Browse content similar to Episode 19. Check below for episodes and series from the same categories and more!
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Oh, no, I like the look of your rubbish. | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:06 | 0:00:08 | |
I love a little rummage. | 0:00:10 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes | 0:00:11 | 0:00:15 | |
of household waste we throw out every year. | 0:00:15 | 0:00:18 | |
I think that I might be able to make something out of that. | 0:00:18 | 0:00:21 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:21 | 0:00:25 | |
before they hit the skip. | 0:00:25 | 0:00:28 | |
That's... That's wartime. | 0:00:28 | 0:00:29 | |
I'm a passionate buyer, user and maker of old stuff | 0:00:32 | 0:00:34 | |
and I've turned that passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:41 | |
And with some of the country's elite designers and makers... | 0:00:42 | 0:00:46 | |
That was brief. | 0:00:46 | 0:00:47 | |
Oh, the potential! | 0:00:47 | 0:00:49 | |
No! | 0:00:49 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
Work of art! | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
BOTH LAUGH | 0:00:57 | 0:00:59 | |
..and hopefully saleable items. | 0:00:59 | 0:01:02 | |
Holy Moley! | 0:01:02 | 0:01:03 | |
If Sarah is successful, then she can hand the profits back | 0:01:05 | 0:01:08 | |
to the very people who had no idea there was cash to be made | 0:01:08 | 0:01:12 | |
from their trash. | 0:01:12 | 0:01:13 | |
-Thank you. I'm astonished! -SHE LAUGHS | 0:01:13 | 0:01:16 | |
Today, Sarah is in Surrey at the Witley Recycling Centre. | 0:01:28 | 0:01:31 | |
Where you and I may see beat up and broken down, | 0:01:32 | 0:01:36 | |
Sarah sees the potential to make a bob or two. | 0:01:36 | 0:01:39 | |
People are flooding in here all day long, | 0:01:40 | 0:01:43 | |
all I've got to do is stop the good stuff from there | 0:01:43 | 0:01:46 | |
ending up in there. | 0:01:46 | 0:01:47 | |
She's been given special permission by the recycling centre | 0:01:50 | 0:01:53 | |
to transform the stuff all these lovely people plan to sling out... | 0:01:53 | 0:01:58 | |
..into a knockout. | 0:02:00 | 0:02:01 | |
-HE LAUGHS -Behave! | 0:02:01 | 0:02:03 | |
SARAH LAUGHS | 0:02:03 | 0:02:05 | |
I love it down here, everybody's so nice. | 0:02:05 | 0:02:08 | |
Don't let her sweet smile fool you. | 0:02:08 | 0:02:11 | |
If being nice doesn't get her the three items she needs... | 0:02:11 | 0:02:14 | |
..she's willing to get nasty. | 0:02:16 | 0:02:18 | |
Hand over your rubbish. | 0:02:19 | 0:02:20 | |
I'd better put that back before somebody sees me. | 0:02:21 | 0:02:24 | |
Can Sarah turn the clutter | 0:02:31 | 0:02:33 | |
in Xana and her husband Tim's boot into cash? | 0:02:33 | 0:02:36 | |
-What are you doing? Are you clearing out... -Yes. | 0:02:37 | 0:02:39 | |
-..or are you moving, or...? -We've moved | 0:02:39 | 0:02:41 | |
and we've still got a lot of stuff to get rid of, so... | 0:02:41 | 0:02:43 | |
Really? So is that...? | 0:02:43 | 0:02:45 | |
I quite like your enamelware, but I'm interested in your chairs. | 0:02:45 | 0:02:48 | |
-Right. Yes. -Have you had them long? | 0:02:48 | 0:02:50 | |
A long time. | 0:02:50 | 0:02:52 | |
I've had them years and years and years and nobody's ever liked them. | 0:02:52 | 0:02:55 | |
And we've tried to eBay them and still nobody wants them. | 0:02:55 | 0:02:59 | |
I think they've got that retro look that people quite like. | 0:02:59 | 0:03:02 | |
-And...I think those would be... -Maybe we should keep them, then. | 0:03:02 | 0:03:04 | |
Actually, I think you should give them to me and you should see | 0:03:04 | 0:03:07 | |
if I can make something exciting out of them for you. | 0:03:07 | 0:03:09 | |
You're welcome to have them. | 0:03:09 | 0:03:11 | |
Xana may have failed to flog the chairs, | 0:03:12 | 0:03:14 | |
but that adds to the challenge for Sarah. | 0:03:14 | 0:03:17 | |
How she intends to make them over, though, I've no idea. | 0:03:17 | 0:03:21 | |
I'm bamboozled. | 0:03:22 | 0:03:23 | |
-Thank you for letting me have those. -You're welcome. | 0:03:23 | 0:03:25 | |
I shall take them away and cherish them. | 0:03:25 | 0:03:27 | |
-Look forward to seeing them. -Yeah, lovely, I'll keep in touch. | 0:03:27 | 0:03:30 | |
-TIM: -All right. Bye! -Bye-bye. Thank you ever so much. | 0:03:30 | 0:03:32 | |
Is Xana happy her chairs skipped the skip? | 0:03:33 | 0:03:36 | |
I think that's brilliant, it's much better to recycle and... | 0:03:37 | 0:03:41 | |
I did feel a bit guilty bringing them. | 0:03:41 | 0:03:43 | |
And maybe if they can be refreshed, they'll have a new life. | 0:03:43 | 0:03:46 | |
Da-dah! No? Not your cup of tea? | 0:03:48 | 0:03:51 | |
Well, I think they've got some potential, they just need a little | 0:03:51 | 0:03:54 | |
bit of love, a bit of TLC, but I'm sure they're going to turn a profit. | 0:03:54 | 0:03:58 | |
Sarah knows just the fella to help her turn potential into profit. | 0:03:58 | 0:04:03 | |
Jay Blades is a builder turned philosophy graduate | 0:04:09 | 0:04:12 | |
turned furniture designer. | 0:04:12 | 0:04:14 | |
If you want to have a go at what I do, your best bet is to find | 0:04:14 | 0:04:18 | |
a piece of furniture that isn't really worth that much money. | 0:04:18 | 0:04:20 | |
You might have bought it down the charity shop or a car-boot sale | 0:04:20 | 0:04:23 | |
for about £5, and just play around with it. | 0:04:23 | 0:04:26 | |
Jay has his finger on the pulse of contemporary interior design, | 0:04:26 | 0:04:31 | |
reworking the very best of British craftsmanship | 0:04:31 | 0:04:34 | |
and bringing it bang up-to-date. | 0:04:34 | 0:04:36 | |
Some people like working with spray cans, | 0:04:36 | 0:04:39 | |
some people like working with artists' brushes. | 0:04:39 | 0:04:41 | |
Whatever your creativity is, | 0:04:41 | 0:04:43 | |
just draw it out and allow it to just ooze onto the furniture, | 0:04:43 | 0:04:46 | |
cos the reality is, | 0:04:46 | 0:04:48 | |
that furniture was more than likely going to go into a landfill site. | 0:04:48 | 0:04:51 | |
So, you upcycling it gives that piece of furniture | 0:04:51 | 0:04:55 | |
an extended lifetime. | 0:04:55 | 0:04:57 | |
Well, I for one can't wait to see Jay ooze his creativity | 0:04:58 | 0:05:03 | |
all over these '80s gems. | 0:05:03 | 0:05:06 | |
One item down, two to go. | 0:05:12 | 0:05:14 | |
Sarah will leave no boot or box unrummaged, | 0:05:16 | 0:05:20 | |
no nook or cranny undisturbed... | 0:05:20 | 0:05:23 | |
It's hard work, but she's loving every second of it. | 0:05:23 | 0:05:27 | |
I never get TIRED of being at the dump. See, tyres, tired...? | 0:05:28 | 0:05:32 | |
Oh, dear! | 0:05:33 | 0:05:34 | |
Let's all just forget that ever happened and move on. | 0:05:35 | 0:05:38 | |
This is Julie, she's helping a friend clear out her garage. | 0:05:40 | 0:05:44 | |
Julie, meet Sarah. | 0:05:44 | 0:05:46 | |
-Hello. -Hello. | 0:05:46 | 0:05:47 | |
That's really sweet, isn't it? | 0:05:47 | 0:05:49 | |
It's very old and tatty now and no use. | 0:05:49 | 0:05:53 | |
I mean, I can see it's been... | 0:05:53 | 0:05:55 | |
It's been well used, it was in the garage. | 0:05:55 | 0:05:57 | |
It's just the right sort of size and it's got that retro charm | 0:05:57 | 0:06:00 | |
that people are looking to put back into their houses at the moment... | 0:06:00 | 0:06:03 | |
-Mm. -So, and... -Yes, it's all made properly too, isn't it? -Yes. | 0:06:03 | 0:06:07 | |
-You know, all the joints and everything, all well... -Yep. | 0:06:07 | 0:06:10 | |
But put together to last, and it obviously has. | 0:06:10 | 0:06:13 | |
This kitchen cabinet has been in Julie's friend's family | 0:06:13 | 0:06:17 | |
since the 1950s. | 0:06:17 | 0:06:19 | |
Would it be OK, instead of putting it in the tip, | 0:06:19 | 0:06:21 | |
-to let me have it to take away and see if I can do something with it? -Certainly. | 0:06:21 | 0:06:25 | |
-I think that... -Certainly, please do. -And is it...? | 0:06:25 | 0:06:27 | |
-It's on wheels, isn't it? -Yes. -Yeah. I... | 0:06:27 | 0:06:29 | |
-Makes life easier! -Lovely. | 0:06:29 | 0:06:32 | |
-Thank you so much for letting me have that... -Thank you. | 0:06:32 | 0:06:34 | |
..and I'll keep in contact. | 0:06:34 | 0:06:35 | |
It may be well worn, but it's strong and sturdy, | 0:06:36 | 0:06:39 | |
there's a good few years left in it yet, a bit like me...I hope! | 0:06:39 | 0:06:44 | |
I'm sure she could rub it down and put a nice distressed look to it. | 0:06:46 | 0:06:50 | |
I'm sure if you've got the time, vision and the inclination | 0:06:50 | 0:06:55 | |
to do these sort of things, it'll come out lovely. | 0:06:55 | 0:06:59 | |
It's just teetering on the brink of having that appeal, | 0:06:59 | 0:07:02 | |
that retro look that people want to have back in their houses. | 0:07:02 | 0:07:05 | |
It's got enough chunkiness so we can cut it up and I think | 0:07:05 | 0:07:08 | |
I could be onto a winner here. | 0:07:08 | 0:07:10 | |
Julie's also found the drawers, | 0:07:10 | 0:07:12 | |
which gives Sarah the complete cabinet | 0:07:12 | 0:07:14 | |
to take to her choice of craftsmen. | 0:07:14 | 0:07:16 | |
Furniture restorers Johnny and Tom | 0:07:21 | 0:07:24 | |
just love to breathe new life into old furniture. | 0:07:24 | 0:07:27 | |
These young hotshots have only been working together for a year, | 0:07:29 | 0:07:32 | |
but have already made a name for themselves | 0:07:32 | 0:07:35 | |
with their imaginative designs and restoration techniques. | 0:07:35 | 0:07:39 | |
What I like about what we do is... | 0:07:41 | 0:07:42 | |
working with friends, that's always a good point, | 0:07:42 | 0:07:45 | |
but it's having something to start from and having an end result. | 0:07:45 | 0:07:48 | |
The actual craft and figuring out the problem and solving the problem | 0:07:48 | 0:07:51 | |
is what's enjoyable about it. | 0:07:51 | 0:07:54 | |
-As well, it's kind of like a puzzle. -You know, it comes in, | 0:07:54 | 0:07:56 | |
not in a very great condition and then you get to see the person's reaction when you get it back | 0:07:56 | 0:08:00 | |
and that's what I enjoy the most. | 0:08:00 | 0:08:01 | |
Ah, Tom and Johnny, two young lads full of positivity and optimism. | 0:08:01 | 0:08:06 | |
Hopefully, this item won't put an end to all that. | 0:08:06 | 0:08:09 | |
Sarah's salvaged two pieces for her artisans. | 0:08:15 | 0:08:19 | |
Now she has to save an item from the tip that SHE can transform. | 0:08:19 | 0:08:23 | |
And she will not stop until she has it. She's like a dog with a bone. | 0:08:24 | 0:08:28 | |
-Can I recycle you? Would you like to come home with me? -Oh, no...! | 0:08:28 | 0:08:31 | |
-I could turn you into a lapdog. -She's Daddy's baby. | 0:08:31 | 0:08:34 | |
Come on, Sarah, no time for pats, the clock is ticking. | 0:08:34 | 0:08:37 | |
Or in Richard's case, it's not ticking. | 0:08:39 | 0:08:41 | |
What are you chucking out today, then? | 0:08:42 | 0:08:44 | |
Well, it's a cuckoo clock, a very nice cuckoo clock, | 0:08:44 | 0:08:46 | |
-but it needs repair. -Right. | 0:08:46 | 0:08:49 | |
-And... -Oh, wow! | 0:08:49 | 0:08:51 | |
..I've got another one and it's a shame to throw it away, but... | 0:08:51 | 0:08:54 | |
Not many people have two cuckoo clocks, do they? | 0:08:54 | 0:08:56 | |
No, well, I mean, | 0:08:56 | 0:08:57 | |
I've got the other one because the last one needs repaired, but... | 0:08:57 | 0:09:00 | |
So, "Made in Germany," did you get it from Germany? | 0:09:00 | 0:09:02 | |
Yes, um, in the 1950s I was in the Army in Germany | 0:09:02 | 0:09:06 | |
and I bought it then. | 0:09:06 | 0:09:07 | |
-It's really sweet. -In the mid-1950s. | 0:09:07 | 0:09:10 | |
I hate throwing it out, but...it's going to cost a lot to repair | 0:09:10 | 0:09:15 | |
and I don't need it, I wouldn't know where else to put it... | 0:09:15 | 0:09:18 | |
Well, I think if you've got one cuckoo clock, | 0:09:18 | 0:09:20 | |
that's probably enough, but if it would be possible | 0:09:20 | 0:09:22 | |
-to take that from you and see if I can mend it and... -Oh, please do. | 0:09:22 | 0:09:25 | |
-Oh, I'm so excited! -Please do, I'd be much happier doing that than it going down in the... | 0:09:25 | 0:09:29 | |
In the landfill. | 0:09:29 | 0:09:31 | |
Yeah, well, I'm definitely... I'm so pleased that...you let us have that. | 0:09:31 | 0:09:35 | |
That's lovely and I shall try my best to get it going and then I'll... | 0:09:35 | 0:09:38 | |
-It's up to you now. -I know. Ooh, the pressure! | 0:09:38 | 0:09:41 | |
Sarah must be CUCKOO to choose this broken clock, | 0:09:42 | 0:09:45 | |
but she does love a challenge. | 0:09:45 | 0:09:47 | |
So I really don't know what I've got here. I'm not a clock expert. | 0:09:48 | 0:09:53 | |
There's potential that this little cuckoo clock could turn | 0:09:53 | 0:09:56 | |
a pretty penny, but at the moment it's not working, | 0:09:56 | 0:09:59 | |
I'm not sure if all the bits are here... | 0:09:59 | 0:10:01 | |
..and I'm not sure what kind of market there is for cuckoo clocks | 0:10:02 | 0:10:05 | |
at the moment, but I'm going to stay positive and hope | 0:10:05 | 0:10:07 | |
that I've just picked up a winner. | 0:10:07 | 0:10:08 | |
Perhaps Sarah can make this cuckoo sing again. | 0:10:09 | 0:10:12 | |
She has her three items. | 0:10:15 | 0:10:17 | |
Jay will perform his makeover magic on the bamboo chairs... | 0:10:18 | 0:10:22 | |
Tom and Johnny will take on the challenge of the cabinet... | 0:10:22 | 0:10:26 | |
and Sarah will need to make the cuckoo clock | 0:10:26 | 0:10:28 | |
into something saleable. | 0:10:28 | 0:10:30 | |
So, today's eclectic collection of items will provide just | 0:10:33 | 0:10:36 | |
the kind of challenge that I love, but there's going to have to be | 0:10:36 | 0:10:39 | |
some radical changes if I'm going to make some real cha-ching. | 0:10:39 | 0:10:42 | |
Welcome to Wolverhampton. | 0:10:46 | 0:10:49 | |
The hometown of heart-throb Liam Payne from boyband One Direction. | 0:10:52 | 0:10:56 | |
Their megahit, What Makes You Beautiful, | 0:10:56 | 0:10:59 | |
is a tale of seeing beauty where others may not... | 0:10:59 | 0:11:02 | |
..kind of like upcycling expert Jay Blades and furniture. | 0:11:07 | 0:11:12 | |
Even though I don't agree with people taking chairs like this | 0:11:12 | 0:11:16 | |
to the recycling centre, um, one thing I must say is that I do | 0:11:16 | 0:11:19 | |
enjoy that they do, because if they get rid of it or they don't see the | 0:11:19 | 0:11:23 | |
beauty in it, I guarantee you I will definitely see the beauty in it. | 0:11:23 | 0:11:26 | |
So, I'm really, really excited | 0:11:26 | 0:11:28 | |
to see what Sarah's going to bring along. | 0:11:28 | 0:11:30 | |
These two are a classic 1980s | 0:11:34 | 0:11:38 | |
conservatory pair of chairs | 0:11:38 | 0:11:41 | |
and they are going to need all of Jay's imagination | 0:11:41 | 0:11:45 | |
and ingenuity to turn them into something saleable and desirable. | 0:11:45 | 0:11:49 | |
I've never seen Jay work with anything like this before, | 0:11:52 | 0:11:54 | |
so I hope he takes them on. | 0:11:54 | 0:11:56 | |
I can't think of a safer pair of hands for this pair of chairs. | 0:11:57 | 0:12:01 | |
-You like to set a challenge for me, don't you? -I do. | 0:12:02 | 0:12:05 | |
But I know that you will rise to the challenge, | 0:12:05 | 0:12:07 | |
that's why I can bring things like this to you | 0:12:07 | 0:12:09 | |
and I just know you're going to make them look special. | 0:12:09 | 0:12:12 | |
I'm hoping with a bit of colour and maybe some fantastic upholstery, | 0:12:12 | 0:12:17 | |
we might be able to create something that has, you know, | 0:12:17 | 0:12:20 | |
like, a reasonable amount of value to it. | 0:12:20 | 0:12:23 | |
Yeah. I've never worked with bamboo before and, yes, | 0:12:23 | 0:12:26 | |
you're quite right, with a bit of colour and a lovely fabric on there, | 0:12:26 | 0:12:29 | |
it should be able to bring these right up-to-date and... | 0:12:29 | 0:12:32 | |
I've-I've never done this before, this... It's going to be cool! | 0:12:32 | 0:12:36 | |
These chairs are a brave new world for Jay. | 0:12:37 | 0:12:40 | |
He's agreed a budget of £140 for the pair. | 0:12:40 | 0:12:44 | |
I can't think of a better man to maximise the bang for those bucks. | 0:12:44 | 0:12:48 | |
In terms of what I've got to spend on them, | 0:12:49 | 0:12:51 | |
I'm slightly maybe capping your creativity by the budget. | 0:12:51 | 0:12:56 | |
If you could hit it as hard as you can on that budget, pack a punch, | 0:12:56 | 0:13:00 | |
-see what you can do for that money, that would be fantastic. -OK, cool. | 0:13:00 | 0:13:04 | |
-All right, you take care. -See ya. | 0:13:04 | 0:13:06 | |
Well, I think I was right in thinking that those chairs | 0:13:11 | 0:13:13 | |
are not right up Jay's street, but he is going to take them on | 0:13:13 | 0:13:17 | |
and if anybody can make a couple of duds into something desirable, | 0:13:17 | 0:13:20 | |
it's Mr Blades. | 0:13:20 | 0:13:21 | |
My brain is thinking, like, "What am I going to do? | 0:13:27 | 0:13:29 | |
"What am I going to do? What am I going to do?" | 0:13:29 | 0:13:31 | |
I'm thinking of a load of different colours | 0:13:31 | 0:13:33 | |
and also just how to work with bamboo. | 0:13:33 | 0:13:35 | |
As I said, I've never done this before. | 0:13:35 | 0:13:37 | |
Pfff! Wow, Sarah's done it to me today, I must admit, um... | 0:13:37 | 0:13:40 | |
-Even -I -would like to see how these turn out. | 0:13:40 | 0:13:43 | |
Jay has a £140 budget to transform these '80s throwbacks | 0:13:43 | 0:13:49 | |
from dated to desirable. | 0:13:49 | 0:13:51 | |
This is the South London market town of Croydon. | 0:13:55 | 0:13:58 | |
There's been a market here since the 13th century, where, | 0:13:59 | 0:14:03 | |
just like today, traders would sell fruit, vegetables, | 0:14:03 | 0:14:07 | |
leather goods and linen, | 0:14:07 | 0:14:09 | |
although I think there are probably fewer oxen on sale these days! | 0:14:09 | 0:14:13 | |
Tucked away nearby is the creative hub | 0:14:14 | 0:14:17 | |
that is Tom and Johnny's workshop. | 0:14:17 | 0:14:19 | |
And Sarah's wheeling the old kitchen cabinet their way... | 0:14:21 | 0:14:26 | |
..one hard-earned inch at a time. | 0:14:29 | 0:14:33 | |
I think I should probably have left this at the tip. | 0:14:40 | 0:14:43 | |
A few times she's brought stuff which was really unexpected | 0:14:44 | 0:14:46 | |
and kind of a bit shocking, so hopefully nothing too outlandish. | 0:14:46 | 0:14:51 | |
Yeah. | 0:14:51 | 0:14:52 | |
This poor old kitchen cabinet is in a really sorry state | 0:14:55 | 0:14:58 | |
and I'm hoping the boys in here are going to take up the challenge | 0:14:58 | 0:15:01 | |
to turn it into something amazing, because at the moment I'm thinking | 0:15:01 | 0:15:04 | |
it should probably have stayed at the tip. | 0:15:04 | 0:15:06 | |
-Hello! -Well, perhaps the boys can help you see the positive side | 0:15:08 | 0:15:11 | |
of this item again, Sarah. | 0:15:11 | 0:15:13 | |
-Give us a hand with this. -Oh, wow. -SARAH LAUGHS | 0:15:14 | 0:15:17 | |
-"Wow?" That sounded almost enthusiastic! -Yeah, yeah. | 0:15:17 | 0:15:19 | |
-It's a bit of a dog, isn't it? -That's kind of cool. | 0:15:19 | 0:15:21 | |
-Shall we get it inside? -Yeah. | 0:15:21 | 0:15:23 | |
Well, I think underwhelmed adequately describes that reaction. | 0:15:23 | 0:15:28 | |
-It's not in fantastic condition, is it? -No. | 0:15:28 | 0:15:31 | |
But I'm hoping that there is just enough left in it | 0:15:31 | 0:15:35 | |
that you can actually make it into something, | 0:15:35 | 0:15:37 | |
because it has got quite solid drawers to it. | 0:15:37 | 0:15:41 | |
I'm having a look here and I'm thinking it might even be | 0:15:41 | 0:15:44 | |
beech-fronted to the door and the drawers, so... | 0:15:44 | 0:15:47 | |
Any ideas what you might be able to do with it? | 0:15:48 | 0:15:50 | |
Yeah, definitely, I mean, | 0:15:50 | 0:15:51 | |
the handles themselves are really nice, actually, they just need a lot | 0:15:51 | 0:15:54 | |
of cleaning up to kind of get them back to sort of a nice kind of look. | 0:15:54 | 0:15:57 | |
Yeah. If we take this paint off and see what's underneath here, | 0:15:57 | 0:16:01 | |
this could be really nice, this wood. | 0:16:01 | 0:16:02 | |
So perhaps the whole carcass stripped might be nice | 0:16:02 | 0:16:05 | |
and then finished in oil or some other kind of finish. | 0:16:05 | 0:16:07 | |
If it was kind of pale and interesting | 0:16:07 | 0:16:09 | |
with those sweet little handles on it, it could look quite nice. | 0:16:09 | 0:16:11 | |
-This is a bit of a shocker on the top, though. -Yeah. | 0:16:11 | 0:16:13 | |
Yeah, we're going to have to do something with that. | 0:16:13 | 0:16:16 | |
Possibly painted, probably with an oil finish. | 0:16:16 | 0:16:18 | |
-Cost comes into it as well, but... -Yeah, exactly. | 0:16:18 | 0:16:20 | |
..I think we need to see what we can... | 0:16:20 | 0:16:22 | |
Keep it looking as good as possible, but keeping it cheap. | 0:16:22 | 0:16:24 | |
-Yeah, I like that "cheap" word. -BOTH CHUCKLE | 0:16:24 | 0:16:26 | |
But if I'm leaving you, what, 260? | 0:16:26 | 0:16:28 | |
If you can try and make it as saleable as possible | 0:16:28 | 0:16:30 | |
and as approachable to as many people... | 0:16:30 | 0:16:33 | |
-with styles of their interior... -Certainly. -..that would help. | 0:16:33 | 0:16:36 | |
That's why with the top we'd probably go for something that's | 0:16:36 | 0:16:39 | |
quite a neutral colour, something that's going to go well in any room. | 0:16:39 | 0:16:42 | |
So that way people are going to be able to kind of use it | 0:16:42 | 0:16:44 | |
where they like. | 0:16:44 | 0:16:46 | |
I think that sounds great. | 0:16:46 | 0:16:47 | |
-Yeah, so that's brilliant work. Perfect. -Yeah. -Thank you so much. | 0:16:47 | 0:16:51 | |
Cool. | 0:16:51 | 0:16:52 | |
Good lads, taking up that challenge! | 0:16:53 | 0:16:56 | |
Because that old kitchen unit - it's definitely seen better days. | 0:16:56 | 0:16:59 | |
The only place that that is going is up. | 0:16:59 | 0:17:01 | |
It's going to be a challenge for us to get it back up and running, | 0:17:05 | 0:17:08 | |
hopefully as a useful piece for someone, whether or not it's | 0:17:08 | 0:17:10 | |
-used in the kitchen or, you know, in their hallway, you know? -Yeah. -Um... | 0:17:10 | 0:17:14 | |
It's going to be a challenge, | 0:17:14 | 0:17:16 | |
but I think it's going to be a nice piece at the end of it. | 0:17:16 | 0:17:19 | |
The boys have a plan. | 0:17:19 | 0:17:20 | |
A stripped wood cabinet with a painted worktop | 0:17:20 | 0:17:23 | |
and they have a price, £260 all in. | 0:17:23 | 0:17:27 | |
From the suburban streets of South London to the quiet | 0:17:31 | 0:17:35 | |
countryside of Sarah's home in Sussex. | 0:17:35 | 0:17:38 | |
She's dropped off the bamboo chairs and the cabinet and now, | 0:17:41 | 0:17:45 | |
having enjoyed a morning walk with Bramble, | 0:17:45 | 0:17:48 | |
she's going to get started on the cuckoo clock. | 0:17:48 | 0:17:51 | |
So, the cuckoo clock really doesn't work. | 0:17:58 | 0:18:00 | |
I hoped I might be able to get it going or something simple | 0:18:00 | 0:18:03 | |
would be wrong with it, but I've had a really good look at it | 0:18:03 | 0:18:05 | |
and I've also spoken to a horologist. | 0:18:05 | 0:18:08 | |
A what? Excuse me a sec. | 0:18:09 | 0:18:12 | |
NARRATOR TYPES ON KEYBOARD | 0:18:12 | 0:18:14 | |
One quick interweb search later, | 0:18:14 | 0:18:17 | |
I can tell you a horologist is a clockmaker. | 0:18:17 | 0:18:20 | |
You learn something new every day! | 0:18:20 | 0:18:22 | |
It's 150 quid at least to get it repaired and a very long | 0:18:22 | 0:18:26 | |
waiting list, so I'm afraid I don't think this is going to tick again. | 0:18:26 | 0:18:30 | |
Aw, this cuckoo will cuckoo no more. | 0:18:31 | 0:18:35 | |
But don't fret, Sarah has a plan. | 0:18:35 | 0:18:37 | |
She intends to transform this clock into a smartphone-charging station. | 0:18:40 | 0:18:45 | |
OFF-KEY "CUCKOO" SOUNDS | 0:18:45 | 0:18:48 | |
You know when a cuckoo clock is broken - | 0:18:49 | 0:18:51 | |
it starts to sound like a pigeon. | 0:18:51 | 0:18:52 | |
OFF-KEY "CUCKOO" SOUNDS | 0:18:52 | 0:18:55 | |
It's a heavyweight item and Sarah needs to lighten the load | 0:18:55 | 0:18:59 | |
by clearing out its internal workings. | 0:18:59 | 0:19:02 | |
I'm sorry, this feels awful. | 0:19:02 | 0:19:04 | |
If this all goes wrong, it could make a lovely bird box! | 0:19:04 | 0:19:07 | |
You might think Sarah's cuckoo phone-charging station is bird-brained, | 0:19:09 | 0:19:14 | |
but when you're finding a new purpose for an old item, | 0:19:14 | 0:19:17 | |
no idea is too off-the-wall or wacky - get inspired and go for it. | 0:19:17 | 0:19:23 | |
So that is pretty much stripped now, so if that's all one colour, | 0:19:25 | 0:19:29 | |
I think that's going to look really cool, | 0:19:29 | 0:19:31 | |
but I need to find out a way of introducing the phone to it | 0:19:31 | 0:19:35 | |
and this bit, the old moulding from the front, | 0:19:35 | 0:19:38 | |
definitely needs to be kept and I'm hoping that a phone | 0:19:38 | 0:19:41 | |
might fit in there... | 0:19:41 | 0:19:44 | |
Oh, look, that is perfect... | 0:19:44 | 0:19:47 | |
and really lucky, cos that's going to mean it will look like | 0:19:47 | 0:19:50 | |
it's made to do this, which is always helpful. | 0:19:50 | 0:19:52 | |
So that's going to be on there in some beautiful colour | 0:19:52 | 0:19:54 | |
and then the phone will go in here, I've just got to work out a way of | 0:19:54 | 0:19:57 | |
getting the charger cord in here for whichever phone people have. | 0:19:57 | 0:20:02 | |
Can't be that hard, can it? | 0:20:05 | 0:20:07 | |
I think just get a little bit of something | 0:20:07 | 0:20:11 | |
to go over the top there and... | 0:20:11 | 0:20:12 | |
it'll be fine. | 0:20:12 | 0:20:15 | |
I said give it a go, I didn't say it would be easy. | 0:20:15 | 0:20:18 | |
I wonder if it's too late to call that horologist back. | 0:20:21 | 0:20:25 | |
Yep, I'd say so. | 0:20:25 | 0:20:27 | |
Well, a bird in the hand is worth two in the bush, | 0:20:27 | 0:20:30 | |
but what will this bird-brained idea be worth when completed? | 0:20:30 | 0:20:35 | |
So far, Sarah has only spent £12 on a charger for this project... | 0:20:35 | 0:20:40 | |
thankfully! | 0:20:40 | 0:20:41 | |
In Wolverhampton, | 0:20:41 | 0:20:43 | |
in Jay's workshop there's been big changes to the bamboo chairs. | 0:20:43 | 0:20:48 | |
They look cool. | 0:20:50 | 0:20:51 | |
Jay has had them spray-painted by an expert technician to ensure | 0:20:51 | 0:20:56 | |
a pristine, smooth finish. | 0:20:56 | 0:20:58 | |
So... | 0:20:59 | 0:21:01 | |
These chairs, when Sarah brought them in to us, | 0:21:01 | 0:21:03 | |
were just like a...plain kind of bamboo look and... | 0:21:03 | 0:21:08 | |
what I've done is, I've sent these to a spray guy to get them sprayed. | 0:21:08 | 0:21:12 | |
The contrast that I want to try and create is the chair looks | 0:21:12 | 0:21:15 | |
beautiful in black, but then I want a kind of distressed bit, | 0:21:15 | 0:21:19 | |
where, here, it looks as if it's just dripping with paint. | 0:21:19 | 0:21:22 | |
Jay is going to add a coloured motif using gold spray paint. | 0:21:24 | 0:21:28 | |
If he doesn't like it, he can't undo it, as removing the gold paint | 0:21:28 | 0:21:32 | |
would damage the perfect black finish. | 0:21:32 | 0:21:36 | |
I don't normally use spray paint and stuff like that, | 0:21:37 | 0:21:40 | |
so one's feeling a bit nervous. | 0:21:40 | 0:21:41 | |
So what I'm going to go for is doing a little bit of a test run | 0:21:41 | 0:21:44 | |
first of all. | 0:21:44 | 0:21:45 | |
When using spray paint, it's important to work in | 0:21:47 | 0:21:51 | |
a well-ventilated area, wearing the appropriate safety gear. | 0:21:51 | 0:21:55 | |
But that is quite cool. | 0:21:55 | 0:21:56 | |
And that's exactly what I want... | 0:21:58 | 0:22:00 | |
where it drips down. | 0:22:00 | 0:22:01 | |
Test run a success. It's time for the real deal. | 0:22:04 | 0:22:08 | |
I only get one chance at this and it has to look good, um, | 0:22:08 | 0:22:12 | |
because once I put the paint onto there, that's it, | 0:22:12 | 0:22:15 | |
I've got no more chances to rub it out or go over it again. | 0:22:15 | 0:22:18 | |
I'm nervous just watching! | 0:22:26 | 0:22:28 | |
It's a one-shot deal, so here's hoping Jay achieves | 0:22:28 | 0:22:31 | |
the element of distressed grandeur he's after. | 0:22:31 | 0:22:34 | |
I said you only get one chance at it, and the one chance I've got, | 0:22:46 | 0:22:50 | |
-I don't like it! -HE CHUCKLES | 0:22:50 | 0:22:52 | |
Oh, he's made a right old mess of that. | 0:22:52 | 0:22:55 | |
In South London, there's a whole lot of stripping going on. | 0:22:58 | 0:23:03 | |
Tom and Johnny have been hard at it for over three hours, | 0:23:08 | 0:23:11 | |
stripping the paint from the cabinet. | 0:23:11 | 0:23:14 | |
It's just a lot of not very nice work on this one. | 0:23:16 | 0:23:18 | |
There's a lot of dirty work, a lot of sanding, | 0:23:18 | 0:23:20 | |
a lot of years of paint and build-up on it, | 0:23:20 | 0:23:22 | |
so it's not the most glamorous of jobs, but I think the end result's | 0:23:22 | 0:23:26 | |
going to come quite quickly once we've done all the horrible bits. | 0:23:26 | 0:23:29 | |
Sarah hoped that once stripped, | 0:23:31 | 0:23:33 | |
it would reveal the cabinet was made of solid beech. | 0:23:33 | 0:23:36 | |
Unfortunately, it's plywood. | 0:23:36 | 0:23:39 | |
Only the front of one drawer is beech. | 0:23:39 | 0:23:42 | |
This means a change of plans. | 0:23:42 | 0:23:44 | |
You can really see the difference between the two drawers now. | 0:23:46 | 0:23:49 | |
So this one's the solid beech and this one's plywood. | 0:23:49 | 0:23:53 | |
Um, so, we're going to paint the carcass instead | 0:23:53 | 0:23:57 | |
and have a stripped wooden top. | 0:23:57 | 0:23:59 | |
So it's basically kind of flipping the idea, really. | 0:23:59 | 0:24:02 | |
It was going to be a painted top and a...bare...bottom. | 0:24:02 | 0:24:07 | |
Ha-ha! He said bare bottom! | 0:24:07 | 0:24:09 | |
Oh, just me, OK. | 0:24:10 | 0:24:11 | |
And now we're going to have the carcass painted | 0:24:13 | 0:24:16 | |
and the top in bare wood. | 0:24:16 | 0:24:18 | |
We found this old bit of worktop... | 0:24:18 | 0:24:22 | |
A surface that's going to be a good fit for our kitchen unit. | 0:24:22 | 0:24:27 | |
It's a bit messy, as you can see, cos we've used it for stripping! | 0:24:27 | 0:24:30 | |
-HE CHUCKLES -So it needs a bit of a clean-up, | 0:24:30 | 0:24:32 | |
but we know there's nice solid wood underneath, | 0:24:32 | 0:24:34 | |
so we've just got to get to it. | 0:24:34 | 0:24:36 | |
While Johnny takes care of the worktop, | 0:24:38 | 0:24:41 | |
Tom is preparing to paint the undercoat of the cabinet. | 0:24:41 | 0:24:44 | |
If you use a dark-coloured paint, | 0:24:44 | 0:24:46 | |
then it's quite good to use a darker undercoat. | 0:24:46 | 0:24:48 | |
I'm going to thin it with a little bit of water as well. | 0:24:48 | 0:24:51 | |
It just helps it go on smoothly so you get nice thin coats | 0:24:52 | 0:24:56 | |
that you can build up gradually | 0:24:56 | 0:24:57 | |
and it'll sink into the pores of the wood a bit more. | 0:24:57 | 0:25:00 | |
Obviously, make sure that it's a water-based paint if you're going to do that. | 0:25:00 | 0:25:03 | |
If it's an oil-based paint, then it won't work so well. | 0:25:03 | 0:25:05 | |
Top tip from Tom. | 0:25:05 | 0:25:07 | |
The cabinet will be finished in olive green, a deep, earthy, | 0:25:09 | 0:25:13 | |
natural colour, which should sit in harmony with the natural finish | 0:25:13 | 0:25:17 | |
of the stripped wood worktop. | 0:25:17 | 0:25:19 | |
So, like, as expected underneath, it's a really nice, | 0:25:24 | 0:25:27 | |
solid piece of beech. | 0:25:27 | 0:25:28 | |
It's starting to come through, it just needs a lot, | 0:25:28 | 0:25:30 | |
lot more sanding, so I'm just going to continue doing this | 0:25:30 | 0:25:33 | |
and then hopefully we can get it looking like this all over. | 0:25:33 | 0:25:35 | |
They've been forced to change their plans once, | 0:25:35 | 0:25:38 | |
here's hoping it's plain sailing from here on in. | 0:25:38 | 0:25:41 | |
In Sussex, there's been some big changes to Sarah's charging station. | 0:25:50 | 0:25:55 | |
It's just arrived back from a special technician | 0:25:56 | 0:25:59 | |
and if you didn't think she was cuckoo before, | 0:25:59 | 0:26:02 | |
wait till you see a load of this. | 0:26:02 | 0:26:04 | |
Well, I've had a really fun idea for the cuckoo clock. | 0:26:06 | 0:26:09 | |
So I just thought I'm going to throw caution to the wind | 0:26:09 | 0:26:11 | |
and turn it into something really kitsch and cool. | 0:26:11 | 0:26:14 | |
So the cuckoo clock has been flocked. | 0:26:14 | 0:26:16 | |
Flocking is the process of adding thousands of tiny particles | 0:26:19 | 0:26:23 | |
of fluff to an object covered in a fine coat of glue. | 0:26:23 | 0:26:28 | |
It gives the item a velvety feel. | 0:26:28 | 0:26:30 | |
It was very popular in the 1970s on wallpapers, but truth be told, | 0:26:30 | 0:26:36 | |
you can flock almost anything. | 0:26:36 | 0:26:38 | |
It's flocking marvellous. | 0:26:38 | 0:26:39 | |
Look at these two. Aren't they amazing? | 0:26:41 | 0:26:43 | |
Look at that really vibrant, lovely pink. | 0:26:43 | 0:26:46 | |
I've mixed it up a bit and I've got a few different tones of pink here, | 0:26:46 | 0:26:49 | |
so when I put it all together, it should kind of layer up | 0:26:49 | 0:26:52 | |
so it looks really pretty. | 0:26:52 | 0:26:53 | |
But this stuff, stunning, isn't it? | 0:26:53 | 0:26:56 | |
So all I've got to do now is put it together, and hopefully | 0:26:56 | 0:26:59 | |
we'll end up with something that is truly unique. | 0:26:59 | 0:27:01 | |
When Sarah saved this cuckoo clock from the scrapheap, | 0:27:03 | 0:27:06 | |
it was beyond repair, but now... | 0:27:06 | 0:27:09 | |
It's time has come to be born again | 0:27:12 | 0:27:15 | |
as a retro-chic and completely unique smartphone-charging station. | 0:27:15 | 0:27:20 | |
It's functional and eye-catching, | 0:27:24 | 0:27:26 | |
a classic cuckoo-clock design given a bold and brash spin. | 0:27:26 | 0:27:30 | |
The vibrant shades of playful pink give it a pop-art feel. | 0:27:32 | 0:27:36 | |
It's one of a kind, uber-cool and utterly brilliant. | 0:27:40 | 0:27:44 | |
Well, it's definitely kitsch, isn't it? | 0:27:49 | 0:27:51 | |
And I think it's beautiful, it's definitely useful, | 0:27:51 | 0:27:53 | |
and I'm just hoping it's saleable. | 0:27:53 | 0:27:55 | |
It was almost lost for ever, but Sarah saved Richard's broken clock. | 0:27:58 | 0:28:03 | |
What are you chucking out today, then? | 0:28:03 | 0:28:05 | |
Well, it's a cuckoo clock, a very nice cuckoo clock... | 0:28:05 | 0:28:08 | |
I hate throwing it out, but...it's going to cost a lot to repair. | 0:28:08 | 0:28:14 | |
She couldn't fix it, but she did find a way to repurpose it. | 0:28:14 | 0:28:18 | |
Sarah paid £72 to have the clock flocked, | 0:28:20 | 0:28:24 | |
plus 12 for a charger, making her total spend £84. | 0:28:24 | 0:28:29 | |
She sold the charging station to Velvet Moon, | 0:28:30 | 0:28:33 | |
a craft shop in Glasgow, and is now on her way to Richard's home | 0:28:33 | 0:28:37 | |
near Witley to hand over the profit. | 0:28:37 | 0:28:39 | |
DOORBELL RINGS | 0:28:40 | 0:28:43 | |
-Hi there, hello. -Hello. | 0:28:43 | 0:28:45 | |
-Richard, hi, it's Sarah. -Sarah. | 0:28:45 | 0:28:47 | |
-Hi there, nice to see you again. -Nice to see you, this is... | 0:28:47 | 0:28:49 | |
-Oh, hello there. Hi, I'm Sarah. -Hello, I'm Anne. | 0:28:49 | 0:28:51 | |
-Anne, hi there, how do you do? -Hi. | 0:28:51 | 0:28:53 | |
Now, I actually took your cuckoo clock to... | 0:28:53 | 0:28:55 | |
-I think it's a horologist, isn't it...? -Oh, yes. -Yeah. | 0:28:55 | 0:28:57 | |
..to see, and it was at least £150 just to get somebody to look at it, | 0:28:57 | 0:29:01 | |
so I know why you were taking it to the tip. | 0:29:01 | 0:29:03 | |
-That's why I went to the dump! -That's right. -Yes! | 0:29:03 | 0:29:05 | |
Having not been able to get it going, I had to think of something else to do, | 0:29:05 | 0:29:08 | |
so I've got some pictures to show you how it ended up. | 0:29:08 | 0:29:10 | |
-Hopefully you'll be pleasantly surprised. Here is... -Oh, no! -Yeah. | 0:29:10 | 0:29:14 | |
ALL LAUGH | 0:29:14 | 0:29:15 | |
-I knew I was going to get that reaction! -Wow! -That's lovely. | 0:29:15 | 0:29:18 | |
-Gosh, it's gone pink. Fantastic. -Isn't that fantastic? -Wow. | 0:29:18 | 0:29:22 | |
So it is now a phone charger. | 0:29:22 | 0:29:25 | |
-Wonderful. Oh, how clever! -A phone charger, yeah. | 0:29:25 | 0:29:29 | |
-And it was flocked. -Oh! -Lovely! -ALL LAUGH | 0:29:29 | 0:29:33 | |
-So it has had a new lease of life. -That is amazing. -Yes. | 0:29:33 | 0:29:35 | |
It is definitely in the pink and it has been bought by a shop | 0:29:35 | 0:29:39 | |
-who specialises in that kind of thing... -Oh, really? -Oh. | 0:29:39 | 0:29:41 | |
-..and I do have a little bit of money to hand over to you. -Oh, good! | 0:29:41 | 0:29:44 | |
-Oh! -It didn't make a fortune... -I'm sure it didn't! | 0:29:44 | 0:29:46 | |
-..but I have got £26 here... -Oh! | 0:29:46 | 0:29:50 | |
..for your old cuckoo clock and I hope you don't mind this now? | 0:29:50 | 0:29:52 | |
That is fantastic. I mean, as it was going in the tip, um... | 0:29:52 | 0:29:56 | |
You know, I don't want that, so it'll go up to the church, | 0:29:56 | 0:29:59 | |
-where she... You know, up at Witley. -Yes. -Oh, fantastic. | 0:29:59 | 0:30:02 | |
So, you know, we're about to spend a lot of money on outside | 0:30:02 | 0:30:05 | |
decoration and so on, and a sound system, so it'll go into that pot. | 0:30:05 | 0:30:10 | |
I'm so pleased that's going to somewhere so close to your heart. | 0:30:10 | 0:30:13 | |
-Thank you very much. -Great, well, thank you so much for the clock. | 0:30:13 | 0:30:16 | |
-Well, lovely, that was a wonderful surprise. -That's very sweet of you. | 0:30:16 | 0:30:19 | |
-Thanks very much. -Bye-bye, thank you ever so much. -Bye! | 0:30:19 | 0:30:23 | |
Sarah spent a total of £84 transforming the cuckoo clock. | 0:30:25 | 0:30:31 | |
She sold it for 110, | 0:30:31 | 0:30:32 | |
turning a profit of £26 for Richard and his wife Anne. | 0:30:32 | 0:30:37 | |
In Wolverhampton, at Jay's workshop... | 0:30:41 | 0:30:44 | |
..he's getting prepped for Sarah's arrival to give the thumbs up | 0:30:46 | 0:30:49 | |
or down to his handiwork. | 0:30:49 | 0:30:51 | |
It is perhaps no surprise that those two bamboo chairs | 0:30:56 | 0:31:00 | |
were destined to the tip. | 0:31:00 | 0:31:01 | |
They're short on style and even though there is | 0:31:01 | 0:31:04 | |
a little bit of bamboo and wicker creeping back into fashion, | 0:31:04 | 0:31:07 | |
they just didn't have the look. | 0:31:07 | 0:31:08 | |
But I'm hoping with all Jay's skills, | 0:31:08 | 0:31:10 | |
he's managed to make them look desirable and saleable. | 0:31:10 | 0:31:14 | |
Has Jay succeeded in transforming these '80s chairs? | 0:31:15 | 0:31:19 | |
He's added a dash of contemporary panache. | 0:31:24 | 0:31:27 | |
The addition of the floral fabric adds a timeless classic quality. | 0:31:30 | 0:31:35 | |
And with a deep cushion, well, that just looks oh so comfy. | 0:31:43 | 0:31:48 | |
And as for that drippy, distressed motif, | 0:31:52 | 0:31:56 | |
it's now a golden glint down one side - a stylish touch. | 0:31:56 | 0:32:00 | |
For Sarah's viewing, Jay's hiding the floral design. | 0:32:03 | 0:32:07 | |
He's such a tease! | 0:32:07 | 0:32:10 | |
-How are things? -Very good, very good. | 0:32:13 | 0:32:16 | |
BOTH LAUGH | 0:32:16 | 0:32:17 | |
-Are you good? -They're different. They're different. | 0:32:17 | 0:32:20 | |
They are different. | 0:32:20 | 0:32:22 | |
Uh-oh, is that different good, or different bad? | 0:32:22 | 0:32:25 | |
That's just... This is the bottom fabric, if that makes sense? | 0:32:26 | 0:32:30 | |
OK, are you saying there's... there's another dimension? | 0:32:30 | 0:32:33 | |
Oh, yeah, there's another dimension. | 0:32:33 | 0:32:35 | |
So we've got to turn them over... | 0:32:35 | 0:32:36 | |
Different good! Excellent. | 0:32:44 | 0:32:47 | |
Great, thanks, lovely. Er, I'll take those. | 0:32:47 | 0:32:50 | |
-They're cool! -You like 'em, yeah? | 0:32:50 | 0:32:53 | |
Yeah, they're good. They're really good. | 0:32:53 | 0:32:54 | |
They're strong and they were weak, and that is amazing to achieve that. | 0:32:54 | 0:32:58 | |
And you've got a real chunk of comfort in that... | 0:32:58 | 0:33:01 | |
Chunk of a cushion there, chunk of a cushion. | 0:33:01 | 0:33:03 | |
Cos the problem that I had before is when you sit on them, | 0:33:03 | 0:33:06 | |
the bamboo's really... | 0:33:06 | 0:33:08 | |
it comes through the thin cushion, and personally, | 0:33:08 | 0:33:12 | |
I really like the fabric, I must say, it's really, really nice. | 0:33:12 | 0:33:15 | |
I haven't gone for this print right in the centre because there's | 0:33:15 | 0:33:18 | |
so much going on here that I thought | 0:33:18 | 0:33:21 | |
do it a little bit off-centre, similar with that one as well. | 0:33:21 | 0:33:24 | |
Rather than use the fabric in exactly the same way that | 0:33:24 | 0:33:27 | |
everybody would, it's just doing it a little bit off-centre, | 0:33:27 | 0:33:30 | |
which makes it look really, really cool, I think. | 0:33:30 | 0:33:32 | |
They look classy, they look designer and they look expensive! | 0:33:32 | 0:33:37 | |
They do look expensive, I must admit. | 0:33:37 | 0:33:39 | |
70 quid each we left on them, did they come in on budget? | 0:33:39 | 0:33:42 | |
Bang on budget, £70 each, yeah. They look really, really expensive. | 0:33:42 | 0:33:46 | |
I really do like them, | 0:33:46 | 0:33:48 | |
I never really liked them when you brought them in. | 0:33:48 | 0:33:50 | |
-I thought they were horrible. -Horrible? -Yeah! | 0:33:50 | 0:33:53 | |
He's dissing my skip finds again! I don't have... | 0:33:53 | 0:33:56 | |
-I don't shop for my stuff, OK? -I know you don't. | 0:33:56 | 0:33:59 | |
I need to drag it | 0:33:59 | 0:34:00 | |
kicking and screaming off a recycling centre, so... | 0:34:00 | 0:34:03 | |
I love what you've done to them. | 0:34:03 | 0:34:05 | |
I think you've given them every chance of going back into | 0:34:05 | 0:34:08 | |
somebody's house and being loved again. | 0:34:08 | 0:34:10 | |
-Thank you. -Nailed it again, Blades. -HE LAUGHS | 0:34:10 | 0:34:13 | |
Right, thanks for that. | 0:34:13 | 0:34:15 | |
That's a job well done, Jay. | 0:34:15 | 0:34:17 | |
These chairs are as exciting as I could possibly have hoped for. | 0:34:19 | 0:34:23 | |
They have got heaps of character now. | 0:34:23 | 0:34:25 | |
They are crispy, clean, exciting things | 0:34:25 | 0:34:28 | |
that I can sell and hopefully make some money on. | 0:34:28 | 0:34:31 | |
Xana was moving home and clearing out when Sarah spied this pair. | 0:34:35 | 0:34:39 | |
I've had them years and years and years and nobody's ever liked them. | 0:34:40 | 0:34:44 | |
I think you should give them to me and you should see | 0:34:44 | 0:34:46 | |
if I can make something exciting out of them for you. | 0:34:46 | 0:34:48 | |
It's much better to recycle and... | 0:34:49 | 0:34:52 | |
I did feel a bit guilty bringing them. | 0:34:52 | 0:34:54 | |
But maybe if they can be refreshed, they'll have a new life. | 0:34:54 | 0:34:57 | |
And that's exactly what happened. | 0:34:58 | 0:35:01 | |
With a striking new look, Sarah sold the chairs to Nick Smith, | 0:35:04 | 0:35:09 | |
a regular client of hers whose online shop specialises | 0:35:09 | 0:35:12 | |
in retro and recycled items. | 0:35:12 | 0:35:15 | |
And now, Sarah's going to tell Xana the good news. | 0:35:15 | 0:35:19 | |
-Hi there. -Ah, hello. | 0:35:21 | 0:35:22 | |
-Hello. -Hi, good to see you. -And you. So, is this...? | 0:35:22 | 0:35:25 | |
This is where you were moving to when I saw you at the tip? | 0:35:25 | 0:35:27 | |
-Yeah, yeah, yeah. This is it. -How did it go? | 0:35:27 | 0:35:29 | |
You said you had loads of bits that you were clearing out, have you...? | 0:35:29 | 0:35:32 | |
We did, we've spent all summer whittling it down | 0:35:32 | 0:35:35 | |
and finally we're all sorted now. | 0:35:35 | 0:35:37 | |
Um, your chairs went all the way to Wolverhampton | 0:35:37 | 0:35:40 | |
to a fantastic guy called Jay Blades who specialises in taking | 0:35:40 | 0:35:42 | |
furniture like yours and giving it a whole new lease of life, and | 0:35:42 | 0:35:45 | |
I've got some pictures to show you. | 0:35:45 | 0:35:47 | |
-I'd love to see it. -How about that? | 0:35:47 | 0:35:49 | |
Wow! That looks amazing! Oh, gosh. They're so different. | 0:35:49 | 0:35:53 | |
They're lovely. | 0:35:53 | 0:35:55 | |
And for some reason I thought they were going to be | 0:35:55 | 0:35:57 | |
a sort of khaki colour. | 0:35:57 | 0:35:58 | |
I don't know why - I didn't expect them to be black. | 0:35:58 | 0:36:01 | |
The cushion pads are absolutely beautiful and really lovely fabric. | 0:36:01 | 0:36:03 | |
They're really comfortable as well, they've got that big, | 0:36:03 | 0:36:06 | |
-squashy seat pad on them. -Yeah, because they were really... | 0:36:06 | 0:36:09 | |
I had quite thin pads and after a while they were a bit sort of... | 0:36:09 | 0:36:11 | |
-That ten-minute chair where you want to stand up again? -Yeah. | 0:36:11 | 0:36:14 | |
They're not like that now and they're lovely and they have been | 0:36:14 | 0:36:16 | |
bought by a retro shop and I've got a little bit of profit to hand over. | 0:36:16 | 0:36:20 | |
-You're joking?! That's so good! -So, there is £25... | 0:36:20 | 0:36:24 | |
-There's...£5 there... -Wow! Thank you! | 0:36:24 | 0:36:26 | |
..and 20 quid there for you. | 0:36:26 | 0:36:28 | |
Well, that's not bad for some... some old junk! Thank you very much. | 0:36:28 | 0:36:31 | |
What might you do with that little...lot? | 0:36:31 | 0:36:33 | |
Well, I don't think we'll need to buy any more chairs, | 0:36:33 | 0:36:36 | |
but it'll probably go towards something else that we need here, | 0:36:36 | 0:36:39 | |
so that's very helpful. | 0:36:39 | 0:36:40 | |
-Lovely, OK, well, really great to catch up. -You too. | 0:36:40 | 0:36:42 | |
-Thank you very much for letting me have your chairs. -You're welcome. -Bye-bye! -Bye-bye. | 0:36:42 | 0:36:46 | |
Jay charged Sarah £140. | 0:36:48 | 0:36:51 | |
She sold them for 165, giving £25 profit to Xana. | 0:36:51 | 0:36:57 | |
In South London... | 0:37:05 | 0:37:07 | |
..Tom and Johnny are ready to reveal the fruits of their labour to Sarah. | 0:37:09 | 0:37:14 | |
Ever since I dropped it off, | 0:37:19 | 0:37:20 | |
I have been wondering if Tom and Johnny have been able to find | 0:37:20 | 0:37:23 | |
any redeeming features to transform that old kitchen cabinet | 0:37:23 | 0:37:26 | |
into something that you'd want to have in your house | 0:37:26 | 0:37:29 | |
and that I can sell for a profit. | 0:37:29 | 0:37:30 | |
Have the lads achieved the perfect combo of style and practicality? | 0:37:32 | 0:37:38 | |
They've done a marvellous job! | 0:37:41 | 0:37:44 | |
The replacement beech worktop has been sanded down | 0:37:49 | 0:37:52 | |
and finished with a clear varnish. | 0:37:52 | 0:37:54 | |
It's a strong and sturdy bit of solid wood, | 0:37:55 | 0:37:58 | |
which adds character and quality. | 0:37:58 | 0:38:01 | |
The original metal handles have scrubbed up a treat | 0:38:04 | 0:38:07 | |
and add to the heavyweight feel. | 0:38:07 | 0:38:09 | |
This cabinet was built to last and now it's ready to take | 0:38:12 | 0:38:16 | |
pride of place in a new home. | 0:38:16 | 0:38:18 | |
Hello? | 0:38:19 | 0:38:21 | |
For now, though, it's hidden away, ready for the grand unveiling. | 0:38:22 | 0:38:26 | |
-How are you? -Good, and you? -How are you doing? | 0:38:27 | 0:38:29 | |
-Really nice to see you. -You too. -Nice to see you again. | 0:38:29 | 0:38:31 | |
-Oh, it's under wraps. -It is, yeah. | 0:38:31 | 0:38:33 | |
-Is that a good thing or not? -You'll see in a second. | 0:38:33 | 0:38:36 | |
Guys, that's amazing! I cannot believe that. It's great. | 0:38:38 | 0:38:43 | |
It looks fresh and modern and really cool, doesn't it? | 0:38:43 | 0:38:45 | |
-The finish is fantastic. It looks brand-new. -Yep. | 0:38:45 | 0:38:49 | |
-Retro style... -Yeah. -..but brand-new. -Mm-hm. | 0:38:49 | 0:38:51 | |
We used all the original fittings, they cleaned up really nice, | 0:38:51 | 0:38:54 | |
so we didn't even have to change them, so, yeah. | 0:38:54 | 0:38:56 | |
Look at you! That's so clever. | 0:38:56 | 0:38:59 | |
I did not think that it would have that much style and that much | 0:38:59 | 0:39:02 | |
distinction about it, because it was awful when I dropped it off, | 0:39:02 | 0:39:05 | |
-wasn't it? -Yeah, it didn't look great. | 0:39:05 | 0:39:07 | |
And a great chunk of timber on the top that adds gravitas to it. | 0:39:07 | 0:39:10 | |
And it's much thicker, which is nice, | 0:39:10 | 0:39:12 | |
cos it gives it a bit more kind of weight to it. | 0:39:12 | 0:39:14 | |
-Before it looked quite flimsy, whereas now it looks really solid. -Mm. | 0:39:14 | 0:39:17 | |
There's nothing lightweight about this piece of furniture, | 0:39:18 | 0:39:22 | |
but have the boys kept within their £260 budget? | 0:39:22 | 0:39:26 | |
How did you come out on costs for it? | 0:39:27 | 0:39:29 | |
Yeah, we went a bit over, but not too much. About £35 over. | 0:39:29 | 0:39:32 | |
Mainly on materials, cos it took so long to clean it and strip it and... | 0:39:32 | 0:39:36 | |
-Mm. -You know, lots of sandpaper, lots of wire wool and stripper. | 0:39:36 | 0:39:39 | |
Yeah, and we decided to go for a better-quality paint, | 0:39:39 | 0:39:42 | |
which was definitely worth it. | 0:39:42 | 0:39:44 | |
I know, well, it's got a lovely sort of matt look to it, hasn't it? | 0:39:44 | 0:39:47 | |
It's a good choice and you've done well to match that up. | 0:39:47 | 0:39:51 | |
So I think to make that out of what I left with you is a great job, | 0:39:51 | 0:39:56 | |
really, very cool. | 0:39:56 | 0:39:58 | |
-So thank you so much. -Cheers. -Cool, no problem. | 0:39:58 | 0:40:01 | |
-Brilliant. -Cheers. | 0:40:01 | 0:40:03 | |
Tom and Johnny have worked wonders. | 0:40:03 | 0:40:06 | |
This cabinet combines utility and beauty. | 0:40:06 | 0:40:09 | |
Sarah met Julie when she brought the cabinet to the tip for a friend. | 0:40:11 | 0:40:15 | |
-Hello. -Hello. | 0:40:15 | 0:40:16 | |
-That's really sweet, isn't it? -It's very old and tatty now and no use. | 0:40:16 | 0:40:22 | |
I'm sure if you've got the time, vision and the inclination | 0:40:22 | 0:40:27 | |
to do these sort of things, it'll come out lovely. | 0:40:27 | 0:40:29 | |
And we knew a couple of craftsmen who had all three. | 0:40:29 | 0:40:33 | |
And then it was time to sell. | 0:40:36 | 0:40:38 | |
Sarah posted pictures online | 0:40:42 | 0:40:45 | |
and hosted a pop-up barn sale to showcase the cabinet. | 0:40:45 | 0:40:49 | |
Now she's off to meet Julie once again, along with her friend - | 0:40:52 | 0:40:55 | |
also called Sarah, who originally owned the cabinet - | 0:40:55 | 0:40:59 | |
to show them its new look. | 0:40:59 | 0:41:01 | |
-Hello! -Hi there. -Hi! | 0:41:02 | 0:41:03 | |
-Oh, and Sarah. Hi there. How do you do? -Hello! | 0:41:03 | 0:41:05 | |
Nice to see you. | 0:41:05 | 0:41:07 | |
-Oh, are you in the wars? -No, a broken hand. | 0:41:07 | 0:41:11 | |
Oh, dear, oh, dear. | 0:41:11 | 0:41:12 | |
So you were helping out and diligently dropping off | 0:41:12 | 0:41:16 | |
-the old kitchen cabinet when I last saw you. -Yes, that's right. Yes. | 0:41:16 | 0:41:19 | |
Did you think what we might do with it when we took it away? | 0:41:19 | 0:41:22 | |
Not really, no, I couldn't see any sort of... | 0:41:22 | 0:41:24 | |
-..improvement to it, do you know what I mean? -Yeah. | 0:41:26 | 0:41:28 | |
Well, it went to some lovely guys, they're called Tom and Johnny, | 0:41:28 | 0:41:33 | |
who are based down in Croydon and they are proper furniture restorers | 0:41:33 | 0:41:38 | |
and so they're used to putting a very fine finish on things. | 0:41:38 | 0:41:40 | |
So I've got some pictures to show you of it. | 0:41:40 | 0:41:42 | |
-So here is the restored kitchen cabinet. -Oh, my word! | 0:41:42 | 0:41:47 | |
That is wonderful! | 0:41:47 | 0:41:48 | |
-It's good, isn't it? -It is. | 0:41:48 | 0:41:50 | |
They have completely restored it... | 0:41:50 | 0:41:52 | |
-Yeah, yeah. -..and they've given it a new chunky top. | 0:41:52 | 0:41:55 | |
-Ah! -All of the drawers completely relined. -Same handles? | 0:41:55 | 0:42:00 | |
Yeah, same handles, they kept all of the detail that they could. | 0:42:00 | 0:42:03 | |
It's surprising what you can do if you have the foresight, | 0:42:03 | 0:42:07 | |
-you know, that's marvellous. -It's beautifully restored. | 0:42:07 | 0:42:09 | |
-Could be an island, couldn't it? You know, a kitchen island. -Exactly. | 0:42:09 | 0:42:12 | |
Yeah. | 0:42:12 | 0:42:13 | |
It's something that's still for sale, so they have made it | 0:42:13 | 0:42:17 | |
-look amazing and I have high hopes that it will be soon sold... -Yes. | 0:42:17 | 0:42:21 | |
-..and I can come back to you with some profit. -Oh! | 0:42:21 | 0:42:24 | |
But it is a really lovely piece and all the bones of it have been saved. | 0:42:24 | 0:42:29 | |
-It's gorgeous. -Great. | 0:42:29 | 0:42:30 | |
-Really nice to catch up. -OK, thank you. -Bye-bye! | 0:42:30 | 0:42:32 | |
-Thank you. -Bye! | 0:42:32 | 0:42:33 | |
Well, I think Julie and Sarah really appreciated Tom and Johnny's | 0:42:37 | 0:42:41 | |
hard work in transforming that old kitchen cabinet, | 0:42:41 | 0:42:43 | |
they certainly brought it back to life. | 0:42:43 | 0:42:46 | |
Tom and Johnny charged almost £300 for the restoration. | 0:42:48 | 0:42:52 | |
The cabinet is still to sell, so that might mean a loss of £295. | 0:42:52 | 0:42:58 | |
But I'm sure it won't be long before the cabinet is taking | 0:42:58 | 0:43:02 | |
pride of place in a new home. | 0:43:02 | 0:43:04 | |
Sarah saved three unwanted items from the skip and now, | 0:43:08 | 0:43:12 | |
rather than being chucked in the landfill, | 0:43:12 | 0:43:15 | |
they've been given a new lease of life. | 0:43:15 | 0:43:18 | |
Well, we've made a little bit of money along the way, | 0:43:22 | 0:43:25 | |
but what's been really special is that I've met some great people | 0:43:25 | 0:43:28 | |
and we've seen three tip finds transformed into amazing new items. | 0:43:28 | 0:43:33 |