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-Can I have a little rummage around in your rubbish? -Yeah. | 0:00:03 | 0:00:06 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
I love that! | 0:00:10 | 0:00:11 | |
The answer could be hiding in | 0:00:11 | 0:00:13 | |
the 30 million tonnes of household waste we throw out every year. | 0:00:13 | 0:00:18 | |
So heavy, they don't make them like this any more. Look at that. | 0:00:18 | 0:00:22 | |
That's why entrepreneur Sarah Moore | 0:00:22 | 0:00:24 | |
wants to get her hands on things before they hit the skip. | 0:00:24 | 0:00:28 | |
I'm a passionate maker, buyer, and user of old stuff, | 0:00:30 | 0:00:34 | |
and I've turned that passion into a money-making business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff, and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And, with some of the country's elite designers and makers... | 0:00:42 | 0:00:46 | |
-Say something nice about it! -My juices are flowing in this one. | 0:00:46 | 0:00:49 | |
They're going to be, "Wow." | 0:00:49 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:54 | |
Isn't that stunning? | 0:00:54 | 0:00:56 | |
..valuable... | 0:00:56 | 0:00:57 | |
Oh, wow! | 0:00:57 | 0:00:59 | |
..and, hopefully, saleable items. | 0:00:59 | 0:01:02 | |
That is bonkers! | 0:01:02 | 0:01:04 | |
If Sarah is successful, then she can hand the profits back to the very | 0:01:04 | 0:01:07 | |
people who had no idea there was cash to be made from their trash. | 0:01:07 | 0:01:12 | |
Oh, my God! That is amazing! | 0:01:12 | 0:01:15 | |
First stop on Sarah's tour of the country's tips is | 0:01:28 | 0:01:31 | |
the Witley Recycling Centre, in Surrey. | 0:01:31 | 0:01:33 | |
I think today is going to be a great dump day. | 0:01:35 | 0:01:37 | |
There are people flooding in here as fast as they can. | 0:01:37 | 0:01:40 | |
Somebody is going to have some treasure in their trash. | 0:01:40 | 0:01:44 | |
Sarah, who got special permission to raid the rubbish, | 0:01:44 | 0:01:47 | |
is searching for four items that have the potential to be | 0:01:47 | 0:01:50 | |
transformed from trash to cash. | 0:01:50 | 0:01:53 | |
-I've got a fish tank in there. -Fish tank? Is that...? Oh, that's... | 0:01:54 | 0:01:57 | |
-Yeah, he died yesterday, that's going out. -Oh, no. That was quick! | 0:01:57 | 0:02:02 | |
And, talking of water tanks, | 0:02:02 | 0:02:03 | |
Sarah has spotted something of interest in the back of Neil's car. | 0:02:03 | 0:02:08 | |
What are you clearing up? | 0:02:08 | 0:02:09 | |
Well, we're clearing out an old attic, and we've had a chimney | 0:02:09 | 0:02:12 | |
taken down, so there was an ariel up on there that's no longer used. | 0:02:12 | 0:02:15 | |
OK, and what's...? Is that the water tank? | 0:02:15 | 0:02:17 | |
That's the old galvanised water tank. | 0:02:17 | 0:02:19 | |
Great for planting things in the garden, I understand that. | 0:02:19 | 0:02:21 | |
-We got toilets. -Have you? What, planted? -Old WC. I'm a plumber. -OK. | 0:02:21 | 0:02:26 | |
We've got toilets at home, that have got plants and things in them. | 0:02:26 | 0:02:30 | |
-Excellent. -But they're so bulky. | 0:02:30 | 0:02:33 | |
They are, but people love them, people love them. | 0:02:33 | 0:02:35 | |
-Can I have a quick rootle around with it? -Yeah, course you can. | 0:02:35 | 0:02:38 | |
Cos I'm hoping the bottom of this has got a bit of patina, | 0:02:38 | 0:02:40 | |
decorative... | 0:02:40 | 0:02:41 | |
-METAL CLANGS -Few rivets? | 0:02:41 | 0:02:43 | |
-There you go. Few rivets. -It's fab! -Good? Do you like it? | 0:02:43 | 0:02:47 | |
-Yeah, I absolutely love it. -Good, good. -Pop that there. | 0:02:47 | 0:02:50 | |
Neil's old water tank is made from galvanised metal, which | 0:02:50 | 0:02:54 | |
means it's got a corrosion-resistant zinc coating to prevent rusting. | 0:02:54 | 0:02:58 | |
Perfect for water tanks, but it's a tricky material to repurpose, | 0:02:58 | 0:03:03 | |
and could cause problems further down the line. | 0:03:03 | 0:03:06 | |
-I'd love to take that away... -Yep. -..and I'd love to keep in touch, | 0:03:06 | 0:03:09 | |
and hopefully have made something amazing out of it. | 0:03:09 | 0:03:11 | |
You say it, you can have my e-mail address, | 0:03:11 | 0:03:13 | |
you can have whatever you like, so, you know, feel free. | 0:03:13 | 0:03:16 | |
Trading e-mail addresses. Let's keep things professional, eh, Sarah? | 0:03:16 | 0:03:21 | |
So, Neil, what do you think | 0:03:21 | 0:03:22 | |
she's going to do with your old water tank? | 0:03:22 | 0:03:25 | |
I can't think of what you could use it for, | 0:03:25 | 0:03:27 | |
unless it's to hold something up, supportive, cos it's quite strong. | 0:03:27 | 0:03:31 | |
Can't think of what else she could actually use it for, | 0:03:33 | 0:03:35 | |
so I'll be intrigued to find out. | 0:03:35 | 0:03:37 | |
Now it's cut up, I know just who to take this to, | 0:03:39 | 0:03:42 | |
and I think we're going to make some money on it. | 0:03:42 | 0:03:45 | |
Artist blacksmith, Bex Simon, is an expert in manipulating metal | 0:03:49 | 0:03:54 | |
into high-end furniture and bespoke metalwork commissions. | 0:03:54 | 0:03:58 | |
When I went to art college, | 0:03:58 | 0:04:00 | |
and I was looking round to see what degree I wanted to do, | 0:04:00 | 0:04:04 | |
I went into the forge, and I saw people working with fire and | 0:04:04 | 0:04:08 | |
the anvils, and hammering metal... Oh, that was it. | 0:04:08 | 0:04:12 | |
I just knew that that was what I needed to do. | 0:04:12 | 0:04:15 | |
Together with husband, Dave, this formidable team has the skill | 0:04:16 | 0:04:20 | |
and imagination to create something special from any old iron. | 0:04:20 | 0:04:25 | |
There's nothing more exciting than to come into work, | 0:04:25 | 0:04:28 | |
light a fire, heat up your metal. | 0:04:28 | 0:04:31 | |
It's very magical. | 0:04:31 | 0:04:33 | |
Well, I don't know how magical she'll think it is | 0:04:34 | 0:04:37 | |
when she gets a load of the old water tank. | 0:04:37 | 0:04:39 | |
It's rusty, it's riveted, and it's cut up into little pieces. | 0:04:41 | 0:04:45 | |
Who else to bring it to but Bex and Dave? | 0:04:45 | 0:04:48 | |
I have got high hopes for this beautiful old water tank, | 0:04:48 | 0:04:51 | |
but this is made out of galvanised metal, | 0:04:51 | 0:04:53 | |
and you know, that can be tricky to work with. | 0:04:53 | 0:04:55 | |
And by tricky, you mean poisonous. BEX CHUCKLES | 0:04:55 | 0:04:58 | |
The layer of zinc coating the metal releases quite harmful fumes | 0:04:58 | 0:05:03 | |
when heated. Hmm. Good luck, you two. | 0:05:03 | 0:05:05 | |
It's quite heavily galvanised, so, you know, | 0:05:05 | 0:05:08 | |
to work with this we'll have to wear sort of masks and things. | 0:05:08 | 0:05:11 | |
I did know that galvanised is tricky, | 0:05:11 | 0:05:13 | |
because it's the fumes, is that right? | 0:05:13 | 0:05:15 | |
Yeah, you get a really, really nasty headache, quite sick, so... | 0:05:15 | 0:05:19 | |
OK, well, I thought beautiful, rustic, galvanised table, | 0:05:19 | 0:05:24 | |
maybe sort of console-style, but pretty straightforward metal table. | 0:05:24 | 0:05:29 | |
Why don't we get it out, put it all together, | 0:05:29 | 0:05:31 | |
-and see how big this thing is? -OK. | 0:05:31 | 0:05:32 | |
If Bex and Dave can rustle up a couple of gas masks, | 0:05:32 | 0:05:36 | |
this should be a straightforward job. | 0:05:36 | 0:05:39 | |
Join the bits together, stick some legs on it, and hey presto, a table. | 0:05:39 | 0:05:44 | |
But what will it cost? | 0:05:44 | 0:05:45 | |
As we're heading for something that is probably not going to be | 0:05:45 | 0:05:48 | |
the centrepiece table of somebody's dining room, | 0:05:48 | 0:05:51 | |
I think we have to be a bit careful on the price, because we're | 0:05:51 | 0:05:54 | |
asking somebody to buy something basically on its decorative appeal. | 0:05:54 | 0:05:57 | |
-OK. -What are you thinking? | 0:05:57 | 0:05:59 | |
I think, if we could get a good frame together... | 0:05:59 | 0:06:03 | |
I think maybe if we say £500, plus whatever materials we're buying. | 0:06:03 | 0:06:08 | |
Yeah. | 0:06:09 | 0:06:10 | |
-Does that work for you? -Yeah. -Love you! | 0:06:10 | 0:06:13 | |
And she's off! | 0:06:13 | 0:06:15 | |
Give me a bell when you've got something to show me. | 0:06:15 | 0:06:17 | |
That was quick. Have you got somewhere else to be, Sarah? | 0:06:17 | 0:06:20 | |
So this is going to be a rough and ready riveted table. | 0:06:20 | 0:06:24 | |
THEY CHUCKLE | 0:06:24 | 0:06:27 | |
That's really easy for you to say. | 0:06:27 | 0:06:29 | |
That's a real relief because that slightly dangerous zinc material | 0:06:29 | 0:06:33 | |
is now in really safe hands. | 0:06:33 | 0:06:34 | |
I think with the plan that we've come up with, | 0:06:34 | 0:06:37 | |
we're going for a rustic, hearty table. | 0:06:37 | 0:06:39 | |
I think there's some potential there to make some real money. | 0:06:39 | 0:06:41 | |
-Do it again. -The rough and ready riveted...table. | 0:06:43 | 0:06:46 | |
-You're losing it. -I know. | 0:06:50 | 0:06:51 | |
-It's all the rough and ready. -Let's try that again. | 0:06:51 | 0:06:54 | |
Riveted... R-r-r... | 0:06:54 | 0:06:56 | |
Let's try it again. | 0:06:56 | 0:06:58 | |
So if Bex and Dave can get this one done for £500 plus materials, | 0:06:58 | 0:07:03 | |
Sarah's on track to make a good bit of money. | 0:07:03 | 0:07:06 | |
We'll be catching up with them a little later on. | 0:07:06 | 0:07:09 | |
I hope! | 0:07:09 | 0:07:10 | |
With one item found, the search goes on for other odds and ends | 0:07:17 | 0:07:21 | |
that could prompt a profit. | 0:07:21 | 0:07:22 | |
I thought this guy was working here, that's why I asked him for a hand. | 0:07:23 | 0:07:27 | |
No. He hardly ever works! | 0:07:27 | 0:07:29 | |
Well, while you're all standing about chatting, you're about | 0:07:29 | 0:07:32 | |
to miss something very unusual coming out of Dick's boot. | 0:07:32 | 0:07:36 | |
That looks interesting. What are you throwing out? | 0:07:36 | 0:07:40 | |
-It's an old Post Office truck they used to put the parcels in. -OK. | 0:07:40 | 0:07:45 | |
It's coach-built. I mean, that's... | 0:07:45 | 0:07:47 | |
Coach-built - there's the crankshaft for the wheels. | 0:07:47 | 0:07:49 | |
So it was used where? | 0:07:49 | 0:07:51 | |
In the sorting office. | 0:07:51 | 0:07:52 | |
They would use these to move the parcels around. | 0:07:52 | 0:07:55 | |
They probably used that from about the 1930s, '40s onwards. | 0:07:55 | 0:07:58 | |
Lovely, it's amazing. | 0:07:58 | 0:08:00 | |
I have no idea if it's something I'll be able to re-use or make | 0:08:00 | 0:08:04 | |
anything out of but I just feel that it's so beautiful | 0:08:04 | 0:08:07 | |
and the age and the wear on it is so lovely... | 0:08:07 | 0:08:09 | |
If it's all right to take it away? | 0:08:09 | 0:08:11 | |
You can, please. If you show me where you want me to put it | 0:08:11 | 0:08:14 | |
-I'll come... -That's really kind of you. | 0:08:14 | 0:08:16 | |
If I do manage to do something, it would be really good to get | 0:08:16 | 0:08:19 | |
-back in touch and show you what I've done. -OK. | 0:08:19 | 0:08:22 | |
-All right. -I'll start with these, that's lovely. Thank you so much. | 0:08:22 | 0:08:25 | |
I found it probably 10 or 12 years ago. | 0:08:26 | 0:08:29 | |
I refurbished it, the wooden part of it. | 0:08:29 | 0:08:32 | |
Painted it and used it as a decorative area for plants | 0:08:32 | 0:08:37 | |
for many, many years. | 0:08:37 | 0:08:39 | |
I brought it along here but luckily it seems to have met somebody | 0:08:39 | 0:08:42 | |
who's maybe giving it a new home. | 0:08:42 | 0:08:44 | |
I wish her luck! | 0:08:44 | 0:08:46 | |
Now, this... This one's a seriously unusual tip find. | 0:08:46 | 0:08:50 | |
It's absolutely beautiful. It's a coach-built, enormous | 0:08:50 | 0:08:54 | |
platform wheels that had a basket on it that was used at a post office. | 0:08:54 | 0:08:58 | |
It looks like it'll clean up really well. | 0:08:58 | 0:09:01 | |
There's certainly enough metal and chunky stuff here to be able | 0:09:01 | 0:09:04 | |
to make into something else. This is really exciting. | 0:09:04 | 0:09:08 | |
And Sarah has just the men in mind who can put their own stamp | 0:09:08 | 0:09:12 | |
on our post office trolley. | 0:09:12 | 0:09:14 | |
Say hello to Josh and Oli, designer makers, | 0:09:19 | 0:09:23 | |
business partners and best friends. | 0:09:23 | 0:09:25 | |
These boys use natural and recycled materials to create | 0:09:27 | 0:09:31 | |
handcrafted furnishings and high-end interior pieces. | 0:09:31 | 0:09:35 | |
I'm Josh and this is Oli. and we are Forge Creative. | 0:09:38 | 0:09:41 | |
The main thing we love is designing new products | 0:09:41 | 0:09:44 | |
and new furniture where you've got that idea and you come into | 0:09:44 | 0:09:47 | |
the workshop and just see it come to life. | 0:09:47 | 0:09:49 | |
The sort of thing we'd like Sarah to bring us would probably | 0:09:49 | 0:09:52 | |
be something with a bit of character, a bit of age to it. | 0:09:52 | 0:09:55 | |
We like something with a bit of a story. | 0:09:55 | 0:09:57 | |
Like a rusty bit of metal or a weathered bit of wood, | 0:09:57 | 0:10:01 | |
something like that. That has got a bit of history and character to it. | 0:10:01 | 0:10:04 | |
Well, boys, this one sounds right up your street. | 0:10:05 | 0:10:08 | |
But what you're going to do with it, I have no idea. | 0:10:08 | 0:10:12 | |
I hope Josh and Oli are full of enthusiasm and imagination today | 0:10:12 | 0:10:15 | |
because it is going to take a real leap of faith to believe | 0:10:15 | 0:10:19 | |
that this is going to end up as a high-end interior piece. | 0:10:19 | 0:10:23 | |
A high-end interior piece? | 0:10:23 | 0:10:26 | |
Looking at all that, I'm not quite sure what you could do. | 0:10:26 | 0:10:29 | |
Yes, we're trying to put it together. | 0:10:29 | 0:10:31 | |
Bex has already got started on her table | 0:10:31 | 0:10:34 | |
so I'm dying to find out what ideas the boys have. | 0:10:34 | 0:10:37 | |
Straight away, it kind of lends itself to being a table. | 0:10:37 | 0:10:40 | |
Another table. Great! | 0:10:40 | 0:10:42 | |
What kind of table are you thinking about making? | 0:10:42 | 0:10:44 | |
We've got some old reclaimed farmhouse doors | 0:10:44 | 0:10:49 | |
that would go perfectly. | 0:10:49 | 0:10:51 | |
What, those? | 0:10:51 | 0:10:53 | |
These up there, yeah. | 0:10:53 | 0:10:54 | |
-They're huge. -They're massive. | 0:10:54 | 0:10:56 | |
It would be a dining table and I mean they would just lend themselves | 0:10:56 | 0:11:00 | |
really well because they're a similar style. | 0:11:00 | 0:11:02 | |
I think that is absolutely inspired. A dining table would be fantastic. | 0:11:02 | 0:11:05 | |
If you've got the right house to fit it in, | 0:11:05 | 0:11:08 | |
I think that would be an amazing... What a feature piece that would be. | 0:11:08 | 0:11:11 | |
What do you think the surface of the metal would end up like? | 0:11:11 | 0:11:14 | |
I mean, hopefully, we can keep some of that colour on. | 0:11:14 | 0:11:17 | |
Most of that will come off because it's so flaky. | 0:11:17 | 0:11:19 | |
I love the idea of keeping a bit of pillar box red on it | 0:11:19 | 0:11:22 | |
so it reminds you of where it came from. | 0:11:22 | 0:11:25 | |
I think big dining table sounds fab. | 0:11:25 | 0:11:28 | |
Is it heaps of work, is it loads of money? | 0:11:28 | 0:11:30 | |
I think it will be a fair bit of work, yeah. | 0:11:30 | 0:11:33 | |
Probably around the 750 mark. | 0:11:33 | 0:11:35 | |
Oh! Ouch! | 0:11:35 | 0:11:37 | |
I think 750 quid sounds like, you know, about the money | 0:11:37 | 0:11:41 | |
and then if it sells, depending on how slick and how exciting it is, | 0:11:41 | 0:11:45 | |
if we've got at least £1,000 for it then that would be fantastic. | 0:11:45 | 0:11:49 | |
If it sells, Sarah! Big if. | 0:11:49 | 0:11:53 | |
Any chance you could get one of them down? | 0:11:53 | 0:11:55 | |
If not, you can have a £750 bonfire. | 0:11:55 | 0:11:59 | |
I mean, look at the size of it. | 0:11:59 | 0:12:02 | |
This is huge. Have you made many tables this size before? | 0:12:02 | 0:12:05 | |
Not quite this big. | 0:12:05 | 0:12:07 | |
We've made one at about two metres but this will be enormous. | 0:12:07 | 0:12:10 | |
Great, well, I hope it goes well! | 0:12:10 | 0:12:13 | |
-Thank you. -Thanks. | 0:12:13 | 0:12:15 | |
-See you soon. -Bye! | 0:12:15 | 0:12:17 | |
-What do you reckon, then? -Yeah, pretty good. | 0:12:18 | 0:12:21 | |
I think Sarah's done a good job for us. | 0:12:21 | 0:12:23 | |
Spending £750 on a commission is a bit scary. | 0:12:24 | 0:12:29 | |
It's going to have to look fantastic to make some money. | 0:12:29 | 0:12:32 | |
So with the table coming in at a whopping £750, | 0:12:34 | 0:12:38 | |
the boys will have to do something pretty special | 0:12:38 | 0:12:41 | |
if Sarah hopes to see a profit. | 0:12:41 | 0:12:43 | |
So the boys are making a table, Bex is making a table. | 0:12:48 | 0:12:52 | |
There's only one thing for it. | 0:12:52 | 0:12:54 | |
-BELL RINGS -Table wars. | 0:12:54 | 0:12:56 | |
And in the red corner, | 0:13:02 | 0:13:04 | |
Bex "The Anvil" Simon | 0:13:04 | 0:13:07 | |
and Dave "The Brute" Harris | 0:13:07 | 0:13:09 | |
will be taking on "The Sledgehammer" Josh Kennard | 0:13:09 | 0:13:13 | |
and Oli. | 0:13:13 | 0:13:15 | |
First up, it's Bex and Dave's table, | 0:13:15 | 0:13:19 | |
so let's get ready to rivet! | 0:13:19 | 0:13:22 | |
So what are we going to do? | 0:13:23 | 0:13:25 | |
BEX CHUCKLES | 0:13:25 | 0:13:27 | |
At the moment it looks like a cut-out water tank. | 0:13:27 | 0:13:30 | |
It's down to us to try and make it look presentable and nice. | 0:13:30 | 0:13:36 | |
-Yeah, and worth lots of money! -Ha-ha, ha...! | 0:13:36 | 0:13:39 | |
That's the fighting spirit. | 0:13:39 | 0:13:41 | |
Bex begins by cutting lengths of metal that will form the legs | 0:13:43 | 0:13:47 | |
while Dave gets cooking on the table top. | 0:13:47 | 0:13:49 | |
He's trimming off the edges with an electric saw and the | 0:13:53 | 0:13:57 | |
all-important gas mask will protect him from the toxic zinc fumes | 0:13:57 | 0:14:02 | |
that are released when the metal is heated. | 0:14:02 | 0:14:04 | |
Bex is heating her table legs in the charcoal forge, | 0:14:08 | 0:14:11 | |
a blacksmith's best friend for centuries. | 0:14:11 | 0:14:14 | |
The basic tools of the trade have pretty much stayed exactly the same. | 0:14:14 | 0:14:19 | |
When you're working with the fire, a hammer and the anvil, | 0:14:19 | 0:14:22 | |
it's really lovely. | 0:14:22 | 0:14:24 | |
If you go to the British Museum, you know, there are some old tools that | 0:14:24 | 0:14:29 | |
they've dug up and they are pretty much exactly the same as ours. | 0:14:29 | 0:14:34 | |
Maybe a little bit smaller because people were smaller then. | 0:14:34 | 0:14:37 | |
Is that true? Or did we just have tiny blacksmiths? | 0:14:37 | 0:14:41 | |
Bex's legs are now hot enough that she is able to bend them by hand. | 0:14:43 | 0:14:47 | |
It's now probably about 700 Celsius, | 0:14:49 | 0:14:53 | |
or... No, actually, it's probably a bit hotter, about 800. | 0:14:53 | 0:14:57 | |
Remember, working around this kind of heat is very dangerous and you | 0:14:57 | 0:15:01 | |
could end up with nasty burns. | 0:15:01 | 0:15:04 | |
I daren't show my mum. | 0:15:04 | 0:15:05 | |
Just like Bex. | 0:15:05 | 0:15:07 | |
It's going, "Hello. | 0:15:07 | 0:15:09 | |
"Hello, how are you today?" | 0:15:09 | 0:15:11 | |
Ugh! | 0:15:11 | 0:15:13 | |
While Bex talks to her finger, Dave is welding a steel | 0:15:13 | 0:15:17 | |
frame together which the water tank sections can then be riveted to. | 0:15:17 | 0:15:21 | |
We're going to put copper rivets in because copper's soft. | 0:15:24 | 0:15:28 | |
With steel rivets you have to get it red hot. | 0:15:28 | 0:15:31 | |
Because this is galvanised steel, | 0:15:31 | 0:15:32 | |
we don't want to get too much heat to burn the zinc. | 0:15:32 | 0:15:35 | |
Dave's able to bash the copper rivets in cold with | 0:15:35 | 0:15:39 | |
a hammer and a snap tool and leave Bex to drill holes in the legs. | 0:15:39 | 0:15:44 | |
After a smattering of tomato sauce they should be ready to attach. | 0:15:45 | 0:15:50 | |
The next part on this stage will be working together because it | 0:15:53 | 0:15:57 | |
will need four hands, | 0:15:57 | 0:16:00 | |
two people. | 0:16:00 | 0:16:01 | |
-Four hands, two minds. -Yeah. | 0:16:01 | 0:16:03 | |
With a bit of arguing in between. | 0:16:03 | 0:16:05 | |
-No, it won't. -It will. | 0:16:07 | 0:16:10 | |
I think we'll leave them to get on with it. | 0:16:12 | 0:16:15 | |
With Bex and Dave well on the way, | 0:16:17 | 0:16:19 | |
it's time to check in with table number two. | 0:16:19 | 0:16:22 | |
Over in Sussex... | 0:16:26 | 0:16:28 | |
-Josh, look, the original Segway. -Yeah, sweet. | 0:16:28 | 0:16:31 | |
Josh and Oli are clearly taking this challenge very seriously. | 0:16:33 | 0:16:37 | |
Come on, boys. Get to work. | 0:16:37 | 0:16:40 | |
So this is going to be one end support of the dining table. | 0:16:41 | 0:16:46 | |
The two halves of the table top will sit on here. | 0:16:46 | 0:16:50 | |
Shall we get rid of that block and see what clearance | 0:16:50 | 0:16:53 | |
-we've got on that wheel? -Yeah. | 0:16:53 | 0:16:56 | |
The boys plan to attach the bendy bit to the wheely bit by | 0:16:56 | 0:16:59 | |
first removing the wooden block and then welding in place. | 0:16:59 | 0:17:03 | |
Ah. | 0:17:05 | 0:17:06 | |
But there seems to be a little bolt in the way. | 0:17:06 | 0:17:10 | |
So it's time to get drilling. | 0:17:10 | 0:17:12 | |
Are you sure you shouldn't be wearing goggles doing that, Josh? | 0:17:16 | 0:17:20 | |
Naughty boy! | 0:17:20 | 0:17:22 | |
So Josh is just trying to make a little hole in the axle | 0:17:22 | 0:17:25 | |
so that this bolt, | 0:17:25 | 0:17:29 | |
this nut here, will sit in there. | 0:17:29 | 0:17:32 | |
But we've just realised that the axle is solid | 0:17:34 | 0:17:37 | |
so Josh is having a bit of a hard time getting through it. | 0:17:37 | 0:17:40 | |
Oh, look at the size of that thing! | 0:17:40 | 0:17:43 | |
They don't make post carts like this any more. | 0:17:50 | 0:17:52 | |
Yeah, I think that's done it. | 0:17:52 | 0:17:54 | |
With the welding saved for later, | 0:17:57 | 0:17:59 | |
Josh moves on to cut some reclaimed wood on the band saw, | 0:17:59 | 0:18:03 | |
which will form a support beam between two metal brackets | 0:18:03 | 0:18:07 | |
from the postal cart frame and with another one of those bendy bits | 0:18:07 | 0:18:11 | |
on top, it makes another set of legs. | 0:18:11 | 0:18:15 | |
Kind of. | 0:18:15 | 0:18:16 | |
OK, so I think we know that this is all looking all right. | 0:18:16 | 0:18:19 | |
We need to fiddle around with it a little bit. | 0:18:19 | 0:18:21 | |
Shall we put this to one side and we can work with the table top? | 0:18:21 | 0:18:25 | |
-Let's crack on. -Cool. | 0:18:25 | 0:18:27 | |
So this is one of about five doors that we got from a friend | 0:18:27 | 0:18:32 | |
from an old barn and they're supposed to be about 150 years old. | 0:18:32 | 0:18:37 | |
You don't say! | 0:18:37 | 0:18:39 | |
It looks like Josh has upcycled his mum's old tumble dryer hose | 0:18:41 | 0:18:45 | |
to clear away the 100-year-old dust | 0:18:45 | 0:18:47 | |
while Oli works to get the hinges off the door | 0:18:47 | 0:18:50 | |
with a socket wrench | 0:18:50 | 0:18:52 | |
but it's no match for the 100-year-old rust. | 0:18:52 | 0:18:55 | |
It doesn't want to come, does it? | 0:18:55 | 0:18:57 | |
When in doubt... | 0:18:57 | 0:18:58 | |
smash it with a hammer. | 0:18:58 | 0:19:00 | |
But what they're left with underneath might be a problem. | 0:19:05 | 0:19:08 | |
What do you think, Josh? | 0:19:08 | 0:19:10 | |
Yeah, that's nice where the rust has soaked into the wood. | 0:19:10 | 0:19:13 | |
Really? | 0:19:13 | 0:19:14 | |
That will make quite a nice feature. | 0:19:14 | 0:19:16 | |
I don't fancy eating my dinner off it. | 0:19:16 | 0:19:19 | |
So we have to incorporate these in some way, don't we? | 0:19:19 | 0:19:22 | |
Josh and Oli are firm believers in using absolutely every part | 0:19:22 | 0:19:26 | |
of an item so nothing goes to waste. | 0:19:26 | 0:19:28 | |
Using them somehow as a brace in-between the two doors, or... | 0:19:28 | 0:19:32 | |
But how to get the rusty hinges onto a table? | 0:19:32 | 0:19:35 | |
Why don't we try and flatten them out and see how well that works. | 0:19:35 | 0:19:39 | |
They might crack or something might go wrong. | 0:19:39 | 0:19:41 | |
-Yeah. Cool. -OK. | 0:19:41 | 0:19:44 | |
Josh's heating the steel with a blowtorch so it will be | 0:19:47 | 0:19:51 | |
bendy enough to flatten out straight. | 0:19:51 | 0:19:53 | |
Oli can then bash it with a hammer to remove the kinks and what | 0:19:57 | 0:20:01 | |
they're left with is a perfectly flat piece of metal. | 0:20:01 | 0:20:04 | |
That, as yet, has no use at all. | 0:20:04 | 0:20:07 | |
But, much like everything else today, | 0:20:07 | 0:20:09 | |
they'll just put it to one side and worry about it later. | 0:20:09 | 0:20:13 | |
Josh and Oli seem to have an awful lot of bits | 0:20:15 | 0:20:19 | |
being worked on individually. | 0:20:19 | 0:20:21 | |
They've still got a huge amount to do if they hope to assemble it | 0:20:21 | 0:20:24 | |
all into a dining table. | 0:20:24 | 0:20:26 | |
Back in Surrey, Sarah's arrived to see how Bex and Dave got on | 0:20:34 | 0:20:38 | |
with their table. | 0:20:38 | 0:20:40 | |
Bex is putting some finishing touches to the table top | 0:20:40 | 0:20:43 | |
while Dave has a cup of tea and a biscuit. | 0:20:43 | 0:20:46 | |
I dropped off three chunks of battered old water tank, | 0:20:49 | 0:20:53 | |
a material that's really difficult to work with | 0:20:53 | 0:20:55 | |
because it's galvanised. | 0:20:55 | 0:20:57 | |
I'm hoping for a table because it's really saleable. | 0:20:57 | 0:20:59 | |
I know whatever they have done, it's going to look lovely. | 0:20:59 | 0:21:02 | |
But...seeing is believing. | 0:21:02 | 0:21:04 | |
I'm really excited. | 0:21:04 | 0:21:06 | |
-I think she's going to like it. -I think this is Sarah's bag, yeah. | 0:21:07 | 0:21:11 | |
I think she'll like it. | 0:21:11 | 0:21:13 | |
Well, only one way to find out. | 0:21:13 | 0:21:16 | |
Before, the old water tank had nowhere left to go | 0:21:16 | 0:21:19 | |
but the bottom of a skip. | 0:21:19 | 0:21:21 | |
Now it's been totally transformed. | 0:21:23 | 0:21:25 | |
Bex's lovely legs are supported with | 0:21:27 | 0:21:29 | |
a steel bar running along the middle | 0:21:29 | 0:21:31 | |
and separate straps attached to the frame | 0:21:31 | 0:21:34 | |
means the rickety water tank top | 0:21:34 | 0:21:36 | |
is strong and secure. | 0:21:36 | 0:21:39 | |
Bex applied a simple acrylic lacquer to the top to retain | 0:21:39 | 0:21:43 | |
the industrial feel. | 0:21:43 | 0:21:45 | |
All in all, their rough and ready riveted table is a cracker. | 0:21:45 | 0:21:49 | |
But is it going to make Sarah jump for joy? | 0:21:50 | 0:21:53 | |
Oh, there she goes. | 0:21:53 | 0:21:56 | |
How cool is that! | 0:21:56 | 0:21:58 | |
You made it work. | 0:21:58 | 0:21:59 | |
Well done. That's amazing. | 0:21:59 | 0:22:01 | |
-How are you doing? -I'm doing really well. | 0:22:01 | 0:22:03 | |
Oh... | 0:22:03 | 0:22:05 | |
I completely love it! | 0:22:05 | 0:22:06 | |
Look at those. | 0:22:06 | 0:22:08 | |
I can't believe it, I thought it would be a lot rougher than that. | 0:22:08 | 0:22:12 | |
This is...this is a gem. | 0:22:12 | 0:22:15 | |
I think because it's riveted all the way round, you know, | 0:22:15 | 0:22:19 | |
we just used some nice solid section to keep it quite simple, | 0:22:19 | 0:22:23 | |
like the nuts at the end, they're forged nuts. | 0:22:23 | 0:22:26 | |
Handmade ones. | 0:22:26 | 0:22:28 | |
I think you managed to finesse something that should never | 0:22:28 | 0:22:30 | |
have been finessed like this. | 0:22:30 | 0:22:32 | |
It's genuinely really beautiful. | 0:22:32 | 0:22:34 | |
Handmade. Stunning. | 0:22:34 | 0:22:36 | |
Did it cost a fortune? | 0:22:36 | 0:22:38 | |
We pretty much worked to budget on this one, didn't we? | 0:22:38 | 0:22:42 | |
I think you've created something fabulous, genuinely. | 0:22:42 | 0:22:45 | |
That's going to walk away. | 0:22:45 | 0:22:46 | |
And so are you. | 0:22:46 | 0:22:48 | |
-Bye! -Bye. | 0:22:48 | 0:22:49 | |
I don't want to be overemotional about it | 0:22:53 | 0:22:55 | |
but I'm overwhelmed by that table. | 0:22:55 | 0:22:58 | |
It was going to end up in the tip and Bex and Dave have | 0:22:58 | 0:23:01 | |
poured their heart and soul into that. | 0:23:01 | 0:23:03 | |
I can't believe how fantastic it looks. | 0:23:03 | 0:23:06 | |
Well, there may have been a few arguments along the way | 0:23:06 | 0:23:09 | |
but I think it's been worth it. | 0:23:09 | 0:23:11 | |
-Do you love me again? -I've always loved you, love. | 0:23:11 | 0:23:15 | |
That's why I'm married you. | 0:23:15 | 0:23:16 | |
Aw... | 0:23:16 | 0:23:18 | |
Stunning and on budget of £500 plus materials, | 0:23:18 | 0:23:22 | |
this one has a real chance of raking in the cash. | 0:23:22 | 0:23:26 | |
Before the table was a table... | 0:23:29 | 0:23:31 | |
-What are you clearing out? -We're clearing out an old attic. | 0:23:31 | 0:23:33 | |
..Sarah stuck her nose in the back of Neil's motor and found | 0:23:33 | 0:23:37 | |
something well good. | 0:23:37 | 0:23:39 | |
Good. Do you like it? | 0:23:39 | 0:23:40 | |
-It's brilliant. -Good, good. | 0:23:40 | 0:23:42 | |
Good?! It was great and Sarah had big ideas of what to do with it. | 0:23:42 | 0:23:47 | |
Neil wasn't as sure. | 0:23:47 | 0:23:49 | |
I can't think of anything she could actually use it for. | 0:23:49 | 0:23:52 | |
So I'll be intrigued to find out. | 0:23:52 | 0:23:53 | |
Well, with a little help from Bex and Dave, | 0:23:56 | 0:23:58 | |
it turned into a shiny show stopper. | 0:23:58 | 0:24:01 | |
Sarah invited around Nick who runs online vintage | 0:24:01 | 0:24:05 | |
and antique outlet Smithers of Stanford... | 0:24:05 | 0:24:08 | |
-Hiya. -Hi, Sarah. | 0:24:08 | 0:24:09 | |
..hoping he'd be interested in today's tables. | 0:24:09 | 0:24:12 | |
I could see it in a bar in London, or something. | 0:24:12 | 0:24:15 | |
And after one look at Bex and Dave's... | 0:24:15 | 0:24:17 | |
Would you put your money where your mouth is, do you think you'd buy it? | 0:24:17 | 0:24:20 | |
Definitely. Yeah, I definitely want it. | 0:24:20 | 0:24:22 | |
..he bought it. | 0:24:22 | 0:24:24 | |
Sarah's travelled to Milford in Surrey to show Neil | 0:24:26 | 0:24:29 | |
what Bex and Dave did to his water tank. | 0:24:29 | 0:24:32 | |
I hope she phoned ahead. | 0:24:32 | 0:24:35 | |
-Hello, Neil, how are you? -I'm fine, thank you, and you? | 0:24:35 | 0:24:37 | |
I've never seen "beware of the chicken" before. How are you doing? | 0:24:37 | 0:24:40 | |
-No, you have to watch the chicken and watch where you're walking. -OK. | 0:24:40 | 0:24:44 | |
Animals at loose. | 0:24:44 | 0:24:45 | |
OK, so this is the house the tank came out of. | 0:24:46 | 0:24:48 | |
This is the house that the tank came from. | 0:24:48 | 0:24:51 | |
It's been up in the loft for many years. | 0:24:51 | 0:24:53 | |
-It was you who cut it up, wasn't it? -Yeah, it was. I cut it up. | 0:24:53 | 0:24:56 | |
We had it outside the gate | 0:24:56 | 0:24:57 | |
for a month and then it was time to go to the dump. | 0:24:57 | 0:24:59 | |
-That's when I met you, wasn't it? -That's where we met you. | 0:24:59 | 0:25:02 | |
Have you thought what we might have done? | 0:25:02 | 0:25:04 | |
I couldn't think what you were going to use it for, I really couldn't. | 0:25:04 | 0:25:07 | |
-OK. -To turn it into anything, there would have to be a lot more cutting | 0:25:07 | 0:25:10 | |
and of course it's a galvanised tank, so lots of smoke. | 0:25:10 | 0:25:13 | |
-Yeah. -I was just intrigued to find out what you could do with it. | 0:25:13 | 0:25:17 | |
-Well, we did manage to do something and I've got some pictures. -Yeah. | 0:25:17 | 0:25:20 | |
-Let me show you. -What have you got? | 0:25:20 | 0:25:22 | |
-Yeah, that looks like just as I left it. -OK. | 0:25:22 | 0:25:24 | |
At the dump. Against a fence. | 0:25:24 | 0:25:26 | |
This is what it was turned into. | 0:25:26 | 0:25:27 | |
Wow! | 0:25:27 | 0:25:28 | |
Into a table. Fantastic! | 0:25:28 | 0:25:31 | |
Absolutely wonderful. | 0:25:31 | 0:25:33 | |
We had somebody come to my barn where I live to have a look at it | 0:25:33 | 0:25:37 | |
and we hoped to sell it. | 0:25:37 | 0:25:38 | |
-He took one look at it and said, he's got to have it. -Really? -Yes. | 0:25:38 | 0:25:41 | |
-That's amazing. -Would you be surprised to learn that we made | 0:25:41 | 0:25:44 | |
a profit of over £100 on your table? | 0:25:44 | 0:25:46 | |
I'd be flabbergasted. That's amazing. | 0:25:46 | 0:25:48 | |
Actually quite a lot more than £100. | 0:25:48 | 0:25:50 | |
I've actually got £500 here for your water tank table. | 0:25:50 | 0:25:54 | |
No! | 0:25:54 | 0:25:56 | |
That is unbelievable! | 0:25:56 | 0:25:58 | |
Wonderful, thank you! It's amazing. | 0:25:58 | 0:26:01 | |
How an earth do you get £500 for that bit of old galvanised tank? | 0:26:01 | 0:26:05 | |
-It's incredible. -Is there anything you might spend that on? | 0:26:05 | 0:26:09 | |
I'm sure the wife will find something to spend it on! | 0:26:09 | 0:26:12 | |
That's absolutely amazing. That is tremendous. Something for nothing. | 0:26:13 | 0:26:17 | |
-Thanks, Neil, take care. -Thank you, Sarah. | 0:26:17 | 0:26:19 | |
Aw... I think he should spend it on the chickens. | 0:26:19 | 0:26:22 | |
That was a great reaction, wasn't it? | 0:26:24 | 0:26:26 | |
Working with lovely designers, | 0:26:26 | 0:26:28 | |
meeting people like Neil and handing over money for nothing, | 0:26:28 | 0:26:31 | |
makes those long days at the tip really worthwhile. | 0:26:31 | 0:26:34 | |
With the extra material costs Bex and Dave's total spend was £650. | 0:26:35 | 0:26:40 | |
Nick paid £1,150 for it, | 0:26:40 | 0:26:44 | |
so Neil's walking away with a cool 500 quid. | 0:26:44 | 0:26:48 | |
That's our first item selling for a whopping profit. | 0:26:54 | 0:26:58 | |
Sarah's travelled to Altrincham near Manchester to continue her | 0:26:58 | 0:27:01 | |
search for more items to re-purpose. | 0:27:01 | 0:27:04 | |
I think it's going to be a top-tastic tip today. | 0:27:05 | 0:27:08 | |
What will she uncover? | 0:27:08 | 0:27:10 | |
Will it be trash, or treasure? | 0:27:10 | 0:27:12 | |
I think it's fair to say that's trash. | 0:27:14 | 0:27:16 | |
Take it that way. | 0:27:16 | 0:27:17 | |
Can Jean-Luc add a little je ne sais quoi to proceedings? | 0:27:21 | 0:27:25 | |
-Oh, hello. -Hi. -Hi. | 0:27:26 | 0:27:28 | |
That's not going in there, is it? It looks brand-new. | 0:27:28 | 0:27:30 | |
-I'm afraid, yes. -Really? | 0:27:30 | 0:27:32 | |
I tried to recycle to charity but it wouldn't go because it | 0:27:32 | 0:27:35 | |
-doesn't have the labels on. -Oh, I know, I hear that all the time. | 0:27:35 | 0:27:38 | |
-Do you mind if I have a closer look at it? -You can have a look at it. | 0:27:38 | 0:27:42 | |
-Is it yours? -It's my daughter's. | 0:27:42 | 0:27:44 | |
She needs some room in her house. | 0:27:46 | 0:27:49 | |
It's absolutely fine, there's nothing wrong with it. | 0:27:49 | 0:27:52 | |
Would it be all right to pull it out and have | 0:27:52 | 0:27:54 | |
-a closer look to see what it's like? -Yeah. | 0:27:54 | 0:27:56 | |
Jean-Luc's talking about the UK fire safety label. | 0:27:56 | 0:28:00 | |
All upholstered items should have one. | 0:28:00 | 0:28:03 | |
Charity shops can only accept sofas if the label's attached. | 0:28:03 | 0:28:07 | |
It's not a concern for Sarah, as once she's finished, it will | 0:28:09 | 0:28:12 | |
comply with all the regulations. | 0:28:12 | 0:28:15 | |
Come on, let's have a seat. | 0:28:15 | 0:28:17 | |
-And a cup of tea. -Yeah, I think so. | 0:28:17 | 0:28:19 | |
-What do you reckon? -That's not bad, that. | 0:28:19 | 0:28:22 | |
I'm looking thing for things that I can maybe use again, | 0:28:22 | 0:28:26 | |
maybe reupholster and if it's not comfortable, | 0:28:26 | 0:28:28 | |
-there's probably no point. But this is... -Quite comfortable. | 0:28:28 | 0:28:31 | |
Great. I'm so glad you came, I might stay the rest of the day here. | 0:28:34 | 0:28:37 | |
Two sugars, please. | 0:28:37 | 0:28:39 | |
If it's all right, I'll take it away. | 0:28:41 | 0:28:43 | |
-You can, indeed. -Can I keep in touch and | 0:28:43 | 0:28:46 | |
if I manage to make something out of it, | 0:28:46 | 0:28:48 | |
-I will show you what I've done and... -That'll be fantastic. | 0:28:48 | 0:28:51 | |
-Let's save this for another day. -OK. | 0:28:51 | 0:28:54 | |
Jean-Luc's trip to the tip has turned up trumps for Sarah. | 0:28:55 | 0:28:59 | |
If you can do something with it, that will be great. | 0:29:00 | 0:29:03 | |
It'll make my day. | 0:29:03 | 0:29:05 | |
Tres bien, Jean-Luc. | 0:29:06 | 0:29:08 | |
Who knows what Sarah has in store for this item? | 0:29:08 | 0:29:11 | |
It's que sera sera for this settee. | 0:29:11 | 0:29:14 | |
This sofa is a little bit newer than the stuff I normally take but | 0:29:18 | 0:29:22 | |
it's compact, it's in really good condition. | 0:29:22 | 0:29:24 | |
It's comfortable and therefore it's saleable. | 0:29:24 | 0:29:28 | |
I think I have potential to turn this into some cash. | 0:29:28 | 0:29:31 | |
Not without a little help, Sarah. | 0:29:32 | 0:29:34 | |
Meet Ray Clarke, upholsterer extraordinaire. | 0:29:35 | 0:29:39 | |
Ray made a name for himself in the world of fashion design | 0:29:39 | 0:29:43 | |
before discovering his love for vintage furniture. | 0:29:43 | 0:29:47 | |
His fresh, modern designs mix practicality, comfort and luxury. | 0:29:47 | 0:29:52 | |
I never intended to become an upholsterer at the beginning, | 0:29:52 | 0:29:56 | |
it wasn't the thing I set out to do. | 0:29:56 | 0:29:59 | |
I suppose you could say upholstery found me. | 0:29:59 | 0:30:02 | |
With my creative background in fashion design | 0:30:05 | 0:30:09 | |
and textile design, I was able to use those skills and redirect them, | 0:30:09 | 0:30:12 | |
and now this is all I do. | 0:30:12 | 0:30:15 | |
I just give birth to chairs. I love them. | 0:30:15 | 0:30:17 | |
Yeah. | 0:30:17 | 0:30:19 | |
Give birth to chairs? | 0:30:19 | 0:30:21 | |
Ooh, let's hope sorting this sofa will be a bit less painful. | 0:30:21 | 0:30:25 | |
Hiya. Let me just pop that there. | 0:30:27 | 0:30:28 | |
I've got a little something for you outside, | 0:30:28 | 0:30:31 | |
-will you come and help me in? -Yeah, sure, sure. | 0:30:31 | 0:30:33 | |
-Wow, ho-ho. -Let's get it inside. | 0:30:33 | 0:30:36 | |
Wow, look at this. | 0:30:38 | 0:30:40 | |
I personally hate maroon, and I'm not that keen on red stuff, | 0:30:40 | 0:30:43 | |
so for me this is like...horror sofa. | 0:30:43 | 0:30:46 | |
-I am really keen on this. -Natural. -Natural. | 0:30:46 | 0:30:51 | |
Now, I did bring along a little bit of natural linen, | 0:30:51 | 0:30:55 | |
and what I was wondering about this is if we could rough it right up | 0:30:55 | 0:30:58 | |
and make it look really rustic. | 0:30:58 | 0:31:00 | |
I don't want to say the word "knackered", but I want this | 0:31:00 | 0:31:03 | |
to look like it is something the dog has been sleeping on. | 0:31:03 | 0:31:06 | |
A dog bed? Now that's barking mad. | 0:31:06 | 0:31:09 | |
Is that really bad to ask? | 0:31:09 | 0:31:10 | |
No, it's not bad to ask, if that's what you feel it deserves, | 0:31:10 | 0:31:14 | |
I can deliver that for you, sure. | 0:31:14 | 0:31:16 | |
-Less show home, more rustic, traditional. -More boutique... | 0:31:16 | 0:31:21 | |
-Yeah. -..rustic... | 0:31:21 | 0:31:23 | |
I'm pushing on the rustic, aren't I? I can tell. | 0:31:23 | 0:31:25 | |
I'm going to end up dreaming of rust, rustic. | 0:31:25 | 0:31:28 | |
-Do you use any hessian-y fabric? -I do. | 0:31:28 | 0:31:31 | |
-That's not quite the grade you'd want to sit on, is it? -No. | 0:31:31 | 0:31:35 | |
Erm, it's not. | 0:31:35 | 0:31:37 | |
That's scrim, Sarah, it's not meant to be seen, let alone sat on, | 0:31:37 | 0:31:41 | |
even by dogs. | 0:31:41 | 0:31:43 | |
I do have some linen scrim. It's quite thin, | 0:31:43 | 0:31:46 | |
but it can be doubled up. | 0:31:46 | 0:31:48 | |
I'm looking at designer stuff, £50 a metre. How much is this a metre? | 0:31:48 | 0:31:53 | |
That's about £3 a metre. | 0:31:53 | 0:31:55 | |
Now that's my kind of money! | 0:31:55 | 0:31:57 | |
But it's the look, it's the overall look! | 0:31:58 | 0:32:01 | |
But you know something, you are so good at your craft, | 0:32:01 | 0:32:03 | |
if you can make it look good in a sack... | 0:32:03 | 0:32:07 | |
Sarah's made a saving on the material, | 0:32:07 | 0:32:10 | |
but how much will it cost for Ray to weave his magic? | 0:32:10 | 0:32:13 | |
-Ballpark figure? -Er...between 600, 650. | 0:32:13 | 0:32:18 | |
For re-covering, just re-covering. | 0:32:18 | 0:32:21 | |
-OK, I would happily leave you with 650 quid to do this. -Right. | 0:32:21 | 0:32:26 | |
-Done deal. -Fantastic. Well, best of luck. -Thank you very much. | 0:32:26 | 0:32:29 | |
-Bye! -Bye. | 0:32:29 | 0:32:31 | |
Fantastic! | 0:32:33 | 0:32:35 | |
I think Ray is going to duff that sofa up and make it look | 0:32:35 | 0:32:38 | |
really rough, rustic but reassuringly expensive. | 0:32:38 | 0:32:41 | |
I can understand where she's coming from, | 0:32:41 | 0:32:43 | |
I know the kind of work she wants to have done, | 0:32:43 | 0:32:46 | |
but it's got to be done properly, done well, done right, | 0:32:46 | 0:32:49 | |
and I'm a bit of a stickler for that as well. | 0:32:49 | 0:32:54 | |
Ray has a budget of £650 plus | 0:32:54 | 0:32:55 | |
materials for the transformation. | 0:32:55 | 0:32:59 | |
HE SIGHS DEEPLY | 0:32:59 | 0:33:01 | |
Oh, where do I begin? | 0:33:03 | 0:33:04 | |
HE LAUGHS | 0:33:04 | 0:33:05 | |
But can he really get onboard with Sarah's cost-cutting design? | 0:33:05 | 0:33:09 | |
And so, we are heading back to Sussex. | 0:33:19 | 0:33:21 | |
Sarah's here to see if Josh and Oli's table is any match | 0:33:21 | 0:33:25 | |
for Bex's metal marvel, which did make an impressive £500 profit. | 0:33:25 | 0:33:31 | |
Yeah, I reckon Sarah will be shocked. | 0:33:31 | 0:33:33 | |
It has changed beyond recognition, to be honest, | 0:33:33 | 0:33:35 | |
from the pile of crusty metal she brought us, it's now a dining table. | 0:33:35 | 0:33:38 | |
So yeah, I think she'll be surprised. | 0:33:38 | 0:33:41 | |
So I'm back here to find out if Oli and Josh have managed to turn | 0:33:41 | 0:33:45 | |
a rusty old mail cart that I left in pieces into a high-end dining table. | 0:33:45 | 0:33:50 | |
There's only one way to find out. | 0:33:50 | 0:33:52 | |
When Sarah dropped it off, | 0:33:53 | 0:33:54 | |
the mail cart didn't have a leg to stand on, but now... | 0:33:54 | 0:33:58 | |
..it's a huge table. | 0:34:00 | 0:34:02 | |
The boys ditched the flaky red paint job, choosing instead | 0:34:05 | 0:34:09 | |
to sandblast the metal and paint with a matte black finish. | 0:34:09 | 0:34:12 | |
They treated the old wood with a simple sealant | 0:34:14 | 0:34:17 | |
and a top oil to keep the wood's age and natural pattern shining through. | 0:34:17 | 0:34:21 | |
Ooh, this is a tough one. | 0:34:22 | 0:34:24 | |
I think I like this table more than the other one, | 0:34:24 | 0:34:27 | |
but what will Sarah think? | 0:34:27 | 0:34:28 | |
Ohhh. | 0:34:31 | 0:34:33 | |
SHE LAUGHS | 0:34:33 | 0:34:34 | |
-That's amazing. -You all right? -I am now. | 0:34:34 | 0:34:37 | |
That looks fantastic. | 0:34:39 | 0:34:41 | |
I had no idea it would clean up so much, and haven't these worked well? | 0:34:41 | 0:34:44 | |
Yeah, they came in nicely. This is a little feature for you, | 0:34:44 | 0:34:47 | |
a built-in trivet for your hot pots and pans. | 0:34:47 | 0:34:50 | |
Ah, so that's what you did with the hinges - clever. | 0:34:51 | 0:34:54 | |
That's a great idea, isn't it? | 0:34:54 | 0:34:56 | |
It's practical and beautiful, you have done so well with it. | 0:34:56 | 0:34:59 | |
In terms of the bits you had, those are the old handles, | 0:34:59 | 0:35:03 | |
those bits up there, | 0:35:03 | 0:35:04 | |
-they've worked really well, haven't they? -Yeah, yeah, yeah. | 0:35:04 | 0:35:07 | |
-I'm really surprised how tidy and neat and good-looking it is. -Cool. | 0:35:07 | 0:35:11 | |
Because...battered old doors, rusty old frame, | 0:35:11 | 0:35:15 | |
-was never going to look like that. -No, it did come in well. | 0:35:15 | 0:35:18 | |
So in terms of budget, there was 750 quid on the table... | 0:35:18 | 0:35:22 | |
-Like what I did there? -Very good, very good. | 0:35:22 | 0:35:24 | |
..in order to transform it. Did it work, | 0:35:24 | 0:35:26 | |
have you done it anywhere near budget? | 0:35:26 | 0:35:27 | |
Yes, I think we are pretty close. | 0:35:27 | 0:35:30 | |
It turned into a bit of a labour of love, but I think... | 0:35:30 | 0:35:33 | |
Yeah, we are happy with 750. | 0:35:33 | 0:35:35 | |
Well, hasn't this turned into a tight race? | 0:35:37 | 0:35:40 | |
The boys are most definitely still in the running with this one. | 0:35:40 | 0:35:43 | |
Those lads have completely come up trumps. That table is immense. | 0:35:43 | 0:35:48 | |
It has got charm, character | 0:35:48 | 0:35:49 | |
and I'm going to make loads of money out of it. | 0:35:49 | 0:35:53 | |
Well, it will have to have a high price tag attached | 0:35:53 | 0:35:56 | |
to beat Bex's, so let the bidding commence. | 0:35:56 | 0:35:59 | |
What ARE you throwing out? | 0:36:04 | 0:36:05 | |
When Sarah met Dick at the dump, she pounced on his old postal cart. | 0:36:05 | 0:36:10 | |
They would use these to move the parcels around. | 0:36:10 | 0:36:13 | |
Dick was more than happy to give it to Sarah. | 0:36:13 | 0:36:16 | |
If you show me where you want me to put it, I will come. | 0:36:16 | 0:36:18 | |
And Sarah politely took them away. | 0:36:18 | 0:36:21 | |
I wish her luck! | 0:36:21 | 0:36:24 | |
And with the help of Josh and Oli, it became our second tiptop table. | 0:36:24 | 0:36:28 | |
Sarah invited Nick back to see if he fancied two tables, | 0:36:30 | 0:36:34 | |
but having already forked out over £1,000 on Bex's, | 0:36:34 | 0:36:38 | |
Sarah's chances weren't great. | 0:36:38 | 0:36:40 | |
Do you feel it when you see it, is it...? | 0:36:40 | 0:36:42 | |
Yeah, it is very unique, I think we're going to go for it. | 0:36:42 | 0:36:45 | |
-Yeah? -'But he bought it as well!' | 0:36:45 | 0:36:47 | |
Gotta make me a seriously good offer on this one, Nick. | 0:36:49 | 0:36:51 | |
Sarah has travelled to Shackleford in Surrey | 0:36:53 | 0:36:55 | |
to hand Dick some cash. | 0:36:55 | 0:36:57 | |
But will it be more than £500? | 0:36:58 | 0:37:00 | |
I can hardly wait. | 0:37:01 | 0:37:04 | |
-Hello there. -Hi, nice to see you. -Lovely to see you again. | 0:37:06 | 0:37:09 | |
-How are you, all right? -Yeah, very well. | 0:37:09 | 0:37:11 | |
I have come to catch up with you about what we did | 0:37:11 | 0:37:14 | |
-with your old mail cart. -Indeed. | 0:37:14 | 0:37:16 | |
I know you said it had come to you and you had found it, | 0:37:16 | 0:37:20 | |
and you had had it for quite a few years. | 0:37:20 | 0:37:22 | |
200 yards up the road here is a crossroads, | 0:37:22 | 0:37:24 | |
and it sat there for two days, so I walked it down here. | 0:37:24 | 0:37:27 | |
Possibly in the '90s, was when I acquired it, | 0:37:27 | 0:37:29 | |
because that is also probably the time that the Post Office | 0:37:29 | 0:37:33 | |
stopped using them, I would think. | 0:37:33 | 0:37:36 | |
They certainly used them when I did the post, when I was 18. | 0:37:36 | 0:37:39 | |
-So were you a postie? -No! Christmas job. | 0:37:39 | 0:37:42 | |
Christmas job, ah, Christmas postie. | 0:37:42 | 0:37:44 | |
-More lucrative at Christmas. -Yeah, that's right. | 0:37:44 | 0:37:46 | |
When I took it away, did you have any thoughts about what | 0:37:46 | 0:37:49 | |
we might be ale to do with it? | 0:37:49 | 0:37:50 | |
No, I didn't, I didn't know whether you would do research | 0:37:50 | 0:37:53 | |
and take it back to what it was or, you know, do something exciting. | 0:37:53 | 0:37:57 | |
OK, well, we went down the exciting route. | 0:37:57 | 0:38:00 | |
We took it to two fantastic young guys down near Goodwood, | 0:38:00 | 0:38:03 | |
and they have managed to create that. | 0:38:03 | 0:38:07 | |
Oh! Wow. | 0:38:07 | 0:38:08 | |
HE LAUGHS | 0:38:08 | 0:38:10 | |
But that is... Is that a door, or...? | 0:38:10 | 0:38:12 | |
It's a pair of doors in there, | 0:38:12 | 0:38:13 | |
and actually you can see on the detail where they have used | 0:38:13 | 0:38:16 | |
the hinges for the doors to make a trivet to go in the middle of it. | 0:38:16 | 0:38:20 | |
Yes, tremendous. That's fantastic, | 0:38:20 | 0:38:23 | |
I really do like that. That's a clever idea. | 0:38:23 | 0:38:25 | |
I wish I'd have thought of that. | 0:38:25 | 0:38:27 | |
So it turns out that people love investing in a dining table, | 0:38:27 | 0:38:31 | |
and I have a dealer who I deal with a lot, | 0:38:31 | 0:38:33 | |
and he took one look at it and snapped it up. | 0:38:33 | 0:38:36 | |
I have got some profit to share with you, actually. | 0:38:36 | 0:38:39 | |
I have got for you... | 0:38:39 | 0:38:41 | |
I have got £500 here to give to you to do whatever you like with. | 0:38:41 | 0:38:46 | |
HE LAUGHS | 0:38:46 | 0:38:47 | |
-I'm staggered. -£500, what do you think? | 0:38:47 | 0:38:50 | |
I am overwhelmed, I did not expect anything like that. | 0:38:51 | 0:38:54 | |
I think my daughters and grandchildren might have | 0:38:54 | 0:38:57 | |
a fairly good idea what they might do with it, | 0:38:57 | 0:38:59 | |
but, yes, I have my own ideas. | 0:38:59 | 0:39:01 | |
They involve a charity. | 0:39:01 | 0:39:03 | |
But that is tremendous, and thank you very much for that, | 0:39:03 | 0:39:05 | |
that's wonderful. Thank you. OK, when are you going to the tip again? | 0:39:05 | 0:39:09 | |
THEY LAUGH | 0:39:09 | 0:39:12 | |
Can you believe it? It's a draw. | 0:39:12 | 0:39:14 | |
Coming in on-budget of £750 | 0:39:14 | 0:39:17 | |
and selling for a mighty £1,250 | 0:39:17 | 0:39:21 | |
means Josh and Oli's table has made | 0:39:21 | 0:39:24 | |
exactly the same as Bex and Dave's. | 0:39:24 | 0:39:27 | |
I'm glad it worked out like that, | 0:39:27 | 0:39:29 | |
I really couldn't choose between them. | 0:39:29 | 0:39:31 | |
Well, that was fantastic, handing over £500 to Richard. | 0:39:33 | 0:39:37 | |
That's one mail cart that just keeps delivering. | 0:39:37 | 0:39:40 | |
Sarah's had success with both items sold so far, so it's time to | 0:39:45 | 0:39:50 | |
pick up one more, and this time it will be one she works on herself. | 0:39:50 | 0:39:54 | |
But if it's already hit the skip, then it's off limits. | 0:39:56 | 0:40:00 | |
She has, however, spied a little gem she'd like to share with us, | 0:40:00 | 0:40:04 | |
so has asked a recycle centre employee to fish it out. | 0:40:04 | 0:40:08 | |
I love these. If you find one of these, don't throw it away. | 0:40:08 | 0:40:11 | |
It's got a hook on it, | 0:40:11 | 0:40:13 | |
you put a little tealight on the bottom and it props up, and you | 0:40:13 | 0:40:15 | |
have the most beautiful little wall sconce, and it sends out these | 0:40:15 | 0:40:18 | |
lovely little rays of light. Don't throw them away. | 0:40:18 | 0:40:22 | |
Even as a grater, that's worth a fiver. | 0:40:22 | 0:40:26 | |
Love it. Never mind. | 0:40:26 | 0:40:28 | |
If you're quite finished, Sarah, | 0:40:30 | 0:40:32 | |
you might be even more enthused by Tamara's set of old ladders. | 0:40:32 | 0:40:36 | |
-Wow, they look like nice old ones. -Yep. | 0:40:36 | 0:40:39 | |
Where they from, then? | 0:40:39 | 0:40:42 | |
These were left in my new house by the gentleman that used to | 0:40:42 | 0:40:46 | |
live there and I've no need for them. | 0:40:46 | 0:40:48 | |
-I think they look cool, can I have them? -Yes, you can have them. | 0:40:48 | 0:40:51 | |
-I'll try and make something cool, make some money, maybe. -Yep. | 0:40:51 | 0:40:55 | |
-Be back in touch? -Yep. -That'd be lovely, thank you. | 0:40:55 | 0:40:58 | |
That's another item saved from the scrapheap. | 0:40:58 | 0:41:01 | |
I would have used them had they been safe, but I didn't think | 0:41:02 | 0:41:05 | |
they were safe, so I'm glad Sarah can make some use of them. | 0:41:05 | 0:41:08 | |
So what do you reckon - a step too far or a stairway to heaven? | 0:41:10 | 0:41:14 | |
It's a step in the right direction, but it will take | 0:41:14 | 0:41:17 | |
a lot of imagination if you hope to make something saleable. | 0:41:17 | 0:41:21 | |
Back home in Sussex, Sarah's wasting no time | 0:41:29 | 0:41:32 | |
getting started on the transformation of the ladders. | 0:41:32 | 0:41:35 | |
I love these ladders, but as they are, | 0:41:40 | 0:41:43 | |
I just can't make enough money out of them if I just sell them | 0:41:43 | 0:41:46 | |
like this, so I've got to make them into something. | 0:41:46 | 0:41:49 | |
And because they're quite a complicated set of angles, | 0:41:49 | 0:41:52 | |
I think it's best to go for something really simple. | 0:41:52 | 0:41:55 | |
So, I want to make lovely little planters out of each of | 0:41:55 | 0:42:00 | |
the steps, fill them up with beautiful bulbs | 0:42:00 | 0:42:02 | |
so that people can have them in their homes, | 0:42:02 | 0:42:05 | |
out on their windowsill, by the front door, | 0:42:05 | 0:42:07 | |
just bringing a little bit of colour into their life, | 0:42:07 | 0:42:10 | |
and then using all this lovely white paint, | 0:42:10 | 0:42:12 | |
flaky surface, as a real selling point. | 0:42:12 | 0:42:15 | |
How hard can that be? | 0:42:17 | 0:42:19 | |
To make flaky paint a selling point? | 0:42:20 | 0:42:23 | |
A lot tougher than you think, Sarah, especially if you can't use a saw. | 0:42:23 | 0:42:28 | |
Let's make a plan. When you do something, measure twice, cut once. | 0:42:28 | 0:42:32 | |
Not a complete novice, then. | 0:42:32 | 0:42:35 | |
Look away now. | 0:42:35 | 0:42:37 | |
Oops, spoke too soon. | 0:42:38 | 0:42:41 | |
A good start would be to secure the ladder by clamping it down. | 0:42:41 | 0:42:45 | |
Let the saw do the work. The longer the stroke, the easier it will be. | 0:42:46 | 0:42:50 | |
Hmm, we could be here for a while. | 0:42:53 | 0:42:55 | |
Oh. | 0:42:58 | 0:43:00 | |
Just cleaning up those bits. | 0:43:00 | 0:43:01 | |
Could have maybe cut that a bit better. Never mind. | 0:43:01 | 0:43:04 | |
Have a back across there, plants in there... | 0:43:04 | 0:43:07 | |
It should look quite cool. | 0:43:09 | 0:43:11 | |
But one planter isn't going to bring in much. | 0:43:11 | 0:43:14 | |
Time to step it up. | 0:43:14 | 0:43:15 | |
See what I did there? | 0:43:16 | 0:43:18 | |
You can come and help, if you like. Don't just sit there. | 0:43:18 | 0:43:21 | |
Oh, I'd love to, Sarah, but, quite frankly, | 0:43:21 | 0:43:23 | |
I think I'll keep my distance. | 0:43:23 | 0:43:25 | |
I'm channelling potting shed chic. | 0:43:27 | 0:43:29 | |
It's going to be awesome. | 0:43:29 | 0:43:31 | |
Well, I suppose you have to believe your own propaganda, | 0:43:31 | 0:43:34 | |
but you still have to nail the backs on. | 0:43:34 | 0:43:36 | |
Just want to make sure I can make one... | 0:43:37 | 0:43:40 | |
and I'm on the right track before I cut the whole thing up | 0:43:40 | 0:43:43 | |
and have to make a plan. | 0:43:43 | 0:43:45 | |
This could be fun. | 0:43:48 | 0:43:49 | |
Chin up, Sarah. | 0:43:51 | 0:43:52 | |
Hopefully, all the hard graft will be worth it. | 0:43:52 | 0:43:56 | |
On the bright side, Sarah bagged a bargain at a car-boot sale, | 0:43:56 | 0:44:00 | |
paying only £30 for bulbs to put in the planters. | 0:44:00 | 0:44:04 | |
But will her idea really flourish and bring in the big bucks? | 0:44:04 | 0:44:08 | |
At his studio in Poplar, East London, it sounds as though | 0:44:16 | 0:44:20 | |
Ray has come up with a design compromise for the old maroon sofa. | 0:44:20 | 0:44:25 | |
The overall look is quite rustic, | 0:44:25 | 0:44:27 | |
like a countryman's jacket with, you know, the leather patches. | 0:44:27 | 0:44:31 | |
Kind of that look but translated into a two-seater sofa, | 0:44:31 | 0:44:36 | |
if you know what I mean. | 0:44:36 | 0:44:37 | |
So, Ray's giving a nod to Sarah's rustic version but | 0:44:37 | 0:44:41 | |
with an extra air of elegance. Sounds expensive. | 0:44:41 | 0:44:44 | |
Before re-covering the sofa, Ray and his assistant, Anna, | 0:44:46 | 0:44:49 | |
have to strip it back to check that the frame and the filling | 0:44:49 | 0:44:52 | |
are in good order. | 0:44:52 | 0:44:54 | |
Yeah, ripping this should be fairly good fun. | 0:44:54 | 0:44:58 | |
I'm saying this cos I already know | 0:44:58 | 0:45:00 | |
what's already going on underneath here. | 0:45:00 | 0:45:02 | |
I can feel it with my hands and it's like...eurgh. | 0:45:02 | 0:45:05 | |
Modern sofas aren't always built with quality in mind. | 0:45:06 | 0:45:10 | |
No, it's not feathers. This is polyester wadding. | 0:45:10 | 0:45:13 | |
Yeah. Bleurgh, bleurgh. Don't like that. | 0:45:14 | 0:45:17 | |
But Ray's about to change all that. | 0:45:19 | 0:45:21 | |
Oh, this could be painful. | 0:45:23 | 0:45:24 | |
Cardboard here, cardboard here, cardboard here. | 0:45:30 | 0:45:33 | |
They haven't even bothered putting webbing in here. It's just... | 0:45:33 | 0:45:36 | |
I could punch through that. | 0:45:36 | 0:45:38 | |
I'm not going to. | 0:45:38 | 0:45:40 | |
But, yeah, it's a cardboard sofa. | 0:45:40 | 0:45:43 | |
High-end sofa frames are made of solid hardwood like oak or | 0:45:44 | 0:45:48 | |
maple and are put together with screws, glue and wood blocks. | 0:45:48 | 0:45:52 | |
These could last a lifetime. | 0:45:52 | 0:45:54 | |
But modern manufacturing methods and price wars have created some | 0:45:54 | 0:45:58 | |
new ways of building frames. Some are OK. Others, not so good. | 0:45:58 | 0:46:03 | |
The springs should be lashed laterally from end to end | 0:46:04 | 0:46:09 | |
so that when you sit in them, they don't spread apart. | 0:46:09 | 0:46:14 | |
Yeah. | 0:46:16 | 0:46:17 | |
This is... | 0:46:17 | 0:46:19 | |
I wouldn't say shoddy. | 0:46:19 | 0:46:20 | |
Yeah, I would say shoddy, actually. | 0:46:20 | 0:46:23 | |
This has got to be pushing Ray's perfectionist nature to the limit. | 0:46:24 | 0:46:29 | |
I want to do this properly, or as well as I can possibly do it, | 0:46:29 | 0:46:33 | |
so it's going to be upgraded better than it was when it arrived, anyway. | 0:46:33 | 0:46:37 | |
Much better. | 0:46:37 | 0:46:38 | |
Ray's exacting standards has meant that the job has gone from | 0:46:38 | 0:46:42 | |
a relatively simple re-cover | 0:46:42 | 0:46:44 | |
to almost a complete rebuild. | 0:46:44 | 0:46:46 | |
That's the excitement of the challenge on this - | 0:46:48 | 0:46:50 | |
trying to produce something and still keep to within | 0:46:50 | 0:46:53 | |
the budget so it's not just, like, built... | 0:46:53 | 0:46:57 | |
..with cardboard. | 0:46:59 | 0:47:00 | |
Oh, I hate cardboard. I hate cardboard. I can't stand cardboard. | 0:47:00 | 0:47:05 | |
I feel your pain, Ray. | 0:47:05 | 0:47:08 | |
Look at that. Nasty, nasty, nasty. | 0:47:08 | 0:47:10 | |
Back in Sussex, Sarah's putting the final touches | 0:47:26 | 0:47:29 | |
to her refashioned planters. | 0:47:29 | 0:47:31 | |
It's coming along, isn't it? | 0:47:33 | 0:47:35 | |
Not quite there, though. I want it to really pack a punch. | 0:47:35 | 0:47:38 | |
That, at the moment, stands me in at four quid. | 0:47:38 | 0:47:40 | |
It's got to be worth more than that. | 0:47:40 | 0:47:43 | |
It needs wow factor, sparkle, pizzazz... | 0:47:43 | 0:47:47 | |
or an old tin bucket. | 0:47:47 | 0:47:49 | |
Not exactly what I had in mind. | 0:47:49 | 0:47:51 | |
Happy days. | 0:47:54 | 0:47:56 | |
Happy days indeed. | 0:47:57 | 0:47:59 | |
This old wooden stepladder was saved from the skip. | 0:47:59 | 0:48:02 | |
The steps of the ladder now make up seven country cottage planters. | 0:48:06 | 0:48:11 | |
Sarah kept costs down by using soil from her own molehills | 0:48:11 | 0:48:16 | |
and bulbs from a car-boot sale. | 0:48:16 | 0:48:18 | |
And, as much as it pains me to admit, | 0:48:18 | 0:48:21 | |
the tin bucket tags are an inspired addition. | 0:48:21 | 0:48:24 | |
I was a little bit intimidated when I first started this. | 0:48:26 | 0:48:29 | |
I couldn't quite visualise how they were going to look together, | 0:48:29 | 0:48:32 | |
but I think these planters, | 0:48:32 | 0:48:34 | |
all the foraged stuff inside them, all the free stuff that adds | 0:48:34 | 0:48:38 | |
that lovely look to them has worked out really well, | 0:48:38 | 0:48:41 | |
and I think I'm going to make a blooming great, big profit | 0:48:41 | 0:48:43 | |
out of this lot, too. | 0:48:43 | 0:48:45 | |
Sarah first discovered the stepladder | 0:48:46 | 0:48:48 | |
in the back of Tamara's car. | 0:48:48 | 0:48:50 | |
-Wow, they look like nice old ones. -Yeah. | 0:48:50 | 0:48:54 | |
-Where are they from, then? -These were left in my house, my new house, | 0:48:54 | 0:48:59 | |
by the gentleman that used to live there and I've no need for them. | 0:48:59 | 0:49:02 | |
The ladder's days may have been numbered but Sarah's crafty | 0:49:02 | 0:49:06 | |
talent means it looks great revamped into planters. | 0:49:06 | 0:49:10 | |
And where better to get the sales started than at her barn sale? | 0:49:10 | 0:49:15 | |
Get it out there, make it sell. | 0:49:23 | 0:49:25 | |
So, do you know what that's made from? | 0:49:29 | 0:49:32 | |
-No. -Door. Doorframe or something or other. | 0:49:32 | 0:49:35 | |
-Old stepladder. -OK. -No way! | 0:49:35 | 0:49:37 | |
You almost want the full set, don't you? | 0:49:37 | 0:49:40 | |
I'll do you a deal. | 0:49:40 | 0:49:41 | |
They seem to be flying off the shelf. | 0:49:42 | 0:49:45 | |
Fantastic. I'm so glad you bought that. Excellent. | 0:49:45 | 0:49:47 | |
One more planter. Have a lovely day. | 0:49:47 | 0:49:50 | |
Sarah managed to sell four planters | 0:49:50 | 0:49:52 | |
and Matthew, who owns Spriggs Florist in Petworth, | 0:49:52 | 0:49:55 | |
snapped up the final three. | 0:49:55 | 0:49:57 | |
I love the fact that these were made from old stepladders. | 0:49:57 | 0:50:00 | |
It gives us an opportunity | 0:50:00 | 0:50:02 | |
to offer something really quirky to our customers. | 0:50:02 | 0:50:04 | |
Now Sarah's on her way | 0:50:06 | 0:50:07 | |
to tell Tamara the tale of her old wooden stepladder. | 0:50:07 | 0:50:11 | |
-Hiya. -Hi, Sarah. -How are you doing? -All right, thank you. | 0:50:15 | 0:50:18 | |
Nice to see you again. | 0:50:18 | 0:50:20 | |
You were madly tearing about, last time I saw you. | 0:50:20 | 0:50:23 | |
-And you'd just moved here, is that right? -Yeah. Yeah. | 0:50:23 | 0:50:25 | |
And you had some ladders. They had a lovely vintage look to them | 0:50:25 | 0:50:28 | |
but they're not that practical when they're old, like that, are they? | 0:50:28 | 0:50:31 | |
-No. -Did you imagine what we might do with them after we took them away? | 0:50:31 | 0:50:36 | |
I don't know what you've done with them but, yeah, | 0:50:36 | 0:50:38 | |
I can imagine you've done something good. | 0:50:38 | 0:50:40 | |
Well, I know you said you found them in the garden | 0:50:40 | 0:50:42 | |
so we thought it'd be nice to make something for the garden out of them | 0:50:42 | 0:50:45 | |
-so do you want to see what we did? -Yeah. | 0:50:45 | 0:50:47 | |
So here is your stepladder | 0:50:47 | 0:50:50 | |
-planted up with spring bulbs. -Wow. | 0:50:50 | 0:50:53 | |
We managed to make seven of them. | 0:50:53 | 0:50:55 | |
-They're lovely. -So I've got a little bit of money to hand over to you. | 0:50:55 | 0:50:59 | |
Aw, thank you. | 0:50:59 | 0:51:00 | |
I've got £90 here. | 0:51:00 | 0:51:02 | |
Wow. Just off a ladder. | 0:51:02 | 0:51:04 | |
-Just off a ladder. -Wow. | 0:51:04 | 0:51:07 | |
-Thank you, Sarah. -What will you do with £90? | 0:51:07 | 0:51:11 | |
Probably buy some paint and some new fabric to go on my couch | 0:51:11 | 0:51:16 | |
-cos I need my couch re-covering. -Oh, fantastic. | 0:51:16 | 0:51:18 | |
So that's what that will be going towards. | 0:51:18 | 0:51:20 | |
It was great to catch up and, yeah, | 0:51:20 | 0:51:22 | |
-so pleased that you let me have your ladders. -Thank you. -Take care. | 0:51:22 | 0:51:25 | |
-So nice to see you. -Thank you. -Bye-bye. -Bye. Thank you. | 0:51:25 | 0:51:28 | |
Well, I loved working on those stepladders, turning them | 0:51:31 | 0:51:33 | |
from practical into pretty planters and it sounds like Tamara | 0:51:33 | 0:51:37 | |
has projects on her mind, too, and that money's going to be helpful. | 0:51:37 | 0:51:41 | |
Sarah did well in keeping her costs to just £30 | 0:51:41 | 0:51:44 | |
and even better in selling the lot for 120. | 0:51:44 | 0:51:48 | |
That leaves £90 for Tamara and her family to enjoy. | 0:51:48 | 0:51:52 | |
Back in East London, Ray's putting the finishing touches to the sofa. | 0:52:04 | 0:52:08 | |
Actually, I'm more nervous than confident, to be honest. Yeah. | 0:52:11 | 0:52:15 | |
It's always a bit nerve-racking when Sarah comes to see the piece. | 0:52:16 | 0:52:20 | |
You just never quite know what her reaction's going to be. | 0:52:20 | 0:52:23 | |
Not long to wait, Ray. She's on her way. | 0:52:23 | 0:52:25 | |
Oh, you tease! | 0:52:29 | 0:52:30 | |
Well, I left Ray with a chain store sofa | 0:52:32 | 0:52:35 | |
and the idea that he was going to turn it into potting shed chic. | 0:52:35 | 0:52:39 | |
Who knows if he's managed to achieve that? | 0:52:39 | 0:52:42 | |
-Hiya. -Hey, Sarah. How are you doing? -Really well. How are you? | 0:52:44 | 0:52:48 | |
-I'm good. Come this way. -Is this the baby? -This is the baby. | 0:52:48 | 0:52:51 | |
-It's interesting under there. -Yeah. | 0:52:51 | 0:52:53 | |
It looks... | 0:52:53 | 0:52:55 | |
-considerably different from before. -Come on, then. | 0:52:55 | 0:52:57 | |
-Let's see it. -You want me to whip it off? -Yeah. -OK. One, two, three. | 0:52:57 | 0:53:02 | |
Ta-da! | 0:53:02 | 0:53:03 | |
Oh, wow! | 0:53:03 | 0:53:05 | |
Sarah challenged Ray to transform this floral sofa into | 0:53:06 | 0:53:10 | |
a rustic two-seater that would look at home in a country manor... | 0:53:10 | 0:53:14 | |
..and Ray's only gone and done it. | 0:53:16 | 0:53:19 | |
Hours of love and attention have seen this sofa stripped back | 0:53:27 | 0:53:31 | |
and reassembled using master craftsman techniques. | 0:53:31 | 0:53:34 | |
The mix of rustic raw linen with luxury leather and suede | 0:53:37 | 0:53:41 | |
makes the old sofa almost unrecognisable. | 0:53:41 | 0:53:45 | |
The vision I had was not something as sophisticated and loved as this. | 0:53:45 | 0:53:50 | |
-Oh. -You have created, you know, | 0:53:50 | 0:53:52 | |
a bit of the potting shed chic that I was after... | 0:53:52 | 0:53:55 | |
-OK. -..but with some lovely detail. | 0:53:55 | 0:53:57 | |
-Yeah. Yeah. -It's lovely. | 0:53:57 | 0:53:59 | |
I love the scrappy look. Thank you for giving it that. | 0:53:59 | 0:54:02 | |
But it's not... It's... | 0:54:02 | 0:54:04 | |
The thing is, to actually achieve this type of look | 0:54:04 | 0:54:07 | |
-takes so much work. -That's all hand-stitched. -It's hand-stitched. | 0:54:07 | 0:54:11 | |
That's like just hours and hours | 0:54:11 | 0:54:13 | |
just getting that looking really quite perfect. | 0:54:13 | 0:54:16 | |
You know what they say - the devil is in the detail. | 0:54:16 | 0:54:19 | |
-And that's what... -Exactly. -..you've put into this. | 0:54:19 | 0:54:21 | |
Did it blow the budget, then? | 0:54:21 | 0:54:22 | |
Cos this isn't the spec that I left with. | 0:54:22 | 0:54:24 | |
I was on the £3-a-metre fabric | 0:54:24 | 0:54:26 | |
and I'm not looking at that for that, am I? | 0:54:26 | 0:54:28 | |
-You're looking at somewhere around the 950 mark for this. -OK. | 0:54:28 | 0:54:32 | |
That's 650 for the labour, plus the materials. | 0:54:32 | 0:54:35 | |
OK, so that's a bit more than we were hoping to get away with. | 0:54:35 | 0:54:38 | |
A bit more than we were hoping but, to be honest with you, | 0:54:38 | 0:54:41 | |
it's infinitely more saleable, I think. | 0:54:41 | 0:54:44 | |
And it's a case of the cobbler's shoes. | 0:54:44 | 0:54:46 | |
-I've love to have something like this at home as well. -Great. | 0:54:46 | 0:54:49 | |
We're going to a tip near you and you, too, may have a sofa like this. | 0:54:49 | 0:54:52 | |
You just need to have a keen eye like Sarah. | 0:54:52 | 0:54:56 | |
It was at a tip in Altrincham that she struck lucky | 0:54:56 | 0:54:59 | |
when she met Jean-Luc. | 0:54:59 | 0:55:00 | |
-Oh, hello. -Hi. -Hi. That's not going in there, is it? | 0:55:00 | 0:55:04 | |
-It looks brand-new. -I'm afraid, yes. -Really? | 0:55:04 | 0:55:07 | |
I tried to recycle to charity but it wouldn't go because it | 0:55:07 | 0:55:10 | |
-doesn't have the labels on. -Oh, I know. I hear that all the time. | 0:55:10 | 0:55:13 | |
In reupholstering the sofa, | 0:55:13 | 0:55:16 | |
Ray has also ensured it complies with all the fire regulations, | 0:55:16 | 0:55:20 | |
complete with fire labels, so it's ready to sell. | 0:55:20 | 0:55:24 | |
And where better to flog a high-end piece of furniture | 0:55:24 | 0:55:27 | |
than at her barn sale? | 0:55:27 | 0:55:29 | |
Well, it's a rustic setting, I suppose. | 0:55:30 | 0:55:33 | |
And it's certainly caught Ron's eye. | 0:55:33 | 0:55:35 | |
-If you bought it... -Yeah. I love this. | 0:55:35 | 0:55:38 | |
-Beautiful, yeah. -I think I'll go for it. | 0:55:38 | 0:55:41 | |
-Really? -Yeah. | 0:55:41 | 0:55:42 | |
You sound surprised, Sarah. | 0:55:42 | 0:55:44 | |
I didn't expect to sell it today cos I didn't think it was quite | 0:55:44 | 0:55:47 | |
-the right environment to sell it, but... -In here? | 0:55:47 | 0:55:50 | |
-The perfect environment! -We just love it. | 0:55:50 | 0:55:53 | |
Another happy customer but, with a £300 overspend, | 0:55:53 | 0:55:57 | |
has it made enough of a profit | 0:55:57 | 0:55:59 | |
to make Jean-Luc, its original owner, happy? | 0:55:59 | 0:56:02 | |
Sarah's travelled to his home in Hale to show him | 0:56:05 | 0:56:08 | |
what Ray did with the old sofa. | 0:56:08 | 0:56:10 | |
-Hi, there. -Hi, there. | 0:56:13 | 0:56:14 | |
-How are you doing? -I'm doing very well. Thank you. | 0:56:14 | 0:56:17 | |
Last time I saw you, I think you were being a very helpful daddy | 0:56:17 | 0:56:21 | |
or you were helping drop off a sofa. | 0:56:21 | 0:56:23 | |
-That's right. -It wasn't yours, was it? | 0:56:23 | 0:56:25 | |
-No, I was dropping it for my daughter. -Yeah. | 0:56:25 | 0:56:27 | |
In the end it went up to London | 0:56:27 | 0:56:29 | |
-to a great upholsterer called Ray Clarke. -Mm-hm. | 0:56:29 | 0:56:31 | |
-Do you want to see what he did with it? -I'd love to. Can't wait. | 0:56:31 | 0:56:34 | |
See if you recognise this. | 0:56:34 | 0:56:36 | |
Wow. That's very smart. | 0:56:36 | 0:56:39 | |
That's outstanding. | 0:56:41 | 0:56:42 | |
I love the leather on it, as well. It's really nice. | 0:56:42 | 0:56:45 | |
Yes, we were really pleased with how it looked. | 0:56:45 | 0:56:47 | |
-I know you said that you couldn't give it away... -That's right. | 0:56:47 | 0:56:50 | |
-..but we managed to sell it. -You did? | 0:56:50 | 0:56:53 | |
Yes, and I have some profit to hand over here for you, | 0:56:53 | 0:56:55 | |
-so I have £100 here from the sale. -Fantastic. Thank you very much. | 0:56:55 | 0:56:59 | |
That's not for me, anyway. That belongs to my daughter, anyway, | 0:56:59 | 0:57:02 | |
which will go to my granddaughter, hopefully. Everybody's happy. | 0:57:02 | 0:57:06 | |
-Perfect. Thank you ever so much. -Thank you very much. Bye. Bye. | 0:57:06 | 0:57:10 | |
Don't you just love it when they just love it? | 0:57:15 | 0:57:17 | |
Jean-Luc was genuinely impressed with what we did with his sofa | 0:57:17 | 0:57:20 | |
and he's got a £100 nest egg to give to his granddaughter. | 0:57:20 | 0:57:23 | |
Even though Ray went over budget, bringing his costs to £950, | 0:57:25 | 0:57:30 | |
Ron was happy to pay 1,050 for the sofa, | 0:57:30 | 0:57:34 | |
which meant a lovely £100 profit for Jean-Luc's granddaughter. | 0:57:34 | 0:57:38 | |
Not bad for a sofa a charity shop had to turn away. | 0:57:38 | 0:57:42 | |
Sarah managed to make money from all four items saved from the tip. | 0:57:46 | 0:57:50 | |
The water tank transformed into our first fabulous table... | 0:57:51 | 0:57:55 | |
..and the postal cart made it two. | 0:57:57 | 0:57:59 | |
The sofa is now trendy with at least 25 years of good use ahead, | 0:58:00 | 0:58:05 | |
and, of course, Sarah's idea for the ladders | 0:58:05 | 0:58:09 | |
flourished into spring planters. | 0:58:09 | 0:58:11 | |
Well, there's no denying it's great to turn a profit | 0:58:12 | 0:58:15 | |
but what is really satisfying is taking things that are | 0:58:15 | 0:58:18 | |
destined for the dump and making them into lovely things that can | 0:58:18 | 0:58:21 | |
go on to have a whole new life. | 0:58:21 | 0:58:23 |