Episode 15 Money for Nothing


Episode 15

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Transcript


LineFromTo

-Can I have a little rummage around in your rubbish?

-Yeah.

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How do you make money for nothing?

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I love that.

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The answer could be hiding in the 30 million tonnes

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of household waste we throw out every year.

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So heavy. They don't make them like this any more. Look at that.

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That's why entrepreneur Sarah Moore wants to get her hands on things

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before they hit the skip.

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I'm a passionate maker, buyer and user of old stuff,

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and I've turned that passion into a money-making business.

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I make new stuff out of old stuff and I sell it for a profit.

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And with some of the country's elite designers and makers...

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Say something nice about it.

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My juices are flowing in this one. They are going to be wow.

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..she can transform her finds into desirable...

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Isn't that stunning?

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..valuable...

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Oh, wow.

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..and, hopefully, saleable items.

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That is bonkers.

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If Sarah is successful, then she can hand the profits back

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to the very people who had no idea

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there was cash to be made from their trash.

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Got, um, £350.

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No.

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Today we're at the recycling centre in Walsall,

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where Sarah is searching for those ever elusive hidden gems.

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Old cardboard, decimated flat-pack

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and polystyrene are not going to cut it.

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I'm after those solid pieces I can attach a serious price tag to.

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She's been given special permission to ransack the rubbish tip,

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and her challenge is to find three items

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she can bring back to life and sell on for a profit.

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Is it comfy?

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I have no idea. I've never sat in it.

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Come on. You've just started.

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You can't be needing a sit-down already.

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Get a move on.

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Your days are numbered.

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Scary stuff.

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Now she's back on her feet,

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she's spotted a vision in red leather in Zia's car.

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-Hiya.

-Hi.

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-Getting rid of the sofa?

-Yes, we are, yeah.

-Oh, it's a chair.

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I thought it was a sofa.

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Is it...? It's yours? You're just chucking it out?

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-It looks in really good condition.

-It is, but the springs have gone.

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-OK.

-So...

-If it's not comfortable...

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-No...

-No, I totally understand.

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The chair is a red herring.

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It's the red leather that's caught Sarah's eye.

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I really like the idea of using the leather

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from something like this,

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so yeah, definitely be great to have a look at it.

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-Shall we get it out...

-Yes, absolutely.

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..to have a closer look?

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The price tag on leather goods is growing.

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Repurposing the leather from this sofa could be a real money-maker.

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I think...if we might only use the...

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Can I have a look at the other cushions?

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I think what I might do is just take the cushions away.

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I think I should be able to get enough material out of those,

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and then recycle the chair, if that's all right.

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-That's fine.

-Cos those are some really lovely cushions.

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Any ideas what we might make out of them?

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Uh...

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I think cushions would be a nice, easy option.

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Hmm. A little too easy, Zia.

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I think it would be great to take those away, if you don't mind.

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No problem.

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What does Zia think of Sarah scarpering with his cushions?

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Hopefully, somebody can get some use out of it

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rather than just throwing it in the rubbish bin and go to landfill.

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Sarah is going hell for leather to makeover this item,

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but could she be on a hiding to nothing?

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Now, there is just heaps of leather in these cushions.

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I really want to see what it's like on the inside

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but I can't do that without ripping... Oh, no, look.

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OK, so, it's a sort of pink suede on the inside.

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I'm thinking maybe this would make, you know,

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loads of handbags out of this, or maybe even a coat.

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Really good find cos there's just heaps of potential

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with what we've got here.

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And Sarah knows just the man

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to turn all that potential into profit.

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When you think bags, think Neil Wragg.

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From salvaged unwanted materials,

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Neil creates everything from handbags to haversacks,

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and prides himself on the fact that his handmade bespoke bags

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will last a lifetime.

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I love being able to create something

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from what would be rubbish, I suppose, to other people.

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You could have, for example, a tent that was at Glastonbury

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and saw the Rolling Stones and then now it becomes a bag,

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and it's seen quite a life already.

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So, everything here has got a personality.

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All the bags have lived a life,

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and they're now about to live a second life.

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But will Neil be able to raise the old leather cushions

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from the dead too?

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One item down, two to go.

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The weather's taken a turn for the worse,

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but I'm not going to let a little rain dampen

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my naturally sunny disposition.

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Will Jamie and his dad, Jeff, rain on Sarah's parade?

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Oh, wow.

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-Hiya.

-Hello.

-Whose is that then?

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My nan's, it was.

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Oh, really? That is a fantastic sofa.

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-So, you just...

-In the skip.

-Really?

-Yep.

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I think it looks amazing. I like everything about it.

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The style of it, the fabric's really retro.

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This is your...?

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-My mother's.

-Your mother's. Do you remember growing up with it?

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-Do you know when she got it?

-Oh, yeah. Ages ago.

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-And did she buy it new?

-I think she did, yes.

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So, was that something, like, in the 19...? What was that, 1950s?

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-19...?

-'60s, wasn't it?

-'60s. 1960s, yeah.

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It's a good size. Not too big.

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And it's got that kind of

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retro look that people are stuffing into their houses again,

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-so if you let me have it, that would make my day.

-Yeah.

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Absolutely love it.

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It looks to me like Sarah might be putting

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passion before profit on this one.

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-Jamie, thanks so much for letting me have that.

-OK.

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That's absolutely made my day. I love it.

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Wow. That's going to take some work.

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I have got the most amazing upholsterer lined up.

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They are original, funky.

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They're going to breathe new life into this

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and there's going to be money to be made.

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Welcome to the world of Anthony Devine.

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Anthony's unique and quirky upholstery

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has earned him the reputation as one of the most imaginative

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craftspeople around.

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Anthony can upholster almost anything,

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but he loves a good chair.

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Some chairs you just know.

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You know that this is the one

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and you just know you're onto a winner.

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You can look beyond the kind of dirt and the holes and the grime

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and you think, "Yes, we've got a gem here,"

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and then it's a matter of teaming it up with the right fabric.

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And then from ugly ducklings are beautiful swans.

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Well, Anthony, can you transform this into a beautiful swan?

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Two items found for Neil and Anthony.

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Now Sarah has to find an item that she can get to grips with.

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There's all sorts flying about,

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but will Sarah like the look of what's in Frank's boot?

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Excuse me, are you chucking them all?

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Yeah, you can have those if you want, yeah.

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-Are they all broken or...?

-No, they all work.

-Really?

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-It's just that nobody wants them any more.

-So, where are they from?

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They're from out of cigarette machines.

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All of these were taken out, and we're just dumping them.

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I've no idea if I can do something with them,

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but they look amazing.

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It'll be a very special thing if I can make something.

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-Yeah.

-Thanks so much.

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Sarah's face has lit up

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now she's got a little bundle of joy.

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What does Frank think she'll do with his old fluorescent tubes?

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Something artistic, I think.

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Yeah, I think that's what she's going to do.

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You're not wrong there, Frank.

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I'm thinking maybe a big chandelier.

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Perhaps a whole wall of lights,

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or maybe just using them with something in front to light up,

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but really cool stuff.

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I just need to have a bright idea about what to make out of them.

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Oh, yeah. I see what you did there.

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Success.

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Sarah has all three items.

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Neil will repurpose the red leather.

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Anthony will get busy bringing the old-fashioned sofa

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bang up to date.

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And as for Sarah's lights,

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she'll need to be switched on to make them saleable.

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It never ceases to amaze me what people throw away.

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I'm so pleased I was here today to save a couple of pieces

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that I think are dumped diamonds that'll bring home big bucks.

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Nestled between Salford and Manchester

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is master upholsterer Anthony Devine's workshop,

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which he runs with his partner, Susie Milner.

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He's got an amazing track record of transforming crumpled couches

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into sexy sofas.

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Hopefully, he'll appreciate what Sarah's dragging in.

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When the doors are opened and you get the first glimpse,

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you see one and you just know you're onto a winner.

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-Some things just kind of click.

-Anthony!

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You brought a sofa.

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-Tell me you love it.

-I love it.

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-Come on.

-Yes.

-Let's get it in. Let's do the business.

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Yes. Now you're listening to what I want.

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Anthony clearly wants very strange things.

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-It's not too heavy.

-Oh, this is perfect.

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Up we go.

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This is one of my favourite finds.

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I could hug you. I love it.

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I love it, love it, love it.

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This needs to be sharp and crisp.

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-All the potential.

-Huge, isn't it?

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Yeah. We could do a bit of chintz on here. Some flowers up...

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-Patchwork on it.

-Just taking the mickey now.

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There is just something about it.

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The '70s-ness of it is oozing out of it.

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It's like a Star Wars sofa.

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I'm not sure oozing is a desirable trait

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in a discarded sofa,

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unless Jabba the Hutt's the target market.

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It's going to be a nice one to do. We are at the absolute top end.

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Everything has to be thread-perfect on it

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if we're looking at the penthouse.

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OK. So, this is now going to be called the penthouse sofa.

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Yeah, just don't tell its glamorous new owners

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that it was nearly the skip sofa when they buy it.

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Now, colours, design. Bear with me on this.

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I know. Go on.

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I was thinking... You're going to love this.

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-HE LAUGHS

-OK?

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..pink.

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Right.

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I'm thinking quartz pink, rose quartz. It's bang on trend.

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It works beautifully with gold.

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I think it would look beautiful in it.

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What do you think?

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Anthony's clearly delighted.

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-Um, I...

-Can't hold back his enthusiasm...

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-Uh...

-..for Sarah's artistic vision.

-Yes.

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Don't worry, Anthony.

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Sarah knows exactly what she's doing.

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But can she afford it?

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I'm thinking around the 1,250 mark.

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We'd give enough good fabric and it gives me enough to be able

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to put everything back and make a little bit for me.

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Wow.

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With that huge budget,

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the pressure is going to be on for Anthony to deliver,

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and deliver big.

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I would see a very strong profit in this.

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I hope so. That's more than a new sofa.

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Hopefully, I'll be able to sell it

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and hand over a good wad of cash to the people who dropped it off.

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This is where we're aiming at. We're up there.

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Nothing like aiming for the stars. It'll be quite a transformation.

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Loving your work. Oh, I've done it again!

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That really is one of my favourite skip finds.

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The transformation is going to be amazing.

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Anthony has taken on board some of the things I've suggested,

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and I'm just hoping that I've made the right call on it.

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And Anthony, how does he feel about Sarah's suggestions?

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This one I really like.

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Between you and me, I'm a big fan of this one.

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I'm just going to enjoy making it

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rather than kind of selecting the fabrics and the outcome of it.

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It's almost as if he's distancing himself from the design.

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I... Yeah.

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Pink.

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That's going to be all kinds of interesting.

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With labour costs of £1,000 and another 250 for fabric,

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Sarah will be expecting something pretty spectacular

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for her 1,250 spend.

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I hope Anthony can pull it off, regardless of the colour.

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Sarah's next stop is Marlow near High Wycombe in Buckinghamshire,

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where Neil Wragg is on a mission to rescue pretty much anything,

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from offcuts to inner tubes,

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and turn them into beautiful handcrafted bags.

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Sarah is coming today, and we shall see what she brings.

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Hopefully, it'll be something I can sew together

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that doesn't break too many needles.

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You know, it's very difficult making a bag from paving slabs.

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You're in luck, Neil.

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They're not made of concrete, and she's not after much.

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Now, in my wildest dreams,

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I would like these tired, red sofa cushions

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turned into a whole range of designer luggage.

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I hope Neil likes a challenge.

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Yeah, me too.

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-Hello.

-Hi. Hi, Sarah. How are you doing?

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I'm really well. I've got presents for you.

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Right. I'm a little worried.

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There's loads here, aren't there?

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Right, well, we've got some funky red cushions.

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One, two, three, four, five.

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Do you know something,

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I thought there was more than enough here

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to make something out of,

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so you must be able to make a purse out of this lot, Neil.

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-Come on.

-I think we can do more than a carrier bag, yeah.

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So, we're game on for a bag then, you reckon?

0:14:470:14:49

Yes. You've brought be something that I can sew and it's not alive.

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Yes, it would be awkward if one of the cushions started to moo.

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Time for Sarah to drop the bombshell.

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I was hoping for a bespoke range of designer luggage.

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That's not difficult, is it?

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Luggage I can do. It's just the design.

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I absolutely love the messenger bags that you make,

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so I was wondering about maybe one of those out of it.

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-Easily, yeah.

-And a big, usable, expensive weekend bag out of it.

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OK, well, we can do that as well.

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But the idea is that things would last a lifetime,

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so we've got a good start with the fabric.

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I love what you're saying because this has already had its life,

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so now if we can make luggage out of it,

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another 50 years of wear, that's brilliant.

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Phew. That went better than expected.

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Neil seems pretty unflappable, but there's always a snag.

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I don't like the colour,

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and I'm worried that it's not as saleable in this colour,

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so I'm wondering if you've ever dyed stuff before

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or if you think you might be able to make it a bit more stylish,

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a bit darker, a bit richer.

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Well, that would be a journey, won't it?

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We have enough fabric. We can do some tests.

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We can give it a go.

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Not the most confidence-inspiring answer from Neil.

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I'm not sure dying is something he's keen on.

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And there's still the matter of the material for the lining.

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The ethos of what I do is to make things

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out of something that would end up in landfill.

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So, this used to be an old Scout tent.

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It's heavy-duty canvas, so I think we use that as lining.

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-That is right up my street. Scout canvas. Perfect.

-Great.

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That has now got a nose-to-tail kind of story.

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Once upon a time, there was some manky tents

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and a smelly old sofa.

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Is that the kind of story, Sarah?

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So, I think I'm sold.

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I've got a messenger bag on one shoulder,

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I've got beautiful, scrunchy, rich-looking holdall on the other.

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-How much is that going to cost me to make me two of those?

-OK.

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We're looking at £95 for the messenger bag

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and then the holdall, we could say the same thing.

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Thank you ever so much. I hope the dying goes well.

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-Part of the journey.

-Ooh!

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Well, that is another load of old rubbish off my mind

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and into Neil's.

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And if he gets it right, I shall be making bags of money.

0:17:040:17:07

It wouldn't be Sarah if there wasn't something awkward.

0:17:080:17:11

She wants me to recolour it, so that's going to be the challenge.

0:17:110:17:14

So, we'll see.

0:17:140:17:15

That's £95 for Neil's tried and tested messenger bag design,

0:17:150:17:20

and the same again for a completely new holdall design.

0:17:200:17:24

In total, that's £190 committed.

0:17:240:17:27

With a new dying technique to master

0:17:270:17:30

and some worn-out leather to work with,

0:17:300:17:32

I do hope Neil can pull it off.

0:17:320:17:34

With the knackered old blue sofa

0:17:390:17:42

and those red leather cushions in safe hands,

0:17:420:17:45

Sarah has travelled back home to Sussex

0:17:450:17:47

to turn those lighting tubes into treasure.

0:17:470:17:50

Sometimes I pick things up at the recycling centre

0:17:520:17:56

and then I start to work on them and I think,

0:17:560:17:59

"Why did I choose these?"

0:17:590:18:00

We're all in the dark here.

0:18:000:18:02

Illuminate us, Sarah.

0:18:020:18:04

I've decided I can use them as droplets for a chandelier,

0:18:060:18:10

and I managed to scavenge one of these for 20 quid,

0:18:100:18:15

which is nothing, to hang them all on.

0:18:150:18:18

OK. And then they all light up, right?

0:18:190:18:22

I'm going to take each one and then wrap it in fabric.

0:18:220:18:26

I see.

0:18:260:18:28

So, she's planning to use them as very fragile decorative poles.

0:18:280:18:32

Typically, Sarah is getting floral.

0:18:350:18:37

First, Sarah grabs some vintage offcuts from her fabric store.

0:18:390:18:43

Then she rips them into strips

0:18:430:18:45

and glues them directly onto the tubes.

0:18:450:18:48

This is just PVA glue,

0:18:480:18:50

the kind of stuff you get for doing craft with children.

0:18:500:18:53

But with delicate glass like this,

0:18:530:18:55

I'd recommend keeping the kids well away.

0:18:550:18:58

I like this cos if the fragile tubes ever were broken,

0:18:580:19:01

they'd be completely contained inside this fabric.

0:19:010:19:03

That's the first one done. Just another 30 to go.

0:19:070:19:11

You've only got yourself to blame, Sarah.

0:19:110:19:14

You could've found something else, anything else,

0:19:140:19:16

but she seems to be getting into the swing of things.

0:19:160:19:20

I love this purple because it works really well with the gold.

0:19:200:19:23

I think I'll probably end up using all the same material.

0:19:230:19:26

It's actually really old -

0:19:260:19:28

probably from 1940, something like that.

0:19:280:19:31

I think it's going to look good.

0:19:340:19:36

It's going to be huge, though, isn't it?

0:19:360:19:39

Well, put it this way. I don't think it'll fit into my house.

0:19:390:19:42

At the moment, I'm not sure I'd want it in my house.

0:19:420:19:45

That old light fixture came with some of the original glass.

0:19:450:19:49

Perhaps that'll improve matters.

0:19:490:19:52

A chandelier really should have a little bit of sparkle to it,

0:19:520:19:55

shouldn't it?

0:19:550:19:57

Good try, Sarah, but if you can make that saleable,

0:19:570:20:01

I'll eat my hat.

0:20:010:20:02

Sarah has spent £35 on that used chandelier, glue and bulbs,

0:20:060:20:11

and she'll need to pay another 30 to her electrician

0:20:110:20:15

for wiring and safety testing, making a total of £65 in costs.

0:20:150:20:20

Let's hope the added sparkle from those glass pieces

0:20:200:20:24

rubs off on the rest of it so she can turn a profit.

0:20:240:20:27

In Manchester, Anthony is having a rip-roaring time with the sofa

0:20:300:20:35

with partner Susie and daughter Poppy watching on.

0:20:350:20:39

The plan is to finish it in this season's luxury pink

0:20:390:20:42

and sell it for millions.

0:20:420:20:45

Luckily, Anthony enjoys this bit.

0:20:450:20:47

To be honest, stripping is never a chore.

0:20:470:20:50

Crikey. I thought this was a child-friendly show.

0:20:500:20:53

I think this one is trying to warn us.

0:20:530:20:55

It'll be nice when you can start to help.

0:20:550:20:57

Oh, money, money, money.

0:20:590:21:02

Ah, that's money for nothing.

0:21:020:21:04

Sarah is hoping to make a bit more than that.

0:21:040:21:08

With its innards exposed,

0:21:080:21:09

Anthony can get a good look at its bottom.

0:21:090:21:13

This has probably had thousands of hours of people sitting on it,

0:21:130:21:17

and, you know, looks all good.

0:21:170:21:18

Nicely intact. Things were just built to last.

0:21:180:21:22

Until you get your hands on them, Anthony.

0:21:230:21:25

It doesn't look great.

0:21:250:21:27

Most people will be thinking, "Oh, my God. Look."

0:21:270:21:30

But this is how a sofa looks.

0:21:300:21:32

Uh, yeah.

0:21:320:21:33

Let's hide those ragged bits of wooden springs ASAP.

0:21:330:21:37

First, Anthony covers the base with hessian

0:21:370:21:40

and then glues new foam onto the arms.

0:21:400:21:43

If you want to be bang on trend, you need bang-on tools.

0:21:430:21:47

Sharp knife, sharp results.

0:21:470:21:49

Are you trying to create, like, a catchphrase for yourself?

0:21:490:21:51

-Yeah.

-THEY LAUGH

0:21:510:21:54

Starting with one of the arms,

0:21:540:21:55

Anthony is making a base layer of calico shaped to fit snugly.

0:21:550:22:01

This bit is kind of critical, really.

0:22:010:22:03

This was the one that provides the shape -

0:22:030:22:05

almost the foundations for putting the top fabric on

0:22:050:22:08

and the overall look.

0:22:080:22:09

SOFA, so good.

0:22:100:22:12

Oi, I'll do the puns, thanks.

0:22:120:22:14

I'm sure Sarah will be tickled pink with the progress.

0:22:140:22:19

So, the fabric's arrived.

0:22:190:22:20

I can't wait to see that specific shade of rose quartz

0:22:200:22:23

Sarah was going on about.

0:22:230:22:25

We were struggling to find the rose pink quartz,

0:22:250:22:28

so we just decided to go for this more subtle bright gold all over.

0:22:280:22:34

Clearly a new definition of the word subtle.

0:22:340:22:37

Sarah knows nothing about this at this stage,

0:22:370:22:40

and she is probably going to kill me.

0:22:400:22:44

I think Sarah might go from pink to incandescent crimson

0:22:440:22:48

when she hears about this.

0:22:480:22:50

This is going to go in here, like so.

0:22:500:22:53

Then we have to sew a piece of piping around here, like so,

0:22:530:22:58

and then sew the actual arm itself,

0:22:580:23:02

pull it on and hopefully that'll be as crisp as a cucumber.

0:23:020:23:07

Are cucumbers crisp?

0:23:080:23:10

Yeah, I'd say so.

0:23:100:23:12

With a lot still to do, Anthony's going for gold.

0:23:130:23:16

You are going to work, arm. You are going to work.

0:23:170:23:20

You're a very naughty boy.

0:23:230:23:24

I think it'll be you that gets a spanking

0:23:240:23:27

when Sarah hears about the new colour scheme.

0:23:270:23:30

Yeah. That's what I mean by...

0:23:300:23:31

..as crisp as a cucumber.

0:23:320:23:34

Very nice, Anthony.

0:23:340:23:36

Just the other arm, the back, the base,

0:23:360:23:38

the cushions and the buttons still to do.

0:23:380:23:40

Oh, and shouldn't it be pink?

0:23:420:23:44

In Marlow, Neil is getting to grips with all that lovely red leather

0:23:470:23:51

that he's transforming into a messenger bag and holdall.

0:23:510:23:55

And he has lofty ambitions for his work.

0:23:550:23:58

These bags don't just hold stuff. They save the planet, you see.

0:23:580:24:02

Introducing...super bags! HE CLEARS THROAT

0:24:020:24:06

First, Neil cuts the leather to his ready-made templates.

0:24:060:24:10

Sometimes it's quite cool to keep these seams in

0:24:100:24:13

so that it looks like it was a sofa.

0:24:130:24:15

Sarah has always asked that these leather-clad superheroes

0:24:150:24:18

transform from Superman red to Batman black.

0:24:180:24:22

Don't mind us.

0:24:220:24:23

Oh, look. Catwoman. CAT MEOWS

0:24:230:24:25

Dying can be a messy business,

0:24:280:24:30

so Neil has moved outside with the leather pieces

0:24:300:24:33

he has cut to size and cleaned.

0:24:330:24:35

He's painting an oil-based dye directly onto the surface

0:24:350:24:39

until it soaks in, being careful to keep it even.

0:24:390:24:43

They need 24 hours to dry, but here are some he made earlier.

0:24:430:24:47

Get a few coats buffered up and finish it off with some cream.

0:24:480:24:54

Despite all that fuss, it looks like this dying malarkey

0:24:540:24:57

is not so scary after all.

0:24:570:25:00

With the leather now ready, Neil is choosing and cutting

0:25:030:25:05

parts of the Scout tent canvas he's using for lining.

0:25:050:25:09

You don't know where it's already been.

0:25:090:25:11

It could've been a tent that saw the Stones at Glastonbury.

0:25:110:25:14

It could've been a tent that has done a trek to the Himalayas.

0:25:140:25:18

Or perhaps more likely it housed loads of freezing children.

0:25:180:25:22

You don't want to lose their personality,

0:25:230:25:25

so we might keep in some of the old writing or labels.

0:25:250:25:28

We can keep some of these in. Makes it look very tent-like.

0:25:280:25:34

So, the only problem with doing this is it's going to make

0:25:340:25:37

some parts of it really thick.

0:25:370:25:39

Luckily, his heavy-duty sewing machine,

0:25:400:25:43

nicknamed The Blaster, is up to the task.

0:25:430:25:46

And it's important to Neil that his bags are fit for purpose, too.

0:25:460:25:52

Nowadays, you've got laptops, iPads, tablets.

0:25:520:25:56

There's so much to carry.

0:25:560:25:57

People just want to carry something that's going to last.

0:25:570:26:00

Neil clips and sews the gusset and the back pieces

0:26:000:26:04

using The Blaster.

0:26:040:26:05

I have to use the clips cos you can't use pins with leather,

0:26:050:26:08

cos you'll end up with holes all over the place.

0:26:080:26:11

I'm sewing everything inside out, so there's no stitching being shown.

0:26:110:26:15

So, this is the body of the bag.

0:26:170:26:19

See, if you've sewn everything upside down,

0:26:190:26:21

back to front, inside out.

0:26:210:26:24

We've got one pocket there, which is obviously the old tent.

0:26:270:26:31

One pocket there for your tablet.

0:26:310:26:32

One pocket there for your mobile phone.

0:26:320:26:35

Better get on the next phase.

0:26:350:26:36

That messenger bag still needs a cape. Sorry, flap.

0:26:380:26:41

And he's also got to make the holdall,

0:26:410:26:44

and Neil has never made one before.

0:26:440:26:46

I need to attach it to the top...

0:26:460:26:47

..first, and then I can turn it right side out afterwards.

0:26:510:26:55

Shall we just leave him to it?

0:26:550:26:57

In Manchester, Anthony has also hit a bit of a snag.

0:26:590:27:03

I've put a halt on the sofa.

0:27:030:27:05

It's starting to show scuffs I'm a little bit concerned about

0:27:050:27:09

for the strength of the fabric.

0:27:090:27:11

It's unfortunate and it's a decision

0:27:110:27:12

I don't want to take, but I really think

0:27:120:27:14

we're going to have to try and think of something new on this one.

0:27:140:27:17

I thought that gold finish was something new.

0:27:170:27:21

But with Sarah after the top end of the market,

0:27:210:27:24

a scuffed finish isn't really going to cut the mustard.

0:27:240:27:27

Back to the drawing board, Anthony.

0:27:270:27:30

In Sussex, Sarah is putting the finishing touches

0:27:340:27:37

to her glamorous fluorescent tube chandelier extravaganza.

0:27:370:27:41

You know the one.

0:27:410:27:43

Well, this is definitely coming together.

0:27:460:27:48

I'm just finishing off the last bits and getting the crystals in between,

0:27:480:27:53

and then hopefully I'll have made something

0:27:530:27:55

that somebody will want to buy.

0:27:550:27:57

Hopefully, but I'll reserve judgment until the great switch-on.

0:27:570:28:01

Moment of truth.

0:28:030:28:04

Oh. I'd say that works.

0:28:060:28:08

Before, those used glass tubes were fit for nothing.

0:28:080:28:12

Now, combined with a tired old lighting fixture

0:28:160:28:20

and some plumbing bits, Sarah has transformed them

0:28:200:28:24

into a dramatic and original centrepiece blazing with light.

0:28:240:28:28

It'll need a heck of a hallway to house it.

0:28:280:28:31

Now the lights are on,

0:28:310:28:32

I think the crystals could do with a bit of a clean,

0:28:320:28:34

but I think when that's done and dusted,

0:28:340:28:36

this should be a money-maker.

0:28:360:28:37

At the skip, Sarah lit up when she saw what was in Frank's boot.

0:28:400:28:45

But nobody wants them, so we're just dumping them.

0:28:450:28:49

And Frank had some idea of what she'd do with them.

0:28:490:28:53

Something artistic, I think.

0:28:530:28:55

Yeah, I think that's what she's going to do.

0:28:550:28:57

Sarah didn't disappoint,

0:28:570:28:58

with a striking and original transformation

0:28:580:29:01

that had me eating my hat.

0:29:010:29:03

It was bought by Morag Smith,

0:29:030:29:05

a furniture and interiors dealer who trades in Berwick-upon-Tweed.

0:29:050:29:10

I haven't seen anything like it before.

0:29:100:29:12

It's a very innovative design, so it's upcycling at its best.

0:29:120:29:17

Now Sarah is back in Walsall

0:29:180:29:21

to see if she can dazzle Frank with the money she made.

0:29:210:29:24

-Hello again.

-Hello there.

-Hi, Frank. How are you doing?

0:29:280:29:30

Nice to meet you again. Yes, all right.

0:29:300:29:32

-Come on out so I can talk to you.

-OK. All right. Yeah.

0:29:320:29:36

Well, I really loved those light tubes that you were dropping off.

0:29:360:29:40

When we took them away, did you wonder what might happen to them?

0:29:400:29:43

Something artistic, I thought, so I don't know.

0:29:430:29:46

-Yeah, it'll be a surprise.

-They're quite fragile, aren't they?

0:29:460:29:48

So, I had to be quite careful what I did with them.

0:29:480:29:51

But I have made something out of them.

0:29:510:29:53

-Do you want to see?

-Oh, yes. I would love to, yeah.

0:29:530:29:55

Here are your light tubes made into a big chandelier.

0:29:550:29:59

Oh, that's amazing. Yeah. Absolutely. Yeah.

0:29:590:30:03

-I've actually got a little bit of profit to hand over to you.

-Oh.

0:30:030:30:06

That's a surprise.

0:30:060:30:07

Well, it was sold to a shop in Berwick

0:30:070:30:09

and I've actually got £20 for your old light bulbs,

0:30:090:30:13

so thank you very much.

0:30:130:30:14

That's very kind of you. Thank you.

0:30:140:30:16

Hopefully, you can buy something for yourself or have a treat.

0:30:160:30:19

Oh, yeah. Something for the wife, yeah.

0:30:190:30:21

-That sounds like a very wise move.

-THEY LAUGH

0:30:210:30:24

Well, it was great to catch up again.

0:30:240:30:26

Thank you very much for letting me have them

0:30:260:30:28

-and for your time on this...

-Thank you.

0:30:280:30:30

-..freezing cold day.

-Oh, your hands are cold.

0:30:300:30:32

But my heart is warm.

0:30:320:30:33

-Thank you ever so much. Nice to catch up, Frank.

-OK.

-Bye-bye.

0:30:330:30:36

Thank you. Thank you. Bye. Bye.

0:30:360:30:39

Sarah spent £65 transforming the old strip lights,

0:30:390:30:43

and with a sale of £85,

0:30:430:30:46

it means Frank is walking away with £20 to treat the wife.

0:30:460:30:50

In Manchester, Anthony has had a very long night

0:30:580:31:02

putting the final touches onto what was an old blue sofa

0:31:020:31:06

and then went gold for a bit.

0:31:060:31:07

It's anyone's guess what colour it is now.

0:31:070:31:10

I think Sarah is going to love it.

0:31:100:31:12

And you know, on this one, I might have even pleased her

0:31:120:31:15

because it'll be exactly what she's asked for,

0:31:150:31:17

and that's just not like me at all.

0:31:170:31:19

Sarah's invested heavily in this one, Anthony.

0:31:190:31:22

I hope you've done the right thing.

0:31:220:31:24

I am so excited to see what Anthony has done with that sad '70s sofa.

0:31:240:31:29

If he's realised its potential,

0:31:290:31:30

it should be a fantastic interior design piece by now.

0:31:300:31:34

Sarah asked Anthony to transform

0:31:340:31:37

a dilapidated old settee from the '60s

0:31:370:31:40

into a bang-on-trend penthouse sofa.

0:31:400:31:43

It's now a delicious rose quartz vision.

0:31:450:31:48

Anthony has given it clean lines

0:31:500:31:52

and improved its proportions with a single raised cushion.

0:31:520:31:56

He's added sumptuous piping detailing on the arms,

0:31:560:32:00

and with flashes of gold on the buttons,

0:32:000:32:03

he's created exactly the penthouse sofa Sarah was looking for.

0:32:030:32:07

-Hi.

-Hello.

0:32:110:32:13

Oh, my word.

0:32:150:32:16

-Liking it?

-It's front cover, isn't it? Really cool.

0:32:180:32:22

I can't believe it's the same thing. Isn't it amazing?

0:32:220:32:25

Where's the enthusiasm? Look at it.

0:32:250:32:26

-Sorry, I've been up all night.

-Look at it!

0:32:260:32:28

I think Anthony has got some owning up to do.

0:32:280:32:31

-Beautiful. I love the little gold touches.

-Just a little hint.

0:32:310:32:34

A little bit.

0:32:340:32:36

A hint, Anthony? Anything to confess?

0:32:360:32:38

There was going to be a lot more gold.

0:32:400:32:43

We were going to have this all over.

0:32:430:32:46

We got the arm on,

0:32:460:32:48

we got all the front done and then we had to call a halt

0:32:480:32:51

because it just wasn't stable enough.

0:32:510:32:53

And Sarah breathes a huge sigh of relief.

0:32:530:32:56

Whatever trauma you've been through, I think it's worth it.

0:32:560:33:00

-This is stunning.

-I wouldn't say that.

0:33:000:33:02

And just as a little reminder, we also have a...

0:33:020:33:06

-Aw.

-But the problem is you'd have just slipped off it.

0:33:060:33:10

Wouldn't that have been the same, though,

0:33:100:33:12

if the sofa had been in gold?

0:33:120:33:13

Oh, it looked amazing.

0:33:130:33:14

-I know you're tired, OK?

-Understatement.

0:33:160:33:19

I know this is a lot of hard work, but that is stylish.

0:33:190:33:24

It's got it. You know that THING? That's got it.

0:33:240:33:29

Despite the whole experiment in gold,

0:33:290:33:32

Anthony has also managed to bring the sofa in on budget too.

0:33:320:33:36

I'm really pleased I've come here, and it is pink, and it worked out.

0:33:380:33:40

I'm going to shake your hand,

0:33:400:33:42

and I would like you to properly say...

0:33:420:33:44

Well done. I'm so pleased. Thank you so much.

0:33:440:33:46

Thank you, Sarah. Thank you.

0:33:460:33:48

It was all worth it in the end, Anthony.

0:33:480:33:51

Wow.

0:33:520:33:53

That kind of transformation makes a long workday at the tip

0:33:530:33:55

really worthwhile.

0:33:550:33:57

And I know Anthony is not pleased it's not covered in lame,

0:33:570:34:00

but as far as I'm concerned,

0:34:000:34:01

rose quartz means I'm going to be sitting on a gold mine.

0:34:010:34:04

I just can't believe it's gone from the back of a car

0:34:040:34:07

to looking like it should be on the front page of a magazine.

0:34:070:34:11

To be honest, what I'm going to do from now on

0:34:110:34:13

is just please people, because that was easy.

0:34:130:34:15

She fell in love with it. I'm happy. Job's a good 'un.

0:34:150:34:19

But it's just not in my nature to do that.

0:34:190:34:21

-Sarah swooped in on Jamie and his dad...

-Hiya.

0:34:210:34:25

..to rescue a threadbare sofa.

0:34:250:34:28

-Jamie, thanks so much for letting me have that.

-OK.

0:34:280:34:30

-She suggested Anthony turn it pink...

-Uh...

0:34:300:34:33

-..and after just a little dithering...

-Yes.

0:34:330:34:35

..he did exactly that.

0:34:350:34:38

Now Sarah is back in Walsall to update Jamie and Jeff

0:34:380:34:42

on what became of the dilapidated sofa.

0:34:420:34:45

-How are you both?

-I'm fine, thanks. I'm fine.

0:34:450:34:47

So, you were clearing out things from your mother's house, right?

0:34:470:34:50

That's right. That's right, yes. She had an accident.

0:34:500:34:53

She had a bad fall and she suffered brain damage.

0:34:530:34:56

She's been in the nursing home now for several months.

0:34:560:34:59

She was quite happy for it to go to the tip, so that's where it went.

0:34:590:35:02

-You can't fit somebody else's house into your own, can you?

-No.

0:35:020:35:05

We all have our own stuff, and I think...

0:35:050:35:07

-I've got enough with all his junk.

-THEY LAUGH

0:35:070:35:09

Excellent. You sound like you're in trouble.

0:35:090:35:11

-Would you like to see some pictures of how it ended up?

-I would.

0:35:110:35:14

-Take a deep breath, OK?

-Go on, then. Oh, blimey.

0:35:140:35:17

-Do you recognise that?

-No.

0:35:170:35:19

-That's amazing, that is.

-What do you think of it?

0:35:210:35:24

-Amazing.

-Does it look like the sofa you remember?

-Nothing like it.

0:35:240:35:28

Now, I've shared it and I've had lots of interest in it,

0:35:280:35:31

-but I haven't managed to sell it yet.

-Right, OK.

0:35:310:35:33

But I think there is a buyer out there who's going to love that,

0:35:330:35:36

and I just need a little bit more time and then hopefully

0:35:360:35:38

I'll be back in touch with some profit to share with you.

0:35:380:35:41

It isn't about the money anyway. You've done something with it.

0:35:410:35:45

It's sad going to landfill or being burned.

0:35:450:35:47

-Mum will be delighted when she sees that.

-Really?

0:35:470:35:50

-Thank you very much. Thank you.

-Lovely to see you again.

0:35:500:35:52

-Thank you. Bye-bye.

-Bye-bye.

0:35:520:35:54

With Anthony's labour and materials

0:35:570:35:59

coming in at over £1,200 and no sale,

0:35:590:36:03

that equals a substantial potential loss of £1,250.

0:36:030:36:08

But once that certain buyer with deep pockets has been found,

0:36:080:36:12

Sarah will be back with a profit for Jamie and Jeff.

0:36:120:36:15

In Marlow, Neil has transformed

0:36:190:36:21

those old red leather cushions into bags,

0:36:210:36:24

and he's doing the last few stitches ahead of Sarah's visit.

0:36:240:36:29

I've enjoyed it.

0:36:290:36:30

It's been nice to get a really high-quality finish product

0:36:300:36:34

from fairly challenging leather.

0:36:340:36:36

The transformation has been pretty huge,

0:36:360:36:39

so I think she'll be pleased.

0:36:390:36:41

I hope so.

0:36:410:36:42

Well, Neil's confident, but will Sarah agree?

0:36:420:36:45

I'm back in Marlow to pick up hopefully some high-end luggage,

0:36:470:36:50

but I have been a little bit anxious

0:36:500:36:53

because the materials I left Neil with were anything but high-end.

0:36:530:36:56

Sarah left Neil with some unsightly and worn red cushions,

0:36:580:37:02

hoping he could make some luggage.

0:37:020:37:04

They are now two beautiful handcrafted bags.

0:37:060:37:10

Neil has carefully dyed the leather to give the bags a high-end sheen.

0:37:110:37:17

The messenger bag has been dyed black and has pockets galore,

0:37:170:37:21

incorporating charming details from the Scout tents he's used as lining.

0:37:210:37:26

And that holdall, now a dark brown, is almost indestructible

0:37:260:37:31

with sturdy straps and reinforced corners.

0:37:310:37:35

Sarah's got to be impressed with these, Neil.

0:37:360:37:39

-Heya.

-Hey.

-How are you doing?

-I'm very well. How are you?

0:37:420:37:45

-Yeah, really well.

-Good. Come on in.

0:37:450:37:47

Where are they?

0:37:470:37:49

Here they are.

0:37:490:37:51

So, we have what they started off as and what they finished up as.

0:37:510:37:56

Neil, they are amazing.

0:37:560:37:58

-Good. I'm glad you like them.

-I'm blown away. Honestly.

-Good.

0:37:580:38:01

I'm really... Don't look. I'm...

0:38:010:38:03

I'm getting emotional about them. I can't believe...

0:38:060:38:09

Sorry. Just give me a...

0:38:090:38:11

Look at the detail. I've even got little...

0:38:110:38:13

-Yeah, so you can lock...

-I'm going to cry. Stop the...

0:38:130:38:16

Honestly. I don't often get moved to tears by...

0:38:160:38:20

by bits of leather from the tip.

0:38:200:38:22

It was fun.

0:38:250:38:26

The transformation, the dying, the changing of the colour.

0:38:260:38:30

The leather is good enough quality, so it's made a decent bag.

0:38:300:38:34

It's actually a work of art. I'm crying. Don't look at me.

0:38:340:38:37

Oh, dear.

0:38:370:38:39

And then messenger bag as well.

0:38:390:38:41

Yes. So, again, slightly different colour. We've gone for black.

0:38:410:38:45

As much leather as I could use.

0:38:450:38:48

And we've got the old toggles from the tent.

0:38:480:38:51

That was a window, which is now magnetic.

0:38:510:38:54

It was a big journey from the old burgundy sofa.

0:38:540:38:59

-It's fantastic.

-Yeah. Great.

0:39:000:39:03

Sarah is delighted with Neil's craftsmanship,

0:39:030:39:06

but has he blown the budget?

0:39:060:39:08

I don't even want to talk about money,

0:39:120:39:13

but I know I think I left you with £95 per item.

0:39:130:39:17

Even though there was some extra designing

0:39:170:39:19

and some extra dying to do, it was straightforward,

0:39:190:39:22

so they've come within budget.

0:39:220:39:24

I shall have no problem selling those.

0:39:240:39:26

Brilliant.

0:39:260:39:28

Thank you so much. They are just brilliant.

0:39:280:39:32

It was a pleasure.

0:39:320:39:33

I could not have been more surprised and delighted

0:39:380:39:42

with what Neil has managed to produce -

0:39:420:39:44

two stunning bags on budget.

0:39:440:39:46

Absolutely amazed.

0:39:480:39:50

I didn't expect her to be quite so emotional

0:39:500:39:53

about a pair of leather bags,

0:39:530:39:55

but she seemed to be really pleased with them.

0:39:550:39:57

At the recycling centre, Zia's leather armchair

0:39:570:40:01

was being put out to pasture,

0:40:010:40:03

and his ideas for it were lacking imagination.

0:40:030:40:07

Any ideas what we might make out of them?

0:40:070:40:09

Uh, I think cushions would be a nice easy option.

0:40:090:40:13

But Sarah had bigger ideas for Neil to implement.

0:40:130:40:16

He gave the old leather a new life as luggage.

0:40:160:40:20

They were soon bagged by Nick and Kim,

0:40:200:40:23

who run vintage and retro retailer Smithers of Stamford.

0:40:230:40:27

-What do you reckon?

-Yeah, I like them. I love the stitching.

0:40:270:40:31

Yeah, apparently it was made from an old sofa, a leather sofa.

0:40:310:40:34

-Done a good job, hasn't he?

-Yeah.

-Quality.

0:40:340:40:37

Now Sarah is back in the Midlands with some cash for Zia.

0:40:390:40:43

-Hiya.

-Hi.

-Zia, lovely to see you again.

0:40:450:40:46

-Nice to see you again.

-How are you?

-I'm very well, thank you.

0:40:460:40:49

Now, I last saw you at the tip and you were dropping off

0:40:490:40:52

your old sofa cushions.

0:40:520:40:53

-Had you had the sofa for ages?

-Around six or seven years.

0:40:530:40:57

Obviously, we were about to dispose of it.

0:40:570:40:59

Quite interesting to see what you've done with it.

0:40:590:41:01

They went off to a lovely guy called Neil in Marlow.

0:41:010:41:03

He specialises in making bags from refound materials.

0:41:030:41:07

I've got some pictures here of what he made.

0:41:070:41:09

-I want to see what do you think.

-OK.

0:41:090:41:12

Wow.

0:41:120:41:13

That's amazing. It looks nothing like the cushions we gave you.

0:41:130:41:17

There's more.

0:41:170:41:18

He made a messenger bag and a going away back.

0:41:180:41:21

That's absolutely amazing.

0:41:210:41:23

I was really surprised about how they looked.

0:41:230:41:25

I'd never have imagined they'd turn out like that.

0:41:250:41:27

And we have actually sold those two bags,

0:41:270:41:30

and I've got some profit that I'd like to share with you.

0:41:300:41:33

Thank you very much.

0:41:330:41:34

So, I've got £60 here to give to you that came from those bags.

0:41:340:41:37

-Thank you very much.

-So, that's... Absolute pleasure.

0:41:370:41:40

Is there anything that £60 is needed for at the moment?

0:41:400:41:43

I think I'll treat the kids, really.

0:41:430:41:45

-They just got back from school, so we'll give them a treat.

-Lovely.

0:41:450:41:48

-Thank you so much for your time today.

-No, you're welcome.

0:41:480:41:51

-Thank you.

-Take care. Bye-bye.

-Bye.

0:41:510:41:53

Well, I think Zia was quite surprised

0:41:550:41:57

with what we did with his old cushions.

0:41:570:41:59

And as a transformation, I think it would be difficult

0:41:590:42:01

to beat sofa into luxury luggage.

0:42:010:42:05

Neil charged a total of £190 for labour and materials for the bags.

0:42:050:42:10

Sarah sold them for £250, leaving a profit of £60 for Zia

0:42:100:42:16

and his kids.

0:42:160:42:17

Sarah took three tawdry treasures from the tip in Walsall.

0:42:240:42:29

Whose is that then?

0:42:290:42:30

Jamie and Jeff's blue settee was transformed

0:42:300:42:33

into a stunning pink penthouse sofa,

0:42:330:42:35

Zia's worn leather cushions were dyed and stitched

0:42:350:42:39

into stylish bags,

0:42:390:42:40

and Frank's fluorescent tubes were delicately dangled

0:42:400:42:44

to make a unique chandelier.

0:42:440:42:46

Well, I love those transformations

0:42:460:42:48

from drab old trash into something rather flash.

0:42:480:42:51

And with the help of Neil and Anthony's amazing talents,

0:42:510:42:54

I think we've managed to create some pretty classy items.

0:42:540:42:58

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