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What are you chucking out today, then? | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
Don't throw them, don't throw them. | 0:00:09 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes | 0:00:11 | 0:00:14 | |
of household waste we throw out every year. | 0:00:14 | 0:00:17 | |
Thanks so much for letting me have that. | 0:00:17 | 0:00:19 | |
That's absolutely made my day. I love it. | 0:00:19 | 0:00:22 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:22 | 0:00:25 | |
before they hit the skip. | 0:00:25 | 0:00:28 | |
I'm a passionate buyer, maker and user of old stuff. | 0:00:31 | 0:00:34 | |
I turned that passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff, and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:42 | 0:00:46 | |
What do you reckon to that? It's quite smart, isn't it? | 0:00:46 | 0:00:48 | |
-Tell me you love it. -I love it. | 0:00:48 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
Isn't it amazing? | 0:00:53 | 0:00:55 | |
-..valuable... -It's quite a statement piece! | 0:00:55 | 0:00:58 | |
..and hopefully saleable items. | 0:00:58 | 0:01:01 | |
I'll take you down to the till. That's fantastic. | 0:01:01 | 0:01:04 | |
If Sarah is successful, | 0:01:04 | 0:01:06 | |
then she can hand the profits back to the very people who had no idea | 0:01:06 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:14 | |
Wow, that's amazing. | 0:01:14 | 0:01:16 | |
Witley Recycling Centre in Surrey | 0:01:26 | 0:01:29 | |
is a veritable smorgasbord of unloved, | 0:01:29 | 0:01:32 | |
smashed-up items. | 0:01:32 | 0:01:34 | |
The range of rubbish coming in here today is fantastic. | 0:01:34 | 0:01:38 | |
From a bed that's been living in the shed to a chest that's well past its best. | 0:01:38 | 0:01:41 | |
If I can see potential profit, I'm on it. | 0:01:41 | 0:01:44 | |
Sarah, who's been granted special permission to be here at Witley, | 0:01:45 | 0:01:50 | |
is on the hunt for three items from which she can turn a profit. | 0:01:50 | 0:01:54 | |
It's a tough job, but somebody's got to do it. | 0:01:55 | 0:01:59 | |
If you say so, Sarah. | 0:01:59 | 0:02:01 | |
I can think of a few things I'd rather be doing. | 0:02:01 | 0:02:03 | |
It's not long before Sarah, eagle-eyed as ever, | 0:02:03 | 0:02:06 | |
spots Vivian unloading the boot of his car. | 0:02:06 | 0:02:10 | |
-Hello. -Hi. -Is it a new heating system? | 0:02:13 | 0:02:16 | |
It looks like the remnants of an old one to me. | 0:02:16 | 0:02:18 | |
Yes, more or less, yes. | 0:02:18 | 0:02:20 | |
I love copper piping. | 0:02:20 | 0:02:21 | |
Well, I know copper piping is worth something. | 0:02:21 | 0:02:24 | |
It's worth something to me, | 0:02:24 | 0:02:25 | |
because I love the way that even I can use the compression joints and | 0:02:25 | 0:02:29 | |
things to join it together. Would it be OK if, instead of tipping it, | 0:02:29 | 0:02:33 | |
to let me have it, so I can see if I can do something with it? | 0:02:33 | 0:02:36 | |
Yeah, I don't mind where it goes. My wife's Danish. Over there, they do all sorts of architectural things | 0:02:36 | 0:02:41 | |
in their gardens with all this piping and all that waste stuff. | 0:02:41 | 0:02:44 | |
Yeah, yeah. I love the way it ages and how it looks and you can polish | 0:02:44 | 0:02:48 | |
it up or leave it like this. And it makes great things, like lighting. | 0:02:48 | 0:02:52 | |
You're welcome. I'd like to see the finished result. | 0:02:52 | 0:02:55 | |
Definitely. If it's OK, I'll keep in touch and show you what I've made. | 0:02:55 | 0:02:59 | |
-I hope I do it justice, cos it looks like there's a bundle of it here. -Jolly good, OK. | 0:02:59 | 0:03:03 | |
-Thank you. -Fine. | 0:03:03 | 0:03:04 | |
There's a lot to live up to with this find, | 0:03:04 | 0:03:06 | |
what with Vivian being so familiar with recycled copper cast-offs. | 0:03:06 | 0:03:11 | |
He's bound to have some suggestions for what could be done with them. | 0:03:11 | 0:03:15 | |
Well, I think she was going to do some artistic work, was she not? | 0:03:15 | 0:03:18 | |
Is that the idea? | 0:03:19 | 0:03:20 | |
Vivian, we haven't a clue. | 0:03:21 | 0:03:23 | |
I love the fact with copper pipe you get all of these joints, | 0:03:24 | 0:03:27 | |
these compression joints. So, even I can use it like a massive Meccano | 0:03:27 | 0:03:31 | |
set. So, I think, if this is turned into a lovely, | 0:03:31 | 0:03:34 | |
luxury interior design item, there's a profit to be made too. | 0:03:34 | 0:03:38 | |
It's going to take a lot of imagination | 0:03:39 | 0:03:42 | |
to transform that collection of pipes. | 0:03:42 | 0:03:45 | |
Fortunately, Sarah knows just the people. | 0:03:45 | 0:03:48 | |
Say hello to Josh and Ollie. | 0:03:56 | 0:03:58 | |
Designer-makers, business partners and best friends. | 0:03:58 | 0:04:03 | |
These boys use naturally recycled materials to create handcrafted | 0:04:03 | 0:04:08 | |
furniture and high-end interior pieces. | 0:04:08 | 0:04:11 | |
I definitely love what we do. | 0:04:15 | 0:04:17 | |
I think we're really lucky in that sense. | 0:04:17 | 0:04:19 | |
I think what makes us different is that we have got original ideas and | 0:04:20 | 0:04:24 | |
we have got our own style to bring to the table. | 0:04:24 | 0:04:27 | |
Josh's background is in woodwork, | 0:04:27 | 0:04:29 | |
but my background is in graphic design. | 0:04:29 | 0:04:31 | |
It's a really nice combination and I think we've got some pretty crazy | 0:04:31 | 0:04:35 | |
ideas and we think quite out of the box. | 0:04:35 | 0:04:37 | |
Yes, I think it does make us stand out from the rest. | 0:04:37 | 0:04:40 | |
They do say that two heads are better than one, which is good news, | 0:04:41 | 0:04:46 | |
as it's going to take some serious brainpower | 0:04:46 | 0:04:49 | |
to make anything with this little lot. | 0:04:49 | 0:04:51 | |
With one item found, Sarah now needs to find one item to work on herself. | 0:04:58 | 0:05:04 | |
And you never know what might turn up next. | 0:05:04 | 0:05:07 | |
You could guess 1,000 times and you'd still never get there. | 0:05:07 | 0:05:11 | |
Oh, it's a Resusci Annie! | 0:05:11 | 0:05:12 | |
It is a Resusci Annie. A very old one. | 0:05:12 | 0:05:14 | |
Oh, look, extra faces. | 0:05:14 | 0:05:16 | |
Fantastic. | 0:05:16 | 0:05:18 | |
As the search continues, Sarah spots another plastic dummy | 0:05:21 | 0:05:25 | |
poking out of a boot. | 0:05:25 | 0:05:26 | |
This heron is the sort used to deter other herons from the pond. | 0:05:26 | 0:05:31 | |
Oh, and that's Richard. | 0:05:31 | 0:05:33 | |
Now, that's amazing. | 0:05:33 | 0:05:34 | |
You can't throw that away. | 0:05:34 | 0:05:35 | |
Oh, yes. They don't work. | 0:05:35 | 0:05:37 | |
-Have you had it by the fish pond? -Yes, yes - | 0:05:37 | 0:05:39 | |
I bought it many years ago. | 0:05:39 | 0:05:41 | |
The heron is quite a bright bird. | 0:05:42 | 0:05:44 | |
It soon learns that there is no danger from this. | 0:05:44 | 0:05:47 | |
-Oh, really? -Yes. It might work for a few weeks, but it... | 0:05:47 | 0:05:51 | |
No, they're too wise for it. | 0:05:51 | 0:05:52 | |
It's actually been sitting in my garage for a number of years, | 0:05:52 | 0:05:55 | |
-unused. -Waiting for me, because I think I can do something with this. | 0:05:55 | 0:06:00 | |
All right! Well, good on you. | 0:06:00 | 0:06:03 | |
It doesn't involve a fish pond. | 0:06:03 | 0:06:05 | |
-All right. -So, if it would be all right to have it | 0:06:05 | 0:06:08 | |
and save it from the tip | 0:06:08 | 0:06:09 | |
and I think he and I are going to have a lovely time together. | 0:06:09 | 0:06:13 | |
Good! | 0:06:13 | 0:06:15 | |
-Thank you ever so much for letting me have him. -My pleasure! | 0:06:15 | 0:06:17 | |
I shall hopefully keep in touch and show you what I've done. | 0:06:17 | 0:06:20 | |
-OK. -Thanks ever so much. | 0:06:20 | 0:06:21 | |
Now, what is she going to do with THAT? | 0:06:21 | 0:06:23 | |
It seems to me the perfect idea of recycling. | 0:06:23 | 0:06:26 | |
I don't need it, so somebody else can use it and make something of it, | 0:06:26 | 0:06:29 | |
that's fine by me. | 0:06:29 | 0:06:31 | |
I LOVE my new friend. | 0:06:32 | 0:06:33 | |
What do you think - attractive? | 0:06:33 | 0:06:36 | |
He's definitely been around a bit, cos I know this would have been all coloured up and stuff. | 0:06:36 | 0:06:40 | |
But I think because he's got such... | 0:06:40 | 0:06:42 | |
You know, he is just a heron, | 0:06:42 | 0:06:43 | |
I think it'd be lovely if I tried to make some taxidermy with him, | 0:06:43 | 0:06:46 | |
to make him look like a real heron, rather than a plastic one. | 0:06:46 | 0:06:49 | |
Yeah, because everyone wants an evil, bird-scaring deterrent | 0:06:49 | 0:06:53 | |
in their living room. | 0:06:53 | 0:06:55 | |
I think this could be a tough sell. | 0:06:55 | 0:06:56 | |
That's two items saved from the skip. | 0:06:58 | 0:07:00 | |
The copper pipes will be refurbished by Josh and Ollie. | 0:07:00 | 0:07:05 | |
And, the plastic heron - | 0:07:05 | 0:07:06 | |
well, there's only one person keen to take that on, | 0:07:06 | 0:07:09 | |
and that's Sarah herself. | 0:07:09 | 0:07:12 | |
Today has been incredible, with such a diverse mix of items gathered. | 0:07:13 | 0:07:17 | |
I can't wait to see all that bounty transformed | 0:07:17 | 0:07:20 | |
into show-stopping money-makers. | 0:07:20 | 0:07:22 | |
Sarah's first stop is a visit to West Sussex, | 0:07:27 | 0:07:30 | |
where, in a slightly unassuming warehouse, | 0:07:30 | 0:07:33 | |
Ollie and Josh are nervously awaiting Sarah's arrival. | 0:07:33 | 0:07:37 | |
So, we're pretty excited to see what Sarah is going to be bringing. | 0:07:41 | 0:07:44 | |
Just a little bit nervous. | 0:07:44 | 0:07:46 | |
She's usually got a knack of bringing some pretty crazy stuff | 0:07:46 | 0:07:49 | |
-along with her, hasn't she? -Yes, yes. | 0:07:49 | 0:07:51 | |
There are endless possibilities | 0:07:52 | 0:07:53 | |
about what you can do with copper pipe. | 0:07:53 | 0:07:55 | |
Whenever I see it, I always want to pick it up. | 0:07:55 | 0:07:58 | |
I'm just hoping that Josh and Ollie | 0:07:58 | 0:08:00 | |
are going to have some original ideas | 0:08:00 | 0:08:02 | |
-of what I can do with it. -Hopefully, | 0:08:02 | 0:08:04 | |
it's something that we can see some real good potential in and, | 0:08:04 | 0:08:07 | |
yeah, make something real nice. | 0:08:07 | 0:08:10 | |
-Yeah, hopefully. -Having copped a load of the copper tubing, | 0:08:10 | 0:08:14 | |
and with Sarah seeing endless possibilities, | 0:08:14 | 0:08:17 | |
the pressure is on to pipe up with some plans to produce a profit. | 0:08:17 | 0:08:21 | |
-Loads of it. -Yeah. | 0:08:21 | 0:08:23 | |
It's a good haul. | 0:08:23 | 0:08:25 | |
In this process, | 0:08:26 | 0:08:28 | |
it's all about the end product | 0:08:28 | 0:08:30 | |
and what you can make and then what I can sell it for. So, | 0:08:30 | 0:08:34 | |
I'm after horrifically commercial stuff | 0:08:34 | 0:08:37 | |
that's got a great high-end value. | 0:08:37 | 0:08:39 | |
So, I don't know what kind of stuff you've done with copper before. | 0:08:39 | 0:08:43 | |
It could be something ornamental. | 0:08:43 | 0:08:46 | |
Maybe candleholders or something. | 0:08:46 | 0:08:48 | |
-OK. -Where we could make quite a collection of them | 0:08:48 | 0:08:51 | |
-that would have quite a good value to them. -That sounds cool. | 0:08:51 | 0:08:55 | |
So, maybe that could be something we could do. | 0:08:55 | 0:08:57 | |
We've done something similar in the past, | 0:08:57 | 0:08:59 | |
where we've just used a little bit of copper and then... | 0:08:59 | 0:09:02 | |
-on the lathes we've turned, like, a base, or... -OK. | 0:09:02 | 0:09:05 | |
Or some other wooden element. | 0:09:05 | 0:09:07 | |
You've got this, kind of, natural verdigris of the copper. | 0:09:07 | 0:09:11 | |
Yeah, those two textures together are beautiful, aren't they? | 0:09:11 | 0:09:14 | |
It just works so well together, the colour combinations. | 0:09:14 | 0:09:17 | |
And I think using all of the copper | 0:09:17 | 0:09:20 | |
for products like this would be a great use. | 0:09:20 | 0:09:23 | |
So, the boys are thinking of candle sticks, | 0:09:23 | 0:09:26 | |
using the copper pipe and adding wood-turned bases. | 0:09:26 | 0:09:30 | |
With this amount of copper, a whole collection would be possible, | 0:09:30 | 0:09:34 | |
but it's important to keep costs under control, | 0:09:34 | 0:09:37 | |
as Sarah is all about making a profit. | 0:09:37 | 0:09:40 | |
OK, so maybe it's better for me to set you a budget and then you can | 0:09:40 | 0:09:44 | |
just get crazy with the budget and stop when you stop. | 0:09:44 | 0:09:46 | |
Yeah, what kind of figure did you have in mind? | 0:09:46 | 0:09:48 | |
If I left you with 300 quid... | 0:09:48 | 0:09:51 | |
I think that gives us more freedom to experiment and, you know, | 0:09:51 | 0:09:56 | |
see what comes out at the end and | 0:09:56 | 0:09:58 | |
go crazy with it all. | 0:09:58 | 0:10:00 | |
Crazy sounds great. | 0:10:00 | 0:10:02 | |
Give me a shout if you've got any problems, if you have any more mad ideas. | 0:10:02 | 0:10:05 | |
-Just go for your lives, OK? -OK. -Thanks ever so much! | 0:10:05 | 0:10:07 | |
-All right. -Cheers, Sarah. | 0:10:07 | 0:10:09 | |
It's nice when you get something like this, | 0:10:09 | 0:10:11 | |
cos you can experiment with the material. | 0:10:11 | 0:10:14 | |
There's enough of it here where we really can make a couple of mistakes. | 0:10:14 | 0:10:17 | |
But, at the end of the day, we can have a really good range, | 0:10:17 | 0:10:20 | |
a good selection of different products on offer. | 0:10:20 | 0:10:23 | |
So I think this is good. | 0:10:23 | 0:10:24 | |
This might sound a bit silly, | 0:10:26 | 0:10:27 | |
because we're just talking about a load of copper pipes, | 0:10:27 | 0:10:30 | |
but there is a real sense of excitement in that workshop | 0:10:30 | 0:10:32 | |
and I cannot wait to see what those boys produce. | 0:10:32 | 0:10:35 | |
With a budget of £300 | 0:10:37 | 0:10:39 | |
and free range to go crazy, | 0:10:39 | 0:10:42 | |
what could possibly go wrong? | 0:10:42 | 0:10:44 | |
Back home, in idyllic West Sussex, | 0:10:54 | 0:10:56 | |
where wildlife is in abundance, | 0:10:56 | 0:10:58 | |
Sarah has been inspired with her very own project. | 0:10:58 | 0:11:02 | |
They say that a bird in the hand is worth two in a bush. | 0:11:03 | 0:11:06 | |
Perhaps that's where this bird should have been left? In a bush. | 0:11:06 | 0:11:10 | |
I have been dying to get started on this piece of pond life. | 0:11:16 | 0:11:21 | |
I have got great plans for him. | 0:11:21 | 0:11:23 | |
I want to cover him in fabric and turn him into a really high-end, | 0:11:23 | 0:11:27 | |
taxidermy sculpture. | 0:11:27 | 0:11:29 | |
I've got the base of an old clock here that cost me a fiver, | 0:11:29 | 0:11:31 | |
and I've gathered up a bundle of... | 0:11:31 | 0:11:33 | |
You're going to be tricky, aren't you? | 0:11:33 | 0:11:35 | |
I've gathered up a bundle of fabric. The right sort of colours, I think, | 0:11:35 | 0:11:38 | |
to make the heron look really realistic. | 0:11:38 | 0:11:40 | |
I'm going to start off, I think, by putting some fabric on his beak. | 0:11:40 | 0:11:43 | |
And begin the transformation. | 0:11:44 | 0:11:46 | |
Got some general craft glue here, just some PVA. | 0:11:46 | 0:11:48 | |
Nice, strong PVA glue, and I'm going to paste the fabric on. | 0:11:48 | 0:11:52 | |
It doesn't matter if I do it on the outside of it. It's just going to be | 0:11:52 | 0:11:55 | |
a really simple cover-up job. | 0:11:55 | 0:11:57 | |
Sarah is about to cover this heron | 0:11:58 | 0:12:00 | |
with coloured fabric to make him look more realistic. | 0:12:00 | 0:12:04 | |
This, I can't wait to see. | 0:12:04 | 0:12:05 | |
This isn't completely natural, but I think it'll be pretty effective, | 0:12:05 | 0:12:09 | |
by the time it's all in place. | 0:12:09 | 0:12:10 | |
I'm cutting out some little grey, feather-shaped pieces, | 0:12:14 | 0:12:18 | |
so I can start building up the pattern that the feathers make | 0:12:18 | 0:12:21 | |
all along this head section and down here. | 0:12:21 | 0:12:24 | |
I've put layers and layers of little trimmings of linen across this top | 0:12:26 | 0:12:31 | |
bit here, to try and make it like that fluffy Mohican | 0:12:31 | 0:12:34 | |
that the heron has. | 0:12:34 | 0:12:36 | |
I've cut little strips of it like this. | 0:12:36 | 0:12:38 | |
And if I just lay them on, and layer them up... | 0:12:38 | 0:12:41 | |
..hopefully, he's beginning to get | 0:12:42 | 0:12:44 | |
that really menacing heron look again. | 0:12:44 | 0:12:46 | |
Herons are unmistakable | 0:12:46 | 0:12:48 | |
in their natural appearance and can be found in | 0:12:48 | 0:12:51 | |
all areas of the UK all year round, | 0:12:51 | 0:12:53 | |
as they're birds which do not migrate. | 0:12:53 | 0:12:55 | |
-Interesting. -Looks more like emu. | 0:12:55 | 0:12:57 | |
Oh, no. Why do I take these things on? | 0:12:59 | 0:13:03 | |
Unlike emus, herons eat lots of fish, | 0:13:03 | 0:13:06 | |
but they're also partial to other small birds, | 0:13:06 | 0:13:09 | |
small mammals and even rodents. | 0:13:09 | 0:13:11 | |
Interesting. | 0:13:11 | 0:13:13 | |
I'm hoping it's beginning to look better. | 0:13:13 | 0:13:16 | |
I like these feathery bits. | 0:13:17 | 0:13:18 | |
(But I'm not sure about that.) | 0:13:18 | 0:13:20 | |
You can buy a little plastic heron, like this, | 0:13:22 | 0:13:24 | |
for about 35 quid in a pet shop | 0:13:24 | 0:13:26 | |
to keep the herons away from your goldfish. | 0:13:26 | 0:13:31 | |
I'm hoping I'm going to make... | 0:13:31 | 0:13:33 | |
..three times that, at least. | 0:13:34 | 0:13:35 | |
IF I can make it look good. | 0:13:37 | 0:13:39 | |
That's certainly the challenge here, Sarah. | 0:13:41 | 0:13:44 | |
And you still have some way to go. | 0:13:44 | 0:13:46 | |
With the off-cuts of material sourced for free, | 0:13:48 | 0:13:51 | |
the only costs so far have been just £7. | 0:13:51 | 0:13:55 | |
The question is, will somebody actually want it when it's finished? | 0:13:57 | 0:14:02 | |
Back in West Sussex, the boys have taken Sarah's words | 0:14:10 | 0:14:14 | |
regarding mad ideas to heart. | 0:14:14 | 0:14:17 | |
If their plans are anything to go by, | 0:14:17 | 0:14:19 | |
things are about to hot up around here. | 0:14:19 | 0:14:22 | |
What we want to do is, probably, | 0:14:24 | 0:14:26 | |
use some of this bigger pipe to make our candelabras and anything we've | 0:14:26 | 0:14:31 | |
got left over, then we can melt down to make the joints. | 0:14:31 | 0:14:35 | |
So, we'll probably chop up most of the skinny stuff, | 0:14:35 | 0:14:39 | |
cos we want to create, like, | 0:14:39 | 0:14:41 | |
a solid bar of copper, where... | 0:14:41 | 0:14:43 | |
..we'd have the bigger tubes coming out of the bar. | 0:14:44 | 0:14:47 | |
So, that would be our candleholder part. | 0:14:47 | 0:14:51 | |
And then we're going to turn a wooden base to it as well. | 0:14:51 | 0:14:53 | |
This is sounding more and more ambitious. | 0:14:54 | 0:14:57 | |
Josh and Ollie start on their classic candelabras | 0:14:57 | 0:15:01 | |
by cutting up the copper that they intend to melt down. | 0:15:01 | 0:15:05 | |
The boys plan to use a method of casting called the lost wax method. | 0:15:05 | 0:15:10 | |
Although, with a slight twist, on this occasion, | 0:15:10 | 0:15:12 | |
it will be a lost polystyrene method. | 0:15:12 | 0:15:15 | |
That works. | 0:15:15 | 0:15:17 | |
Just a tiny bit. | 0:15:17 | 0:15:19 | |
The idea is that the desired look of the final item is created using | 0:15:19 | 0:15:24 | |
polystyrene, which, once in contact with molten copper, burns away, | 0:15:24 | 0:15:30 | |
leaving an exact-shaped mould. | 0:15:30 | 0:15:32 | |
With this polystyrene idea, it's not definitely going to work. | 0:15:32 | 0:15:35 | |
We have tried it a couple of times before | 0:15:35 | 0:15:37 | |
and managed to get something out of it. | 0:15:37 | 0:15:39 | |
So, I just hope that it'll work today. | 0:15:39 | 0:15:42 | |
Not only is this their own method of casting they're trying out, | 0:15:43 | 0:15:47 | |
but they will also be using their own home-made furnace. Yikes! | 0:15:47 | 0:15:52 | |
The boys have lined half an oil barrel with heat-resistant cement | 0:15:52 | 0:15:55 | |
and have built an air duct at the bottom, | 0:15:55 | 0:15:58 | |
to which a hairdryer will be attached. | 0:15:58 | 0:16:01 | |
They're about to heat copper to above 1,000 degrees. | 0:16:01 | 0:16:04 | |
Good luck, guys. | 0:16:04 | 0:16:06 | |
I've got a feeling it could go really bad. | 0:16:06 | 0:16:08 | |
-Why? -Once the molten copper gets into this bit, | 0:16:08 | 0:16:11 | |
it could just run all down these pipes. | 0:16:11 | 0:16:14 | |
That's absolutely what's going to happen, isn't it? | 0:16:16 | 0:16:18 | |
So, we either go for it or try and prevent that. | 0:16:18 | 0:16:22 | |
This is making us look heavily stupid right now. | 0:16:22 | 0:16:25 | |
To be honest, this is half the fun. | 0:16:25 | 0:16:27 | |
I mean, if everything went smooth, it would be pretty boring, you know. | 0:16:27 | 0:16:30 | |
So, this is where it gets interesting. | 0:16:30 | 0:16:32 | |
Having spotted a flaw in their casting plan, | 0:16:34 | 0:16:37 | |
the boys choose the prevention route, | 0:16:37 | 0:16:39 | |
rather than "just going for it". | 0:16:39 | 0:16:42 | |
By packing sand into the bottom of the pipes, | 0:16:42 | 0:16:45 | |
the hope is that the molten copper will be prevented from escaping down | 0:16:45 | 0:16:49 | |
the hollow tubes. | 0:16:49 | 0:16:51 | |
And it's only until you do stuff | 0:16:51 | 0:16:53 | |
that you realise where the problems are going to come from. | 0:16:53 | 0:16:56 | |
Cos you write this down on paper | 0:16:56 | 0:16:58 | |
and you can't really see that happening. | 0:16:58 | 0:17:00 | |
So, you've got to actually get out there and do it before you realise | 0:17:00 | 0:17:03 | |
where the potential mistakes are going to come from. | 0:17:03 | 0:17:05 | |
If you say so, Josh. | 0:17:07 | 0:17:09 | |
In such critical operations as this, | 0:17:09 | 0:17:12 | |
teamwork is everything and clear communication is key. | 0:17:12 | 0:17:16 | |
MUFFLED VOICES | 0:17:16 | 0:17:19 | |
THEY SLUR THEIR VOICES | 0:17:20 | 0:17:22 | |
Yeah, I think it's going all right, isn't it? | 0:17:25 | 0:17:27 | |
It's heating up pretty quick. | 0:17:27 | 0:17:28 | |
The pipes just disappear into nothing. | 0:17:28 | 0:17:30 | |
I know. Yeah, they don't add up to too much. | 0:17:30 | 0:17:33 | |
Once the pipes have melted down, | 0:17:35 | 0:17:37 | |
Josh pours the molten copper into the mould. | 0:17:37 | 0:17:40 | |
Hopefully, this polystyrene mould works. | 0:17:40 | 0:17:43 | |
The moment of truth, guys. | 0:17:43 | 0:17:45 | |
Wow, look at that. | 0:17:47 | 0:17:48 | |
That's cool. | 0:17:49 | 0:17:51 | |
Sweet. | 0:17:51 | 0:17:52 | |
I like the green bits around there. | 0:17:52 | 0:17:54 | |
Yeah, yeah. Hopefully, it'll keep some of that colour. | 0:17:54 | 0:17:57 | |
It's pretty rough. | 0:17:57 | 0:17:58 | |
Well, no, it's smooth, but you've got the pipes kind of half showing. | 0:17:58 | 0:18:02 | |
Yeah, that's come off(!) | 0:18:04 | 0:18:06 | |
The home-made furnace has worked like a dream, | 0:18:08 | 0:18:11 | |
melting the copper down. | 0:18:11 | 0:18:13 | |
The casting, however, has not gone quite to plan, | 0:18:13 | 0:18:17 | |
so there's still quite a bit of work to be done here. | 0:18:17 | 0:18:19 | |
So the little bits of pipe that we didn't use for melting down, | 0:18:22 | 0:18:27 | |
we're looking through and finding the most interesting bits, | 0:18:27 | 0:18:30 | |
cos we're thinking we can make little candleholders or something | 0:18:30 | 0:18:34 | |
out of them by turning some wooden bases on the lathe. | 0:18:34 | 0:18:37 | |
Josh and Ollie don't just mess around with metal. | 0:18:37 | 0:18:40 | |
They're both skilled woodworkers, and can use those skills | 0:18:40 | 0:18:44 | |
to fashion ornamental stands the remaining pipes can be placed in | 0:18:44 | 0:18:48 | |
to create... Yeah, things like that. | 0:18:48 | 0:18:52 | |
The wood and the metal go really well together, I think. | 0:18:52 | 0:18:54 | |
Yes, just quite a fun, ornamental kind of thing. | 0:18:54 | 0:18:57 | |
The wood seems to be a step in the right direction, | 0:18:58 | 0:19:01 | |
but they've got a long way to go | 0:19:01 | 0:19:03 | |
if a profit is still to be in the pipeline. | 0:19:03 | 0:19:06 | |
I've made a real mess here, but I have got some lovely green velvet. | 0:19:19 | 0:19:23 | |
I'm going to cover this base... | 0:19:23 | 0:19:24 | |
..with some green velvet. | 0:19:27 | 0:19:28 | |
So, he looks like he's standing on a beautiful, mossy river bank. | 0:19:28 | 0:19:32 | |
Finish up here and then he should look fantastic. | 0:19:32 | 0:19:35 | |
You certainly can't fault Sarah for effort with this one. | 0:19:36 | 0:19:40 | |
She's managed to turn what was an unremarkable bird-scarer... | 0:19:42 | 0:19:46 | |
..into a remarkably scary bird. | 0:19:47 | 0:19:50 | |
When Sarah collected him, this heron was destined for the dump. | 0:19:52 | 0:19:56 | |
With a little fabric, pots and pots of glue | 0:19:56 | 0:19:59 | |
and what looks like a bandage, | 0:19:59 | 0:20:01 | |
he now stands proud, clothed in his plumage of many colours. | 0:20:01 | 0:20:07 | |
So, hopefully, heron has made a transformation - | 0:20:09 | 0:20:11 | |
from pond-side predator to top-end taxidermy. | 0:20:11 | 0:20:15 | |
With the heron all ready to fly the nest, | 0:20:16 | 0:20:19 | |
Sarah takes photos to show its splendour. | 0:20:19 | 0:20:22 | |
So, who would want a 2-foot plastic heron? | 0:20:23 | 0:20:26 | |
Well, they did. | 0:20:28 | 0:20:29 | |
Perhaps for obvious reasons. | 0:20:30 | 0:20:32 | |
Surprisingly, this little pub in Havant didn't have its own heron. | 0:20:32 | 0:20:37 | |
It does now. | 0:20:37 | 0:20:39 | |
Sarah met Richard holding a heron at the Witley Recycling Centre. | 0:20:43 | 0:20:48 | |
You can't throw that away. | 0:20:48 | 0:20:49 | |
Oh, yes. They don't work. | 0:20:49 | 0:20:51 | |
An ineffectual bird-scarer certainly wasn't about to scare Sarah. | 0:20:51 | 0:20:56 | |
I think I can do something with this. | 0:20:56 | 0:20:58 | |
All right(!) Good on you. | 0:20:58 | 0:21:01 | |
Sarah set about styling the bird. | 0:21:02 | 0:21:04 | |
And, luckily, knew of a heron-less pub, | 0:21:04 | 0:21:07 | |
who were keen to take it off her hands. | 0:21:07 | 0:21:09 | |
Now, Sarah has returned to near Witley | 0:21:15 | 0:21:18 | |
to update Richard on his old bit of pond life. | 0:21:18 | 0:21:21 | |
Hi, there. | 0:21:26 | 0:21:27 | |
-Hi, oh. -Richard! | 0:21:27 | 0:21:28 | |
-Hello. -Lovely to see you again. -Good to see you again. | 0:21:28 | 0:21:31 | |
-You're not in your tip kit, are you?! -No. Definitely not! | 0:21:31 | 0:21:34 | |
I've just come back to catch up with you with your heron. | 0:21:34 | 0:21:38 | |
-Right. -Well, he's taken flight again. He has been transformed. | 0:21:38 | 0:21:41 | |
-OK. -I've got a few pictures here to show you what happened to him. | 0:21:41 | 0:21:43 | |
-Let's see. -So, he was given a new set of feathers | 0:21:43 | 0:21:47 | |
and he's been... | 0:21:47 | 0:21:49 | |
completely covered in a linen plumage. | 0:21:49 | 0:21:51 | |
Goodness! I love the way you've done the feathers here. | 0:21:51 | 0:21:54 | |
-That's really good. -Oh, thank you. | 0:21:54 | 0:21:56 | |
You've done a fabulous job, I must say! | 0:21:56 | 0:21:58 | |
He is being used | 0:21:58 | 0:22:01 | |
as a decoration for a pub. | 0:22:01 | 0:22:03 | |
And I have £50 here for you. | 0:22:03 | 0:22:05 | |
Cor, that's marvellous! | 0:22:05 | 0:22:07 | |
But I shall give this to charity. | 0:22:07 | 0:22:09 | |
-OK. -Probably RNID, which is one of the charities I support. | 0:22:09 | 0:22:13 | |
Oh, fantastic. Well, | 0:22:13 | 0:22:14 | |
I think that's good news that that heron has been transformed. | 0:22:14 | 0:22:17 | |
He's out of hibernation and now to support something like that, | 0:22:17 | 0:22:20 | |
that's lovely. Thank you so much for letting me have your heron. | 0:22:20 | 0:22:23 | |
-Lovely to see you again. -Pleasure. Thank you for letting me see the end result. -My pleasure, my pleasure. | 0:22:23 | 0:22:28 | |
-Take care. Bye-bye. -OK, bye. | 0:22:28 | 0:22:29 | |
The heron transformation cost Sarah just £7 in total. | 0:22:34 | 0:22:39 | |
£5 for the plinth | 0:22:39 | 0:22:40 | |
and £2 for the glue. | 0:22:40 | 0:22:42 | |
And with the new feathered friend | 0:22:42 | 0:22:44 | |
selling for £57, | 0:22:44 | 0:22:46 | |
that left a profit of £50 to be handed back to Richard. | 0:22:46 | 0:22:50 | |
Well, I love it when the projects are a little bit of a surprise. | 0:22:50 | 0:22:53 | |
And I think Richard was really pleased to see what happened to his heron. | 0:22:53 | 0:22:57 | |
And I'm pleased that it's got a new home | 0:22:57 | 0:22:59 | |
and I've handed over some money for nothing. | 0:22:59 | 0:23:01 | |
With a bird no longer in hand, | 0:23:09 | 0:23:11 | |
Sarah is heading back to West Sussex to catch up with Ollie and Josh, | 0:23:11 | 0:23:15 | |
with whom she left a treasure trove of old copper pipes. | 0:23:15 | 0:23:19 | |
So, I left Josh and Ollie with a mission. | 0:23:20 | 0:23:22 | |
They had £300 and a pile of copper pipe to transform into something | 0:23:22 | 0:23:26 | |
saleable that I can make a profit from. | 0:23:26 | 0:23:28 | |
How did Josh and Ollie feel about Sarah's visit? | 0:23:30 | 0:23:33 | |
Confident. I'm ready. | 0:23:33 | 0:23:35 | |
I think she's going to like these. They're pretty fun too... | 0:23:35 | 0:23:37 | |
Yeah. I think she's going to react well to these. | 0:23:39 | 0:23:41 | |
Sarah left behind the remnants of an old heating system, | 0:23:41 | 0:23:45 | |
in the form of a jumble of copper pipes. | 0:23:45 | 0:23:48 | |
Ollie and Josh have heated and polished, hammered and chiselled, | 0:23:49 | 0:23:53 | |
and with a lot of trial and the odd bit of error, | 0:23:53 | 0:23:56 | |
they've created a magnificent, modern, | 0:23:56 | 0:23:58 | |
stylish range of candlesticks | 0:23:58 | 0:24:01 | |
and flower holders. | 0:24:01 | 0:24:02 | |
Wow! | 0:24:05 | 0:24:06 | |
They are FANTASTIC! | 0:24:08 | 0:24:10 | |
They are beautiful. | 0:24:10 | 0:24:12 | |
-They are lovely. -Thank you. -Great grouped together, aren't they? | 0:24:13 | 0:24:16 | |
-Yeah, yeah. -You've had some fun with that lot, haven't you? | 0:24:16 | 0:24:19 | |
Let's see those. So, talk me through that. | 0:24:19 | 0:24:22 | |
How did...? So, what have you done? | 0:24:22 | 0:24:24 | |
Um... | 0:24:24 | 0:24:25 | |
-Well... -Yeah, this was a mission. | 0:24:25 | 0:24:27 | |
The original idea was to use some of the copper pipes to melt down | 0:24:27 | 0:24:32 | |
and make these, but our set-up is sketchy. | 0:24:32 | 0:24:36 | |
So, we've made our own furnace | 0:24:36 | 0:24:38 | |
and it doesn't always work to plan. | 0:24:38 | 0:24:40 | |
Although our set-up is quite sketchy, | 0:24:40 | 0:24:42 | |
I think that's what makes them quite nice, | 0:24:42 | 0:24:45 | |
because they're not very... | 0:24:45 | 0:24:46 | |
You know, they're all kind of bubbly and that adds to the charm of them. | 0:24:46 | 0:24:50 | |
Um, I really like the way you have polished and not polished. | 0:24:50 | 0:24:54 | |
-Yeah. -And you've got that contrast and stuff going on. | 0:24:54 | 0:24:57 | |
-That ageing, that's what's really beautiful about the copper. -Yeah. | 0:24:57 | 0:25:00 | |
So we wanted to keep that, but also, | 0:25:00 | 0:25:02 | |
you know, shiny copper's pretty good to look at as well, so... | 0:25:02 | 0:25:05 | |
They are going to sell instantly. | 0:25:05 | 0:25:06 | |
-People are going to make these, people are going to copy you making these. -Yeah. | 0:25:06 | 0:25:10 | |
When you get hold of one for the first time, | 0:25:10 | 0:25:12 | |
-you just want to touch it, don't you? -Yeah. | 0:25:12 | 0:25:14 | |
And get your hands on it. | 0:25:14 | 0:25:15 | |
I think you've done... | 0:25:15 | 0:25:17 | |
..really well. 300 quid... | 0:25:18 | 0:25:21 | |
-..budget? -Fine for us, yeah. | 0:25:21 | 0:25:24 | |
-Yeah. -Yeah? -I hope you can make some money off them. | 0:25:24 | 0:25:28 | |
I'm really pleased with this. | 0:25:28 | 0:25:29 | |
You're welcome. They were fun to make. | 0:25:29 | 0:25:31 | |
They are absolutely charming. | 0:25:31 | 0:25:34 | |
I'd say that's £300 well invested. | 0:25:34 | 0:25:38 | |
With so little to work with, the boys have created a range that will, | 0:25:38 | 0:25:41 | |
hopefully, provide a copper-bottomed return. | 0:25:41 | 0:25:44 | |
She was pretty chuffed with what she saw. | 0:25:46 | 0:25:49 | |
Yeah. It was really cool. | 0:25:49 | 0:25:51 | |
I guess it reflects me and Ollie, like, our weird... | 0:25:51 | 0:25:55 | |
Weird little creative side. | 0:25:55 | 0:25:57 | |
Yeah. They're just quite nice little things. | 0:25:57 | 0:26:00 | |
Well, never mind molten metal. Those boys are on fire, aren't they? | 0:26:00 | 0:26:04 | |
I absolutely love their copper collection, | 0:26:04 | 0:26:07 | |
and I think there's cash to be made here. | 0:26:07 | 0:26:09 | |
When Sarah met him at the tip in Witley, | 0:26:11 | 0:26:14 | |
Vivian had already seen the potential in his copper cast-offs. | 0:26:14 | 0:26:17 | |
My wife is Danish. Over there, | 0:26:18 | 0:26:20 | |
they do all sorts of architectural things in their gardens | 0:26:20 | 0:26:23 | |
with all this piping. | 0:26:23 | 0:26:24 | |
Sarah took a shine to the cast-off plumbing and Vivian had | 0:26:24 | 0:26:28 | |
ideas as to what they could become. | 0:26:28 | 0:26:30 | |
I think she was going to do some artistic work, was she not? | 0:26:30 | 0:26:34 | |
-Is that the idea? -In the end, | 0:26:34 | 0:26:36 | |
it was Josh and Ollie with the adventurous artistic ideas. | 0:26:36 | 0:26:40 | |
Their beautiful collection was quickly snapped up by Nick, | 0:26:44 | 0:26:47 | |
who runs the online shop Smithers of Stamford. | 0:26:47 | 0:26:50 | |
-Is it the kind of thing you think you might want to buy? -Yeah, | 0:26:50 | 0:26:53 | |
definitely. They'd do well on the website, yeah. | 0:26:53 | 0:26:55 | |
That's got retail potential. | 0:26:55 | 0:26:57 | |
-Yeah. -That's front cover of serious style magazines. | 0:26:57 | 0:27:00 | |
-It's got such a great look, hasn't it? -Mm. | 0:27:00 | 0:27:02 | |
-I want that one. -Yeah? | 0:27:02 | 0:27:04 | |
-Yeah. -I'll sell it to you, if you want. | 0:27:04 | 0:27:07 | |
Cheeky. I'll do the jokes around here, thank you. | 0:27:07 | 0:27:10 | |
With a final cost of £300 | 0:27:12 | 0:27:14 | |
to transform the old copper pipes | 0:27:14 | 0:27:17 | |
and with Nick agreeing to pay £400 | 0:27:17 | 0:27:20 | |
to take them all, | 0:27:20 | 0:27:22 | |
that's a neat profit of £100. | 0:27:22 | 0:27:25 | |
Well, Josh and Ollie certainly | 0:27:28 | 0:27:29 | |
worked their magic on those copper pipes, | 0:27:29 | 0:27:31 | |
but, unfortunately, I haven't been able to get hold of Vivian, | 0:27:31 | 0:27:34 | |
who dropped them off at the tip. | 0:27:34 | 0:27:35 | |
So I'm going to make sure that the £100 profit | 0:27:35 | 0:27:39 | |
goes straight to Children In Need. | 0:27:39 | 0:27:41 | |
Sarah salvaged two unwanted items from the Witley Recycling Centre. | 0:27:47 | 0:27:53 | |
Vivian's old copper pipes were turned into | 0:27:53 | 0:27:56 | |
candelabras and candlesticks, | 0:27:56 | 0:27:58 | |
and the plastic heron has been adorned with a new coat of feathers. | 0:27:58 | 0:28:03 | |
Well, I was amazed to see what Josh and Ollie did | 0:28:04 | 0:28:07 | |
with that old copper pipe. | 0:28:07 | 0:28:08 | |
They literally turned scrap into desirable designer items, | 0:28:08 | 0:28:11 | |
and with the help of my refeathered friend, | 0:28:11 | 0:28:13 | |
we even managed to hand over some money for nothing. | 0:28:13 | 0:28:16 |