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Ooh, just before you throw those away... | 0:00:03 | 0:00:06 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
-Can I have it? -You can have it, yes. | 0:00:09 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes of household waste | 0:00:11 | 0:00:16 | |
we throw out every year. | 0:00:16 | 0:00:18 | |
Now, this is one seriously unusual tip find. | 0:00:18 | 0:00:22 | |
That's why entrepreneur Sarah Moore | 0:00:22 | 0:00:24 | |
wants to get her hands on things before they hit the skip. | 0:00:24 | 0:00:27 | |
I'm a passionate user, maker and buyer of old stuff. | 0:00:30 | 0:00:34 | |
And I've turned my passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:42 | 0:00:46 | |
These were going to be thrown away? Seriously? | 0:00:46 | 0:00:48 | |
I love it, love it, love it. | 0:00:48 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:54 | |
It looks brand-new. | 0:00:54 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
You are joking? | 0:00:57 | 0:00:59 | |
..and, hopefully, saleable items. | 0:00:59 | 0:01:02 | |
That is a triumph! | 0:01:02 | 0:01:03 | |
If Sarah is successful, then she can hand the profits back | 0:01:05 | 0:01:08 | |
to the very people who had no idea | 0:01:08 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:14 | |
That is amazing! | 0:01:14 | 0:01:15 | |
Welcome to the Merchants Way Recycling Centre in Walsall. | 0:01:27 | 0:01:31 | |
Excuse me. | 0:01:31 | 0:01:33 | |
It's Sarah's first stop | 0:01:33 | 0:01:35 | |
as she travels the length and breadth of the country | 0:01:35 | 0:01:37 | |
searching for unloved items that she can work her magic on. | 0:01:37 | 0:01:41 | |
Today, I'm looking for those items destined for the tip | 0:01:45 | 0:01:48 | |
with that transformative potential that I can turn into profit. | 0:01:48 | 0:01:52 | |
But before you eager beavers get any idea | 0:01:52 | 0:01:55 | |
about heading down to your local dump, | 0:01:55 | 0:01:58 | |
Sarah's been given special permission to raid the rubbish. | 0:01:58 | 0:02:02 | |
You never know what you're going to get here. That's why it's so thrilling! | 0:02:02 | 0:02:06 | |
She's on a mission to save four items from the scrapheap | 0:02:06 | 0:02:10 | |
to rejuvenate or repurpose and sell on for a profit. | 0:02:10 | 0:02:14 | |
It looks like there's plenty of potential loot in Dave's boot. | 0:02:18 | 0:02:22 | |
You've got a car-full, what are you doing? | 0:02:22 | 0:02:24 | |
This is my auntie, who's moving from a house to an apartment. | 0:02:24 | 0:02:29 | |
There's some real old stuff in here, I tell you. | 0:02:29 | 0:02:32 | |
Surely in amongst all this, Sarah can uncover an item | 0:02:32 | 0:02:36 | |
to unleash her creativity upon. | 0:02:36 | 0:02:39 | |
After all, she can make the use-less use-ful, the aw-ful awe-some. | 0:02:39 | 0:02:45 | |
SARAH LAUGHS | 0:02:45 | 0:02:47 | |
I don't know where the head's got to, I'm sure. | 0:02:47 | 0:02:49 | |
Some items, though, are beyond even Sarah's skills. Thankfully. | 0:02:49 | 0:02:54 | |
Tell you what I'm liking the look of. What's that? | 0:02:54 | 0:02:57 | |
Little stool or something? | 0:02:57 | 0:02:59 | |
-Yeah, it's a table. -It's a telephone seat, isn't it? | 0:02:59 | 0:03:02 | |
Back in the days before mobiles or cordless phones, | 0:03:02 | 0:03:05 | |
you may have had one of these next to your telephone | 0:03:05 | 0:03:08 | |
so you could have a nice sit while you had a natter. | 0:03:08 | 0:03:11 | |
I love its legs. | 0:03:11 | 0:03:12 | |
I've got somebody who I'm working with who loves a leg. | 0:03:14 | 0:03:18 | |
I nearly said something earlier! I nearly said something earlier! | 0:03:18 | 0:03:22 | |
I'd sooner see your legs than them legs! | 0:03:22 | 0:03:24 | |
Them legs do nothing for me. | 0:03:24 | 0:03:25 | |
I'm sure when you take them jeans off, them legs'll do better! | 0:03:25 | 0:03:29 | |
Now, now, now! | 0:03:29 | 0:03:30 | |
Keep it clean. This is a respectable show. | 0:03:30 | 0:03:33 | |
Let's get back to business, please. | 0:03:33 | 0:03:36 | |
I really like that, I love the metal on it and I like the look. | 0:03:36 | 0:03:39 | |
Do you think I'll get more than a fiver for it if I do it up? | 0:03:39 | 0:03:41 | |
You've saved it, that's the most important thing. | 0:03:41 | 0:03:43 | |
I'll see what I can do with this little gem. | 0:03:43 | 0:03:45 | |
-Smashing. -Lovely. -Keep up the good work. | 0:03:45 | 0:03:48 | |
So what would Dave's auntie make of all this? | 0:03:50 | 0:03:53 | |
She'd be chuffed, absolutely chuffed. | 0:03:53 | 0:03:55 | |
It's been part of her life for a long, long time. | 0:03:55 | 0:03:57 | |
So if you end up recycling that, then that'll be great. | 0:03:57 | 0:04:02 | |
I know it's only small, but I think this is absolutely beautiful. | 0:04:02 | 0:04:06 | |
These lines are classic, | 0:04:06 | 0:04:08 | |
you know, got that '50s atomic look to it, | 0:04:08 | 0:04:10 | |
and I think this'll turn out to be a really pretty piece, | 0:04:10 | 0:04:13 | |
and I know just who to take it to. | 0:04:13 | 0:04:15 | |
Let's meet the man who'll be ringing the changes on this telephone seat. | 0:04:18 | 0:04:22 | |
Jay Blades is a builder-turned-philosophy graduate- turned-furniture designer. | 0:04:29 | 0:04:34 | |
What I love about furniture is the playfulness. | 0:04:34 | 0:04:36 | |
It reminds me of my childhood, where I used to make Meccano sets | 0:04:36 | 0:04:40 | |
and just making stuff. | 0:04:40 | 0:04:42 | |
Now with furniture, I'm allowed to take things apart, | 0:04:42 | 0:04:45 | |
add some paint, add some fabric and just basically add a bit of me. | 0:04:45 | 0:04:50 | |
Jay has his finger on the pulse of contemporary interior design, | 0:04:50 | 0:04:55 | |
reworking the very best of British craftsmanship | 0:04:55 | 0:04:58 | |
and bringing it bang up-to-date. | 0:04:58 | 0:05:00 | |
Personally speaking, I think adding colour is very important. | 0:05:00 | 0:05:05 | |
Give me the most ridiculous piece of furniture and I will turn it into something beautiful. | 0:05:05 | 0:05:09 | |
That's my claim to fame. I know I could do it. | 0:05:09 | 0:05:12 | |
Hopefully, Jay will be just as engaged when he sees what Sarah's bringing him. | 0:05:13 | 0:05:17 | |
-That looks nice. -It's a gem. -Is it le...? No. | 0:05:20 | 0:05:24 | |
-It looked like it was leather. -No, it's not. | 0:05:24 | 0:05:26 | |
It's a telephone chair, call chair, kind of thing. | 0:05:26 | 0:05:29 | |
-What do you reckon? -It looks really, really cool. | 0:05:29 | 0:05:31 | |
I love the legs. | 0:05:31 | 0:05:33 | |
I saw the legs and I thought of you. | 0:05:33 | 0:05:35 | |
Yeah, most definitely. | 0:05:35 | 0:05:36 | |
This is me. All over. | 0:05:36 | 0:05:38 | |
I think the fabric is the thing that's going to make this shine. | 0:05:38 | 0:05:41 | |
Is it leather? Is it velvet? | 0:05:41 | 0:05:43 | |
I love working with leather or velvet and I think they ooze luxury, | 0:05:43 | 0:05:47 | |
so if we want to sell this for quite a bit of money, | 0:05:47 | 0:05:50 | |
because of the style it is, it should be quite a bit. | 0:05:50 | 0:05:53 | |
And this is quite unique, I've never seen anything like this before, | 0:05:53 | 0:05:56 | |
so we're going to make this one of those spectacular pieces. | 0:05:56 | 0:06:00 | |
That sounds fantastic. | 0:06:00 | 0:06:01 | |
-Yeah. -But what are we thinking about in terms of budget for it? | 0:06:01 | 0:06:04 | |
If you're working with something like leather, | 0:06:04 | 0:06:06 | |
leather pushes it up a bit because you have to buy a whole hide, | 0:06:06 | 0:06:09 | |
they don't sell them in halves, that I know of anyway. | 0:06:09 | 0:06:13 | |
And...I would love to work in the leather. | 0:06:13 | 0:06:15 | |
So the leather alone, we could be looking at least 60... | 0:06:15 | 0:06:20 | |
I would say £60 to cover that. | 0:06:20 | 0:06:22 | |
I'm probably looking at 150 quid, maximum, on it, | 0:06:22 | 0:06:26 | |
so I think that that might define what you get to put on the seat. | 0:06:26 | 0:06:30 | |
Sounds like Jay's big plans to blow the cobwebs away | 0:06:30 | 0:06:34 | |
come with a big price tag. | 0:06:34 | 0:06:36 | |
His leather dream is being crushed by Sarah's bottom line. | 0:06:36 | 0:06:40 | |
I'll leave you with 60 quid. | 0:06:40 | 0:06:41 | |
If you struggle on the fabric, | 0:06:41 | 0:06:43 | |
then maybe I've got another fiver, another tenner to spend. | 0:06:43 | 0:06:46 | |
OK. 60 to 70, no more than 70. | 0:06:46 | 0:06:49 | |
-Don't spend more than 70. -No more. OK. That's a deal. | 0:06:49 | 0:06:53 | |
-You take care, yeah? -Bye! -OK. | 0:06:54 | 0:06:56 | |
There's something really special about that telephone chair, and Jay picks up on that. | 0:07:00 | 0:07:04 | |
He's so good to work with because he knows about leaving a little bit of margin in it for everybody. | 0:07:04 | 0:07:10 | |
I think he's going to create something really special. | 0:07:10 | 0:07:13 | |
The fabric is going to be the wow factor, | 0:07:15 | 0:07:19 | |
and also with the fabric being the wow factor, | 0:07:19 | 0:07:22 | |
the legs, the side have to complement it as well. | 0:07:22 | 0:07:25 | |
So this one's going to be quite interesting. | 0:07:25 | 0:07:28 | |
Sarah and Jay agree this chair needs a modern makeover, | 0:07:30 | 0:07:34 | |
but can Jay do it within his 60 to 70 quid budget? | 0:07:34 | 0:07:39 | |
One item down, three to go, and Sarah's loving every minute of it. | 0:07:45 | 0:07:50 | |
Time flies when you're having fun. | 0:07:50 | 0:07:52 | |
Bringing new life to cast-aside odds and ends is Sarah's passion, | 0:07:54 | 0:07:58 | |
but she also loves selling it on for a tidy sum. | 0:07:58 | 0:08:02 | |
Can she surprise Brian by turning his clutter into cash? | 0:08:03 | 0:08:08 | |
Oh, I like the look of your rubbish. | 0:08:08 | 0:08:11 | |
What's that? What's that, before we throw it away? | 0:08:11 | 0:08:13 | |
-It was a... -Oil. -..an oil tin, but... | 0:08:13 | 0:08:16 | |
Oh, it's all solid in there, is it? | 0:08:16 | 0:08:18 | |
Retired engineer Brian's getting rid of all the old bits and bobs | 0:08:18 | 0:08:21 | |
from his garage. | 0:08:21 | 0:08:23 | |
Oh, I quite like that. OK. | 0:08:23 | 0:08:25 | |
And then what are these bits? Are they...? | 0:08:25 | 0:08:28 | |
I love these. | 0:08:28 | 0:08:30 | |
Oh, I love them, too. | 0:08:30 | 0:08:32 | |
Uh, but what is it? A heater? A light? I think it's a heater. | 0:08:32 | 0:08:37 | |
It's these bits I'm wondering if I could do anything. These are... | 0:08:37 | 0:08:41 | |
These don't go together, do they? | 0:08:41 | 0:08:42 | |
Ah, rusty metal shelving. That's more like it. | 0:08:42 | 0:08:46 | |
I think I'd quite like to take these bits and these bits | 0:08:47 | 0:08:50 | |
-and see if there's anything I can do with them. -Yeah. | 0:08:50 | 0:08:52 | |
On top of the rusty shelves, | 0:08:52 | 0:08:54 | |
Sarah's also nabbed some rusty metal poles. | 0:08:54 | 0:08:57 | |
I think we might leave the other bits | 0:08:57 | 0:08:59 | |
but just take this lovely rusty little bundle here | 0:08:59 | 0:09:03 | |
and see if I can do something with that. | 0:09:03 | 0:09:05 | |
I'll help you put the rest in the recycling. | 0:09:05 | 0:09:07 | |
Oh, hold on. | 0:09:07 | 0:09:08 | |
How can you chuck the, um, thingamabob? We love that. | 0:09:08 | 0:09:12 | |
CLATTERING Oof! Mind me lug holes! | 0:09:12 | 0:09:16 | |
So, Brian, do you have any ideas | 0:09:16 | 0:09:18 | |
what Sarah's going to do with all that? | 0:09:18 | 0:09:21 | |
-Well, throw it into the scrap. -HE LAUGHS | 0:09:21 | 0:09:24 | |
Well, ask a stupid question... | 0:09:24 | 0:09:27 | |
They all think I'm bonkers. | 0:09:27 | 0:09:28 | |
And they're probably right. | 0:09:29 | 0:09:32 | |
What do you mean, probably? | 0:09:32 | 0:09:33 | |
Let's find out who Sarah's lined up | 0:09:33 | 0:09:36 | |
to rejuvenate this rusty old rubbish. | 0:09:36 | 0:09:39 | |
Artist blacksmith Bex Simon is an expert in manipulating metal | 0:09:43 | 0:09:48 | |
into high-end furniture and bespoke metalwork commissions. | 0:09:48 | 0:09:52 | |
Blacksmithing as a craft, you know, it hasn't really changed | 0:09:52 | 0:09:56 | |
over the hundreds and hundreds of years that it's been around. | 0:09:56 | 0:09:59 | |
We still use fire as a tool. We've got an anvil and a hammer. | 0:09:59 | 0:10:04 | |
There's something very sort of medieval about it. | 0:10:04 | 0:10:08 | |
Together with husband Dave, | 0:10:08 | 0:10:10 | |
this formidable team has the skill and imagination | 0:10:10 | 0:10:13 | |
to create something special from any old iron. | 0:10:13 | 0:10:17 | |
My passion for the craft is trying to use it | 0:10:17 | 0:10:20 | |
in a very contemporary way. | 0:10:20 | 0:10:22 | |
Still keep it alive and involve it as much as I can | 0:10:22 | 0:10:25 | |
with any job that we do. | 0:10:25 | 0:10:28 | |
You're a passionate woman, for sure, Bex, | 0:10:28 | 0:10:30 | |
but will you get excited about this pile of junk? | 0:10:30 | 0:10:33 | |
-Bex, Dave! -Hello! -Hiya! | 0:10:36 | 0:10:39 | |
I was just saying that I don't get embarrassed | 0:10:39 | 0:10:41 | |
when I bring you piles of rusty stuff, | 0:10:41 | 0:10:43 | |
and then I walk in here and I feel really embarrassed. | 0:10:43 | 0:10:45 | |
-Oh, no. -Come and see my rusty stuff. | 0:10:45 | 0:10:47 | |
What have we got? Oh, look. Shelves. | 0:10:47 | 0:10:50 | |
-This is a high-end interiors cabinet. -Oh, yeah. | 0:10:50 | 0:10:52 | |
It just looks like shelves at the moment. | 0:10:52 | 0:10:54 | |
I thought what we could do is make a frame out of that | 0:10:54 | 0:10:58 | |
and some sort of finishing out of this to make a lovely cabinet. | 0:10:58 | 0:11:03 | |
Oh, dear. I'm not sure I like that. | 0:11:05 | 0:11:07 | |
Don't get all excited at once. | 0:11:07 | 0:11:09 | |
-Why don't you draw down, so we can...? -OK. We'll bring a bit in. | 0:11:09 | 0:11:13 | |
I've got a feeling they're not totally convinced. | 0:11:13 | 0:11:16 | |
Is this is where Dave normally stands? | 0:11:16 | 0:11:18 | |
-SHE LAUGHS -Yeah. | 0:11:18 | 0:11:20 | |
Well, they don't call him buns of steel for nothing, you know. | 0:11:20 | 0:11:24 | |
Maybe the front of the cabinet | 0:11:24 | 0:11:26 | |
could be made up of a couple of the panels, | 0:11:26 | 0:11:29 | |
and maybe just one panel deep, | 0:11:29 | 0:11:31 | |
and then lovely legs. | 0:11:31 | 0:11:33 | |
Bex's lovely legs. So, how does that sound? Is that...? | 0:11:33 | 0:11:35 | |
-You know, can you imagine that? -I can see it. -Yeah. | 0:11:35 | 0:11:38 | |
I think just for finishing, I think, you know, | 0:11:38 | 0:11:41 | |
if we're painting over that, | 0:11:41 | 0:11:44 | |
then it's going to look like a really nice paint job | 0:11:44 | 0:11:47 | |
on a battered piece of furniture. | 0:11:47 | 0:11:49 | |
What do you use to clean them up? What will you go for? | 0:11:49 | 0:11:52 | |
Well, we're just going to give it a quick wire brush and see. | 0:11:52 | 0:11:56 | |
-If you put some... -I love this. | 0:11:56 | 0:11:58 | |
Right, girls with power tools. Here we go, Bex. We can do this. | 0:11:58 | 0:12:01 | |
Bex is giving the metal a quick test rub with the metal sander | 0:12:02 | 0:12:06 | |
to see if anything still shines beneath all that rust. | 0:12:06 | 0:12:09 | |
I love that. | 0:12:09 | 0:12:11 | |
Really? | 0:12:11 | 0:12:12 | |
If this comes out to be this beautiful cabinet, | 0:12:12 | 0:12:14 | |
realistically, what kind of price do you think it's going to take | 0:12:14 | 0:12:18 | |
to get this with that high-end luxury feeling to it? | 0:12:18 | 0:12:21 | |
We could stretch it to, say, 700, 800... | 0:12:21 | 0:12:25 | |
-OK. -..which would be... -750? | 0:12:25 | 0:12:28 | |
-750, yeah. -Fab. | 0:12:28 | 0:12:30 | |
It's a done deal. Everybody happy? | 0:12:30 | 0:12:33 | |
Hm. Dave, what's that worried face for? | 0:12:33 | 0:12:36 | |
My concerns are it looks like a bunch of workshop shelves | 0:12:36 | 0:12:40 | |
that have been... welded together in a kind of... | 0:12:40 | 0:12:45 | |
-And it's rattly, flimsy and just... -SHE LAUGHS | 0:12:45 | 0:12:48 | |
Yeah, but we'll make it look good. Jazzy shelves. | 0:12:48 | 0:12:52 | |
It's a fairly steep £750 to transform the shelves. | 0:12:53 | 0:12:58 | |
I'll tell you, they're going to have to turn out pretty jazzy | 0:12:58 | 0:13:02 | |
for someone to pay more than that for them. | 0:13:02 | 0:13:04 | |
Let's make our way back to Wolverhampton... | 0:13:13 | 0:13:16 | |
..where Jay's modern makeover of the telephone chair is well under way. | 0:13:18 | 0:13:23 | |
And what is this I spy? | 0:13:23 | 0:13:26 | |
The luxurious leather that was ruled out as being too expensive. | 0:13:26 | 0:13:30 | |
Tell all, Jay. | 0:13:30 | 0:13:31 | |
I got some really cheap leather from my local market, | 0:13:31 | 0:13:34 | |
which I really love going to. | 0:13:34 | 0:13:36 | |
I know everybody goes to these fancy kind of fabric houses, | 0:13:36 | 0:13:40 | |
but I go down to the local market and he sells me a bit of leather, | 0:13:40 | 0:13:44 | |
get it at a cheap enough price and I can put it onto chairs like this. | 0:13:44 | 0:13:47 | |
But I've kept the same kind of colour, so it's similar. | 0:13:47 | 0:13:52 | |
But I've added a button. | 0:13:52 | 0:13:54 | |
The reason why I do upholstery first sometimes is because I want to see | 0:13:54 | 0:13:58 | |
how the fabric looks and then add the colour with the paint. | 0:13:58 | 0:14:02 | |
I know I'm going to be adding this...this colour somewhere. | 0:14:02 | 0:14:05 | |
We put the kind of cushion on the back, but to tell you the truth, | 0:14:05 | 0:14:09 | |
I don't like the cushion. I think it doesn't work. | 0:14:09 | 0:14:11 | |
I think it looks so cool without the cushion, it's unbelievable. | 0:14:11 | 0:14:16 | |
The back just destroys it. | 0:14:16 | 0:14:19 | |
But will Sarah agree to chucking the cushion? | 0:14:19 | 0:14:22 | |
Especially now it's in luxurious leather! | 0:14:22 | 0:14:25 | |
I'm not so sure, Jay! | 0:14:25 | 0:14:28 | |
All I've got to do now is just complement it with some paint | 0:14:28 | 0:14:31 | |
and that's just going to look zing! It's going to be like that - whoosh! | 0:14:31 | 0:14:34 | |
"Zing!" Well, I've no idea what it is, but I like the sound of it. | 0:14:34 | 0:14:39 | |
Jay is using an electric sander | 0:14:46 | 0:14:48 | |
to expose the natural grain of the wood. | 0:14:48 | 0:14:51 | |
I want these to be a work of art, so I have to put some effort into them, | 0:14:54 | 0:14:58 | |
which basically means rubbing down, getting the grain up, | 0:14:58 | 0:15:01 | |
but this is going to really look cool when it's finished. | 0:15:01 | 0:15:05 | |
As I've said before, "zing" is what I'm after. | 0:15:05 | 0:15:08 | |
The key to a long-lasting paint job is to prepare the wood | 0:15:11 | 0:15:15 | |
so it's clean and crisp. | 0:15:15 | 0:15:17 | |
Best thing to do when you're painting, I would say, | 0:15:17 | 0:15:19 | |
is to put less paint on. | 0:15:19 | 0:15:21 | |
It's always best to really put a thin amount, | 0:15:21 | 0:15:24 | |
just so you're in control of it and you can actually spread the paint. | 0:15:24 | 0:15:29 | |
That's a top tip. | 0:15:29 | 0:15:30 | |
I, however, have a tip about your top. | 0:15:30 | 0:15:33 | |
If you're painting, best not to wear a pristine designer white shirt! | 0:15:33 | 0:15:39 | |
Wow! | 0:15:39 | 0:15:41 | |
That's the first time... that's ever happened. | 0:15:41 | 0:15:45 | |
That's quite amazing. | 0:15:45 | 0:15:47 | |
Look at that. I've just got black on my shirt. | 0:15:47 | 0:15:49 | |
Shocker(!) Who'd have thought(?) | 0:15:49 | 0:15:52 | |
The blue leg is to match the button | 0:15:56 | 0:15:58 | |
and to make the button stand out even more... | 0:15:58 | 0:16:01 | |
..by adding another element of blue. | 0:16:03 | 0:16:07 | |
And against the three black legs... | 0:16:07 | 0:16:09 | |
..it's just going to look very... | 0:16:11 | 0:16:13 | |
Um, what's the word? | 0:16:14 | 0:16:16 | |
I'll give you a clue - begins with a Z. | 0:16:16 | 0:16:20 | |
Cor, blimey. I don't even know what the word is. | 0:16:20 | 0:16:22 | |
Oh, Jay, come on, now! I think we all know. | 0:16:22 | 0:16:25 | |
Just gives it that zing! | 0:16:27 | 0:16:29 | |
That's the one! | 0:16:29 | 0:16:30 | |
But will this zing equal ker-ching when it comes time to sell? | 0:16:30 | 0:16:35 | |
And will Sarah agree to chucking the cushion? | 0:16:35 | 0:16:38 | |
From Wolverhampton to Surrey, | 0:16:49 | 0:16:51 | |
to check in on Bex and Dave and those rusty shelves. | 0:16:51 | 0:16:55 | |
Bex is drawing out the blueprint for the new cabinet. | 0:16:55 | 0:16:58 | |
That's another door. | 0:16:58 | 0:17:00 | |
-So, you've got two of the shelves. -HE LAUGHS | 0:17:01 | 0:17:05 | |
But I think Dave has spotted a small flaw in Bex's plan. | 0:17:05 | 0:17:08 | |
You've got five doors. | 0:17:08 | 0:17:10 | |
SHE LAUGHS | 0:17:10 | 0:17:12 | |
I was just testing to see if you were awake. | 0:17:12 | 0:17:15 | |
Well, that's an encouraging start, then. | 0:17:15 | 0:17:18 | |
Dave's first job is to weld together a steel frame | 0:17:22 | 0:17:25 | |
that will form the body of the cabinet | 0:17:25 | 0:17:27 | |
before the shelves are attached. | 0:17:27 | 0:17:29 | |
Dave was having a little trouble | 0:17:32 | 0:17:34 | |
picturing this as a high-end interiors piece... | 0:17:34 | 0:17:37 | |
..so Bex has been coming up with ideas to bling it up a bit. | 0:17:38 | 0:17:42 | |
We could either paint the inside, you know, like, | 0:17:42 | 0:17:47 | |
gold or something, like... | 0:17:47 | 0:17:49 | |
Or not. | 0:17:53 | 0:17:55 | |
I think it's back to the drawing board. | 0:17:55 | 0:17:57 | |
As Dave assembles the base, Bex starts to make the legs | 0:17:59 | 0:18:03 | |
out of the steel bars Sarah salvaged | 0:18:03 | 0:18:06 | |
along with the shelves. | 0:18:06 | 0:18:08 | |
Bex is cutting them to size with an electric saw. | 0:18:08 | 0:18:11 | |
-Positive thinking. Positive thinking. -But... | 0:18:11 | 0:18:14 | |
-SHE GASPS -Ah. | 0:18:14 | 0:18:16 | |
Houston, we have a problem. | 0:18:16 | 0:18:19 | |
Look. | 0:18:19 | 0:18:21 | |
..one of the legs has ended up a little shorter than the others. | 0:18:21 | 0:18:25 | |
-You'll have to cut them again, then. -SHE LAUGHS | 0:18:25 | 0:18:29 | |
OK. | 0:18:29 | 0:18:30 | |
With time getting on, workhorse Dave helps cut the legs down to size | 0:18:30 | 0:18:35 | |
while Bex still has the tough job of trying to design the cabinet. | 0:18:35 | 0:18:40 | |
And she's just had an idea that might just make it saleable. | 0:18:40 | 0:18:44 | |
This is a hammered aluminium look, | 0:18:44 | 0:18:48 | |
so we want that thing when you open it up, you're like, | 0:18:48 | 0:18:51 | |
"Oh, my goodness. I so wasn't expecting that." | 0:18:51 | 0:18:55 | |
The outside's going to look a bit like that, | 0:18:55 | 0:18:57 | |
-maybe with a bit of paint. -Yeah. | 0:18:57 | 0:19:00 | |
And then the inside is going to be completely and utterly different. | 0:19:00 | 0:19:04 | |
To achieve a hammered aluminium finish | 0:19:08 | 0:19:10 | |
requires the very technical process | 0:19:10 | 0:19:12 | |
of first taking some aluminium and then bashing it with a hammer. | 0:19:12 | 0:19:17 | |
This will create a lovely dimpled effect | 0:19:17 | 0:19:19 | |
that Bex and Dave are hoping will draw the eye away | 0:19:19 | 0:19:23 | |
from the rusty metal. | 0:19:23 | 0:19:24 | |
But back up the other end, Dave doesn't look happy again. | 0:19:28 | 0:19:31 | |
I can't remember from the discussion with Sarah what she wanted. | 0:19:31 | 0:19:35 | |
Fear not, Dave. You've done exactly what Sarah wanted. | 0:19:35 | 0:19:39 | |
This one's putting them into a spin. | 0:19:39 | 0:19:42 | |
It's probably too thin to be one deep, isn't it? | 0:19:42 | 0:19:45 | |
I think if it was twice the depth, it would look just too bulky. | 0:19:45 | 0:19:51 | |
I think you might be right there, Dave, and you two need to crack on. | 0:19:51 | 0:19:55 | |
To be honest, I'd say the bigger problem is that at the moment, | 0:19:55 | 0:19:59 | |
it's a million miles away from anything | 0:19:59 | 0:20:01 | |
anyone would pay over £750 for. | 0:20:01 | 0:20:04 | |
In Wolverhampton, | 0:20:09 | 0:20:11 | |
Jay's putting the finishing touches to the telephone chair. | 0:20:11 | 0:20:14 | |
Will Sarah give the thumbs-up or down to Jay's handiwork? | 0:20:17 | 0:20:23 | |
I can't wait to see what Jay has done with that poor little redundant telephone chair. | 0:20:23 | 0:20:28 | |
I'm hoping he's given it a new lease of life and a purpose again. | 0:20:28 | 0:20:32 | |
Sarah and Jay were both hung up on the smooth curves | 0:20:34 | 0:20:38 | |
and slender legs of this item. | 0:20:38 | 0:20:40 | |
But it didn't mean a thing, cos it didn't have that zing. | 0:20:40 | 0:20:44 | |
The two-tone colour palette and simple but eye-catching addition | 0:20:54 | 0:20:59 | |
of the blue button make it modern and stylish. | 0:20:59 | 0:21:02 | |
Jay's left the back bar untouched. | 0:21:08 | 0:21:11 | |
It's chipped and cracked, | 0:21:11 | 0:21:12 | |
but contrasts nicely with the sleek finish of the paintwork - | 0:21:12 | 0:21:17 | |
a talking point hinting at the chair's history. | 0:21:17 | 0:21:20 | |
And, of course, the leather. | 0:21:22 | 0:21:24 | |
A touch of extravagance - exactly what Sarah was after. | 0:21:24 | 0:21:28 | |
Now, this is how Jay would like the chair to look. | 0:21:31 | 0:21:34 | |
But for Sarah's viewing, he'll bring back the cushion | 0:21:34 | 0:21:37 | |
and try to smooth-talk her round to his way of thinking. | 0:21:37 | 0:21:41 | |
Good luck with that! | 0:21:41 | 0:21:43 | |
Do you like it? | 0:21:44 | 0:21:46 | |
Let me look at it. | 0:21:46 | 0:21:47 | |
SHE GASPS | 0:21:47 | 0:21:49 | |
-It's leather! -It's leather, yes. | 0:21:49 | 0:21:52 | |
I thought I'd push the boat out a bit, just a wee bit. | 0:21:52 | 0:21:55 | |
It's luxury! | 0:21:55 | 0:21:57 | |
It is luxury! The one thing I don't like is, I don't like the back. | 0:21:57 | 0:22:00 | |
I think it doesn't look good with the back on there. | 0:22:00 | 0:22:02 | |
But the back off - now, that is style. | 0:22:02 | 0:22:05 | |
For me, it just doesn't look... When you look at it, | 0:22:05 | 0:22:08 | |
because no-one has a chair up that high anyway, really. | 0:22:08 | 0:22:11 | |
Hee-hee! | 0:22:11 | 0:22:13 | |
It just looks cool. Really, really cool. | 0:22:13 | 0:22:16 | |
Mm. That could work. | 0:22:16 | 0:22:18 | |
Will she or won't she? | 0:22:18 | 0:22:20 | |
Personally, I'm on Team Jay. | 0:22:20 | 0:22:22 | |
And now it looks naff. | 0:22:25 | 0:22:27 | |
Cool... | 0:22:27 | 0:22:29 | |
Yeah, baby! | 0:22:29 | 0:22:31 | |
You're completely right. | 0:22:31 | 0:22:32 | |
This is luxury, classy, designer, and that is sluggish, isn't it? | 0:22:32 | 0:22:38 | |
Yeah, it is. It's not good. But that... That works. | 0:22:38 | 0:22:40 | |
That looks... I think that looks really, really cool. | 0:22:40 | 0:22:44 | |
You've done well there, you've done well! | 0:22:44 | 0:22:45 | |
I have done well, thank you, thank you. | 0:22:45 | 0:22:48 | |
Let's put it back on its pedestal so I can have a proper look. Because that... The legs... | 0:22:48 | 0:22:52 | |
You've got such a great eye. | 0:22:53 | 0:22:54 | |
It's beautiful, I think. It just oozes style, sex appeal. | 0:22:54 | 0:22:58 | |
It's one of the most stylish things I've ever produced. | 0:22:58 | 0:23:01 | |
And because Jay did a deal on the leather, | 0:23:01 | 0:23:04 | |
he hasn't burst his budget. | 0:23:04 | 0:23:06 | |
He completed the work for £60. | 0:23:06 | 0:23:09 | |
The leather, you normally buy leather hide and it can be, like, £250. | 0:23:09 | 0:23:13 | |
But I've got a man at my local market | 0:23:13 | 0:23:15 | |
and he sells me leather hides really, really cheap | 0:23:15 | 0:23:18 | |
and this was like an offcut of one and, yeah, it just worked. | 0:23:18 | 0:23:22 | |
It's the business, isn't it? | 0:23:22 | 0:23:24 | |
It may look the business, but will it be a good bit of business? | 0:23:24 | 0:23:29 | |
The proof, as ever, will be in the profit. | 0:23:29 | 0:23:32 | |
Jay has definitely managed to get some life back into the old stool... | 0:23:34 | 0:23:39 | |
and I'm going to make a bit of money on it, | 0:23:39 | 0:23:41 | |
because the design is great and it's got a very strong look now. | 0:23:41 | 0:23:44 | |
Sarah first spied this leggy lovely in Dave's boot. | 0:23:45 | 0:23:50 | |
What was that? Little stool or something? | 0:23:50 | 0:23:52 | |
-Yeah. -It's a telephone seat, isn't it? -With a back. | 0:23:52 | 0:23:55 | |
It belonged to Dave's auntie. | 0:23:55 | 0:23:57 | |
It's been part of her life for a long, long time. | 0:23:57 | 0:24:00 | |
So if you end up recycling that, then that will be great. | 0:24:00 | 0:24:04 | |
All the vintage chair needed was a little va-va-voom. | 0:24:04 | 0:24:08 | |
Made-over to the max, it was an easy sell for Sarah | 0:24:11 | 0:24:15 | |
through a specialist antique and upcycling shop in London. | 0:24:15 | 0:24:19 | |
Now she's on her way to Dave's house to surprise him with the good news. | 0:24:21 | 0:24:27 | |
Hello, Sarah. Nice to meet you again. | 0:24:32 | 0:24:35 | |
-How are you? -I'm really well, David. How are things? | 0:24:35 | 0:24:38 | |
Smashing, yeah. Smashing. | 0:24:38 | 0:24:40 | |
Lovely. Well, I said after our brief encounter at the tip that I'd be back in touch about your chair. | 0:24:40 | 0:24:44 | |
-Yeah. -It belonged to your aunt, didn't it? | 0:24:44 | 0:24:47 | |
That's right, she was downsizing, yeah. | 0:24:47 | 0:24:49 | |
I work with a guy called Jay Blades, | 0:24:49 | 0:24:51 | |
who takes a lot of mid-century furniture like yours | 0:24:51 | 0:24:54 | |
and really makes it look amazing. Do you want to see what he did with it? | 0:24:54 | 0:24:57 | |
Yeah, yeah. I'd love to, love to. | 0:24:57 | 0:24:59 | |
-I think you probably remember it looking... -Yes, yes, yes. | 0:24:59 | 0:25:03 | |
-Looking like that. -Yeah. | 0:25:03 | 0:25:05 | |
After he finished with it, it looked like that. | 0:25:05 | 0:25:08 | |
Excellent, yeah. Unrecognisable, really. | 0:25:08 | 0:25:11 | |
What do you think your auntie would think about that? | 0:25:11 | 0:25:13 | |
She'd be amazed, really, and just pleased, you know. | 0:25:13 | 0:25:16 | |
I think that generation don't throw things away, do they? | 0:25:16 | 0:25:19 | |
You know what I mean? Yeah, she'd be chuffed. | 0:25:19 | 0:25:22 | |
I took it to a shop in London. | 0:25:22 | 0:25:24 | |
It did sell, and I'm really pleased to say it sold at a profit as well. | 0:25:24 | 0:25:28 | |
-Really? -So I've got £60 here to give to you. | 0:25:28 | 0:25:31 | |
-For me? -For you, for your old chair. | 0:25:31 | 0:25:33 | |
I think it should go to my auntie, actually. I think she'll have that, but, yeah, yeah. | 0:25:33 | 0:25:38 | |
Excellent. Any idea...? What does she like, what kind of interests does she have? | 0:25:38 | 0:25:42 | |
She likes theatre and arty things, things like that. | 0:25:42 | 0:25:45 | |
Now she's a pensioner, I'll say, "Just treat yourself to whatever you want to do." | 0:25:45 | 0:25:49 | |
Seems a good idea, doesn't it, yeah? | 0:25:49 | 0:25:51 | |
It was my auntie's, at the end of the day, I was just... | 0:25:51 | 0:25:53 | |
-The messenger? -The messenger, yeah. | 0:25:53 | 0:25:56 | |
Oh, well, that's lovely. Well, say thank you very much to her. | 0:25:56 | 0:25:59 | |
-I will. -And thank you for your time and for letting us take it away | 0:25:59 | 0:26:03 | |
and do something with it. It'll make a lot of people very happy now. | 0:26:03 | 0:26:06 | |
Well, it's made me happy and you happy, there's no losers! | 0:26:06 | 0:26:08 | |
-No losers. -No losers. | 0:26:08 | 0:26:10 | |
-Exactly. -Smashing. -Take care, thanks ever so much. -Thank you. -Bye-bye. | 0:26:10 | 0:26:13 | |
Jay charged Sarah £60 to transform Dave's auntie's chair. | 0:26:16 | 0:26:22 | |
Sarah sold it for 120, | 0:26:22 | 0:26:24 | |
turning a profit of £60. | 0:26:24 | 0:26:27 | |
With our first item producing a profit, | 0:26:37 | 0:26:40 | |
Sarah has now travelled to Altchringham, | 0:26:40 | 0:26:42 | |
just outside Manchester, | 0:26:42 | 0:26:44 | |
to hopefully find some more moneymakers. | 0:26:44 | 0:26:47 | |
Sarah, queen of tips. | 0:26:49 | 0:26:51 | |
Yes, Ma'am! | 0:26:51 | 0:26:53 | |
Mind you don't miss what Luther's unloading from his boot. | 0:26:53 | 0:26:57 | |
-Hello, hello. -Oh, hello. -Big clear-out? Garage, is it? | 0:26:57 | 0:27:02 | |
Well, moving home, | 0:27:02 | 0:27:03 | |
so this is the start of getting rid of a load of rubbish. | 0:27:03 | 0:27:06 | |
How long have you got till you move? | 0:27:06 | 0:27:08 | |
-Well, we have probably a couple of weeks or so. -Oh, really? | 0:27:08 | 0:27:10 | |
-So the pressure's mounting? -Definitely. | 0:27:10 | 0:27:13 | |
-This is just the start, you know. -It's a good start. What's that? | 0:27:13 | 0:27:16 | |
Well, it used to be the father-in-law's. He died recently. | 0:27:16 | 0:27:20 | |
-What is it? -Well, it's just an old amp-meter-type thing. | 0:27:20 | 0:27:24 | |
-He used to work for Shell. -Oh, really? | 0:27:24 | 0:27:26 | |
In the electrical department. | 0:27:26 | 0:27:27 | |
He was 97 years of age, so it could be quite old. | 0:27:27 | 0:27:32 | |
This is more accurately known as an ammeter. | 0:27:32 | 0:27:34 | |
It is used for measuring the strength of an electrical current. | 0:27:34 | 0:27:39 | |
Nowadays, it fits in the palm of your hand, | 0:27:39 | 0:27:41 | |
but this one has its own carry case. | 0:27:41 | 0:27:44 | |
It was destined for the tip | 0:27:44 | 0:27:46 | |
but, you know, if you can make use of it, make use of it. | 0:27:46 | 0:27:48 | |
-Do you know something? I would love to have that. -OK. -Brilliant. | 0:27:48 | 0:27:51 | |
-Thank you so much. -OK. | 0:27:51 | 0:27:53 | |
It's like a handbag, look. | 0:27:53 | 0:27:55 | |
Oh, that is a SHOCKING idea! Get it? Voltage, shocking? | 0:27:55 | 0:28:01 | |
Oh, all right, I give up. | 0:28:01 | 0:28:02 | |
But Luther's pleased to see the back of it. | 0:28:02 | 0:28:05 | |
To me, I've got enough old stuff at home | 0:28:05 | 0:28:07 | |
and don't need any more, thank you very much! | 0:28:07 | 0:28:10 | |
I love my new ammeter. Have you seen it? | 0:28:14 | 0:28:17 | |
Look at it. It's a stunning little piece of industrial equipment. | 0:28:17 | 0:28:21 | |
I know exactly who to take this to | 0:28:22 | 0:28:24 | |
to make this into something fantastic. | 0:28:24 | 0:28:26 | |
If you like lamps made from all sorts of crazy stuff, | 0:28:29 | 0:28:33 | |
Guy Trench is your man. | 0:28:33 | 0:28:35 | |
Handyman Guy works tirelessly with his band of happy helpers | 0:28:36 | 0:28:41 | |
to make one-of-a-kind furnishings from...well, anything, really. | 0:28:41 | 0:28:45 | |
I used to be a North Sea diver, and I spent ten years doing that. | 0:28:47 | 0:28:51 | |
My grandmother was an antique dealer, | 0:28:51 | 0:28:53 | |
so I thought I'd try antiques. | 0:28:53 | 0:28:55 | |
My wife said to me, "Guy, you're good with your hands. | 0:28:55 | 0:28:57 | |
"Why don't you cobble together something old?" | 0:28:57 | 0:29:00 | |
And so I got some old bowling balls and turned those into table lamps, | 0:29:00 | 0:29:04 | |
and I thought, if I can do bowling balls, why can't I do cricket balls? | 0:29:04 | 0:29:07 | |
And I thought, if I can do a cricket balls, I'll just try a cricket bat! | 0:29:07 | 0:29:10 | |
And did a cricket bat and then I was really on my way. | 0:29:10 | 0:29:13 | |
I love using reclaimed material. Can't beat it. | 0:29:13 | 0:29:16 | |
With Guy and his gang at the ready, | 0:29:17 | 0:29:19 | |
there's a chance that the ammeter could be electrified once again. | 0:29:19 | 0:29:23 | |
Well, I have to say this is one of the quirkier items that I've saved. | 0:29:25 | 0:29:28 | |
Who knows what Guy might be able to make out of it? | 0:29:28 | 0:29:31 | |
-Hello, hello! -Hi, Sarah. -Lovely to see you. -And you, my dear. | 0:29:32 | 0:29:37 | |
I've got a little something | 0:29:37 | 0:29:39 | |
and I don't know if you can do anything with it. | 0:29:39 | 0:29:42 | |
But have you seen anything like that before? | 0:29:42 | 0:29:44 | |
I don't know what you've brought me this time. | 0:29:45 | 0:29:48 | |
Oh! It's an altimeter, or meter. | 0:29:50 | 0:29:53 | |
-Keith! -Hello? -Come and look at this. | 0:29:53 | 0:29:57 | |
-Hi, Keith. -Hi, Sarah, how you doing? | 0:29:57 | 0:29:59 | |
-Yeah, really well. How are you? -Good, thanks. | 0:29:59 | 0:30:01 | |
-What do you reckon to that? -It's quite smart, isn't it? -Isn't it? | 0:30:01 | 0:30:04 | |
Whether it can actually be put to any good use is... | 0:30:04 | 0:30:06 | |
well, is a problem I'd like to leave to you. | 0:30:06 | 0:30:10 | |
That's right, Sarah, pass the buck! | 0:30:10 | 0:30:12 | |
I think this, polished up, would look really good. | 0:30:12 | 0:30:17 | |
-Don't you think, Keith? -Yeah. | 0:30:17 | 0:30:19 | |
This out here is all patina, it's lovely. | 0:30:19 | 0:30:21 | |
And I think we could just work the lovely waxes into this | 0:30:21 | 0:30:25 | |
and you'll get a lovely colour there. | 0:30:25 | 0:30:27 | |
Round the outsides, a bit of leather polish on there? | 0:30:27 | 0:30:29 | |
It will look good, won't it? | 0:30:29 | 0:30:31 | |
Yes, yes, it'll look nice. But what could it be? | 0:30:31 | 0:30:34 | |
-Um... -And make it into lighting? | 0:30:34 | 0:30:36 | |
Make it into a light, of course, yeah. Definitely a lamp. | 0:30:36 | 0:30:39 | |
A lamp, of course. Why aren't I surprised? | 0:30:39 | 0:30:43 | |
In terms of converting it, | 0:30:43 | 0:30:44 | |
are you thinking it would stand on something? | 0:30:44 | 0:30:46 | |
-Um... What about a wall light? -Yeah. -I don't know. | 0:30:46 | 0:30:51 | |
Once that's cleaned up, half shade on it... | 0:30:51 | 0:30:54 | |
Because that's in your eye when you walk into places. Boof! | 0:30:54 | 0:30:57 | |
"Boof" indeed. | 0:30:57 | 0:30:58 | |
But there's a spark of inspiration from Keith too. | 0:30:58 | 0:31:01 | |
I'm wondering whether you'd get a little LED or something in there | 0:31:01 | 0:31:03 | |
-to light that up. -That's a nice idea. -Yeah? -Might be able to do it. | 0:31:03 | 0:31:06 | |
-What kind of money am I looking at? -I think about £125. -OK. | 0:31:06 | 0:31:11 | |
-Um... -I'm really happy to leave it with you. -Yeah. | 0:31:11 | 0:31:13 | |
Just do what you can, turn it into something functional | 0:31:13 | 0:31:16 | |
and saleable, then, you know, | 0:31:16 | 0:31:18 | |
I'm not going to be able to go wrong on that. That would be great. | 0:31:18 | 0:31:21 | |
-Lovely, always a pleasure. -Lovely to see you again. | 0:31:21 | 0:31:24 | |
-Take care, Keith, nice to see you. Bye-bye! -Bye-bye! | 0:31:24 | 0:31:26 | |
Well, that ammeter is going to look amazing | 0:31:29 | 0:31:32 | |
when Guy has finished with it. | 0:31:32 | 0:31:33 | |
He's certainly the man to put a bit more energy back into that ammeter. | 0:31:33 | 0:31:37 | |
And Sarah's empowered Guy to get creative. | 0:31:37 | 0:31:41 | |
If we can get maybe an LED or light inside it, | 0:31:41 | 0:31:44 | |
yep, I think you've got a great wall light. | 0:31:44 | 0:31:46 | |
She's done well on her skipping this time! | 0:31:46 | 0:31:49 | |
Sarah's probably not in the mood for skipping, | 0:31:49 | 0:31:51 | |
having committed a hefty £125 to the project for Guy | 0:31:51 | 0:31:56 | |
and his team's labour and materials. | 0:31:56 | 0:31:58 | |
They're going to have to give it quite a finish | 0:31:58 | 0:32:01 | |
if Sarah's going to sell it on for a profit. | 0:32:01 | 0:32:03 | |
And so to Surrey, and it's the moment of truth | 0:32:09 | 0:32:12 | |
for Bex and Dave. | 0:32:12 | 0:32:14 | |
Sarah's arrived to see what's been done with that metal cabinet. | 0:32:16 | 0:32:20 | |
When we left them, they were struggling | 0:32:22 | 0:32:24 | |
to add a bit of glamour to the rusty shelves, | 0:32:24 | 0:32:26 | |
but from the looks on their cheeky faces, I think they've been busy. | 0:32:26 | 0:32:31 | |
We just really went to town on this one, | 0:32:33 | 0:32:36 | |
cos it's so big it needed something more, didn't it? | 0:32:36 | 0:32:39 | |
And so, yeah, the inside is quite exciting. | 0:32:39 | 0:32:44 | |
Yeah. I think we can be proud of this one. | 0:32:44 | 0:32:47 | |
Look at that cheeky face. Right. | 0:32:47 | 0:32:49 | |
Let's find out what you've been up to. | 0:32:49 | 0:32:53 | |
Before, it was just a bunch of rusty bits and bobs. | 0:32:53 | 0:32:57 | |
But now... | 0:32:57 | 0:32:58 | |
It's a cool and colourful funky drinks cabinet. | 0:33:06 | 0:33:10 | |
The Art Deco geometric design on the front really adds | 0:33:10 | 0:33:13 | |
a bit of pizzazz to the cabinet doors. | 0:33:13 | 0:33:16 | |
But wait till you see what's inside. | 0:33:16 | 0:33:18 | |
Bex and Dave ditched the hammered aluminium look | 0:33:21 | 0:33:24 | |
and instead lined the inside with a tufted metal effect. | 0:33:24 | 0:33:28 | |
For a real bit of bling, | 0:33:28 | 0:33:29 | |
they've added a suspended glass shelf and mirrored bottom. | 0:33:29 | 0:33:33 | |
It's certainly got the wow factor, but what will Sarah think? | 0:33:33 | 0:33:37 | |
I feel a group hug coming on. | 0:33:43 | 0:33:45 | |
Oh, they're cuddling. That must be a good sign. | 0:33:45 | 0:33:48 | |
Come on. Spit it out. | 0:33:50 | 0:33:52 | |
-Is that what you wanted? -It's stunning, isn't it? | 0:33:52 | 0:33:56 | |
It's lovely. It is so cool. It is quite a wow piece, isn't it? | 0:33:56 | 0:34:01 | |
-It is. -It's completely wow, and what's inside? Does it...? | 0:34:01 | 0:34:04 | |
-Is it all rusty and...? -Here we go. | 0:34:04 | 0:34:06 | |
OK, so, a lovely... | 0:34:06 | 0:34:08 | |
-Holy Moley. Look at that. -It's a James Bond drinks cabinet. | 0:34:10 | 0:34:16 | |
-Is that...? -That's the lights, so when you open it... | 0:34:16 | 0:34:20 | |
Bex, I'm all overwhelmed. | 0:34:20 | 0:34:23 | |
Guys, it's a triumph. It's stunning. | 0:34:23 | 0:34:24 | |
I'm completely and utterly blown away. | 0:34:24 | 0:34:27 | |
Can we shut it up again? | 0:34:27 | 0:34:28 | |
Bex and Dave have really outdone themselves with this one, | 0:34:28 | 0:34:31 | |
but what with the mirror and glass shelf... | 0:34:31 | 0:34:34 | |
-Oh, wow. -..have they come in on budget? | 0:34:34 | 0:34:37 | |
So, 750 quid was left on the table. Tell me you've made that for that. | 0:34:37 | 0:34:41 | |
Well, it's not something that we'd build again for 750, | 0:34:41 | 0:34:45 | |
but you know, we're going to stick to that. | 0:34:45 | 0:34:48 | |
And we had a bit of extra costs on the glass and the mirror. | 0:34:48 | 0:34:52 | |
-It's about another 60 quid. So if we call it 810. -810? | 0:34:52 | 0:34:56 | |
-Do you a deal? -Do me a deal? | 0:34:56 | 0:34:59 | |
You're not doing me a deal. You've done me proud. That is exceptional. | 0:34:59 | 0:35:02 | |
-Hey, what about one for the big man? -And you, Dave, obviously. | 0:35:02 | 0:35:06 | |
-Yeah. -Well done, well done. It's beautiful. | 0:35:06 | 0:35:09 | |
Oh, so we're all cuddling. How nice. | 0:35:09 | 0:35:12 | |
What a glorious cocktail cabinet they've created. | 0:35:13 | 0:35:17 | |
I can't believe their imagination and their creativity. | 0:35:17 | 0:35:19 | |
But there's one thing that's upsetting me - | 0:35:19 | 0:35:21 | |
I can't keep that, so I'm going to go and find it | 0:35:21 | 0:35:24 | |
an excellent new home. | 0:35:24 | 0:35:26 | |
I think Sarah really did love that cos she said she had, like, | 0:35:26 | 0:35:30 | |
a jaw ache from smiling so much. | 0:35:30 | 0:35:32 | |
So, I think it was...yeah, a good result. | 0:35:32 | 0:35:35 | |
Oh, I like the look of your rubbish. | 0:35:41 | 0:35:43 | |
When Sarah pounced on Brian back at the dump, | 0:35:43 | 0:35:46 | |
she had to wade through a load of bits and bobs from his garage... | 0:35:46 | 0:35:49 | |
Oh, I quite like that. | 0:35:49 | 0:35:51 | |
..before she discovered the metal shelving and rusty poles. | 0:35:51 | 0:35:54 | |
I think I'd quite like to take these bits and these bits | 0:35:54 | 0:35:57 | |
and see if there's anything I can do with them. | 0:35:57 | 0:35:59 | |
What was she going to do with them? Well... | 0:35:59 | 0:36:01 | |
IT CLATTERS LOUDLY ..Brian couldn't imagine. | 0:36:01 | 0:36:05 | |
-Well, throw it into the scrap. -HE LAUGHS | 0:36:05 | 0:36:08 | |
Luckily, Bex and Dave had a few ideas | 0:36:08 | 0:36:11 | |
and created a super jazzy, shiny cocktail cabinet. | 0:36:11 | 0:36:15 | |
Sarah's travelled to Aldridge near Walsall to update Brian | 0:36:17 | 0:36:21 | |
on what became of the bits and bobs from his garage. | 0:36:21 | 0:36:25 | |
-Hello. -Hi there. Hi, Brian. How are you? Oh, hello. | 0:36:27 | 0:36:29 | |
-Hello there. -Not too bad, thank you. -And sorry, we haven't met before. | 0:36:29 | 0:36:32 | |
-Sarah. -Jean. -Jean. Come on out, both of you. | 0:36:32 | 0:36:36 | |
Was it here, the garage where all those shelves came from? | 0:36:36 | 0:36:39 | |
That's correct, yeah. Yeah. | 0:36:39 | 0:36:40 | |
I bet you were pleased to see the back of those. | 0:36:40 | 0:36:42 | |
Definitely. Definitely. | 0:36:42 | 0:36:44 | |
What did you think we might do with them? Any ideas? | 0:36:44 | 0:36:46 | |
I haven't got a clue. | 0:36:46 | 0:36:48 | |
I really could not imagine what it would turn out as. | 0:36:48 | 0:36:51 | |
I took them to Bex and Dave, | 0:36:51 | 0:36:54 | |
who are the most fantastic blacksmiths. | 0:36:54 | 0:36:56 | |
Would you like to see what they did with it? | 0:36:56 | 0:36:58 | |
-Yeah, why not? -It's quite a transformation. | 0:36:58 | 0:37:00 | |
Your shelves were turned into an enormous cocktail cabinet. | 0:37:00 | 0:37:05 | |
-Oh, my God. -Good grief. -What do you think? | 0:37:05 | 0:37:08 | |
I would never have believed that you could've done something like that. | 0:37:08 | 0:37:11 | |
-I haven't had a chance to sell it yet. -No. | 0:37:11 | 0:37:13 | |
So, I'd love to be saying I'm handing over money now, | 0:37:13 | 0:37:15 | |
but it has only just reached the market, | 0:37:15 | 0:37:17 | |
and as soon as I've sold it, I'll be back in touch | 0:37:17 | 0:37:20 | |
and I will be hopefully bearing good news and some money. | 0:37:20 | 0:37:23 | |
But at the moment, it's just gone up for sale. | 0:37:23 | 0:37:26 | |
Well, you know, as regards to the money, that's not the object. | 0:37:26 | 0:37:29 | |
I mean, as long as you've made something useful | 0:37:29 | 0:37:32 | |
for somebody else to use, that's the main thing. | 0:37:32 | 0:37:34 | |
Well, that's a lovely sentiment, and it is genuinely a great piece. | 0:37:34 | 0:37:37 | |
-Yeah, beautiful. -Lovely to meet you. -And you. -And nice to see you again. | 0:37:37 | 0:37:41 | |
-Thank you ever so much. -Thank you, Sarah. Have a safe journey. -I will. | 0:37:41 | 0:37:45 | |
Bex and Dave's labour, plus all the jazzy extras, came in at £810. | 0:37:45 | 0:37:51 | |
The cabinet hasn't found a new home quite yet, | 0:37:51 | 0:37:53 | |
which means there's a potential loss of £810. | 0:37:53 | 0:37:57 | |
But we all have high hopes that it won't be long | 0:37:57 | 0:38:00 | |
before Sarah can share some profit with Brian and Jean. | 0:38:00 | 0:38:04 | |
With just one item still to find, | 0:38:10 | 0:38:12 | |
Sarah's travelled to the Witley Recycling centre in Surrey | 0:38:12 | 0:38:16 | |
Whatever she finds here will become her own project. | 0:38:18 | 0:38:21 | |
Fantastic what we do these days. We even recycle pets. | 0:38:22 | 0:38:25 | |
Maybe stick to the searching, Sarah. | 0:38:27 | 0:38:29 | |
Soon enough, Pauline and daughter Samantha have appeared with... | 0:38:31 | 0:38:35 | |
..a boot load of old apples. Well, I wasn't expecting THAT! | 0:38:36 | 0:38:39 | |
-Hello. Hi, I'm Sarah. -Hello. -Don't throw them, don't throw them. | 0:38:39 | 0:38:44 | |
-Are you sure? -Put them back in the car a second. | 0:38:44 | 0:38:47 | |
You've got quite a few there. | 0:38:47 | 0:38:49 | |
Made about 30 apple pies so far out of them. | 0:38:49 | 0:38:51 | |
-You have crumble coming out... -And I can't take any more. | 0:38:51 | 0:38:56 | |
-Is it torture by apple? -Yes, torture by apple. | 0:38:56 | 0:38:59 | |
I'm looking for things that I can recycle and I'm thinking... | 0:38:59 | 0:39:03 | |
I don't know if apples are in my remit. I'm a trained chef. | 0:39:03 | 0:39:07 | |
-Oh, well.. -I spent ten years cooking, so I can cook. | 0:39:07 | 0:39:11 | |
-There you are. -I'm just wondering about making cider. | 0:39:11 | 0:39:14 | |
-Have you ever had them pressed before? -Yes. | 0:39:14 | 0:39:16 | |
We have had them pressed and we wanted to do that this morning | 0:39:16 | 0:39:20 | |
but because we've got somebody at home that's not very well, | 0:39:20 | 0:39:23 | |
we can't leave him and we don't... We just can't... We need some help. | 0:39:23 | 0:39:28 | |
-Well, I'll go and get a trolley. -Right. | 0:39:28 | 0:39:31 | |
And these will be one of my more unusual items of the day. | 0:39:31 | 0:39:34 | |
With Sarah's skills as a chef, | 0:39:36 | 0:39:38 | |
she should be able to take advantage of this unexpected bounty | 0:39:38 | 0:39:42 | |
and I've got one or two ideas. | 0:39:42 | 0:39:44 | |
How about apple strudel, apple crumble, apple muffins, | 0:39:44 | 0:39:48 | |
apple surprise, apple cake... | 0:39:48 | 0:39:51 | |
So that must be one of the most unusual things | 0:39:51 | 0:39:54 | |
that you get at a recycling centre, | 0:39:54 | 0:39:55 | |
so thank you ever so much for letting me have them. | 0:39:55 | 0:39:58 | |
-No problem. -Thank you so much. | 0:39:58 | 0:39:59 | |
Have a good day and I hope your papa gets better. | 0:39:59 | 0:40:01 | |
-Have one on us. -Thank you. -Good luck. | 0:40:01 | 0:40:03 | |
-There might be more than one. -..apple sauce, apple fritters, | 0:40:03 | 0:40:07 | |
apple chutney, apple turnovers... | 0:40:07 | 0:40:09 | |
I could go on but it's not all about me. | 0:40:09 | 0:40:12 | |
What do Pauline and Samantha think Sarah could do | 0:40:12 | 0:40:14 | |
with their boot full of fruit? | 0:40:14 | 0:40:16 | |
To make some cider out of them would be fantastic. | 0:40:16 | 0:40:20 | |
They're not in great nick, so I'm thinking that pressing them | 0:40:20 | 0:40:22 | |
either for juice, possibly cider, or maybe even cutting them up | 0:40:22 | 0:40:26 | |
and making some chutney out of them. Who knows? | 0:40:26 | 0:40:29 | |
But whatever it is, there's heaps of apples here | 0:40:29 | 0:40:31 | |
and that can be heaps of money. | 0:40:31 | 0:40:33 | |
Heaps of money from a heap of rotting apples. | 0:40:35 | 0:40:38 | |
Well, good luck with that one. | 0:40:38 | 0:40:39 | |
Having collected all her items, | 0:40:54 | 0:40:56 | |
Sarah's travelled back home to Sussex | 0:40:56 | 0:40:59 | |
and it's a big day as she's preparing to host a barn sale. | 0:40:59 | 0:41:03 | |
As things are set up, Sarah has a challenge on her hands. | 0:41:03 | 0:41:06 | |
Come on. | 0:41:06 | 0:41:08 | |
She's got to turn a profit from a load of old apples. | 0:41:08 | 0:41:12 | |
The plan is to make apple crumble to sell to the visitors. | 0:41:12 | 0:41:16 | |
Right, crumble time. | 0:41:17 | 0:41:19 | |
-Sarah's daughter Libby is lending a hand today. -Let's get started. | 0:41:22 | 0:41:26 | |
And Sarah will need all the help she can get | 0:41:26 | 0:41:29 | |
if she's going to turn the rotting fruit into a saleable treat. | 0:41:29 | 0:41:32 | |
I'm hoping that these apples are going to be lovely inside | 0:41:35 | 0:41:38 | |
but I have a feeling they're all going to be quite brown. | 0:41:38 | 0:41:41 | |
Not that one! | 0:41:41 | 0:41:43 | |
That's fine. | 0:41:47 | 0:41:49 | |
These are going to be fantastic cooking apples | 0:41:49 | 0:41:51 | |
so what I'm doing now is just make a puree out of them, | 0:41:51 | 0:41:55 | |
peel them, make sure there's no little bits of core left in them... | 0:41:55 | 0:41:58 | |
and then cook them with some sugar and a bit of cinnamon. | 0:42:00 | 0:42:03 | |
But I'm going to have my work cut out | 0:42:03 | 0:42:06 | |
getting lots of good apple out of them | 0:42:06 | 0:42:10 | |
cos I think a lot might be a bit rotten. | 0:42:10 | 0:42:12 | |
I was a chef in a previous life | 0:42:12 | 0:42:13 | |
so I'm not daunted by the quantity of apples. | 0:42:13 | 0:42:17 | |
And I know that what you really need is a system in place | 0:42:17 | 0:42:20 | |
and then you can do things really quickly. | 0:42:20 | 0:42:22 | |
If you're thinking of starting your own apple crumble business, | 0:42:22 | 0:42:25 | |
there are many food hygiene regulations to comply with. | 0:42:25 | 0:42:30 | |
-Have you washed your paws yet? -Yeah. | 0:42:30 | 0:42:32 | |
But with ten years of experience as a chef, | 0:42:32 | 0:42:35 | |
our Sarah certainly knows her stuff. | 0:42:35 | 0:42:38 | |
They might go a bit brown as they oxidise, but that's fine, | 0:42:38 | 0:42:41 | |
because I'm going to put a load of cinnamon and stuff in the puree. | 0:42:41 | 0:42:44 | |
If you wanted to make a snowy white puree, just put some lemon juice in. | 0:42:44 | 0:42:48 | |
I'm not paying a huge amount of attention here. | 0:42:48 | 0:42:51 | |
I've got way more apple than I need, | 0:42:51 | 0:42:53 | |
so I'm just going to cherry-pick the best bits | 0:42:53 | 0:42:55 | |
and I always use a knife because it's a lot quicker | 0:42:55 | 0:42:58 | |
and when you get to a bit that isn't perfect, | 0:42:58 | 0:43:00 | |
you can just pick it off really quickly. | 0:43:00 | 0:43:03 | |
These apples should pulp beautifully, | 0:43:03 | 0:43:05 | |
you can feel they're nice and soft. | 0:43:05 | 0:43:07 | |
They really are going to make the most lovely, fluffy puree. | 0:43:07 | 0:43:11 | |
What I'm going to do is make some crumbles up | 0:43:11 | 0:43:14 | |
in some little enamel tins and then serve some others in teacups | 0:43:14 | 0:43:17 | |
just so people can have a little taster of it. | 0:43:17 | 0:43:20 | |
Although now a British classic, | 0:43:20 | 0:43:22 | |
apple crumble became popular during the Second World War | 0:43:22 | 0:43:25 | |
when the ingredients needed | 0:43:25 | 0:43:27 | |
for the then-popular apple pie were rationed. | 0:43:27 | 0:43:30 | |
So, I'm hoping, within about 25 minutes, half an hour, | 0:43:30 | 0:43:34 | |
I could have some crumble ready for the people here at the barn sale, | 0:43:34 | 0:43:37 | |
just in time for lunch. Right. | 0:43:37 | 0:43:40 | |
CLATTERING | 0:43:40 | 0:43:42 | |
Careful, or it'll be less of an apple crumble | 0:43:43 | 0:43:46 | |
and more of an apple splat. | 0:43:46 | 0:43:48 | |
Crisis averted, it's time to rustle up the crumble topping. | 0:43:49 | 0:43:53 | |
To plain flour, Sarah adds sugar. | 0:43:53 | 0:43:56 | |
A lot of sugar. | 0:43:57 | 0:43:59 | |
Oh, crikey, she's used a whole bag. | 0:43:59 | 0:44:01 | |
I hope your customers have got a sweet tooth. | 0:44:01 | 0:44:04 | |
The butter just needs to be rubbed in roughly, | 0:44:04 | 0:44:07 | |
so I'm going to cut it up into little cubes. | 0:44:07 | 0:44:10 | |
-You've washed your paws, yeah? -Yeah. -Lovely. | 0:44:12 | 0:44:14 | |
-So go in underneath... -I've got it. | 0:44:14 | 0:44:16 | |
Wait, I'm going to teach you how to do it. | 0:44:16 | 0:44:18 | |
When you're making pastry, | 0:44:18 | 0:44:20 | |
you only use the tips of your fingers | 0:44:20 | 0:44:22 | |
cos they're the coldest bit so you need to squeeze that together, | 0:44:22 | 0:44:24 | |
-lift it up and keep rubbing and squeezing. -OK. | 0:44:24 | 0:44:27 | |
Bet you can't do it for more than 30 seconds. You keep going. | 0:44:27 | 0:44:29 | |
Bet you a million pounds I can. | 0:44:29 | 0:44:31 | |
Sarah's aiming for a breadcrumb-like texture | 0:44:31 | 0:44:33 | |
that will crisp up in the oven. | 0:44:33 | 0:44:36 | |
-Keep going. See, you're bored already aren't you? -I'm not bored! | 0:44:38 | 0:44:40 | |
You do it like this. Lift it up, drop it down - gently, though. | 0:44:40 | 0:44:43 | |
After that's done, time to test the apple puree. | 0:44:43 | 0:44:46 | |
So that's just had... | 0:44:48 | 0:44:50 | |
about 15 minutes in the oven. Can I have that spoon? Thank you. | 0:44:50 | 0:44:54 | |
Mmm. Cos they're such lovely ripe apples, they're windfalls... | 0:45:00 | 0:45:03 | |
That nearly tastes right already. It's hot, be careful. | 0:45:04 | 0:45:07 | |
What do you think? | 0:45:07 | 0:45:08 | |
-Sugar. -Even more? Are you sure? | 0:45:10 | 0:45:13 | |
Do you want to try another bit? Give me the spoon. | 0:45:17 | 0:45:20 | |
There you go. That is now super hot, with the sugar in it. | 0:45:20 | 0:45:23 | |
-Better? -Mmm. | 0:45:26 | 0:45:28 | |
-Yeah. -Not bad. | 0:45:29 | 0:45:30 | |
That's much better. That's plenty. | 0:45:30 | 0:45:32 | |
Sarah's official taster approves, which is just as well | 0:45:32 | 0:45:36 | |
because hungry visitors to the barn sale are arriving. | 0:45:36 | 0:45:39 | |
Better get those crumbles in the oven. | 0:45:39 | 0:45:42 | |
So far, Sarah's spent £4 on ingredients for those crumbles. | 0:45:42 | 0:45:46 | |
Let's just hope the punters at the sale get a taste for them. | 0:45:46 | 0:45:50 | |
In Maldon, Guy's getting to grips with the old ammeter, | 0:45:56 | 0:45:59 | |
and he's got some new plans. | 0:45:59 | 0:46:02 | |
What we'll do is we'll put two little bulbs | 0:46:02 | 0:46:04 | |
on the tops of each here. | 0:46:04 | 0:46:05 | |
I think that will look quite quirky and cool. | 0:46:05 | 0:46:09 | |
But before he gets stuck into the electrics, | 0:46:09 | 0:46:12 | |
Guy still has that scruffy wooden box to restore. | 0:46:12 | 0:46:15 | |
Keith? | 0:46:16 | 0:46:18 | |
He's a great delegator! | 0:46:18 | 0:46:20 | |
On this one here, we need your expertise on cleaning it. | 0:46:20 | 0:46:23 | |
And he's calling in expert number one. | 0:46:25 | 0:46:27 | |
First, Keith's attacking that ugly paint mark | 0:46:28 | 0:46:31 | |
with a scalpel and some paint stripper. | 0:46:31 | 0:46:33 | |
See, already you can see it starting working. | 0:46:33 | 0:46:35 | |
It's already starting to slightly bubble up the varnish work. | 0:46:35 | 0:46:38 | |
Here we go, it's coming off nicely. | 0:46:38 | 0:46:40 | |
Now that black mark is almost invisible now. | 0:46:40 | 0:46:43 | |
But before Keith attacks the rest of the box, | 0:46:43 | 0:46:46 | |
Guy's keen to have a look at that leather handle, | 0:46:46 | 0:46:48 | |
which is bolted to the inside. | 0:46:48 | 0:46:51 | |
You never know what might be behind here. We don't think | 0:46:51 | 0:46:54 | |
it's ever been off the back since it was made, probably. | 0:46:54 | 0:46:56 | |
Let's have a look. | 0:46:56 | 0:46:58 | |
I'm on tenterhooks. What might be in there? | 0:46:58 | 0:47:00 | |
A gold sovereign? Hidden Enigma codes? | 0:47:00 | 0:47:03 | |
-Well, there's nothing inside it apart from the mechanism. -Oh... | 0:47:06 | 0:47:09 | |
-There is some scribbling there. -Oh, it's a bit of writing, isn't it? | 0:47:09 | 0:47:12 | |
There's a date in here. | 0:47:12 | 0:47:14 | |
-8/3/37. -Well! | 0:47:14 | 0:47:16 | |
With the handle now free, Guy can give it some love, | 0:47:17 | 0:47:21 | |
while Keith strips the rest of the box. | 0:47:21 | 0:47:23 | |
Now, what I'll put on this now is a bit of leather cream. | 0:47:23 | 0:47:26 | |
Whoops-a-daisy! | 0:47:26 | 0:47:28 | |
Yes, we will just work that into the strap. | 0:47:28 | 0:47:31 | |
Just let that dry off for a little bit longer. | 0:47:32 | 0:47:34 | |
Then we will give them a bit of buff. | 0:47:34 | 0:47:36 | |
And Keith's hard work on that wood has Guy inspired. | 0:47:36 | 0:47:39 | |
Sometimes it's very satisfying just working with a bit of wood. | 0:47:39 | 0:47:42 | |
Suddenly it all comes alive and it's becoming beautiful again. | 0:47:42 | 0:47:46 | |
It is so simple to do, anybody can do this. | 0:47:46 | 0:47:48 | |
But it's a great joy to do it, as well. | 0:47:48 | 0:47:51 | |
Isn't that right, Keith? | 0:47:51 | 0:47:53 | |
With all the varnish stripped, | 0:47:53 | 0:47:55 | |
Keith polishes the wood with some clear beeswax. | 0:47:55 | 0:47:58 | |
Oh, that's great-looking. | 0:48:01 | 0:48:03 | |
You've done a brilliant job on that. | 0:48:04 | 0:48:06 | |
Look, the leather strap has come up well, as well, hasn't it? | 0:48:06 | 0:48:08 | |
Yes, Guy, we know you did that bit. | 0:48:08 | 0:48:11 | |
With the box looking tiptop, it's time to light it all up. | 0:48:11 | 0:48:15 | |
Call in expert number two. | 0:48:15 | 0:48:16 | |
This time it's electrician Steve, | 0:48:16 | 0:48:18 | |
who starts by making a small hole for the mains wire. | 0:48:18 | 0:48:22 | |
OK, you want to stick with the... | 0:48:23 | 0:48:24 | |
I think the old silk wire is definitely important, | 0:48:24 | 0:48:27 | |
-it's keeping it in character. -It is a nice look. | 0:48:27 | 0:48:31 | |
While Steve works his electrical magic, | 0:48:31 | 0:48:33 | |
Guy is starting to get excited about what Sarah will think. | 0:48:33 | 0:48:37 | |
I think when she sees this, she's going to go "Whoo! | 0:48:37 | 0:48:40 | |
"I can make some money on this." It could be in all sorts of places. | 0:48:40 | 0:48:43 | |
It just looks old-fashioned tech brought to life. | 0:48:43 | 0:48:47 | |
We need to find some more of them. | 0:48:47 | 0:48:49 | |
Yes, 1930s ammeters are easy to come by(!) | 0:48:49 | 0:48:53 | |
Perhaps a few more months at the dump, Sarah. | 0:48:53 | 0:48:56 | |
Right, OK. Put the old workings back in. | 0:48:56 | 0:48:59 | |
With Steve adding two old-fashioned filament bulbs to the top, | 0:48:59 | 0:49:03 | |
the rebirth of that ammeter is almost complete. | 0:49:03 | 0:49:06 | |
Wow. Yeah! | 0:49:06 | 0:49:09 | |
Back in Sussex, the barn sale is now in full swing, | 0:49:16 | 0:49:20 | |
so it's time for Sarah to take | 0:49:20 | 0:49:22 | |
the first batch of apple crumbles out the oven. | 0:49:22 | 0:49:25 | |
I reckon...they're about done. | 0:49:25 | 0:49:28 | |
That one's done, that one's done. | 0:49:31 | 0:49:34 | |
Mmm, they look great, don't they? | 0:49:37 | 0:49:39 | |
The apples started off as a load of unwanted windfall | 0:49:40 | 0:49:44 | |
cluttering up a garden. | 0:49:44 | 0:49:46 | |
But Sarah's worked her culinary magic... | 0:49:48 | 0:49:50 | |
..and now they're delicious apple crumbles. | 0:49:52 | 0:49:55 | |
Bit of clotted cream from the fridge, I think they're done. | 0:49:55 | 0:49:58 | |
These may have been destined for the dump | 0:49:58 | 0:50:00 | |
but they make cracking crumble. | 0:50:00 | 0:50:02 | |
Mmm. | 0:50:03 | 0:50:05 | |
Sarah came across piles of apples | 0:50:05 | 0:50:08 | |
in the back of Pauline and daughter Samantha's car. | 0:50:08 | 0:50:12 | |
-Don't throw them, don't throw them. -Are you sure? | 0:50:12 | 0:50:15 | |
They were happy for Sarah to get her culinary mitts | 0:50:15 | 0:50:18 | |
-on their excess garden bounty. -I'll go and get a trolley. -Right. | 0:50:18 | 0:50:21 | |
And these will be one of my more unusual items of the day. | 0:50:21 | 0:50:24 | |
At the barn sale, | 0:50:24 | 0:50:26 | |
Sarah's crumbles are on their way to meet the hungry punters. | 0:50:26 | 0:50:30 | |
-Crumble time. -And soon they're selling like hot, er, crumbles. | 0:50:30 | 0:50:35 | |
Going to charge £3 each for the crumble like this | 0:50:35 | 0:50:37 | |
and maybe put some in teacups later for a couple of quid. | 0:50:37 | 0:50:40 | |
Sarah and daughter Libby managed to make eight apple crumbles | 0:50:40 | 0:50:44 | |
and seven teacup versions. | 0:50:44 | 0:50:46 | |
Good work, ladies. | 0:50:46 | 0:50:48 | |
Now Sarah's near Hambledon in Surrey | 0:50:51 | 0:50:53 | |
to fill Pauline in on what became of her surplus fallen fruits. | 0:50:53 | 0:50:58 | |
-Hi, there. -Hello, Sarah. -Lovely to see you again. -You too. | 0:50:58 | 0:51:02 | |
-A beautiful day, isn't it? -Absolutely lovely, yeah. | 0:51:02 | 0:51:05 | |
I had so much fun with your apples. We made apple crumbles. | 0:51:05 | 0:51:09 | |
-Oh, well, I'm sure that's wonderful. -They were really tasty apples. | 0:51:09 | 0:51:13 | |
They made a lovely pulp, so they were great to work with. | 0:51:13 | 0:51:16 | |
I took some pictures of it. | 0:51:16 | 0:51:18 | |
-I'm sure you've made a lot of apple crumble in your time. -Yes, I have. | 0:51:18 | 0:51:21 | |
It's lovely to see someone else making them. | 0:51:21 | 0:51:23 | |
-Well, we made little ones and we served them in teacups. -How sweet. | 0:51:23 | 0:51:27 | |
-We made a few bigger ones as well, some little enamel ones. -Right. | 0:51:27 | 0:51:30 | |
so we did have a bit of fun with them. | 0:51:30 | 0:51:32 | |
I haven't made a fortune out of them for you but I have got £25 here... | 0:51:32 | 0:51:37 | |
-I don't believe it! -..for you. It was great to have them. | 0:51:37 | 0:51:41 | |
-Oh, thank you so much. -Any idea what you might do with £25? | 0:51:41 | 0:51:46 | |
Well, it's my grandson's birthday on Friday. | 0:51:46 | 0:51:48 | |
-So maybe I'll give it to him. -Oh, that's lovely. That's really good. | 0:51:48 | 0:51:52 | |
-Thank you so much for letting me have them. -Thank you. | 0:51:52 | 0:51:54 | |
Do tell your daughter as well. | 0:51:54 | 0:51:56 | |
I know she was highly involved in this. | 0:51:56 | 0:51:58 | |
-Yes, she phoned me last night. -Thank you so much. | 0:51:58 | 0:52:00 | |
They were great fun to work with and very tasty, | 0:52:00 | 0:52:02 | |
-so I hope he has a good present. -I'm sure he will, yes. -Take care. | 0:52:02 | 0:52:07 | |
-Thank you ever so much. Bye. -Bye. | 0:52:07 | 0:52:10 | |
It was great to catch up with Pauline again | 0:52:11 | 0:52:13 | |
and it sounds like her grandson will be pleased with that windfall. | 0:52:13 | 0:52:17 | |
Sarah spent £4 on the ingredients for her crumbles. | 0:52:17 | 0:52:21 | |
She sold them for a total of £29, | 0:52:21 | 0:52:24 | |
giving her a tasty £25 profit to hand over to Pauline. | 0:52:24 | 0:52:28 | |
That's another item making money, | 0:52:33 | 0:52:36 | |
so will Guy's ammeter make a profit? | 0:52:36 | 0:52:39 | |
I am looking forward to Sarah seeing this piece. | 0:52:39 | 0:52:42 | |
I think she's a bit of a techy girl. It just looks really different. | 0:52:42 | 0:52:46 | |
I think she's going to really love it. | 0:52:46 | 0:52:48 | |
When Sarah saw the ammeter at the tip, | 0:52:48 | 0:52:51 | |
it was a broken old electrical curio on its way to a landfill grave. | 0:52:51 | 0:52:56 | |
Now it's been resurrected as a unique piece of lighting, | 0:52:59 | 0:53:04 | |
which would suit anyone with a love of vintage tech. | 0:53:04 | 0:53:07 | |
The old-style filament bulbs on top emit a gentle, cosy glow, | 0:53:08 | 0:53:13 | |
which is complemented by the LED backlighting behind the old dial. | 0:53:13 | 0:53:17 | |
Guy's team has perfectly trodden that fine line between authentic | 0:53:17 | 0:53:22 | |
and modernised to give it a quirky, steampunk charm. | 0:53:22 | 0:53:26 | |
Both Guy and I were really enthusiastic about this piece. | 0:53:26 | 0:53:29 | |
I can't wait to see what he's managed to do with it. | 0:53:29 | 0:53:32 | |
Oh, Guy! | 0:53:35 | 0:53:36 | |
-Hello, Sarah, lovely to see you again. -Isn't that stunning? | 0:53:38 | 0:53:42 | |
-Do you like it, do you? -Oh, that's a gem, isn't it? | 0:53:42 | 0:53:47 | |
I'm really pleased with it. | 0:53:47 | 0:53:49 | |
It really has come up much better than I thought it would do. | 0:53:49 | 0:53:51 | |
-It's a special one-off. -Those are fantastic. | 0:53:51 | 0:53:54 | |
They are quite funky little bulbs. Pick it up, have a look. | 0:53:54 | 0:53:58 | |
That is really lovely. To get that light inside. That is a triumph. | 0:53:58 | 0:54:04 | |
Every part of it that was looking a bit old, a bit distressed, | 0:54:05 | 0:54:09 | |
bit worn, now is a charming feature, isn't it? | 0:54:09 | 0:54:12 | |
I like the wear on it, it still shows it is definitely old. | 0:54:12 | 0:54:15 | |
I think you've done something really special. | 0:54:15 | 0:54:17 | |
I will sell this, I know I will make money on it. | 0:54:17 | 0:54:20 | |
And to go back and to show the guy who dropped it off in the tip | 0:54:20 | 0:54:22 | |
what you've done to his old amp meter, I think is brilliant. | 0:54:22 | 0:54:25 | |
Sarah's loving those bulbs. But has Guy blown the budget? | 0:54:27 | 0:54:31 | |
It's come out really well. But budget-wise, 125 quid. | 0:54:33 | 0:54:37 | |
-Are we anywhere near? -It's been a tough one to do it for this price. | 0:54:37 | 0:54:41 | |
It's not a lot of money in it for us, to be honest, | 0:54:41 | 0:54:43 | |
but I think we'll keep it on budget. | 0:54:43 | 0:54:46 | |
I think you're being generous there. | 0:54:46 | 0:54:48 | |
It's beautiful, thank you for doing such a lovely thing to it. | 0:54:48 | 0:54:51 | |
Lovely, thank you, Sarah, very much. | 0:54:51 | 0:54:53 | |
I think this is a really great outcome for this little amp meter. | 0:54:56 | 0:55:00 | |
Guy has made something really special. | 0:55:00 | 0:55:02 | |
And I'm going to make some money. | 0:55:02 | 0:55:03 | |
You're never sure how people like it, | 0:55:03 | 0:55:05 | |
but I think she really liked it. | 0:55:05 | 0:55:07 | |
And I hope the person that buys it likes it. | 0:55:07 | 0:55:10 | |
It's a great one-off piece again. | 0:55:10 | 0:55:12 | |
At the tip, Sarah was switched on enough to see | 0:55:13 | 0:55:16 | |
the potential in Luther's father-in-law's ammeter... | 0:55:16 | 0:55:19 | |
unlike Luther. | 0:55:19 | 0:55:21 | |
Got enough old stuff at home, | 0:55:21 | 0:55:23 | |
and don't need any more, thank you very much. | 0:55:23 | 0:55:25 | |
Guy and his team gave it a new life as a quirky table lamp. | 0:55:26 | 0:55:31 | |
Wow. | 0:55:31 | 0:55:32 | |
It was quickly snapped up and delivered | 0:55:32 | 0:55:35 | |
to online vintage and retro retailer Nick Smith | 0:55:35 | 0:55:38 | |
who's wasting no time getting it out on display. | 0:55:38 | 0:55:42 | |
I like the concept of it, because it is fun design. | 0:55:42 | 0:55:45 | |
I haven't seen a design like this before for lights. | 0:55:45 | 0:55:48 | |
With the metering on the front, with the bulbs, it's really cool. | 0:55:48 | 0:55:51 | |
Yeah, really like it. | 0:55:51 | 0:55:52 | |
Don't forget to put the bulbs on, Nick. | 0:55:52 | 0:55:55 | |
Now Sarah's in Northwich with some news for Luther. | 0:55:56 | 0:55:59 | |
Hi there, Luther. | 0:56:02 | 0:56:03 | |
-Oh, hello. -How are you doing? -Come on in. -Oh, lovely, thank you. | 0:56:03 | 0:56:07 | |
-Nice to meet you again. -Nice to see you, too. | 0:56:07 | 0:56:10 | |
I said that if I managed to do something with the old meter, | 0:56:10 | 0:56:13 | |
-I'd come and keep in touch, so here I am. -Right. | 0:56:13 | 0:56:15 | |
You said it was your father-in-law's. Is that right? | 0:56:15 | 0:56:18 | |
That's correct, yes. His trade was an electrician. | 0:56:18 | 0:56:21 | |
He was offered the chance | 0:56:21 | 0:56:23 | |
to work on the first computer in Manchester University. | 0:56:23 | 0:56:27 | |
He always talked about how big it was, | 0:56:27 | 0:56:29 | |
and it was spread over three floors. | 0:56:29 | 0:56:31 | |
Well, I love the thought that maybe this thing was used | 0:56:31 | 0:56:34 | |
on such a lovely piece of technological advancement. | 0:56:34 | 0:56:37 | |
Did you think when we took it away what might be made of it? | 0:56:37 | 0:56:40 | |
No, not really. | 0:56:40 | 0:56:42 | |
I just thought you were just going to rebuild it | 0:56:42 | 0:56:44 | |
-and get it going again. -Let me show you what I've done. | 0:56:44 | 0:56:47 | |
-It was made into a lovely desk light. -Oh, that looks cool. | 0:56:47 | 0:56:51 | |
It is in keeping, really, yes. | 0:56:51 | 0:56:53 | |
It looked a bit like it was something electrical, | 0:56:53 | 0:56:56 | |
something experimental sort of going on. | 0:56:56 | 0:56:58 | |
It all ties in, doesn't it, really? Good idea. I never thought of that. | 0:56:58 | 0:57:01 | |
Do you think your father-in-law would have improved? | 0:57:01 | 0:57:04 | |
Most certainly, yes, because better that way | 0:57:04 | 0:57:07 | |
-than sitting away in some cupboard somewhere doing nothing. -Yes. | 0:57:07 | 0:57:11 | |
Actually, it was a good-looking thing and it has sold for a profit, | 0:57:11 | 0:57:14 | |
so I've brought here £40 for you for your old amp meter. | 0:57:14 | 0:57:17 | |
That's the first time I've come away from the tip with £40. | 0:57:17 | 0:57:21 | |
-Yeah, well... -It is a surprise. | 0:57:21 | 0:57:23 | |
I'm sure my wife will be surprised, | 0:57:23 | 0:57:24 | |
-because she won't take long to go and spend that. -Really? | 0:57:24 | 0:57:28 | |
So that's where that is going. Fantastic. | 0:57:28 | 0:57:31 | |
Well, thank you so much for letting me come back and catch up with you. | 0:57:31 | 0:57:34 | |
It was a lovely thing, | 0:57:34 | 0:57:35 | |
and I really enjoyed watching it come back to life again. | 0:57:35 | 0:57:38 | |
So thank you so much. And I hope you get a little bit of that money. | 0:57:38 | 0:57:42 | |
-Yes, thank you very much indeed. -My pleasure. Thank you. Bye-bye. | 0:57:42 | 0:57:45 | |
OK, bye. | 0:57:45 | 0:57:46 | |
Well, I think we made Luther's day, | 0:57:46 | 0:57:48 | |
and we made something really lovely out of that amp meter. | 0:57:48 | 0:57:52 | |
And that's another little piece of history | 0:57:52 | 0:57:54 | |
that's got a whole new lease of life. | 0:57:54 | 0:57:56 | |
With Guy and his team taking £125 for labour and parts, | 0:57:56 | 0:58:01 | |
and the ammeter lamp selling for £165, | 0:58:01 | 0:58:04 | |
Sarah was able to squeeze a healthy £40 profit | 0:58:04 | 0:58:08 | |
for Luther and his wife. | 0:58:08 | 0:58:11 | |
Sarah rescued a variety of eclectic items | 0:58:15 | 0:58:18 | |
that have now been transformed. | 0:58:18 | 0:58:20 | |
They turned out to be a good bit of business, | 0:58:20 | 0:58:23 | |
and good for the environment. | 0:58:23 | 0:58:24 | |
Rather than being chucked in the landfill, | 0:58:24 | 0:58:27 | |
they've gone on to have brand-new lives. | 0:58:27 | 0:58:31 | |
Well, we've handed over a little bit of money along the way, | 0:58:32 | 0:58:35 | |
but what's been really special | 0:58:35 | 0:58:36 | |
is seeing things that were destined for the tip | 0:58:36 | 0:58:38 | |
being given a new lease of life and now off to new homes again. | 0:58:38 | 0:58:41 | |
Subtitles by Ericsson | 0:59:01 | 0:59:04 |