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How do you make money for nothing? | 0:00:06 | 0:00:08 | |
The answer could be hiding in the 20 million tonnes of household waste | 0:00:11 | 0:00:16 | |
we throw out every year. | 0:00:16 | 0:00:18 | |
Before you throw that away, | 0:00:18 | 0:00:19 | |
-is there any chance I could have a quick chat to you about it? -Sure. | 0:00:19 | 0:00:22 | |
That is why entrepreneur Sarah Moore wants to get her hands | 0:00:22 | 0:00:26 | |
on things before they hit the skip. | 0:00:26 | 0:00:28 | |
I am a passionate buyer, user and renovator of second-hand stuff | 0:00:30 | 0:00:35 | |
and I've turned that passion into a moneymaking business. | 0:00:35 | 0:00:38 | |
I turn old into new and I sell it for a profit. | 0:00:38 | 0:00:41 | |
Sarah is ready to sift through as many boots | 0:00:42 | 0:00:44 | |
and bin bags as she needs to... | 0:00:44 | 0:00:47 | |
That is the most fabulous thing I have seen here. This is so exciting. | 0:00:47 | 0:00:51 | |
..in her search for tip treasure. | 0:00:51 | 0:00:53 | |
I love rifling through the rubbish. | 0:00:53 | 0:00:55 | |
And with some of the country's elite designers and makers... | 0:00:57 | 0:01:01 | |
-Hello, hello! -What have you got today? | 0:01:01 | 0:01:03 | |
I want to do what is right for this piece of rubbish. | 0:01:03 | 0:01:05 | |
..she can transform her finds into desirable... | 0:01:05 | 0:01:08 | |
Look at that! | 0:01:08 | 0:01:10 | |
..beautiful... | 0:01:10 | 0:01:12 | |
Speechless. | 0:01:12 | 0:01:13 | |
..valuable... | 0:01:13 | 0:01:15 | |
You are joking. | 0:01:15 | 0:01:16 | |
..and hopefully saleable items. | 0:01:16 | 0:01:19 | |
You always talk my kind of money, Jay, I love doing deals with you. | 0:01:19 | 0:01:23 | |
If Sarah is successful then she can hand the profits back to | 0:01:23 | 0:01:26 | |
the very people who had no idea there was cash to be made from their trash. | 0:01:26 | 0:01:31 | |
Wow! | 0:01:31 | 0:01:33 | |
Sarah has travelled to the Bredbury Recycling Centre in Stockport | 0:01:50 | 0:01:54 | |
where they can have over 200 cars through the gates every day. | 0:01:54 | 0:01:58 | |
Can you hear them? Can you hear them all calling out to me? | 0:02:00 | 0:02:03 | |
They are saying, "Sarah, save me! Don't put me in the skip, | 0:02:03 | 0:02:05 | |
"make me into something beautiful." | 0:02:05 | 0:02:07 | |
And that is just what I want to do and in the process, | 0:02:07 | 0:02:10 | |
I am hoping to make lots of money too. | 0:02:10 | 0:02:12 | |
Sarah talked very nicely to the kind people who run the dump | 0:02:13 | 0:02:17 | |
and has secured special permission to ambush people today. | 0:02:17 | 0:02:20 | |
Look, there is a nice big car coming in. | 0:02:20 | 0:02:22 | |
Maybe they have got lots of things in their boot. | 0:02:22 | 0:02:24 | |
Sarah is on the lookout for three items | 0:02:24 | 0:02:26 | |
she can breathe new life into and sell for a profit. | 0:02:26 | 0:02:30 | |
-No need for one of those in your life, then? -No. | 0:02:30 | 0:02:33 | |
No breaking and entering? | 0:02:33 | 0:02:35 | |
-Well, I've got other tools for that! -Excellent. | 0:02:35 | 0:02:38 | |
Stop bothering the nice cat burglar, Sarah, and get on with your search. | 0:02:38 | 0:02:43 | |
Well, it's not long before Sarah has her eye on Chris's leather sofa, | 0:02:43 | 0:02:48 | |
but only if it is the genuine article. | 0:02:48 | 0:02:50 | |
Is it...? This is a rude question - is it leather-leather? | 0:02:50 | 0:02:53 | |
-Erm, yeah, I think so. -Really? Have you had it long? | 0:02:53 | 0:02:57 | |
It is about ten years of age, that. | 0:02:57 | 0:02:59 | |
Probably 12 now, about 12 years of age. | 0:02:59 | 0:03:02 | |
I used to have two Dalmatians so part of it is marked. | 0:03:02 | 0:03:06 | |
OK, that doesn't matter. | 0:03:06 | 0:03:07 | |
We have got a new one so this one has just literally been dumped | 0:03:09 | 0:03:11 | |
-in the cabin, really. -Yeah. | 0:03:11 | 0:03:13 | |
If I can get this leather off here... | 0:03:16 | 0:03:18 | |
You can make handbags, maybe bodices. | 0:03:18 | 0:03:20 | |
The fact that it is worn actually adds to its appeal. | 0:03:20 | 0:03:23 | |
Hopefully we will give it another life. | 0:03:23 | 0:03:25 | |
I don't really know what that will be yet but it is lovely material. | 0:03:25 | 0:03:28 | |
Particularly this bit, probably the most worn bit. It is so soft. | 0:03:28 | 0:03:32 | |
Yes, more bums have been on that one. | 0:03:32 | 0:03:35 | |
I beg your pardon? | 0:03:35 | 0:03:37 | |
More bums. | 0:03:37 | 0:03:39 | |
What a cheek! | 0:03:39 | 0:03:41 | |
But will Sarah be able to salvage enough leather | 0:03:41 | 0:03:44 | |
that is not too bum-battered? | 0:03:44 | 0:03:46 | |
Considering that, you know, | 0:03:46 | 0:03:48 | |
the settee is about ten or 12 years of age | 0:03:48 | 0:03:50 | |
and it has been well worn by several people's bottoms and several dogs, | 0:03:50 | 0:03:55 | |
so, yeah, I think she will struggle to do anything with it, really. | 0:03:55 | 0:03:59 | |
I could not be more pleased with this footstool and chair. | 0:03:59 | 0:04:02 | |
It is covered in the most fantastic leather and metres of it. | 0:04:02 | 0:04:06 | |
I have got a marvellous maker lined up who is going to transform this | 0:04:06 | 0:04:09 | |
into something that you just won't believe and at the end | 0:04:09 | 0:04:12 | |
of the day, I think I'm going to make some money out of it as well. | 0:04:12 | 0:04:15 | |
Having comfortably bagged her first item, | 0:04:15 | 0:04:18 | |
Sarah now has to turn sat-on into saleable, | 0:04:18 | 0:04:22 | |
and she has just the person in mind to do it. | 0:04:22 | 0:04:25 | |
Chinelo Bally has been turning heads | 0:04:25 | 0:04:27 | |
since reaching the final of The Great British Sewing Bee. | 0:04:27 | 0:04:31 | |
Huge congratulations. | 0:04:33 | 0:04:35 | |
Her hand-cut couture pieces have caught | 0:04:35 | 0:04:37 | |
the attention of the fashion world. | 0:04:37 | 0:04:40 | |
And now she has a long list of celebrity clients. | 0:04:42 | 0:04:46 | |
I've always loved fashion. | 0:04:46 | 0:04:48 | |
I think it comes from my background, actually, because my mum is | 0:04:48 | 0:04:51 | |
very, very stylish, the women in my family are very stylish. | 0:04:51 | 0:04:55 | |
I have always been surrounded by very unique items of clothing. | 0:04:55 | 0:05:00 | |
One of the things that encouraged me | 0:05:00 | 0:05:02 | |
the most to start making for other people was because | 0:05:02 | 0:05:04 | |
when I wore my garments, people always stopped me, saying, | 0:05:04 | 0:05:07 | |
"Oh, I really like this. Where did you get it from?" | 0:05:07 | 0:05:09 | |
and they found out I had made it myself. | 0:05:09 | 0:05:11 | |
Very early on, I would get people saying, | 0:05:11 | 0:05:13 | |
"Oh, can you make one for me?" | 0:05:13 | 0:05:15 | |
I really do look for the beauty in anything. | 0:05:15 | 0:05:19 | |
Chinelo may look for the beauty in everything, but she may | 0:05:19 | 0:05:22 | |
struggle to find it in the load of old leather Sarah is dropping off. | 0:05:22 | 0:05:26 | |
So, it's one item down, two to go, | 0:05:31 | 0:05:34 | |
and while Sarah was busy with Chris's sofa, she has missed an absolute gem. | 0:05:34 | 0:05:39 | |
It's really annoying that that is in there and that's... | 0:05:39 | 0:05:42 | |
You know, it's nice old wood. | 0:05:42 | 0:05:44 | |
Just to be clear, once something hits the tip, it is out of bounds. | 0:05:44 | 0:05:49 | |
-Can I just go in and get it? -No, Sarah, you can't. | 0:05:50 | 0:05:53 | |
But if you're quick enough, | 0:05:54 | 0:05:55 | |
you might be interested in what Derek has in his boot. | 0:05:55 | 0:05:59 | |
Hi, there. I'm really sorry to bother you while I know you're busy | 0:06:00 | 0:06:03 | |
but I'm just wondering what you're dropping off. | 0:06:03 | 0:06:05 | |
Just a bit of steel and aluminium and so on. | 0:06:05 | 0:06:07 | |
-Was it a greenhouse or something? -Yes, it was my greenhouse. | 0:06:07 | 0:06:10 | |
We are looking for things that we may be able to make into other | 0:06:10 | 0:06:12 | |
stuff and these look really interesting. | 0:06:12 | 0:06:14 | |
-Would it be OK to have a better look at them outside? -Yeah, of course. | 0:06:14 | 0:06:17 | |
-No problems with you taking that. -Brilliant, thank you. | 0:06:17 | 0:06:19 | |
I know they are rusty and beaten-up and stuff but they are just the kind | 0:06:19 | 0:06:23 | |
of thing that we might be able to marry them up with something. | 0:06:23 | 0:06:25 | |
-Take them. -Really? That's fab. -Where would you like me to put them? | 0:06:25 | 0:06:29 | |
Just over here in front of the scrap metal would be lovely, thank you. | 0:06:29 | 0:06:32 | |
Sarah has acquired some angle iron, which is | 0:06:32 | 0:06:35 | |
kind of like a giant Meccano set for grown-ups. | 0:06:35 | 0:06:38 | |
Brilliant, thank you so much for all your time. Thank you, bye-bye. | 0:06:38 | 0:06:41 | |
But can she reassemble it into something that can turn a profit? | 0:06:41 | 0:06:45 | |
What does Derek think she will do? | 0:06:45 | 0:06:47 | |
I'm assuming she is going to make a shelving unit of some sort | 0:06:47 | 0:06:50 | |
to use in a garage or shed. It's all in one piece. | 0:06:50 | 0:06:52 | |
As long as she is handy with a paintbrush... | 0:06:52 | 0:06:55 | |
Anything like this that is modular, so it comes apart and you can | 0:06:55 | 0:06:58 | |
screw it together, it's really easy to work with even if you're just | 0:06:58 | 0:07:01 | |
an amateur, so although it is in a bit of a state at the moment, | 0:07:01 | 0:07:04 | |
I think it has got real potential | 0:07:04 | 0:07:06 | |
if we were to give it a really good clean down. | 0:07:06 | 0:07:08 | |
If you keep polishing it up enough, | 0:07:08 | 0:07:09 | |
it's the kind of thing you can put in your house. | 0:07:09 | 0:07:11 | |
Not in MY house! | 0:07:11 | 0:07:14 | |
And it's not going to be much good on its own. | 0:07:14 | 0:07:16 | |
Do you think you can find some old wood or something? | 0:07:16 | 0:07:19 | |
Oh, you already have. | 0:07:19 | 0:07:21 | |
It's probably all here. | 0:07:21 | 0:07:22 | |
It is a junk jigsaw. | 0:07:22 | 0:07:25 | |
There we go, back to being pretty much a whole door now. | 0:07:25 | 0:07:28 | |
What do you reckon? Your next dining room table, sir? | 0:07:28 | 0:07:31 | |
Well, I don't fancy eating MY dinner off it. | 0:07:33 | 0:07:36 | |
And if she plans to stick it together with the angle iron | 0:07:36 | 0:07:38 | |
and make something out of it, she's going to need some help. | 0:07:38 | 0:07:42 | |
Rupert Blanchard is one of the most imaginative | 0:07:47 | 0:07:50 | |
bespoke furniture makers, | 0:07:50 | 0:07:52 | |
searching the country for undervalued materials | 0:07:52 | 0:07:55 | |
to rework into contemporary designs. | 0:07:55 | 0:07:58 | |
I work mostly with reclaimed, salvaged and abandoned materials. | 0:07:59 | 0:08:04 | |
Basically other people's waste, I find some kind of beauty in it | 0:08:04 | 0:08:08 | |
and spend a lot of time, give rubbish a lot of attention, | 0:08:08 | 0:08:12 | |
to try and bring it back into use. | 0:08:12 | 0:08:14 | |
I like giving things a second, a third, a fourth chance. | 0:08:14 | 0:08:19 | |
Rupert has been making furniture for over ten years | 0:08:19 | 0:08:22 | |
and in that time has developed a thing for drawers. | 0:08:22 | 0:08:25 | |
Oh, look at that drawer! Look at that. | 0:08:27 | 0:08:30 | |
What a beautiful drawer. | 0:08:30 | 0:08:32 | |
Rupert is no stranger to unused materials, | 0:08:32 | 0:08:36 | |
but that door might be past saving. | 0:08:36 | 0:08:38 | |
With two items found for Sarah's marvellous makers... | 0:08:45 | 0:08:49 | |
-Would it be all right just to have a quick rifle through? -Of course. | 0:08:49 | 0:08:52 | |
..the hunt is on for something that will be | 0:08:52 | 0:08:54 | |
Sarah's own moneymaking mission. | 0:08:54 | 0:08:56 | |
They are really cute. | 0:08:56 | 0:08:57 | |
There are 200 cars an hour coming through here. | 0:08:59 | 0:09:01 | |
I have got to be able to find something. | 0:09:01 | 0:09:04 | |
And Peter and Michael's trailer of trash may contain just what | 0:09:04 | 0:09:08 | |
she has been looking for. | 0:09:08 | 0:09:10 | |
What brings it here today? | 0:09:10 | 0:09:12 | |
Well, your in-laws are moving out, aren't they? | 0:09:12 | 0:09:14 | |
This is our rubbish, we're just throwing in everything. | 0:09:14 | 0:09:17 | |
-Where has it been? In the shed or the garage or...? -Just in the shed. | 0:09:17 | 0:09:20 | |
I don't know what that is, that's quite cool. Oh, Rizlas. | 0:09:20 | 0:09:23 | |
So you're not tempted to drink the very special anniversary ale | 0:09:23 | 0:09:27 | |
-from 1984? -No. -No? I can see that might have limited appeal. | 0:09:27 | 0:09:31 | |
-I'm more of a Fosters man. -Really? | 0:09:31 | 0:09:33 | |
Great. So far, fags and booze. | 0:09:35 | 0:09:38 | |
Get a move on, Sarah! | 0:09:38 | 0:09:39 | |
Oh, look. | 0:09:39 | 0:09:40 | |
Is it just me or does that...? | 0:09:42 | 0:09:43 | |
There's something cool about that, isn't there? | 0:09:43 | 0:09:45 | |
It's just you, Sarah. | 0:09:45 | 0:09:47 | |
Maybe... I wonder if you could use those in lighting or something? | 0:09:47 | 0:09:51 | |
Just the fact that there are so many different colours in there. | 0:09:51 | 0:09:53 | |
I feel really bad about putting those into the tip. | 0:09:53 | 0:09:56 | |
I'm not quite sure why but they have got a certain appeal. | 0:09:56 | 0:09:59 | |
Yes, to golfers. | 0:09:59 | 0:10:01 | |
Wait, what's this? | 0:10:01 | 0:10:03 | |
Peter has got another bit of treasure for you, Sarah. | 0:10:03 | 0:10:06 | |
But how could it possibly beat those golf tees? | 0:10:06 | 0:10:10 | |
Do you know what it is? | 0:10:10 | 0:10:11 | |
-I haven't got a clue. -I think that it is... | 0:10:11 | 0:10:14 | |
See how it has got an angle like that on it? | 0:10:14 | 0:10:16 | |
It's a writing slope. So when people wrote letters, | 0:10:16 | 0:10:19 | |
it went like that so that it was like a mini desk. | 0:10:19 | 0:10:22 | |
And so there you have got the bit where your pen went. | 0:10:22 | 0:10:24 | |
Oh, look, isn't that clever, where it opens up? | 0:10:24 | 0:10:27 | |
Down here you have got the key that goes with it. | 0:10:27 | 0:10:29 | |
Would it be something we might be able to have a look at? | 0:10:29 | 0:10:31 | |
-Yeah, no problem. -Really? -Yeah. | 0:10:31 | 0:10:33 | |
-Brilliant, thank you ever so much. -Thank you. | 0:10:33 | 0:10:35 | |
Now, that's more like it. | 0:10:35 | 0:10:37 | |
I'm sure you can make a few bob selling it as it is. | 0:10:37 | 0:10:40 | |
Everybody used to have things like this | 0:10:40 | 0:10:42 | |
because everybody wrote letters, and we just don't do it any more. | 0:10:42 | 0:10:45 | |
Here there is a very faint line. This would have been beautiful gold | 0:10:45 | 0:10:48 | |
inlay onto the velvet, so that would have been pretty. | 0:10:48 | 0:10:52 | |
So that is a joyful little piece of history there. | 0:10:52 | 0:10:56 | |
This type of writing slope, or lap desk, | 0:10:56 | 0:10:59 | |
first appeared in the 18th century | 0:10:59 | 0:11:01 | |
and became a stylish accessory for the travelling gentleman. | 0:11:01 | 0:11:05 | |
Today, the market for these is buoyant | 0:11:05 | 0:11:07 | |
and Sarah could well raise some surprise cash for Michael and Peter. | 0:11:07 | 0:11:12 | |
I love this box. It is really sweet | 0:11:12 | 0:11:14 | |
and it is the oldest thing that we have found today. | 0:11:14 | 0:11:16 | |
It has got some lovely details on it | 0:11:16 | 0:11:18 | |
and I am hoping that it is going to be really quite valuable, | 0:11:18 | 0:11:20 | |
and that means that all of the money we get from selling it can go | 0:11:20 | 0:11:23 | |
to that great guy who dropped it off earlier. | 0:11:23 | 0:11:26 | |
So that has got to be a good thing, hasn't it? | 0:11:26 | 0:11:28 | |
And with that, today's list is complete. | 0:11:30 | 0:11:34 | |
Chinelo will lavish love on Chris's leather, | 0:11:34 | 0:11:38 | |
Rupert will tackle Derek's rusty frame and that dissected door | 0:11:38 | 0:11:43 | |
and Sarah... | 0:11:43 | 0:11:45 | |
Oh, no, she's not taking the golf tees as well, is she? | 0:11:45 | 0:11:49 | |
Oh, well, double the potential profit, I suppose. | 0:11:49 | 0:11:52 | |
I have cherry-picked my way through loads of rubbish here today | 0:11:53 | 0:11:57 | |
and I have picked three potential things | 0:11:57 | 0:12:00 | |
that I think will make heaps of money. | 0:12:00 | 0:12:02 | |
Canning Town, East London. | 0:12:09 | 0:12:12 | |
Amongst its old industrial past | 0:12:12 | 0:12:14 | |
and its current regeneration lies the home of high fashion. | 0:12:14 | 0:12:18 | |
Well, you wouldn't think it from the outside. | 0:12:20 | 0:12:23 | |
Designer Chinelo Bally will have Sarah at her door any minute | 0:12:23 | 0:12:27 | |
with the beaten-down chair. | 0:12:27 | 0:12:29 | |
I have a feeling she is not going to be happy | 0:12:29 | 0:12:32 | |
when she sees what it is made out of. | 0:12:32 | 0:12:34 | |
I love beautiful fabric. | 0:12:34 | 0:12:35 | |
Anything that is beautiful, anything that is glamourous-looking, I love. | 0:12:35 | 0:12:39 | |
If I was going to say anything's out of my comfort zone, | 0:12:39 | 0:12:41 | |
it would probably be leather, | 0:12:41 | 0:12:43 | |
because you wouldn't usually think of leather and think, "Elegant." | 0:12:43 | 0:12:46 | |
Oh, dear. Good luck, Chinelo! | 0:12:46 | 0:12:48 | |
-Hello, Chinelo? -What have you got for me? | 0:12:50 | 0:12:52 | |
OK, these are the cushions off a chair and I have got | 0:12:52 | 0:12:56 | |
-a footstool that goes with it. -Oh, wow. | 0:12:56 | 0:12:59 | |
I'm going to need to sit down here. | 0:12:59 | 0:13:01 | |
So, I'm hoping that between this | 0:13:03 | 0:13:04 | |
and this we have actually got heaps of this fabric. | 0:13:04 | 0:13:07 | |
-There is loads of it, definitely. -I actually wondered if it was nicer... | 0:13:07 | 0:13:10 | |
I actually really like the inside but I think as well | 0:13:10 | 0:13:13 | |
we can use both because look, that looks lovely against each other. | 0:13:13 | 0:13:17 | |
Wow, that's really cool. | 0:13:17 | 0:13:19 | |
-I had a few ideas. -OK. | 0:13:19 | 0:13:21 | |
-But... -I want to hear your ideas this time because I have no idea. | 0:13:21 | 0:13:25 | |
When I was looking at this, I kept on thinking about maybe | 0:13:25 | 0:13:28 | |
-having some sort of cape or some sort of loosely-fitted garment. -Yes. | 0:13:28 | 0:13:33 | |
How about a blazer-cape, you know? | 0:13:33 | 0:13:35 | |
Those blazers that have the capes attached to them. | 0:13:35 | 0:13:37 | |
So they don't have a sleeve - | 0:13:37 | 0:13:39 | |
it will be the cape instead of the sleeve. | 0:13:39 | 0:13:41 | |
Come on, Sarah. You know, those blazer-capes that you see | 0:13:41 | 0:13:45 | |
everyone wearing all over the place(!) | 0:13:45 | 0:13:48 | |
How does it style, the blazer-cape? | 0:13:48 | 0:13:50 | |
It is basically a blazer like yours, but it would have a cape. | 0:13:50 | 0:13:54 | |
Fascinating! | 0:13:54 | 0:13:55 | |
A blazer-cape... | 0:13:55 | 0:13:57 | |
How much money does it cost to produce a blazer-cape? | 0:13:57 | 0:14:02 | |
Stop saying blazer-cape! | 0:14:02 | 0:14:04 | |
-Could be looking at about £250-£300. -OK. | 0:14:04 | 0:14:08 | |
-Do you think that would mean we would make a profit? -Definitely. | 0:14:08 | 0:14:12 | |
I think so, because this is real leather and it is a handmade jacket. | 0:14:12 | 0:14:15 | |
You should be looking at about £400 for it. | 0:14:15 | 0:14:17 | |
OK, well, I think that sounds great. | 0:14:17 | 0:14:19 | |
I think it leaves me a bit of room to surprise | 0:14:19 | 0:14:22 | |
the guys who dropped it off. Shall I leave it with you? | 0:14:22 | 0:14:25 | |
-Yes, I'm going to kick you out now so I can get on with work. -OK. | 0:14:25 | 0:14:28 | |
-Don't work too hard. -OK, bye. -Bye! | 0:14:28 | 0:14:31 | |
And so, blazer-cape. | 0:14:31 | 0:14:33 | |
This is sort of out of my comfort zone but I think it will be good. | 0:14:33 | 0:14:39 | |
I think it will be a challenge - a good challenge, however. | 0:14:39 | 0:14:42 | |
Armchair footstool becomes blazer-cape. | 0:14:42 | 0:14:45 | |
It's not a obvious choice of garment | 0:14:45 | 0:14:48 | |
but only Chinelo would think of something like that. | 0:14:48 | 0:14:50 | |
Secretly, I hope it fits me. | 0:14:50 | 0:14:53 | |
So do I. | 0:14:53 | 0:14:55 | |
So, it will be £300 to produce the garment and all Sarah has to do | 0:14:55 | 0:15:00 | |
is find a superhero looking for formal wear and she's sorted. | 0:15:00 | 0:15:04 | |
Sunny Margate on the south-east coast. | 0:15:11 | 0:15:14 | |
Once a Mecca for British holiday-makers, now it's a place | 0:15:14 | 0:15:18 | |
where vintage is an advantage and reclamation is the order of the day. | 0:15:18 | 0:15:23 | |
One man leading the way is our Rupert... | 0:15:23 | 0:15:27 | |
..and Carlos the cat. | 0:15:29 | 0:15:31 | |
Sarah is about to set him the challenge of making something | 0:15:34 | 0:15:38 | |
out of the angle iron and the old barn door. | 0:15:38 | 0:15:41 | |
-Rupert, hi. -Hey, Sarah. -How are you? | 0:15:41 | 0:15:44 | |
-Back again? -I have got a few things. OK, don't look. | 0:15:44 | 0:15:47 | |
Can you bustle off somewhere and I'll bring it in | 0:15:47 | 0:15:50 | |
and then you can see it? | 0:15:50 | 0:15:51 | |
Because I don't want you to get put off. | 0:15:51 | 0:15:53 | |
Sarah thinks if she can make it look presentable then Rupert might | 0:15:53 | 0:15:57 | |
just see its potential. | 0:15:57 | 0:15:58 | |
It's all coming together. It's going to be fine. | 0:15:58 | 0:16:01 | |
Sarah has brought some weird things to me before so this time, | 0:16:01 | 0:16:04 | |
who knows what could be? | 0:16:04 | 0:16:06 | |
Looks good, doesn't it? Really inspiring. | 0:16:08 | 0:16:11 | |
Doesn't look like a load of old junk. | 0:16:11 | 0:16:13 | |
I'm not exactly sure who Sarah is trying to convince | 0:16:13 | 0:16:15 | |
but either way, Rupert is getting concerned. | 0:16:15 | 0:16:18 | |
Sarah, are you all right? | 0:16:18 | 0:16:20 | |
Yeah, it's coming together. I hope it's going to be worth it. | 0:16:20 | 0:16:23 | |
I can't quite imagine what you are doing yet. | 0:16:23 | 0:16:26 | |
There is a lot of crashing and banging coming from out there. | 0:16:26 | 0:16:28 | |
Make it look better. | 0:16:28 | 0:16:30 | |
Rupert? | 0:16:30 | 0:16:33 | |
It's like all my birthdays and Christmases come at once(!) | 0:16:33 | 0:16:36 | |
There was something about it. | 0:16:36 | 0:16:38 | |
-It has been hacked into, it's been cut up... -OK. | 0:16:38 | 0:16:40 | |
..but I just love the fact... | 0:16:40 | 0:16:42 | |
-The wear on it, you can't make it look like that. -What is it? | 0:16:42 | 0:16:45 | |
-A toilet door, a barn door? -Barn door, I'm thinking. | 0:16:45 | 0:16:48 | |
-And then this - angle iron? -Yeah. Brilliant, isn't it? | 0:16:48 | 0:16:53 | |
I love angle iron, I love it. It is so flexible, first of all, | 0:16:53 | 0:16:56 | |
and it's something that you don't really see now in a home. | 0:16:56 | 0:17:00 | |
Everyone used to make their, you know, bench in their shed, | 0:17:00 | 0:17:04 | |
their shelving in the garage out of this stuff. | 0:17:04 | 0:17:06 | |
So, the angle iron is a hit, but the old barn door has some issues. | 0:17:06 | 0:17:11 | |
Quite a lot of, uh... | 0:17:11 | 0:17:13 | |
A lot of dry rot there, so it can be complicated to work with. | 0:17:13 | 0:17:18 | |
I don't know if you have noticed, but actually, | 0:17:18 | 0:17:20 | |
-it has been cut in half. -Oh, OK. | 0:17:20 | 0:17:23 | |
So it is not quite as intact. | 0:17:23 | 0:17:25 | |
Yeah, that is why I was piecing it together, so it wasn't... | 0:17:25 | 0:17:28 | |
-That's a surprise. It's a jigsaw puzzle. -Yeah. | 0:17:28 | 0:17:30 | |
I did have some thoughts that maybe this was kind of cut up into parquet | 0:17:30 | 0:17:35 | |
to make an amazing tabletop and these were framing it in some way. | 0:17:35 | 0:17:39 | |
-A table I see as the easy option for me. -Yeah. | 0:17:39 | 0:17:44 | |
A sideboard would be a more challenging option for me | 0:17:44 | 0:17:47 | |
cos there's only two materials here, | 0:17:47 | 0:17:50 | |
so to stretch them far enough to actually make a piece of furniture | 0:17:50 | 0:17:53 | |
that you will sit in front of and stare at every day, | 0:17:53 | 0:17:57 | |
it would be quite a challenge. | 0:17:57 | 0:17:59 | |
Rupert is never one to shy away from a challenge. | 0:17:59 | 0:18:03 | |
But how much is it going to cost? | 0:18:03 | 0:18:05 | |
I have got a couple of days' work on this. | 0:18:05 | 0:18:08 | |
I would like to really go to town on this piece. | 0:18:08 | 0:18:11 | |
So, we are looking at 400 or so quid? | 0:18:11 | 0:18:15 | |
I think that's about right. | 0:18:15 | 0:18:17 | |
I have left Rupert in there piecing together that jigsaw and trying | 0:18:19 | 0:18:23 | |
to make a sideboard out of the door and that old angle iron. | 0:18:23 | 0:18:26 | |
I think he has got his work cut out but he is so enthusiastic about it. | 0:18:26 | 0:18:29 | |
I think there is potential for real profit from this piece. | 0:18:29 | 0:18:33 | |
To make a sideboard out of all that rubbish will cost you around £400 | 0:18:33 | 0:18:38 | |
so Sarah will be aiming high in the sale of this one. | 0:18:38 | 0:18:41 | |
With the worn leather | 0:18:44 | 0:18:46 | |
and the deconstructed door being dealt with by the designers, | 0:18:46 | 0:18:49 | |
it's time for Sarah to generate some cash of her own. | 0:18:49 | 0:18:53 | |
And back at her barn, | 0:18:54 | 0:18:55 | |
she is hoping the antique writing slope will do just that. | 0:18:55 | 0:18:59 | |
I was really pleased to save this the other day. | 0:19:00 | 0:19:03 | |
I love the fact that we found something that was really old | 0:19:03 | 0:19:06 | |
and it is a charming piece. | 0:19:06 | 0:19:07 | |
It has got sweet little things like its own key still with it, | 0:19:07 | 0:19:10 | |
so to think it was going to be thrown away, | 0:19:10 | 0:19:12 | |
I'm really pleased that I rescued it. | 0:19:12 | 0:19:14 | |
It's not in great condition and that makes me | 0:19:14 | 0:19:16 | |
worry about how much it is actually going to be worth. | 0:19:16 | 0:19:19 | |
There are big chips off the veneer all round here | 0:19:19 | 0:19:21 | |
and I think it has had some restoration on it. | 0:19:21 | 0:19:24 | |
In here, in the hinges, you can see how they have been nailed | 0:19:24 | 0:19:27 | |
back in rather than screwed and they are not the original ones. | 0:19:27 | 0:19:30 | |
This isn't going to be worth a fortune, | 0:19:30 | 0:19:32 | |
but I don't think it should get thrown away | 0:19:32 | 0:19:34 | |
and I know that because of the details on the front of it, | 0:19:34 | 0:19:37 | |
the fact it has got the key and the lock, | 0:19:37 | 0:19:39 | |
a lovely shield on the front and the escutcheon here, | 0:19:39 | 0:19:42 | |
people might even buy it just to be able to re-use those | 0:19:42 | 0:19:44 | |
to restore something else. | 0:19:44 | 0:19:46 | |
I think the best thing I can do with it is to polish it up | 0:19:46 | 0:19:48 | |
and make it look prettier | 0:19:48 | 0:19:50 | |
and then take some lovely pictures of it so that you can see all | 0:19:50 | 0:19:53 | |
the details so that it has lots of appeal to lots of different people. | 0:19:53 | 0:19:57 | |
When polishing up old veneer like this, | 0:19:58 | 0:20:00 | |
it is best to avoid harsh chemicals. | 0:20:00 | 0:20:02 | |
A thorough rub with a dry cloth will do the job. | 0:20:02 | 0:20:06 | |
This is my very naughty puppy. Come here! | 0:20:06 | 0:20:09 | |
It never does what it is told, do you? | 0:20:09 | 0:20:10 | |
And the mere mention of a rub has brought Bramble in. | 0:20:10 | 0:20:14 | |
I think it is looking better. | 0:20:16 | 0:20:18 | |
I am not an expert on wood, | 0:20:18 | 0:20:19 | |
I am just wondering if that is a mahogany veneer, | 0:20:19 | 0:20:22 | |
or maybe walnut. | 0:20:22 | 0:20:23 | |
Oh, wow, that looks really good on there. | 0:20:25 | 0:20:27 | |
Sarah is planning to sell the piece online to the highest bidder. | 0:20:27 | 0:20:31 | |
I am going to take photographs from every angle of it | 0:20:31 | 0:20:34 | |
and the detail and the damage it has got | 0:20:34 | 0:20:37 | |
so that whoever buys it has got the whole picture. | 0:20:37 | 0:20:40 | |
Well, maybe, looking at the state of it, less is more? | 0:20:40 | 0:20:43 | |
SHE WHISTLES | 0:20:46 | 0:20:48 | |
Come here! | 0:20:48 | 0:20:49 | |
A quick look online to compare prices and things are looking promising. | 0:20:50 | 0:20:55 | |
This one is similar and it is £44.50 but I'd say that's got | 0:20:55 | 0:20:59 | |
a slightly Art Deco-y, sort of '40s-y, maybe, feel to it, | 0:20:59 | 0:21:04 | |
so I think that one is newer than our one. | 0:21:04 | 0:21:07 | |
Victorian writing slope. | 0:21:07 | 0:21:10 | |
Right, there it is. It's listed. | 0:21:10 | 0:21:12 | |
Let's hope it makes £30. Maybe, on a good day, £40. Fingers crossed. | 0:21:13 | 0:21:19 | |
All we can do now is wait and see if it makes any money. | 0:21:19 | 0:21:22 | |
Let the bidding begin. | 0:21:22 | 0:21:24 | |
Sarah has not spent a penny on the writing slope, | 0:21:24 | 0:21:27 | |
so any money made from it is truly profit. | 0:21:27 | 0:21:30 | |
Back in east London, it is blazer-cape time, | 0:21:37 | 0:21:40 | |
and you know, I'm coming round to the idea. | 0:21:40 | 0:21:43 | |
It's a blazer and it's a cape. | 0:21:43 | 0:21:45 | |
Come on, I want one! | 0:21:45 | 0:21:47 | |
So, Chinelo, where do we begin? MUSIC ON SOUNDTRACK | 0:21:49 | 0:21:52 | |
I decided to dump the blazer-cape idea this morning. | 0:21:52 | 0:21:54 | |
RECORD SCRATCHES TO A HALT No! Why? | 0:21:54 | 0:21:57 | |
Because I just woke up | 0:21:57 | 0:21:59 | |
and I thought, "How is this going to work?" | 0:21:59 | 0:22:01 | |
So I'm going to make a dress out of this, | 0:22:01 | 0:22:04 | |
so more of a shift style dress. | 0:22:04 | 0:22:07 | |
And also, I really wanted to put my own signature on this. | 0:22:07 | 0:22:09 | |
So the jacket thing is not really something I do. | 0:22:09 | 0:22:12 | |
Dresses, they're more my thing. | 0:22:12 | 0:22:14 | |
Oh, OK. I'll have to find my own blazer-cape, then. | 0:22:14 | 0:22:18 | |
But what is your idea for the dress? | 0:22:18 | 0:22:21 | |
OK, so, my initial idea... | 0:22:21 | 0:22:22 | |
..is to have this part here at the bottom | 0:22:24 | 0:22:27 | |
and then this would have made up, you know, the top half of the dress. | 0:22:27 | 0:22:31 | |
So, the dress is mainly in the leather | 0:22:31 | 0:22:33 | |
and this would be on the sleeve and that would be a neckline. | 0:22:33 | 0:22:37 | |
There. | 0:22:37 | 0:22:39 | |
Chinelo is planning on using wax print fabric for the sleeves, | 0:22:39 | 0:22:43 | |
a typical material for clothing in Africa. | 0:22:43 | 0:22:46 | |
And although this material is dark, they are more commonly vibrant, | 0:22:47 | 0:22:51 | |
colourful cotton prints which historically were used | 0:22:51 | 0:22:54 | |
as a non-verbal communication that could indicate status | 0:22:54 | 0:22:58 | |
or wealth among African women. | 0:22:58 | 0:23:00 | |
I'm just trying to straighten out all the edges | 0:23:00 | 0:23:02 | |
and just making my dress a little bit shorter than I want it to be. | 0:23:02 | 0:23:06 | |
With the chair and stool completely stripped, | 0:23:06 | 0:23:09 | |
Chinelo has all the materials she has to work with. | 0:23:09 | 0:23:11 | |
So, now it is just a matter of sewing it all together. | 0:23:13 | 0:23:16 | |
Because I want to use some of the original themes from the sofa, | 0:23:16 | 0:23:22 | |
I am going to keep some of those in place | 0:23:22 | 0:23:25 | |
and I'm using a contrasting thread that matches with the fabric | 0:23:25 | 0:23:29 | |
that I have decided to use for the sleeves. | 0:23:29 | 0:23:32 | |
I'm going to use that to create some seam details. | 0:23:33 | 0:23:38 | |
Chinelo is sewing the panels together using robust and hard-wearing thread. | 0:23:38 | 0:23:43 | |
Perfect for heavy leather stitching. | 0:23:44 | 0:23:47 | |
SEWING MACHINE SPUTTERS | 0:23:47 | 0:23:49 | |
Can you see that? | 0:23:49 | 0:23:50 | |
But there is a problem. | 0:23:50 | 0:23:52 | |
I don't know why it's doing that. | 0:23:53 | 0:23:55 | |
I need to work out why it's doing that. | 0:23:55 | 0:23:57 | |
The leather panels keep slipping away from each other. | 0:23:57 | 0:24:00 | |
It's moving, so I'm not sure whether it's too worn or if | 0:24:03 | 0:24:09 | |
there's some kind of waxing on it | 0:24:09 | 0:24:11 | |
that's making it slide along each other. | 0:24:11 | 0:24:14 | |
See? It jumps down as you try to sew it. | 0:24:14 | 0:24:17 | |
Even though I start with the needle inside of it, | 0:24:17 | 0:24:20 | |
so it shouldn't do that at all, | 0:24:20 | 0:24:22 | |
it still jumps. | 0:24:22 | 0:24:24 | |
This could potentially be it for the sofa dress. | 0:24:26 | 0:24:29 | |
If it's not going to sew, what am I going to do with it? | 0:24:30 | 0:24:34 | |
The more worn sections seem impossible to sew together, | 0:24:34 | 0:24:38 | |
and considering most of it is well-worn, Chinelo might not have | 0:24:38 | 0:24:41 | |
enough material to make a wallet, never mind a dress. | 0:24:41 | 0:24:46 | |
Because it's not like it's not sewing it, | 0:24:46 | 0:24:48 | |
it sews it in bits and then it just gathers it up at the bottom. | 0:24:48 | 0:24:51 | |
And it was doing the same thing on that machine, so I moved over here. | 0:24:51 | 0:24:55 | |
What are we going to do now? | 0:24:55 | 0:24:57 | |
I'm not sure we'll be able to do this one. | 0:24:57 | 0:25:01 | |
Is this the end of the road for Chinelo's dress? | 0:25:01 | 0:25:03 | |
Let's give her a chance to think. | 0:25:05 | 0:25:07 | |
Meanwhile, over in sunny Margate, let's hope that Rupert is | 0:25:12 | 0:25:16 | |
having more luck with the angle iron and the old barn door. | 0:25:16 | 0:25:19 | |
I know that I am going to make a sideboard out of all these pieces, | 0:25:21 | 0:25:25 | |
only I don't want this to be a sort of typical shabby chic piece, | 0:25:25 | 0:25:28 | |
I want this to be really quite polished. | 0:25:28 | 0:25:30 | |
It is just going to be a bit of a labour of love | 0:25:30 | 0:25:32 | |
to make it a high-quality finish. | 0:25:32 | 0:25:34 | |
Rupert is planning on leaving the chip paint effect on the wood | 0:25:34 | 0:25:38 | |
as a feature, which doesn't sound like a quality finish to me. | 0:25:38 | 0:25:42 | |
But what do I know? | 0:25:42 | 0:25:43 | |
I don't know what I'm making. | 0:25:43 | 0:25:45 | |
I've got to strip it down and prepare the materials. | 0:25:45 | 0:25:49 | |
The nuts and bolts holding it together have fused shut with rust... | 0:25:49 | 0:25:53 | |
I'm just going to cut these off. | 0:25:53 | 0:25:55 | |
..but Rupert can cut them off with his cut-off tool - | 0:25:55 | 0:25:58 | |
that is what it's actually called. | 0:25:58 | 0:26:00 | |
Just use a hammer because these will still be quite hot. | 0:26:04 | 0:26:08 | |
Once the door is taken apart... | 0:26:08 | 0:26:09 | |
A few more screws. | 0:26:09 | 0:26:11 | |
..you can get an idea of how much usable wood he has to work with. | 0:26:11 | 0:26:15 | |
But it's all looking a bit crumbly. | 0:26:18 | 0:26:20 | |
And it's not looking good. | 0:26:26 | 0:26:28 | |
This is a good representation of the door | 0:26:28 | 0:26:31 | |
overall in that it is just crumbling. | 0:26:31 | 0:26:33 | |
It's got a lot of normal rot and a lot of dry rot. | 0:26:33 | 0:26:37 | |
Ideally, any carpenter making a cabinet | 0:26:37 | 0:26:39 | |
doesn't start with rotten wood. | 0:26:39 | 0:26:43 | |
Now on this table is everything that's really usable. | 0:26:43 | 0:26:48 | |
I've got it down from what was a pile of rubbish | 0:26:48 | 0:26:52 | |
to an organised pile of rubbish. | 0:26:52 | 0:26:54 | |
I suppose that's some progress. | 0:26:54 | 0:26:56 | |
There is still a good 60% of this door that we can re-use. | 0:26:56 | 0:27:01 | |
With just enough wood to construct a sideboard, | 0:27:03 | 0:27:07 | |
Rupert gets to work sawing the usable pieces into planks | 0:27:07 | 0:27:11 | |
to match his very intricate blueprint on the floor. | 0:27:11 | 0:27:14 | |
Next comes the angle iron which will form the structure of the cabinet. | 0:27:16 | 0:27:20 | |
Angle iron became very popular amongst do-it-yourselfers. | 0:27:21 | 0:27:25 | |
With its easy-to-assemble design, it was possible for almost anyone | 0:27:25 | 0:27:29 | |
to build anything from shelving units to greenhouses. | 0:27:29 | 0:27:33 | |
The more we put together, | 0:27:34 | 0:27:36 | |
the closer I am getting to working out what this needs to become. | 0:27:36 | 0:27:40 | |
Rupert is on a roll... | 0:27:40 | 0:27:41 | |
..and looks to have this finished in no time. | 0:27:43 | 0:27:45 | |
But wait a minute... | 0:27:47 | 0:27:48 | |
That's one short and two wide, that's one short... | 0:27:50 | 0:27:54 | |
HE GASPS | 0:27:54 | 0:27:55 | |
Where are the other pieces of wood? I've miscalculated it. | 0:27:55 | 0:27:59 | |
Uh-oh. With such little door to work with, that doesn't sound good. | 0:27:59 | 0:28:03 | |
Oh, this is nuts! | 0:28:05 | 0:28:07 | |
This is the problem with having a warehouse full of rubbish, | 0:28:07 | 0:28:10 | |
that I often lose a piece of wood that I'd just cut. | 0:28:10 | 0:28:13 | |
Good luck finding it in there, Rupert. | 0:28:16 | 0:28:18 | |
Maybe Sarah will be happy with half a sideboard. | 0:28:18 | 0:28:21 | |
Back in Sussex, Sarah's online auction of the writing slope | 0:28:27 | 0:28:31 | |
-is nearing an end. -Exciting! | 0:28:31 | 0:28:34 | |
She was hoping for around £40, and, with a few seconds to go... | 0:28:35 | 0:28:40 | |
..it's sold! | 0:28:41 | 0:28:42 | |
Well, the writing slope has sold but it hasn't made great money. | 0:28:45 | 0:28:48 | |
It's made 15 quid, which is better than nothing, | 0:28:48 | 0:28:50 | |
because it was literally about to go into a skip. | 0:28:50 | 0:28:54 | |
So, if that has only made £15, | 0:28:54 | 0:28:56 | |
I want to make a bit more money than that to get back to Pete. | 0:28:56 | 0:28:59 | |
I think I'm going to have to take up the golf tee challenge. | 0:28:59 | 0:29:02 | |
Oh, no, I'd forgotten about them! | 0:29:02 | 0:29:04 | |
What should we do with them, then? | 0:29:05 | 0:29:08 | |
Don't ask me! | 0:29:08 | 0:29:09 | |
Art installation? | 0:29:14 | 0:29:16 | |
Looking at all the golf tees floating around in there, | 0:29:17 | 0:29:20 | |
maybe I could make a golf tee loo seat | 0:29:20 | 0:29:23 | |
so you sit down on it and it's... | 0:29:23 | 0:29:25 | |
It's a bit naff. | 0:29:25 | 0:29:26 | |
I'm certainly getting a whiff of something! | 0:29:26 | 0:29:29 | |
But I think I've got it now. It's going to be a tribal-style necklace. | 0:29:31 | 0:29:36 | |
Cool, hey? | 0:29:36 | 0:29:38 | |
Anything you say. | 0:29:38 | 0:29:40 | |
If I wrap this really cool red wire around and then... | 0:29:40 | 0:29:44 | |
It might make the golf tees look a little bit more attractive, | 0:29:44 | 0:29:47 | |
a bit more tribal. | 0:29:47 | 0:29:49 | |
Well, I suppose it's not bad for a last-ditch attempt to make money. | 0:29:49 | 0:29:54 | |
I'm going to make a few of them | 0:29:54 | 0:29:55 | |
and hope that I make some money that way. | 0:29:55 | 0:29:57 | |
But finding a buyer of tribal jewellery might be tough. | 0:29:57 | 0:30:00 | |
Back at the dump, | 0:30:07 | 0:30:09 | |
Sarah was rustling through Peter and Michael's box of old bits. | 0:30:09 | 0:30:14 | |
So, this is our rubbish - we're just throwing in everything. | 0:30:14 | 0:30:16 | |
Oh, look. | 0:30:16 | 0:30:18 | |
First came the golf tees... | 0:30:18 | 0:30:19 | |
There's something cool about that, isn't there? | 0:30:19 | 0:30:21 | |
..and then an antique writing slope. | 0:30:21 | 0:30:24 | |
Isn't that clever, where it opens up? | 0:30:24 | 0:30:26 | |
The writing slope underperformed online... | 0:30:26 | 0:30:28 | |
It hasn't made great money. It's made 15 quid. | 0:30:28 | 0:30:31 | |
..so, Sarah got to work on the tees and eventually... | 0:30:31 | 0:30:36 | |
..produced some multicoloured tribal-esque necklaces. | 0:30:37 | 0:30:40 | |
Sarah showcased them at her barn sale | 0:30:42 | 0:30:44 | |
and was optimistic the country living crowd would get behind them. | 0:30:44 | 0:30:49 | |
I'm putting them at a tenner each. | 0:30:49 | 0:30:50 | |
I've got some more to come out later and I think they look really cool. | 0:30:50 | 0:30:54 | |
But despite being a big talking point of the day, they remained unsold. | 0:30:54 | 0:31:00 | |
Sarah contacted Peter, whom the two items had been taken from, | 0:31:00 | 0:31:04 | |
to arrange to hand over the £15 from the sale of the writing desk. | 0:31:04 | 0:31:09 | |
But alas, without success. | 0:31:09 | 0:31:11 | |
Peter has been very busy | 0:31:11 | 0:31:12 | |
so I haven't managed to catch up with him. | 0:31:12 | 0:31:14 | |
But I have got £15 here that I am going to send off to him | 0:31:14 | 0:31:17 | |
and I hope he's going to have a drink on us. | 0:31:17 | 0:31:20 | |
So, it's been a disappointing turnout for the boys. | 0:31:20 | 0:31:23 | |
But still, 15 quid for what was rubbish is still better than | 0:31:23 | 0:31:27 | |
a kick in the...golf balls. | 0:31:27 | 0:31:29 | |
Back in south-east London, when we last saw Chinelo, | 0:31:35 | 0:31:39 | |
her head was in her hands and the leather was in a heap on the floor. | 0:31:39 | 0:31:44 | |
Her sewing machine had met its match and now Sarah is on her way to see... | 0:31:46 | 0:31:51 | |
something, I hope. | 0:31:51 | 0:31:53 | |
So, this is the kind of transformation that really | 0:31:56 | 0:31:58 | |
stretches my imagination. | 0:31:58 | 0:32:00 | |
I had dropped off a chair and a footstool | 0:32:00 | 0:32:02 | |
and I'm coming to pick up a dress. | 0:32:02 | 0:32:05 | |
Well, you're in luck. | 0:32:05 | 0:32:07 | |
With the help of a specialist leather sewing foot - | 0:32:07 | 0:32:11 | |
don't ask - | 0:32:11 | 0:32:12 | |
Chinelo has taken the bum-battered sofa | 0:32:12 | 0:32:16 | |
and transformed it into an amazing bodice. | 0:32:16 | 0:32:20 | |
I'm still a bit disappointed about the blazer-cape, though. | 0:32:22 | 0:32:26 | |
Chinelo used a wax-print fabric to create the skirt and sleeves... | 0:32:26 | 0:32:30 | |
..and a beaded detail lines the plunging neckline. | 0:32:32 | 0:32:35 | |
Wow, I hope Sarah doesn't want to try it on! | 0:32:36 | 0:32:39 | |
-Hello. -Hello. | 0:32:41 | 0:32:43 | |
Ah, that must be it! | 0:32:43 | 0:32:45 | |
-How are you? -I'm fine, how are you? | 0:32:45 | 0:32:47 | |
-Really well. -What were you expecting? | 0:32:47 | 0:32:50 | |
I wasn't expecting beading, or detail like this. | 0:32:50 | 0:32:53 | |
And I was thinking suede because of the back of it. | 0:32:53 | 0:32:56 | |
Yeah, I was going to, but all of the back pieces were so different | 0:32:56 | 0:33:00 | |
and there was nothing uniform, so I thought... | 0:33:00 | 0:33:02 | |
I don't think that's a problem - it looks amazing. | 0:33:02 | 0:33:05 | |
I love the way that you have got the darts in here. | 0:33:05 | 0:33:07 | |
Yeah, I thought less carry on with the whole leather feel of things. | 0:33:07 | 0:33:11 | |
You know, because usually it's so many panels put together | 0:33:11 | 0:33:14 | |
and they just do all the outside stitching decoratively, | 0:33:14 | 0:33:17 | |
so I've done that as well. | 0:33:17 | 0:33:18 | |
It's got your signature sassiness about it, hasn't it? | 0:33:18 | 0:33:21 | |
Because this is quite revealing, isn't it? | 0:33:21 | 0:33:24 | |
Would you like to try it on? | 0:33:24 | 0:33:26 | |
No, I can't try it on. What, seriously? | 0:33:26 | 0:33:29 | |
-If you would like to. -Go on, then, I'd be happy to give it a go. -Yeah? | 0:33:29 | 0:33:32 | |
-Yeah. -OK. -Look away! | 0:33:32 | 0:33:34 | |
SULTRY JAZZ MUSIC PLAYS | 0:33:34 | 0:33:35 | |
Sarah, there are kids watching. | 0:33:35 | 0:33:38 | |
I think I'll keep this on, yeah? | 0:33:38 | 0:33:39 | |
Thank goodness! | 0:33:39 | 0:33:40 | |
Are you stuck, Sarah? Help her out, Chinelo! | 0:33:42 | 0:33:45 | |
It actually does look nice on you. | 0:33:45 | 0:33:47 | |
Someone please stop her! | 0:33:50 | 0:33:52 | |
-There you go. -Brilliant. That is amazing. | 0:33:55 | 0:33:58 | |
Thank you so much. I'll keep in touch and tell you how it goes. | 0:33:58 | 0:34:01 | |
All right, thank you. | 0:34:01 | 0:34:02 | |
Let us know how she goes. | 0:34:04 | 0:34:05 | |
I thought it was so cool that Sarah tried the dress on but I think | 0:34:06 | 0:34:09 | |
what she really needs is some high heels and a night out. | 0:34:09 | 0:34:14 | |
Yeah. | 0:34:14 | 0:34:15 | |
Back at the dump, Sarah saw potential in Chris's faded leather. | 0:34:20 | 0:34:24 | |
If I can get this leather off here... | 0:34:24 | 0:34:26 | |
It's beautiful, it's really soft. | 0:34:26 | 0:34:28 | |
More bums have been on that one. | 0:34:28 | 0:34:30 | |
The bum-bashing didn't bother Sarah, but Chris was sceptical. | 0:34:30 | 0:34:35 | |
Considering that, you know, this settee is about ten, 12 years | 0:34:35 | 0:34:38 | |
of age, I think she'll struggle to do anything with it, really. | 0:34:38 | 0:34:42 | |
Luckily, Chris was proved wrong. | 0:34:42 | 0:34:45 | |
With the expert eye of Chinelo, | 0:34:45 | 0:34:47 | |
it was transformed into something spectacular. | 0:34:47 | 0:34:50 | |
Sarah has been working her socks off to find a buyer | 0:34:51 | 0:34:55 | |
but with this bespoke piece made to measure no-one in particular, | 0:34:55 | 0:34:59 | |
Sarah has been unsuccessful in finding someone it will fit. | 0:34:59 | 0:35:02 | |
Sarah travelled back to Stockport to tell Chris the bad news. | 0:35:03 | 0:35:07 | |
But you never know, it might fit him. | 0:35:07 | 0:35:09 | |
-Hello, hi. -How are you doing? | 0:35:11 | 0:35:13 | |
-Nice to see you again. -Hello. | 0:35:13 | 0:35:16 | |
-Your sofa has been to the most fabulous dress designer. -OK. | 0:35:16 | 0:35:20 | |
She is called Chinelo Bally and she is a freestyle cutter of fabrics | 0:35:20 | 0:35:25 | |
and this is what has become of your chair and your... | 0:35:25 | 0:35:30 | |
Wow. | 0:35:30 | 0:35:32 | |
-Very, very different. -Isn't it different? -Extremely different. | 0:35:32 | 0:35:35 | |
I do recognise the leather, but that would be it. | 0:35:35 | 0:35:38 | |
So, our brief to her was do what you like. | 0:35:38 | 0:35:40 | |
We had a few different ideas about maybe | 0:35:40 | 0:35:42 | |
she would make it into a cape a blazer or something like that | 0:35:42 | 0:35:45 | |
but in the end, she has made a really striking dress from it. | 0:35:45 | 0:35:49 | |
So, what do you think? | 0:35:49 | 0:35:52 | |
-Well... -It's not your size, is it? | 0:35:52 | 0:35:54 | |
Erm, it is definitely not my cup of tea, as in wearing-wise, | 0:35:54 | 0:35:57 | |
but I can see that it looks good quality. | 0:35:57 | 0:36:00 | |
It is really different, so, yeah, it is definitely not a settee any more. | 0:36:00 | 0:36:04 | |
At this stage, what I would really like to be saying was | 0:36:04 | 0:36:07 | |
I have made your chair into a dress and I've sold your dress | 0:36:07 | 0:36:11 | |
and bring you some money, but I haven't had time to sell it yet. | 0:36:11 | 0:36:14 | |
So what I would like to do, if it's all right, | 0:36:14 | 0:36:16 | |
is hang on to your dress and try and sell it for you | 0:36:16 | 0:36:19 | |
at a profit and then be in touch with some money at a later date. | 0:36:19 | 0:36:22 | |
OK. | 0:36:22 | 0:36:23 | |
Chinelo's work cost £250 to create the dress, | 0:36:25 | 0:36:29 | |
but as yet, it has unfortunately failed to sell, | 0:36:29 | 0:36:33 | |
which means Chris will have to wait a little bit longer | 0:36:33 | 0:36:35 | |
before he receives any profit. | 0:36:35 | 0:36:37 | |
Well, it was great to be able to show Chris the dress that | 0:36:44 | 0:36:46 | |
Chinelo actually made | 0:36:46 | 0:36:47 | |
but I wish I had been able to turn up with some money for nothing. | 0:36:47 | 0:36:50 | |
Hopefully, I will be in touch soon | 0:36:50 | 0:36:52 | |
and have something to share with him. | 0:36:52 | 0:36:54 | |
I didn't know what she was going to make but a dress would have been | 0:36:54 | 0:36:58 | |
definitely the last on the list, let's just say. | 0:36:58 | 0:37:01 | |
So, yeah, definitely wasn't the case that | 0:37:01 | 0:37:04 | |
I was thinking she's going to make a dress out of it at all. | 0:37:04 | 0:37:07 | |
So, with the majority of items remaining unsold so far, | 0:37:15 | 0:37:19 | |
Sarah will have high hopes for today's final find, | 0:37:19 | 0:37:22 | |
Rupert's sideboard, which he is putting finishing touches to now. | 0:37:22 | 0:37:27 | |
That is, if he has found that extra wood. | 0:37:27 | 0:37:30 | |
So, what do you get if you drop off a load of old metal | 0:37:32 | 0:37:35 | |
and a broken door? | 0:37:35 | 0:37:37 | |
I'm hoping for one of Rupert's signature sideboards | 0:37:37 | 0:37:40 | |
and something that looks fantastic. | 0:37:40 | 0:37:42 | |
Before, it was a rotten and rusty pile of wood and metal. | 0:37:46 | 0:37:49 | |
Now, it's a super sideboard oozing with charm. | 0:37:53 | 0:37:57 | |
Maintaining the flaked paint effect, | 0:37:57 | 0:37:59 | |
it is bang on trend...amongst folk who like that kind of thing. | 0:37:59 | 0:38:04 | |
The body is made up of one cupboard for storage | 0:38:04 | 0:38:07 | |
and shelves for feature ornaments or electronic equipment. | 0:38:07 | 0:38:10 | |
He even kept the door's original handle. | 0:38:10 | 0:38:13 | |
It won't fit in everyone's house but you have to admit it, | 0:38:14 | 0:38:18 | |
it is a astounding achievement from Rupert. Good show, young man! | 0:38:18 | 0:38:22 | |
Sarah is going to love it. | 0:38:22 | 0:38:24 | |
-Hi, Rupert! -Hey, Sarah. Welcome back. | 0:38:26 | 0:38:29 | |
Lovely to see you. Is that it? | 0:38:29 | 0:38:33 | |
That is it. | 0:38:33 | 0:38:35 | |
Wow. What have you been up to? | 0:38:35 | 0:38:38 | |
Here it is. It was definitely a fun one. | 0:38:38 | 0:38:42 | |
It has been quite a bit of work to turn a pile of rotten painted wood | 0:38:42 | 0:38:46 | |
and a bit of old scrap metal into something usable, | 0:38:46 | 0:38:50 | |
into a new sideboard cabinet for your home. | 0:38:50 | 0:38:52 | |
I did say I was going to retain some of the paintwork. | 0:38:52 | 0:38:55 | |
I have retained nearly all of the paintwork, I'm afraid. | 0:38:55 | 0:38:58 | |
That was my favourite bit. | 0:38:58 | 0:39:01 | |
I absolutely loved all of that distress and that kind of thing. | 0:39:01 | 0:39:05 | |
I think it's charming. It's not too big, it's... | 0:39:05 | 0:39:10 | |
It's beautiful. I absolutely love it. | 0:39:10 | 0:39:12 | |
I tried not to make it too specific to one room. | 0:39:12 | 0:39:16 | |
Hopefully it is a multiuse sort of piece of furniture. | 0:39:16 | 0:39:19 | |
-Can I look inside that cupboard? -Yeah, please do. | 0:39:19 | 0:39:22 | |
Oh, it's green! Fantastic. | 0:39:22 | 0:39:24 | |
So, I couldn't tell - did you like it or not, Sarah? | 0:39:24 | 0:39:27 | |
I think it's a hit. | 0:39:27 | 0:39:29 | |
And coming in on budget at £400 means there is | 0:39:29 | 0:39:33 | |
room for a bit of money to be made. | 0:39:33 | 0:39:35 | |
I'm just so pleased you like it. | 0:39:35 | 0:39:37 | |
-I'll go and get the van, then. -Yeah, thank you. | 0:39:37 | 0:39:40 | |
I have to get over £500 for this little beauty. | 0:39:40 | 0:39:44 | |
Back at the dump, Sarah ambushed Derek for his angle iron. | 0:39:51 | 0:39:55 | |
-Yeah, it was my greenhouse. -Fantastic. | 0:39:55 | 0:39:57 | |
Derek had confidence in Sarah's abilities... | 0:39:57 | 0:40:00 | |
It's all in one piece. As long as she is handy with a paintbrush... | 0:40:00 | 0:40:03 | |
..but it was missing something to tie it all together. | 0:40:03 | 0:40:06 | |
And then she found it two minutes later. | 0:40:06 | 0:40:10 | |
Your next dining room table, sir? | 0:40:10 | 0:40:12 | |
She wasn't far off. | 0:40:12 | 0:40:13 | |
Thanks to Rupert, it was transformed into a bespoke sideboard. | 0:40:13 | 0:40:17 | |
Sarah has invited one of the country's leading retro | 0:40:20 | 0:40:24 | |
furniture dealers to see if he's interested. | 0:40:24 | 0:40:27 | |
And, it turned out, he's a big fan of Rupert's. | 0:40:27 | 0:40:30 | |
I love this and I love his work. | 0:40:30 | 0:40:33 | |
With a fish on the hook, Sarah tried to reel him in with some big figures. | 0:40:33 | 0:40:37 | |
Probably in order to see profit, I need to sell this for £550. | 0:40:37 | 0:40:42 | |
It's tight. That figure was a bit too big but with a bit of negotiation... | 0:40:42 | 0:40:48 | |
I would really like to have it. | 0:40:48 | 0:40:50 | |
..they came to an agreement. | 0:40:50 | 0:40:52 | |
Sarah is back in Stockport to show Derek what was made | 0:40:52 | 0:40:56 | |
of his old greenhouse and hand over the cash. | 0:40:56 | 0:40:59 | |
-Hi, there, how are you doing? -Not bad. Yourself? | 0:40:59 | 0:41:02 | |
-Yeah, very well. -Good to see you. -Yes, and you. | 0:41:02 | 0:41:04 | |
Any ideas what we might have done with your frames? | 0:41:04 | 0:41:08 | |
I can't think of anything except the same it was before, | 0:41:08 | 0:41:10 | |
a shelving unit of some sort or maybe an art display unit. | 0:41:10 | 0:41:13 | |
Yeah, well, actually, they were turned into a sideboard | 0:41:13 | 0:41:16 | |
-and I've got some pictures to show you. -OK. | 0:41:16 | 0:41:18 | |
-Hopefully you can see where your frames are. -Oh, wow. | 0:41:18 | 0:41:20 | |
They got rid of all the rust and everything is well, | 0:41:20 | 0:41:23 | |
-it looks brilliant. -Do you think? -Yeah, it looks really good, wow! | 0:41:23 | 0:41:25 | |
I never thought it would amount to anything. | 0:41:25 | 0:41:28 | |
-You approve of what we did with it? -Yeah, it looks really good. | 0:41:28 | 0:41:30 | |
Did you manage to find a good home for it? | 0:41:30 | 0:41:32 | |
Yeah, a good home and actually managed to sell it at a profit. | 0:41:32 | 0:41:35 | |
-Oh, wow. -So I'm here tonight to give you £100 profit | 0:41:35 | 0:41:38 | |
from your frames to spend on whatever you like. | 0:41:38 | 0:41:41 | |
Thanks very much. Perfect. I wasn't expecting that. | 0:41:41 | 0:41:43 | |
Any ideas what you might do with £100? | 0:41:43 | 0:41:45 | |
Well, I wasn't expecting any money on the back of it | 0:41:45 | 0:41:48 | |
so I'll donate it to charity. | 0:41:48 | 0:41:49 | |
We have a local animal shelter charity around the corner | 0:41:49 | 0:41:52 | |
that's always in need of something, so... | 0:41:52 | 0:41:53 | |
That sounds like a great idea, and somebody has gone on to have | 0:41:53 | 0:41:56 | |
a lovely piece of furniture made out of the materials you | 0:41:56 | 0:41:59 | |
dropped off, so I think it sounds like it was all good. | 0:41:59 | 0:42:01 | |
-Get some good use out of it. -Yeah, lovely. | 0:42:01 | 0:42:03 | |
Well, really lovely to catch up with you and an absolute pleasure. | 0:42:03 | 0:42:06 | |
Yeah, lovely use of the money, that's great. | 0:42:06 | 0:42:08 | |
-Brilliant, thanks very much. -Take care, thank you very much. -Cheers. | 0:42:08 | 0:42:12 | |
So, Rupert charged £400 to transform the pile of old metal | 0:42:12 | 0:42:17 | |
and pieces of door into a sideboard | 0:42:17 | 0:42:19 | |
but the sale of £500 made a profit for Derek over £100. | 0:42:19 | 0:42:25 | |
I wasn't expecting anything in the slightest - | 0:42:25 | 0:42:27 | |
half of what she made if anything at all. | 0:42:27 | 0:42:30 | |
But, no, it has come out looking really good. | 0:42:30 | 0:42:33 | |
I love the fact that Derek has chosen an animal charity to | 0:42:33 | 0:42:36 | |
give the money to. We've got a little fan down here. | 0:42:36 | 0:42:38 | |
I'm going to go home and tell Bramble that there is £100 | 0:42:38 | 0:42:41 | |
going to a really good cause. | 0:42:41 | 0:42:42 | |
Sarah salvaged three unwanted items from the Bredbury Recycling Centre. | 0:42:45 | 0:42:50 | |
Chris's old leather sofa turned into a beautiful bodice dress, | 0:42:50 | 0:42:54 | |
Derek's ancient angle iron transformed into a super sideboard | 0:42:54 | 0:42:59 | |
and the writing slope and golf tees have been given a new lease of life. | 0:42:59 | 0:43:05 | |
Two out of three items sold for a profit | 0:43:05 | 0:43:07 | |
and a lot of fun had along the way. | 0:43:07 | 0:43:09 | |
Next time, we could be making something from an item YOU no longer love. | 0:43:09 | 0:43:13 | |
See you at the tip. | 0:43:13 | 0:43:15 | |
Subtitles by Ericsson. | 0:43:17 | 0:43:20 |