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Ooh, just before you throw those away... | 0:00:03 | 0:00:06 | |
How do you make Money For Nothing? | 0:00:06 | 0:00:09 | |
-Can I have it? -You can have it, yeah. | 0:00:09 | 0:00:11 | |
The answer could be hiding in the 30 million tonnes of | 0:00:11 | 0:00:15 | |
household waste we throw out every year. | 0:00:15 | 0:00:18 | |
Now, this is one seriously unusual tip find. | 0:00:18 | 0:00:21 | |
That's why entrepreneur Sarah Moore wants to | 0:00:21 | 0:00:24 | |
get her hands on things before they hit the skip. | 0:00:24 | 0:00:27 | |
I'm a passionate user, maker and buyer of old stuff, | 0:00:30 | 0:00:34 | |
and I've turned my passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for profit. | 0:00:37 | 0:00:40 | |
And, with some of the country's elite designers and makers... | 0:00:41 | 0:00:46 | |
These were going to be thrown away? Seriously? | 0:00:46 | 0:00:48 | |
I love it, love it, love it. | 0:00:48 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
It looks brand-new. | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
You are joking. | 0:00:57 | 0:00:58 | |
..and, hopefully, saleable items. | 0:00:58 | 0:01:02 | |
-That is a triumph! -LAUGHTER | 0:01:02 | 0:01:05 | |
If Sarah is successful, then she can hand the profits back to | 0:01:05 | 0:01:08 | |
the very people who had no idea there was cash to be made | 0:01:08 | 0:01:12 | |
from their trash. | 0:01:12 | 0:01:14 | |
That is amazing! | 0:01:14 | 0:01:16 | |
Today we're at a recycling centre in Walsall, | 0:01:25 | 0:01:31 | |
where Sarah is doing what she does best - scavenging. | 0:01:31 | 0:01:36 | |
I love rummaging through the bin bags and the boots and the boxes, | 0:01:39 | 0:01:43 | |
and making money for nothing - that's always a bonus. | 0:01:43 | 0:01:46 | |
She's been given special permission to ransack the rubbish tip | 0:01:49 | 0:01:53 | |
to find three items she can rejuvenate and sell on for a profit. | 0:01:53 | 0:01:57 | |
Cars are coming in. They're full of stuff. | 0:02:01 | 0:02:03 | |
What are you chucking out? | 0:02:06 | 0:02:08 | |
-A toilet seat. -Toilet seat? | 0:02:08 | 0:02:10 | |
Well, I might draw the line at recycling the toilet seat. | 0:02:10 | 0:02:14 | |
Oh, thank goodness for that, but what will you go for today? | 0:02:14 | 0:02:18 | |
Let's take a look at Michelle's drawers. | 0:02:26 | 0:02:29 | |
That looks nice and shiny to be dropped off at the tip. | 0:02:29 | 0:02:32 | |
This piece of furniture had pride of place in | 0:02:32 | 0:02:35 | |
Michelle and her husband Paul's hall for many years. | 0:02:35 | 0:02:38 | |
-Did you buy it? -No, it was Mum and Dad's, | 0:02:40 | 0:02:42 | |
and they've gave it to us, | 0:02:42 | 0:02:44 | |
and then we've finished with it, so... | 0:02:44 | 0:02:47 | |
This is really quite sweet. I think it's... | 0:02:47 | 0:02:50 | |
-It's reproduction rather than old, really old, isn't it? -Yes, yes, yes. | 0:02:50 | 0:02:53 | |
When do you think your parents bought that, | 0:02:53 | 0:02:56 | |
or your mum, mum had that...? | 0:02:56 | 0:02:57 | |
The late '80s? | 0:02:57 | 0:02:58 | |
-It's got that sort of look to it, hasn't it? -Yep. Yep. | 0:02:58 | 0:03:01 | |
But it's a good, solid, sweet little bit of furniture. You never know. | 0:03:01 | 0:03:04 | |
If I could do something with it, | 0:03:04 | 0:03:05 | |
I'd love to be able to maybe keep in touch, | 0:03:05 | 0:03:07 | |
-and show you what I've done... -Yeah, yeah, lovely. -Yes, it's fine. | 0:03:07 | 0:03:11 | |
This was a case of out with the old and in with the new | 0:03:11 | 0:03:14 | |
for the chest of drawers. | 0:03:14 | 0:03:17 | |
We've brought it from the hall at home. | 0:03:17 | 0:03:19 | |
We've just all redecorated and bought new furniture for there, | 0:03:19 | 0:03:22 | |
so we're finished with it. | 0:03:22 | 0:03:24 | |
It may look antique but it was built in the '80s, not the 1800s. | 0:03:25 | 0:03:31 | |
I don't know if I'm going to be able to do anything with it. It is... | 0:03:31 | 0:03:34 | |
It's not the best quality, cos it's reproduction. | 0:03:37 | 0:03:41 | |
I really prefer original pieces, | 0:03:41 | 0:03:44 | |
and there's something about the reproduction that just looks... | 0:03:44 | 0:03:47 | |
not quite right, | 0:03:47 | 0:03:48 | |
and it's difficult to know if I'll ever be able to make something that | 0:03:48 | 0:03:51 | |
has got the right bone structure so it looks really classy but... | 0:03:51 | 0:03:54 | |
there must be something we can do to it. | 0:03:54 | 0:03:59 | |
Chin up, Sarah. You always think of something. | 0:03:59 | 0:04:03 | |
And she knows just the fella to help perk up this item. | 0:04:03 | 0:04:07 | |
With over 25 years' experience building furniture, | 0:04:10 | 0:04:13 | |
if you've got wood, Norman Wilkinson's your man. | 0:04:13 | 0:04:18 | |
I love the timber. I love the finishing of it. | 0:04:18 | 0:04:20 | |
I love the product. | 0:04:20 | 0:04:21 | |
It's everything that is... It makes me tick. | 0:04:21 | 0:04:24 | |
There's no point getting up in the morning | 0:04:25 | 0:04:27 | |
and doing something you don't like. | 0:04:27 | 0:04:29 | |
Coming in and then picking up the wood, | 0:04:29 | 0:04:31 | |
and then turning it into something lovely, | 0:04:31 | 0:04:33 | |
you know, it makes me happy. | 0:04:33 | 0:04:36 | |
Norman's passion is making handcrafted, bespoke furniture | 0:04:36 | 0:04:40 | |
from salvaged and unwanted materials. | 0:04:40 | 0:04:43 | |
It's great when we buy a piece of furniture | 0:04:43 | 0:04:45 | |
where everyone thinks it's a load of rubbish and whatever, | 0:04:45 | 0:04:48 | |
and it's great that we bring it back, | 0:04:48 | 0:04:49 | |
and when we've finished it and we've, you know, | 0:04:49 | 0:04:52 | |
we've got it looking absolutely perfect, and whatever - | 0:04:52 | 0:04:56 | |
yeah, it's a great joy. | 0:04:56 | 0:04:57 | |
Hmm. I'm not sure how joyful Norman will be | 0:04:57 | 0:05:00 | |
when he gets a gander at this. | 0:05:00 | 0:05:02 | |
One item in the bag - two to go. | 0:05:08 | 0:05:11 | |
Fortunately for Sarah, the convoy of cars shows no sign of slowing down. | 0:05:11 | 0:05:16 | |
They come in all shapes and sizes - | 0:05:16 | 0:05:18 | |
big ones, little ones, | 0:05:18 | 0:05:22 | |
very little ones, and very, very little ones. | 0:05:22 | 0:05:26 | |
Another Porsche. I like the Porsches - classy. | 0:05:26 | 0:05:30 | |
Things like this are only going up in value, | 0:05:30 | 0:05:33 | |
and they're going down in the skip all day long. | 0:05:33 | 0:05:37 | |
Can Sarah turn Don's jumble of junk into a tidy sum? | 0:05:37 | 0:05:42 | |
Oh, I like the look of your chair. | 0:05:42 | 0:05:43 | |
-Are you chucking the chair out? -Pardon? | 0:05:43 | 0:05:45 | |
-Are you chucking your chair out? -Yes. | 0:05:45 | 0:05:47 | |
It's so heavy. They don't make them like this any more. | 0:05:50 | 0:05:52 | |
Look at that - I think it's the same sort of era of | 0:05:52 | 0:05:55 | |
the kind of classic Ercol, but it's just a bit too clunky. | 0:05:55 | 0:05:59 | |
This chair is similar in style to Ercol furniture, | 0:05:59 | 0:06:03 | |
famed for the sleek lines and smooth curves of their classic designs. | 0:06:03 | 0:06:08 | |
It's really heavy, isn't it? | 0:06:08 | 0:06:10 | |
Yeah, it's... | 0:06:10 | 0:06:12 | |
It's a great pity, but... | 0:06:12 | 0:06:15 | |
When you're done, you're done. | 0:06:15 | 0:06:16 | |
I don't think you have to feel guilty about it. | 0:06:16 | 0:06:18 | |
-We've got more up-to-date stuff, you see, so... -Yeah. | 0:06:18 | 0:06:21 | |
And, do you know who made it, | 0:06:21 | 0:06:23 | |
or do you know where - do you remember where you bought it from? | 0:06:23 | 0:06:26 | |
-No idea. No idea. -Yeah, cos it looks a bit like sort of | 0:06:26 | 0:06:28 | |
-Ercol furniture. -Late '60s, '70s. -Yeah. It's got a good look. | 0:06:28 | 0:06:32 | |
I do feel guilty about throwing this away. | 0:06:32 | 0:06:35 | |
OK, I think... I understand but, sometimes, | 0:06:35 | 0:06:37 | |
you know when you've just had enough of something, don't you? | 0:06:37 | 0:06:39 | |
-Yeah. -Yeah. No, I don't think you have to worry about that, | 0:06:39 | 0:06:42 | |
especially as I'm here to take it away and, hopefully, | 0:06:42 | 0:06:46 | |
do something exciting with it. | 0:06:46 | 0:06:47 | |
Yeah, sure. | 0:06:47 | 0:06:49 | |
Sarah's got her hands on her second item | 0:06:49 | 0:06:52 | |
and Don's happy it's been rescued from the rubbish tip. | 0:06:52 | 0:06:55 | |
If it can be repainted and reused - | 0:06:55 | 0:06:59 | |
far better, far better than throwing it away. | 0:06:59 | 0:07:01 | |
I think this is the poor relative of the Ercols, | 0:07:04 | 0:07:07 | |
but it does mean I'm not destroying a classic British design. | 0:07:07 | 0:07:11 | |
I think I'm updating something that was just going to go in the tip | 0:07:11 | 0:07:14 | |
so, in one way, I'm sad that it's not an established maker that | 0:07:14 | 0:07:17 | |
I recognise but, then, in another, I can do what I like with it. | 0:07:17 | 0:07:20 | |
Sarah knows exactly who to take this chair to for a modern makeover. | 0:07:21 | 0:07:26 | |
Jay Blades is a builder turned philosophy graduate | 0:07:31 | 0:07:34 | |
turned furniture designer. | 0:07:34 | 0:07:36 | |
What I love about furniture is the playfulness. | 0:07:38 | 0:07:40 | |
It reminds me of my childhood where I used to make Meccano sets | 0:07:40 | 0:07:44 | |
and just making stuff. | 0:07:44 | 0:07:45 | |
Now, with furniture, I'm allowed to take things apart... | 0:07:45 | 0:07:49 | |
add some paint, add some fabric, | 0:07:49 | 0:07:50 | |
and just basically add a bit of me. | 0:07:50 | 0:07:54 | |
Jay has his finger on the pulse of contemporary interior design, | 0:07:54 | 0:07:59 | |
reworking the very best of British craftsmanship | 0:07:59 | 0:08:02 | |
and bringing it bang up to date. | 0:08:02 | 0:08:04 | |
Personally speaking, I think adding colour is very important. | 0:08:04 | 0:08:09 | |
Give me the most ridiculous piece of furniture, | 0:08:09 | 0:08:11 | |
and I will turn it into something beautiful. | 0:08:11 | 0:08:14 | |
That's my claim to fame. I know I can do it. | 0:08:14 | 0:08:17 | |
He's confident, | 0:08:17 | 0:08:18 | |
but will he be able to give this chair a style of its own? | 0:08:18 | 0:08:21 | |
Sarah's found items for Norman and Jay, and now she's | 0:08:30 | 0:08:33 | |
on the hunt for a little something she can sink her own teeth into. | 0:08:33 | 0:08:37 | |
Treasure time. Come to Mamma. | 0:08:37 | 0:08:39 | |
With her eagle eyes, if she sees an opportunity, she'll swoop... | 0:08:41 | 0:08:45 | |
EAGLE SCREECHES | 0:08:45 | 0:08:47 | |
..like a bird of prey. | 0:08:47 | 0:08:49 | |
Except that's a pigeon but, you know, you get the idea. | 0:08:49 | 0:08:52 | |
PIGEON COOS | 0:08:52 | 0:08:55 | |
James has been clearing out the cupboards, | 0:08:55 | 0:08:57 | |
as he and his family prepare to move to a new home. | 0:08:57 | 0:09:01 | |
-How far through the process are you? -We move tomorrow. | 0:09:01 | 0:09:03 | |
-You don't want to talk to me, then, do you? -Yeah, no, it's... | 0:09:03 | 0:09:06 | |
It's crazy at the moment - hectic. | 0:09:06 | 0:09:08 | |
-Yeah, OK. I like your skateboards. -Yeah. | 0:09:08 | 0:09:10 | |
You don't want to give them to me | 0:09:10 | 0:09:12 | |
-to see if I can do anything with them, do you? -Of course you can. | 0:09:12 | 0:09:15 | |
-There we go. -Fantastic. | 0:09:15 | 0:09:16 | |
-Is there another one in there, then? -Yes, there is. Here. | 0:09:16 | 0:09:19 | |
They're really cool. There's something so appealing about these. | 0:09:19 | 0:09:22 | |
-They're in good nick. -Yeah. -If you don't mind... -Yeah. | 0:09:22 | 0:09:24 | |
..I'd love to take them away, and see if I can either use | 0:09:24 | 0:09:26 | |
the wheels or make something out of them and then... | 0:09:26 | 0:09:29 | |
-Yeah, of course. By all means. -Yeah, that would be great. | 0:09:29 | 0:09:31 | |
-Can I show you what I've done? -Yeah. -Can I keep in contact? | 0:09:31 | 0:09:34 | |
-Yes, of course. No problem. -Thanks ever so much. -My pleasure. | 0:09:34 | 0:09:38 | |
Is James happy that Sarah's saved his boards from the bins? | 0:09:38 | 0:09:42 | |
Great, I think, if they can be used, | 0:09:43 | 0:09:45 | |
one man's rubbish is another man's...treasure, so, yeah... | 0:09:45 | 0:09:49 | |
I look forward to seeing what happens. | 0:09:49 | 0:09:51 | |
They're quite cool, aren't they? | 0:09:55 | 0:09:56 | |
You know, that pop art stuff, I can see, you know, | 0:09:56 | 0:09:59 | |
maybe using the skateboards to make some shelves or something, | 0:09:59 | 0:10:02 | |
but I think you can make some really cool furniture on wheels to | 0:10:02 | 0:10:05 | |
maybe go in a child's bedroom or something like that. | 0:10:05 | 0:10:08 | |
And this looked like a very quick phase. | 0:10:08 | 0:10:10 | |
These are hardly worn, these skateboards, | 0:10:10 | 0:10:12 | |
so I'm really pleased to find them. | 0:10:12 | 0:10:15 | |
I think there's money to be made. | 0:10:15 | 0:10:18 | |
Sarah's skills lie in performing radical transformations, | 0:10:18 | 0:10:22 | |
not radical tricks. | 0:10:22 | 0:10:24 | |
I know my limitations, and I'm not going across there on one of these. | 0:10:24 | 0:10:27 | |
Maybe later. Maybe I could do some practice. | 0:10:27 | 0:10:29 | |
I don't think I'm that leggy. Would I be that bad? | 0:10:29 | 0:10:32 | |
I think this is going to end in... | 0:10:32 | 0:10:34 | |
No, it's going to end in tears. It's going to end in tears. | 0:10:34 | 0:10:36 | |
Well, I'll be crying, but with laughter. | 0:10:36 | 0:10:38 | |
No, it's definitely not happening. | 0:10:38 | 0:10:40 | |
It's not happening. | 0:10:40 | 0:10:42 | |
Sarah has salvaged her three items. | 0:10:42 | 0:10:45 | |
Norman will give the old-fashioned chest of drawers | 0:10:46 | 0:10:49 | |
a new lease of life, | 0:10:49 | 0:10:51 | |
Jay will bring the wooden chair bang up to date, | 0:10:51 | 0:10:54 | |
while Sarah will have her work cut out creating something | 0:10:54 | 0:10:57 | |
saleable from these skateboards. | 0:10:57 | 0:11:00 | |
The things people chuck out never cease to amaze me | 0:11:02 | 0:11:04 | |
but, luckily, I was here to save a few bits today that I think | 0:11:04 | 0:11:07 | |
will prove to be real dump diamonds and bring home some big bucks. | 0:11:07 | 0:11:11 | |
Welcome to Hellingly, a picturesque village in East Sussex. | 0:11:24 | 0:11:29 | |
It's so peaceful - | 0:11:29 | 0:11:31 | |
the soothing sound of the gently babbling brook, | 0:11:31 | 0:11:36 | |
the sweet birdsong... | 0:11:36 | 0:11:38 | |
MACHINE BUZZES ..and Norman happily ruining it all | 0:11:38 | 0:11:43 | |
by creating a horrendous racket in his workshop. | 0:11:43 | 0:11:46 | |
DRILL BUZZES | 0:11:46 | 0:11:48 | |
He's blissfully unaware of what delights Sarah is wheeling his way. | 0:11:50 | 0:11:56 | |
It could be something great, it could be something useless, | 0:11:56 | 0:11:59 | |
but I'm sure what she'll bring will be fun and games, so... | 0:11:59 | 0:12:03 | |
And what weird and wonderful ideas she might have today | 0:12:03 | 0:12:05 | |
to do what we're going to do, so, erm... | 0:12:05 | 0:12:08 | |
Yeah, let's rock and roll and see what happens. | 0:12:08 | 0:12:11 | |
You'll be rocking back on your heels when you see | 0:12:11 | 0:12:14 | |
what Sarah's rolling towards you. | 0:12:14 | 0:12:17 | |
This little chest of drawers is about to undergo | 0:12:17 | 0:12:19 | |
a massive transformation. | 0:12:19 | 0:12:21 | |
Dr Norman is going to be performing all sorts of operations | 0:12:21 | 0:12:24 | |
in the hope that this is going to become saleable and desirable. | 0:12:24 | 0:12:29 | |
Norman? | 0:12:29 | 0:12:31 | |
-Sarah... -I found your trolley outside. | 0:12:31 | 0:12:33 | |
-Look what I've got for you. -You found... Oh. | 0:12:33 | 0:12:35 | |
Is this what we're working on today, the trolley? | 0:12:35 | 0:12:39 | |
-Pop it up here, then. Let's have a look. -OK, let's go for it. | 0:12:39 | 0:12:43 | |
Excellent. | 0:12:43 | 0:12:44 | |
Go on, say something nice about it. | 0:12:44 | 0:12:47 | |
We're waiting, Norman. | 0:12:47 | 0:12:49 | |
Nothing? No? | 0:12:49 | 0:12:51 | |
All right, let's just move on. | 0:12:51 | 0:12:53 | |
What are we going to do today? | 0:12:53 | 0:12:54 | |
I think what we should do is use the drawers. | 0:12:54 | 0:12:58 | |
Use the drawers... | 0:12:58 | 0:12:59 | |
I've got an idea. How about we put all the big drawers in a line? | 0:12:59 | 0:13:03 | |
Like that? | 0:13:06 | 0:13:09 | |
How about turning it into a kind of console, serving side-table, | 0:13:09 | 0:13:14 | |
with those drawers in it? | 0:13:14 | 0:13:16 | |
Lovely, long... I want to see it, when you... | 0:13:16 | 0:13:18 | |
When I walk into my Georgian house, through the front door, | 0:13:18 | 0:13:20 | |
-I want to see it in front of me, there. -You'll go, "Fantastic. Wow." | 0:13:20 | 0:13:23 | |
Make me something that I can sell into that house. | 0:13:23 | 0:13:26 | |
Right, legs, | 0:13:26 | 0:13:29 | |
and I think we should use a tapered-leg one - | 0:13:29 | 0:13:31 | |
a nice sort of "fine" elegant... | 0:13:31 | 0:13:34 | |
Elegant, eh? Sarah's liking the sound of that. | 0:13:34 | 0:13:37 | |
Any other elegant suggestions? | 0:13:37 | 0:13:39 | |
Then we've got to decide on | 0:13:39 | 0:13:40 | |
what material we're going to use on the top, | 0:13:40 | 0:13:42 | |
and I think we should use floorboards. | 0:13:42 | 0:13:44 | |
Mmm, not so elegant. | 0:13:44 | 0:13:47 | |
-OK. -That's where we should go. | 0:13:47 | 0:13:49 | |
I see some. What are those for? | 0:13:49 | 0:13:52 | |
-What, them ones? -Yeah, let's have a look at those. -Let's have a look. | 0:13:52 | 0:13:55 | |
Drop them on the top so I can get a feeling of, kind of, | 0:13:55 | 0:13:58 | |
-what we're looking at. -Yeah. | 0:13:58 | 0:13:59 | |
Let's try this one. So... | 0:13:59 | 0:14:02 | |
Obviously, before you get too excited, | 0:14:02 | 0:14:04 | |
it's the wrong size for the table. | 0:14:04 | 0:14:05 | |
Yeah, but I'm just imagining... | 0:14:05 | 0:14:07 | |
What will you do to that, to clean that up? | 0:14:07 | 0:14:09 | |
Maybe if we just get a bit of fine wire wool | 0:14:09 | 0:14:10 | |
and then just keep it nice, simple, and keep it fresh. | 0:14:10 | 0:14:15 | |
I'm not sure Sarah is sold on the floorboard tabletop. | 0:14:15 | 0:14:19 | |
It's time to talk budget. | 0:14:20 | 0:14:23 | |
How much is this going to cost me? | 0:14:23 | 0:14:25 | |
Right... | 0:14:25 | 0:14:26 | |
I'll tell you what, I'm going to have to look after you today. | 0:14:26 | 0:14:29 | |
We are going to do it... | 0:14:29 | 0:14:31 | |
for the price of... | 0:14:31 | 0:14:36 | |
225. | 0:14:36 | 0:14:38 | |
Perfect. See you soon. | 0:14:38 | 0:14:41 | |
Not too quick! | 0:14:41 | 0:14:42 | |
I'm so excited. | 0:14:45 | 0:14:47 | |
That repro chest of drawers is getting a whole new look. | 0:14:47 | 0:14:50 | |
It's going to be a console table and that is fabulous, | 0:14:50 | 0:14:52 | |
and I'm so pleased that Norman's bought into that idea. | 0:14:52 | 0:14:54 | |
I think it's going to be stunning. | 0:14:54 | 0:14:56 | |
From the tiny little chest of drawers to what it is | 0:15:01 | 0:15:03 | |
we are going to, erm... | 0:15:03 | 0:15:05 | |
elevate it into, a six-foot wow-factor console table. | 0:15:05 | 0:15:09 | |
Norman's all-in price is £225, | 0:15:12 | 0:15:17 | |
but will that budget really be able to achieve the wow factor? | 0:15:17 | 0:15:21 | |
This is Wolverhampton. | 0:15:26 | 0:15:28 | |
People from round here are famed for their local expressions - | 0:15:30 | 0:15:33 | |
for example, noggy means old-fashioned, | 0:15:33 | 0:15:36 | |
and bostin' means fabulous. | 0:15:36 | 0:15:39 | |
So, will Jay accept Sarah's challenge to transform the chair | 0:15:39 | 0:15:43 | |
from noggy to bostin'? | 0:15:43 | 0:15:45 | |
I've brought Jay a real ugly duckling here, | 0:15:49 | 0:15:51 | |
and I'm hoping he can turn it into a peacock. | 0:15:51 | 0:15:54 | |
There is potential to make a little bit of money here | 0:15:54 | 0:15:57 | |
cos, at the moment, this is three quid at a car boot, any day. | 0:15:57 | 0:16:01 | |
She knows my kind of style of working with timber | 0:16:04 | 0:16:07 | |
and anything kind of mid-century modern, | 0:16:07 | 0:16:09 | |
but she's brought me some interesting stuff before - | 0:16:09 | 0:16:12 | |
stuff made out of metal and stuff like that, | 0:16:12 | 0:16:15 | |
which I don't normally work with so, hopefully, erm... | 0:16:15 | 0:16:19 | |
Yeah, I can't wait to see what she's bringing through the door. | 0:16:19 | 0:16:22 | |
-Hiya. -How are we doing? Are you all right? What have you got? | 0:16:25 | 0:16:28 | |
It's all kissy-kissy, lovey-dovey now... | 0:16:28 | 0:16:32 | |
Wait till they start haggling over the price. | 0:16:32 | 0:16:35 | |
OK, it's not stylishly punching, you know, really hard, is it? | 0:16:37 | 0:16:42 | |
But I'm sure you can do something with it. | 0:16:42 | 0:16:45 | |
You say that it's not stylish. I think it... | 0:16:45 | 0:16:48 | |
I think it's quite cool, | 0:16:48 | 0:16:49 | |
and not every chair in every household | 0:16:49 | 0:16:53 | |
has to be stylish, and this is quite... | 0:16:53 | 0:16:55 | |
I think it's quite nice in itself. | 0:16:55 | 0:16:57 | |
It's not the finest of detailing on it... | 0:16:57 | 0:17:00 | |
-Yeah. -..but I know, in your hands, you're going to make it look... | 0:17:00 | 0:17:03 | |
A wee bit of a refresh. | 0:17:03 | 0:17:05 | |
So, am I allowed to just go wild with this one? | 0:17:05 | 0:17:07 | |
-Can I do...? -Oh, yeah. -OK. -You can... | 0:17:07 | 0:17:09 | |
-You can really go for it on this one. -I can go for it. | 0:17:09 | 0:17:11 | |
I don't feel, you know... It was going to the tip. | 0:17:11 | 0:17:13 | |
-You can do what you like with it, as long as you make me some money. -OK. | 0:17:13 | 0:17:16 | |
OK. Cool. So we're talking money, then. How much, how much...? | 0:17:16 | 0:17:20 | |
I thought I'll leave you with a fiver. | 0:17:20 | 0:17:23 | |
A fiver? To work on that? | 0:17:23 | 0:17:26 | |
Wow. All right... | 0:17:26 | 0:17:29 | |
I'm starting, you know... | 0:17:29 | 0:17:30 | |
Yeah, you're starting super low. That is... | 0:17:30 | 0:17:33 | |
In its current state, | 0:17:33 | 0:17:34 | |
if I saw this at a car boot, I'd pay three quid for it, | 0:17:34 | 0:17:37 | |
-and I'd be haggling, you know? -Yeah. Yeah. | 0:17:37 | 0:17:39 | |
So we have got to elevate this. | 0:17:39 | 0:17:41 | |
Top whack, in my wildest dreams, one chair on its own - | 0:17:41 | 0:17:44 | |
am I going to get 75 quid for it? | 0:17:44 | 0:17:46 | |
Yeah. So that's going to be very, very tight on the creativity. | 0:17:46 | 0:17:52 | |
Come on, now, Jay - | 0:17:52 | 0:17:53 | |
where's that positive can-do attitude we know and love? | 0:17:53 | 0:17:57 | |
But it is a beautiful chair in itself, | 0:17:57 | 0:18:00 | |
and it could be made even better. | 0:18:00 | 0:18:01 | |
That's why I come to you, you see, cos I know that | 0:18:01 | 0:18:03 | |
when I come back, I'm going to go, "Oh, Jay, I love it," | 0:18:03 | 0:18:05 | |
because, at the moment, I'm not terribly keen. | 0:18:05 | 0:18:08 | |
Give it your special Jay magic and we have a chance. | 0:18:08 | 0:18:11 | |
Sarah's leaving Jay a budget of £45, | 0:18:16 | 0:18:19 | |
but has given him free rein to unleash his makeover magic. | 0:18:19 | 0:18:24 | |
I feel a bit guilty about driving such a hard bargain there, | 0:18:24 | 0:18:27 | |
but I'm hoping Jay can really strut his stuff with that chair, | 0:18:27 | 0:18:30 | |
and create something that is really beautiful, and has some value to it. | 0:18:30 | 0:18:35 | |
I'm hoping to do something really creative with this, | 0:18:37 | 0:18:40 | |
so Sarah will be able to sell it on for at least £70, | 0:18:40 | 0:18:43 | |
and it should be... | 0:18:43 | 0:18:44 | |
Someone should buy this for £70 after I've finished with it, | 0:18:44 | 0:18:47 | |
cos it's a really solid chair, really sturdy, | 0:18:47 | 0:18:49 | |
and I know she said she'll probably spend about... | 0:18:49 | 0:18:53 | |
I'd say about four quid at a car-boot sale, | 0:18:53 | 0:18:55 | |
but, after it's been jazzed up, it should be able to reach 70. | 0:18:55 | 0:18:59 | |
A little bit more, probably. Probably even £80. | 0:18:59 | 0:19:02 | |
Jay will need to come up with a quick and simple idea to | 0:19:03 | 0:19:06 | |
stay within the £45 budget, without scrimping on the style. | 0:19:06 | 0:19:11 | |
Sarah's dropped off the chest of drawers and the chair. | 0:19:18 | 0:19:21 | |
Now, back at home in Sussex, she has to get her thinking cap on | 0:19:24 | 0:19:28 | |
and transform these skateboards from trash to cash. | 0:19:28 | 0:19:32 | |
And how's she going to do that? | 0:19:36 | 0:19:38 | |
I'll tell you - by combining these with this lot. | 0:19:38 | 0:19:42 | |
I had these lying around, and these are perfect. | 0:19:42 | 0:19:45 | |
They used to be a couple of old side tables, | 0:19:45 | 0:19:47 | |
but they've got lovely beech legs, | 0:19:47 | 0:19:49 | |
and the fittings that I can use to go straight on here, | 0:19:49 | 0:19:53 | |
to make a pair of fantastic side tables. | 0:19:53 | 0:19:56 | |
How hard could it be? | 0:19:56 | 0:19:57 | |
Erm...very? | 0:19:57 | 0:19:59 | |
-DRILL BUZZES -Oh, I love it. | 0:19:59 | 0:20:02 | |
I think this will be one of those "believe it when I see it" jobs. | 0:20:03 | 0:20:08 | |
Cos I'm a hoarder, I will keep those. | 0:20:08 | 0:20:11 | |
(You never know when you might need them.) | 0:20:11 | 0:20:14 | |
-DRILL BUZZES -This one is sheared off. | 0:20:14 | 0:20:18 | |
SHE GROANS | 0:20:18 | 0:20:20 | |
DRILL BUZZES | 0:20:20 | 0:20:24 | |
Cheap nuts. | 0:20:24 | 0:20:25 | |
For problem nuts, I find it helps to have a hacksaw handy... | 0:20:25 | 0:20:31 | |
and, if that fails, give them a bash with a hammer. | 0:20:31 | 0:20:35 | |
These are going to be amazing, | 0:20:39 | 0:20:41 | |
and I was hoping to make a pair of side tables but I'm thinking... | 0:20:41 | 0:20:45 | |
that one big one, with these two together, | 0:20:45 | 0:20:48 | |
might work really well. | 0:20:48 | 0:20:49 | |
Sarah has taken the skateboard to bits, and now she's going to | 0:20:53 | 0:20:57 | |
put it back together again, just in a different order. | 0:20:57 | 0:21:01 | |
Sarah wants to ensure every piece has a purpose in her new creation. | 0:21:01 | 0:21:06 | |
These were the brackets that the trucks were on originally, | 0:21:09 | 0:21:12 | |
on the other side, so they should fit nice and neatly back | 0:21:12 | 0:21:15 | |
in there, and they've got a good angle on them | 0:21:15 | 0:21:17 | |
so once I've screwed this in place on here, | 0:21:17 | 0:21:21 | |
they're going to have a really cool look to them. | 0:21:21 | 0:21:24 | |
I've just got to get the wheels on that angle. | 0:21:24 | 0:21:27 | |
Like that... | 0:21:28 | 0:21:30 | |
Perfect. | 0:21:30 | 0:21:31 | |
The wheels will be the table feet | 0:21:31 | 0:21:33 | |
and the bottom of the skateboards become the tabletop. | 0:21:33 | 0:21:37 | |
Now it's all making sense - kind of. | 0:21:37 | 0:21:41 | |
Reflecting the bright and bold colours of the boards, | 0:21:41 | 0:21:44 | |
Sarah is spray-painting the legs a brilliant orange. | 0:21:44 | 0:21:48 | |
I have to shake these for three minutes. Come back when I'm done. | 0:21:48 | 0:21:52 | |
Just enough time to check on the latest trends. | 0:21:54 | 0:21:58 | |
Can you see any skateboard side tables? | 0:21:58 | 0:22:01 | |
No? Thought not. | 0:22:01 | 0:22:03 | |
Sarah's forked out for a few screws costing £3. | 0:22:05 | 0:22:09 | |
The rest were bits and bobs she had around her home, | 0:22:09 | 0:22:12 | |
so the side table won't break the bank, | 0:22:12 | 0:22:15 | |
but is it all just too wacky? | 0:22:15 | 0:22:18 | |
In East Sussex, Norman is still thinking about the budget | 0:22:24 | 0:22:28 | |
he agreed with Sarah to transform the chest of drawers. | 0:22:28 | 0:22:32 | |
I've been very kind to her, and we've quoted, erm, 225. | 0:22:32 | 0:22:37 | |
You know, making a console table just over six foot long | 0:22:37 | 0:22:40 | |
and everything - that's a great, great price. | 0:22:40 | 0:22:42 | |
SAW BUZZES | 0:22:42 | 0:22:45 | |
Sarah challenged Norman to create a table that would | 0:22:45 | 0:22:48 | |
look at home in a grand Georgian house. | 0:22:48 | 0:22:51 | |
He's crafting elegantly tapered legs from fresh timber | 0:22:52 | 0:22:56 | |
that he hopes will add a dash of panache. | 0:22:56 | 0:22:58 | |
And how does he ensure that each taper is identical? | 0:23:00 | 0:23:04 | |
He made himself a little gizmo, look. | 0:23:04 | 0:23:06 | |
I think that should be just about spot on. | 0:23:06 | 0:23:09 | |
So, make sure the blades start hot again, | 0:23:09 | 0:23:11 | |
and then we can whop it through, | 0:23:11 | 0:23:14 | |
and then you can see how we make the legs. | 0:23:14 | 0:23:16 | |
Low-tech but effective. | 0:23:17 | 0:23:19 | |
He knows what he's doing, does Norman. | 0:23:19 | 0:23:22 | |
TOOL BUZZES | 0:23:22 | 0:23:24 | |
For the tabletop, he is using salvaged floorboards | 0:23:27 | 0:23:30 | |
that he's glued together. | 0:23:30 | 0:23:32 | |
We've got the top already glued up. | 0:23:35 | 0:23:37 | |
We obviously cleaned the edges up, | 0:23:37 | 0:23:40 | |
squirted the glue down and then cramped it up and left it to dry. | 0:23:40 | 0:23:43 | |
So, the next stage is, we've got to take the glue off, | 0:23:43 | 0:23:47 | |
so we'll start with that first. | 0:23:47 | 0:23:49 | |
We've just got to carefully just take it off, | 0:23:51 | 0:23:53 | |
and not try and chip the... the wood. | 0:23:53 | 0:23:56 | |
I like working with the old timber cos it's got character in it | 0:23:56 | 0:23:59 | |
and it's got life in it, so, yeah, it's the best part of it. | 0:23:59 | 0:24:02 | |
A little wood filler is used to smooth the surface. | 0:24:08 | 0:24:11 | |
We'll give it ten minutes to dry, | 0:24:14 | 0:24:17 | |
and then we'll be able to then go on to the next part. | 0:24:17 | 0:24:20 | |
Norman is using a fine wire wool to clean up the floorboards, | 0:24:21 | 0:24:25 | |
as he wants to retain the well-worn character, | 0:24:25 | 0:24:28 | |
but the top is the focal point of every table, | 0:24:28 | 0:24:31 | |
so will scruffed-up wood really give Sarah the grandeur she's after? | 0:24:31 | 0:24:36 | |
In Wolverhampton, Jay is pondering his creative options. | 0:24:47 | 0:24:51 | |
I'm thinking probably two, maybe three colours, erm, with this one. | 0:24:54 | 0:25:00 | |
He has to keep time and materials to a minimum to make sure | 0:25:00 | 0:25:04 | |
he doesn't go over his £45 budget. | 0:25:04 | 0:25:07 | |
Sometimes what tends to happen is you start to paint | 0:25:07 | 0:25:10 | |
and then the design comes to you, | 0:25:10 | 0:25:13 | |
so what I'm going to do is just play it by ear. | 0:25:13 | 0:25:15 | |
You guys are going to, erm, see as this... | 0:25:15 | 0:25:18 | |
creatively unfolds. | 0:25:18 | 0:25:20 | |
This is a free-form design odyssey into the unknown. | 0:25:23 | 0:25:27 | |
It's upcycling jazz. | 0:25:27 | 0:25:30 | |
So I'm going to do black all over, | 0:25:30 | 0:25:32 | |
but I'm going to pick out some highlights with some colour. | 0:25:32 | 0:25:35 | |
To me, anyway, those two work really, really well together, | 0:25:35 | 0:25:38 | |
looking at it from a bird's eye view... | 0:25:38 | 0:25:40 | |
So really, really thin layers is what this one requires, | 0:25:42 | 0:25:48 | |
and most paint, anyway, when I'm using it, | 0:25:48 | 0:25:50 | |
I always do it very thinly, | 0:25:50 | 0:25:53 | |
simply because I want the colour to build up, | 0:25:53 | 0:25:57 | |
rather than dab on a load of paint. | 0:25:57 | 0:26:00 | |
Jay is using chalk paint. | 0:26:03 | 0:26:05 | |
It requires no surface preparation, | 0:26:05 | 0:26:07 | |
and it comes premixed with a wax finish, | 0:26:07 | 0:26:10 | |
which protects the paint against wear and tear - | 0:26:10 | 0:26:12 | |
both big time-savers. | 0:26:12 | 0:26:15 | |
Hmm... | 0:26:17 | 0:26:18 | |
So, sometimes what I tend to do is just try to imagine the chair, | 0:26:18 | 0:26:24 | |
erm, finished and seeing if that looks all right. | 0:26:24 | 0:26:27 | |
To me, now, that looks a little bit lopsided | 0:26:27 | 0:26:34 | |
so I would need something else added in there | 0:26:34 | 0:26:36 | |
or, I'm thinking, the pink doesn't work. | 0:26:36 | 0:26:41 | |
It might end up just being two colours. | 0:26:41 | 0:26:44 | |
Changing the design will take time, | 0:26:44 | 0:26:47 | |
and that could have a knock-on effect to the cost. | 0:26:47 | 0:26:50 | |
What I'm going to do... | 0:26:53 | 0:26:55 | |
is add the black because, at the moment, the pink and the blue | 0:26:55 | 0:26:59 | |
are not working as well together, | 0:26:59 | 0:27:01 | |
and it's probably because I can see a lot of the brown, | 0:27:01 | 0:27:06 | |
so I need to have the black, really, on there. | 0:27:06 | 0:27:10 | |
We could be witnessing creative genius at work... | 0:27:15 | 0:27:18 | |
..or a project spiralling out of time and over budget. | 0:27:21 | 0:27:25 | |
Back at Sarah's workshop... | 0:27:29 | 0:27:31 | |
..she's hard at it, combining two skateboards to make a side table. | 0:27:34 | 0:27:40 | |
This is pretty basic but I think, by the time I've sanded it | 0:27:40 | 0:27:44 | |
and smoothed it right down, and trimmed that bit up... | 0:27:44 | 0:27:47 | |
..that is going to make a good base for that table. | 0:27:49 | 0:27:52 | |
I'm not putting my cup of tea on that. | 0:27:52 | 0:27:55 | |
Using as much of the old stuff that I've got as possible, | 0:27:57 | 0:28:00 | |
so they should fit in my fittings that I've got. | 0:28:00 | 0:28:04 | |
Phew. | 0:28:04 | 0:28:06 | |
And I'm going to have a lovely pair of angled legs, | 0:28:09 | 0:28:11 | |
using all the fittings from the skateboards. | 0:28:11 | 0:28:14 | |
Every screw, bolt and nut has been reused - | 0:28:14 | 0:28:17 | |
apart from the one she hacked off with the saw - | 0:28:17 | 0:28:20 | |
so these skateboards can have a new purpose in life. | 0:28:20 | 0:28:23 | |
Sarah is ingenious. It's off-the-wall and wacky. | 0:28:30 | 0:28:33 | |
The design is brash and the concept, well, it's bizarre. | 0:28:33 | 0:28:39 | |
I've got to be honest, it's not my type of thing, | 0:28:39 | 0:28:41 | |
but the proof will be, as always, in the profit. | 0:28:41 | 0:28:45 | |
It's turned out really not too bad, | 0:28:48 | 0:28:50 | |
given the fact that it was just a couple of old skateboards. | 0:28:50 | 0:28:53 | |
And my kids love it so I'm hoping, a bit of a target audience - | 0:28:53 | 0:28:56 | |
people their age - maybe they want this in their bedroom, | 0:28:56 | 0:28:59 | |
they want it next to their TV when they're playing games, | 0:28:59 | 0:29:02 | |
or something like that. | 0:29:02 | 0:29:03 | |
So I'm hoping there are a few people who'd like to buy it. | 0:29:03 | 0:29:05 | |
Sarah first spied these skateboards in James's boot. | 0:29:09 | 0:29:13 | |
She loved their brash designs. | 0:29:13 | 0:29:16 | |
They're really cool. | 0:29:16 | 0:29:19 | |
Oh, there's something so appealing about them. | 0:29:19 | 0:29:21 | |
-These are in good nick. -Yeah. | 0:29:21 | 0:29:24 | |
James was quite philosophical about it all. | 0:29:24 | 0:29:27 | |
One man's rubbish is another man's...treasure. | 0:29:27 | 0:29:30 | |
Wise words, my friend. Wise words. | 0:29:30 | 0:29:33 | |
And in complete agreement is Nick from online retailers | 0:29:38 | 0:29:42 | |
Smithers of Stamford, specialists in retro and recycled furniture. | 0:29:42 | 0:29:47 | |
Sarah invited him to see it, and enticed him into purchasing it. | 0:29:49 | 0:29:53 | |
I've never seen a thing like this before, so that's really quirky. | 0:29:54 | 0:29:59 | |
Will its quirkiness earn James a few quid? | 0:29:59 | 0:30:02 | |
Despite best efforts, I haven't been able to contact James, | 0:30:04 | 0:30:07 | |
who gave me the skateboards at the tip, | 0:30:07 | 0:30:09 | |
but I can say I'm really pleased with a £50 profit from the sale of | 0:30:09 | 0:30:13 | |
the little table, and that is going to go straight to Children In Need. | 0:30:13 | 0:30:18 | |
Sarah spent £3 on screws and agreed a £53 sale price with Nick, | 0:30:18 | 0:30:23 | |
so she could hand over a nice and neat £50 profit, | 0:30:23 | 0:30:27 | |
which is on its way to charity. | 0:30:27 | 0:30:29 | |
We're back in Hellingly, East Sussex, in Norman's workshop. | 0:30:34 | 0:30:39 | |
He's preparing for the grand unveiling of what was | 0:30:39 | 0:30:42 | |
a chest of drawers and is now, hopefully, an elegant console table. | 0:30:42 | 0:30:48 | |
Now, if Norman has managed to pull this off, it's going to be | 0:30:50 | 0:30:53 | |
a right result because that chest of drawers was tragic, | 0:30:53 | 0:30:57 | |
and I'm hoping it's now terrific. | 0:30:57 | 0:30:59 | |
I think she's going to love it. | 0:31:00 | 0:31:02 | |
If she don't, well... I don't know what I'm going to say. | 0:31:02 | 0:31:06 | |
I'm sure your work will do the talking for you, Norman. | 0:31:06 | 0:31:10 | |
Wow. | 0:31:17 | 0:31:18 | |
The drawers inspired Sarah's big idea, | 0:31:18 | 0:31:21 | |
which Norman has brought stunningly to life. | 0:31:21 | 0:31:23 | |
The floorboards have been finished with a clear varnish, | 0:31:25 | 0:31:28 | |
which brings up the grain exposed by the wire wool | 0:31:28 | 0:31:31 | |
and the natural patina of the well-worn wood. | 0:31:31 | 0:31:34 | |
Norman's choice of tapered legs adds elegance. | 0:31:39 | 0:31:43 | |
The combination of the hand-painted fresh timber | 0:31:48 | 0:31:50 | |
and the salvaged floorboards sit in perfect harmony. | 0:31:50 | 0:31:54 | |
I'm impressed, but what about the boss? | 0:31:59 | 0:32:03 | |
-Norman? -Hiya. | 0:32:05 | 0:32:08 | |
-How are you? -Yeah, I'm good. You? | 0:32:08 | 0:32:11 | |
-Really well. How are things? -Fantastic, yeah, good. | 0:32:11 | 0:32:14 | |
What have you been up to, then? | 0:32:14 | 0:32:16 | |
Making this chest of drawers into your console table. | 0:32:16 | 0:32:19 | |
You are joking. Is that really it? | 0:32:19 | 0:32:22 | |
That is the one, yep. | 0:32:22 | 0:32:24 | |
How exciting! | 0:32:25 | 0:32:27 | |
That is beautiful. | 0:32:27 | 0:32:29 | |
Lovely tapering on the legs, a really fine look underneath... | 0:32:29 | 0:32:32 | |
-Yeah. -Nice colour. -The colour's great. | 0:32:32 | 0:32:35 | |
Obviously we picked the top - the nice reclaimed timbers. | 0:32:35 | 0:32:38 | |
We've left the, erm, the wear in it and everything, | 0:32:38 | 0:32:42 | |
and it looks really, really good. | 0:32:42 | 0:32:44 | |
I absolutely love it. | 0:32:44 | 0:32:46 | |
-Fantastic. That's what I wanted you to say. -It's stunning. | 0:32:46 | 0:32:49 | |
It's... It's sympathetic, it's clever, | 0:32:49 | 0:32:52 | |
-and it's reusing. -The proportions look good, as well. | 0:32:52 | 0:32:54 | |
Beautiful. Perfect. | 0:32:54 | 0:32:56 | |
Budget-wise... | 0:32:56 | 0:32:58 | |
Well, we've given you a really good trade price, | 0:32:58 | 0:33:00 | |
and we've done it for 225 like we said. | 0:33:00 | 0:33:02 | |
We haven't gone over budget - nothing. | 0:33:02 | 0:33:04 | |
-That's, that's, that's fantastic. -Yeah. | 0:33:04 | 0:33:07 | |
I mean, that's good. I really appreciate you, you know, | 0:33:07 | 0:33:09 | |
keeping it in budget because, erm, you've created something amazing. | 0:33:09 | 0:33:13 | |
-Those boards just bring it to life, don't they? -Oh, they sing. | 0:33:13 | 0:33:15 | |
Oh, they sing, yeah. | 0:33:15 | 0:33:16 | |
-I cannot believe you've made that out of that chest of drawers. -Yeah. | 0:33:16 | 0:33:19 | |
It's got the lovely Georgian appeal | 0:33:19 | 0:33:21 | |
-and that is going to sell beautifully. -Yeah. | 0:33:21 | 0:33:23 | |
-It will do. -Thank you so much. | 0:33:23 | 0:33:25 | |
I'm really, really pleased with the... | 0:33:28 | 0:33:30 | |
with the way it looks and everything. | 0:33:30 | 0:33:32 | |
The proportions are great, we've picked the right top for it, | 0:33:32 | 0:33:35 | |
and it's just all pulled together really, really well. | 0:33:35 | 0:33:37 | |
It really does look the business. It really, really does. | 0:33:37 | 0:33:40 | |
I love Norman cos he's old school, isn't he? | 0:33:43 | 0:33:45 | |
And he has created something fantastic out of that | 0:33:45 | 0:33:48 | |
old chest of drawers and, with that kind of budget, | 0:33:48 | 0:33:50 | |
I'm going to sell that at a profit, for sure. | 0:33:50 | 0:33:53 | |
They were destined for the dump | 0:33:55 | 0:33:57 | |
when Sarah first caught a glimpse of Michelle's drawers. | 0:33:57 | 0:34:01 | |
That looks nice and shiny to be dropped off at the tip. | 0:34:01 | 0:34:04 | |
They may have looked antique, but they were built in the 1980s | 0:34:04 | 0:34:08 | |
and, for Michelle, their time had passed. | 0:34:08 | 0:34:11 | |
We've brought it from the hall at home. | 0:34:11 | 0:34:13 | |
We've just all redecorated and bought new furniture for there, | 0:34:13 | 0:34:16 | |
so we're finished with it. | 0:34:16 | 0:34:18 | |
Michelle may have been finished, but Sarah was just getting started. | 0:34:18 | 0:34:22 | |
With the makeover complete, it was an easy sell to | 0:34:27 | 0:34:30 | |
specialist antique and upcycling shop The Old Cinema in London. | 0:34:30 | 0:34:35 | |
Now Sarah's on her way to Michelle's home, to tell her the good news. | 0:34:39 | 0:34:46 | |
-Hello. -Hi, Michelle, how are you doing? -I'm fine, thanks. And you? | 0:34:48 | 0:34:51 | |
-Yeah, very well. -Good, good. -Nice to see you again. -You, too, yeah. | 0:34:51 | 0:34:54 | |
Much smarter, isn't it, than where we last met? | 0:34:54 | 0:34:56 | |
-Yes, yes. -Yeah, it's beautiful here, isn't it? | 0:34:56 | 0:34:59 | |
Erm, I said I would come back to you | 0:34:59 | 0:35:01 | |
if I could do anything with your chest of drawers. | 0:35:01 | 0:35:03 | |
Did you wonder what we might do? | 0:35:03 | 0:35:05 | |
Yeah, because it's quite polished, isn't it? So I did wonder... | 0:35:05 | 0:35:08 | |
It's not like raw wood, when you can rub it down, | 0:35:08 | 0:35:11 | |
so I did wonder what you'd... | 0:35:11 | 0:35:12 | |
yeah, would do with it, so... | 0:35:12 | 0:35:14 | |
Well, I actually had some help | 0:35:14 | 0:35:15 | |
because I took it to a great guy called Norman, | 0:35:15 | 0:35:17 | |
who specialises in recycling furniture, | 0:35:17 | 0:35:20 | |
and I've got a picture of it to show you, | 0:35:20 | 0:35:22 | |
-and I think you might be quite surprised. -Yeah. | 0:35:22 | 0:35:24 | |
-So, this is probably how you remember it. -Yes. Definitely. | 0:35:24 | 0:35:28 | |
Yup. And, are you ready for this, | 0:35:28 | 0:35:29 | |
-cos I think this is quite a transformation? -Yeah, go on, then. | 0:35:29 | 0:35:32 | |
-Wow. Wow. -It ended up... | 0:35:32 | 0:35:34 | |
Oh, gosh, yeah. | 0:35:34 | 0:35:36 | |
-So, what do you think? -That looks really different. | 0:35:36 | 0:35:39 | |
I would never recognise, never have picked it out... | 0:35:39 | 0:35:41 | |
Gosh, that looks really good. | 0:35:41 | 0:35:43 | |
That's brilliant, yeah. Yeah, very clever. | 0:35:43 | 0:35:45 | |
-It is quite a commercial piece... -Yes. | 0:35:45 | 0:35:47 | |
..and, erm, the first person who saw it snatched it up. | 0:35:47 | 0:35:50 | |
-Really? -Here's some profit today with you. | 0:35:50 | 0:35:52 | |
-In fact, I've got... -Oh, lovely. -I've got £100 here, for you. -Wow. | 0:35:52 | 0:35:54 | |
-Wow, I didn't expect that. -So... -That's fantastic, thank you. | 0:35:54 | 0:35:58 | |
Oh, it's an absolute pleasure. I was really pleased. | 0:35:58 | 0:36:00 | |
I really didn't expect that. Not at all. Thank you. | 0:36:00 | 0:36:03 | |
Go on, tell me, what will you do with £100? | 0:36:03 | 0:36:05 | |
Well, we're still busy trying, | 0:36:05 | 0:36:06 | |
-cos we had a flood just before Christmas... -Oh, no. | 0:36:06 | 0:36:08 | |
So we're still trying to get everything back to normal | 0:36:08 | 0:36:11 | |
from then, so I think we'll probably put it towards | 0:36:11 | 0:36:13 | |
some of the, the things we've been doing there. | 0:36:13 | 0:36:15 | |
Or we've been married 20 years next month - | 0:36:15 | 0:36:17 | |
we may use it to go out for a meal or something so, yeah... | 0:36:17 | 0:36:19 | |
-Oh, great. -It'll come in handy. -Excellent. | 0:36:19 | 0:36:21 | |
-Oh, well, I'm sorry to hear about the flood. -Yeah. | 0:36:21 | 0:36:24 | |
-They're very unsettling, aren't they? -Yes. | 0:36:24 | 0:36:26 | |
Maybe go for, yeah, some sort of champagne night out | 0:36:26 | 0:36:28 | |
-to forget about it all. -Yes. | 0:36:28 | 0:36:29 | |
It was great to catch up again | 0:36:29 | 0:36:30 | |
and thank you so much for letting me have your old chest of drawers. | 0:36:30 | 0:36:33 | |
-Thank you, and thanks for this. Thank you. -Oh, it's a pleasure. | 0:36:33 | 0:36:36 | |
Nice to see you again. | 0:36:36 | 0:36:37 | |
-Lovely to... Yes, thank you. -Bye-bye. -Thanks, then. Bye. | 0:36:37 | 0:36:40 | |
Well, that was lovely. | 0:36:43 | 0:36:45 | |
Michelle really liked what we did with her old chest of drawers, | 0:36:45 | 0:36:47 | |
and I think Norman achieved a great deal, and she's got £100 to go | 0:36:47 | 0:36:51 | |
and celebrate her 20th wedding anniversary. | 0:36:51 | 0:36:54 | |
Norman charged Sarah £225 for his handiwork. | 0:36:56 | 0:37:00 | |
Sarah sold it for £325, putting £100 profit in Michelle's pocket. | 0:37:00 | 0:37:07 | |
In Wolverhampton, at Jay's workshop, | 0:37:12 | 0:37:16 | |
he's getting ready for Sarah's arrival, | 0:37:16 | 0:37:18 | |
for a thumbs up or down to his renovation. | 0:37:18 | 0:37:21 | |
I'm really pleased I managed to save the Ercol-style chair | 0:37:25 | 0:37:28 | |
because, after years of being well-used and well-loved, | 0:37:28 | 0:37:31 | |
it was being thrown away, reluctantly, | 0:37:31 | 0:37:33 | |
but I'm hoping that Jay and his fantastic style has recreated | 0:37:33 | 0:37:37 | |
something that would be welcomed back into anybody's home. | 0:37:37 | 0:37:40 | |
Has Jay succeeded in jazzing up the retro chair? | 0:37:43 | 0:37:46 | |
Jay's creative instincts have served him well. | 0:37:53 | 0:37:57 | |
He kept to his original concept. | 0:37:57 | 0:37:59 | |
The soft pastel shades give this chair a cosy feel, | 0:38:01 | 0:38:05 | |
but the sky-blue and pale-pink detailing pop and catch the eye. | 0:38:05 | 0:38:09 | |
Chalk paints have a rustic texture. | 0:38:14 | 0:38:17 | |
Jay has used this to give the chair the subtly distressed finish. | 0:38:17 | 0:38:22 | |
It feels vintage, in keeping with the original styling. | 0:38:22 | 0:38:25 | |
I think Jay's come up trumps again, but what about Sarah? | 0:38:28 | 0:38:33 | |
-Hello. -How are you doing? Are you all right? | 0:38:33 | 0:38:37 | |
-You like it? -It's neat. | 0:38:37 | 0:38:39 | |
I think that really looks really nice. | 0:38:39 | 0:38:41 | |
You've got the chalk paint out. | 0:38:41 | 0:38:43 | |
Yeah. I'm not a brilliant chalk paint expert, I must admit. | 0:38:43 | 0:38:48 | |
There are people that can probably do a far better job than me, | 0:38:48 | 0:38:50 | |
but I love working with chalk paint cos there's no rubbing down. | 0:38:50 | 0:38:53 | |
It's just straightforward - slap it on and there you go. | 0:38:53 | 0:38:56 | |
You've got some candy colours in there, | 0:38:56 | 0:38:58 | |
and they're working really well with the grey. | 0:38:58 | 0:39:00 | |
-You like it, yeah? -Yeah, I think you've done well. -Thank you. | 0:39:00 | 0:39:03 | |
Jay's got the thumbs up for the style, | 0:39:03 | 0:39:05 | |
but has he kept to the £45 budget they agreed? | 0:39:05 | 0:39:09 | |
A quick and easy job, erm, with chalk paint. | 0:39:10 | 0:39:13 | |
£45 - can't go wrong. | 0:39:13 | 0:39:15 | |
I think it looks quite cool, actually. | 0:39:15 | 0:39:17 | |
-I can't ask for more than that. -No? | 0:39:17 | 0:39:19 | |
For 45 quid that is... It's great. | 0:39:19 | 0:39:22 | |
You've picked all the good points | 0:39:22 | 0:39:23 | |
and made them look so much better than they did, | 0:39:23 | 0:39:26 | |
and I can see that going into interiors magazines anywhere. | 0:39:26 | 0:39:29 | |
-Job done. -Right. OK. Cool. | 0:39:29 | 0:39:32 | |
I'm happy, you're happy, and then, | 0:39:32 | 0:39:33 | |
hopefully, the person who it goes to, they'll be happy as well, | 0:39:33 | 0:39:36 | |
-so happy all around. -Brilliant. | 0:39:36 | 0:39:38 | |
Well, let me take that away and, erm, try and get it sold | 0:39:38 | 0:39:40 | |
and I'll pass on the happiness when I find out who takes it. | 0:39:40 | 0:39:43 | |
-All right, no problem. -Thanks again. -You take care now. | 0:39:43 | 0:39:46 | |
For £45, it's a really cheap and quick and easy job to do. | 0:39:47 | 0:39:51 | |
It's a solid chair, as I said before, | 0:39:51 | 0:39:52 | |
and it's going to last the test of time, really. | 0:39:52 | 0:39:54 | |
It's... It's a good, strong chair. | 0:39:54 | 0:39:57 | |
Well, Jay has managed to pump a bit of cool into our wan single chair. | 0:39:59 | 0:40:03 | |
He's really lifted it with those lovely pastel colours, | 0:40:03 | 0:40:06 | |
and I'm hoping to squeeze a little bit of profit out of it, too. | 0:40:06 | 0:40:10 | |
Sarah first came across the chair just as owner Don was about to | 0:40:15 | 0:40:19 | |
sling it in the skip... | 0:40:19 | 0:40:21 | |
-It's really heavy, isn't it? -Yeah. -It's got a good look. | 0:40:21 | 0:40:24 | |
I do feel guilty about throwing this away. | 0:40:24 | 0:40:27 | |
..so he was happy Sarah saved it. | 0:40:27 | 0:40:29 | |
And, with its colourful redesign, Sarah was able to sell it to Nick, | 0:40:33 | 0:40:37 | |
who also bought the skateboard side table. | 0:40:37 | 0:40:40 | |
It's time to bring Don up to date with his chair's upcycling odyssey. | 0:40:41 | 0:40:46 | |
-Hello again, Don. -Hello. Hello, Sarah. -How are you doing? | 0:40:46 | 0:40:50 | |
Very well, thank you. Yeah. | 0:40:50 | 0:40:52 | |
I said, when we last met, that if I could do something | 0:40:52 | 0:40:55 | |
-with your lovely old chair I would be back in touch... -Yeah. | 0:40:55 | 0:40:58 | |
..and, although it was maybe a little, erm, | 0:40:58 | 0:41:01 | |
-old-fashioned looking, it was... -It was dated, yeah. -Dated? | 0:41:01 | 0:41:04 | |
Yeah, probably dated, but do you know something? | 0:41:04 | 0:41:06 | |
Dated is now called retro, retro is vintage, | 0:41:06 | 0:41:08 | |
-and vintage sells, so... -Oh, right. Right. | 0:41:08 | 0:41:10 | |
It went off to Wolverhampton, to a fantastic guy called Jay Blades. | 0:41:10 | 0:41:14 | |
-Right. -Now, I'll be keen to know what you think about it, | 0:41:14 | 0:41:17 | |
so I've got some pictures. | 0:41:17 | 0:41:18 | |
Oh, right, yes. | 0:41:18 | 0:41:19 | |
Here is your chair. | 0:41:19 | 0:41:21 | |
Oh, yeah. | 0:41:21 | 0:41:22 | |
So, what he's done to it... | 0:41:22 | 0:41:24 | |
-Right, right. Wow. -Now, he has painted it, | 0:41:24 | 0:41:28 | |
and he's added some colour. | 0:41:28 | 0:41:29 | |
Oh, right. | 0:41:29 | 0:41:31 | |
-Do you approve? -Quite different, quite different, yeah. | 0:41:31 | 0:41:34 | |
Transformed it, hasn't it? | 0:41:34 | 0:41:35 | |
-Yeah, it has given it a new lease of life and... -Really, yeah. | 0:41:35 | 0:41:38 | |
-Oh, yeah. Yeah. -Yes, he worked on it beautifully, | 0:41:38 | 0:41:40 | |
and the colours make it actually quite commercial. | 0:41:40 | 0:41:43 | |
-Right. Yeah. -So, I have got some profit to hand over to you. | 0:41:43 | 0:41:46 | |
-I have got... -Really? | 0:41:46 | 0:41:48 | |
-..£25 here. -Oh! | 0:41:48 | 0:41:50 | |
-The profit from your old chair. -Oh! | 0:41:50 | 0:41:53 | |
-That's for you to keep, to do whatever you like. -Well... | 0:41:53 | 0:41:56 | |
Thanks very much indeed. | 0:41:56 | 0:41:57 | |
What will you do with that? Any ideas? | 0:41:57 | 0:41:59 | |
A worthwhile charity, I think. Yeah. | 0:41:59 | 0:42:01 | |
Oh, well, that's a lovely idea, | 0:42:01 | 0:42:02 | |
-and thank you so much for letting us have your chair. -Yeah. | 0:42:02 | 0:42:05 | |
It was a sweet little thing, | 0:42:05 | 0:42:06 | |
-and I'm glad it made a little bit of profit. -Yeah. | 0:42:06 | 0:42:08 | |
Hopefully, people will be inspired to pick up a paintbrush | 0:42:08 | 0:42:10 | |
-and do something with their own chairs. -OK. -OK? | 0:42:10 | 0:42:12 | |
-And it was lovely to catch up with you. -Yeah, brilliant. | 0:42:12 | 0:42:15 | |
-It's been a pleasure. -Take care. -Been a pleasure. -Bye-bye. -Thank you. | 0:42:15 | 0:42:18 | |
Well, that was a lovely chair, a lovely result, | 0:42:20 | 0:42:23 | |
and a lovely £25 going to good causes. | 0:42:23 | 0:42:26 | |
Jay charged £45 for the makeover. | 0:42:28 | 0:42:31 | |
Sarah sold it for 70, making a profit of £25. | 0:42:31 | 0:42:36 | |
Sarah rescued a variety of eclectic items | 0:42:42 | 0:42:45 | |
that have now been transformed, | 0:42:45 | 0:42:48 | |
handing money over to their owners and charity. | 0:42:48 | 0:42:52 | |
That's a job well and truly done. | 0:42:52 | 0:42:57 | |
Well, that's three things saved from the tip, | 0:42:57 | 0:42:59 | |
and handing over wedges of cash is just the icing on the cake, | 0:42:59 | 0:43:03 | |
and it just goes to show, with a little imagination, | 0:43:03 | 0:43:06 | |
you really can make Money For Nothing. | 0:43:06 | 0:43:08 |