Browse content similar to Episode 10. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Ooh, just before you throw those away... | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
-Can I have it? -You can have it, yeah. | 0:00:09 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes | 0:00:11 | 0:00:15 | |
of household waste we throw out every year. | 0:00:15 | 0:00:18 | |
Now, this is one seriously unusual tip find. | 0:00:18 | 0:00:21 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:21 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:27 | |
I'm a passionate user, maker and buyer of old stuff, | 0:00:30 | 0:00:34 | |
and I've turned my passion into a money-making business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff, and I sell it for profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:42 | 0:00:46 | |
These were going to be thrown away? Seriously? | 0:00:46 | 0:00:48 | |
I love it, love it, love it. | 0:00:48 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:54 | |
It looks brand-new. | 0:00:54 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
You are joking. | 0:00:57 | 0:00:59 | |
..and, hopefully, saleable items. | 0:00:59 | 0:01:02 | |
That is a triumph! | 0:01:02 | 0:01:04 | |
If Sarah is successful, then she can hand the profits back | 0:01:05 | 0:01:08 | |
to the very people who had no idea | 0:01:08 | 0:01:11 | |
there was cash to be made from their trash. | 0:01:11 | 0:01:14 | |
That is amazing! | 0:01:14 | 0:01:15 | |
Welcome to the West Midlands. | 0:01:28 | 0:01:29 | |
Sarah is at the Walsall recycling centre. | 0:01:31 | 0:01:34 | |
She's on the hunt for a hunk of junk | 0:01:34 | 0:01:37 | |
that can be transformed into a chunk of change. | 0:01:37 | 0:01:40 | |
I love turning a profit where others see trash. | 0:01:41 | 0:01:45 | |
Making old stuff that's drab into desirable and fab | 0:01:45 | 0:01:48 | |
is just so satisfying. | 0:01:48 | 0:01:50 | |
Sarah's been given special permission by the recycling centre | 0:01:52 | 0:01:56 | |
to rummage about today. | 0:01:56 | 0:01:58 | |
Come on, Walsall. Let's see what you've got. | 0:01:59 | 0:02:02 | |
She's on the lookout for three items she can bring back to life | 0:02:02 | 0:02:06 | |
and sell on for a profit. | 0:02:06 | 0:02:08 | |
Sarah is casting admiring glances at the junk in Keith's trunk. | 0:02:11 | 0:02:17 | |
Are you chucking the chair? You are, aren't you? | 0:02:17 | 0:02:19 | |
-Yeah. -You can't. You've got to let me have it. | 0:02:19 | 0:02:22 | |
Have it if you want. | 0:02:22 | 0:02:23 | |
Keith's clearing out the flat he rented to a loyal lodger | 0:02:23 | 0:02:27 | |
who has now moved on to a nursing home. | 0:02:27 | 0:02:29 | |
She was 90... How old? | 0:02:29 | 0:02:32 | |
-She was 91... -91. Lovely. -..last October, | 0:02:32 | 0:02:35 | |
-and she'd been my tenant for 22 years. -Fantastic. | 0:02:35 | 0:02:38 | |
So, you don't think she'd mind us having her old chair? | 0:02:38 | 0:02:40 | |
No, not at all. No. | 0:02:40 | 0:02:41 | |
-Can I have a sit? -Yeah. -Is it comfy? | 0:02:41 | 0:02:44 | |
I've no idea. I never sat in it. | 0:02:44 | 0:02:47 | |
It's great. It's lovely. | 0:02:47 | 0:02:50 | |
And do you think I'll be able to do anything with it | 0:02:50 | 0:02:53 | |
or make any money out of it? | 0:02:53 | 0:02:55 | |
-Yeah. -How much do you reckon? -A fiver. -A fiver! | 0:02:55 | 0:03:00 | |
Fiver. I'm definitely going to make you a fiver. | 0:03:00 | 0:03:02 | |
-Right then. -Thanks so much. -OK, then. | 0:03:02 | 0:03:04 | |
If anyone can scrape a profit from this chair, it's Sarah, | 0:03:04 | 0:03:08 | |
but not if she scrapes Keith's car with it first. | 0:03:08 | 0:03:11 | |
Ooh! Careful! | 0:03:11 | 0:03:13 | |
The design of the chair is good, isn't it? | 0:03:15 | 0:03:17 | |
You know, to make one of those now would cost a lot of money. | 0:03:17 | 0:03:22 | |
Definitely. | 0:03:22 | 0:03:23 | |
Check this out. | 0:03:23 | 0:03:25 | |
It's retro, it's ruined, | 0:03:25 | 0:03:28 | |
but it looks like it's got so much potential, | 0:03:28 | 0:03:30 | |
and I think it's going to look a million dollars | 0:03:30 | 0:03:33 | |
and hopefully make a pretty penny too. | 0:03:33 | 0:03:36 | |
The best bit is the transformation is going to be... | 0:03:36 | 0:03:38 | |
-SHE SINGS FANFARE -It's going to be amazing. | 0:03:38 | 0:03:41 | |
Sarah says retro. I say, "Oh, no." | 0:03:42 | 0:03:47 | |
Let's find out who she's picked to help make this seat saleable. | 0:03:47 | 0:03:51 | |
Welcome to Anthony Devine's world. | 0:03:56 | 0:03:59 | |
Anthony's unique and quirky upholstery | 0:03:59 | 0:04:02 | |
has earned him the reputation | 0:04:02 | 0:04:04 | |
as one of the most imaginative craftspeople around. | 0:04:04 | 0:04:07 | |
Anthony can upholster almost anything, | 0:04:07 | 0:04:10 | |
but he does love a good chair. | 0:04:10 | 0:04:13 | |
Some chairs you just know. | 0:04:13 | 0:04:15 | |
You know that this is the one | 0:04:15 | 0:04:16 | |
and you just know you're onto a winner. | 0:04:16 | 0:04:19 | |
You can look beyond the kind of dirt and holes and the grime | 0:04:24 | 0:04:29 | |
and you think, "Yes, we've got a gem here," | 0:04:29 | 0:04:31 | |
and then it's a matter of teaming it up with the right fabric. | 0:04:31 | 0:04:35 | |
And then from ugly ducklings arrive beautiful swans. | 0:04:35 | 0:04:39 | |
Hmm, he may be hoping for a beautiful swan, | 0:04:41 | 0:04:43 | |
but this one might be a lame duck. | 0:04:43 | 0:04:45 | |
One item down, two to go, and Sarah is loving every second. | 0:04:51 | 0:04:56 | |
Time flies when you're having fun. | 0:04:56 | 0:04:57 | |
Bringing new life to cast-aside odds and ends is Sarah's passion, | 0:04:59 | 0:05:04 | |
but she also loves selling it on for a tidy sum. | 0:05:04 | 0:05:07 | |
Can she surprise Brian by turning his clutter into cash? | 0:05:09 | 0:05:13 | |
Oh, I like the look of your rubbish. | 0:05:13 | 0:05:16 | |
What's that? What's that before we throw it away? | 0:05:16 | 0:05:19 | |
-It was a... -Oil. -..an oil tin, but... | 0:05:19 | 0:05:22 | |
Oh, it's all solid in there, is it? | 0:05:22 | 0:05:23 | |
Retired engineer Brian is getting rid of all the old bits and bobs | 0:05:23 | 0:05:27 | |
from his garage. | 0:05:27 | 0:05:28 | |
Oh, I quite like that. OK. | 0:05:28 | 0:05:31 | |
And then what are these bits? Are they...? | 0:05:31 | 0:05:34 | |
I love these. | 0:05:34 | 0:05:35 | |
Oh, I love them too. | 0:05:35 | 0:05:38 | |
Uh, but what is it - a heater? A light? I think it's a heater. | 0:05:38 | 0:05:42 | |
It's these bits I'm wondering if I could do anything. These are... | 0:05:43 | 0:05:46 | |
These don't go together, do they? | 0:05:46 | 0:05:48 | |
Ah, rusty metal shelving. That's more like it. | 0:05:48 | 0:05:51 | |
I think I'd quite like to take these bits and these bits | 0:05:52 | 0:05:55 | |
-and see if there's anything I can do with them. -Yeah. | 0:05:55 | 0:05:58 | |
On top of the rusty shelves, | 0:05:58 | 0:05:59 | |
Sarah's also nabbed some rusty metal poles. | 0:05:59 | 0:06:02 | |
I think we might leave the other bits | 0:06:02 | 0:06:05 | |
but just take this lovely rusty little bundle here | 0:06:05 | 0:06:09 | |
and see if I can do something with that. | 0:06:09 | 0:06:10 | |
I'll help you put the rest in the recycling. | 0:06:10 | 0:06:13 | |
Oh, hold on. | 0:06:13 | 0:06:14 | |
How can you chuck the, um, thingamabob? We love that. | 0:06:14 | 0:06:18 | |
IT CLATTERS LOUDLY Oof! Mind me lug holes! | 0:06:18 | 0:06:22 | |
So, Brian, do you have any ideas what Sarah is going to do | 0:06:22 | 0:06:25 | |
with all that? | 0:06:25 | 0:06:27 | |
-Well, throw it into the scrap. -HE LAUGHS | 0:06:27 | 0:06:30 | |
Well, ask a stupid question... | 0:06:30 | 0:06:32 | |
They all think I'm bonkers. | 0:06:32 | 0:06:34 | |
And they're probably right. | 0:06:35 | 0:06:37 | |
What do you mean probably? | 0:06:37 | 0:06:39 | |
Let's find out who Sarah's lined up | 0:06:39 | 0:06:41 | |
to rejuvenate this rusty old rubbish. | 0:06:41 | 0:06:44 | |
Artist blacksmith Bex Simon is an expert in manipulating metal | 0:06:48 | 0:06:53 | |
into high-end furniture and bespoke metalwork commissions. | 0:06:53 | 0:06:58 | |
Blacksmithing as a craft, you know, it hasn't really changed | 0:06:58 | 0:07:02 | |
over the hundreds and hundreds of years that it's been around. | 0:07:02 | 0:07:05 | |
We still use fire as a tool. We've got an anvil and a hammer. | 0:07:05 | 0:07:09 | |
There's something very sort of medieval about it. | 0:07:09 | 0:07:13 | |
Together with husband Dave, | 0:07:13 | 0:07:15 | |
this formidable team has the skill and imagination | 0:07:15 | 0:07:18 | |
to create something special from any old iron. | 0:07:18 | 0:07:22 | |
My passion for the craft is trying to use it | 0:07:22 | 0:07:25 | |
in a very contemporary way. | 0:07:25 | 0:07:27 | |
Still keep it alive and involve it as much as I can | 0:07:27 | 0:07:31 | |
with any job that we do. | 0:07:31 | 0:07:33 | |
Yeah, you're a passionate woman for sure, Bex, | 0:07:33 | 0:07:36 | |
but I'd like to see you get excited about this pile of junk. | 0:07:36 | 0:07:39 | |
Back at the dump, Sarah is now searching for an item | 0:07:45 | 0:07:49 | |
she can transform from people's cast-offs. | 0:07:49 | 0:07:52 | |
Sometimes it can be hard to say goodbye to sentimental items. | 0:07:52 | 0:07:57 | |
And sometimes not. | 0:07:57 | 0:07:58 | |
What are you throwing out then? | 0:07:58 | 0:08:00 | |
It was a picture of my partner's first wife. | 0:08:00 | 0:08:03 | |
-THEY LAUGH -Yes. | 0:08:03 | 0:08:04 | |
Which skip would you like that one? In the rubbish? | 0:08:04 | 0:08:07 | |
GLASS SHATTERS SHE LAUGHS | 0:08:07 | 0:08:09 | |
-Smashing. -Oh, how lovely was that? | 0:08:09 | 0:08:12 | |
Oh, a day at the dump can be so therapeutic. | 0:08:12 | 0:08:16 | |
But back to business, | 0:08:16 | 0:08:17 | |
and Sarah thinks she's spied something good | 0:08:17 | 0:08:19 | |
underneath John's bush. | 0:08:19 | 0:08:21 | |
You've got your work cut out. | 0:08:21 | 0:08:22 | |
I'll come back in a moment when you've...got rid of your greenery. | 0:08:22 | 0:08:26 | |
Are you sure you see something under there, Sarah? | 0:08:27 | 0:08:30 | |
Ah, old curtains lining the bottom of his boot. Of course. | 0:08:32 | 0:08:36 | |
Wow. Do you know what that is? | 0:08:36 | 0:08:38 | |
-Nope. -That's vintage Sanderson fabric. | 0:08:38 | 0:08:40 | |
-I can understand it. -OK. -It's from a very, very expensive house. | 0:08:40 | 0:08:43 | |
-Is it? -Yes. | 0:08:43 | 0:08:45 | |
-Somewhere where you live? -Somewhere I bought. -Really? | 0:08:45 | 0:08:48 | |
Have you got any more of them? | 0:08:48 | 0:08:50 | |
Founded in 1860, Sanderson is an internationally renowned brand | 0:08:50 | 0:08:54 | |
of quintessentially English fabrics. | 0:08:54 | 0:08:57 | |
They're a slightly different look. I can't tell if they're... | 0:08:58 | 0:09:01 | |
That's it, Sarah. Give them a good sniff. | 0:09:01 | 0:09:04 | |
For those of you not watching in aroma-vision, | 0:09:04 | 0:09:06 | |
they're a bit stinky. | 0:09:06 | 0:09:08 | |
Hmm. | 0:09:08 | 0:09:10 | |
They don't make them like this any more, do they? | 0:09:10 | 0:09:12 | |
I think that this is what I'm looking for. | 0:09:12 | 0:09:15 | |
The floral stuff is definitely appealing. | 0:09:15 | 0:09:17 | |
Thank you so much. | 0:09:17 | 0:09:18 | |
This could be a real rags-to-riches story for John. | 0:09:18 | 0:09:23 | |
What does he think Sarah can conjure up with these cast-off curtains? | 0:09:23 | 0:09:27 | |
Make some curtains? I don't know. | 0:09:30 | 0:09:32 | |
Oh, John. It's curtains for you, mate. | 0:09:32 | 0:09:35 | |
Definitely worth rescuing. | 0:09:35 | 0:09:36 | |
Probably 1950s stuff, and I know this is a personal passion. | 0:09:36 | 0:09:41 | |
I love old floral fabrics, | 0:09:41 | 0:09:42 | |
but there are lots of other people who like it too. | 0:09:42 | 0:09:45 | |
Sarah's excited. | 0:09:45 | 0:09:47 | |
You can tell when I like something, can't you? | 0:09:47 | 0:09:49 | |
I want to take it home. In fact, I probably want to wear it. | 0:09:49 | 0:09:52 | |
What do you think, wedding dress? | 0:09:52 | 0:09:54 | |
Aw, it was love at first sight. | 0:09:55 | 0:09:58 | |
Dump site, that is. | 0:09:58 | 0:09:59 | |
Sarah has salvaged her three items. | 0:10:01 | 0:10:05 | |
Anthony will transform the chair from well-worn to wonderful. | 0:10:05 | 0:10:10 | |
Bex we get to grips with the heavy metal, | 0:10:10 | 0:10:12 | |
and Sarah will bring back flower power with the curtains. | 0:10:12 | 0:10:16 | |
Today has been terrific. | 0:10:16 | 0:10:18 | |
Now just the small matter of turning tip trash | 0:10:18 | 0:10:22 | |
into treasured possessions. | 0:10:22 | 0:10:23 | |
No pressure then. | 0:10:23 | 0:10:25 | |
For Sarah's first stop, she's travelled north to Manchester | 0:10:32 | 0:10:36 | |
to unload the old brown chair on furniture restorer Anthony Devine. | 0:10:36 | 0:10:41 | |
When Sarah and Anthony have worked together in the past, though, well, | 0:10:42 | 0:10:46 | |
let's just say they haven't always seen eye to eye, | 0:10:46 | 0:10:49 | |
but this time I want no fighting, OK, children, | 0:10:49 | 0:10:52 | |
or there'll be no upholstery for anyone, all right? | 0:10:52 | 0:10:56 | |
Anybody who knows me | 0:10:56 | 0:10:57 | |
knows that I like to be kind of in control of what I do. | 0:10:57 | 0:11:01 | |
What I'm not particularly comfortable with | 0:11:01 | 0:11:04 | |
is when people turn up and they already have | 0:11:04 | 0:11:06 | |
what they want to do cemented in their mind. | 0:11:06 | 0:11:09 | |
So when Sarah turns up, | 0:11:09 | 0:11:11 | |
it's always a little bit tricky that she has one idea and | 0:11:11 | 0:11:14 | |
I have the other and somehow we've got to kind of merge them together. | 0:11:14 | 0:11:18 | |
So, yeah, it's going to be an interesting one today. | 0:11:18 | 0:11:21 | |
Devine, are you in there? | 0:11:22 | 0:11:23 | |
I've got a bad feeling about this one already. | 0:11:23 | 0:11:26 | |
Right, Sarah, if you just keep your opinions to yourself, | 0:11:26 | 0:11:29 | |
don't be too pushy, you'll get on just fine. | 0:11:29 | 0:11:32 | |
I have had a few ideas about it. | 0:11:32 | 0:11:35 | |
Oh, here we go. | 0:11:35 | 0:11:37 | |
I actually love the wood and the fabric together, | 0:11:37 | 0:11:40 | |
so I think it would be good to enhance this. | 0:11:40 | 0:11:43 | |
-We've got to get this kind of colour off... -Yeah. | 0:11:43 | 0:11:45 | |
..and put a rich colour and show that actual wood. | 0:11:45 | 0:11:48 | |
So we'll do something with the wood and then that'll really work nice | 0:11:48 | 0:11:52 | |
with the fabric. | 0:11:52 | 0:11:53 | |
OK, so, I thought... | 0:11:53 | 0:11:55 | |
Oh, no. She's at it again. | 0:11:55 | 0:11:56 | |
And maybe kind of grass-green coloured. | 0:11:56 | 0:11:59 | |
Spring green or summer green are we talking? | 0:12:00 | 0:12:03 | |
Oh, I think that kind of moss you find under a bush. | 0:12:03 | 0:12:06 | |
-Summer pasture. -Yeah. Do you think that? -Yeah. | 0:12:06 | 0:12:09 | |
Do you think that would work? | 0:12:09 | 0:12:10 | |
Hoorah! A miracle! They've agreed! | 0:12:10 | 0:12:12 | |
And maybe some flowers in the pasture. | 0:12:12 | 0:12:14 | |
-You know, something bright at the bottom. -You had me till that point. | 0:12:14 | 0:12:17 | |
I don't look too far down the line in trying to pinpoint everything | 0:12:17 | 0:12:21 | |
out of what we're going to do | 0:12:21 | 0:12:22 | |
because I think things will take its kind of natural form, | 0:12:22 | 0:12:25 | |
and then from there it will almost be obvious what we do. | 0:12:25 | 0:12:29 | |
I'm thinking of the nightmares that went before. | 0:12:29 | 0:12:31 | |
-Let's just keep it simple. -OK. -Just keep it simple. | 0:12:31 | 0:12:34 | |
So, heaps of potential. | 0:12:34 | 0:12:36 | |
I'm going to do the professional... | 0:12:36 | 0:12:38 | |
-HE INHALES SHARPLY -.."It's going to cost you." | 0:12:38 | 0:12:40 | |
So, how much then? I'm just not hearing the money. | 0:12:40 | 0:12:43 | |
Well, probably around the 475 mark. | 0:12:43 | 0:12:45 | |
If you do it for 450... | 0:12:45 | 0:12:47 | |
Oh, she's giving him the look. | 0:12:48 | 0:12:51 | |
Don't be afraid of her, Anthony. Stay strong. | 0:12:52 | 0:12:55 | |
-I'm going to leave before you change your mind. -Thank you very much. | 0:12:56 | 0:12:59 | |
Works every time. | 0:12:59 | 0:13:00 | |
Well, after a slightly tense negotiation, | 0:13:05 | 0:13:08 | |
I think we've got where we need to be with that chair. | 0:13:08 | 0:13:11 | |
It's going to look amazing. Grass green. Brilliant. | 0:13:11 | 0:13:13 | |
With the chair coming in at £450, the plan is simple, | 0:13:15 | 0:13:20 | |
grassy and mossy. | 0:13:20 | 0:13:21 | |
But is Sarah going to like it | 0:13:21 | 0:13:23 | |
when Anthony inevitably does whatever he's going to do to it? | 0:13:23 | 0:13:27 | |
From the north down to the south and the tranquil Surrey countryside. | 0:13:34 | 0:13:39 | |
Sarah's brought along the rusty shelves | 0:13:39 | 0:13:42 | |
to husband and wife Bex and Dave. | 0:13:42 | 0:13:44 | |
Health and safety, dear. Right. | 0:13:44 | 0:13:47 | |
Those clip on there. | 0:13:47 | 0:13:49 | |
Let's hope they can make something marvellous from them, | 0:13:49 | 0:13:52 | |
although they look more at home in the garden. | 0:13:52 | 0:13:55 | |
Sarah does seem to find the most unusual things, | 0:13:55 | 0:13:59 | |
but I do actually like that cos she has some really good ideas, | 0:13:59 | 0:14:03 | |
and together with her ideas | 0:14:03 | 0:14:06 | |
and us sort of fiddling around in a workshop, | 0:14:06 | 0:14:08 | |
we do manage to make some all right things. | 0:14:08 | 0:14:11 | |
And if the shelves weren't enough, some rusty bars complete the set. | 0:14:11 | 0:14:16 | |
Lucky them. | 0:14:16 | 0:14:17 | |
-Bex, Dave! -Hello! -Hiya! | 0:14:17 | 0:14:20 | |
I was just saying that I don't get embarrassed | 0:14:20 | 0:14:22 | |
when I bring you piles of rusty stuff, | 0:14:22 | 0:14:23 | |
and then I walk in here and I feel really embarrassed. | 0:14:23 | 0:14:26 | |
-Oh, no. -Come and see my rusty stuff. | 0:14:26 | 0:14:28 | |
What have we got? Oh, look. Shelves. | 0:14:28 | 0:14:31 | |
-This is a high-end interiors cabinet. -Oh, yeah. | 0:14:31 | 0:14:33 | |
It just looks like shelves at the moment. | 0:14:33 | 0:14:35 | |
I thought what we could do is make a frame out of that | 0:14:35 | 0:14:39 | |
and some sort of finishing out of this to make a lovely cabinet. | 0:14:39 | 0:14:44 | |
Oh, dear. I'm not sure I like that. | 0:14:46 | 0:14:48 | |
Don't get all excited at once. | 0:14:48 | 0:14:50 | |
-Why don't you draw down so we can...? -OK. We'll bring a bit in. | 0:14:50 | 0:14:53 | |
I've got a feeling they're not totally convinced. | 0:14:53 | 0:14:57 | |
Is this is where Dave normally stands? | 0:14:57 | 0:14:59 | |
-SHE LAUGHS -Yeah. | 0:14:59 | 0:15:01 | |
Well, they don't call him buns of steel for nothing, you know. | 0:15:01 | 0:15:05 | |
Maybe the front of the cabinet | 0:15:05 | 0:15:07 | |
could be made up of a couple of the panels, | 0:15:07 | 0:15:10 | |
and maybe just one panel deep, | 0:15:10 | 0:15:12 | |
and then lovely legs. | 0:15:12 | 0:15:13 | |
Bex's lovely legs. So, how does that sound? Is that...? | 0:15:13 | 0:15:16 | |
You know, can you imagine that? | 0:15:16 | 0:15:18 | |
-I can see it. -Yeah. | 0:15:18 | 0:15:19 | |
I think just for finishing, I think, you know, | 0:15:19 | 0:15:22 | |
if we're painting over that, | 0:15:22 | 0:15:25 | |
then it's going to look like a really nice paint job | 0:15:25 | 0:15:28 | |
on a battered piece of furniture. | 0:15:28 | 0:15:30 | |
What do you use to clean them up? What really go for? | 0:15:30 | 0:15:33 | |
Well, we're just going to give it a quick wire brush and see. | 0:15:33 | 0:15:37 | |
-If you put some... -I love this. | 0:15:37 | 0:15:39 | |
Right, girls with power tools. Here we go, Bex. We can do this. | 0:15:39 | 0:15:42 | |
Bex is giving the metal a quick test rub with the metal sander | 0:15:43 | 0:15:47 | |
to see if anything still shines beneath all that rust. | 0:15:47 | 0:15:50 | |
I love that. | 0:15:50 | 0:15:52 | |
Really? | 0:15:52 | 0:15:53 | |
If this comes out to be this beautiful cabinet, | 0:15:53 | 0:15:55 | |
realistically what kind of price do you think it's going to take | 0:15:55 | 0:15:59 | |
to get this with that high-end luxury feeling to it? | 0:15:59 | 0:16:02 | |
We could stretch it to say, 700, 800... | 0:16:02 | 0:16:06 | |
-OK. -..which would be... -OK, 750? | 0:16:06 | 0:16:09 | |
-750, yeah. -Fab. | 0:16:09 | 0:16:11 | |
It's a done deal. Everybody happy? | 0:16:11 | 0:16:14 | |
Hmm. Dave, what's that worried face for? | 0:16:14 | 0:16:17 | |
My concerns are it looks like a bunch of workshop shelves | 0:16:17 | 0:16:21 | |
that have been...welded together in a kind of... | 0:16:21 | 0:16:26 | |
-And it's rattly, flimsy and just... -SHE LAUGHS | 0:16:26 | 0:16:29 | |
Yeah, but we'll make it look good. Jazzy shelves. | 0:16:29 | 0:16:33 | |
It's a fairly steep £750 to transform the shelves. | 0:16:34 | 0:16:39 | |
I'll tell you, they're going to have to turn out pretty jazzy | 0:16:39 | 0:16:43 | |
for someone to pay more than that for them. | 0:16:43 | 0:16:45 | |
With our makers put to work, | 0:16:52 | 0:16:54 | |
it's now over to Sussex | 0:16:54 | 0:16:55 | |
and time for Sarah to put her own skills to the test. | 0:16:55 | 0:16:59 | |
The old curtains are fresh from the wash | 0:17:00 | 0:17:03 | |
and ready to be transformed into...something. | 0:17:03 | 0:17:07 | |
I don't think she knows yet. | 0:17:07 | 0:17:09 | |
I am so excited about these. | 0:17:11 | 0:17:13 | |
As you might be able to see, they fit right at home | 0:17:13 | 0:17:16 | |
with my little collection of fabrics, | 0:17:16 | 0:17:18 | |
but I'm going to make something out of them. | 0:17:18 | 0:17:20 | |
And hopefully make some money. | 0:17:21 | 0:17:24 | |
What Sarah decides to make depends on how much usable fabric | 0:17:24 | 0:17:29 | |
she has, and, oh, that doesn't look great. | 0:17:29 | 0:17:32 | |
Some of it is in really bad condition. | 0:17:32 | 0:17:33 | |
It's such a shame, so I can't use all of it. | 0:17:33 | 0:17:36 | |
So, the best thing, I think, | 0:17:36 | 0:17:37 | |
is to try and reclaim the fabric back into panels | 0:17:37 | 0:17:39 | |
and then see exactly what kind of projects I'm going to be able to do. | 0:17:39 | 0:17:43 | |
So, I'm just going to try and unpick along the seams. | 0:17:43 | 0:17:45 | |
You can do it using a little unpicking implement | 0:17:45 | 0:17:49 | |
that you can get, or you can snip and you can rip. | 0:17:49 | 0:17:52 | |
Snip and rip. | 0:17:52 | 0:17:54 | |
Well, I can see the snip, but what about the... | 0:17:54 | 0:17:57 | |
Oh, there is. | 0:17:57 | 0:17:58 | |
She wasn't joking. | 0:17:59 | 0:18:01 | |
With the curtains ripped to bits, | 0:18:03 | 0:18:05 | |
Sarah starts to remove the heading tape. | 0:18:05 | 0:18:07 | |
That's the bit the hooks go on. | 0:18:07 | 0:18:09 | |
I want to get as much fabric out of this as possible | 0:18:09 | 0:18:12 | |
because even a six-inch square might make a lavender bag | 0:18:12 | 0:18:16 | |
or a collar or something pretty, | 0:18:16 | 0:18:18 | |
and as this fabric is getting rarer and rarer, | 0:18:18 | 0:18:20 | |
you want to make the most of it if you get hold of it. | 0:18:20 | 0:18:22 | |
Modern upholsterers are desperate for well-preserved vintage curtains | 0:18:22 | 0:18:27 | |
to use in high-end interiors. | 0:18:27 | 0:18:29 | |
They also work just as well to line the boot of your car. | 0:18:29 | 0:18:32 | |
There's a lot of interest in it. This is commercial. | 0:18:34 | 0:18:36 | |
And because it's original, | 0:18:36 | 0:18:38 | |
it's the Holy Grail to find something like this. | 0:18:38 | 0:18:40 | |
So, making cushions out of this, | 0:18:40 | 0:18:42 | |
I think I've got a real chance of making a profit. | 0:18:42 | 0:18:44 | |
Cushions. That'll do. | 0:18:44 | 0:18:46 | |
Now, for backing fabric, I'm going to have a little look in my store. | 0:18:46 | 0:18:50 | |
I've got velvet. | 0:18:50 | 0:18:52 | |
I bought both these panels for £3 | 0:18:52 | 0:18:54 | |
at a car-boot sale a couple of weeks ago. | 0:18:54 | 0:18:56 | |
Beautiful cotton velvet. | 0:18:56 | 0:18:57 | |
So, that's one possibility. | 0:18:57 | 0:18:59 | |
If not, maybe something plain. | 0:18:59 | 0:19:01 | |
Sarah is using scrap materials for the backs | 0:19:01 | 0:19:04 | |
to maximise the number of cushions she's able to make. | 0:19:04 | 0:19:08 | |
She's starting by cutting a template to fit a roughly 18-inch cushion. | 0:19:11 | 0:19:17 | |
The simplest way to make a cushion | 0:19:17 | 0:19:19 | |
is just to make one which has an envelope back, | 0:19:19 | 0:19:21 | |
which means you have two layers of fabric over the back that overlap, | 0:19:21 | 0:19:24 | |
and that way you don't have to do zips or buttons. | 0:19:24 | 0:19:26 | |
The next step is to sew the front and back panels together. | 0:19:29 | 0:19:33 | |
And after it gets stuffed, it's done. | 0:19:36 | 0:19:39 | |
Well, one of them. | 0:19:39 | 0:19:41 | |
That's come a very long way from being used as a rag | 0:19:41 | 0:19:44 | |
to protect the boot of somebody's car. | 0:19:44 | 0:19:46 | |
Sarah already had the cushion fillers, | 0:19:49 | 0:19:51 | |
so has spent just £10 on the backing fabric. | 0:19:51 | 0:19:55 | |
But how many cushions will she be able to rustle up? | 0:19:55 | 0:19:58 | |
The more she completes, the more profit she can make. | 0:19:58 | 0:20:02 | |
As Sarah cracks on, it's time to head to Manchester | 0:20:05 | 0:20:09 | |
where upholster Anthony is working some magic | 0:20:09 | 0:20:12 | |
on the old drab chair...we hope. | 0:20:12 | 0:20:15 | |
Ta-dah! | 0:20:15 | 0:20:17 | |
No, still old and drab. | 0:20:17 | 0:20:19 | |
Take the back off. | 0:20:19 | 0:20:20 | |
Anthony is used to working with old furniture, | 0:20:20 | 0:20:23 | |
but it's getting harder and harder to come by. | 0:20:23 | 0:20:26 | |
I mean, the likes of your Parker Knowles, | 0:20:27 | 0:20:29 | |
your Ercols and stuff like that, I mean, | 0:20:29 | 0:20:32 | |
ten years ago we were chucking them out for fun and now, | 0:20:32 | 0:20:37 | |
now we're taking them out the skips. | 0:20:37 | 0:20:39 | |
And just as well. Anthony starts by removing the 1950s fabric. | 0:20:39 | 0:20:44 | |
He wants to completely strip the chair to its bare-bones. | 0:20:44 | 0:20:48 | |
But it takes a lot of elbow grease to get out all those original tacks. | 0:20:48 | 0:20:53 | |
That's it, Anthony. Hit it. | 0:20:53 | 0:20:55 | |
All I can hear in the back of my head is, you know, | 0:20:55 | 0:20:57 | |
the guy doing the voiceover, "That's it, Anthony. Hit it." | 0:20:57 | 0:21:00 | |
Oi. This is weird. | 0:21:00 | 0:21:03 | |
Better watch what I say. | 0:21:03 | 0:21:05 | |
With the material removed, | 0:21:11 | 0:21:13 | |
Anthony is enlisting his helper Marianne | 0:21:13 | 0:21:16 | |
to help sand back the exposed wood. | 0:21:16 | 0:21:19 | |
Anthony is applying a clear protective wax first | 0:21:19 | 0:21:23 | |
and then a darker wax on top to bring out the natural grain. | 0:21:23 | 0:21:27 | |
This chair is probably 60 years old. No replacements needed. | 0:21:28 | 0:21:32 | |
No arms, no hips, no knees. There's probably not that many... | 0:21:32 | 0:21:36 | |
I better not say that. | 0:21:36 | 0:21:37 | |
..60-year-olds that are as strong as this. | 0:21:37 | 0:21:39 | |
My mum and dad are over 60 and they're pretty strong. | 0:21:39 | 0:21:42 | |
They could do with a bit of re-waxing, that's for sure. | 0:21:42 | 0:21:44 | |
Oi, watch it, sunshine. | 0:21:44 | 0:21:46 | |
To pad the back of the chair, | 0:21:47 | 0:21:49 | |
they're using a base of green layered felt | 0:21:49 | 0:21:52 | |
and then an extra layer of cotton padding that Anthony | 0:21:52 | 0:21:56 | |
is stapling in place with a pneumatic stapler. | 0:21:56 | 0:21:59 | |
So, we're ready now for the calico. | 0:22:00 | 0:22:02 | |
We've got our kind of comfort layer here. We're ready to go with this. | 0:22:02 | 0:22:05 | |
So, this, we call it the FR, which stands for fire retardant. | 0:22:05 | 0:22:09 | |
Ironically, the only thing that does catch fire on a chair | 0:22:11 | 0:22:15 | |
that has been treated with fire retardancy | 0:22:15 | 0:22:17 | |
is the fire label itself. | 0:22:17 | 0:22:19 | |
Is there not something else that'll catch fire? | 0:22:19 | 0:22:23 | |
-Pardon? -Wood? | 0:22:23 | 0:22:24 | |
-Ah, yeah. The wood will burn too. -HE LAUGHS | 0:22:24 | 0:22:27 | |
Anthony has listening to Sarah's ideas and has picked a | 0:22:29 | 0:22:33 | |
grassy, mossy wool for the bulk of the chair. | 0:22:33 | 0:22:36 | |
It looks more like he's re-covering a snooker table. | 0:22:36 | 0:22:39 | |
He's even got the chalk. | 0:22:39 | 0:22:41 | |
Right. | 0:22:43 | 0:22:44 | |
Sarah chose the green | 0:22:44 | 0:22:46 | |
because I believe this is the on-trend colour for 2016. | 0:22:46 | 0:22:52 | |
Really? So, snooker is the big thing this year, is it? | 0:22:52 | 0:22:56 | |
Could potentially be like that. | 0:22:56 | 0:22:58 | |
Something seems a bit fishy here. | 0:22:58 | 0:23:00 | |
Anthony is playing this awfully safe. But just watch. | 0:23:00 | 0:23:03 | |
He'll be waiting for us to go | 0:23:03 | 0:23:05 | |
and then the real transformation will begin. | 0:23:05 | 0:23:08 | |
So, from Manchester to Surrey, | 0:23:12 | 0:23:14 | |
and time to check in on Bex and Dave and those rusty shelves. | 0:23:14 | 0:23:18 | |
Bex is drawing out the blueprint for the new cabinet. | 0:23:18 | 0:23:21 | |
That's another door. | 0:23:21 | 0:23:23 | |
-So, you've got two of the shelves. -HE LAUGHS | 0:23:24 | 0:23:27 | |
But I think Dave has spotted a small flaw in Bex's plan. | 0:23:27 | 0:23:31 | |
You've got five doors. | 0:23:31 | 0:23:32 | |
SHE LAUGHS | 0:23:32 | 0:23:35 | |
I was just testing to see if you were awake. | 0:23:35 | 0:23:38 | |
Well, that's an encouraging start then. | 0:23:38 | 0:23:41 | |
Dave's first job is to weld together a steel frame | 0:23:45 | 0:23:48 | |
that will form the body of the cabinet | 0:23:48 | 0:23:50 | |
before the shelves are attached. | 0:23:50 | 0:23:52 | |
Dave was having a little trouble | 0:23:55 | 0:23:57 | |
picturing this as a high-end interiors piece... | 0:23:57 | 0:24:00 | |
..so Bex has been coming up with ideas to bling it up a bit. | 0:24:01 | 0:24:05 | |
We could either paint the inside, you know, like, | 0:24:05 | 0:24:10 | |
gold or something, like. | 0:24:10 | 0:24:12 | |
Or not. | 0:24:15 | 0:24:17 | |
I think it's back to the drawing board. | 0:24:17 | 0:24:20 | |
As Dave assembles the base, Bex starts to make the legs | 0:24:22 | 0:24:26 | |
out of the steel bars Sarah salvaged | 0:24:26 | 0:24:29 | |
along with the shelves. | 0:24:29 | 0:24:31 | |
Bex is cutting them to size with an electric saw. | 0:24:31 | 0:24:34 | |
-Positive thinking. Positive thinking. -But... | 0:24:34 | 0:24:37 | |
-SHE GASPS -Ah. | 0:24:37 | 0:24:39 | |
Houston, we have a problem. | 0:24:39 | 0:24:42 | |
Look. | 0:24:42 | 0:24:44 | |
..one of the legs has ended up a little shorter than the others. | 0:24:44 | 0:24:48 | |
We'll have to cut them again then. | 0:24:48 | 0:24:49 | |
-SHE LAUGHS -That's a total problem. | 0:24:49 | 0:24:52 | |
OK. | 0:24:52 | 0:24:53 | |
With time getting on, workhorse Dave helps cut the legs down to size | 0:24:53 | 0:24:58 | |
while Bex still has the tough job of trying to design the cabinet. | 0:24:58 | 0:25:03 | |
And she's just had an idea that might just make it saleable. | 0:25:03 | 0:25:07 | |
This is a hammered aluminium look, | 0:25:07 | 0:25:11 | |
so we want that thing when you open it up you're like, | 0:25:11 | 0:25:14 | |
"Oh, my goodness. I so wasn't expecting that." | 0:25:14 | 0:25:18 | |
The outside is going to look a bit like that, | 0:25:18 | 0:25:20 | |
-maybe with a bit of paint. -Yeah. | 0:25:20 | 0:25:23 | |
And then the inside is going to be completely and utterly different. | 0:25:23 | 0:25:27 | |
To achieve a hammered aluminium finish | 0:25:30 | 0:25:33 | |
requires the very technical process | 0:25:33 | 0:25:35 | |
of first taking some aluminium and then bashing it with a hammer. | 0:25:35 | 0:25:40 | |
This will create a lovely dimpled effect | 0:25:40 | 0:25:42 | |
that Bex and Dave are hoping will draw the eye away | 0:25:42 | 0:25:46 | |
from the rusty metal. | 0:25:46 | 0:25:47 | |
But back up the other end, Dave doesn't look happy again. | 0:25:50 | 0:25:54 | |
I can't remember from the discussion with Sarah what she wanted. | 0:25:54 | 0:25:58 | |
Fear not, Dave. You've done exactly what Sarah wanted. | 0:25:58 | 0:26:02 | |
This one's putting them into a spin. | 0:26:02 | 0:26:04 | |
It's probably too thin to be one deep, isn't it? | 0:26:05 | 0:26:08 | |
I think if it was twice the depth, it would look just too bulky. | 0:26:08 | 0:26:13 | |
I think you might be right there, Dave, and you two need to crack on. | 0:26:13 | 0:26:18 | |
To be honest, I'd say the bigger problem is that | 0:26:18 | 0:26:20 | |
at the moment, | 0:26:20 | 0:26:21 | |
it's a million miles away from anything | 0:26:21 | 0:26:24 | |
anyone would pay over £750 for. | 0:26:24 | 0:26:27 | |
With her makers still having a fair bit to do, | 0:26:31 | 0:26:34 | |
it's back to Sussex to see how many cushions | 0:26:34 | 0:26:36 | |
Sarah's managed to salvage out of the old curtains. | 0:26:36 | 0:26:40 | |
You want to make nice, neat corners, | 0:26:40 | 0:26:42 | |
so you can either trim them off or just tuck them in like that. | 0:26:42 | 0:26:45 | |
And with a few finishing touches... | 0:26:45 | 0:26:47 | |
You want a lovely, crispy edge to them. | 0:26:47 | 0:26:49 | |
..she's done. | 0:26:49 | 0:26:51 | |
Before, the old curtains were destined to live out their life | 0:26:53 | 0:26:57 | |
in the back of a boot, but now... | 0:26:57 | 0:26:59 | |
..they're plump, pillowy and pouring with charm. | 0:27:02 | 0:27:06 | |
Sarah managed - wait for it - seven cushions. | 0:27:07 | 0:27:11 | |
Along with two in pastelly pink, she made five in rich, green velvet. | 0:27:12 | 0:27:17 | |
She had to get a bit of outside help | 0:27:17 | 0:27:20 | |
to sew because the velvet is quite a tricky material to work with. | 0:27:20 | 0:27:24 | |
But they now look like they could be worth a bob or two. | 0:27:24 | 0:27:28 | |
I am so pleased with how these have turned out. | 0:27:28 | 0:27:31 | |
I'm a big floral fan, so for me, these are right up my street, | 0:27:31 | 0:27:35 | |
but I know there are heaps of people out there | 0:27:35 | 0:27:37 | |
who really like this kind of thing, | 0:27:37 | 0:27:39 | |
so selling these should be a walk in the park. | 0:27:39 | 0:27:42 | |
Before Sarah first laid eyes on the fabric... | 0:27:49 | 0:27:52 | |
You've got your work cut out. | 0:27:52 | 0:27:54 | |
..she had to rustle through John's bush... | 0:27:54 | 0:27:57 | |
Wow. | 0:27:57 | 0:27:58 | |
..only to find it lining his boot. | 0:27:58 | 0:28:00 | |
That's vintage Sanderson fabric. | 0:28:00 | 0:28:01 | |
John had an inkling it might be worth a bit... | 0:28:01 | 0:28:03 | |
From a very, very expensive house. | 0:28:03 | 0:28:05 | |
..but was happy for Sarah to take the old curtains | 0:28:05 | 0:28:08 | |
and turn them into... | 0:28:08 | 0:28:10 | |
Make some curtains, I don't know. | 0:28:10 | 0:28:11 | |
Luckily, Sarah had a bit more imagination than John. | 0:28:11 | 0:28:15 | |
Sarah hosted a craft fair at the barn | 0:28:16 | 0:28:19 | |
and put the cushions up for sale. | 0:28:19 | 0:28:21 | |
They've got beautiful vintage velvet on the front. | 0:28:21 | 0:28:24 | |
And in no time at all... | 0:28:24 | 0:28:25 | |
Thank you very much indeed. I shall. | 0:28:25 | 0:28:27 | |
..one was snapped up. | 0:28:27 | 0:28:29 | |
Yay. One cushion sold. Six more to go. | 0:28:29 | 0:28:32 | |
I think they're beautiful. They should sell, shouldn't they? | 0:28:32 | 0:28:35 | |
Well, they should, but did they? | 0:28:35 | 0:28:37 | |
Now Sarah's travelled to Sutton Coldfield | 0:28:39 | 0:28:42 | |
to hand John the spoils of one cushion, | 0:28:42 | 0:28:45 | |
seven cushions, somewhere in between? | 0:28:45 | 0:28:48 | |
-Hi, John. -Hello, Sarah. -Nice to see you again. -How are you? | 0:28:53 | 0:28:56 | |
Yeah, I'm very well. I'm very well. | 0:28:56 | 0:28:57 | |
So, when I saw you, you had got some material | 0:28:57 | 0:29:01 | |
and a lot of bushes on top of it. | 0:29:01 | 0:29:02 | |
-Yes. -Talk me through what was going on there. -Yeah. | 0:29:02 | 0:29:04 | |
I'd cut some bushes down and I didn't want to wreck the car | 0:29:04 | 0:29:07 | |
so I'd lined the car with an old pair of curtains. | 0:29:07 | 0:29:10 | |
Now, I might have read you wrong, | 0:29:10 | 0:29:12 | |
but from the fact that you're using them as a dust sheet, | 0:29:12 | 0:29:15 | |
I'm thinking that big flowery curtains weren't your cup of tea. | 0:29:15 | 0:29:18 | |
Not necessarily. No. No, no. | 0:29:18 | 0:29:20 | |
No, they'd come from an old house in Walsall. | 0:29:20 | 0:29:23 | |
Did you think after I left what we might do with them? | 0:29:23 | 0:29:25 | |
Other than more curtains or cushion covers or something like that, | 0:29:25 | 0:29:29 | |
but I don't... | 0:29:29 | 0:29:30 | |
It was cushion covers, and it was a project that I worked on myself. | 0:29:30 | 0:29:34 | |
So, that's your fabric, and this is how they ended up. | 0:29:34 | 0:29:37 | |
-Didn't they clean up well? -They did. | 0:29:37 | 0:29:39 | |
-And so I made some cushions out of them. -Wow. | 0:29:39 | 0:29:42 | |
-Just from that one curtain? -Yep. -Now, that's amazing. | 0:29:42 | 0:29:45 | |
-I made seven cushions and they all sold. -Oh, wonderful. | 0:29:45 | 0:29:49 | |
So, good news is, there's a little bit of profit here for you. | 0:29:49 | 0:29:53 | |
There is in fact £189 there for your cushions. | 0:29:53 | 0:29:59 | |
Wow. That's amazing. 180... | 0:29:59 | 0:30:02 | |
I thought you might say £20 or £30, not £189. | 0:30:02 | 0:30:06 | |
What sort of thing do you think you might do with the money? | 0:30:06 | 0:30:09 | |
My mother-in-law suffers from dementia. | 0:30:09 | 0:30:11 | |
OK, I'm sorry to hear that. | 0:30:11 | 0:30:13 | |
So, something for an Alzheimer's charity would be very, very good. | 0:30:13 | 0:30:17 | |
So, that's brilliant, and the whole lot would go to that, | 0:30:17 | 0:30:19 | |
so it would do a lot of good. | 0:30:19 | 0:30:20 | |
-I'm so glad that's going to a great cause. -Thank you very much. | 0:30:20 | 0:30:23 | |
-Thank you. -Thanks a lot. -Take care. Bye-bye. -Bye-bye. | 0:30:23 | 0:30:26 | |
Sarah spent £40 making the cushions, | 0:30:26 | 0:30:29 | |
which includes the help she got with the sewing. | 0:30:29 | 0:30:32 | |
With one selling at her barn and the rest on social media | 0:30:32 | 0:30:36 | |
adding up to a total of £229, | 0:30:36 | 0:30:39 | |
John has £189 to donate to an Alzheimer's charity. | 0:30:39 | 0:30:44 | |
That's one successful transformation. | 0:30:47 | 0:30:50 | |
Now it's time to head to Manchester | 0:30:50 | 0:30:52 | |
to see what Anthony's made of the old '50s chair. | 0:30:52 | 0:30:55 | |
In the past, Sarah's asked Anthony for nice, | 0:30:55 | 0:30:58 | |
simple upholstery jobs, and he's chosen this kind of fabric. | 0:30:58 | 0:31:02 | |
And who could forget this one? | 0:31:05 | 0:31:07 | |
Oof! Mind you, Anthony's stuff always sells, | 0:31:10 | 0:31:13 | |
but sometimes it's not what Sarah asked for. | 0:31:13 | 0:31:16 | |
I'm here hoping that Anthony has taken that brown, | 0:31:16 | 0:31:20 | |
tired old chair and turned it into something fabulous. | 0:31:20 | 0:31:23 | |
It has great bone structure, so it could look good. | 0:31:23 | 0:31:26 | |
But knowing Anthony, he could have done anything to it. | 0:31:26 | 0:31:29 | |
When Sarah dropped it off, it was old, brown and a bit down, | 0:31:30 | 0:31:35 | |
but now brace yourselves. | 0:31:35 | 0:31:37 | |
Wow. It's just lovely. | 0:31:39 | 0:31:41 | |
Anthony's produced a simple, elegant, | 0:31:45 | 0:31:47 | |
beautifully refitted piece of furniture. | 0:31:47 | 0:31:50 | |
The apparently on-trend green wool | 0:31:50 | 0:31:53 | |
is complemented by lighter green side panels | 0:31:53 | 0:31:56 | |
that bring out the natural colour of the wood. | 0:31:56 | 0:31:59 | |
All in all, I think I want to buy it. | 0:32:00 | 0:32:05 | |
-Hello. -Hello. -How are you? | 0:32:05 | 0:32:08 | |
Behold. | 0:32:11 | 0:32:12 | |
Is that the same chair? I don't recognise it. | 0:32:14 | 0:32:16 | |
It's completely different. What have you done to it? | 0:32:16 | 0:32:18 | |
This is just a good, solid piece of furniture. | 0:32:18 | 0:32:21 | |
We could've been all a bit crazy with it. | 0:32:21 | 0:32:23 | |
I just think it is what it is, and I think it's just a very nice chair. | 0:32:23 | 0:32:28 | |
But as it stands, there's something here that can be sold to everybody. | 0:32:28 | 0:32:31 | |
I mean, I would like... Like, I would love this in my house. | 0:32:31 | 0:32:34 | |
I mean, I absolutely love the chair. | 0:32:34 | 0:32:38 | |
-Yeah. -Just a bit too safe for you? | 0:32:38 | 0:32:40 | |
-Well... -Boring. -No, I don't think it's any of those things. | 0:32:40 | 0:32:45 | |
It's like just having a friend that's like, | 0:32:45 | 0:32:47 | |
"Do you want to go to the pub?" | 0:32:47 | 0:32:48 | |
and he's always the one who goes to the pub. | 0:32:48 | 0:32:50 | |
He's never going to throw anything out there and be crazy. | 0:32:50 | 0:32:52 | |
He's just like, "I'll get you a pint." | 0:32:52 | 0:32:55 | |
Yeah, but you know something? Everybody needs a friend like that. | 0:32:55 | 0:32:57 | |
Are they still talking about the chair? | 0:32:57 | 0:33:00 | |
-I'm going to call him Brian. -Brian. I love Brian. He's dependable. | 0:33:00 | 0:33:02 | |
-He'll get you out of trouble. -Yeah, yeah. | 0:33:02 | 0:33:04 | |
Sees you right at the end of the night. I'll take Brian. | 0:33:04 | 0:33:07 | |
Wrap him up for me. I'll send the couriers. | 0:33:07 | 0:33:10 | |
He's all yours. | 0:33:10 | 0:33:11 | |
I've got no idea what they're going on about, | 0:33:11 | 0:33:14 | |
but I think Sarah's happy. | 0:33:14 | 0:33:16 | |
I really didn't recognise that chair | 0:33:17 | 0:33:19 | |
as the depressing brown thing that I dropped off. | 0:33:19 | 0:33:22 | |
It's now a dapper little chap that's going to turn a profit. | 0:33:22 | 0:33:25 | |
It's just you and me, Brian. It's just you and me. | 0:33:26 | 0:33:28 | |
Don't leave him hanging, Brian | 0:33:28 | 0:33:31 | |
Aw. BFFs. | 0:33:31 | 0:33:34 | |
But sadly, Brian has to be sold, and coming in on budget at £450, | 0:33:34 | 0:33:39 | |
Sarah will have to slap on a high price tag | 0:33:39 | 0:33:43 | |
to make a good profit. | 0:33:43 | 0:33:44 | |
Well, before Brian was Brian, it was just Keith's old chair. | 0:33:47 | 0:33:52 | |
-You've got to let me have it. -Have it if you want. | 0:33:52 | 0:33:54 | |
Lovingly cared for by his lodger for decades... | 0:33:54 | 0:33:58 | |
-She was 91. -91. -She'd been my tenant for 22 years. | 0:33:58 | 0:34:02 | |
..Keith knew it was a quality piece... | 0:34:02 | 0:34:04 | |
To make one of those now would cost a lot of money. | 0:34:04 | 0:34:07 | |
..but was sceptical of any cash value. | 0:34:07 | 0:34:10 | |
-How much do you reckon? -A fiver. -A fiver! | 0:34:10 | 0:34:14 | |
Fiver. | 0:34:14 | 0:34:15 | |
The challenge was on to make Keith more than a fiver. | 0:34:15 | 0:34:19 | |
Sarah invited around Nick from Smithers of Stamford | 0:34:19 | 0:34:22 | |
to see if he fancied it for his online shop. | 0:34:22 | 0:34:25 | |
So, do you think it would ship out from your website? | 0:34:25 | 0:34:28 | |
-Yeah, I reckon ship it to the States. -Really? | 0:34:28 | 0:34:29 | |
-Are they liking this kind of thing? -Yeah, definitely in America, yeah. | 0:34:29 | 0:34:32 | |
Confident it would find a new home abroad, Nick bought it. | 0:34:32 | 0:34:36 | |
-Yeah? -Mm. -That's great news. | 0:34:36 | 0:34:38 | |
Sarah's travelled to Aldridge in the West Midlands | 0:34:38 | 0:34:42 | |
to show Keith what was done to his chair | 0:34:42 | 0:34:44 | |
and hopefully hand over more than a fiver. | 0:34:44 | 0:34:47 | |
-Keith. -Hello, Sarah. | 0:34:50 | 0:34:52 | |
-How do you do? -How are you? -Nice to see you again. | 0:34:52 | 0:34:55 | |
I said at the tip that it would be great to catch up with you again... | 0:34:55 | 0:34:58 | |
-Yes. -..to talk to you about your old chair. | 0:34:58 | 0:35:01 | |
Am I right in thinking it wasn't actually from your house, was it? | 0:35:01 | 0:35:03 | |
No, it wasn't. No. | 0:35:03 | 0:35:05 | |
It was a house which I had rented out, | 0:35:05 | 0:35:09 | |
and the old lady left and just left everything to go to the tip. | 0:35:09 | 0:35:13 | |
-I think at the time I said probably a fiver... -Yeah. -..if I remember. | 0:35:13 | 0:35:17 | |
-Really, a fiver? -Yeah. | 0:35:17 | 0:35:18 | |
-Well, let me show... -Oh, yeah. -..what we managed to do to it. | 0:35:18 | 0:35:22 | |
-When it was restored, it actually ended up looking like that. -Wow. | 0:35:22 | 0:35:25 | |
-It's amazing, really. -It looks completely different, doesn't it? | 0:35:26 | 0:35:29 | |
-Investing in updating a chair like that is not a small thing. -No. | 0:35:29 | 0:35:35 | |
-It actually cost is £450... -What? -..to make it look like that. | 0:35:35 | 0:35:39 | |
HE LAUGHS | 0:35:39 | 0:35:41 | |
So, that's probably why lots of people, | 0:35:41 | 0:35:43 | |
when they have chairs like that, they take them to the tip, | 0:35:43 | 0:35:45 | |
because if you go to somebody and say you want it redone, | 0:35:45 | 0:35:49 | |
that's what it kind of costs. | 0:35:49 | 0:35:51 | |
But I managed to sell it, and I've got some profit to share with you. | 0:35:51 | 0:35:54 | |
-Yeah. -You said a fiver, did you? -That's right. | 0:35:54 | 0:35:57 | |
Well, I've actually got... | 0:35:57 | 0:35:58 | |
I've got £100 there for you, and a little treat for your old chair. | 0:35:58 | 0:36:03 | |
Wow. | 0:36:03 | 0:36:05 | |
-Thank you. -You were expecting... -I'm amazed. Yeah. | 0:36:05 | 0:36:07 | |
Any thoughts about what you might do with 100 quid? | 0:36:07 | 0:36:10 | |
-A few meals out, I should imagine. -Fantastic. | 0:36:10 | 0:36:13 | |
-Thank you very much, Sarah. -Thank you very much, Keith. | 0:36:13 | 0:36:16 | |
-Take care. -Take care. Bye. Bye-bye. | 0:36:16 | 0:36:19 | |
Anthony's labour and materials came in on budget of £450, | 0:36:19 | 0:36:25 | |
and with the sale of £550, Keith's walking away £100 richer. | 0:36:25 | 0:36:30 | |
Told you we could make you more than a fiver. | 0:36:30 | 0:36:33 | |
And so to Surrey, and it's the moment of truth | 0:36:40 | 0:36:43 | |
for Bex and Dave. | 0:36:43 | 0:36:44 | |
Sarah's arrived to see what's been done with that metal cabinet. | 0:36:46 | 0:36:50 | |
When we left them, they were struggling | 0:36:52 | 0:36:55 | |
to add a bit of glamour to the rusty shelves, | 0:36:55 | 0:36:57 | |
but from the looks on their cheeky faces, I think they've been busy. | 0:36:57 | 0:37:01 | |
We just really went to town on this one, | 0:37:03 | 0:37:06 | |
cos it's so big it needed something more, didn't it? | 0:37:06 | 0:37:10 | |
And so, yeah, the inside is quite exciting. | 0:37:10 | 0:37:15 | |
Yeah. I think we can be proud of this one. | 0:37:15 | 0:37:18 | |
Look at that cheeky face. Right. | 0:37:18 | 0:37:20 | |
Let's find out what you've been up to. | 0:37:20 | 0:37:23 | |
Before, it was just a bunch of rusty bits and bobs. | 0:37:23 | 0:37:27 | |
But now... | 0:37:27 | 0:37:29 | |
It's a cool and colourful funky drinks cabinet. | 0:37:36 | 0:37:40 | |
The Art Deco geometric design on the front really adds | 0:37:40 | 0:37:44 | |
a bit of pizzazz to the cabinet doors. | 0:37:44 | 0:37:47 | |
But wait till you see what's inside. | 0:37:47 | 0:37:49 | |
Bex and Dave ditched the hammered aluminium look | 0:37:51 | 0:37:54 | |
and instead lined the inside with a tufted metal effect. | 0:37:54 | 0:37:58 | |
For a real bit of bling, | 0:37:58 | 0:38:00 | |
they've added a suspended glass shelf and mirrored bottom. | 0:38:00 | 0:38:04 | |
It's certainly got the wow factor, but what will Sarah think? | 0:38:04 | 0:38:07 | |
I feel a group hug coming on. | 0:38:14 | 0:38:15 | |
Oh, they're cuddling. That must be a good sign. | 0:38:15 | 0:38:18 | |
Come on. Spit it out. | 0:38:21 | 0:38:23 | |
-Is that what you wanted? -It's stunning, isn't it? | 0:38:23 | 0:38:26 | |
It's lovely. It is so cool. It is quite a wow piece, isn't it? | 0:38:26 | 0:38:31 | |
-It is. -It's completely wow, and what's inside? Does it...? | 0:38:31 | 0:38:34 | |
-Is it all rusty and...? -Here we go. | 0:38:34 | 0:38:37 | |
OK, so, a lovely... | 0:38:37 | 0:38:38 | |
-Holy Moley. Look at that. -It's a James Bond drinks cabinet. | 0:38:41 | 0:38:47 | |
-Is that...? -That's the lights, so when you open it... | 0:38:47 | 0:38:50 | |
Bex, I'm all overwhelmed. | 0:38:50 | 0:38:53 | |
Guys, it's a triumph. It's stunning. | 0:38:53 | 0:38:55 | |
I'm completely and utterly blown away. | 0:38:55 | 0:38:58 | |
Can we shut it up again? | 0:38:58 | 0:38:59 | |
Bex and Dave have really outdone themselves with this one, | 0:38:59 | 0:39:02 | |
but what with the mirror and glass shelf... | 0:39:02 | 0:39:04 | |
-Oh, wow. -..have they come in on budget? | 0:39:04 | 0:39:07 | |
So, 750 quid was left on the table. Tell me you've made that for that. | 0:39:07 | 0:39:12 | |
Well, it's not something that we'd build again for 750, | 0:39:12 | 0:39:15 | |
but you know, we're going to stick to that. | 0:39:15 | 0:39:18 | |
And we had a bit of extra costs on the glass and the mirror. | 0:39:18 | 0:39:22 | |
-It's about another 60 quid. So if we call it 810. -810? | 0:39:22 | 0:39:26 | |
-Do you a deal? -Do me a deal? | 0:39:26 | 0:39:29 | |
You're not doing me a deal. You've done me proud. That is exceptional. | 0:39:29 | 0:39:33 | |
-Hey, what about one for the big man? -And you, Dave, obviously. | 0:39:33 | 0:39:37 | |
-Yeah. -Well done, well done. It's beautiful. | 0:39:37 | 0:39:40 | |
Oh, so we're all cuddling. How nice. | 0:39:40 | 0:39:42 | |
What a glorious cocktail cabinet they've created. | 0:39:44 | 0:39:47 | |
I can't believe their imagination and their creativity. | 0:39:47 | 0:39:50 | |
But there's one thing that's upsetting me - | 0:39:50 | 0:39:52 | |
I can't keep that, so I'm going to go and find it | 0:39:52 | 0:39:55 | |
an excellent new home. | 0:39:55 | 0:39:56 | |
I think Sarah really did love that cos she said she had, like, | 0:39:56 | 0:40:00 | |
a jaw ache from smiling so much. | 0:40:00 | 0:40:02 | |
So, I think it was...yeah, a good result. | 0:40:02 | 0:40:06 | |
Oh, I like the look of your rubbish. | 0:40:12 | 0:40:14 | |
When Sarah pounced on Brian back at the dump, | 0:40:14 | 0:40:16 | |
she had to wade through a load of bits and bobs from his garage... | 0:40:16 | 0:40:20 | |
Oh, I quite like that. | 0:40:20 | 0:40:21 | |
..before she discovered the metal shelving and rusty poles. | 0:40:21 | 0:40:25 | |
I think I'd quite like to take these bits and these bits | 0:40:25 | 0:40:28 | |
and see if there's anything I can do with them. | 0:40:28 | 0:40:30 | |
What was she going to do with them? Well... | 0:40:30 | 0:40:32 | |
IT CLATTERS LOUDLY ..Brian couldn't imagine. | 0:40:32 | 0:40:36 | |
-Well, throw it into the scrap. -HE LAUGHS | 0:40:36 | 0:40:38 | |
Luckily, Bex and Dave had a few ideas | 0:40:38 | 0:40:41 | |
and created a super jazzy, shiny cocktail cabinet. | 0:40:41 | 0:40:45 | |
Sarah's travelled to Aldridge near Walsall to update Brian | 0:40:48 | 0:40:52 | |
on what became of the bits and bobs from his garage. | 0:40:52 | 0:40:55 | |
-Hello. -Hi there. Hi, Brian. How are you? Oh, hello. | 0:40:57 | 0:41:00 | |
-Hello there. -Not too bad, thank you. -And sorry, we haven't met before. | 0:41:00 | 0:41:03 | |
-Sarah. -Jean. -Jean. Come on out, both of you. | 0:41:03 | 0:41:07 | |
Was it here, the garage where all those shelves came from? | 0:41:07 | 0:41:09 | |
That's correct, yeah. Yeah. | 0:41:09 | 0:41:11 | |
I bet you were pleased to see the back of those. | 0:41:11 | 0:41:13 | |
Definitely. Definitely. | 0:41:13 | 0:41:15 | |
What did you think we might do with them? Any ideas? | 0:41:15 | 0:41:17 | |
I haven't got a clue. | 0:41:17 | 0:41:18 | |
I really could not imagine what it would turn out as. | 0:41:18 | 0:41:22 | |
I took them to Bex and Dave, | 0:41:22 | 0:41:24 | |
who are the most fantastic blacksmiths. | 0:41:24 | 0:41:26 | |
Would you like to see what they did with it? | 0:41:26 | 0:41:28 | |
-Yeah, why not? -It's quite a transformation. | 0:41:28 | 0:41:31 | |
Your shelves were turned into an enormous cocktail cabinet. | 0:41:31 | 0:41:36 | |
-Oh, my God. -Good grief. -What do you think? | 0:41:36 | 0:41:38 | |
I would never have believed that you could've done something like that. | 0:41:38 | 0:41:41 | |
-I haven't had a chance to sell it yet. -No. | 0:41:41 | 0:41:43 | |
So, I'd love to be saying I'm handing over money now, | 0:41:43 | 0:41:46 | |
but it has only just reached the market, | 0:41:46 | 0:41:47 | |
and as soon as I've sold it, I'll be back in touch | 0:41:47 | 0:41:50 | |
and I will be hopefully bearing good news and some money. | 0:41:50 | 0:41:54 | |
But at the moment, it's just gone up for sale. | 0:41:54 | 0:41:56 | |
Well, you know, as regards to the money, that's not the object. | 0:41:56 | 0:42:00 | |
I mean, as long as you've made something useful | 0:42:00 | 0:42:02 | |
for somebody else to use, that's the main thing. | 0:42:02 | 0:42:05 | |
Well, that's a lovely sentiment, and it is genuinely a great piece. | 0:42:05 | 0:42:08 | |
-Yeah, beautiful. -Lovely to meet you. -And you. -And nice to see you again. | 0:42:08 | 0:42:12 | |
-Thank you ever so much. -Thank you, Sarah. Have a safe journey. -I will. | 0:42:12 | 0:42:15 | |
Bex and Dave's labour, plus all the jazzy extras, came in at £810. | 0:42:15 | 0:42:21 | |
The cabinet hasn't found a new home quite yet, | 0:42:21 | 0:42:24 | |
which means there's a potential loss of £810. | 0:42:24 | 0:42:28 | |
But we all have high hopes that it won't be long | 0:42:28 | 0:42:31 | |
before Sarah can share some profit with Brian and Jean. | 0:42:31 | 0:42:35 | |
So, Sarah's managed to make amazing things | 0:42:38 | 0:42:42 | |
from all three items saved from the dump. | 0:42:42 | 0:42:44 | |
The old brown chair transformed into gorgeous green, | 0:42:44 | 0:42:48 | |
the rusty shelves became a stylish drinks cabinet | 0:42:48 | 0:42:52 | |
and the old curtains found a new home as seven luxurious cushions. | 0:42:52 | 0:42:58 | |
So, that's three more things saved that were destined for the dump, | 0:42:58 | 0:43:01 | |
and along the way, we met some fantastic people, | 0:43:01 | 0:43:03 | |
had lots of fun, made great items and turned a decent profit too. | 0:43:03 | 0:43:08 |