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Ooh, just before you throw those away... | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
-Can I have it? -You can have it, yeah. | 0:00:09 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes of household | 0:00:11 | 0:00:16 | |
waste we throw out every year. | 0:00:16 | 0:00:18 | |
Now, this is one seriously unusual tip find. | 0:00:18 | 0:00:21 | |
That's why entrepreneur Sarah Moore wants to get her | 0:00:21 | 0:00:25 | |
hands on things before they hit the skip. | 0:00:25 | 0:00:27 | |
I'm a passionate user, maker, and buyer of old stuff, | 0:00:30 | 0:00:34 | |
and I've turned my passion into a money-making business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff, and I sell it for profit. | 0:00:37 | 0:00:40 | |
And, with some of the country's elite designers and makers... | 0:00:42 | 0:00:45 | |
These were going to be thrown away? Seriously? | 0:00:45 | 0:00:48 | |
I love it, love it, love it. | 0:00:48 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:54 | |
It looks brand-new. | 0:00:54 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
You are joking. | 0:00:57 | 0:00:59 | |
..and, hopefully, saleable items. | 0:00:59 | 0:01:02 | |
That is a triumph! | 0:01:02 | 0:01:04 | |
If Sarah is successful, then she can hand the profits back to the very | 0:01:05 | 0:01:09 | |
people who had no idea there was cash to be made from their trash. | 0:01:09 | 0:01:13 | |
That is amazing! | 0:01:14 | 0:01:16 | |
Today, Sarah's on the hunt for all the hidden treasure | 0:01:29 | 0:01:33 | |
the tip can offer. | 0:01:33 | 0:01:34 | |
She's in Greater Manchester, at the Altrincham recycling centre. | 0:01:36 | 0:01:40 | |
In between the polystyrene, the plasma screens | 0:01:40 | 0:01:42 | |
and the paper unicorns, there are little gems coming in here, | 0:01:42 | 0:01:46 | |
all of which can make money for nothing. | 0:01:46 | 0:01:48 | |
Aside from mythical beasts, it's Sarah's quest to discover three | 0:01:48 | 0:01:52 | |
items that can go from battered and bruised to brilliant and beautiful. | 0:01:52 | 0:01:56 | |
Round here, you've got to have the eyes of a hawk, | 0:01:56 | 0:02:00 | |
the mentality of a magpie, and the patience of a saint. | 0:02:00 | 0:02:03 | |
You've also got to have special permission from the site | 0:02:03 | 0:02:06 | |
owners before you can take anything out of the tip. | 0:02:06 | 0:02:09 | |
LAUGHS | 0:02:09 | 0:02:10 | |
Diamond rings? £50 notes? | 0:02:10 | 0:02:12 | |
Wishful thinking, Sarah. | 0:02:12 | 0:02:14 | |
Perhaps mother and daughter Carol | 0:02:14 | 0:02:16 | |
and Tamara will be able to provide a hidden gem. | 0:02:16 | 0:02:20 | |
Where's all this stuff coming from, then? | 0:02:20 | 0:02:22 | |
I've had it donated off friends and a charity, | 0:02:22 | 0:02:25 | |
because I had a house fire and I ended up with nothing. | 0:02:25 | 0:02:29 | |
Everybody has just been so great and donated everything. | 0:02:29 | 0:02:32 | |
How traumatic. | 0:02:32 | 0:02:33 | |
Furniture, curtains, bedding, the lot. Clothes for the kids. | 0:02:33 | 0:02:37 | |
-Everybody was safe, though? -Everybody's safe. | 0:02:37 | 0:02:40 | |
Thank goodness for that. | 0:02:40 | 0:02:42 | |
People were so generous, that Tamara has brought the surplus items | 0:02:42 | 0:02:46 | |
that were damaged or in bad condition. | 0:02:46 | 0:02:48 | |
-Plus, she needs the space. -So how many kids have you got? | 0:02:50 | 0:02:54 | |
-I've got ten altogether. Six of them are at home. -Ten! -Yeah. | 0:02:54 | 0:02:56 | |
How old are your oldest and your youngest? | 0:02:56 | 0:02:58 | |
26, and the youngest is one. | 0:02:58 | 0:03:00 | |
Blimey! Well, with ten kids, | 0:03:00 | 0:03:02 | |
I bet a bit of extra pocket money could come in handy. | 0:03:02 | 0:03:05 | |
So, if Sarah can make a profit to give back to Tamara, all the better. | 0:03:07 | 0:03:12 | |
-That's fantastic. -And this old chest of drawers might be just the thing. | 0:03:12 | 0:03:17 | |
-So what do you reckon, 1950s? -I'd say so. | 0:03:17 | 0:03:21 | |
It's nice and chunky, isn't it? | 0:03:21 | 0:03:24 | |
Here, let's just pop it down there. | 0:03:24 | 0:03:26 | |
Brilliant, thank you. | 0:03:26 | 0:03:27 | |
Sarah definitely thinks that's a solid find. | 0:03:27 | 0:03:31 | |
I will keep in touch, show you what I've done, | 0:03:31 | 0:03:33 | |
and try my best to make you a bit of money. Really nice to meet you. | 0:03:33 | 0:03:36 | |
-And you. -Good luck with getting your house together again. -Thank you. | 0:03:36 | 0:03:41 | |
We'll need to find a home for this lot. | 0:03:41 | 0:03:44 | |
While Sarah figures out how to attach that mirror, | 0:03:44 | 0:03:47 | |
let's find out what Tamara thinks will become of her chest of drawers. | 0:03:47 | 0:03:52 | |
Probably decoupage, whatever it is. | 0:03:52 | 0:03:56 | |
Get it painted, or stripped back to how it originally was, | 0:03:56 | 0:04:02 | |
which would be nice. | 0:04:02 | 0:04:04 | |
So, that dresser's gone from derelict to | 0:04:04 | 0:04:07 | |
decoupage in a matter of moments. | 0:04:07 | 0:04:10 | |
It's well made, it's got great proportions, there is lots of money | 0:04:10 | 0:04:14 | |
to be made here, and I know just the person who's going to make it. | 0:04:14 | 0:04:17 | |
Daniel Heath has a passion for all things sustainable. | 0:04:25 | 0:04:29 | |
An award-winning wallpaper and textile designer, | 0:04:29 | 0:04:32 | |
Daniel loves adding an artistic flair to reclaimed materials, | 0:04:32 | 0:04:37 | |
creating made-to-order furniture, and contemporary design pieces. | 0:04:37 | 0:04:41 | |
I've always been interested in drawing. | 0:04:41 | 0:04:44 | |
I've always drawn things from a very young age. I used to watch | 0:04:44 | 0:04:48 | |
wildlife programmes and come away and draw the animals. | 0:04:48 | 0:04:52 | |
I guess I always wanted to be able to apply those drawings | 0:04:52 | 0:04:55 | |
to something, so the routes were graphic design or textiles, | 0:04:55 | 0:05:00 | |
and it's actually meant that I've been able to take my imagery | 0:05:00 | 0:05:03 | |
and put it on all sorts of different things, | 0:05:03 | 0:05:05 | |
and it's been really good fun doing that. | 0:05:05 | 0:05:07 | |
Let's just hope Daniel thinks he can have some more fun with that | 0:05:07 | 0:05:10 | |
chunky chest of drawers. | 0:05:10 | 0:05:12 | |
That's one off the list, with two to go, and Sarah, as ever, | 0:05:20 | 0:05:24 | |
is full of excellent advice. | 0:05:24 | 0:05:26 | |
Just make sure you're not throwing out any diamonds with the rubbish. | 0:05:26 | 0:05:31 | |
No diamonds. Must make a note of that. | 0:05:31 | 0:05:33 | |
Anyway, there might be a jewel of a find in the back of | 0:05:35 | 0:05:38 | |
Julie and Dewi's car. | 0:05:38 | 0:05:40 | |
Oh, you've got a lovely bootful there. There's all sorts. | 0:05:41 | 0:05:44 | |
Where's all this coming from? | 0:05:44 | 0:05:46 | |
This is from my son's house, he's moving house, to London. | 0:05:46 | 0:05:50 | |
-He's moving to London? He's leaving you, is he? -At last. | 0:05:50 | 0:05:54 | |
At last! | 0:05:54 | 0:05:55 | |
I've heard of the bank of mum and dad, | 0:05:55 | 0:05:58 | |
but the moving company of mum and dad... | 0:05:58 | 0:06:00 | |
-Who would have children, eh? -Well, I wouldn't mind, but he's 33. | 0:06:00 | 0:06:04 | |
You never get rid of them really, I don't think. | 0:06:04 | 0:06:06 | |
Oh, no, don't say that. | 0:06:06 | 0:06:08 | |
Well, it does mean you've got the pick of his old stuff, Sarah. | 0:06:08 | 0:06:11 | |
What do you think of those chairs? | 0:06:11 | 0:06:13 | |
I think these are good, solid chairs, aren't they? They're... | 0:06:13 | 0:06:17 | |
Yeah, handmade. Nice shaped base to them. | 0:06:17 | 0:06:20 | |
Nice and sturdy, normally they really wobble. | 0:06:20 | 0:06:22 | |
Don't sit down, you might not get up. | 0:06:22 | 0:06:24 | |
-Yeah, comfortable. Have to be comfortable, don't they? -Yes. | 0:06:26 | 0:06:28 | |
If it would be OK to take away these chairs... | 0:06:28 | 0:06:31 | |
Yeah, that would be nice, yes. | 0:06:31 | 0:06:32 | |
I really appreciate those, I'm going to take those away. | 0:06:32 | 0:06:35 | |
Sarah's legged it with the chairs, | 0:06:35 | 0:06:37 | |
but what do Julie and Dewi think will become of them? | 0:06:37 | 0:06:40 | |
Yeah, if she can do something with them. If they were sanded down, | 0:06:40 | 0:06:43 | |
and just that natural wood brought back up again. | 0:06:43 | 0:06:46 | |
Here's hoping the chairs will still have legs in the sales market. | 0:06:46 | 0:06:50 | |
Sarah certainly thinks so. | 0:06:50 | 0:06:52 | |
Charming, solid, bit of '50s styling on here, and potential to give them | 0:06:52 | 0:06:57 | |
a really charming makeover, and we know who likes doing that, don't we? | 0:06:57 | 0:07:01 | |
Jay Blades is a builder, turned philosophy graduate, | 0:07:06 | 0:07:09 | |
turned furniture restorer. | 0:07:09 | 0:07:10 | |
A couple of people have asked me how I describe my style, | 0:07:14 | 0:07:17 | |
and personally I don't know. | 0:07:17 | 0:07:19 | |
I call myself a modern restorer, | 0:07:19 | 0:07:21 | |
which basically means I restore furniture for a modern market. | 0:07:21 | 0:07:25 | |
Jay has his finger on the pulse of modern design interiors, | 0:07:25 | 0:07:29 | |
reworking the very best of British craftsmanship | 0:07:29 | 0:07:32 | |
and bringing it to the 21st century. | 0:07:32 | 0:07:34 | |
Someone did say to me once, "Your furniture makes me feel happy," | 0:07:34 | 0:07:38 | |
so I used to call my furniture "happy furniture," because it | 0:07:38 | 0:07:41 | |
makes you smile and it adds a little bit of humour to your house. | 0:07:41 | 0:07:45 | |
My style is definitely not boring. | 0:07:45 | 0:07:48 | |
My style is definitely not run of the mill. | 0:07:48 | 0:07:50 | |
At the moment, those chairs aren't exactly avant-garde, | 0:07:51 | 0:07:55 | |
so Jay might have his work cut out making them his own. | 0:07:55 | 0:07:58 | |
With two items loaded into Sarah's van, | 0:08:06 | 0:08:09 | |
it's now time for her to find her own money-making project. | 0:08:09 | 0:08:14 | |
Oh, goody. That was a U-bend. Haven't had one of those before. | 0:08:14 | 0:08:18 | |
Er, let's just let that one go, eh? | 0:08:18 | 0:08:20 | |
-Oh, look, Christine and Matthew have a boot full of loot. -Oh, hiya. -Hi. | 0:08:23 | 0:08:27 | |
-I love that. -It's been in the attic for quite a while. -Isn't it cool? | 0:08:29 | 0:08:34 | |
-No, it's not cool, is it? -No. | 0:08:34 | 0:08:36 | |
Well, actually, it is cool. | 0:08:36 | 0:08:39 | |
No, I'm with Matthew, it's not cool. | 0:08:39 | 0:08:40 | |
-So you said it's been in an attic? -Yep. It's Axminster, I think. | 0:08:42 | 0:08:45 | |
-Lovely, British quality wool. -Yeah, used to be the lounge carpet. | 0:08:45 | 0:08:50 | |
Wow, so... | 0:08:50 | 0:08:51 | |
Yeah, it looks like it's been used, | 0:08:51 | 0:08:53 | |
or may have been under the sideboard or something like that, doesn't it? | 0:08:53 | 0:08:57 | |
So how old's your house? | 0:08:57 | 0:09:00 | |
Well, since the 1930s, so that could be at least 50 years old, | 0:09:00 | 0:09:05 | |
or something like that. | 0:09:05 | 0:09:06 | |
These type of carpets have been made in the Devon town of Axminster | 0:09:06 | 0:09:11 | |
for more than 260 years, | 0:09:11 | 0:09:13 | |
and they're still supplied to classy residences all over the world today. | 0:09:13 | 0:09:18 | |
Christine and Matthew, however, need convincing of this carpet's merits. | 0:09:19 | 0:09:24 | |
People love this kind of thing. Can you see it? | 0:09:24 | 0:09:27 | |
No. | 0:09:27 | 0:09:29 | |
Right, I'm going to roll up the carpet, and thank you | 0:09:29 | 0:09:31 | |
so much for letting me have it. | 0:09:31 | 0:09:33 | |
You're very welcome. Have fun with that. | 0:09:33 | 0:09:34 | |
I will have fun, actually. I really will. | 0:09:34 | 0:09:36 | |
Well, if anyone can have fun with a bit of old carpet, it's Sarah. | 0:09:36 | 0:09:40 | |
Hopefully, Christine and Matthew will see its beauty | 0:09:40 | 0:09:43 | |
when she's done with it. | 0:09:43 | 0:09:45 | |
She said you can trim it up and make a runner, or something, out of it. | 0:09:45 | 0:09:49 | |
Cos actually, it's quite good quality, isn't it? | 0:09:49 | 0:09:52 | |
Or one of those old-fashioned carpet bags. | 0:09:52 | 0:09:55 | |
That might be quite retro, mightn't it, actually? | 0:09:56 | 0:09:59 | |
Yeah, I think Matthew's going to need a little bit more convincing. | 0:10:00 | 0:10:05 | |
Love it? See the potential? | 0:10:05 | 0:10:07 | |
No, honestly, this is going to be lovely. | 0:10:08 | 0:10:11 | |
Beautiful 1950s original carpet. | 0:10:11 | 0:10:14 | |
I don't think this bit has been used that much. | 0:10:14 | 0:10:16 | |
It will need a really good clean up | 0:10:16 | 0:10:18 | |
if we're going to make any money out of it, but this could be fantastic. | 0:10:18 | 0:10:23 | |
Loads of potential here. | 0:10:23 | 0:10:25 | |
Another great day, and three items found. | 0:10:25 | 0:10:28 | |
Daniel will reflect on Tamara's mirror and drawers. | 0:10:28 | 0:10:32 | |
Jay will play with Julie and Dewi's two chairs. | 0:10:32 | 0:10:35 | |
And Sarah will hope to find some magic in | 0:10:35 | 0:10:38 | |
Christine and Matthew's carpet. | 0:10:38 | 0:10:40 | |
I would say, on balance, it's been a great day here at Altrincham. | 0:10:42 | 0:10:46 | |
I've collected a classy cluster of cracking future collectibles, | 0:10:46 | 0:10:50 | |
all of which I know will make some money for nothing. | 0:10:50 | 0:10:54 | |
The East London borough of Walthamstow was home to | 0:10:59 | 0:11:02 | |
revolutionary Victorian designer William Morris. | 0:11:02 | 0:11:07 | |
Today, print designer Daniel continues that radical vision, | 0:11:07 | 0:11:11 | |
and he's already thinking creative and thrifty thoughts. | 0:11:11 | 0:11:16 | |
Good man, Dan. | 0:11:16 | 0:11:18 | |
I've got a few designs that I've got in mind, and hopefully | 0:11:18 | 0:11:22 | |
we can bring things in at a good price, so that we can make a profit. | 0:11:22 | 0:11:27 | |
A man-sized profit's definitely what Sarah's looking for. | 0:11:27 | 0:11:32 | |
That peach princess, I think, really needs a masculine makeover, | 0:11:32 | 0:11:36 | |
so I'm hoping Daniel is the man for the job, | 0:11:36 | 0:11:38 | |
and that he'll help me carry it upstairs. | 0:11:38 | 0:11:41 | |
Daniel's just the lad if you've got something heavy. | 0:11:42 | 0:11:45 | |
-There you go. -OK. | 0:11:48 | 0:11:51 | |
-Great, OK, so mirror for up there. -Yeah. I have got the legs | 0:11:51 | 0:11:54 | |
for it, I'm wondering | 0:11:54 | 0:11:55 | |
if maybe we should put them on to see what it looks like, | 0:11:55 | 0:11:58 | |
to give you an idea about the proportion of it. | 0:11:58 | 0:12:01 | |
Be nice to make it more contemporary. | 0:12:01 | 0:12:03 | |
Would you be keen to keep it just one colour? | 0:12:03 | 0:12:05 | |
I think maybe we keep it one colour. | 0:12:05 | 0:12:07 | |
We might do something tonal, on the door fronts. | 0:12:07 | 0:12:10 | |
Daniel might opt for a two-tone look on the dressing table, | 0:12:12 | 0:12:16 | |
but the girlie peach paint job definitely has to go, | 0:12:16 | 0:12:19 | |
and he's got another idea. | 0:12:19 | 0:12:21 | |
The mirror's great. | 0:12:22 | 0:12:24 | |
We can detach the mirror, and then what you'll get is a nice, really | 0:12:24 | 0:12:28 | |
really delicate illustration that we can work onto the back of this. | 0:12:28 | 0:12:31 | |
That sounds brilliant. | 0:12:31 | 0:12:32 | |
I had not thought that you would get detail onto that, | 0:12:32 | 0:12:35 | |
so that is a real bonus. | 0:12:35 | 0:12:36 | |
They've decided on a radical redesign, | 0:12:37 | 0:12:40 | |
but what's all that going to cost? | 0:12:40 | 0:12:43 | |
Well, I think there's a fair amount of work to do on it, | 0:12:43 | 0:12:46 | |
as we can see, so I think it's going to come in at around £400. | 0:12:46 | 0:12:50 | |
-I'm happy at that price. -Great. Thanks very much. | 0:12:50 | 0:12:52 | |
-There's profit to be made, isn't there? -There certainly is. | 0:12:52 | 0:12:55 | |
Brilliant. I can't wait to see it. | 0:12:55 | 0:12:57 | |
Daniel Heath is never one to disappoint, is he? | 0:13:00 | 0:13:02 | |
He's going to turn that feminine pink, not very classy | 0:13:02 | 0:13:07 | |
thing into a dapper gentleman. I can't wait to see the results. | 0:13:07 | 0:13:11 | |
I know I'm going to make a profit. | 0:13:11 | 0:13:12 | |
Sarah's confident, but then, she doesn't have to do any of the work. | 0:13:12 | 0:13:16 | |
Sarah's brought me quite a challenging piece. | 0:13:18 | 0:13:21 | |
It looks like somebody's obviously had a go at trying to make | 0:13:21 | 0:13:25 | |
something of it, over several | 0:13:25 | 0:13:28 | |
paints of coat... | 0:13:29 | 0:13:31 | |
-TUTS -"Paints of coat!" | 0:13:31 | 0:13:33 | |
You'll definitely have a lot of "paints of coat" to do | 0:13:33 | 0:13:36 | |
before that's presentable. | 0:13:36 | 0:13:38 | |
There we go. | 0:13:40 | 0:13:41 | |
Daniel has a budget of £400 for that transformation, but will | 0:13:42 | 0:13:47 | |
he really manage to turn peach and fuzzy into butch and beautiful? | 0:13:47 | 0:13:51 | |
The West Midlands city of Wolverhampton was once home | 0:13:59 | 0:14:02 | |
to a large iron and steel industry. | 0:14:02 | 0:14:04 | |
Today, it's home to Jay Blades, | 0:14:06 | 0:14:08 | |
who's eagerly awaiting some tip treasure. | 0:14:08 | 0:14:11 | |
Well, Sarah's coming along today, going to bring me | 0:14:12 | 0:14:14 | |
something nice and interesting. From a rubbish dump, I'll have you know. | 0:14:14 | 0:14:17 | |
Nice AND interesting, Jay? That's asking a lot. | 0:14:17 | 0:14:21 | |
These chairs are solid and brown and quite nice, but so dull, | 0:14:22 | 0:14:28 | |
and what I need is Jay to absolutely go to the edge with them, | 0:14:28 | 0:14:33 | |
and make them into something amazing. | 0:14:33 | 0:14:35 | |
-Hiya. -You all right? -Yeah. Guess what I've got for you? | 0:14:37 | 0:14:40 | |
HE LAUGHS | 0:14:40 | 0:14:41 | |
-Chairs, man, more chairs. -Lovely chairs. | 0:14:41 | 0:14:44 | |
I'm glad you said lovely. | 0:14:44 | 0:14:45 | |
-Yeah well they look like... Yeah, they are real wood. -They are. | 0:14:45 | 0:14:49 | |
Yeah, they're lovely chairs. | 0:14:49 | 0:14:51 | |
Solid. | 0:14:52 | 0:14:53 | |
Yeah, these are gorgeous. These are really good. | 0:14:55 | 0:14:58 | |
Little farmhouse or kitchen chairs. What ideas have you got for these? | 0:14:58 | 0:15:02 | |
I think out of the farmhouse, and into the 21st century. | 0:15:02 | 0:15:06 | |
I'm hoping that you don't mind putting some colour on them. | 0:15:06 | 0:15:09 | |
You want colour, I'll give you colour. | 0:15:09 | 0:15:11 | |
My juices are flowing in this one. I like the idea of whacking... | 0:15:11 | 0:15:14 | |
I can add a bit of colour. This is really cool. | 0:15:14 | 0:15:16 | |
So, the dull chairs are in for a colourful Jay Blades | 0:15:18 | 0:15:22 | |
-transformation. -I won't say too much about what I'm going to do | 0:15:22 | 0:15:25 | |
to them, but they are going to be "wow." | 0:15:25 | 0:15:26 | |
How much money do you want to make them "wow?" Hit me with it, come on. | 0:15:26 | 0:15:31 | |
He's thinking about it. | 0:15:31 | 0:15:32 | |
Still thinking about it. | 0:15:33 | 0:15:35 | |
Still thinking. | 0:15:37 | 0:15:38 | |
I'm going to say £75 apiece, £75 each, to make these "wow." | 0:15:39 | 0:15:45 | |
I'll leave them in your very capable hands. | 0:15:45 | 0:15:47 | |
Thank you, that's very kind of you. | 0:15:47 | 0:15:48 | |
I'll hopefully come back and find something a bit prettier | 0:15:48 | 0:15:51 | |
-next time I see you. -Well, they're going to be pretty amazing. | 0:15:51 | 0:15:54 | |
Pretty and amazing together. | 0:15:54 | 0:15:55 | |
-Go for it. -OK. -Can't wait to see them. Take care. | 0:15:55 | 0:15:58 | |
You too, you take care. | 0:15:58 | 0:15:59 | |
It's going to look really cutting-edge, really trendy. | 0:16:02 | 0:16:05 | |
Not even trendy, sorry, these are going to be setting the trend. | 0:16:05 | 0:16:08 | |
These two are just going to get that "woo" factor, | 0:16:08 | 0:16:11 | |
is what they're going to get. | 0:16:11 | 0:16:13 | |
"Woo!" But is the "woo" factor really going to be enough to see | 0:16:13 | 0:16:17 | |
Sarah turn a profit on these? | 0:16:17 | 0:16:19 | |
With a budget of £150, they'll need every bit of bling Jay can bring. | 0:16:21 | 0:16:27 | |
Under the wide skies of the idyllic Sussex countryside, | 0:16:35 | 0:16:39 | |
Sarah's at home in her farmhouse, | 0:16:41 | 0:16:43 | |
and she's about to get to grips with a colourful item of her own - | 0:16:45 | 0:16:48 | |
that roll of old carpet she grabbed at the tip. | 0:16:50 | 0:16:52 | |
I absolutely love this big, bold floral style of carpet, | 0:16:53 | 0:16:57 | |
but I really want to make the most of it, | 0:16:57 | 0:17:00 | |
so I've decided that I want to make luggage out of it. | 0:17:00 | 0:17:03 | |
Victorians used to make carpet bags and use them all the time, | 0:17:03 | 0:17:06 | |
and original ones sell for an absolute fortune, | 0:17:06 | 0:17:08 | |
but I'm hoping just to create something that is pretty | 0:17:08 | 0:17:11 | |
and usable, and make a few quid out of it. | 0:17:11 | 0:17:13 | |
The Victorians might have been a dab hand at carpet bags, but | 0:17:16 | 0:17:20 | |
Sarah's never made one before, so this job ain't going to be simple. | 0:17:20 | 0:17:24 | |
I think there are going to be quite a few challenges trying to | 0:17:24 | 0:17:27 | |
create something that is useful and saleable. | 0:17:27 | 0:17:30 | |
Especially since the carpet's been gathering dust in an attic. | 0:17:31 | 0:17:35 | |
-So, first job is to give it a really good clean. -I'll say. | 0:17:36 | 0:17:41 | |
Sarah's borrowed a domestic carpet cleaner for the job, | 0:17:41 | 0:17:46 | |
and she'll need it. | 0:17:46 | 0:17:48 | |
I've never used one before, but can't be that difficult, can it? | 0:17:48 | 0:17:51 | |
Power on. | 0:17:51 | 0:17:52 | |
Before the suitcase became popular, carpet bags were used as luggage | 0:17:57 | 0:18:02 | |
by travellers, who would otherwise have to take heavy wooden trunks. | 0:18:02 | 0:18:06 | |
Who knew carpet cleaning was so much fun? | 0:18:09 | 0:18:11 | |
It looks a riot. | 0:18:11 | 0:18:13 | |
So much brighter. | 0:18:13 | 0:18:14 | |
Just going to roll it up in front of the fire, | 0:18:15 | 0:18:18 | |
see if I can get it to dry. | 0:18:18 | 0:18:19 | |
With the carpet de-ponged, Sarah's got to figure out how she'll | 0:18:21 | 0:18:25 | |
create the structure of the new bag she wants to make. | 0:18:25 | 0:18:29 | |
And luckily, somebody who knows I like an old thing, | 0:18:29 | 0:18:32 | |
has given me this bag. | 0:18:32 | 0:18:34 | |
Sarah plans to combine the skeleton of the tatty old leather bag | 0:18:35 | 0:18:39 | |
with the carpet fabric, to make her new luggage, | 0:18:39 | 0:18:43 | |
but first she'll need to take the bag apart. | 0:18:43 | 0:18:46 | |
I've only got one chance to get this right, so I need to cut carefully. | 0:18:46 | 0:18:49 | |
Maybe I'll just pull it apart first and see what happens. | 0:18:49 | 0:18:52 | |
Maybe you should think it through, Sarah. | 0:18:52 | 0:18:54 | |
Ooh! | 0:18:55 | 0:18:57 | |
Or just rip it to bits, that'll work too. | 0:18:57 | 0:19:00 | |
I don't really like the idea of having a comfort zone, | 0:19:05 | 0:19:08 | |
but I'm well out of it right now. | 0:19:08 | 0:19:10 | |
Excellent, it's all coming together really well(!) | 0:19:17 | 0:19:19 | |
Chin up, Sarah. | 0:19:19 | 0:19:21 | |
But I love a challenge. | 0:19:25 | 0:19:27 | |
Attagirl. With the leather bag stripped back to its bare bones, | 0:19:27 | 0:19:31 | |
she cuts panels from the carpet fabric. | 0:19:31 | 0:19:34 | |
I'm just using a nice sharp craft knife. | 0:19:34 | 0:19:37 | |
It's easier than cutting it up with scissors, | 0:19:37 | 0:19:39 | |
because this is really tough stuff. | 0:19:39 | 0:19:41 | |
As soon as I cut carpet, it starts to fray. | 0:19:43 | 0:19:46 | |
So what I've got to do is find a way of stabilising this edge, so that my | 0:19:46 | 0:19:49 | |
carpet bag doesn't just become a bag of fluff every time you touch it. | 0:19:49 | 0:19:53 | |
-SIGHS -For goodness' sake, it's a | 0:19:55 | 0:19:57 | |
nightmare. Oh, it's done it again. | 0:19:57 | 0:19:59 | |
That's a real problem, | 0:19:59 | 0:20:00 | |
but Sarah's got a solution in the shape of her trusty sewing machine. | 0:20:00 | 0:20:05 | |
If I were to stitch fabric strips along the edge, maybe I could | 0:20:05 | 0:20:09 | |
stitch the fabric together, and get a really good join in the bag. | 0:20:09 | 0:20:12 | |
Thrifty Sarah had these flowery fabric offcuts at home, | 0:20:14 | 0:20:18 | |
that she's now using as the bag's end panels. | 0:20:18 | 0:20:21 | |
Yes, that'll work. | 0:20:24 | 0:20:26 | |
Will it, Sarah? It still looks much more carpet than bag to me. | 0:20:28 | 0:20:33 | |
She has her work cut out if that's ever going to be saleable. | 0:20:33 | 0:20:36 | |
As she already had the scraps of material, | 0:20:38 | 0:20:40 | |
so far Sarah's only spent £5, on some strong glue. | 0:20:40 | 0:20:45 | |
Stick with it, Sarah. | 0:20:45 | 0:20:46 | |
Back in his studio in Walthamstow, East London, Daniel's | 0:20:57 | 0:21:00 | |
turning his attention to the dressing table. | 0:21:00 | 0:21:03 | |
One of the first jobs is to remove that thick layer of gloss paint, | 0:21:03 | 0:21:08 | |
but that's going to be a tough job. | 0:21:08 | 0:21:10 | |
So, I'm going to strip down the paint, and I think I'm going | 0:21:10 | 0:21:14 | |
to see what the condition is of the piece underneath. | 0:21:14 | 0:21:16 | |
I'm still a bit concerned about how we're going to get | 0:21:16 | 0:21:19 | |
the paint off without messing up the top surface. | 0:21:19 | 0:21:23 | |
I'm hoping that putting a bit of heat on the paint surface | 0:21:27 | 0:21:33 | |
will just bubble it up, so then we can scrape it off, because... Oh. | 0:21:33 | 0:21:40 | |
Whoops. Don't drop your drawers, Daniel. | 0:21:40 | 0:21:42 | |
This heat gun will help to strip the thick paint from the wood beneath. | 0:21:46 | 0:21:50 | |
So it's bubbling up, I'm hoping that that'll mean... | 0:21:52 | 0:21:56 | |
Yeah. Lovely under there. | 0:22:00 | 0:22:02 | |
It's actually really nice. I think it's teak. | 0:22:06 | 0:22:11 | |
I wonder if that'll change my ideas for what I do with it, | 0:22:11 | 0:22:15 | |
in terms of painting the drawers. | 0:22:15 | 0:22:16 | |
With this discovery, Daniel might ditch the plan to paint them, | 0:22:20 | 0:22:23 | |
and instead expose the natural wood. | 0:22:23 | 0:22:26 | |
That's going to mean a lot of painstaking prep work. | 0:22:26 | 0:22:30 | |
But that doesn't daunt to perfectionists like our Dan. | 0:22:30 | 0:22:34 | |
This piece of furniture was made nearly 60 years ago, | 0:22:37 | 0:22:40 | |
but you sand it back and actually, it's still great underneath. | 0:22:40 | 0:22:44 | |
It was built to last. I'm going to carry on scraping. | 0:22:44 | 0:22:49 | |
You do that, Daniel. It's going to take you a while. | 0:22:50 | 0:22:53 | |
Over in Wolverhampton. | 0:23:01 | 0:23:02 | |
It's time for Jay to give the pair of chairs the Blades treatment. | 0:23:06 | 0:23:11 | |
I'm hoping to make these look really gorgeous. | 0:23:11 | 0:23:16 | |
Jay's got a visitor to his studio today. | 0:23:17 | 0:23:21 | |
I don't mind, as long as they don't start to decorate it, | 0:23:21 | 0:23:24 | |
the way that they do. Yeah, the pigeons are a pain in the bum. | 0:23:24 | 0:23:29 | |
So, while hoping Percy's not going to make a contribution, | 0:23:32 | 0:23:37 | |
on with work on the chairs. | 0:23:37 | 0:23:39 | |
This is chalk paint, | 0:23:39 | 0:23:40 | |
and basically with chalk paint you don't need to rub down, | 0:23:40 | 0:23:43 | |
you can just paint on, straight on to the furniture, and it will give | 0:23:43 | 0:23:48 | |
you an instant kind of look of how the finished article's going to be. | 0:23:48 | 0:23:53 | |
Having promised Sarah a vibrant, colourful, Jay Blades' original, | 0:23:53 | 0:23:58 | |
it's no surprise he's painting them a striking shade of, uh, grey. | 0:23:58 | 0:24:05 | |
Sometimes what happens is I apply a paint, and then I can see | 0:24:05 | 0:24:09 | |
the design coming up in my mind, and this is really going to work. | 0:24:09 | 0:24:13 | |
It's going to be really, really cool. | 0:24:13 | 0:24:16 | |
The special furniture paint Jay's applying gives a neat, matte look. | 0:24:19 | 0:24:23 | |
I've gone for it now, so I'll have to make a commitment. | 0:24:24 | 0:24:28 | |
So now what I'm thinking, is to paint the leg. | 0:24:31 | 0:24:35 | |
I want to do loads of different effects, | 0:24:36 | 0:24:39 | |
but I've got to take it nice and easy. | 0:24:39 | 0:24:41 | |
Jay's decided on a colourful accent on only | 0:24:41 | 0:24:45 | |
one of the legs of each chair. | 0:24:45 | 0:24:47 | |
Those, I think, they work really really well together. | 0:24:48 | 0:24:51 | |
Could even take that one out and add that in there. | 0:24:51 | 0:24:53 | |
-So, we're going to give it a go. -Go on, then. | 0:24:53 | 0:24:56 | |
Jay's planning to create a drip effect on the leg, so he's diluting | 0:24:59 | 0:25:03 | |
the paint and raising the leg up, to stop paint pooling at the bottom. | 0:25:03 | 0:25:08 | |
This is going to be a really organic kind of drip. | 0:25:10 | 0:25:15 | |
So, the more you start to put on in certain areas, | 0:25:15 | 0:25:19 | |
the drips will just form itself. | 0:25:21 | 0:25:23 | |
Is that really going to give the chair leg a stylish finish? | 0:25:25 | 0:25:29 | |
Now, I've made a choice to do this colour before this one. | 0:25:29 | 0:25:35 | |
Now, that, the yellow looks a bit too similar. Ooh, look at that. | 0:25:35 | 0:25:40 | |
Careful, Jay. I hope you're making more than just a mess, there. | 0:25:40 | 0:25:45 | |
Sometimes you have mistakes, but I'm going to use that, actually. | 0:25:45 | 0:25:48 | |
I'm going to use that paint, it just means I've just got to work even quicker. | 0:25:48 | 0:25:53 | |
Well, hurry up then. | 0:25:53 | 0:25:54 | |
Do you know, I think I'm beginning to see where you got this idea from, Jay. | 0:25:54 | 0:25:59 | |
In Walthamstow, Daniel's still hard at work on the dressing table. | 0:26:05 | 0:26:10 | |
Today, he's helped by his assistant Laura and it's a good job, | 0:26:10 | 0:26:14 | |
because it's intricate work. | 0:26:14 | 0:26:16 | |
The primer from the previous paint job is still in there. | 0:26:17 | 0:26:20 | |
-Just getting the last remnants out with little scalpels. -Scalpels? | 0:26:20 | 0:26:25 | |
-This is less like woodwork and more like surgery. -Got to get it all. | 0:26:25 | 0:26:30 | |
But I think it will be worth it, I think | 0:26:30 | 0:26:32 | |
it's going to have a good result. | 0:26:32 | 0:26:35 | |
Once every last atom of old paint has been removed, | 0:26:37 | 0:26:40 | |
Daniel's planning to paint the exterior of the unit, | 0:26:40 | 0:26:43 | |
and oil the front of the drawers to showcase the natural wood grain. | 0:26:43 | 0:26:48 | |
We'll have a nice contrast between the kind of warm, orangey wood | 0:26:50 | 0:26:55 | |
and the cool, dark blue that we're going to use on the outer casings. | 0:26:55 | 0:27:01 | |
But before all that, a base coat. | 0:27:02 | 0:27:04 | |
He's even going to line the drawers with wallpaper of his own design. | 0:27:06 | 0:27:10 | |
This should be enough, unless I'm not doing my calculations right. | 0:27:11 | 0:27:17 | |
Daniel's going all out to create a unique and sophisticated new | 0:27:19 | 0:27:23 | |
item for Sarah, but this is all taking a lot of time. | 0:27:23 | 0:27:28 | |
Is he really going to be able to deliver on budget? | 0:27:28 | 0:27:31 | |
Back in her farmhouse in the West Sussex countryside, | 0:27:41 | 0:27:45 | |
Sarah's putting the finishing touches to her new carpetbag. | 0:27:45 | 0:27:49 | |
I'm going to make sure this side is really well stuck before I carry on. | 0:27:49 | 0:27:53 | |
When she picked it up, this was a length of unloved floral carpet. | 0:27:53 | 0:27:57 | |
Now, Sarah's transformed it into an attractive, useful | 0:28:10 | 0:28:14 | |
and quirky carpetbag, just waiting to be packed for a weekend away. | 0:28:14 | 0:28:19 | |
The frame of the old leather satchel has been incorporated to give | 0:28:20 | 0:28:24 | |
the bag structure, and the contrasting floral | 0:28:24 | 0:28:28 | |
fabric at the sides gives it a sophisticated look. | 0:28:28 | 0:28:31 | |
Supercalifragilisticexpialidocious. | 0:28:33 | 0:28:36 | |
Well, it turns out that you really can make a carpetbag | 0:28:38 | 0:28:41 | |
-out of an old rug. I'm really pleased with it. -Jolly good. | 0:28:41 | 0:28:46 | |
When Sarah first spied them, Christine and Matthew were chucking | 0:28:48 | 0:28:52 | |
out scraps of unwanted carpet that had been stashed in the loft. | 0:28:52 | 0:28:56 | |
-I love that! -Been in attic for quite a while. | 0:28:56 | 0:29:00 | |
They weren't that sure Sarah was on to a winner here. | 0:29:00 | 0:29:04 | |
-People love this kind of thing. Can you see it? -No. | 0:29:04 | 0:29:09 | |
But they gave her their strip of carpet, and their blessing. | 0:29:09 | 0:29:12 | |
Sarah's taking photos in order to sell the new luggage. | 0:29:15 | 0:29:18 | |
And, sure enough, one stylish buyer snapped up the bag. | 0:29:22 | 0:29:27 | |
Now, 21st century girl Sarah's straight back on the laptop. | 0:29:28 | 0:29:33 | |
Matthew and Christine spend their winters in Spain. | 0:29:33 | 0:29:37 | |
So, Sarah will speak to them via webcam. | 0:29:37 | 0:29:40 | |
BOTH: Hello! | 0:29:41 | 0:29:42 | |
-Hi, guys! How are you? -Good thank you, yes. | 0:29:42 | 0:29:46 | |
It was great that you came along with your carpet just when you | 0:29:46 | 0:29:49 | |
did, because I'd been looking for something like that for ages | 0:29:49 | 0:29:51 | |
-to work on. -Oh, really? | 0:29:51 | 0:29:53 | |
-I've sent you some pictures of what we did with it. -Oh! Oh, my God! | 0:29:53 | 0:30:00 | |
-That's unbelievable. -No, is that the same carpet? Wow. | 0:30:00 | 0:30:06 | |
It just looks like high-end, sort of unbelievable transformation. | 0:30:06 | 0:30:10 | |
I sold it as well, after I'd made it, | 0:30:10 | 0:30:14 | |
and I've got, I don't know if you can see it properly here... | 0:30:14 | 0:30:16 | |
I've got a little something to share with you for your carpet. | 0:30:16 | 0:30:21 | |
-£90 here for you that I'm going to send over to Spain, for you. -That is just amazing. | 0:30:21 | 0:30:27 | |
We didn't expect anything like that, and we just thought, | 0:30:27 | 0:30:30 | |
well... What we could do with the money, | 0:30:30 | 0:30:32 | |
maybe, my mother's coming over, we'll take her for a paella. | 0:30:32 | 0:30:35 | |
Well that's fantastic news, | 0:30:35 | 0:30:36 | |
well it was really lovely to catch up with you, | 0:30:36 | 0:30:38 | |
and I'm so pleased you're having such a lovely time over there, | 0:30:38 | 0:30:42 | |
-and I will wire this across to you as soon as. -Aww. | 0:30:42 | 0:30:45 | |
Take care, thanks ever so much. By-bye. | 0:30:45 | 0:30:47 | |
Spendthrift Sarah spent a grand total of £5 on craft glue for | 0:30:51 | 0:30:56 | |
that transformation, as she already had the leather bag and fabric. | 0:30:56 | 0:31:01 | |
Sarah sold the carpetbag for £95, | 0:31:01 | 0:31:06 | |
giving her a £90 profit to pass on to Christine and Matthew. | 0:31:06 | 0:31:10 | |
Ole! | 0:31:13 | 0:31:15 | |
In Walthamstow, Daniel Heath's putting a final | 0:31:20 | 0:31:23 | |
shine on the 1950s dressing table with mirror. | 0:31:23 | 0:31:27 | |
Well, I'm back in East London to see if Daniel Heath has managed | 0:31:27 | 0:31:30 | |
to change the drab dressing table into something beautiful. | 0:31:30 | 0:31:33 | |
It was right up his street, so I really hope he's nailed it. | 0:31:33 | 0:31:37 | |
When Sarah picked it up, this was a vision in peach. | 0:31:38 | 0:31:42 | |
Girlie and stuck in its dated paint job. | 0:31:42 | 0:31:45 | |
Now, it's a slick and stylish cobalt blue beauty. | 0:31:53 | 0:31:56 | |
All of the hard work revealing the original wood | 0:31:58 | 0:32:01 | |
grain on the drawers has paid off splendidly. | 0:32:01 | 0:32:04 | |
And Daniel's aviary of etchings are an elegant and airy touch. | 0:32:05 | 0:32:10 | |
But will Sarah be drawn to it? | 0:32:13 | 0:32:15 | |
I'm looking forward to showing Sarah what we've done with it. | 0:32:15 | 0:32:19 | |
It was a lovely shape to work with, a nice piece to work on, | 0:32:19 | 0:32:22 | |
-especially considering how it came in. -You said it, Daniel. -Daniel. | 0:32:22 | 0:32:27 | |
-Hiya. -Hello, Sarah, how you doing. -I'm really well. Is that really it? | 0:32:27 | 0:32:34 | |
That's it, yes, that's what was underneath all that pink. | 0:32:34 | 0:32:37 | |
-The wood's beautiful. -The grain is quite lovely. | 0:32:37 | 0:32:40 | |
And that mirror, it's lovely. These are just charming, aren't they? | 0:32:40 | 0:32:44 | |
-Thank you. -Beautiful etchings on there. | 0:32:44 | 0:32:47 | |
Tucked away, there's even more. | 0:32:49 | 0:32:51 | |
Oh, what a surprise! | 0:32:52 | 0:32:53 | |
We've lined the drawers, | 0:32:53 | 0:32:55 | |
because we wanted to bring some more pattern into the piece as well. | 0:32:55 | 0:32:59 | |
That's a really lovely touch, I think that's beautiful, | 0:32:59 | 0:33:03 | |
to get that extra bit, and that colour way, inspired...oh, wow! | 0:33:03 | 0:33:07 | |
Wallpaper of Daniel's own design in the drawers makes another | 0:33:07 | 0:33:11 | |
-personal touch. -I really can't believe how stylish it looks. | 0:33:11 | 0:33:16 | |
-It's a smart piece. -It's packed in there, isn't it? | 0:33:16 | 0:33:20 | |
I think it's safe to say that Daniel's got one satisfied | 0:33:20 | 0:33:24 | |
customer in Sarah. | 0:33:24 | 0:33:26 | |
She might even sell it, if she can stop enthusing long enough. | 0:33:26 | 0:33:31 | |
I think you've created something that's hugely saleable, | 0:33:31 | 0:33:34 | |
and it's just how high do we sell it for, because it's beautiful. | 0:33:34 | 0:33:38 | |
Yes, I couldn't believe what it was hiding, basically, | 0:33:38 | 0:33:41 | |
underneath the thick pink gloss. | 0:33:41 | 0:33:44 | |
When Sarah first spotted them, mother and daughter Carol | 0:33:49 | 0:33:52 | |
and Tamara were clearing out surplus items after disaster struck at home. | 0:33:52 | 0:33:57 | |
Because I had a house fire, I ended up with nothing, | 0:33:57 | 0:34:00 | |
and everybody has been so great and like donated everything. | 0:34:00 | 0:34:05 | |
-Tamara's is a busy household. -So how many kids have you got? | 0:34:05 | 0:34:09 | |
-I've got ten altogether. -Ten?! | 0:34:09 | 0:34:11 | |
How old's your oldest and how old's your youngest? | 0:34:11 | 0:34:13 | |
26 and the youngest is one. | 0:34:13 | 0:34:16 | |
Sarah was happy to help her free up some space by taking | 0:34:16 | 0:34:20 | |
the dressing table. | 0:34:20 | 0:34:21 | |
Which has since been reborn as a beautiful blue bit of bedroom | 0:34:24 | 0:34:28 | |
furniture. And it wasn't long before the dressing table found a new home. | 0:34:28 | 0:34:34 | |
A keen customer spotted a shot of it proudly | 0:34:35 | 0:34:38 | |
displayed on Daniel Heath's instagram account. | 0:34:38 | 0:34:42 | |
Now, it's off to be delivered to its new owner. | 0:34:44 | 0:34:47 | |
And Sarah's returned to Greater Manchester to update Tamara | 0:34:49 | 0:34:53 | |
and mum, Carol on what became of their dump destined item. | 0:34:53 | 0:34:58 | |
-Hello. -Hi, Sarah. -How are you? -I'm all right, thank you. | 0:34:58 | 0:35:02 | |
Hello, Tamara, oh, Carol, hi there, how are you? I remember meeting you. | 0:35:02 | 0:35:07 | |
-Yes. -You were looking like you had been very busy when I last saw you. | 0:35:07 | 0:35:12 | |
Yes, decorating and clearing. | 0:35:12 | 0:35:15 | |
The dressing table, it wasn't a very modern looking thing. | 0:35:15 | 0:35:18 | |
-It hadn't been well decorated, had it? -No, no. -It wasn't you, was it? | 0:35:18 | 0:35:21 | |
No, it wasn't me, it was already like that. | 0:35:21 | 0:35:23 | |
Did you have any idea what we might do with it? | 0:35:23 | 0:35:25 | |
-Probably repainted it, maybe... -Change the handles. -Yes. | 0:35:25 | 0:35:31 | |
A bit of an update. | 0:35:31 | 0:35:32 | |
I took it along to a guy called Daniel Heath, | 0:35:32 | 0:35:34 | |
and he specialises in surface pattern design. | 0:35:34 | 0:35:37 | |
So, do you want to see what he did with it? | 0:35:37 | 0:35:39 | |
-Yes. -Yes. -Here is your dressing table. | 0:35:39 | 0:35:43 | |
So he stripped it back... | 0:35:43 | 0:35:45 | |
-Oh, it's lovely. -..And he repainted it and finished it. | 0:35:45 | 0:35:48 | |
-Look at the mirror. -And engraved the mirror. -That's gorgeous. | 0:35:48 | 0:35:52 | |
-That's lovely. -So, I did manage to sell your dressing table. I've actually got some money here, | 0:35:52 | 0:35:57 | |
-I've got £350. -No! Shut up! Wow. | 0:35:57 | 0:36:03 | |
-Wow, Sarah. -All yours. -Thank you. -It's an absolute pleasure. | 0:36:05 | 0:36:10 | |
I didn't really expect that, honestly. It's brilliant. | 0:36:10 | 0:36:13 | |
And what will you do with it, any ideas? | 0:36:14 | 0:36:16 | |
I'm going to buy a new TV with it, | 0:36:16 | 0:36:18 | |
I had one donated and I was very grateful. | 0:36:18 | 0:36:21 | |
The sound went on it this morning, so, I'm going to replace the telly. | 0:36:21 | 0:36:25 | |
-Excellent, well, really great to catch up. -Thank you, Sarah. | 0:36:25 | 0:36:27 | |
-Nice to see you, Carol, as well. By-bye. -Bye! -Thank you. | 0:36:27 | 0:36:31 | |
I am so pleased that this particular project has turned out well, | 0:36:33 | 0:36:37 | |
because Tamara and her family have been through lots recently, | 0:36:37 | 0:36:39 | |
and I think that money is going to come in handy. | 0:36:39 | 0:36:42 | |
Daniel's materials and labour on the dressing table came in on budget. | 0:36:44 | 0:36:49 | |
Back in Wolverhampton, Jay has put the finishing touches to the | 0:37:08 | 0:37:12 | |
-pair of chairs. -I'm happy as a bumblebee. | 0:37:12 | 0:37:14 | |
These, I believe, could go in an art gallery, they are really that good. | 0:37:14 | 0:37:19 | |
I'll call the Tate Modern now, Jay. But will Sarah be as excited? | 0:37:19 | 0:37:24 | |
I have been really looking forward to see what Jay has managed to | 0:37:25 | 0:37:29 | |
do to those two boring old farmhouse style chairs that I dropped off. | 0:37:29 | 0:37:32 | |
So, I'm hoping that he's managed to sprinkle some magic on them, | 0:37:32 | 0:37:35 | |
and turn them into something really fantastic. | 0:37:35 | 0:37:38 | |
Sarah challenged Jay to transport these solid | 0:37:41 | 0:37:44 | |
but dull chairs from their country cottage past into the 21st century. | 0:37:44 | 0:37:49 | |
And Jay has certainly not disappointed. With a bit of elbow grease and the flick of a wrist, | 0:38:00 | 0:38:05 | |
he's given them a whole new future on the interiors cutting edge. | 0:38:05 | 0:38:10 | |
The cool grey basecoat makes the perfect canvas on which to | 0:38:11 | 0:38:15 | |
showcase the bright, bold, neon drip effect, | 0:38:15 | 0:38:18 | |
which brings the chairs alive with personality and colour. | 0:38:18 | 0:38:23 | |
Jay's justifiably proud of his handiwork, | 0:38:23 | 0:38:26 | |
so let's hope Sarah takes to them as well. | 0:38:26 | 0:38:28 | |
Have they got... They're really cool. | 0:38:32 | 0:38:34 | |
I think they're really, really cool. | 0:38:34 | 0:38:35 | |
I'm over the moon with them, to tell you the truth. | 0:38:35 | 0:38:37 | |
I think they're really sophisticated. | 0:38:37 | 0:38:39 | |
It's just really quite clever. | 0:38:39 | 0:38:41 | |
Sophisticated, that's quite cool, that's a nice one, I like that. | 0:38:41 | 0:38:44 | |
If you had done it all over, or you had not paired it up with | 0:38:44 | 0:38:47 | |
such a lovely finish, I think it would look childlike, | 0:38:47 | 0:38:50 | |
but what you've done looks cool, it's cool. | 0:38:50 | 0:38:53 | |
Yes, I think it really does look cool, I really like it. | 0:38:53 | 0:38:57 | |
You've certainly managed to give them a new identity, | 0:38:57 | 0:38:59 | |
because they were pretty boring before, weren't they? | 0:38:59 | 0:39:02 | |
And what's more, Jay's labour and materials are on budget too, at £150 for the pair. | 0:39:05 | 0:39:10 | |
Do you reckon I'm going to turn a profit on these or not? | 0:39:13 | 0:39:15 | |
-I think you're going to turn a profit. -I think they're fantastic. | 0:39:15 | 0:39:18 | |
-No problem. Can do. -Thanks. -All right. | 0:39:18 | 0:39:20 | |
-We started something big here. -No, we started a trend. | 0:39:20 | 0:39:22 | |
-That's what that is, this is a trendsetter. You take care now. -Bye. -Bye. | 0:39:22 | 0:39:27 | |
There is not a trace of country cottage left on those chairs, | 0:39:29 | 0:39:32 | |
he's blown away the cobwebs and brought out all their best features, | 0:39:32 | 0:39:36 | |
and that design idea is really clever. | 0:39:36 | 0:39:38 | |
Dewi and Julie were clearing out their son Owen's | 0:39:45 | 0:39:48 | |
-stuff in preparation for a big move. -He's leaving you, is he? | 0:39:48 | 0:39:53 | |
-He is, at last. -At last. -Sarah took a shine to their pair of chairs. | 0:39:53 | 0:39:58 | |
Good solid chairs, aren't they? They're handmade. | 0:39:58 | 0:40:01 | |
-Dewi and Julie were happy to let her have them. -She can do something with those two. | 0:40:01 | 0:40:05 | |
Yes, she can do something, if they were sanded down and just, | 0:40:05 | 0:40:09 | |
-that natural wood brought back up again. -That's not what happened. | 0:40:09 | 0:40:12 | |
But, the chairs have now been completely reinvented for the modern age. | 0:40:16 | 0:40:20 | |
And, what's more, they've been sold to an online vintage and retro furniture specialist. | 0:40:21 | 0:40:28 | |
Owner Nick Smith agrees that the chairs are cool customers. | 0:40:28 | 0:40:32 | |
I love the detailed paintwork on the chairs, they look really cool. | 0:40:32 | 0:40:35 | |
Yeah, I like all these paint splatters on the legs, they look really good. | 0:40:35 | 0:40:39 | |
Different, very different. | 0:40:39 | 0:40:40 | |
Time to head to north Wales, and with Dewi busy at work, | 0:40:40 | 0:40:44 | |
-Sarah will be showing Julie what became of the chairs. -Hi there. | 0:40:44 | 0:40:50 | |
-Hello, Sarah. -Very nice to see you again. -And you. | 0:40:50 | 0:40:53 | |
Well, it was great seeing you at the tip, and being really helpful. | 0:40:53 | 0:40:56 | |
You were helping your son move, weren't you? | 0:40:56 | 0:40:58 | |
Yes, yes, it was a busy day. | 0:40:58 | 0:40:59 | |
I saw lots of things I was interested in that he was disposing of. | 0:40:59 | 0:41:03 | |
One of them was the pair of chairs, the stick back chairs. | 0:41:03 | 0:41:06 | |
So, I've got some pictures here to show you, of how they ended up. | 0:41:06 | 0:41:09 | |
I don't know how much they look like the chairs that you remembered, | 0:41:09 | 0:41:12 | |
-but... -Wow, gosh, well no, they were wood, weren't they, like a pine effect. | 0:41:12 | 0:41:15 | |
-Yes. -Those are beautiful, aren't they? | 0:41:15 | 0:41:17 | |
So, what he's done is he's given them a good coat of paint | 0:41:17 | 0:41:20 | |
-and he has put... -Just a bit of colour on. | 0:41:20 | 0:41:22 | |
Bit of colour, just on the legs, just to give them | 0:41:22 | 0:41:25 | |
-a little something different. -It's lovely. | 0:41:25 | 0:41:27 | |
So I did actually manage to sell the chairs, | 0:41:27 | 0:41:29 | |
and I've got a little bit of money here to hand over. | 0:41:29 | 0:41:32 | |
Not a fortune, but I have got have got, there's £5 there. | 0:41:32 | 0:41:35 | |
-Oh, good heavens. -And 20 more to go with it, for your... | 0:41:35 | 0:41:38 | |
-Well thank you very much. -..your son's old chairs. | 0:41:38 | 0:41:41 | |
So, you worked really hard that day, | 0:41:41 | 0:41:42 | |
what are you going to do with the money? | 0:41:42 | 0:41:44 | |
Well, I had thought it would be nice to go out for a meal, | 0:41:44 | 0:41:47 | |
but I think it would be nice to give it to Owen as well, | 0:41:47 | 0:41:51 | |
because he bought the chairs originally, and it's | 0:41:51 | 0:41:53 | |
lovely to see that they've been brought up to such a high standard. | 0:41:53 | 0:41:57 | |
So, I think Owen would appreciate it. | 0:41:57 | 0:41:59 | |
Oh, it was a pleasure, and thank you so much for your time, at the tip and here today. | 0:41:59 | 0:42:02 | |
I enjoyed it very much, I did tell Owen, he was quite excited. | 0:42:02 | 0:42:05 | |
Excellent, well, lovely to catch up. Thank you ever so much. | 0:42:05 | 0:42:08 | |
-Thank you. -Bye-bye. -Bye. | 0:42:08 | 0:42:09 | |
Well, I think Julie's a very helpful and generous mother, | 0:42:11 | 0:42:14 | |
because not only did she help her son move, she let us | 0:42:14 | 0:42:17 | |
have those chairs, and she's going to give the profit back to him. | 0:42:17 | 0:42:21 | |
Jay's labour and materials on the chairs came in at... | 0:42:23 | 0:42:26 | |
That Duchess of Dump Divers, Sarah, | 0:42:43 | 0:42:46 | |
has rescued a trio of items from a life of grime. | 0:42:46 | 0:42:50 | |
The roll of carpet has a stylish new future as a treasured weekend bag. | 0:42:51 | 0:42:56 | |
One peachy dressing table was dragged | 0:42:57 | 0:43:00 | |
gleaming into the modern day. | 0:43:00 | 0:43:03 | |
And two old wooden chairs are now the hippest new seats on the block. | 0:43:03 | 0:43:07 | |
Well, they were three brilliant transformations, from tip | 0:43:10 | 0:43:13 | |
bound to top end, with money for nothing made along the way. | 0:43:13 | 0:43:17 |