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You haven't got anything I can recycle, have you? | 0:00:03 | 0:00:07 | |
How do you make money for nothing? | 0:00:07 | 0:00:10 | |
Wow, look at that! | 0:00:10 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes of household waste | 0:00:11 | 0:00:16 | |
thrown out by us every year. | 0:00:16 | 0:00:18 | |
Well, don't get rid of it too quickly - this stuff looks amazing. | 0:00:18 | 0:00:21 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:21 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:27 | |
I'm a passionate maker, | 0:00:30 | 0:00:32 | |
buyer and user of old stuff, and I've turned that passion | 0:00:32 | 0:00:35 | |
into a moneymaking business. | 0:00:35 | 0:00:37 | |
I make new stuff out of old stuff, and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:45 | |
Don't know what to say! | 0:00:45 | 0:00:47 | |
Did you drag it here behind the truck? | 0:00:47 | 0:00:49 | |
..she can transform her finds into desirable... | 0:00:49 | 0:00:53 | |
It's enormous! | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
Isn't that fantastic? | 0:00:57 | 0:00:58 | |
..and, hopefully, saleable items. | 0:00:58 | 0:01:01 | |
It's just given me goose bumps. | 0:01:01 | 0:01:04 | |
If Sarah is successful, | 0:01:04 | 0:01:06 | |
then she can hand the profits back to the very people who had no idea | 0:01:06 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:14 | |
Thank you very much! Marvellous. | 0:01:14 | 0:01:16 | |
Today Sarah's at the Whitley Recycling Centre in Surrey. | 0:01:32 | 0:01:36 | |
She's on the hunt, and she knows what she wants. | 0:01:36 | 0:01:39 | |
Well, I'm not keen on all the garden waste, | 0:01:39 | 0:01:41 | |
but I am thinking I'm going to get some jewellery, some fabric, | 0:01:41 | 0:01:44 | |
and maybe even an armchair. | 0:01:44 | 0:01:46 | |
I'm game on to find it! | 0:01:46 | 0:01:47 | |
The name of the game is to find three items that can be redesigned, | 0:01:49 | 0:01:53 | |
rejuvenated, and sold on for a profit. | 0:01:53 | 0:01:57 | |
Are you going for the big clear-out? | 0:01:57 | 0:01:59 | |
To do this, Sarah got special permission to be here, | 0:02:00 | 0:02:03 | |
so don't think about trying it yourself | 0:02:03 | 0:02:06 | |
or they'll call in the rozzers! | 0:02:06 | 0:02:08 | |
Well, we've got the police, we've got the camera, | 0:02:08 | 0:02:10 | |
all we need now is the action! | 0:02:10 | 0:02:11 | |
And, action! | 0:02:11 | 0:02:12 | |
Hello, hello, hello. What's all this in Barbara's boot? | 0:02:12 | 0:02:16 | |
What IS all this in Barbara's boot? | 0:02:16 | 0:02:19 | |
-Hello, hello. -Hi. | 0:02:19 | 0:02:21 | |
That looks beaut... Oh, is it suede? | 0:02:21 | 0:02:24 | |
-Yes. -Isn't it lovely? | 0:02:24 | 0:02:25 | |
What are you doing with that? | 0:02:25 | 0:02:27 | |
35 years on top of the wardrobe. | 0:02:27 | 0:02:29 | |
-Really? And today's the day you've just had enough? -Yeah. | 0:02:29 | 0:02:32 | |
Where did you get it? | 0:02:32 | 0:02:33 | |
-Gomshall Tanneries closed down and had a sale. -Right. | 0:02:33 | 0:02:37 | |
But I never had it made up. | 0:02:37 | 0:02:39 | |
What were you going for, a full-length leather gown, or? | 0:02:39 | 0:02:42 | |
I've got two daughters and I thought pink for one, yellow for the other. | 0:02:42 | 0:02:45 | |
-Of course, this is going back to...year dot. -Yeah. | 0:02:45 | 0:02:48 | |
A mini suit or something each for them. | 0:02:48 | 0:02:51 | |
How old are they now? 40s. | 0:02:51 | 0:02:52 | |
And they certainly wouldn't wear that! | 0:02:52 | 0:02:55 | |
Well, do you know something, everything comes back into fashion. | 0:02:55 | 0:02:58 | |
-It does. -I'm sure a mini suit would be fantastic. | 0:02:58 | 0:03:02 | |
-If I could take them away? -I would love you to, yes. | 0:03:02 | 0:03:06 | |
Fantastic. Well, I have no idea what we'll end up doing with those, | 0:03:06 | 0:03:10 | |
-but I shall do my best to do you justice. -I'm sure you'll find something. | 0:03:10 | 0:03:13 | |
They're fantastic! Thanks ever so much. | 0:03:13 | 0:03:15 | |
-Really good to meet you. -Lovely. -I'm loving those, thank you. -Thank you. | 0:03:15 | 0:03:19 | |
Sarah's got herself some swanky suede. | 0:03:21 | 0:03:24 | |
I have no idea what a mini suit is. | 0:03:24 | 0:03:27 | |
Any other thoughts, Barbara? | 0:03:27 | 0:03:29 | |
Thinking about it, I would think it would be clothing, that type of thing. | 0:03:29 | 0:03:33 | |
I would like to see something perhaps really modern. | 0:03:33 | 0:03:37 | |
Yeah. | 0:03:38 | 0:03:39 | |
It's certainly going to be modern in those colours! | 0:03:39 | 0:03:43 | |
Hello! Look at that lot! | 0:03:43 | 0:03:45 | |
A whole bag full of beautiful suede. | 0:03:45 | 0:03:48 | |
These are individual hides, | 0:03:48 | 0:03:50 | |
and I think each one of these is a whole... probably sheep's hide. | 0:03:50 | 0:03:54 | |
And they've been tanned, so they're the beautiful soft suede. | 0:03:54 | 0:03:57 | |
This is a luxury item and I think it's got huge potential to make | 0:03:57 | 0:04:00 | |
something really beautiful - and more than a few quid. | 0:04:00 | 0:04:03 | |
And Sarah knows just the man to take it on. | 0:04:05 | 0:04:08 | |
If your sofa is starting to sag, then go and visit Neil Wragg. | 0:04:11 | 0:04:17 | |
Neil creates handmade, | 0:04:17 | 0:04:19 | |
one-of-a-kind designer bags from unwanted and unloved materials. | 0:04:19 | 0:04:24 | |
It may have fallen out of fashion, | 0:04:24 | 0:04:27 | |
but if he can get a needle through it, he'll work wonders. | 0:04:27 | 0:04:30 | |
Some of the bags I make could be described as eccentric, | 0:04:33 | 0:04:35 | |
because I would keep some of the former character from the fabrics. | 0:04:35 | 0:04:40 | |
So if somebody's given me a leather jacket that they can't wear any more, | 0:04:40 | 0:04:43 | |
I might keep a part of the jacket in the new bag. | 0:04:43 | 0:04:46 | |
I wouldn't say the bags are weird, | 0:04:46 | 0:04:48 | |
but they've certainly got their own eccentric personality in every single one of them. | 0:04:48 | 0:04:52 | |
I love making stuff that's not only upcycled from something that's unwanted, | 0:04:52 | 0:04:57 | |
but it's something that's going to last another lifetime. | 0:04:57 | 0:04:59 | |
These are bags that have a second life. | 0:04:59 | 0:05:02 | |
Well, Neil, you might have your work cut out breathing new life | 0:05:02 | 0:05:06 | |
into these kitsch colours. | 0:05:06 | 0:05:08 | |
That's one item down, two to go. | 0:05:13 | 0:05:16 | |
And, you know what, I think Sarah deserves to be recognised | 0:05:16 | 0:05:20 | |
for her tireless work with rubbish. | 0:05:20 | 0:05:22 | |
So I award you, Sarah Moore, with this bit of junk. | 0:05:22 | 0:05:26 | |
Would you like to say a few words? | 0:05:26 | 0:05:28 | |
Well, I'm absolutely made up. Heartfelt thanks for this. | 0:05:28 | 0:05:31 | |
I've never had a rubbish award before and, honestly, | 0:05:31 | 0:05:34 | |
I'm slightly overwhelmed. | 0:05:34 | 0:05:35 | |
Thank you. | 0:05:35 | 0:05:37 | |
OK, get off now. | 0:05:37 | 0:05:39 | |
And if you're not rushing off to the after show party, | 0:05:39 | 0:05:43 | |
I have a feeling you might go gaga over what David is throwing away. | 0:05:43 | 0:05:48 | |
Although I hope you're not expecting it to still play a tune. | 0:05:48 | 0:05:52 | |
-So this wasn't yours, then? -This was my aunt's. -OK. | 0:05:52 | 0:05:56 | |
My aunt is 91, and she lost her husband a year ago. | 0:05:58 | 0:06:02 | |
-I'm sorry to hear that. -And she's now moved into a care home. -Right. | 0:06:02 | 0:06:07 | |
And so we're clearing the house, | 0:06:07 | 0:06:09 | |
in which they've lived for over 50 years. | 0:06:09 | 0:06:12 | |
-If you like vintage stuff, you love things like this. -Absolutely, yes. | 0:06:12 | 0:06:15 | |
There's that classic styling, all that retro look, | 0:06:15 | 0:06:18 | |
you know, the gold and the swirls. | 0:06:18 | 0:06:19 | |
I'd say late '50s, I'm thinking, with that kind of typography on it. | 0:06:19 | 0:06:22 | |
-It could well be. -Yeah. | 0:06:22 | 0:06:25 | |
Rather than putting it into the small electrical appliances tip, | 0:06:25 | 0:06:28 | |
if I could take it away and try and do something with it? | 0:06:28 | 0:06:31 | |
I'd be more than happy for you to take it away and do something with it. | 0:06:31 | 0:06:34 | |
-If you can recycle this, give it a new life, that's good. -Yeah. | 0:06:34 | 0:06:38 | |
-Well, I'm going to give it my best shot. -It will need a new cable! -I think you're right! | 0:06:38 | 0:06:42 | |
Well, that's brilliant. Thank you so much for letting me have it. | 0:06:42 | 0:06:45 | |
-And if I can make it work, I'll be back in touch! -Jolly good. | 0:06:45 | 0:06:47 | |
-Thank you so much. Have a good day. -Pleasure. -Bye-bye. | 0:06:47 | 0:06:50 | |
Jolly good to you, too, David. | 0:06:50 | 0:06:52 | |
But do you think Sarah can do much with it? | 0:06:52 | 0:06:55 | |
The shell of it is very smart. | 0:06:55 | 0:06:58 | |
And I think even as an ornament, it would be worth keeping. | 0:06:58 | 0:07:03 | |
Well, I just love it when an old radio like this rocks up at the tip. | 0:07:05 | 0:07:09 | |
It might be obsolete and I certainly wouldn't want to plug it in, | 0:07:09 | 0:07:12 | |
but I think it's got bags of style, | 0:07:12 | 0:07:14 | |
and in the hands of the right designer I think it's going to really make some money. | 0:07:14 | 0:07:18 | |
Well, let's find out whose hands Sarah will be passing it to. | 0:07:18 | 0:07:21 | |
This is Mark Phillips, but everyone calls him Horse. | 0:07:23 | 0:07:27 | |
Horse was chief engineer for a world-renowned audio recording company for over a decade. | 0:07:27 | 0:07:34 | |
He's now taken his love for restoring vintage sound equipment | 0:07:34 | 0:07:38 | |
and made it into a business. | 0:07:38 | 0:07:40 | |
The thing that I'm most passionate about is kind of | 0:07:41 | 0:07:44 | |
giving new life to old equipment, | 0:07:44 | 0:07:46 | |
especially stuff that people were about to throw away. | 0:07:46 | 0:07:50 | |
A lot of this old equipment just looks gorgeous, aside from anything, | 0:07:52 | 0:07:56 | |
and so if I can do something with it that makes it functional, | 0:07:56 | 0:08:00 | |
makes it sound as good as it looks, then I'm satisfied. | 0:08:00 | 0:08:04 | |
Well, Horse, you're saying all the right things, | 0:08:06 | 0:08:09 | |
but you haven't seen the nick of this old thing! | 0:08:09 | 0:08:12 | |
That's two items saved. | 0:08:16 | 0:08:18 | |
Just one more to complete the set. | 0:08:18 | 0:08:20 | |
Whatever Sarah finds next, she'll be working on herself. | 0:08:20 | 0:08:24 | |
Roll up, roll up, bring me your rubbish! | 0:08:25 | 0:08:29 | |
I think she's getting desperate. | 0:08:29 | 0:08:31 | |
Perhaps Graham will have something to Sarah's liking | 0:08:31 | 0:08:34 | |
in the back of his boot. | 0:08:34 | 0:08:36 | |
-Hi, there. -Hi. | 0:08:38 | 0:08:40 | |
-They look interesting. -Old mic stands. | 0:08:40 | 0:08:43 | |
Been rusting away in the garage for a while. | 0:08:43 | 0:08:45 | |
-Are they yours? -Yeah. -Go on, then, do you sing? | 0:08:45 | 0:08:49 | |
-Yeah. -Really? -But not using these ones any more! | 0:08:49 | 0:08:51 | |
What do you sing, then? | 0:08:51 | 0:08:52 | |
I'm in a band, we mainly do sort of folk rock stuff. | 0:08:52 | 0:08:56 | |
Fantastic. They look hefty, can I try? | 0:08:56 | 0:08:58 | |
-They're nice and solid. -So when did you last use them? | 0:08:58 | 0:09:01 | |
Oh, probably 10 or 15 years ago. | 0:09:01 | 0:09:04 | |
Right. Is this the big garage clear-out, then? | 0:09:04 | 0:09:06 | |
It is. We're moving house, so, yeah. | 0:09:06 | 0:09:08 | |
And there's more rubbish in there than we thought there was! | 0:09:08 | 0:09:11 | |
Do you know something, when little things like this turn up, | 0:09:11 | 0:09:13 | |
that's all I need to see - they look like they might polish up, | 0:09:13 | 0:09:16 | |
they look like they might have some potential. | 0:09:16 | 0:09:19 | |
-Can I have them? -You're welcome to them. | 0:09:19 | 0:09:21 | |
-They're only going in the skip. -Fantastic. Thanks so much. -Thank you. -Bye-bye. -Bye. | 0:09:21 | 0:09:24 | |
A trip to the tip won't be the swansong for these old microphone stands. | 0:09:24 | 0:09:29 | |
But how will Sarah make them sing again? | 0:09:29 | 0:09:32 | |
I imagine it's going to involve some sort of welding. | 0:09:32 | 0:09:35 | |
So, I don't know, maybe a lamp stand or something like that. | 0:09:35 | 0:09:38 | |
But it will be interesting to see. | 0:09:38 | 0:09:40 | |
Graham thinks lighting. | 0:09:40 | 0:09:42 | |
Are you singing off the same song sheet, Sarah? | 0:09:42 | 0:09:45 | |
Well, I think it's probably going to be lighting, but... | 0:09:45 | 0:09:47 | |
Who knows? | 0:09:47 | 0:09:49 | |
Whatever it is, I reckon these are a right find. | 0:09:49 | 0:09:52 | |
Music to my ears. | 0:09:52 | 0:09:54 | |
And with that, Sarah has her three items. | 0:09:54 | 0:09:58 | |
Neil will rustle up something with the candy-coloured suede. | 0:09:58 | 0:10:02 | |
Horse will rock out with the radio. | 0:10:02 | 0:10:04 | |
And Sarah will rock out with the mic stands. | 0:10:04 | 0:10:08 | |
Too much rocking! | 0:10:08 | 0:10:09 | |
Well, I've had a top time at the tip. | 0:10:10 | 0:10:12 | |
All I've got to do is turn that hunk of junk into a splash of cash! | 0:10:12 | 0:10:17 | |
For Sarah's first stop, | 0:10:22 | 0:10:23 | |
she's travelled to the lovely town of Marlow in Buckinghamshire. | 0:10:23 | 0:10:28 | |
Around 30 miles outside of London, | 0:10:28 | 0:10:30 | |
it's perfect for city types who want a short commute to work. | 0:10:30 | 0:10:35 | |
It might take you a bit longer on one of those things, though. | 0:10:35 | 0:10:39 | |
Better call the office and tell them you'll be late. | 0:10:39 | 0:10:41 | |
Sarah's brought along the bundle of luminous leather. | 0:10:41 | 0:10:44 | |
Perhaps bagman Neil will have some bright ideas of what to do with it? | 0:10:44 | 0:10:50 | |
Sarah's on her way, she's mentioned that I might need my sunglasses for | 0:10:50 | 0:10:55 | |
this, so it sounds very intriguing. | 0:10:55 | 0:10:57 | |
What a relief. | 0:10:58 | 0:11:00 | |
I'm finally turning up at an artisan's with some beautiful, | 0:11:00 | 0:11:03 | |
luxury product, fresh from the tip. | 0:11:03 | 0:11:06 | |
I just hope Neil Wragg likes the colour. | 0:11:06 | 0:11:09 | |
Mmm. We'll wait and see. | 0:11:09 | 0:11:11 | |
Well, this is bright! | 0:11:12 | 0:11:15 | |
It's bright, but it's beautiful. | 0:11:15 | 0:11:17 | |
-This is... Great. This is... Different. -What do you think? | 0:11:17 | 0:11:20 | |
-Well, it's very summery. -Beachy, I was thinking. | 0:11:20 | 0:11:23 | |
It is. Yeah, perfect. | 0:11:23 | 0:11:24 | |
I can make several mankinis out of this, couldn't I! | 0:11:24 | 0:11:27 | |
That would work! | 0:11:27 | 0:11:29 | |
What's worrying is I think you might mean that! | 0:11:29 | 0:11:31 | |
You wait! | 0:11:31 | 0:11:33 | |
Have you got any ideas? | 0:11:33 | 0:11:35 | |
I think we could make some really big slouchy bags with it. | 0:11:35 | 0:11:39 | |
This is something bigger and more casual. | 0:11:39 | 0:11:42 | |
I think bigger. | 0:11:42 | 0:11:44 | |
Let's go bigger. Keep going, keep going. | 0:11:44 | 0:11:46 | |
I think bigger, slouchy, luxury. I'm thinking Marbella. | 0:11:46 | 0:11:49 | |
I've got gold sandals on with little wings, | 0:11:49 | 0:11:51 | |
-and I've got this thing tucked over my shoulder. -We're going big. | 0:11:51 | 0:11:54 | |
So you're stepping off the yacht and this is over your shoulder? | 0:11:54 | 0:11:57 | |
That's it. It would be good to use as much as possible. | 0:11:57 | 0:12:00 | |
-The two colours go well together, I think. -Yeah. | 0:12:00 | 0:12:03 | |
So let's put them together. We'll just use it all. | 0:12:03 | 0:12:06 | |
Even for the straps and the handles. | 0:12:06 | 0:12:07 | |
So, creating that luxury, it's going to come at a price tag. | 0:12:07 | 0:12:10 | |
What are you thinking? Per bag? | 0:12:10 | 0:12:12 | |
I think the price is all in the quality of this fabric. | 0:12:12 | 0:12:14 | |
It's not going to take much to make. | 0:12:14 | 0:12:17 | |
Say we said £50 per bag, to you. | 0:12:17 | 0:12:20 | |
-And maybe we can get two or three bags from it. -I love it! | 0:12:20 | 0:12:24 | |
Total legend. | 0:12:24 | 0:12:26 | |
He's a legend, all right. | 0:12:26 | 0:12:27 | |
But can he make those colours commercial? | 0:12:27 | 0:12:30 | |
Because all I'm seeing is rhubarb custard. | 0:12:30 | 0:12:34 | |
Well, that suede is going to be turned into something | 0:12:34 | 0:12:36 | |
bright, beautiful, and useful. | 0:12:36 | 0:12:38 | |
And if they don't all sell at a profit, I'll eat my bag! | 0:12:38 | 0:12:41 | |
I'm so going to remind you you said that! | 0:12:41 | 0:12:44 | |
It's £50 each for the bags. | 0:12:44 | 0:12:47 | |
If Neil can knock up a few of them, | 0:12:47 | 0:12:49 | |
there could be a real profit to be made. | 0:12:49 | 0:12:52 | |
For Sarah's next stop, she's travelled north to Manchester. | 0:12:57 | 0:13:01 | |
And waiting with bated beard is our titan of technology, Horse. | 0:13:01 | 0:13:07 | |
Sarah's bringing Horse the old '50s radio because... | 0:13:07 | 0:13:11 | |
Well, he likes that kind of thing. | 0:13:11 | 0:13:14 | |
Sarah knows the sort of stuff that I like working on, | 0:13:14 | 0:13:18 | |
so I'm fairly confident that whatever she brings | 0:13:18 | 0:13:20 | |
is going to be something that I'm going to enjoy. | 0:13:20 | 0:13:22 | |
It's normally something right up my street. | 0:13:22 | 0:13:25 | |
Horse, it's literally up your street. | 0:13:25 | 0:13:28 | |
Well, if a retro radio like this ever rocks up at the tip, | 0:13:28 | 0:13:31 | |
I know just where to bring it. | 0:13:31 | 0:13:33 | |
I've got music guru Horse lined up to see if he can make it sing again. | 0:13:33 | 0:13:38 | |
-Hi, Horse. -Hiya. | 0:13:38 | 0:13:39 | |
-How are you doing? -Yeah, good, thanks. | 0:13:39 | 0:13:42 | |
-What do you reckon? -Oh, it's lovely. | 0:13:42 | 0:13:43 | |
Have you ever seen one of those before? You worked on one at all? | 0:13:43 | 0:13:46 | |
Not that model, no. | 0:13:46 | 0:13:48 | |
I thought the styling on it was really quite strong. | 0:13:48 | 0:13:50 | |
But I've never heard of Murphy. Do you know anything about them? | 0:13:50 | 0:13:53 | |
You do see them pop up on auction sites all the time. | 0:13:53 | 0:13:56 | |
They were a very popular radio in their day. | 0:13:56 | 0:13:59 | |
It's certainly not a rare one. | 0:13:59 | 0:14:00 | |
So we can cut it up and do what we like with it? | 0:14:00 | 0:14:02 | |
-Exactly, yeah, pretty much. -Always good news. | 0:14:02 | 0:14:04 | |
Definitely do something with it. | 0:14:04 | 0:14:05 | |
You'd still be able to use it as a radio? | 0:14:05 | 0:14:07 | |
The trouble with trying to do anything different with these | 0:14:07 | 0:14:10 | |
is to make it equivalent to a digital radio is quite difficult, | 0:14:10 | 0:14:13 | |
because there's nowhere to put a display or whatever. | 0:14:13 | 0:14:16 | |
So what I tend to try and do is if you just make it a Bluetooth speaker, | 0:14:16 | 0:14:20 | |
then, I mean, I can get the digital radio from my phone into that, | 0:14:20 | 0:14:25 | |
but I can also get sort of, you know, music into it, whatever. | 0:14:25 | 0:14:28 | |
So it kind of makes it more versatile | 0:14:28 | 0:14:30 | |
and it means you don't need to have all the controls on it, you know? | 0:14:30 | 0:14:34 | |
That sounds like a great idea because, basically, | 0:14:34 | 0:14:36 | |
most people stream everything through phones. | 0:14:36 | 0:14:38 | |
-If you've got it coming out of there and you've got good sound quality... -Exactly. | 0:14:38 | 0:14:41 | |
-..that's all you need, isn't it? -Yeah. | 0:14:41 | 0:14:43 | |
Any idea about the money if you have to really put some new stuff in there? | 0:14:43 | 0:14:46 | |
I don't know. I mean, it's difficult without seeing what state the | 0:14:46 | 0:14:49 | |
speaker's in and things. | 0:14:49 | 0:14:50 | |
But, I mean, you know, probably about £150, I think. | 0:14:50 | 0:14:55 | |
I reckon that that is a good figure for transforming that. | 0:14:55 | 0:14:58 | |
Because people who have retro homes want to see more than a black box | 0:14:58 | 0:15:03 | |
-on the side, don't they? -Yeah. -So I think that's great. | 0:15:03 | 0:15:06 | |
-150 quid, ballpark figure. Brilliant. -Thank you. | 0:15:06 | 0:15:09 | |
Can't wait to hear it! It's going to sound great! | 0:15:09 | 0:15:11 | |
Brilliant! A Bluetooth speaker. | 0:15:11 | 0:15:14 | |
But for that price, we'll be expecting a luxury product. | 0:15:14 | 0:15:18 | |
And by the looks of that case, it's a long way off from being luxury. | 0:15:18 | 0:15:23 | |
It's dirty, but it's lovely. | 0:15:23 | 0:15:25 | |
It'll be a new challenge | 0:15:25 | 0:15:26 | |
because I've never worked on one of these before. | 0:15:26 | 0:15:28 | |
Yeah, I'll enjoy it, I think. | 0:15:28 | 0:15:31 | |
Well, I think we're definitely on to a winner with Horse there. | 0:15:31 | 0:15:33 | |
If we can get that retro styling and that modern functionality into that | 0:15:33 | 0:15:37 | |
little radio, then it's going to sound sweet! | 0:15:37 | 0:15:40 | |
It'll be £150 to transform the transistor. | 0:15:40 | 0:15:44 | |
I can't wait to see how it looks. | 0:15:44 | 0:15:47 | |
Stay tuned. | 0:15:47 | 0:15:48 | |
We're leaving Manchester | 0:15:53 | 0:15:55 | |
and heading to the rock and roll capital of the South East - Sussex. | 0:15:55 | 0:16:00 | |
Where Sarah has been mulling over what to do | 0:16:00 | 0:16:04 | |
with the pair of rusty mic stands. | 0:16:04 | 0:16:06 | |
Although she did say it was going to be lighting, | 0:16:06 | 0:16:09 | |
but you never know. | 0:16:09 | 0:16:11 | |
Nah, it's probably going to be lighting. | 0:16:11 | 0:16:13 | |
I reckon these are going to lend themselves to making | 0:16:17 | 0:16:19 | |
a pair of really cool floor standing lights. | 0:16:19 | 0:16:22 | |
Shocker. | 0:16:22 | 0:16:23 | |
But at the moment they're really rusty. | 0:16:23 | 0:16:26 | |
I haven't got a complete plan for what kind of bulbs and shades to use | 0:16:26 | 0:16:29 | |
but I think start getting them cleaned up, | 0:16:29 | 0:16:32 | |
and see how it goes from there. | 0:16:32 | 0:16:33 | |
I love it when Sarah doesn't have a plan. | 0:16:35 | 0:16:38 | |
Sarah starts to clean up by grabbing a handful of wire wool | 0:16:38 | 0:16:42 | |
she keeps in a big bundle. | 0:16:42 | 0:16:44 | |
I'm hoping a bit of wire wool will clean off this surface rust, | 0:16:44 | 0:16:47 | |
and I'll be left with a lovely shiny pair of mic stands. | 0:16:47 | 0:16:50 | |
Chrome really comes up really well, particularly older stuff. | 0:16:50 | 0:16:54 | |
Chrome plating, like what we have on these mic stands, | 0:16:54 | 0:16:58 | |
was developed in the 1920s. | 0:16:58 | 0:17:00 | |
It's another day I don't have to go to the gym! | 0:17:00 | 0:17:03 | |
The process involves adding a thin layer of chromium | 0:17:03 | 0:17:06 | |
to a metal or plastic. | 0:17:06 | 0:17:08 | |
It has greater corrosion resistance than most other metals | 0:17:08 | 0:17:12 | |
and increases the durability of the surface. | 0:17:12 | 0:17:15 | |
JOINTS SQUEAK | 0:17:15 | 0:17:16 | |
Ah, but it is a bit squeaky. | 0:17:16 | 0:17:18 | |
Well, that's pretty much all of the surface rust off there. | 0:17:18 | 0:17:21 | |
If you want to get a really good shine, | 0:17:21 | 0:17:23 | |
anything that you use for polishing the car bumper will do for this. | 0:17:23 | 0:17:26 | |
I think that's...looking quite good. | 0:17:26 | 0:17:28 | |
JOINTS SQUEAK | 0:17:28 | 0:17:30 | |
Would you please put some oil on that! | 0:17:30 | 0:17:32 | |
Sarah has to work out just how the stands work | 0:17:32 | 0:17:36 | |
before she can make a plan. | 0:17:36 | 0:17:37 | |
I think this one's got a design fault. | 0:17:37 | 0:17:40 | |
It's supposed to stay up like that. | 0:17:40 | 0:17:42 | |
And she's struggling. | 0:17:42 | 0:17:44 | |
Oh! | 0:17:44 | 0:17:46 | |
Hmm. Must be missing something. | 0:17:47 | 0:17:49 | |
I'm guessing you were never in a band, Sarah. | 0:17:51 | 0:17:53 | |
I was. | 0:17:53 | 0:17:54 | |
They used to say I had the voice of an angel. | 0:17:54 | 0:17:57 | |
A gruff angel. | 0:17:58 | 0:18:00 | |
These lights are going to be, | 0:18:00 | 0:18:02 | |
They're going to be... Well... | 0:18:02 | 0:18:05 | |
I don't know! | 0:18:05 | 0:18:06 | |
This is all very encouraging(!) | 0:18:08 | 0:18:10 | |
Ooh! | 0:18:10 | 0:18:11 | |
Looks like she's nailed it. | 0:18:11 | 0:18:14 | |
I know, clothes rail! That would be a lot easier wouldn't it? | 0:18:14 | 0:18:16 | |
Or maybe not! | 0:18:16 | 0:18:18 | |
I'd better concentrate on the lighting, it sells for more. | 0:18:18 | 0:18:21 | |
With the mic stands upright at least, | 0:18:21 | 0:18:24 | |
Sarah moves on to the lighting. | 0:18:24 | 0:18:26 | |
And she's had an idea. | 0:18:26 | 0:18:28 | |
Because LED bulbs don't have any heat implications any more, | 0:18:30 | 0:18:34 | |
you can use things like these plastic bottles to make lampshades. | 0:18:34 | 0:18:37 | |
Basically, I'm going to cut the bottom off | 0:18:37 | 0:18:38 | |
and then I'm going to cut the bottle into strips, | 0:18:38 | 0:18:40 | |
and I'm going to use the strips to weave some string around | 0:18:40 | 0:18:44 | |
to make a lampshade. | 0:18:44 | 0:18:46 | |
No? You don't understand? | 0:18:46 | 0:18:49 | |
This will definitely be a prototype. | 0:18:49 | 0:18:51 | |
Sarah starts to cut... Oh, no, she doesn't. | 0:18:51 | 0:18:54 | |
Scissors aren't going to work. | 0:18:54 | 0:18:55 | |
It will have to be a knife. | 0:18:55 | 0:18:57 | |
I have absolutely no idea what this is going to look like. | 0:18:57 | 0:19:01 | |
Well, here we go. | 0:19:01 | 0:19:03 | |
That. | 0:19:05 | 0:19:06 | |
I'm beginning to get the idea that the strips, they're really strong, | 0:19:06 | 0:19:10 | |
and I'm hoping if I mould around something, I'm going to be able to | 0:19:10 | 0:19:12 | |
get a really sculptural, lovely looking lampshade. | 0:19:12 | 0:19:16 | |
But it's going to take so much work. | 0:19:16 | 0:19:19 | |
It will be worth it. | 0:19:19 | 0:19:20 | |
If you say so. | 0:19:20 | 0:19:22 | |
Hmm. | 0:19:22 | 0:19:23 | |
So far Sarah hasn't spent a penny. | 0:19:23 | 0:19:26 | |
Can you tell?! | 0:19:26 | 0:19:28 | |
But if this light idea pays off, it could pay out. | 0:19:28 | 0:19:32 | |
Back we go to Marlow, | 0:19:39 | 0:19:42 | |
where Neil is sketching out ideas for his big bright beach bags. | 0:19:42 | 0:19:47 | |
I'm just deciding on the design and size of the bag. | 0:19:50 | 0:19:54 | |
There isn't anything spare, | 0:19:54 | 0:19:55 | |
I don't have reels of this fabric in order to experiment with. | 0:19:55 | 0:19:59 | |
So we've got to make the cut and get it right first time. | 0:19:59 | 0:20:03 | |
As there is no room for error, | 0:20:05 | 0:20:08 | |
Neil's first making a prototype out of paper. | 0:20:08 | 0:20:12 | |
If I know what the panel shapes need to be on paper, | 0:20:12 | 0:20:16 | |
then I can just make it bigger. | 0:20:16 | 0:20:19 | |
Neil's joining his bag together with staples | 0:20:19 | 0:20:22 | |
and sticky back plastic. | 0:20:22 | 0:20:24 | |
This is more Blue Peter than Money For Nothing at the moment! | 0:20:27 | 0:20:30 | |
MUSIC: Blue Peter Theme | 0:20:30 | 0:20:33 | |
And here's one he made earlier! | 0:20:33 | 0:20:35 | |
So that's what our bag's going to look like folded up, | 0:20:35 | 0:20:38 | |
and then open it out, and there we've got... | 0:20:38 | 0:20:41 | |
your pink and yellow suede candy beach bag. | 0:20:43 | 0:20:47 | |
You've made a takeaway bag, Neil. | 0:20:47 | 0:20:49 | |
The width of that being 21... | 0:20:49 | 0:20:52 | |
To work out the new dimensions to cut the suede, | 0:20:52 | 0:20:55 | |
Neil's trying to recall everything he learnt in geometry class. | 0:20:55 | 0:20:58 | |
So what's 15 over 21? | 0:20:58 | 0:21:01 | |
But it's been more than a few years since school. | 0:21:01 | 0:21:05 | |
OK, so, right... | 0:21:05 | 0:21:07 | |
You know when they say, "Measure twice, cut once", | 0:21:08 | 0:21:11 | |
well, I've measured 154 times. | 0:21:11 | 0:21:15 | |
Haven't made any cuts yet. | 0:21:15 | 0:21:17 | |
Well, there's no time like the present. | 0:21:17 | 0:21:20 | |
I'm just layering them up, so I'll cut them all at the same time. | 0:21:20 | 0:21:23 | |
So they'll be, at the very least, the same shape and size. | 0:21:23 | 0:21:29 | |
If they're the wrong shape and size, at least they're all in it together. | 0:21:29 | 0:21:34 | |
Well, that's encouraging. | 0:21:34 | 0:21:36 | |
Instead of cutting with scissors, Neil's using a rotary cutter. | 0:21:36 | 0:21:41 | |
So that's the first cut. | 0:21:41 | 0:21:44 | |
As leather is a natural skin, it doesn't fray at the edges | 0:21:44 | 0:21:48 | |
so can be left exposed without the need to hem. | 0:21:48 | 0:21:52 | |
It does mean, though, that the cuts have to be clean, crisp and precise. | 0:21:52 | 0:21:57 | |
That looks good to me, but were all of Neil's calculations correct? | 0:21:58 | 0:22:03 | |
Now, if I've cut them right, these triangles fit. | 0:22:03 | 0:22:06 | |
It's the moment of truth. | 0:22:08 | 0:22:10 | |
Big bouncy beach bags, or back to the drawing board? | 0:22:10 | 0:22:13 | |
Three of them fit together. | 0:22:13 | 0:22:15 | |
Oh, no! Is that going to match up? | 0:22:15 | 0:22:18 | |
Keep going! | 0:22:18 | 0:22:19 | |
Phew, it fits. | 0:22:21 | 0:22:23 | |
# Hallelujah! # | 0:22:23 | 0:22:25 | |
So now we have the start of our Battenberg cake. | 0:22:25 | 0:22:28 | |
What do you think - fancy a slice? | 0:22:28 | 0:22:30 | |
I'm more of a cheesecake man myself. | 0:22:30 | 0:22:33 | |
Neil's using pegs to join the sections of the bag together, | 0:22:34 | 0:22:38 | |
as pins would leave permanent holes in the leather. | 0:22:38 | 0:22:42 | |
So all we need to do is stitch, | 0:22:42 | 0:22:43 | |
and that's the body of the bag all completed. | 0:22:43 | 0:22:46 | |
What we're looking at next is pockets and handles. | 0:22:46 | 0:22:50 | |
There's just about enough material in the offcuts | 0:22:52 | 0:22:55 | |
for Neil to cut sections for the pockets and straps. | 0:22:55 | 0:22:59 | |
And this is the tricky part. | 0:23:03 | 0:23:06 | |
Leather is notoriously difficult to sew. | 0:23:06 | 0:23:09 | |
One wrong stitch and it's a disaster. | 0:23:09 | 0:23:12 | |
Are you feeling the pressure, Neil? | 0:23:12 | 0:23:14 | |
Sorry! I'll zip it. | 0:23:14 | 0:23:16 | |
And back we go to Manchester, | 0:23:18 | 0:23:21 | |
where techno geek Horse has been champing at the bit | 0:23:21 | 0:23:25 | |
to get started on that beaten up radio. | 0:23:25 | 0:23:28 | |
Right, so the first thing to do with this is to... | 0:23:28 | 0:23:34 | |
Just have a look what we've got inside, because I haven't actually taken the back off yet. | 0:23:34 | 0:23:38 | |
Horse starts to take the radio apart. | 0:23:38 | 0:23:41 | |
The hope is that it'll be reborn as a multi-functioning Bluetooth speaker. | 0:23:41 | 0:23:46 | |
I'm going to put a Bluetooth module in, | 0:23:46 | 0:23:48 | |
which is the part that receives the Bluetooth signal. | 0:23:48 | 0:23:52 | |
Bluetooth is a wireless technology used for exchanging data over short distances | 0:23:52 | 0:23:58 | |
via radio waves. | 0:23:58 | 0:23:59 | |
I've used a few of them lately and they actually do sound quite good. | 0:23:59 | 0:24:02 | |
In this case, music can be sent from a device | 0:24:02 | 0:24:05 | |
and it will come out the radio. | 0:24:05 | 0:24:08 | |
Interesting. | 0:24:08 | 0:24:10 | |
So we'll take these valves out. | 0:24:10 | 0:24:12 | |
These can only really be used in radios, as they've got a different valve base. | 0:24:12 | 0:24:17 | |
And they also run at a different heat of voltage, | 0:24:17 | 0:24:21 | |
-so in a valve you've got the elements... -CALMING MUSIC FADES IN | 0:24:21 | 0:24:25 | |
Do you know when Horse talks about electronics, | 0:24:25 | 0:24:27 | |
I find it kind of soothing. | 0:24:27 | 0:24:30 | |
..because of the nature of the circuit, that's done in a different way... | 0:24:30 | 0:24:34 | |
I find it's very comforting somehow. | 0:24:34 | 0:24:37 | |
..normally you'd go through a transformer, and that at least buffers you... | 0:24:37 | 0:24:40 | |
Transformers, valves - you name it, he knows his stuff. | 0:24:40 | 0:24:44 | |
..directly off the mains, which is never a good thing. | 0:24:44 | 0:24:48 | |
It's all fairly easy stuff to do. | 0:24:48 | 0:24:52 | |
Easy for you, Horse. | 0:24:52 | 0:24:55 | |
Well, what about something not so easy? | 0:24:55 | 0:24:57 | |
I mean, the biggest worry in this case is the case. | 0:24:57 | 0:25:00 | |
It actually looks like there's a few quite deep scratches. | 0:25:00 | 0:25:04 | |
They're going to be difficult to get off, | 0:25:04 | 0:25:06 | |
so I might have a quick test to see if I can actually get them off. | 0:25:06 | 0:25:11 | |
Because some of them are pretty deep. | 0:25:11 | 0:25:14 | |
To remove the scratches, Horse is first trying a mild abrasive | 0:25:14 | 0:25:18 | |
which will take off a thin layer of the Bakelite around the scratch. | 0:25:18 | 0:25:22 | |
If they're really deep, then you sometimes have to grind them down | 0:25:22 | 0:25:26 | |
with different size wet and dry paper. | 0:25:26 | 0:25:30 | |
Bakelite was an early form of plastic, | 0:25:30 | 0:25:33 | |
popular for making radios and telephones in the early 20th century. | 0:25:33 | 0:25:38 | |
I think I'm going to need to grind the rest of it down a bit. | 0:25:38 | 0:25:41 | |
They're a bit too deep for that stuff. | 0:25:41 | 0:25:43 | |
With the abrasive not up to the task, Horse moves to plan B - | 0:25:43 | 0:25:47 | |
wet and dry sandpaper. | 0:25:47 | 0:25:50 | |
So I've gone from using that polish, | 0:25:50 | 0:25:52 | |
which is a mild abrasive, to basically using sandpaper. | 0:25:52 | 0:25:55 | |
Easy does it Horse - don't go too deep. | 0:25:55 | 0:25:59 | |
Potentially that's just made a massive scratch in it. | 0:25:59 | 0:26:02 | |
Uh-oh! | 0:26:02 | 0:26:05 | |
So, Horse, how bad is it? | 0:26:05 | 0:26:07 | |
Right, so that's actually gotten rid of the scratch. | 0:26:07 | 0:26:10 | |
Good man! | 0:26:10 | 0:26:12 | |
Hopefully, with a lot of elbow grease, that's going to... | 0:26:12 | 0:26:16 | |
That's going to come up like new, or near enough. | 0:26:16 | 0:26:21 | |
Confident that the rest of the scratches will turn out just as nicely, | 0:26:21 | 0:26:25 | |
horse moves on to getting that big tangle of wires working. | 0:26:25 | 0:26:29 | |
Wait, what happened there? | 0:26:32 | 0:26:35 | |
Horse, you're making the telly go weird! | 0:26:35 | 0:26:38 | |
Right, I'm off - this is too technical for me. | 0:26:38 | 0:26:42 | |
I'll leave it to the experts. | 0:26:42 | 0:26:44 | |
While Horse tinkers away, we head back to Sussex | 0:26:46 | 0:26:50 | |
to see how Sarah is getting along with her lighting. | 0:26:50 | 0:26:53 | |
The mic stands are polished and buffed, | 0:26:53 | 0:26:56 | |
all the electrics are sorted, | 0:26:56 | 0:26:58 | |
and, oh, yes - the plastic bottle lampshade. | 0:26:58 | 0:27:02 | |
That looks...nice. | 0:27:02 | 0:27:04 | |
Well, there was method in my madness. | 0:27:06 | 0:27:08 | |
I thought this would make a fantastic shade, look at this. | 0:27:08 | 0:27:11 | |
Once these are all cut up and spread out, | 0:27:11 | 0:27:14 | |
you get this really beautiful shape | 0:27:14 | 0:27:16 | |
that could be woven into a lampshade. | 0:27:16 | 0:27:18 | |
I started on my prototype here to do some weaving. | 0:27:18 | 0:27:21 | |
But actually the result is home-made, rather than handmade, | 0:27:21 | 0:27:26 | |
and definitely not crisp, beautiful lighting. | 0:27:26 | 0:27:29 | |
I want it to look expensive. | 0:27:29 | 0:27:30 | |
So I've got another plan. | 0:27:30 | 0:27:32 | |
Wait for it, I don't want to spoil the surprise. | 0:27:32 | 0:27:36 | |
These old stands were covered in rust and ready to bite the dust, | 0:27:36 | 0:27:41 | |
but now...look at that! | 0:27:41 | 0:27:45 | |
I'm actually surprised - they look great! | 0:27:45 | 0:27:48 | |
Sarah's new plan has really paid off. | 0:27:48 | 0:27:51 | |
She's added to vintage lampshades from a car-boot sale, | 0:27:51 | 0:27:55 | |
and the old-fashioned looking electric flex goes great | 0:27:55 | 0:27:59 | |
with the buffed-up shiny chrome stands. | 0:27:59 | 0:28:02 | |
To make the lights, | 0:28:02 | 0:28:04 | |
Sarah bought plugs and electrical components found online | 0:28:04 | 0:28:07 | |
or in lighting stores. | 0:28:07 | 0:28:10 | |
A qualified electrician put it all together. | 0:28:10 | 0:28:12 | |
If you plan to try your hand at lighting, | 0:28:12 | 0:28:15 | |
it must be issued with a PAT test certificate to meet UK safety standards - just like these. | 0:28:15 | 0:28:21 | |
Well, they might not be very rock and roll any more, | 0:28:25 | 0:28:28 | |
but these mic stands definitely can go back into centrestage. | 0:28:28 | 0:28:31 | |
They're simple, they're elegant, | 0:28:31 | 0:28:33 | |
and I think they're going to turn a profit. | 0:28:33 | 0:28:35 | |
Well, let's find out. | 0:28:35 | 0:28:37 | |
There's a whole boot full over here. | 0:28:40 | 0:28:42 | |
When Sarah met Graham at the tip, his car was chock-a-block. | 0:28:42 | 0:28:46 | |
Is this the big garage clear-out, then? | 0:28:46 | 0:28:48 | |
It is, we're moving house, so, yeah. | 0:28:48 | 0:28:50 | |
And there's more rubbish in there than we thought there was. | 0:28:50 | 0:28:52 | |
But it was the mic stands she had her eye on. | 0:28:52 | 0:28:55 | |
-Do you sing? -Yeah. -Really? -But not using these ones any more. | 0:28:55 | 0:28:58 | |
With the stands up for grabs, Sarah whisked them away, | 0:28:58 | 0:29:02 | |
leaving Graham pondering their fate. | 0:29:02 | 0:29:04 | |
Maybe a lamp stand or something like that. It'll be interesting to see. | 0:29:04 | 0:29:09 | |
You were bang on, Graham. | 0:29:09 | 0:29:10 | |
After a bit of trial and error, out popped two lovely lamps. | 0:29:10 | 0:29:15 | |
Sarah advertised the lamps with her regular client base, | 0:29:17 | 0:29:21 | |
and do you know what? They sold. | 0:29:21 | 0:29:24 | |
To a lighting shop in Cornwall. | 0:29:24 | 0:29:26 | |
Owner Nick is delighted with them. | 0:29:26 | 0:29:28 | |
They're a lovely simple idea. I love the upcycling. | 0:29:28 | 0:29:32 | |
Nice old vintage-y shades. | 0:29:32 | 0:29:35 | |
I could see us selling them on quite easily. | 0:29:35 | 0:29:38 | |
Sarah's travelled to Ferndown in Dorset to see Graham, | 0:29:39 | 0:29:43 | |
to show him the transformation and hand over some cash. | 0:29:43 | 0:29:47 | |
-Hi, there. -Hi. -Graham, how are you? -I'm good. How are you? | 0:29:49 | 0:29:52 | |
-Yeah, really well. Nice to see you again. -And you. | 0:29:52 | 0:29:54 | |
Now, you were busy clearing out mic stands? | 0:29:54 | 0:29:58 | |
Mic stands, clearing the garage out, yeah. | 0:29:58 | 0:30:00 | |
Where had they come from, then? | 0:30:00 | 0:30:02 | |
So I've been in a band, or different bands over the years quite a bit, | 0:30:02 | 0:30:05 | |
and they were just some really old ones that had been rusting away | 0:30:05 | 0:30:08 | |
in the garage and had seen better days as mic stands anyway. | 0:30:08 | 0:30:12 | |
They had, but I was really pleased to see them. | 0:30:12 | 0:30:15 | |
-Did you wonder what might happen to them? -Yeah. | 0:30:15 | 0:30:18 | |
Maybe lamp stand or something like that? | 0:30:18 | 0:30:20 | |
I thought you might say that, and that's exactly what happened. | 0:30:20 | 0:30:23 | |
I've actually got some pictures here to show you | 0:30:23 | 0:30:25 | |
of your mic stands turned into lights. | 0:30:25 | 0:30:27 | |
Wow. | 0:30:27 | 0:30:28 | |
-What do you reckon? -Great, aren't they? | 0:30:28 | 0:30:30 | |
-You can still recognise that they are... -You can and that's what's quite nice about it, actually. | 0:30:30 | 0:30:34 | |
..are your mic stands. | 0:30:34 | 0:30:35 | |
I just fitted some twisted, lovely old-style flex to them, | 0:30:35 | 0:30:38 | |
bought a couple of enamel lampshades. | 0:30:38 | 0:30:41 | |
So what do you think of those? | 0:30:41 | 0:30:42 | |
Fantastic. And I love the fact they still look like mic stands. | 0:30:42 | 0:30:45 | |
They have been sold to a lighting shop down in Cornwall, | 0:30:45 | 0:30:50 | |
-so I'm really pleased to say I've got some profit here for you. -Wow! | 0:30:50 | 0:30:52 | |
In fact, I have £136.02 for you. | 0:30:52 | 0:30:58 | |
Who would have thought it?! Thank you very much. | 0:30:58 | 0:31:00 | |
I always ask, what might you do with that money? | 0:31:00 | 0:31:03 | |
We used to support a charity in Godalming, it's our home town, | 0:31:03 | 0:31:07 | |
called Skillway, so I'll give it to them. | 0:31:07 | 0:31:09 | |
That sounds like a great use of the money. | 0:31:09 | 0:31:11 | |
-Really good to catch up, thank you for the mic stands and your time today. -Thank you. | 0:31:11 | 0:31:15 | |
-Lovely to catch up. Bye-bye. -Bye. | 0:31:15 | 0:31:17 | |
For the new lampshades and all the wiring, Sarah spent £113.98. | 0:31:19 | 0:31:25 | |
And with the sale of £250 for the pair, | 0:31:27 | 0:31:31 | |
Graham has £136.02 | 0:31:31 | 0:31:34 | |
to donate to a vocational training charity for youngsters. | 0:31:34 | 0:31:38 | |
That's our first item making a tasty bit of profit. | 0:31:43 | 0:31:48 | |
Sarah's back in Marlow | 0:31:48 | 0:31:50 | |
to see if Neil's big Battenberg bags are just as sweet. | 0:31:50 | 0:31:53 | |
I think the beach bags turned out well. | 0:31:55 | 0:31:57 | |
They're really bright, they're really big. | 0:31:57 | 0:31:59 | |
They just say, "Sunshine!" | 0:31:59 | 0:32:01 | |
Not as much as that shirt(!) | 0:32:01 | 0:32:03 | |
Well, it was really quite odd that that suede turned up at the tip - | 0:32:05 | 0:32:08 | |
particularly in those really bright colours. | 0:32:08 | 0:32:11 | |
I'm sure Neil has made something fabulous out of them, | 0:32:11 | 0:32:13 | |
but are they going to turn a profit? | 0:32:13 | 0:32:15 | |
Making this lot commercial was a bit of a stab in the dark, but now... | 0:32:15 | 0:32:20 | |
They will have their place in the sun. | 0:32:22 | 0:32:25 | |
Neil has expertly crafted three bonkers beach bags | 0:32:25 | 0:32:30 | |
and I have to admit the colours do go together. | 0:32:30 | 0:32:33 | |
I guess two wrongs do make a right. | 0:32:33 | 0:32:35 | |
Neil has added black leather straps for a touch of class, | 0:32:37 | 0:32:42 | |
and the white zips and stitching make these a fabulous feast for the eyes. | 0:32:42 | 0:32:48 | |
They wouldn't suit me, but I'm sure someone will love them. | 0:32:48 | 0:32:53 | |
-Here's summer. -Oh! | 0:32:54 | 0:32:57 | |
Cool. They are fantastic. | 0:32:57 | 0:32:59 | |
What have you done to it? | 0:32:59 | 0:33:01 | |
We've just got a big beach bag. | 0:33:01 | 0:33:03 | |
We've got a ma-hoosive bright sun bag of sunshine. | 0:33:03 | 0:33:07 | |
Just to confirm, that word was "ma-hoosive". | 0:33:07 | 0:33:09 | |
They look beautiful. So how does the design work? | 0:33:09 | 0:33:12 | |
-So we've got one open. -Yeah. | 0:33:12 | 0:33:15 | |
Two open. | 0:33:15 | 0:33:17 | |
Look at that. | 0:33:17 | 0:33:18 | |
Fantastic. They're beautiful. | 0:33:18 | 0:33:21 | |
It was a simple, straightforward piece of sewing. | 0:33:21 | 0:33:24 | |
It was the measuring, the cutting out. | 0:33:24 | 0:33:27 | |
I even had to get a protractor out to make sure that we had the angles. | 0:33:27 | 0:33:30 | |
It was all about the angles. | 0:33:30 | 0:33:32 | |
So you can thank Pythagoras for most of these bags, | 0:33:32 | 0:33:35 | |
but it was a simple exercise in terms of sewing again. | 0:33:35 | 0:33:38 | |
So, beautiful beach bags. | 0:33:38 | 0:33:40 | |
Hit me with the figures. | 0:33:40 | 0:33:42 | |
Well, it was a straightforward project once the design was in the bag, | 0:33:42 | 0:33:47 | |
so it's come in on budget. | 0:33:47 | 0:33:50 | |
Brilliant. Well, I think I shall take those away to a beach near me | 0:33:50 | 0:33:53 | |
and get those sold. I love them. You are a gem. | 0:33:53 | 0:33:56 | |
He is indeed - but now comes the hard part. | 0:33:56 | 0:34:00 | |
You've got to find someone to buy them. | 0:34:00 | 0:34:02 | |
These are fantastic. | 0:34:02 | 0:34:04 | |
They're beach-ready, they look like a Battenberg, | 0:34:04 | 0:34:06 | |
and I hope they're going to sell like hot cakes. | 0:34:06 | 0:34:08 | |
Well, let's find out. | 0:34:08 | 0:34:10 | |
-Hello, hello. -Hi. | 0:34:14 | 0:34:16 | |
When Sarah met Barbara at the tip, she couldn't miss her dusty suede. | 0:34:16 | 0:34:21 | |
-35 years on top of the wardrobe. -Really? | 0:34:21 | 0:34:24 | |
Barbara had planned to make something for her daughters. | 0:34:24 | 0:34:27 | |
A mini suit or something each for them. | 0:34:27 | 0:34:30 | |
But was happy for Sarah to have a go instead. | 0:34:30 | 0:34:33 | |
I would like to see something perhaps really modern. | 0:34:33 | 0:34:37 | |
Yeah. | 0:34:37 | 0:34:39 | |
Yeah. | 0:34:39 | 0:34:41 | |
With Neil's steady hand, | 0:34:41 | 0:34:43 | |
he produced three massive, slouchy sun sacks. | 0:34:43 | 0:34:47 | |
And, what's more, Sarah managed to find a buyer. | 0:34:47 | 0:34:51 | |
Luxury lingerie and designer swimwear specialists | 0:34:51 | 0:34:54 | |
Amazing Grace, in Haslemere, loved Neil's work. | 0:34:54 | 0:34:59 | |
And owner Emma couldn't wait to get her hands on them. | 0:34:59 | 0:35:02 | |
Look at this. Big family beach bag here. | 0:35:02 | 0:35:05 | |
You can get the whole family's towels and swimwear, | 0:35:05 | 0:35:08 | |
your books and sunglasses in there, | 0:35:08 | 0:35:10 | |
So, yes, very excited about my purchase. | 0:35:10 | 0:35:14 | |
Emma loved them all right, | 0:35:14 | 0:35:16 | |
but did she love them enough to buy all three? | 0:35:16 | 0:35:18 | |
It's time to find out. | 0:35:18 | 0:35:20 | |
Sarah's... Hold on, wait a minute. | 0:35:22 | 0:35:24 | |
Let's rewind for a sec. | 0:35:26 | 0:35:27 | |
I think I remember a certain promise being made back at the start. | 0:35:28 | 0:35:34 | |
And if they don't all sell at a profit, I'll eat my bag. | 0:35:34 | 0:35:37 | |
I knew it. Carry on. | 0:35:37 | 0:35:40 | |
Sarah's in Thursley, in Surrey, to show Barbara what happened to her leather, | 0:35:40 | 0:35:45 | |
and prepare to eat some bag. | 0:35:45 | 0:35:47 | |
Hello, Sarah. Nice to see you. Come in out the rain. | 0:35:51 | 0:35:54 | |
-It's miserable out there, isn't it? -It' horrible, very. | 0:35:54 | 0:35:57 | |
-You've got friends here? -Very much so, I'm afraid. | 0:35:57 | 0:35:59 | |
We are very animal orientated. | 0:35:59 | 0:36:01 | |
-I said I'd come and find you if there was something to be done with your suede. -Right, yeah. | 0:36:01 | 0:36:05 | |
-Have you wondered what happened to it? -Yes, I have. | 0:36:05 | 0:36:07 | |
I'm not sure what you do with it. | 0:36:07 | 0:36:10 | |
Whether it would be high-class handbags or... | 0:36:10 | 0:36:13 | |
Clothes or... | 0:36:13 | 0:36:15 | |
There wasn't enough to do furniture, so, I don't know. | 0:36:15 | 0:36:18 | |
Well, you are definitely on the right track. | 0:36:18 | 0:36:20 | |
It was handbags that we decided to make from it. | 0:36:20 | 0:36:23 | |
Took it to a guy in Marlow, in Buckinghamshire, | 0:36:23 | 0:36:26 | |
and he specialises in using recycled material. | 0:36:26 | 0:36:29 | |
I've got some pictures here to show you how it ended up, so here it is in its new state. | 0:36:29 | 0:36:32 | |
-This is how your suede ended up. -Wow! | 0:36:32 | 0:36:35 | |
He used as much of it is possible to make three enormous beach bags. | 0:36:35 | 0:36:40 | |
-Do you approve? -Very much. Yeah, very much so. | 0:36:40 | 0:36:43 | |
Better than being on top of the wardrobe for years. | 0:36:43 | 0:36:45 | |
I have managed to sell it with some profit, so I've got a little bit of money had to hand over to you. | 0:36:45 | 0:36:49 | |
In fact, I have got £75 here. | 0:36:49 | 0:36:52 | |
-Oh, that's brilliant. -For you, for your suede. -Oh, thank you! | 0:36:52 | 0:36:56 | |
What do you think you might do with it? Any ideas? | 0:36:56 | 0:36:58 | |
I've got an 18-year-old granddaughter | 0:36:58 | 0:37:01 | |
that's always after clothes, so that'll probably go to her. | 0:37:01 | 0:37:05 | |
Yeah, and my grandson, as well. | 0:37:05 | 0:37:07 | |
It was really great to catch up. Thank you so much. | 0:37:07 | 0:37:09 | |
Especially for your time today and at the recycling centre. | 0:37:09 | 0:37:12 | |
-Lovely. Thank you very much. -I hope you find a good home for that. -I will! That's for sure. | 0:37:12 | 0:37:15 | |
-OK, bye-bye. -Bye. | 0:37:15 | 0:37:16 | |
Yes, she managed to sell all three, so there'll be no bag eating today. | 0:37:16 | 0:37:22 | |
Shame, I was looking forward to that. | 0:37:22 | 0:37:25 | |
All three bags came to a total of £150. | 0:37:25 | 0:37:29 | |
And after selling all 35 for £225, | 0:37:29 | 0:37:34 | |
Barbara has £75 to treat the grandchildren. | 0:37:34 | 0:37:37 | |
That's two items producing profits. | 0:37:40 | 0:37:43 | |
Let's see if we can make it three. | 0:37:43 | 0:37:45 | |
Sarah's back in Manchester to check in on Horse, | 0:37:46 | 0:37:50 | |
and look - he's had a haircut! | 0:37:50 | 0:37:52 | |
Doesn't he look smart? | 0:37:52 | 0:37:54 | |
Let's hope the old radio looks just as good. | 0:37:54 | 0:37:57 | |
I'm really looking forward to showing Sarah | 0:37:58 | 0:38:01 | |
and I think it's worked out really well. | 0:38:01 | 0:38:02 | |
I don't doubt it for a second. | 0:38:02 | 0:38:05 | |
I'm here in Manchester to pick up my retro radio | 0:38:05 | 0:38:07 | |
from thoroughbred music man, Horse. | 0:38:07 | 0:38:09 | |
Now, if he's hit the right frequency, | 0:38:09 | 0:38:12 | |
it could be fantastic. But if not, I'm going to be at rock bottom. | 0:38:12 | 0:38:15 | |
Well, it's time to face the music. | 0:38:15 | 0:38:17 | |
Before, the old radio was scuffed and silent but now... | 0:38:17 | 0:38:23 | |
It's singing a different tune! | 0:38:23 | 0:38:27 | |
Horse has masterfully restored it back to its former glory. | 0:38:27 | 0:38:32 | |
All the scratches and scuffs have been sanded and buffed, | 0:38:32 | 0:38:36 | |
creating a shine like you wouldn't believe. | 0:38:36 | 0:38:39 | |
He's fitted a Bluetooth receiver, | 0:38:39 | 0:38:42 | |
new speakers and all the wiring complies with UK safety regulations. | 0:38:42 | 0:38:47 | |
It certainly looks a million dollars, but how does it sound? | 0:38:47 | 0:38:52 | |
-Horse? -Hello. -Hi, how are you doing? -Yeah, good, thanks. | 0:38:53 | 0:38:56 | |
It looks all shiny! | 0:38:56 | 0:38:59 | |
Horse, it looks amazing. | 0:38:59 | 0:39:01 | |
Scratches came out all right. | 0:39:01 | 0:39:03 | |
I don't know how you've managed it but the condition, it looks mint, doesn't it? | 0:39:03 | 0:39:06 | |
What have you managed to get into it? What does it sound like? | 0:39:06 | 0:39:09 | |
Well, I've got my phone here to try it with. | 0:39:09 | 0:39:11 | |
You don't need to connect it with a wire because it's Bluetooth. | 0:39:11 | 0:39:14 | |
-Brilliant. -So let's have a listen. | 0:39:14 | 0:39:17 | |
SWING MUSIC | 0:39:17 | 0:39:21 | |
Well, Horse, you've done it again. | 0:39:23 | 0:39:26 | |
Go on, Sarah, give him a twirl. | 0:39:26 | 0:39:29 | |
I think it probably sounds better than it ever has. | 0:39:33 | 0:39:35 | |
150 quid budget. Anywhere near that? | 0:39:35 | 0:39:37 | |
Yeah, I managed to do it on budget. | 0:39:37 | 0:39:40 | |
That is fantastic, Horse. | 0:39:40 | 0:39:41 | |
I can't believe how beautifully you've done it, | 0:39:41 | 0:39:43 | |
so I can take it away. | 0:39:43 | 0:39:45 | |
Horse, you are a wizard, and not just because of the beard. | 0:39:45 | 0:39:50 | |
-Thank you so much. -Thank you, bye-bye. | 0:39:50 | 0:39:52 | |
I think that's going to make a penny or two. | 0:39:52 | 0:39:54 | |
Just how cool does this look? It's an excellent transformation. | 0:39:56 | 0:40:00 | |
He has really made it look fantastic | 0:40:00 | 0:40:02 | |
and people are going to pay top dollar for that. | 0:40:02 | 0:40:05 | |
-This wasn't yours, then? -This was my aunt's. | 0:40:10 | 0:40:13 | |
When Sarah met David at the tip, | 0:40:13 | 0:40:15 | |
it was his aunt's radio that caught her eye. | 0:40:15 | 0:40:18 | |
We're clearing the house in which they've lived for over 50 years. | 0:40:18 | 0:40:23 | |
The radio had seen better days. | 0:40:23 | 0:40:25 | |
-I'm going to give it my best shot. -It will need a new cable. | 0:40:25 | 0:40:27 | |
I think you're right! | 0:40:27 | 0:40:29 | |
But David did see the potential. | 0:40:29 | 0:40:32 | |
Even as an ornament, it would be worth keeping. | 0:40:32 | 0:40:35 | |
Well, David, with the help of Horse, it became so much more. | 0:40:35 | 0:40:41 | |
In fact it was so nice, Sarah had no bother selling it. | 0:40:41 | 0:40:46 | |
Online vintage and retro furniture shop, Smithers of Stamford, snapped it up. | 0:40:46 | 0:40:52 | |
And for owner Nick it's a real winner. | 0:40:52 | 0:40:55 | |
I'm dying to get it on and get it cranked up. | 0:40:55 | 0:40:59 | |
Sarah's travelled to Goring-by-Sea in Sussex | 0:40:59 | 0:41:03 | |
to show David the new-look radio and hand over the profit. | 0:41:03 | 0:41:08 | |
-Hello, Sarah. -Hi, David. Lovely to see you again. | 0:41:13 | 0:41:16 | |
Beautiful here. Now when I last saw you at the recycling centre, | 0:41:16 | 0:41:20 | |
it was miles from here. What were you doing all the way up there? | 0:41:20 | 0:41:23 | |
Well, unfortunately, | 0:41:23 | 0:41:24 | |
my uncle died and we were having to clear the house in order to sell it. | 0:41:24 | 0:41:30 | |
I looked at the radio that you were dropping off. | 0:41:30 | 0:41:32 | |
Do you remember your uncle having it or listening to it? | 0:41:32 | 0:41:35 | |
I do indeed, but that was a long time ago | 0:41:35 | 0:41:39 | |
and I think recent years it's just laid in the loft, I think. | 0:41:39 | 0:41:44 | |
Well, I've got some pictures to show you of it. | 0:41:44 | 0:41:46 | |
It has had a beautiful refurbishment. | 0:41:46 | 0:41:48 | |
Have a look how it looks now. It's been really polished up. | 0:41:48 | 0:41:52 | |
It's got Bluetooth in it, | 0:41:52 | 0:41:53 | |
is got fantastic sound quality and it now looks amazing. | 0:41:53 | 0:41:57 | |
-It does, it looks beautiful! -It's definitely got a new lease of life, | 0:41:57 | 0:42:00 | |
and, in fact, it's been bought by somebody who specialises in retailing that kind of stuff. | 0:42:00 | 0:42:05 | |
In fact, bought at a profit, which I've got here for you. | 0:42:05 | 0:42:08 | |
I can't believe it! | 0:42:08 | 0:42:10 | |
I have £120 here for the radio. | 0:42:10 | 0:42:13 | |
I really can't believe that. | 0:42:13 | 0:42:15 | |
That's incredible. Thank you so much. | 0:42:15 | 0:42:17 | |
What might you do without money? | 0:42:17 | 0:42:19 | |
Well, I had already decided if there was to be any kind of return on it, | 0:42:19 | 0:42:25 | |
for it to go to Macmillan nurses. | 0:42:25 | 0:42:28 | |
They did so much for my uncle that that's the least I could do. | 0:42:28 | 0:42:33 | |
Well, I think that's so generous. | 0:42:33 | 0:42:34 | |
Thank you so much for letting us have the radio | 0:42:34 | 0:42:36 | |
and what a lovely thing to do with that money. Lovely to see you. | 0:42:36 | 0:42:38 | |
-Thank you. -Bye-bye. -Bye, now. | 0:42:38 | 0:42:41 | |
Oh, I love a happy ending. | 0:42:41 | 0:42:43 | |
Horse came in on budget at £150 | 0:42:43 | 0:42:47 | |
and with a stonking sale of £270, | 0:42:47 | 0:42:51 | |
it means David has £120 to donate to charity. | 0:42:51 | 0:42:56 | |
Love it. | 0:42:56 | 0:42:58 | |
Sarah's searching has really paid off. | 0:43:00 | 0:43:04 | |
Items that deserve to be preserved | 0:43:04 | 0:43:06 | |
have been brought back into fashion... | 0:43:06 | 0:43:08 | |
..made bang up-to-date... | 0:43:11 | 0:43:13 | |
..and beautiful. | 0:43:14 | 0:43:16 | |
Well, Neil and Horse did a fantastic job | 0:43:18 | 0:43:21 | |
transforming those rough diamonds into items that really shine. | 0:43:21 | 0:43:24 | |
What an amazing result all round. | 0:43:24 | 0:43:26 |