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Got to be able to do something with that, haven't I? | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:07 | 0:00:09 | |
I'm going to take one, and be back for the other. | 0:00:09 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes of household waste | 0:00:11 | 0:00:16 | |
we throw out every year. | 0:00:16 | 0:00:18 | |
They're beautiful. | 0:00:19 | 0:00:21 | |
That's why entrepreneur, Sarah Moore, wants to get her hands | 0:00:22 | 0:00:25 | |
on things before they hit the skip. | 0:00:25 | 0:00:28 | |
I'm a passionate user, maker and buyer of old stuff, | 0:00:30 | 0:00:34 | |
and I've turned my passion into a money-making business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff, and I sell it for a profit. | 0:00:37 | 0:00:41 | |
And, with some of the country's elite designers and makers... | 0:00:41 | 0:00:46 | |
You like to set a challenge for me, don't you? | 0:00:46 | 0:00:48 | |
-Nice! -..she can transform her finds into desirable... | 0:00:48 | 0:00:53 | |
-Isn't that clever? -..valuable... | 0:00:53 | 0:00:57 | |
What an original piece of design! | 0:00:57 | 0:00:59 | |
..and, hopefully, saleable items. | 0:00:59 | 0:01:02 | |
Oh, no way! | 0:01:02 | 0:01:03 | |
If Sarah is successful, | 0:01:03 | 0:01:05 | |
then she can hand the profits back to the very people who had no idea | 0:01:05 | 0:01:09 | |
there was cash to be made from their trash. | 0:01:09 | 0:01:13 | |
Oh, my God! That is amazing! | 0:01:13 | 0:01:16 | |
Welcome to the Altrincham recycling centre in greater Manchester, | 0:01:25 | 0:01:29 | |
where carload after carload of rubbish is tossed every day. | 0:01:29 | 0:01:33 | |
Waste whisperer, Sarah Moore, is hoping to rescue some of it, | 0:01:36 | 0:01:40 | |
before it meets the crusher. | 0:01:40 | 0:01:42 | |
Where other people see rubbish, I see only the finest ingredients | 0:01:44 | 0:01:47 | |
that, with a soupcon of scrap, and a dash of inspiration, | 0:01:47 | 0:01:51 | |
I could be cooking up some real money for nothing. | 0:01:51 | 0:01:54 | |
Sarah's in with the in crowd, and has been granted freedom of the tip | 0:01:55 | 0:02:00 | |
to see what she can salvage. | 0:02:00 | 0:02:02 | |
Community spirit around here is lovely. | 0:02:02 | 0:02:04 | |
She's got to hook three compelling curios that she'll reel in | 0:02:04 | 0:02:08 | |
-and convert into cash. -Interesting to see what comes in. | 0:02:08 | 0:02:11 | |
You never know what it's going to be. | 0:02:11 | 0:02:13 | |
Sarah's first catch of the day is Simon, who's arrived with some | 0:02:15 | 0:02:19 | |
exquisite, er...rusty gubbins. | 0:02:19 | 0:02:22 | |
Are they going in there, then? | 0:02:22 | 0:02:24 | |
-They are indeed. -They're quite cool, aren't they? | 0:02:24 | 0:02:27 | |
Well, I'm throwing them away, so I'm not thinking they're all that cool! | 0:02:27 | 0:02:30 | |
No, obviously not. OK, for me, they look quite cool. | 0:02:30 | 0:02:33 | |
Are these out of the garden, then? | 0:02:33 | 0:02:34 | |
They're an old and decrepit fence that's needed replacing | 0:02:34 | 0:02:37 | |
at the back of the garden for far too long. | 0:02:37 | 0:02:40 | |
I love that colour on them, cos you just can't fake that when | 0:02:40 | 0:02:43 | |
you're trying to make something look old. | 0:02:43 | 0:02:45 | |
They call it patina these days. | 0:02:45 | 0:02:47 | |
"PaTEENa" or "PATTina" is really just a fancy word for rust. | 0:02:47 | 0:02:51 | |
I've got loads of stuff you might consider patina. | 0:02:53 | 0:02:56 | |
I can see you're talking on my wavelength already! | 0:02:56 | 0:02:58 | |
Should I not be throwing this stuff away? | 0:02:58 | 0:03:00 | |
It literally is falling apart, isn't it? | 0:03:00 | 0:03:02 | |
Chuck it my way, and that'll be fantastic. | 0:03:02 | 0:03:05 | |
Railings like these are relatively scarce, | 0:03:05 | 0:03:07 | |
as many were donated for the war effort during the 1940s. | 0:03:07 | 0:03:11 | |
It looks like Sarah's going to give these ones the chance of another | 0:03:11 | 0:03:15 | |
life as well. But what does Simon think is in store for them? | 0:03:15 | 0:03:19 | |
I like the idea of anything being recycled and re-loved. | 0:03:19 | 0:03:22 | |
I really do. But, you know, | 0:03:22 | 0:03:23 | |
what she'll do with them is a little bit beyond me, really. | 0:03:23 | 0:03:27 | |
The mind boggles. | 0:03:27 | 0:03:29 | |
I think Sarah's mind might have completely boggled this time! | 0:03:29 | 0:03:32 | |
I'm sure she knows what she's doing, though. | 0:03:32 | 0:03:35 | |
They're rusty, covered in old paint, they've been cut up, | 0:03:35 | 0:03:37 | |
they nearly got chucked into a skip. | 0:03:37 | 0:03:39 | |
But I think these railings have a charm about them that has to be | 0:03:39 | 0:03:43 | |
useful in transforming them into something else. | 0:03:43 | 0:03:46 | |
Hmm. Like what, exactly? | 0:03:46 | 0:03:47 | |
It's definitely going to be a challenge. | 0:03:47 | 0:03:50 | |
Sarah won't sit on the fence for long. She's got someone in mind with | 0:03:50 | 0:03:53 | |
the steely determination to forge something new out of that scrap. | 0:03:53 | 0:03:58 | |
Daniel Heath is an award-winning wallpaper and textile designer, | 0:04:02 | 0:04:06 | |
but he's not afraid of getting down and dirty with reclaimed materials | 0:04:06 | 0:04:10 | |
to make unique furniture and contemporary design pieces. | 0:04:10 | 0:04:14 | |
I love what I do because of | 0:04:17 | 0:04:18 | |
the challenges that come from every project. | 0:04:18 | 0:04:20 | |
There's never really two projects that are the same. | 0:04:20 | 0:04:24 | |
Every brief is different, and every client is different, and wants me to | 0:04:24 | 0:04:28 | |
produce something unique for them, | 0:04:28 | 0:04:29 | |
so that obviously has an array of challenges I have to face every day. | 0:04:29 | 0:04:35 | |
Each one that comes along is different, and that's the joy of it. | 0:04:36 | 0:04:39 | |
Daniel may love to work with reclaimed materials, | 0:04:39 | 0:04:42 | |
but he might be struggling to feel the joy when Sarah turns up | 0:04:42 | 0:04:46 | |
with these rusty old railings. | 0:04:46 | 0:04:48 | |
Sarah's successfully snaffled up her first item, | 0:04:51 | 0:04:54 | |
but she's got another two still to find. | 0:04:54 | 0:04:57 | |
-Nothing. -Nothing. -But you never know. | 0:05:00 | 0:05:02 | |
Undeterred, she's snooping around Luke, | 0:05:02 | 0:05:05 | |
who's getting limber with some timber. | 0:05:05 | 0:05:08 | |
-Hiya. -Hello. | 0:05:08 | 0:05:09 | |
You've had a smashing time this morning, then! | 0:05:09 | 0:05:12 | |
Yep, as you can see, lots of fun. | 0:05:12 | 0:05:14 | |
Talk me through this, then, was it in your...? | 0:05:15 | 0:05:17 | |
Is that a hall cupboard you're chucking out? | 0:05:17 | 0:05:19 | |
We've moved into a new house, there's some old cupboards, | 0:05:19 | 0:05:22 | |
they need getting rid of. | 0:05:22 | 0:05:23 | |
I do like the look of the doors that you're chucking out, | 0:05:24 | 0:05:26 | |
because they look like they're still nice and solid. | 0:05:26 | 0:05:29 | |
-Yeah, they are. -Some nice chunky pieces of timber | 0:05:29 | 0:05:32 | |
there I might be able to use for something, so if I could | 0:05:32 | 0:05:35 | |
take them away and maybe show you if | 0:05:35 | 0:05:37 | |
-I managed to make anything out of them. -Sounds great. | 0:05:37 | 0:05:39 | |
That really is just a pile of old wood. | 0:05:39 | 0:05:42 | |
Sarah's got her work cut out if she's going to pound out a profit | 0:05:42 | 0:05:46 | |
from those planks. | 0:05:46 | 0:05:47 | |
What does Luke think she can knock together? | 0:05:47 | 0:05:50 | |
It's solid wood, so you could make anything out of them, really. | 0:05:50 | 0:05:53 | |
It depends how much skill she's got, or how much skill her team has got. | 0:05:53 | 0:05:57 | |
Don't worry, Luke, Sarah's eye for awesome offcuts is never wrong. | 0:05:57 | 0:06:01 | |
Or, hardly ever. | 0:06:01 | 0:06:02 | |
I can never resist a really chunky bit of timber, | 0:06:02 | 0:06:05 | |
and these components from a 1940s house have got all the | 0:06:05 | 0:06:08 | |
right credentials to be made into something amazing, | 0:06:08 | 0:06:11 | |
and I've got just the person in mind to take on the job. | 0:06:11 | 0:06:14 | |
That's the bits for item two in a thoroughly organised heap. | 0:06:14 | 0:06:19 | |
Which lucky craftsman will be lumbered with them? | 0:06:19 | 0:06:22 | |
Norman Wilkinson, a master of his craft. | 0:06:28 | 0:06:31 | |
With 25 years' experience in the furniture making business, | 0:06:31 | 0:06:35 | |
what he doesn't know about wood isn't worth knowing. | 0:06:35 | 0:06:38 | |
I love the timber, I love the finishing of it, I love the product. | 0:06:38 | 0:06:42 | |
It's everything that makes me tick. | 0:06:42 | 0:06:45 | |
Yeah, there is a passion for it because there's no point getting up | 0:06:45 | 0:06:48 | |
in the morning and not doing something you don't like. | 0:06:48 | 0:06:50 | |
Coming in and then picking up the wood and then turning it into | 0:06:50 | 0:06:53 | |
something lovely, you know, makes me happy. | 0:06:53 | 0:06:55 | |
And also using second-hand materials is a great joy. It's the old saying, | 0:06:57 | 0:07:01 | |
isn't it? Another man's rubbish is another man's... | 0:07:01 | 0:07:03 | |
Can't think of the saying now! | 0:07:04 | 0:07:06 | |
Another man's rubbish, in this instance, | 0:07:08 | 0:07:10 | |
is a couple of old doors and bits of random wood. | 0:07:10 | 0:07:13 | |
Bet you can't wait to get your hands on this little lot, Norman(!) | 0:07:13 | 0:07:16 | |
Sarah's not gone for the easy options. | 0:07:20 | 0:07:22 | |
She's bagged the beaten up railings | 0:07:22 | 0:07:24 | |
and the broken-down cupboard for her artisans. | 0:07:24 | 0:07:28 | |
Now she's on the lookout for an item of her own. | 0:07:28 | 0:07:30 | |
Let's hope there's something a little less dilapidated | 0:07:31 | 0:07:34 | |
in Jane's boot. | 0:07:34 | 0:07:36 | |
What lovely legs on those! | 0:07:36 | 0:07:38 | |
They are nice, aren't they? | 0:07:40 | 0:07:41 | |
They're so nice, in fact, Jane's sorry to see them go, | 0:07:41 | 0:07:45 | |
but she's moving house and where she's going, | 0:07:45 | 0:07:48 | |
there's no room for these two. | 0:07:48 | 0:07:50 | |
They've got a lovely look to them. | 0:07:50 | 0:07:51 | |
They were utility, sort of 1950s... | 0:07:51 | 0:07:53 | |
'50s, '60s. I think one of them belonged to my mother. | 0:07:53 | 0:07:58 | |
They've got that certain look that people, you know, | 0:07:58 | 0:08:00 | |
want in their homes these days, | 0:08:00 | 0:08:02 | |
so if it would be all right to take them away...? | 0:08:02 | 0:08:04 | |
You're very welcome. I'd be pleased to let you have them. | 0:08:04 | 0:08:07 | |
-Lovely. -And I don't feel like I've wasted, A, my time or B, the stools. | 0:08:07 | 0:08:12 | |
Cos they are quite nice, aren't they? | 0:08:12 | 0:08:14 | |
They're sweet. Not quite a pair, but worth having a go at together. | 0:08:14 | 0:08:17 | |
-Yeah. You do that. -Lovely. | 0:08:17 | 0:08:18 | |
Well, thank you so much for your time. | 0:08:18 | 0:08:20 | |
Thank you for letting me have them. Have a good day. | 0:08:20 | 0:08:22 | |
-Thank you, bye-bye. -I see what you did there, Sarah - | 0:08:22 | 0:08:24 | |
bagged yourself some perfectly usable stools, | 0:08:24 | 0:08:27 | |
rather than some bits of utter rubbish. | 0:08:27 | 0:08:29 | |
How does Jane think Sarah will handle this transformation? | 0:08:29 | 0:08:33 | |
Well, I'm hoping she might sand them down, give them a rustic look, | 0:08:33 | 0:08:38 | |
and maybe put some better fabric on the seats, and make them pretty. | 0:08:38 | 0:08:42 | |
Maybe make some money out of it, who knows? | 0:08:42 | 0:08:44 | |
Well, that's pretty much the name of the game, Jane. | 0:08:44 | 0:08:46 | |
This style of stool was really common back in the '50s and '60s, | 0:08:46 | 0:08:50 | |
and, in fact, it's still being made today. | 0:08:50 | 0:08:52 | |
These are slightly older examples, I think, | 0:08:52 | 0:08:55 | |
and there's lots of interesting makeovers you can do with them. | 0:08:55 | 0:08:58 | |
I'm hoping that there's a few pounds to be made here. | 0:08:58 | 0:09:00 | |
With three items successfully saved, Sarah's work here is done. | 0:09:02 | 0:09:06 | |
The ripped apart cupboard will be placed in Norman's masterly care. | 0:09:06 | 0:09:11 | |
The rusty old railings will be given a new lease of life by Daniel, | 0:09:11 | 0:09:16 | |
and Sarah will set to work on the pair of stools. | 0:09:16 | 0:09:19 | |
I can't save every bit of rubbish that comes in here, | 0:09:20 | 0:09:24 | |
but I've had a really good go today, and I've got some cracking items, | 0:09:24 | 0:09:28 | |
all of which I know are going to make some money for nothing. | 0:09:28 | 0:09:31 | |
In Walthamstow, north-east London, | 0:09:37 | 0:09:39 | |
is the workshop of award-winning textile designer, Daniel Heath, | 0:09:39 | 0:09:43 | |
so who better to bring a pile of old rusty railings to? | 0:09:43 | 0:09:48 | |
Sarah's been in touch to tell him to expect the unexpected. | 0:09:48 | 0:09:53 | |
It seems like she's got something that I'm going to be | 0:09:53 | 0:09:56 | |
a bit unsure about, so I'm a little bit more anxious than normal. | 0:09:56 | 0:10:00 | |
I guess we'll have to, as ever, see what comes when it gets here. | 0:10:00 | 0:10:04 | |
Now, these aren't the type of materials that I | 0:10:06 | 0:10:08 | |
immediately think of when I think of Daniel's work, | 0:10:08 | 0:10:10 | |
but I've got a few ideas, and I'm hoping this old cast-iron | 0:10:10 | 0:10:14 | |
railing can be incorporated into something amazing, | 0:10:14 | 0:10:17 | |
that can be sold to make some money. | 0:10:17 | 0:10:20 | |
-Hiya. -Hello, how're you doing? | 0:10:22 | 0:10:24 | |
Really well, really well. | 0:10:24 | 0:10:26 | |
So, did you have any thoughts when I said it was mad? | 0:10:26 | 0:10:29 | |
Well, I had things pop into my mind, but... | 0:10:29 | 0:10:32 | |
OK, yeah, really, really quite bonkers! | 0:10:32 | 0:10:35 | |
-Yeah, it's like, "Let me out!" -Oh, God. OK. | 0:10:35 | 0:10:38 | |
Are they even sound? | 0:10:38 | 0:10:40 | |
Are they...? I mean... | 0:10:40 | 0:10:43 | |
Oh, they're OK. | 0:10:43 | 0:10:44 | |
-A bit crumbly. -Shall we take them in and have a...? | 0:10:44 | 0:10:47 | |
Crumbly! | 0:10:47 | 0:10:49 | |
I think you'll find that's a highly desirable patina, Daniel. | 0:10:49 | 0:10:53 | |
I think there's something about them that is really beautiful, | 0:10:55 | 0:11:00 | |
because of the colour. | 0:11:00 | 0:11:02 | |
I'm pretending they're not beaten up iron railings. | 0:11:02 | 0:11:05 | |
That's all very well for you, Sarah, | 0:11:05 | 0:11:07 | |
but it's Dan who has to work with those beaten up old railings. | 0:11:07 | 0:11:11 | |
From what I understand, because these are cast, they are brittle. | 0:11:11 | 0:11:16 | |
They're not the kind of material that is terribly nice to work with! | 0:11:16 | 0:11:21 | |
It just gets better and better, doesn't it, Daniel(?) | 0:11:21 | 0:11:24 | |
I've had a bit longer to think about them then you have, | 0:11:24 | 0:11:27 | |
but I'm sort of wondering whether they could be used as the support | 0:11:27 | 0:11:32 | |
-for a table. -Yeah. -A sort of console table or something. | 0:11:32 | 0:11:35 | |
-Sure, OK. OK. -You can see that, can't you? You can feel it? | 0:11:35 | 0:11:38 | |
Yeah, yeah. It's going to depend on what we pair up with it, | 0:11:38 | 0:11:41 | |
material wise, cos we can't do anything with them on their own. | 0:11:41 | 0:11:45 | |
They're going to have to have something that bolts them together, | 0:11:45 | 0:11:48 | |
or holds them together, and a surface involved in it somehow. | 0:11:48 | 0:11:52 | |
Something like a contemporary material, like Jesmonite, | 0:11:52 | 0:11:55 | |
-might work well. -Is Jesmonite, is it like compound? | 0:11:55 | 0:11:59 | |
Is that the pourable stuff? | 0:11:59 | 0:12:01 | |
It's pourable. It's like a synthetic stone. | 0:12:01 | 0:12:05 | |
-OK, so posh concrete. -Yeah. | 0:12:05 | 0:12:06 | |
Yeah, OK. You like a challenge, don't you? | 0:12:06 | 0:12:08 | |
I do, I do. | 0:12:08 | 0:12:10 | |
This is certainly one of those. | 0:12:10 | 0:12:12 | |
Great. One you're prepared to take on, though? | 0:12:12 | 0:12:14 | |
Well, they're here now, so I may as well! | 0:12:14 | 0:12:17 | |
-That's the spirit! -That's why we love our Daniel - | 0:12:17 | 0:12:20 | |
he never shies away from a challenge. | 0:12:20 | 0:12:22 | |
It'd be good to tie down a price where we think we might | 0:12:22 | 0:12:26 | |
-make some profit. -If we say a broad ballpark, 500-600. | 0:12:26 | 0:12:32 | |
OK, 500-600 quid. Nearer to five is always good, | 0:12:32 | 0:12:36 | |
but if you can make a £2,000 console table, then just go all the way! | 0:12:36 | 0:12:40 | |
-Thank you, Sarah. -Thanks ever so much! | 0:12:40 | 0:12:42 | |
-See you. -Bye. | 0:12:42 | 0:12:43 | |
It's a dirty job, and now it's Daniel's job. | 0:12:47 | 0:12:51 | |
He is going to create something just unbelievable out of those railings, | 0:12:51 | 0:12:55 | |
I know he's got this vision. | 0:12:55 | 0:12:57 | |
I have to wait and see what it is, though, because at the moment, | 0:12:57 | 0:13:00 | |
it's a long way from looking commercial. | 0:13:00 | 0:13:02 | |
These are a big challenge, and they're now in a real state. | 0:13:04 | 0:13:09 | |
Hopefully, we'll make something nice with it, as ever. | 0:13:09 | 0:13:13 | |
Daniel's wisely bid high for this work, as it will involve a lot of | 0:13:13 | 0:13:17 | |
experimentation and other materials. | 0:13:17 | 0:13:20 | |
But with £500-600 of costs, | 0:13:20 | 0:13:23 | |
it's going to have to be pretty special to turn a profit. | 0:13:23 | 0:13:26 | |
Over in East Sussex, | 0:13:32 | 0:13:33 | |
up-cycler extraordinaire and self-taught furniture maker, | 0:13:33 | 0:13:37 | |
Norman Wilkinson, is the doyen of the dovetail join, | 0:13:37 | 0:13:42 | |
but will he thank Sarah for bringing him a pile of broken wood? | 0:13:42 | 0:13:45 | |
It could either be a nice antique, or it could be a pile of rubbish. | 0:13:47 | 0:13:51 | |
But everything rubbish... | 0:13:51 | 0:13:53 | |
sometimes there's money can be made out of rubbish as well, | 0:13:53 | 0:13:56 | |
so let's just wait and see. | 0:13:56 | 0:13:58 | |
We have definitely got the bare bones of something really good here. | 0:13:59 | 0:14:03 | |
Lovely pair of cupboard doors, some nice bits of hardware. | 0:14:03 | 0:14:07 | |
Norman is going to have to take this on, | 0:14:07 | 0:14:09 | |
and turn it into something beautiful and useful. | 0:14:09 | 0:14:12 | |
Oh, Sarah, you don't ask for much, do you(?) | 0:14:12 | 0:14:15 | |
Come out here, see what I've got for you. | 0:14:15 | 0:14:17 | |
-Nice to see you. -And you, and you. | 0:14:17 | 0:14:18 | |
It look... I know, I know. | 0:14:18 | 0:14:20 | |
You have spoiled me today, I can really see, with this one(!) | 0:14:22 | 0:14:24 | |
Bring it in, and let's have a chat about it. | 0:14:24 | 0:14:27 | |
So, what's it going to be this time, Sarah? | 0:14:27 | 0:14:29 | |
A revolving bookcase? | 0:14:29 | 0:14:31 | |
His-and-hers welly boot taker-offerer? | 0:14:31 | 0:14:34 | |
I thought just a really lovely, simple wall cupboard. | 0:14:35 | 0:14:39 | |
Wall cupboard, OK. | 0:14:39 | 0:14:41 | |
Well, I wasn't expecting that! | 0:14:41 | 0:14:43 | |
Why don't we take the paint off and see where we go to, | 0:14:45 | 0:14:49 | |
and see what nice, pale colour we find. There might be some | 0:14:49 | 0:14:51 | |
nice, pale paint, and let's really, really go for it, | 0:14:51 | 0:14:54 | |
because you can see under there, there could be something. | 0:14:54 | 0:14:56 | |
How are we going to make this a wall cupboard? Are we making it | 0:14:56 | 0:14:59 | |
for a kitchen, or are we going to make it for a bathroom, | 0:14:59 | 0:15:02 | |
-or universal? -I... Kitchen. | 0:15:02 | 0:15:04 | |
Kitchen. Erm... | 0:15:04 | 0:15:07 | |
Well, looking at the doors and how they are... | 0:15:07 | 0:15:11 | |
..I think maybe we could take the panels out, | 0:15:12 | 0:15:16 | |
put some chicken wire in it, for a kitchen, | 0:15:16 | 0:15:17 | |
so it gives it a nice, different feel. | 0:15:17 | 0:15:20 | |
-Yeah. -Chicken wire, eh? | 0:15:20 | 0:15:22 | |
That WOULD be a different feel. | 0:15:22 | 0:15:24 | |
Not so much Boho chic as barnyard chick! | 0:15:24 | 0:15:27 | |
Chicken wire is still quite trendy, so I think it would be quite... | 0:15:29 | 0:15:32 | |
It's geometric. People love geometrics. | 0:15:32 | 0:15:34 | |
-You love geometric, don't you? -Well, do you know something? | 0:15:34 | 0:15:36 | |
There is an appealing-ness to the fact that it's so regular and even, | 0:15:36 | 0:15:40 | |
and I think mixing it up with old, new - I think it's in safe hands. | 0:15:40 | 0:15:44 | |
But we'd need to try and incorporate all this as well, | 0:15:44 | 0:15:48 | |
so, looking at the hooks, maybe we could, erm... | 0:15:48 | 0:15:51 | |
..put them under there so they can put their cups on them, | 0:15:53 | 0:15:55 | |
-or stuff like that. -I love it. Because what you're saying, | 0:15:55 | 0:15:58 | |
it's not too big, | 0:15:58 | 0:15:59 | |
it's not too small, if you can make it easy for me to sell | 0:15:59 | 0:16:01 | |
by putting something that DIYers could attach it to the wall with. | 0:16:01 | 0:16:05 | |
-We'll do that as well. -Brackets or whatever. | 0:16:05 | 0:16:07 | |
So it's ready to rock and roll. | 0:16:07 | 0:16:08 | |
-Perfect. -OK. | 0:16:08 | 0:16:09 | |
How much money are you going to be wishing for to transform it into | 0:16:09 | 0:16:14 | |
that useful cupboard for me? | 0:16:14 | 0:16:16 | |
If we can get this into showroom condition so you can sell it... | 0:16:16 | 0:16:19 | |
-..£200. -I think you're being nice to me, aren't you? | 0:16:21 | 0:16:24 | |
I think you feel sorry for me because of where I've been | 0:16:24 | 0:16:26 | |
-to get this, don't you? -Yeah, precisely! | 0:16:26 | 0:16:28 | |
Well, keep it nice and simple. For 200 quid, | 0:16:28 | 0:16:31 | |
I don't want you, you know, spending too much time on it. | 0:16:31 | 0:16:33 | |
-But it will be good. -Lovely. | 0:16:33 | 0:16:35 | |
-Thank you. -Give us a shout. | 0:16:35 | 0:16:36 | |
Thanks very much, and I'll see you soon. | 0:16:36 | 0:16:38 | |
You WILL see me soon! | 0:16:38 | 0:16:39 | |
-OK, see you later. -Take care! | 0:16:39 | 0:16:41 | |
I love what Norman does - | 0:16:47 | 0:16:48 | |
he's got safe hands and he's old school, and he's going to turn those | 0:16:48 | 0:16:52 | |
battered old doors into something saleable. | 0:16:52 | 0:16:55 | |
You can't beat that. | 0:16:55 | 0:16:56 | |
I think it's going to be a nice challenge. | 0:16:58 | 0:17:00 | |
It's an OK piece, so Sarah's got it right for once. | 0:17:00 | 0:17:03 | |
Fantastic. | 0:17:03 | 0:17:04 | |
For the princely sum of £200, | 0:17:05 | 0:17:08 | |
Norman is going to turn a couple of wooden doors and assorted | 0:17:08 | 0:17:12 | |
bits and bobs into a wonderful one-off kitchen cupboard, | 0:17:12 | 0:17:15 | |
using chicken wire. I can't wait to see it! | 0:17:15 | 0:17:19 | |
With the iron railings and the cupboard bits safely deposited | 0:17:26 | 0:17:30 | |
with her marvellous makers, Sarah's back home in Sussex, | 0:17:30 | 0:17:33 | |
preparing to stump up a plan for her two wooden stools. | 0:17:33 | 0:17:37 | |
These are two-a-penny stools. They're utility, | 0:17:40 | 0:17:43 | |
you can still buy them now. | 0:17:43 | 0:17:44 | |
So I could just refurbish them, | 0:17:44 | 0:17:47 | |
but I'd like these to really pack a punch and be transformed into | 0:17:47 | 0:17:50 | |
something completely different. And I think the best way I can do it | 0:17:50 | 0:17:53 | |
is actually to make something else out of them, so I picked up | 0:17:53 | 0:17:56 | |
this fantastic piece of wood. This is a hand sawn piece of ash, | 0:17:56 | 0:18:00 | |
and this is a really chunky, quite rustic, bit of oak. | 0:18:00 | 0:18:03 | |
15 quid each. | 0:18:03 | 0:18:05 | |
I'm hoping to turn these two into a coffee table and a bench. | 0:18:05 | 0:18:09 | |
Walk in the park! | 0:18:10 | 0:18:11 | |
She makes it all sound so simple, | 0:18:13 | 0:18:15 | |
but this will be a test of her design and carpentry skills. | 0:18:15 | 0:18:20 | |
I'm going to cut this in half here to make a pair of legs, | 0:18:22 | 0:18:25 | |
one I'm going to attach at this end and the other one | 0:18:25 | 0:18:28 | |
up there like that to make a really good solid bench. | 0:18:28 | 0:18:31 | |
Sarah wants her bench and coffee table to have oval shaped tops, but | 0:18:34 | 0:18:39 | |
cutting two hefty chunks of solid wood to this shape is no easy task. | 0:18:39 | 0:18:43 | |
Right. That's the bench shape. | 0:18:44 | 0:18:47 | |
Now, luckily for me, because I'm no carpenter, | 0:18:47 | 0:18:50 | |
I've got my friend Paul here, who's helping to mend my rotten windows. | 0:18:50 | 0:18:55 | |
He is going to cut them out for me. | 0:18:55 | 0:18:57 | |
Ah, now I understand her confidence about taking on | 0:18:57 | 0:19:01 | |
this carpentry project. | 0:19:01 | 0:19:03 | |
If only every DIYer had a carpenter on hand to do the hard bits! | 0:19:03 | 0:19:08 | |
What do you reckon? | 0:19:08 | 0:19:09 | |
-Yeah. -I hope Sarah's got that outline right! | 0:19:11 | 0:19:15 | |
While sawing wood may not be a stretch for a master craftsman, | 0:19:21 | 0:19:25 | |
you do need the right tools for the job. | 0:19:25 | 0:19:28 | |
You can pick up a circular saw or jigsaw like this from a DIY store, | 0:19:28 | 0:19:33 | |
or even hire them in. | 0:19:33 | 0:19:35 | |
Since we're here, why don't we ask Paul to cut the stools in half, too? | 0:19:35 | 0:19:40 | |
What do you reckon? Can you cut through there? | 0:19:40 | 0:19:42 | |
Yep, no problem. | 0:19:42 | 0:19:44 | |
Well, he might as well, seeing as money is no object! | 0:19:44 | 0:19:47 | |
Oh, sorry, no, it is. | 0:19:47 | 0:19:49 | |
Does Sarah know? | 0:19:49 | 0:19:50 | |
So those are now ready for a really proper sanding back, | 0:20:01 | 0:20:04 | |
and I have borrowed the biggest tool. | 0:20:04 | 0:20:07 | |
Hopefully this is going to rip through it. | 0:20:07 | 0:20:09 | |
This is where Sarah's hard graft begins. | 0:20:09 | 0:20:12 | |
So far, Sarah's spent £30 on the two bits of wood for the table tops, | 0:20:14 | 0:20:19 | |
but carpenter Paul's bill is on its way. | 0:20:19 | 0:20:22 | |
In Walthamstow, | 0:20:28 | 0:20:29 | |
award-winning textile designer, Daniel, is getting his hands dirty | 0:20:29 | 0:20:33 | |
with the rusty old railings. | 0:20:33 | 0:20:35 | |
This is not a material that I've worked with before. | 0:20:36 | 0:20:39 | |
I hope that we can maintain some of their decrepit beauty! | 0:20:39 | 0:20:46 | |
I don't think you'll have any trouble doing that. | 0:20:46 | 0:20:49 | |
Daniel's using the iron poles to make the legs of | 0:20:49 | 0:20:52 | |
a classic console table. | 0:20:52 | 0:20:54 | |
Very rough sketch. | 0:20:54 | 0:20:56 | |
But this gives me... Works out how many I need, how many poles I need. | 0:20:56 | 0:21:00 | |
Daniel will have to ever so delicately free the poles | 0:21:00 | 0:21:04 | |
he'll need for his frame. | 0:21:04 | 0:21:06 | |
All right, just give them a good bash, then! | 0:21:07 | 0:21:10 | |
Hey, good movement! | 0:21:10 | 0:21:12 | |
Because the worn out and brittle iron is so difficult to work... | 0:21:15 | 0:21:19 | |
Yes! | 0:21:19 | 0:21:20 | |
..Daniel doesn't think he'll be able to weld it. | 0:21:20 | 0:21:23 | |
So, once he's rescued all those rods, he'll have to improvise a way | 0:21:23 | 0:21:27 | |
to join them and the table top together. | 0:21:27 | 0:21:29 | |
To do this, Daniel is designing a joining bracket which he'll | 0:21:32 | 0:21:36 | |
integrate into the top. Now, I hope you're all listening carefully, | 0:21:36 | 0:21:40 | |
as this is where it gets tricky. | 0:21:40 | 0:21:44 | |
The tabletop and integrated bracket will be made of Jesmonite. | 0:21:44 | 0:21:48 | |
No, I've never heard of it either. | 0:21:48 | 0:21:50 | |
But I know this - it's expensive. | 0:21:50 | 0:21:52 | |
So, he's making a prototype of this bracket from wood, | 0:21:53 | 0:21:57 | |
to see if it works. Very sensible. | 0:21:57 | 0:22:00 | |
These are fitting into there quite well, but we don't need | 0:22:01 | 0:22:07 | |
the pointy end, so we're just going to go and chop the ends off. | 0:22:07 | 0:22:10 | |
It's back to the machine room Daniel shares with the other crafty types | 0:22:12 | 0:22:16 | |
in the building... | 0:22:16 | 0:22:17 | |
..to get to work with the metal chop saw. Yes! | 0:22:19 | 0:22:23 | |
And there's a surprise in store underneath all that rust. | 0:22:26 | 0:22:30 | |
It's come up quite nicely on the cut, | 0:22:32 | 0:22:34 | |
which might mean that we can do more with it than we thought. | 0:22:34 | 0:22:37 | |
Dan scraps his wood block prototype and decides to try welding | 0:22:38 | 0:22:42 | |
the railings after all. | 0:22:42 | 0:22:45 | |
First, he cuts all the iron poles to the right length... | 0:22:45 | 0:22:47 | |
..and cleans up the areas he needs to join. | 0:22:52 | 0:22:55 | |
This is a linishing machine. It's like a big sanding belt, and | 0:22:55 | 0:23:00 | |
it's basically exposing the metal underneath because we need to have a | 0:23:00 | 0:23:05 | |
clean contact point for the weld, so that we have a strong finish to it. | 0:23:05 | 0:23:10 | |
For a textile expert, Dan's got quite the skill set. | 0:23:12 | 0:23:16 | |
Is there anything he can't do? | 0:23:16 | 0:23:18 | |
I've done some welding before but, because we want to keep the paint, | 0:23:19 | 0:23:23 | |
it does have challenges beyond just working with a standard steel. | 0:23:23 | 0:23:27 | |
Got all my joins square, | 0:23:28 | 0:23:30 | |
so hopefully, it will weld up quite straight. | 0:23:30 | 0:23:34 | |
QUITE straight. | 0:23:34 | 0:23:35 | |
No-one will pay over £500 for a QUITE straight table, Daniel. | 0:23:35 | 0:23:40 | |
Daniel's welding iron will heat the metal to melting point. | 0:23:44 | 0:23:47 | |
That's a whooping 1,500 degrees centigrade. | 0:23:47 | 0:23:51 | |
The poles will melt together, and when they cool, | 0:23:51 | 0:23:54 | |
they'll form a solid bond. | 0:23:54 | 0:23:56 | |
At least, that's what should happen if Daniel's done it right. | 0:23:56 | 0:24:01 | |
It's quite hard to tell whether it's worked, until I undo the clamps. | 0:24:01 | 0:24:06 | |
Here's hoping the welds are strong enough to hold up | 0:24:09 | 0:24:12 | |
that exotic sounding and expensive Jesmonite table top. | 0:24:12 | 0:24:16 | |
Over in East Sussex, Norman has made a start on his kitchen-y cabinet. | 0:24:23 | 0:24:28 | |
He's already built a base from some new timber and parts of the | 0:24:28 | 0:24:32 | |
old cupboard Sarah dropped off. | 0:24:32 | 0:24:34 | |
But next, he turns his attention to the door panels, | 0:24:36 | 0:24:39 | |
which will be replaced with chicken wire. | 0:24:39 | 0:24:42 | |
Yep, you heard me right - chicken wire. | 0:24:42 | 0:24:46 | |
Chicken wire is a fashion, and people love it. | 0:24:46 | 0:24:50 | |
Do they? | 0:24:50 | 0:24:52 | |
You know, we use it on cupboards and things, | 0:24:52 | 0:24:56 | |
so, I mean, until the cupboard's put together and then we finish it, | 0:24:56 | 0:24:59 | |
then you'll really get the effect of what it looks like. | 0:24:59 | 0:25:03 | |
If you say so, Norman. | 0:25:03 | 0:25:04 | |
First, Norman puts on his chicken beak, then uses an electric melter | 0:25:06 | 0:25:11 | |
to remove the middle panels of the doors. | 0:25:11 | 0:25:14 | |
Perfect. | 0:25:16 | 0:25:18 | |
You know, perhaps a chicken wire door will look great, | 0:25:19 | 0:25:22 | |
and I'll be left with egg on my face. | 0:25:22 | 0:25:25 | |
Once you get welding with it, then it's fine. | 0:25:25 | 0:25:27 | |
It's just a bit finicky. | 0:25:27 | 0:25:29 | |
-Getting there. -Credit where credit's due, Norman. | 0:25:32 | 0:25:35 | |
Your cupboard door is starting to look pretty good. | 0:25:35 | 0:25:37 | |
It's nice and tight now. | 0:25:38 | 0:25:40 | |
I expect if it was laying on the floor, the chicken could use it | 0:25:41 | 0:25:44 | |
as a trampoline. But he can't, because we're going to use it | 0:25:44 | 0:25:48 | |
as a cupboard, so happy days. | 0:25:48 | 0:25:50 | |
What is he on about? | 0:25:51 | 0:25:52 | |
Next, Norman cuts lengths of wood that will make up the back panel | 0:25:56 | 0:25:59 | |
of the cabinet base. | 0:25:59 | 0:26:01 | |
The T&G - we call it T&G, but it's tongue and groove, because it's got | 0:26:03 | 0:26:08 | |
a tongue on that bit, and it's got a grove down in there, | 0:26:08 | 0:26:12 | |
so when we put it together, it all slots... | 0:26:12 | 0:26:15 | |
All slots nicely together. | 0:26:16 | 0:26:18 | |
Norman applies PVA glue to the base, | 0:26:19 | 0:26:23 | |
staples the wood in place, and repeats. | 0:26:23 | 0:26:27 | |
-Doing a bit of icing. -HE CHUCKLES | 0:26:27 | 0:26:29 | |
I should have been in cakes. | 0:26:29 | 0:26:31 | |
You know? It's almost like icing, isn't it? Like a work of art, that. | 0:26:31 | 0:26:35 | |
Yeah, I wouldn't quit your day job, big man. | 0:26:35 | 0:26:38 | |
After a lot of hammering and a lot more stapling, it's taking shape. | 0:26:43 | 0:26:49 | |
Yeah, really pleased. | 0:26:49 | 0:26:50 | |
I mean, we've cracked the back of it, | 0:26:50 | 0:26:53 | |
you know, the wood work side of it, | 0:26:53 | 0:26:56 | |
but we've still got quite a lot of work to do on the finishing side. | 0:26:56 | 0:27:00 | |
I mean, we quoted £200, but obviously the more you look at it, | 0:27:00 | 0:27:04 | |
I'm thinking it's going to be a tight, tight budget. | 0:27:04 | 0:27:09 | |
Don't say that. We can't blow the budget on this one. | 0:27:09 | 0:27:12 | |
I'm already dubious about who will pay over £200 | 0:27:12 | 0:27:16 | |
to have some chicken wire in their kitchen. | 0:27:16 | 0:27:18 | |
Back at home, Sarah's putting the finishing touches to her | 0:27:21 | 0:27:24 | |
newly tapered table tops. | 0:27:24 | 0:27:26 | |
So, a lovely bit of just clear furniture polish, | 0:27:28 | 0:27:31 | |
so I'm really bringing out that hand-sawn finish. | 0:27:31 | 0:27:34 | |
They were nice before... | 0:27:39 | 0:27:40 | |
..but they're even nicer now! | 0:27:43 | 0:27:45 | |
Instead of a coffee table and bench, | 0:27:48 | 0:27:51 | |
Sarah's created two matching rustic side tables. | 0:27:51 | 0:27:55 | |
The stools were cut in two, | 0:27:57 | 0:27:58 | |
providing a set of legs for each side, | 0:27:58 | 0:28:01 | |
supported in the middle by a new wooden beam, which looks lovely. | 0:28:01 | 0:28:05 | |
Well, actually, really chuffed with these. | 0:28:10 | 0:28:13 | |
I think we've achieved a lot from just a pair of stools, and I'm | 0:28:13 | 0:28:17 | |
thinking somebody's going to want these in their home, aren't they? | 0:28:17 | 0:28:21 | |
Sarah first laid eyes on the stools... | 0:28:21 | 0:28:24 | |
What lovely legs on those. | 0:28:24 | 0:28:25 | |
..when Jane was off-loading items before a big move to Wales. | 0:28:25 | 0:28:29 | |
-I think one of them belonged to my mother. -They've got that | 0:28:29 | 0:28:32 | |
certain look that people want in their homes these days. | 0:28:32 | 0:28:36 | |
Sarah took them away, | 0:28:36 | 0:28:37 | |
leaving Jane wondering what might be done with them. | 0:28:37 | 0:28:40 | |
I'm hoping she might sand them down and give them a rustic look | 0:28:40 | 0:28:44 | |
and maybe make some money out of it, who knows? | 0:28:44 | 0:28:47 | |
Who knows? I do. | 0:28:47 | 0:28:49 | |
They caught the eye of Ali and Nikki from online retailers, | 0:28:49 | 0:28:53 | |
-Such And Such. -The markings on here are lovely. | 0:28:53 | 0:28:56 | |
-Loads of character, isn't it? -Yeah. | 0:28:56 | 0:28:59 | |
Both beautiful. | 0:29:01 | 0:29:03 | |
They wasted no time in snapping them up. | 0:29:03 | 0:29:06 | |
Well, this is exactly what we kind of work with. | 0:29:06 | 0:29:08 | |
They're individual pieces. | 0:29:08 | 0:29:10 | |
They've got a bit of a story behind them. They're fantastic. | 0:29:10 | 0:29:13 | |
We're looking forward to getting them up on the site. | 0:29:13 | 0:29:16 | |
-People will really like them. -Yeah. -Yeah. | 0:29:16 | 0:29:18 | |
Now Sarah's gone all the way to Anglesey to visit Jane | 0:29:20 | 0:29:24 | |
in her new house. | 0:29:24 | 0:29:26 | |
Hi, Jane. Hi, how you doing? | 0:29:26 | 0:29:28 | |
-I'm fine. How are you? -Yes, very well, thank you. -Good. | 0:29:28 | 0:29:30 | |
Those stools I took from you - had you had them for ages? | 0:29:30 | 0:29:34 | |
One was my mum's, | 0:29:34 | 0:29:35 | |
so I'd known that all my life, and the other's was my mother-in-law's, | 0:29:35 | 0:29:39 | |
and they sort... They kind of matched. | 0:29:39 | 0:29:42 | |
We just had no space for them. | 0:29:42 | 0:29:43 | |
Did you think we might do something with them to update them? | 0:29:43 | 0:29:47 | |
Just maybe some fabric on the top and maybe paint them, which is | 0:29:47 | 0:29:50 | |
something I'd always intended to do but never got around to doing it. | 0:29:50 | 0:29:53 | |
I was hoping I might make something which might be able to make a | 0:29:53 | 0:29:57 | |
little bit more money, so I've got some pictures to show you what I did | 0:29:57 | 0:29:59 | |
-with them. -Oh, great. -Would you like to see? | 0:29:59 | 0:30:01 | |
-Yeah, love to. -Deep breath, because I cut them in half. | 0:30:01 | 0:30:05 | |
-I turned them into tables. -JANE GASPS | 0:30:05 | 0:30:08 | |
So, there they are. | 0:30:08 | 0:30:10 | |
Wow! I'm amazed. | 0:30:10 | 0:30:11 | |
I would never have thought of doing something like that. | 0:30:11 | 0:30:14 | |
I did cover them with a bit of fabric a couple of times, | 0:30:14 | 0:30:17 | |
but they were always stools to me. | 0:30:17 | 0:30:19 | |
They've been bought by a shop who specialises in selling that kind of | 0:30:19 | 0:30:21 | |
natural-looking product, and I made some profit to share with you. | 0:30:21 | 0:30:25 | |
-Oh, good! -In fact, I've got some here. | 0:30:25 | 0:30:26 | |
I've got £120 here. | 0:30:26 | 0:30:29 | |
-You're joking! -For your stools. | 0:30:29 | 0:30:31 | |
Oh, my goodness! That's ridiculous. | 0:30:31 | 0:30:35 | |
-Hopefully in a good way! -I'll never throw a stool away again. | 0:30:36 | 0:30:39 | |
That's amazing. Thank you so much. | 0:30:39 | 0:30:41 | |
I'm going to put you on the spot. What are you going to do with £120? | 0:30:41 | 0:30:44 | |
Well, I honestly didn't think they would make that much money. | 0:30:44 | 0:30:48 | |
So, I suppose, as we are going to be doing up the kitchen here, | 0:30:49 | 0:30:53 | |
that it will go towards something in there. | 0:30:53 | 0:30:56 | |
I'm so pleased that's going to a good home, | 0:30:56 | 0:30:59 | |
and it was lovely to catch up. | 0:30:59 | 0:31:00 | |
-And you too. -Thank you ever so much. -Thank you so much too. | 0:31:00 | 0:31:02 | |
-Bye-bye. -Bye-bye. | 0:31:02 | 0:31:04 | |
The cost of the table top, plus the carpenter's labour, came to £70. | 0:31:08 | 0:31:13 | |
Sarah sold the tables for a total of £190, | 0:31:13 | 0:31:16 | |
meaning Jane has £120 to put towards her new kitchen. | 0:31:16 | 0:31:21 | |
In Walthamstow, Sarah's back to catch up with Daniel. | 0:31:30 | 0:31:34 | |
Have the rusty old railings she left with him had a magic makeover? | 0:31:34 | 0:31:38 | |
Well, I have been wondering - | 0:31:42 | 0:31:43 | |
can you actually make old railings into something designer and cool? | 0:31:43 | 0:31:47 | |
Let's go and find out. | 0:31:47 | 0:31:48 | |
So this one's quite different. | 0:31:52 | 0:31:54 | |
Using some materials that I haven't used before, | 0:31:54 | 0:31:57 | |
so we're using the wrought iron from the gates, and then I've made | 0:31:57 | 0:32:00 | |
a Jesmonite top, so I just hope she likes it. | 0:32:00 | 0:32:04 | |
When Sarah dropped off the pile of old iron, | 0:32:05 | 0:32:08 | |
Dan faced a challenge of herculean proportions. | 0:32:08 | 0:32:11 | |
Incredibly, he's risen to the challenge and created a cool, | 0:32:14 | 0:32:18 | |
sophisticated console table. | 0:32:18 | 0:32:21 | |
The railings have been welded to create a simple support structure, | 0:32:21 | 0:32:26 | |
keeping their rusty... I mean, patinaed, appearance. | 0:32:26 | 0:32:30 | |
Daniel has worked with a brand-new material, Jesmonite, | 0:32:30 | 0:32:33 | |
to create a classically simple, cool-looking top. | 0:32:33 | 0:32:37 | |
It's quite an achievement, | 0:32:37 | 0:32:39 | |
considering what he had to work with. | 0:32:39 | 0:32:41 | |
-Daniel. -Hello. -Oh, wow! | 0:32:42 | 0:32:45 | |
Quite different. | 0:32:46 | 0:32:47 | |
-How are you doing? -Yeah, I'm good. Good to see you. | 0:32:47 | 0:32:49 | |
-Oh, my word, I had no idea it was going to look like that. -No! | 0:32:49 | 0:32:52 | |
-How cool. -Something a bit more contemporary, a bit more modern. | 0:32:54 | 0:32:57 | |
What are you thinking? Were you thinking bar? | 0:32:57 | 0:32:59 | |
-Console? -I was thinking console. | 0:32:59 | 0:33:02 | |
It could go into someone's hallway, if they have a wide hallway, | 0:33:02 | 0:33:04 | |
and it could be somewhere where there's a telephone, | 0:33:04 | 0:33:07 | |
or they can put their keys when they come in. | 0:33:07 | 0:33:10 | |
But it's quite a modern statement piece. | 0:33:10 | 0:33:13 | |
It's elegant. It's great. The lines on it are fantastic. | 0:33:13 | 0:33:16 | |
I think it's actually turned out to be much more elegant | 0:33:16 | 0:33:18 | |
than I thought it would be, because I had this idea that we were | 0:33:18 | 0:33:21 | |
going to create blocks to clamp the pieces together, which was... | 0:33:21 | 0:33:24 | |
I think now, in hindsight, it would never have been | 0:33:25 | 0:33:27 | |
-structurally sound enough. -I love what you've done. | 0:33:27 | 0:33:30 | |
I like the sort of quirkiness of it, and obviously you've used them | 0:33:30 | 0:33:33 | |
-in the structure under here. -Yes, to support the top. | 0:33:33 | 0:33:36 | |
So a nice bit of recycling where you're not wasting, | 0:33:36 | 0:33:39 | |
you're not buying in material, | 0:33:39 | 0:33:41 | |
which... It saves money, even if it makes more work. | 0:33:41 | 0:33:44 | |
Talk me through the top. What's that? | 0:33:44 | 0:33:45 | |
This is Jesmonite, which is a material I had not used before, | 0:33:45 | 0:33:50 | |
so we had to build a mould and pour it and cast it, and then release it | 0:33:50 | 0:33:54 | |
from there, and hope that it was all in one piece, | 0:33:54 | 0:33:56 | |
but it's quite nice because it's cold and it's... | 0:33:56 | 0:33:59 | |
-Cold, and it's crisp. It's fantastic. -Yeah, yeah. And cos | 0:33:59 | 0:34:02 | |
it's wrought iron and it's welded, | 0:34:02 | 0:34:03 | |
-and this is Jesmonite and it's quite thick... -Yeah. | 0:34:03 | 0:34:06 | |
..it should hold at least lamps, if not, | 0:34:06 | 0:34:11 | |
if somebody wanted to put something heavier on there, | 0:34:11 | 0:34:14 | |
to a degree, then you would be able to. | 0:34:14 | 0:34:16 | |
£600 left on the table? | 0:34:16 | 0:34:18 | |
Yep. | 0:34:18 | 0:34:20 | |
The only cost, really, was the Jesmonite and the labour. | 0:34:20 | 0:34:23 | |
It's a fantastic piece, Daniel. | 0:34:23 | 0:34:25 | |
-Thank you so much. -Thank you, Sarah. | 0:34:25 | 0:34:26 | |
-Let's get it packed up and let's sell it. -All right. | 0:34:26 | 0:34:29 | |
I'm really happy that Sarah's happy with the piece, | 0:34:32 | 0:34:34 | |
but this piece is quite different for me. | 0:34:34 | 0:34:36 | |
It's exploring new materials and different aesthetics, | 0:34:36 | 0:34:40 | |
so really, really happy with how that went. | 0:34:40 | 0:34:42 | |
So, as it turns out, yes, you really can make railings into a stunning, | 0:34:45 | 0:34:49 | |
high-end designer piece of furniture. | 0:34:49 | 0:34:51 | |
Who knew? | 0:34:51 | 0:34:52 | |
When Sarah met Simon at the recycling centre, | 0:34:55 | 0:34:57 | |
-there was a difference of opinion... -They're quite cool, aren't they? | 0:34:57 | 0:35:02 | |
They are, but I'm throwing them away, | 0:35:02 | 0:35:03 | |
so not thinking they're all that cool. | 0:35:03 | 0:35:05 | |
No, obviously not. OK, for me, they look quite cool. | 0:35:05 | 0:35:08 | |
..but it wasn't long before he was embracing | 0:35:08 | 0:35:11 | |
Sarah's love of all things old. | 0:35:11 | 0:35:13 | |
I've got loads of stuff you might consider patina. | 0:35:13 | 0:35:15 | |
I can see you're talking on my wavelength already. | 0:35:16 | 0:35:19 | |
And, in no time at all, the old became new again. | 0:35:20 | 0:35:23 | |
Determined to find the console table a new home, | 0:35:24 | 0:35:27 | |
Sarah opened her laptop and uploaded pictures on to the internet. | 0:35:27 | 0:35:32 | |
Apparently, that's how you sell things these days. | 0:35:32 | 0:35:35 | |
Look, it got 51 hearts. | 0:35:35 | 0:35:38 | |
I don't know what that means. | 0:35:38 | 0:35:39 | |
Sarah's travelled to Altrincham to catch up with Simon, | 0:35:41 | 0:35:44 | |
and let him know how she got on online. | 0:35:44 | 0:35:49 | |
-Hi, Simon. -Hi. Good morning. | 0:35:49 | 0:35:51 | |
-How you doing? -Very good, thanks. | 0:35:51 | 0:35:52 | |
-How are you? -Very well. Very well. | 0:35:52 | 0:35:54 | |
Distinct lack of railings at the front of your house. | 0:35:54 | 0:35:56 | |
Yes, and even fewer at the back now than there was a few months ago. | 0:35:56 | 0:36:00 | |
So those railings were original to the area. | 0:36:00 | 0:36:03 | |
I think they were original to the area. | 0:36:03 | 0:36:04 | |
If you look around, they're all around the perimeter there. | 0:36:04 | 0:36:07 | |
-Did you wonder what we might do with them? -I certainly did. I... | 0:36:07 | 0:36:11 | |
I had no need for them. I kind of wonder why anyone else does. | 0:36:11 | 0:36:15 | |
Your railings went up to Walthamstow to a guy named Daniel Heath, | 0:36:15 | 0:36:18 | |
who is a well-known maker and designer, and he thought | 0:36:18 | 0:36:22 | |
really carefully about what to do with them, and I've got | 0:36:22 | 0:36:24 | |
some pictures to show you how they ended up. Here goes. | 0:36:24 | 0:36:27 | |
Wow! | 0:36:28 | 0:36:29 | |
It is very different from what I took out of my back garden. | 0:36:29 | 0:36:32 | |
-So this is a console table he's created out of them. -OK. | 0:36:32 | 0:36:36 | |
-What do you think? -It looks a damn sight better than it did | 0:36:36 | 0:36:39 | |
-in the back garden. -Well, they're currently still for sale. | 0:36:39 | 0:36:41 | |
I haven't sold them yet. When they have done, I will be back in touch, | 0:36:41 | 0:36:44 | |
and hopefully handing over some money to you. | 0:36:44 | 0:36:46 | |
Fantastic. Even better news. | 0:36:46 | 0:36:49 | |
Lovely to catch up again, and I'm going to keep my eye open for | 0:36:49 | 0:36:51 | |
-some railings around here. -There's plenty there. | 0:36:51 | 0:36:53 | |
-Thank you ever so much, Simon. -Thank you. -Bye-bye. -Cheers. | 0:36:53 | 0:36:57 | |
Daniel came in on budget of £600, but with the railings table | 0:36:57 | 0:37:02 | |
still to be snapped up, we could end up being £600 down. | 0:37:02 | 0:37:07 | |
Hopefully, though, it'll find a new home soon, | 0:37:07 | 0:37:09 | |
and we can share the profits with Simon. | 0:37:09 | 0:37:12 | |
Well, it was lovely to catch up with Simon. I don't think our | 0:37:12 | 0:37:15 | |
console table was exactly his cup of tea, but it will be somebody's, | 0:37:15 | 0:37:18 | |
so I'm hoping to be back here and handing over some profit very soon. | 0:37:18 | 0:37:22 | |
Sarah's back in East Sussex to see what Norman's managed to | 0:37:30 | 0:37:33 | |
cobble together out of that broken cupboard. | 0:37:33 | 0:37:36 | |
Well, I left Norman with the merest remnants of a cupboard in the hope | 0:37:40 | 0:37:44 | |
that he would be able to transform it into something fabulous | 0:37:44 | 0:37:46 | |
that I can sell at a profit. | 0:37:46 | 0:37:48 | |
I cannot wait to see what he's managed to do with it. | 0:37:48 | 0:37:51 | |
Sarah had gathered a pile of broken wood that was, | 0:37:54 | 0:37:57 | |
apparently, once a cupboard. | 0:37:57 | 0:37:59 | |
Norman has miraculously pieced it all together to create a gorgeous | 0:38:02 | 0:38:07 | |
kitchen cabinet. He's taken great care to keep just the right amount | 0:38:07 | 0:38:11 | |
of wear, so it's brimming with cottage charm. | 0:38:11 | 0:38:14 | |
Those original hooks have been incorporated, | 0:38:15 | 0:38:18 | |
which will be perfect for crockery, | 0:38:18 | 0:38:21 | |
and that chicken wire frontage is adorably rustic, | 0:38:21 | 0:38:24 | |
without over-egging the farmyard ambience. | 0:38:24 | 0:38:28 | |
It's a perfect rural accent for any bohemian kitchen. | 0:38:28 | 0:38:31 | |
I'm impressed, but what about the boss? | 0:38:32 | 0:38:35 | |
-Norman? -Hiya. | 0:38:36 | 0:38:38 | |
-Hello, how are you doing? -I'm great. | 0:38:38 | 0:38:40 | |
-You? -Yeah, I'm good now! | 0:38:40 | 0:38:44 | |
-Look at that! -Looks great, doesn't it? | 0:38:44 | 0:38:46 | |
It looks amazing. I can't believe that's what has come out of | 0:38:46 | 0:38:51 | |
that pile of timber offcuts and stuff I left you. | 0:38:51 | 0:38:54 | |
-It's amazing. -Yeah, looks great, doesn't it? | 0:38:54 | 0:38:56 | |
I think it looks lovely. | 0:38:56 | 0:38:58 | |
You've left just the right amount of old, beaten up detail on it, | 0:38:58 | 0:39:02 | |
and made it fresh enough to go straight into a kitchen. I love it. | 0:39:02 | 0:39:07 | |
We kept the hooks under here so you could have your cups, and... | 0:39:07 | 0:39:12 | |
Yeah. So we used all the old timber that we could for the sides, | 0:39:12 | 0:39:16 | |
the hooks, but we had to have new shelves, and the back | 0:39:16 | 0:39:20 | |
and that's what we came up with. | 0:39:20 | 0:39:21 | |
It's great. I think it's lovely. | 0:39:21 | 0:39:25 | |
Excellent. Once on a wall filled up with chickens, | 0:39:25 | 0:39:31 | |
it'll look great! | 0:39:31 | 0:39:33 | |
I think we can find something better than that to put in it. | 0:39:33 | 0:39:36 | |
Well, Norman's feeling like cock of the roost now, | 0:39:36 | 0:39:39 | |
but did he come in on budget? | 0:39:39 | 0:39:41 | |
-I left you with 200 quid on the table for it. -Yeah. | 0:39:42 | 0:39:45 | |
-Is that where you came out? -Uh-oh. | 0:39:45 | 0:39:48 | |
-Well, actually... -Here it comes. | 0:39:48 | 0:39:50 | |
-We're actually... -300, 400... | 0:39:50 | 0:39:54 | |
We didn't actually do as many hours on it as we thought, | 0:39:54 | 0:39:58 | |
so we're actually going to let you have it for 175. | 0:39:58 | 0:40:00 | |
Under budget! Cock-a-doodle-do! | 0:40:01 | 0:40:04 | |
I loved it anyway. Now I really like it! | 0:40:04 | 0:40:07 | |
That is really good. | 0:40:07 | 0:40:08 | |
I think 175 quid, I have to be able to make some profit on that. | 0:40:08 | 0:40:12 | |
-Yep. -I think that's going to be an easy job to sell, | 0:40:12 | 0:40:14 | |
but I might need to borrow that chicken for some sale shots! | 0:40:14 | 0:40:17 | |
I'm sure Peggy won't mind. She's a good egg. | 0:40:19 | 0:40:23 | |
-Thank you so much for that. -Thank you as well. -That's lovely. | 0:40:23 | 0:40:25 | |
-Thank you. -Good luck. | 0:40:25 | 0:40:28 | |
Well, I am cock-a-hoop over that transformation. | 0:40:28 | 0:40:31 | |
Norman has made something really beautiful with those old scraps, | 0:40:31 | 0:40:34 | |
and that's quite difficult to do. | 0:40:34 | 0:40:36 | |
It was busy, busy, busy at the dump, | 0:40:38 | 0:40:41 | |
but Sarah still spied Luke about to throw his rubbish into the skip. | 0:40:41 | 0:40:46 | |
-You're having a smashing time this morning, then? -Yep. | 0:40:46 | 0:40:49 | |
It may have looked beyond all hope, | 0:40:49 | 0:40:51 | |
but even Luke could see the potential. | 0:40:51 | 0:40:53 | |
It's solid wood, so you could make anything out of it, really. | 0:40:53 | 0:40:56 | |
It depends how much skill her team has got. | 0:40:56 | 0:40:59 | |
Don't you worry, Luke, they've got plenty. | 0:40:59 | 0:41:01 | |
Sarah got in touch with vintage and retro store, The Old Cinema, | 0:41:05 | 0:41:09 | |
in London, who love that kind of thing, and they bought it. | 0:41:09 | 0:41:13 | |
Sarah's set her Sat Nav to Little Bollington, outside Altrincham, | 0:41:17 | 0:41:21 | |
to bring Luke up to date on his old bits of wood. | 0:41:21 | 0:41:24 | |
Hi there. How are you doing? | 0:41:26 | 0:41:27 | |
Good. Good to see you again. | 0:41:27 | 0:41:28 | |
Yeah, and you. So, this is it then. | 0:41:28 | 0:41:30 | |
You'd just moved in the last time I saw you. Is that right? | 0:41:30 | 0:41:33 | |
-Yes, absolutely. -Fantastic. How's it going? | 0:41:33 | 0:41:35 | |
It's going well. It's going slowly, but it's going well, yeah. | 0:41:35 | 0:41:38 | |
Those bits of wood that I took from you - | 0:41:38 | 0:41:40 | |
they had a bit of character left in them, so did you think that there | 0:41:40 | 0:41:44 | |
was something that could be made out of them? | 0:41:44 | 0:41:46 | |
I've thought about it, but I have got absolutely no idea how | 0:41:46 | 0:41:48 | |
you could make anything out of them, | 0:41:48 | 0:41:50 | |
so I'll be interested to see what you're done. | 0:41:50 | 0:41:52 | |
-So I've got some pictures to show you. Are you ready? -Yeah. | 0:41:52 | 0:41:57 | |
Kitchen cupboard. | 0:41:57 | 0:41:58 | |
-Wow. -I don't know if you can see here, but all those little pegs | 0:41:58 | 0:42:01 | |
that were inside the cupboard have been reused to hang cups on, | 0:42:01 | 0:42:04 | |
-or hooks for the kitchen. -That's well cool. | 0:42:04 | 0:42:07 | |
-Yeah? -Yeah, wow! | 0:42:08 | 0:42:10 | |
-Is that a surprise? -It's a big surprise, yeah. | 0:42:10 | 0:42:13 | |
Yeah. It's creative. | 0:42:13 | 0:42:14 | |
It was snapped up by a shop in London, and that is going to go into | 0:42:14 | 0:42:18 | |
somebody's house somewhere and be on their kitchen wall, | 0:42:18 | 0:42:21 | |
being loved by them. And, good news - I made some profit on it. | 0:42:21 | 0:42:24 | |
-Oh! -So I've brought that for you, I have £100 here for your old doors. | 0:42:24 | 0:42:28 | |
Amazing! | 0:42:28 | 0:42:29 | |
What are you going to do with the £100? | 0:42:29 | 0:42:32 | |
Probably help pay for plastering and that sort of stuff. | 0:42:33 | 0:42:36 | |
Nothing very exciting or interesting, | 0:42:36 | 0:42:38 | |
but trying to get the house looking really good. | 0:42:38 | 0:42:40 | |
Good luck with the plastering. I know it's hard work. | 0:42:40 | 0:42:42 | |
Thank you so much, lovely to catch up. | 0:42:42 | 0:42:43 | |
-Yep, thank you. -Bye-bye. -All right, bye. | 0:42:43 | 0:42:46 | |
With Norman coming in under budget at £175, | 0:42:49 | 0:42:54 | |
after Sarah sold it for £275, | 0:42:54 | 0:42:57 | |
it leaves £100 for Luke to do up his kitchen. | 0:42:57 | 0:43:00 | |
Thank you, Norman. | 0:43:02 | 0:43:03 | |
Sarah saved three unwanted items from the skip... | 0:43:08 | 0:43:11 | |
..and now, rather than being chucked in the landfill, | 0:43:13 | 0:43:16 | |
they've been given a new lease of life. | 0:43:16 | 0:43:19 | |
So, you've seen the transformations from old rubbish into lovely stuff. | 0:43:21 | 0:43:25 | |
How about you have a go? Pick up those tools, and just get started! | 0:43:25 | 0:43:28 |