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How do you make money for nothing? | 0:00:07 | 0:00:09 | |
The answer could be hiding in the 20 million tonnes of household | 0:00:11 | 0:00:16 | |
waste we throw out every year. | 0:00:16 | 0:00:18 | |
Before you throw that away, can I have a quick chat to you about it? | 0:00:18 | 0:00:21 | |
Yes, sure. | 0:00:21 | 0:00:22 | |
That's why entrepreneur Sarah Moore wants to get her | 0:00:22 | 0:00:25 | |
hands on things before they hit the skip. | 0:00:25 | 0:00:28 | |
I am a passionate buyer, user and renovator of second hand stuff, | 0:00:30 | 0:00:35 | |
and I've turned that passion into a moneymaking business. | 0:00:35 | 0:00:38 | |
I turn old into new and I sell it for a profit. | 0:00:38 | 0:00:41 | |
Sarah's ready to sift through as many boots and bin bags as she needs to... | 0:00:42 | 0:00:47 | |
That is the most fabulous thing I've seen here. This is so exciting. | 0:00:47 | 0:00:51 | |
..in her search for tip treasure. | 0:00:51 | 0:00:54 | |
I love rifling through the rubbish. | 0:00:54 | 0:00:56 | |
-And with some of the country's elite designers and makers... -Hello, hello. | 0:00:58 | 0:01:02 | |
What have you got today? | 0:01:02 | 0:01:03 | |
I want to do what's right for this piece of rubbish. | 0:01:03 | 0:01:05 | |
..she can transform her finds into desirable... | 0:01:05 | 0:01:09 | |
Look at that. | 0:01:09 | 0:01:11 | |
-..beautiful... -Speechless. | 0:01:11 | 0:01:13 | |
-..valuable... -You're joking. | 0:01:13 | 0:01:16 | |
..and, hopefully, saleable items. | 0:01:16 | 0:01:19 | |
You always talk my kind of money, Jay. I love doing deals with you. | 0:01:19 | 0:01:22 | |
If Sarah is successful, then she can hand the profits back to the | 0:01:22 | 0:01:26 | |
very people who had no idea there was cash to be made from their trash. | 0:01:26 | 0:01:32 | |
-HE LAUGHS -Wow! | 0:01:32 | 0:01:34 | |
Stockport, near Manchester. | 0:01:48 | 0:01:51 | |
And at the Bredbury recycling centre, around 2,000 tonnes of stuff is | 0:01:51 | 0:01:56 | |
unceremoniously chucked, dumped | 0:01:56 | 0:02:00 | |
and ditched into tips every month. | 0:02:00 | 0:02:03 | |
On the lookout for potential treasures is Sarah Moore. | 0:02:03 | 0:02:08 | |
I'm really open-minded about what might come in today. | 0:02:08 | 0:02:10 | |
I'd love to find something that's an antique or something, | 0:02:10 | 0:02:13 | |
but any metal, anything we can cut up, anything we can weld together. | 0:02:13 | 0:02:18 | |
So much potential. | 0:02:18 | 0:02:19 | |
Sarah has special permission to scout these skips, | 0:02:21 | 0:02:24 | |
so please don't go raiding your local recycling centre. | 0:02:24 | 0:02:28 | |
Sarah is on a mission. | 0:02:29 | 0:02:31 | |
She's got to save three items from the crusher that she can | 0:02:31 | 0:02:34 | |
transform into something beautiful to sell on. | 0:02:34 | 0:02:38 | |
How about you? Got anything exciting in there? | 0:02:38 | 0:02:40 | |
Any profit she makes will go straight back to whoever dumped | 0:02:40 | 0:02:43 | |
it in the first place, so they will get some money for nothing. | 0:02:43 | 0:02:48 | |
Sarah is in line for her first find of the day. | 0:02:48 | 0:02:51 | |
She's spotted some ancient history in Robert's boot. | 0:02:51 | 0:02:55 | |
Just wondering what you're chucking out today. | 0:02:55 | 0:02:57 | |
-Are you dropping off the old barrow? -It is over 100 years old. | 0:02:57 | 0:03:01 | |
And I have saved it. I don't know why I saved it, but I did. | 0:03:02 | 0:03:05 | |
I can tell why you saved it. | 0:03:05 | 0:03:07 | |
There's something so appealing about that, isn't there? It is history... | 0:03:07 | 0:03:11 | |
-To us oddballs, yeah. -Yeah. | 0:03:11 | 0:03:13 | |
I'm in your camp, I have to say. | 0:03:13 | 0:03:15 | |
I think it came out of an old mill. They call them a sack truck. | 0:03:15 | 0:03:18 | |
They used to have them on the railways. But this is a really heavy-duty one, | 0:03:18 | 0:03:21 | |
-so that's going to be something industrial, isn't it? -It's made of cast-iron, many years ago. | 0:03:21 | 0:03:25 | |
Is there any chance you'd let me take it away | 0:03:25 | 0:03:28 | |
and do something with it? | 0:03:28 | 0:03:29 | |
Well, I would have to charge you a smile at least. | 0:03:29 | 0:03:33 | |
-I'll definitely give you a smile for that. -And sold for a smile. | 0:03:33 | 0:03:37 | |
-Bye, now. -Thank you ever so much. -Wait a minute. What about that smile? | 0:03:39 | 0:03:43 | |
Lovely. | 0:03:43 | 0:03:44 | |
It feels really cool. I'm just talking about your sack barrow. | 0:03:48 | 0:03:52 | |
HE LAUGHS | 0:03:52 | 0:03:54 | |
It has seen better days. | 0:03:54 | 0:03:55 | |
It has got cast-iron wheels on the bottom and this one has worn | 0:03:55 | 0:03:59 | |
away on one side, it has broken, but I think it's got great appeal. | 0:03:59 | 0:04:04 | |
Sarah sees great potential, but what would Robert do? | 0:04:04 | 0:04:08 | |
If she puts a plant in it, then it can be turned towards the sun in different seasons. | 0:04:10 | 0:04:14 | |
But anything like that, anything old, people go potty for. | 0:04:14 | 0:04:18 | |
Too true, Robert, too true. But Sarah has got other moneymaking ideas. | 0:04:18 | 0:04:23 | |
This would make a fantastic coffee table. | 0:04:24 | 0:04:27 | |
I'm just wondering whether we just support a huge sheet of glass on it. | 0:04:27 | 0:04:30 | |
-It's great, lovely. -A coffee table - | 0:04:32 | 0:04:34 | |
that's more like it! | 0:04:34 | 0:04:37 | |
So Sarah has her first item, but she'll need some help. | 0:04:37 | 0:04:41 | |
It's a little gold mine, that car. | 0:04:41 | 0:04:43 | |
And when it comes to heavy metal, | 0:04:43 | 0:04:45 | |
Sarah knows the perfect person to take this on. | 0:04:45 | 0:04:48 | |
Artist blacksmith Bex Simon bangs... | 0:04:52 | 0:04:56 | |
grinds... | 0:04:56 | 0:04:58 | |
welds and smelts metal into bespoke beauties. | 0:04:58 | 0:05:03 | |
Her unique pieces are normally specially commissioned, | 0:05:03 | 0:05:06 | |
so Sarah's project could be an adventure. | 0:05:06 | 0:05:10 | |
Working with found objects is quite different from what | 0:05:10 | 0:05:13 | |
we normally do because we work with our clients | 0:05:13 | 0:05:16 | |
and we produce designs and work with them, so this is kind of, | 0:05:16 | 0:05:19 | |
like, really freeing up the mind and seeing, you know, | 0:05:19 | 0:05:23 | |
what object we've got and how we can make it work into something | 0:05:23 | 0:05:27 | |
really cool, modern and, yeah, desirable, so it is going to be fun. | 0:05:27 | 0:05:33 | |
Bex has no idea what is coming her way. | 0:05:33 | 0:05:36 | |
Let's hope her imagination is ignited by the wobbly old sack barrow. | 0:05:36 | 0:05:41 | |
So, that's one item swiped and two more to find. | 0:05:45 | 0:05:48 | |
I'm just looking to see what's around. | 0:05:50 | 0:05:52 | |
Trying to work out if I could make something out of some golf clubs | 0:05:52 | 0:05:55 | |
-because somebody has just thrown a whole load away. -Hands off, Sarah. | 0:05:55 | 0:05:58 | |
If it's in the skip, it is out of bounds, | 0:05:58 | 0:06:01 | |
so get yourself back to those car boots. | 0:06:01 | 0:06:03 | |
Ooh! | 0:06:04 | 0:06:06 | |
-Quite an interesting bag in there. -Hello. What's all this, then? | 0:06:06 | 0:06:10 | |
Best mates Sean and Kevin have arrived with a bootful of booty. | 0:06:10 | 0:06:15 | |
-What's the furniture you're dropping off? -Chest of drawers. -Oh, really? | 0:06:15 | 0:06:18 | |
You've got a lucky penny down there, you better hang on to that. | 0:06:18 | 0:06:21 | |
That will bring you a lot of luck. May I just have...? | 0:06:21 | 0:06:23 | |
Does that just slide out? | 0:06:23 | 0:06:25 | |
-Solid wood. -Yes, it's obviously been around for a bit. | 0:06:28 | 0:06:30 | |
Solid wood, it's got nice dovetailed joints, | 0:06:30 | 0:06:32 | |
so it's definitely got some integrity to it. | 0:06:32 | 0:06:35 | |
I mean, I think anything old will eventually only go up in value | 0:06:35 | 0:06:38 | |
because it gets scarcer and scarcer, | 0:06:38 | 0:06:39 | |
and somebody in the end is going to say, "I just want to have that." Yeah. | 0:06:39 | 0:06:43 | |
-I watched a programme and there was a wall unit. -Yeah. | 0:06:43 | 0:06:46 | |
-To me, it just looked nothing. -Yeah. | 0:06:46 | 0:06:49 | |
-But the value of it turned out to be just over £1,000. -Really? | 0:06:49 | 0:06:53 | |
Well, you've just got to hope you've got one on your wall, haven't you? | 0:06:53 | 0:06:57 | |
That is actually something we might be able to re-use, | 0:06:59 | 0:07:02 | |
perhaps make into something else. | 0:07:02 | 0:07:03 | |
Would that be OK to take it away and see what we can do with it? | 0:07:03 | 0:07:06 | |
Yes, of course it is. As long as it goes to a good home, I'm happy. | 0:07:06 | 0:07:09 | |
Very pleased with that, that's lovely. | 0:07:09 | 0:07:11 | |
Sarah knows exactly how to make money out of this | 0:07:11 | 0:07:14 | |
and Sean has got ideas of his own. | 0:07:14 | 0:07:17 | |
I would sand it down, re-stain it, | 0:07:17 | 0:07:20 | |
put some new handles on, | 0:07:20 | 0:07:22 | |
tidy it up and sell it at auction or something. | 0:07:22 | 0:07:25 | |
Brown furniture has got such a bad reputation | 0:07:25 | 0:07:28 | |
and, when you look at this, you can probably imagine why, | 0:07:28 | 0:07:30 | |
but I think that we have some potential here. | 0:07:30 | 0:07:33 | |
Second item saved and Sarah knows someone who can help | 0:07:33 | 0:07:37 | |
the drawers make more than just a pretty penny. | 0:07:37 | 0:07:40 | |
Exciting young designer Zoe Murphy has taken the reconditioned | 0:07:42 | 0:07:46 | |
furniture world by storm. | 0:07:46 | 0:07:48 | |
Zoe is a screen printing and textile design queen. | 0:07:50 | 0:07:55 | |
Her bright, '50s-inspired designs add a burst of colour to old furniture. | 0:07:55 | 0:08:00 | |
She even sells bespoke pieces to the Liberty of London, | 0:08:00 | 0:08:04 | |
and her work sells at a premium. | 0:08:04 | 0:08:06 | |
I work predominantly by putting images onto old pieces of furniture. | 0:08:06 | 0:08:11 | |
Everything I make is, a lot of the time, about fun. | 0:08:11 | 0:08:15 | |
I'm based in Margate. | 0:08:15 | 0:08:17 | |
I really kind of revel in all the faded glory and glamour of the place, | 0:08:17 | 0:08:21 | |
so I really believe things should always be given a second chance, | 0:08:21 | 0:08:24 | |
and I try to see the good in stuff like that. | 0:08:24 | 0:08:28 | |
Well, let's hope she can see the good in those old drawers. | 0:08:28 | 0:08:31 | |
It's going to take more than a few flowery stencils to make them | 0:08:31 | 0:08:34 | |
into something saleable, | 0:08:34 | 0:08:36 | |
but I'm sure Zoe has what it takes. Touch wood. | 0:08:36 | 0:08:40 | |
Now Sarah has got to search for her third | 0:08:44 | 0:08:46 | |
and final item that will put her own talents to good use, | 0:08:46 | 0:08:50 | |
and she's found the perfect bit of kit for a nosy parker. | 0:08:50 | 0:08:54 | |
I'm loving this. | 0:08:54 | 0:08:55 | |
This has given me a whole new dimension to the recycling centre. | 0:08:55 | 0:08:59 | |
I don't have to run up and down any more, this is brilliant. | 0:08:59 | 0:09:01 | |
Might do some bird-watching as well. | 0:09:01 | 0:09:04 | |
Well, Sarah, you're not far off a magpie yourself | 0:09:05 | 0:09:09 | |
and if there's one thing magpies like, it's metal. | 0:09:09 | 0:09:12 | |
Nicola and Steven's kitchen ceiling is in the back of their van - | 0:09:12 | 0:09:16 | |
strange place to keep it - | 0:09:16 | 0:09:18 | |
-but Sarah has spotted something shiny in there. -Hiya. | 0:09:18 | 0:09:22 | |
-What are you doing there? What are you chucking out? -Copper pipe | 0:09:22 | 0:09:25 | |
-and the ceiling from the kitchen. -Have you had a bit of a shocker? | 0:09:25 | 0:09:28 | |
-Mm-hm. -Who left the bath on, then? -It's the shower. -Oh, really. | 0:09:28 | 0:09:32 | |
I'm loving the copper pipe. Any chance I can have a look at it? | 0:09:32 | 0:09:35 | |
-It is all yours. -Really? -All yours. -I think... | 0:09:35 | 0:09:38 | |
Brilliant. | 0:09:38 | 0:09:40 | |
This is just what I need. I love the fact that it is all worn out. | 0:09:40 | 0:09:43 | |
So you're getting a whole new bathroom | 0:09:43 | 0:09:44 | |
-and whole new kitchen ceiling? -All at the same time. | 0:09:44 | 0:09:47 | |
-Fitted kitchen. -Now we've got to do the bathroom. -At the same time. | 0:09:47 | 0:09:52 | |
If there is any value in what I make out of it, that'll be coming | 0:09:52 | 0:09:55 | |
to you, so maybe it can help pay for a new sink or something like that. | 0:09:55 | 0:09:58 | |
-That's fab. Thank you ever so much for that. Thank you. -Thank you. | 0:09:58 | 0:10:01 | |
-Brilliant, I've been looking for those all day. -Copper load of that. | 0:10:01 | 0:10:05 | |
Uh! Oh, dear. | 0:10:05 | 0:10:07 | |
Now, I'm really pleased with this. Look at those. | 0:10:07 | 0:10:10 | |
A whole load of copper pipes. They've got heaps of potential | 0:10:10 | 0:10:13 | |
and I think I can make a load of money out of them. | 0:10:13 | 0:10:16 | |
I'm not going to tell you how, though. This is my little secret. | 0:10:16 | 0:10:19 | |
I reckon she'll make a trombone, or some dangly earrings. | 0:10:19 | 0:10:23 | |
Yeah, might get some for the missus. | 0:10:23 | 0:10:26 | |
Sarah is going to turn Nicola | 0:10:27 | 0:10:28 | |
and Steven's domestic disaster into a lucky break, | 0:10:28 | 0:10:32 | |
but how? | 0:10:32 | 0:10:34 | |
-I have no idea. -THEY LAUGH | 0:10:34 | 0:10:36 | |
No idea. | 0:10:36 | 0:10:37 | |
We'll get on with our brand-new kitchen | 0:10:37 | 0:10:40 | |
-and a brand-new bathroom now. -Yeah. | 0:10:40 | 0:10:42 | |
THEY LAUGH | 0:10:42 | 0:10:44 | |
Well, it all sounds like a bit of a pipe dream to me. | 0:10:44 | 0:10:47 | |
Sarah's three-piece scavenger hunt is complete. | 0:10:48 | 0:10:52 | |
Bex will give Robert's sack barrow an uplift, | 0:10:52 | 0:10:56 | |
Zoe will wake up the tired chest of drawers Sean and Kevin brought in | 0:10:56 | 0:11:01 | |
and Sarah is going to turn those scrappy old | 0:11:01 | 0:11:03 | |
coppers into a golden opportunity for Nicola and Steven - | 0:11:03 | 0:11:07 | |
if only we knew how. | 0:11:07 | 0:11:09 | |
I've found some absolute little gems here today. | 0:11:10 | 0:11:14 | |
They might look like diamonds in the rough at the moment, | 0:11:14 | 0:11:16 | |
but I'm going to turn them into things that totally sparkle | 0:11:16 | 0:11:19 | |
and make money out of them along the way. | 0:11:19 | 0:11:21 | |
Sarah's first stop | 0:11:30 | 0:11:31 | |
is deep in the heart of the picturesque Surrey countryside... | 0:11:31 | 0:11:35 | |
..where, in amongst the tranquillity of country living... | 0:11:36 | 0:11:40 | |
WHIR OF POWER TOOLS | 0:11:41 | 0:11:44 | |
..there are sparks... | 0:11:44 | 0:11:45 | |
..hammers... | 0:11:47 | 0:11:48 | |
..and fire. | 0:11:50 | 0:11:51 | |
Lots and lots of fire. | 0:11:52 | 0:11:55 | |
Whoa! | 0:11:55 | 0:11:57 | |
Sarah's brought the old sack barrow | 0:11:57 | 0:12:00 | |
to see what Bex can make of it. | 0:12:00 | 0:12:01 | |
I'm really looking forward to seeing what Sarah is going to bring today. | 0:12:03 | 0:12:08 | |
Probably something really strange. | 0:12:08 | 0:12:10 | |
So, yeah, I'm looking forward to having a look. | 0:12:10 | 0:12:13 | |
I don't know what it is going to be. | 0:12:13 | 0:12:15 | |
I guess that is part of the challenge, so... | 0:12:15 | 0:12:18 | |
Yeah, I'm looking forward to seeing what it is. | 0:12:18 | 0:12:21 | |
Did you hear me coming? | 0:12:21 | 0:12:23 | |
Bex works side-by-side with husband Dave, | 0:12:23 | 0:12:25 | |
who'll be helping out on this one. | 0:12:25 | 0:12:28 | |
I'm sort of wondering if the old sack barrow might be a coffee table. | 0:12:28 | 0:12:32 | |
Yeah, I was wondering what we were going to turn it into. | 0:12:34 | 0:12:37 | |
So, yeah, we could do a coffee table. | 0:12:37 | 0:12:39 | |
Perhaps it's something we're finding some way of getting some glass over, | 0:12:39 | 0:12:43 | |
so we can really see the industrial sack barrow-thing left underneath. | 0:12:43 | 0:12:46 | |
And you still want to be able to move it around using the wheels? | 0:12:46 | 0:12:50 | |
Yeah, I think that would be really cool. | 0:12:50 | 0:12:52 | |
If we could find a way of not making the glass slip off - | 0:12:52 | 0:12:55 | |
that would be great! | 0:12:55 | 0:12:56 | |
Any thoughts about how to finish it? | 0:12:56 | 0:12:58 | |
I'm thinking, maybe, keep the old rusty metal... | 0:12:58 | 0:13:02 | |
Maybe add some colour into the wood. | 0:13:02 | 0:13:05 | |
One option for treating the wood is to have a scorched finish. | 0:13:05 | 0:13:09 | |
-BANG! -Whoa! | 0:13:09 | 0:13:12 | |
It doesn't just give a distinctive burnt look, | 0:13:12 | 0:13:14 | |
it also creates a charcoal barrier | 0:13:14 | 0:13:17 | |
that is rot and fire resistant. | 0:13:17 | 0:13:19 | |
It darkens it all down a lot, though, that's the thing. | 0:13:19 | 0:13:23 | |
Or, another option, if you really want to look the biz - | 0:13:23 | 0:13:27 | |
paint it gold. | 0:13:27 | 0:13:28 | |
Yeah, so maybe it's just rub back, gold paint on, wax up? | 0:13:28 | 0:13:32 | |
I would just mix it up, keep going for it until you get | 0:13:32 | 0:13:35 | |
somewhere that you really like, | 0:13:35 | 0:13:36 | |
try it on the samples, and then just make a plan and go for it. | 0:13:36 | 0:13:39 | |
Whatever finish they do go for, it can't be too expensive | 0:13:39 | 0:13:43 | |
because Sarah wants to stoke up a profit on this one. | 0:13:43 | 0:13:47 | |
Realistically, I'm looking at £400 to sell it for? | 0:13:51 | 0:13:53 | |
If we've got 50 quid's worth of materials, | 0:13:53 | 0:13:55 | |
maybe I'm trying to give 150 quid back to the guy at the dump, | 0:13:55 | 0:13:59 | |
that would leave 200 quid to transform it. | 0:13:59 | 0:14:01 | |
-It's going to be a morning's work, isn't it? For the two of us. -Yeah. | 0:14:01 | 0:14:04 | |
Going really fast. | 0:14:04 | 0:14:06 | |
-If we keep it really simple... -No cups of tea. | 0:14:06 | 0:14:09 | |
No phone fiddling! | 0:14:11 | 0:14:13 | |
No. No social media. | 0:14:13 | 0:14:15 | |
-Oh, no! -Hell for leather, OK? | 0:14:15 | 0:14:18 | |
Well, if Dave can stop fiddling with his phone, | 0:14:18 | 0:14:20 | |
they should be onto a winner. | 0:14:20 | 0:14:22 | |
So, with this piece, we're not after a massive transformation. | 0:14:22 | 0:14:26 | |
We're going to use all of those shapes | 0:14:26 | 0:14:28 | |
and all of that heritage that I get from the sack barrow | 0:14:28 | 0:14:30 | |
and just turn it into something lovely to go into somebody's home. | 0:14:30 | 0:14:34 | |
You never know, we might even make some money from it, too. | 0:14:34 | 0:14:37 | |
Bex and Dave are charging £200 for the work... | 0:14:38 | 0:14:41 | |
..but they're all forgetting to budget in the glass tabletop. | 0:14:44 | 0:14:48 | |
I bet that won't be cheap | 0:14:48 | 0:14:50 | |
and it could even eat into the profit margin. | 0:14:50 | 0:14:53 | |
The seaside town of Margate | 0:15:02 | 0:15:04 | |
has had an upcycle of its own | 0:15:04 | 0:15:06 | |
since the opening of the Turner Contemporary | 0:15:06 | 0:15:08 | |
put it back on the art lover's map. | 0:15:08 | 0:15:10 | |
Its rich history is now fused with the contemporary art scene, | 0:15:12 | 0:15:15 | |
buoyed along by a vibrant community of designers and artists. | 0:15:15 | 0:15:20 | |
At the epicentre of this artistic boom town | 0:15:20 | 0:15:23 | |
is designer-maker Zoe Murphy, | 0:15:23 | 0:15:25 | |
who is expecting a visit from Sarah. | 0:15:25 | 0:15:28 | |
She usually brings me storage items, | 0:15:29 | 0:15:32 | |
so I'm really wanting to think up some patterns and prints and colours | 0:15:32 | 0:15:36 | |
to go with anything that might come through the door. | 0:15:36 | 0:15:39 | |
But if they are on their way to the tip, | 0:15:39 | 0:15:41 | |
it's not always because they're in the best nick. | 0:15:41 | 0:15:44 | |
But, erm, as I don't know what it's going to be, | 0:15:44 | 0:15:47 | |
it is quite exciting. | 0:15:47 | 0:15:48 | |
Hiya! How are you doing? | 0:15:48 | 0:15:49 | |
Oh, look, do you want to hand? | 0:15:49 | 0:15:52 | |
Aw, bless. It's like the worn out chest of drawers is in for rehab. | 0:15:52 | 0:15:56 | |
Time for some serious TLC. | 0:15:56 | 0:15:58 | |
It's definitely seen better days. | 0:16:00 | 0:16:02 | |
We're lucky to save it cos it was really close | 0:16:02 | 0:16:05 | |
-to being chucked away. -Yeah. | 0:16:05 | 0:16:06 | |
We're missing one of the stops there, | 0:16:06 | 0:16:09 | |
that suspends the drawer | 0:16:09 | 0:16:11 | |
at the right place. | 0:16:11 | 0:16:13 | |
And it's quite smelly, as well, isn't it? | 0:16:14 | 0:16:16 | |
I don't bring you quality! | 0:16:16 | 0:16:19 | |
It feels to me, really, quite bedroom-y... | 0:16:19 | 0:16:21 | |
and it would be more interesting | 0:16:21 | 0:16:23 | |
and probably more valuable, I was thinking, if we could position it | 0:16:23 | 0:16:26 | |
as something people have in their living room or kitchen. | 0:16:26 | 0:16:29 | |
Maybe something to do with drinks or... | 0:16:29 | 0:16:31 | |
-Yes, yeah. -Something a bit more exciting. | 0:16:31 | 0:16:33 | |
We could add other components to the top | 0:16:33 | 0:16:35 | |
to make it much more of a drinks cabinet that's a bit more suggestive | 0:16:35 | 0:16:40 | |
of, kind of, like, maybe 1950s, sort of, American-style stuff. | 0:16:40 | 0:16:43 | |
Maybe some palm trees and some flamingos, and things like that. | 0:16:43 | 0:16:47 | |
I'm thinking pink legs coming off the bottom. | 0:16:47 | 0:16:50 | |
You can do whatever you like to it, but that fun cocktail-hour moment... | 0:16:50 | 0:16:54 | |
I think it'd be fantastic. | 0:16:54 | 0:16:55 | |
Oh, I love palm trees and I've got the pink legs. | 0:16:55 | 0:16:58 | |
Throw in some cocktails and I'm in heaven! | 0:16:58 | 0:17:01 | |
But how much is Zoe's redesign going to cost? | 0:17:01 | 0:17:04 | |
I know that you have really good prices on your furniture | 0:17:07 | 0:17:09 | |
because they are great pieces. | 0:17:09 | 0:17:11 | |
What can you do with this little thing? | 0:17:11 | 0:17:14 | |
Erm... I think probably around £600 in cost, from our studio, | 0:17:14 | 0:17:18 | |
to do this for you. | 0:17:18 | 0:17:19 | |
I'm so pleased you're going to take it on and | 0:17:19 | 0:17:21 | |
I look forward to a celebratory cocktail from this | 0:17:21 | 0:17:24 | |
-when you're all done. -Yes, I think so. | 0:17:24 | 0:17:26 | |
That has made my day. | 0:17:29 | 0:17:31 | |
What a fantastic idea. | 0:17:31 | 0:17:33 | |
I am a massive cocktail fan | 0:17:33 | 0:17:34 | |
and I can't wait to see those designs. | 0:17:34 | 0:17:37 | |
Right, Zoe, Sarah's gone. | 0:17:37 | 0:17:38 | |
Come on, what do you really think? | 0:17:38 | 0:17:41 | |
Well, the condition of this one is really bad. | 0:17:41 | 0:17:44 | |
Erm... But sometimes that's quite exciting. | 0:17:44 | 0:17:48 | |
I like having to go really far in restoration of a piece. | 0:17:48 | 0:17:51 | |
Yeah, this one's going to be quite a bit of work, | 0:17:51 | 0:17:53 | |
but I'm looking forward | 0:17:53 | 0:17:55 | |
to making a beautiful swan out of a very ugly duckling. | 0:17:55 | 0:17:58 | |
So, it's all go for the cocktail look, | 0:18:00 | 0:18:03 | |
but will it be more Cosmopolitan than Rusty Nail? | 0:18:03 | 0:18:07 | |
Zoe's talents and time will cost around £600, | 0:18:07 | 0:18:11 | |
so this self-effacing little chest will really need | 0:18:11 | 0:18:14 | |
to be all-singing, all-dancing for Sarah to make a profit here. | 0:18:14 | 0:18:18 | |
The designers are firmly on board. | 0:18:21 | 0:18:24 | |
Now Sarah needs to get her own hands dirty. | 0:18:24 | 0:18:27 | |
At her barn in rural Sussex, | 0:18:27 | 0:18:30 | |
Sarah's children Libby and Edward are doing some upcycling of their own. | 0:18:30 | 0:18:34 | |
But what about those copper pipes? | 0:18:34 | 0:18:37 | |
I had this vision of making some designer lighting. | 0:18:37 | 0:18:42 | |
But, now they come to be sitting on the desk, | 0:18:42 | 0:18:45 | |
I'm feeling that they are going to have to go through quite a process | 0:18:45 | 0:18:48 | |
to be something that you'd really want to have in the sitting room, | 0:18:48 | 0:18:51 | |
or in your bedroom, or on your desk. | 0:18:51 | 0:18:53 | |
How hard could it be? | 0:18:53 | 0:18:55 | |
I'm sure you'll be done in time for tea. | 0:18:55 | 0:18:58 | |
I've got this block that was outside in the stable yard when we moved in. | 0:18:58 | 0:19:01 | |
I'm not sure what it's for, but it's really hefty | 0:19:01 | 0:19:04 | |
and I've been using it as a doorstop. | 0:19:04 | 0:19:06 | |
I'm hoping that would make a really good base for a chunky light. | 0:19:06 | 0:19:09 | |
Something else for free - I like it. | 0:19:09 | 0:19:12 | |
But Sarah has had to buy some shiny plumbing bits | 0:19:12 | 0:19:15 | |
and handy lighting fittings. | 0:19:15 | 0:19:17 | |
If I take off the bulb, | 0:19:17 | 0:19:20 | |
I'll be able to feed it through my light | 0:19:20 | 0:19:22 | |
and I'll have some sort of ready-made lighting | 0:19:22 | 0:19:24 | |
that is already safe and tested | 0:19:24 | 0:19:26 | |
that I won't have to go and get an electrician to wire up for me. | 0:19:26 | 0:19:30 | |
That's the plan. | 0:19:30 | 0:19:31 | |
I like plan. | 0:19:33 | 0:19:34 | |
And this...I am pretty sure is oak, | 0:19:37 | 0:19:39 | |
and I know that that is a really tough wood. | 0:19:39 | 0:19:42 | |
And she's right - it's heavy going. | 0:19:43 | 0:19:45 | |
I know oak's a hard wood, but this is ridiculous. | 0:19:47 | 0:19:50 | |
Sarah needs some ancestral help. | 0:19:50 | 0:19:51 | |
These are my grandfather's carving tools | 0:19:51 | 0:19:53 | |
and I've just read on the front - it says, "Special carving tools." | 0:19:53 | 0:19:57 | |
So sweet. | 0:19:57 | 0:19:58 | |
Now what? | 0:20:05 | 0:20:06 | |
Erm... | 0:20:06 | 0:20:08 | |
A bit of metalwork, I think. | 0:20:08 | 0:20:09 | |
So, these pipe-cutters are really simple things | 0:20:11 | 0:20:13 | |
and, hopefully, I just click it on, | 0:20:13 | 0:20:15 | |
move it around and it should cut pipe, so... | 0:20:15 | 0:20:18 | |
METAL CLICKS | 0:20:20 | 0:20:21 | |
Here I go. | 0:20:21 | 0:20:23 | |
Musically gifted as well... | 0:20:33 | 0:20:34 | |
BLOWS LOW NOTE | 0:20:34 | 0:20:36 | |
..but Libby doesn't look impressed. | 0:20:36 | 0:20:38 | |
The new plumbing parts ensure the old imperial one-inch pipes | 0:20:38 | 0:20:42 | |
fit into the metric-sized hole | 0:20:42 | 0:20:44 | |
that Sarah has just drilled, | 0:20:44 | 0:20:46 | |
and they add some bright, shiny detail to boot. | 0:20:46 | 0:20:49 | |
Right, back to that wood block. | 0:20:50 | 0:20:52 | |
POWER TOOL WHIRS | 0:20:52 | 0:20:54 | |
It really is a labour of love | 0:20:55 | 0:20:57 | |
turning an old lump of wood | 0:20:57 | 0:20:59 | |
into a piece of lighting... | 0:20:59 | 0:21:02 | |
with the help of some bits from the tip. | 0:21:02 | 0:21:05 | |
Once that flex is thread through, she'll be home and dry. Easy. | 0:21:09 | 0:21:13 | |
I'm just trying to feed the end of the wire through. | 0:21:13 | 0:21:17 | |
For goodness' sake! | 0:21:28 | 0:21:30 | |
It's really not your day, is it? | 0:21:30 | 0:21:33 | |
Gently pull that bit... | 0:21:33 | 0:21:35 | |
Gently does it. | 0:21:36 | 0:21:38 | |
Almost there, now. | 0:21:39 | 0:21:40 | |
By the time I get this finished, I will need light | 0:21:40 | 0:21:43 | |
because it'll be so late. | 0:21:43 | 0:21:45 | |
OK, I was wrong, | 0:21:45 | 0:21:47 | |
it might not be done in time for tea. | 0:21:47 | 0:21:49 | |
But, despite appearances, | 0:21:49 | 0:21:51 | |
Sarah's almost finished. | 0:21:51 | 0:21:52 | |
At the forge, Bex is forging ahead, funnily enough, | 0:21:58 | 0:22:02 | |
with the sack barrow-cum-coffee table. | 0:22:02 | 0:22:05 | |
And, in the end, for that all-important finish to the wood, | 0:22:05 | 0:22:08 | |
they've decided to, well... | 0:22:08 | 0:22:11 | |
keep it looking like wood. | 0:22:11 | 0:22:12 | |
But, exciting news just in - | 0:22:14 | 0:22:16 | |
Bex has a new metal idea. | 0:22:16 | 0:22:18 | |
Because it's a coffee table, | 0:22:19 | 0:22:20 | |
and it's a bit wibbly-wobbly, | 0:22:20 | 0:22:23 | |
we need to sort of strengthen it, | 0:22:23 | 0:22:25 | |
so I thought I'd make a bit of a, like, | 0:22:25 | 0:22:28 | |
a magazine rack at the bottom. | 0:22:28 | 0:22:31 | |
To save time and money, Bex lets the machines do the hard work. | 0:22:31 | 0:22:35 | |
You're meant to do this hot, | 0:22:35 | 0:22:38 | |
but because it's tube, | 0:22:38 | 0:22:40 | |
you can get away with it. | 0:22:40 | 0:22:42 | |
Every blacksmith's best friend is the forging hammer. | 0:22:42 | 0:22:45 | |
This beast will flatten the crossbeams of the magazine rack, | 0:22:45 | 0:22:49 | |
ready to rivet, | 0:22:49 | 0:22:51 | |
and then there's an important feature to add. | 0:22:51 | 0:22:53 | |
So, we're now going to stamp it with our maker's mark, | 0:22:53 | 0:22:57 | |
so whoever's using the coffee table | 0:22:57 | 0:23:01 | |
can always remember it was made by us. | 0:23:01 | 0:23:04 | |
And it'll be worth millions one day. | 0:23:04 | 0:23:07 | |
Ready? | 0:23:07 | 0:23:08 | |
Where's the mark? | 0:23:09 | 0:23:11 | |
It's this way round. Got to get it right. | 0:23:11 | 0:23:14 | |
-OK. -Yeah? -Yeah, ready. | 0:23:14 | 0:23:16 | |
Watch those fingers! | 0:23:16 | 0:23:18 | |
There we go. | 0:23:19 | 0:23:21 | |
It looks like a million dollars! | 0:23:22 | 0:23:24 | |
While Bex shapes the beams that will support the glass tabletop... | 0:23:24 | 0:23:29 | |
I think it's going to look nice. | 0:23:29 | 0:23:31 | |
"I think"? I know! I know. | 0:23:31 | 0:23:32 | |
..she can outsource some less important work to Dave. | 0:23:32 | 0:23:37 | |
Dave, can you take off...? | 0:23:37 | 0:23:39 | |
Scrape off some of that... | 0:23:39 | 0:23:41 | |
..stuff? | 0:23:43 | 0:23:44 | |
Thanks. | 0:23:46 | 0:23:48 | |
It's definitely a labourer's job, I think, cleaning muck. | 0:23:48 | 0:23:51 | |
We each decide who does what | 0:23:53 | 0:23:54 | |
and then we have an argument about it. | 0:23:54 | 0:23:57 | |
Oh, I'm definitely the boss. | 0:23:57 | 0:24:00 | |
Of course. Naturally. | 0:24:00 | 0:24:01 | |
But, no, we do... | 0:24:03 | 0:24:04 | |
We complement each other cos we're sort of... | 0:24:04 | 0:24:06 | |
I'm like, "Rah!" | 0:24:06 | 0:24:08 | |
And he's the more grounded one. | 0:24:08 | 0:24:10 | |
With the dirty work done, | 0:24:12 | 0:24:14 | |
it's time for some teamwork. | 0:24:14 | 0:24:16 | |
This is where it all goes wrong. | 0:24:16 | 0:24:20 | |
The magazine rack beams are being riveted together, | 0:24:20 | 0:24:24 | |
but it's dangerous work. | 0:24:24 | 0:24:26 | |
Steel has to reach a temperature of 1,400 degrees Fahrenheit | 0:24:26 | 0:24:30 | |
before it can be hammered into place. | 0:24:30 | 0:24:33 | |
SHE SHOUTS | 0:24:37 | 0:24:38 | |
Ouch! | 0:24:38 | 0:24:40 | |
Look! | 0:24:40 | 0:24:41 | |
That might slow things down a bit. | 0:24:41 | 0:24:43 | |
-Why has it gone like that? -I don't know. | 0:24:43 | 0:24:45 | |
She hits her hand all the time. | 0:24:45 | 0:24:47 | |
I wouldn't worry about it. | 0:24:47 | 0:24:49 | |
No, it's just a bit swollen for now. | 0:24:49 | 0:24:51 | |
HE LAUGHS | 0:24:51 | 0:24:53 | |
You're all heart, Dave. | 0:24:53 | 0:24:55 | |
It's all right, it didn't fall off. | 0:24:55 | 0:24:57 | |
SHE LAUGHS | 0:24:57 | 0:24:59 | |
It's not broken. | 0:24:59 | 0:25:00 | |
I just hit it quite hard. | 0:25:00 | 0:25:03 | |
Anyway, back to work! Come on, then. | 0:25:04 | 0:25:06 | |
-What a trouper! -Oh, don't. | 0:25:06 | 0:25:08 | |
It's really embarrassing. | 0:25:08 | 0:25:10 | |
I'm going to hit it this time. | 0:25:11 | 0:25:13 | |
Hopefully, I'll hit the snap tool and not my hand. | 0:25:13 | 0:25:16 | |
With this sack barrow in safe hands - | 0:25:16 | 0:25:19 | |
well, in hand - everyone is fired up in Surrey. | 0:25:19 | 0:25:23 | |
But, with a glass tabletop still to buy, | 0:25:23 | 0:25:25 | |
the profit might be the one taking a hit. | 0:25:25 | 0:25:28 | |
In Margate, Zoe is getting to grips | 0:25:32 | 0:25:34 | |
with the small chest of drawers, | 0:25:34 | 0:25:36 | |
but it's showing signs of previous employment. | 0:25:36 | 0:25:39 | |
It's definitely had some time, probably in a shed, | 0:25:41 | 0:25:45 | |
as a painter and decorator's assistant. | 0:25:45 | 0:25:48 | |
It's currently just a sort of very thin ply, | 0:25:48 | 0:25:52 | |
which will lift off. | 0:25:52 | 0:25:54 | |
Erm... There we go. | 0:25:54 | 0:25:56 | |
Stage one - remove lid. | 0:25:56 | 0:25:58 | |
And, erm, so I'm probably going to fit a new one. | 0:25:58 | 0:26:02 | |
There's a lot of repair that needs to get done. | 0:26:02 | 0:26:04 | |
And on closer inspection, | 0:26:04 | 0:26:05 | |
Zoe is having a change of heart | 0:26:05 | 0:26:07 | |
about this chest's future prospects. | 0:26:07 | 0:26:10 | |
I talked to Sarah about turning it into some sort of... | 0:26:10 | 0:26:14 | |
cocktail bar or cabinet, | 0:26:14 | 0:26:15 | |
but I don't know how convinced I am with that idea. | 0:26:15 | 0:26:19 | |
I like the idea, maybe, of turning it into a dressing table instead. | 0:26:19 | 0:26:23 | |
So, the high-legged cocktail idea has morphed into | 0:26:23 | 0:26:26 | |
somewhere to get dressed up for cocktails instead. | 0:26:26 | 0:26:30 | |
Meh, I could live with that. | 0:26:30 | 0:26:32 | |
Zoe wants the finished dresser to evoke a glitzy '50s era, | 0:26:32 | 0:26:36 | |
with feathery birds, super bright colours | 0:26:36 | 0:26:38 | |
and ornately lined drawers. | 0:26:38 | 0:26:40 | |
It's just MY style, funnily enough. | 0:26:40 | 0:26:43 | |
But does Zoe's redesign have legs? | 0:26:43 | 0:26:46 | |
Yes, but not for long. | 0:26:46 | 0:26:49 | |
They're in really disgusting condition | 0:26:49 | 0:26:51 | |
and they've gotten damp at some point. That's OK, though. | 0:26:51 | 0:26:54 | |
It's a good incentive to get rid of the legs. | 0:26:54 | 0:26:56 | |
I've actually found some that I like the look of. | 0:26:56 | 0:26:59 | |
In a sense, I'm putting some high heels on the piece, so... | 0:26:59 | 0:27:02 | |
Yeah. | 0:27:02 | 0:27:03 | |
Going to say goodbye to the mouldy old legs. | 0:27:03 | 0:27:05 | |
Sorry, legs! Off you get. | 0:27:05 | 0:27:07 | |
Carpentry over, it's time for the arty bit. | 0:27:23 | 0:27:26 | |
So, I've always been really keen to make this piece | 0:27:26 | 0:27:28 | |
all about glitz, glamour | 0:27:28 | 0:27:30 | |
and I'm desperate to include some element of, sort of, | 0:27:30 | 0:27:33 | |
flouncy flamingos in it as well. | 0:27:33 | 0:27:35 | |
Zoe's creations feature intricate silk-screen designs, | 0:27:35 | 0:27:39 | |
but she's going to start off with some large blocks of colour. | 0:27:39 | 0:27:42 | |
I'm going to create some of the bigger shapes with a very bright pink. | 0:27:42 | 0:27:45 | |
I'm really happy with that. | 0:27:53 | 0:27:55 | |
Got a little bit there to fill in, | 0:27:56 | 0:27:57 | |
where there's been a chip. | 0:27:57 | 0:27:59 | |
Apart from that, I just need to do a lot more and put in some detail. | 0:27:59 | 0:28:03 | |
The prettifying is well under way | 0:28:04 | 0:28:06 | |
and the coy little chest is on course | 0:28:06 | 0:28:09 | |
for a much brighter future as some classy uptown junk. | 0:28:09 | 0:28:13 | |
At her barn in Sussex, | 0:28:20 | 0:28:22 | |
Sarah is finishing off the lights | 0:28:22 | 0:28:24 | |
made from Nicola and Steven's copper pipes. | 0:28:24 | 0:28:27 | |
SHE MUMBLES | 0:28:27 | 0:28:30 | |
I just think I might stick it in place there, like that. | 0:28:32 | 0:28:36 | |
Now, I am going to fill this whole cavity with very gluey glue... | 0:28:36 | 0:28:39 | |
..and hope it all gels together beautifully. | 0:28:41 | 0:28:44 | |
It was a bit of a challenge making a bespoke piece of lighting, | 0:28:50 | 0:28:54 | |
but, actually, I think these copper pipes | 0:28:54 | 0:28:55 | |
that were hidden away under the floorboards | 0:28:55 | 0:28:58 | |
now look like they should definitely be on show. | 0:28:58 | 0:29:01 | |
Before this old bent copper was beat up and done for. | 0:29:02 | 0:29:06 | |
Now, with Sarah's creative vision and a lot of hard graft, | 0:29:07 | 0:29:10 | |
the metal's been married up with a chunk of found oak wood | 0:29:10 | 0:29:14 | |
and repurposed as edgy industrial lighting. | 0:29:14 | 0:29:18 | |
It would look great in a New York-style penthouse apartment, | 0:29:19 | 0:29:23 | |
or even my two-bed bungalow. | 0:29:23 | 0:29:25 | |
Now, Sarah needs to get selling. | 0:29:25 | 0:29:28 | |
At the skip, | 0:29:33 | 0:29:34 | |
Nicola and Stephen's battered copper pipes were swiped by Sarah | 0:29:34 | 0:29:38 | |
after a kitchen catastrophe. | 0:29:38 | 0:29:40 | |
What are you chucking out? | 0:29:40 | 0:29:42 | |
The copper pipe and the ceiling from the kitchen. | 0:29:42 | 0:29:45 | |
Sarah had money-making plans, | 0:29:45 | 0:29:46 | |
but they couldn't guess what. | 0:29:46 | 0:29:48 | |
I have no idea. | 0:29:48 | 0:29:50 | |
THEY LAUGH | 0:29:50 | 0:29:51 | |
Sarah created some bespoke lighting... | 0:29:51 | 0:29:53 | |
..and it was snapped up by a trendy retro and vintage shop in London. | 0:29:55 | 0:30:00 | |
And she's back in Stockport | 0:30:02 | 0:30:04 | |
to let Nicola and Stephen know | 0:30:04 | 0:30:06 | |
that their old copper has made them some gold. | 0:30:06 | 0:30:08 | |
-Hiya. -Hi. -Nice to see you again. Sarah. Hiya. | 0:30:12 | 0:30:14 | |
-Hello. -Hello. How are you? -Are you all right? | 0:30:14 | 0:30:16 | |
Yeah, really well. How are you doing? | 0:30:16 | 0:30:19 | |
-Very well, thank you. -Not bad. -Not bad? | 0:30:19 | 0:30:21 | |
So, when I saw you at the tip, | 0:30:21 | 0:30:23 | |
you'd had a bit of a shocker with your plumbing, hadn't you? | 0:30:23 | 0:30:25 | |
-Yep. -Yes, indeed. -What had happened, exactly? | 0:30:25 | 0:30:28 | |
We were renovating the kitchen and, as we pulled the false ceiling down, | 0:30:28 | 0:30:31 | |
we saw a leak from the bathroom, | 0:30:31 | 0:30:34 | |
so we now know that we have to re-do the bathroom, on top of the kitchen. | 0:30:34 | 0:30:37 | |
And is that all sorted out now? | 0:30:37 | 0:30:39 | |
-No. -The bathroom's not. Kitchen's done. | 0:30:39 | 0:30:41 | |
-Excellent. -Bathroom's... -Ongoing. | 0:30:41 | 0:30:46 | |
Well, it was a bit of luck, for us, that that happened. | 0:30:46 | 0:30:48 | |
Obviously, not for you! | 0:30:48 | 0:30:50 | |
But those little bits of copper | 0:30:50 | 0:30:53 | |
that you let us have, were really useful. | 0:30:53 | 0:30:56 | |
-We turned them into lighting. -Lighting...? | 0:30:56 | 0:30:59 | |
Did you have any idea what we might make? | 0:30:59 | 0:31:02 | |
-No. -No, no, no. -Do you want to see a picture of what we did? -Yes. -Yeah. | 0:31:02 | 0:31:05 | |
-Wow! -Oh! | 0:31:07 | 0:31:08 | |
-That's great! -Strange. -Do you approve? -Yeah! That's great. | 0:31:08 | 0:31:11 | |
-It's lovely, yeah. -Would that fit in with the new house, or not something you'd have? | 0:31:11 | 0:31:14 | |
Yeah, I would! | 0:31:14 | 0:31:16 | |
With all the materials and having it all checked over by the electrician, | 0:31:16 | 0:31:19 | |
it cost 80 quid to convert it into a light. | 0:31:19 | 0:31:22 | |
So, erm... | 0:31:22 | 0:31:24 | |
It has actually sold. | 0:31:24 | 0:31:26 | |
Oh. | 0:31:26 | 0:31:27 | |
-Are you surprised? -I thought I was going to get it! | 0:31:27 | 0:31:31 | |
No, I'm sorry, sir, you don't get the light, | 0:31:31 | 0:31:33 | |
but what you do get is 55 quid's worth of profit. | 0:31:33 | 0:31:36 | |
That's mine. It's my pipe. | 0:31:36 | 0:31:38 | |
There's 55 quid there for your old pipes. | 0:31:38 | 0:31:42 | |
-Superb. -That's amazing. Wow. -NICOLA MURMURS | 0:31:42 | 0:31:45 | |
-I know who's in charge! -Yes, that's it. | 0:31:45 | 0:31:47 | |
I can't believe that. | 0:31:47 | 0:31:49 | |
Sarah spent £80 on materials | 0:31:52 | 0:31:54 | |
and sold the finished lighting for £135, | 0:31:54 | 0:31:57 | |
making £55 of a profit for Nicola and Stephen. | 0:31:57 | 0:32:01 | |
With the money, I think we'll put it towards our bathroom renovations. | 0:32:02 | 0:32:05 | |
Maybe get some nice fittings or new towels or something. | 0:32:05 | 0:32:09 | |
Towels! | 0:32:10 | 0:32:12 | |
So the copper lights were a great success. | 0:32:19 | 0:32:22 | |
Back at the blacksmith's bunker, | 0:32:22 | 0:32:24 | |
Bex and Dave are putting the finishing touch to the sack barrow - | 0:32:24 | 0:32:27 | |
the all-important glass tabletop. | 0:32:27 | 0:32:30 | |
The toughened glass has been custom cut | 0:32:33 | 0:32:36 | |
and screws will hold it firmly in place. | 0:32:36 | 0:32:38 | |
Now all they can do is wait for Sarah. | 0:32:40 | 0:32:43 | |
It looks quite sweet. | 0:32:44 | 0:32:46 | |
So, no, I feel quite pleased. Do you feel pleased? | 0:32:46 | 0:32:49 | |
It's... No, it's turned out good. | 0:32:49 | 0:32:52 | |
You can see it in someone's home. | 0:32:52 | 0:32:54 | |
It was quite a challenge, to be fair. | 0:32:54 | 0:32:56 | |
You know, but, yeah... | 0:32:56 | 0:32:58 | |
It's worked out quite nicely. | 0:32:58 | 0:33:00 | |
I've come to pick up the sack barrow/coffee table. | 0:33:03 | 0:33:06 | |
I left it and it was in a terrible state. | 0:33:07 | 0:33:10 | |
And Bex and I have had a brief chat about what she might be able to do | 0:33:10 | 0:33:14 | |
to get a frame and some glass on top of it, | 0:33:14 | 0:33:17 | |
but I have to say my expectations are very much...on the level. | 0:33:17 | 0:33:19 | |
This old sack barrow was destined for the tip... | 0:33:22 | 0:33:25 | |
..but now it's a tiptop designer table. | 0:33:26 | 0:33:29 | |
It's truly one-of-a-kind. | 0:33:30 | 0:33:32 | |
But what will Sarah think? | 0:33:35 | 0:33:37 | |
Hiya. | 0:33:38 | 0:33:39 | |
How are you? Oh, my word! | 0:33:39 | 0:33:42 | |
Oh! I absolutely love it. | 0:33:42 | 0:33:44 | |
It looks like mid-century. | 0:33:44 | 0:33:46 | |
It looks so cool. | 0:33:46 | 0:33:47 | |
I think what you've done to it is... | 0:33:47 | 0:33:49 | |
-..really good. -It's worked out well. | 0:33:51 | 0:33:53 | |
Like, the metal sort of looks leathery, doesn't it? | 0:33:53 | 0:33:57 | |
Oh, seriously?! | 0:33:57 | 0:33:59 | |
-Oh, my goodness! -I absolutely love it, really. | 0:33:59 | 0:34:02 | |
Oh, really? Oh, my gosh. | 0:34:02 | 0:34:03 | |
I'll give you a hug. I really smell cos I'm wearing yesterday's shirt. | 0:34:03 | 0:34:07 | |
You are a little genius, girl. That is fantastic. | 0:34:09 | 0:34:11 | |
Go on, get in there for a cuddle, Dave! | 0:34:11 | 0:34:15 | |
Maybe later. | 0:34:15 | 0:34:16 | |
Have you ever felt like that about any of the other pieces? | 0:34:16 | 0:34:20 | |
I don't think I've ever cried over a sack barrow before! | 0:34:20 | 0:34:23 | |
THEY LAUGH | 0:34:23 | 0:34:26 | |
It's a daily occurrence for me. | 0:34:26 | 0:34:28 | |
Now Sarah just needs to find a buyer who feels as passionately. | 0:34:30 | 0:34:34 | |
I absolutely LOVE this table. | 0:34:34 | 0:34:38 | |
It was a sack barrow, now it is a beautiful interior designer piece. | 0:34:38 | 0:34:43 | |
All their hard work has made it just stunning. | 0:34:43 | 0:34:46 | |
What an amazing reaction! | 0:34:46 | 0:34:48 | |
We're just going to have to achieve that every time, now. | 0:34:48 | 0:34:50 | |
The pressure is on! | 0:34:50 | 0:34:53 | |
Bex and Dave came in on budget, | 0:34:53 | 0:34:55 | |
but with the glass tabletop costing £125, | 0:34:55 | 0:34:59 | |
this low table needs a high price tag. | 0:34:59 | 0:35:03 | |
Back at the dump... | 0:35:08 | 0:35:09 | |
..Sarah got an offer she couldn't refuse... | 0:35:11 | 0:35:14 | |
Well, I'd have to charge you a smile. At least a smile. | 0:35:14 | 0:35:18 | |
I'll definitely give you a smile for that. | 0:35:18 | 0:35:20 | |
..and took on Robert's old sack barrow. | 0:35:20 | 0:35:23 | |
Robert appreciated its aged appeal... | 0:35:23 | 0:35:26 | |
Anything like that, anything old, people go potty for. | 0:35:26 | 0:35:30 | |
..but it was up to Sarah to come up with a plan. | 0:35:30 | 0:35:33 | |
This would make a fantastic coffee table. | 0:35:33 | 0:35:35 | |
And with the help of Bex and Dave, | 0:35:35 | 0:35:38 | |
that's exactly what it became. | 0:35:38 | 0:35:40 | |
Sarah showed the table to Martin at her barn. | 0:35:40 | 0:35:43 | |
Martin owns the vintage shop in London | 0:35:43 | 0:35:45 | |
that took the copper lighting, | 0:35:45 | 0:35:47 | |
so he's added the table to his collection of things | 0:35:47 | 0:35:50 | |
to sell on to retro fans. | 0:35:50 | 0:35:52 | |
Bex and Dave's work cost £200 | 0:35:55 | 0:35:58 | |
and the glass tabletop took the total cost to £325. | 0:35:58 | 0:36:03 | |
It was sold for £475, | 0:36:03 | 0:36:05 | |
making a profit of £150 for Robert. | 0:36:05 | 0:36:09 | |
So, I've sold the table that was made out of the sack barrow | 0:36:11 | 0:36:14 | |
that Robert dropped off at the tip, | 0:36:14 | 0:36:16 | |
but he doesn't want the money, | 0:36:16 | 0:36:18 | |
so I'm going to give it to Children In Need instead. | 0:36:18 | 0:36:20 | |
With two out of three items sold for a profit, | 0:36:22 | 0:36:25 | |
it is looking good, | 0:36:25 | 0:36:26 | |
but Sarah wants to score a hat-trick. | 0:36:26 | 0:36:29 | |
In Margate, Zoe is putting the finishing touches | 0:36:29 | 0:36:32 | |
to the chest of drawers. | 0:36:32 | 0:36:34 | |
And the excitement's mounting on pick-up day | 0:36:37 | 0:36:40 | |
because Sarah hadn't seen it for, well, ages. | 0:36:40 | 0:36:44 | |
Sarah's coming... | 0:36:44 | 0:36:46 | |
..and I have no idea yet | 0:36:47 | 0:36:49 | |
quite what she's going to think. | 0:36:49 | 0:36:52 | |
We talked about glamour and glitz, | 0:36:52 | 0:36:54 | |
and lots of glitter... | 0:36:54 | 0:36:56 | |
I like to think this is a bit more grown-up, | 0:36:56 | 0:36:59 | |
but it's still all about flamingos. | 0:36:59 | 0:37:01 | |
Before, this bog-standard chest was brown, broken | 0:37:03 | 0:37:06 | |
and about to become burnable waste at the tip. | 0:37:06 | 0:37:10 | |
Now, with a huge amount of TLC, | 0:37:12 | 0:37:14 | |
Zoe's re-imagined it as a little glamourpuss of a dresser. | 0:37:14 | 0:37:18 | |
It sports slender legs and all the runners, stops | 0:37:19 | 0:37:23 | |
and dovetailing on the sumptuous, fabric-lined drawers | 0:37:23 | 0:37:26 | |
have been carefully restored. | 0:37:26 | 0:37:28 | |
1950s-style handles have been added | 0:37:29 | 0:37:32 | |
and an ornamental mirror crowns the top. | 0:37:32 | 0:37:34 | |
Zoe's distinctive screen prints add an extra layer of designer luxury, | 0:37:36 | 0:37:41 | |
placing it firmly at the high end of the market... | 0:37:41 | 0:37:45 | |
which is exactly where Sarah wants it! | 0:37:45 | 0:37:48 | |
-Hiya. -Hi, how you doing? -Good. How are you? -Really good. | 0:37:50 | 0:37:54 | |
Oh, my word. | 0:38:01 | 0:38:03 | |
So you mentioned flamingos... | 0:38:03 | 0:38:05 | |
I had no idea it was going to be that exotic. | 0:38:05 | 0:38:07 | |
It's SO cool! | 0:38:07 | 0:38:09 | |
-I'm really glad you like it. -This is amazing. | 0:38:09 | 0:38:12 | |
This is one piece that I've made for you that I've been a bit... | 0:38:12 | 0:38:15 | |
I thought, "It's really out-there and it's really specific to me." | 0:38:15 | 0:38:18 | |
It's all about, kind of, erm, growing up in Margate, | 0:38:18 | 0:38:22 | |
going and visiting The Flamingo arcade. | 0:38:22 | 0:38:25 | |
It is beautiful. | 0:38:25 | 0:38:27 | |
The padding in the bottom of the drawers... | 0:38:27 | 0:38:30 | |
You just want to put the silkiest things in there, | 0:38:30 | 0:38:32 | |
you know, like, gloves or, you know, just...knickers. Just... | 0:38:32 | 0:38:35 | |
It says underwear! | 0:38:35 | 0:38:37 | |
This fabric, actually, is one of my most favourite | 0:38:37 | 0:38:39 | |
vintage, kind of, finds. | 0:38:39 | 0:38:41 | |
I knew it was going to be right for it. | 0:38:41 | 0:38:43 | |
It's... It's sensational, it really is. | 0:38:44 | 0:38:46 | |
Well, I'm really pleased you like it. | 0:38:46 | 0:38:48 | |
It was one of those ones where I thought, "Ooh, love or hate? | 0:38:48 | 0:38:51 | |
"Love or hate?" | 0:38:51 | 0:38:53 | |
Well, I love it. | 0:38:53 | 0:38:54 | |
No, I hate it. No, I love it, | 0:38:54 | 0:38:57 | |
especially because there's even more Zoe magic. | 0:38:57 | 0:39:01 | |
I just noticed the glitter in here. | 0:39:02 | 0:39:04 | |
Yes, there is a bit of glitter. I did promise you some glitter. | 0:39:04 | 0:39:07 | |
And I got this far and I thought, | 0:39:07 | 0:39:09 | |
"Oh, there's no glitter in it! She'll kill me!" | 0:39:09 | 0:39:12 | |
I might cry. I genuinely absolutely love it. | 0:39:14 | 0:39:16 | |
It's, like, the transformation is huge. | 0:39:16 | 0:39:19 | |
It smells nice as well! | 0:39:19 | 0:39:22 | |
Oh, Sarah, not again! | 0:39:22 | 0:39:25 | |
I'm tearing up myself, now. | 0:39:25 | 0:39:27 | |
Quick, let's talk hard cash before we both lose it. | 0:39:27 | 0:39:30 | |
Zoe came in on the £600 budget | 0:39:32 | 0:39:34 | |
and, with her name attached to it, it should make some money. | 0:39:34 | 0:39:37 | |
It is worth every penny. | 0:39:38 | 0:39:40 | |
It is...a remarkable piece of furniture. | 0:39:40 | 0:39:43 | |
It takes a little bit of a leap of faith | 0:39:46 | 0:39:49 | |
to leave somebody with £600 and a really distressed chest of drawers, | 0:39:49 | 0:39:52 | |
and expect to come back to something like that. | 0:39:52 | 0:39:55 | |
Zoe has made that fantastic. | 0:39:55 | 0:39:57 | |
I think she's happy with it. I think she wants one. | 0:39:58 | 0:40:01 | |
And, yeah, I'm just looking forward to hearing who has it, | 0:40:01 | 0:40:04 | |
and I hope they love it as much as I have loved making it. | 0:40:04 | 0:40:07 | |
At the dump, Sean and Kevin gave Sarah the chest of drawers. | 0:40:10 | 0:40:13 | |
As long as it goes to a good home, I'm happy with that. | 0:40:15 | 0:40:17 | |
Sean had ideas for it, if not the inclination. | 0:40:17 | 0:40:20 | |
I'd sand it down, put some new handles on, tidy it up | 0:40:20 | 0:40:23 | |
and probably sell it at auction or something. | 0:40:23 | 0:40:26 | |
But Sarah had Zoe in mind to help recreate it. | 0:40:26 | 0:40:29 | |
Maybe some palm trees and some flamingos and things like that. | 0:40:29 | 0:40:33 | |
It metamorphosed into a funky dressing table. | 0:40:34 | 0:40:38 | |
And it was sold to Janet from Margate's Lombard Street Gallery. | 0:40:41 | 0:40:45 | |
Janet has exhibited and sold Zoe's pieces before, | 0:40:45 | 0:40:49 | |
and knows they have real appeal. | 0:40:49 | 0:40:51 | |
It is fantastic. | 0:40:51 | 0:40:53 | |
Oh, and beautifully lined with... | 0:40:54 | 0:40:56 | |
..fabric to reflect the...the sort of flow of the flamingo design. | 0:40:58 | 0:41:02 | |
Wonderful. | 0:41:02 | 0:41:04 | |
Now Sarah's back in Stockport to meet up with Kevin. | 0:41:05 | 0:41:08 | |
He's on his own today because best mate Sean couldn't make it. | 0:41:09 | 0:41:13 | |
-Hiya. -Hiya. -Nice to see you again. | 0:41:13 | 0:41:15 | |
So what will Kevin make of the revamped drawers? | 0:41:15 | 0:41:18 | |
The little chest of drawers. Do you remember what we took from you? | 0:41:18 | 0:41:21 | |
-Yeah, yeah... -That, kind of, two-drawer chest. | 0:41:21 | 0:41:24 | |
It had some great potential, | 0:41:24 | 0:41:26 | |
so we took it down to this amazing girl in Margate called Zoe. | 0:41:26 | 0:41:30 | |
-Do you want to see what she's done with it? -Yeah. | 0:41:30 | 0:41:32 | |
Oh, that looks well nice. | 0:41:34 | 0:41:35 | |
-Does it look different? -Yeah! | 0:41:36 | 0:41:38 | |
So, she has done a big transformation on it. | 0:41:38 | 0:41:41 | |
The whole of the chest of drawers stayed the same, | 0:41:41 | 0:41:44 | |
but she's replaced the legs and the handles to give it a new look. | 0:41:44 | 0:41:47 | |
Yeah, it looks nice, that. | 0:41:47 | 0:41:49 | |
Well, when we did up the table, | 0:41:49 | 0:41:52 | |
-we also managed to sell it. -Right. | 0:41:52 | 0:41:55 | |
So, I've got 100 quid here for you guys. | 0:41:55 | 0:41:57 | |
It's all yours to spend on whatever you like, | 0:41:57 | 0:42:00 | |
-so that's coming back to you. -Thank you. | 0:42:00 | 0:42:02 | |
A pleasure. | 0:42:02 | 0:42:04 | |
The chest of drawers originally belonged | 0:42:04 | 0:42:06 | |
to Kevin's girlfriend's late mother | 0:42:06 | 0:42:08 | |
and the money's going towards something to remember her by. | 0:42:08 | 0:42:12 | |
For what it's worth, it's been made into something absolutely beautiful. | 0:42:12 | 0:42:15 | |
And I hope she'd approve of what we have done to it | 0:42:15 | 0:42:18 | |
because it really is stunning now, so I hope she would've approved. | 0:42:18 | 0:42:21 | |
Yeah. | 0:42:21 | 0:42:22 | |
It's ready good to see you again and thanks ever so much. OK? | 0:42:22 | 0:42:25 | |
-See you. -Bye-bye. -Bye. | 0:42:25 | 0:42:26 | |
Zoe's work came in at £600... | 0:42:28 | 0:42:30 | |
..and it was sold for 700, | 0:42:31 | 0:42:33 | |
making a profit of £100. | 0:42:33 | 0:42:35 | |
Sarah saved three dumped items destined for eternal doom. | 0:42:38 | 0:42:43 | |
The copper pipes are fabulously illuminating, darling! | 0:42:45 | 0:42:48 | |
The wheely old sack barrow | 0:42:50 | 0:42:52 | |
is a spanking new designer table. | 0:42:52 | 0:42:54 | |
And the dowdy chest of drawers | 0:42:55 | 0:42:58 | |
is a dishy babe of a dresser. | 0:42:58 | 0:43:00 | |
Pats on the back all round, I'd say! | 0:43:00 | 0:43:02 | |
So that's three great transformations on three items | 0:43:04 | 0:43:07 | |
that have sold for a profit and have found new homes. | 0:43:07 | 0:43:09 | |
Next time you're at the tip, | 0:43:09 | 0:43:11 | |
I could be making money for nothing for you. | 0:43:11 | 0:43:13 |