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What are you chucking out today, then? | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
Don't throw them, don't throw them. | 0:00:09 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes of household waste | 0:00:11 | 0:00:16 | |
we throw out every year. | 0:00:16 | 0:00:18 | |
Thanks so much for letting me have that. | 0:00:18 | 0:00:19 | |
I think that's absolutely made my day. I love it. | 0:00:19 | 0:00:22 | |
That's why entrepreneur Sarah Moore wants to get her hands | 0:00:22 | 0:00:25 | |
on things before they hit the skip. | 0:00:25 | 0:00:28 | |
I'm a passionate buyer, maker and user of old stuff | 0:00:31 | 0:00:34 | |
and I've turned that passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:42 | 0:00:46 | |
-What do you reckon to that? -It's quite smart, isn't it? | 0:00:46 | 0:00:49 | |
-Tell me you love it. -I love it. | 0:00:49 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
Isn't it amazing? | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
It's quite a statement piece. | 0:00:57 | 0:00:59 | |
..and hopefully saleable items. | 0:00:59 | 0:01:01 | |
-I'll take you down to the till, that's fantastic. -OK, fantastic. | 0:01:01 | 0:01:05 | |
If Sarah is successful, then she can hand the profits back to the very | 0:01:05 | 0:01:09 | |
people who had no idea there was cash to be made from their trash. | 0:01:09 | 0:01:13 | |
Wow, that's amazing! | 0:01:13 | 0:01:16 | |
Welcome to Walsall Recycling Centre. | 0:01:27 | 0:01:29 | |
A nonstop hive of activity. | 0:01:31 | 0:01:33 | |
Sarah's on a mission to turn trash...into hard cash. | 0:01:35 | 0:01:39 | |
I love rummaging through the bin bags and the boots and the boxes. | 0:01:40 | 0:01:46 | |
And making money for nothing - that's just a bonus. | 0:01:46 | 0:01:48 | |
But before you make a beeline for your local tip, take note - | 0:01:51 | 0:01:55 | |
Sarah's been given special permission to seek out two items | 0:01:55 | 0:01:59 | |
that she can rejuvenate and sell on for a profit. | 0:01:59 | 0:02:02 | |
Although he doesn't know it yet, first to offer up possibilities | 0:02:04 | 0:02:08 | |
is Alan, arriving with some comfortable seating. | 0:02:08 | 0:02:11 | |
-Ooh, hi. -Hi. | 0:02:12 | 0:02:14 | |
You've got some interesting looking things in there. | 0:02:14 | 0:02:16 | |
What are you throwing out? | 0:02:16 | 0:02:17 | |
Just stuff from my late mother-in-law's house. | 0:02:17 | 0:02:20 | |
OK, that sounds like a big job. Are you clearing out lots of stuff? | 0:02:21 | 0:02:24 | |
Not too much, not too much but just some of the bulky heavy stuff. | 0:02:24 | 0:02:29 | |
It's a shame in a way but we don't really know where else to take it | 0:02:29 | 0:02:32 | |
-other than a tip so... -No, you definitely get to that stage. | 0:02:32 | 0:02:34 | |
I'd love to have a look at it. | 0:02:34 | 0:02:36 | |
-Is there any chance I can see? -Yes, yes. | 0:02:36 | 0:02:37 | |
-Wow, it's quite cool, isn't it? -HE CHUCKLES | 0:02:43 | 0:02:46 | |
-There's a similar designed one that's all leather as well. -Really? | 0:02:46 | 0:02:49 | |
With these two wingback chairs she could be onto something good here. | 0:02:49 | 0:02:53 | |
A pair of chairs. How exciting. | 0:02:53 | 0:02:56 | |
Well done. Wow. | 0:02:56 | 0:02:57 | |
I have to say, that both those chairs are really interesting | 0:03:00 | 0:03:04 | |
cos they're old, they're chunky... | 0:03:04 | 0:03:06 | |
In a way, I am glad they're going to be reused | 0:03:06 | 0:03:07 | |
cos they just seem too good to throw out but they're just so big | 0:03:07 | 0:03:11 | |
in a small bungalow, which is where she is. | 0:03:11 | 0:03:13 | |
If I could take those two chairs and then if I manage to do | 0:03:13 | 0:03:16 | |
-something with them, could I come and show you what I've done? -Yeah. | 0:03:16 | 0:03:19 | |
That would be lovely. | 0:03:19 | 0:03:20 | |
Lovely indeed. | 0:03:22 | 0:03:23 | |
Sarah has her first find in the bag and has roped the guys | 0:03:24 | 0:03:28 | |
from the tip in to help. | 0:03:28 | 0:03:30 | |
Good work, lads. | 0:03:30 | 0:03:31 | |
But what does Alan think Sarah will get up to with his chairs? | 0:03:32 | 0:03:36 | |
I don't know. It's... It makes me think, really. | 0:03:36 | 0:03:40 | |
I presume it's not going to be just recycled as furniture | 0:03:40 | 0:03:42 | |
but as something else, | 0:03:42 | 0:03:43 | |
so it will be interesting to see what happens to them. | 0:03:43 | 0:03:46 | |
I'll just tell you if they're comfortable because that is the key. | 0:03:46 | 0:03:49 | |
Ah, yeah. | 0:03:49 | 0:03:50 | |
Actually, that's got IKEA written on the back | 0:03:50 | 0:03:53 | |
so it's not as old as you think it is. | 0:03:53 | 0:03:55 | |
Everyone's a comedian. | 0:03:55 | 0:03:57 | |
Very comfortable, but the look they have at the moment is just... | 0:03:57 | 0:04:01 | |
It's not going to go into everybody's house | 0:04:01 | 0:04:02 | |
and I want to make them commercial, saleable and expensive. | 0:04:02 | 0:04:06 | |
And given the style of them, this needs a specialist upholsterer. | 0:04:06 | 0:04:09 | |
This is going to have to go to somebody who really knows | 0:04:09 | 0:04:11 | |
what they're doing, who can cope | 0:04:11 | 0:04:13 | |
with the fact that there's wood and fabric. | 0:04:13 | 0:04:15 | |
I've got just the person in mind. | 0:04:15 | 0:04:17 | |
Meet Ray Clarke - upholsterer extraordinaire. | 0:04:20 | 0:04:24 | |
Ray made a name for himself in the world of fashion design | 0:04:24 | 0:04:27 | |
before discovering his love of vintage furniture. | 0:04:27 | 0:04:31 | |
His fresh, modern designs mix practicality, comfort and luxury. | 0:04:31 | 0:04:37 | |
I never intended to become, like, an upholsterer at the beginning. | 0:04:37 | 0:04:41 | |
It wasn't the thing I set out to do. | 0:04:41 | 0:04:44 | |
I suppose you could say upholstery found me. | 0:04:44 | 0:04:47 | |
With my creative background in fashion design and textile design, | 0:04:50 | 0:04:54 | |
I was able to use those skills and redirect them | 0:04:54 | 0:04:57 | |
and now this is all I do. | 0:04:57 | 0:04:58 | |
I just give birth to chairs, and I love them, yeah. | 0:04:58 | 0:05:02 | |
But will it be love at first sight when Ray claps eyes on these two? | 0:05:05 | 0:05:09 | |
That's one find ready to be transformed. | 0:05:16 | 0:05:19 | |
Now time for Sarah to find a little project for herself. | 0:05:21 | 0:05:25 | |
Just wondering if I'd like earrings is made out of these. | 0:05:25 | 0:05:27 | |
What do you think? | 0:05:27 | 0:05:28 | |
Hopefully John and his magic carpets will be just the ticket. | 0:05:29 | 0:05:34 | |
-Have you got somebody rolled up in the middle of there? -No, no. | 0:05:34 | 0:05:37 | |
Isn't that lovely? | 0:05:37 | 0:05:38 | |
I really like your carpet. I like the back of it. | 0:05:40 | 0:05:43 | |
What kind of nick is it in? Is it... | 0:05:43 | 0:05:45 | |
It's got chunks out of it where it had to be fitted | 0:05:45 | 0:05:48 | |
-around radiators and things like that. -OK. | 0:05:48 | 0:05:50 | |
But it's a lovely old carpet, isn't it? It's... | 0:05:50 | 0:05:53 | |
..beautiful. | 0:05:54 | 0:05:56 | |
I'm going to go have a look at the other one while you're at it. | 0:05:56 | 0:05:58 | |
-Wow. -You are getting excited, Sarah. | 0:06:01 | 0:06:05 | |
Go on, then. | 0:06:05 | 0:06:06 | |
She does love a good find. | 0:06:06 | 0:06:09 | |
I think that I like that one more than that one. | 0:06:09 | 0:06:11 | |
I think it's cos I've got a few ideas about | 0:06:11 | 0:06:13 | |
what I might do with some carpet. | 0:06:13 | 0:06:15 | |
I think it's just beautiful. I really love this. | 0:06:15 | 0:06:18 | |
I think I'm going to pop this one back in the recycling. | 0:06:18 | 0:06:20 | |
I can do an end. | 0:06:20 | 0:06:21 | |
No, I think you need manpower. | 0:06:23 | 0:06:26 | |
With some more manpower from the chaps at the tip, | 0:06:26 | 0:06:29 | |
Sarah nabs one of John's rugs. | 0:06:29 | 0:06:31 | |
But does he have any idea what she might do with it? | 0:06:34 | 0:06:37 | |
Not really, no. Not at all. | 0:06:37 | 0:06:40 | |
I'm with you, John. Help us out, Sarah. | 0:06:40 | 0:06:43 | |
Well, I am super pleased to have discovered this because I think | 0:06:43 | 0:06:46 | |
this carpet would have been really valuable when it was made. | 0:06:46 | 0:06:50 | |
It is obviously really good quality and you can see from the back | 0:06:50 | 0:06:53 | |
that it's so well-made. | 0:06:53 | 0:06:55 | |
With the magic carpet safely snaffled away, | 0:06:55 | 0:06:59 | |
Sarah's two-item treasure hunt is complete. | 0:06:59 | 0:07:02 | |
Ray Clarke will take charge | 0:07:02 | 0:07:05 | |
of Alan's pair of chairs. | 0:07:05 | 0:07:07 | |
And Sarah will come up with | 0:07:07 | 0:07:09 | |
a strategy for John's old carpet. | 0:07:09 | 0:07:12 | |
I really love the eclectic mixture of items that I gathered today. | 0:07:12 | 0:07:17 | |
I've got huge potential to transform them into things that are fabulous, | 0:07:17 | 0:07:21 | |
and make some money for nothing. | 0:07:21 | 0:07:23 | |
These days, the streets of East London team with creative | 0:07:31 | 0:07:35 | |
businesses and design know-how. | 0:07:35 | 0:07:38 | |
It's here Ray practises the sport of extreme upholstery. | 0:07:38 | 0:07:43 | |
And he's one of our top players. | 0:07:43 | 0:07:45 | |
Oh, Sarah is coming today. | 0:07:45 | 0:07:47 | |
Um, yeah, I wonder what she's going to bring. | 0:07:47 | 0:07:50 | |
It's almost like you're in goal and you've got to be prepared | 0:07:50 | 0:07:53 | |
for a shot from any angle, do you know what I mean? | 0:07:53 | 0:07:55 | |
From someone taking the penalty. It's like... | 0:07:55 | 0:07:58 | |
Yeah, sorry about the football analogy. | 0:07:58 | 0:08:01 | |
No worries, Ray. Good to know you are poised and ready for kick-off. | 0:08:01 | 0:08:06 | |
Normally, weight is a benchmark for quality. | 0:08:06 | 0:08:09 | |
This is definitely heavy but if it's quality, I'm not sure. | 0:08:09 | 0:08:12 | |
I'm hoping that between the pair of chairs, | 0:08:12 | 0:08:15 | |
we're going to be able to create something really lovely. | 0:08:15 | 0:08:18 | |
And Ray is going to take up the challenge. | 0:08:18 | 0:08:20 | |
-Ray, how are you? How are you doing? -Good to see you. | 0:08:23 | 0:08:27 | |
-I've got a couple of little... -Oh. -I'm not going to say beauties. | 0:08:27 | 0:08:30 | |
I've got a couple of little chairs for you. | 0:08:30 | 0:08:32 | |
Any chance you can give me a hand? This one is really heavy. Hold on. | 0:08:32 | 0:08:36 | |
Is that all right up there? | 0:08:36 | 0:08:37 | |
-There she goes. -Lovely. | 0:08:39 | 0:08:41 | |
Come and bring the little orange fellow in. | 0:08:42 | 0:08:44 | |
-He looks a bit like an elephant to me. -Yeah. | 0:08:44 | 0:08:46 | |
There's something odd about his ears. | 0:08:46 | 0:08:48 | |
His ears? What's she on about? | 0:08:48 | 0:08:51 | |
So, these two came into the tip as a pair but | 0:08:52 | 0:08:56 | |
they don't have to stay together. | 0:08:56 | 0:08:57 | |
I'd much rather work on this one, to be honest, than this one, I think. | 0:08:57 | 0:09:01 | |
-OK, well... -Simply because this one has got a lot more character. | 0:09:01 | 0:09:05 | |
The orange chair will be put aside | 0:09:07 | 0:09:09 | |
so Ray can concentrate on the black one. | 0:09:09 | 0:09:11 | |
I did wonder about just really making it pack a punch. | 0:09:13 | 0:09:17 | |
Something fabulous on it, beautiful fabric, something bold. | 0:09:17 | 0:09:22 | |
Well, actually, Sarah, | 0:09:22 | 0:09:24 | |
truth to tell, I've been kind of developing my own fabric. | 0:09:24 | 0:09:28 | |
-Really? -Or trying to design my own fabric. | 0:09:28 | 0:09:30 | |
-That's a new thing for you, isn't it? -Yes. Completely. | 0:09:30 | 0:09:33 | |
What kind of fabric is it? | 0:09:33 | 0:09:34 | |
-Well, we're in the Year of the Monkey now, apparently. -OK. | 0:09:34 | 0:09:37 | |
O...K. | 0:09:37 | 0:09:39 | |
The fabric is based on different | 0:09:39 | 0:09:41 | |
types of New World and Old World monkeys. | 0:09:41 | 0:09:45 | |
Are you going to be able to nail it in time to get it on here? | 0:09:45 | 0:09:47 | |
I think so. | 0:09:47 | 0:09:48 | |
It sounds like, to me, you're going to pour your heart and soul | 0:09:48 | 0:09:51 | |
into this little chair. | 0:09:51 | 0:09:52 | |
Lots of upholsterers design or are inspired | 0:09:52 | 0:09:55 | |
by using other people's fabrics, as am I. | 0:09:55 | 0:09:58 | |
But very few of them are able to actually | 0:09:58 | 0:10:01 | |
bring their own designs to a piece. | 0:10:01 | 0:10:05 | |
It will be a work of art. | 0:10:05 | 0:10:07 | |
Ray is dreaming big, but what will his time and materials cost? | 0:10:09 | 0:10:14 | |
So we're looking at around 800-850 mark. Somewhere between there. | 0:10:14 | 0:10:18 | |
OK. If I can leave you chiselling away at the cost? | 0:10:18 | 0:10:21 | |
If I leave you around £800, I love the idea of the monkeys. | 0:10:21 | 0:10:24 | |
It's going to rock, it's going to rock. | 0:10:24 | 0:10:26 | |
-Go for it, OK? -Yeah, thank you. -Take care! | 0:10:26 | 0:10:28 | |
Thank you very much. Yes! Yes. | 0:10:28 | 0:10:32 | |
I think he's pretty happy with this project. | 0:10:33 | 0:10:36 | |
Well, that chair sounds like it's going to look amazing | 0:10:37 | 0:10:39 | |
and I don't want to hamper Ray's creativity so I think saying yes | 0:10:39 | 0:10:43 | |
to a load of monkey business all over it is definitely the way to go. | 0:10:43 | 0:10:46 | |
And I think I'm going to have | 0:10:46 | 0:10:48 | |
a little chance of making a bit of profit, fingers crossed. | 0:10:48 | 0:10:52 | |
This is awesome. | 0:10:53 | 0:10:54 | |
It will be a complete unique piece of art | 0:10:54 | 0:10:56 | |
that nobody on Earth, except the buyer, will have. | 0:10:56 | 0:10:59 | |
I'm just... | 0:10:59 | 0:11:01 | |
Yeah. I'll be totally made up. | 0:11:01 | 0:11:03 | |
Oh, sorry, it's very difficult to... | 0:11:03 | 0:11:06 | |
to contain my emotions, I'm sorry. | 0:11:06 | 0:11:09 | |
No apology needed. | 0:11:09 | 0:11:11 | |
Ray has a big budget of around £800 to remake that chair | 0:11:13 | 0:11:17 | |
but he's never created a new fabric for upholstery before, | 0:11:17 | 0:11:22 | |
so Sarah is taking a risk on this one. | 0:11:22 | 0:11:25 | |
In the leafy Sussex countryside, Sarah is at home in her farmhouse. | 0:11:38 | 0:11:43 | |
And you better feel like dancing cos she's thinking of cutting a rug. | 0:11:43 | 0:11:47 | |
It fits perfectly, doesn't it? | 0:11:47 | 0:11:49 | |
It's actually quite a nice carpet but I've got plans. | 0:11:49 | 0:11:52 | |
I thought I might make a set of luggage out of it. | 0:11:52 | 0:11:54 | |
Sarah could make a carpet bag from it, | 0:11:56 | 0:11:59 | |
but now she is having a closer look at the rug, | 0:11:59 | 0:12:02 | |
maybe she has already bagged something unexpected. | 0:12:02 | 0:12:05 | |
It's got a really fine weave to it. | 0:12:05 | 0:12:07 | |
I think that it might be some kind of wool or silk mix to it. | 0:12:07 | 0:12:11 | |
I think it's handmade. I don't think I can cut it up. | 0:12:12 | 0:12:15 | |
Certainly not without taking it to | 0:12:15 | 0:12:17 | |
somebody who really knows what they're talking about. | 0:12:17 | 0:12:20 | |
So that's not me! | 0:12:20 | 0:12:22 | |
Completely change your plans, why don't you? Sheesh! | 0:12:22 | 0:12:25 | |
So, Sarah's headed for auction house Bellmans | 0:12:26 | 0:12:29 | |
in Wisborough Green, West Sussex, | 0:12:29 | 0:12:32 | |
where auctioneer Jonathan Pratt should be able to advise on the rug. | 0:12:32 | 0:12:38 | |
-Jonathan, lovely to see you. -Hello, Sarah. | 0:12:38 | 0:12:40 | |
I've got a little something you might be able to help me with. | 0:12:40 | 0:12:43 | |
Gosh, let's take that off you. Get the other end. | 0:12:43 | 0:12:45 | |
-Uh! -Right... -Thank you. | 0:12:45 | 0:12:47 | |
Auction houses can offer valuation services to anyone looking to put | 0:12:47 | 0:12:51 | |
antique items up for sale. | 0:12:51 | 0:12:54 | |
With 20 years in the trade, Jonathan is just the man to tell Sarah | 0:12:54 | 0:12:58 | |
if she's onto something with her bit of old carpet. | 0:12:58 | 0:13:02 | |
Um... Quite nice. | 0:13:02 | 0:13:04 | |
It's quite a nice carpet, actually. It's very obviously Persian. | 0:13:04 | 0:13:08 | |
Looking at the style of it and the colours, it's... | 0:13:08 | 0:13:11 | |
Well, you want it to be antique at the very best, | 0:13:11 | 0:13:14 | |
early part of the 20th century. It's getting close to that. | 0:13:14 | 0:13:16 | |
Stylewise, it looks like it's like West Persia. | 0:13:16 | 0:13:19 | |
What I need to look for on here is signs of wear and discolouration. | 0:13:19 | 0:13:23 | |
Jonathan thinks it's a genuine Persian rug. | 0:13:23 | 0:13:27 | |
What you're saying, this is really bringing it to life for me. | 0:13:27 | 0:13:30 | |
But what sort of sale estimate would Jonathan put on it at auction? | 0:13:30 | 0:13:34 | |
I'd reckon potentially between £200-£400. | 0:13:34 | 0:13:38 | |
-Really? -Potentially, yeah. Certainly... | 0:13:38 | 0:13:41 | |
Would you like to get off my rug, sir? | 0:13:41 | 0:13:43 | |
Yeah, that's valuable, Jonathan. | 0:13:43 | 0:13:45 | |
Can my tip-find rug come here and stand a chance of selling? | 0:13:45 | 0:13:49 | |
Yeah, absolutely. I really believe it can. | 0:13:49 | 0:13:51 | |
I'm joining you down the tip, I can tell you! | 0:13:51 | 0:13:53 | |
It's amazing down there. It's really good, isn't it? | 0:13:53 | 0:13:55 | |
It is good, Sarah, yes. | 0:13:55 | 0:13:58 | |
Jonathan will put the Persian beauty in his next appropriate auction. | 0:13:58 | 0:14:03 | |
-Brilliant, I can't wait. -Thank you. OK, bye. | 0:14:03 | 0:14:05 | |
I take my hat off to her. What a find. | 0:14:05 | 0:14:07 | |
She's obviously got a very good eye. | 0:14:07 | 0:14:09 | |
On the whole, it has great potential. | 0:14:09 | 0:14:12 | |
With no outlay on materials for this little project, | 0:14:12 | 0:14:15 | |
Sarah's in with a chance of profit but will that rug that was headed | 0:14:15 | 0:14:19 | |
for the skip really live up to its potential at auction? | 0:14:19 | 0:14:23 | |
Back in busy East London, | 0:14:29 | 0:14:31 | |
Ray is hard at work on the wingbacked armchair. | 0:14:31 | 0:14:34 | |
In fact, he seems to have ripped it to bits. | 0:14:34 | 0:14:37 | |
I've basically gone a bit nuts on the chair! | 0:14:40 | 0:14:43 | |
I've basically stripped it back as far as I can do, | 0:14:43 | 0:14:46 | |
taking out all the, erm, external panels, | 0:14:46 | 0:14:50 | |
inside panels, inside backing, inside arms as well, | 0:14:50 | 0:14:53 | |
so I can get it prepared for a new colour, a wood stain. | 0:14:53 | 0:14:58 | |
Ray needs to remove all of the chair's dated upholstery | 0:15:00 | 0:15:04 | |
and strip the wooden frame before he can begin to modernise it. | 0:15:04 | 0:15:08 | |
He's got a big budget of around £800 to do that, but time is money | 0:15:08 | 0:15:13 | |
and this is a seriously time-consuming job. | 0:15:13 | 0:15:17 | |
Especially when you're sanding it all by hand. | 0:15:17 | 0:15:20 | |
Ah, that's more like it. | 0:15:22 | 0:15:23 | |
Ray's brought out the electric sander | 0:15:23 | 0:15:26 | |
which will speed things up a bit. | 0:15:26 | 0:15:28 | |
With all the sanding done, | 0:15:28 | 0:15:30 | |
Ray moves on to removing the original tacks. | 0:15:30 | 0:15:34 | |
This chair has to get done, | 0:15:34 | 0:15:36 | |
and it won't do itself, so, you know... | 0:15:36 | 0:15:38 | |
There's nothing electric that can do this faster, | 0:15:38 | 0:15:41 | |
so he'll just have to pull them out by hand one by one. | 0:15:41 | 0:15:46 | |
I hate it when they snap off! | 0:15:46 | 0:15:47 | |
It takes great patience and some determination as well. | 0:15:49 | 0:15:54 | |
Oh! It's snapping off! | 0:15:54 | 0:15:57 | |
Great patience, yeah(!) | 0:15:58 | 0:16:00 | |
Ray's also been hard at work on the real stars of this piece - | 0:16:01 | 0:16:05 | |
his menagerie of monkeys. | 0:16:05 | 0:16:07 | |
I've just looked up certain types of monkeys and just illustrated them. | 0:16:07 | 0:16:13 | |
His signature fabric will be printed up from his monkey sketches. | 0:16:13 | 0:16:18 | |
Because of the types of monkeys I've chosen as well, | 0:16:18 | 0:16:20 | |
give me an opportunity to maybe explore colour | 0:16:20 | 0:16:23 | |
in quite a vast range. | 0:16:23 | 0:16:25 | |
So you've got the gold of the tamarin here, | 0:16:25 | 0:16:29 | |
and then you go on to the red howler. | 0:16:29 | 0:16:33 | |
And then there's a black howler as well. | 0:16:33 | 0:16:36 | |
So, hopefully, this will be more of a surprise for Sarah | 0:16:36 | 0:16:38 | |
when she gets to see this | 0:16:38 | 0:16:40 | |
cos I really didn't have a chance to show her. | 0:16:40 | 0:16:42 | |
Ray's final monkey designs will be sent to a fabric printing company | 0:16:43 | 0:16:47 | |
to be transferred onto a velvety fabric. | 0:16:47 | 0:16:50 | |
Obviously, I want the print process to go quite well | 0:16:52 | 0:16:56 | |
to capture all the definition, | 0:16:56 | 0:16:58 | |
but I'm also asking a tall order | 0:16:58 | 0:17:00 | |
because asking for the illustrations to go into a pile fabric, | 0:17:00 | 0:17:03 | |
as opposed to just a plain, flat fabric, | 0:17:03 | 0:17:06 | |
so there may be some compromise I might have to make at some point, | 0:17:06 | 0:17:10 | |
but we'll see. | 0:17:10 | 0:17:11 | |
It's getting me all lumpy in the throat as well at the moment, | 0:17:11 | 0:17:14 | |
I'm that excited. | 0:17:14 | 0:17:16 | |
Ray is passionate about his monkey designs, | 0:17:17 | 0:17:20 | |
but he still has a lot of work to do on that chair. | 0:17:20 | 0:17:24 | |
Once his labour costs are factored in, | 0:17:24 | 0:17:26 | |
can he really manage to deliver it on Sarah's budget? | 0:17:26 | 0:17:30 | |
In Wisborough Green, West Sussex, it's sale day at the auction house. | 0:17:39 | 0:17:44 | |
And Sarah's Persian rug is about to go under the hammer. | 0:17:44 | 0:17:49 | |
Now its fate is in the hands of today's auctioneer, Simon Garner. | 0:17:49 | 0:17:54 | |
We have, I think, between 30, 40 rugs for sale every month. | 0:17:54 | 0:17:59 | |
It will sell. I'm confident. | 0:17:59 | 0:18:01 | |
Sarah thought she might have spotted a quality weave | 0:18:01 | 0:18:05 | |
but will any of the buyers at the sale want to snap it up? | 0:18:05 | 0:18:09 | |
Lot 970A is this Kashan carpet. Early 20th century one... | 0:18:09 | 0:18:13 | |
When Sarah met John, he was about to unload a roll of unwanted rug. | 0:18:17 | 0:18:21 | |
It's got chunks out of it where it had to be | 0:18:21 | 0:18:23 | |
-fitted around radiators and things like that. -OK. | 0:18:23 | 0:18:26 | |
Sarah loved it but did John | 0:18:26 | 0:18:28 | |
have ideas on what fate might await his rug? | 0:18:28 | 0:18:32 | |
Not really, no. Not at all. | 0:18:32 | 0:18:34 | |
Well, he will soon find out | 0:18:34 | 0:18:36 | |
because the rug has now been successfully sold at auction. | 0:18:36 | 0:18:40 | |
Sarah is on her way to see John and fill him in on what became of it. | 0:18:43 | 0:18:47 | |
-Hello, Sarah! -John, lovely to see you again. | 0:18:51 | 0:18:53 | |
Yes, nice to see you again. | 0:18:53 | 0:18:54 | |
-Are you well? -Yeah, very well, thank you. You? -Yes, very well. | 0:18:54 | 0:18:57 | |
I said when I met you at the tip that I'd really like | 0:18:57 | 0:18:59 | |
to keep in touch with any progress on your rug. | 0:18:59 | 0:19:01 | |
So I had scissors poised ready | 0:19:01 | 0:19:03 | |
to cut it up to make it into carpet bags | 0:19:03 | 0:19:05 | |
and there was this little voice inside me saying, | 0:19:05 | 0:19:07 | |
"I'm not sure that I should do that," | 0:19:07 | 0:19:09 | |
because I'm not a rug expert but I do have a friend who is. | 0:19:09 | 0:19:13 | |
And so I bundled up your rug | 0:19:13 | 0:19:16 | |
and I took it to the local auction house and let Jonathan, | 0:19:16 | 0:19:20 | |
who runs the auction house, have a look at it for me. | 0:19:20 | 0:19:22 | |
-So he put it into auction for us. -Oh, right. | 0:19:22 | 0:19:25 | |
I would never have expected that. | 0:19:25 | 0:19:26 | |
So it did sell and I've got the profit here. | 0:19:26 | 0:19:29 | |
I have got £381.60 for you. | 0:19:29 | 0:19:36 | |
I would've never imagined that! That's amazing. | 0:19:36 | 0:19:40 | |
Is that a bit of a surprise then? | 0:19:40 | 0:19:42 | |
A massive surprise. I'm amazed it's this much money. | 0:19:42 | 0:19:47 | |
That's amazing. Thank you very much. | 0:19:47 | 0:19:49 | |
I don't think I'm going to throw anything away again! | 0:19:49 | 0:19:52 | |
What are you going to do with that sort of money? | 0:19:52 | 0:19:54 | |
A friend of mine's wife has been very poorly. | 0:19:54 | 0:19:57 | |
She's only in her 30s and she got quite a nasty illness. | 0:19:57 | 0:20:01 | |
She's now in a wheelchair and they've just put a stairlift | 0:20:01 | 0:20:03 | |
into her house so I'm going to give it to them. | 0:20:03 | 0:20:07 | |
That will be absolutely fantastic. You know, I couldn't be happier. | 0:20:07 | 0:20:11 | |
I'm so pleased we stopped that | 0:20:11 | 0:20:13 | |
little rug going into the skip that day. | 0:20:13 | 0:20:15 | |
This will make, I hope, a difference. | 0:20:15 | 0:20:18 | |
-Sarah, that's absolutely brilliant. -I'm really pleased. | 0:20:18 | 0:20:21 | |
-That's a lovely outcome. Thank you ever so much. -Thank you. -Bye-bye. | 0:20:21 | 0:20:25 | |
Bye-bye. Bye. | 0:20:25 | 0:20:27 | |
What a result. The Persian rug sold at auction for £480. | 0:20:27 | 0:20:33 | |
After auction costs totalling £98.40 were deducted, | 0:20:33 | 0:20:38 | |
Sarah was able to hand over an amazing £381.60 to John. | 0:20:38 | 0:20:45 | |
Well, I think John was genuinely surprised by that outcome, | 0:20:48 | 0:20:51 | |
and the value of his old rug, | 0:20:51 | 0:20:53 | |
and that money is going to a cause that is really close to his heart. | 0:20:53 | 0:20:56 | |
Back in East London, Ray has finished | 0:21:03 | 0:21:05 | |
his makeover of the hotly anticipated armchair. | 0:21:05 | 0:21:08 | |
He is waiting for Sarah...anxiously. | 0:21:08 | 0:21:12 | |
I'm proper nervous! | 0:21:12 | 0:21:15 | |
I just hope that she really likes it, yeah. | 0:21:15 | 0:21:17 | |
Oh, no, what have I done?! | 0:21:17 | 0:21:20 | |
You've done up an armchair, Ray, don't worry. | 0:21:20 | 0:21:23 | |
Although Sarah is also on tenterhooks. | 0:21:25 | 0:21:29 | |
I've come to see Ray and to find out how the armchair has turned out | 0:21:29 | 0:21:32 | |
that I left him. | 0:21:32 | 0:21:33 | |
And this is one of the projects that has really been on my mind | 0:21:33 | 0:21:36 | |
because Ray is inventing a whole new fabric to go on the chair | 0:21:36 | 0:21:40 | |
and doing all of the upholstery | 0:21:40 | 0:21:41 | |
so this just one of those things that could go either way. | 0:21:41 | 0:21:44 | |
Either way, the transformation is now complete. | 0:21:45 | 0:21:49 | |
When Sarah dropped off the chair, it was solid | 0:21:49 | 0:21:52 | |
but badly needed bringing up-to-date. | 0:21:52 | 0:21:54 | |
But now Ray has worked his magic. It's utterly transformed. | 0:22:05 | 0:22:10 | |
Ray's hand-illustrated menagerie of monkeys are rendered | 0:22:12 | 0:22:16 | |
on a luxurious moleskin velvet, | 0:22:16 | 0:22:20 | |
which he's positioned to show off the stylish simians | 0:22:20 | 0:22:23 | |
to their best effect. | 0:22:23 | 0:22:24 | |
The chair has been entirely reupholstered with quality | 0:22:26 | 0:22:30 | |
finishings and the original wood | 0:22:30 | 0:22:32 | |
has been stained in a cool contrasting grey. | 0:22:32 | 0:22:35 | |
Ray took a big creative risk | 0:22:37 | 0:22:39 | |
on designing his own unique monkey fabric and it's paid off splendidly. | 0:22:39 | 0:22:45 | |
Well done, Ray. | 0:22:45 | 0:22:46 | |
But what will Sarah make of it? | 0:22:49 | 0:22:52 | |
-Hiya! -Hi. Ooh! | 0:22:52 | 0:22:54 | |
-You're not nervous, are you? -Just a little bit, yeah. | 0:22:54 | 0:22:58 | |
-Let me see. -I'll pull it off. One, two, three. | 0:22:58 | 0:23:01 | |
Ta-da! | 0:23:01 | 0:23:03 | |
I absolutely adore it. You've done so well there. It's so cool! | 0:23:03 | 0:23:08 | |
She likes it! The woman from Del Monte says yes. | 0:23:09 | 0:23:13 | |
She does indeed. | 0:23:14 | 0:23:16 | |
-Which is your favourite monkey? -I do like the black howler. -Yeah. | 0:23:16 | 0:23:20 | |
And I love the golden tamarin. Ooh! Come round here. | 0:23:20 | 0:23:22 | |
-I want to take you round the back. -I'm going on tour. | 0:23:22 | 0:23:26 | |
-So, who's he? A howler? -Yeah, it's a black howler. | 0:23:26 | 0:23:28 | |
And that's a red howler. | 0:23:28 | 0:23:30 | |
That chair is a triumph. | 0:23:30 | 0:23:32 | |
What's so odd is I can't even relate to the chair that I brought to you. | 0:23:32 | 0:23:35 | |
-No. -Because of what you've done to it. | 0:23:35 | 0:23:37 | |
It's like you're showing me something | 0:23:37 | 0:23:39 | |
that I've never seen before. | 0:23:39 | 0:23:41 | |
With the very highest praise, | 0:23:41 | 0:23:42 | |
Sarah is delighted with Ray's monkey chair. | 0:23:42 | 0:23:46 | |
It meant so much to me to try to do this, so thank you | 0:23:46 | 0:23:49 | |
for giving me the opportunity to do this. | 0:23:49 | 0:23:52 | |
Honestly, thank you. | 0:23:52 | 0:23:54 | |
I'm properly made up, I really am. | 0:23:54 | 0:23:57 | |
It's smiles all round for the painstakingly finished chair. | 0:23:57 | 0:24:01 | |
On that note, Sarah has got a question | 0:24:01 | 0:24:04 | |
but she doesn't want to pry-mate. You see? | 0:24:04 | 0:24:09 | |
Has it gone over budget? | 0:24:09 | 0:24:10 | |
I'm feeling now that my original costs | 0:24:10 | 0:24:15 | |
were probably a little bit low. | 0:24:15 | 0:24:17 | |
It took longer than I thought, so therefore labourwise | 0:24:17 | 0:24:20 | |
it would have been a bit more expensive. | 0:24:20 | 0:24:22 | |
The amount of work that's gone into the chair has pushed | 0:24:24 | 0:24:26 | |
Ray's labour costs up, | 0:24:26 | 0:24:29 | |
meaning he's gone around £150 over budget at a total cost of £950. | 0:24:29 | 0:24:36 | |
However, Sarah is still confident. | 0:24:36 | 0:24:38 | |
I will try so hard to sell this at very high-end | 0:24:40 | 0:24:44 | |
so that we turn a really good profit over on this. | 0:24:44 | 0:24:47 | |
-If you would, that would mean a lot. -Great job. | 0:24:47 | 0:24:49 | |
Lovely finish and I think you should be very proud of that. | 0:24:49 | 0:24:52 | |
-Well done. -Thank you. | 0:24:52 | 0:24:54 | |
She likes it. | 0:24:57 | 0:24:58 | |
Ah! These monkeys, you're so tricky, I'm telling you. | 0:24:59 | 0:25:02 | |
Those tricky monkeys are a triumph. | 0:25:05 | 0:25:08 | |
Ray took a chance on a creative idea that really paid off | 0:25:08 | 0:25:12 | |
but it came with a high cost to Sarah's budget. | 0:25:12 | 0:25:15 | |
Back in Walsall Recycling Centre, Sarah found Alan about to off-load | 0:25:23 | 0:25:27 | |
two armchairs. | 0:25:27 | 0:25:29 | |
A pair of chairs, how exciting. | 0:25:29 | 0:25:31 | |
Alan was happy for Sarah to nab them. | 0:25:32 | 0:25:35 | |
In a way, I'm glad they're going to be reused cos they just | 0:25:35 | 0:25:39 | |
seem too good to throw out. | 0:25:39 | 0:25:41 | |
So, Sarah spirited them straight to Ray in East London... | 0:25:41 | 0:25:45 | |
Lovely. | 0:25:45 | 0:25:46 | |
..who immediately took a shine to one chair in particular. | 0:25:46 | 0:25:50 | |
Now Sarah is on her way back to Walsall to update Alan | 0:25:52 | 0:25:55 | |
on what became of his armchair. | 0:25:55 | 0:25:58 | |
-Hello. -Hi there, Alan. How are you doing? -I'm very well, thanks. You? | 0:26:01 | 0:26:04 | |
Very nice to see you again. | 0:26:04 | 0:26:05 | |
-I said I would be in touch with news about your chairs. -Yes. | 0:26:05 | 0:26:10 | |
Now, remind me, were they your in-law's chairs? | 0:26:10 | 0:26:12 | |
That's right, yes, they were. From an old farmhouse, I believe. | 0:26:12 | 0:26:14 | |
And as a pair, I thought we'd like to keep them as pair, | 0:26:14 | 0:26:17 | |
but as it turned out, I took them to somebody who had a look at them | 0:26:17 | 0:26:21 | |
and thought that there was one that was particularly good. | 0:26:21 | 0:26:23 | |
I took it to an upholsterer called Ray Clarke | 0:26:23 | 0:26:26 | |
so I've got some pictures of what he did to it. | 0:26:26 | 0:26:28 | |
Gosh. | 0:26:29 | 0:26:31 | |
-Wow. -Is that recognisable? -It's tremendous, isn't it? | 0:26:31 | 0:26:34 | |
It has been transformed. | 0:26:34 | 0:26:36 | |
He has redesigned it, he has given it a whole new lease of life. | 0:26:36 | 0:26:40 | |
These are the pictures of it in his studio. | 0:26:40 | 0:26:42 | |
I've never seen anything like that before. That's unbelievable. | 0:26:42 | 0:26:45 | |
It's unbelievable. | 0:26:45 | 0:26:46 | |
You just think, what are we all throwing away, really? | 0:26:46 | 0:26:49 | |
-Yes, well... -It's got that potential. | 0:26:49 | 0:26:51 | |
It has got huge potential and it is out there now waiting to be sold | 0:26:51 | 0:26:56 | |
and I've got high hopes that it's going to generate some profit | 0:26:56 | 0:26:59 | |
-for you, and I'll keep in touch... -Wonderful. | 0:26:59 | 0:27:02 | |
..and be knocking on your door with the money in the future. | 0:27:02 | 0:27:04 | |
-Thank you ever so much. -Pleasure, pleasure. | 0:27:04 | 0:27:06 | |
Well, I think that Alan was really impressed with all Ray's hard work | 0:27:07 | 0:27:11 | |
because that chair really is a unique piece | 0:27:11 | 0:27:13 | |
and I'm sure it's going to sell well | 0:27:13 | 0:27:15 | |
and I'm going to be sending cash back to Alan very soon. | 0:27:15 | 0:27:18 | |
Ray's materials and painstaking labour on the chair | 0:27:20 | 0:27:23 | |
came in at just under £1,000. | 0:27:23 | 0:27:27 | |
This niche item has yet to sell | 0:27:27 | 0:27:29 | |
so it's currently a potential loss of that £950. | 0:27:29 | 0:27:34 | |
Sarah successfully saved two items from oblivion. | 0:27:40 | 0:27:44 | |
The Persian rug was a fabulous tip find | 0:27:45 | 0:27:49 | |
that sold for a fortune at auction. | 0:27:49 | 0:27:51 | |
And the wingbacked armchair had a marvellous monkey makeover. | 0:27:53 | 0:27:58 | |
Well, that's two fantastic results. | 0:28:01 | 0:28:04 | |
Ray created a really fabulous chair, | 0:28:04 | 0:28:06 | |
which I'm sure is going to end up as pride of place | 0:28:06 | 0:28:08 | |
in somebody's home soon. | 0:28:08 | 0:28:09 | |
And that rug - well, it just goes to show | 0:28:09 | 0:28:12 | |
you never know what's going to turn up at the tip. | 0:28:12 | 0:28:14 |