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-Can I have a little rummage around in your rubbish? -Yeah. | 0:00:02 | 0:00:05 | |
How do you make money for nothing? | 0:00:06 | 0:00:10 | |
I love that. | 0:00:10 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes of household waste | 0:00:11 | 0:00:16 | |
we throw out every year. | 0:00:16 | 0:00:18 | |
So heavy. They don't make them like this any more. Look at that. | 0:00:18 | 0:00:22 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:22 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:28 | |
I'm a passionate maker, buyer and user of old stuff | 0:00:30 | 0:00:34 | |
and I've turned that passion into a money-making business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:41 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:46 | |
Say something nice about it. | 0:00:46 | 0:00:47 | |
My juices are flowing in this one. They are going to be...wow. | 0:00:47 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:54 | |
Isn't that stunning? | 0:00:54 | 0:00:56 | |
..valuable... | 0:00:56 | 0:00:57 | |
Oh, wow! | 0:00:57 | 0:00:59 | |
..and hopefully saleable items. | 0:00:59 | 0:01:02 | |
That is bonkers. | 0:01:02 | 0:01:03 | |
If Sarah is successful, then she can hand the profits back | 0:01:03 | 0:01:07 | |
to the very people who had no idea | 0:01:07 | 0:01:09 | |
there was cash to be made from their trash. | 0:01:09 | 0:01:12 | |
-I've got £350. -No! | 0:01:12 | 0:01:16 | |
Welcome to Walsall Recycling Centre... | 0:01:26 | 0:01:30 | |
..a nonstop hive of activity. | 0:01:32 | 0:01:34 | |
With the nation becoming more and more aware of the benefits | 0:01:38 | 0:01:41 | |
of regenerating unwanted possessions, | 0:01:41 | 0:01:44 | |
one woman is on a mission to turn your trash into hard cash. | 0:01:44 | 0:01:50 | |
I love turning a profit where others see trash. | 0:01:50 | 0:01:53 | |
Making old stuff that's drab into desirable and fab | 0:01:53 | 0:01:56 | |
is just so satisfying. | 0:01:56 | 0:01:58 | |
But before you make a beeline for your local tip, take note - | 0:01:59 | 0:02:03 | |
Sarah's been given special permission to seek out three items | 0:02:03 | 0:02:07 | |
that she can rejuvenate, repurpose and sell on for a profit. | 0:02:07 | 0:02:12 | |
And Brian, with his broken-up sofa, has caught her eye. | 0:02:13 | 0:02:17 | |
-Nice sofa. -It was a nice sofa. | 0:02:18 | 0:02:22 | |
What's happened to it? | 0:02:22 | 0:02:24 | |
We broke it up because it's not very good now, so we just got rid of it. | 0:02:24 | 0:02:28 | |
Have you got the bits or not? | 0:02:28 | 0:02:30 | |
Little bits in there but they're broken... | 0:02:30 | 0:02:32 | |
-Come on, let's see. I like the back of it. -..cos I've jumped on it. | 0:02:32 | 0:02:34 | |
-Have you? -Yes! | 0:02:34 | 0:02:36 | |
-You boys have all the fun, don't you? -I know. | 0:02:36 | 0:02:39 | |
Let's have a look. | 0:02:40 | 0:02:42 | |
-All the rest of it's broken. -Have you got the arm bit? | 0:02:45 | 0:02:47 | |
-Have you got the other bit? -They're in there somewhere. | 0:02:47 | 0:02:50 | |
-Are those its legs? -Those are the legs. | 0:02:50 | 0:02:52 | |
I'm loving it more by the minute. | 0:02:52 | 0:02:54 | |
So, that goes on there. | 0:02:55 | 0:02:56 | |
Come on, Sarah. | 0:02:59 | 0:03:00 | |
You must be well used to the game of furniture jigsaw by now. | 0:03:00 | 0:03:04 | |
Oh, yeah, that bit goes there. Great. | 0:03:04 | 0:03:07 | |
All the cushions are in the back of my car. | 0:03:07 | 0:03:10 | |
Brilliant. So, that's 1970, that sofa? | 0:03:10 | 0:03:13 | |
Check out the expert eye. I'm impressed. | 0:03:13 | 0:03:17 | |
-It's written all over it. It's got a date on it. -Oh, right. | 0:03:17 | 0:03:19 | |
Expert, you see. | 0:03:19 | 0:03:21 | |
That's cheating. | 0:03:21 | 0:03:22 | |
Now I've got all those bits that you've smashed up, | 0:03:23 | 0:03:25 | |
do you think I could take them away, put them back together | 0:03:25 | 0:03:28 | |
and see if I can make it back into a lovely sofa again? | 0:03:28 | 0:03:30 | |
Well, I don't know because part of it's broken. You could try. | 0:03:30 | 0:03:34 | |
-I shall definitely be able to get that fixed. -Fine. That's great. | 0:03:34 | 0:03:38 | |
The question is, what will become of Brian's old sofa? | 0:03:38 | 0:03:42 | |
I don't know, to be honest. I don't know. | 0:03:42 | 0:03:45 | |
It'll be good to find out. | 0:03:45 | 0:03:46 | |
I know what you're thinking. "She's bonkers." | 0:03:49 | 0:03:52 | |
-Correct. -But this is going to be brilliant. | 0:03:52 | 0:03:54 | |
I know it's in pieces, | 0:03:54 | 0:03:55 | |
but it is going to look fantastic when it's finished. | 0:03:55 | 0:03:59 | |
Trust me. Watch. | 0:03:59 | 0:04:01 | |
Oh, we will, Sarah. We will. | 0:04:02 | 0:04:04 | |
But who's Sarah picked to help her transform this item? | 0:04:07 | 0:04:11 | |
Say hello to Josh and Oli, | 0:04:15 | 0:04:18 | |
designer/makers, business partners and best pals. | 0:04:18 | 0:04:22 | |
These lads use natural and recycled materials | 0:04:24 | 0:04:27 | |
to create bespoke handcrafted and high-end furnishings. | 0:04:27 | 0:04:31 | |
We've been friends for years. I don't know how long but ages now. | 0:04:35 | 0:04:39 | |
We teamed up and then it's quite a nice combination of skills | 0:04:39 | 0:04:42 | |
-that we have. -Yeah, I think we've got a lot of ideas between us, | 0:04:42 | 0:04:45 | |
a lot of fresh thinking | 0:04:45 | 0:04:46 | |
and it just works together quite nicely as a team. | 0:04:46 | 0:04:48 | |
The fact that we haven't fallen out completely | 0:04:49 | 0:04:52 | |
and we've been working together this long kind of shows it's working. | 0:04:52 | 0:04:56 | |
Yeah. | 0:04:56 | 0:04:58 | |
Here's two young lads full of positivity and optimism. | 0:04:58 | 0:05:02 | |
Hopefully, Sarah and this old sofa won't put an end to all that. | 0:05:02 | 0:05:06 | |
One down, two to go. | 0:05:12 | 0:05:14 | |
Two speakers. | 0:05:17 | 0:05:19 | |
They look a bit modern for me. | 0:05:19 | 0:05:21 | |
Come on, Sarah. You're not that old. | 0:05:21 | 0:05:24 | |
There's nothing like a trailer full of potential to get Sarah excited... | 0:05:25 | 0:05:30 | |
..which is exactly what Derek has to offer. | 0:05:31 | 0:05:34 | |
Cos we're moving house but because we sold so quickly, | 0:05:34 | 0:05:38 | |
we haven't got a house to go to. | 0:05:38 | 0:05:41 | |
Sometimes, you've just got to take the money, haven't you? | 0:05:41 | 0:05:43 | |
-We're moving out a week today. -Really? -We're moving into | 0:05:43 | 0:05:46 | |
our caravan for four months cos we're going to Spain. | 0:05:46 | 0:05:49 | |
-Oh. -Getting away from the winter. | 0:05:49 | 0:05:51 | |
But before Derek jets away to Spain, | 0:05:51 | 0:05:53 | |
there's clearing out to be done and Sarah dives right in. | 0:05:53 | 0:05:57 | |
It feels to me like you might have something good in here. | 0:06:02 | 0:06:05 | |
No. Golf putter. No. | 0:06:05 | 0:06:08 | |
-That way, you can look beautiful with it. -Thank you. | 0:06:08 | 0:06:11 | |
Oh, you charmer, Derek. | 0:06:11 | 0:06:13 | |
I think there might be something in here. | 0:06:13 | 0:06:15 | |
I've just got to make sure it doesn't go in there | 0:06:15 | 0:06:17 | |
before I've spotted it. I love a little rummage. | 0:06:17 | 0:06:19 | |
Really, Sarah? You'd never guess. | 0:06:19 | 0:06:22 | |
That's teetering on the retro, isn't it? | 0:06:24 | 0:06:26 | |
-It's all very retro, this is. -How long have you had that? | 0:06:26 | 0:06:29 | |
Yeah, about 30 years. | 0:06:30 | 0:06:33 | |
I might have to take that one. | 0:06:33 | 0:06:35 | |
-Would you mind if I took that? -No. | 0:06:35 | 0:06:37 | |
If you sell it for 50 quid, | 0:06:37 | 0:06:39 | |
you've got to give a donation to charity. | 0:06:39 | 0:06:41 | |
I'll tell you what, if I sell it for 50 quid, I'm coming back to you | 0:06:41 | 0:06:44 | |
and I'll show you what I've done and you can choose a charity. | 0:06:44 | 0:06:46 | |
Item found - a little stool that's been around a long time | 0:06:47 | 0:06:51 | |
and will now hopefully be around a lot longer. | 0:06:51 | 0:06:55 | |
It's something we bought in the '60s and then got relegated to the garage | 0:06:56 | 0:07:02 | |
and I used to use it to rest things on, | 0:07:02 | 0:07:05 | |
spray things on, as you do. | 0:07:05 | 0:07:08 | |
I think I've only saved this cos I wanted to sit down, | 0:07:11 | 0:07:13 | |
but the appeal comes with these tapering legs. | 0:07:13 | 0:07:16 | |
There's something about them that makes it look a bit finer | 0:07:16 | 0:07:18 | |
than the usual bar stool and I'm hoping, | 0:07:18 | 0:07:20 | |
even though there's only one, it might be quite commercial. | 0:07:20 | 0:07:23 | |
So, who will be tasked with transforming potential into profit? | 0:07:23 | 0:07:27 | |
Jay Blades has a passion for classic British craftsmanship... | 0:07:32 | 0:07:36 | |
..and adding a little va-va-voom to vintage furniture. | 0:07:38 | 0:07:41 | |
I take a risk every day with design. | 0:07:41 | 0:07:44 | |
A lot of people... | 0:07:44 | 0:07:45 | |
I've taken a lot of flak for the work that I've done | 0:07:45 | 0:07:48 | |
to some furniture. | 0:07:48 | 0:07:49 | |
People have said, "You shouldn't paint that." | 0:07:49 | 0:07:52 | |
Jay loves reworking furniture from a bygone age | 0:07:52 | 0:07:56 | |
to bring it bang up-to-date, | 0:07:56 | 0:07:58 | |
pushing the boundaries of contemporary furniture design. | 0:07:58 | 0:08:01 | |
I love a challenge. | 0:08:01 | 0:08:02 | |
Even when I'm making mistakes, I enjoy making the mistakes | 0:08:02 | 0:08:05 | |
cos it teaches me about a process that I never knew. | 0:08:05 | 0:08:08 | |
A mistake for me is always about learning. | 0:08:08 | 0:08:11 | |
You like a challenge, do you, Jay? | 0:08:11 | 0:08:13 | |
Well, Sarah's got one coming your way. | 0:08:13 | 0:08:16 | |
It's all me, me, me with Sarah, but for good reason. | 0:08:24 | 0:08:27 | |
It's now time to find a project for herself. | 0:08:27 | 0:08:31 | |
I would say if it's made out of chipboard, | 0:08:31 | 0:08:33 | |
I can't do much with it. | 0:08:33 | 0:08:35 | |
And it doesn't take long for Barry to present Sarah | 0:08:35 | 0:08:38 | |
with a toy from the good old days. | 0:08:38 | 0:08:41 | |
What's in your bag, then? Throwing anything good out? | 0:08:43 | 0:08:45 | |
-Well... -Ooh! -..an old railway station. | 0:08:45 | 0:08:49 | |
-That does look cool. -Very old. | 0:08:49 | 0:08:51 | |
-Can I have a look at it? -Yes, you can. | 0:08:51 | 0:08:52 | |
So, this was yours, was it? | 0:08:52 | 0:08:54 | |
Well, funny enough, I was working in a toy shop... | 0:08:54 | 0:08:58 | |
Right. | 0:08:58 | 0:09:00 | |
-..in the late '50s... -Right. | 0:09:00 | 0:09:04 | |
..and all through these years, I've kept them. | 0:09:04 | 0:09:06 | |
-My children have played with them. -Yeah. | 0:09:06 | 0:09:08 | |
The grandchildren have played with them. | 0:09:08 | 0:09:10 | |
It was a well-loved toy, but for the past few years, | 0:09:12 | 0:09:15 | |
it's been gathering dust in Barry's attic. | 0:09:15 | 0:09:19 | |
So, age-wise, it looks kind of Art Deco or... | 0:09:19 | 0:09:22 | |
It is old. | 0:09:22 | 0:09:24 | |
So, it's...it's the Trix Manyways station set. | 0:09:24 | 0:09:28 | |
"Made in England. Number 22." | 0:09:28 | 0:09:30 | |
Beautiful cast aluminium. It's lovely. | 0:09:30 | 0:09:32 | |
So, I definitely don't think that this can go into the metal... | 0:09:32 | 0:09:35 | |
-The metal. -No. I would really like to do some research on it | 0:09:35 | 0:09:38 | |
and find out if it's collectable, | 0:09:38 | 0:09:40 | |
if it's the kind of thing that people are still buying. | 0:09:40 | 0:09:42 | |
Yeah, it's lovely. Look at that bit. | 0:09:42 | 0:09:44 | |
That must be the middle of the roof somewhere or something, mustn't it? | 0:09:46 | 0:09:49 | |
-Yes. -It's got such lovely styling, somebody will want to buy this. | 0:09:49 | 0:09:53 | |
Somebody will have all the other bits. I love it. | 0:09:53 | 0:09:55 | |
For Barry, the idea of Sarah breathing new life | 0:09:56 | 0:09:59 | |
into a toy so close to his heart | 0:09:59 | 0:10:02 | |
is one which he's clearly happy about. | 0:10:02 | 0:10:05 | |
The whole family's played with them. | 0:10:06 | 0:10:08 | |
They've enjoyed them, we've fixed them up together. | 0:10:08 | 0:10:12 | |
So nice. | 0:10:12 | 0:10:13 | |
How cool is this? | 0:10:14 | 0:10:16 | |
I really don't know what I've found here. | 0:10:18 | 0:10:20 | |
It looks like the kind of thing that might have been made | 0:10:20 | 0:10:23 | |
in mass production early in the sort of '30s, | 0:10:23 | 0:10:26 | |
but I love the styling on it. | 0:10:26 | 0:10:28 | |
I'm loving the aluminium | 0:10:28 | 0:10:29 | |
and the fact that it has such great colour on it. | 0:10:29 | 0:10:33 | |
I'll have to have a really good think about this | 0:10:33 | 0:10:35 | |
cos this could go in all sorts of different directions. | 0:10:35 | 0:10:38 | |
Quite cool, though, isn't it? | 0:10:38 | 0:10:41 | |
Very cool, Sarah. | 0:10:41 | 0:10:43 | |
It's been a good day at the dump | 0:10:45 | 0:10:47 | |
and Sarah has three very different items. | 0:10:47 | 0:10:50 | |
Josh and Oli will be dealing with the broken-up sofa, | 0:10:50 | 0:10:54 | |
Jay will transform the slinky stool, | 0:10:54 | 0:10:57 | |
and Sarah will get creative with the toy railway station set. | 0:10:57 | 0:11:02 | |
Transforming today's eclectic selection of items | 0:11:02 | 0:11:04 | |
is going to be just the challenge we love, | 0:11:04 | 0:11:07 | |
but there's going to have to be some radical transformation | 0:11:07 | 0:11:10 | |
if we're going to really bring the money home. | 0:11:10 | 0:11:12 | |
This is Chichester in West Sussex. | 0:11:19 | 0:11:22 | |
A vibrant town with a thriving music, film and art scene. | 0:11:25 | 0:11:29 | |
While it may be forward thinking, | 0:11:33 | 0:11:36 | |
it's hard not to be impressed by the town's illustrious history. | 0:11:36 | 0:11:40 | |
Its medieval architecture is striking. | 0:11:40 | 0:11:43 | |
This dynamic link between the past and present | 0:11:44 | 0:11:47 | |
inspires designers Josh and Oli | 0:11:47 | 0:11:49 | |
to create contemporary bespoke furniture | 0:11:49 | 0:11:52 | |
with traditional materials. | 0:11:52 | 0:11:54 | |
And if that happens to involve a blowtorch, | 0:11:56 | 0:11:58 | |
they're a couple of happy chappies. | 0:11:58 | 0:12:01 | |
I wonder what they'll make of the '70s sofa | 0:12:01 | 0:12:04 | |
Sarah's wheeling their way. | 0:12:04 | 0:12:06 | |
We love what Sarah does cos we're into restoring old items | 0:12:06 | 0:12:10 | |
and keeping things going, | 0:12:10 | 0:12:12 | |
so, yeah, always interested to see what she's going to bring us. | 0:12:12 | 0:12:15 | |
-We're kind of on the same page in that respect, aren't we? -Yeah. | 0:12:15 | 0:12:17 | |
We're looking forward to seeing what she's going to bring us today. | 0:12:17 | 0:12:21 | |
-Hello? Hiya. -Hello. | 0:12:22 | 0:12:24 | |
-Come and see my flat-pack. -OK. Wow. | 0:12:24 | 0:12:28 | |
It's not supposed to be flat-pack. | 0:12:28 | 0:12:30 | |
-Cool. -Yeah? -What is it? A sofa? | 0:12:32 | 0:12:34 | |
1970s, beautiful styling, lovely lines. | 0:12:34 | 0:12:38 | |
-Of course. -Shall we get it in? -Yeah. | 0:12:38 | 0:12:40 | |
Hmm, I think it's fair to say first impressions were underwhelming. | 0:12:40 | 0:12:45 | |
It might be easier to get rid of the cushions | 0:12:45 | 0:12:47 | |
cos I think, whatever we do, | 0:12:47 | 0:12:48 | |
they're not going to be part of the plan, are they? | 0:12:48 | 0:12:51 | |
-It has been smashed up. -Yeah. | 0:12:53 | 0:12:55 | |
But I thought it has got '70s style oozing out of every broken pore. | 0:12:55 | 0:13:02 | |
I think, yeah, '70s are back in, but for me, like, | 0:13:02 | 0:13:05 | |
the kind of lacquered mahogany look | 0:13:05 | 0:13:07 | |
isn't really that fresh at the moment. | 0:13:07 | 0:13:09 | |
So, maybe we do something with the frame. | 0:13:09 | 0:13:12 | |
Like, we love to scorch things, | 0:13:12 | 0:13:13 | |
-so why not try that? -SHE LAUGHS | 0:13:13 | 0:13:15 | |
-Just go over it with a blowtorch and... -Burn, baby, burn! | 0:13:15 | 0:13:18 | |
Yeah, let's just burn this thing and forget about it. | 0:13:18 | 0:13:20 | |
No, if we scorched this entire frame, | 0:13:20 | 0:13:22 | |
so what you see here will be a really nice kind of matt black | 0:13:22 | 0:13:26 | |
with a lot of texture going on. | 0:13:26 | 0:13:28 | |
And then the ideal is to put some, like, really contrasting | 0:13:28 | 0:13:33 | |
maybe maple or sycamore slats on it, | 0:13:33 | 0:13:36 | |
and just turn it into, like, a really clean, crisp, stylish, | 0:13:36 | 0:13:40 | |
'70s-looking seat. | 0:13:40 | 0:13:41 | |
How much is it going to cost to turn this into cool, crisp, | 0:13:41 | 0:13:43 | |
high-end, luxury living? | 0:13:43 | 0:13:45 | |
-Lots. -Lots! -HE LAUGHS | 0:13:45 | 0:13:48 | |
Well, it's going to be a fiddly one, isn't it? | 0:13:48 | 0:13:50 | |
There's a lot of things that we've seen already | 0:13:50 | 0:13:53 | |
that could cause us trouble. | 0:13:53 | 0:13:54 | |
I'm reckoning about 700. | 0:13:54 | 0:13:56 | |
-Yeah, I think so. -How does that sound? | 0:13:56 | 0:13:59 | |
You're going to burn it and charge me 700 quid? | 0:13:59 | 0:14:02 | |
-Pretty much, yeah. -Well, if you think you can pull it off. | 0:14:02 | 0:14:04 | |
-If I can come back here... -It'll look good in the end. | 0:14:04 | 0:14:07 | |
I'm going to make a profit? | 0:14:07 | 0:14:08 | |
-Best of luck. -Thank you. | 0:14:10 | 0:14:12 | |
I'm getting a scorched sofa and a 700-quid bill. | 0:14:15 | 0:14:18 | |
Let's hope that's the right decision. | 0:14:18 | 0:14:20 | |
-I think we're quite excited about this one. -Yeah. | 0:14:22 | 0:14:24 | |
Although there's a lot of work to be done, | 0:14:24 | 0:14:26 | |
I think it could look cool at the end. | 0:14:26 | 0:14:28 | |
Yeah, after we've put our touch on it, | 0:14:28 | 0:14:30 | |
I think it'll be a nice, sleek-looking seat. | 0:14:30 | 0:14:33 | |
Do a bit of scorching, put a bit of fresh wood on there, | 0:14:33 | 0:14:35 | |
bish, bash, bosh...done. | 0:14:35 | 0:14:37 | |
Josh and Oli have a whopping £700 to spend on this sofa. | 0:14:40 | 0:14:44 | |
Let's hope that budget won't go up in smoke. | 0:14:44 | 0:14:48 | |
Welcome to Wolverhampton. | 0:14:52 | 0:14:54 | |
The local council have a grand vision for its future - | 0:14:55 | 0:14:59 | |
to encourage people to come from far and wide to study, work and shop | 0:14:59 | 0:15:03 | |
in a booming independent retail sector. | 0:15:03 | 0:15:07 | |
This encouraged Jay to relocate his business from outside London | 0:15:08 | 0:15:12 | |
and set up shop in the city. | 0:15:12 | 0:15:14 | |
Here's hoping he likes the surprise Sarah has in store for him. | 0:15:14 | 0:15:18 | |
I'm hoping it's something timber-wise. Real timber. | 0:15:19 | 0:15:24 | |
No. Sorry about that, Jay. | 0:15:25 | 0:15:28 | |
But knowing Sarah, she loves to set me a challenge... | 0:15:29 | 0:15:32 | |
..and tries to trip me up every now and again | 0:15:34 | 0:15:36 | |
by bringing me something that I've never worked on before | 0:15:36 | 0:15:38 | |
and just say, like, "Have a go at that, Jay. | 0:15:38 | 0:15:40 | |
"I thought you would like that." | 0:15:40 | 0:15:42 | |
Hello, how are we doing? | 0:15:44 | 0:15:45 | |
I am good, I'm good. How are you? | 0:15:45 | 0:15:47 | |
I'm very, very good. Very, very good. | 0:15:47 | 0:15:50 | |
Wow. What have you got me? | 0:15:50 | 0:15:51 | |
Erm, well, something slightly out of the ordinary. | 0:15:52 | 0:15:57 | |
Wow. | 0:15:57 | 0:15:59 | |
-OK. -I know it's not wood. | 0:15:59 | 0:16:01 | |
-Shall I tell you what I'd do with it? -OK, yeah. | 0:16:01 | 0:16:04 | |
-Wow. -If this was mine, I think I would probably try | 0:16:04 | 0:16:09 | |
and make the legs into, like, amazing, long, gold, beautiful legs | 0:16:09 | 0:16:14 | |
and then I'd cover the top and the back in a powder puff | 0:16:14 | 0:16:18 | |
of Mongolian sheepskin covered in kind of pink tinge. | 0:16:18 | 0:16:22 | |
-Wow. -But I thought I'd bring it to you and hear what you'd do with it | 0:16:22 | 0:16:25 | |
-cos I don't think you're the powder puff type, are you? -No, I'm not. | 0:16:25 | 0:16:28 | |
I like your ideas, though. I do. | 0:16:28 | 0:16:30 | |
And I'm holding pink as well, but I do like your idea. | 0:16:30 | 0:16:33 | |
-It is nice, but not... -He doesn't. | 0:16:33 | 0:16:35 | |
-He's being polite. He hates it. -No, I do like her idea, | 0:16:35 | 0:16:38 | |
but I wouldn't do pink fluffy stuff, even though I have a pink duster. | 0:16:38 | 0:16:43 | |
I'm not going to do the pink. I'm going to do something different. | 0:16:43 | 0:16:46 | |
I'm going to do something interesting. I am going to re-cover | 0:16:46 | 0:16:49 | |
these bits and make that a real focal point. | 0:16:49 | 0:16:51 | |
Yeah, we're going to make this one look really, really special. | 0:16:51 | 0:16:54 | |
It's going to look the business. | 0:16:54 | 0:16:57 | |
OK. Does the business cost the fortune? | 0:16:57 | 0:17:00 | |
-HE LAUGHS -If I was using pink fluffy stuff, | 0:17:00 | 0:17:03 | |
it would cost a fortune, but I could probably... | 0:17:03 | 0:17:06 | |
I would say I could do this one for about... | 0:17:06 | 0:17:08 | |
It's just a simple re-covering, polishing up... | 0:17:08 | 0:17:11 | |
I'll do this as a cheap one, to tell the truth, | 0:17:11 | 0:17:13 | |
-so that would be about £30, I'll do that one for. -OK. | 0:17:13 | 0:17:15 | |
-Well, use your 30 quid wisely... -I will do. | 0:17:15 | 0:17:17 | |
-..and I'll leave it with you. -OK. -Take care. -Take care. | 0:17:17 | 0:17:20 | |
Well, I'm a teeny, tiny bit disappointed | 0:17:24 | 0:17:26 | |
that Jay didn't take on my idea of powder puffs and gold legs, | 0:17:26 | 0:17:30 | |
but I've got high hopes for my singleton stool. | 0:17:30 | 0:17:33 | |
Sarah's smiling, | 0:17:33 | 0:17:35 | |
but Jay's looking somewhat perplexed. | 0:17:35 | 0:17:39 | |
She loves to set a challenge and here it is. | 0:17:39 | 0:17:42 | |
I think the style of the stool and the shape and the form | 0:17:42 | 0:17:45 | |
is really, really nice, | 0:17:45 | 0:17:47 | |
so hopefully I should be able to do something with the fabric. | 0:17:47 | 0:17:49 | |
It's a really simple idea. Just re-cover. | 0:17:49 | 0:17:52 | |
With a budget of £30, will Jay be able to rise to the challenge | 0:17:53 | 0:17:58 | |
and meet Sarah's high hopes? | 0:17:58 | 0:18:00 | |
Sarah's back home in Sussex after dropping off the sofa and the stool. | 0:18:06 | 0:18:10 | |
-Come on! -Once Bramble's been for walkies, | 0:18:12 | 0:18:14 | |
Sarah can get started on her item. | 0:18:14 | 0:18:17 | |
She picked out the Art Deco-style train station set. | 0:18:21 | 0:18:25 | |
It's definitely cool. | 0:18:27 | 0:18:28 | |
That Deco styling is so strong in these pieces. | 0:18:28 | 0:18:32 | |
All together now, finally. It's got bags of style. | 0:18:32 | 0:18:36 | |
Sarah had hoped she could sell the well-loved station set | 0:18:36 | 0:18:40 | |
as is to a collector, | 0:18:40 | 0:18:42 | |
but it's too scuffed and scratched, so she's had a bright idea. | 0:18:42 | 0:18:47 | |
Sarah's going to make five desk lights. | 0:18:50 | 0:18:53 | |
She's already had Perspex - | 0:18:53 | 0:18:55 | |
which will make up the light housing - made to order | 0:18:55 | 0:18:58 | |
and she'll combine them with pieces from the train set | 0:18:58 | 0:19:01 | |
and her LEDs to make lovely little lamps. | 0:19:01 | 0:19:06 | |
So, these are the bits back from the fabricators | 0:19:06 | 0:19:08 | |
and these are the windows, the roof and the side sections | 0:19:08 | 0:19:11 | |
and I'm hoping they all fit together with our train set | 0:19:11 | 0:19:14 | |
to make a lovely little desk light. | 0:19:14 | 0:19:16 | |
But it's not looking very impressive at the moment. | 0:19:17 | 0:19:20 | |
Each Perspex light box is made up of eight separate pieces, | 0:19:23 | 0:19:27 | |
which Sarah will have the oh, so fiddly job | 0:19:27 | 0:19:30 | |
of gluing together. | 0:19:30 | 0:19:32 | |
There's one set's worth there. | 0:19:32 | 0:19:34 | |
I've got some two-part glue... | 0:19:36 | 0:19:37 | |
..with quite a long working time, | 0:19:40 | 0:19:41 | |
so I don't have to hurry too much with it. | 0:19:41 | 0:19:44 | |
So, you just mix these equal quantities together, | 0:19:44 | 0:19:48 | |
give it a stir and then it makes this really strong bond | 0:19:48 | 0:19:52 | |
when it's all mixed up. | 0:19:52 | 0:19:53 | |
Let's hope the measurements Sarah supplied | 0:19:53 | 0:19:56 | |
to the Perspex cutter were right. | 0:19:56 | 0:19:58 | |
If not...disaster. | 0:19:58 | 0:20:00 | |
That's a great fit. | 0:20:03 | 0:20:05 | |
I never doubted her for a second. | 0:20:06 | 0:20:09 | |
That's beginning to look quite cool, isn't it? | 0:20:10 | 0:20:13 | |
Here comes the hard bit, though. | 0:20:13 | 0:20:16 | |
Hm, not quite sure how to do this. | 0:20:16 | 0:20:18 | |
She's now got to glue the roof and side sections together. | 0:20:18 | 0:20:23 | |
Those fix together, then that goes on there. | 0:20:23 | 0:20:27 | |
I get the feeling this is all a little bit more complicated | 0:20:29 | 0:20:32 | |
than Sarah imagined. | 0:20:32 | 0:20:34 | |
This requires precision, dexterity, patience. | 0:20:34 | 0:20:39 | |
I don't have any of those. It's a nightmare. | 0:20:39 | 0:20:41 | |
This is so fiddly. | 0:20:44 | 0:20:45 | |
Next time I go to make something, | 0:20:48 | 0:20:50 | |
can you remind me to go the simplest route? | 0:20:50 | 0:20:52 | |
It doesn't have to be surprising. | 0:20:52 | 0:20:54 | |
Just make a few pounds, that's all I'm after. | 0:20:54 | 0:20:57 | |
Come on now, Sarah. Stay positive. | 0:20:57 | 0:21:00 | |
This is easy. This is a walk in the park. | 0:21:00 | 0:21:02 | |
-This is a great thing to do. -That's more like it. | 0:21:02 | 0:21:05 | |
Uh-oh! | 0:21:08 | 0:21:09 | |
Sarah has spent £70 on the Perspex and LEDs. | 0:21:10 | 0:21:15 | |
Let's hope it's money well spent | 0:21:15 | 0:21:17 | |
and she actually manages to finish all five lights. | 0:21:17 | 0:21:21 | |
Near Chichester in Sussex, | 0:21:23 | 0:21:25 | |
Josh and Oli are getting started on the sofa. | 0:21:25 | 0:21:28 | |
All right, shall we start with getting these old straps off, then? | 0:21:31 | 0:21:34 | |
Yeah, OK. | 0:21:34 | 0:21:35 | |
The lads made their reputation creating bespoke furniture. | 0:21:38 | 0:21:42 | |
Transforming the likes of this is a brave new world for them. | 0:21:42 | 0:21:46 | |
I've never done anything like this before. | 0:21:47 | 0:21:49 | |
Yeah, once we've worked out how the slats are going to go across | 0:21:50 | 0:21:55 | |
and probably once we've worked out | 0:21:55 | 0:21:58 | |
what we're going to do with the legs, | 0:21:58 | 0:22:00 | |
I think they're really the two most difficult parts. | 0:22:00 | 0:22:04 | |
The rest of it should be all right. | 0:22:04 | 0:22:06 | |
So, aside from the seat part and the legs part, | 0:22:07 | 0:22:10 | |
everything else is fine. | 0:22:10 | 0:22:12 | |
Hm, that's comforting. | 0:22:12 | 0:22:14 | |
The sofa frame was constructed | 0:22:16 | 0:22:18 | |
using the traditional mortise and tenon method - | 0:22:18 | 0:22:21 | |
a technique which has been used for thousands of years - | 0:22:21 | 0:22:24 | |
but the mortise holes and tenon tongues are badly damaged. | 0:22:24 | 0:22:29 | |
It's all feeling a little bit rickety | 0:22:29 | 0:22:31 | |
so we've just got to try and work out the best way | 0:22:31 | 0:22:34 | |
of getting it back to a state where you can sit on it again. | 0:22:34 | 0:22:38 | |
The only option is to repair the joints. | 0:22:42 | 0:22:44 | |
I was a bit cheeky about these boys earlier, | 0:22:45 | 0:22:48 | |
but their expertise is beyond reproach. | 0:22:48 | 0:22:51 | |
The traditional craftsmanship they use to mend the joints | 0:22:51 | 0:22:55 | |
is second to none. | 0:22:55 | 0:22:57 | |
It's nice when you get to the end of it and it's looking fresh again | 0:22:57 | 0:23:01 | |
and you've just got a nice match and a nice fill in there, | 0:23:01 | 0:23:04 | |
so then we can put the tenon back in and glue it just as it was. | 0:23:04 | 0:23:10 | |
It should be as strong as it was brand-new then. | 0:23:10 | 0:23:13 | |
When the repaired tenon is slotted back into the mended mortise, | 0:23:15 | 0:23:19 | |
it's a perfect fit. | 0:23:19 | 0:23:21 | |
The lads use strap clamps to hold the sofa in position | 0:23:23 | 0:23:26 | |
while the glue dries. | 0:23:26 | 0:23:28 | |
I don't think we're going to make a sofa any more. | 0:23:33 | 0:23:35 | |
It's just a big old bass guitar now, so scrap that idea. | 0:23:35 | 0:23:40 | |
Right then, lads, let's get a groove on. | 0:23:40 | 0:23:42 | |
THEY PLAY HIGH-TEMPO TUNE | 0:23:42 | 0:23:45 | |
Nice. Let's slow it down. | 0:23:47 | 0:23:50 | |
THEY PLAY A SLOW RHYTHM | 0:23:50 | 0:23:52 | |
And back up for the big finish. | 0:23:53 | 0:23:56 | |
THEY RESUME HIGH-TEMPO TUNE | 0:23:56 | 0:23:58 | |
Yeah, man! | 0:24:01 | 0:24:03 | |
But it's back to business | 0:24:06 | 0:24:07 | |
and there's some blowtorching to be done. | 0:24:07 | 0:24:10 | |
A charred finish is a difficult technique to master, | 0:24:15 | 0:24:18 | |
but if they get it right, | 0:24:18 | 0:24:20 | |
it will give the sofa a striking look. | 0:24:20 | 0:24:23 | |
It just gives a nice, like, texture to the wood. | 0:24:23 | 0:24:26 | |
It also preserves the wood as well. | 0:24:26 | 0:24:28 | |
It's like a natural way of doing that. | 0:24:28 | 0:24:29 | |
It just brings it back to a nice, even, matt black finish. | 0:24:29 | 0:24:33 | |
The lads are taking safety precautions against fumes | 0:24:34 | 0:24:37 | |
released from the old wood stain. | 0:24:37 | 0:24:39 | |
Although Josh could do with pulling up his trousers. | 0:24:41 | 0:24:44 | |
Fingers crossed this gives the sofa | 0:24:45 | 0:24:48 | |
the sleek and stylish look they're after. | 0:24:48 | 0:24:51 | |
If they get this wrong, it could warp the wood. | 0:24:51 | 0:24:54 | |
In Wolverhampton... | 0:24:56 | 0:24:58 | |
..Jay's trying to add character to this sad and sorry stool. | 0:25:00 | 0:25:05 | |
Birds in flight, trees... | 0:25:05 | 0:25:07 | |
He's been sent a package of fabric offcuts | 0:25:07 | 0:25:10 | |
from a designer friend | 0:25:10 | 0:25:12 | |
and he's hoping there might be that special something in here | 0:25:12 | 0:25:16 | |
to give the stool an impressive new look. | 0:25:16 | 0:25:19 | |
The plan is basically to look at fabrics. | 0:25:19 | 0:25:21 | |
Basically to look and see which ones work best together. | 0:25:21 | 0:25:26 | |
Now, that's nice. | 0:25:26 | 0:25:27 | |
I like that. | 0:25:28 | 0:25:30 | |
That's not the only one he likes, though. | 0:25:30 | 0:25:32 | |
Whoa. Now, that looks cool. | 0:25:33 | 0:25:37 | |
Yes, it is. Ooh-la-la. | 0:25:38 | 0:25:40 | |
Already, it just looks really cool. | 0:25:42 | 0:25:44 | |
See, now, that looks...to me, that looks really, really gorgeous. | 0:25:45 | 0:25:49 | |
I would have the back a little bit darker. | 0:25:50 | 0:25:53 | |
If I can get a darker fabric, it might shine it out a bit better. | 0:25:53 | 0:25:57 | |
Decisions, decisions. Jay's spoiled for choice. | 0:25:57 | 0:26:01 | |
See, now, that - that works. I really like that. | 0:26:04 | 0:26:07 | |
So, it's almost as if you've got the birds above the tree | 0:26:07 | 0:26:10 | |
down at the bottom. | 0:26:10 | 0:26:12 | |
When selecting patterns, it's essential to achieve harmony. | 0:26:12 | 0:26:16 | |
This doesn't mean they have to match, | 0:26:16 | 0:26:19 | |
but they should have some aspects in common, | 0:26:19 | 0:26:22 | |
such as colour palette, scale or style. | 0:26:22 | 0:26:26 | |
Seems like Jay's made his choice. | 0:26:26 | 0:26:29 | |
Now, that DOES look nice. | 0:26:29 | 0:26:31 | |
There was a pink one I had on there before. There's two fabrics. | 0:26:31 | 0:26:33 | |
There's one which has got more pink and one that's more white | 0:26:33 | 0:26:37 | |
and it's a toss-up between those two. | 0:26:37 | 0:26:40 | |
So, I think I preferred the fabric I put on before. | 0:26:40 | 0:26:44 | |
Well, at least we've narrowed it down to two. | 0:26:44 | 0:26:47 | |
But I've got another... Oh, man. | 0:26:48 | 0:26:51 | |
Oh. Three. | 0:26:51 | 0:26:53 | |
I need to stop. | 0:26:54 | 0:26:56 | |
That is gorgeous as well. It's only a £30 job. | 0:26:56 | 0:27:00 | |
A really simple thing to do, but it has to look right. | 0:27:01 | 0:27:04 | |
It's given me a bit of a headache. | 0:27:04 | 0:27:06 | |
OK, Jay, let's put the fabric to one side for now | 0:27:09 | 0:27:12 | |
and concentrate on the legs. | 0:27:12 | 0:27:14 | |
Jay was thinking about leaving the scuffs and scrapes, | 0:27:18 | 0:27:22 | |
but has decided to bring back the shine using metal polish, | 0:27:22 | 0:27:26 | |
fine-wire wool and a whole load of elbow grease. | 0:27:26 | 0:27:30 | |
I must admit, it's really, really satisfying | 0:27:33 | 0:27:39 | |
to see something just change right in front of your eyes. | 0:27:39 | 0:27:44 | |
It's almost like magic. | 0:27:44 | 0:27:47 | |
It makes you feel like, "Wow, look what this stuff's doing." | 0:27:47 | 0:27:50 | |
Hmm, I'm still waiting for that magic, Jay. | 0:27:50 | 0:27:53 | |
Remember when this was supposed to be a quick and easy job? | 0:27:54 | 0:27:57 | |
Back in the Sussex countryside, | 0:28:03 | 0:28:05 | |
Sarah's putting the finishing touches to her desk lamps. | 0:28:05 | 0:28:09 | |
Well, that's five lights completed. | 0:28:13 | 0:28:16 | |
They're quite crisp and clean for me. | 0:28:16 | 0:28:18 | |
This toy train station set provided Sarah with a bright idea... | 0:28:20 | 0:28:24 | |
..which she has brought stunningly to life. | 0:28:27 | 0:28:30 | |
The addition of the toy figures, pinched from her daughter's toy box, | 0:28:32 | 0:28:37 | |
lend the platform scale and perspective and add to the fun. | 0:28:37 | 0:28:41 | |
The LED lights are battery-powered and remote-controlled, | 0:28:44 | 0:28:48 | |
so there's no electrical wiring. | 0:28:48 | 0:28:50 | |
I can see these being snapped up by a train enthusiast | 0:28:52 | 0:28:56 | |
who is still a kid at heart. | 0:28:56 | 0:28:58 | |
Well, they're a little bit play-worn and definitely quirky, | 0:28:59 | 0:29:03 | |
but I think somebody will give these a good home. | 0:29:03 | 0:29:05 | |
Three generations of Barry's family had played with the toy train set, | 0:29:07 | 0:29:12 | |
so he was happy Sarah saved it. | 0:29:12 | 0:29:15 | |
The whole family's played with them. They've enjoyed them. | 0:29:15 | 0:29:19 | |
We've fixed them up together. | 0:29:19 | 0:29:21 | |
So nice. | 0:29:21 | 0:29:22 | |
Then it was Sarah's turn to have a play. | 0:29:23 | 0:29:26 | |
Makeover complete, all five desk lights were snapped up | 0:29:30 | 0:29:34 | |
by Mark from Keswick Collectables - | 0:29:34 | 0:29:37 | |
an antique shop in the Lake District. | 0:29:37 | 0:29:39 | |
Oh, wow. | 0:29:39 | 0:29:41 | |
And now Sarah's on her way to Barry's home | 0:29:42 | 0:29:45 | |
to show him what became of the toy he was about to sling in the skip. | 0:29:45 | 0:29:50 | |
-Hi, Barry. -Hello. -How you doing? -Nice to meet you. | 0:29:51 | 0:29:53 | |
-All right, thank you. -Very nice to see you. | 0:29:53 | 0:29:55 | |
Is this the house where the train set was in the attic? | 0:29:55 | 0:29:57 | |
-Yes. -Lovely. Well, it was a lovely piece, | 0:29:57 | 0:30:00 | |
-but it had been played with by quite a few children. -Yes. | 0:30:00 | 0:30:02 | |
Was that your children or grandchildren or...? | 0:30:02 | 0:30:04 | |
Yes, grandchildren. All of them. | 0:30:04 | 0:30:06 | |
They've all played with it at some time. | 0:30:06 | 0:30:08 | |
Well, it was my job to take it on and it was a lovely thing | 0:30:08 | 0:30:12 | |
and I've made it into... | 0:30:12 | 0:30:13 | |
-Are you ready? -Yes. | 0:30:13 | 0:30:15 | |
It has been turned into desk lights. | 0:30:15 | 0:30:19 | |
-Smashing, yeah. -I've put it together on a little block | 0:30:19 | 0:30:21 | |
and turned it into five individual desk lights. | 0:30:21 | 0:30:25 | |
Brilliant. Absolutely brilliant. | 0:30:25 | 0:30:28 | |
-Really? -Yes. -Cos it is such a worry. | 0:30:28 | 0:30:30 | |
You take somebody's stuff and you do something to it and... | 0:30:30 | 0:30:33 | |
-So, you approve, then? -Yes. | 0:30:33 | 0:30:34 | |
Now it's not scrapped or buried, it's of use at last. | 0:30:34 | 0:30:39 | |
They were lovely to work on and actually somebody has bought them - | 0:30:39 | 0:30:42 | |
a collectables shop - so I've got a little bit of money | 0:30:42 | 0:30:44 | |
to give back to you for your old train set. | 0:30:44 | 0:30:46 | |
So, I've got £50 for you. | 0:30:46 | 0:30:49 | |
So, what might you do with £50? | 0:30:49 | 0:30:52 | |
Well, could I please give it to Children In Need? | 0:30:52 | 0:30:55 | |
-If you'd like to do that.. -Please. -..that would be lovely. -Yes. | 0:30:56 | 0:30:59 | |
Very nice. So, that's a lot of people it's done good. | 0:30:59 | 0:31:02 | |
Plus, the station itself - the old station - has put to good use. | 0:31:02 | 0:31:07 | |
-I'm happy. -Really? -Yes. -Well, that's really generous of you. | 0:31:07 | 0:31:10 | |
There are five little lights that will go off into five new houses. | 0:31:10 | 0:31:13 | |
-Your station is going on another journey. -Brilliant. | 0:31:13 | 0:31:16 | |
It was really good to see you again. | 0:31:16 | 0:31:18 | |
-Thank you ever so much. -Thank you. Bye-bye. -Bye-bye. | 0:31:18 | 0:31:21 | |
Well, that was really lovely to see Barry's reaction | 0:31:26 | 0:31:29 | |
to his old train set because he and his family | 0:31:29 | 0:31:31 | |
had obviously had so much fun using it | 0:31:31 | 0:31:33 | |
and I really enjoyed making it into something else. | 0:31:33 | 0:31:36 | |
And I think he was really enthusiastic | 0:31:36 | 0:31:38 | |
about the fact it's going on another journey. | 0:31:38 | 0:31:40 | |
Sarah paid £70 for materials. | 0:31:43 | 0:31:46 | |
They sold for 120, making a profit of £50, | 0:31:46 | 0:31:50 | |
which is now on its way to charity. | 0:31:50 | 0:31:53 | |
I'm really looking forward to seeing how Josh and Oli have got on | 0:31:58 | 0:32:01 | |
with the '70s sofa, and I'm not the only one. | 0:32:01 | 0:32:04 | |
No, not them. | 0:32:06 | 0:32:07 | |
Her. | 0:32:09 | 0:32:10 | |
I left the boys with a massive challenge - | 0:32:12 | 0:32:15 | |
a completely smashed-up sofa - | 0:32:15 | 0:32:17 | |
and I can't wait to see what they've done with it. | 0:32:17 | 0:32:19 | |
It was beat up and broken down, but with Josh and Oli's help, | 0:32:21 | 0:32:25 | |
Sarah hoped it could be brought back to life. | 0:32:25 | 0:32:28 | |
Wow! It's been born again, like a phoenix from the flames. | 0:32:33 | 0:32:38 | |
The scorched wood has been sanded down | 0:32:40 | 0:32:42 | |
to create the smooth, matt black finish. | 0:32:42 | 0:32:45 | |
This contrasts beautifully with the light American maple timber | 0:32:48 | 0:32:53 | |
used for the seat. | 0:32:53 | 0:32:54 | |
Craftsmanship on display here is second to none. | 0:32:55 | 0:32:59 | |
It's unique, bold and super stylish. | 0:32:59 | 0:33:03 | |
Hello? | 0:33:09 | 0:33:11 | |
-Hello. -Oh, lads! | 0:33:11 | 0:33:13 | |
-Yeah, we're just having a little coffee break. -Hello. | 0:33:15 | 0:33:17 | |
Wow! | 0:33:18 | 0:33:20 | |
How cool is that? Let's see it without the rug on it. | 0:33:21 | 0:33:24 | |
Work of art. Did you scorch it? | 0:33:27 | 0:33:29 | |
-Yeah. -Yeah, we've scorched the frame. -It's genius. | 0:33:29 | 0:33:32 | |
I don't know what to say. | 0:33:32 | 0:33:34 | |
It was so badly broken and beaten up beforehand. | 0:33:34 | 0:33:37 | |
It's beautiful. Is it comfortable? | 0:33:38 | 0:33:41 | |
-Yeah. -Try it out. | 0:33:41 | 0:33:42 | |
Oh, yeah. | 0:33:44 | 0:33:45 | |
It's lovely, isn't it? Oh, the finish you've got on this... | 0:33:47 | 0:33:50 | |
-It's nice and smooth, isn't it? -Yeah. Great contrast. | 0:33:50 | 0:33:53 | |
It's...it's fantastic. Really good. | 0:33:53 | 0:33:56 | |
I mean, the actual frame itself is really nice | 0:33:56 | 0:33:58 | |
and there's loads of curves and it's really well put together. | 0:33:58 | 0:34:01 | |
So, I think once we actually had it reassembled and fixed up, | 0:34:01 | 0:34:05 | |
yeah, it's a really nice shape, isn't it? | 0:34:05 | 0:34:07 | |
And then I think sorting out the two colours | 0:34:07 | 0:34:10 | |
-I think just works really well. -But this looks sleek and designer | 0:34:10 | 0:34:14 | |
and the contrast between the dark and the pale is just brilliant. | 0:34:14 | 0:34:19 | |
-It's such a lovely piece now. -Cool. | 0:34:19 | 0:34:21 | |
Sarah is overjoyed. | 0:34:22 | 0:34:24 | |
The boys have done a bang-up job and it's bang on their £700 budget. | 0:34:25 | 0:34:31 | |
Are we calling it a sofa? Bench? What are you calling it? | 0:34:31 | 0:34:34 | |
-What have you been referring to it as? -An indoor bench. | 0:34:34 | 0:34:36 | |
I see it in a nice conservatory or something. | 0:34:36 | 0:34:38 | |
It's not your sofa, but it's like a... | 0:34:38 | 0:34:41 | |
It's a place where you might sit and read a book or something. | 0:34:41 | 0:34:43 | |
I think we're getting all of the 1970s essence that was, | 0:34:43 | 0:34:47 | |
you know, part of its charm, but with a bang up-to-date makeover. | 0:34:47 | 0:34:51 | |
It's a very stylish thing now. | 0:34:51 | 0:34:53 | |
-It's a real credit to you. -Thank you very much. | 0:34:53 | 0:34:56 | |
I'm impressed. | 0:34:56 | 0:34:57 | |
And more importantly, so is the boss. | 0:34:57 | 0:35:00 | |
I was a bit worried about it when it turned up, | 0:35:02 | 0:35:05 | |
but I think we managed to get something quite nice out of it. | 0:35:05 | 0:35:09 | |
Seeing it now, it's like a brand-new sofa, isn't it? | 0:35:09 | 0:35:13 | |
Indoor bench, Josh. It's an indoor bench. | 0:35:13 | 0:35:16 | |
Sarah spotted the sofa just as Brian was about to chuck it in the skip. | 0:35:20 | 0:35:25 | |
All the rest of it's broken. | 0:35:26 | 0:35:28 | |
He was flummoxed as to what Sarah would do with it. | 0:35:28 | 0:35:31 | |
I don't know, to be honest. I don't know. | 0:35:31 | 0:35:34 | |
It'd be good to find out. | 0:35:34 | 0:35:36 | |
Don't worry, Brian. You're about to. | 0:35:36 | 0:35:38 | |
Sarah has made her way to Brian's house | 0:35:41 | 0:35:44 | |
where hopefully he'll be as impressed as we are. | 0:35:44 | 0:35:47 | |
-Hi, Brian. -Ooh, hello. -Hello. -All right? | 0:35:51 | 0:35:53 | |
-How are you doing? -I'm fine, thank you. | 0:35:53 | 0:35:56 | |
I said that I'd be back in touch | 0:35:56 | 0:35:58 | |
if there was something I could do with your sofa. | 0:35:58 | 0:36:00 | |
Now, you had had a good time smashing it up, hadn't you? | 0:36:00 | 0:36:03 | |
I did, yes. I had to get it loaded on the trailer so, yeah, | 0:36:03 | 0:36:06 | |
-it was smashed up. -Yeah, it made quite a few people laugh | 0:36:06 | 0:36:09 | |
that we had taken something that had been through that process. | 0:36:09 | 0:36:12 | |
Did you think we'd rebuild it? What did you think we were going to do? | 0:36:12 | 0:36:15 | |
Well, not the way it had been smashed up, no, I didn't. | 0:36:15 | 0:36:18 | |
Well, I've got some pictures to show you | 0:36:18 | 0:36:20 | |
and brace yourself cos where I took it, | 0:36:20 | 0:36:22 | |
I took it to some lovely young lads and they set fire to it. | 0:36:22 | 0:36:25 | |
-Oh, right. -OK? -Yes. -But it ended up like this. | 0:36:25 | 0:36:30 | |
-Oh, wow! -So, this is the bit they burnt. | 0:36:30 | 0:36:32 | |
They scorched the frame to make it black | 0:36:32 | 0:36:34 | |
and it's got a beautiful texture to it and a lovely finish. | 0:36:34 | 0:36:37 | |
-Oh, that's lovely. -Do you think it's all right? | 0:36:37 | 0:36:39 | |
I do, yes. | 0:36:39 | 0:36:41 | |
-Have you ever seen anything like that before? -No, not really, no. | 0:36:41 | 0:36:44 | |
But it's good. I like it, yeah. | 0:36:44 | 0:36:46 | |
-I'm pleased you like it. -It's very nice, yes. | 0:36:46 | 0:36:48 | |
Well, it's still for sale, it's out there now | 0:36:48 | 0:36:50 | |
and I'm sure we're going to get a great buyer for it. | 0:36:50 | 0:36:53 | |
-Yeah. -So, as soon as I have money, I'll give you a call | 0:36:53 | 0:36:56 | |
-and send it over to you. -Great. | 0:36:56 | 0:36:57 | |
-I really liked seeing what the boys had done to it. -Yeah. | 0:36:57 | 0:37:00 | |
And to see it in the flesh, it's a lovely thing, | 0:37:00 | 0:37:02 | |
so I really appreciate you letting us have it. | 0:37:02 | 0:37:05 | |
-That's lovely. -Thank you ever so much. -Thank you. | 0:37:05 | 0:37:07 | |
-Nice to catch up. Bye-bye. -And you. Bye now. | 0:37:07 | 0:37:09 | |
Josh and Oli charged £700 for the makeover, | 0:37:13 | 0:37:16 | |
but at present, the seat remains unsold, | 0:37:16 | 0:37:19 | |
so for now, that remains a loss. | 0:37:19 | 0:37:22 | |
But I've no doubt Brian will be seeing a little profit | 0:37:22 | 0:37:25 | |
in his pocket sometime soon. | 0:37:25 | 0:37:27 | |
In Jay's workshop in Wolverhampton... | 0:37:34 | 0:37:36 | |
..he's getting prepped for Sarah's arrival. | 0:37:38 | 0:37:41 | |
I'm really hoping Jay's hard work has paid off | 0:37:47 | 0:37:49 | |
cos I need my bar stool to be joining the party | 0:37:49 | 0:37:52 | |
and not being left on the shelf. | 0:37:52 | 0:37:54 | |
It was drab, dreary and looked oh, so lonely, | 0:37:57 | 0:38:00 | |
but Jay had plans to make it take flight. | 0:38:00 | 0:38:03 | |
Jay's choice of fabric has allowed the stool to soar to new heights. | 0:38:08 | 0:38:13 | |
The nature-inspired design lifts the chair. | 0:38:16 | 0:38:19 | |
It's now light and airy rather than lifeless and leaden. | 0:38:19 | 0:38:23 | |
Jay put in some hard graft, rubbing the rust off the chrome legs | 0:38:27 | 0:38:31 | |
and applying metal polish. | 0:38:31 | 0:38:33 | |
The stool is now shining bright. | 0:38:33 | 0:38:36 | |
Before, it looked rather sad all on its own. | 0:38:38 | 0:38:41 | |
Now it's full of character and life. | 0:38:41 | 0:38:44 | |
Sarah had high hopes for this stool. | 0:38:48 | 0:38:51 | |
Has Jay met them? | 0:38:51 | 0:38:53 | |
-Have you been busy? -I've been a little bit busy, just a wee bit. | 0:38:55 | 0:38:59 | |
-You've done well there. You've done well. -I have done well. | 0:38:59 | 0:39:01 | |
-It looks punchy. -It does look punchy | 0:39:01 | 0:39:03 | |
and I was going to leave the legs rusty, but then... | 0:39:03 | 0:39:07 | |
-Yeah, it just didn't work. -No, no. -It didn't work with the fabric. | 0:39:07 | 0:39:10 | |
I'm amazed how well that's come up. | 0:39:10 | 0:39:11 | |
Well, I'm not amazed, but I'm really pleased | 0:39:11 | 0:39:13 | |
-cos good old chrome comes up well, doesn't it? -Yeah. | 0:39:13 | 0:39:16 | |
A lot of elbow grease but it does work. | 0:39:16 | 0:39:18 | |
It looks smart and shiny and cool and it's got a bird on it. | 0:39:18 | 0:39:21 | |
THEY LAUGH | 0:39:21 | 0:39:23 | |
And then we've got a little surprise on the back as well. | 0:39:24 | 0:39:27 | |
Let's have a look at the back. | 0:39:27 | 0:39:28 | |
-More birds. -Do you like it? -Yeah, it's really cool. | 0:39:28 | 0:39:31 | |
Jay's come up trumps again, | 0:39:31 | 0:39:34 | |
adding some quirky character to this stool. | 0:39:34 | 0:39:37 | |
I think it would look brilliant at a breakfast bar in the kitchen. | 0:39:37 | 0:39:41 | |
But has he kept to budget? | 0:39:42 | 0:39:44 | |
Budget-wise, a walk in the park or are we over? | 0:39:44 | 0:39:48 | |
Walk in the park. If I remember rightly, | 0:39:48 | 0:39:50 | |
-the budget for this was £30. Is that right? -Yeah. | 0:39:50 | 0:39:52 | |
Yeah, so, a walk in the park, yeah. It's not over. It's £30. | 0:39:52 | 0:39:55 | |
It's just elbow grease that you've paid me for, to tell you the truth. | 0:39:55 | 0:39:58 | |
That's great. That is a good, solid makeover. | 0:39:58 | 0:40:01 | |
And for 30 quid, I couldn't be happier. | 0:40:01 | 0:40:04 | |
You're happy, yeah? | 0:40:04 | 0:40:05 | |
OK, that's good. | 0:40:05 | 0:40:06 | |
You've made something really quirky. Look at it! | 0:40:06 | 0:40:09 | |
I think the chair came out a lot better | 0:40:12 | 0:40:14 | |
than I anticipated it coming out, to tell the honest truth. | 0:40:14 | 0:40:17 | |
I'm really, really happy with the way it looks. | 0:40:17 | 0:40:19 | |
Well, this stool has had just the update it needs. | 0:40:20 | 0:40:23 | |
All I've got to do is get this bird a new home. | 0:40:23 | 0:40:26 | |
The sad and solitary stool was almost in the skip. | 0:40:28 | 0:40:32 | |
-That's teetering on the retro, isn't it? -It's all very retro. | 0:40:32 | 0:40:35 | |
Derek had sold his home and was having a big clear out | 0:40:35 | 0:40:38 | |
in preparation for the big move. | 0:40:38 | 0:40:41 | |
We're moving house, but because we sold so quickly, | 0:40:41 | 0:40:44 | |
we haven't got a house to go to. | 0:40:44 | 0:40:46 | |
-Really? -We're moving into our caravan for four months | 0:40:46 | 0:40:50 | |
cos we're going to Spain. | 0:40:50 | 0:40:51 | |
Spain, eh? It's all right for some. | 0:40:51 | 0:40:54 | |
And it was all right for the stool too. | 0:40:55 | 0:40:58 | |
Jay worked wonders with his nature-inspired design. | 0:41:00 | 0:41:04 | |
The stool was snapped up by one of Sarah's regular buyers Nick, | 0:41:04 | 0:41:09 | |
who runs an online shop specialising in retro and recycled furniture. | 0:41:09 | 0:41:13 | |
And now through the wonders of that there inter-web thing... | 0:41:19 | 0:41:22 | |
..Sarah's catching up with Derek in his caravan in sunny Spain. | 0:41:23 | 0:41:28 | |
-Hello! -Morning, how are you? | 0:41:28 | 0:41:31 | |
We're fine, thank you very much. | 0:41:31 | 0:41:32 | |
Is the sun out over there? You look very healthy and relaxed. | 0:41:32 | 0:41:36 | |
The sun is gloriously warm at the moment. | 0:41:36 | 0:41:38 | |
We're being very healthy and relaxed and enjoy every minute. | 0:41:38 | 0:41:43 | |
Now, I took your bar stool and I've got some pictures | 0:41:43 | 0:41:48 | |
I'd like to try and send to you | 0:41:48 | 0:41:49 | |
to show you what actually happened to it. | 0:41:49 | 0:41:52 | |
So, I've just pinged them over to your e-mail address now. | 0:41:52 | 0:41:55 | |
-Right. -I don't know if anything's appeared yet. | 0:41:55 | 0:41:58 | |
Here it comes. Oh, yes! | 0:41:58 | 0:42:01 | |
Oh, I like the hummingbird. Wow! That's good. | 0:42:01 | 0:42:05 | |
Oh, you have certainly made a difference there. | 0:42:05 | 0:42:10 | |
-So, do you approve? -Absolutely. Yeah, I'm very impressed. | 0:42:10 | 0:42:14 | |
I'm really pleased to say that I actually managed to sell it as well, | 0:42:14 | 0:42:18 | |
so I've got a little bit of money. | 0:42:18 | 0:42:21 | |
-£30 here that's coming over to you. -Oh, excellent! | 0:42:21 | 0:42:25 | |
Never expected that. | 0:42:27 | 0:42:29 | |
Once we were going to the tip, I thought that was it. | 0:42:29 | 0:42:32 | |
That's coming your way, so any idea what you might do with 30 quid? | 0:42:32 | 0:42:36 | |
Well, it'll take us out for several good meals here in Spain. | 0:42:36 | 0:42:40 | |
Thank you so much. You go and enjoy the lovely weather out there | 0:42:40 | 0:42:43 | |
and I'll make sure this wings its way to you. | 0:42:43 | 0:42:46 | |
Thank you very much. | 0:42:46 | 0:42:47 | |
Jay charged Sarah £30 for the makeover. | 0:42:51 | 0:42:54 | |
Sarah sold the stool for 60, giving Derek £30 profit | 0:42:54 | 0:42:59 | |
to enjoy on sun, sea and Spanish cuisine. | 0:42:59 | 0:43:03 | |
Sarah saved three unwanted items from the skip. | 0:43:09 | 0:43:12 | |
And now, rather than being chucked in the landfill, | 0:43:14 | 0:43:17 | |
they've been given a new lease of life. | 0:43:17 | 0:43:20 | |
Whilst it's nice to turn a profit, it's not all about the money. | 0:43:22 | 0:43:25 | |
I mean, I literally dumped rubbish onto the doorsteps of our artisans | 0:43:25 | 0:43:29 | |
and they picked up the challenge and transformed it into fantastic items. | 0:43:29 | 0:43:33 | |
Now, THAT is an achievement. | 0:43:33 | 0:43:36 |