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I've got to be able to do something with that, haven't I? | 0:00:03 | 0:00:07 | |
How do you make money for nothing? | 0:00:07 | 0:00:09 | |
I'll take one and I'll be back for the other. | 0:00:09 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes of household waste | 0:00:11 | 0:00:16 | |
we throw out every year. | 0:00:16 | 0:00:18 | |
They're beautiful. | 0:00:20 | 0:00:22 | |
That's why entrepreneur Sarah Moore wants to get her hands | 0:00:22 | 0:00:26 | |
on things before they hit the skip. | 0:00:26 | 0:00:28 | |
I'm a passionate user, maker and buyer of old stuff and I've | 0:00:30 | 0:00:34 | |
turned my passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:46 | |
-You like to set a challenge for me, don't you? -Nice! | 0:00:46 | 0:00:49 | |
..she can transform her finds into desirable... | 0:00:49 | 0:00:53 | |
Isn't that clever? | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:56 | |
What an original piece of design! | 0:00:56 | 0:00:58 | |
..and hopefully, saleable items. | 0:00:58 | 0:01:02 | |
Oh, no way! | 0:01:02 | 0:01:03 | |
If Sarah is successful, then she can | 0:01:03 | 0:01:05 | |
hand the profits back to the very people who had no idea | 0:01:05 | 0:01:09 | |
there was cash to be made from their trash. | 0:01:09 | 0:01:13 | |
Oh, my God. That is amazing. | 0:01:13 | 0:01:15 | |
The first stop of Sarah's tour of the nation's tips | 0:01:30 | 0:01:33 | |
is the Witley Recycling Centre in Surrey. | 0:01:33 | 0:01:36 | |
Old toys, crockery, battered cabinets. | 0:01:38 | 0:01:41 | |
All have potential to turn a profit. So it's rummage time. | 0:01:41 | 0:01:45 | |
Sarah's on the hunt for four items with potential that can | 0:01:45 | 0:01:48 | |
be turned into profit. | 0:01:48 | 0:01:50 | |
They're flooding in here. | 0:01:50 | 0:01:52 | |
Anything could be in the back of these cars. | 0:01:52 | 0:01:55 | |
Before she can get stuck in, Sarah had to get special permission | 0:01:55 | 0:01:58 | |
from the folks who run the centre to find those hidden treasures. | 0:01:58 | 0:02:02 | |
I'll stop rifling through other people's rubbish. | 0:02:02 | 0:02:05 | |
She doesn't mean it, you know. | 0:02:05 | 0:02:07 | |
Ooh! | 0:02:07 | 0:02:08 | |
Perhaps Brent will allow Sarah to have a look around his boot. | 0:02:08 | 0:02:12 | |
He's got the hard task of clearing out his parents' house, | 0:02:14 | 0:02:18 | |
including this old chair. | 0:02:18 | 0:02:20 | |
So, Parker Knoll, very recognisable shape. | 0:02:20 | 0:02:23 | |
This was in my mother's bedroom. | 0:02:23 | 0:02:25 | |
-And has it been there for as long as you can remember? -Yeah. | 0:02:25 | 0:02:28 | |
Is it comfortable? | 0:02:28 | 0:02:30 | |
-I can't say I've ever sat in it. -Is it you or me? Are you going to test it? | 0:02:30 | 0:02:33 | |
British manufacturer Parker Knoll has been making quality chairs | 0:02:33 | 0:02:37 | |
for more than 140 years. | 0:02:37 | 0:02:39 | |
Out of the way, let's have a go! | 0:02:39 | 0:02:41 | |
This one probably dates from the 1950s | 0:02:41 | 0:02:44 | |
and by the look of it, it's still in good nick. | 0:02:44 | 0:02:47 | |
It's really quite sweet. | 0:02:47 | 0:02:49 | |
Do you think it's something that we could reupholster, maybe paint? | 0:02:49 | 0:02:53 | |
-Would you mind us...? -Yeah, definitely. | 0:02:53 | 0:02:55 | |
-If it will benefit someone. -Thank you ever so much. -No problem. | 0:02:55 | 0:02:58 | |
Sarah looks like the cat that got the cream there. | 0:02:58 | 0:03:01 | |
But how does Brent feel about letting go of his | 0:03:01 | 0:03:03 | |
dear old mum's chair? | 0:03:03 | 0:03:06 | |
Hopefully she'll bring it back to life and get some good money for it. | 0:03:06 | 0:03:10 | |
This will become a desirable item. | 0:03:13 | 0:03:16 | |
It just looks really tired and old at the moment and the | 0:03:16 | 0:03:18 | |
challenge is deciding what to do to it and where to send it | 0:03:18 | 0:03:21 | |
so it really makes some money. | 0:03:21 | 0:03:23 | |
So, it's a good thing I know just the man to haul | 0:03:23 | 0:03:26 | |
a dated '50s chair into the 21st-century. | 0:03:26 | 0:03:30 | |
Introducing Anthony Devine. | 0:03:35 | 0:03:38 | |
Anthony's unique and quirky upholstery has earned him the | 0:03:38 | 0:03:42 | |
reputation as one of the most imaginative craftspeople around. | 0:03:42 | 0:03:46 | |
Anthony shares his 20 years of knowledge with | 0:03:46 | 0:03:49 | |
a younger generation at his school of upholstery. | 0:03:49 | 0:03:52 | |
Every day we work on something new and we get to experiment | 0:03:52 | 0:03:56 | |
and I love experimenting. | 0:03:56 | 0:03:57 | |
I mean, like, with the new technology and printing and computers and stuff. | 0:03:57 | 0:04:01 | |
I like the new breed of the students we're getting in here, | 0:04:03 | 0:04:06 | |
where they want to experiment. | 0:04:06 | 0:04:08 | |
They've seen what's on the high street, it's not right for them, | 0:04:08 | 0:04:11 | |
and, yeah, everyday in here's new and fresh. | 0:04:11 | 0:04:14 | |
And that's where my enjoyment lies. | 0:04:14 | 0:04:17 | |
Once I've have had a cup of tea and a biscuit. | 0:04:17 | 0:04:20 | |
Well, you'd better get the kettle on, | 0:04:20 | 0:04:22 | |
because this one might be a challenge. | 0:04:22 | 0:04:24 | |
When you see some chairs, you just know, | 0:04:26 | 0:04:28 | |
you know that this is the one and then it's | 0:04:28 | 0:04:31 | |
a matter of teaming it up with the right fabric and then | 0:04:31 | 0:04:34 | |
kind of ugly swans become beautiful things. | 0:04:34 | 0:04:37 | |
"Ugly swans"? | 0:04:37 | 0:04:39 | |
I don't think that's a saying. | 0:04:39 | 0:04:41 | |
I slightly lack confidence in this chair. | 0:04:42 | 0:04:44 | |
I want it to be amazing, but there's something about the legs and | 0:04:44 | 0:04:48 | |
the styling of it that just worries me a little bit. | 0:04:48 | 0:04:51 | |
I wouldn't write it off quite yet, Sarah! | 0:04:51 | 0:04:54 | |
Let's see what the expert thinks. | 0:04:54 | 0:04:56 | |
Do you like my chair? | 0:04:56 | 0:04:57 | |
Um... | 0:04:57 | 0:04:59 | |
-Oh, take it up there, take it up there. -What's happened with it? | 0:04:59 | 0:05:02 | |
Hmm. Maybe you were right. So what's the plan, then, to turn this round? | 0:05:02 | 0:05:06 | |
We need to do something with the legs. The legs don't work. | 0:05:06 | 0:05:09 | |
Burn them? Maybe? Something... | 0:05:09 | 0:05:11 | |
Make a chopping board out of them. | 0:05:12 | 0:05:15 | |
So we did have some ideas about it, | 0:05:15 | 0:05:16 | |
because of this ugly juxtaposition of stuff going on here, | 0:05:16 | 0:05:20 | |
my thoughts were, really like this bit, actually, | 0:05:20 | 0:05:23 | |
keep it nice and sleek and then explode something on the seat. | 0:05:23 | 0:05:27 | |
I was thinking powder puff... | 0:05:27 | 0:05:29 | |
-LAUGHING: -"Powder puff"? | 0:05:29 | 0:05:31 | |
-Embrace it! Come with me on this journey! -What's powder puff? | 0:05:31 | 0:05:34 | |
-You know when your granny had talc? -Yes? | 0:05:34 | 0:05:36 | |
And you had that kind of puffy thing, that they were like, puff, puff? | 0:05:36 | 0:05:39 | |
-Oh, right, yeah. -That's what I mean. Powder puff. Like a rabbit's tail, on the seat. -Oh. | 0:05:39 | 0:05:43 | |
Well, I'm glad we cleared that up. | 0:05:43 | 0:05:45 | |
Would you embrace a kind of Mongolian sheepskin look? | 0:05:46 | 0:05:49 | |
Would you go for something hairy, something like that? | 0:05:49 | 0:05:51 | |
Yeah. I...now understand powder puff. | 0:05:51 | 0:05:55 | |
Hairy? Did you just say you wanted a hairy chair? | 0:05:55 | 0:05:59 | |
Sounds itchy, but what do I know? | 0:05:59 | 0:06:01 | |
How much is it going to cost to make your Mongolian hairy chair? | 0:06:01 | 0:06:06 | |
I think I'm going to struggle to sell this for heaps of money. | 0:06:06 | 0:06:09 | |
So, it is a kind of Anthony's ingenuity test, this one, | 0:06:09 | 0:06:12 | |
to see how far a small budget can go to make this into a big profit. | 0:06:12 | 0:06:18 | |
Powder puff, no budget. | 0:06:18 | 0:06:20 | |
I mean, like, what do you expect me to do here? | 0:06:20 | 0:06:23 | |
I was hoping... Are you ready for this? 250 quid. | 0:06:23 | 0:06:27 | |
HE LAUGHS | 0:06:27 | 0:06:29 | |
That's a full house! Ah, powder puff, 250 quid. | 0:06:29 | 0:06:34 | |
I think, what we'll do is we'll set it at 265. | 0:06:34 | 0:06:39 | |
265. I leave it with you at that. | 0:06:39 | 0:06:41 | |
Just go for it. Work the magic. | 0:06:41 | 0:06:43 | |
Yeah? | 0:06:43 | 0:06:45 | |
Mint. Fab. | 0:06:45 | 0:06:47 | |
-Don't you just love it when I come and visit you? -Oh, yeah(!) | 0:06:47 | 0:06:50 | |
Buy me some sheep. | 0:06:51 | 0:06:53 | |
Hairy sheep, Mongolian hair, oh, my goodness. | 0:06:53 | 0:06:57 | |
Who would have thought Anthony would take on the powder puff challenge? | 0:06:57 | 0:07:00 | |
Such a weight off my mind | 0:07:00 | 0:07:02 | |
because I worry about the profitability of that chair. | 0:07:02 | 0:07:04 | |
Sarah may have got a great deal but quality sheepskin can't be cheap. | 0:07:04 | 0:07:09 | |
Will Anthony really be able to transform it on budget? | 0:07:09 | 0:07:12 | |
It's just making sure we throw enough at it | 0:07:12 | 0:07:15 | |
to get the right selling price | 0:07:15 | 0:07:17 | |
and, obviously, something left in it to buy the biscuits. | 0:07:17 | 0:07:22 | |
Anthony has only £265 to spend on materials and labour. | 0:07:24 | 0:07:29 | |
He'll have his work cut out to turn a dated '50s armchair | 0:07:29 | 0:07:33 | |
into a modern sheepskin-covered stunner. | 0:07:33 | 0:07:36 | |
That's one item dropped off, and three still to find. | 0:07:42 | 0:07:45 | |
Sarah's now in Stockport near Manchester to continue her search. | 0:07:47 | 0:07:50 | |
After a long day, daylight starts to fade. | 0:07:52 | 0:07:55 | |
But, luckily, John arrives with a little red petrol can | 0:07:55 | 0:07:58 | |
that catches Sarah's eye. | 0:07:58 | 0:08:00 | |
-Ooh! That's not going in the tip, is it? -It was going to go in. | 0:08:02 | 0:08:05 | |
-Really? -Yeah. | 0:08:05 | 0:08:07 | |
-I thought that was your work stuff. -No, no, it's been sitting around. | 0:08:07 | 0:08:10 | |
It used to be my father-in-law's but he's no longer with us. | 0:08:10 | 0:08:13 | |
Oh, it is charming. | 0:08:13 | 0:08:15 | |
JOHN LAUGHS | 0:08:15 | 0:08:17 | |
I love it. The fact that's all brass up there. | 0:08:17 | 0:08:20 | |
It's a really nice one. | 0:08:20 | 0:08:21 | |
-And it's still got a bit of the typography left on it. -A little bit. | 0:08:21 | 0:08:25 | |
Yeah, it's so appealing because of its worn look. | 0:08:25 | 0:08:28 | |
-I see these all the time and this is a really interesting one. -OK. | 0:08:28 | 0:08:32 | |
I've kind of given up on the normal new ones. | 0:08:32 | 0:08:35 | |
-The old ones are just so beautiful. -They are. | 0:08:35 | 0:08:37 | |
-They're a bit more appealing really than the plastic ones. -Yeah. | 0:08:37 | 0:08:40 | |
I would love to take it away and try to make something out of it. | 0:08:40 | 0:08:44 | |
It's only going to go in the scrap. | 0:08:44 | 0:08:46 | |
OK. I would definitely like to salvage it | 0:08:46 | 0:08:48 | |
because I think it's beautiful, and the patina on it, | 0:08:48 | 0:08:51 | |
and even the rust I like, so... | 0:08:51 | 0:08:53 | |
-I can have it, then? -Yes, you can certainly have it. | 0:08:53 | 0:08:56 | |
Sarah's obviously pretty keen. | 0:08:57 | 0:08:59 | |
But what does John think she has planned for it? | 0:08:59 | 0:09:02 | |
I wouldn't have a clue. Honestly wouldn't have a clue. | 0:09:02 | 0:09:05 | |
I say, to me, it was just a bit of scrap metal. | 0:09:05 | 0:09:07 | |
So anything she can make is good, really. | 0:09:07 | 0:09:11 | |
I love this old, beautiful patinated petrol can. | 0:09:11 | 0:09:16 | |
Brass lid. Lovely handle. Original typography on it. | 0:09:16 | 0:09:21 | |
And I know exactly who I'm going to take this to, | 0:09:21 | 0:09:23 | |
and what we're going to make out of it. | 0:09:23 | 0:09:26 | |
Just who is the lucky artisan who'll be carrying the can this time? | 0:09:26 | 0:09:30 | |
If you have a corner of a room which needs illuminating | 0:09:33 | 0:09:36 | |
with something quirky, we have just the man for the job. Guy Trench. | 0:09:36 | 0:09:41 | |
Handyman Guy works tirelessly with his band of happy helpers | 0:09:43 | 0:09:48 | |
to make one-of-a-kind furnishings from, well, anything, really. | 0:09:48 | 0:09:53 | |
I used to be an a North Sea diver and I spent ten years doing that. | 0:09:54 | 0:09:58 | |
My grandmother was an antiques dealer. | 0:09:58 | 0:09:59 | |
So I thought I could try antiques. | 0:09:59 | 0:10:01 | |
My wife said, "Guy, you're good with your hands, | 0:10:01 | 0:10:03 | |
"why don't you cobble together something old?" | 0:10:03 | 0:10:06 | |
So I got some old bowling balls and turned those into table lamps. | 0:10:06 | 0:10:10 | |
I thought, bowling balls, why can't I do cricket balls? | 0:10:10 | 0:10:13 | |
I thought, why do a cricket ball? | 0:10:13 | 0:10:15 | |
Just try a cricket bat, and did a cricket bat | 0:10:15 | 0:10:17 | |
and then I was really on my way. | 0:10:17 | 0:10:19 | |
I love using reclaimed material, you can't beat it. | 0:10:19 | 0:10:21 | |
If preserving history is your thing, | 0:10:23 | 0:10:26 | |
then the old petrol can Sarah's salvaged | 0:10:26 | 0:10:28 | |
should be right up your street, Guy. | 0:10:28 | 0:10:30 | |
Well, this petrol can has got bags of what I suppose you could | 0:10:32 | 0:10:35 | |
optimistically call character. | 0:10:35 | 0:10:36 | |
But has it got something about it that people will like enough | 0:10:36 | 0:10:40 | |
to put in their house? | 0:10:40 | 0:10:42 | |
Guy and right-hand man Keith are going to be the judges on that one. | 0:10:44 | 0:10:48 | |
-Hi, there, lovely to see you again. -Lovely to see you. | 0:10:48 | 0:10:51 | |
-Hi, Keith, how are you doing? -All right. | 0:10:51 | 0:10:53 | |
-I've got a little something for you. -Ooh, that's nice. | 0:10:53 | 0:10:56 | |
It is, isn't it? We've done a few of these before. | 0:10:56 | 0:10:59 | |
-Is that a good one then? -It's a lovely one. | 0:10:59 | 0:11:01 | |
That's going to look fabulous, absolutely. | 0:11:01 | 0:11:04 | |
Table lamp. | 0:11:04 | 0:11:05 | |
Is it lighting? | 0:11:05 | 0:11:06 | |
-It has to be lighting, doesn't it? -It's lighting, yeah. | 0:11:06 | 0:11:09 | |
There's an element about it that says | 0:11:09 | 0:11:11 | |
it's too far gone to go into someone's house. | 0:11:11 | 0:11:13 | |
The fact that you are happy... You can see that has got potential. | 0:11:13 | 0:11:16 | |
That is how we like it. | 0:11:16 | 0:11:19 | |
It's the old-fashioned. It is 1930s. It's an old can. | 0:11:19 | 0:11:23 | |
It's got plenty of wear. The colours are beautiful. | 0:11:23 | 0:11:25 | |
Some white writing coming through here. | 0:11:25 | 0:11:28 | |
The darker bit here, it's got marks on it. | 0:11:28 | 0:11:30 | |
It will look amazing. Really, really pleased with that. | 0:11:30 | 0:11:34 | |
Brilliant. I love your enthusiasm. | 0:11:34 | 0:11:35 | |
OK, you've convinced me of the lamp from an old rusty can idea. | 0:11:35 | 0:11:40 | |
But will the figures add up? | 0:11:40 | 0:11:42 | |
It sounds like a bit of work to do on it. | 0:11:42 | 0:11:44 | |
What kind of price would it be for that made into lighting? | 0:11:44 | 0:11:48 | |
I think the can, and that will come up really well, | 0:11:48 | 0:11:51 | |
will be about £125. | 0:11:51 | 0:11:54 | |
Yep, OK. | 0:11:54 | 0:11:55 | |
And if you'd like a shade with it, Sarah, | 0:11:55 | 0:11:57 | |
I think if we could do a second-hand one, would that suit you? | 0:11:57 | 0:12:01 | |
You're talking my kind of language. I mainly shop in the tip! | 0:12:01 | 0:12:04 | |
You might find one in the tip! | 0:12:04 | 0:12:06 | |
Erm, but that one there I could do for £10 for you. | 0:12:06 | 0:12:08 | |
So, 135, all in. I think that will | 0:12:08 | 0:12:11 | |
leave me some room to make some money on that. | 0:12:11 | 0:12:14 | |
I think it leaves you good room. | 0:12:14 | 0:12:15 | |
I think it's in safe hands so, good luck making it over. | 0:12:15 | 0:12:18 | |
And I hope it looks great. | 0:12:18 | 0:12:20 | |
-Thank you, Sarah. -I think it's going to look fantastic. | 0:12:20 | 0:12:22 | |
-Thanks, Keith, see you soon. -See you. | 0:12:22 | 0:12:24 | |
Bye-bye. | 0:12:24 | 0:12:25 | |
Well, Guy has certainly got me all revved up about that old petrol can. | 0:12:27 | 0:12:30 | |
It looks horrible at the moment but the game he's talking, | 0:12:30 | 0:12:33 | |
it's going to look fantastic when it's converted. | 0:12:33 | 0:12:36 | |
Sarah's full of confidence | 0:12:38 | 0:12:40 | |
but there's a long road before this diesel disaster | 0:12:40 | 0:12:42 | |
becomes a design delight, | 0:12:42 | 0:12:45 | |
although Mr "Brightside" Guy is raring to go. | 0:12:45 | 0:12:49 | |
It's a great, great, great can. | 0:12:49 | 0:12:52 | |
Looking forward to doing this job. | 0:12:52 | 0:12:54 | |
With a budget of £135, Guy and Keith have their work cut out | 0:12:56 | 0:13:01 | |
giving the old fuel can a bright new future. | 0:13:01 | 0:13:05 | |
Back in Manchester, | 0:13:14 | 0:13:16 | |
upholsterer Anthony has already stripped the Parker Knoll chair | 0:13:16 | 0:13:20 | |
with the help of his assistant Marianne. | 0:13:20 | 0:13:23 | |
As yet, I've not seen | 0:13:25 | 0:13:27 | |
any of the hairy Mongolian sheep fabric lying about. | 0:13:27 | 0:13:30 | |
Perhaps he's come to his senses. | 0:13:30 | 0:13:33 | |
So, we've finished stripping it now. | 0:13:33 | 0:13:35 | |
And we're basically getting the arms and back legs prepared. | 0:13:35 | 0:13:38 | |
So I've taken out the back to sand it all. | 0:13:38 | 0:13:41 | |
Now, I'm just going over with a finer sandpaper | 0:13:41 | 0:13:44 | |
just to give it a really smooth finish. | 0:13:44 | 0:13:46 | |
The beauty about this chair, a Parker Knoll, | 0:13:46 | 0:13:48 | |
it always has the kind of, they call it the ticker, the production label. | 0:13:48 | 0:13:54 | |
And they're always dated. | 0:13:54 | 0:13:56 | |
So this one is the 11th of the 11th, 1951. | 0:13:56 | 0:14:00 | |
Which, by my maths, is over 60...60... | 0:14:00 | 0:14:05 | |
60? | 0:14:05 | 0:14:06 | |
-..something years old! -ANTHONY LAUGHS | 0:14:06 | 0:14:09 | |
Upholstery's my strong point, not maths. | 0:14:09 | 0:14:11 | |
Don't sell yourself short, Anthony. | 0:14:11 | 0:14:13 | |
After the sanding, Anthony begins to apply | 0:14:15 | 0:14:17 | |
a bit of coloured wax that both protects the bare wood surface | 0:14:17 | 0:14:20 | |
and highlights the natural wood's grain. | 0:14:20 | 0:14:23 | |
It's still good to be able to see some of the nicks | 0:14:23 | 0:14:27 | |
and the bumps and scratches and stuff | 0:14:27 | 0:14:29 | |
because we don't want to eradicate the history of it. | 0:14:29 | 0:14:31 | |
Once the waxing is done, | 0:14:32 | 0:14:34 | |
it's time to replace those two front legs Sarah doesn't like. | 0:14:34 | 0:14:38 | |
You only get one go at this, Anthony, so, be careful. | 0:14:39 | 0:14:43 | |
No turning back. | 0:14:43 | 0:14:45 | |
I can't watch! | 0:14:45 | 0:14:46 | |
He's going for it. | 0:14:49 | 0:14:51 | |
Right, stand it up. | 0:14:57 | 0:14:59 | |
Ta-da! | 0:14:59 | 0:15:01 | |
HE CHUCKLES | 0:15:01 | 0:15:02 | |
Done! | 0:15:02 | 0:15:03 | |
Not quite! Anthony is adding new slimmer legs which complements... | 0:15:03 | 0:15:07 | |
Uh-oh, careful! | 0:15:07 | 0:15:08 | |
We need a few screws. | 0:15:08 | 0:15:10 | |
I think that'll be best. | 0:15:10 | 0:15:12 | |
The new slim legs | 0:15:13 | 0:15:15 | |
will give the chair a more elegant and hopefully saleable look. | 0:15:15 | 0:15:18 | |
So, what do you think, Anthony? | 0:15:18 | 0:15:20 | |
Erm, it might be a bit wobbly! | 0:15:21 | 0:15:24 | |
After the other leg is attached, | 0:15:25 | 0:15:26 | |
Anthony turns his attention to the chair's new padding. | 0:15:26 | 0:15:30 | |
He's using classic and modern techniques to restuff the chair. | 0:15:30 | 0:15:34 | |
This material is made up of old recycled bits and pieces. | 0:15:34 | 0:15:38 | |
And we use it, it's called layered felt. | 0:15:39 | 0:15:41 | |
And this here is to create a lumbar support. | 0:15:41 | 0:15:44 | |
Then we'll build up a few more layers over the top. | 0:15:44 | 0:15:47 | |
After the layered felt and support, | 0:15:49 | 0:15:51 | |
Anthony adds a softer layer of cotton padding for comfort. | 0:15:51 | 0:15:55 | |
Fill that side up to there. | 0:15:55 | 0:15:57 | |
And we'll staple that in. | 0:15:57 | 0:15:59 | |
He then adds a layer of fire-retardant calico | 0:16:01 | 0:16:04 | |
to bring the chair up to modern safety standards. | 0:16:04 | 0:16:09 | |
And here comes the next apprentice! | 0:16:09 | 0:16:11 | |
It's Anthony's daughter Poppy, come to supervise her old man. | 0:16:11 | 0:16:15 | |
POPPY GURGLES | 0:16:17 | 0:16:18 | |
Is that good? | 0:16:18 | 0:16:20 | |
Are you happy with that? | 0:16:20 | 0:16:21 | |
POPPY CHATTERS | 0:16:21 | 0:16:23 | |
You tell him, Poppy. | 0:16:23 | 0:16:24 | |
-Do you think Sarah's going to like it? -Yes! | 0:16:24 | 0:16:26 | |
Yay! | 0:16:26 | 0:16:27 | |
What did you say? On trend? | 0:16:27 | 0:16:30 | |
With Poppy's encouragement, they're making real progress. | 0:16:31 | 0:16:35 | |
Is that good? | 0:16:35 | 0:16:37 | |
-It's quite nice, isn't it? -Yeah. | 0:16:37 | 0:16:39 | |
It's looking better but it doesn't much look like a sheep. | 0:16:39 | 0:16:42 | |
He still needs to add the Mongolian sheepskin cover | 0:16:43 | 0:16:47 | |
he promised Sarah, and it better be a stunning transformation | 0:16:47 | 0:16:51 | |
because Sarah really needs the buyers to flock to this one. | 0:16:51 | 0:16:55 | |
Over in Essex, it's all hands to the pump | 0:17:06 | 0:17:09 | |
as Guy and Keith get stuck in to their latest upcycling challenge, | 0:17:09 | 0:17:14 | |
turning a pretty old petrol can into a pretty new table lamp. | 0:17:14 | 0:17:19 | |
It's got some nice lettering which is coming out now. | 0:17:19 | 0:17:22 | |
Just gives that little bit of history. It's all original. | 0:17:22 | 0:17:25 | |
And let's try and keep as much of that on as possible | 0:17:25 | 0:17:27 | |
because I think that's important. | 0:17:27 | 0:17:29 | |
This is a lovely distressed-looking can. | 0:17:30 | 0:17:34 | |
Here we are, you can start suddenly seeing the colours start emerging. | 0:17:34 | 0:17:37 | |
The red's getting redder. | 0:17:37 | 0:17:38 | |
It's great just as things are transforming under your eyes, | 0:17:38 | 0:17:42 | |
it's lovely to see. | 0:17:42 | 0:17:44 | |
OK, let's try a bit of Jacobean on it, Keithy. | 0:17:46 | 0:17:49 | |
Jacobean, eh? Nice and dark. | 0:17:49 | 0:17:51 | |
Look at the colours. It's coming up beautifully. | 0:17:51 | 0:17:54 | |
Just put a bit more polish down this, | 0:17:54 | 0:17:56 | |
try and get into the grain of that, that's it. | 0:17:56 | 0:18:00 | |
You're doing a great job there, Keith. | 0:18:00 | 0:18:02 | |
Just wait, we're not ready, yet. | 0:18:04 | 0:18:05 | |
We're going to have this looking really ready in a minute. | 0:18:05 | 0:18:08 | |
Give it the once-over with a softish rotary brush. | 0:18:08 | 0:18:11 | |
Great teamwork, this. | 0:18:14 | 0:18:16 | |
The brass top which we've just given a bit of life to, wire wool. | 0:18:18 | 0:18:23 | |
Got the rest of the can to do now. | 0:18:25 | 0:18:27 | |
Ah, yes, the lamp fitting. | 0:18:27 | 0:18:29 | |
For that, Guy calls in the services of qualified sparky Steve. | 0:18:29 | 0:18:34 | |
I think what we'll do, we'll drill a hole straight through | 0:18:34 | 0:18:38 | |
and we'll put a post in. Then we'll have a shade on the top of it. | 0:18:38 | 0:18:41 | |
What about the base, is it stable enough? | 0:18:41 | 0:18:43 | |
I think if we filled that with sand, | 0:18:43 | 0:18:46 | |
we fill it up with sand, that will make it stable. | 0:18:46 | 0:18:50 | |
-Give it some weight. -Yeah. -Good idea, OK. | 0:18:50 | 0:18:53 | |
Young Steve is a dab hand with a drill. | 0:18:53 | 0:18:56 | |
He can tap a screw thread. | 0:18:56 | 0:18:58 | |
Cutting a thread in the tube so we can fix the fitting to the top. | 0:18:58 | 0:19:04 | |
But, most importantly... | 0:19:05 | 0:19:07 | |
Here she comes. There we go. | 0:19:07 | 0:19:10 | |
..he can certify that electrical work has been carried out | 0:19:10 | 0:19:14 | |
to the required safety standards. | 0:19:14 | 0:19:17 | |
All right. That's that bit done, how do you like that? | 0:19:17 | 0:19:20 | |
Er... | 0:19:20 | 0:19:21 | |
I don't really like this silver rod coming up here, Steve. | 0:19:23 | 0:19:26 | |
So, this is our antique ageing fluid that we are going to paint on this. | 0:19:26 | 0:19:32 | |
And you'll see that it will change colour quite quickly. | 0:19:32 | 0:19:37 | |
You know, we're trying to keep it as a piece of history. | 0:19:37 | 0:19:41 | |
We want to try and keep | 0:19:41 | 0:19:42 | |
all the similar looking bits and pieces on it the same colours. | 0:19:42 | 0:19:46 | |
We don't want a sharp bit of silver metalwork showing | 0:19:46 | 0:19:49 | |
on something which is old because you know it's been added on. | 0:19:49 | 0:19:52 | |
Let's try and keep everything in character, really important. | 0:19:52 | 0:19:55 | |
This little detail but really important, I think. | 0:19:55 | 0:19:58 | |
I'm looking forward to seeing this one shining bright. | 0:19:58 | 0:20:02 | |
It's now back to Manchester to see how Anthony's been getting on. | 0:20:09 | 0:20:12 | |
Oh! Is that Mongolian sheepskin? | 0:20:13 | 0:20:16 | |
He wasn't lying about the hairiness. | 0:20:18 | 0:20:21 | |
I've never done anything like this before. | 0:20:21 | 0:20:23 | |
I mean, if you look in my tool box, | 0:20:23 | 0:20:25 | |
there's one thing I've never carried in there before | 0:20:25 | 0:20:27 | |
and that's my clippers. | 0:20:27 | 0:20:29 | |
So, I've been shaving the chair, stood there like a hairdresser, | 0:20:29 | 0:20:32 | |
snipping away at it, looking, making sure, and fluffing it all up. | 0:20:32 | 0:20:36 | |
It has been a whole new experience. | 0:20:36 | 0:20:38 | |
I am really hoping that Anthony has managed to embrace his feminine side | 0:20:40 | 0:20:44 | |
and turn that retro, rather unattractive chair | 0:20:44 | 0:20:47 | |
into a fabulous powder puff piece. | 0:20:47 | 0:20:50 | |
The old chair was certainly a bit dated and drab. | 0:20:55 | 0:20:58 | |
But now, here we go! | 0:20:58 | 0:21:00 | |
O-M-actual-G! What on Earth is that! | 0:21:02 | 0:21:07 | |
Well, Sarah wanted a hairy chair | 0:21:07 | 0:21:10 | |
and that is the hairiest chair I've ever seen. | 0:21:10 | 0:21:13 | |
Anthony shouldn't have even bothered changing the legs, | 0:21:15 | 0:21:17 | |
you can barely see them. | 0:21:17 | 0:21:19 | |
ANTHONY LAUGHS | 0:21:21 | 0:21:22 | |
That is a triumph! Well done. | 0:21:22 | 0:21:24 | |
-One powder puff! -Look at that. | 0:21:24 | 0:21:26 | |
Isn't it fantastic? | 0:21:28 | 0:21:30 | |
I actually really like it, I really like it. | 0:21:30 | 0:21:33 | |
That's perfect. With that wood like that, | 0:21:33 | 0:21:35 | |
that is beautiful, isn't it? | 0:21:35 | 0:21:37 | |
-What have you done on the back? -So, the back... | 0:21:37 | 0:21:39 | |
-Oh, cool! -All upholstered and fixed. | 0:21:39 | 0:21:42 | |
It's a beautiful finish, really lovely, isn't it? | 0:21:42 | 0:21:46 | |
I, erm... We're thinking already about having one at home! | 0:21:46 | 0:21:49 | |
Yeah, I'm sure it'll fit in nicely with your hairy living room! | 0:21:51 | 0:21:55 | |
But after all that, Sarah seems delighted. | 0:21:55 | 0:21:58 | |
I think it's a triumph, and that's going to sell. | 0:21:58 | 0:22:00 | |
Well done for making it look like that | 0:22:00 | 0:22:02 | |
because it could have looked really shabby. | 0:22:02 | 0:22:04 | |
-And now it just looks chic. It's amazing. -Aw! | 0:22:04 | 0:22:07 | |
Aw, Anthony, you've gone all fluffy! | 0:22:07 | 0:22:11 | |
Steady! | 0:22:11 | 0:22:12 | |
Now, that is a totally spectacular transformation. | 0:22:15 | 0:22:19 | |
It's gone from tired and old, to luxury, fluffy and fantastic. | 0:22:19 | 0:22:25 | |
And it's really commercial. | 0:22:25 | 0:22:28 | |
I had absolutely no doubt Sarah would like this one. | 0:22:28 | 0:22:31 | |
I mean, you've just got to look at it. | 0:22:31 | 0:22:34 | |
It is "Sarah safe". There's nothing too crazy about it. | 0:22:34 | 0:22:37 | |
I knew she was going to like it. Lots of people are going to like it | 0:22:37 | 0:22:41 | |
so I reckon it's going to be an easy sell. | 0:22:41 | 0:22:43 | |
Well, Anthony, I hope you're right. | 0:22:43 | 0:22:45 | |
Sarah first met Brent at the tip | 0:22:49 | 0:22:51 | |
as he was busy clearing out some of his mum's things. | 0:22:51 | 0:22:54 | |
Parker Knoll is written on it, even I can tell that. | 0:22:54 | 0:22:57 | |
Once Sarah spotted it, she was eager to acquire the skip-bound seat. | 0:22:57 | 0:23:02 | |
Would you mind us getting stuck into it? | 0:23:02 | 0:23:04 | |
-Is it sentimental value? -No, you carry on. | 0:23:04 | 0:23:07 | |
-Really? -Yeah, absolutely. -I suppose it's come to the tip, | 0:23:07 | 0:23:09 | |
-anything from here is on the way up, isn't it? -Yeah, definitely. | 0:23:09 | 0:23:12 | |
If it would benefit someone. | 0:23:12 | 0:23:14 | |
Brent was happy to see the chair move on, | 0:23:14 | 0:23:16 | |
and Sarah was sitting pretty. | 0:23:16 | 0:23:18 | |
The challenge is deciding what to do to it and where to send it | 0:23:18 | 0:23:21 | |
so it really makes some money. | 0:23:21 | 0:23:23 | |
The challenge was met and exceeded | 0:23:23 | 0:23:26 | |
with the chair finding a new lease of life. | 0:23:26 | 0:23:30 | |
It was snapped up by online retailer Smithers Of Stanford. | 0:23:31 | 0:23:34 | |
Owner Nick was pleased to add it to the collection | 0:23:34 | 0:23:38 | |
although I think his wife Kim liked it even more. | 0:23:38 | 0:23:41 | |
-The yeti, they call it, apparently. -The yeti. -The yeti chair. | 0:23:41 | 0:23:44 | |
-Wild mane! -SHE LAUGHS | 0:23:44 | 0:23:46 | |
Steady on, Kim! | 0:23:46 | 0:23:49 | |
Sarah's travelled to Witley in Surrey | 0:23:49 | 0:23:52 | |
to show Brent the yeti and hand over some cash. | 0:23:52 | 0:23:55 | |
-Hello, there. -Hi. -Hi, how are you doing? -I'm good. | 0:23:57 | 0:23:59 | |
I have been waiting to catch up with you | 0:23:59 | 0:24:02 | |
-about your Parker Knoll chair that you left at the tip. -Yep. | 0:24:02 | 0:24:05 | |
-Now, it came out of your parents' house, is that right? -It did. | 0:24:05 | 0:24:09 | |
So, your chair went to Manchester | 0:24:09 | 0:24:11 | |
-to a fantastic upholsterer called Anthony Devine. -Right. | 0:24:11 | 0:24:14 | |
And he had one look at it and, brace yourself, OK, | 0:24:14 | 0:24:17 | |
because I'd like to show you how it ended up. | 0:24:17 | 0:24:19 | |
Are you ready for this? Go ahead. | 0:24:19 | 0:24:21 | |
Here is your chair. | 0:24:23 | 0:24:24 | |
Oh, my God! | 0:24:24 | 0:24:27 | |
-Is that approval or shock? -Well, you know, | 0:24:27 | 0:24:30 | |
I never expected to see it like that. | 0:24:30 | 0:24:32 | |
Well, do you know something? | 0:24:32 | 0:24:34 | |
There are people who love that. That Alpine chic and that sort of look, | 0:24:34 | 0:24:37 | |
it has a place. | 0:24:37 | 0:24:39 | |
And it really was a transformation | 0:24:39 | 0:24:41 | |
because it did go from looking quite retro to looking really quite edgy. | 0:24:41 | 0:24:45 | |
-Yep. -And that's a good thing because, | 0:24:45 | 0:24:47 | |
when you produce something that has that little something extra, | 0:24:47 | 0:24:50 | |
you get people who like to pay for it. | 0:24:50 | 0:24:53 | |
-So, I've sold it. -Wow. | 0:24:53 | 0:24:55 | |
Yeah, and I'm going to start off with £5 there, and, | 0:24:55 | 0:24:59 | |
um, I think I've got just | 0:24:59 | 0:25:01 | |
-another £130 to go with it. -Blimey! | 0:25:01 | 0:25:04 | |
-And that's after it's all been done? -That is. | 0:25:05 | 0:25:07 | |
Anthony was paid for all of his work | 0:25:07 | 0:25:10 | |
and that has been sold to a vintage and retro shop | 0:25:10 | 0:25:13 | |
who absolutely loved it. | 0:25:13 | 0:25:15 | |
Crikey. | 0:25:15 | 0:25:17 | |
-A bit of a surprise there? -Yeah, definitely. | 0:25:17 | 0:25:20 | |
Anything that springs to mind that you might do with that money? | 0:25:20 | 0:25:24 | |
-I think probably a prostate cancer charity. -OK. | 0:25:24 | 0:25:27 | |
My father died of that last year. | 0:25:27 | 0:25:29 | |
Oh, dear, I'm so sorry to hear that. | 0:25:29 | 0:25:32 | |
-Yeah, put it towards that. -OK, well, that's a lovely thing to do. | 0:25:32 | 0:25:36 | |
-And I hope you don't mind what we did to your chair. -Not at all. | 0:25:36 | 0:25:39 | |
That's definitely interesting. | 0:25:39 | 0:25:42 | |
Thank you, that's a really nice way of putting it. | 0:25:42 | 0:25:44 | |
-Thank you so much for your chair. -No problem, thank you. Bye. -Bye-bye. | 0:25:44 | 0:25:48 | |
Well, quite clearly, Brent was not expecting that transformation. | 0:25:52 | 0:25:56 | |
But it was a lovely chair. | 0:25:56 | 0:25:58 | |
He might not given it house room | 0:25:58 | 0:26:00 | |
but it has raised some great money for a really good cause. | 0:26:00 | 0:26:03 | |
Anthony's labour and materials to transform the armchair | 0:26:06 | 0:26:10 | |
totalled £265. | 0:26:10 | 0:26:13 | |
Sarah managed to sell the new woolly wonder for a fabulous £400, | 0:26:13 | 0:26:19 | |
meaning she could pass £135 back to Brent | 0:26:19 | 0:26:23 | |
to give to a charity in memory of his dad. | 0:26:23 | 0:26:26 | |
We've had success with our first item, | 0:26:33 | 0:26:35 | |
so it's time for Sarah to get back to the boots of cars. | 0:26:35 | 0:26:39 | |
She's continuing her search at the Woodhouse Lane recycling centre | 0:26:40 | 0:26:44 | |
in Greater Manchester. | 0:26:44 | 0:26:46 | |
-Nothing. -Nothing. | 0:26:48 | 0:26:49 | |
But you never know. | 0:26:49 | 0:26:51 | |
Undeterred, she's snooping around Luke, | 0:26:51 | 0:26:53 | |
who's getting limber with some timber. | 0:26:53 | 0:26:56 | |
-Hiya. -Hello. | 0:26:56 | 0:26:58 | |
-You've had a smashing time this morning, then. -Yeah. | 0:26:58 | 0:27:01 | |
As you can see, lots of fun. | 0:27:01 | 0:27:03 | |
Talk me through this, then. Was it in your...? Was it...? | 0:27:03 | 0:27:06 | |
Is it the hall cupboard you're chucking out? | 0:27:06 | 0:27:08 | |
We've moved into a new house, there's some old cupboards there, | 0:27:08 | 0:27:10 | |
they need getting rid of. | 0:27:10 | 0:27:12 | |
I do like the look of the doors that you're chucking out, | 0:27:12 | 0:27:15 | |
cos they look like they're still nice and solid. | 0:27:15 | 0:27:18 | |
Yeah, they are! | 0:27:18 | 0:27:19 | |
Some nice chunky pieces of timber that I might be able to use | 0:27:19 | 0:27:22 | |
for something, so, if I could take them away, | 0:27:22 | 0:27:24 | |
and maybe show you if I manage to make anything out of them. | 0:27:24 | 0:27:27 | |
Sounds great. | 0:27:27 | 0:27:28 | |
That really is just a pile of old wood. | 0:27:28 | 0:27:31 | |
Sarah's got her work cut out | 0:27:31 | 0:27:32 | |
if she's going to pound out a profit from those planks. | 0:27:32 | 0:27:36 | |
What does Luke think she can knock together? | 0:27:36 | 0:27:39 | |
It's solid wood, so you could make anything out of them, really. | 0:27:39 | 0:27:41 | |
It depends how much skill she's got, or how much skill her team has got. | 0:27:41 | 0:27:45 | |
Don't worry, Luke - Sarah's eye for awesome offcuts is never wrong. | 0:27:45 | 0:27:50 | |
Or hardly ever. | 0:27:50 | 0:27:51 | |
I can never resist a really chunky bit of timber - | 0:27:51 | 0:27:54 | |
and these components from a 1940s house | 0:27:54 | 0:27:56 | |
have got all the right credentials | 0:27:56 | 0:27:58 | |
to be made into something amazing - and I've got just the person | 0:27:58 | 0:28:01 | |
in mind to take on the job. | 0:28:01 | 0:28:03 | |
That's the bits for item two in a thoroughly organised heap. | 0:28:03 | 0:28:08 | |
Which lucky craftsman will be lumbered with them? | 0:28:08 | 0:28:11 | |
Norman Wilkinson, a master of his craft. | 0:28:16 | 0:28:20 | |
With 25 years' experience in the furniture-making business, | 0:28:20 | 0:28:23 | |
what he doesn't know about wood isn't worth knowing. | 0:28:23 | 0:28:27 | |
I love the timber, I love the finishing of it, I love the product. | 0:28:27 | 0:28:31 | |
It's everything... It makes me tick. | 0:28:31 | 0:28:33 | |
Yeah, there is a passion for it, because there's no point | 0:28:33 | 0:28:36 | |
getting up in the morning and not doing something you don't like. | 0:28:36 | 0:28:39 | |
Coming in and then picking up the wood | 0:28:39 | 0:28:40 | |
and then turning it into something lovely, | 0:28:40 | 0:28:43 | |
you know, it makes me happy. | 0:28:43 | 0:28:45 | |
And also, using second hand materials, it's a great joy. | 0:28:46 | 0:28:49 | |
You know the old saying - another man's rubbish is another man's... | 0:28:49 | 0:28:52 | |
Er, can't think of the saying, now! | 0:28:52 | 0:28:54 | |
Another man's rubbish in this instance | 0:28:56 | 0:28:59 | |
is a couple of old doors and bits of random wood. | 0:28:59 | 0:29:02 | |
Bet you can't wait to get your hands on this little lot. | 0:29:02 | 0:29:05 | |
We have definitely got the bare bones | 0:29:06 | 0:29:08 | |
of something really good, here. | 0:29:08 | 0:29:10 | |
Lovely pair of cupboard doors, some nice bits of hardware - | 0:29:10 | 0:29:14 | |
Norman is going to have to take this on | 0:29:14 | 0:29:15 | |
and turn it into something beautiful and useful. | 0:29:15 | 0:29:19 | |
Oh, Sarah, you don't ask for much, do you(?) | 0:29:19 | 0:29:21 | |
-Come out here, see what I've got for you. -Nice to see you. | 0:29:21 | 0:29:24 | |
And you, and you. | 0:29:24 | 0:29:25 | |
It looks... I know! | 0:29:25 | 0:29:26 | |
You have spoilt me today, I can really see this one. | 0:29:28 | 0:29:31 | |
Bring it in, and let's have a chat about it. | 0:29:31 | 0:29:33 | |
So, what's it going to be this time, Sarah? | 0:29:33 | 0:29:36 | |
A revolving bookcase? | 0:29:36 | 0:29:38 | |
His and hers welly boot taker-offerer? | 0:29:38 | 0:29:40 | |
I thought just a really lovely simple wall cupboard. | 0:29:42 | 0:29:46 | |
Wall cupboard. OK. | 0:29:46 | 0:29:48 | |
Well, I wasn't expecting that. | 0:29:48 | 0:29:50 | |
-Why don't we take the paint off... -Yeah. | 0:29:51 | 0:29:54 | |
..and see where we go to? And see what nice pale colour we find - | 0:29:54 | 0:29:57 | |
there might be some nice pale paint - | 0:29:57 | 0:29:59 | |
and let's really go through it, because, you know, | 0:29:59 | 0:30:01 | |
you can see under there, there could be something. | 0:30:01 | 0:30:03 | |
Um...how are we going to make it as a wall cupboard? | 0:30:03 | 0:30:05 | |
Are we making it for a kitchen, | 0:30:05 | 0:30:07 | |
-or are we going to make it for a bathroom, or... -I... -universal? | 0:30:07 | 0:30:10 | |
Kitchen. Kitchen. | 0:30:10 | 0:30:12 | |
Well, looking at the doors... | 0:30:12 | 0:30:15 | |
I don't know how... | 0:30:16 | 0:30:18 | |
I think maybe we could take the panels out, | 0:30:18 | 0:30:22 | |
put some chicken wire in it, for kitchen, | 0:30:22 | 0:30:24 | |
-so it gives it a nice, different feel. -Yeah. | 0:30:24 | 0:30:27 | |
Chicken wire, eh? That WOULD be a different feel. | 0:30:27 | 0:30:30 | |
Not so much "boho chic" as "barnyard chick". | 0:30:30 | 0:30:34 | |
Chicken wire's still quite trendy, so I think it'll be great. | 0:30:35 | 0:30:38 | |
It's geometric. | 0:30:38 | 0:30:39 | |
-People love geometrics. -You love geometric, don't you? | 0:30:39 | 0:30:42 | |
Well, do you know something? | 0:30:42 | 0:30:43 | |
There is an appealingness to the fact that it's so regular, | 0:30:43 | 0:30:46 | |
and I think mixing it up with old, new... | 0:30:46 | 0:30:50 | |
I think it's in safe hands. | 0:30:50 | 0:30:51 | |
Well, we need to sort of try and incorporate all this, as well, | 0:30:51 | 0:30:54 | |
so, looking at the hooks, maybe we could, um... | 0:30:54 | 0:30:59 | |
Put them under there, so they can put their cups on them, | 0:30:59 | 0:31:02 | |
or stuff like that. | 0:31:02 | 0:31:03 | |
I love it, because what you're saying, | 0:31:03 | 0:31:05 | |
it's not too big, it's not too small. | 0:31:05 | 0:31:07 | |
If you can make it easy for me to sell | 0:31:07 | 0:31:08 | |
by putting something that DIY-ers can attach it to the wall with... | 0:31:08 | 0:31:11 | |
-We'll do that as well. -Brackets... | 0:31:11 | 0:31:13 | |
-We'll make it so it's ready to rock and roll. -Perfect. -OK. | 0:31:13 | 0:31:16 | |
How much money are you going to be wishing for to transform it | 0:31:16 | 0:31:20 | |
into that useful cupboard for me? | 0:31:20 | 0:31:23 | |
If we get this into showroom condition, so you could sell it... | 0:31:23 | 0:31:26 | |
Um... | 0:31:26 | 0:31:27 | |
£200. | 0:31:27 | 0:31:28 | |
-I think you're being nice to me, aren't you? -I try. | 0:31:28 | 0:31:30 | |
I think you feel sorry for me because of where I've been | 0:31:30 | 0:31:33 | |
-to get this, don't you? -Yeah, yeah, precisely. | 0:31:33 | 0:31:35 | |
Well, keep it nice and simple. For £200 | 0:31:35 | 0:31:37 | |
-I don't want you spending too much time on it. -But it will look good. | 0:31:37 | 0:31:41 | |
Lovely. Thank you. Give us a shout. | 0:31:41 | 0:31:43 | |
Thanks very much, and I'll see you soon. | 0:31:43 | 0:31:45 | |
-You WILL see me soon! -OK, see you later. -Take care! | 0:31:45 | 0:31:48 | |
I love what Norman does - he's got safe hands, and he's old school, | 0:31:54 | 0:31:58 | |
and he's going to turn those battered old doors | 0:31:58 | 0:32:00 | |
into something saleable. You can't beat that. | 0:32:00 | 0:32:03 | |
I think it's going to be a nice challenge. | 0:32:05 | 0:32:07 | |
It's an OK piece, so Sarah's got it right for once. Fantastic. | 0:32:07 | 0:32:11 | |
For the princely sum of £200, | 0:32:13 | 0:32:15 | |
Norman is going to turn a couple of wooden doors | 0:32:15 | 0:32:18 | |
and assorted bits and bobs into a wonderful one-off kitchen cupboard, | 0:32:18 | 0:32:23 | |
using...chicken wire. | 0:32:23 | 0:32:25 | |
I can't wait to see it. | 0:32:25 | 0:32:27 | |
In Essex, Sarah's on her way to see how Guy has fared | 0:32:39 | 0:32:43 | |
with the battered petrol can. | 0:32:43 | 0:32:46 | |
I think Sarah's going to like this a lot. | 0:32:46 | 0:32:48 | |
You know, she's a recycler, like myself, | 0:32:48 | 0:32:50 | |
and seeing it brought back into another life... | 0:32:50 | 0:32:54 | |
I think it'll tick her box. Let's hope so. | 0:32:54 | 0:32:57 | |
Sarah left Guy with an old, unusable petrol can. | 0:32:57 | 0:33:03 | |
The metal was rusted and it had holes - | 0:33:03 | 0:33:05 | |
but, for some reason, Guy was over the moon with it... | 0:33:05 | 0:33:09 | |
..and now I can see why. | 0:33:14 | 0:33:17 | |
The once useless can has become a quirky, fully-functional table lamp. | 0:33:17 | 0:33:22 | |
Guy's lost none of the character, and has instead brought out | 0:33:23 | 0:33:27 | |
its features to the full, by treating the metalwork. | 0:33:27 | 0:33:31 | |
The simple shade complements it perfectly, | 0:33:31 | 0:33:34 | |
all in all, making it a shadow of its former self. | 0:33:34 | 0:33:38 | |
-Hi, there! -Hi, Sarah. Lovely to see you again. -Lovely to see you. | 0:33:40 | 0:33:43 | |
Yeah, good to see you. | 0:33:43 | 0:33:45 | |
-That's worked really well, hasn't it? -Hasn't it? Yes, hasn't it? | 0:33:45 | 0:33:49 | |
Fantastic. | 0:33:49 | 0:33:50 | |
Now, it was a good, strong starting piece, wasn't it? | 0:33:50 | 0:33:53 | |
But that, the scale of that is really good, isn't it? | 0:33:53 | 0:33:56 | |
I think it really does work well. | 0:33:56 | 0:33:58 | |
It's just lovely to preserve something | 0:33:58 | 0:34:00 | |
which is a bit of our history. | 0:34:00 | 0:34:02 | |
It says petrol can on the tin, and it really is, | 0:34:02 | 0:34:04 | |
but we've saved it from the dump. | 0:34:04 | 0:34:07 | |
They're not going to be making these again, so I'm pleased you like it. | 0:34:07 | 0:34:11 | |
I know you said you were going to dig us out a £10 shade, | 0:34:11 | 0:34:14 | |
but I think I left you with 125 for the can. | 0:34:14 | 0:34:17 | |
Anywhere near that? | 0:34:17 | 0:34:19 | |
Yes, we're going to do it for 135. You're in budget. | 0:34:19 | 0:34:23 | |
In budget and in luck, because it's looking great. | 0:34:23 | 0:34:25 | |
-The combination - I like the black with the red. -Yes. | 0:34:25 | 0:34:27 | |
-It's got a great look. -Thank you. | 0:34:27 | 0:34:29 | |
You want to pick it up, carry it away | 0:34:29 | 0:34:31 | |
-and put it on your desk, don't you? I think it's lovely. -Yeah. | 0:34:31 | 0:34:34 | |
So, why don't you do just that, Sarah? | 0:34:34 | 0:34:36 | |
-Thank you so much. -Thank you, Sarah. | 0:34:36 | 0:34:38 | |
-I'm glad you're pleased with it. -I am pleased with it. | 0:34:38 | 0:34:40 | |
Let me... I'm going to take it away right now. | 0:34:40 | 0:34:42 | |
And hopefully find a buyer desperate to put it on their desk. | 0:34:42 | 0:34:47 | |
That is a very successful project...in the can. | 0:34:47 | 0:34:50 | |
I think Sarah felt very happy about that. | 0:34:52 | 0:34:54 | |
It was something which was pretty ropey, | 0:34:54 | 0:34:57 | |
but I knew that it was going to be good | 0:34:57 | 0:34:59 | |
when we got our hands on it and cleaned it up | 0:34:59 | 0:35:01 | |
and electrified it - and I think she's going to sell that well. | 0:35:01 | 0:35:07 | |
From its early days in the tip at the back of John's van... | 0:35:07 | 0:35:10 | |
Well, it used to be my father-in-law's, | 0:35:10 | 0:35:12 | |
-but he's no longer with us, so... -Oh, it is charming! | 0:35:12 | 0:35:15 | |
To me, it was just a bit of scrap metal, | 0:35:15 | 0:35:17 | |
so anything she can make is good, really. | 0:35:17 | 0:35:20 | |
..Guy transformed it... | 0:35:23 | 0:35:25 | |
..and it also caught the attention of Nick, | 0:35:27 | 0:35:29 | |
who wanted it for his online shop. | 0:35:29 | 0:35:32 | |
Very nice. I think someone would want this for their man cave. | 0:35:35 | 0:35:38 | |
Sarah has travelled to just outside Bredbury to meet up with John | 0:35:39 | 0:35:43 | |
and show him what became of his father-in-law's rusty old can. | 0:35:43 | 0:35:47 | |
-Hi, there. -Hiya! -How are you doing? | 0:35:53 | 0:35:54 | |
-Not bad, how are you? -Yeah, very well, thank you. -Good. | 0:35:54 | 0:35:57 | |
So, I was trying to remember what you were doing at the tip, | 0:35:57 | 0:36:00 | |
-because not all the stuff going there was yours, was it? -Not all of it. No. | 0:36:00 | 0:36:03 | |
We're downsizing and moving to a new house, | 0:36:03 | 0:36:05 | |
we had to get rid of some of the stuff, and we had some of my | 0:36:05 | 0:36:08 | |
late father-in-law's stuff as well, so unfortunately, needs must, it had to go. | 0:36:08 | 0:36:13 | |
-OK. So, it was the red petrol can that really caught my eye. -Yeah. | 0:36:13 | 0:36:16 | |
Do you know how long he'd had it, or if he'd used it? | 0:36:16 | 0:36:18 | |
It was just something that's always been there. | 0:36:18 | 0:36:21 | |
He had oil in it for his chainsaw, | 0:36:21 | 0:36:23 | |
and it's just something that's always been there. | 0:36:23 | 0:36:26 | |
It just had to go, unfortunately. | 0:36:26 | 0:36:28 | |
Had you had any thoughts of what we might have done with it? | 0:36:28 | 0:36:31 | |
No, not really. It's a petrol can, but... | 0:36:31 | 0:36:34 | |
You said you could do something, so we'll see. | 0:36:34 | 0:36:37 | |
I took it to Essex to a guy called Guy, actually, | 0:36:37 | 0:36:40 | |
who specialises in making lighting out of your kind of petrol can. | 0:36:40 | 0:36:43 | |
-And I've got pictures to show you of what he did with it. -Right. | 0:36:43 | 0:36:47 | |
-So here is your petrol can. -Oh, wow! -Do you recognise it? | 0:36:47 | 0:36:53 | |
Sort of, but I didn't expect you to do that with it. | 0:36:54 | 0:36:57 | |
-It does look pretty rustic still. -Yeah. | 0:36:57 | 0:36:59 | |
-But it's been transformed into a lovely light. -That looks lovely. | 0:36:59 | 0:37:03 | |
Do you think your father-in-law would have approved? | 0:37:03 | 0:37:05 | |
I think he would have done, yeah. That's amazing. | 0:37:05 | 0:37:09 | |
It is something that has sold. | 0:37:09 | 0:37:12 | |
I have got £20 profit there to give to you. | 0:37:12 | 0:37:15 | |
Thank you. Thanks very much. | 0:37:15 | 0:37:17 | |
I didn't expect any profit. | 0:37:17 | 0:37:20 | |
You might get enough to put a bit of petrol in your car or something. | 0:37:20 | 0:37:23 | |
My son's getting married in two weeks, so that'll go... | 0:37:23 | 0:37:26 | |
I'm sure that'll go some way to him. | 0:37:26 | 0:37:28 | |
Maybe you can have a round on us, and just to say, thank you so much. | 0:37:28 | 0:37:31 | |
-You're welcome. -And enjoy the wedding. -I'll try. | 0:37:31 | 0:37:33 | |
-That was lovely. Thanks for letting us have that... -You're welcome. | 0:37:33 | 0:37:36 | |
-..and for your time today. -All right, then. | 0:37:36 | 0:37:38 | |
-It was great to catch up. Bye! -Thank you, bye now! | 0:37:38 | 0:37:40 | |
The petrol can cost £135 to have converted into lighting. | 0:37:46 | 0:37:52 | |
Sarah sold the finished light for 155, | 0:37:52 | 0:37:55 | |
and that left John with a profit of £20. | 0:37:55 | 0:37:57 | |
Well, that old petrol can definitely fuelled Guy's imagination, | 0:38:01 | 0:38:04 | |
and I think John approved of what he did with it. | 0:38:04 | 0:38:07 | |
Sarah's saved items for her artisans, | 0:38:13 | 0:38:16 | |
but now she has to unearth a hidden gem for herself. | 0:38:16 | 0:38:20 | |
Is there a once-prized possession waiting to be cherished again in Amy's boot? | 0:38:20 | 0:38:26 | |
-Hiya, do you need a hand? -Yes, please. | 0:38:26 | 0:38:29 | |
-They are nice. -Thank you. | 0:38:29 | 0:38:31 | |
-So, are these coming out of your house? -Not mine. | 0:38:31 | 0:38:34 | |
I got them, I was going to make some headboards with them. | 0:38:34 | 0:38:36 | |
-These are the DIY project you haven't done? -Yeah. | 0:38:36 | 0:38:40 | |
-Is that cos you're busy? -Yes, busy. | 0:38:40 | 0:38:43 | |
-Are you expecting something there? -Yeah. | 0:38:43 | 0:38:47 | |
Amy's expecting a baby, which has put paid to her DIY designs. | 0:38:47 | 0:38:51 | |
How would you go to make them into a headboard? Stand the pair up behind the bed? | 0:38:55 | 0:38:58 | |
Yeah, I was going to sand them down and repaint them | 0:38:58 | 0:39:00 | |
and then put them as headboards at the back of the bed, | 0:39:00 | 0:39:03 | |
but, yeah, with a little one on the way it's not happening. | 0:39:03 | 0:39:06 | |
-The spare room's been taken now. -It is my lucky day then, is it? -It is. | 0:39:06 | 0:39:09 | |
I will definitely try and do something. | 0:39:09 | 0:39:11 | |
The headboard idea is really cool. | 0:39:11 | 0:39:13 | |
I will just see if I can wrestle this one out of the way. | 0:39:13 | 0:39:16 | |
The door's wide open here for Sarah to work her magic. | 0:39:16 | 0:39:20 | |
But what does Amy think she should do? | 0:39:20 | 0:39:23 | |
I liked my headboard idea, but I don't know. Anything, really. | 0:39:24 | 0:39:28 | |
Life just got really peachy. I mean, look at those two. | 0:39:29 | 0:39:33 | |
They've got lovely old lines, they are made of solid, | 0:39:33 | 0:39:35 | |
chunky bits of timber, and the colours on them are bang on. | 0:39:35 | 0:39:39 | |
-SHE KNOCKS ON WOOD -Hear that? | 0:39:39 | 0:39:41 | |
That is profit knocking. | 0:39:41 | 0:39:43 | |
Well, I suppose you'd better answer it. | 0:39:43 | 0:39:45 | |
Sarah's back with her lovable big pup Bramble at her home in Sussex. | 0:40:03 | 0:40:08 | |
And she's about to get cracking on those doors Amy was about to chuck. | 0:40:12 | 0:40:16 | |
I've had a good look at the condition of them, | 0:40:25 | 0:40:27 | |
and they are really rough and ready, | 0:40:27 | 0:40:29 | |
so to re-position those two inside the house, it's going to be a lot of work. | 0:40:29 | 0:40:32 | |
So I thought I'd go for something really useful to go in the garden. | 0:40:32 | 0:40:35 | |
I'm thinking about making a potting bench. | 0:40:35 | 0:40:39 | |
Gardeners use potting benches as a worktable in their sheds | 0:40:39 | 0:40:43 | |
and greenhouses for potting seedlings and plants. | 0:40:43 | 0:40:47 | |
But where to start? | 0:40:49 | 0:40:50 | |
I have never done anything like this before, and in order to | 0:40:50 | 0:40:53 | |
make it stable, I'm going to have to use some real carpentry skills. | 0:40:53 | 0:40:56 | |
But it's all right, because I've got a saw. | 0:40:56 | 0:40:59 | |
The secret of a good sawing motion is to angle the blade | 0:41:01 | 0:41:04 | |
at 65 degrees from the wood. | 0:41:04 | 0:41:07 | |
Use one hand to hold the saw while the other supports the wood, | 0:41:07 | 0:41:12 | |
and use long, smooth strokes. | 0:41:12 | 0:41:14 | |
And don't bear down, let the saw to the work. | 0:41:14 | 0:41:18 | |
Basically, all the things Sarah isn't doing. | 0:41:18 | 0:41:20 | |
It's quite straight. | 0:41:24 | 0:41:25 | |
What she may lack in technique, she makes up for with enthusiasm. | 0:41:25 | 0:41:30 | |
Right, so, that is going to be the back panel of the table, | 0:41:33 | 0:41:36 | |
and this is going to be... | 0:41:36 | 0:41:38 | |
..the work surface. | 0:41:41 | 0:41:42 | |
Sarah's combining her wooden work surface with a metal tray. | 0:41:44 | 0:41:48 | |
But first she has to cut a hole for it into which the tray will fit seamlessly. | 0:41:48 | 0:41:53 | |
Easy peasy. | 0:41:53 | 0:41:54 | |
Maybe get some power tools out to help me with this one. | 0:41:56 | 0:41:59 | |
So, put that aside for a sec. | 0:41:59 | 0:42:01 | |
There's an age-old rule of carpentry - measure twice, cut once. | 0:42:06 | 0:42:11 | |
Right, let's hope this fits and doesn't fall through. | 0:42:11 | 0:42:14 | |
Or you can do what Sarah's done - | 0:42:14 | 0:42:17 | |
sketch a rough outline and hope for the best. | 0:42:17 | 0:42:20 | |
Perfect! | 0:42:20 | 0:42:22 | |
She's turned up trumps again. I'm so happy for her. | 0:42:22 | 0:42:25 | |
Great, so, that's nice and snug in there, and this is where the plants go. | 0:42:28 | 0:42:32 | |
Now we need to turn that into the base of it. | 0:42:32 | 0:42:35 | |
Are you all ready for another top tip? Here we go. | 0:42:37 | 0:42:41 | |
When using a power screwdriver, | 0:42:42 | 0:42:45 | |
make sure to use the correct size of screw bit for the screw, | 0:42:45 | 0:42:49 | |
and don't apply too much torque as it will strip the screw head. | 0:42:49 | 0:42:53 | |
Yet again, not exactly what Sarah's doing. | 0:42:53 | 0:42:56 | |
Well, that bit works really well. Got to do something about the rest of it. | 0:43:01 | 0:43:05 | |
Try to pack some style into this. | 0:43:05 | 0:43:07 | |
And Sarah's idea to pack in the style? | 0:43:07 | 0:43:10 | |
Some corrugated iron and a bit of old fence. Oh, dear. | 0:43:12 | 0:43:16 | |
So far, Sarah's only forked out £16, but right now her potting bench | 0:43:19 | 0:43:24 | |
is less shabby chic, more just plain shabby. | 0:43:24 | 0:43:28 | |
Over in East Sussex, Norman has made a start on his kitchen cabinet. | 0:43:36 | 0:43:41 | |
He's already built a base from parts of the old cupboards | 0:43:41 | 0:43:45 | |
Sarah dropped off, and some new timber. | 0:43:45 | 0:43:47 | |
Next he turns his attention to the door panels, | 0:43:48 | 0:43:51 | |
which will be replaced with... | 0:43:51 | 0:43:53 | |
chicken wire. | 0:43:53 | 0:43:55 | |
Yeah, you heard me right. Chicken wire. | 0:43:55 | 0:43:59 | |
Chicken wire is a fashion, and people love it... | 0:43:59 | 0:44:03 | |
Do they? | 0:44:03 | 0:44:04 | |
..and, you know, we use it on cupboards and things. | 0:44:04 | 0:44:09 | |
So, until the cupboard is put together, and we finish it, | 0:44:09 | 0:44:13 | |
then you'll really get the effect of what it actually looks like. | 0:44:13 | 0:44:16 | |
If you say so, Norman. | 0:44:16 | 0:44:18 | |
First, Norman puts on his chicken beak, | 0:44:19 | 0:44:22 | |
then uses an electric router | 0:44:22 | 0:44:24 | |
to remove the middle panels of the doors. | 0:44:24 | 0:44:27 | |
Perfect. | 0:44:30 | 0:44:32 | |
You know, perhaps a chicken wire door will look great, | 0:44:32 | 0:44:35 | |
and I'll be left with egg on my face. | 0:44:35 | 0:44:38 | |
Once you get welding with it, it's fine. | 0:44:38 | 0:44:41 | |
It's just a bit finickity. | 0:44:41 | 0:44:43 | |
I'm getting there. | 0:44:45 | 0:44:46 | |
Credit where credit's due, Norman, | 0:44:46 | 0:44:48 | |
your cupboard door is starting to look pretty good. | 0:44:48 | 0:44:52 | |
That's really nice and tight now. | 0:44:52 | 0:44:54 | |
You know, if it was laying on the floor, | 0:44:54 | 0:44:56 | |
the chicken could actually use it as a trampoline. | 0:44:56 | 0:44:59 | |
But you can't, cos we're going to use it as a cupboard. Happy days. | 0:44:59 | 0:45:03 | |
What is he on about? | 0:45:03 | 0:45:05 | |
Next, Norman cut lengths of wood that will make up the back panel | 0:45:09 | 0:45:13 | |
of the cabinet base. | 0:45:13 | 0:45:14 | |
T and G. We call it T and G cos it is tongue and groove, cos | 0:45:16 | 0:45:21 | |
it's got a tongue on that bit, and it's got a groove down in there. | 0:45:21 | 0:45:26 | |
So when we put it together it all slots... | 0:45:26 | 0:45:29 | |
All slots nicely together. | 0:45:29 | 0:45:31 | |
Norman applies PVA glue to the base, staples the wood in place, | 0:45:33 | 0:45:38 | |
and repeats. | 0:45:38 | 0:45:40 | |
Do a bit of icing. | 0:45:40 | 0:45:42 | |
I should have been in cakes. | 0:45:42 | 0:45:44 | |
That's almost like icing, isn't it? It's like a work of art. | 0:45:44 | 0:45:48 | |
Yeah, I wouldn't quit your day job, big man. | 0:45:48 | 0:45:51 | |
After a lot of hammering and a lot more stapling, it's taking shape. | 0:45:56 | 0:46:00 | |
Yeah, really pleased. We've... We've cracked the back of it. | 0:46:02 | 0:46:07 | |
You know, the woodwork side of it. | 0:46:07 | 0:46:09 | |
We've still got quite a bit of work to do on the finishing side. | 0:46:09 | 0:46:14 | |
I mean, we quoted £200, but obviously the more you look at it, | 0:46:14 | 0:46:17 | |
I'm thinking it's going to be a tight, tight budget. | 0:46:17 | 0:46:22 | |
Don't say that. We can't blow the budget on this one. | 0:46:22 | 0:46:25 | |
I'm already dubious about who will pay over £200 to have | 0:46:25 | 0:46:30 | |
some chicken wire in their kitchen. | 0:46:30 | 0:46:32 | |
Back home at Sarah's, | 0:46:43 | 0:46:45 | |
she's putting the finishing touches to her potting bench. | 0:46:45 | 0:46:48 | |
Well, she is struggling with the corrugated iron she hoped | 0:46:54 | 0:46:57 | |
would add rustic charm. | 0:46:57 | 0:46:59 | |
Looks more rusty than rustic to me. | 0:46:59 | 0:47:03 | |
Perhaps her daughter Libby might lend a hand. | 0:47:03 | 0:47:06 | |
-Hi. -Hi. | 0:47:06 | 0:47:07 | |
Do you like it? | 0:47:08 | 0:47:10 | |
Mm. Clean. | 0:47:10 | 0:47:12 | |
I'm going to tidy it up before I use it. | 0:47:12 | 0:47:14 | |
-Do you think it's going to add to it or not? -Yeah. | 0:47:14 | 0:47:16 | |
You're lying. You're so lying, I can tell. | 0:47:16 | 0:47:19 | |
Sarah's flattening the iron to use as the surface of a shelf. | 0:47:20 | 0:47:25 | |
Kudos where kudos is due - Sarah has put in the hard graft on this one. | 0:47:25 | 0:47:29 | |
Has transforming these old doors into a potting bench | 0:47:32 | 0:47:35 | |
turned out to be a potty idea? | 0:47:35 | 0:47:38 | |
Well, I'm impressed, and I'm sure Libby will be too. | 0:47:43 | 0:47:47 | |
What Sarah may lack in carpentry skill, | 0:47:47 | 0:47:50 | |
she more than makes up for in gumption and vision. | 0:47:50 | 0:47:53 | |
And the wavy iron is not so wavy any more. | 0:47:55 | 0:47:58 | |
Sarah has brought together the doors, fence, the corrugated iron, | 0:48:03 | 0:48:06 | |
the metal tray and the potato crate into a cohesive whole. | 0:48:06 | 0:48:10 | |
Each individual part is distinct, | 0:48:12 | 0:48:15 | |
but sits in harmony with the others, | 0:48:15 | 0:48:17 | |
and, proportionally, they all fit like a glove. | 0:48:17 | 0:48:20 | |
Her potting bench has a ramshackle homespun charm, | 0:48:22 | 0:48:26 | |
but it's strong and sturdy. | 0:48:26 | 0:48:27 | |
You can make all sorts of things out of these old doors, | 0:48:30 | 0:48:33 | |
but I loved making this potting table. | 0:48:33 | 0:48:35 | |
And I think it's going to be useful for somebody, | 0:48:35 | 0:48:37 | |
and hopefully they will buy it at a fair price. | 0:48:37 | 0:48:39 | |
Amy was chucking out a pair of doors that she had planned to use | 0:48:44 | 0:48:48 | |
to make headboards. | 0:48:48 | 0:48:49 | |
Is that cos you're busy? | 0:48:49 | 0:48:51 | |
-Yeah, busy. -Expecting something there? -Yeah. | 0:48:51 | 0:48:56 | |
The imminent arrival of her child had put her upcycling plans on hold. | 0:48:56 | 0:49:01 | |
But what did she think Sarah would make of the doors? | 0:49:01 | 0:49:05 | |
I liked my headboard idea, but I don't know. | 0:49:05 | 0:49:09 | |
Sorry, Amy, the headboard idea didn't make the cut. | 0:49:09 | 0:49:12 | |
The potting bench turned out a treat, and Sarah sold it | 0:49:16 | 0:49:20 | |
to Wreckage At Home, | 0:49:20 | 0:49:21 | |
a shop in Doncaster that specialises in vintage and rustic furniture. | 0:49:21 | 0:49:26 | |
Now Sarah's on her way to show Amy what became of the doors. | 0:49:28 | 0:49:32 | |
But is there to be any profit to hand over? | 0:49:32 | 0:49:34 | |
-Hi. -Hi, Amy, how are you? | 0:49:39 | 0:49:41 | |
-I'm good, how are you? -Yeah, very well. | 0:49:41 | 0:49:43 | |
-I see the expansion project is coming on. -Yes, nearly there. | 0:49:43 | 0:49:47 | |
Now, you were dropping off old doors. | 0:49:47 | 0:49:49 | |
I think you'd been inspired, | 0:49:49 | 0:49:51 | |
you were going to make something out of them, weren't you? | 0:49:51 | 0:49:53 | |
Yeah, I was going to make a headboard, | 0:49:53 | 0:49:56 | |
but having another little one, | 0:49:56 | 0:49:57 | |
so the spare room has gone out of the window. | 0:49:57 | 0:50:00 | |
As I'm sort of a DIY-er, I thought I'd better do something that I knew | 0:50:00 | 0:50:03 | |
would be really robust and saleable, | 0:50:03 | 0:50:05 | |
-so I've made something for the garden. -Oh, right. | 0:50:05 | 0:50:07 | |
THEY LAUGH | 0:50:07 | 0:50:09 | |
I hope you approve, as somebody who likes to take on a project, | 0:50:09 | 0:50:11 | |
-so I've got some pictures here. -Yeah. | 0:50:11 | 0:50:13 | |
I hope you approve of what we've been up to, | 0:50:13 | 0:50:16 | |
-but here are your doors. -Oh, how lovely. | 0:50:16 | 0:50:19 | |
They have been transformed into a potting bench. | 0:50:19 | 0:50:22 | |
Oh, they're lovely. I'll have them back now! | 0:50:22 | 0:50:24 | |
THEY LAUGH | 0:50:24 | 0:50:25 | |
So, what do you think? | 0:50:25 | 0:50:27 | |
I couldn't have imagined you'd do something like that, | 0:50:27 | 0:50:29 | |
so I just thought, headboard and that's all. | 0:50:29 | 0:50:32 | |
Yes, they're really nice. | 0:50:32 | 0:50:34 | |
Great news that they have been sold and I've got | 0:50:34 | 0:50:36 | |
a little bit of profit to hand over to you. | 0:50:36 | 0:50:38 | |
-AMY LAUGHS -I've got, hold on one second... | 0:50:38 | 0:50:40 | |
-I've got £4 there... -Thank you. | 0:50:40 | 0:50:42 | |
..and, um... | 0:50:42 | 0:50:43 | |
-and another 95 to go with it there. -Oh, thank you very much. | 0:50:43 | 0:50:46 | |
-So, there's £99... -Oh, fantastic. | 0:50:46 | 0:50:49 | |
-..for your old doors. -I didn't expect that, thank you very much. | 0:50:49 | 0:50:51 | |
Is that a surprise? | 0:50:51 | 0:50:52 | |
Definitely. That's really good, thank you very much. | 0:50:52 | 0:50:55 | |
It's a pleasure, they were good fun to work on. So, um, | 0:50:55 | 0:50:58 | |
new baby coming along, lots of things that you need - | 0:50:58 | 0:51:01 | |
-will that go towards that? -That's definitely going towards the new baby, yes. | 0:51:01 | 0:51:04 | |
-Very good luck with the expansion of the family. -Thank you very much. | 0:51:04 | 0:51:07 | |
I hope that finds a useful place... | 0:51:07 | 0:51:09 | |
-It definitely will, thank you very much. -Brilliant. | 0:51:09 | 0:51:11 | |
-Really nice to see you again, Amy. -Thank you, thank you very much, bye. | 0:51:11 | 0:51:14 | |
Well, with a new baby on the way, that £99 will definitely | 0:51:17 | 0:51:20 | |
come in handy, and the doors didn't end up as a headboard. | 0:51:20 | 0:51:23 | |
I don't think Amy minded the fact | 0:51:23 | 0:51:25 | |
they've become a potting shed companion. | 0:51:25 | 0:51:27 | |
Sarah spent £11 on the metal tray and potato crate | 0:51:29 | 0:51:33 | |
from an online auction site and a fiver on some paint. | 0:51:33 | 0:51:37 | |
She sold the potting bench for £115, | 0:51:37 | 0:51:40 | |
earning the tidy sum of £99 for Amy. | 0:51:40 | 0:51:44 | |
Sarah's back in East Sussex to see what Norman's | 0:51:52 | 0:51:55 | |
managed to cobble together out of that broken cupboard. | 0:51:55 | 0:51:59 | |
Well, I left Norman with the merest remnants | 0:52:02 | 0:52:05 | |
of a cupboard in the hope that he'll be able to transform it | 0:52:05 | 0:52:08 | |
into something fabulous that I can sell at a profit. | 0:52:08 | 0:52:11 | |
I cannot wait to see what he's managed to do with it. | 0:52:11 | 0:52:14 | |
Sarah had gathered a pile of broken wood | 0:52:16 | 0:52:19 | |
that was apparently once a cupboard. | 0:52:19 | 0:52:21 | |
Norman has miraculously pieced it all together | 0:52:25 | 0:52:28 | |
to create a gorgeous kitchen cabinet. | 0:52:28 | 0:52:31 | |
He's taken great care to keep just the right amount of wear | 0:52:31 | 0:52:34 | |
so it's brimming with cottage charm. | 0:52:34 | 0:52:38 | |
Those original hooks have been incorporated, | 0:52:38 | 0:52:40 | |
which will be perfect for crockery. | 0:52:40 | 0:52:43 | |
And that chicken wire frontage is adorably rustic, | 0:52:43 | 0:52:47 | |
without overegging the farmyard and ambience. | 0:52:47 | 0:52:50 | |
It's a perfect rural accent for any bohemian kitchen. | 0:52:50 | 0:52:55 | |
I'm impressed. | 0:52:55 | 0:52:56 | |
But what about the boss? | 0:52:56 | 0:52:58 | |
-Norman? -Hiya. | 0:52:58 | 0:53:00 | |
-Hello, how are you doing? -How are you? Yeah, I'm great. You? | 0:53:00 | 0:53:04 | |
Yeah! I'm good now. | 0:53:04 | 0:53:06 | |
-Look at that. -That's great, isn't it? | 0:53:06 | 0:53:09 | |
It looks amazing. | 0:53:09 | 0:53:10 | |
I can't believe that's... | 0:53:10 | 0:53:12 | |
what's come out of that pile of timber, | 0:53:12 | 0:53:15 | |
offcuts and stuff I left you. It's amazing. | 0:53:15 | 0:53:17 | |
-Yeah, looks great, doesn't it? -I think it looks lovely. | 0:53:17 | 0:53:21 | |
You've left just the right amount of old beaten-up detail on it | 0:53:21 | 0:53:26 | |
and made it fresh enough to go straight into a kitchen. I love it. | 0:53:26 | 0:53:29 | |
Yeah, we kept the hooks, we've done the hooks under here, | 0:53:29 | 0:53:32 | |
so you can have your cups. | 0:53:32 | 0:53:34 | |
Yeah, so we've obviously used the... | 0:53:34 | 0:53:37 | |
all the old timber that we could, the sides...the hooks, | 0:53:37 | 0:53:39 | |
but then we had to have new shelves at the back | 0:53:39 | 0:53:42 | |
and then that's what we came up with. | 0:53:42 | 0:53:44 | |
It's great, it's... | 0:53:44 | 0:53:45 | |
I think it's lovely. | 0:53:45 | 0:53:47 | |
Excellent. | 0:53:47 | 0:53:49 | |
Once on a wall, filled up with... | 0:53:49 | 0:53:51 | |
chickens... | 0:53:51 | 0:53:52 | |
THEY LAUGH | 0:53:52 | 0:53:53 | |
..it'll look great. | 0:53:53 | 0:53:55 | |
I think we can find something better than that to put in it. | 0:53:55 | 0:53:58 | |
Well, Norman's feeling like cock of the roost now, | 0:53:58 | 0:54:02 | |
but did he come in on budget? | 0:54:02 | 0:54:04 | |
I left you with 200 quid on the table for it. | 0:54:05 | 0:54:08 | |
-Is that what you came at? -Uh-oh. -Well, actually, um... | 0:54:08 | 0:54:11 | |
-Here it comes. -We actually... | 0:54:11 | 0:54:14 | |
300? | 0:54:14 | 0:54:15 | |
400? | 0:54:15 | 0:54:17 | |
..we didn't actually quite do as much, | 0:54:17 | 0:54:18 | |
many hours on it as we thought, | 0:54:18 | 0:54:20 | |
so we're actually going to let you have it for 175. | 0:54:20 | 0:54:23 | |
Under budget! | 0:54:23 | 0:54:25 | |
Cock-a-doodle-doo. | 0:54:25 | 0:54:26 | |
I loved it anyway, and now I really like it. | 0:54:26 | 0:54:29 | |
That is really good. | 0:54:29 | 0:54:31 | |
I think 175 quid, | 0:54:31 | 0:54:32 | |
-they have to be able to make some profit on that. -Yeah. | 0:54:32 | 0:54:35 | |
I think that's going to be an easy job to sell, but I might need | 0:54:35 | 0:54:38 | |
to borrow that chicken for some sale shots. | 0:54:38 | 0:54:40 | |
I'm sure Peggy won't mind. She's a good egg. | 0:54:42 | 0:54:45 | |
-Thank you so much for that. -Thank you as well. -That's lovely. Thank you. -Good luck. | 0:54:45 | 0:54:48 | |
Well, I am cock-a-hoop over that transformation. | 0:54:50 | 0:54:54 | |
Norman has made something really beautiful with those old scraps. | 0:54:54 | 0:54:57 | |
And that's quite difficult to do. | 0:54:57 | 0:54:59 | |
It was busy, busy, busy at the dump. | 0:55:00 | 0:55:03 | |
But Sarah still spied Luke | 0:55:03 | 0:55:05 | |
about to throw his rubbish into the skip... | 0:55:05 | 0:55:08 | |
-You've had a smashing time this morning, then? -Yeah. | 0:55:08 | 0:55:11 | |
It may have looked beyond all hope, | 0:55:11 | 0:55:13 | |
but even Luke could see the potential. | 0:55:13 | 0:55:15 | |
It's solid wood. | 0:55:15 | 0:55:16 | |
So, you could make anything out of them, really. | 0:55:16 | 0:55:19 | |
It depends how much skill her team has got. | 0:55:19 | 0:55:22 | |
Don't you worry, Luke. They've got plenty. | 0:55:22 | 0:55:24 | |
Sarah got in touch with vintage and retro store | 0:55:27 | 0:55:30 | |
The Old Cinema in London, who love that kind of thing, | 0:55:30 | 0:55:34 | |
and they bought it. | 0:55:34 | 0:55:35 | |
Sarah's set her satnav to Little Bollington, | 0:55:39 | 0:55:42 | |
outside Altrincham, to bring Luke up-to-date on his old bits of wood. | 0:55:42 | 0:55:48 | |
-Hi, there. How are you doing? -Good. | 0:55:48 | 0:55:50 | |
-Good to see you again. -Yes, and you. | 0:55:50 | 0:55:52 | |
So, this is it, then. You'd just moved in last time I saw you, | 0:55:52 | 0:55:55 | |
-is that right? -Yeah, absolutely. | 0:55:55 | 0:55:56 | |
-How's it going? -It's going well, it's going slowly, | 0:55:56 | 0:55:59 | |
but it's going well, yeah. | 0:55:59 | 0:56:00 | |
Those bits of wood that I took from you, | 0:56:00 | 0:56:02 | |
they had a bit of character left in them. | 0:56:02 | 0:56:05 | |
So, did you think | 0:56:05 | 0:56:06 | |
that there was something that could be made out of them? | 0:56:06 | 0:56:08 | |
I've thought about it, but I have got absolutely no idea how you can | 0:56:08 | 0:56:11 | |
make anything out of them, so I'll be interested to see what you've done. | 0:56:11 | 0:56:14 | |
-So, I've got some pictures to show you. Are you ready? -Yeah. | 0:56:14 | 0:56:18 | |
Kitchen cupboard. | 0:56:19 | 0:56:21 | |
-Wow. -I don't know if you can see here, | 0:56:21 | 0:56:23 | |
-but all those little pegs that were inside... -Oh, yes. | 0:56:23 | 0:56:25 | |
..the cupboard have been reused to hang cups on or hooks for the kitchen. | 0:56:25 | 0:56:29 | |
That's well cool. | 0:56:29 | 0:56:30 | |
-Yeah? -Yeah, Yeah. Wow. -Is that a surprise? | 0:56:30 | 0:56:33 | |
It's a big surprise, yeah, yeah. It's creative. | 0:56:33 | 0:56:37 | |
It was snapped up by a shop in London and that is going to go into | 0:56:37 | 0:56:40 | |
somebody's house somewhere and be on their kitchen wall, you know, | 0:56:40 | 0:56:44 | |
being loved by them and good news, I made some profit on it. | 0:56:44 | 0:56:46 | |
I've brought that for you and I have £100 here for your old doors. | 0:56:46 | 0:56:50 | |
Amazing! | 0:56:50 | 0:56:51 | |
What are you going to do with the £100? | 0:56:51 | 0:56:54 | |
Probably helping pay for plastering and that sort of stuff. | 0:56:54 | 0:56:58 | |
Nothing very exciting or interesting, | 0:56:58 | 0:57:00 | |
trying to get the house looking really good. | 0:57:00 | 0:57:02 | |
Good luck with the plastering. I know it's hard work. | 0:57:02 | 0:57:05 | |
-Thank you so much, lovely to catch up. Bye-bye. -All right. Bye. | 0:57:05 | 0:57:08 | |
That was great, because I think Luke was genuinely impressed | 0:57:11 | 0:57:14 | |
with what Norman did with his old bits of wood and that money | 0:57:14 | 0:57:17 | |
sounds like it's going to come in very handy, | 0:57:17 | 0:57:19 | |
because it takes a lot of cash when you're renovating a house. | 0:57:19 | 0:57:22 | |
With Norman coming in under budget at £175, after Sarah sold it | 0:57:24 | 0:57:30 | |
for 275, it leaves £100 for Luke to do up his kitchen. | 0:57:30 | 0:57:35 | |
Thank you, Norman. | 0:57:37 | 0:57:39 | |
All four of Sarah's salvaged items have produced a profit. | 0:57:45 | 0:57:49 | |
The old pink chair was transformed into a sheepskin masterpiece. | 0:57:51 | 0:57:55 | |
The old petrol can is now lovely lighting. | 0:57:57 | 0:58:00 | |
The doors have changed into a glorious garden gadget. | 0:58:03 | 0:58:06 | |
And Norman's chicken wire cabinet proved to be a huge success. | 0:58:07 | 0:58:11 | |
Well, we've handed over a little bit of money along the way, | 0:58:11 | 0:58:15 | |
but what's really special is just seeing what people can make | 0:58:15 | 0:58:18 | |
from things that were going to the tip. | 0:58:18 | 0:58:20 | |
Fantastic. | 0:58:20 | 0:58:21 |