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Now, I like the look of your rubbish. | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
I love a little rummage. | 0:00:09 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes of household waste | 0:00:11 | 0:00:16 | |
we throw out every year. | 0:00:16 | 0:00:18 | |
I think I might be able to make something out of that. | 0:00:18 | 0:00:21 | |
That's why entrepreneur Sarah Moore | 0:00:21 | 0:00:23 | |
wants to get her hands on things before they hit the skip. | 0:00:23 | 0:00:28 | |
That's wartime. | 0:00:28 | 0:00:29 | |
I'm a passionate buyer, user and maker of old stuff, | 0:00:31 | 0:00:34 | |
and I've turned that passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:41 | |
And with some of the country's elite designers and makers... | 0:00:42 | 0:00:46 | |
-That was brave. -Oh, the potential! | 0:00:46 | 0:00:48 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
A work of art. | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
THEY LAUGH | 0:00:57 | 0:00:58 | |
..and hopefully saleable items. | 0:00:58 | 0:01:02 | |
Holy Moley! | 0:01:02 | 0:01:03 | |
If Sarah is successful, | 0:01:04 | 0:01:06 | |
then she can hand the profits back to the very people who had no idea | 0:01:06 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:13 | |
Thank you. I'm astonished! | 0:01:13 | 0:01:15 | |
Today, Sarah is in Surrey at the Witley Recycling Centre, | 0:01:28 | 0:01:32 | |
a final resting place for all our old odds and ends. | 0:01:32 | 0:01:36 | |
But for Sarah, this is an opportunity to take that stash | 0:01:36 | 0:01:40 | |
and turn it into cash. | 0:01:40 | 0:01:42 | |
The sun is coming out and the cars are rolling in here. | 0:01:47 | 0:01:50 | |
I'm patrolling this place to try and find the treasures that are being thrown out | 0:01:50 | 0:01:54 | |
and make some money for nothing. | 0:01:54 | 0:01:55 | |
Sarah has been granted special permission from the recycling centre | 0:01:55 | 0:01:59 | |
to undertake this venture. | 0:01:59 | 0:02:01 | |
Come on, then. | 0:02:02 | 0:02:04 | |
She does so with some style and grace. | 0:02:04 | 0:02:07 | |
And if it's style she's after, | 0:02:07 | 0:02:09 | |
perhaps Robert's old sewing machine could add a bit of flair. | 0:02:09 | 0:02:13 | |
Is that going back in the car or into the skip? | 0:02:15 | 0:02:17 | |
I was hoping somebody would be able to re-use it. | 0:02:17 | 0:02:19 | |
It's a really sweet little one, isn't it? | 0:02:19 | 0:02:21 | |
-Do you remember it being used? -I do. My mum regularly made clothes for us. | 0:02:21 | 0:02:25 | |
Really? I bet they went down well at school, didn't they? | 0:02:25 | 0:02:29 | |
No, I didn't dare wear them to school! | 0:02:29 | 0:02:32 | |
Luckily I had a uniform you had to buy from a shop in Guildford. | 0:02:32 | 0:02:34 | |
-No. -Have you got the key? -Er... | 0:02:34 | 0:02:37 | |
Not with me. It's probably at home somewhere. | 0:02:37 | 0:02:39 | |
I'd really like to have a look inside it. Some of them are really | 0:02:39 | 0:02:42 | |
collectable, some are just decorative. | 0:02:42 | 0:02:44 | |
But some of them are hundreds of pounds' worth of Singer. | 0:02:44 | 0:02:46 | |
But you need a key! | 0:02:46 | 0:02:48 | |
You need a key! Do you want me to have a quick look in my store? | 0:02:48 | 0:02:52 | |
Yes, if you've got a key, or a screwdriver, that would be great. | 0:02:52 | 0:02:55 | |
Do you have a second? I'll be back in a moment. | 0:02:55 | 0:02:57 | |
Where is Sarah going to find a screwdriver at the dump? | 0:02:57 | 0:03:01 | |
Ah, perhaps in the tool box graveyard | 0:03:01 | 0:03:03 | |
you'll find in many recycling centres. | 0:03:03 | 0:03:06 | |
I'm just wondering if there is a little screwdriver | 0:03:06 | 0:03:08 | |
or anything we can use. | 0:03:08 | 0:03:10 | |
You know how to pick a lock, too, Sarah? | 0:03:10 | 0:03:13 | |
-Very talented. -That might. | 0:03:13 | 0:03:14 | |
Give that a go, yeah? | 0:03:14 | 0:03:16 | |
Harder than it looks, eh? | 0:03:17 | 0:03:19 | |
Right for tight, loose for left. | 0:03:21 | 0:03:23 | |
I really want to see in here now. | 0:03:25 | 0:03:27 | |
Oh, good, now it's stuck. | 0:03:29 | 0:03:31 | |
Would you mind if I took it away as the mystery machine? | 0:03:31 | 0:03:35 | |
If it is in usable condition or valuable, or I can sell it for you, | 0:03:35 | 0:03:38 | |
-can I get back in touch? -That would be super, yeah. | 0:03:38 | 0:03:41 | |
-Thank you very much. -Thank you ever so much. | 0:03:41 | 0:03:43 | |
-Really nice to have met you here. -You, too. -Ooh, the mystery machine! | 0:03:43 | 0:03:46 | |
Sarah is taking a gamble on there being something usable under there. | 0:03:46 | 0:03:49 | |
From what you can remember, Robert, | 0:03:49 | 0:03:51 | |
do you think Sarah will be able to make anything from it? | 0:03:51 | 0:03:55 | |
I don't want to say a doorstop, because that just wouldn't be appropriate! | 0:03:55 | 0:03:58 | |
Um... | 0:03:58 | 0:04:00 | |
Maybe a lamp stand. | 0:04:00 | 0:04:02 | |
Maybe a beautiful lamp stand. | 0:04:02 | 0:04:04 | |
That would be nice. | 0:04:04 | 0:04:05 | |
It really is quite exciting what might be under there. | 0:04:07 | 0:04:09 | |
I just need to find a key so we can find out. | 0:04:09 | 0:04:12 | |
Well, I know a couple of boys with a key, and the secret for success. | 0:04:12 | 0:04:17 | |
This is Josh and Oli. | 0:04:23 | 0:04:26 | |
Best mates who just love to create. | 0:04:26 | 0:04:28 | |
The pair thrive on taking disused materials | 0:04:31 | 0:04:34 | |
and turning them into unique handmade furnishings with flair and imagination. | 0:04:34 | 0:04:39 | |
I'm Josh and this is Oli. | 0:04:42 | 0:04:44 | |
And we are Forge Creative. | 0:04:44 | 0:04:45 | |
I think the main thing we love is designing new products and new | 0:04:45 | 0:04:49 | |
furniture, where you've got that idea | 0:04:49 | 0:04:51 | |
and you come into the workshop and just see it come to life. | 0:04:51 | 0:04:53 | |
The sort of thing we'd like Sarah to bring us | 0:04:53 | 0:04:56 | |
would probably be something with a bit of character, a bit of age to it. | 0:04:56 | 0:04:59 | |
I think we like something with a bit of a story. | 0:04:59 | 0:05:01 | |
Like a rusty bit of metal or a weathered bit of wood, something like that, | 0:05:01 | 0:05:05 | |
that's got a bit of history and character to it. | 0:05:05 | 0:05:07 | |
Well, we're not sure exactly what it is, | 0:05:09 | 0:05:11 | |
although it's probably just a sewing machine. | 0:05:11 | 0:05:14 | |
We are officially off and running today. | 0:05:21 | 0:05:23 | |
And Sarah's back on the march. | 0:05:25 | 0:05:27 | |
She's desperately hunting for our next assignment. | 0:05:27 | 0:05:32 | |
I'm ready. | 0:05:32 | 0:05:34 | |
I'll take anything, if I can cut it up and make something out of it, | 0:05:34 | 0:05:37 | |
I'm going to have it. | 0:05:37 | 0:05:39 | |
Whoa, Sarah is in the zone. | 0:05:39 | 0:05:41 | |
Glad someone is. | 0:05:41 | 0:05:43 | |
Is this time for my afternoon nap yet? | 0:05:43 | 0:05:45 | |
Luckily, Sarah spots some familiar faces. | 0:05:47 | 0:05:50 | |
John and Barbara - we've met them before and once again | 0:05:50 | 0:05:53 | |
they might have just the thing for Sarah to save. | 0:05:53 | 0:05:56 | |
This looks quite interesting - what's that? | 0:05:57 | 0:05:59 | |
That was my brother's drawing board. | 0:05:59 | 0:06:01 | |
OK. Was he an architect or something? | 0:06:01 | 0:06:03 | |
He did train as an architect, although he worked as an engineer mostly. | 0:06:03 | 0:06:07 | |
He would have used that at home, I think, mainly for doing drawings | 0:06:07 | 0:06:10 | |
of model boats and model steam engines. He made a lot of models. | 0:06:10 | 0:06:14 | |
Excellent. Would it be possible to pull it out and have a look, | 0:06:14 | 0:06:18 | |
see if it's... see what the other side looks like? | 0:06:18 | 0:06:22 | |
-Hopefully it should be smooth. -Yeah, that's what I'm thinking. | 0:06:22 | 0:06:25 | |
It's a shame to chuck it away, really. | 0:06:25 | 0:06:27 | |
But nobody uses drawing boards these days because everything is done on the computer. | 0:06:27 | 0:06:30 | |
It's the way of the world nowadays, I'm afraid, John. | 0:06:30 | 0:06:33 | |
I'm really pleased that I was here when this arrived here | 0:06:33 | 0:06:36 | |
because I love anything that is old. | 0:06:36 | 0:06:38 | |
I always think it's so much nicer than anything new. | 0:06:38 | 0:06:40 | |
It would be nice if somebody had a use for it but unfortunately | 0:06:40 | 0:06:43 | |
everybody's is chucking out drawing boards now. | 0:06:43 | 0:06:46 | |
-If it would be something you would let me have rather than going in there? -Great, yes. | 0:06:46 | 0:06:50 | |
Thank you very much. I hope I do something with it that does it justice. | 0:06:50 | 0:06:53 | |
It's charming, I think. | 0:06:53 | 0:06:55 | |
Charming is exactly right, Sarah. | 0:06:55 | 0:06:58 | |
Any thoughts from John and Barbara about its future? | 0:06:58 | 0:07:01 | |
I can imagine it could make a piece of furniture, | 0:07:03 | 0:07:06 | |
like a very nice table top. | 0:07:06 | 0:07:08 | |
I think her looking at it with a different eye has made me look at it with different eyes, | 0:07:08 | 0:07:13 | |
rather than just something that can be got rid of. | 0:07:13 | 0:07:15 | |
Let's hope she does something good. | 0:07:15 | 0:07:17 | |
I'm sure she will. | 0:07:17 | 0:07:19 | |
Good on you, Barbara. | 0:07:19 | 0:07:20 | |
I know what you're thinking - you're going to be making all sorts of jokes | 0:07:20 | 0:07:24 | |
about going back to the drawing board, making up new designs, | 0:07:24 | 0:07:27 | |
but seriously, this is a fantastic find. | 0:07:27 | 0:07:30 | |
Anything industrial with this chunky look and beautiful surface | 0:07:30 | 0:07:34 | |
has got to have potential to be transformed into something that makes money. | 0:07:34 | 0:07:38 | |
It had better, Sarah. | 0:07:38 | 0:07:40 | |
Or it will be back to the old drawing... | 0:07:40 | 0:07:42 | |
All right, I won't say it. But I know a lady who may. | 0:07:42 | 0:07:45 | |
Designer Bex Simon is an artisan blacksmith who can manipulate metal | 0:07:50 | 0:07:54 | |
into magnificent moneymakers. | 0:07:54 | 0:07:57 | |
Blacksmithing as a craft, | 0:07:59 | 0:08:01 | |
it hasn't really changed over the hundreds and hundreds of years | 0:08:01 | 0:08:05 | |
it's been around. | 0:08:05 | 0:08:07 | |
We still use fire as a tool, we've got an anvil and a hammer. | 0:08:07 | 0:08:11 | |
There is something very medieval about it. | 0:08:11 | 0:08:14 | |
With husband Dave by her side, | 0:08:15 | 0:08:18 | |
this team produces high-end furniture and bespoke metal commissions. | 0:08:18 | 0:08:22 | |
My passion for the craft is trying to use it in contemporary ways. | 0:08:24 | 0:08:29 | |
Still keep it alive and involve it as much as I can with any job that we do. | 0:08:29 | 0:08:34 | |
Well, I'm not sure how many blacksmithing techniques | 0:08:34 | 0:08:37 | |
you'll be able to use on this wooden table. | 0:08:37 | 0:08:40 | |
Two items in the bag, | 0:08:46 | 0:08:47 | |
and now Sarah is on the prowl for a project for herself. | 0:08:47 | 0:08:50 | |
So, picture yourself spending all day at the tip. | 0:08:53 | 0:08:57 | |
I'm starting to worry about your frame of mind, Sarah. | 0:08:57 | 0:09:01 | |
I know, we're both as bad as each other. | 0:09:01 | 0:09:04 | |
Nick, save us! | 0:09:05 | 0:09:07 | |
Anything interesting in your car today? | 0:09:07 | 0:09:09 | |
I'm throwing away probably the contents of the loft today. | 0:09:09 | 0:09:13 | |
It's about my 15th trip to the dump. I'm moving house after 25 years. | 0:09:13 | 0:09:19 | |
25 years of stuff! | 0:09:19 | 0:09:21 | |
Music to Sarah's ears. | 0:09:21 | 0:09:24 | |
Hello, hello. I like your china. | 0:09:24 | 0:09:27 | |
Hi! | 0:09:27 | 0:09:28 | |
Are you moving? Are you clearing out? | 0:09:28 | 0:09:30 | |
-Moving house. -Anything that might be interesting for recycling? | 0:09:30 | 0:09:35 | |
-That's electricals. -Electricals, OK. | 0:09:35 | 0:09:39 | |
Is that going in there? | 0:09:39 | 0:09:40 | |
That's going in there. | 0:09:40 | 0:09:42 | |
Nobody wants silver-plate cutlery. I can't give it away. | 0:09:42 | 0:09:46 | |
It's nicely plated. | 0:09:47 | 0:09:48 | |
-Yes. -It's A1, which is best quality. | 0:09:48 | 0:09:52 | |
Lovely stuff. | 0:09:52 | 0:09:53 | |
There are beautiful. When did you last use this lot? | 0:09:54 | 0:09:57 | |
That was my mother's. | 0:09:57 | 0:09:59 | |
And I've kept it since she died, trying to do something with it. | 0:09:59 | 0:10:03 | |
But as we are moving, we've got to limit the stuff that we take with us. | 0:10:03 | 0:10:08 | |
I totally understand that. | 0:10:08 | 0:10:10 | |
If I could take that bit. | 0:10:10 | 0:10:11 | |
-You can take that. -I would love to try and save some of it and do something with it, | 0:10:11 | 0:10:16 | |
and then, if it's all right, | 0:10:16 | 0:10:17 | |
to come and show you what I've done or see where it's gone to. | 0:10:17 | 0:10:20 | |
It would be great to keep in touch, | 0:10:20 | 0:10:22 | |
but that to me is a bag of history in there | 0:10:22 | 0:10:24 | |
that I would love to just make sure it can... | 0:10:24 | 0:10:26 | |
-Whatever you like. -Brilliant, thank you so much for letting me have it. | 0:10:26 | 0:10:29 | |
-Good luck with the move. -Thank you. | 0:10:29 | 0:10:32 | |
Lift with the legs, Sarah. | 0:10:32 | 0:10:34 | |
It's so heavy. | 0:10:35 | 0:10:37 | |
Does Nick have any thoughts about Sarah's plans for his mum's old cutlery? | 0:10:37 | 0:10:42 | |
I've no idea. I hope she finds a good use for them | 0:10:42 | 0:10:44 | |
because it breaks my heart to throw some of it away, but... | 0:10:44 | 0:10:47 | |
nobody wants them any more. | 0:10:48 | 0:10:50 | |
Well, Sarah certainly does. | 0:10:50 | 0:10:52 | |
And she looks very happy about it indeed. | 0:10:52 | 0:10:55 | |
I feel like a very proud mother. | 0:10:55 | 0:10:57 | |
At the end of a successful day, Sarah has her three items. | 0:11:00 | 0:11:05 | |
Josh and Oli will endeavour to open this sewing machine box, | 0:11:05 | 0:11:09 | |
Bex will take on the architect's table | 0:11:09 | 0:11:11 | |
and Sarah will sort through Nick's family silver-plated cutlery. | 0:11:11 | 0:11:16 | |
I'm confident that I've saved items that are worthy of transformation. | 0:11:16 | 0:11:21 | |
It is, after all, at this stage, a game of chance. | 0:11:21 | 0:11:23 | |
But as far as I'm concerned, game on. | 0:11:23 | 0:11:26 | |
Now, we travel out into the tranquil West Sussex countryside, | 0:11:35 | 0:11:40 | |
home to countless horses, sheep and kids on bikes. | 0:11:40 | 0:11:44 | |
Hey, shouldn't you be in school? | 0:11:44 | 0:11:47 | |
It's also home to master makers Josh and Oli. | 0:11:48 | 0:11:52 | |
Sarah is bringing along the mystery box, but what will they find inside? | 0:11:52 | 0:11:58 | |
I'm sticking with sewing machine. | 0:11:58 | 0:12:00 | |
I've brought the vintage sewing machine to Josh and Oli | 0:12:02 | 0:12:04 | |
to see if they can open it up | 0:12:04 | 0:12:06 | |
and then transform it into something amazing. | 0:12:06 | 0:12:08 | |
But as I haven't actually seen inside it, | 0:12:08 | 0:12:10 | |
I'm hoping I'm not about to stitch them up. | 0:12:10 | 0:12:12 | |
Hello. How are you? | 0:12:15 | 0:12:17 | |
-OK. -I've got something for you. | 0:12:17 | 0:12:19 | |
All right. | 0:12:19 | 0:12:21 | |
I actually need a hand with it. | 0:12:21 | 0:12:22 | |
This came to the recycling centre and it doesn't have its key with it, | 0:12:22 | 0:12:27 | |
so I have never seen inside it. | 0:12:27 | 0:12:30 | |
-OK. -I'm hoping it's just... -Maybe it's not a sewing machine. | 0:12:30 | 0:12:33 | |
It could be anything in there. | 0:12:33 | 0:12:34 | |
Really, guys, it's just going to be a sewing machine. | 0:12:34 | 0:12:37 | |
But, if it's a collectable one, | 0:12:37 | 0:12:39 | |
some rare models can sell for several hundred pounds, believe it or not. | 0:12:39 | 0:12:44 | |
Or, it could be just one of the newer electric ones. | 0:12:44 | 0:12:47 | |
Ah, it's electric! | 0:12:47 | 0:12:49 | |
I shouldn't have got my hopes up. | 0:12:49 | 0:12:51 | |
I mean, there are hundreds of these going into the tips every day. | 0:12:51 | 0:12:55 | |
Unwanted Singer sewing machines | 0:12:56 | 0:12:58 | |
have become very popular with the upcycling crowd... | 0:12:58 | 0:13:02 | |
Little light in there. | 0:13:03 | 0:13:05 | |
..making everything from lighting to desk fans. | 0:13:05 | 0:13:09 | |
Can the boys come up with something original? | 0:13:09 | 0:13:12 | |
Can the boys come up with something? | 0:13:15 | 0:13:17 | |
Anything? | 0:13:20 | 0:13:21 | |
Hmmm... | 0:13:21 | 0:13:23 | |
Yes, it's a sewing machine, Oli. | 0:13:23 | 0:13:25 | |
It would almost be cool to take the whole thing | 0:13:25 | 0:13:28 | |
apart into the individual components | 0:13:28 | 0:13:30 | |
and then, like, see what we could do with them. | 0:13:30 | 0:13:32 | |
Lay them out as like a blueprint, almost. | 0:13:32 | 0:13:35 | |
What can you put it back into that is completely different and that moves in a funny way or something? | 0:13:35 | 0:13:39 | |
The only thing I would say, it is really difficult to sail non-functioning things. | 0:13:39 | 0:13:44 | |
One other option is to go down the route of using the box, | 0:13:44 | 0:13:47 | |
that might be a way we could make something that would actually be useful and would sell. | 0:13:47 | 0:13:53 | |
So, if I left you the budget for £250, £300, | 0:13:53 | 0:13:56 | |
-take it apart and see what happens. -See what happens. | 0:13:56 | 0:13:59 | |
And come back and surprise me. | 0:13:59 | 0:14:00 | |
Yeah, brilliant. | 0:14:00 | 0:14:02 | |
Thanks ever so much. | 0:14:02 | 0:14:03 | |
So, boys, you've got carte blanche to do whatever you want. | 0:14:04 | 0:14:08 | |
Hey! Not that. | 0:14:08 | 0:14:10 | |
Well, they've sown a few ideas about what they might come up with, | 0:14:10 | 0:14:13 | |
but that sewing machine is a real challenge, | 0:14:13 | 0:14:16 | |
so it's going to be a total surprise to see what they make out of it. | 0:14:16 | 0:14:19 | |
They've set a budget of £250-£300. | 0:14:19 | 0:14:23 | |
It's a fair chunk of money, | 0:14:23 | 0:14:25 | |
so Sarah is taking a gamble on the boys coming up with something | 0:14:25 | 0:14:28 | |
that will be saleable. | 0:14:28 | 0:14:30 | |
Or coming up with anything at all. | 0:14:30 | 0:14:32 | |
Near Guildford in the Surrey countryside, | 0:14:38 | 0:14:41 | |
blacksmith Bex Simon is in her workshop and helped today by husband Dave. | 0:14:41 | 0:14:46 | |
They're waiting on Sarah, | 0:14:46 | 0:14:48 | |
who is about to drop off her latest puzzler. | 0:14:48 | 0:14:53 | |
She does like to challenge us with things, doesn't she? | 0:14:53 | 0:14:56 | |
She does, she hasn't defeated us yet. | 0:14:56 | 0:14:58 | |
I'm sure whatever it is, it will speak to us. | 0:14:58 | 0:15:02 | |
-Yeah. -Volumes. -Have a charm | 0:15:02 | 0:15:04 | |
that will charm us. | 0:15:04 | 0:15:06 | |
Hi! | 0:15:06 | 0:15:07 | |
-Come on in. -Can you guess what it is? | 0:15:07 | 0:15:10 | |
No, it looks really interesting. | 0:15:10 | 0:15:12 | |
It's a drawing board. | 0:15:12 | 0:15:13 | |
-Oh, wow. -It is a double elephant drawing board. | 0:15:13 | 0:15:17 | |
-Have you heard of that? -No. | 0:15:17 | 0:15:18 | |
Double elephant is an old English paper size | 0:15:19 | 0:15:22 | |
used in the stationery and printing trades. | 0:15:22 | 0:15:25 | |
This imperial sizing was replaced by the modern international paper sizes | 0:15:25 | 0:15:30 | |
such as A4 in 1959. | 0:15:30 | 0:15:33 | |
Look, you've got the weights and things. | 0:15:35 | 0:15:37 | |
Yeah, and this lovely slide that would have gone up and down it. | 0:15:37 | 0:15:40 | |
I was thinking I could leave you with these lovely bits as components | 0:15:40 | 0:15:43 | |
and I could come back and find an amazing desk! | 0:15:43 | 0:15:48 | |
How about kitchen unit? | 0:15:48 | 0:15:49 | |
Maybe an island in the kitchen? | 0:15:49 | 0:15:51 | |
We've got these lovely bits you could use for hanging pots and pans off it or | 0:15:51 | 0:15:54 | |
suspending stuff underneath, or knives going through it. | 0:15:54 | 0:15:57 | |
Would that work? | 0:15:58 | 0:16:00 | |
I think that would be a good plan for it. | 0:16:00 | 0:16:03 | |
A freestanding kitchen unit. | 0:16:03 | 0:16:04 | |
Sounds charming. | 0:16:04 | 0:16:06 | |
You already have the table top, | 0:16:06 | 0:16:07 | |
so that means you just have to come up with a base of some kind. | 0:16:07 | 0:16:11 | |
And that shouldn't cost an arm and a leg, should it? | 0:16:11 | 0:16:14 | |
What are you thinking about cost-wise it's going to be to make one? | 0:16:14 | 0:16:18 | |
About £550, six... | 0:16:18 | 0:16:22 | |
Did you say £550? Great. | 0:16:22 | 0:16:23 | |
That's lovely. Aim for £550. | 0:16:23 | 0:16:25 | |
Try and get it done on that. Go for it. | 0:16:25 | 0:16:27 | |
-See you soon! Thank you. -Bye. | 0:16:27 | 0:16:31 | |
That kitchen unit sounds fantastic, and I think it'll be really saleable. | 0:16:32 | 0:16:35 | |
They are going to give it their own special touch, though, aren't they? | 0:16:35 | 0:16:39 | |
We are looking at £550 to convert the architect's table | 0:16:41 | 0:16:45 | |
into a kitchen unit. It sounds quite simple, | 0:16:45 | 0:16:48 | |
so Bex and Dave will have to use their special touch to make this one a masterpiece. | 0:16:48 | 0:16:54 | |
In the quiet Sussex countryside, | 0:16:58 | 0:17:00 | |
Sarah is at home in her cosy farmhouse. | 0:17:00 | 0:17:03 | |
And she's preparing to start on her own cash-generating conundrum. | 0:17:05 | 0:17:09 | |
She has a huge collection of old silver-plated cutlery, | 0:17:10 | 0:17:14 | |
which is desperately in need of further investigation. | 0:17:14 | 0:17:18 | |
I think the best thing to do is get it all out, | 0:17:18 | 0:17:20 | |
lay it out and find out exactly what we've got in there. | 0:17:20 | 0:17:23 | |
But I think there's money to be made here. | 0:17:23 | 0:17:25 | |
That's the name of the game. | 0:17:25 | 0:17:27 | |
All the cutlery made should have assay marks on the back - | 0:17:32 | 0:17:36 | |
these are hallmarks that say where it was made, | 0:17:36 | 0:17:38 | |
who the manufacturer was, and then what kind of plate it is. | 0:17:38 | 0:17:41 | |
Silver-plated items are made from a base metal which has been coated | 0:17:43 | 0:17:47 | |
with a fine layer of precious silver, | 0:17:47 | 0:17:49 | |
giving a high-class appearance for a lower cost than hugely expensive solid silver. | 0:17:49 | 0:17:54 | |
It came in different grades, so something like A1 is what you really want, | 0:17:57 | 0:18:00 | |
which means it had the most silver dipped on to it | 0:18:00 | 0:18:03 | |
so it's the thickest grade of silver. | 0:18:03 | 0:18:06 | |
She's finding rather a lot of that A1 grade silver plate. | 0:18:06 | 0:18:10 | |
And it's cutlery all of the same design. | 0:18:10 | 0:18:12 | |
I am literally like a kid in a candy store with this. | 0:18:13 | 0:18:16 | |
I'm hoping if we get a full set of this - | 0:18:16 | 0:18:18 | |
this is a six-piece place setting - | 0:18:18 | 0:18:20 | |
and if they've hung on to all the knives | 0:18:20 | 0:18:22 | |
and haven't chucked anything out, that makes it much more saleable. | 0:18:22 | 0:18:25 | |
While she collects items from that set, | 0:18:25 | 0:18:28 | |
she is also finding some other promising pieces. | 0:18:28 | 0:18:31 | |
They had cutlery back in the day | 0:18:31 | 0:18:32 | |
that we don't even think about using any more. That's a mustard spoon. | 0:18:32 | 0:18:36 | |
Don't think anybody uses those much. | 0:18:36 | 0:18:38 | |
I've got one. | 0:18:38 | 0:18:40 | |
Of course you do, Sarah. | 0:18:40 | 0:18:41 | |
It looks like she's in luck with the set of matching cutlery. | 0:18:44 | 0:18:48 | |
So, that is one full canteen of cutlery there, | 0:18:52 | 0:18:56 | |
so that is great to have a full set there, | 0:18:56 | 0:18:58 | |
but even bundles of these other stuff put together and polished up, | 0:18:58 | 0:19:01 | |
they're going to make some money. | 0:19:01 | 0:19:03 | |
Speaking of polishing, | 0:19:03 | 0:19:04 | |
that amount of silverware, it'll be no small job. | 0:19:04 | 0:19:08 | |
I'm sure it's going to look a lot better when it's all shiny. | 0:19:08 | 0:19:12 | |
I can see myself in that now, lovely. | 0:19:14 | 0:19:17 | |
You are, Sarah, you are. | 0:19:17 | 0:19:19 | |
The only cost involved in this project is a bit of silver polish. | 0:19:22 | 0:19:26 | |
But, for a collection of cutlery that couldn't be given away, | 0:19:26 | 0:19:29 | |
I'm not sure bit of polish will be enough | 0:19:29 | 0:19:32 | |
for people to pay top dollar for them. | 0:19:32 | 0:19:34 | |
Elsewhere in Sussex, | 0:19:41 | 0:19:43 | |
let's see if Josh and Oli have finally come up with a plan for the old sewing machine. | 0:19:43 | 0:19:48 | |
This bit holds your teabag and when you start it, | 0:19:50 | 0:19:54 | |
it drops it into the mug and then that gives it a good old stir. | 0:19:54 | 0:19:57 | |
You would get some real good brew off that. | 0:19:57 | 0:19:59 | |
POP! | 0:19:59 | 0:20:01 | |
I take it that's a no, then. | 0:20:01 | 0:20:02 | |
-Let's get this thing apart. -Righto. | 0:20:02 | 0:20:04 | |
Josh and Oli begin to dismantle the sewing machine, | 0:20:08 | 0:20:12 | |
with the biggest screwdriver I've ever seen. | 0:20:12 | 0:20:14 | |
The hope is that once it's stripped down to its component parts, | 0:20:17 | 0:20:20 | |
inspiration will strike. | 0:20:20 | 0:20:22 | |
Somewhere within this is some gold. | 0:20:25 | 0:20:28 | |
Yes. | 0:20:28 | 0:20:30 | |
Gold paint, maybe. | 0:20:30 | 0:20:31 | |
As a backup plan, | 0:20:33 | 0:20:34 | |
the boys have still got the wooden box the sewing machine came in. | 0:20:34 | 0:20:37 | |
It might be a safer bet than what they are doing just... | 0:20:37 | 0:20:41 | |
oh, no, here we go. | 0:20:41 | 0:20:43 | |
It looks like Oli's come up with something. | 0:20:43 | 0:20:46 | |
He's made himself a little friend. | 0:20:47 | 0:20:49 | |
-Josh, I made a robot. -Oh, sweet. | 0:20:49 | 0:20:52 | |
Yeah, that'll do. Get Sarah back now? | 0:20:52 | 0:20:55 | |
Yeah, get Sarah back in and let her see her £300 robot. | 0:20:55 | 0:20:59 | |
I've got a feeling she's not going to be happy. | 0:20:59 | 0:21:02 | |
Oh, Josh! Oli spent ages on that. | 0:21:03 | 0:21:06 | |
Sorry, Oli. Maybe you can make another robot friend with the leftovers. | 0:21:07 | 0:21:12 | |
Well, it's clear nothing much is getting achieved around here. | 0:21:13 | 0:21:17 | |
We'll give you some more time to think, | 0:21:17 | 0:21:19 | |
but you'd better get your thinking caps on and come up with something, | 0:21:19 | 0:21:22 | |
and quickly. Thank you. | 0:21:22 | 0:21:24 | |
Back in Surrey, let's hope that Bex and Dave have a clearer plan drawn up | 0:21:31 | 0:21:36 | |
for the architect's table-cum-kitchen unit. | 0:21:36 | 0:21:39 | |
Clear as mud. | 0:21:41 | 0:21:43 | |
OK, so, this is the structure of how it's going to be, | 0:21:43 | 0:21:47 | |
it's going to be three-leafed, well, two-leafed with a centre bit. | 0:21:47 | 0:21:52 | |
We are going to split some steel so that's your framework | 0:21:52 | 0:21:55 | |
and these will be the swinging leaves out, so that's the plan. | 0:21:55 | 0:22:01 | |
SHE CHUCKLES | 0:22:01 | 0:22:03 | |
Bit confused, Dave? | 0:22:03 | 0:22:04 | |
Me too. | 0:22:05 | 0:22:06 | |
OK, so let's get this up. | 0:22:06 | 0:22:08 | |
But it sounds as if Bex's plan is to split the table top in three | 0:22:08 | 0:22:12 | |
to have two drop-leaf extendable sides. | 0:22:12 | 0:22:15 | |
How did you work that out? | 0:22:15 | 0:22:17 | |
Super clever. | 0:22:17 | 0:22:19 | |
As for the base, | 0:22:19 | 0:22:20 | |
Bex has an intricate design in mind that looks like it will be difficult | 0:22:20 | 0:22:24 | |
to bring to life. | 0:22:24 | 0:22:25 | |
She starts by picking out lengths of scrap steel to make into legs, | 0:22:25 | 0:22:30 | |
cutting them to size using a donkey saw, | 0:22:30 | 0:22:33 | |
otherwise known as a power hacksaw, | 0:22:33 | 0:22:35 | |
it drops cutting fluid onto the steel, which helps lubricate and helps protect the saw. | 0:22:35 | 0:22:41 | |
Once that's done, Bex plans to use the ancient art of splitting | 0:22:41 | 0:22:45 | |
to bend the legs into shape. | 0:22:45 | 0:22:48 | |
With blacksmithing, you've got about five or six sort of basic techniques | 0:22:48 | 0:22:53 | |
that are always used and this thing is one of them. | 0:22:53 | 0:22:55 | |
Splitting involves first marking the steel with the chisel, | 0:22:57 | 0:23:01 | |
then the metal is heated... | 0:23:01 | 0:23:03 | |
..beaten... | 0:23:04 | 0:23:06 | |
heated... | 0:23:06 | 0:23:08 | |
-Stop! -..beaten... | 0:23:08 | 0:23:09 | |
and you get the idea, | 0:23:10 | 0:23:12 | |
until the once-solid metal bends like plasticine, | 0:23:12 | 0:23:14 | |
creating a split down the middle. | 0:23:14 | 0:23:16 | |
It is such a wonderful craft and it's so exciting, you know, | 0:23:19 | 0:23:23 | |
watching the chisel going through that hot metal, | 0:23:23 | 0:23:29 | |
it gives it soul. | 0:23:29 | 0:23:31 | |
As Bex continues bending, | 0:23:32 | 0:23:34 | |
Dave starts to make a frame | 0:23:34 | 0:23:36 | |
that will join the wooden top to the metal legs. | 0:23:36 | 0:23:40 | |
He welds together steel bars using a filler material | 0:23:40 | 0:23:44 | |
that forms a pool of molten metal at the join. | 0:23:44 | 0:23:48 | |
This will cool to make a join | 0:23:48 | 0:23:50 | |
that is as strong or even stronger than the base material. | 0:23:50 | 0:23:54 | |
Bex is still bending those legs. | 0:23:57 | 0:23:59 | |
She's just about done with one of them, | 0:24:02 | 0:24:04 | |
but she still got another three to do. | 0:24:04 | 0:24:06 | |
Time is getting on. | 0:24:06 | 0:24:08 | |
It's going to look nice. | 0:24:09 | 0:24:12 | |
Ye of little faith. | 0:24:12 | 0:24:15 | |
Back in Sussex, would you believe it, Josh and Oli have a plan. | 0:24:17 | 0:24:22 | |
After a lot of head scratching, | 0:24:22 | 0:24:24 | |
we've decided to use the wooden box to make a mobile barbershop. | 0:24:24 | 0:24:28 | |
So this will be for a barber who wants to go from door to door. | 0:24:28 | 0:24:32 | |
They can keep all of their products and scissors in here. | 0:24:32 | 0:24:35 | |
A barber's kit? | 0:24:35 | 0:24:37 | |
Excellent. Wait. | 0:24:37 | 0:24:39 | |
But what is this? | 0:24:39 | 0:24:40 | |
I thought it would be a real shame just let all of these components go to waste, | 0:24:40 | 0:24:44 | |
so I'm trying to figure out some kind of little mechanical desk toy | 0:24:44 | 0:24:48 | |
and, at first thought, | 0:24:48 | 0:24:50 | |
a little turtle comes to mind because of this guy. | 0:24:50 | 0:24:54 | |
I'm a little bit lost at the moment, | 0:24:54 | 0:24:56 | |
I don't quite know if it's possible and how I'm going to do it. | 0:24:56 | 0:25:00 | |
Yeah, you heard it right. | 0:25:00 | 0:25:01 | |
Josh is going to make a mechanical reptile desk toy. | 0:25:01 | 0:25:06 | |
With so much time used up already, | 0:25:06 | 0:25:08 | |
it will be a race to the finish between the tortoise and the... | 0:25:08 | 0:25:12 | |
hare. | 0:25:12 | 0:25:15 | |
I'm going to kind of make a little shell for the turtle and I want this | 0:25:15 | 0:25:18 | |
big cog to sit on top. | 0:25:18 | 0:25:20 | |
When you turn this cog, it's going to power... | 0:25:20 | 0:25:24 | |
this here and so the turtle's head is going to move in and out. | 0:25:24 | 0:25:29 | |
-Who wouldn't be excited about this? -Sarah? | 0:25:29 | 0:25:31 | |
Oli's first job with the barber's kit is to remove all the existing | 0:25:32 | 0:25:36 | |
varnish with an electric sander, ready for a brand-new finish. | 0:25:36 | 0:25:41 | |
While Josh has got something special | 0:25:41 | 0:25:43 | |
he wants to incorporate into the design. | 0:25:43 | 0:25:47 | |
I got this off my grandad and this was like an old roofing tool, | 0:25:47 | 0:25:52 | |
so they used to beat lead with it, so that'll be perfect for making | 0:25:52 | 0:25:56 | |
little gears and pulleys out of. | 0:25:56 | 0:26:00 | |
Aw, that's sweet! You can dedicate the piece in memory of your grandad. | 0:26:00 | 0:26:05 | |
-Grandad is still around. -Oops, sorry. | 0:26:05 | 0:26:08 | |
Oli's barber box is coming along nicely. | 0:26:08 | 0:26:11 | |
Can you just come over here and hold these little bits here? | 0:26:11 | 0:26:14 | |
And even Josh's desk toy is taking shape. | 0:26:14 | 0:26:18 | |
-Keeps falling off. -Kind of. | 0:26:18 | 0:26:21 | |
Oli looks to have his project under control. | 0:26:21 | 0:26:24 | |
Just needed to tweak it a little bit. | 0:26:24 | 0:26:26 | |
But the turtle, they've used up so much time already, | 0:26:26 | 0:26:30 | |
I'm not sure it's going to be worth it. | 0:26:30 | 0:26:32 | |
Back home at her farmhouse, Sarah is... | 0:26:37 | 0:26:40 | |
yep, still polishing. | 0:26:40 | 0:26:42 | |
(Shiny.) | 0:26:42 | 0:26:43 | |
In amongst the silver-plate, | 0:26:44 | 0:26:46 | |
Sarah's found a few items that look to be the genuine article. | 0:26:46 | 0:26:50 | |
That is an 1840 Georgian silver spoon. | 0:26:51 | 0:26:55 | |
In its own right, that's at least 50 quid sitting there. | 0:26:55 | 0:26:59 | |
This lot, I'm not quite sure what to do with because I feel some | 0:26:59 | 0:27:02 | |
responsibility for them. | 0:27:02 | 0:27:03 | |
But that lot, they are decorative, they are saleable. | 0:27:03 | 0:27:06 | |
I reckon they are good to go. | 0:27:06 | 0:27:08 | |
Well, then, let's go. | 0:27:08 | 0:27:10 | |
When Sarah saw the bag of silver-plated flatware, | 0:27:10 | 0:27:13 | |
it was headed to the tip. | 0:27:13 | 0:27:15 | |
But with a bit of elbow grease, she's made them shiny, | 0:27:18 | 0:27:21 | |
bright and sparkling again. | 0:27:21 | 0:27:23 | |
Through tirelessly sorting it all, | 0:27:26 | 0:27:28 | |
Sarah's discovered, among other things, | 0:27:28 | 0:27:30 | |
a full 50-piece silver-plated dining set | 0:27:30 | 0:27:34 | |
and a small collection of solid silver pieces, too. | 0:27:34 | 0:27:37 | |
So, with this lot, Sarah must stand a good chance of making a profit. | 0:27:37 | 0:27:42 | |
Loads of different things here that need to get photographed, | 0:27:42 | 0:27:45 | |
made to look special, and put online. | 0:27:45 | 0:27:47 | |
Oh, I like your china. | 0:27:53 | 0:27:55 | |
When Sarah stopped Nick at the dump, she pounced on his bag of tableware. | 0:27:55 | 0:27:59 | |
That was my mother's. | 0:27:59 | 0:28:01 | |
-Right. -And I've kept it since she died, trying to do something with it. | 0:28:01 | 0:28:06 | |
Although it wasn't solid silver, | 0:28:06 | 0:28:07 | |
Sarah still thought it might be worth a bob or two. | 0:28:07 | 0:28:10 | |
It's A1, which is best quality. | 0:28:10 | 0:28:13 | |
And Nick was just happy that it didn't end up in the skip. | 0:28:13 | 0:28:16 | |
I hope she finds a good use for them because it breaks my heart to throw | 0:28:16 | 0:28:19 | |
some of it away. But nobody wants them any more. | 0:28:19 | 0:28:23 | |
Well, Nick, that might not be the case. | 0:28:23 | 0:28:26 | |
Sarah has shared pictures on social media to see if any | 0:28:26 | 0:28:29 | |
of the flash flatware would sell. | 0:28:29 | 0:28:31 | |
And do you know what? Some of it did. | 0:28:31 | 0:28:34 | |
Sarah's travelled to Pilton in Somerset | 0:28:35 | 0:28:38 | |
to catch up with Nick | 0:28:38 | 0:28:40 | |
and she might just have a little surprise for him. | 0:28:40 | 0:28:42 | |
-Hi, Nick. -Hello, Sarah. -Hi there. How are you doing? | 0:28:44 | 0:28:46 | |
-Very well, thank you. -When I last saw you, | 0:28:46 | 0:28:49 | |
you looked like you were at the end of a very long moving process. | 0:28:49 | 0:28:52 | |
Was it a busy time? | 0:28:52 | 0:28:54 | |
25 years of stuff. | 0:28:54 | 0:28:56 | |
I know that you dropped off a big bag of old cutlery | 0:28:56 | 0:28:59 | |
that you were going to put into re-use, weren't you? | 0:28:59 | 0:29:01 | |
-Yes. -And so I had hoped that I would have a good look through it and find | 0:29:01 | 0:29:05 | |
it was littered with Georgian silver and... | 0:29:05 | 0:29:08 | |
-I'd already done that. -..various stuff. | 0:29:08 | 0:29:10 | |
You had done it, but you'd missed these bits. | 0:29:10 | 0:29:13 | |
OK. | 0:29:13 | 0:29:14 | |
I don't know if you'd recognise these. | 0:29:16 | 0:29:18 | |
I thought I'd saved those knife and fork. | 0:29:18 | 0:29:21 | |
So those are a beautiful solid silver christening set. | 0:29:21 | 0:29:25 | |
Yes. That was just the hassle, I think, I missed them. | 0:29:25 | 0:29:27 | |
-Thank you. -An absolute pleasure. | 0:29:27 | 0:29:29 | |
So this stunning Georgian silver spoon, | 0:29:29 | 0:29:32 | |
something with your family crest on it, I think... | 0:29:32 | 0:29:34 | |
It's got... Yeah, that's got our name on it. | 0:29:34 | 0:29:36 | |
That's John Inskip, who was my grandfather's father, so my great-grandfather, | 0:29:36 | 0:29:41 | |
and he would have been turning in his grave, I expect, | 0:29:41 | 0:29:43 | |
if he knew I'd thrown it away. | 0:29:43 | 0:29:45 | |
I've actually got some pictures of the other stuff, just so you could have a look at it. | 0:29:45 | 0:29:48 | |
Amongst it, there were some old pieces of plate, | 0:29:48 | 0:29:52 | |
lots of things like jam spoons and things like that, that people don't use any more, do they? | 0:29:52 | 0:29:56 | |
-That's right. -Well, I did share the pictures of your cutlery online | 0:29:56 | 0:30:00 | |
and it turns out some people love a jam spoon | 0:30:00 | 0:30:02 | |
and really like a fish knife, | 0:30:02 | 0:30:04 | |
so I have actually got some money to hand over to you as well. | 0:30:04 | 0:30:07 | |
I've got £205 here for the best of your cutlery. | 0:30:07 | 0:30:12 | |
That's phenomenal, quite unexpected. | 0:30:12 | 0:30:14 | |
Is there something that you might do? | 0:30:14 | 0:30:16 | |
We'll probably give it to the British Heart Foundation | 0:30:16 | 0:30:19 | |
cos that was the charity that my mother... | 0:30:19 | 0:30:22 | |
that we gave money to when Mum died, so that will probably go there. | 0:30:22 | 0:30:25 | |
Thank you very much indeed. | 0:30:25 | 0:30:27 | |
It was a total pleasure. Lovely to see you again and in your charming new house. | 0:30:27 | 0:30:30 | |
Thank you ever so much. | 0:30:30 | 0:30:31 | |
-Thanks very much. -Bye-bye. -Bye-bye. | 0:30:31 | 0:30:34 | |
The total for all the cutlery Sarah managed to sell | 0:30:34 | 0:30:38 | |
came to £207 and, with just £2 of silver polish to take off, | 0:30:38 | 0:30:43 | |
that leaves Nick with £205 to donate to charity. | 0:30:43 | 0:30:47 | |
What's Sarah's done is brilliant. | 0:30:47 | 0:30:49 | |
I didn't know what to do with the cutlery. | 0:30:49 | 0:30:52 | |
It was beautiful but I couldn't give it away. | 0:30:52 | 0:30:55 | |
And she's found homes for it. | 0:30:55 | 0:30:57 | |
The money is just a bonus and I can use that and give it to the charity. | 0:30:57 | 0:31:02 | |
Brilliant! | 0:31:02 | 0:31:03 | |
And now we head back to Sussex. | 0:31:10 | 0:31:13 | |
When we left them, Oli was getting on well with his box of barber's bits | 0:31:13 | 0:31:17 | |
and Josh was still tinkering with his toy turtle. | 0:31:17 | 0:31:20 | |
It's time for Sarah to find out just what they've been up to. | 0:31:20 | 0:31:24 | |
I see vintage sewing machines at the tip all day long. | 0:31:26 | 0:31:29 | |
I'm just hoping that Josh and Oli | 0:31:29 | 0:31:31 | |
have done something inspirational with this one | 0:31:31 | 0:31:33 | |
to give us all a few more ideas about what to do with them. | 0:31:33 | 0:31:36 | |
Well, it took them long enough, | 0:31:36 | 0:31:38 | |
but where once there was a sewing machine... | 0:31:38 | 0:31:40 | |
..now there's a sleek | 0:31:44 | 0:31:46 | |
and cool-looking mobile barber's shop. | 0:31:46 | 0:31:51 | |
The functional backboard is equipped to carry all your barbering | 0:31:51 | 0:31:55 | |
essentials. Included is a cut-throat razor made from a decorative plate | 0:31:55 | 0:32:00 | |
from the sewing machine, and a handmade shaving brush. | 0:32:00 | 0:32:03 | |
To top it all off, the box has a chalkboard paint finish. | 0:32:06 | 0:32:11 | |
But that's not all, folks. | 0:32:11 | 0:32:14 | |
Josh made this turtle. | 0:32:15 | 0:32:18 | |
-Hi, guys. -Hey, Sarah. | 0:32:21 | 0:32:24 | |
-How you doing? -All right, how are you? | 0:32:24 | 0:32:26 | |
Yeah, really well. What have you been up to? | 0:32:26 | 0:32:29 | |
This is what we've made with the sewing machine you gave us. | 0:32:29 | 0:32:31 | |
Oh, no way! | 0:32:31 | 0:32:33 | |
It looks exciting. | 0:32:33 | 0:32:34 | |
What's inside it? | 0:32:34 | 0:32:36 | |
Remember it didn't have a key? | 0:32:36 | 0:32:37 | |
-Yeah. -So we made this key so you can unlock it. | 0:32:37 | 0:32:40 | |
It's a mobile barber's kit. | 0:32:40 | 0:32:44 | |
It's really beautiful. | 0:32:44 | 0:32:45 | |
It's so clever. | 0:32:45 | 0:32:47 | |
You have got a dish for your shaving cream and shaving brush. | 0:32:47 | 0:32:52 | |
-And we've even made a razor. -Ohhh! I know what... | 0:32:52 | 0:32:55 | |
-That's from the front of the sewing machine. -Yeah! | 0:32:55 | 0:32:58 | |
Fantastic. That is really clever. | 0:32:58 | 0:33:01 | |
Lovely. What did you do with the rest of it? | 0:33:01 | 0:33:03 | |
Well, yeah, I have got a little extra surprise for you. | 0:33:03 | 0:33:06 | |
-Have you? -So... | 0:33:06 | 0:33:08 | |
So, while I was doing that, Josh had his own little project. | 0:33:08 | 0:33:11 | |
This is a little desk turtle. | 0:33:14 | 0:33:16 | |
I've always wanted a desk turtle! | 0:33:16 | 0:33:18 | |
How come I never had a desk turtle? | 0:33:18 | 0:33:21 | |
That is so funny. | 0:33:21 | 0:33:22 | |
That is just hilarious. | 0:33:22 | 0:33:24 | |
So all of the components actually came from the machine. | 0:33:24 | 0:33:27 | |
The drive belt is off the original motor. | 0:33:27 | 0:33:29 | |
-Lovely. -Just, yeah, used all the components that I could. | 0:33:29 | 0:33:33 | |
Fantastic. I really like what you've done there. | 0:33:33 | 0:33:36 | |
-Thank you for making something commercial out of the other bit, but... -What are you saying?! | 0:33:36 | 0:33:41 | |
A turtle's not commercial? | 0:33:41 | 0:33:42 | |
OK, so, 300 quid? | 0:33:42 | 0:33:45 | |
Are we splitting that between that, or have we gone slightly over budget? | 0:33:45 | 0:33:48 | |
I think... We tried to keep to budget. | 0:33:48 | 0:33:51 | |
I think we probably put more time in it than what we were going to, | 0:33:51 | 0:33:54 | |
but we'll call it 300. | 0:33:54 | 0:33:56 | |
Really? OK, well, | 0:33:56 | 0:33:58 | |
I think the world's first fully operational desk turtle | 0:33:58 | 0:34:02 | |
and mobile barber's shop are a triumph. | 0:34:02 | 0:34:04 | |
-Thank you ever so much. -Cool, you're welcome. | 0:34:04 | 0:34:07 | |
Well, I have learned to expect the unexpected every time I come here. | 0:34:10 | 0:34:13 | |
Fantastic transformation of the old sewing machine and I think there's | 0:34:13 | 0:34:16 | |
money to be made, even from that desktop turtle. | 0:34:16 | 0:34:19 | |
Is that going back in the car or into the skip? | 0:34:27 | 0:34:29 | |
When Sarah enquired about Robert's sewing machine at the dump, | 0:34:29 | 0:34:32 | |
it brought back painful memories for him. | 0:34:32 | 0:34:34 | |
-My mum regularly made clothes for us. -Really? | 0:34:34 | 0:34:38 | |
Despite not being able to see inside, Sarah wanted it. | 0:34:38 | 0:34:42 | |
Would you mind if I took it away, as the mystery machine? | 0:34:42 | 0:34:46 | |
And Robert hazarded a guess as to what it might become. | 0:34:46 | 0:34:49 | |
Maybe a lamp stand? | 0:34:49 | 0:34:52 | |
Maybe a beautiful lamp stand. | 0:34:52 | 0:34:54 | |
Well, I bet even 100 monkeys with 100 typewriters | 0:34:54 | 0:34:57 | |
wouldn't have come up with what Josh made. | 0:34:57 | 0:35:01 | |
But the barber's box proved to be a hit and was snapped up by Nick, | 0:35:01 | 0:35:06 | |
a regular customer of Sarah's, who operates online store, | 0:35:06 | 0:35:10 | |
Smithers of Stanford. | 0:35:10 | 0:35:11 | |
Sarah's travelled to Hascombe in Surrey | 0:35:15 | 0:35:17 | |
to hand over the profits from the barber's box to Robert. | 0:35:17 | 0:35:21 | |
And she's even got a certain little something for him in that bag. | 0:35:21 | 0:35:25 | |
-Hi, Robert. -Hello, hi, Sarah, how are you? | 0:35:28 | 0:35:30 | |
I'm very well. How are you? Oh, hello, who are you? | 0:35:30 | 0:35:32 | |
-I'm Skye. -Hi, Skye, how are you? -I'm Mia. -Oh, hi, there, Mia. | 0:35:32 | 0:35:36 | |
When I first met you at the recycling centre, | 0:35:36 | 0:35:39 | |
-we couldn't open your sewing machine. -No. | 0:35:39 | 0:35:42 | |
And it's odd that I've actually found the key since. | 0:35:42 | 0:35:44 | |
I wasn't sure if you were coming back so I threw it out, | 0:35:44 | 0:35:46 | |
probably, what, a month ago, Skye, was it? | 0:35:46 | 0:35:49 | |
Well, that didn't matter because I've actually taken the sewing machine | 0:35:49 | 0:35:52 | |
to somebody who, who knew how to get into it. | 0:35:52 | 0:35:54 | |
Have you thought about something that might be done with it? | 0:35:54 | 0:35:57 | |
I thought, rather uninspiringly, that you might make it into a lamp! | 0:35:57 | 0:36:02 | |
My wife thought you might use it as a stand for a coffee table. | 0:36:02 | 0:36:05 | |
So we're interested or intrigued to see what it might have turned out like. | 0:36:05 | 0:36:09 | |
I've got some pictures to show you of what they did with your sewing machine. | 0:36:09 | 0:36:13 | |
So here is a mobile barber's shop. | 0:36:13 | 0:36:15 | |
-Wow. I love that colour, don't you? -Mm! | 0:36:15 | 0:36:19 | |
So it has proved pretty popular and it has sold. | 0:36:19 | 0:36:21 | |
Oh, really? Oh, fantastic. | 0:36:21 | 0:36:23 | |
Yeah, so I have actually got £25 here to give to you for your old sewing machine. | 0:36:23 | 0:36:28 | |
Thank you so much, great. | 0:36:28 | 0:36:31 | |
This money is going to go to a lovely local charity. | 0:36:31 | 0:36:34 | |
-So thank you. -Oh, it's an absolute pleasure. | 0:36:34 | 0:36:36 | |
That sounds like a great place for that to go. | 0:36:36 | 0:36:38 | |
Oh, and before I go, I've actually got a little something here as a memento for you. | 0:36:38 | 0:36:42 | |
Here is the world's first sewing machine desk turtle paperweight. | 0:36:42 | 0:36:48 | |
-Wow. -What do you think? -Cool! -Do you want to have a turn? | 0:36:48 | 0:36:51 | |
They saved some bits. They wanted to make something mechanical out of it. | 0:36:51 | 0:36:54 | |
-I remember this wheel! -That's so cool! -My mum sitting at the table turning the wheel around. | 0:36:54 | 0:36:58 | |
That's really sweet, isn't it? | 0:36:58 | 0:37:00 | |
It's a memento from your sewing machine and just to say thank you | 0:37:00 | 0:37:03 | |
-so much for letting us take it away. -Thank you so much. | 0:37:03 | 0:37:05 | |
My pleasure. Lovely to have caught up with you. | 0:37:05 | 0:37:08 | |
-And you, too. Thanks. -Nice to meet you, girls. | 0:37:08 | 0:37:11 | |
Josh and Oli 's labour and materials came in at £300. | 0:37:11 | 0:37:16 | |
With the barber's box selling for an impressive £325, | 0:37:16 | 0:37:20 | |
£25 can be shared with Robert. | 0:37:20 | 0:37:23 | |
Well, that really wasn't about the money, was it? | 0:37:24 | 0:37:27 | |
I think Robert liked what we did with his sewing machine | 0:37:27 | 0:37:29 | |
and I think he's going to cherish that turtle. Lovely. | 0:37:29 | 0:37:32 | |
In deepest Surrey, Bex and her husband Dave | 0:37:37 | 0:37:40 | |
have completed work on their architect's table-cum-kitchen unit | 0:37:40 | 0:37:44 | |
and they are eager for Sarah's arrival. | 0:37:44 | 0:37:47 | |
We've got an extra little surprise for Sarah that was Dave's idea. | 0:37:47 | 0:37:53 | |
-Thank you, dear. -THEY LAUGH | 0:37:53 | 0:37:55 | |
Looking forward to seeing Sarah's reaction, really. | 0:37:57 | 0:38:02 | |
I'm coming back to the drawing board to see what Bex and Dave have managed to do with it. | 0:38:02 | 0:38:06 | |
Fingers crossed it's a fantastic kitchen unit. | 0:38:06 | 0:38:09 | |
When Sarah dropped it off, | 0:38:09 | 0:38:11 | |
the best days of the architect's table had drawn to a close. | 0:38:11 | 0:38:14 | |
Now Bex and Dave have transformed it into a practical, | 0:38:24 | 0:38:27 | |
extendable and attractive freestanding kitchen unit. | 0:38:27 | 0:38:31 | |
The wooden table top has been split in three and hinged to make a | 0:38:33 | 0:38:37 | |
foldaway surface space. | 0:38:37 | 0:38:39 | |
All of Bex's hard work crafting the steel base has paid off | 0:38:40 | 0:38:44 | |
with a geometric, architectural inspired structure, | 0:38:44 | 0:38:48 | |
which is sturdy as well as beautiful. | 0:38:48 | 0:38:50 | |
And leaving nothing to waste, | 0:38:53 | 0:38:55 | |
Dave has used all parts of the drawing table | 0:38:55 | 0:38:57 | |
to make a quirky and useful cookbook holder. | 0:38:57 | 0:39:01 | |
But what will Sarah make of it? | 0:39:01 | 0:39:03 | |
SARAH CHUCKLES | 0:39:05 | 0:39:07 | |
Hey! | 0:39:07 | 0:39:09 | |
It's lovely! Oh, and that's the slide. | 0:39:11 | 0:39:14 | |
Yeah, Dave's added extra, this cookbook stand. | 0:39:14 | 0:39:18 | |
Oh, that's so clever. | 0:39:18 | 0:39:20 | |
That is a lovely use of that old piece of material. | 0:39:20 | 0:39:24 | |
Isn't it cool? It just looks really nice with it. | 0:39:24 | 0:39:27 | |
How have you done this? Because it looks... | 0:39:27 | 0:39:29 | |
That is really cool. | 0:39:29 | 0:39:30 | |
Yeah, we split it and then put the shape into it. | 0:39:30 | 0:39:33 | |
Basically, we used the theme of architecture for the framework. | 0:39:33 | 0:39:37 | |
I think as a balanced piece, that is so lovely. | 0:39:37 | 0:39:41 | |
You guys don't go down the easy route, do you? | 0:39:41 | 0:39:44 | |
-It's really lovely. -It's got wheels as well, at the back, | 0:39:44 | 0:39:47 | |
so you can move it around. | 0:39:47 | 0:39:49 | |
I absolutely love it. | 0:39:49 | 0:39:51 | |
This transformation took a lot of work. | 0:39:51 | 0:39:54 | |
Have they managed to stick to the budget? | 0:39:55 | 0:39:57 | |
For you, Sarah, it came in on budget. | 0:39:59 | 0:40:02 | |
I'm really pleased. | 0:40:02 | 0:40:04 | |
I think it's really beautiful. | 0:40:04 | 0:40:05 | |
Thank you. | 0:40:05 | 0:40:07 | |
It's a triumph all round. | 0:40:07 | 0:40:09 | |
Bex has even found another use for the multipurpose unit. | 0:40:09 | 0:40:13 | |
My mum wears big, dangly earrings so I feel like my mum! | 0:40:13 | 0:40:17 | |
You look like a spaniel! | 0:40:17 | 0:40:19 | |
This looks quite interesting. What's that? | 0:40:26 | 0:40:28 | |
When Sarah met John and Barbara at the dump, | 0:40:28 | 0:40:31 | |
she loved the look of John's dad's architect's table. | 0:40:31 | 0:40:33 | |
He would have used that for doing drawings of model boats | 0:40:33 | 0:40:37 | |
and model steam engines. | 0:40:37 | 0:40:38 | |
John was sad to see it go... | 0:40:38 | 0:40:40 | |
But it would be nice if somebody had a use for it, but, unfortunately, | 0:40:40 | 0:40:43 | |
everybody is chucking out drawing boards now. | 0:40:43 | 0:40:45 | |
..but was confident it was in safe hands. | 0:40:45 | 0:40:48 | |
-Well, let's hope she does something good. -I'm sure she will. | 0:40:48 | 0:40:51 | |
You were right, Barbara, she has. | 0:40:51 | 0:40:53 | |
Sarah was then on a mission to find the kitchen unit in new home. | 0:40:56 | 0:41:00 | |
She listed it online on sites | 0:41:00 | 0:41:03 | |
including eBay, Etsy and social media. | 0:41:03 | 0:41:06 | |
But were there any takers? | 0:41:06 | 0:41:08 | |
Sarah's now meeting up again with Barbara and John to show them what | 0:41:11 | 0:41:15 | |
became of their drawing table. | 0:41:15 | 0:41:17 | |
Hi, there. Hello. How are you? | 0:41:21 | 0:41:23 | |
Really nice to see you again. | 0:41:23 | 0:41:25 | |
-And you. -I saw you last coming to and from the tip. | 0:41:25 | 0:41:29 | |
I loved the architect's drawing board that you... | 0:41:29 | 0:41:31 | |
-My dad... -..brought along. | 0:41:31 | 0:41:33 | |
-Did you wonder what we might do with it after we took it away? -Yeah, | 0:41:33 | 0:41:37 | |
I could see that the piece of wood might be useful, but nobody wants | 0:41:37 | 0:41:40 | |
drawing tables any more, so... | 0:41:40 | 0:41:43 | |
I took it to a blacksmith called Bex | 0:41:43 | 0:41:46 | |
and her partner Dave, and they really wanted to work on it. | 0:41:46 | 0:41:49 | |
So I've actually got some pictures to show you of how it ended up. | 0:41:49 | 0:41:52 | |
So they have turned it into... | 0:41:52 | 0:41:54 | |
-Ohhh! -Mm! | 0:41:54 | 0:41:56 | |
-A kitchen island. -Oh, that's beautiful. | 0:41:56 | 0:41:58 | |
Dave has made a cookbook stand to go on top of it. | 0:41:58 | 0:42:01 | |
-Oh! -Oh, yes, that's very clever. Marvellous! -So, all together, | 0:42:01 | 0:42:03 | |
-what do you think of that? -That's pretty amazing, actually. | 0:42:03 | 0:42:06 | |
And do you think your father would approve of its re-use? | 0:42:06 | 0:42:09 | |
I think he would very much approve of the fact it was reused at all. | 0:42:09 | 0:42:11 | |
I think he would have been horrified that I was taking it to the dump in | 0:42:11 | 0:42:14 | |
-the first place! -It is currently up for sale. | 0:42:14 | 0:42:17 | |
I haven't managed to find a buyer for it yet but I have high hopes it will sell | 0:42:17 | 0:42:21 | |
and I will make some profit out of it. | 0:42:21 | 0:42:23 | |
When I have done, I'll be back in touch to share it with you. | 0:42:23 | 0:42:27 | |
-Well, thank you for being there and for taking it. -Yes, and reusing it! | 0:42:27 | 0:42:30 | |
Definitely reusing it. It was lovely to catch up. | 0:42:30 | 0:42:32 | |
-Thank you so much. -Yes, bye. -Nice seeing you again. | 0:42:32 | 0:42:35 | |
Bex and Dave came in on-budget of £550 but as it is yet to find | 0:42:38 | 0:42:43 | |
a new home, we might be £550 down. | 0:42:43 | 0:42:47 | |
But it's a cracking bit of furniture so I'm sure it won't be long | 0:42:47 | 0:42:51 | |
before it's snapped up. | 0:42:51 | 0:42:53 | |
Sarah salvaged three unwanted items from Witney recycling centre. | 0:42:57 | 0:43:02 | |
The bag of cutlery was buffed up and brought back to life. | 0:43:02 | 0:43:06 | |
The sewing machine was totally reimagined. | 0:43:06 | 0:43:11 | |
And the architect's table became a freestanding kitchen unit. | 0:43:11 | 0:43:16 | |
Well, we started off with stuff | 0:43:17 | 0:43:18 | |
that was destined for the tip and we ended up with items | 0:43:18 | 0:43:21 | |
that would take pride of place in any home. | 0:43:21 | 0:43:24 | |
You can't ask for a better result than that. | 0:43:24 | 0:43:26 |