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-Can I have a little rummage around in your rubbish? -Yeah. | 0:00:03 | 0:00:06 | |
How do you make money for nothing? | 0:00:06 | 0:00:10 | |
I love that. | 0:00:10 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes of | 0:00:11 | 0:00:15 | |
household waste we throw out every year. | 0:00:15 | 0:00:18 | |
So heavy, they don't make them like this any more. Look at that. | 0:00:18 | 0:00:22 | |
That's why entrepreneur | 0:00:22 | 0:00:23 | |
Sarah Moore wants to get her hands on things before they hit the skip. | 0:00:23 | 0:00:28 | |
I'm a passionate maker, buyer and user of old stuff, | 0:00:30 | 0:00:34 | |
and I've turned that passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff, and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:42 | 0:00:45 | |
-Say something nice about it. -My juices are flowing in this one. | 0:00:45 | 0:00:49 | |
They are going to be "wow". | 0:00:49 | 0:00:50 | |
-..she can transform her finds into desirable... -Isn't that stunning? | 0:00:50 | 0:00:56 | |
-..valuable... -Oh, wow. -..and hopefully saleable items. | 0:00:56 | 0:01:02 | |
That is bonkers. | 0:01:02 | 0:01:04 | |
If Sarah is successful, then she can hand the profits back to the very | 0:01:04 | 0:01:07 | |
people who had no idea there was cash to be made from their trash. | 0:01:07 | 0:01:12 | |
I've got £350. | 0:01:12 | 0:01:15 | |
No! | 0:01:15 | 0:01:16 | |
Today, we're at a recycling centre in Altrincham, | 0:01:26 | 0:01:29 | |
just south of Manchester. | 0:01:29 | 0:01:33 | |
Sarah is in her element. | 0:01:33 | 0:01:35 | |
For her, being down the dump is like a visit to a chic boutique. | 0:01:35 | 0:01:40 | |
When you come to a place like this, | 0:01:40 | 0:01:41 | |
you're on a mission to clear out, whereas I'm on a mission to clean up | 0:01:41 | 0:01:45 | |
because there are mountains of money to be made out of piles of rubbish. | 0:01:45 | 0:01:49 | |
The recycling centre has given Sarah special permission to do what | 0:01:51 | 0:01:56 | |
she does best - treasure hunt. | 0:01:56 | 0:01:58 | |
I think it's going to be a toptastic tip day today. | 0:02:02 | 0:02:05 | |
She must find three unwanted items to rejuvenate or repurpose | 0:02:06 | 0:02:11 | |
to sell on for a profit. What will she uncover? | 0:02:11 | 0:02:15 | |
Will it be trash or treasure? | 0:02:15 | 0:02:17 | |
I think it's fair to say that's trash. | 0:02:17 | 0:02:20 | |
We'll take it that way, yeah. | 0:02:20 | 0:02:22 | |
Can Jean-Luc add a little "je ne sais quoi" to proceedings? | 0:02:24 | 0:02:29 | |
Oh, hello. | 0:02:29 | 0:02:31 | |
-Hi. -Hi. That's not going in there, is it? It looks brand-new. | 0:02:31 | 0:02:34 | |
-I'm afraid, yes. -Really? | 0:02:34 | 0:02:36 | |
I tried to recycle to charity, but it will go | 0:02:36 | 0:02:39 | |
because it doesn't have the labels on. | 0:02:39 | 0:02:41 | |
Oh, I know. I hear that all the time. | 0:02:41 | 0:02:42 | |
Do you mind if I have a little closer look at it? | 0:02:42 | 0:02:44 | |
You can have a look at it. | 0:02:44 | 0:02:46 | |
-So, is it yours? -It's my daughter's. | 0:02:46 | 0:02:50 | |
She needs some room in her house. | 0:02:50 | 0:02:53 | |
It's been used, but it's absolutely fine. | 0:02:53 | 0:02:55 | |
There's nothing wrong with it. | 0:02:55 | 0:02:56 | |
Would it be all right to pull it out and have a closer look, | 0:02:56 | 0:02:59 | |
just see what it's like? | 0:02:59 | 0:03:00 | |
Jean-Luc's talking about the UK Fire Safety Label. | 0:03:00 | 0:03:04 | |
All upholstered items should have one. | 0:03:04 | 0:03:07 | |
Charity shops can only accept sofas if the label's attached. | 0:03:07 | 0:03:11 | |
It's not a concern for Sarah, though, | 0:03:12 | 0:03:14 | |
as once she's finished, it will comply with all the regulations. | 0:03:14 | 0:03:18 | |
Come on, let's have a seat. | 0:03:20 | 0:03:21 | |
Are they going to bring us a cup of tea? | 0:03:21 | 0:03:23 | |
-Yeah, I think so. What do you reckon? -That's not bad, that. | 0:03:23 | 0:03:26 | |
You see, I'm looking for things that I can maybe use again, | 0:03:26 | 0:03:30 | |
maybe reupholster. And if it's not comfortable, | 0:03:30 | 0:03:32 | |
there's probably no point. | 0:03:32 | 0:03:34 | |
-But this is... -This is quite comfortable. OK. | 0:03:34 | 0:03:38 | |
Great, so glad you came. | 0:03:38 | 0:03:39 | |
-I might stay the rest of the day here. -Two sugars, please. | 0:03:39 | 0:03:42 | |
THEY LAUGH | 0:03:42 | 0:03:45 | |
-If it's all right, I'll take it away. -You can indeed. | 0:03:45 | 0:03:47 | |
Can I keep in touch. And if I manage to make something | 0:03:47 | 0:03:51 | |
-out of it, I will show you what I've done. -That would be fantastic! OK. | 0:03:51 | 0:03:55 | |
-Let's save this for another day. -OK. | 0:03:55 | 0:03:57 | |
Jean-Luc's trip to the tip has turned up trumps for Sarah. | 0:03:59 | 0:04:03 | |
If you do something with it, that'll be great. | 0:04:05 | 0:04:07 | |
That'll make my day. | 0:04:07 | 0:04:09 | |
Tres bien, Jean-Luc. | 0:04:10 | 0:04:12 | |
Who knows what Sarah has in store for this item. | 0:04:12 | 0:04:15 | |
It's "que sera sera" for this settee. | 0:04:15 | 0:04:18 | |
This sofa is a little bit newer than the stuff I normally take, | 0:04:21 | 0:04:25 | |
but it's compact, it's in really good condition, | 0:04:25 | 0:04:28 | |
it's comfortable and therefore it's saleable. | 0:04:28 | 0:04:32 | |
I think I have the potential to turn this into some cash. | 0:04:32 | 0:04:36 | |
Not without a little help, Sarah. | 0:04:36 | 0:04:38 | |
Meet Ray Clarke, upholsterer extraordinaire. | 0:04:39 | 0:04:44 | |
Ray made a name for himself in the world of fashion design | 0:04:44 | 0:04:46 | |
before discovering his love for vintage furniture. | 0:04:46 | 0:04:50 | |
His fresh, modern designs mix practicality, comfort and luxury. | 0:04:50 | 0:04:56 | |
I never intended to become, like, an upholsterer | 0:04:56 | 0:04:59 | |
at the beginning. | 0:04:59 | 0:05:00 | |
It wasn't the thing I set out to do. | 0:05:00 | 0:05:03 | |
I suppose you could say upholstery found me. | 0:05:03 | 0:05:06 | |
With my creative background in fashion design | 0:05:09 | 0:05:12 | |
and textile design, I was able to use those skills and redirect them. | 0:05:12 | 0:05:16 | |
And now this is all I do. I just give birth to chairs. I love them. | 0:05:16 | 0:05:21 | |
Yeah. | 0:05:21 | 0:05:23 | |
Give birth to chairs? Ooh, let's hope sorting this sofa | 0:05:23 | 0:05:27 | |
will be a bit less painful. | 0:05:27 | 0:05:30 | |
One item in the bag, two to go. Sarah is in the groove. | 0:05:32 | 0:05:37 | |
Down at the tip. | 0:05:42 | 0:05:45 | |
Let's get down to business. | 0:05:45 | 0:05:47 | |
And it's not long before Sarah homes in on Paul. | 0:05:49 | 0:05:54 | |
-Hiya. -Hello. | 0:05:54 | 0:05:56 | |
That looks like some interesting stuff in there. | 0:05:56 | 0:05:58 | |
Yeah, it's just the contents of a garage | 0:05:58 | 0:06:00 | |
that's built up over the years. | 0:06:00 | 0:06:02 | |
OK, can I have a closer look? | 0:06:02 | 0:06:04 | |
Can I have a little rummage around in your rubbish? | 0:06:04 | 0:06:06 | |
Yeah, you're welcome. Yeah. | 0:06:06 | 0:06:07 | |
Luckily for Sarah, Paul's having a clear out | 0:06:07 | 0:06:10 | |
as he's soon going to be moving home. | 0:06:10 | 0:06:14 | |
-An old tool box. -So she's on the hunt for a gem in his junk. | 0:06:14 | 0:06:18 | |
Lovely, I love that. | 0:06:18 | 0:06:19 | |
Who'd have thought an old tool box would catch her eye? | 0:06:19 | 0:06:23 | |
-I really like that. -Right, OK. | 0:06:23 | 0:06:25 | |
It's got, I think they call it pateena these days. | 0:06:25 | 0:06:27 | |
Most people call it rust and wear on it. | 0:06:27 | 0:06:29 | |
But there may be something I could do with it. | 0:06:29 | 0:06:32 | |
Well, I call it patina, but it's all the same thing. | 0:06:33 | 0:06:36 | |
Oh, look. She's spied a filing cabinet, too. | 0:06:39 | 0:06:41 | |
I really like that. It's decorative as well as being industrial. | 0:06:44 | 0:06:48 | |
They've got a certain look to them. Don't know what that look is. | 0:06:48 | 0:06:51 | |
Rubbish chic or something. | 0:06:51 | 0:06:53 | |
The next new trend, maybe. | 0:06:53 | 0:06:55 | |
But what does Paul think Sarah will make with them? | 0:06:55 | 0:06:58 | |
I'm not too sure, but I have seen some of her stuff before, | 0:06:58 | 0:07:02 | |
and I'd be interested to see what she does with it. | 0:07:02 | 0:07:05 | |
There's a real sense of history with this lovely old case, | 0:07:05 | 0:07:07 | |
and I am loving the utility chic of this filing cabinet. | 0:07:07 | 0:07:11 | |
I'm going to take them to somebody | 0:07:11 | 0:07:13 | |
who makes magic out of metal like this and money for me. | 0:07:13 | 0:07:16 | |
Artist blacksmith Bex Simon is an expert in manipulating | 0:07:18 | 0:07:22 | |
metal into high-end furniture and bespoke metalwork commissions. | 0:07:22 | 0:07:27 | |
When I went to art college and I was looking around to see what degree | 0:07:27 | 0:07:31 | |
I wanted to do, I went into the forge and I saw people | 0:07:31 | 0:07:35 | |
working with fire and the anvils and hammering metal. | 0:07:35 | 0:07:40 | |
Oh, that was it. I just knew that that was what I needed to do. | 0:07:40 | 0:07:44 | |
Together with husband Dave, this formidable team has the skill | 0:07:44 | 0:07:49 | |
and imagination to create something special from any old iron. | 0:07:49 | 0:07:54 | |
There's nothing more exciting to come into work, light a fire, | 0:07:54 | 0:07:59 | |
heat up your metal. It's very magical. | 0:07:59 | 0:08:02 | |
I hope Bex still feels that way | 0:08:02 | 0:08:04 | |
when she gets a load of the rusty tool box and filing cabinet. | 0:08:04 | 0:08:07 | |
Sarah's got goodies for Bex and Ray. | 0:08:15 | 0:08:17 | |
Now she is on the lookout for an item she can transform. | 0:08:17 | 0:08:21 | |
But if it's already hit the skip, then it's off-limits. | 0:08:23 | 0:08:26 | |
She has, however, spied a little gem she'd like to share with us | 0:08:28 | 0:08:32 | |
so has asked the recycle centre employee to fish it out. | 0:08:32 | 0:08:36 | |
I love these. OK, if you find one of these, don't throw it away. | 0:08:36 | 0:08:39 | |
It's got a hook on it, you put a little tealight in the bottom | 0:08:39 | 0:08:42 | |
and it props up, and you have the most beautiful little wall sconce. | 0:08:42 | 0:08:45 | |
And it sends out these lovely little rays of light from it. | 0:08:45 | 0:08:48 | |
So don't throw them away. Even as a grater, that's worth a fiver. | 0:08:48 | 0:08:53 | |
I love it. Never mind. | 0:08:53 | 0:08:55 | |
I spy a familiar face. We've seen Tamara at the tip before. | 0:08:57 | 0:09:01 | |
I've had it donated off friends and a charity | 0:09:04 | 0:09:08 | |
because I had a house fire and I ended up with nothing | 0:09:08 | 0:09:11 | |
and everybody has just been so great and, like, donated everything. | 0:09:11 | 0:09:15 | |
Having relieved Tamara of her 1950s dresser, | 0:09:15 | 0:09:19 | |
Sarah has her eye on an old set of ladders. Lovely stuff. | 0:09:19 | 0:09:23 | |
-Wow, they look like nice old ones. -Yeah. | 0:09:23 | 0:09:27 | |
Where are they from, then? | 0:09:27 | 0:09:28 | |
These were left in my house, my new house, by the gentleman that | 0:09:28 | 0:09:33 | |
used to live there, and I've no need for them. | 0:09:33 | 0:09:35 | |
-I think they look cool. Can I have them? -Yes, you can have them. | 0:09:35 | 0:09:37 | |
-I'll try and make something cool, make some money, maybe? -Yeah. | 0:09:37 | 0:09:41 | |
-Be back in touch. -Yeah. -That would be lovely, thank you. | 0:09:41 | 0:09:44 | |
That's another item saved from the scrapheap. | 0:09:45 | 0:09:48 | |
I would have used them had they been safe, but I didn't feel | 0:09:49 | 0:09:51 | |
they were safe, so I'm glad Sarah can make some use of them. | 0:09:51 | 0:09:54 | |
So what do you reckon? A step too far or a stairway to heaven? | 0:09:57 | 0:10:00 | |
Sarah has her three items. | 0:10:00 | 0:10:03 | |
Ray will take up the challenge of rejuvenating the sofa. | 0:10:03 | 0:10:07 | |
Bex will get busy knocking the filing cabinet | 0:10:07 | 0:10:10 | |
and tool box into shape. | 0:10:10 | 0:10:12 | |
And Sarah will be tasked with transforming the ladder. | 0:10:12 | 0:10:15 | |
I can't save every bit of rubbish that comes in here. | 0:10:18 | 0:10:22 | |
But I've had a really good go today and I've got some cracking items, | 0:10:22 | 0:10:26 | |
all of which I know are going to make some money for nothing. | 0:10:26 | 0:10:29 | |
London's East End, | 0:10:35 | 0:10:36 | |
as famous for Albert Square as it is for the Olympic Park. | 0:10:36 | 0:10:40 | |
The area is a cultural crucible that blends innovation | 0:10:40 | 0:10:44 | |
with tradition, just like upholsterer Ray Clarke. | 0:10:44 | 0:10:48 | |
I wonder what Sarah's going to bring me. | 0:10:50 | 0:10:52 | |
It's just, it's just... Yeah, | 0:10:52 | 0:10:54 | |
she always brings some really mad projects. | 0:10:54 | 0:10:57 | |
-Look, it's a sofa, how mad can it be? -Hiya. | 0:10:57 | 0:11:01 | |
Let me just pop that there. | 0:11:01 | 0:11:02 | |
I've got a little something for you outside. | 0:11:02 | 0:11:04 | |
-Will you come and help me in? -Yeah, sure, sure. | 0:11:04 | 0:11:07 | |
-Wow. -Let's get it inside. | 0:11:07 | 0:11:08 | |
Wow, look at this. | 0:11:11 | 0:11:13 | |
I personally hate maroon and I'm not that keen on red stuff, | 0:11:13 | 0:11:17 | |
all right? So for me, this is like a horror sofa. | 0:11:17 | 0:11:20 | |
-I am really keen on this. -Natural. -Natural. | 0:11:20 | 0:11:25 | |
Now, I did bring along a little bit of natural linen. | 0:11:25 | 0:11:28 | |
And what I was sort of wondering about this | 0:11:28 | 0:11:30 | |
is if we could rough it right up and make it look really rustic. | 0:11:30 | 0:11:34 | |
I don't want to say the word knackered, but I want this to | 0:11:34 | 0:11:37 | |
look like it is something that the dog has been sleeping on. | 0:11:37 | 0:11:40 | |
A dog bed? Now that's barking mad. | 0:11:40 | 0:11:42 | |
Is that really bad to ask? | 0:11:42 | 0:11:44 | |
No, it's not bad to ask. If that's what you feel it deserves, | 0:11:44 | 0:11:48 | |
-I can deliver that for you. Yeah, sure. -Less show home. | 0:11:48 | 0:11:52 | |
-More, you know, rustic, traditional. -More boutique, rustic... | 0:11:52 | 0:11:56 | |
I'm pushing on the rustic, I can tell, aren't I? Look! | 0:11:56 | 0:11:59 | |
I'm going to end up dreaming of rustic. | 0:11:59 | 0:12:02 | |
Do you use any hessiany fabric? | 0:12:02 | 0:12:04 | |
-I do. I mean, yeah. -That's not quite the grade | 0:12:04 | 0:12:06 | |
that you'd want to sit on, is it? | 0:12:06 | 0:12:08 | |
No, it's not. | 0:12:08 | 0:12:10 | |
That's grim, Sarah. | 0:12:10 | 0:12:12 | |
It's not meant to be seen, let alone sat on, even by dogs. | 0:12:12 | 0:12:16 | |
I do have some linen scrim. It's quite thin but it can be doubled up. | 0:12:16 | 0:12:21 | |
I'm looking at designer stuff, £50 a metre. How much is this a metre? | 0:12:21 | 0:12:26 | |
That's about three pounds a metre. | 0:12:27 | 0:12:29 | |
Now, that's my kind of money. | 0:12:29 | 0:12:32 | |
-But it's the look, it's the overall look. -But do you know something? | 0:12:32 | 0:12:35 | |
You are so good at your craft, | 0:12:35 | 0:12:37 | |
if you can make it look good in a sack... | 0:12:37 | 0:12:39 | |
HE LAUGHS | 0:12:39 | 0:12:41 | |
Sarah's made a saving on the material. | 0:12:41 | 0:12:43 | |
But how much will it cost for Ray to weave his magic? | 0:12:43 | 0:12:47 | |
Four-part figure? | 0:12:47 | 0:12:50 | |
-Between £600, £650 for re-covering, it's just re-covering. -OK. | 0:12:50 | 0:12:55 | |
-I would happily leave you with 650 quid to do this. -Right, done deal. | 0:12:55 | 0:13:01 | |
-Fantastic, well, best of luck. -Thank you very much. -Bye. -Bye. | 0:13:01 | 0:13:05 | |
Fantastic. | 0:13:07 | 0:13:08 | |
I think Ray is going to duff that sofa up | 0:13:08 | 0:13:10 | |
and make it look really rough, rustic but reassuringly expensive. | 0:13:10 | 0:13:14 | |
I can understand where she's coming from. | 0:13:14 | 0:13:16 | |
I know the kind of work that she wants to have done, | 0:13:16 | 0:13:19 | |
but it's got to be done properly. It's got to be done well, | 0:13:19 | 0:13:22 | |
done right, and I'm a bit of a stickler for that as well. | 0:13:22 | 0:13:27 | |
Ray has a budget of £650 plus materials for the transformation. | 0:13:27 | 0:13:32 | |
HE SIGHS | 0:13:32 | 0:13:36 | |
Uh-oh. Where do I begin? | 0:13:36 | 0:13:39 | |
But can he really get on board with Sarah's cost-cutting design? | 0:13:39 | 0:13:43 | |
Ah, the peace and tranquillity of Surrey. | 0:13:48 | 0:13:52 | |
An Area of Outstanding Natural Beauty, | 0:13:52 | 0:13:55 | |
it's also England's most wooded county. | 0:13:55 | 0:13:57 | |
But who needs wood when there's metal to mould? | 0:14:00 | 0:14:03 | |
Not blacksmith Bex Simon. | 0:14:03 | 0:14:06 | |
-She does like to challenge us with things, doesn't she? -She does. | 0:14:06 | 0:14:10 | |
She hasn't defeated us yet. | 0:14:10 | 0:14:11 | |
No. Let's just hope it's not a filing cabinet. | 0:14:11 | 0:14:15 | |
SHE LAUGHS | 0:14:15 | 0:14:17 | |
OK, who let the cat out of the bag? | 0:14:17 | 0:14:21 | |
As soon as I saw this, I totally thought Bex and Dave. | 0:14:21 | 0:14:23 | |
I think they're going to love this. | 0:14:23 | 0:14:25 | |
-What do you do with a filing cabinet? -File stuff. -You file stuff. | 0:14:25 | 0:14:29 | |
-Paint it. -Paint it. -SHE LAUGHS | 0:14:29 | 0:14:32 | |
-Crush it! -SHE LAUGHS | 0:14:34 | 0:14:37 | |
Steady on there, Bex. | 0:14:37 | 0:14:38 | |
No! | 0:14:40 | 0:14:41 | |
-What's the matter? -It's a filing cabinet. -Yeah? | 0:14:43 | 0:14:46 | |
It's beautiful! | 0:14:47 | 0:14:49 | |
-How can you not love my cubby little filing cabinet? -Oh, my goodness me. | 0:14:49 | 0:14:53 | |
-Shall we take it in and have a look? -Yes, sorry. | 0:14:53 | 0:14:56 | |
They don't like my filing cabinet. I'm really offended. | 0:14:56 | 0:14:58 | |
Anything but a filing cabinet. | 0:14:58 | 0:15:00 | |
-I found this at a tip, you know. -Amazing. | 0:15:00 | 0:15:03 | |
And if Bex has anything to do with it, it's going straight back there. | 0:15:03 | 0:15:08 | |
I'm thinking classic 1950s styling here. It's got beautiful handles. | 0:15:08 | 0:15:12 | |
The drawer's go in and out. Look. | 0:15:12 | 0:15:14 | |
SHE WHISTLES | 0:15:19 | 0:15:21 | |
I think I've broken it. | 0:15:21 | 0:15:23 | |
Demand a refund. | 0:15:23 | 0:15:24 | |
Oh, no, that's right, it was being thrown away. | 0:15:24 | 0:15:27 | |
I can't imagine why. | 0:15:27 | 0:15:29 | |
If we're going to work on this... | 0:15:29 | 0:15:32 | |
Yeah, what do you think? | 0:15:32 | 0:15:35 | |
..I really don't want it to look anything like a filing cabinet | 0:15:35 | 0:15:38 | |
at all cos I really, really don't like them. | 0:15:38 | 0:15:41 | |
I'd never have guessed(!) | 0:15:41 | 0:15:43 | |
So what we can do is take out all the drawers | 0:15:43 | 0:15:47 | |
separately and then go | 0:15:47 | 0:15:50 | |
next door and just squash them in a press... | 0:15:50 | 0:15:54 | |
..to make them completely flat. | 0:15:55 | 0:15:57 | |
We'll take the handles off, and so each one becomes like a shelf, | 0:15:57 | 0:16:03 | |
so it's like an open shelving thing. | 0:16:03 | 0:16:06 | |
So the only reference back to it | 0:16:06 | 0:16:09 | |
would be like these handles. | 0:16:09 | 0:16:11 | |
She really doesn't like filing cabinets. I thought this was lovely. | 0:16:11 | 0:16:14 | |
I don't know where I'm going wrong here. | 0:16:14 | 0:16:17 | |
Maybe Bex will feel the love for the old tool box. | 0:16:17 | 0:16:20 | |
Not looking great but bags of potential. | 0:16:20 | 0:16:24 | |
I'm in the bathroom, and I'm getting ready in the morning, | 0:16:27 | 0:16:31 | |
and a lovely bathroom cabinet on the wall, mirror... | 0:16:31 | 0:16:33 | |
DOOR CREAKS | 0:16:33 | 0:16:36 | |
-It's got a lovely like cross... -It's beautiful. -..there. | 0:16:36 | 0:16:39 | |
It's stylish, it's got lovely, original paintwork. | 0:16:39 | 0:16:43 | |
I think this is the gem and that is the... You don't have to do both. | 0:16:43 | 0:16:47 | |
-You could just do one. -Could be OK. | 0:16:47 | 0:16:50 | |
-Just needs a hammer. -Ease the hinges a bit. | 0:16:50 | 0:16:53 | |
Yeah, hammer some of these, like, dents out kind of things. | 0:16:53 | 0:16:59 | |
OK, so basically you're not feeling the love for these. | 0:16:59 | 0:17:02 | |
You want to crush this and hammer this. Why don't I just leave | 0:17:02 | 0:17:05 | |
you with some budget, a little leap of faith and I'll come back, | 0:17:05 | 0:17:10 | |
and there'll be something saleable that is in profit? | 0:17:10 | 0:17:12 | |
Yeah. If it's not going anywhere, we'll stop... | 0:17:12 | 0:17:16 | |
-And ditch it. -..and say we've lost a few hours on that. It's a no goer. | 0:17:16 | 0:17:20 | |
I think go for it, but if it reaches over 300 quid level in budget, | 0:17:20 | 0:17:24 | |
then give me a call because I need to sign that off to make sure | 0:17:24 | 0:17:27 | |
that I think we're going to be in profit. | 0:17:27 | 0:17:29 | |
So on that basis, are you happy to go for it? | 0:17:29 | 0:17:31 | |
-Yeah, let's do it. -Fantastic. | 0:17:31 | 0:17:33 | |
Well, I think it's pretty safe to say that Bex | 0:17:37 | 0:17:39 | |
is not keen on filing cabinets. | 0:17:39 | 0:17:42 | |
They're just so ugly. They really are. | 0:17:42 | 0:17:45 | |
I hope that between them, | 0:17:45 | 0:17:48 | |
Dave and Bex manage to make something out of those two items. | 0:17:48 | 0:17:51 | |
Otherwise, I'm just going to come back to a little pancake | 0:17:51 | 0:17:54 | |
of a filing cabinet and not a lot of profit. | 0:17:54 | 0:17:56 | |
-Wish us luck. -SHE LAUGHS | 0:17:58 | 0:18:00 | |
With a starting budget of £300, will Bex and Dave | 0:18:00 | 0:18:04 | |
salvage anything from Sarah's finds? | 0:18:04 | 0:18:07 | |
Back at home in Sussex, Sarah is hopefully taking | 0:18:12 | 0:18:15 | |
steps in the right direction. | 0:18:15 | 0:18:17 | |
I love these ladders. | 0:18:22 | 0:18:24 | |
But as they are, I just can't make enough money out of them | 0:18:24 | 0:18:27 | |
if I just sell them like this. | 0:18:27 | 0:18:29 | |
So I've got to make them into something. | 0:18:29 | 0:18:31 | |
And because they're quite a complicated set of angles, | 0:18:31 | 0:18:34 | |
I think it's best to go for something really simple. | 0:18:34 | 0:18:37 | |
So I want to make lovely little planters | 0:18:37 | 0:18:41 | |
out of each of the steps, fill them up with beautiful bulbs. | 0:18:41 | 0:18:45 | |
And so, people can have them in their homes, | 0:18:45 | 0:18:47 | |
out on their windowsill, by the front door, | 0:18:47 | 0:18:50 | |
just bringing a little bit of colour in their life. And then using all | 0:18:50 | 0:18:53 | |
this lovely white paint, flaky surface as a real selling point. | 0:18:53 | 0:18:57 | |
How hard can that be? | 0:18:59 | 0:19:00 | |
To make flaky paint a selling point, a lot tougher than you think, Sarah. | 0:19:02 | 0:19:07 | |
Especially if you can't use a saw. | 0:19:07 | 0:19:10 | |
Let's make a plan. | 0:19:10 | 0:19:11 | |
When you do something, measure twice, cut once. | 0:19:11 | 0:19:15 | |
Not a complete novice then. | 0:19:15 | 0:19:17 | |
Look away now. | 0:19:17 | 0:19:19 | |
Oops, spoke too soon. | 0:19:21 | 0:19:23 | |
A good start would be to secure the ladder by clamping it down. | 0:19:23 | 0:19:27 | |
Let the saw do the work. | 0:19:29 | 0:19:31 | |
The longer the stroke, the easier it'll be. | 0:19:31 | 0:19:33 | |
Hm, we could be here for a while. | 0:19:35 | 0:19:38 | |
Let's clean up those bits. I could have maybe cut that a bit better. | 0:19:42 | 0:19:45 | |
Never mind, have a back across there. Plants in there. | 0:19:45 | 0:19:49 | |
It should look quite cool. | 0:19:52 | 0:19:53 | |
But one planter isn't going to bring in much. | 0:19:53 | 0:19:56 | |
Time to step it up. See what I did there? | 0:19:56 | 0:20:00 | |
You can come and help if you like. Don't just sit there. | 0:20:00 | 0:20:03 | |
Oh, I'd love to, Sarah, but quite frankly, I think | 0:20:03 | 0:20:06 | |
I'll keep my distance. | 0:20:06 | 0:20:07 | |
I'm channelling potting-shed chic. It's going to be awesome. | 0:20:09 | 0:20:13 | |
Well, I suppose you have to believe your own propaganda. | 0:20:13 | 0:20:16 | |
But you still have to nail the backs on. | 0:20:16 | 0:20:18 | |
Just want to make sure I can make one | 0:20:19 | 0:20:22 | |
and I'm on the right track before I cut the whole thing up | 0:20:22 | 0:20:26 | |
and have to make a plan. | 0:20:26 | 0:20:29 | |
This could be fun. | 0:20:31 | 0:20:32 | |
Chin up, Sarah. Hopefully, all the hard graft will be worth it. | 0:20:33 | 0:20:38 | |
On the bright side, Sarah bagged a bargain at a car-boot sale, | 0:20:38 | 0:20:42 | |
paying only £30 for bulbs to put in the planters. | 0:20:42 | 0:20:46 | |
But will her idea really flourish and bring in the big bucks? | 0:20:46 | 0:20:50 | |
At his studio in Poplar, East London, | 0:20:57 | 0:21:00 | |
it sounds as though Ray has come up | 0:21:00 | 0:21:02 | |
with a design compromise for the old maroon sofa. | 0:21:02 | 0:21:05 | |
The overall look is quite rustic, | 0:21:05 | 0:21:08 | |
like a countryman's jacket with, you know, the leather patches. | 0:21:08 | 0:21:12 | |
Kind of that look but translated into a two-seater sofa, | 0:21:12 | 0:21:17 | |
if you know what I mean. | 0:21:17 | 0:21:18 | |
So, Ray's giving a nod to Sarah's rustic vision, | 0:21:18 | 0:21:22 | |
but with an extra air of elegance. Sounds expensive. | 0:21:22 | 0:21:25 | |
Before re-covering the sofa, Ray and his assistant Anna have to | 0:21:27 | 0:21:31 | |
strip it back to check that the frame and the filling | 0:21:31 | 0:21:33 | |
are in good order. | 0:21:33 | 0:21:35 | |
Yeah, ripping this should be fairly good fun. | 0:21:35 | 0:21:39 | |
I'm saying this cos I already know | 0:21:39 | 0:21:41 | |
what's already going on underneath here. | 0:21:41 | 0:21:43 | |
I can feel it with my hands and it's like, urgh. | 0:21:43 | 0:21:46 | |
Modern sofas aren't always built with quality in mind. | 0:21:47 | 0:21:51 | |
No, it's not feathers, this is polyester wadding. | 0:21:51 | 0:21:54 | |
Yeah, bleurgh, bleurgh. Don't like that. | 0:21:56 | 0:21:59 | |
But Ray is about to change all that. | 0:22:00 | 0:22:04 | |
Ooh, this could be painful. | 0:22:04 | 0:22:05 | |
Cardboard there, cardboard here, cardboard here. | 0:22:11 | 0:22:14 | |
They haven't even bothered putting webbing in here, | 0:22:14 | 0:22:16 | |
it's just... I could punch through that. I'm not going to. | 0:22:16 | 0:22:20 | |
But, yeah, it's a cardboard sofa. | 0:22:21 | 0:22:23 | |
High-end sofa frames are made of solid hardwood like oak or maple | 0:22:25 | 0:22:29 | |
and are put together with screws, glue and wood blocks. | 0:22:29 | 0:22:33 | |
These could last a lifetime. | 0:22:33 | 0:22:35 | |
But modern manufacturing methods | 0:22:35 | 0:22:37 | |
and price wars have created some new ways of building frames. | 0:22:37 | 0:22:42 | |
Some are OK, others, not so good. | 0:22:42 | 0:22:44 | |
The springs should be lashed laterally from end to end | 0:22:46 | 0:22:50 | |
so that, when you sit in them, they don't spread apart. | 0:22:50 | 0:22:54 | |
Yeah, this is, um... I wouldn't say shoddy... | 0:22:57 | 0:23:01 | |
Yeah, I would say shoddy, actually. | 0:23:01 | 0:23:03 | |
This has got to be pushing Ray's perfectionist nature to the limit. | 0:23:05 | 0:23:09 | |
I want to do this properly, or as well as I can possibly do it, | 0:23:10 | 0:23:14 | |
so it's going to be upgraded | 0:23:14 | 0:23:15 | |
better than it was when it arrived, anyway. | 0:23:15 | 0:23:18 | |
Much better. | 0:23:18 | 0:23:19 | |
Ray's exacting standards has meant the job has gone from a | 0:23:19 | 0:23:23 | |
relatively simple re-cover, to almost a complete rebuild. | 0:23:23 | 0:23:27 | |
That's the excitement of the challenge on this, | 0:23:29 | 0:23:31 | |
trying to produce something and still keep to within the budget, | 0:23:31 | 0:23:35 | |
so it's not just like built with cardboard. | 0:23:35 | 0:23:41 | |
Argh! I hate cardboard. | 0:23:41 | 0:23:43 | |
I hate cardboard. I can't stand cardboard. | 0:23:43 | 0:23:46 | |
From one artisan loving life... | 0:23:46 | 0:23:49 | |
Look at that - nasty, nasty, nasty. | 0:23:49 | 0:23:51 | |
..to another. | 0:23:54 | 0:23:55 | |
At her workshop in Guildford, Surrey, | 0:24:00 | 0:24:02 | |
it's time for Bex to face her nemesis. | 0:24:02 | 0:24:06 | |
-Do you want to have a go at having a look at this? -No. | 0:24:06 | 0:24:11 | |
SHE LAUGHS | 0:24:11 | 0:24:13 | |
I really don't like them. | 0:24:13 | 0:24:14 | |
If you can take it apart for me, get all the drawers out... | 0:24:14 | 0:24:18 | |
-Yeah, I can do that. -Yeah, if you do that for me first days, then I'll... | 0:24:18 | 0:24:23 | |
-There you go. -Oh, OK. Thanks(!) | 0:24:26 | 0:24:29 | |
Nice try. | 0:24:29 | 0:24:31 | |
Explain to me what you're trying to do. | 0:24:32 | 0:24:34 | |
-Squash it flat. -Just the whole thing? -Yeah. | 0:24:34 | 0:24:37 | |
So the plan is to make a shelving unit using | 0:24:38 | 0:24:41 | |
-the drawers of the filing cabinet as the shelves. -Stomach muscles in. | 0:24:41 | 0:24:46 | |
Stomach muscles. | 0:24:46 | 0:24:48 | |
In the past, Bex has used her pneumatic press | 0:24:48 | 0:24:50 | |
to shape and straighten metal. | 0:24:50 | 0:24:52 | |
But this is the first time she's squashed anything with it. | 0:24:54 | 0:24:57 | |
-Oh, what a nice shape! -Yeah. | 0:25:07 | 0:25:10 | |
Ooh, oh, look at that, that's really nice. | 0:25:10 | 0:25:13 | |
Look at the way the corners have gone. | 0:25:15 | 0:25:18 | |
Nice one. It's like a tray. | 0:25:18 | 0:25:21 | |
-I can go and make some tea. -THEY LAUGH | 0:25:21 | 0:25:25 | |
See? That wasn't so difficult after all. | 0:25:26 | 0:25:29 | |
All right, Mr Tea Boy? | 0:25:29 | 0:25:30 | |
Now, onto the tool box. | 0:25:32 | 0:25:34 | |
A quick buff was the plan to make it into a bathroom | 0:25:39 | 0:25:42 | |
or kitchen cabinet. | 0:25:42 | 0:25:44 | |
But... | 0:25:44 | 0:25:46 | |
This is taking ages. | 0:25:46 | 0:25:48 | |
It's working, though. | 0:25:53 | 0:25:55 | |
Yeah, but it's like to do the whole thing... | 0:25:55 | 0:25:59 | |
-Well, you've nearly done the whole thing. -Well, no, but I think... | 0:25:59 | 0:26:03 | |
Look, imagine being someone who is going to buy... | 0:26:03 | 0:26:08 | |
This was supposed to be a quick and easy job with real retail value. | 0:26:11 | 0:26:16 | |
It looks like a piece of junk. | 0:26:17 | 0:26:19 | |
Um, no, but a very artistically treated piece of junk. | 0:26:19 | 0:26:25 | |
Nice sales pitch, Dave. | 0:26:25 | 0:26:27 | |
Well, you know, just look at that. At the moment, | 0:26:27 | 0:26:31 | |
I'm not feeling the potential any more. | 0:26:31 | 0:26:33 | |
I mean, an idea that I did just have was those hinges. | 0:26:33 | 0:26:39 | |
You know how the old metal hinges, they're all scrolled | 0:26:39 | 0:26:44 | |
and beautiful, and they're like on a wooden door. | 0:26:44 | 0:26:47 | |
I know what you mean, | 0:26:47 | 0:26:49 | |
but I can see the budget just going completely out the window on that. | 0:26:49 | 0:26:53 | |
I know, but just doing this, I don't think the finish is good enough. | 0:26:53 | 0:26:57 | |
-I think that's all right. -Really? -I think that'll be OK. | 0:26:57 | 0:27:01 | |
Well, at least someone is optimistic. | 0:27:02 | 0:27:05 | |
Personally, though, I think this one could be Bex's undoing. | 0:27:05 | 0:27:09 | |
I don't like this one. | 0:27:09 | 0:27:11 | |
Back in Sussex, Sarah's putting | 0:27:17 | 0:27:19 | |
the final touches to her refashioned planters. | 0:27:19 | 0:27:23 | |
It's coming along, isn't it? | 0:27:25 | 0:27:27 | |
Not quite there, though. I want it to really pack a punch. | 0:27:27 | 0:27:30 | |
But that, at the moment, stands me in at four quid. | 0:27:30 | 0:27:32 | |
It's got to be worth more than that. | 0:27:32 | 0:27:34 | |
It needs wow factor. Sparkle. Pizzazz. | 0:27:34 | 0:27:38 | |
Or an old tin bucket. | 0:27:38 | 0:27:40 | |
Not exactly what I had in mind. | 0:27:40 | 0:27:42 | |
Happy days. | 0:27:46 | 0:27:47 | |
Happy days indeed. This old wooden step ladder was saved from the skip. | 0:27:49 | 0:27:54 | |
The steps of the ladder now make up seven country cottage planters. | 0:27:57 | 0:28:03 | |
Sarah kept costs down by using soil from her own molehills | 0:28:03 | 0:28:07 | |
and bulbs from a car-boot sale. | 0:28:07 | 0:28:10 | |
And as much as it pains me to admit, | 0:28:10 | 0:28:12 | |
the tin bucket tags are an inspired addition. | 0:28:12 | 0:28:15 | |
I was a little bit intimidated when I first started this. | 0:28:18 | 0:28:21 | |
I couldn't quite visualise how they were all going to look together. | 0:28:21 | 0:28:24 | |
But I think these planters, all their forest stuff inside them, | 0:28:24 | 0:28:28 | |
all the free stuff that adds that lovely look to them | 0:28:28 | 0:28:31 | |
has worked out really well. | 0:28:31 | 0:28:33 | |
And I think I'm going to make a blooming great big profit | 0:28:33 | 0:28:35 | |
out of this lot too. | 0:28:35 | 0:28:36 | |
Sarah first discovered the stepladder | 0:28:37 | 0:28:40 | |
in the back of Tamara's car. | 0:28:40 | 0:28:42 | |
Wow, they look like nice old ones. | 0:28:42 | 0:28:45 | |
-Yeah. -Where are they from, then? | 0:28:45 | 0:28:47 | |
These were left in my house, in my new house, by the gentleman | 0:28:47 | 0:28:51 | |
that used to live there, and I've no need for them. | 0:28:51 | 0:28:54 | |
The ladder's days may have been numbered, but Sarah's crafty | 0:28:54 | 0:28:57 | |
talent means it looks great revamped into planters. | 0:28:57 | 0:29:02 | |
And where better to get the sales started than at her barn sale? | 0:29:02 | 0:29:06 | |
Get it out there, make it sell. | 0:29:15 | 0:29:17 | |
-So do you know what that's made from? -No. | 0:29:21 | 0:29:24 | |
Doorframe or something or other. | 0:29:24 | 0:29:26 | |
-Old stepladder. -OK. -No way! | 0:29:26 | 0:29:29 | |
-I almost want the full set, don't you? -I'll do you a deal. | 0:29:29 | 0:29:32 | |
They seem to be flying off the shelf. | 0:29:34 | 0:29:37 | |
Fantastic, I'm so glad you bought that. Excellent. One more planter. | 0:29:37 | 0:29:40 | |
-Have a lovely day. -Sarah managed to sell four planters, and Matthew, | 0:29:40 | 0:29:44 | |
who owns Spriggs Florist in Petworth, | 0:29:44 | 0:29:47 | |
snapped up the final three. | 0:29:47 | 0:29:49 | |
I love the fact that these were made from old stepladders. | 0:29:49 | 0:29:52 | |
Gives us an opportunity to offer something really quirky | 0:29:52 | 0:29:55 | |
to our customers. | 0:29:55 | 0:29:56 | |
Now Sarah is on her way to tell Tamara | 0:29:57 | 0:29:59 | |
the tale of her old wooden stepladder. | 0:29:59 | 0:30:02 | |
-Hiya. -Hi, Sarah. -How are you doing? -All right, thank you. | 0:30:06 | 0:30:10 | |
Nice to see you again. | 0:30:10 | 0:30:11 | |
And you were madly tearing about last time I saw you. | 0:30:11 | 0:30:14 | |
-And you've just moved here, is that right? -Yeah, yeah. | 0:30:14 | 0:30:17 | |
And you had some ladders. | 0:30:17 | 0:30:19 | |
They had a really lovely vintage look to them, but they're not | 0:30:19 | 0:30:21 | |
-that practical when they're old like that, are they? -No. | 0:30:21 | 0:30:24 | |
Did you imagine what we might do with them after we took them away? | 0:30:24 | 0:30:27 | |
I don't know what you've done with them, | 0:30:27 | 0:30:29 | |
but, yeah, I can imagine you've done something good. | 0:30:29 | 0:30:32 | |
Well, I know you said that you found them in the garden, so we | 0:30:32 | 0:30:34 | |
thought it would be nice to make | 0:30:34 | 0:30:35 | |
something for the garden out of them. | 0:30:35 | 0:30:37 | |
-So do you want to see what we did? -Yeah. | 0:30:37 | 0:30:39 | |
-So here is your stepladder planted up with spring bulbs. -Wow. | 0:30:39 | 0:30:44 | |
-We managed to make seven of them. -They're lovely. | 0:30:44 | 0:30:48 | |
-So I've got a little bit of money to hand over to you. -Aw. Thank you. | 0:30:48 | 0:30:51 | |
-I've got £90 here. -Wow. Just off a ladder! | 0:30:51 | 0:30:56 | |
-Just off a ladder! -Wow, thank you, Sarah. -What will you do with £90? | 0:30:56 | 0:31:01 | |
Probably buy some paint and some new fabric to go on my couch, | 0:31:03 | 0:31:07 | |
-cos I need my couch re-covering. -Fantastic! | 0:31:07 | 0:31:10 | |
So that's what that will be going towards. | 0:31:10 | 0:31:12 | |
It was great to catch up and so pleased | 0:31:12 | 0:31:14 | |
that you let me have your ladders. | 0:31:14 | 0:31:16 | |
-Thank you. -Take care. So nice to see you. -Thank you. -Bye-bye. | 0:31:16 | 0:31:19 | |
Bye, thank you. | 0:31:19 | 0:31:20 | |
Well, I loved working on those stepladders, turning them | 0:31:22 | 0:31:24 | |
from practical into pretty planters. | 0:31:24 | 0:31:27 | |
And it sounds like Tamara has projects on her mind too, | 0:31:27 | 0:31:29 | |
and that money's going to be helpful. | 0:31:29 | 0:31:32 | |
Sarah did well in keeping her costs to just £30, | 0:31:32 | 0:31:36 | |
and even better in selling the lot for £120. | 0:31:36 | 0:31:40 | |
That leaves £90 for Tamara and her family to enjoy. | 0:31:40 | 0:31:44 | |
Back in East London, Ray is putting the finishing touches to the sofa. | 0:31:55 | 0:32:00 | |
Actually, I'm more nervous than confident, to be honest. Yeah. | 0:32:02 | 0:32:06 | |
It's always a bit nerve-racking when Sarah comes to see the piece. | 0:32:07 | 0:32:11 | |
I just never quite know what her reaction's going to be. | 0:32:11 | 0:32:14 | |
Not long to wait, Ray. She's on her way. | 0:32:14 | 0:32:17 | |
Ooh, you tease. | 0:32:21 | 0:32:22 | |
When I left Ray with a chain store sofa | 0:32:23 | 0:32:27 | |
and the idea that he was going to turn it into potting-shed chic, | 0:32:27 | 0:32:31 | |
who knows if he's managed to achieve that. | 0:32:31 | 0:32:33 | |
-Hiya. -Hey, Sarah, how are you doing? -Really well, how are you? | 0:32:36 | 0:32:39 | |
-I'm good. -Is this the baby? -This is the baby. | 0:32:39 | 0:32:43 | |
Feels interesting under there. | 0:32:43 | 0:32:45 | |
Yeah, looks considerably different from before. | 0:32:45 | 0:32:48 | |
-Come on, then, let's see it! -Do you want me to whip it off? -Yeah. -OK. | 0:32:48 | 0:32:52 | |
One, two, three. Ta-dah! | 0:32:52 | 0:32:55 | |
Oh, wow! | 0:32:55 | 0:32:56 | |
Sarah challenged Ray to transform this floral sofa into a | 0:32:58 | 0:33:02 | |
rustic two-seater that would look at home in a country manor. | 0:33:02 | 0:33:06 | |
And Ray's only gone and done it. | 0:33:08 | 0:33:11 | |
Hours of love and attention have seen this sofa stripped | 0:33:18 | 0:33:22 | |
back and re-assembled using master craftsman techniques. | 0:33:22 | 0:33:26 | |
The mix of rustic, raw linen with luxury leather | 0:33:29 | 0:33:32 | |
and suede makes the old sofa almost unrecognisable. | 0:33:32 | 0:33:36 | |
The vision I had was not something as sophisticated and loved as this. | 0:33:36 | 0:33:41 | |
Oh. | 0:33:41 | 0:33:42 | |
You have created, you know, the bit of the potting-shed chic that | 0:33:42 | 0:33:45 | |
-I was after but with some lovely details. -Yeah, yeah. -It's lovely. | 0:33:45 | 0:33:51 | |
I love the scrappy look. Thank you for giving it that. | 0:33:51 | 0:33:54 | |
But it's not... The thing is, to actually achieve this | 0:33:54 | 0:33:58 | |
type of look takes so much work! | 0:33:58 | 0:34:01 | |
-And they're all hand-stitched, aren't they? -That's hand-stitched! | 0:34:01 | 0:34:04 | |
That's like just hours and hours, | 0:34:04 | 0:34:06 | |
-getting that looking really quite perfect. -But you know what they say? | 0:34:06 | 0:34:09 | |
-The devil is in the details. -Yeah, exactly. | 0:34:09 | 0:34:11 | |
And that's what you've put into this. | 0:34:11 | 0:34:13 | |
Did it blow the budget, then? | 0:34:13 | 0:34:14 | |
Because this isn't the spec that I left with. | 0:34:14 | 0:34:16 | |
I was on the £20 a metre fabric, | 0:34:16 | 0:34:18 | |
and I'm not looking at that for that, am I? | 0:34:18 | 0:34:21 | |
You're looking at somewhere around the £950 mark for this. | 0:34:21 | 0:34:24 | |
-OK. -That's £650 for my labour plus the materials. | 0:34:24 | 0:34:26 | |
OK, so that's a bit more than we were hoping | 0:34:26 | 0:34:29 | |
to get away with, wasn't it? | 0:34:29 | 0:34:30 | |
It's a bit more than we were hoping, but to be honest with you, | 0:34:30 | 0:34:33 | |
-it's infinitely more sellable, I think. -Yeah. | 0:34:33 | 0:34:36 | |
It's a case of the cobbler's shoes. | 0:34:36 | 0:34:38 | |
I would love to have something like this at home as well. | 0:34:38 | 0:34:40 | |
Great, well go to a tip near you | 0:34:40 | 0:34:42 | |
-and you too may have something like this. -Yeah. | 0:34:42 | 0:34:44 | |
You just need to have a keen eye like Sarah. | 0:34:44 | 0:34:48 | |
It was at a tip in Altrincham that she struck lucky | 0:34:48 | 0:34:50 | |
when she met Jean-Luc. | 0:34:50 | 0:34:52 | |
-Oh, hello. -Hi. -Hi. | 0:34:52 | 0:34:54 | |
-That's not going in there, is it? It looks brand-new. -I'm afraid, yes. | 0:34:54 | 0:34:58 | |
-Really? -I tried to recycle to a charity, but it will go | 0:34:58 | 0:35:01 | |
because it doesn't have the labels on. | 0:35:01 | 0:35:03 | |
Oh, I know, I hear that all the time. | 0:35:03 | 0:35:05 | |
In reupholstering the sofa, Ray has also ensured | 0:35:05 | 0:35:09 | |
it complies with all the fire regulations, | 0:35:09 | 0:35:12 | |
complete with fire labels, so it's ready to sell. | 0:35:12 | 0:35:15 | |
And where better to flog a high-end piece of furniture | 0:35:15 | 0:35:19 | |
than at her barn sale? | 0:35:19 | 0:35:21 | |
Well, it's a rustic setting, I suppose. | 0:35:22 | 0:35:24 | |
And it's certainly caught Ron's eye. | 0:35:24 | 0:35:27 | |
If you bought it... | 0:35:27 | 0:35:29 | |
-But I love this. -It's beautiful, yeah. | 0:35:29 | 0:35:31 | |
-I think I'll go for it. -Really? | 0:35:31 | 0:35:34 | |
You sound surprised, Sarah. | 0:35:34 | 0:35:36 | |
I didn't expect to sell it today cos I didn't think it was quite | 0:35:36 | 0:35:39 | |
the right environment to sell it. | 0:35:39 | 0:35:41 | |
-In here? -It's the perfect environment. -We just love it. | 0:35:41 | 0:35:45 | |
Another happy customer. | 0:35:45 | 0:35:47 | |
But with a £300 overspend, has it made enough of a profit | 0:35:47 | 0:35:51 | |
to make Jean-Luc, its original owner, happy? | 0:35:51 | 0:35:54 | |
Sarah has travelled to his home in Hale to show him | 0:35:56 | 0:35:59 | |
what Ray did with the old sofa. | 0:35:59 | 0:36:01 | |
-Hi there. -Hi there. -How are you doing? | 0:36:05 | 0:36:07 | |
I'm doing very well, thank you. | 0:36:07 | 0:36:09 | |
Last time I saw you, I think you were being a very helpful | 0:36:09 | 0:36:12 | |
-daddy or you were helping drop off a sofa. -That's right. | 0:36:12 | 0:36:15 | |
-It wasn't yours, was it? -No, I was dropping it for my daughter. -Yes. | 0:36:15 | 0:36:19 | |
In the end, it went up to London, | 0:36:19 | 0:36:20 | |
to a great upholsterer called Ray Clarke. | 0:36:20 | 0:36:22 | |
-Do you want to see what he did with it? -I'd love to. | 0:36:22 | 0:36:26 | |
-Can't wait. -See if you recognise this. -Wow. | 0:36:26 | 0:36:29 | |
That's very smart. | 0:36:29 | 0:36:32 | |
That's outstanding. I love the leather on it as well, | 0:36:32 | 0:36:35 | |
-it's really nice. -Yes, we were really pleased with how it looked. | 0:36:35 | 0:36:38 | |
-I know you said that you couldn't give it away. -That's right. | 0:36:38 | 0:36:42 | |
-But we managed to sell it. -You did? | 0:36:42 | 0:36:44 | |
Yes, and I have some profit to hand over here for you. | 0:36:44 | 0:36:47 | |
-So I have £100 here from the sale. -Wow, fantastic. Thank you very much. | 0:36:47 | 0:36:50 | |
That's not for me, anyway. That belongs to my daughter, anyway, | 0:36:50 | 0:36:54 | |
which will go to my granddaughter, hopefully. Everybody's lucky. | 0:36:54 | 0:36:58 | |
Perfect. Thank you ever so much. | 0:36:58 | 0:36:59 | |
Thank you very much, bye. Bye. | 0:36:59 | 0:37:01 | |
Even though Ray went over budget, bringing his costs to £950, | 0:37:03 | 0:37:09 | |
Ron was happy to pay £1,050 for the sofa, | 0:37:09 | 0:37:13 | |
which meant a lovely £100 profit for Jean-Luc's granddaughter. | 0:37:13 | 0:37:17 | |
Not bad for a sofa a charity shop had to turn away. | 0:37:17 | 0:37:20 | |
Over in Surrey... | 0:37:24 | 0:37:25 | |
..it's time for Bex to reveal to Sarah what has | 0:37:27 | 0:37:30 | |
become of the old filing cabinet and tool box. | 0:37:30 | 0:37:34 | |
I was really quite pleased when I found the filing cabinet | 0:37:34 | 0:37:37 | |
at the tip, but Bex and Dave were not keen on it at all. | 0:37:37 | 0:37:40 | |
In fact, when I left them, they said they were going to crush it, | 0:37:40 | 0:37:43 | |
and I was going to pay them for the privilege. | 0:37:43 | 0:37:46 | |
Can't imagine what they've done with it. | 0:37:46 | 0:37:49 | |
Oh, it has been a challenge, cos obviously, a filing cabinet is | 0:37:49 | 0:37:52 | |
quite... Well, it's just quite big and bulky and... | 0:37:52 | 0:37:57 | |
-As blacksmiths, there's not a lot you can do... -No. | 0:37:57 | 0:38:00 | |
..with that sort of material. | 0:38:00 | 0:38:03 | |
I think we've managed to come up with something | 0:38:03 | 0:38:05 | |
out of the two items | 0:38:05 | 0:38:08 | |
that works quite well in a...in a... | 0:38:08 | 0:38:12 | |
sort of wacky kind of way. | 0:38:12 | 0:38:14 | |
It's one for a niche buyer, I think, this one. | 0:38:14 | 0:38:18 | |
No, stop pigeonholing it. | 0:38:18 | 0:38:20 | |
Don't pigeonhole it. | 0:38:20 | 0:38:22 | |
So a shelving unit and a bathroom cabinet, then. | 0:38:23 | 0:38:27 | |
Nothing so conventional from Bex. | 0:38:31 | 0:38:34 | |
She fought her phobia of filing cabinets | 0:38:34 | 0:38:37 | |
and has seamlessly brought together the old tool box | 0:38:37 | 0:38:40 | |
and filing cabinet to produce this contemporary lock-up. | 0:38:40 | 0:38:44 | |
A drawer of the cabinet was squashed to form a shelf | 0:38:45 | 0:38:48 | |
and the lid of the tool box makes an eye-catching door. | 0:38:48 | 0:38:52 | |
And the quirks continue on the side with these...hinge detail things. | 0:38:53 | 0:38:59 | |
THEY LAUGH | 0:39:01 | 0:39:07 | |
What's so funny? I actually quite like it. | 0:39:07 | 0:39:09 | |
-LAUGHS: -Everything I've ever thought about you. | 0:39:09 | 0:39:12 | |
Look at that! Oh, my word! | 0:39:12 | 0:39:15 | |
What...? that is bonkers! | 0:39:15 | 0:39:18 | |
May I open it? How does it open? | 0:39:18 | 0:39:20 | |
-Open it up for me. -You just open it up like that. | 0:39:20 | 0:39:23 | |
And then we flattened one of the drawers and just put it back in, | 0:39:23 | 0:39:27 | |
-but a flattened drawer. -It is lovely. | 0:39:27 | 0:39:30 | |
They are...they are fantastic. | 0:39:30 | 0:39:33 | |
They look sort of alien, don't they? | 0:39:33 | 0:39:36 | |
Yeah, well, it's basically based on circuit boards cos it's, | 0:39:36 | 0:39:40 | |
you know, filing and systems and stuff. | 0:39:40 | 0:39:44 | |
It is brilliant. | 0:39:44 | 0:39:45 | |
It's funny, it's useful... These hinges, really cool. | 0:39:45 | 0:39:50 | |
Bex and Dave took on those two tip finds and won. | 0:39:52 | 0:39:56 | |
What's more, they managed to do it within the agreed budget. | 0:39:56 | 0:40:00 | |
I was, I have to say, a teeny bit worried | 0:40:00 | 0:40:02 | |
about the crunch, crunch, sort of | 0:40:02 | 0:40:04 | |
idea that you had before, so it's actually quite a relief as well. | 0:40:04 | 0:40:08 | |
SHE LAUGHS | 0:40:08 | 0:40:11 | |
Well, it's not often you get a good old laugh | 0:40:11 | 0:40:13 | |
out of an old filing cabinet. | 0:40:13 | 0:40:15 | |
They've done a fantastic job. | 0:40:15 | 0:40:16 | |
My turn now to make some money out of it. | 0:40:16 | 0:40:18 | |
Paul was moving home and clearing out his garage when Sarah | 0:40:21 | 0:40:25 | |
spotted the filing cabinet and tool box in the back of his van. | 0:40:25 | 0:40:29 | |
I really like that. It's decorative as well as being industrial. | 0:40:29 | 0:40:33 | |
Paul struggled to see its potential. | 0:40:33 | 0:40:36 | |
I'm not too sure, but I have seen some of her stuff before, | 0:40:36 | 0:40:39 | |
and I'd be interested to see what she does with it. | 0:40:39 | 0:40:42 | |
And Bex certainly took some convincing. | 0:40:42 | 0:40:44 | |
But she finally unleashed its quirky charm. | 0:40:44 | 0:40:48 | |
It didn't take long for Sarah to entice Nick, | 0:40:51 | 0:40:54 | |
an online retailer, into buying the bespoke piece to sell | 0:40:54 | 0:40:58 | |
through his shop, Smithers of Stamford. | 0:40:58 | 0:41:00 | |
This is absolutely bonkers. I love it. | 0:41:05 | 0:41:07 | |
Sarah's on her way to Paul's new home to tell him | 0:41:08 | 0:41:11 | |
what became of his old filing cabinet and tool box. | 0:41:11 | 0:41:15 | |
-Hello. -Hi, Paul. How are you? -Good. | 0:41:16 | 0:41:19 | |
So you've made the move? | 0:41:19 | 0:41:21 | |
Yeah, we're here. Eventually, yeah. | 0:41:21 | 0:41:23 | |
And so from what I remember, you were clearing out | 0:41:23 | 0:41:25 | |
-the garage in your old house, is that right? -That's right, yes. | 0:41:25 | 0:41:28 | |
Yeah, so I loved the look of your sweet little filing cabinet, | 0:41:28 | 0:41:31 | |
-and we took away an old metal box case as well. -Yeah. | 0:41:31 | 0:41:36 | |
I took them to Bex Simon, who is a fantastic blacksmith artist who | 0:41:36 | 0:41:39 | |
works with her partner, Dave. And between them, | 0:41:39 | 0:41:42 | |
they decided they were going to make one lovely piece of furniture. | 0:41:42 | 0:41:45 | |
-Would you like to see it? -Oh, yeah, I'd love to. | 0:41:45 | 0:41:47 | |
OK, so brace yourself cos it doesn't look | 0:41:47 | 0:41:49 | |
-quite like you might remember it. -Crikey! | 0:41:49 | 0:41:53 | |
-Wow! That's...that's...striking. -Striking? | 0:41:53 | 0:41:58 | |
I was wondering what you'd make of it. | 0:41:58 | 0:42:01 | |
But that looks fantastic. | 0:42:01 | 0:42:03 | |
And it's been sold, | 0:42:03 | 0:42:05 | |
-so it's gone off to a retro vintage store. -OK. | 0:42:05 | 0:42:07 | |
And I've got £40 here, which is | 0:42:07 | 0:42:09 | |
-the profit made from selling your filing cabinet. -Yes, brilliant! | 0:42:09 | 0:42:12 | |
-Thanks very much. -So you've just moved. | 0:42:12 | 0:42:14 | |
Is there anything you think you might be using that for? | 0:42:14 | 0:42:16 | |
We're looking at shrubs this weekend, | 0:42:16 | 0:42:18 | |
so I think the garden's going to get a little makeover in one corner. | 0:42:18 | 0:42:21 | |
Oh, fantastic. Well, if that helps to go towards that, | 0:42:21 | 0:42:24 | |
then I'm really pleased. But thank you so much for letting me have it. | 0:42:24 | 0:42:27 | |
It's bright and it's beautiful, | 0:42:27 | 0:42:28 | |
and it's going to go on to be in the heart of somebody else's home. | 0:42:28 | 0:42:31 | |
-It's lovely, really nice to catch up. -Thank you. | 0:42:31 | 0:42:33 | |
-Bye-bye. -Yeah, lovely. | 0:42:33 | 0:42:34 | |
Well, Bex completely squashed Paul's filing cabinet, | 0:42:36 | 0:42:38 | |
but we managed to squeeze a little profit out of it too, | 0:42:38 | 0:42:41 | |
and I think Paul's happy with that. | 0:42:41 | 0:42:44 | |
Coming in on budget of £300 and selling for £340 means | 0:42:44 | 0:42:49 | |
Bex and Dave turned Paul's old metal into a £40 profit. | 0:42:49 | 0:42:54 | |
Not bad, considering she hated it at the start. | 0:42:54 | 0:42:57 | |
Sarah's managed to make money from all three items | 0:42:59 | 0:43:02 | |
she salvaged from the dump. | 0:43:02 | 0:43:04 | |
The sofa is now trendy, with at least 25 years of good use ahead. | 0:43:04 | 0:43:09 | |
The filing cabinet and tool box became a new-look lock-up. | 0:43:09 | 0:43:13 | |
And of course, Sarah's idea for the ladder | 0:43:13 | 0:43:16 | |
flourished into spring planters. | 0:43:16 | 0:43:19 | |
Well, I really couldn't be happier. | 0:43:19 | 0:43:22 | |
That's three amazing items, three fantastic results | 0:43:22 | 0:43:25 | |
and the chance to hand over three chunks of cash | 0:43:25 | 0:43:27 | |
to some very delighted people. | 0:43:27 | 0:43:29 |