'm happy with that. | 0:42:56 | 0:42:58 | |
-Yeah. -Oh, bless your heart. | 0:42:58 | 0:43:00 | |
Well done, though. Seriously, well done. | 0:43:00 | 0:43:03 | |
So today, Ray and Paula, you are going home with £550. | 0:43:03 | 0:43:07 | |
David, thank you so much for lending us all your expertise, as ever, | 0:43:07 | 0:43:10 | |
and thank you, of course, for watching. | 0:43:10 | 0:43:11 | |
We look forward to seeing you again soon when more teams will be trying | 0:43:11 | 0:43:14 | |
to spot the lot to win the lot on For What It's Worth. | 0:43:14 | 0:43:17 | |
I'll see you next time. Goodbye for now. | 0:43:17 | 0:43:19 | |
Really well done. Very well done. | 0:43:19 | 0:43:21 | |
APPLAUSE | 0:43:21 | 0:43:23 |