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Ooh, just before you throw those away... | 0:00:03 | 0:00:06 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
-Can I have it? -You can have it, yes. | 0:00:09 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes of household waste | 0:00:11 | 0:00:16 | |
we throw out every year. | 0:00:16 | 0:00:18 | |
Now, this is one seriously unusual tip find. | 0:00:18 | 0:00:22 | |
That is why entrepreneur Sarah Moore | 0:00:22 | 0:00:24 | |
wants to get her hands on things before they hit the skip. | 0:00:24 | 0:00:28 | |
I'm a passionate user, maker and buyer of old stuff. | 0:00:30 | 0:00:34 | |
And I've turned my passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and sell it for profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:42 | 0:00:46 | |
These were going to be thrown away, seriously? | 0:00:46 | 0:00:48 | |
I love it, love it, love it. | 0:00:48 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:54 | |
It looks brand-new. | 0:00:54 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
You are joking? | 0:00:57 | 0:00:59 | |
..and hopefully saleable items. | 0:00:59 | 0:01:02 | |
That is a triumph! | 0:01:02 | 0:01:03 | |
If Sarah is successful, then she can hand the profits back | 0:01:05 | 0:01:08 | |
to the very people who had no idea | 0:01:08 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:14 | |
That is amazing! | 0:01:14 | 0:01:15 | |
Today, Sarah finds herself in Altrincham, near Manchester, | 0:01:28 | 0:01:32 | |
home to this delightful recycling centre. | 0:01:32 | 0:01:35 | |
A stool that's not cool, | 0:01:35 | 0:01:36 | |
a three-piece suite that is anything but, | 0:01:36 | 0:01:38 | |
or a cabinet and that's just had it, | 0:01:38 | 0:01:40 | |
can all be transformed into stunning items | 0:01:40 | 0:01:43 | |
with that wow factor to make some money for nothing. | 0:01:43 | 0:01:46 | |
Yes, it's Sarah's mission to seek out three items that can go | 0:01:50 | 0:01:54 | |
from unwanted and tired to sought-after and desired. | 0:01:54 | 0:01:59 | |
Sarah, queen of tips. | 0:01:59 | 0:02:01 | |
Her Majesty has special permission to rummage here | 0:02:01 | 0:02:04 | |
and it's not long before she's sniffed out her first curio | 0:02:04 | 0:02:08 | |
in Luther's boot. | 0:02:08 | 0:02:10 | |
-Hello, hello. -Oh, hello. -Big clear-out? Garage, is it? | 0:02:10 | 0:02:15 | |
Well, moving home, | 0:02:15 | 0:02:16 | |
so this is the start of getting rid of a load of rubbish. | 0:02:16 | 0:02:19 | |
How long have you got till you move? | 0:02:19 | 0:02:20 | |
-Well, we have probably a couple of weeks or so. -Oh, really? | 0:02:20 | 0:02:23 | |
-So the pressure's mounting? -Definitely. | 0:02:23 | 0:02:25 | |
-This is just the start, you know. -It's a good start. What's that? | 0:02:25 | 0:02:28 | |
Well, it used to be the father-in-law's. He died recently. | 0:02:28 | 0:02:33 | |
-What is it? -Well, it's just an old ammeter-type thing. | 0:02:33 | 0:02:36 | |
-He used to work for Shell. -Oh, really? | 0:02:36 | 0:02:38 | |
In the electrical department. | 0:02:38 | 0:02:40 | |
He was 97 years of age, so it could be quite old. | 0:02:40 | 0:02:44 | |
You don't see stuff like that any more! | 0:02:44 | 0:02:47 | |
An ammeter is used for measuring the strength of an electrical current. | 0:02:47 | 0:02:51 | |
Nowadays, it fits in the palm of your hand, | 0:02:51 | 0:02:54 | |
but this one has its own carry case. | 0:02:54 | 0:02:57 | |
It was destined for the tip, | 0:02:57 | 0:02:58 | |
but, you know, if you can make use of it, make use of it. | 0:02:58 | 0:03:01 | |
-Do you know something? I would love to have that. -OK. -Brilliant. | 0:03:01 | 0:03:04 | |
-Thank you so much. -OK. | 0:03:04 | 0:03:06 | |
It's like a handbag, look. | 0:03:06 | 0:03:08 | |
Oh, that is a SHOCKING idea! Get it? Voltage, shocking? | 0:03:08 | 0:03:13 | |
Oh, all right, I give up. | 0:03:13 | 0:03:15 | |
But Luther's pleased to see the back of it. | 0:03:15 | 0:03:18 | |
To me, I've got enough old stuff at home. | 0:03:18 | 0:03:20 | |
And don't need any more, thank you very much! | 0:03:20 | 0:03:22 | |
I love my new ammeter. Have you seen it? | 0:03:26 | 0:03:29 | |
Look at it. It's a stunning little piece of industrial equipment. | 0:03:29 | 0:03:33 | |
I know exactly who to take this to | 0:03:34 | 0:03:36 | |
to make this into something fantastic. | 0:03:36 | 0:03:38 | |
If you like lamps made from all sorts of crazy stuff, | 0:03:41 | 0:03:45 | |
Guy Trench is your man. | 0:03:45 | 0:03:47 | |
Handyman Guy works tirelessly with his band of happy helpers | 0:03:49 | 0:03:54 | |
to make one-of-a-kind furnishings from...well, anything, really. | 0:03:54 | 0:03:58 | |
I used to be a North Sea diver, and I spent ten years doing that. | 0:04:00 | 0:04:04 | |
My grandmother was an antique dealer, | 0:04:04 | 0:04:06 | |
so I thought I'd try antiques. | 0:04:06 | 0:04:08 | |
My wife said to me, "Guy, you're good with your hands. | 0:04:08 | 0:04:10 | |
"Why don't you cobble together something old?" | 0:04:10 | 0:04:12 | |
And so I got some old bowling balls and turned those into table lamps | 0:04:12 | 0:04:16 | |
and I thought, if I can do bowling balls, why can't I do cricket balls? | 0:04:16 | 0:04:19 | |
And I thought, if I can do a cricket balls, I'll just try a cricket bat! | 0:04:19 | 0:04:22 | |
I did a cricket bat and then I was really on my way. | 0:04:22 | 0:04:25 | |
I love using reclaimed material. You can't beat it. | 0:04:25 | 0:04:28 | |
With Guy and his gang lined up, | 0:04:31 | 0:04:33 | |
it looks like the old ammeter will be electrified once again. | 0:04:33 | 0:04:37 | |
One down with to two go and Sarah's struggling. | 0:04:43 | 0:04:47 | |
If I could make things out of polystyrene and cardboard... | 0:04:47 | 0:04:51 | |
I'd be on to a winner. | 0:04:51 | 0:04:52 | |
Luckily, it looks like Andrew's boot is going to offer a better bounty. | 0:04:54 | 0:04:58 | |
What else have you got in there, then? Got the kitchen sink... | 0:04:58 | 0:05:01 | |
-You're chucking those out? -I was going to weigh them in. | 0:05:02 | 0:05:05 | |
What does weighing them in...? | 0:05:05 | 0:05:07 | |
-I'll take them to the local recyclers... -Yeah? | 0:05:07 | 0:05:09 | |
And they'll give me money for them as scrap metal. | 0:05:09 | 0:05:12 | |
Andrew's well aware that scrap metal merchants locally | 0:05:12 | 0:05:15 | |
will only offer around 5p a kilo. | 0:05:15 | 0:05:18 | |
So with that lot of old-school science lab stools, | 0:05:18 | 0:05:21 | |
he could make...ooh, 50p! | 0:05:21 | 0:05:23 | |
I love them. | 0:05:23 | 0:05:25 | |
So he might just be better off taking a gamble on Sarah | 0:05:25 | 0:05:29 | |
and her moneymaking plans. | 0:05:29 | 0:05:31 | |
Where are these from, then? | 0:05:32 | 0:05:33 | |
I used to work in a school - they were original lab seats, | 0:05:33 | 0:05:36 | |
-I think they were. -Yeah, yeah. | 0:05:36 | 0:05:38 | |
They're the same, they're just rusty. | 0:05:38 | 0:05:40 | |
-We don't mind a bit of rust. -No? -No, they're lovely. | 0:05:40 | 0:05:43 | |
-So what will you do with these? -I'm not going to tell you. | 0:05:43 | 0:05:46 | |
But I'm good to come back and show you. Brilliant. | 0:05:46 | 0:05:49 | |
I shall take those away. | 0:05:49 | 0:05:50 | |
-I am really chuffed with those, thanks ever so much! -All right. | 0:05:50 | 0:05:53 | |
-Bye-bye. -Bye! | 0:05:53 | 0:05:55 | |
I'm pretty sure Andrew won't regret giving those stools to Sarah | 0:05:55 | 0:05:59 | |
rather than selling them for scrap. | 0:05:59 | 0:06:01 | |
But does he think Sarah and the stool will have a good chemistry? | 0:06:01 | 0:06:05 | |
You can use the tubular steel in those shapes and weld them | 0:06:05 | 0:06:08 | |
together to make all sorts of endless possibilities. | 0:06:08 | 0:06:11 | |
Hmm... Not very comfortable at the moment, but one day | 0:06:15 | 0:06:18 | |
these stacking stools are going to be fantastic again. | 0:06:18 | 0:06:21 | |
There's seven of them, so there's money to be made here. | 0:06:21 | 0:06:24 | |
We just need to find the right person who loves this retro look | 0:06:24 | 0:06:26 | |
to update them. And I think I know who that is. | 0:06:26 | 0:06:29 | |
Say hello to Josh and Oli, designer makers, | 0:06:34 | 0:06:37 | |
business partners and best friends. | 0:06:37 | 0:06:39 | |
These boys use natural and recycled materials to create | 0:06:42 | 0:06:46 | |
handcrafted furnishings and high-end interior pieces. | 0:06:46 | 0:06:50 | |
We kind of joined forces in 2013 and started working together. | 0:06:54 | 0:06:58 | |
The best thing about working here is probably when you have a new idea | 0:06:58 | 0:07:03 | |
for something and you can just kind of come in, | 0:07:03 | 0:07:05 | |
you've got all the tools you need, | 0:07:05 | 0:07:06 | |
you can sit down with your sketchbook. | 0:07:06 | 0:07:08 | |
I mean, the feeling that you get | 0:07:08 | 0:07:10 | |
when you make something actually original, | 0:07:10 | 0:07:12 | |
and it's come from your mind and you then take that idea | 0:07:12 | 0:07:15 | |
and bring it into the physical world, yeah, it's an amazing thing. | 0:07:15 | 0:07:19 | |
I just hope that amazing feeling | 0:07:19 | 0:07:21 | |
will extend to her newly acquired science lab stools. | 0:07:21 | 0:07:25 | |
We're two down and three is the magic number for Sarah, | 0:07:32 | 0:07:35 | |
as the next item she finds will be all hers. | 0:07:35 | 0:07:39 | |
What people throw away drives me nuts. | 0:07:40 | 0:07:43 | |
See, wing nut, get it? | 0:07:43 | 0:07:44 | |
Will you get on with it?! | 0:07:45 | 0:07:47 | |
Sure enough, she soon spots Les, whose boot full of bags | 0:07:47 | 0:07:51 | |
is like a lucky dip to our Sarah. | 0:07:51 | 0:07:54 | |
So talk me through what's in here. Anything I might be interested in? | 0:07:54 | 0:07:57 | |
-What's in there? -Haven't got a clue. | 0:07:57 | 0:07:59 | |
Here you are. Just take it out and have a look. | 0:08:00 | 0:08:03 | |
-I might like some of this stuff. -It's up to you, love. | 0:08:03 | 0:08:06 | |
-You can take what you want. -These are quite sweet. -What's that? | 0:08:06 | 0:08:09 | |
Oh, the coat hangers. | 0:08:09 | 0:08:10 | |
Only Sarah could get so excited about a load of old hangers. | 0:08:10 | 0:08:14 | |
Hopefully, she can find something just a bit more interesting. | 0:08:14 | 0:08:18 | |
There seems to be a coat hanger theme going on here. | 0:08:18 | 0:08:21 | |
-Well, it looks that way, doesn't it? -Oh, my word, more? | 0:08:21 | 0:08:25 | |
Ridiculous! | 0:08:25 | 0:08:26 | |
Les is sorting through his recently departed uncle's belongings. | 0:08:26 | 0:08:30 | |
-How old was he? -He was 90-odd. | 0:08:30 | 0:08:31 | |
And he just loved hoarding things, did he? | 0:08:31 | 0:08:34 | |
-Well, that's what people do, isn't it, duck? -I do. | 0:08:34 | 0:08:37 | |
Les isn't one for standing round chatting, so it's up to Sarah | 0:08:37 | 0:08:40 | |
to see if she can dig out anything other than hangers. | 0:08:40 | 0:08:44 | |
Oh, there goes Les. | 0:08:44 | 0:08:45 | |
It's like being underneath a Christmas tree here. | 0:08:45 | 0:08:48 | |
There you go, kids. | 0:08:48 | 0:08:49 | |
Bags of hangers! Merry Christmas! | 0:08:49 | 0:08:53 | |
Lovely. Thank you very much for letting me have a little rummage. | 0:08:53 | 0:08:55 | |
If I find anything interesting, can I keep in touch? | 0:08:55 | 0:08:59 | |
-You do what you like. -Oh, lovely! | 0:08:59 | 0:09:01 | |
Les clearly has a lot to get through, | 0:09:01 | 0:09:03 | |
so Sarah's grabbed a few choice bags for a longer rummage on her own. | 0:09:03 | 0:09:08 | |
Oh, wow! Look in here. | 0:09:10 | 0:09:12 | |
Let me guess, more hangers? | 0:09:14 | 0:09:16 | |
Metres and metres of old fabric. | 0:09:21 | 0:09:24 | |
It's quite narrow, that means it's old. | 0:09:24 | 0:09:26 | |
Anything that's 30 inches wide, old fabric, is sort of 1940s, | 0:09:26 | 0:09:29 | |
from when they made things on the narrow loom. | 0:09:29 | 0:09:32 | |
But I think there's huge potential here to turn a profit. | 0:09:32 | 0:09:35 | |
And I'd love to have a go at making some projects out of this. | 0:09:35 | 0:09:37 | |
And with that, Sarah has her three items. | 0:09:37 | 0:09:41 | |
Guy and his team will jump to it with Luther's ammeter, | 0:09:41 | 0:09:45 | |
Josh and Oli will experiment with Andrew's science stools | 0:09:45 | 0:09:49 | |
and Sarah will go the extra yard | 0:09:49 | 0:09:51 | |
with the metres and metres of Les's fabric. | 0:09:51 | 0:09:55 | |
Today, I managed to gather yet another unusual hoard of items | 0:09:55 | 0:09:58 | |
which I think, once re-imagined, | 0:09:58 | 0:10:00 | |
stand a real chance of making some money for nothing. | 0:10:00 | 0:10:03 | |
Near Maldon, in rural Essex, is the workshop of antiques | 0:10:07 | 0:10:10 | |
and reclamation mastermind Guy Trench, | 0:10:10 | 0:10:13 | |
who, with the support of his assistant Keith, | 0:10:13 | 0:10:16 | |
is a hugely talented trash-tackler with a bit of a liking for lighting. | 0:10:16 | 0:10:21 | |
Always looking forward to seeing Sarah. | 0:10:21 | 0:10:23 | |
She brings quite interesting things to me. | 0:10:23 | 0:10:26 | |
I love things that come out of skips, totally worth nothing | 0:10:26 | 0:10:29 | |
and when I get hold of it, hopefully | 0:10:29 | 0:10:31 | |
I can make it worth something to somebody else. | 0:10:31 | 0:10:33 | |
He might get a shock when he sees what she's chanced with this time. | 0:10:33 | 0:10:37 | |
Well, I have to say this is one of the quirkier items that I've saved. | 0:10:37 | 0:10:41 | |
Who knows what Guy might be able to make out of it? | 0:10:41 | 0:10:44 | |
-Hello, hello! -Hi, Sarah. -Lovely to see you. -And you, my dear. | 0:10:45 | 0:10:50 | |
I've got a little something | 0:10:50 | 0:10:52 | |
and I don't know if you can do anything with it. | 0:10:52 | 0:10:54 | |
But have you seen anything like that before? | 0:10:54 | 0:10:57 | |
I don't know what you've brought me this time. | 0:10:58 | 0:11:01 | |
Oh! It's an altimeter? A meter. | 0:11:02 | 0:11:06 | |
-Keith! -Hello? -Come and look at this. | 0:11:06 | 0:11:10 | |
-Hi, Keith. -Hi, Sarah, how you doing? | 0:11:10 | 0:11:12 | |
-Yeah, really well, how are you? -Good, thanks. | 0:11:12 | 0:11:14 | |
-What do you reckon to that? -It's quite smart, isn't it? -Isn't it? | 0:11:14 | 0:11:16 | |
Whether it can actually be put to any good use is... | 0:11:16 | 0:11:19 | |
well, is a problem I'd like to leave to you. | 0:11:19 | 0:11:23 | |
That's right, Sarah, pass the buck! | 0:11:23 | 0:11:25 | |
I think this, polished up, would look really good. | 0:11:25 | 0:11:30 | |
-Don't you think, Keith? -Yeah. | 0:11:30 | 0:11:31 | |
This out here is all patina, it's lovely. | 0:11:31 | 0:11:34 | |
And I think we could just work the lovely waxes into this | 0:11:34 | 0:11:38 | |
and you'll get a lovely colour there. | 0:11:38 | 0:11:39 | |
Round the outsides, a bit of leather polish on there? | 0:11:39 | 0:11:42 | |
It will look good, won't it? | 0:11:42 | 0:11:44 | |
Yes, yes, it'll look nice. But what could it be? | 0:11:44 | 0:11:47 | |
-Um... -And make it into lighting? | 0:11:47 | 0:11:49 | |
Make it into a light, of course, yeah. Definitely a lamp. | 0:11:49 | 0:11:52 | |
A lamp, of course. Why aren't I surprised? | 0:11:52 | 0:11:55 | |
In terms of converting it, | 0:11:55 | 0:11:57 | |
are you thinking it would stand on something? | 0:11:57 | 0:11:59 | |
-Um... What about a wall light? -Yeah. -I don't know. | 0:11:59 | 0:12:03 | |
Once that's cleaned up, half shade on it... | 0:12:03 | 0:12:07 | |
Because that's in your eye when you walk into places. Boof! | 0:12:07 | 0:12:10 | |
"Boof" indeed. | 0:12:10 | 0:12:11 | |
But there's a spark of inspiration from Keith too. | 0:12:11 | 0:12:13 | |
I'm wondering whether you'd get a little LED or something in there | 0:12:13 | 0:12:16 | |
-to light that up. -That's a nice idea. -Yeah? -Might be able to do it. | 0:12:16 | 0:12:19 | |
-What kind of money am I looking at? -I think about £125. -OK. | 0:12:19 | 0:12:24 | |
-Um... -I'm really happy to leave it with you. -Yeah. | 0:12:24 | 0:12:26 | |
Just do what you can, turn it into something functional | 0:12:26 | 0:12:29 | |
and saleable, then, you know, | 0:12:29 | 0:12:30 | |
I'm not going to be able to go wrong on that. That would be great. | 0:12:30 | 0:12:33 | |
-Lovely, always a pleasure. -Lovely to see you again. | 0:12:33 | 0:12:37 | |
-Take care, Keith, nice to see you. Bye-bye! -Bye-bye! | 0:12:37 | 0:12:39 | |
Well, that ammeter is going to look amazing | 0:12:41 | 0:12:44 | |
when Guy has finished with it. | 0:12:44 | 0:12:46 | |
He's certainly the man to put a bit more energy back into that ammeter. | 0:12:46 | 0:12:50 | |
And Sarah's empowered Guy to get creative. | 0:12:50 | 0:12:54 | |
If we can get maybe an LED or light inside it. | 0:12:54 | 0:12:57 | |
Yep, I think you've got a great wall light. | 0:12:57 | 0:12:59 | |
She's done well on her skipping this time! | 0:12:59 | 0:13:01 | |
Sarah's probably not in the mood for skipping, | 0:13:01 | 0:13:04 | |
having committed a hefty £125 to the project for Guy | 0:13:04 | 0:13:09 | |
and his team's labour and materials. | 0:13:09 | 0:13:11 | |
They're going to have to give it quite a finish | 0:13:11 | 0:13:13 | |
if Sarah's going to sell it on for a profit. | 0:13:13 | 0:13:16 | |
In the West Sussex countryside, near the small village of Halnaker, | 0:13:19 | 0:13:23 | |
designers Josh and Oli are anticipating Sarah's arrival. | 0:13:23 | 0:13:26 | |
Just a little bit nervous. | 0:13:27 | 0:13:29 | |
We could have a situation in which we just don't know what we're doing. | 0:13:29 | 0:13:32 | |
She's usually got a knack | 0:13:32 | 0:13:33 | |
-of bringing some pretty crazy stuff along with her. -Yeah, yeah. | 0:13:33 | 0:13:36 | |
I don't know what you mean(!) | 0:13:36 | 0:13:38 | |
I know loads of different people | 0:13:38 | 0:13:39 | |
who might be able to take on these stools. | 0:13:39 | 0:13:41 | |
But I'm after a really handmade quality to them | 0:13:41 | 0:13:44 | |
and some emphasis on craftsmanship. | 0:13:44 | 0:13:46 | |
Hello? | 0:13:49 | 0:13:50 | |
-Hiya! Look what I've got! -Wow. | 0:13:50 | 0:13:53 | |
-There's good news - there's more, hold on. -OK, cool. -Nice. | 0:13:53 | 0:13:56 | |
-I've got seven. -OK. | 0:13:59 | 0:14:01 | |
Are you bragging or complaining, Sarah? | 0:14:02 | 0:14:04 | |
What do you think of them? | 0:14:05 | 0:14:07 | |
-I think they're great, yeah. -Yeah? First impressions, all right? | 0:14:07 | 0:14:10 | |
-It's really nice. -I mean, all they need is just some freshening up | 0:14:10 | 0:14:13 | |
-and some nice wooden tops. -I think that's the key, nice wooden tops. | 0:14:13 | 0:14:17 | |
I was thinking that you might just put a bit | 0:14:17 | 0:14:20 | |
of recycled old plank or something. | 0:14:20 | 0:14:22 | |
Charming! To be fair, Sarah, you did bring recycled old ironmongery. | 0:14:22 | 0:14:27 | |
So I'm sort of hoping that they would look really lovely | 0:14:27 | 0:14:30 | |
and high-end and somebody wants to buy them to go around their... | 0:14:30 | 0:14:33 | |
breakfast bar or something like that. | 0:14:33 | 0:14:35 | |
Well, she's ambitious, I'll give her that. | 0:14:35 | 0:14:37 | |
I think the contrast between the old flaky paint and rusty metal | 0:14:37 | 0:14:41 | |
and a new sort of polished hardwood top, | 0:14:41 | 0:14:43 | |
I think that would look really smart. | 0:14:43 | 0:14:45 | |
I would probably have one of those in my kitchen diner or whatever. | 0:14:45 | 0:14:48 | |
Well, funny you should say that, you may be able to. | 0:14:48 | 0:14:50 | |
Because there are seven here and, from my experience, | 0:14:50 | 0:14:53 | |
things normally sell better in pairs. | 0:14:53 | 0:14:54 | |
So I was thinking maybe we should just do six of them. | 0:14:54 | 0:14:57 | |
Hear that, Josh? | 0:14:57 | 0:14:58 | |
Just doing six out of the seven stools leaves a set of spare | 0:14:58 | 0:15:02 | |
dirty, rusty legs for you! You lucky fella! | 0:15:02 | 0:15:05 | |
So what wood would you use? | 0:15:05 | 0:15:06 | |
I would say we would go and buy some new planks, | 0:15:06 | 0:15:08 | |
maybe walnut or oak, sycamore, maple? | 0:15:08 | 0:15:11 | |
I don't know... Yew? That's pretty crazy. | 0:15:11 | 0:15:13 | |
Easy, tiger! You're not on Name That Tree. | 0:15:13 | 0:15:16 | |
I'm really happy for you to get to the wood yard, | 0:15:16 | 0:15:19 | |
see what looks best and just go for it. | 0:15:19 | 0:15:20 | |
So that'll be the stool tops looking lovely, | 0:15:20 | 0:15:23 | |
with carefully selected hardwoods. | 0:15:23 | 0:15:25 | |
But surely those rusted legs will need a lot of work? | 0:15:25 | 0:15:28 | |
Whenever you put new stuff and old stuff together, | 0:15:28 | 0:15:30 | |
if you keep it quite smart, | 0:15:30 | 0:15:32 | |
then you can get away with having a bit of rust. | 0:15:32 | 0:15:34 | |
It's going to be cheaper than if you have to spend hours | 0:15:34 | 0:15:36 | |
polishing each frame, isn't it? | 0:15:36 | 0:15:38 | |
She's always got her eye on the bottom line. | 0:15:38 | 0:15:40 | |
Speaking of which... | 0:15:40 | 0:15:41 | |
Money, though. How much is it going to cost? | 0:15:41 | 0:15:43 | |
I would say we could probably get the tops for £15 per top. | 0:15:43 | 0:15:48 | |
And I mean, if we don't spend too long on the frames, | 0:15:48 | 0:15:51 | |
just maybe a coat of lacquer or wax or something... | 0:15:51 | 0:15:55 | |
45 a stool, then? | 0:15:55 | 0:15:57 | |
-£45 each gives me a nice margin to make a bit of money on them. -OK? | 0:15:59 | 0:16:02 | |
-Yeah. -45? -We'll try and sort that them. -Done deal. | 0:16:02 | 0:16:06 | |
Excellent! I think they're going to look smashing. | 0:16:06 | 0:16:09 | |
That's a fantastic reaction. | 0:16:12 | 0:16:14 | |
I can't wait to see half a dozen beautiful stools | 0:16:14 | 0:16:17 | |
that are really fit for purpose using some lovely new materials | 0:16:17 | 0:16:21 | |
to make them just look really crispy. Perfect. | 0:16:21 | 0:16:24 | |
After a thorough inspection, Josh and Oli are nearly on the same page. | 0:16:25 | 0:16:31 | |
-I think they've got a lot of potential... -Just imagining them | 0:16:31 | 0:16:34 | |
-with a nice walnut top or something. -I like them as a range, though. | 0:16:34 | 0:16:39 | |
-The idea of having a different top on each stool. -On each one? | 0:16:39 | 0:16:43 | |
I reckon. I think that'd be really cool. | 0:16:43 | 0:16:45 | |
Well, I'm sure they'll have worked it out by the next time we see them. | 0:16:45 | 0:16:49 | |
Sarah's looking for a set of six stools at a cost of £45 per stool | 0:16:49 | 0:16:54 | |
for the wood and Josh and Oli's labour, | 0:16:54 | 0:16:57 | |
making a grand total of £270. | 0:16:57 | 0:17:00 | |
But will those rusty legs undermine the sumptuous wooden tops | 0:17:00 | 0:17:04 | |
that they have planned? | 0:17:04 | 0:17:06 | |
At her home in Sussex, our material girl Sarah's itching to get started | 0:17:12 | 0:17:17 | |
on that bundle of old cloth she unravelled earlier. | 0:17:17 | 0:17:20 | |
Having a whole bundle like this is really exciting. | 0:17:21 | 0:17:24 | |
And it's really lovely stuff. | 0:17:24 | 0:17:26 | |
So I'm planning to turn this lot into fantastic scarves, | 0:17:26 | 0:17:31 | |
those big wraparound ones that are really commercial at the moment. | 0:17:31 | 0:17:36 | |
First she carefully measures the... | 0:17:36 | 0:17:38 | |
I'm just going to make up the sides, there's just so much fabric here. | 0:17:38 | 0:17:41 | |
Oh, no, my mistake. | 0:17:41 | 0:17:42 | |
First she grabs some scissors, | 0:17:42 | 0:17:44 | |
makes an educated guess and starts cutting. | 0:17:44 | 0:17:46 | |
Perfect. | 0:17:49 | 0:17:50 | |
Oof! Lucky guess! | 0:17:50 | 0:17:52 | |
And after another hour or so, | 0:17:52 | 0:17:54 | |
she's very accurately chopped up the lot. | 0:17:54 | 0:17:57 | |
Right, so there's 15 scarves here. | 0:17:57 | 0:17:59 | |
So I'm going to get these through the washing machine | 0:17:59 | 0:18:03 | |
and then get them dyed. | 0:18:03 | 0:18:05 | |
I can't wait to see what these look like in different colours. | 0:18:09 | 0:18:12 | |
Sarah's using off-the-shelf cold water dyes. | 0:18:12 | 0:18:16 | |
With just some water and salt, | 0:18:16 | 0:18:18 | |
you can create vibrant colourfast tones. | 0:18:18 | 0:18:21 | |
You can dye pretty much any natural fabric with these powders. | 0:18:21 | 0:18:24 | |
Come to help? | 0:18:24 | 0:18:25 | |
She is aiming for a range of vibrant spring colours, | 0:18:25 | 0:18:29 | |
some of which are working really well. | 0:18:29 | 0:18:31 | |
That's looking hot. | 0:18:31 | 0:18:33 | |
Others, less so. | 0:18:33 | 0:18:35 | |
That's so not blue. It's supposed to be ocean blue. | 0:18:35 | 0:18:39 | |
As it happens, I quite like the purple. It's going to be all right. | 0:18:39 | 0:18:43 | |
Time for green. | 0:18:43 | 0:18:44 | |
I'm not sure I'm quite ready for tropical green. | 0:18:47 | 0:18:49 | |
It's really green. | 0:18:49 | 0:18:50 | |
Sarah adds a little yellow dye for a less Incredible Hulk | 0:18:50 | 0:18:54 | |
and more halcyon springtime feel. | 0:18:54 | 0:18:57 | |
Now, that's a proper spring green. | 0:18:57 | 0:18:59 | |
Kind of looks like moss. | 0:18:59 | 0:19:01 | |
Bramble's adding her own distressed look. | 0:19:01 | 0:19:04 | |
Make yourself at home on the silk, Bramble. | 0:19:04 | 0:19:08 | |
That's how it's done commercially, you know! | 0:19:08 | 0:19:11 | |
After a quick dry and iron, it's time for the fiddly bit. | 0:19:12 | 0:19:16 | |
So this is where the fun really begins. | 0:19:16 | 0:19:18 | |
Lots of little details on it. | 0:19:18 | 0:19:20 | |
Go to town with tassels and ribbons | 0:19:20 | 0:19:21 | |
and make them all have their own personality, really. | 0:19:21 | 0:19:24 | |
Sarah's going to roll the edges of the scarves | 0:19:24 | 0:19:26 | |
and add some colourful embellishments. | 0:19:26 | 0:19:28 | |
Snip little sections... | 0:19:28 | 0:19:31 | |
So they're about that long, | 0:19:31 | 0:19:32 | |
wrap it really tightly round and then tie it. | 0:19:32 | 0:19:35 | |
And then I can just sew a little line of those | 0:19:37 | 0:19:39 | |
along some of the ends of the scarves. | 0:19:39 | 0:19:41 | |
I think this is going to take ages. | 0:19:41 | 0:19:43 | |
But all these fantastic colours together, | 0:19:43 | 0:19:46 | |
I think they're going to sell. | 0:19:46 | 0:19:49 | |
That's one tassel done. Just another 300 or so to go. | 0:19:49 | 0:19:53 | |
If only Bramble could lend a paw. | 0:19:53 | 0:19:55 | |
Sarah's spent just £10 so far on these three packs of dye. | 0:19:56 | 0:20:00 | |
But with so much sewing to get through, | 0:20:00 | 0:20:02 | |
she'll have to enlist some help, | 0:20:02 | 0:20:04 | |
which will all add to her costs. | 0:20:04 | 0:20:06 | |
In Maldon, Guy's getting to grips with the old ammeter, | 0:20:10 | 0:20:14 | |
and he's got some new plans. | 0:20:14 | 0:20:16 | |
What we'll do is we'll put two little bulbs | 0:20:16 | 0:20:19 | |
on the tops of each here. | 0:20:19 | 0:20:20 | |
I think that will look quite quirky and cool. | 0:20:20 | 0:20:24 | |
But before he gets stuck into the electrics, | 0:20:24 | 0:20:26 | |
Guy still has that scruffy wooden box to restore. | 0:20:26 | 0:20:30 | |
Keith? | 0:20:31 | 0:20:32 | |
He's a great delegator! | 0:20:32 | 0:20:35 | |
On this one here, we need your expertise on cleaning it. | 0:20:35 | 0:20:38 | |
And he's calling in expert number one. | 0:20:39 | 0:20:42 | |
First, Keith's attacking that ugly paint mark | 0:20:43 | 0:20:46 | |
with a scalpel and some paint stripper. | 0:20:46 | 0:20:48 | |
See, already you can see it starting working. | 0:20:48 | 0:20:50 | |
It's already starting to slightly bubble up the varnish work. | 0:20:50 | 0:20:53 | |
Here we go, it's coming off nicely. | 0:20:53 | 0:20:55 | |
Now that black mark is almost invisible now. | 0:20:55 | 0:20:58 | |
But before Keith attacks the rest of the box, | 0:20:58 | 0:21:00 | |
Guy's keen to have a look at that leather handle, | 0:21:00 | 0:21:03 | |
which is bolted to the inside. | 0:21:03 | 0:21:06 | |
You never know what might be behind here. | 0:21:06 | 0:21:08 | |
We don't think it's ever been off the back since it was made properly. | 0:21:08 | 0:21:11 | |
Let's have a look. | 0:21:11 | 0:21:12 | |
I'm on tenterhooks. What might be in there? | 0:21:12 | 0:21:15 | |
A gold sovereign? Hidden Enigma codes? | 0:21:15 | 0:21:18 | |
-Well, there's nothing inside it apart from the mechanism. -Oh... | 0:21:20 | 0:21:24 | |
-There is some scribbling there. -Oh, it's a bit of writing, isn't it? | 0:21:24 | 0:21:27 | |
There's a date in here. | 0:21:27 | 0:21:29 | |
-8/3/37. -Well! | 0:21:29 | 0:21:31 | |
With the handle now free, Guy can give it some love, | 0:21:32 | 0:21:35 | |
while Keith strips the rest of the box. | 0:21:35 | 0:21:38 | |
Now, what I'll put on this now is a bit of leather cream. | 0:21:38 | 0:21:40 | |
Whoops-a-daisy! | 0:21:40 | 0:21:43 | |
Yes, we will just work that into the strap. | 0:21:43 | 0:21:45 | |
Just let that dry off for a little bit longer. | 0:21:47 | 0:21:49 | |
Then we will give them a bit of buff. | 0:21:49 | 0:21:50 | |
And Keith's hard work on that wood has Guy inspired. | 0:21:50 | 0:21:54 | |
Sometimes it's very satisfying just working with a bit of wood. | 0:21:54 | 0:21:57 | |
Suddenly it all comes alive and it's becoming beautiful again. | 0:21:57 | 0:22:01 | |
It is so simple to do, anybody can do this. | 0:22:01 | 0:22:03 | |
But it's a great joy to do it, as well. | 0:22:03 | 0:22:05 | |
Isn't that right, Keith? | 0:22:05 | 0:22:07 | |
With all the varnish stripped, | 0:22:07 | 0:22:09 | |
Keith polishes the wood with some clear beeswax. | 0:22:09 | 0:22:12 | |
Oh, that's great-looking. | 0:22:15 | 0:22:17 | |
You've done a brilliant job on that. | 0:22:18 | 0:22:20 | |
Look, the leather strap has come up well, as well, hasn't it? | 0:22:20 | 0:22:23 | |
Yes, Guy, we know you did that bit. | 0:22:23 | 0:22:25 | |
With the box looking tiptop, it's time to light it all up. | 0:22:25 | 0:22:29 | |
Call in expert number two. | 0:22:29 | 0:22:31 | |
This time it's electrician Steve, | 0:22:31 | 0:22:33 | |
who starts by making a small hole for the mains wire. | 0:22:33 | 0:22:36 | |
OK, you want to stick with the... | 0:22:37 | 0:22:39 | |
I think the old silk wire is definitely important, | 0:22:39 | 0:22:42 | |
-it's keeping it in character. -It is a nice look. | 0:22:42 | 0:22:46 | |
While Steve works his electrical magic, | 0:22:46 | 0:22:48 | |
Guy is starting to get excited about what Sarah will think. | 0:22:48 | 0:22:52 | |
I think when she sees this, she's going to go "Whoo! | 0:22:52 | 0:22:55 | |
"I can make some money on this." It could be in all sorts of places. | 0:22:55 | 0:22:58 | |
It just looks old-fashioned tech brought to life. | 0:22:58 | 0:23:02 | |
We need to find some more of them. | 0:23:02 | 0:23:04 | |
Yes, 1930s ammeters are easy to come by(!) | 0:23:04 | 0:23:07 | |
Perhaps a few more months at the dump, Sarah. | 0:23:07 | 0:23:11 | |
Right, OK. Put the old workings back in. | 0:23:11 | 0:23:14 | |
With Steve adding two old-fashioned filament bulbs to the top, | 0:23:14 | 0:23:17 | |
the rebirth of that ammeter is almost complete. | 0:23:17 | 0:23:21 | |
Wow. Yeah! | 0:23:21 | 0:23:23 | |
Over 100 miles away in Sussex, Josh and Oli are making a start | 0:23:26 | 0:23:30 | |
on the rusty legs for the set of six old science stools. | 0:23:30 | 0:23:34 | |
Should hopefully be quite a simple project. | 0:23:34 | 0:23:36 | |
What we are going to do is try and leave the paint on there | 0:23:36 | 0:23:39 | |
and just take off the rust, | 0:23:39 | 0:23:41 | |
and hopefully get some really nice patina on the steel. | 0:23:41 | 0:23:44 | |
Josh and Oli are keen that as much of the limited budget as possible | 0:23:44 | 0:23:48 | |
goes into the wooden tops, | 0:23:48 | 0:23:50 | |
so they are just giving the legs | 0:23:50 | 0:23:52 | |
a quick rubdown with acetone and abrasive pads. | 0:23:52 | 0:23:55 | |
Hopefully, that will remove the rust but leave the paint. | 0:23:55 | 0:23:59 | |
So now I'm just putting on some furniture wax. | 0:23:59 | 0:24:03 | |
It'll make it look a lot better and feel kind of silky smooth as well. | 0:24:03 | 0:24:07 | |
It's looking good now. | 0:24:07 | 0:24:08 | |
Some bits are really nice. | 0:24:08 | 0:24:10 | |
Yeah, really happy with that. I think that's turned out well. | 0:24:10 | 0:24:15 | |
They've achieved the Holy Grail of the clean-dirty look. | 0:24:15 | 0:24:18 | |
Well played, lads. Now for the stool tops. | 0:24:18 | 0:24:22 | |
Josh has secured a pile of English hardwoods. | 0:24:22 | 0:24:26 | |
We are going to put a different slab of wood on each of the stools. | 0:24:26 | 0:24:30 | |
So we've got oak, sycamore, that's a bit of yew. | 0:24:30 | 0:24:34 | |
This is London plane. | 0:24:34 | 0:24:36 | |
That's ash. | 0:24:36 | 0:24:38 | |
And this bit's English walnut. | 0:24:38 | 0:24:42 | |
And we're slightly worried about the English walnut, | 0:24:42 | 0:24:44 | |
because it's got a bit damp. | 0:24:44 | 0:24:46 | |
Hopefully that's all good inside. | 0:24:46 | 0:24:49 | |
Let's have a look, shall we? | 0:24:49 | 0:24:50 | |
Josh cuts a likely-looking section from the main piece. | 0:24:53 | 0:24:57 | |
And it promptly splits. Ah. | 0:24:59 | 0:25:01 | |
Obviously we've lost quite a big chunk there. | 0:25:02 | 0:25:04 | |
It's just a case of trying to get a big enough piece | 0:25:04 | 0:25:07 | |
in order to make a stool top out of it. | 0:25:07 | 0:25:09 | |
Happily, there's just enough left. | 0:25:09 | 0:25:12 | |
Josh gets the wood down to the right thickness, | 0:25:12 | 0:25:14 | |
still hoping that it holds together. | 0:25:14 | 0:25:16 | |
It's a beautiful bit of wood. | 0:25:18 | 0:25:20 | |
It is, er, full of character, as you can see. | 0:25:20 | 0:25:23 | |
If by character, you mean it's got large cracks in it, Josh. | 0:25:23 | 0:25:28 | |
We'll be able to make a feature out of the splits and stuff like that. | 0:25:28 | 0:25:30 | |
Right... | 0:25:30 | 0:25:32 | |
While Josh finishes that piece of troublesome walnut, | 0:25:32 | 0:25:35 | |
Oli makes a start on the next piece. | 0:25:35 | 0:25:37 | |
-This is yew wood. -ME wood? | 0:25:38 | 0:25:41 | |
-And everyone goes, me wood? -Would I? I would. | 0:25:41 | 0:25:44 | |
It's not you wood. It's yew wood. | 0:25:44 | 0:25:47 | |
I WOULD woodwork with yew wood, would you? | 0:25:47 | 0:25:50 | |
Enough! It's just a type of tree. | 0:25:50 | 0:25:52 | |
While Oli tackles that yew, Josh puts the first stool together | 0:25:52 | 0:25:56 | |
using that filled and polished up English walnut. | 0:25:56 | 0:26:00 | |
But will all that lovely wood be enough | 0:26:00 | 0:26:02 | |
for that high-end sheen Sarah's after? | 0:26:02 | 0:26:04 | |
It's one down, five to go. | 0:26:04 | 0:26:07 | |
OAK-ay, it's PLANE to see that there's lots syca-MORE for YEW to do. | 0:26:07 | 0:26:13 | |
Crack on. | 0:26:13 | 0:26:14 | |
Sarah's back at home working hard to get those scarves finished. | 0:26:17 | 0:26:21 | |
Having already tussled with her tassels for hours on end, | 0:26:21 | 0:26:25 | |
Sarah's bitten the bullet and enlisted help. | 0:26:25 | 0:26:28 | |
She's roped in her sometime assistant Ian, among others, | 0:26:28 | 0:26:32 | |
to get them all done. | 0:26:32 | 0:26:34 | |
As she's aiming for a high-end product | 0:26:34 | 0:26:36 | |
and a high-end price tag to match, she is confident that spending a few | 0:26:36 | 0:26:40 | |
more pounds on labour won't take too much of a dent out of the profits. | 0:26:40 | 0:26:45 | |
-Put a tassel on each corner. -Beautiful. | 0:26:46 | 0:26:48 | |
So what do you reckon one can charge | 0:26:48 | 0:26:50 | |
for a hand-tasselled, hand-dyed scarf? | 0:26:50 | 0:26:53 | |
Sarah's chosen the best 12 pieces of material to finish, | 0:26:55 | 0:26:59 | |
and soon her tassel odyssey is complete. | 0:26:59 | 0:27:02 | |
Sarah found a jumble of discarded old material in a plastic bag | 0:27:04 | 0:27:08 | |
destined for the skip. | 0:27:08 | 0:27:10 | |
Now they're sumptuous and vibrant scarves | 0:27:15 | 0:27:18 | |
that wouldn't look out of place on a catwalk. | 0:27:18 | 0:27:20 | |
With a bit of dye, some leftover thread and a lot of hard work, | 0:27:23 | 0:27:26 | |
they've been transformed into a gorgeous spectrum | 0:27:26 | 0:27:30 | |
of springtime loveliness. | 0:27:30 | 0:27:31 | |
Well, I am really pleased with these. | 0:27:34 | 0:27:36 | |
They're bright, they're beautiful, and I think they're rather lovely. | 0:27:36 | 0:27:40 | |
And I've got a good idea about where to sell them. | 0:27:40 | 0:27:42 | |
I need to position them up here in terms of cost, because I want | 0:27:42 | 0:27:45 | |
them to be seen as a lovely, luxury item, which I think they are now. | 0:27:45 | 0:27:49 | |
At the recycling centre in Altrincham, Sarah met Les while | 0:27:52 | 0:27:56 | |
he was trying to throw out a load of his uncle's old coat hangers. | 0:27:56 | 0:28:01 | |
There seems to be a coat hanger theme going on here. | 0:28:01 | 0:28:04 | |
-Well, it looks that way, doesn't it? -Oh, my word, more? | 0:28:04 | 0:28:07 | |
I know! Ridiculous. | 0:28:07 | 0:28:09 | |
Among all of Les's uncle's rubbish was a bag of old fabric. | 0:28:09 | 0:28:13 | |
Sarah chopped it up, dumped it into some dye | 0:28:14 | 0:28:18 | |
and tied on a load of tassels to create some sublime scarves. | 0:28:18 | 0:28:23 | |
They proved a perfect fit for Cowdray, Sarah's local farm shop, | 0:28:23 | 0:28:28 | |
who bought all 12. | 0:28:28 | 0:28:29 | |
The colours are absolutely beautiful. And the fact | 0:28:29 | 0:28:32 | |
they've been handmade from something that was otherwise going | 0:28:32 | 0:28:35 | |
to be thrown away really fits in with the ethos behind our business. | 0:28:35 | 0:28:38 | |
And they're already in demand... | 0:28:38 | 0:28:40 | |
-I love that deep purple. -So do I. | 0:28:40 | 0:28:43 | |
..but not quite for what Sarah planned. | 0:28:43 | 0:28:46 | |
I'd use it for a tablecloth. | 0:28:46 | 0:28:48 | |
Each to their own. | 0:28:49 | 0:28:51 | |
Now Sarah's back in Altrincham with some loot for Les. | 0:28:53 | 0:28:56 | |
-Hi, there, Les. -Hiya, love. Hiya. Are you all right? | 0:29:00 | 0:29:02 | |
-I'm very well, how you doing? -Fine, duck, thanks very much. | 0:29:02 | 0:29:05 | |
You were hard at work last time I saw you. | 0:29:05 | 0:29:07 | |
-You had got loads of stuff coming to the tip. -That's right. | 0:29:07 | 0:29:10 | |
So, some of it was yours, but some of it belonged to your uncle. | 0:29:10 | 0:29:13 | |
-Is that right? -That's right, yes. -In one of the bags, there was | 0:29:13 | 0:29:16 | |
actually some fabric that I was interested in. | 0:29:16 | 0:29:18 | |
I've got a picture of it to see if it's something you remember. | 0:29:18 | 0:29:21 | |
I don't remember, but it would be brilliant to see it. | 0:29:21 | 0:29:24 | |
That was in there, it was lots of really long strips of fabric. | 0:29:24 | 0:29:28 | |
-Some of it was silk. -Fantastic. | 0:29:28 | 0:29:30 | |
So do you want to see what we did with it? | 0:29:30 | 0:29:32 | |
Yes, please, if you don't mind. | 0:29:32 | 0:29:34 | |
I would like to see what you've done with it. | 0:29:34 | 0:29:36 | |
-We turned them into scarves. -It just shows you, doesn't it? | 0:29:36 | 0:29:40 | |
That's incredible, that. Oh, it's brilliant, that. That's fantastic. | 0:29:40 | 0:29:43 | |
You wouldn't think of doing something like that. | 0:29:43 | 0:29:45 | |
They looked really good. | 0:29:45 | 0:29:46 | |
And we took them to a local farm shop and they bought all of them. | 0:29:46 | 0:29:49 | |
-Did they really? -Yeah, and they bought them at a profit, | 0:29:49 | 0:29:51 | |
-so I've got a little bit of money to share with you. -Brilliant. | 0:29:51 | 0:29:54 | |
Well, you can't refuse that, can you? | 0:29:54 | 0:29:55 | |
I tell you what, I've actually got £160 for you. | 0:29:55 | 0:29:58 | |
Never?! Blimey, Charlie. | 0:29:58 | 0:30:00 | |
-Is that unexpected? -That is unexpected, that. | 0:30:00 | 0:30:04 | |
I mean, just imagine how much more stuff just goes in that skip... | 0:30:04 | 0:30:07 | |
-in them skips every day. -Don't say that, keeps me awake at night. | 0:30:07 | 0:30:11 | |
I bet it does. That is brilliant, that, love. Thanks very much. | 0:30:11 | 0:30:14 | |
What might you do with that? | 0:30:14 | 0:30:15 | |
Well, it's going to put a new exhaust on my car. | 0:30:15 | 0:30:18 | |
-2,500. -Oh, seriously?! -Serious money. -That is a nightmare. | 0:30:18 | 0:30:23 | |
-Well, I'm... -No, that's brilliant, that will go well towards it. | 0:30:23 | 0:30:27 | |
-Well, that's great news. -Thank you very much. That's much appreciated. | 0:30:27 | 0:30:30 | |
I hope to see you again down there. See what else I can give you. | 0:30:30 | 0:30:34 | |
I hope the car's all right. | 0:30:34 | 0:30:35 | |
Oh, that'll be all right. Thanks very much. | 0:30:35 | 0:30:37 | |
-Bye-bye. -Bye-bye now. | 0:30:37 | 0:30:38 | |
Well, I really enjoyed turning something plain and boring | 0:30:42 | 0:30:45 | |
into something luxurious and lovely. | 0:30:45 | 0:30:47 | |
And it sounds like the product came just in time for Les | 0:30:47 | 0:30:50 | |
with his massive car bill. | 0:30:50 | 0:30:52 | |
Sarah spent £10 on materials, and another 30 for additional labour. | 0:30:54 | 0:30:59 | |
12 scarves were bought by the farm shop at £200, | 0:30:59 | 0:31:03 | |
giving Sarah profit of £160 for Les. | 0:31:03 | 0:31:07 | |
In Maldon, Guy's basking in the warm glow of a job well done. | 0:31:10 | 0:31:15 | |
I am looking forward to Sarah seeing this piece. | 0:31:15 | 0:31:18 | |
I think she's a bit of a techy girl. It just looks really different. | 0:31:18 | 0:31:22 | |
I think she's going to really love it. | 0:31:22 | 0:31:24 | |
When Sarah saw the ammeter at the tip, | 0:31:24 | 0:31:27 | |
it was a broken old electrical curio on its way to a landfill grave. | 0:31:27 | 0:31:32 | |
Now it's been resurrected as a unique piece of lighting, | 0:31:35 | 0:31:40 | |
which would suit anyone with a love of vintage tech. | 0:31:40 | 0:31:43 | |
The old-style filament bulbs on top emit a gentle, cosy glow, | 0:31:44 | 0:31:49 | |
which is complemented by the LED backlighting behind the old dial. | 0:31:49 | 0:31:54 | |
Guy's team has perfectly trodden that fine line between authentic | 0:31:54 | 0:31:58 | |
and modernised to give it a quirky, steampunk charm. | 0:31:58 | 0:32:02 | |
Both Guy and I were really enthusiastic about this piece. | 0:32:02 | 0:32:05 | |
I can't wait to see what he's managed to do with it. | 0:32:05 | 0:32:08 | |
Oh, Guy! | 0:32:11 | 0:32:12 | |
-Hello, Sarah, lovely to see you again. -Isn't that stunning? | 0:32:14 | 0:32:19 | |
-Do you like it, do you? -Oh, that's a gem, isn't it? | 0:32:19 | 0:32:23 | |
I'm really pleased with it. | 0:32:23 | 0:32:24 | |
It really has come up much better than I thought it would do. | 0:32:24 | 0:32:27 | |
-It's a special one-off. -Those are fantastic. | 0:32:27 | 0:32:30 | |
They are quite funky little bulbs. Pick it up, have a look. | 0:32:30 | 0:32:34 | |
That is really lovely. To get that light inside. That is a triumph. | 0:32:34 | 0:32:40 | |
Every part of it that was looking a bit old, a bit distressed, | 0:32:41 | 0:32:44 | |
bit worn, now is a charming feature, isn't it? | 0:32:44 | 0:32:47 | |
I like the wear on it, it still shows it is definitely old. | 0:32:47 | 0:32:50 | |
I think you've done something really special. | 0:32:50 | 0:32:52 | |
I will sell this, I know I will make money on it. | 0:32:52 | 0:32:56 | |
And to go back and to show the guy who dropped it off in the tip | 0:32:56 | 0:32:58 | |
what you've done to his old amp meter, I think is brilliant. | 0:32:58 | 0:33:01 | |
Sarah's loving those bulbs. But has Guy blown the budget? | 0:33:02 | 0:33:07 | |
It's come out really well. But budget-wise, 125 quid. | 0:33:09 | 0:33:13 | |
-Are we anywhere near? -It's been a tough one to do it for this price. | 0:33:13 | 0:33:16 | |
It's not a lot of money in it for us, to be honest, | 0:33:16 | 0:33:19 | |
but I think we'll keep it on budget. | 0:33:19 | 0:33:21 | |
I think you're being generous there. | 0:33:21 | 0:33:24 | |
It's beautiful, thank you for doing such a lovely thing to it. | 0:33:24 | 0:33:27 | |
Lovely, thank you, Sarah, very much. | 0:33:27 | 0:33:29 | |
I think this is a really great outcome for this little amp meter. | 0:33:32 | 0:33:36 | |
Guy has made something really special. | 0:33:36 | 0:33:37 | |
And I'm going to make some money. | 0:33:37 | 0:33:39 | |
You're never sure how people like it, | 0:33:39 | 0:33:41 | |
but I think she really liked it. | 0:33:41 | 0:33:43 | |
And I hope the person that buys it likes it. | 0:33:43 | 0:33:46 | |
It's a great one-off piece again. | 0:33:46 | 0:33:47 | |
At the tip, Sarah was switched on enough to see | 0:33:49 | 0:33:52 | |
the potential in Luther's father-in-law's ammeter... | 0:33:52 | 0:33:55 | |
unlike Luther. | 0:33:55 | 0:33:57 | |
Got enough old stuff at home, | 0:33:57 | 0:33:59 | |
and don't need any more, thank you very much. | 0:33:59 | 0:34:01 | |
Guy and his team gave it a new life as a quirky table lamp. | 0:34:03 | 0:34:07 | |
Wow. | 0:34:07 | 0:34:09 | |
It was quickly snapped up and delivered | 0:34:09 | 0:34:11 | |
to online vintage and retro retailer, Nick Smith, | 0:34:11 | 0:34:14 | |
who's wasting no time getting it out on display. | 0:34:14 | 0:34:18 | |
I like the concept of it, because it is fun design. | 0:34:18 | 0:34:21 | |
I haven't seen a design like this before for lights. | 0:34:21 | 0:34:24 | |
With the metering on the front, with the bulbs, it's really cool. | 0:34:24 | 0:34:27 | |
Yeah, really like it. | 0:34:27 | 0:34:28 | |
Don't forget to put the bulbs on, Nick. | 0:34:28 | 0:34:31 | |
Now Sarah's in Northwich with some news for Luther. | 0:34:32 | 0:34:35 | |
Hi there, Luther. | 0:34:38 | 0:34:39 | |
-Oh, hello. -How are you doing? -Come on in. -Oh, lovely, thank you. | 0:34:39 | 0:34:43 | |
-Nice to meet you again. -Nice to see you, too. | 0:34:43 | 0:34:46 | |
I said that if I managed to do something with the old meter, | 0:34:46 | 0:34:49 | |
-I'd come and keep in touch, so here I am. -Right. | 0:34:49 | 0:34:51 | |
You said it was your father-in-law's. Is that right? | 0:34:51 | 0:34:54 | |
That's correct, yes. His trade was an electrician. | 0:34:54 | 0:34:57 | |
He was offered the chance | 0:34:57 | 0:34:59 | |
to work on the first computer in Manchester University. | 0:34:59 | 0:35:03 | |
He always talked about how big it was, | 0:35:03 | 0:35:05 | |
and it was spread over three floors. | 0:35:05 | 0:35:07 | |
Well, I love the thought that maybe this thing was used | 0:35:07 | 0:35:10 | |
on such a lovely piece of technological advancement. | 0:35:10 | 0:35:13 | |
Did you think when we took it away what might be made of it? | 0:35:13 | 0:35:16 | |
No, not really. | 0:35:16 | 0:35:18 | |
I just thought you were just going to rebuild it | 0:35:18 | 0:35:20 | |
-and get it going again. -Let me show you what I've done. | 0:35:20 | 0:35:23 | |
-It was made into a lovely desk light. -Oh, that looks cool. | 0:35:23 | 0:35:27 | |
It is in keeping, really, yes. | 0:35:27 | 0:35:29 | |
It looked a bit like it was something electrical, | 0:35:29 | 0:35:32 | |
something experimental sort of going on. | 0:35:32 | 0:35:34 | |
It all ties in, doesn't it, really? Good idea. I never thought of that. | 0:35:34 | 0:35:37 | |
Do you think your father-in-law would have improved? | 0:35:37 | 0:35:40 | |
Most certainly, yes, because better that way | 0:35:40 | 0:35:43 | |
-than sitting away in some cupboard somewhere doing nothing. -Yes. | 0:35:43 | 0:35:47 | |
Actually, it was a good-looking thing and it has sold for a profit, | 0:35:47 | 0:35:50 | |
so I've brought here £40 for you for your old amp meter. | 0:35:50 | 0:35:53 | |
That's the first time I've come away from the tip with £40. | 0:35:53 | 0:35:57 | |
-Yeah, well... -It is a surprise. | 0:35:57 | 0:35:59 | |
I'm sure my wife will be surprised, | 0:35:59 | 0:36:00 | |
-because she won't take long to go and spend that. -Really? | 0:36:00 | 0:36:04 | |
So that's where that is going. Fantastic. | 0:36:04 | 0:36:07 | |
Well, thank you so much for letting me come back and catch up with you. | 0:36:07 | 0:36:10 | |
It was a lovely thing, | 0:36:10 | 0:36:11 | |
and I really enjoyed watching it come back to life again. | 0:36:11 | 0:36:14 | |
So thank you so much. And I hope you get a little bit of that money. | 0:36:14 | 0:36:18 | |
-Yes, thank you very much indeed. -My pleasure. Thank you. Bye-bye. | 0:36:18 | 0:36:21 | |
OK, bye. | 0:36:21 | 0:36:22 | |
Well, I think we made Luther's day, | 0:36:22 | 0:36:24 | |
and we made something really lovely out of that amp meter. | 0:36:24 | 0:36:28 | |
And that's another little piece of history | 0:36:28 | 0:36:30 | |
that's got a whole new lease of life. | 0:36:30 | 0:36:32 | |
With Guy and his team taking £125 for labour and parts, | 0:36:32 | 0:36:37 | |
and the ammeter lamp selling for £165, | 0:36:37 | 0:36:40 | |
Sarah was able to squeeze a healthy £40 profit | 0:36:40 | 0:36:44 | |
for Luther and his wife. | 0:36:44 | 0:36:46 | |
Sarah's back in Halnaker to collect Josh and Ollie's work. | 0:36:50 | 0:36:54 | |
So Josh and Ollie have had science stools' bases | 0:36:54 | 0:36:57 | |
to convert into something saleable. | 0:36:57 | 0:37:00 | |
I hope they've really managed to pull it out the bag. | 0:37:00 | 0:37:03 | |
I think we've kind of delivered. | 0:37:04 | 0:37:06 | |
We've got six of our sort of favourite English woods | 0:37:06 | 0:37:09 | |
on the top there. It makes quite a cool set. | 0:37:09 | 0:37:11 | |
They are quite special. They need to go into a school of woodwork. | 0:37:11 | 0:37:15 | |
-That's the original habitat. -Yeah. | 0:37:15 | 0:37:16 | |
Sarah left Josh and Ollie with the rusty old legs | 0:37:19 | 0:37:22 | |
of some school science stools. | 0:37:22 | 0:37:24 | |
Now they're a spectacular set of six stools | 0:37:29 | 0:37:32 | |
with beautifully-finished English hardwood tops. | 0:37:32 | 0:37:36 | |
The rounded and bevelled corners of the seats echo | 0:37:36 | 0:37:39 | |
the curves of the original legs that have been carefully waxed | 0:37:39 | 0:37:43 | |
to preserve their patina. | 0:37:43 | 0:37:45 | |
And the wood has been expertly crafted | 0:37:45 | 0:37:47 | |
to show of the delightful character and colour tones | 0:37:47 | 0:37:51 | |
of the carefully-selected range of locally sourced timbers. | 0:37:51 | 0:37:54 | |
Oh, boys, you've been busy. Look at that lot! | 0:38:03 | 0:38:06 | |
Don't they look smart? | 0:38:08 | 0:38:10 | |
To make a sort of family of wood to go on top of them | 0:38:10 | 0:38:13 | |
and to use that idea to sell them together is great. | 0:38:13 | 0:38:16 | |
It's a really nice way to show off wood | 0:38:16 | 0:38:19 | |
and the beauty of English timber. | 0:38:19 | 0:38:21 | |
But we chose the most characterful bit of wood that we could find. | 0:38:21 | 0:38:25 | |
This is a beautiful set of stools. | 0:38:25 | 0:38:27 | |
And now, another episode of Name That Tree. | 0:38:29 | 0:38:33 | |
-Go on, then, let me guess. What's...? Is that walnut? -Yeah. -OK. | 0:38:33 | 0:38:38 | |
-Some kind of burry thing, so, oak? -Yeah. -Yep. | 0:38:40 | 0:38:43 | |
-Sycamore? -Yes. | 0:38:43 | 0:38:46 | |
-Nice! -Yew. -Yeah. | 0:38:46 | 0:38:48 | |
-No idea. -Ash. -Ash. -Ash? -Yeah. -And that one must be... | 0:38:48 | 0:38:52 | |
-I don't know what that one is. -Think of our capital city. -London plane. | 0:38:52 | 0:38:56 | |
-Yeah. -Perfect! | 0:38:56 | 0:38:57 | |
Sarah's surprisingly good at that. Show-off! | 0:38:57 | 0:39:01 | |
I left, I think, £45 per stool on them. Did that come out on budget? | 0:39:01 | 0:39:06 | |
Yeah, we kept that in mind and we put that into the tops | 0:39:06 | 0:39:11 | |
and decided to leave the bases pretty much as they were. | 0:39:11 | 0:39:16 | |
I really like the bases. These colours with the wood are lovely. | 0:39:16 | 0:39:19 | |
Together they work really well. | 0:39:19 | 0:39:21 | |
I'm going to get more than £45 for that, aren't I? | 0:39:21 | 0:39:24 | |
-I mean, look at it. -Yeah, I reckon you will, yeah. | 0:39:24 | 0:39:26 | |
Especially if somebody wants to buy the whole collection. | 0:39:26 | 0:39:29 | |
-What do you think? 45 times 6... So that is 270 for this lot. -Yeah. | 0:39:29 | 0:39:34 | |
What you've done to them, it's a lovely thing. So thank you. | 0:39:34 | 0:39:37 | |
-Thank you very much. -Thank you. | 0:39:37 | 0:39:39 | |
It's a stunning achievement by Josh and Ollie. | 0:39:39 | 0:39:43 | |
It's now up to Sarah to get them sold. | 0:39:43 | 0:39:46 | |
Well, I'm really pleased with the stools. | 0:39:47 | 0:39:50 | |
They are a lovely simple chunky design and they're really saleable. | 0:39:50 | 0:39:54 | |
You can't ask for more than that. | 0:39:54 | 0:39:56 | |
At the recycling centre, | 0:39:57 | 0:39:59 | |
Richard had a boot full of rusty school stools which were headed | 0:39:59 | 0:40:03 | |
for the scrapyard and he had ambitious ideas for Sarah. | 0:40:03 | 0:40:06 | |
You can use the tubular steel in those shapes, | 0:40:06 | 0:40:09 | |
weld them together to make all sorts of endless possibilities. | 0:40:09 | 0:40:12 | |
But Sarah kept it simple and gave Josh and Ollie the task | 0:40:12 | 0:40:15 | |
of topping them with some beautiful timber. | 0:40:15 | 0:40:19 | |
And they also caught the eye of online retailer Nick. | 0:40:19 | 0:40:23 | |
I quite like them because they're very minimal. | 0:40:23 | 0:40:26 | |
-Does that mean you're going to buy them? -I'll take all six. -Really? | 0:40:26 | 0:40:29 | |
-Yeah. -Fantastic news, well done. | 0:40:29 | 0:40:32 | |
Now Sarah's back in Manchester to update Andrew on the old stools. | 0:40:32 | 0:40:37 | |
-Hi, there. -Hey. -How are you? -I'm very well. How are you? | 0:40:40 | 0:40:44 | |
Yes, really well. Nice to see you again. | 0:40:44 | 0:40:46 | |
-I said I would come back and chat with you... -You did. | 0:40:46 | 0:40:48 | |
-..about your stools. -Yes. -When we took them away, | 0:40:48 | 0:40:51 | |
-did you wonder what we might get up to with them? -I did. | 0:40:51 | 0:40:54 | |
I really couldn't work out whether you were going to build them into | 0:40:54 | 0:40:57 | |
something or whether it was going to be a take on the same type of thing. | 0:40:57 | 0:41:00 | |
-I really... I've no idea. -In the end, we went for stools. -Oh, stools. | 0:41:00 | 0:41:05 | |
-So I wasn't wrong. -No, you weren't wrong. | 0:41:05 | 0:41:07 | |
I've got some pictures here to show you of them. | 0:41:07 | 0:41:10 | |
-I'd love to see them. -Yeah, do you want to have a look? | 0:41:10 | 0:41:12 | |
So that's how they ended up. | 0:41:12 | 0:41:14 | |
Oh, yes, yeah, they look really sturdy and chunky, don't they? | 0:41:14 | 0:41:17 | |
I can just imagine those round the kitchen island unit. | 0:41:17 | 0:41:19 | |
-Just that right height, aren't they, to have your breakfast at? -Yeah. | 0:41:19 | 0:41:22 | |
And actually, because of that, it made them really saleable. | 0:41:22 | 0:41:25 | |
I've actually got some profit here to hand over to you. | 0:41:25 | 0:41:27 | |
-Yeah, I've got £100 pure profit here. -£100 pure profit! | 0:41:27 | 0:41:31 | |
Right, on top of the people that have been paid to do the job. | 0:41:31 | 0:41:35 | |
-Yes, that's right. -That's very good indeed. | 0:41:35 | 0:41:37 | |
They look so lovely | 0:41:37 | 0:41:38 | |
and so tactile that they were snapped up immediately, | 0:41:38 | 0:41:41 | |
so, yeah, I was really pleased. | 0:41:41 | 0:41:42 | |
-I hope you are with that little windfall. -I am, very pleased, yeah, | 0:41:42 | 0:41:45 | |
and I think that they came from a school where children are | 0:41:45 | 0:41:49 | |
and I think the best place for this is for Children In Need. | 0:41:49 | 0:41:52 | |
I think charity will use this more wisely than I can. | 0:41:52 | 0:41:55 | |
Oh, that's fantastic, I love that idea. | 0:41:55 | 0:41:58 | |
-It just completes the circle, doesn't it? -It does, yes. | 0:41:58 | 0:42:00 | |
-Really good to catch up. -Thank you very much. Take care. | 0:42:00 | 0:42:03 | |
Lovely, thank you ever so much. | 0:42:03 | 0:42:05 | |
I think that was a lovely reaction | 0:42:06 | 0:42:08 | |
and Andrew's very generous to give all that money to Children In Need. | 0:42:08 | 0:42:11 | |
And we have created some beautiful stools that will | 0:42:11 | 0:42:14 | |
go on to have a new life in somebody else's house. | 0:42:14 | 0:42:16 | |
Perfect ending. | 0:42:16 | 0:42:17 | |
Josh and Ollie charged a total of £270 for the wood | 0:42:19 | 0:42:23 | |
and their hard work on those stools. | 0:42:23 | 0:42:25 | |
Sarah sold them for £370, giving Andrew a profit of £100. | 0:42:25 | 0:42:32 | |
Sarah unearthed three hidden gems at the recycling centre in Altrincham. | 0:42:36 | 0:42:41 | |
Luther's old ammeter was transformed into a quirky table lamp, | 0:42:41 | 0:42:45 | |
Andrew's rusty stool bases were revamped with new hardwood tops | 0:42:45 | 0:42:51 | |
and Les's bundle of vintage material | 0:42:51 | 0:42:54 | |
has found its mojo as a set of scarves. | 0:42:54 | 0:42:56 | |
Well, Josh and Ollie's hard work really paid off | 0:42:58 | 0:43:00 | |
and it's Guy's imagination | 0:43:00 | 0:43:02 | |
that gave a whole new lease of life to another tip find. | 0:43:02 | 0:43:05 | |
And me, I got to have fun with some scarves. | 0:43:05 | 0:43:08 | |
And it's those three transformations that all gave me the opportunity | 0:43:08 | 0:43:11 | |
to hand over hundreds of pounds of money for nothing. | 0:43:11 | 0:43:14 |