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Got to be able to do something with that, haven't I? | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
I'll take one and be back for the other. | 0:00:09 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes of household waste | 0:00:11 | 0:00:16 | |
we throw out every year. | 0:00:16 | 0:00:18 | |
They're beautiful. | 0:00:19 | 0:00:20 | |
That's why entrepreneur Sarah Moore | 0:00:22 | 0:00:24 | |
wants to get her hands on things before they hit the skip. | 0:00:24 | 0:00:28 | |
I'm a passionate user, maker and buyer of old stuff | 0:00:30 | 0:00:33 | |
and I've turned my passion into a moneymaking business. | 0:00:33 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:46 | |
You like to set a challenge for me, don't you? | 0:00:46 | 0:00:48 | |
Nice! | 0:00:48 | 0:00:49 | |
..she can transform her finds into desirable... | 0:00:49 | 0:00:53 | |
Isn't that clever? | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:56 | |
What an original piece of design. | 0:00:56 | 0:00:58 | |
..and, hopefully, saleable items. | 0:00:58 | 0:01:02 | |
Oh, no way! | 0:01:02 | 0:01:03 | |
If Sarah is successful, | 0:01:03 | 0:01:05 | |
then she can hand the profits back to the very people who had no idea | 0:01:05 | 0:01:09 | |
there was cash to be made from their trash. | 0:01:09 | 0:01:12 | |
Oh, my God! That is amazing! | 0:01:12 | 0:01:15 | |
Welcome to Bredbury Recycling Centre in Greater Manchester, | 0:01:26 | 0:01:30 | |
a nonstop hive of activity. | 0:01:30 | 0:01:33 | |
With the nation becoming more and more aware of the benefits | 0:01:33 | 0:01:36 | |
of regenerating unwanted possessions, | 0:01:36 | 0:01:39 | |
one woman is on a mission to turn your trash into hard cash. | 0:01:39 | 0:01:44 | |
It's a massive site here. | 0:01:46 | 0:01:48 | |
I've got hundreds of skips, loads of people coming in, | 0:01:48 | 0:01:51 | |
and I've got to sort out the chipboard from the Chippendale. | 0:01:51 | 0:01:54 | |
Before you make a beeline for your local tip, take note. | 0:01:55 | 0:01:59 | |
Sarah's been given special permission | 0:01:59 | 0:02:02 | |
to seek out three items... | 0:02:02 | 0:02:03 | |
Anything exciting in here? | 0:02:03 | 0:02:05 | |
..that she can rejuvenate, repurpose and sell on for profit. | 0:02:05 | 0:02:09 | |
And it's not long before Sarah spots Barry | 0:02:11 | 0:02:13 | |
and his car full of tree-trunk treasure. | 0:02:13 | 0:02:16 | |
You've been cutting that up beautifully, haven't you? | 0:02:17 | 0:02:19 | |
Yeah. It took me some time, that. | 0:02:19 | 0:02:21 | |
What kind of tree is it? | 0:02:21 | 0:02:23 | |
-It's a lime tree. -Oh, OK. | 0:02:23 | 0:02:24 | |
So has that been annoying you in the garden? | 0:02:24 | 0:02:27 | |
Yeah, I was cutting it up that size for me son's log burner, | 0:02:27 | 0:02:30 | |
but it seems lime trees don't burn, don't make good firewood. | 0:02:30 | 0:02:34 | |
-Oh, really? -It's good for carving or something, but that's about it. | 0:02:34 | 0:02:37 | |
Really? Can I have a closer look? | 0:02:37 | 0:02:39 | |
Yeah, of course you can. | 0:02:39 | 0:02:41 | |
The trouble is, sometimes I take things like this | 0:02:41 | 0:02:43 | |
and people just laugh at me at the end! | 0:02:43 | 0:02:45 | |
But I'd love to take a couple of the chunkier bits, | 0:02:45 | 0:02:48 | |
if that's all right? | 0:02:48 | 0:02:50 | |
What could you possibly do with a load of freshly cut lime? | 0:02:50 | 0:02:54 | |
Well, that looks like a great bundle there. | 0:02:54 | 0:02:56 | |
I'm hoping there might be something that can be done with, | 0:02:56 | 0:02:58 | |
-you say it's lime? -Yeah. | 0:02:58 | 0:03:00 | |
Brilliant. OK, well, if I manage to get something done with this | 0:03:00 | 0:03:03 | |
or make something out of it, | 0:03:03 | 0:03:05 | |
I'll come and show you what I've done, OK? | 0:03:05 | 0:03:07 | |
-That'd be fine. -I would unglove... Well, let's have a gloved shake! | 0:03:07 | 0:03:10 | |
-Thank you ever so much. -Thank you very much. | 0:03:10 | 0:03:12 | |
-I shall be in touch. -OK, thanks a lot. -Bye-bye. -Bye, love. | 0:03:12 | 0:03:15 | |
Sarah leaves with a selection of lime logs, and surprisingly, | 0:03:15 | 0:03:19 | |
Barry's excited at the prospect of seeing them again. | 0:03:19 | 0:03:22 | |
It'll be good, yeah, it'll be interesting, | 0:03:22 | 0:03:24 | |
cos she can obviously see things that other people don't | 0:03:24 | 0:03:27 | |
in her mind's eye, so let's see what happens. | 0:03:27 | 0:03:30 | |
Fiddlesticks! | 0:03:32 | 0:03:34 | |
So, a big bundle of wood. | 0:03:34 | 0:03:36 | |
It's got some redeeming features. | 0:03:36 | 0:03:38 | |
There's lots of it, that means you can do something with it. | 0:03:38 | 0:03:41 | |
And a profit would be good. | 0:03:41 | 0:03:43 | |
Is this a good acquisition or is Sarah barking up the wrong tree? | 0:03:45 | 0:03:50 | |
Sarah has just the people in mind who will help us decide. | 0:03:50 | 0:03:54 | |
In deepest West Sussex, Josh and Oli have forged a creative partnership. | 0:03:59 | 0:04:04 | |
They incorporate natural materials as well as metal, concrete | 0:04:07 | 0:04:11 | |
and glass, creating handcrafted furniture and sculpted pieces | 0:04:11 | 0:04:15 | |
with a contemporary style. | 0:04:15 | 0:04:18 | |
Yeah, definitely love what we do. | 0:04:18 | 0:04:20 | |
I think we're really lucky in that sense. | 0:04:20 | 0:04:22 | |
I think what makes us different is that we have got original ideas | 0:04:23 | 0:04:27 | |
and we have got our own style to bring to the table. | 0:04:27 | 0:04:30 | |
Josh's background is in woodwork, | 0:04:30 | 0:04:32 | |
but my background's in graphic design. | 0:04:32 | 0:04:34 | |
But it's a really nice combination and I think we've got | 0:04:34 | 0:04:37 | |
some pretty crazy ideas and think quite out of the box. | 0:04:37 | 0:04:40 | |
I think it does make us stand out from the rest. | 0:04:40 | 0:04:42 | |
Josh and Oli may be wizards with woodwork, | 0:04:44 | 0:04:47 | |
but will Sarah's collection of overgrown twigs | 0:04:47 | 0:04:50 | |
be just what they're hoping for? | 0:04:50 | 0:04:52 | |
That's her first item packed away nicely. | 0:04:58 | 0:05:01 | |
Time for Sarah to hunt down something to work on herself. | 0:05:01 | 0:05:05 | |
I'm looking for the treasure in the trash. | 0:05:05 | 0:05:07 | |
But sometimes the rubbish, it's just rubbish. | 0:05:07 | 0:05:09 | |
Oh, you used to be so happy. | 0:05:11 | 0:05:13 | |
I'll tell you what makes me happy - vanloads of potential items. | 0:05:15 | 0:05:19 | |
And today it's Andrew's van. | 0:05:19 | 0:05:22 | |
He's been back and forth a few times, | 0:05:22 | 0:05:24 | |
clearing out his mother's home, who has sadly passed away. | 0:05:24 | 0:05:28 | |
Well, that looks like a good van load. What are you up to? | 0:05:30 | 0:05:32 | |
It is, it's a full van load. | 0:05:32 | 0:05:34 | |
-Can I have a little root around? -You can have a little root. | 0:05:34 | 0:05:36 | |
I tell you what's really catching my eye, I quite like your colander. | 0:05:36 | 0:05:40 | |
The colander for the vegetables? | 0:05:40 | 0:05:41 | |
Yeah, I quite like that. | 0:05:41 | 0:05:43 | |
And I'm liking this little collection of copper and pipe | 0:05:43 | 0:05:46 | |
-and all that. -The old central heating. | 0:05:46 | 0:05:47 | |
Yeah. And actually, I even like your barbed wire. | 0:05:47 | 0:05:50 | |
That's security. | 0:05:50 | 0:05:52 | |
That's security, oh, of course. | 0:05:52 | 0:05:54 | |
Don't suppose you fancy letting me have a bit, | 0:05:54 | 0:05:56 | |
-see if I can do anything with it, do you? -You can have a bit, yes. | 0:05:56 | 0:05:59 | |
-Really? -You can have it, yes. -OK! | 0:05:59 | 0:06:01 | |
Bit of copper. | 0:06:02 | 0:06:03 | |
That's fantastic, that one. Look at that. | 0:06:05 | 0:06:07 | |
Lovely. | 0:06:09 | 0:06:10 | |
I think that little bundle there. | 0:06:10 | 0:06:12 | |
Copper pipes, a colander and barbed wire! | 0:06:12 | 0:06:16 | |
What am I going to make out of that lot, then? | 0:06:16 | 0:06:19 | |
-A torching helmet. -A what, a helmet? | 0:06:19 | 0:06:22 | |
-Is it my size? Do you think that would fit me? -Yeah, yeah. | 0:06:22 | 0:06:24 | |
For such a small head, you've got some big ideas, Sarah! | 0:06:24 | 0:06:28 | |
I'm going to come back and find you and show you what I've done | 0:06:28 | 0:06:31 | |
and I'm going to make you eat your words! | 0:06:31 | 0:06:33 | |
Lovely, yes, we'll wait for that. | 0:06:33 | 0:06:35 | |
I'm not sure these two gentlemen are convinced. | 0:06:35 | 0:06:38 | |
But how does Andrew feel | 0:06:38 | 0:06:39 | |
about letting go of his dear old mum's odds and ends? | 0:06:39 | 0:06:43 | |
Quite happy. If someone sees something, then, yes. | 0:06:43 | 0:06:48 | |
I love copper piping, there's heaps of it here. | 0:06:48 | 0:06:51 | |
And this, all together, I've got to be able to make something good. | 0:06:51 | 0:06:54 | |
I've got the colander, I've got some wire, | 0:06:54 | 0:06:56 | |
and I've got this chunky load of copper piping. | 0:06:56 | 0:06:58 | |
Just got to make sure I make the best out of it. | 0:06:58 | 0:07:01 | |
I have faith in you, Sarah. | 0:07:01 | 0:07:03 | |
That's two items down. | 0:07:07 | 0:07:09 | |
With one still to find. | 0:07:11 | 0:07:12 | |
But Sarah can't hang about. | 0:07:14 | 0:07:16 | |
Day is turning into night at a fast pace, | 0:07:19 | 0:07:22 | |
so it's a relief when John arrives with his little red petrol can. | 0:07:22 | 0:07:26 | |
-Ooh, that's not going in the tip, is it? -It was going to go in. | 0:07:28 | 0:07:32 | |
-Really? -Yeah. -I thought that was your work stuff. | 0:07:32 | 0:07:34 | |
No, no, it's been sitting round, | 0:07:34 | 0:07:36 | |
it used to be my father-in-law's, but he's no longer with us. | 0:07:36 | 0:07:39 | |
Oh, it is charming. | 0:07:39 | 0:07:41 | |
I love it. | 0:07:43 | 0:07:44 | |
That's all brass up there as well, isn't it? It's a really nice one. | 0:07:44 | 0:07:48 | |
-And it's still got a bit of typography left, hasn't it? -A little bit. | 0:07:48 | 0:07:51 | |
It's so appealing, because of its worn look. | 0:07:51 | 0:07:54 | |
-I see these all the time and this is a really interesting one. -OK. | 0:07:54 | 0:07:58 | |
I've kind of given up on the normal, new ones. | 0:07:58 | 0:08:01 | |
The old ones are just so beautiful. | 0:08:01 | 0:08:03 | |
Yeah, they're a bit more appealing, really, than the plastic ones. | 0:08:03 | 0:08:07 | |
I would love to take it away and try to make something out of it. | 0:08:07 | 0:08:10 | |
Yes, certainly. It's only going to go in the scrap, so... | 0:08:10 | 0:08:12 | |
OK, well, I would definitely like to salvage it | 0:08:12 | 0:08:14 | |
because I think it's beautiful. | 0:08:14 | 0:08:16 | |
And the patina on it and, you know, even the rust, I like. | 0:08:16 | 0:08:18 | |
-So I can have it then? -Yes, you can certainly have it. | 0:08:18 | 0:08:21 | |
Sarah's obviously pretty keen. | 0:08:23 | 0:08:25 | |
But what does John think she has planned for it? | 0:08:25 | 0:08:28 | |
I don't have a clue. | 0:08:28 | 0:08:30 | |
Honestly wouldn't have a clue. To me it was just a bit of scrap metal. | 0:08:30 | 0:08:33 | |
So anything she can make is good, really. | 0:08:33 | 0:08:36 | |
I love this old, beautiful, patinated petrol can. | 0:08:36 | 0:08:42 | |
Brass lid, lovely handle, original typography on it. | 0:08:42 | 0:08:46 | |
And I know exactly who I'm going to take this to, | 0:08:46 | 0:08:49 | |
and what we're going to make out of it. | 0:08:49 | 0:08:52 | |
Just who is the lucky artisan who'll be carrying the can this time? | 0:08:52 | 0:08:56 | |
If you have a corner of a room which needs illuminating | 0:08:59 | 0:09:02 | |
with something quirky, we have just the man for the job. | 0:09:02 | 0:09:06 | |
Guy Trench. | 0:09:06 | 0:09:07 | |
Handyman Guy works tirelessly with his band of happy helpers | 0:09:09 | 0:09:13 | |
to make one-of-a-kind furnishings from...well, anything, really. | 0:09:13 | 0:09:18 | |
I used to be a North Sea diver and I spent ten years doing that. | 0:09:20 | 0:09:23 | |
My grandmother was an antiques dealer, | 0:09:23 | 0:09:25 | |
so I thought I'd try antiques. | 0:09:25 | 0:09:27 | |
And my wife said to me, Guy, you're good with your hands, | 0:09:27 | 0:09:30 | |
why don't you cobble together something old? | 0:09:30 | 0:09:32 | |
And so I got some old bowling balls and turned those into table lamps. | 0:09:32 | 0:09:36 | |
I thought, if I did bowling balls, why can't I do cricket balls? | 0:09:36 | 0:09:39 | |
And if I can do a cricket ball, let's try a cricket bat, | 0:09:39 | 0:09:42 | |
and did a cricket bat. And then I was really on my way. | 0:09:42 | 0:09:45 | |
Love using reclaimed material, can't beat it. | 0:09:45 | 0:09:48 | |
If preserving history is your thing, then the old petrol can | 0:09:49 | 0:09:53 | |
Sarah's salvaged should be right up your street, Guy. | 0:09:53 | 0:09:57 | |
A successful end to the day at the Bredbury Recycling Centre. | 0:09:57 | 0:10:02 | |
Josh and Oli will deal with the lime sticks. | 0:10:02 | 0:10:05 | |
Sarah herself has the eclectic collection of | 0:10:05 | 0:10:09 | |
copper pipes, barbed wire and colander. | 0:10:09 | 0:10:12 | |
And Guy will be glad to pep up that petrol can. | 0:10:12 | 0:10:16 | |
The sun is going down and my work here is done. | 0:10:16 | 0:10:20 | |
I've had another brilliant day, and I've been scrutinising, | 0:10:20 | 0:10:23 | |
salvaging and squirreling away some fantastic finds | 0:10:23 | 0:10:26 | |
that I'm sure are going to make some money for nothing. | 0:10:26 | 0:10:29 | |
The beautiful county of Sussex is Sarah's first stop, | 0:10:35 | 0:10:38 | |
where she's brought the collection of freshly cut lime logs | 0:10:38 | 0:10:42 | |
to deliver to Josh and Oli. | 0:10:42 | 0:10:44 | |
Lucky lads. | 0:10:44 | 0:10:45 | |
Well, there aren't many people who will see | 0:10:46 | 0:10:48 | |
a bundle of twigs as a business proposition, | 0:10:48 | 0:10:51 | |
so I'm hoping Josh and Oli are among the elite few | 0:10:51 | 0:10:53 | |
who can turn this lot into something saleable. | 0:10:53 | 0:10:56 | |
I think the boys may have their work cut out with this one. | 0:10:58 | 0:11:01 | |
Not exactly a dream delivery. | 0:11:01 | 0:11:03 | |
-Hello, hello. -BOTH: -Hello. | 0:11:05 | 0:11:07 | |
-I've got something for you. -Oh. -Shall I bring them round? | 0:11:07 | 0:11:10 | |
I'm tempted to say there's no need, Sarah. | 0:11:10 | 0:11:12 | |
-Some logs. -Wow. What's this, then? | 0:11:15 | 0:11:17 | |
-It's lime. It's fantastic, isn't it? -Oh, OK, cool. | 0:11:17 | 0:11:20 | |
I know I've seen people who've used natural wood like this that | 0:11:20 | 0:11:23 | |
-they make stools out of. -Yeah. | 0:11:23 | 0:11:25 | |
Those kind of three-legged milking stool type things. | 0:11:25 | 0:11:27 | |
-Yeah, those are quite good. -But I don't know if you've done anything | 0:11:27 | 0:11:30 | |
else with it or if you can think of anything that might be commercial | 0:11:30 | 0:11:34 | |
or... You know, we've got to make something saleable out of them. | 0:11:34 | 0:11:36 | |
I'm sure there's something to be done. | 0:11:36 | 0:11:38 | |
-THEY LAUGH -No? | 0:11:38 | 0:11:40 | |
What if we...what if we used it to make a coffee table? | 0:11:40 | 0:11:44 | |
-Yeah, we've got some big old rounds of beech. -Right. | 0:11:44 | 0:11:48 | |
Maybe we could introduce that and just use these | 0:11:48 | 0:11:51 | |
as some sort of leg and make quite a nice coffee table like that. | 0:11:51 | 0:11:55 | |
-That would be really cool, wouldn't it? -That would be cool? | 0:11:55 | 0:11:58 | |
Yeah, it'd be cool if you had a big old ring of beech | 0:11:58 | 0:12:01 | |
with, like, lots of kind of random bits coming out of the bottom. | 0:12:01 | 0:12:04 | |
-What, like a centipede coming out? -Yeah. -Yeah. | 0:12:04 | 0:12:06 | |
OK, so it's a bundle of old firewood at the moment, | 0:12:06 | 0:12:09 | |
but do you think, if you introduced your lovely beech top to it, | 0:12:09 | 0:12:12 | |
then we're going to make money on it? | 0:12:12 | 0:12:14 | |
I mean, what kind of price would you want for making a big coffee table? | 0:12:14 | 0:12:19 | |
Well, I think because we've been saving those bits for so long... | 0:12:19 | 0:12:23 | |
We need to have a look at the rings as well, | 0:12:23 | 0:12:25 | |
but maybe like £600 to £700, depending on which one we use. | 0:12:25 | 0:12:28 | |
OK. | 0:12:28 | 0:12:30 | |
-That sounds good. -Cool, OK. -Yeah? | 0:12:30 | 0:12:32 | |
I just think turning that bundle of stuff into something, | 0:12:32 | 0:12:35 | |
you know, I'm kind of imagining something really beautiful | 0:12:35 | 0:12:38 | |
that you're going to do, it will be a fantastic process to watch, | 0:12:38 | 0:12:41 | |
so I'm happy, if you are, if you want to take that on. | 0:12:41 | 0:12:43 | |
-BOTH: -Yeah. -Go for it. -Brilliant. | 0:12:43 | 0:12:45 | |
-Thank you. -Thanks for dropping by. | 0:12:45 | 0:12:46 | |
-I can't wait to see what it looks like. -Yeah, yeah. -Bye-bye. -Bye-bye. | 0:12:46 | 0:12:50 | |
So, a beechwood coffee table it is. With lime legs. | 0:12:50 | 0:12:54 | |
Well, that little bundle of sticks | 0:12:54 | 0:12:56 | |
could become one of our most polished projects, | 0:12:56 | 0:12:59 | |
but that is a real challenge that those boys have got on their hands, | 0:12:59 | 0:13:02 | |
and I hope they are up to it. | 0:13:02 | 0:13:04 | |
They're up to a big challenge. | 0:13:04 | 0:13:07 | |
Josh can even juggle, look. | 0:13:07 | 0:13:09 | |
With a hefty budget of between £600 and £700 | 0:13:10 | 0:13:14 | |
and pretty basic raw materials to work with, | 0:13:14 | 0:13:17 | |
will the bearded dudes really be able to branch out and create | 0:13:17 | 0:13:21 | |
the classic coffee table they've promised Sarah? | 0:13:21 | 0:13:24 | |
Just outside Maldon, in the county of Essex, | 0:13:27 | 0:13:30 | |
is where reclamation expert Guy Trench calls home. | 0:13:30 | 0:13:34 | |
As long as it's old, I think that's... | 0:13:36 | 0:13:38 | |
And it's got rust to it and it's got something about its character, | 0:13:38 | 0:13:42 | |
its history, that's what were looking for. | 0:13:42 | 0:13:44 | |
In that case, Guy, it's your lucky day. | 0:13:44 | 0:13:47 | |
Well, this petrol can has got bags of what I suppose | 0:13:47 | 0:13:50 | |
you could optimistically call character. But... | 0:13:50 | 0:13:53 | |
Has it got something about it that people will like enough | 0:13:53 | 0:13:56 | |
to put into their house? | 0:13:56 | 0:13:58 | |
Guy and right-hand man Keith are going to be the judges on that one. | 0:13:59 | 0:14:03 | |
-Hi there. Nice to see you again. -Good to see you. -Hi, Keith. | 0:14:04 | 0:14:07 | |
-How are you doing? -All right. | 0:14:07 | 0:14:09 | |
-I've got a little something for you. -Oh, that's nice. | 0:14:09 | 0:14:12 | |
It is, isn't it? We've done a few of these before. | 0:14:12 | 0:14:14 | |
-Is that a good one, then? -That's a lovely one. | 0:14:14 | 0:14:17 | |
That's going to look fabulous, absolutely. Table lamp. | 0:14:17 | 0:14:20 | |
It's lighting, isn't it? | 0:14:20 | 0:14:22 | |
-It has to be lighting, doesn't it? -Yeah. -OK. | 0:14:22 | 0:14:25 | |
There's an element about that that says it's too far gone | 0:14:25 | 0:14:27 | |
to go into somebody's house, so the fact that you are happy to, | 0:14:27 | 0:14:30 | |
you know, you can see that's got potential... | 0:14:30 | 0:14:32 | |
Yeah, that is how we like it. | 0:14:32 | 0:14:34 | |
It's the old-fashioned. It's 1930s. | 0:14:34 | 0:14:36 | |
It's an old can. It's got plenty of wear. | 0:14:36 | 0:14:39 | |
The colours... There's a bit of white writing coming through here. | 0:14:39 | 0:14:43 | |
The darker bit here, it's got marks on it. It will look amazing! | 0:14:43 | 0:14:47 | |
Really, really pleased with that. | 0:14:47 | 0:14:49 | |
Brilliant. I love your enthusiasm. | 0:14:49 | 0:14:51 | |
OK, you've convinced me of the lamp from an old rusty can idea. | 0:14:51 | 0:14:56 | |
But will the figures add up? | 0:14:56 | 0:14:58 | |
So it sounds like a bit of work to do on it. | 0:14:58 | 0:15:00 | |
What kind of price would it be for that made into lighting? | 0:15:00 | 0:15:04 | |
I think the can - and that will come up really, really well - | 0:15:04 | 0:15:07 | |
I think will be about £125. | 0:15:07 | 0:15:09 | |
Yeah, OK. | 0:15:09 | 0:15:10 | |
And if you would like a shade with it, Sarah, I think, | 0:15:10 | 0:15:13 | |
if we could do a second-hand one, would that suit you? | 0:15:13 | 0:15:16 | |
You're talking my kind of language now. | 0:15:16 | 0:15:18 | |
I mainly shop in the tip, so... | 0:15:18 | 0:15:20 | |
You might find one in the tip, | 0:15:20 | 0:15:22 | |
-but that one there I could do for £10 for you. -So £135 all in. | 0:15:22 | 0:15:26 | |
I think that leaves me some room to make some money on it. | 0:15:26 | 0:15:29 | |
-I think it leaves you good room. -I think it's in safe hands, | 0:15:29 | 0:15:32 | |
so, good luck making it over, and I hope it looks great. | 0:15:32 | 0:15:36 | |
-Thank you, Sarah. -Fantastic. Thanks, Keith. See you soon. | 0:15:36 | 0:15:39 | |
-See you. -Bye-bye. -Bye-bye. | 0:15:39 | 0:15:41 | |
Well, Guy has certainly got me all revved up about that old petrol can. | 0:15:42 | 0:15:46 | |
It looks horrible at the moment, but the game he's talking, | 0:15:46 | 0:15:49 | |
it's going to look fantastic when it's converted. | 0:15:49 | 0:15:52 | |
Sarah is full of confidence, but there's a long road | 0:15:54 | 0:15:57 | |
before this diesel disaster becomes a design delight. | 0:15:57 | 0:16:01 | |
Although, Mr Bright Side Guy is raring to go. | 0:16:01 | 0:16:05 | |
It's a great, great, great can. Looking forward to doing this job. | 0:16:05 | 0:16:09 | |
With a budget of £135, Guy and Keith have their work cut out | 0:16:12 | 0:16:17 | |
giving the old fuel can a bright new future. | 0:16:17 | 0:16:20 | |
Back in Sussex, Sarah has discarded the colander and barbed wire | 0:16:24 | 0:16:29 | |
in order to work on the copper pipes | 0:16:29 | 0:16:31 | |
that she's hoping can be turned into cold, hard cash. | 0:16:31 | 0:16:34 | |
I love a bit of copper piping. | 0:16:37 | 0:16:39 | |
I always think it's going to be brilliant to make something out of, | 0:16:39 | 0:16:42 | |
until I get a hold of it, and then I find it a little bit intimidating. | 0:16:42 | 0:16:45 | |
But I have got a plan. | 0:16:45 | 0:16:47 | |
I'm thinking a candelabra would be lovely, | 0:16:47 | 0:16:50 | |
because these could be very fine and refined. | 0:16:50 | 0:16:53 | |
I've actually been inspired by my old gate post. | 0:16:53 | 0:16:56 | |
This has been lying around for ages, | 0:16:56 | 0:16:59 | |
and it used to be the farm gate coming into the... | 0:16:59 | 0:17:02 | |
into the garden, and I'm just thinking, | 0:17:02 | 0:17:04 | |
if we could use some of the lovely parts of this - | 0:17:04 | 0:17:06 | |
like the fact that it's got good colours on it | 0:17:06 | 0:17:08 | |
lots of age to it - and combine it with a bit of copper, | 0:17:08 | 0:17:11 | |
I might be able to make something beautiful | 0:17:11 | 0:17:13 | |
to go in the middle of a table. | 0:17:13 | 0:17:15 | |
First job is to get the old gate post cut to size. | 0:17:15 | 0:17:19 | |
Sarah wants each candelabra base to stand about a foot high, | 0:17:20 | 0:17:24 | |
so she should be able to make at least four. | 0:17:24 | 0:17:27 | |
You know, you just sit there, it's fine. | 0:17:27 | 0:17:29 | |
I wonder how many dogs have weed on this. | 0:17:32 | 0:17:34 | |
Well, there is that thought, I suppose. | 0:17:34 | 0:17:37 | |
Not sure I'd like it on my dinner table, if I'm honest. | 0:17:37 | 0:17:41 | |
I think the wire brush is the tool for the job | 0:17:41 | 0:17:43 | |
because I want to enhance all of the grain, | 0:17:43 | 0:17:45 | |
but get rid of any of those crumbly bits, cos these have to sit | 0:17:45 | 0:17:47 | |
on a very smart dining room table in the end. | 0:17:47 | 0:17:51 | |
This is the way forward. | 0:17:51 | 0:17:53 | |
But not before donning a safety mask. | 0:17:53 | 0:17:56 | |
Dust and dog wee are never a good combination. | 0:17:56 | 0:18:00 | |
But brushing will take off the top layer of the bark | 0:18:00 | 0:18:03 | |
and uncover the natural beauty of the wood. | 0:18:03 | 0:18:05 | |
So those four, I think, will look lovely, | 0:18:06 | 0:18:08 | |
but what I've got to do now is introduce...the copper. | 0:18:08 | 0:18:12 | |
What I'm hoping to do is drill some holes in the sides and have | 0:18:12 | 0:18:16 | |
the pieces of copper coming up, so they look almost like a cactus, | 0:18:16 | 0:18:20 | |
and I think the best thing to do is just cut them. | 0:18:20 | 0:18:22 | |
And then I've got a pipe bender. | 0:18:22 | 0:18:24 | |
I've never used one of those before, so that could be fun. | 0:18:24 | 0:18:28 | |
Of course, you'll be very familiar with the instructions provided, | 0:18:28 | 0:18:31 | |
Sarah, I'm sure. | 0:18:31 | 0:18:33 | |
I wonder where it bends. | 0:18:33 | 0:18:35 | |
Or maybe not. | 0:18:35 | 0:18:37 | |
To use a pipe bender, you should pull the handles | 0:18:37 | 0:18:40 | |
to force the pipe round the bend. Simple, really. | 0:18:40 | 0:18:44 | |
It's not that. | 0:18:46 | 0:18:47 | |
I reckon that bit goes on there. | 0:18:50 | 0:18:52 | |
Once the pipe is sandwiched between the former and the roller, | 0:18:52 | 0:18:55 | |
it's forced to bend when the handles are pushed together. | 0:18:55 | 0:18:59 | |
I guess that just goes like that, and then you pull. | 0:18:59 | 0:19:02 | |
You can also get hydraulic ones that require a little less strength. | 0:19:02 | 0:19:07 | |
Maybe we just make one candelabra. | 0:19:07 | 0:19:09 | |
Come on, use those muscles! | 0:19:09 | 0:19:12 | |
Brilliant. Oh, it's... Oh! | 0:19:14 | 0:19:16 | |
That's quite cool. I think I've stretched that a bit. | 0:19:17 | 0:19:20 | |
That's quite cool, though, isn't it? | 0:19:20 | 0:19:22 | |
So that, if I make a hole in that, and I just keep going round, | 0:19:22 | 0:19:27 | |
maybe some lower, some higher, | 0:19:27 | 0:19:29 | |
I think we'll have a lovely candelabra. | 0:19:29 | 0:19:31 | |
And I've actually got some copper bits for joining pipes together | 0:19:31 | 0:19:35 | |
to go on the ends, so when it's done, | 0:19:35 | 0:19:37 | |
we should be able to get lovely, fat candles coming out of here | 0:19:37 | 0:19:41 | |
and have a beautiful, high, decorative candelabra. | 0:19:41 | 0:19:44 | |
SHE SIGHS | 0:19:44 | 0:19:46 | |
So far, elbow grease is all Sarah's had to invest in the candelabra, | 0:19:46 | 0:19:52 | |
so any money back from selling them is profit. | 0:19:52 | 0:19:55 | |
That's if she manages to finish any, of course. | 0:19:55 | 0:19:59 | |
Not far away, Oli and Josh have made a start | 0:20:06 | 0:20:10 | |
on the lime-legged coffee table. | 0:20:10 | 0:20:13 | |
They've been to collect the large beechwood round | 0:20:13 | 0:20:16 | |
which they've been saving for a special project. | 0:20:16 | 0:20:18 | |
This is going to be just as it is. | 0:20:22 | 0:20:24 | |
We'll try and keep the bark on for the top of this coffee table. | 0:20:24 | 0:20:27 | |
Because it's such a wedge, and obviously we want a nice, | 0:20:27 | 0:20:30 | |
flat slab as the tabletop, we've just got to figure out | 0:20:30 | 0:20:34 | |
how we're actually going to flatten it off. | 0:20:34 | 0:20:36 | |
So we're just running through a couple of options, | 0:20:36 | 0:20:39 | |
trying to work that one out. | 0:20:39 | 0:20:40 | |
Option one, the angle grinder. | 0:20:40 | 0:20:43 | |
It's very effective, but to take a few centimetres' depth | 0:20:43 | 0:20:47 | |
off the whole surface will take Oli an extremely long time. | 0:20:47 | 0:20:51 | |
What about using the chainsaw in some way? | 0:20:54 | 0:20:58 | |
-Just have to be very, very careful. -Yeah. | 0:20:59 | 0:21:01 | |
Might save a bit of time, though, if it does work. | 0:21:01 | 0:21:03 | |
I think it's worth giving it a go. | 0:21:03 | 0:21:05 | |
-Yeah? -Simple. | 0:21:09 | 0:21:11 | |
For any youngsters watching at home just now, | 0:21:11 | 0:21:14 | |
customising your skateboard with a chainsaw may look pretty cool, | 0:21:14 | 0:21:19 | |
but honestly, it's not a good idea, which led to a rethink for the boys. | 0:21:19 | 0:21:23 | |
We're just trying to rig up some sort of jig where we can slice | 0:21:23 | 0:21:28 | |
a bit more off the beech with the chainsaw. | 0:21:28 | 0:21:32 | |
But who knows if it's going to work. | 0:21:32 | 0:21:34 | |
Looks like your jig needs a rejig to me. | 0:21:36 | 0:21:39 | |
Oli and Josh decide that a towel for cushioning | 0:21:41 | 0:21:44 | |
and ratchet straps are the answer. | 0:21:44 | 0:21:46 | |
Take two. | 0:21:46 | 0:21:49 | |
Without this bit of wood, their table is toast, and there are | 0:21:49 | 0:21:52 | |
no second chances if this goes wrong. | 0:21:52 | 0:21:55 | |
I can barely watch. | 0:21:55 | 0:21:57 | |
It's going to be nice grain in there, look. | 0:22:03 | 0:22:06 | |
So far, so good. | 0:22:06 | 0:22:07 | |
Good luck with the rest, Oli. | 0:22:07 | 0:22:10 | |
Meanwhile, Josh moves on to the lime logs, | 0:22:10 | 0:22:12 | |
soon to be table legs, hopefully. | 0:22:12 | 0:22:15 | |
Right, so I've just finished turning the tenons | 0:22:18 | 0:22:21 | |
on our three legs. | 0:22:21 | 0:22:23 | |
I've got to do the final sand on this top first, | 0:22:23 | 0:22:27 | |
and then I'm going to drill some holes for our legs to slot into. | 0:22:27 | 0:22:32 | |
So, really, the next thing is to take this beast | 0:22:33 | 0:22:36 | |
and go stick it through the machine. | 0:22:36 | 0:22:38 | |
Over in Essex, it's all hands to the pump | 0:22:47 | 0:22:50 | |
as Guy and Keith get stuck into their latest up-cycling challenge - | 0:22:50 | 0:22:54 | |
turning a pretty old petrol can into a pretty new table lamp. | 0:22:54 | 0:22:59 | |
It's got some nice lettering which is coming out now. | 0:22:59 | 0:23:02 | |
Just gives that little bit of, | 0:23:02 | 0:23:04 | |
you know, history, it's all original. | 0:23:04 | 0:23:05 | |
And let's try and keep as much of that on as possible, | 0:23:05 | 0:23:08 | |
cos I think that's important. | 0:23:08 | 0:23:10 | |
This is a lovely, distressed-looking can. Here we are. | 0:23:11 | 0:23:15 | |
We can start suddenly seeing the colours start emerging. | 0:23:15 | 0:23:18 | |
The red is getting redder. | 0:23:18 | 0:23:20 | |
It's great just to see things transforming under your eyes. | 0:23:20 | 0:23:23 | |
It's lovely to see. | 0:23:23 | 0:23:24 | |
OK, let's try a bit of Jacobean on it, Keithy. | 0:23:27 | 0:23:29 | |
Jacobean, eh? Nice and dark. | 0:23:29 | 0:23:31 | |
Look at the colours. Yeah, it's coming up beautifully. | 0:23:31 | 0:23:34 | |
Just a bit more polish down this, | 0:23:34 | 0:23:37 | |
trying to get into the grain of that. That's it. | 0:23:37 | 0:23:41 | |
You're doing a great job there, Keith. | 0:23:41 | 0:23:43 | |
Just wait, we're not ready yet. | 0:23:43 | 0:23:45 | |
We're going to have this looking really red in a minute. | 0:23:45 | 0:23:49 | |
Give it the once-over with a softish rotary brush. | 0:23:49 | 0:23:52 | |
Great teamwork, this. | 0:23:55 | 0:23:57 | |
The brass top, which we've just given a bit of life to. | 0:23:58 | 0:24:02 | |
Wire wool. Got the rest of the can to do now. | 0:24:02 | 0:24:06 | |
Ah, yes, the lamp fitting. | 0:24:07 | 0:24:09 | |
For that, Guy calls in the services of qualified sparky, Steve. | 0:24:09 | 0:24:14 | |
So I think what we'll do is drill a hole straight through | 0:24:14 | 0:24:18 | |
and we'll put a post in and then we're going to have a shade | 0:24:18 | 0:24:20 | |
that goes on the top of it. | 0:24:20 | 0:24:22 | |
What about the base? Is it stable enough? | 0:24:22 | 0:24:24 | |
I think if we filled that with sand, we should have... | 0:24:24 | 0:24:27 | |
Fill it up with sand, about this much, that will make it stable. | 0:24:27 | 0:24:31 | |
Give it some weight. Good idea. OK. | 0:24:31 | 0:24:33 | |
Young Steve is a dab hand with a drill. He can tap a screw thread. | 0:24:33 | 0:24:39 | |
I'm tapping a thread in the tube so you can fix the fitting to the top. | 0:24:39 | 0:24:44 | |
But most importantly... | 0:24:46 | 0:24:48 | |
-Here she comes. -There we go. | 0:24:48 | 0:24:50 | |
..he can certify that the electrical work has been carried out | 0:24:51 | 0:24:55 | |
to the required safety standards. | 0:24:55 | 0:24:57 | |
All right, that's that bit done. How do you like that? | 0:24:57 | 0:25:00 | |
Er... | 0:25:00 | 0:25:02 | |
I don't really like this silver rod coming up here, Steve. | 0:25:03 | 0:25:07 | |
So, this is an antique ageing fluid | 0:25:07 | 0:25:10 | |
that we're going to paint on this... | 0:25:10 | 0:25:13 | |
..and you'll see that it will change colour quite quickly. | 0:25:15 | 0:25:18 | |
You know, we're trying to keep it as a piece of history. | 0:25:18 | 0:25:22 | |
We want to try to keep it, | 0:25:22 | 0:25:23 | |
all the similar looking bits and pieces on it, the same colours. | 0:25:23 | 0:25:27 | |
We don't want a sharp bit of silver metalwork showing | 0:25:27 | 0:25:30 | |
on something which is old, because you know it's been added on. | 0:25:30 | 0:25:33 | |
Let's try and keep everything in character, again, really important. | 0:25:33 | 0:25:36 | |
Little detail, but really important, I think. | 0:25:36 | 0:25:38 | |
I'm looking forward to seeing this one shining bright. | 0:25:38 | 0:25:43 | |
Back at home in Sussex, Sarah is putting the final touches | 0:25:48 | 0:25:51 | |
to her copper-pipe candelabra. | 0:25:51 | 0:25:53 | |
So, I think although the copper is looking quite good as it is, | 0:25:56 | 0:25:59 | |
I want it to look smarter and crisper and a bit more modern, | 0:25:59 | 0:26:02 | |
so I thought I might try spraying it | 0:26:02 | 0:26:04 | |
and see if it works well like that. | 0:26:04 | 0:26:06 | |
Worth a try, I guess. Also a good idea to be outside | 0:26:08 | 0:26:12 | |
when using spray paint,. You don't want those fumes going to your head. | 0:26:12 | 0:26:16 | |
That is looking brilliant. Love it. | 0:26:16 | 0:26:20 | |
Or maybe it's too late in Sarah's case. | 0:26:21 | 0:26:23 | |
There's no denying she's pretty clever, though. | 0:26:29 | 0:26:32 | |
She took a pile of old copper pipes and a rotting fence post... | 0:26:32 | 0:26:37 | |
..and made these. | 0:26:39 | 0:26:41 | |
Sarah has cleaned and buffed the copper uprights and joints | 0:26:43 | 0:26:47 | |
with metal polish and sprayed the arms | 0:26:47 | 0:26:50 | |
with bold and contemporary colours. | 0:26:50 | 0:26:52 | |
The old gate post that was rotting in her garden | 0:26:52 | 0:26:56 | |
provides a solid yet rustic base. | 0:26:56 | 0:26:59 | |
Together, the copper and wood fusion make a real talking point | 0:27:00 | 0:27:04 | |
for the centre of any dining table. | 0:27:04 | 0:27:06 | |
I think it was definitely worth pursuing the different colours | 0:27:06 | 0:27:09 | |
because they look much brighter and smarter | 0:27:09 | 0:27:11 | |
than that drab, old copper. | 0:27:11 | 0:27:13 | |
So I think the best thing to do now is get some pictures of them | 0:27:13 | 0:27:17 | |
and see if anybody fancies a look at them. | 0:27:17 | 0:27:19 | |
When Sarah first met Andrew, he was armed with an eclectic mix of stuff. | 0:27:28 | 0:27:33 | |
I quite like that. | 0:27:33 | 0:27:34 | |
And I'm liking this little collection of copper and piping, | 0:27:34 | 0:27:37 | |
-all that. -The old central heating, yeah. -And I actually... | 0:27:37 | 0:27:39 | |
I even like the barbed wire. | 0:27:39 | 0:27:41 | |
Sarah took away a jumble of items from Andrew's van. | 0:27:41 | 0:27:45 | |
But she focused on the copper pipes | 0:27:45 | 0:27:48 | |
and created a collection of cracking candelabras, | 0:27:48 | 0:27:51 | |
which were quickly snapped up by Leigh Farrer, | 0:27:51 | 0:27:54 | |
who runs online shop The Salvage Seller from St Albans. | 0:27:54 | 0:27:58 | |
I think they're amazing. They're gorgeous. | 0:27:58 | 0:28:01 | |
They're absolutely stunning. | 0:28:01 | 0:28:03 | |
I think they're going to sell really, really easily. | 0:28:03 | 0:28:06 | |
Sarah has returned to Greater Manchester to catch up with Andrew | 0:28:06 | 0:28:10 | |
and to show him what became of his copper pipes. | 0:28:10 | 0:28:13 | |
Hi, Andrew. | 0:28:13 | 0:28:15 | |
-Hello, Sarah. -Oh, hi, Andrew. -How are you? | 0:28:15 | 0:28:17 | |
-I'm really well, how are you doing? -Hello there. | 0:28:17 | 0:28:19 | |
Lovely to see you again. | 0:28:19 | 0:28:21 | |
What a lovely little car you've got in there. | 0:28:21 | 0:28:23 | |
It's my hobby. I hope we're going to have some nice, sunny weather | 0:28:23 | 0:28:27 | |
-and then it will come out. -Fantastic. | 0:28:27 | 0:28:29 | |
-You have to look after that kind of thing, don't you? -Yes, yes. | 0:28:29 | 0:28:32 | |
It wasn't car bits you were dropping off when I saw you | 0:28:32 | 0:28:35 | |
at the tip, you were clearing out all sorts of things. | 0:28:35 | 0:28:37 | |
I was, I was, yes. | 0:28:37 | 0:28:39 | |
Did you think what we might do with all your old stuff? | 0:28:39 | 0:28:42 | |
I really didn't know. | 0:28:42 | 0:28:44 | |
I thought I would leave it up to you | 0:28:44 | 0:28:46 | |
and we'll see what sort of job you do. | 0:28:46 | 0:28:49 | |
Well, I always love finding copper pipes, | 0:28:49 | 0:28:51 | |
and it turned out it was something I wanted to work on. | 0:28:51 | 0:28:54 | |
-I've got some pictures here to show you. -Yes. | 0:28:54 | 0:28:56 | |
So, are you braced? Because this is how your copper piping | 0:28:56 | 0:29:00 | |
ended up. | 0:29:00 | 0:29:01 | |
Oh, right! No, I wasn't expecting that. | 0:29:01 | 0:29:05 | |
That's an awful lot better than I would have thought. | 0:29:05 | 0:29:10 | |
You have taken me by surprise, so I think we'll say congratulations. | 0:29:10 | 0:29:13 | |
I'm really relieved. | 0:29:13 | 0:29:15 | |
There's always a responsibility, | 0:29:15 | 0:29:17 | |
that you want to make it into something special. | 0:29:17 | 0:29:19 | |
-They were received really well. -Good. | 0:29:19 | 0:29:21 | |
In fact, we created four candelabras that have sold. | 0:29:21 | 0:29:24 | |
Right, lovely, lovely. | 0:29:24 | 0:29:26 | |
So I've actually got £100 here for you, | 0:29:26 | 0:29:30 | |
for your old copper. | 0:29:30 | 0:29:31 | |
-Really? -Yeah. | 0:29:31 | 0:29:34 | |
-Didn't she do well?! -HE LAUGHS | 0:29:34 | 0:29:37 | |
Someone used to say that, didn't they? Yeah, well done, well done. | 0:29:37 | 0:29:41 | |
-Thank you very much. -It's an absolute pleasure. | 0:29:41 | 0:29:44 | |
Now, I hope that will come in useful, | 0:29:44 | 0:29:46 | |
what are you going to do with it? | 0:29:46 | 0:29:47 | |
It's money to buy something nice, enjoy. | 0:29:47 | 0:29:51 | |
-I'm not going to spend it on groceries. -Excellent. | 0:29:51 | 0:29:55 | |
You enjoy whatever you do with that. | 0:29:55 | 0:29:57 | |
-Lovely to catch up and, yeah, see you at the tip again. -Yeah. | 0:29:57 | 0:30:00 | |
-Nice to have met you. -Lovely surprise. | 0:30:00 | 0:30:02 | |
-Thank you, Andy, bye-bye. -Bye-bye. | 0:30:02 | 0:30:04 | |
Sarah spent £25 in total in transforming the copper pipes - | 0:30:08 | 0:30:13 | |
£24 on the plumbing parts and £1 on the spray paint. | 0:30:13 | 0:30:17 | |
They were sold for £125, which leaves £100 profit | 0:30:17 | 0:30:22 | |
with a very surprised Andrew. | 0:30:22 | 0:30:24 | |
Well, that was a fantastic reaction to the copper-pipe candelabra. | 0:30:24 | 0:30:28 | |
I think Andrew definitely approved | 0:30:28 | 0:30:30 | |
and he's got 100 quid to go and have a good time on us. | 0:30:30 | 0:30:33 | |
Flushed with the success from the sale of the old copper plumbing, | 0:30:39 | 0:30:43 | |
Sarah has returned to West Sussex to find out how Josh and Oli | 0:30:43 | 0:30:47 | |
have got on with the load of lime logs she left them with. | 0:30:47 | 0:30:51 | |
Let's cover this baby up. | 0:30:51 | 0:30:53 | |
Yeah, so I'm really excited for Sarah to come cos, | 0:30:53 | 0:30:55 | |
from the pile of little sticks that she gave us, | 0:30:55 | 0:30:58 | |
I think we've created something quite cool. | 0:30:58 | 0:30:59 | |
I think we're pretty happy with the final outcome, | 0:30:59 | 0:31:02 | |
so hopefully Sarah will be too. | 0:31:02 | 0:31:04 | |
I love commissioning a table, but leaving 600 to 700 quid | 0:31:04 | 0:31:08 | |
and a pile of old sticks, that is a real challenge. | 0:31:08 | 0:31:11 | |
I hope the boys have pulled it off. | 0:31:11 | 0:31:13 | |
When Sarah picked up the uninspiring limewood sticks, | 0:31:13 | 0:31:18 | |
they were ready for the skip. | 0:31:18 | 0:31:20 | |
Oli and Josh have exceeded expectations this time. | 0:31:26 | 0:31:30 | |
With a cross-section of beech tree, | 0:31:30 | 0:31:32 | |
they've created a beautiful woodland coffee table | 0:31:32 | 0:31:36 | |
using the limewood as the legs, | 0:31:36 | 0:31:38 | |
only three of which touch the ground. | 0:31:38 | 0:31:41 | |
The rest add a decorative feature, floating as if in mid-air. | 0:31:41 | 0:31:45 | |
The beech top has been sympathetically varnished and waxed, | 0:31:48 | 0:31:51 | |
showing the wood's natural characteristic to the full. | 0:31:51 | 0:31:55 | |
Finally, walnut wooden wedges have been carved and put in place | 0:31:55 | 0:31:59 | |
to prevent further expansion of the cracks. | 0:31:59 | 0:32:02 | |
Hello? | 0:32:02 | 0:32:04 | |
-Hello. -Oh, it's busy around here. How are you doing? Hello. | 0:32:04 | 0:32:08 | |
-You all right? -Yeah, really well. -Good. | 0:32:08 | 0:32:11 | |
-Is that it? -This is that. -It's huge. -It is, isn't it? | 0:32:11 | 0:32:14 | |
-Come on! -Yeah? | 0:32:14 | 0:32:16 | |
Guys, it's beautiful. | 0:32:19 | 0:32:21 | |
That is amazing. | 0:32:22 | 0:32:23 | |
-Well done! That's fabulous. -Thank you. -I love it. -Good, good. | 0:32:25 | 0:32:28 | |
Are you pleased with it? | 0:32:28 | 0:32:29 | |
-Yeah, very pleased. -Yeah, we almost don't want to let it go, actually. | 0:32:29 | 0:32:33 | |
Oh, really? Well, maybe we can do a deal. | 0:32:33 | 0:32:35 | |
That is so clever. | 0:32:35 | 0:32:37 | |
It looks like hardly any of it is touching the ground. | 0:32:37 | 0:32:39 | |
-Is it supposed to be like that? -BOTH: -Yeah. | 0:32:39 | 0:32:41 | |
There's three legs. | 0:32:41 | 0:32:43 | |
-It's so interesting, isn't it? -Yeah. | 0:32:43 | 0:32:45 | |
-Well, this slab of beech is such a nice bit of wood. -It is lovely. | 0:32:45 | 0:32:49 | |
-So this is the bit you've been saving for ages, is it? -Yeah. | 0:32:49 | 0:32:52 | |
I love what you've done with these bits. | 0:32:52 | 0:32:54 | |
They look like a nightmare to do. Are they difficult? | 0:32:54 | 0:32:56 | |
We make it up and cut it into the shape first, | 0:32:56 | 0:33:01 | |
-and then you can slice off your keys. -OK. | 0:33:01 | 0:33:04 | |
And then you have to place your key over the split where you want it | 0:33:04 | 0:33:08 | |
and really finely draw around it, | 0:33:08 | 0:33:10 | |
and then you can, using a router, take out the meat of it, | 0:33:10 | 0:33:13 | |
and then you've got to finish it off by hand with a chisel. | 0:33:13 | 0:33:16 | |
-Just to get that lovely, sharp, crispy... -Yeah. -..edge to it. | 0:33:16 | 0:33:19 | |
So, these ties, it's mainly just a visual thing, | 0:33:19 | 0:33:22 | |
-making a feature out of the splits. -Yeah. It works really well. | 0:33:22 | 0:33:25 | |
Have you counted? How old is it? | 0:33:25 | 0:33:26 | |
No, we haven't actually. It's going to take a while. | 0:33:26 | 0:33:29 | |
While you're counting that, | 0:33:29 | 0:33:30 | |
maybe we could discuss some other figures. | 0:33:30 | 0:33:32 | |
How was the budget? | 0:33:32 | 0:33:34 | |
-Well, I think we said £600 or £700. -Yeah. | 0:33:34 | 0:33:37 | |
And I think we'd be happy with £700. | 0:33:37 | 0:33:39 | |
Well, I think you've done a fantastic job. | 0:33:39 | 0:33:41 | |
I'm very pleased with that. | 0:33:41 | 0:33:43 | |
-Good. -So, are you going to help me out with it, then? -Yeah. -No. | 0:33:43 | 0:33:47 | |
Oh, Josh! | 0:33:47 | 0:33:49 | |
Some designers would be really stumped | 0:33:49 | 0:33:51 | |
if you left them with a pile of old twigs, | 0:33:51 | 0:33:53 | |
but Josh and Oli have completely made that their own. | 0:33:53 | 0:33:56 | |
Somebody is going to love that table. | 0:33:56 | 0:33:58 | |
She seemed really chuffed. | 0:33:58 | 0:34:00 | |
And, like, as are we. | 0:34:00 | 0:34:01 | |
I mean, this is a great project and I really enjoyed working on it. | 0:34:01 | 0:34:05 | |
And, yeah, it's something that we love to do as well, | 0:34:05 | 0:34:08 | |
working with big old slabs like this. | 0:34:08 | 0:34:10 | |
Sarah's spotted Barry back in Bredbury, | 0:34:11 | 0:34:14 | |
and he already had a handle on what his wood could be used for. | 0:34:14 | 0:34:17 | |
It's good for carving something, that's about it. | 0:34:17 | 0:34:19 | |
Really? Can I have a closer look? | 0:34:19 | 0:34:22 | |
Yeah, of course you can. | 0:34:22 | 0:34:24 | |
Sarah was so taken with the lime logs that she took them away. | 0:34:24 | 0:34:28 | |
In the capable hands of Josh and Oli, | 0:34:28 | 0:34:31 | |
it became the legs of a wonderful woodland coffee table. | 0:34:31 | 0:34:34 | |
In order to drum up a sale, | 0:34:35 | 0:34:37 | |
Sarah advertised the table on social media. | 0:34:37 | 0:34:41 | |
She has now returned to near Bredbury | 0:34:41 | 0:34:43 | |
to show Barry what became of his boot full of lime. | 0:34:43 | 0:34:47 | |
-Hi, Barry. -Hello. How are you? | 0:34:51 | 0:34:52 | |
-Yeah, I'm really well. Nice to see you. -And you, yes. | 0:34:52 | 0:34:55 | |
Loving your house. All these lovely old-fashioned details. | 0:34:55 | 0:34:58 | |
You're not dropping this off at the tip yet, are you? | 0:34:58 | 0:35:00 | |
No, no, I don't think so. Couldn't afford to replace it! | 0:35:00 | 0:35:03 | |
So, your big lime tree, that was in the garden here, was it? | 0:35:03 | 0:35:06 | |
Yeah, yeah. Yeah. | 0:35:06 | 0:35:08 | |
Blocking all the light out. | 0:35:08 | 0:35:09 | |
And I took the little bundle of logs, | 0:35:09 | 0:35:11 | |
I took it off to quite near me, actually, in West Sussex, | 0:35:11 | 0:35:14 | |
to some great lads called Josh and Oli, | 0:35:14 | 0:35:17 | |
who love using natural wood in the round and twigs and logs. | 0:35:17 | 0:35:22 | |
So, what do you think we did with them? | 0:35:22 | 0:35:24 | |
I'd have thought something nice, | 0:35:24 | 0:35:26 | |
I'd have thought something like a wind chime. | 0:35:26 | 0:35:29 | |
I'm sure it's going to be good, whatever you've done with it. | 0:35:29 | 0:35:32 | |
-I've got some pictures to show you. -Smashing. | 0:35:32 | 0:35:34 | |
Your lime logs have been put to good use and made into a coffee table. | 0:35:34 | 0:35:39 | |
Well, that's good, isn't it? | 0:35:39 | 0:35:41 | |
They have put pretty much all the ones I collected underneath | 0:35:41 | 0:35:44 | |
to make some legs. Only three of the legs touch the ground. | 0:35:44 | 0:35:48 | |
-That's brilliant, isn't it? -Do you approve? | 0:35:48 | 0:35:50 | |
What a good job. Yeah, yeah. | 0:35:50 | 0:35:53 | |
-Really, really good. -I haven't managed to sell it yet. | 0:35:53 | 0:35:56 | |
It's one of those pieces I need people to get their hands on | 0:35:56 | 0:35:59 | |
and really appreciate all the craftsmanship that's gone into it. | 0:35:59 | 0:36:02 | |
-Yeah. -When I have sold it, | 0:36:02 | 0:36:03 | |
I'm sure there'll be profit to bring back to you. | 0:36:03 | 0:36:06 | |
So I don't know... If I can make a bit of money, | 0:36:06 | 0:36:09 | |
I don't know if you've got any ideas what you might do with it? | 0:36:09 | 0:36:12 | |
I think something like Teenage Cancer Trust, you know, | 0:36:12 | 0:36:15 | |
they're always looking for money, them sorts of trusts, | 0:36:15 | 0:36:18 | |
but Teenage Cancer, I think, yeah. | 0:36:18 | 0:36:20 | |
That'll be a good stopping point, that. | 0:36:20 | 0:36:22 | |
OK, well, I'm spurred on even more to try and sell it and I'm hoping | 0:36:22 | 0:36:25 | |
there'll be a buyer out there who loves it as much as I do, | 0:36:25 | 0:36:27 | |
cos I think it's a great piece. | 0:36:27 | 0:36:29 | |
I look forward to you selling it, | 0:36:29 | 0:36:31 | |
obviously now, I can give it to charity. | 0:36:31 | 0:36:33 | |
Yeah, great, what a good job, yeah. | 0:36:33 | 0:36:35 | |
-Smashing. -Thank you ever so much. | 0:36:35 | 0:36:36 | |
-Thank you very much. -Bye-bye. -Bye now. Bye. | 0:36:36 | 0:36:39 | |
The coffee table cost £700 to have commissioned from Josh and Oli. | 0:36:46 | 0:36:51 | |
As yet, it remains unsold, which could mean a potential loss. | 0:36:51 | 0:36:55 | |
However, I have no doubt that a sale is imminent. | 0:36:55 | 0:36:59 | |
Well, there's profit be made on that table, and as soon as I've sold it, | 0:37:01 | 0:37:04 | |
I'll be back in touch with Barry and hopefully handing over a profit. | 0:37:04 | 0:37:08 | |
In Essex, Sarah is on her way to see | 0:37:13 | 0:37:16 | |
how Guy has fared with the battered petrol can. | 0:37:16 | 0:37:19 | |
I think Sarah is going to like this a lot. | 0:37:20 | 0:37:23 | |
You know, she's a recycler like myself | 0:37:23 | 0:37:25 | |
and seeing it brought back into another life, | 0:37:25 | 0:37:28 | |
I think it will tick her box. | 0:37:28 | 0:37:30 | |
Let's hope so. | 0:37:30 | 0:37:31 | |
Sarah left Guy with an old, unusable petrol can. | 0:37:31 | 0:37:36 | |
The metal was rusted and it had holes, | 0:37:36 | 0:37:40 | |
but for some reason, Guy was over the moon with it. | 0:37:40 | 0:37:42 | |
And now I can see why. | 0:37:48 | 0:37:51 | |
The once useless can has become a quirky fully functional table lamp. | 0:37:51 | 0:37:56 | |
Guy has lost none of the character and has instead | 0:37:57 | 0:38:00 | |
brought out its features to the full, by treating the metalwork. | 0:38:00 | 0:38:04 | |
The simple shade complements it perfectly. | 0:38:05 | 0:38:08 | |
All in all, making it a shadow of its former self. | 0:38:08 | 0:38:12 | |
-Hi there. -Hi, Sarah. | 0:38:14 | 0:38:16 | |
-Lovely to see you. -Lovely to see you again. | 0:38:16 | 0:38:19 | |
That's worked really well. | 0:38:19 | 0:38:21 | |
-Hasn't it? Yes, hasn't it? -Fantastic. | 0:38:21 | 0:38:24 | |
Now, it was a good, strong, starting piece, wasn't it? | 0:38:24 | 0:38:27 | |
But the scale of that is really good, isn't it? | 0:38:27 | 0:38:30 | |
I think it really does work well. | 0:38:30 | 0:38:32 | |
It's just lovely to preserve something | 0:38:32 | 0:38:34 | |
which is a bit of our history. | 0:38:34 | 0:38:36 | |
It says petrol can on the tin, and it really is. | 0:38:36 | 0:38:38 | |
But we've saved it from the dump. | 0:38:38 | 0:38:41 | |
They're not going to be making these again, | 0:38:41 | 0:38:43 | |
so I'm pleased you like it. | 0:38:43 | 0:38:45 | |
I know you said you were going to dig us out a £10 shade, | 0:38:45 | 0:38:49 | |
but I think I left you with £125 for the can. | 0:38:49 | 0:38:51 | |
-Anywhere near that? -Yes, we're going to do it for £135, you're in budget. | 0:38:51 | 0:38:56 | |
In budget and in luck, because it's looking great. | 0:38:56 | 0:38:59 | |
The combination, I like the black with the red. | 0:38:59 | 0:39:01 | |
-Yes. -It's got a great look. | 0:39:01 | 0:39:03 | |
You want to pick it up, carry it away | 0:39:03 | 0:39:05 | |
-and put it on your desk, don't you? I think it's lovely. -Yeah. | 0:39:05 | 0:39:08 | |
So, why don't you do just that, Sarah? | 0:39:08 | 0:39:11 | |
-Thank you so much. -Thank you, Sarah, I'm glad you're pleased with it. | 0:39:11 | 0:39:14 | |
I am pleased with it. Let me take it away right now. | 0:39:14 | 0:39:16 | |
And hopefully find a buyer desperate to put it on their desk. | 0:39:16 | 0:39:20 | |
That is a very successful project... in the can. | 0:39:21 | 0:39:24 | |
I think Sarah felt very happy about that. | 0:39:26 | 0:39:28 | |
It was something which was pretty ropey, | 0:39:28 | 0:39:30 | |
but I knew it was going to be a good one when we got our hands on it | 0:39:30 | 0:39:35 | |
and cleaned it up and electrified it, | 0:39:35 | 0:39:37 | |
and I think she's going to sell that well. | 0:39:37 | 0:39:40 | |
From its early days in the tip at the back of John's van... | 0:39:41 | 0:39:45 | |
It used to be my father-in-law's, but he's no longer with us. | 0:39:45 | 0:39:48 | |
It's charming. | 0:39:48 | 0:39:49 | |
To me it was just a bit of scrap metal, | 0:39:49 | 0:39:52 | |
so anything she can make is good, really. | 0:39:52 | 0:39:55 | |
..to a revamped lamp. | 0:39:55 | 0:39:58 | |
It certainly wasn't going to sit on Sarah's shelf for long, | 0:39:58 | 0:40:01 | |
as regular client Nick from online retro retailers Smithers of Stamford | 0:40:01 | 0:40:06 | |
was quick to see its potential. | 0:40:06 | 0:40:09 | |
Very nice. I think someone would like this for their man cave. | 0:40:09 | 0:40:12 | |
Sarah has travelled to just outside Bredbury to meet up with John | 0:40:13 | 0:40:17 | |
and show him what became of his father-in-law's rusty old can. | 0:40:17 | 0:40:22 | |
-Hi there. -Hi. -How are you doing? -Not bad, how are you? | 0:40:27 | 0:40:29 | |
-Very well, thank you. -Good. | 0:40:29 | 0:40:31 | |
So, I was trying to remember what you were doing at the tip, | 0:40:31 | 0:40:34 | |
because not all the stuff going there was yours, was it? | 0:40:34 | 0:40:36 | |
Not all of it, no. We're downsizing, | 0:40:36 | 0:40:38 | |
we're moving to a new house, so we had to get rid of some | 0:40:38 | 0:40:41 | |
of the stuff, and we had some of my late father-in-law's stuff | 0:40:41 | 0:40:43 | |
here as well, so, unfortunately, needs must, it had to go. | 0:40:43 | 0:40:46 | |
-OK, so it was the red petrol can... -Petrol can, yeah. | 0:40:46 | 0:40:49 | |
..that really caught my eye, | 0:40:49 | 0:40:51 | |
so do you know how long he'd had it, or if he'd used it? | 0:40:51 | 0:40:53 | |
It's just something that's always been there. | 0:40:53 | 0:40:55 | |
He had oil in it for his chainsaw | 0:40:55 | 0:40:57 | |
and it's something that's always been there, | 0:40:57 | 0:41:00 | |
so it had to go, unfortunately. | 0:41:00 | 0:41:02 | |
Had you had any thoughts about what we might have done with it? | 0:41:02 | 0:41:04 | |
No, not really. It's a petrol can, what...? | 0:41:04 | 0:41:08 | |
But you said you could do something, so we'll see. | 0:41:08 | 0:41:11 | |
I took it to Essex, to a guy called Guy, actually, | 0:41:11 | 0:41:14 | |
who specialises in making lighting out of your kind of petrol can, | 0:41:14 | 0:41:17 | |
and I've got pictures to show you of what he did with it. | 0:41:17 | 0:41:20 | |
-Oh, right. -Here is your petrol can. | 0:41:20 | 0:41:24 | |
-Oh, wow. -Do you recognise it? | 0:41:24 | 0:41:26 | |
Sort of, but I didn't expect you to do that with it. | 0:41:28 | 0:41:31 | |
It does look pretty rustic, still, | 0:41:31 | 0:41:33 | |
but it's been transformed into a lovely, lovely light. | 0:41:33 | 0:41:36 | |
-That looks lovely. -Yeah? | 0:41:36 | 0:41:38 | |
Do you think your father-in-law would have approved? | 0:41:38 | 0:41:40 | |
I think he would have done, yeah. That's amazing. | 0:41:40 | 0:41:43 | |
Well, it is something that has sold. | 0:41:43 | 0:41:46 | |
I have got £20 profit there. | 0:41:46 | 0:41:48 | |
-Thank you. -To give to you. | 0:41:48 | 0:41:50 | |
Thanks very much. I didn't expect any profit. | 0:41:50 | 0:41:53 | |
Well, yeah, you might get enough | 0:41:53 | 0:41:55 | |
to put a bit of petrol in your car or something. | 0:41:55 | 0:41:57 | |
Well, my son's getting married in two weeks, so that will go... | 0:41:57 | 0:42:00 | |
I'm sure that'll go somewhere to him. | 0:42:00 | 0:42:02 | |
Maybe you could have a round on us, and just say thank you so much. | 0:42:02 | 0:42:05 | |
-Enjoy the wedding. -You're welcome. | 0:42:05 | 0:42:07 | |
-Thanks a lot. I'll try. -That was lovely. Thank you so much | 0:42:07 | 0:42:09 | |
-for letting us have some of your time today. -You're welcome. | 0:42:09 | 0:42:12 | |
-All right then. It was great to catch up. Bye. -Thank you. Bye now. | 0:42:12 | 0:42:14 | |
The petrol can cost £135 to have converted into lighting. | 0:42:18 | 0:42:24 | |
Sarah sold the finished light for £155, | 0:42:25 | 0:42:28 | |
and that left John with a profit of £20. | 0:42:28 | 0:42:32 | |
Well, that old petrol definitely fuelled Guy's imagination, | 0:42:32 | 0:42:36 | |
and I think John approved of what we did with it. | 0:42:36 | 0:42:38 | |
Sarah salvaged three items from the Bredbury recycling centre. | 0:42:44 | 0:42:49 | |
Barry's lime logs now hold up an amazing beech coffee table. | 0:42:50 | 0:42:55 | |
Andrew's copper pipes became colourful candelabras. | 0:42:56 | 0:43:00 | |
And John's old petrol can has been transformed | 0:43:01 | 0:43:04 | |
into motor-themed lighting. | 0:43:04 | 0:43:06 | |
Well, it never ceases to amaze me what can be done | 0:43:08 | 0:43:11 | |
with a load of old rubbish, a lot of hard work and a bit of creativity. | 0:43:11 | 0:43:15 |