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Hello and welcome to For What It's Worth, | 0:00:15 | 0:00:18 | |
the quiz show in which the hardest question of all is - | 0:00:18 | 0:00:22 | |
"What's it worth?" | 0:00:22 | 0:00:23 | |
Three pairs of contestants are ready to play, | 0:00:23 | 0:00:25 | |
each team has a quizzer who has to answer a general knowledge question | 0:00:25 | 0:00:29 | |
correctly, so that their partner, | 0:00:29 | 0:00:31 | |
the picker, has a chance to choose an antique or collectable | 0:00:31 | 0:00:34 | |
and build a collection. | 0:00:34 | 0:00:35 | |
And the aim of the game is to amass the most valuable collection. | 0:00:35 | 0:00:39 | |
Guiding us through the pleasures and pitfalls of the antiques world | 0:00:39 | 0:00:42 | |
is our very own resident expert. | 0:00:42 | 0:00:45 | |
Would you please welcome Paul Laidlaw! | 0:00:45 | 0:00:48 | |
Paul, lovely to have you here. | 0:00:48 | 0:00:50 | |
-Thank you very much. -Looking very spiffing in your suit, | 0:00:50 | 0:00:53 | |
-I like that very much. -That's very kind of you. | 0:00:53 | 0:00:56 | |
-Spiffing's a first, but I'll take it. -It's very... | 0:00:56 | 0:00:58 | |
Yes, probably curiously English rather than Scottish word, spiffing. | 0:00:58 | 0:01:02 | |
Now, tell me about the lots we've got here today. | 0:01:02 | 0:01:04 | |
Teams, for your consideration today, we have a screen, | 0:01:04 | 0:01:11 | |
a paperweight, | 0:01:11 | 0:01:13 | |
a watch, | 0:01:13 | 0:01:14 | |
a book, | 0:01:14 | 0:01:16 | |
a table, a figure, | 0:01:16 | 0:01:20 | |
some cups, | 0:01:20 | 0:01:22 | |
some candlesticks, | 0:01:22 | 0:01:25 | |
decanter labels... | 0:01:25 | 0:01:27 | |
..a vase, | 0:01:28 | 0:01:29 | |
cellars | 0:01:29 | 0:01:31 | |
and a chest of drawers. | 0:01:31 | 0:01:34 | |
Hm, now one of these items is our top lot, which is worth a whopping | 0:01:34 | 0:01:37 | |
£2,500. That is the lot to spot because at the end of the show, | 0:01:37 | 0:01:43 | |
the winning pair will walk away with the cash equivalent of one of their | 0:01:43 | 0:01:46 | |
items. But beware, because the lots decrease in value | 0:01:46 | 0:01:50 | |
right down to our worthless lot, which is no more | 0:01:50 | 0:01:53 | |
than a tenner or less. | 0:01:53 | 0:01:54 | |
That, of course, is the lot to avoid. | 0:01:54 | 0:01:57 | |
So, who's playing today? Let's meet the teams. | 0:01:57 | 0:01:59 | |
Team One, who are you? | 0:01:59 | 0:02:01 | |
I'm Phyllis and this is my granddaughter Chloe. | 0:02:01 | 0:02:04 | |
My nanna likes oil lamps and I'm a quizzing nerd. | 0:02:05 | 0:02:08 | |
Very good, welcome to the show. | 0:02:08 | 0:02:10 | |
Team Two, who are you? | 0:02:10 | 0:02:12 | |
Hi, I'm Andy and this is my partner, Mark. | 0:02:12 | 0:02:16 | |
And we're from Birmingham and we like to collect lustreware. | 0:02:16 | 0:02:19 | |
Lustreware. Ohh. | 0:02:19 | 0:02:21 | |
And Team Three, who are you? | 0:02:21 | 0:02:23 | |
I'm Linda and this is my husband, Bob. | 0:02:23 | 0:02:26 | |
We worked most of our careers in universities and our particular | 0:02:26 | 0:02:30 | |
specialism is collecting clocks. | 0:02:30 | 0:02:33 | |
Oh, university. | 0:02:33 | 0:02:35 | |
They'll be clever. | 0:02:35 | 0:02:36 | |
Now earlier, our teams got to inspect our lots, | 0:02:36 | 0:02:39 | |
watched over by Paul, our expert. | 0:02:39 | 0:02:41 | |
But could they separate the rust from the gold dust? | 0:02:41 | 0:02:45 | |
Let's see. | 0:02:45 | 0:02:46 | |
-OK, right. -OK. | 0:02:48 | 0:02:49 | |
-Oh. -Ohh. | 0:02:49 | 0:02:50 | |
Oh. Look at this. | 0:02:53 | 0:02:56 | |
Salt cellars. | 0:02:56 | 0:02:57 | |
Well, it's definitely quite a few hallmarks, isn't it? | 0:02:57 | 0:03:00 | |
It is a London hallmark, I think. I think. | 0:03:00 | 0:03:02 | |
Someone did their homework. | 0:03:02 | 0:03:04 | |
This is the book, Tom Sawyer Abroad. | 0:03:05 | 0:03:08 | |
The pages look very old, don't they, the edges? | 0:03:08 | 0:03:10 | |
Do you think that's a first edition? | 0:03:10 | 0:03:12 | |
-Chatto and Windus. -Well, that's English, though, isn't it? | 0:03:12 | 0:03:16 | |
-Could be. -So, surely it'll be an American publisher, wouldn't it? | 0:03:16 | 0:03:20 | |
Oh, very, very astute. | 0:03:20 | 0:03:22 | |
-They're Japanese, aren't they? -Yeah. -They're Japanese geishas. | 0:03:24 | 0:03:28 | |
It looks pretty genuine and old, I think. | 0:03:28 | 0:03:31 | |
Is it worth anything, though? Come on. | 0:03:31 | 0:03:34 | |
-It's got a key. -So it must open. | 0:03:35 | 0:03:37 | |
Is it a fire screen, do you think? | 0:03:37 | 0:03:39 | |
It obviously opens up and you can't work out why. | 0:03:39 | 0:03:45 | |
It's in good condition, isn't it? | 0:03:46 | 0:03:48 | |
So, you probably would pay quite a bit for it, I would have thought. | 0:03:48 | 0:03:51 | |
It's very ornate, Victorian maybe. | 0:03:51 | 0:03:54 | |
They are on it. | 0:03:54 | 0:03:56 | |
The hands are incredibly delicate. | 0:03:59 | 0:04:01 | |
I don't think I've seen hands like that before. | 0:04:01 | 0:04:03 | |
-Like mine. -Yes. | 0:04:03 | 0:04:05 | |
-What do you think of that? -Is there a name? -I can't see one. | 0:04:07 | 0:04:12 | |
-Ah. Lalique. That's a name, isn't it? -Yeah. | 0:04:12 | 0:04:17 | |
-I do like it. -Is it a pig? | 0:04:17 | 0:04:19 | |
I don't know, these look a bit...a little bit tacky, don't they? | 0:04:22 | 0:04:25 | |
-Hm. -19th-century designer turning in grave. | 0:04:25 | 0:04:28 | |
What about the eyes, are those rubies? | 0:04:28 | 0:04:30 | |
-Rubies, do you think? -Could be glass. | 0:04:30 | 0:04:32 | |
Do you reckon? | 0:04:32 | 0:04:33 | |
I quite like those cups. | 0:04:35 | 0:04:37 | |
The fact they're cracked, I think...probably a good sign. | 0:04:37 | 0:04:40 | |
I don't like those at all. | 0:04:40 | 0:04:42 | |
You watch, they'll be worth a fortune. | 0:04:42 | 0:04:44 | |
OK, fair enough. | 0:04:44 | 0:04:45 | |
What do you think about those decanters? | 0:04:46 | 0:04:49 | |
-They're the booby prize. -Do you reckon? | 0:04:49 | 0:04:52 | |
They're silver. Hallmarked. | 0:04:52 | 0:04:54 | |
Wouldn't have thought that would be worth...worth much. | 0:04:56 | 0:04:59 | |
I mean, it is very ornate. | 0:04:59 | 0:05:02 | |
Yeah, but they make hundreds of them, don't they? | 0:05:02 | 0:05:04 | |
I don't think this is worth a great deal, | 0:05:04 | 0:05:08 | |
just mainly because the back looks so badly made. | 0:05:08 | 0:05:10 | |
Why are you obsessed with the back? | 0:05:10 | 0:05:13 | |
It's against the wall! | 0:05:13 | 0:05:14 | |
-It's a bit whiffy. -Well, it's old, what do you expect? | 0:05:15 | 0:05:18 | |
I know. Well, that's a good sign, isn't it? | 0:05:18 | 0:05:20 | |
Whiffy's a good sign, that's a first. | 0:05:20 | 0:05:22 | |
-So, top lot, we're thinking the... -Table. -..table. | 0:05:22 | 0:05:25 | |
The top lot is the vase. | 0:05:25 | 0:05:27 | |
You're having the Lalique. End of. | 0:05:27 | 0:05:29 | |
And the bottom lot is the decanter labels. | 0:05:29 | 0:05:33 | |
It's the paperweight. | 0:05:33 | 0:05:34 | |
So, I'm going to go for the chest of drawers. | 0:05:34 | 0:05:36 | |
-Right, let's go on and discuss strategy. -Yes. | 0:05:36 | 0:05:40 | |
Interesting, Paul. | 0:05:41 | 0:05:43 | |
So, when you were watching them, were any of them any good? | 0:05:43 | 0:05:45 | |
I think some were pretty warm, if we're playing that game. | 0:05:45 | 0:05:49 | |
Many were pretty cool, however. | 0:05:49 | 0:05:51 | |
Now, tell me how you arrive at the valuation of these things. | 0:05:52 | 0:05:55 | |
Yes, the values for each lot have been agreed by myself | 0:05:55 | 0:05:59 | |
and an independent valuer. | 0:05:59 | 0:06:00 | |
They're based on hammer price we would expect them to reach at | 0:06:00 | 0:06:03 | |
auction, but with no auction costs added. | 0:06:03 | 0:06:06 | |
And just to add an extra twist, we have our Mystery Lot, | 0:06:06 | 0:06:11 | |
which could be worth thousands or it could be worth peanuts, | 0:06:11 | 0:06:14 | |
but that is for our winners to decide later. | 0:06:14 | 0:06:17 | |
But for now, it is time for Round 1. | 0:06:17 | 0:06:20 | |
APPLAUSE | 0:06:20 | 0:06:22 | |
I'm going to ask eight general knowledge questions. | 0:06:24 | 0:06:27 | |
Pickers, before each one, | 0:06:27 | 0:06:29 | |
I'll ask you to select which lot you would like to play for. | 0:06:29 | 0:06:32 | |
And, quizzers, if you buzz in with a correct answer, | 0:06:32 | 0:06:35 | |
you'll get to add it to your collection. But beware, | 0:06:35 | 0:06:38 | |
buzz in incorrectly and you'll be frozen out of the next question. | 0:06:38 | 0:06:41 | |
So, pickers, please would you make your first pick? | 0:06:41 | 0:06:44 | |
Let's see what you have all chosen. | 0:06:46 | 0:06:49 | |
FERN GASPS | 0:06:49 | 0:06:51 | |
So, Chloe and Phyllis, you want the table. | 0:06:51 | 0:06:54 | |
Andy and Mark, the book. And, Bob and Linda, you want the vase. | 0:06:54 | 0:06:58 | |
Quizzers, fingers on buzzers, here comes question one. | 0:06:58 | 0:07:02 | |
Held annually in London, | 0:07:02 | 0:07:03 | |
what is the name of the world's second largest street festival? | 0:07:03 | 0:07:06 | |
-Yes, Chloe? -Notting Hill Carnival. | 0:07:08 | 0:07:10 | |
Correct. The table is yours. | 0:07:10 | 0:07:13 | |
The Rio Carnival, of course, is the biggest in the world. | 0:07:13 | 0:07:16 | |
Pickers, make a pick. | 0:07:16 | 0:07:17 | |
Chloe and Phyllis, you want the book this time. | 0:07:20 | 0:07:22 | |
Andy and Mark want the vase, but so do Bob and Linda. | 0:07:22 | 0:07:27 | |
Two teams after one lot, let's see what happens with question two. | 0:07:27 | 0:07:31 | |
Which well-known astronomical phenomenon is visible from Earth | 0:07:31 | 0:07:34 | |
every 75 to 76 years? | 0:07:34 | 0:07:37 | |
-Yes, Bob? -Halley's Comet. | 0:07:37 | 0:07:38 | |
It is Halley's Comet, yes. | 0:07:38 | 0:07:40 | |
Bob, the vase is yours. | 0:07:40 | 0:07:41 | |
Oh, Andy and Mark, you missed that one. | 0:07:41 | 0:07:43 | |
Never mind, here we go. | 0:07:43 | 0:07:45 | |
Pickers, make a pick. | 0:07:45 | 0:07:46 | |
Chloe and Phyllis want the figure, Andy and Mark want the screen, | 0:07:49 | 0:07:54 | |
Bob and Linda want the watch. | 0:07:54 | 0:07:56 | |
Quizzers, fingers on buzzers, question three. | 0:07:56 | 0:07:58 | |
In a popular nursery rhyme, which insect is told to fly away home? | 0:07:58 | 0:08:02 | |
Yes, Andy? | 0:08:02 | 0:08:03 | |
A ladybird. | 0:08:03 | 0:08:05 | |
-Correct, it is a ladybird, and the screen is yours. -Yay. Thank you. | 0:08:05 | 0:08:08 | |
Pickers, make a pick. | 0:08:08 | 0:08:10 | |
Chloe and Phyllis going for the drawers. Andy and Mark, | 0:08:13 | 0:08:16 | |
you really want that book. Bob and Linda - the watch. | 0:08:16 | 0:08:20 | |
The singer Shakira was born in which South American country? | 0:08:20 | 0:08:24 | |
Yes, Chloe? | 0:08:26 | 0:08:27 | |
-Is it Columbia? -Correct, it is Columbia! | 0:08:27 | 0:08:30 | |
The chest of drawers are yours. | 0:08:30 | 0:08:31 | |
Well done. Pickers, make a pick. | 0:08:31 | 0:08:33 | |
Chloe and Phyllis want the cups, Andy and Mark - the figure, | 0:08:37 | 0:08:41 | |
Bob and Linda really want that watch. | 0:08:41 | 0:08:43 | |
This is the third time they've picked it. | 0:08:43 | 0:08:45 | |
Question five. Which black and white animal appears | 0:08:45 | 0:08:49 | |
on the logo of the charity WWF? | 0:08:49 | 0:08:50 | |
Yes, Chloe? | 0:08:50 | 0:08:51 | |
-A panda. -The giant panda, actually. | 0:08:51 | 0:08:53 | |
But, yes, that is correct, and the cups are yours. | 0:08:53 | 0:08:57 | |
Pickers, make another pick. | 0:08:57 | 0:08:58 | |
Chloe and Phyllis want the watch, | 0:09:02 | 0:09:04 | |
Andy and Mark want that figure and Bob and Linda want the watch still. | 0:09:04 | 0:09:09 | |
It's a battle now between Team One and Team Three. | 0:09:09 | 0:09:12 | |
Question six, quizzers, fingers on buzzers. | 0:09:12 | 0:09:15 | |
The name Big Ben specifically refers to which part of the... | 0:09:15 | 0:09:17 | |
Yes, Chloe? | 0:09:17 | 0:09:19 | |
The bell. | 0:09:19 | 0:09:20 | |
The full question is - the name Big Ben specifically refers to | 0:09:20 | 0:09:23 | |
which part of the famous London landmark? | 0:09:23 | 0:09:25 | |
And it is the main big bell. | 0:09:25 | 0:09:28 | |
So, Chloe, the watch is yours. | 0:09:28 | 0:09:30 | |
Bob and Linda, that was snatched from you. | 0:09:30 | 0:09:33 | |
Pickers, make a pick. | 0:09:33 | 0:09:34 | |
Chloe and Phyllis want the cellars, | 0:09:37 | 0:09:39 | |
Andy and Mark still going for that figure | 0:09:39 | 0:09:42 | |
and Bob and Linda want the book. | 0:09:42 | 0:09:44 | |
Question seven. Which '90s legal drama was set | 0:09:44 | 0:09:48 | |
at the Boston law firm Cage and Fish? | 0:09:48 | 0:09:50 | |
Chloe? | 0:09:50 | 0:09:51 | |
Ally McBeal. | 0:09:51 | 0:09:52 | |
It was Ally McBeal, congratulations. | 0:09:52 | 0:09:54 | |
Those cellars are yours. | 0:09:54 | 0:09:57 | |
You're doing very well, Chloe and Phyllis, very well indeed. | 0:09:57 | 0:10:00 | |
Come along, Andy and Bob. Come on. Pickers, make a pick. | 0:10:00 | 0:10:03 | |
Chloe and Phyllis want the figure, Andy and Mark still want the figure, | 0:10:06 | 0:10:10 | |
Bob and Linda still want the book. | 0:10:10 | 0:10:12 | |
This is the final question in this round. | 0:10:12 | 0:10:15 | |
What is the astrological sign of someone born on April Fools' Day? | 0:10:15 | 0:10:18 | |
-Yes, Andy? -Taurus. | 0:10:20 | 0:10:22 | |
Incorrect. Aries. | 0:10:22 | 0:10:25 | |
Shame. Let's have a look at your collections at the end of Round 1. | 0:10:25 | 0:10:30 | |
And Chloe and Phyllis have | 0:10:30 | 0:10:32 | |
the table, the drawers, the cups, | 0:10:32 | 0:10:35 | |
the watch and the cellars. | 0:10:35 | 0:10:38 | |
Andy and Mark have the screen | 0:10:38 | 0:10:40 | |
and Bob and Linda have the vase. | 0:10:40 | 0:10:43 | |
Well, our teams have started to build their collections, | 0:10:43 | 0:10:45 | |
but have they chosen wisely? | 0:10:45 | 0:10:47 | |
Well, before they have the chance to add more of them, | 0:10:47 | 0:10:49 | |
Paul is going to give each pair a fact about a lot of their choice. | 0:10:49 | 0:10:54 | |
Chloe and Phyllis. First of all, let's find out a bit more about you. | 0:10:54 | 0:10:57 | |
What do you do, Chloe? | 0:10:57 | 0:10:58 | |
I'm a criminal lawyer in Hampshire. | 0:10:59 | 0:11:01 | |
Are you? | 0:11:01 | 0:11:03 | |
-Yes. -Are you one of those ones that if you've got arrested and taken to | 0:11:03 | 0:11:06 | |
the police station they go, | 0:11:06 | 0:11:07 | |
"OK, you can call a lawyer," and you're the duty lawyer? | 0:11:07 | 0:11:10 | |
Yeah, that's it. | 0:11:10 | 0:11:11 | |
Yeah, two in the morning, out I go. | 0:11:11 | 0:11:14 | |
And I understand you love a quiz? | 0:11:14 | 0:11:15 | |
-Yes. -And you're competitive? -Yes, I am a bit, yeah. | 0:11:15 | 0:11:19 | |
Well, it's starting to look that way, I must say. | 0:11:19 | 0:11:22 | |
And sitting next to you is Phyllis. | 0:11:22 | 0:11:23 | |
-Who bossed you into doing this, Phyllis? -My granddaughter Chloe. | 0:11:23 | 0:11:29 | |
-Did she ask you or did she say...? -No, she said, "You're doing it." | 0:11:29 | 0:11:32 | |
And here you are. | 0:11:32 | 0:11:35 | |
What would you like to know more about? | 0:11:35 | 0:11:36 | |
The chest of drawers, please. | 0:11:36 | 0:11:38 | |
Now, English furniture of the Georgian era | 0:11:38 | 0:11:41 | |
is renowned for its quality of material, design and construction. | 0:11:41 | 0:11:46 | |
It's veneered in mahogany with brass handles. | 0:11:46 | 0:11:48 | |
Now, while these drawers are in very good condition, | 0:11:48 | 0:11:51 | |
the antiques market for large pieces of so-called brown furniture such as | 0:11:51 | 0:11:55 | |
this has taken a bit of a downturn in recent years. | 0:11:55 | 0:11:59 | |
Is the condition of this item enough to warrant a high value | 0:11:59 | 0:12:02 | |
or is it a case of back to the drawer-ing board? | 0:12:02 | 0:12:07 | |
FERN LAUGHS OK, that's something for you to think about, Phyllis and Chloe. | 0:12:07 | 0:12:11 | |
It is. Thank you. | 0:12:11 | 0:12:12 | |
Andy and Mark, how long have you two been together? | 0:12:12 | 0:12:15 | |
30 years, come July. | 0:12:16 | 0:12:18 | |
30 years? You don't look old enough. | 0:12:18 | 0:12:21 | |
-Thank you. -Ridiculous. | 0:12:21 | 0:12:22 | |
Tell me about the Playgirls. | 0:12:22 | 0:12:25 | |
Many years ago, we became semi-professional drag artists. | 0:12:25 | 0:12:31 | |
Mark used to do impersonations of Shirley Bassey and Diana Ross. | 0:12:31 | 0:12:36 | |
-Long time ago. -And me, with the nose, | 0:12:36 | 0:12:39 | |
used to do Cher and Barbra Streisand. | 0:12:39 | 0:12:42 | |
Of course. How fantastic. | 0:12:42 | 0:12:44 | |
Well, I wonder if there's anything here that's caught your eye today | 0:12:44 | 0:12:47 | |
that you'd like to know more about? | 0:12:47 | 0:12:49 | |
Yes, I'd like to know more about the book. | 0:12:49 | 0:12:51 | |
Well, this is a novel by Samuel Langhorne Clemens, | 0:12:51 | 0:12:54 | |
otherwise known as Mark Twain. | 0:12:54 | 0:12:57 | |
Tom Sawyer Abroad - | 0:12:57 | 0:12:58 | |
this book is part of a series of books featuring Twain's most famous | 0:12:58 | 0:13:02 | |
character - Tom Sawyer, friend of Huck Finn. | 0:13:02 | 0:13:05 | |
Bound in a beautiful red, gilt and black binding, a few marks, | 0:13:05 | 0:13:09 | |
a little fading perhaps, but it's in pretty good condition. | 0:13:09 | 0:13:12 | |
Now, you could buy such a copy in a local bookshop for under £10. | 0:13:12 | 0:13:17 | |
However, this is a British first edition, published in 1894. | 0:13:17 | 0:13:23 | |
This novel's not his most famous, but the history, the association, | 0:13:23 | 0:13:28 | |
the author and the subject make it an extremely interesting lot. | 0:13:28 | 0:13:33 | |
OK, while you think about that, let's meet Bob and Linda. | 0:13:33 | 0:13:36 | |
So, Bob, did you spend most of your working life in universities? | 0:13:36 | 0:13:41 | |
Yes, when I left university, I didn't know what I wanted to do, | 0:13:41 | 0:13:44 | |
but the only thing I didn't want to do was teaching, | 0:13:44 | 0:13:47 | |
and subsequently ended up in teaching for 36 years. | 0:13:47 | 0:13:51 | |
And what was your subject? | 0:13:51 | 0:13:53 | |
Economics with finance. | 0:13:53 | 0:13:55 | |
Lovely. Linda, how did you both meet? | 0:13:55 | 0:13:58 | |
We met at a country club in Cheshire. | 0:13:58 | 0:14:01 | |
And Bob's chat up line was, | 0:14:01 | 0:14:04 | |
"Would you like to come to see the Villa on Saturday?" | 0:14:04 | 0:14:06 | |
-And I said, "No thank you." -He invited you to the football?! | 0:14:06 | 0:14:09 | |
But we're still together. | 0:14:09 | 0:14:10 | |
Incredible. Well, you must've fallen in love pretty quickly after | 0:14:12 | 0:14:15 | |
the football gaff, but that's fine. | 0:14:15 | 0:14:17 | |
OK, which lot would you like to know more about? | 0:14:17 | 0:14:20 | |
I think I'd like to know about the screen, please. | 0:14:20 | 0:14:23 | |
-The screen. -What we have here is a 19th-century fire screen. | 0:14:23 | 0:14:27 | |
When open fires were the only way of heating the home, | 0:14:27 | 0:14:30 | |
they would've been a very popular household accessory. | 0:14:30 | 0:14:33 | |
They were used to shield the people in the room from the harsh glare of | 0:14:33 | 0:14:36 | |
the flames and would have protected | 0:14:36 | 0:14:38 | |
ladies' delicate porcelain complexions. | 0:14:38 | 0:14:41 | |
This particular one is decorated in the Japanese-influenced | 0:14:41 | 0:14:45 | |
style typical of the Aesthetic Movement. | 0:14:45 | 0:14:47 | |
It's in good condition, but will this fan the fires | 0:14:47 | 0:14:50 | |
of your collection? | 0:14:50 | 0:14:52 | |
-Hmm. -Hmm. | 0:14:52 | 0:14:55 | |
So, I hope that has helped, teams, cos it's now time to play Round 2. | 0:14:55 | 0:15:00 | |
APPLAUSE | 0:15:00 | 0:15:03 | |
In this round, the pickers will select a lot to play for | 0:15:04 | 0:15:07 | |
and the quizzers will again try and secure it by answering correctly. | 0:15:07 | 0:15:11 | |
But this time around, the lots come with their own | 0:15:11 | 0:15:13 | |
question categories, and here they are. | 0:15:13 | 0:15:15 | |
So, for instance, if you went for the paperweight in the middle, | 0:15:17 | 0:15:20 | |
I would ask your quizzer to choose a question between | 0:15:20 | 0:15:22 | |
Ancient Egypt or US Politics. OK? | 0:15:22 | 0:15:27 | |
At the end of this round, | 0:15:27 | 0:15:29 | |
the team with the least valuable collection will be eliminated, | 0:15:29 | 0:15:32 | |
so choose wisely. | 0:15:32 | 0:15:34 | |
Chloe and Phyllis, you're up first. | 0:15:34 | 0:15:36 | |
Phyllis, what would you like to pick from the board? | 0:15:36 | 0:15:39 | |
-Um...the figure, please. -The figure. | 0:15:39 | 0:15:42 | |
The Olympics or US Politics, Chloe? | 0:15:42 | 0:15:45 | |
-The Olympics, please. -The Olympics. | 0:15:45 | 0:15:48 | |
Which city has been chosen to host the 2020 Summer Olympics? | 0:15:48 | 0:15:52 | |
Qatar. | 0:15:54 | 0:15:56 | |
Not Qatar. | 0:15:56 | 0:15:58 | |
Tokyo. The figure stays on the board. | 0:15:58 | 0:16:01 | |
Andy and Mark. Mark, what would you like? | 0:16:01 | 0:16:03 | |
-The figure. -The figure. | 0:16:03 | 0:16:05 | |
The Olympics or US Politics, Andy? | 0:16:05 | 0:16:08 | |
-I'll go for US Politics, I think, Fern, please. -US Politics. | 0:16:08 | 0:16:11 | |
Which US political party is sometimes known | 0:16:11 | 0:16:14 | |
as the Grand Old Party? | 0:16:14 | 0:16:15 | |
I have no idea. | 0:16:17 | 0:16:19 | |
Um, I'll go for the Democrats. | 0:16:19 | 0:16:23 | |
Oh, it's the other one - the Republican Party. | 0:16:23 | 0:16:26 | |
OK, the figure's desperately...going to stay on the board. | 0:16:26 | 0:16:29 | |
Linda, what would you like? | 0:16:29 | 0:16:31 | |
I'd like the book, please. | 0:16:31 | 0:16:32 | |
The book. Ancient Egypt or Italian Food, Bob? | 0:16:32 | 0:16:36 | |
Ancient Egypt. | 0:16:36 | 0:16:38 | |
What title's most commonly used to refer to | 0:16:38 | 0:16:40 | |
Egyptian kings and queens? | 0:16:40 | 0:16:43 | |
I'm sure it's obvious. | 0:16:43 | 0:16:44 | |
Poor Linda, she's bursting with it. | 0:16:45 | 0:16:48 | |
Pharaohs. | 0:16:49 | 0:16:50 | |
-Correct. Congratulations. -Oh. | 0:16:50 | 0:16:52 | |
Pharaohs is correct. The book is yours. | 0:16:52 | 0:16:55 | |
Well, deserved, there you go. | 0:16:57 | 0:16:58 | |
Right, we're going to have another pass at this. | 0:16:58 | 0:17:00 | |
But this time, have you missed something that you really, | 0:17:00 | 0:17:04 | |
really want in your collection? | 0:17:04 | 0:17:06 | |
Because if so, here's a chance to get your hands on it. | 0:17:06 | 0:17:09 | |
From now on, you can either go for what's left on the grid | 0:17:09 | 0:17:12 | |
or you can try to steal a lot that's in a rival team's collection. | 0:17:12 | 0:17:16 | |
Pickers, be warned. | 0:17:16 | 0:17:17 | |
If you choose to steal from another team, | 0:17:17 | 0:17:19 | |
they will get to choose which category your quizzer | 0:17:19 | 0:17:22 | |
must face and you cannot steal from a team who has only one lot | 0:17:22 | 0:17:25 | |
in their collection. | 0:17:25 | 0:17:26 | |
So, Andy and Mark, you are safe at the moment. | 0:17:26 | 0:17:29 | |
So, Chloe and Phyllis, would you like to pick or steal for this? | 0:17:29 | 0:17:33 | |
I'll pick. You'll pick...? | 0:17:33 | 0:17:35 | |
-The figure. -The figure. | 0:17:36 | 0:17:38 | |
You're determined to get it. | 0:17:38 | 0:17:39 | |
You're sticking there like a limpet. | 0:17:39 | 0:17:41 | |
The Olympics or US Politics, Chloe? | 0:17:41 | 0:17:43 | |
-I'll try again at the Olympics. -Olympics. | 0:17:43 | 0:17:46 | |
In which country were the first modern Olympics hosted in 1896? | 0:17:47 | 0:17:52 | |
Greece. | 0:17:57 | 0:17:58 | |
It is Greece, congratulations, the figure is yours. | 0:17:58 | 0:18:02 | |
Mark. Pick or steal? | 0:18:03 | 0:18:05 | |
-Steal. -Oh, what do you want? | 0:18:05 | 0:18:07 | |
-The vase. -The vase, from Bob and Linda. | 0:18:07 | 0:18:10 | |
Bob and Linda, you can now think of a category that you would like Andy | 0:18:10 | 0:18:15 | |
to try to answer. | 0:18:15 | 0:18:17 | |
-Plant Life. -Plant Life. | 0:18:17 | 0:18:20 | |
What substance in leaves allows plants to absorb light energy? | 0:18:20 | 0:18:24 | |
Chlorophilm. | 0:18:26 | 0:18:28 | |
I'm sorry, you said chlorophilm and it's actually chlorophyll. | 0:18:28 | 0:18:33 | |
-OK. -The vase stays with Bob and Linda. | 0:18:33 | 0:18:36 | |
Well played. Very good. | 0:18:36 | 0:18:38 | |
Linda, would you want to pick or steal? | 0:18:38 | 0:18:40 | |
-I'd like to steal the watch, please. -Steal the watch. | 0:18:40 | 0:18:43 | |
Chloe and Phyllis, what category would you like to give Bob? | 0:18:43 | 0:18:47 | |
-Action Films, please. -Action Films. | 0:18:48 | 0:18:50 | |
What is the first name of Rambo, | 0:18:51 | 0:18:54 | |
the character portrayed on screen by Sylvester Stallone? | 0:18:54 | 0:18:57 | |
Oh, dear. | 0:18:58 | 0:19:00 | |
Paul. | 0:19:02 | 0:19:04 | |
Incorrect. It's not Paul, although it is one of the Apostles, | 0:19:04 | 0:19:08 | |
it's John. | 0:19:08 | 0:19:09 | |
John Rambo. | 0:19:10 | 0:19:12 | |
So, the watch stays with you, Chloe, for this, well done. | 0:19:12 | 0:19:15 | |
Phyllis, would you like to pick or steal? | 0:19:15 | 0:19:18 | |
-I'll steal. -Steal. What do you want to steal? | 0:19:18 | 0:19:21 | |
-The vase, please. -The vase. | 0:19:21 | 0:19:24 | |
Bob and Linda, what are you going to give Chloe? | 0:19:24 | 0:19:27 | |
-Olympics. -Olympics. | 0:19:27 | 0:19:29 | |
Athlete Usain Bolt competes for which country? | 0:19:29 | 0:19:33 | |
-Jamaica. -Correct. | 0:19:33 | 0:19:35 | |
Jamaica it is, the vase is yours. | 0:19:35 | 0:19:38 | |
Oh, Bob and Linda. | 0:19:38 | 0:19:39 | |
There we go. Mark, pick or steal? | 0:19:39 | 0:19:42 | |
-Steal. -Steal what? | 0:19:42 | 0:19:44 | |
-The vase. -The vase. | 0:19:44 | 0:19:45 | |
OK. Chloe and Phyllis, you choose a category now for Andy. | 0:19:47 | 0:19:51 | |
-Composers. -Thank you. | 0:19:51 | 0:19:54 | |
Andy. | 0:19:54 | 0:19:56 | |
Which poem by William Blake was famously set to music | 0:19:56 | 0:19:59 | |
by the composer Sir Charles Parry? | 0:19:59 | 0:20:02 | |
I have to pass, Fern, sorry. | 0:20:04 | 0:20:05 | |
It was Jerusalem. | 0:20:05 | 0:20:07 | |
-Oh. -I know, annoying, isn't it? | 0:20:07 | 0:20:09 | |
Well, the vase stays with you, Chloe and Phyllis. | 0:20:09 | 0:20:12 | |
Linda, pick or steal? | 0:20:12 | 0:20:14 | |
-Steal, please. -Of course. -The vase. -Will it be the vase? Yes. -Yes. | 0:20:14 | 0:20:18 | |
OK, Chloe and Phyllis, | 0:20:18 | 0:20:20 | |
pick a subject for Bob. | 0:20:20 | 0:20:23 | |
I think Action Films again. Sorry, Bob. | 0:20:23 | 0:20:26 | |
You've found his weak spot. | 0:20:27 | 0:20:28 | |
OK. In the 2000 film Charlie's Angels, | 0:20:28 | 0:20:31 | |
the Angels are played by Cameron Diaz, | 0:20:31 | 0:20:34 | |
Drew Barrymore and which other actress? | 0:20:34 | 0:20:36 | |
-Lucy Liu. -Get in! | 0:20:38 | 0:20:42 | |
Yes. Lucy Liu it is, correct! | 0:20:42 | 0:20:45 | |
The vase comes back to you. | 0:20:45 | 0:20:47 | |
Sorry about that, Chloe and Phyllis. | 0:20:47 | 0:20:49 | |
That is the end of the round, | 0:20:49 | 0:20:51 | |
so let's see how the collections are looking. | 0:20:51 | 0:20:54 | |
Chloe and Phyllis have the table, | 0:20:54 | 0:20:57 | |
the figure, the chest of drawers, | 0:20:57 | 0:20:59 | |
the cups, the watch and the cellars. | 0:20:59 | 0:21:03 | |
Andy and Mark have the screen. | 0:21:03 | 0:21:05 | |
Bob and Linda have the book | 0:21:05 | 0:21:08 | |
and the vase. | 0:21:08 | 0:21:09 | |
OK, for one team, this is now, sadly, the end of the road. | 0:21:09 | 0:21:13 | |
So, Paul, who is leaving us first? | 0:21:13 | 0:21:16 | |
Well, Fern, I can reveal that the pair leaving us first are... | 0:21:16 | 0:21:21 | |
-..Andy and Mark. -Ohh. | 0:21:27 | 0:21:29 | |
APPLAUSE | 0:21:29 | 0:21:32 | |
Andy and Mark, I'm so sorry. | 0:21:34 | 0:21:37 | |
But you want to know what that screen's worth, don't you? | 0:21:37 | 0:21:39 | |
-Yes, please. -Yes, you do. So, tell us about it. | 0:21:39 | 0:21:42 | |
Well, this screen had most of you perplexed during the viewing. | 0:21:42 | 0:21:46 | |
You all noticed a little keyhole top front, | 0:21:46 | 0:21:51 | |
the key allows the front to fall forward, | 0:21:51 | 0:21:53 | |
giving one a writing surface. | 0:21:53 | 0:21:55 | |
So, in essence, it's a metamorphic piece of furniture. Surely, | 0:21:55 | 0:21:59 | |
that is hugely valuable and you've all made a mistake. | 0:21:59 | 0:22:03 | |
Well, no. It's redundant in today's home, it's only worth £60. | 0:22:03 | 0:22:09 | |
Oh. | 0:22:09 | 0:22:10 | |
Andy and Mark, thank you so much for playing For What It's Worth! | 0:22:10 | 0:22:13 | |
-Thank you. -Thank you. | 0:22:13 | 0:22:15 | |
And, also, the unclaimed items in the grid are now leaving the game, | 0:22:18 | 0:22:22 | |
so let's quickly find out from Paul what they're worth | 0:22:22 | 0:22:26 | |
and if the top lot is still in the game. | 0:22:26 | 0:22:29 | |
These are a pair of brass candlesticks. | 0:22:29 | 0:22:32 | |
We do know they date back to around 1870 and are possibly Russian | 0:22:32 | 0:22:37 | |
in origin. | 0:22:37 | 0:22:38 | |
They're highly decorative, | 0:22:38 | 0:22:40 | |
each model has a bear holding aloft a socket | 0:22:40 | 0:22:43 | |
in which the candle would sit. | 0:22:43 | 0:22:44 | |
And I've got to say, Chloe, | 0:22:44 | 0:22:46 | |
I think you were extremely dismissive of them. | 0:22:46 | 0:22:48 | |
PAUL LAUGHS | 0:22:48 | 0:22:50 | |
And none of you liked the red eyes, which arguably are a wee bit scary | 0:22:50 | 0:22:53 | |
and a bit wrong, but they are consummately well modelled | 0:22:53 | 0:22:58 | |
and well worked. | 0:22:58 | 0:22:59 | |
And there's the potential for Russian interest, but the value - | 0:22:59 | 0:23:03 | |
just £120. | 0:23:03 | 0:23:05 | |
Not bad, though, for a pair of brass candlesticks. | 0:23:05 | 0:23:08 | |
Next, you said bye to the paperweight. | 0:23:08 | 0:23:11 | |
It's a large Baccarat example from the mid-19th century. | 0:23:11 | 0:23:16 | |
Now, Baccarat is a celebrated French glass-making company, | 0:23:16 | 0:23:19 | |
and by the early 19th century, it had become | 0:23:19 | 0:23:22 | |
one of Europe's leading names in glassware. | 0:23:22 | 0:23:25 | |
The value in this example - | 0:23:25 | 0:23:29 | |
£200. | 0:23:29 | 0:23:30 | |
Healthy for a paperweight. | 0:23:30 | 0:23:32 | |
Lastly, you were saying goodbye to our decanter labels. | 0:23:32 | 0:23:37 | |
Here we have three Georgian silver examples labelled for rum, | 0:23:37 | 0:23:42 | |
wine and port. | 0:23:42 | 0:23:43 | |
At first, they might look rather uninspiring. | 0:23:43 | 0:23:46 | |
I think many of you thought so. But if you looked closely, | 0:23:46 | 0:23:50 | |
you would have discovered a tiny hallmark on the back | 0:23:50 | 0:23:53 | |
bearing the initials EL. Now, EL is the smith Edward Livingstone. | 0:23:53 | 0:23:58 | |
Livingstone's a rather sought-after Scottish craftsman. | 0:23:58 | 0:24:02 | |
Value? Three humble little bottle tickets | 0:24:02 | 0:24:05 | |
that I don't think anybody was particularly taken by, | 0:24:05 | 0:24:08 | |
they're worth £600. | 0:24:08 | 0:24:11 | |
The good news is we're saying bye to those, | 0:24:11 | 0:24:15 | |
but the highest value lot is still in play, | 0:24:15 | 0:24:19 | |
but so is the least valuable. | 0:24:19 | 0:24:22 | |
Oh. | 0:24:22 | 0:24:23 | |
Teams, congratulations on getting this far. | 0:24:24 | 0:24:27 | |
You now have one last chance to pick our expert's brains. | 0:24:27 | 0:24:30 | |
Which lot do you really need to know more about? | 0:24:30 | 0:24:32 | |
Team One, Phyllis, what would you like to know about? | 0:24:32 | 0:24:35 | |
The table, please. | 0:24:35 | 0:24:38 | |
Now, the table. This delightful little example | 0:24:38 | 0:24:41 | |
is known as a tripod table by virtue of its three legs. | 0:24:41 | 0:24:45 | |
It dates back to the 19th century and is of Anglo-Indian origin. | 0:24:45 | 0:24:50 | |
Indian cabinet makers used local timbers and accessories | 0:24:50 | 0:24:53 | |
to craft these beautiful pieces. | 0:24:53 | 0:24:56 | |
Furniture of this type was intended | 0:24:56 | 0:24:58 | |
for the colonial British market and the wealthy locals. | 0:24:58 | 0:25:01 | |
It's made of padauk, which is considered to be a less | 0:25:01 | 0:25:05 | |
decorative figure than, say, rosewood. | 0:25:05 | 0:25:08 | |
This style of furniture also may not be to everyone's taste. | 0:25:08 | 0:25:13 | |
So, this could affect the commercial value. | 0:25:13 | 0:25:15 | |
But what's its value to you? | 0:25:15 | 0:25:18 | |
Hmm. | 0:25:19 | 0:25:20 | |
Bob and Linda, what would you like to know more about? | 0:25:20 | 0:25:23 | |
-The vase. -The vase. | 0:25:23 | 0:25:26 | |
This is a Chinese porcelain vase, | 0:25:26 | 0:25:30 | |
mounted with silver and dating to the late 17th century. | 0:25:30 | 0:25:34 | |
It was made during the era of the Emperor Kangxi, | 0:25:34 | 0:25:38 | |
who was the fourth emperor of the Qing dynasty. | 0:25:38 | 0:25:41 | |
The style was so popular that it was later mass-produced and widely | 0:25:41 | 0:25:44 | |
copied, especially during the 20th century, | 0:25:44 | 0:25:48 | |
but this piece is period. | 0:25:48 | 0:25:50 | |
There's no hallmarks on the silver, | 0:25:50 | 0:25:52 | |
but it is solid with interesting geometric decoration. | 0:25:52 | 0:25:56 | |
Would that make it more desirable, more unusual, more expensive? | 0:25:56 | 0:26:01 | |
Well, that's for you to decide. | 0:26:01 | 0:26:05 | |
It's now time for our final round. | 0:26:05 | 0:26:07 | |
And at the end of it, we'll have our winners. | 0:26:07 | 0:26:10 | |
In this round, I'm going to show you a category and 12 possible answers. | 0:26:13 | 0:26:17 | |
Now, nine of the answers are correct, three are not. | 0:26:17 | 0:26:20 | |
Each of you will then take turns to choose an answer | 0:26:20 | 0:26:23 | |
you think is correct. And as it's the final round, | 0:26:23 | 0:26:26 | |
both quizzers and pickers will play. | 0:26:26 | 0:26:28 | |
Pick a wrong answer and your opponents will be able to steal | 0:26:28 | 0:26:30 | |
a lot from your collection. | 0:26:30 | 0:26:32 | |
We're going to play three questions in total, and the pair | 0:26:32 | 0:26:35 | |
with the most valuable collection at the moment can choose to go first or | 0:26:35 | 0:26:38 | |
second. Paul, who is that? | 0:26:38 | 0:26:41 | |
I can reveal that the team who has | 0:26:41 | 0:26:44 | |
the most valuable collection so far is... | 0:26:44 | 0:26:47 | |
..Phyllis and Chloe. | 0:26:49 | 0:26:51 | |
Phyllis and Chloe. | 0:26:52 | 0:26:54 | |
You go first with this question, and it is this. | 0:26:54 | 0:26:58 | |
Celebrities Who Have Appeared In Absolutely Fabulous. | 0:26:59 | 0:27:02 | |
Would you like to go first or second on this question? | 0:27:02 | 0:27:05 | |
Let's go second. Second, please. | 0:27:05 | 0:27:07 | |
Second, OK. | 0:27:07 | 0:27:09 | |
Bob and Linda, here are the answers. | 0:27:09 | 0:27:11 | |
Bob, give me an answer. | 0:27:14 | 0:27:15 | |
-Joanna Lumley. -Joanna Lumley. | 0:27:17 | 0:27:19 | |
If this goes green, it's correct. | 0:27:19 | 0:27:22 | |
Of course it's correct. | 0:27:22 | 0:27:23 | |
Joanna Lumley plays Patsy Stone. | 0:27:23 | 0:27:25 | |
Chloe. | 0:27:25 | 0:27:27 | |
-June Whitfield. -June Whitfield. | 0:27:27 | 0:27:29 | |
Yes, she's Edina's mother. | 0:27:32 | 0:27:34 | |
Linda. | 0:27:34 | 0:27:35 | |
-Ruby Wax. -Ruby Wax. | 0:27:35 | 0:27:37 | |
Yes, she plays two characters - Beth De Woodi and Candy. | 0:27:40 | 0:27:44 | |
-Phyllis. -Oh. -LAUGHTER | 0:27:44 | 0:27:47 | |
My goodness. | 0:27:49 | 0:27:51 | |
-Miranda Richardson. -Miranda Richardson. | 0:27:51 | 0:27:54 | |
Yes, her character was Bettina. Well done. | 0:27:57 | 0:27:59 | |
Bob. | 0:27:59 | 0:28:00 | |
-Oh, dear. David Tennant. -David Tennant. | 0:28:03 | 0:28:07 | |
Oh. David Tennant is incorrect. | 0:28:10 | 0:28:13 | |
Let's have a look at the other wrong answers. | 0:28:14 | 0:28:17 | |
Ian McKellen was never in it and neither was Jack Dee. | 0:28:17 | 0:28:21 | |
Chloe and Phyllis, prepare to steal from Bob and Linda. | 0:28:21 | 0:28:24 | |
Do you want the book or the vase? | 0:28:24 | 0:28:27 | |
-You pick. -The vase, please. | 0:28:27 | 0:28:29 | |
The vase is yours. | 0:28:29 | 0:28:31 | |
Bob and Linda, that hurt, didn't it? | 0:28:31 | 0:28:34 | |
OK. This is your question, Bob and Linda. | 0:28:35 | 0:28:38 | |
We're looking for countries located in the Pacific region | 0:28:38 | 0:28:41 | |
known as Oceania, which is centred on Australia. | 0:28:41 | 0:28:44 | |
-Would you like to go first or second? -We'll go first. | 0:28:44 | 0:28:47 | |
First? Here are the answers. | 0:28:47 | 0:28:49 | |
Give me an answer. | 0:28:51 | 0:28:52 | |
-New Zealand. -New Zealand. | 0:28:52 | 0:28:55 | |
Yes. North and South Islands, exactly right. Chloe. | 0:28:58 | 0:29:03 | |
-Solomon Islands. -Solomon Islands. | 0:29:03 | 0:29:05 | |
Correct. A nation of literally hundreds of islands | 0:29:08 | 0:29:11 | |
in the South Pacific. Linda. | 0:29:11 | 0:29:14 | |
-Tonga. -Tonga. | 0:29:14 | 0:29:15 | |
Correct. The Polynesian kingdom of more than 170 islands. | 0:29:19 | 0:29:24 | |
Phyllis. | 0:29:24 | 0:29:25 | |
-Fiji. -Fiji. | 0:29:29 | 0:29:31 | |
Yes. More than 300 islands, apparently. | 0:29:34 | 0:29:37 | |
Amazing. Bob. | 0:29:37 | 0:29:39 | |
-Samoa. -Samoa. | 0:29:39 | 0:29:41 | |
Correct. There are six islands to Samoa. | 0:29:44 | 0:29:48 | |
Chloe. | 0:29:48 | 0:29:50 | |
-Marshall Islands. -Marshall Islands. | 0:29:50 | 0:29:52 | |
Yes, that's a chain of volcanic islands. Linda. | 0:29:56 | 0:30:00 | |
-Vanuatu. -Vanuatu. | 0:30:00 | 0:30:03 | |
Correct. About 80 islands there. | 0:30:07 | 0:30:10 | |
Phyllis. | 0:30:10 | 0:30:12 | |
Only two are now correct and three are wrong. | 0:30:13 | 0:30:16 | |
-Serrano. -Serrano. | 0:30:17 | 0:30:20 | |
Oh, bad luck. | 0:30:23 | 0:30:25 | |
Serrano is actually a ham or a chilli pepper. | 0:30:25 | 0:30:28 | |
Let's see the other wrong answers. | 0:30:28 | 0:30:30 | |
Chopine is a 16th-century platform shoe. | 0:30:31 | 0:30:35 | |
Moana is the Hawaiian word for ocean. | 0:30:35 | 0:30:38 | |
Right, Bob and Linda. | 0:30:38 | 0:30:41 | |
If you make a strategic pick here, who knows what could happen? | 0:30:41 | 0:30:45 | |
-Go for the mugs, go for the mugs. -I'm not going to go for the mugs. | 0:30:45 | 0:30:48 | |
The mugs might be the most expensive. | 0:30:48 | 0:30:50 | |
No. The watch. | 0:30:50 | 0:30:52 | |
The watch, please. | 0:30:52 | 0:30:54 | |
Overruling Bob. | 0:30:54 | 0:30:56 | |
Bob wanted the cups, you want the watch, and the watch it is. | 0:30:56 | 0:30:59 | |
It's coming over to you right now. | 0:30:59 | 0:31:01 | |
There we go. | 0:31:03 | 0:31:04 | |
OK, Chloe and Phyllis, final question. And your question is... | 0:31:04 | 0:31:08 | |
Comic Book Characters. | 0:31:10 | 0:31:12 | |
To be clear, we're not looking for characters who may have appeared in | 0:31:12 | 0:31:16 | |
comics after originally appearing in another work of fiction. | 0:31:16 | 0:31:20 | |
Chloe and Phyllis, would you like to go first or second? | 0:31:20 | 0:31:23 | |
-First. -First. Let's have a look at the answers. | 0:31:23 | 0:31:25 | |
Chloe, give me an answer. | 0:31:28 | 0:31:31 | |
-Iron Man. -Iron Man. | 0:31:31 | 0:31:32 | |
Yes, first appeared in 1963. | 0:31:36 | 0:31:39 | |
Bob. | 0:31:39 | 0:31:40 | |
-Superman. -Superman. | 0:31:40 | 0:31:42 | |
Yes. The famous DC Comic superhero. Phyllis. | 0:31:45 | 0:31:50 | |
-The Joker. -The Joker. | 0:31:50 | 0:31:52 | |
Yes, the enemy of Batman. Linda. | 0:31:56 | 0:31:59 | |
-Captain America. -Captain America. | 0:31:59 | 0:32:02 | |
Correct. He first appeared in 1941 in a comic. | 0:32:05 | 0:32:09 | |
Chloe. | 0:32:09 | 0:32:10 | |
-Green Lantern. -Green Lantern. | 0:32:10 | 0:32:12 | |
Correct. 1940 he first appeared. | 0:32:15 | 0:32:18 | |
Bob. | 0:32:18 | 0:32:20 | |
That was the only one I knew. | 0:32:20 | 0:32:21 | |
-Dr Strange. -Dr Strange. | 0:32:23 | 0:32:25 | |
Yes. Being played by Benedict Cumberbatch | 0:32:28 | 0:32:32 | |
in an upcoming film. | 0:32:32 | 0:32:33 | |
Phyllis. | 0:32:33 | 0:32:35 | |
-Seymour Cray. -Seymour Cray. | 0:32:38 | 0:32:41 | |
-Oh. -Oh, no. -Apparently he's the father of supercomputing, | 0:32:45 | 0:32:50 | |
so he really should be in a comic book, but he's real. | 0:32:50 | 0:32:52 | |
Let's have a look at the other wrong answers. | 0:32:52 | 0:32:55 | |
Hodor is from Game Of Thrones, | 0:32:55 | 0:32:58 | |
and Katniss Everdeen is from The Hunger Games. | 0:32:58 | 0:33:01 | |
So, Bob and Linda, what are you going to have? | 0:33:02 | 0:33:05 | |
-Cups. -Well, not the vase? -No, no, no, we've had the vase. | 0:33:05 | 0:33:10 | |
My choice this time - we're going for cups. | 0:33:10 | 0:33:12 | |
Cups. | 0:33:12 | 0:33:14 | |
And there they are in your collection. | 0:33:14 | 0:33:18 | |
That's it, your collections are complete and fixed | 0:33:19 | 0:33:22 | |
and will determine which team is victorious, so, Paul, | 0:33:22 | 0:33:25 | |
who are today's winners? | 0:33:25 | 0:33:26 | |
Fern, I can reveal that the pair with the most valuable collection | 0:33:26 | 0:33:31 | |
and the winners today are... | 0:33:31 | 0:33:34 | |
-..Phyllis and Chloe. -APPLAUSE | 0:33:38 | 0:33:41 | |
I told you about those cups. | 0:33:43 | 0:33:44 | |
Commiserations, Bob and Linda. | 0:33:46 | 0:33:48 | |
You didn't create a valuable enough collection, | 0:33:48 | 0:33:51 | |
but before we say goodbye, | 0:33:51 | 0:33:53 | |
shall we find out how much your items were worth? | 0:33:53 | 0:33:57 | |
We start with the book. | 0:33:57 | 0:33:58 | |
A true great from the world of literature - | 0:33:58 | 0:34:02 | |
this is a British first edition, not a US first edition. | 0:34:02 | 0:34:07 | |
American author - you want the true first edition, which of course, | 0:34:07 | 0:34:11 | |
published in America. | 0:34:11 | 0:34:12 | |
Its value - £100. | 0:34:12 | 0:34:15 | |
Now, from here, we go to the watch. | 0:34:16 | 0:34:19 | |
And you seriously contested that watch. | 0:34:19 | 0:34:21 | |
Throughout the programme, "We want the watch, we want the watch." | 0:34:21 | 0:34:24 | |
You ended up with it. | 0:34:24 | 0:34:26 | |
Was it worth the trouble? | 0:34:26 | 0:34:28 | |
This is a Swiss open-face quarter repeater gold pocket watch, | 0:34:28 | 0:34:33 | |
made around 1850. | 0:34:33 | 0:34:35 | |
Now, watchmaking is an art form, and the inner workings of a watch | 0:34:35 | 0:34:40 | |
are the pride of its maker. | 0:34:40 | 0:34:42 | |
And when I say, "They don't make them like that any more," | 0:34:42 | 0:34:46 | |
in this instance, I really mean it. | 0:34:46 | 0:34:49 | |
Because, today, watches are made with simulated, | 0:34:49 | 0:34:52 | |
artificially-grown rubies whereas in this watch, | 0:34:52 | 0:34:56 | |
the cylinder is a natural ruby, hand-worked. | 0:34:56 | 0:35:01 | |
The value of this watch - £1,500. | 0:35:01 | 0:35:05 | |
That's a good watch. | 0:35:07 | 0:35:08 | |
Oh, but, Paul, these cups must be worth a fortune, surely(!) | 0:35:08 | 0:35:13 | |
They had better...for Bob's sake. | 0:35:13 | 0:35:16 | |
Here we have a pair of ceramic cups, and they'd likely date | 0:35:17 | 0:35:21 | |
to the interwar years. | 0:35:21 | 0:35:22 | |
This playful, arguably, circus theme | 0:35:22 | 0:35:25 | |
could appeal to those who collect children's items. | 0:35:25 | 0:35:28 | |
There's a crack to one and some chips to the rims of both. | 0:35:28 | 0:35:32 | |
Well, Linda, does the name Clarice Cliff mean anything to you? | 0:35:32 | 0:35:36 | |
Well, these are nothing to do with Clarice Cliff. | 0:35:38 | 0:35:40 | |
LAUGHTER | 0:35:40 | 0:35:42 | |
Value - they're worthless. | 0:35:42 | 0:35:45 | |
Oh. | 0:35:45 | 0:35:47 | |
Bob and Linda, you have been such a joy | 0:35:48 | 0:35:50 | |
and entertained us a lot this afternoon. | 0:35:50 | 0:35:53 | |
Thank you so much for playing For What It's Worth. | 0:35:53 | 0:35:55 | |
Well done, Chloe and Phyllis. | 0:36:01 | 0:36:03 | |
You are today's winners. And now all that remains | 0:36:03 | 0:36:05 | |
is for you to claim your prize. | 0:36:05 | 0:36:07 | |
All you have to do is pick one of the lots in your collection | 0:36:07 | 0:36:10 | |
and we will give you its value in cash. | 0:36:10 | 0:36:13 | |
And the top lot is still in the game. | 0:36:13 | 0:36:16 | |
So, which one do you want to choose? | 0:36:16 | 0:36:19 | |
If you think about it logically, | 0:36:19 | 0:36:21 | |
we haven't heard anything about the figure, | 0:36:21 | 0:36:24 | |
but we've said that's Lalique. | 0:36:24 | 0:36:25 | |
It's a Lalique. So that's a name, isn't it? | 0:36:25 | 0:36:28 | |
Oh, the table was good as well. I don't know, Nanna, come on, | 0:36:29 | 0:36:33 | |
you're the picker. | 0:36:33 | 0:36:34 | |
-Shall we go for the Lalique? -Shall we go with the name? | 0:36:34 | 0:36:37 | |
Yeah. We'll go with the figure. | 0:36:37 | 0:36:41 | |
The figure, which you say is Lalique. | 0:36:41 | 0:36:44 | |
OK, that's it, that's what you've chosen. | 0:36:44 | 0:36:47 | |
But what haven't you won? | 0:36:47 | 0:36:49 | |
Oh, here we go. | 0:36:49 | 0:36:51 | |
Well, first, you walked away from the pair of salts. | 0:36:52 | 0:36:56 | |
These are a pair of salt cellars produced in the 1950s | 0:36:56 | 0:36:59 | |
by Adie Brothers Ltd of Birmingham. | 0:36:59 | 0:37:01 | |
Sterling silver and are in excellent condition. | 0:37:01 | 0:37:05 | |
If you're a frequenter of car-boot sales, | 0:37:05 | 0:37:08 | |
you're likely to have seen lots of these probably costing, say, | 0:37:08 | 0:37:11 | |
£20 or £30. | 0:37:11 | 0:37:13 | |
But the right pair, in the right condition, | 0:37:13 | 0:37:16 | |
from the right maker can easily command four-figure sums. | 0:37:16 | 0:37:22 | |
So, what were they worth? | 0:37:22 | 0:37:24 | |
Well, £80 would have bought them at auction. | 0:37:25 | 0:37:28 | |
-So, no great loss there. -Phew! | 0:37:28 | 0:37:30 | |
Phew indeed. | 0:37:30 | 0:37:33 | |
After that, you added to your collection | 0:37:33 | 0:37:35 | |
the chest of drawers, | 0:37:35 | 0:37:37 | |
which you were pretty scathing of initially. | 0:37:37 | 0:37:40 | |
You didn't like the back of that chest of drawers for a second, | 0:37:40 | 0:37:43 | |
Chloe, did you? | 0:37:43 | 0:37:44 | |
Value - £300. | 0:37:44 | 0:37:47 | |
Healthy. | 0:37:47 | 0:37:48 | |
Now, here is the Chinese vase which went backwards and forwards. | 0:37:48 | 0:37:53 | |
I think it cries out potential, does it not? | 0:37:53 | 0:37:59 | |
How much potential? | 0:37:59 | 0:38:01 | |
About £800 worth. | 0:38:01 | 0:38:03 | |
-Whoa. -Not bad. | 0:38:03 | 0:38:05 | |
Now, it came down to just two items - | 0:38:05 | 0:38:08 | |
the table and the figure. | 0:38:08 | 0:38:10 | |
The table, it was the first thing you homed in on as, | 0:38:10 | 0:38:14 | |
"That's the one." | 0:38:14 | 0:38:16 | |
The condition's there, you loved it. | 0:38:16 | 0:38:18 | |
But then at the 11th hour, you went with the figure. | 0:38:18 | 0:38:22 | |
Maybe should have gone with the instinct. | 0:38:24 | 0:38:26 | |
£2,500. | 0:38:26 | 0:38:28 | |
-Goodness. -I'm sorry. | 0:38:29 | 0:38:31 | |
So, Phyllis and Chloe, you have won the value of this figure. | 0:38:31 | 0:38:35 | |
Well, before we tell you, | 0:38:35 | 0:38:37 | |
I wonder if we could tempt you with our Mystery Lot. | 0:38:37 | 0:38:40 | |
Come and join me. APPLAUSE | 0:38:40 | 0:38:42 | |
Come in. Chloe and Phyllis, there is the figure. | 0:38:45 | 0:38:51 | |
You may be confident that you have chosen something that's worth its | 0:38:51 | 0:38:54 | |
weight in gold, but before we tell you its value, | 0:38:54 | 0:38:57 | |
Paul is going to tempt you with today's Mystery Lot. | 0:38:57 | 0:39:00 | |
Yeah. | 0:39:00 | 0:39:02 | |
Behold. | 0:39:03 | 0:39:05 | |
Today's Mystery Lot is... | 0:39:05 | 0:39:08 | |
a silver cigarette case. | 0:39:08 | 0:39:11 | |
Now, this little unassuming object looks like it's been well used, | 0:39:11 | 0:39:17 | |
but what really makes this item special is the engraved inscription. | 0:39:17 | 0:39:23 | |
You might just be able to make out - W Marks, from the Empress Marie, | 0:39:23 | 0:39:30 | |
the Grand Duke Nicholas and the imperial Russian family onboard HMS | 0:39:30 | 0:39:37 | |
Marlborough, April 1919. | 0:39:37 | 0:39:41 | |
Now, this was the ship sent to collect the Dowager Empress Marie | 0:39:41 | 0:39:45 | |
by her nephew, King George V, | 0:39:45 | 0:39:48 | |
to bring the surviving imperial family back | 0:39:48 | 0:39:52 | |
to England from the Crimea after the Russian Revolution. | 0:39:52 | 0:39:56 | |
W Marks was a sailor on board the ship. | 0:39:56 | 0:40:01 | |
And the case was given to him as a gift | 0:40:01 | 0:40:04 | |
from the imperial Russian royal family. | 0:40:04 | 0:40:07 | |
A quality item with a unique provenance. | 0:40:07 | 0:40:11 | |
But what's it worth? | 0:40:11 | 0:40:13 | |
Wow. | 0:40:13 | 0:40:15 | |
It's a good temptation, isn't it? | 0:40:15 | 0:40:17 | |
It is a good temptation. What do you think, Nanna? | 0:40:17 | 0:40:21 | |
I don't want to get it wrong again. | 0:40:21 | 0:40:22 | |
Go with the Russian family, I'm tempted. | 0:40:22 | 0:40:27 | |
We heard earlier that Russian things are sought-after, didn't we? | 0:40:27 | 0:40:31 | |
Exactly, we did. | 0:40:31 | 0:40:32 | |
I've got a feeling it could be worth more than this. | 0:40:34 | 0:40:40 | |
I'm thinking we go with what Nanna says. | 0:40:40 | 0:40:42 | |
I think we should go with the Russian connection. | 0:40:42 | 0:40:45 | |
Let's just hope. | 0:40:45 | 0:40:47 | |
-OK. -Right now, final decision, the silver cigarette case - | 0:40:47 | 0:40:52 | |
-today's Mystery Lot? -Yes. -Yes. | 0:40:52 | 0:40:55 | |
Now we need to know, what have they thrown away here, Paul? | 0:40:55 | 0:40:58 | |
A gorgeous piece of dark green topaz glass. | 0:40:58 | 0:41:03 | |
And if you look at this boar, | 0:41:03 | 0:41:05 | |
as you have done, and turned it upside down, you of course | 0:41:05 | 0:41:09 | |
see that it's stamped with the name Lalique. | 0:41:09 | 0:41:12 | |
Now, Lalique's one of the names in glassware, | 0:41:12 | 0:41:15 | |
a symbol of French style and luxury. | 0:41:15 | 0:41:18 | |
But it's not just an ornament, this is a car mascot, | 0:41:18 | 0:41:23 | |
designed to sit at the front of your car. | 0:41:23 | 0:41:27 | |
The prices for Lalique can range from, | 0:41:27 | 0:41:29 | |
let's say, the affordable to hundreds of thousands of pounds. | 0:41:29 | 0:41:35 | |
You've just walked away from £400. | 0:41:35 | 0:41:39 | |
Oh. | 0:41:39 | 0:41:40 | |
Right, OK. You've thrown away £400. | 0:41:42 | 0:41:45 | |
-OK. -Paul, tell us how much this silver cigarette case is. | 0:41:45 | 0:41:49 | |
You can buy a circa 1919 silver cigarette case | 0:41:49 | 0:41:53 | |
in pristine condition at auction for £40, | 0:41:53 | 0:41:56 | |
and this one is very, very heavily worn indeed. | 0:41:56 | 0:42:02 | |
We didn't look at the hinge, which was badly distorted. | 0:42:02 | 0:42:06 | |
I mean, there's used and then there's wrecked. | 0:42:06 | 0:42:10 | |
That said, | 0:42:10 | 0:42:11 | |
how do we put a price on a unique object with this utterly fascinating | 0:42:11 | 0:42:19 | |
historical provenance? | 0:42:19 | 0:42:21 | |
Well, we put this value on it... | 0:42:25 | 0:42:26 | |
..£1,650. | 0:42:28 | 0:42:30 | |
-Yay! -Yay! | 0:42:30 | 0:42:32 | |
Oh. | 0:42:35 | 0:42:37 | |
-That's great. -It's fantastic. | 0:42:42 | 0:42:45 | |
Chloe and Phyllis, today you are going home with £1,650. | 0:42:45 | 0:42:51 | |
Paul, thank you so much, it's been lovely to have you here. | 0:42:51 | 0:42:56 | |
Thank you for all your expertise. | 0:42:56 | 0:42:58 | |
Well, we'll see you next time when more teams | 0:42:58 | 0:43:00 | |
will be trying to spot the lot to win the lot on | 0:43:00 | 0:43:02 | |
For What It's Worth. | 0:43:02 | 0:43:04 | |
Goodbye for now. | 0:43:04 | 0:43:05 | |
That was amazing. I'm so thrilled for you. | 0:43:05 | 0:43:09 |