Episode 4 Money for Nothing


Episode 4

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Transcript


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What are you chucking out today, then?

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How do you make money for nothing?

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Don't throw them, don't throw them.

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The answer could be hiding in the 30 million tonnes of household waste

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we throw out every year.

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Thanks so much for letting me have that.

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I think that's absolutely made my day. I love it.

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That's why entrepreneur Sarah Moore wants to get her hands

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on things before they hit the skip.

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I'm a passionate buyer, maker and user of old stuff

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and I've turned that passion into a moneymaking business.

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I make new stuff out of old stuff and I sell it for a profit.

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And with some of the country's elite designers and makers...

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-What do you reckon to that?

-It's quite smart, isn't it?

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-Tell me you love it.

-I love it.

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..she can transform her finds into desirable...

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Isn't it amazing?

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..valuable...

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It's quite a statement piece.

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..and hopefully saleable items.

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-I'll take you down to the till, that's fantastic.

-OK, fantastic.

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If Sarah is successful, then she can hand the profits back to the very

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people who had no idea there was cash to be made from their trash.

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Wow, that's amazing!

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Welcome to Walsall Recycling Centre.

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A nonstop hive of activity.

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Sarah's on a mission to turn trash...into hard cash.

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I love rummaging through the bin bags and the boots and the boxes.

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And making money for nothing - that's just a bonus.

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But before you make a beeline for your local tip, take note -

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Sarah's been given special permission to seek out two items

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that she can rejuvenate and sell on for a profit.

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Although he doesn't know it yet, first to offer up possibilities

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is Alan, arriving with some comfortable seating.

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-Ooh, hi.

-Hi.

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You've got some interesting looking things in there.

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What are you throwing out?

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Just stuff from my late mother-in-law's house.

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OK, that sounds like a big job. Are you clearing out lots of stuff?

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Not too much, not too much but just some of the bulky heavy stuff.

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It's a shame in a way but we don't really know where else to take it

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-other than a tip so...

-No, you definitely get to that stage.

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I'd love to have a look at it.

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-Is there any chance I can see?

-Yes, yes.

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-Wow, it's quite cool, isn't it?

-HE CHUCKLES

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-There's a similar designed one that's all leather as well.

-Really?

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With these two wingback chairs she could be onto something good here.

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A pair of chairs. How exciting.

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Well done. Wow.

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I have to say, that both those chairs are really interesting

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cos they're old, they're chunky...

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In a way, I am glad they're going to be reused

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cos they just seem too good to throw out but they're just so big

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in a small bungalow, which is where she is.

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If I could take those two chairs and then if I manage to do

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-something with them, could I come and show you what I've done?

-Yeah.

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That would be lovely.

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Lovely indeed.

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Sarah has her first find in the bag and has roped the guys

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from the tip in to help.

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Good work, lads.

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But what does Alan think Sarah will get up to with his chairs?

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I don't know. It's... It makes me think, really.

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I presume it's not going to be just recycled as furniture

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but as something else,

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so it will be interesting to see what happens to them.

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I'll just tell you if they're comfortable because that is the key.

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Ah, yeah.

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Actually, that's got IKEA written on the back

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so it's not as old as you think it is.

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Everyone's a comedian.

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Very comfortable, but the look they have at the moment is just...

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It's not going to go into everybody's house

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and I want to make them commercial, saleable and expensive.

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And given the style of them, this needs a specialist upholsterer.

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This is going to have to go to somebody who really knows

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what they're doing, who can cope

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with the fact that there's wood and fabric.

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I've got just the person in mind.

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Meet Ray Clarke - upholsterer extraordinaire.

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Ray made a name for himself in the world of fashion design

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before discovering his love of vintage furniture.

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His fresh, modern designs mix practicality, comfort and luxury.

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I never intended to become, like, an upholsterer at the beginning.

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It wasn't the thing I set out to do.

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I suppose you could say upholstery found me.

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With my creative background in fashion design and textile design,

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I was able to use those skills and redirect them

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and now this is all I do.

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I just give birth to chairs, and I love them, yeah.

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But will it be love at first sight when Ray claps eyes on these two?

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That's one find ready to be transformed.

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Now time for Sarah to find a little project for herself.

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Just wondering if I'd like earrings is made out of these.

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What do you think?

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Hopefully John and his magic carpets will be just the ticket.

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-Have you got somebody rolled up in the middle of there?

-No, no.

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Isn't that lovely?

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I really like your carpet. I like the back of it.

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What kind of nick is it in? Is it...

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It's got chunks out of it where it had to be fitted

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-around radiators and things like that.

-OK.

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But it's a lovely old carpet, isn't it? It's...

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..beautiful.

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I'm going to go have a look at the other one while you're at it.

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-Wow.

-You are getting excited, Sarah.

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Go on, then.

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She does love a good find.

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I think that I like that one more than that one.

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I think it's cos I've got a few ideas about

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what I might do with some carpet.

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I think it's just beautiful. I really love this.

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I think I'm going to pop this one back in the recycling.

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I can do an end.

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No, I think you need manpower.

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With some more manpower from the chaps at the tip,

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Sarah nabs one of John's rugs.

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But does he have any idea what she might do with it?

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Not really, no. Not at all.

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I'm with you, John. Help us out, Sarah.

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Well, I am super pleased to have discovered this because I think

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this carpet would have been really valuable when it was made.

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It is obviously really good quality and you can see from the back

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that it's so well-made.

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With the magic carpet safely snaffled away,

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Sarah's two-item treasure hunt is complete.

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Ray Clarke will take charge

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of Alan's pair of chairs.

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And Sarah will come up with

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a strategy for John's old carpet.

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I really love the eclectic mixture of items that I gathered today.

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I've got huge potential to transform them into things that are fabulous,

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and make some money for nothing.

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These days, the streets of East London team with creative

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businesses and design know-how.

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It's here Ray practises the sport of extreme upholstery.

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And he's one of our top players.

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Oh, Sarah is coming today.

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Um, yeah, I wonder what she's going to bring.

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It's almost like you're in goal and you've got to be prepared

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for a shot from any angle, do you know what I mean?

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From someone taking the penalty. It's like...

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Yeah, sorry about the football analogy.

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No worries, Ray. Good to know you are poised and ready for kick-off.

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Normally, weight is a benchmark for quality.

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This is definitely heavy but if it's quality, I'm not sure.

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I'm hoping that between the pair of chairs,

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we're going to be able to create something really lovely.

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And Ray is going to take up the challenge.

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-Ray, how are you? How are you doing?

-Good to see you.

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-I've got a couple of little...

-Oh.

-I'm not going to say beauties.

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I've got a couple of little chairs for you.

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Any chance you can give me a hand? This one is really heavy. Hold on.

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Is that all right up there?

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-There she goes.

-Lovely.

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Come and bring the little orange fellow in.

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-He looks a bit like an elephant to me.

-Yeah.

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There's something odd about his ears.

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His ears? What's she on about?

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So, these two came into the tip as a pair but

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they don't have to stay together.

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I'd much rather work on this one, to be honest, than this one, I think.

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-OK, well...

-Simply because this one has got a lot more character.

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The orange chair will be put aside

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so Ray can concentrate on the black one.

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I did wonder about just really making it pack a punch.

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Something fabulous on it, beautiful fabric, something bold.

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Well, actually, Sarah,

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truth to tell, I've been kind of developing my own fabric.

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-Really?

-Or trying to design my own fabric.

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-That's a new thing for you, isn't it?

-Yes. Completely.

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What kind of fabric is it?

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-Well, we're in the Year of the Monkey now, apparently.

-OK.

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O...K.

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The fabric is based on different

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types of New World and Old World monkeys.

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Are you going to be able to nail it in time to get it on here?

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I think so.

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It sounds like, to me, you're going to pour your heart and soul

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into this little chair.

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Lots of upholsterers design or are inspired

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by using other people's fabrics, as am I.

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But very few of them are able to actually

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bring their own designs to a piece.

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It will be a work of art.

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Ray is dreaming big, but what will his time and materials cost?

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So we're looking at around 800-850 mark. Somewhere between there.

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OK. If I can leave you chiselling away at the cost?

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If I leave you around £800, I love the idea of the monkeys.

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It's going to rock, it's going to rock.

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-Go for it, OK?

-Yeah, thank you.

-Take care!

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Thank you very much. Yes! Yes.

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I think he's pretty happy with this project.

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Well, that chair sounds like it's going to look amazing

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and I don't want to hamper Ray's creativity so I think saying yes

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to a load of monkey business all over it is definitely the way to go.

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And I think I'm going to have

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a little chance of making a bit of profit, fingers crossed.

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This is awesome.

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It will be a complete unique piece of art

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that nobody on Earth, except the buyer, will have.

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I'm just...

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Yeah. I'll be totally made up.

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Oh, sorry, it's very difficult to...

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to contain my emotions, I'm sorry.

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No apology needed.

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Ray has a big budget of around £800 to remake that chair

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but he's never created a new fabric for upholstery before,

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so Sarah is taking a risk on this one.

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In the leafy Sussex countryside, Sarah is at home in her farmhouse.

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And you better feel like dancing cos she's thinking of cutting a rug.

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It fits perfectly, doesn't it?

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It's actually quite a nice carpet but I've got plans.

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I thought I might make a set of luggage out of it.

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Sarah could make a carpet bag from it,

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but now she is having a closer look at the rug,

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maybe she has already bagged something unexpected.

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It's got a really fine weave to it.

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I think that it might be some kind of wool or silk mix to it.

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I think it's handmade. I don't think I can cut it up.

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Certainly not without taking it to

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somebody who really knows what they're talking about.

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So that's not me!

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Completely change your plans, why don't you? Sheesh!

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So, Sarah's headed for auction house Bellmans

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in Wisborough Green, West Sussex,

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where auctioneer Jonathan Pratt should be able to advise on the rug.

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-Jonathan, lovely to see you.

-Hello, Sarah.

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I've got a little something you might be able to help me with.

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Gosh, let's take that off you. Get the other end.

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-Uh!

-Right...

-Thank you.

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Auction houses can offer valuation services to anyone looking to put

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antique items up for sale.

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With 20 years in the trade, Jonathan is just the man to tell Sarah

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if she's onto something with her bit of old carpet.

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Um... Quite nice.

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It's quite a nice carpet, actually. It's very obviously Persian.

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Looking at the style of it and the colours, it's...

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Well, you want it to be antique at the very best,

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early part of the 20th century. It's getting close to that.

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Stylewise, it looks like it's like West Persia.

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What I need to look for on here is signs of wear and discolouration.

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Jonathan thinks it's a genuine Persian rug.

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What you're saying, this is really bringing it to life for me.

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But what sort of sale estimate would Jonathan put on it at auction?

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I'd reckon potentially between £200-£400.

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-Really?

-Potentially, yeah. Certainly...

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Would you like to get off my rug, sir?

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Yeah, that's valuable, Jonathan.

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Can my tip-find rug come here and stand a chance of selling?

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Yeah, absolutely. I really believe it can.

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I'm joining you down the tip, I can tell you!

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It's amazing down there. It's really good, isn't it?

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It is good, Sarah, yes.

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Jonathan will put the Persian beauty in his next appropriate auction.

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-Brilliant, I can't wait.

-Thank you. OK, bye.

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I take my hat off to her. What a find.

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She's obviously got a very good eye.

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On the whole, it has great potential.

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With no outlay on materials for this little project,

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Sarah's in with a chance of profit but will that rug that was headed

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for the skip really live up to its potential at auction?

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Back in busy East London,

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Ray is hard at work on the wingbacked armchair.

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In fact, he seems to have ripped it to bits.

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I've basically gone a bit nuts on the chair!

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I've basically stripped it back as far as I can do,

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taking out all the, erm, external panels,

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inside panels, inside backing, inside arms as well,

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so I can get it prepared for a new colour, a wood stain.

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Ray needs to remove all of the chair's dated upholstery

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and strip the wooden frame before he can begin to modernise it.

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He's got a big budget of around £800 to do that, but time is money

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and this is a seriously time-consuming job.

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Especially when you're sanding it all by hand.

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Ah, that's more like it.

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Ray's brought out the electric sander

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which will speed things up a bit.

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With all the sanding done,

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Ray moves on to removing the original tacks.

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This chair has to get done,

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and it won't do itself, so, you know...

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There's nothing electric that can do this faster,

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so he'll just have to pull them out by hand one by one.

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I hate it when they snap off!

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It takes great patience and some determination as well.

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Oh! It's snapping off!

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Great patience, yeah(!)

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Ray's also been hard at work on the real stars of this piece -

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his menagerie of monkeys.

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I've just looked up certain types of monkeys and just illustrated them.

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His signature fabric will be printed up from his monkey sketches.

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Because of the types of monkeys I've chosen as well,

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give me an opportunity to maybe explore colour

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in quite a vast range.

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So you've got the gold of the tamarin here,

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and then you go on to the red howler.

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And then there's a black howler as well.

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So, hopefully, this will be more of a surprise for Sarah

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when she gets to see this

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cos I really didn't have a chance to show her.

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Ray's final monkey designs will be sent to a fabric printing company

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to be transferred onto a velvety fabric.

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Obviously, I want the print process to go quite well

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to capture all the definition,

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but I'm also asking a tall order

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because asking for the illustrations to go into a pile fabric,

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as opposed to just a plain, flat fabric,

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so there may be some compromise I might have to make at some point,

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but we'll see.

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It's getting me all lumpy in the throat as well at the moment,

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I'm that excited.

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Ray is passionate about his monkey designs,

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but he still has a lot of work to do on that chair.

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Once his labour costs are factored in,

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can he really manage to deliver it on Sarah's budget?

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In Wisborough Green, West Sussex, it's sale day at the auction house.

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And Sarah's Persian rug is about to go under the hammer.

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Now its fate is in the hands of today's auctioneer, Simon Garner.

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We have, I think, between 30, 40 rugs for sale every month.

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It will sell. I'm confident.

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Sarah thought she might have spotted a quality weave

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but will any of the buyers at the sale want to snap it up?

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Lot 970A is this Kashan carpet. Early 20th century one...

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When Sarah met John, he was about to unload a roll of unwanted rug.

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It's got chunks out of it where it had to be

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-fitted around radiators and things like that.

-OK.

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Sarah loved it but did John

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have ideas on what fate might await his rug?

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Not really, no. Not at all.

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Well, he will soon find out

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because the rug has now been successfully sold at auction.

0:18:360:18:40

Sarah is on her way to see John and fill him in on what became of it.

0:18:430:18:47

-Hello, Sarah!

-John, lovely to see you again.

0:18:510:18:53

Yes, nice to see you again.

0:18:530:18:54

-Are you well?

-Yeah, very well, thank you. You?

-Yes, very well.

0:18:540:18:57

I said when I met you at the tip that I'd really like

0:18:570:18:59

to keep in touch with any progress on your rug.

0:18:590:19:01

So I had scissors poised ready

0:19:010:19:03

to cut it up to make it into carpet bags

0:19:030:19:05

and there was this little voice inside me saying,

0:19:050:19:07

"I'm not sure that I should do that,"

0:19:070:19:09

because I'm not a rug expert but I do have a friend who is.

0:19:090:19:13

And so I bundled up your rug

0:19:130:19:16

and I took it to the local auction house and let Jonathan,

0:19:160:19:20

who runs the auction house, have a look at it for me.

0:19:200:19:22

-So he put it into auction for us.

-Oh, right.

0:19:220:19:25

I would never have expected that.

0:19:250:19:26

So it did sell and I've got the profit here.

0:19:260:19:29

I have got £381.60 for you.

0:19:290:19:36

I would've never imagined that! That's amazing.

0:19:360:19:40

Is that a bit of a surprise then?

0:19:400:19:42

A massive surprise. I'm amazed it's this much money.

0:19:420:19:47

That's amazing. Thank you very much.

0:19:470:19:49

I don't think I'm going to throw anything away again!

0:19:490:19:52

What are you going to do with that sort of money?

0:19:520:19:54

A friend of mine's wife has been very poorly.

0:19:540:19:57

She's only in her 30s and she got quite a nasty illness.

0:19:570:20:01

She's now in a wheelchair and they've just put a stairlift

0:20:010:20:03

into her house so I'm going to give it to them.

0:20:030:20:07

That will be absolutely fantastic. You know, I couldn't be happier.

0:20:070:20:11

I'm so pleased we stopped that

0:20:110:20:13

little rug going into the skip that day.

0:20:130:20:15

This will make, I hope, a difference.

0:20:150:20:18

-Sarah, that's absolutely brilliant.

-I'm really pleased.

0:20:180:20:21

-That's a lovely outcome. Thank you ever so much.

-Thank you.

-Bye-bye.

0:20:210:20:25

Bye-bye. Bye.

0:20:250:20:27

What a result. The Persian rug sold at auction for £480.

0:20:270:20:33

After auction costs totalling £98.40 were deducted,

0:20:330:20:38

Sarah was able to hand over an amazing £381.60 to John.

0:20:380:20:45

Well, I think John was genuinely surprised by that outcome,

0:20:480:20:51

and the value of his old rug,

0:20:510:20:53

and that money is going to a cause that is really close to his heart.

0:20:530:20:56

Back in East London, Ray has finished

0:21:030:21:05

his makeover of the hotly anticipated armchair.

0:21:050:21:08

He is waiting for Sarah...anxiously.

0:21:080:21:12

I'm proper nervous!

0:21:120:21:15

I just hope that she really likes it, yeah.

0:21:150:21:17

Oh, no, what have I done?!

0:21:170:21:20

You've done up an armchair, Ray, don't worry.

0:21:200:21:23

Although Sarah is also on tenterhooks.

0:21:250:21:29

I've come to see Ray and to find out how the armchair has turned out

0:21:290:21:32

that I left him.

0:21:320:21:33

And this is one of the projects that has really been on my mind

0:21:330:21:36

because Ray is inventing a whole new fabric to go on the chair

0:21:360:21:40

and doing all of the upholstery

0:21:400:21:41

so this just one of those things that could go either way.

0:21:410:21:44

Either way, the transformation is now complete.

0:21:450:21:49

When Sarah dropped off the chair, it was solid

0:21:490:21:52

but badly needed bringing up-to-date.

0:21:520:21:54

But now Ray has worked his magic. It's utterly transformed.

0:22:050:22:10

Ray's hand-illustrated menagerie of monkeys are rendered

0:22:120:22:16

on a luxurious moleskin velvet,

0:22:160:22:20

which he's positioned to show off the stylish simians

0:22:200:22:23

to their best effect.

0:22:230:22:24

The chair has been entirely reupholstered with quality

0:22:260:22:30

finishings and the original wood

0:22:300:22:32

has been stained in a cool contrasting grey.

0:22:320:22:35

Ray took a big creative risk

0:22:370:22:39

on designing his own unique monkey fabric and it's paid off splendidly.

0:22:390:22:45

Well done, Ray.

0:22:450:22:46

But what will Sarah make of it?

0:22:490:22:52

-Hiya!

-Hi. Ooh!

0:22:520:22:54

-You're not nervous, are you?

-Just a little bit, yeah.

0:22:540:22:58

-Let me see.

-I'll pull it off. One, two, three.

0:22:580:23:01

Ta-da!

0:23:010:23:03

I absolutely adore it. You've done so well there. It's so cool!

0:23:030:23:08

She likes it! The woman from Del Monte says yes.

0:23:090:23:13

She does indeed.

0:23:140:23:16

-Which is your favourite monkey?

-I do like the black howler.

-Yeah.

0:23:160:23:20

And I love the golden tamarin. Ooh! Come round here.

0:23:200:23:22

-I want to take you round the back.

-I'm going on tour.

0:23:220:23:26

-So, who's he? A howler?

-Yeah, it's a black howler.

0:23:260:23:28

And that's a red howler.

0:23:280:23:30

That chair is a triumph.

0:23:300:23:32

What's so odd is I can't even relate to the chair that I brought to you.

0:23:320:23:35

-No.

-Because of what you've done to it.

0:23:350:23:37

It's like you're showing me something

0:23:370:23:39

that I've never seen before.

0:23:390:23:41

With the very highest praise,

0:23:410:23:42

Sarah is delighted with Ray's monkey chair.

0:23:420:23:46

It meant so much to me to try to do this, so thank you

0:23:460:23:49

for giving me the opportunity to do this.

0:23:490:23:52

Honestly, thank you.

0:23:520:23:54

I'm properly made up, I really am.

0:23:540:23:57

It's smiles all round for the painstakingly finished chair.

0:23:570:24:01

On that note, Sarah has got a question

0:24:010:24:04

but she doesn't want to pry-mate. You see?

0:24:040:24:09

Has it gone over budget?

0:24:090:24:10

I'm feeling now that my original costs

0:24:100:24:15

were probably a little bit low.

0:24:150:24:17

It took longer than I thought, so therefore labourwise

0:24:170:24:20

it would have been a bit more expensive.

0:24:200:24:22

The amount of work that's gone into the chair has pushed

0:24:240:24:26

Ray's labour costs up,

0:24:260:24:29

meaning he's gone around £150 over budget at a total cost of £950.

0:24:290:24:36

However, Sarah is still confident.

0:24:360:24:38

I will try so hard to sell this at very high-end

0:24:400:24:44

so that we turn a really good profit over on this.

0:24:440:24:47

-If you would, that would mean a lot.

-Great job.

0:24:470:24:49

Lovely finish and I think you should be very proud of that.

0:24:490:24:52

-Well done.

-Thank you.

0:24:520:24:54

She likes it.

0:24:570:24:58

Ah! These monkeys, you're so tricky, I'm telling you.

0:24:590:25:02

Those tricky monkeys are a triumph.

0:25:050:25:08

Ray took a chance on a creative idea that really paid off

0:25:080:25:12

but it came with a high cost to Sarah's budget.

0:25:120:25:15

Back in Walsall Recycling Centre, Sarah found Alan about to off-load

0:25:230:25:27

two armchairs.

0:25:270:25:29

A pair of chairs, how exciting.

0:25:290:25:31

Alan was happy for Sarah to nab them.

0:25:320:25:35

In a way, I'm glad they're going to be reused cos they just

0:25:350:25:39

seem too good to throw out.

0:25:390:25:41

So, Sarah spirited them straight to Ray in East London...

0:25:410:25:45

Lovely.

0:25:450:25:46

..who immediately took a shine to one chair in particular.

0:25:460:25:50

Now Sarah is on her way back to Walsall to update Alan

0:25:520:25:55

on what became of his armchair.

0:25:550:25:58

-Hello.

-Hi there, Alan. How are you doing?

-I'm very well, thanks. You?

0:26:010:26:04

Very nice to see you again.

0:26:040:26:05

-I said I would be in touch with news about your chairs.

-Yes.

0:26:050:26:10

Now, remind me, were they your in-law's chairs?

0:26:100:26:12

That's right, yes, they were. From an old farmhouse, I believe.

0:26:120:26:14

And as a pair, I thought we'd like to keep them as pair,

0:26:140:26:17

but as it turned out, I took them to somebody who had a look at them

0:26:170:26:21

and thought that there was one that was particularly good.

0:26:210:26:23

I took it to an upholsterer called Ray Clarke

0:26:230:26:26

so I've got some pictures of what he did to it.

0:26:260:26:28

Gosh.

0:26:290:26:31

-Wow.

-Is that recognisable?

-It's tremendous, isn't it?

0:26:310:26:34

It has been transformed.

0:26:340:26:36

He has redesigned it, he has given it a whole new lease of life.

0:26:360:26:40

These are the pictures of it in his studio.

0:26:400:26:42

I've never seen anything like that before. That's unbelievable.

0:26:420:26:45

It's unbelievable.

0:26:450:26:46

You just think, what are we all throwing away, really?

0:26:460:26:49

-Yes, well...

-It's got that potential.

0:26:490:26:51

It has got huge potential and it is out there now waiting to be sold

0:26:510:26:56

and I've got high hopes that it's going to generate some profit

0:26:560:26:59

-for you, and I'll keep in touch...

-Wonderful.

0:26:590:27:02

..and be knocking on your door with the money in the future.

0:27:020:27:04

-Thank you ever so much.

-Pleasure, pleasure.

0:27:040:27:06

Well, I think that Alan was really impressed with all Ray's hard work

0:27:070:27:11

because that chair really is a unique piece

0:27:110:27:13

and I'm sure it's going to sell well

0:27:130:27:15

and I'm going to be sending cash back to Alan very soon.

0:27:150:27:18

Ray's materials and painstaking labour on the chair

0:27:200:27:23

came in at just under £1,000.

0:27:230:27:27

This niche item has yet to sell

0:27:270:27:29

so it's currently a potential loss of that £950.

0:27:290:27:34

Sarah successfully saved two items from oblivion.

0:27:400:27:44

The Persian rug was a fabulous tip find

0:27:450:27:49

that sold for a fortune at auction.

0:27:490:27:51

And the wingbacked armchair had a marvellous monkey makeover.

0:27:530:27:58

Well, that's two fantastic results.

0:28:010:28:04

Ray created a really fabulous chair,

0:28:040:28:06

which I'm sure is going to end up as pride of place

0:28:060:28:08

in somebody's home soon.

0:28:080:28:09

And that rug - well, it just goes to show

0:28:090:28:12

you never know what's going to turn up at the tip.

0:28:120:28:14

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