Browse content similar to Episode 15. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Can I have a little rummage around in your rubbish? -Yeah. | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:06 | 0:00:10 | |
I love that. | 0:00:10 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes | 0:00:11 | 0:00:15 | |
of household waste we throw out every year. | 0:00:15 | 0:00:18 | |
So heavy. They don't make them like this any more. Look at that. | 0:00:18 | 0:00:21 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:21 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:28 | |
I'm a passionate maker, buyer and user of old stuff, | 0:00:30 | 0:00:34 | |
and I've turned that passion into a money-making business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:41 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:46 | |
Say something nice about it. | 0:00:46 | 0:00:47 | |
My juices are flowing in this one. They are going to be wow. | 0:00:47 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
Isn't that stunning? | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
Oh, wow. | 0:00:57 | 0:00:59 | |
..and, hopefully, saleable items. | 0:00:59 | 0:01:02 | |
That is bonkers. | 0:01:02 | 0:01:03 | |
If Sarah is successful, then she can hand the profits back | 0:01:03 | 0:01:07 | |
to the very people who had no idea | 0:01:07 | 0:01:09 | |
there was cash to be made from their trash. | 0:01:09 | 0:01:12 | |
Got, um, £350. | 0:01:12 | 0:01:15 | |
No. | 0:01:15 | 0:01:16 | |
Today we're at the recycling centre in Walsall, | 0:01:26 | 0:01:30 | |
where Sarah is searching for those ever elusive hidden gems. | 0:01:30 | 0:01:34 | |
Old cardboard, decimated flat-pack | 0:01:37 | 0:01:40 | |
and polystyrene are not going to cut it. | 0:01:40 | 0:01:42 | |
I'm after those solid pieces I can attach a serious price tag to. | 0:01:42 | 0:01:46 | |
She's been given special permission to ransack the rubbish tip, | 0:01:47 | 0:01:51 | |
and her challenge is to find three items | 0:01:51 | 0:01:54 | |
she can bring back to life and sell on for a profit. | 0:01:54 | 0:01:57 | |
Is it comfy? | 0:01:57 | 0:01:58 | |
I have no idea. I've never sat in it. | 0:01:58 | 0:02:00 | |
Come on. You've just started. | 0:02:00 | 0:02:02 | |
You can't be needing a sit-down already. | 0:02:02 | 0:02:04 | |
Get a move on. | 0:02:04 | 0:02:06 | |
Your days are numbered. | 0:02:06 | 0:02:08 | |
Scary stuff. | 0:02:08 | 0:02:09 | |
Now she's back on her feet, | 0:02:11 | 0:02:13 | |
she's spotted a vision in red leather in Zia's car. | 0:02:13 | 0:02:16 | |
-Hiya. -Hi. | 0:02:16 | 0:02:18 | |
-Getting rid of the sofa? -Yes, we are, yeah. -Oh, it's a chair. | 0:02:18 | 0:02:21 | |
I thought it was a sofa. | 0:02:21 | 0:02:23 | |
Is it...? It's yours? You're just chucking it out? | 0:02:23 | 0:02:26 | |
-It looks in really good condition. -It is, but the springs have gone. | 0:02:26 | 0:02:29 | |
-OK. -So... -If it's not comfortable... | 0:02:29 | 0:02:32 | |
-No... -No, I totally understand. | 0:02:32 | 0:02:34 | |
The chair is a red herring. | 0:02:34 | 0:02:36 | |
It's the red leather that's caught Sarah's eye. | 0:02:36 | 0:02:39 | |
I really like the idea of using the leather | 0:02:39 | 0:02:41 | |
from something like this, | 0:02:41 | 0:02:42 | |
so yeah, definitely be great to have a look at it. | 0:02:42 | 0:02:44 | |
-Shall we get it out... -Yes, absolutely. | 0:02:44 | 0:02:46 | |
..to have a closer look? | 0:02:46 | 0:02:48 | |
The price tag on leather goods is growing. | 0:02:49 | 0:02:52 | |
Repurposing the leather from this sofa could be a real money-maker. | 0:02:52 | 0:02:56 | |
I think...if we might only use the... | 0:02:56 | 0:02:59 | |
Can I have a look at the other cushions? | 0:02:59 | 0:03:01 | |
I think what I might do is just take the cushions away. | 0:03:01 | 0:03:04 | |
I think I should be able to get enough material out of those, | 0:03:04 | 0:03:07 | |
and then recycle the chair, if that's all right. | 0:03:07 | 0:03:10 | |
-That's fine. -Cos those are some really lovely cushions. | 0:03:10 | 0:03:13 | |
Any ideas what we might make out of them? | 0:03:13 | 0:03:14 | |
Uh... | 0:03:14 | 0:03:16 | |
I think cushions would be a nice, easy option. | 0:03:16 | 0:03:19 | |
Hmm. A little too easy, Zia. | 0:03:19 | 0:03:21 | |
I think it would be great to take those away, if you don't mind. | 0:03:21 | 0:03:24 | |
No problem. | 0:03:24 | 0:03:25 | |
What does Zia think of Sarah scarpering with his cushions? | 0:03:27 | 0:03:30 | |
Hopefully, somebody can get some use out of it | 0:03:32 | 0:03:34 | |
rather than just throwing it in the rubbish bin and go to landfill. | 0:03:34 | 0:03:36 | |
Sarah is going hell for leather to makeover this item, | 0:03:36 | 0:03:40 | |
but could she be on a hiding to nothing? | 0:03:40 | 0:03:43 | |
Now, there is just heaps of leather in these cushions. | 0:03:43 | 0:03:47 | |
I really want to see what it's like on the inside | 0:03:47 | 0:03:49 | |
but I can't do that without ripping... Oh, no, look. | 0:03:49 | 0:03:51 | |
OK, so, it's a sort of pink suede on the inside. | 0:03:53 | 0:03:56 | |
I'm thinking maybe this would make, you know, | 0:03:56 | 0:03:58 | |
loads of handbags out of this, or maybe even a coat. | 0:03:58 | 0:04:02 | |
Really good find cos there's just heaps of potential | 0:04:02 | 0:04:05 | |
with what we've got here. | 0:04:05 | 0:04:06 | |
And Sarah knows just the man | 0:04:06 | 0:04:08 | |
to turn all that potential into profit. | 0:04:08 | 0:04:10 | |
When you think bags, think Neil Wragg. | 0:04:12 | 0:04:16 | |
From salvaged unwanted materials, | 0:04:16 | 0:04:18 | |
Neil creates everything from handbags to haversacks, | 0:04:18 | 0:04:22 | |
and prides himself on the fact that his handmade bespoke bags | 0:04:22 | 0:04:26 | |
will last a lifetime. | 0:04:26 | 0:04:28 | |
I love being able to create something | 0:04:29 | 0:04:31 | |
from what would be rubbish, I suppose, to other people. | 0:04:31 | 0:04:36 | |
You could have, for example, a tent that was at Glastonbury | 0:04:36 | 0:04:40 | |
and saw the Rolling Stones and then now it becomes a bag, | 0:04:40 | 0:04:44 | |
and it's seen quite a life already. | 0:04:44 | 0:04:49 | |
So, everything here has got a personality. | 0:04:49 | 0:04:51 | |
All the bags have lived a life, | 0:04:51 | 0:04:53 | |
and they're now about to live a second life. | 0:04:53 | 0:04:55 | |
But will Neil be able to raise the old leather cushions | 0:04:55 | 0:04:59 | |
from the dead too? | 0:04:59 | 0:05:01 | |
One item down, two to go. | 0:05:11 | 0:05:13 | |
The weather's taken a turn for the worse, | 0:05:13 | 0:05:15 | |
but I'm not going to let a little rain dampen | 0:05:15 | 0:05:18 | |
my naturally sunny disposition. | 0:05:18 | 0:05:20 | |
Will Jamie and his dad, Jeff, rain on Sarah's parade? | 0:05:21 | 0:05:25 | |
Oh, wow. | 0:05:26 | 0:05:28 | |
-Hiya. -Hello. -Whose is that then? | 0:05:28 | 0:05:31 | |
My nan's, it was. | 0:05:31 | 0:05:33 | |
Oh, really? That is a fantastic sofa. | 0:05:33 | 0:05:36 | |
-So, you just... -In the skip. -Really? -Yep. | 0:05:36 | 0:05:40 | |
I think it looks amazing. I like everything about it. | 0:05:40 | 0:05:42 | |
The style of it, the fabric's really retro. | 0:05:42 | 0:05:45 | |
This is your...? | 0:05:45 | 0:05:46 | |
-My mother's. -Your mother's. Do you remember growing up with it? | 0:05:46 | 0:05:49 | |
-Do you know when she got it? -Oh, yeah. Ages ago. | 0:05:49 | 0:05:51 | |
-And did she buy it new? -I think she did, yes. | 0:05:51 | 0:05:54 | |
So, was that something, like, in the 19...? What was that, 1950s? | 0:05:54 | 0:05:57 | |
-19...? -'60s, wasn't it? -'60s. 1960s, yeah. | 0:05:57 | 0:06:01 | |
It's a good size. Not too big. | 0:06:01 | 0:06:03 | |
And it's got that kind of | 0:06:03 | 0:06:05 | |
retro look that people are stuffing into their houses again, | 0:06:05 | 0:06:08 | |
-so if you let me have it, that would make my day. -Yeah. | 0:06:08 | 0:06:12 | |
Absolutely love it. | 0:06:12 | 0:06:14 | |
It looks to me like Sarah might be putting | 0:06:16 | 0:06:19 | |
passion before profit on this one. | 0:06:19 | 0:06:22 | |
-Jamie, thanks so much for letting me have that. -OK. | 0:06:22 | 0:06:25 | |
That's absolutely made my day. I love it. | 0:06:25 | 0:06:27 | |
Wow. That's going to take some work. | 0:06:27 | 0:06:29 | |
I have got the most amazing upholsterer lined up. | 0:06:29 | 0:06:33 | |
They are original, funky. | 0:06:33 | 0:06:34 | |
They're going to breathe new life into this | 0:06:34 | 0:06:36 | |
and there's going to be money to be made. | 0:06:36 | 0:06:39 | |
Welcome to the world of Anthony Devine. | 0:06:42 | 0:06:45 | |
Anthony's unique and quirky upholstery | 0:06:45 | 0:06:48 | |
has earned him the reputation as one of the most imaginative | 0:06:48 | 0:06:52 | |
craftspeople around. | 0:06:52 | 0:06:54 | |
Anthony can upholster almost anything, | 0:06:54 | 0:06:57 | |
but he loves a good chair. | 0:06:57 | 0:06:59 | |
Some chairs you just know. | 0:06:59 | 0:07:01 | |
You know that this is the one | 0:07:01 | 0:07:03 | |
and you just know you're onto a winner. | 0:07:03 | 0:07:05 | |
You can look beyond the kind of dirt and the holes and the grime | 0:07:10 | 0:07:15 | |
and you think, "Yes, we've got a gem here," | 0:07:15 | 0:07:17 | |
and then it's a matter of teaming it up with the right fabric. | 0:07:17 | 0:07:22 | |
And then from ugly ducklings are beautiful swans. | 0:07:22 | 0:07:26 | |
Well, Anthony, can you transform this into a beautiful swan? | 0:07:28 | 0:07:32 | |
Two items found for Neil and Anthony. | 0:07:37 | 0:07:40 | |
Now Sarah has to find an item that she can get to grips with. | 0:07:40 | 0:07:44 | |
There's all sorts flying about, | 0:07:44 | 0:07:47 | |
but will Sarah like the look of what's in Frank's boot? | 0:07:47 | 0:07:50 | |
Excuse me, are you chucking them all? | 0:07:50 | 0:07:52 | |
Yeah, you can have those if you want, yeah. | 0:07:52 | 0:07:54 | |
-Are they all broken or...? -No, they all work. -Really? | 0:07:54 | 0:07:57 | |
-It's just that nobody wants them any more. -So, where are they from? | 0:07:57 | 0:07:59 | |
They're from out of cigarette machines. | 0:07:59 | 0:08:01 | |
All of these were taken out, and we're just dumping them. | 0:08:01 | 0:08:04 | |
I've no idea if I can do something with them, | 0:08:04 | 0:08:06 | |
but they look amazing. | 0:08:06 | 0:08:07 | |
It'll be a very special thing if I can make something. | 0:08:07 | 0:08:10 | |
-Yeah. -Thanks so much. | 0:08:10 | 0:08:11 | |
Sarah's face has lit up | 0:08:11 | 0:08:14 | |
now she's got a little bundle of joy. | 0:08:14 | 0:08:17 | |
What does Frank think she'll do with his old fluorescent tubes? | 0:08:17 | 0:08:21 | |
Something artistic, I think. | 0:08:21 | 0:08:22 | |
Yeah, I think that's what she's going to do. | 0:08:22 | 0:08:24 | |
You're not wrong there, Frank. | 0:08:24 | 0:08:26 | |
I'm thinking maybe a big chandelier. | 0:08:26 | 0:08:28 | |
Perhaps a whole wall of lights, | 0:08:28 | 0:08:30 | |
or maybe just using them with something in front to light up, | 0:08:30 | 0:08:33 | |
but really cool stuff. | 0:08:33 | 0:08:35 | |
I just need to have a bright idea about what to make out of them. | 0:08:37 | 0:08:39 | |
Oh, yeah. I see what you did there. | 0:08:39 | 0:08:42 | |
Success. | 0:08:45 | 0:08:46 | |
Sarah has all three items. | 0:08:46 | 0:08:49 | |
Neil will repurpose the red leather. | 0:08:49 | 0:08:52 | |
Anthony will get busy bringing the old-fashioned sofa | 0:08:52 | 0:08:56 | |
bang up to date. | 0:08:56 | 0:08:58 | |
And as for Sarah's lights, | 0:08:58 | 0:08:59 | |
she'll need to be switched on to make them saleable. | 0:08:59 | 0:09:03 | |
It never ceases to amaze me what people throw away. | 0:09:06 | 0:09:10 | |
I'm so pleased I was here today to save a couple of pieces | 0:09:10 | 0:09:13 | |
that I think are dumped diamonds that'll bring home big bucks. | 0:09:13 | 0:09:16 | |
Nestled between Salford and Manchester | 0:09:23 | 0:09:25 | |
is master upholsterer Anthony Devine's workshop, | 0:09:25 | 0:09:30 | |
which he runs with his partner, Susie Milner. | 0:09:30 | 0:09:33 | |
He's got an amazing track record of transforming crumpled couches | 0:09:33 | 0:09:37 | |
into sexy sofas. | 0:09:37 | 0:09:40 | |
Hopefully, he'll appreciate what Sarah's dragging in. | 0:09:40 | 0:09:44 | |
When the doors are opened and you get the first glimpse, | 0:09:44 | 0:09:47 | |
you see one and you just know you're onto a winner. | 0:09:47 | 0:09:50 | |
-Some things just kind of click. -Anthony! | 0:09:50 | 0:09:53 | |
You brought a sofa. | 0:09:55 | 0:09:57 | |
-Tell me you love it. -I love it. | 0:09:59 | 0:10:01 | |
-Come on. -Yes. -Let's get it in. Let's do the business. | 0:10:01 | 0:10:03 | |
Yes. Now you're listening to what I want. | 0:10:03 | 0:10:06 | |
Anthony clearly wants very strange things. | 0:10:06 | 0:10:08 | |
-It's not too heavy. -Oh, this is perfect. | 0:10:08 | 0:10:12 | |
Up we go. | 0:10:13 | 0:10:14 | |
This is one of my favourite finds. | 0:10:16 | 0:10:19 | |
I could hug you. I love it. | 0:10:19 | 0:10:22 | |
I love it, love it, love it. | 0:10:22 | 0:10:24 | |
This needs to be sharp and crisp. | 0:10:24 | 0:10:27 | |
-All the potential. -Huge, isn't it? | 0:10:27 | 0:10:30 | |
Yeah. We could do a bit of chintz on here. Some flowers up... | 0:10:30 | 0:10:35 | |
-Patchwork on it. -Just taking the mickey now. | 0:10:35 | 0:10:39 | |
There is just something about it. | 0:10:39 | 0:10:41 | |
The '70s-ness of it is oozing out of it. | 0:10:41 | 0:10:44 | |
It's like a Star Wars sofa. | 0:10:44 | 0:10:45 | |
I'm not sure oozing is a desirable trait | 0:10:45 | 0:10:48 | |
in a discarded sofa, | 0:10:48 | 0:10:50 | |
unless Jabba the Hutt's the target market. | 0:10:50 | 0:10:52 | |
It's going to be a nice one to do. We are at the absolute top end. | 0:10:52 | 0:10:57 | |
Everything has to be thread-perfect on it | 0:10:57 | 0:11:02 | |
if we're looking at the penthouse. | 0:11:02 | 0:11:04 | |
OK. So, this is now going to be called the penthouse sofa. | 0:11:04 | 0:11:07 | |
Yeah, just don't tell its glamorous new owners | 0:11:07 | 0:11:10 | |
that it was nearly the skip sofa when they buy it. | 0:11:10 | 0:11:14 | |
Now, colours, design. Bear with me on this. | 0:11:14 | 0:11:17 | |
I know. Go on. | 0:11:17 | 0:11:20 | |
I was thinking... You're going to love this. | 0:11:20 | 0:11:23 | |
-HE LAUGHS -OK? | 0:11:23 | 0:11:25 | |
..pink. | 0:11:25 | 0:11:26 | |
Right. | 0:11:26 | 0:11:28 | |
I'm thinking quartz pink, rose quartz. It's bang on trend. | 0:11:28 | 0:11:32 | |
It works beautifully with gold. | 0:11:32 | 0:11:34 | |
I think it would look beautiful in it. | 0:11:34 | 0:11:38 | |
What do you think? | 0:11:38 | 0:11:39 | |
Anthony's clearly delighted. | 0:11:39 | 0:11:41 | |
-Um, I... -Can't hold back his enthusiasm... | 0:11:41 | 0:11:44 | |
-Uh... -..for Sarah's artistic vision. -Yes. | 0:11:44 | 0:11:47 | |
Don't worry, Anthony. | 0:11:47 | 0:11:49 | |
Sarah knows exactly what she's doing. | 0:11:49 | 0:11:52 | |
But can she afford it? | 0:11:52 | 0:11:53 | |
I'm thinking around the 1,250 mark. | 0:11:56 | 0:12:01 | |
We'd give enough good fabric and it gives me enough to be able | 0:12:01 | 0:12:04 | |
to put everything back and make a little bit for me. | 0:12:04 | 0:12:08 | |
Wow. | 0:12:08 | 0:12:09 | |
With that huge budget, | 0:12:09 | 0:12:10 | |
the pressure is going to be on for Anthony to deliver, | 0:12:10 | 0:12:13 | |
and deliver big. | 0:12:13 | 0:12:14 | |
I would see a very strong profit in this. | 0:12:14 | 0:12:17 | |
I hope so. That's more than a new sofa. | 0:12:17 | 0:12:19 | |
Hopefully, I'll be able to sell it | 0:12:19 | 0:12:21 | |
and hand over a good wad of cash to the people who dropped it off. | 0:12:21 | 0:12:24 | |
This is where we're aiming at. We're up there. | 0:12:24 | 0:12:26 | |
Nothing like aiming for the stars. It'll be quite a transformation. | 0:12:26 | 0:12:30 | |
Loving your work. Oh, I've done it again! | 0:12:32 | 0:12:35 | |
That really is one of my favourite skip finds. | 0:12:41 | 0:12:44 | |
The transformation is going to be amazing. | 0:12:44 | 0:12:47 | |
Anthony has taken on board some of the things I've suggested, | 0:12:47 | 0:12:50 | |
and I'm just hoping that I've made the right call on it. | 0:12:50 | 0:12:52 | |
And Anthony, how does he feel about Sarah's suggestions? | 0:12:52 | 0:12:56 | |
This one I really like. | 0:12:56 | 0:12:59 | |
Between you and me, I'm a big fan of this one. | 0:12:59 | 0:13:03 | |
I'm just going to enjoy making it | 0:13:03 | 0:13:06 | |
rather than kind of selecting the fabrics and the outcome of it. | 0:13:06 | 0:13:10 | |
It's almost as if he's distancing himself from the design. | 0:13:10 | 0:13:13 | |
I... Yeah. | 0:13:13 | 0:13:15 | |
Pink. | 0:13:16 | 0:13:17 | |
That's going to be all kinds of interesting. | 0:13:18 | 0:13:21 | |
With labour costs of £1,000 and another 250 for fabric, | 0:13:21 | 0:13:26 | |
Sarah will be expecting something pretty spectacular | 0:13:26 | 0:13:30 | |
for her 1,250 spend. | 0:13:30 | 0:13:33 | |
I hope Anthony can pull it off, regardless of the colour. | 0:13:33 | 0:13:37 | |
Sarah's next stop is Marlow near High Wycombe in Buckinghamshire, | 0:13:40 | 0:13:45 | |
where Neil Wragg is on a mission to rescue pretty much anything, | 0:13:45 | 0:13:48 | |
from offcuts to inner tubes, | 0:13:48 | 0:13:51 | |
and turn them into beautiful handcrafted bags. | 0:13:51 | 0:13:55 | |
Sarah is coming today, and we shall see what she brings. | 0:13:55 | 0:13:58 | |
Hopefully, it'll be something I can sew together | 0:13:58 | 0:14:00 | |
that doesn't break too many needles. | 0:14:00 | 0:14:02 | |
You know, it's very difficult making a bag from paving slabs. | 0:14:02 | 0:14:05 | |
You're in luck, Neil. | 0:14:05 | 0:14:06 | |
They're not made of concrete, and she's not after much. | 0:14:06 | 0:14:09 | |
Now, in my wildest dreams, | 0:14:09 | 0:14:11 | |
I would like these tired, red sofa cushions | 0:14:11 | 0:14:14 | |
turned into a whole range of designer luggage. | 0:14:14 | 0:14:17 | |
I hope Neil likes a challenge. | 0:14:17 | 0:14:19 | |
Yeah, me too. | 0:14:19 | 0:14:21 | |
-Hello. -Hi. Hi, Sarah. How are you doing? | 0:14:23 | 0:14:25 | |
I'm really well. I've got presents for you. | 0:14:25 | 0:14:27 | |
Right. I'm a little worried. | 0:14:27 | 0:14:28 | |
There's loads here, aren't there? | 0:14:28 | 0:14:30 | |
Right, well, we've got some funky red cushions. | 0:14:30 | 0:14:34 | |
One, two, three, four, five. | 0:14:34 | 0:14:37 | |
Do you know something, | 0:14:37 | 0:14:38 | |
I thought there was more than enough here | 0:14:38 | 0:14:40 | |
to make something out of, | 0:14:40 | 0:14:41 | |
so you must be able to make a purse out of this lot, Neil. | 0:14:41 | 0:14:43 | |
-Come on. -I think we can do more than a carrier bag, yeah. | 0:14:43 | 0:14:47 | |
So, we're game on for a bag then, you reckon? | 0:14:47 | 0:14:49 | |
Yes. You've brought be something that I can sew and it's not alive. | 0:14:49 | 0:14:52 | |
Yes, it would be awkward if one of the cushions started to moo. | 0:14:52 | 0:14:55 | |
Time for Sarah to drop the bombshell. | 0:14:55 | 0:14:58 | |
I was hoping for a bespoke range of designer luggage. | 0:14:58 | 0:15:02 | |
That's not difficult, is it? | 0:15:02 | 0:15:04 | |
Luggage I can do. It's just the design. | 0:15:04 | 0:15:07 | |
I absolutely love the messenger bags that you make, | 0:15:07 | 0:15:09 | |
so I was wondering about maybe one of those out of it. | 0:15:09 | 0:15:14 | |
-Easily, yeah. -And a big, usable, expensive weekend bag out of it. | 0:15:14 | 0:15:19 | |
OK, well, we can do that as well. | 0:15:19 | 0:15:22 | |
But the idea is that things would last a lifetime, | 0:15:22 | 0:15:24 | |
so we've got a good start with the fabric. | 0:15:24 | 0:15:26 | |
I love what you're saying because this has already had its life, | 0:15:26 | 0:15:29 | |
so now if we can make luggage out of it, | 0:15:29 | 0:15:32 | |
another 50 years of wear, that's brilliant. | 0:15:32 | 0:15:35 | |
Phew. That went better than expected. | 0:15:35 | 0:15:37 | |
Neil seems pretty unflappable, but there's always a snag. | 0:15:37 | 0:15:41 | |
I don't like the colour, | 0:15:42 | 0:15:44 | |
and I'm worried that it's not as saleable in this colour, | 0:15:44 | 0:15:47 | |
so I'm wondering if you've ever dyed stuff before | 0:15:47 | 0:15:49 | |
or if you think you might be able to make it a bit more stylish, | 0:15:49 | 0:15:53 | |
a bit darker, a bit richer. | 0:15:53 | 0:15:54 | |
Well, that would be a journey, won't it? | 0:15:54 | 0:15:56 | |
We have enough fabric. We can do some tests. | 0:15:56 | 0:16:00 | |
We can give it a go. | 0:16:00 | 0:16:01 | |
Not the most confidence-inspiring answer from Neil. | 0:16:01 | 0:16:04 | |
I'm not sure dying is something he's keen on. | 0:16:04 | 0:16:07 | |
And there's still the matter of the material for the lining. | 0:16:07 | 0:16:11 | |
The ethos of what I do is to make things | 0:16:11 | 0:16:14 | |
out of something that would end up in landfill. | 0:16:14 | 0:16:16 | |
So, this used to be an old Scout tent. | 0:16:16 | 0:16:18 | |
It's heavy-duty canvas, so I think we use that as lining. | 0:16:18 | 0:16:22 | |
-That is right up my street. Scout canvas. Perfect. -Great. | 0:16:22 | 0:16:25 | |
That has now got a nose-to-tail kind of story. | 0:16:25 | 0:16:28 | |
Once upon a time, there was some manky tents | 0:16:28 | 0:16:31 | |
and a smelly old sofa. | 0:16:31 | 0:16:33 | |
Is that the kind of story, Sarah? | 0:16:33 | 0:16:35 | |
So, I think I'm sold. | 0:16:36 | 0:16:37 | |
I've got a messenger bag on one shoulder, | 0:16:37 | 0:16:39 | |
I've got beautiful, scrunchy, rich-looking holdall on the other. | 0:16:39 | 0:16:43 | |
-How much is that going to cost me to make me two of those? -OK. | 0:16:43 | 0:16:46 | |
We're looking at £95 for the messenger bag | 0:16:46 | 0:16:49 | |
and then the holdall, we could say the same thing. | 0:16:49 | 0:16:51 | |
Thank you ever so much. I hope the dying goes well. | 0:16:51 | 0:16:54 | |
-Part of the journey. -Ooh! | 0:16:54 | 0:16:56 | |
Well, that is another load of old rubbish off my mind | 0:17:00 | 0:17:03 | |
and into Neil's. | 0:17:03 | 0:17:04 | |
And if he gets it right, I shall be making bags of money. | 0:17:04 | 0:17:07 | |
It wouldn't be Sarah if there wasn't something awkward. | 0:17:08 | 0:17:11 | |
She wants me to recolour it, so that's going to be the challenge. | 0:17:11 | 0:17:14 | |
So, we'll see. | 0:17:14 | 0:17:15 | |
That's £95 for Neil's tried and tested messenger bag design, | 0:17:15 | 0:17:20 | |
and the same again for a completely new holdall design. | 0:17:20 | 0:17:24 | |
In total, that's £190 committed. | 0:17:24 | 0:17:27 | |
With a new dying technique to master | 0:17:27 | 0:17:30 | |
and some worn-out leather to work with, | 0:17:30 | 0:17:32 | |
I do hope Neil can pull it off. | 0:17:32 | 0:17:34 | |
With the knackered old blue sofa | 0:17:39 | 0:17:42 | |
and those red leather cushions in safe hands, | 0:17:42 | 0:17:45 | |
Sarah has travelled back home to Sussex | 0:17:45 | 0:17:47 | |
to turn those lighting tubes into treasure. | 0:17:47 | 0:17:50 | |
Sometimes I pick things up at the recycling centre | 0:17:52 | 0:17:56 | |
and then I start to work on them and I think, | 0:17:56 | 0:17:59 | |
"Why did I choose these?" | 0:17:59 | 0:18:00 | |
We're all in the dark here. | 0:18:00 | 0:18:02 | |
Illuminate us, Sarah. | 0:18:02 | 0:18:04 | |
I've decided I can use them as droplets for a chandelier, | 0:18:06 | 0:18:10 | |
and I managed to scavenge one of these for 20 quid, | 0:18:10 | 0:18:15 | |
which is nothing, to hang them all on. | 0:18:15 | 0:18:18 | |
OK. And then they all light up, right? | 0:18:19 | 0:18:22 | |
I'm going to take each one and then wrap it in fabric. | 0:18:22 | 0:18:26 | |
I see. | 0:18:26 | 0:18:28 | |
So, she's planning to use them as very fragile decorative poles. | 0:18:28 | 0:18:32 | |
Typically, Sarah is getting floral. | 0:18:35 | 0:18:37 | |
First, Sarah grabs some vintage offcuts from her fabric store. | 0:18:39 | 0:18:43 | |
Then she rips them into strips | 0:18:43 | 0:18:45 | |
and glues them directly onto the tubes. | 0:18:45 | 0:18:48 | |
This is just PVA glue, | 0:18:48 | 0:18:50 | |
the kind of stuff you get for doing craft with children. | 0:18:50 | 0:18:53 | |
But with delicate glass like this, | 0:18:53 | 0:18:55 | |
I'd recommend keeping the kids well away. | 0:18:55 | 0:18:58 | |
I like this cos if the fragile tubes ever were broken, | 0:18:58 | 0:19:01 | |
they'd be completely contained inside this fabric. | 0:19:01 | 0:19:03 | |
That's the first one done. Just another 30 to go. | 0:19:07 | 0:19:11 | |
You've only got yourself to blame, Sarah. | 0:19:11 | 0:19:14 | |
You could've found something else, anything else, | 0:19:14 | 0:19:16 | |
but she seems to be getting into the swing of things. | 0:19:16 | 0:19:20 | |
I love this purple because it works really well with the gold. | 0:19:20 | 0:19:23 | |
I think I'll probably end up using all the same material. | 0:19:23 | 0:19:26 | |
It's actually really old - | 0:19:26 | 0:19:28 | |
probably from 1940, something like that. | 0:19:28 | 0:19:31 | |
I think it's going to look good. | 0:19:34 | 0:19:36 | |
It's going to be huge, though, isn't it? | 0:19:36 | 0:19:39 | |
Well, put it this way. I don't think it'll fit into my house. | 0:19:39 | 0:19:42 | |
At the moment, I'm not sure I'd want it in my house. | 0:19:42 | 0:19:45 | |
That old light fixture came with some of the original glass. | 0:19:45 | 0:19:49 | |
Perhaps that'll improve matters. | 0:19:49 | 0:19:52 | |
A chandelier really should have a little bit of sparkle to it, | 0:19:52 | 0:19:55 | |
shouldn't it? | 0:19:55 | 0:19:57 | |
Good try, Sarah, but if you can make that saleable, | 0:19:57 | 0:20:01 | |
I'll eat my hat. | 0:20:01 | 0:20:02 | |
Sarah has spent £35 on that used chandelier, glue and bulbs, | 0:20:06 | 0:20:11 | |
and she'll need to pay another 30 to her electrician | 0:20:11 | 0:20:15 | |
for wiring and safety testing, making a total of £65 in costs. | 0:20:15 | 0:20:20 | |
Let's hope the added sparkle from those glass pieces | 0:20:20 | 0:20:24 | |
rubs off on the rest of it so she can turn a profit. | 0:20:24 | 0:20:27 | |
In Manchester, Anthony is having a rip-roaring time with the sofa | 0:20:30 | 0:20:35 | |
with partner Susie and daughter Poppy watching on. | 0:20:35 | 0:20:39 | |
The plan is to finish it in this season's luxury pink | 0:20:39 | 0:20:42 | |
and sell it for millions. | 0:20:42 | 0:20:45 | |
Luckily, Anthony enjoys this bit. | 0:20:45 | 0:20:47 | |
To be honest, stripping is never a chore. | 0:20:47 | 0:20:50 | |
Crikey. I thought this was a child-friendly show. | 0:20:50 | 0:20:53 | |
I think this one is trying to warn us. | 0:20:53 | 0:20:55 | |
It'll be nice when you can start to help. | 0:20:55 | 0:20:57 | |
Oh, money, money, money. | 0:20:59 | 0:21:02 | |
Ah, that's money for nothing. | 0:21:02 | 0:21:04 | |
Sarah is hoping to make a bit more than that. | 0:21:04 | 0:21:08 | |
With its innards exposed, | 0:21:08 | 0:21:09 | |
Anthony can get a good look at its bottom. | 0:21:09 | 0:21:13 | |
This has probably had thousands of hours of people sitting on it, | 0:21:13 | 0:21:17 | |
and, you know, looks all good. | 0:21:17 | 0:21:18 | |
Nicely intact. Things were just built to last. | 0:21:18 | 0:21:22 | |
Until you get your hands on them, Anthony. | 0:21:23 | 0:21:25 | |
It doesn't look great. | 0:21:25 | 0:21:27 | |
Most people will be thinking, "Oh, my God. Look." | 0:21:27 | 0:21:30 | |
But this is how a sofa looks. | 0:21:30 | 0:21:32 | |
Uh, yeah. | 0:21:32 | 0:21:33 | |
Let's hide those ragged bits of wooden springs ASAP. | 0:21:33 | 0:21:37 | |
First, Anthony covers the base with hessian | 0:21:37 | 0:21:40 | |
and then glues new foam onto the arms. | 0:21:40 | 0:21:43 | |
If you want to be bang on trend, you need bang-on tools. | 0:21:43 | 0:21:47 | |
Sharp knife, sharp results. | 0:21:47 | 0:21:49 | |
Are you trying to create, like, a catchphrase for yourself? | 0:21:49 | 0:21:51 | |
-Yeah. -THEY LAUGH | 0:21:51 | 0:21:54 | |
Starting with one of the arms, | 0:21:54 | 0:21:55 | |
Anthony is making a base layer of calico shaped to fit snugly. | 0:21:55 | 0:22:01 | |
This bit is kind of critical, really. | 0:22:01 | 0:22:03 | |
This was the one that provides the shape - | 0:22:03 | 0:22:05 | |
almost the foundations for putting the top fabric on | 0:22:05 | 0:22:08 | |
and the overall look. | 0:22:08 | 0:22:09 | |
SOFA, so good. | 0:22:10 | 0:22:12 | |
Oi, I'll do the puns, thanks. | 0:22:12 | 0:22:14 | |
I'm sure Sarah will be tickled pink with the progress. | 0:22:14 | 0:22:19 | |
So, the fabric's arrived. | 0:22:19 | 0:22:20 | |
I can't wait to see that specific shade of rose quartz | 0:22:20 | 0:22:23 | |
Sarah was going on about. | 0:22:23 | 0:22:25 | |
We were struggling to find the rose pink quartz, | 0:22:25 | 0:22:28 | |
so we just decided to go for this more subtle bright gold all over. | 0:22:28 | 0:22:34 | |
Clearly a new definition of the word subtle. | 0:22:34 | 0:22:37 | |
Sarah knows nothing about this at this stage, | 0:22:37 | 0:22:40 | |
and she is probably going to kill me. | 0:22:40 | 0:22:44 | |
I think Sarah might go from pink to incandescent crimson | 0:22:44 | 0:22:48 | |
when she hears about this. | 0:22:48 | 0:22:50 | |
This is going to go in here, like so. | 0:22:50 | 0:22:53 | |
Then we have to sew a piece of piping around here, like so, | 0:22:53 | 0:22:58 | |
and then sew the actual arm itself, | 0:22:58 | 0:23:02 | |
pull it on and hopefully that'll be as crisp as a cucumber. | 0:23:02 | 0:23:07 | |
Are cucumbers crisp? | 0:23:08 | 0:23:10 | |
Yeah, I'd say so. | 0:23:10 | 0:23:12 | |
With a lot still to do, Anthony's going for gold. | 0:23:13 | 0:23:16 | |
You are going to work, arm. You are going to work. | 0:23:17 | 0:23:20 | |
You're a very naughty boy. | 0:23:23 | 0:23:24 | |
I think it'll be you that gets a spanking | 0:23:24 | 0:23:27 | |
when Sarah hears about the new colour scheme. | 0:23:27 | 0:23:30 | |
Yeah. That's what I mean by... | 0:23:30 | 0:23:31 | |
..as crisp as a cucumber. | 0:23:32 | 0:23:34 | |
Very nice, Anthony. | 0:23:34 | 0:23:36 | |
Just the other arm, the back, the base, | 0:23:36 | 0:23:38 | |
the cushions and the buttons still to do. | 0:23:38 | 0:23:40 | |
Oh, and shouldn't it be pink? | 0:23:42 | 0:23:44 | |
In Marlow, Neil is getting to grips with all that lovely red leather | 0:23:47 | 0:23:51 | |
that he's transforming into a messenger bag and holdall. | 0:23:51 | 0:23:55 | |
And he has lofty ambitions for his work. | 0:23:55 | 0:23:58 | |
These bags don't just hold stuff. They save the planet, you see. | 0:23:58 | 0:24:02 | |
Introducing...super bags! HE CLEARS THROAT | 0:24:02 | 0:24:06 | |
First, Neil cuts the leather to his ready-made templates. | 0:24:06 | 0:24:10 | |
Sometimes it's quite cool to keep these seams in | 0:24:10 | 0:24:13 | |
so that it looks like it was a sofa. | 0:24:13 | 0:24:15 | |
Sarah has always asked that these leather-clad superheroes | 0:24:15 | 0:24:18 | |
transform from Superman red to Batman black. | 0:24:18 | 0:24:22 | |
Don't mind us. | 0:24:22 | 0:24:23 | |
Oh, look. Catwoman. CAT MEOWS | 0:24:23 | 0:24:25 | |
Dying can be a messy business, | 0:24:28 | 0:24:30 | |
so Neil has moved outside with the leather pieces | 0:24:30 | 0:24:33 | |
he has cut to size and cleaned. | 0:24:33 | 0:24:35 | |
He's painting an oil-based dye directly onto the surface | 0:24:35 | 0:24:39 | |
until it soaks in, being careful to keep it even. | 0:24:39 | 0:24:43 | |
They need 24 hours to dry, but here are some he made earlier. | 0:24:43 | 0:24:47 | |
Get a few coats buffered up and finish it off with some cream. | 0:24:48 | 0:24:54 | |
Despite all that fuss, it looks like this dying malarkey | 0:24:54 | 0:24:57 | |
is not so scary after all. | 0:24:57 | 0:25:00 | |
With the leather now ready, Neil is choosing and cutting | 0:25:03 | 0:25:05 | |
parts of the Scout tent canvas he's using for lining. | 0:25:05 | 0:25:09 | |
You don't know where it's already been. | 0:25:09 | 0:25:11 | |
It could've been a tent that saw the Stones at Glastonbury. | 0:25:11 | 0:25:14 | |
It could've been a tent that has done a trek to the Himalayas. | 0:25:14 | 0:25:18 | |
Or perhaps more likely it housed loads of freezing children. | 0:25:18 | 0:25:22 | |
You don't want to lose their personality, | 0:25:23 | 0:25:25 | |
so we might keep in some of the old writing or labels. | 0:25:25 | 0:25:28 | |
We can keep some of these in. Makes it look very tent-like. | 0:25:28 | 0:25:34 | |
So, the only problem with doing this is it's going to make | 0:25:34 | 0:25:37 | |
some parts of it really thick. | 0:25:37 | 0:25:39 | |
Luckily, his heavy-duty sewing machine, | 0:25:40 | 0:25:43 | |
nicknamed The Blaster, is up to the task. | 0:25:43 | 0:25:46 | |
And it's important to Neil that his bags are fit for purpose, too. | 0:25:46 | 0:25:52 | |
Nowadays, you've got laptops, iPads, tablets. | 0:25:52 | 0:25:56 | |
There's so much to carry. | 0:25:56 | 0:25:57 | |
People just want to carry something that's going to last. | 0:25:57 | 0:26:00 | |
Neil clips and sews the gusset and the back pieces | 0:26:00 | 0:26:04 | |
using The Blaster. | 0:26:04 | 0:26:05 | |
I have to use the clips cos you can't use pins with leather, | 0:26:05 | 0:26:08 | |
cos you'll end up with holes all over the place. | 0:26:08 | 0:26:11 | |
I'm sewing everything inside out, so there's no stitching being shown. | 0:26:11 | 0:26:15 | |
So, this is the body of the bag. | 0:26:17 | 0:26:19 | |
See, if you've sewn everything upside down, | 0:26:19 | 0:26:21 | |
back to front, inside out. | 0:26:21 | 0:26:24 | |
We've got one pocket there, which is obviously the old tent. | 0:26:27 | 0:26:31 | |
One pocket there for your tablet. | 0:26:31 | 0:26:32 | |
One pocket there for your mobile phone. | 0:26:32 | 0:26:35 | |
Better get on the next phase. | 0:26:35 | 0:26:36 | |
That messenger bag still needs a cape. Sorry, flap. | 0:26:38 | 0:26:41 | |
And he's also got to make the holdall, | 0:26:41 | 0:26:44 | |
and Neil has never made one before. | 0:26:44 | 0:26:46 | |
I need to attach it to the top... | 0:26:46 | 0:26:47 | |
..first, and then I can turn it right side out afterwards. | 0:26:51 | 0:26:55 | |
Shall we just leave him to it? | 0:26:55 | 0:26:57 | |
In Manchester, Anthony has also hit a bit of a snag. | 0:26:59 | 0:27:03 | |
I've put a halt on the sofa. | 0:27:03 | 0:27:05 | |
It's starting to show scuffs I'm a little bit concerned about | 0:27:05 | 0:27:09 | |
for the strength of the fabric. | 0:27:09 | 0:27:11 | |
It's unfortunate and it's a decision | 0:27:11 | 0:27:12 | |
I don't want to take, but I really think | 0:27:12 | 0:27:14 | |
we're going to have to try and think of something new on this one. | 0:27:14 | 0:27:17 | |
I thought that gold finish was something new. | 0:27:17 | 0:27:21 | |
But with Sarah after the top end of the market, | 0:27:21 | 0:27:24 | |
a scuffed finish isn't really going to cut the mustard. | 0:27:24 | 0:27:27 | |
Back to the drawing board, Anthony. | 0:27:27 | 0:27:30 | |
In Sussex, Sarah is putting the finishing touches | 0:27:34 | 0:27:37 | |
to her glamorous fluorescent tube chandelier extravaganza. | 0:27:37 | 0:27:41 | |
You know the one. | 0:27:41 | 0:27:43 | |
Well, this is definitely coming together. | 0:27:46 | 0:27:48 | |
I'm just finishing off the last bits and getting the crystals in between, | 0:27:48 | 0:27:53 | |
and then hopefully I'll have made something | 0:27:53 | 0:27:55 | |
that somebody will want to buy. | 0:27:55 | 0:27:57 | |
Hopefully, but I'll reserve judgment until the great switch-on. | 0:27:57 | 0:28:01 | |
Moment of truth. | 0:28:03 | 0:28:04 | |
Oh. I'd say that works. | 0:28:06 | 0:28:08 | |
Before, those used glass tubes were fit for nothing. | 0:28:08 | 0:28:12 | |
Now, combined with a tired old lighting fixture | 0:28:16 | 0:28:20 | |
and some plumbing bits, Sarah has transformed them | 0:28:20 | 0:28:24 | |
into a dramatic and original centrepiece blazing with light. | 0:28:24 | 0:28:28 | |
It'll need a heck of a hallway to house it. | 0:28:28 | 0:28:31 | |
Now the lights are on, | 0:28:31 | 0:28:32 | |
I think the crystals could do with a bit of a clean, | 0:28:32 | 0:28:34 | |
but I think when that's done and dusted, | 0:28:34 | 0:28:36 | |
this should be a money-maker. | 0:28:36 | 0:28:37 | |
At the skip, Sarah lit up when she saw what was in Frank's boot. | 0:28:40 | 0:28:45 | |
But nobody wants them, so we're just dumping them. | 0:28:45 | 0:28:49 | |
And Frank had some idea of what she'd do with them. | 0:28:49 | 0:28:53 | |
Something artistic, I think. | 0:28:53 | 0:28:55 | |
Yeah, I think that's what she's going to do. | 0:28:55 | 0:28:57 | |
Sarah didn't disappoint, | 0:28:57 | 0:28:58 | |
with a striking and original transformation | 0:28:58 | 0:29:01 | |
that had me eating my hat. | 0:29:01 | 0:29:03 | |
It was bought by Morag Smith, | 0:29:03 | 0:29:05 | |
a furniture and interiors dealer who trades in Berwick-upon-Tweed. | 0:29:05 | 0:29:10 | |
I haven't seen anything like it before. | 0:29:10 | 0:29:12 | |
It's a very innovative design, so it's upcycling at its best. | 0:29:12 | 0:29:17 | |
Now Sarah is back in Walsall | 0:29:18 | 0:29:21 | |
to see if she can dazzle Frank with the money she made. | 0:29:21 | 0:29:24 | |
-Hello again. -Hello there. -Hi, Frank. How are you doing? | 0:29:28 | 0:29:30 | |
Nice to meet you again. Yes, all right. | 0:29:30 | 0:29:32 | |
-Come on out so I can talk to you. -OK. All right. Yeah. | 0:29:32 | 0:29:36 | |
Well, I really loved those light tubes that you were dropping off. | 0:29:36 | 0:29:40 | |
When we took them away, did you wonder what might happen to them? | 0:29:40 | 0:29:43 | |
Something artistic, I thought, so I don't know. | 0:29:43 | 0:29:46 | |
-Yeah, it'll be a surprise. -They're quite fragile, aren't they? | 0:29:46 | 0:29:48 | |
So, I had to be quite careful what I did with them. | 0:29:48 | 0:29:51 | |
But I have made something out of them. | 0:29:51 | 0:29:53 | |
-Do you want to see? -Oh, yes. I would love to, yeah. | 0:29:53 | 0:29:55 | |
Here are your light tubes made into a big chandelier. | 0:29:55 | 0:29:59 | |
Oh, that's amazing. Yeah. Absolutely. Yeah. | 0:29:59 | 0:30:03 | |
-I've actually got a little bit of profit to hand over to you. -Oh. | 0:30:03 | 0:30:06 | |
That's a surprise. | 0:30:06 | 0:30:07 | |
Well, it was sold to a shop in Berwick | 0:30:07 | 0:30:09 | |
and I've actually got £20 for your old light bulbs, | 0:30:09 | 0:30:13 | |
so thank you very much. | 0:30:13 | 0:30:14 | |
That's very kind of you. Thank you. | 0:30:14 | 0:30:16 | |
Hopefully, you can buy something for yourself or have a treat. | 0:30:16 | 0:30:19 | |
Oh, yeah. Something for the wife, yeah. | 0:30:19 | 0:30:21 | |
-That sounds like a very wise move. -THEY LAUGH | 0:30:21 | 0:30:24 | |
Well, it was great to catch up again. | 0:30:24 | 0:30:26 | |
Thank you very much for letting me have them | 0:30:26 | 0:30:28 | |
-and for your time on this... -Thank you. | 0:30:28 | 0:30:30 | |
-..freezing cold day. -Oh, your hands are cold. | 0:30:30 | 0:30:32 | |
But my heart is warm. | 0:30:32 | 0:30:33 | |
-Thank you ever so much. Nice to catch up, Frank. -OK. -Bye-bye. | 0:30:33 | 0:30:36 | |
Thank you. Thank you. Bye. Bye. | 0:30:36 | 0:30:39 | |
Sarah spent £65 transforming the old strip lights, | 0:30:39 | 0:30:43 | |
and with a sale of £85, | 0:30:43 | 0:30:46 | |
it means Frank is walking away with £20 to treat the wife. | 0:30:46 | 0:30:50 | |
In Manchester, Anthony has had a very long night | 0:30:58 | 0:31:02 | |
putting the final touches onto what was an old blue sofa | 0:31:02 | 0:31:06 | |
and then went gold for a bit. | 0:31:06 | 0:31:07 | |
It's anyone's guess what colour it is now. | 0:31:07 | 0:31:10 | |
I think Sarah is going to love it. | 0:31:10 | 0:31:12 | |
And you know, on this one, I might have even pleased her | 0:31:12 | 0:31:15 | |
because it'll be exactly what she's asked for, | 0:31:15 | 0:31:17 | |
and that's just not like me at all. | 0:31:17 | 0:31:19 | |
Sarah's invested heavily in this one, Anthony. | 0:31:19 | 0:31:22 | |
I hope you've done the right thing. | 0:31:22 | 0:31:24 | |
I am so excited to see what Anthony has done with that sad '70s sofa. | 0:31:24 | 0:31:29 | |
If he's realised its potential, | 0:31:29 | 0:31:30 | |
it should be a fantastic interior design piece by now. | 0:31:30 | 0:31:34 | |
Sarah asked Anthony to transform | 0:31:34 | 0:31:37 | |
a dilapidated old settee from the '60s | 0:31:37 | 0:31:40 | |
into a bang-on-trend penthouse sofa. | 0:31:40 | 0:31:43 | |
It's now a delicious rose quartz vision. | 0:31:45 | 0:31:48 | |
Anthony has given it clean lines | 0:31:50 | 0:31:52 | |
and improved its proportions with a single raised cushion. | 0:31:52 | 0:31:56 | |
He's added sumptuous piping detailing on the arms, | 0:31:56 | 0:32:00 | |
and with flashes of gold on the buttons, | 0:32:00 | 0:32:03 | |
he's created exactly the penthouse sofa Sarah was looking for. | 0:32:03 | 0:32:07 | |
-Hi. -Hello. | 0:32:11 | 0:32:13 | |
Oh, my word. | 0:32:15 | 0:32:16 | |
-Liking it? -It's front cover, isn't it? Really cool. | 0:32:18 | 0:32:22 | |
I can't believe it's the same thing. Isn't it amazing? | 0:32:22 | 0:32:25 | |
Where's the enthusiasm? Look at it. | 0:32:25 | 0:32:26 | |
-Sorry, I've been up all night. -Look at it! | 0:32:26 | 0:32:28 | |
I think Anthony has got some owning up to do. | 0:32:28 | 0:32:31 | |
-Beautiful. I love the little gold touches. -Just a little hint. | 0:32:31 | 0:32:34 | |
A little bit. | 0:32:34 | 0:32:36 | |
A hint, Anthony? Anything to confess? | 0:32:36 | 0:32:38 | |
There was going to be a lot more gold. | 0:32:40 | 0:32:43 | |
We were going to have this all over. | 0:32:43 | 0:32:46 | |
We got the arm on, | 0:32:46 | 0:32:48 | |
we got all the front done and then we had to call a halt | 0:32:48 | 0:32:51 | |
because it just wasn't stable enough. | 0:32:51 | 0:32:53 | |
And Sarah breathes a huge sigh of relief. | 0:32:53 | 0:32:56 | |
Whatever trauma you've been through, I think it's worth it. | 0:32:56 | 0:33:00 | |
-This is stunning. -I wouldn't say that. | 0:33:00 | 0:33:02 | |
And just as a little reminder, we also have a... | 0:33:02 | 0:33:06 | |
-Aw. -But the problem is you'd have just slipped off it. | 0:33:06 | 0:33:10 | |
Wouldn't that have been the same, though, | 0:33:10 | 0:33:12 | |
if the sofa had been in gold? | 0:33:12 | 0:33:13 | |
Oh, it looked amazing. | 0:33:13 | 0:33:14 | |
-I know you're tired, OK? -Understatement. | 0:33:16 | 0:33:19 | |
I know this is a lot of hard work, but that is stylish. | 0:33:19 | 0:33:24 | |
It's got it. You know that THING? That's got it. | 0:33:24 | 0:33:29 | |
Despite the whole experiment in gold, | 0:33:29 | 0:33:32 | |
Anthony has also managed to bring the sofa in on budget too. | 0:33:32 | 0:33:36 | |
I'm really pleased I've come here, and it is pink, and it worked out. | 0:33:38 | 0:33:40 | |
I'm going to shake your hand, | 0:33:40 | 0:33:42 | |
and I would like you to properly say... | 0:33:42 | 0:33:44 | |
Well done. I'm so pleased. Thank you so much. | 0:33:44 | 0:33:46 | |
Thank you, Sarah. Thank you. | 0:33:46 | 0:33:48 | |
It was all worth it in the end, Anthony. | 0:33:48 | 0:33:51 | |
Wow. | 0:33:52 | 0:33:53 | |
That kind of transformation makes a long workday at the tip | 0:33:53 | 0:33:55 | |
really worthwhile. | 0:33:55 | 0:33:57 | |
And I know Anthony is not pleased it's not covered in lame, | 0:33:57 | 0:34:00 | |
but as far as I'm concerned, | 0:34:00 | 0:34:01 | |
rose quartz means I'm going to be sitting on a gold mine. | 0:34:01 | 0:34:04 | |
I just can't believe it's gone from the back of a car | 0:34:04 | 0:34:07 | |
to looking like it should be on the front page of a magazine. | 0:34:07 | 0:34:11 | |
To be honest, what I'm going to do from now on | 0:34:11 | 0:34:13 | |
is just please people, because that was easy. | 0:34:13 | 0:34:15 | |
She fell in love with it. I'm happy. Job's a good 'un. | 0:34:15 | 0:34:19 | |
But it's just not in my nature to do that. | 0:34:19 | 0:34:21 | |
-Sarah swooped in on Jamie and his dad... -Hiya. | 0:34:21 | 0:34:25 | |
..to rescue a threadbare sofa. | 0:34:25 | 0:34:28 | |
-Jamie, thanks so much for letting me have that. -OK. | 0:34:28 | 0:34:30 | |
-She suggested Anthony turn it pink... -Uh... | 0:34:30 | 0:34:33 | |
-..and after just a little dithering... -Yes. | 0:34:33 | 0:34:35 | |
..he did exactly that. | 0:34:35 | 0:34:38 | |
Now Sarah is back in Walsall to update Jamie and Jeff | 0:34:38 | 0:34:42 | |
on what became of the dilapidated sofa. | 0:34:42 | 0:34:45 | |
-How are you both? -I'm fine, thanks. I'm fine. | 0:34:45 | 0:34:47 | |
So, you were clearing out things from your mother's house, right? | 0:34:47 | 0:34:50 | |
That's right. That's right, yes. She had an accident. | 0:34:50 | 0:34:53 | |
She had a bad fall and she suffered brain damage. | 0:34:53 | 0:34:56 | |
She's been in the nursing home now for several months. | 0:34:56 | 0:34:59 | |
She was quite happy for it to go to the tip, so that's where it went. | 0:34:59 | 0:35:02 | |
-You can't fit somebody else's house into your own, can you? -No. | 0:35:02 | 0:35:05 | |
We all have our own stuff, and I think... | 0:35:05 | 0:35:07 | |
-I've got enough with all his junk. -THEY LAUGH | 0:35:07 | 0:35:09 | |
Excellent. You sound like you're in trouble. | 0:35:09 | 0:35:11 | |
-Would you like to see some pictures of how it ended up? -I would. | 0:35:11 | 0:35:14 | |
-Take a deep breath, OK? -Go on, then. Oh, blimey. | 0:35:14 | 0:35:17 | |
-Do you recognise that? -No. | 0:35:17 | 0:35:19 | |
-That's amazing, that is. -What do you think of it? | 0:35:21 | 0:35:24 | |
-Amazing. -Does it look like the sofa you remember? -Nothing like it. | 0:35:24 | 0:35:28 | |
Now, I've shared it and I've had lots of interest in it, | 0:35:28 | 0:35:31 | |
-but I haven't managed to sell it yet. -Right, OK. | 0:35:31 | 0:35:33 | |
But I think there is a buyer out there who's going to love that, | 0:35:33 | 0:35:36 | |
and I just need a little bit more time and then hopefully | 0:35:36 | 0:35:38 | |
I'll be back in touch with some profit to share with you. | 0:35:38 | 0:35:41 | |
It isn't about the money anyway. You've done something with it. | 0:35:41 | 0:35:45 | |
It's sad going to landfill or being burned. | 0:35:45 | 0:35:47 | |
-Mum will be delighted when she sees that. -Really? | 0:35:47 | 0:35:50 | |
-Thank you very much. Thank you. -Lovely to see you again. | 0:35:50 | 0:35:52 | |
-Thank you. Bye-bye. -Bye-bye. | 0:35:52 | 0:35:54 | |
With Anthony's labour and materials | 0:35:57 | 0:35:59 | |
coming in at over £1,200 and no sale, | 0:35:59 | 0:36:03 | |
that equals a substantial potential loss of £1,250. | 0:36:03 | 0:36:08 | |
But once that certain buyer with deep pockets has been found, | 0:36:08 | 0:36:12 | |
Sarah will be back with a profit for Jamie and Jeff. | 0:36:12 | 0:36:15 | |
In Marlow, Neil has transformed | 0:36:19 | 0:36:21 | |
those old red leather cushions into bags, | 0:36:21 | 0:36:24 | |
and he's doing the last few stitches ahead of Sarah's visit. | 0:36:24 | 0:36:29 | |
I've enjoyed it. | 0:36:29 | 0:36:30 | |
It's been nice to get a really high-quality finish product | 0:36:30 | 0:36:34 | |
from fairly challenging leather. | 0:36:34 | 0:36:36 | |
The transformation has been pretty huge, | 0:36:36 | 0:36:39 | |
so I think she'll be pleased. | 0:36:39 | 0:36:41 | |
I hope so. | 0:36:41 | 0:36:42 | |
Well, Neil's confident, but will Sarah agree? | 0:36:42 | 0:36:45 | |
I'm back in Marlow to pick up hopefully some high-end luggage, | 0:36:47 | 0:36:50 | |
but I have been a little bit anxious | 0:36:50 | 0:36:53 | |
because the materials I left Neil with were anything but high-end. | 0:36:53 | 0:36:56 | |
Sarah left Neil with some unsightly and worn red cushions, | 0:36:58 | 0:37:02 | |
hoping he could make some luggage. | 0:37:02 | 0:37:04 | |
They are now two beautiful handcrafted bags. | 0:37:06 | 0:37:10 | |
Neil has carefully dyed the leather to give the bags a high-end sheen. | 0:37:11 | 0:37:17 | |
The messenger bag has been dyed black and has pockets galore, | 0:37:17 | 0:37:21 | |
incorporating charming details from the Scout tents he's used as lining. | 0:37:21 | 0:37:26 | |
And that holdall, now a dark brown, is almost indestructible | 0:37:26 | 0:37:31 | |
with sturdy straps and reinforced corners. | 0:37:31 | 0:37:35 | |
Sarah's got to be impressed with these, Neil. | 0:37:36 | 0:37:39 | |
-Heya. -Hey. -How are you doing? -I'm very well. How are you? | 0:37:42 | 0:37:45 | |
-Yeah, really well. -Good. Come on in. | 0:37:45 | 0:37:47 | |
Where are they? | 0:37:47 | 0:37:49 | |
Here they are. | 0:37:49 | 0:37:51 | |
So, we have what they started off as and what they finished up as. | 0:37:51 | 0:37:56 | |
Neil, they are amazing. | 0:37:56 | 0:37:58 | |
-Good. I'm glad you like them. -I'm blown away. Honestly. -Good. | 0:37:58 | 0:38:01 | |
I'm really... Don't look. I'm... | 0:38:01 | 0:38:03 | |
I'm getting emotional about them. I can't believe... | 0:38:06 | 0:38:09 | |
Sorry. Just give me a... | 0:38:09 | 0:38:11 | |
Look at the detail. I've even got little... | 0:38:11 | 0:38:13 | |
-Yeah, so you can lock... -I'm going to cry. Stop the... | 0:38:13 | 0:38:16 | |
Honestly. I don't often get moved to tears by... | 0:38:16 | 0:38:20 | |
by bits of leather from the tip. | 0:38:20 | 0:38:22 | |
It was fun. | 0:38:25 | 0:38:26 | |
The transformation, the dying, the changing of the colour. | 0:38:26 | 0:38:30 | |
The leather is good enough quality, so it's made a decent bag. | 0:38:30 | 0:38:34 | |
It's actually a work of art. I'm crying. Don't look at me. | 0:38:34 | 0:38:37 | |
Oh, dear. | 0:38:37 | 0:38:39 | |
And then messenger bag as well. | 0:38:39 | 0:38:41 | |
Yes. So, again, slightly different colour. We've gone for black. | 0:38:41 | 0:38:45 | |
As much leather as I could use. | 0:38:45 | 0:38:48 | |
And we've got the old toggles from the tent. | 0:38:48 | 0:38:51 | |
That was a window, which is now magnetic. | 0:38:51 | 0:38:54 | |
It was a big journey from the old burgundy sofa. | 0:38:54 | 0:38:59 | |
-It's fantastic. -Yeah. Great. | 0:39:00 | 0:39:03 | |
Sarah is delighted with Neil's craftsmanship, | 0:39:03 | 0:39:06 | |
but has he blown the budget? | 0:39:06 | 0:39:08 | |
I don't even want to talk about money, | 0:39:12 | 0:39:13 | |
but I know I think I left you with £95 per item. | 0:39:13 | 0:39:17 | |
Even though there was some extra designing | 0:39:17 | 0:39:19 | |
and some extra dying to do, it was straightforward, | 0:39:19 | 0:39:22 | |
so they've come within budget. | 0:39:22 | 0:39:24 | |
I shall have no problem selling those. | 0:39:24 | 0:39:26 | |
Brilliant. | 0:39:26 | 0:39:28 | |
Thank you so much. They are just brilliant. | 0:39:28 | 0:39:32 | |
It was a pleasure. | 0:39:32 | 0:39:33 | |
I could not have been more surprised and delighted | 0:39:38 | 0:39:42 | |
with what Neil has managed to produce - | 0:39:42 | 0:39:44 | |
two stunning bags on budget. | 0:39:44 | 0:39:46 | |
Absolutely amazed. | 0:39:48 | 0:39:50 | |
I didn't expect her to be quite so emotional | 0:39:50 | 0:39:53 | |
about a pair of leather bags, | 0:39:53 | 0:39:55 | |
but she seemed to be really pleased with them. | 0:39:55 | 0:39:57 | |
At the recycling centre, Zia's leather armchair | 0:39:57 | 0:40:01 | |
was being put out to pasture, | 0:40:01 | 0:40:03 | |
and his ideas for it were lacking imagination. | 0:40:03 | 0:40:07 | |
Any ideas what we might make out of them? | 0:40:07 | 0:40:09 | |
Uh, I think cushions would be a nice easy option. | 0:40:09 | 0:40:13 | |
But Sarah had bigger ideas for Neil to implement. | 0:40:13 | 0:40:16 | |
He gave the old leather a new life as luggage. | 0:40:16 | 0:40:20 | |
They were soon bagged by Nick and Kim, | 0:40:20 | 0:40:23 | |
who run vintage and retro retailer Smithers of Stamford. | 0:40:23 | 0:40:27 | |
-What do you reckon? -Yeah, I like them. I love the stitching. | 0:40:27 | 0:40:31 | |
Yeah, apparently it was made from an old sofa, a leather sofa. | 0:40:31 | 0:40:34 | |
-Done a good job, hasn't he? -Yeah. -Quality. | 0:40:34 | 0:40:37 | |
Now Sarah is back in the Midlands with some cash for Zia. | 0:40:39 | 0:40:43 | |
-Hiya. -Hi. -Zia, lovely to see you again. | 0:40:45 | 0:40:46 | |
-Nice to see you again. -How are you? -I'm very well, thank you. | 0:40:46 | 0:40:49 | |
Now, I last saw you at the tip and you were dropping off | 0:40:49 | 0:40:52 | |
your old sofa cushions. | 0:40:52 | 0:40:53 | |
-Had you had the sofa for ages? -Around six or seven years. | 0:40:53 | 0:40:57 | |
Obviously, we were about to dispose of it. | 0:40:57 | 0:40:59 | |
Quite interesting to see what you've done with it. | 0:40:59 | 0:41:01 | |
They went off to a lovely guy called Neil in Marlow. | 0:41:01 | 0:41:03 | |
He specialises in making bags from refound materials. | 0:41:03 | 0:41:07 | |
I've got some pictures here of what he made. | 0:41:07 | 0:41:09 | |
-I want to see what do you think. -OK. | 0:41:09 | 0:41:12 | |
Wow. | 0:41:12 | 0:41:13 | |
That's amazing. It looks nothing like the cushions we gave you. | 0:41:13 | 0:41:17 | |
There's more. | 0:41:17 | 0:41:18 | |
He made a messenger bag and a going away back. | 0:41:18 | 0:41:21 | |
That's absolutely amazing. | 0:41:21 | 0:41:23 | |
I was really surprised about how they looked. | 0:41:23 | 0:41:25 | |
I'd never have imagined they'd turn out like that. | 0:41:25 | 0:41:27 | |
And we have actually sold those two bags, | 0:41:27 | 0:41:30 | |
and I've got some profit that I'd like to share with you. | 0:41:30 | 0:41:33 | |
Thank you very much. | 0:41:33 | 0:41:34 | |
So, I've got £60 here to give to you that came from those bags. | 0:41:34 | 0:41:37 | |
-Thank you very much. -So, that's... Absolute pleasure. | 0:41:37 | 0:41:40 | |
Is there anything that £60 is needed for at the moment? | 0:41:40 | 0:41:43 | |
I think I'll treat the kids, really. | 0:41:43 | 0:41:45 | |
-They just got back from school, so we'll give them a treat. -Lovely. | 0:41:45 | 0:41:48 | |
-Thank you so much for your time today. -No, you're welcome. | 0:41:48 | 0:41:51 | |
-Thank you. -Take care. Bye-bye. -Bye. | 0:41:51 | 0:41:53 | |
Well, I think Zia was quite surprised | 0:41:55 | 0:41:57 | |
with what we did with his old cushions. | 0:41:57 | 0:41:59 | |
And as a transformation, I think it would be difficult | 0:41:59 | 0:42:01 | |
to beat sofa into luxury luggage. | 0:42:01 | 0:42:05 | |
Neil charged a total of £190 for labour and materials for the bags. | 0:42:05 | 0:42:10 | |
Sarah sold them for £250, leaving a profit of £60 for Zia | 0:42:10 | 0:42:16 | |
and his kids. | 0:42:16 | 0:42:17 | |
Sarah took three tawdry treasures from the tip in Walsall. | 0:42:24 | 0:42:29 | |
Whose is that then? | 0:42:29 | 0:42:30 | |
Jamie and Jeff's blue settee was transformed | 0:42:30 | 0:42:33 | |
into a stunning pink penthouse sofa, | 0:42:33 | 0:42:35 | |
Zia's worn leather cushions were dyed and stitched | 0:42:35 | 0:42:39 | |
into stylish bags, | 0:42:39 | 0:42:40 | |
and Frank's fluorescent tubes were delicately dangled | 0:42:40 | 0:42:44 | |
to make a unique chandelier. | 0:42:44 | 0:42:46 | |
Well, I love those transformations | 0:42:46 | 0:42:48 | |
from drab old trash into something rather flash. | 0:42:48 | 0:42:51 | |
And with the help of Neil and Anthony's amazing talents, | 0:42:51 | 0:42:54 | |
I think we've managed to create some pretty classy items. | 0:42:54 | 0:42:58 |