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I LOVE these. What are these? | 0:00:03 | 0:00:04 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
-That's going. -No! | 0:00:09 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes of household waste | 0:00:11 | 0:00:16 | |
thrown out by us every year. | 0:00:16 | 0:00:18 | |
So, I'll just do a quick check for Granny's gold. | 0:00:18 | 0:00:21 | |
That's why reclamation expert Jay Blades | 0:00:21 | 0:00:24 | |
wants to get his hands on things before they hit the skip. | 0:00:24 | 0:00:27 | |
I've been a builder. I've been a philosophy student and now I'm | 0:00:29 | 0:00:33 | |
a furniture restorer. So I know more than most about transformations. | 0:00:33 | 0:00:37 | |
I revamp the old and turn it into the new, | 0:00:37 | 0:00:39 | |
and sell it on for a profit. | 0:00:39 | 0:00:41 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:45 | |
Why would you chuck these chairs out? | 0:00:45 | 0:00:47 | |
..he can transform his finds into desirable... | 0:00:50 | 0:00:54 | |
I've got to take my hat off to you, sir. | 0:00:54 | 0:00:56 | |
-..valuable... -You've done well, sir. | 0:00:56 | 0:00:58 | |
..and hopefully saleable items. | 0:00:58 | 0:01:02 | |
Now, that is supercool. | 0:01:02 | 0:01:03 | |
If Jay is successful, then he can hand the profits back | 0:01:04 | 0:01:08 | |
to the very people who had no idea | 0:01:08 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:13 | |
-No! -£80. -What?! -Yes! | 0:01:13 | 0:01:16 | |
Welcome to Walsall... | 0:01:25 | 0:01:27 | |
..where cars are queueing up. | 0:01:29 | 0:01:31 | |
Trash is being tossed and Jay is a man on a mission. | 0:01:31 | 0:01:35 | |
Each of his skip-savaging senses are ever-alert to seek out | 0:01:38 | 0:01:43 | |
-tip treasure. -If there's profit to be had, I'm the man to sniff it out. | 0:01:43 | 0:01:48 | |
-HE SNIFFS -What's that? | 0:01:48 | 0:01:50 | |
Jay has been given special permission to roam | 0:01:53 | 0:01:55 | |
the recycling centre on his quest to save three items | 0:01:55 | 0:01:59 | |
that he can rejuvenate or repurpose and | 0:01:59 | 0:02:03 | |
then sell on for a tidy sum. And do you know what? | 0:02:03 | 0:02:06 | |
He's loving it. | 0:02:07 | 0:02:09 | |
Oh, look at that! Now that's cool, isn't it?! That's really cool. | 0:02:09 | 0:02:13 | |
-Do you want a bucket? -Oh, thank you, sir. | 0:02:13 | 0:02:16 | |
Look at that. They're lining up now. | 0:02:16 | 0:02:18 | |
Oh! | 0:02:19 | 0:02:21 | |
-That's the one. -Hold on, | 0:02:21 | 0:02:23 | |
has someone told Jay he's meant to be SAVING items from the skip, | 0:02:23 | 0:02:27 | |
not chucking them in? | 0:02:27 | 0:02:29 | |
Terry's helping his partner's son, Scott, clear out his flat. | 0:02:29 | 0:02:33 | |
What? Hold on a minute, lads. Hold on. | 0:02:35 | 0:02:38 | |
-Hold on. How we doing? I'm Jay. -All right. I'm Terry. | 0:02:38 | 0:02:40 | |
-All right, Terry? -I'm Scott. | 0:02:40 | 0:02:42 | |
Is it all right just to have a look at this? | 0:02:42 | 0:02:44 | |
Put it down. I think this is a little gem. | 0:02:44 | 0:02:47 | |
-Help yourself. -Right. -Little gem?! | 0:02:47 | 0:02:50 | |
I suppose if you look past the well-worn, scruffy exterior... | 0:02:50 | 0:02:55 | |
No! Who am I trying to kid? | 0:02:55 | 0:02:57 | |
Tell me, what's the history behind this one? | 0:02:58 | 0:03:01 | |
Well, it's actually yours, Scott, ain't it? | 0:03:01 | 0:03:03 | |
-When did you buy it? -I've had it years. -How many years? -Somebody | 0:03:03 | 0:03:06 | |
gave it to me. This one itself has been in a bedroom and not been used. | 0:03:06 | 0:03:10 | |
-OK. -So that's why it's being put out today. -You say "this one". | 0:03:10 | 0:03:13 | |
-So is there another one? -Yes. | 0:03:13 | 0:03:15 | |
-Just like this? -Just like this, but not a recliner. | 0:03:15 | 0:03:17 | |
Hold on, are you saying this reclines as well? | 0:03:17 | 0:03:20 | |
-It does. -Wow! Do you know if it's a make or anything like that? | 0:03:20 | 0:03:23 | |
I think it's a G Plan. | 0:03:23 | 0:03:24 | |
You think it's a G Plan. Well, if it is a G Plan and I haven't seen | 0:03:24 | 0:03:28 | |
anything like this, it will be quite nice and special. | 0:03:28 | 0:03:31 | |
Hmm. Perhaps I was a little hasty. | 0:03:34 | 0:03:36 | |
G Plan are a British furniture manufacturer who came to prominence | 0:03:36 | 0:03:40 | |
in the 1950s. Vintage items can be highly sought-after. | 0:03:40 | 0:03:45 | |
This could be a little gem, after all. | 0:03:45 | 0:03:49 | |
It doesn't look very stylish now, but I believe with the right person | 0:03:49 | 0:03:52 | |
working on it, this could look really, really stylish. So, if it's all right you with guys, | 0:03:52 | 0:03:56 | |
what I'd like to do is take this and just show you guys what we transformed it into. | 0:03:56 | 0:03:59 | |
-It would be lovely, that. -Is that all right? -Yes. It would be nice. -All right. Diamond. -Thank you. | 0:03:59 | 0:04:04 | |
Are Scott and Terry happy to see Jay make off with the armchair? | 0:04:05 | 0:04:10 | |
I think it's lovely to see the old furniture be remodelled. | 0:04:10 | 0:04:13 | |
I reckon Jay could clean it up, paint it, | 0:04:13 | 0:04:16 | |
perhaps a nice few pillows on it, and I think somebody will buy it. | 0:04:16 | 0:04:19 | |
I'm not so sure it will be as easy as that, Terry. | 0:04:19 | 0:04:23 | |
But what is Jay doing rummaging around down there? | 0:04:24 | 0:04:28 | |
Core, blimey! This is a great find. A G Plan recliner. | 0:04:28 | 0:04:33 | |
Wow! I've never, ever seen one in all the years I've been doing upholstery. | 0:04:33 | 0:04:37 | |
Let's meet the maker he's chosen to get creative with this little gem. | 0:04:37 | 0:04:42 | |
Say hello to Anthony Devine. | 0:04:45 | 0:04:47 | |
He has two decades of design experience and passes on his | 0:04:49 | 0:04:52 | |
knowledge to the younger generation at his school of upholstery. | 0:04:52 | 0:04:56 | |
His work is loud, proud, fresh... and, at times, furry. | 0:04:58 | 0:05:03 | |
If I was to say I had a style, it probably would be erratic. | 0:05:04 | 0:05:09 | |
Er, there's loads of ideas washing around in my head, and whichever | 0:05:09 | 0:05:13 | |
pops out first is the one normally that gets done. | 0:05:13 | 0:05:16 | |
Easiest thing is like a customer walking in, | 0:05:18 | 0:05:21 | |
gives you a bit of a design brief, gives you lots of freedom to be able | 0:05:21 | 0:05:24 | |
to kind of complete it and see it through. But the customer is | 0:05:24 | 0:05:27 | |
the one that counts more importantly than anything. | 0:05:27 | 0:05:29 | |
Just keep that in mind, Anthony, when Jay starts getting a bit fussy. | 0:05:29 | 0:05:34 | |
Come on now, up and at them! | 0:05:34 | 0:05:36 | |
Jay's got his first item tucked away, | 0:05:44 | 0:05:47 | |
but there are still two more to find. | 0:05:47 | 0:05:50 | |
He needs to stay vigilant if he wants to save another goody | 0:05:50 | 0:05:53 | |
from the claws of the crusher. | 0:05:53 | 0:05:55 | |
Mike is having a clear-out of his garage | 0:06:01 | 0:06:04 | |
and he's broken up his old oak writing bureau, ready for the skip. | 0:06:04 | 0:06:07 | |
-How we doing? You all right? -All right, thank you. | 0:06:07 | 0:06:10 | |
-My name's Jay. -My name's Mike. -Why are you throwing that away? | 0:06:10 | 0:06:14 | |
Because it takes up a lot of space. | 0:06:14 | 0:06:17 | |
The only place I've got for it is in the garage. | 0:06:17 | 0:06:20 | |
-Yeah. -I've got a 30-foot garage. I've had two trips out today | 0:06:20 | 0:06:23 | |
and I've probably got another two more to come! I still haven't emptied it! | 0:06:23 | 0:06:27 | |
Oh, wow! Any more gems like this in the garage? | 0:06:27 | 0:06:30 | |
Unfortunately, not. | 0:06:30 | 0:06:32 | |
It was a good-quality item and it could be restored. | 0:06:32 | 0:06:36 | |
But unfortunately I've neither got the time nor the skills to do it. | 0:06:36 | 0:06:39 | |
-This is gorgeous. -Yeah. | 0:06:39 | 0:06:41 | |
Well, if it's all right with you, I'd like to take it. | 0:06:41 | 0:06:44 | |
I'd be delighted for somebody to have it and make use of it. | 0:06:44 | 0:06:47 | |
It was good quality. | 0:06:47 | 0:06:48 | |
Yeah. And you keep saying "was". It still is, Mike. | 0:06:48 | 0:06:52 | |
-It's still going strong, isn't it? Look! -Yes. | 0:06:52 | 0:06:55 | |
This big, old bureau has been in Mike's garage | 0:06:58 | 0:07:01 | |
for the past few years. But before that, it was well-used. | 0:07:01 | 0:07:05 | |
I was loath to get rid of it. Several years, when we had it first, | 0:07:06 | 0:07:11 | |
my wife used it as a writing desk and I used it occasionally as well. | 0:07:11 | 0:07:15 | |
Yes, it's been very useful. | 0:07:15 | 0:07:17 | |
Not many people do writing any more. | 0:07:19 | 0:07:21 | |
So there isn't much call for writing bureaus, | 0:07:21 | 0:07:23 | |
but this can be transformed into something beautiful | 0:07:23 | 0:07:26 | |
cos I've got just the person to take this to. | 0:07:26 | 0:07:28 | |
Let's meet the man Jay's chosen to give this bureau a modern makeover. | 0:07:28 | 0:07:32 | |
Meet master craftsman Norman Wilkinson. | 0:07:37 | 0:07:40 | |
His attention to detail and skill, honed over years of experience, | 0:07:40 | 0:07:45 | |
is evident in everything he makes. | 0:07:45 | 0:07:47 | |
My personality is reflected in what I do. | 0:07:48 | 0:07:50 | |
I think I try to do everything to the best of my ability. | 0:07:50 | 0:07:54 | |
Everything we do, I think, looks A1. Everything I make is fantastic. | 0:07:54 | 0:07:58 | |
-Just like me. -He does enjoy a joke. | 0:07:58 | 0:08:01 | |
I'm not sure WE enjoy them so much, but Norman 's so old school | 0:08:01 | 0:08:05 | |
that even the old school call him old school. | 0:08:05 | 0:08:09 | |
If I actually told you how long I'd been doing this, | 0:08:09 | 0:08:11 | |
it would give away my age. I still think I'm 21. | 0:08:11 | 0:08:16 | |
-In my dreams! -Don't worry, folks, | 0:08:16 | 0:08:18 | |
his carpentry skills are better than his jokes. | 0:08:18 | 0:08:21 | |
They'll need to be, with this item. | 0:08:21 | 0:08:23 | |
He's grabbed goodies for Anthony and Norman, | 0:08:30 | 0:08:33 | |
but now Jay's on the hunt for his own item. | 0:08:33 | 0:08:36 | |
Will the junk in Peter's trunk appeal to Jay? | 0:08:38 | 0:08:41 | |
Oh, wow! | 0:08:41 | 0:08:43 | |
Whoa! Hold on a minute. | 0:08:44 | 0:08:46 | |
-How we doing? I'm Jay. -All right? | 0:08:46 | 0:08:48 | |
-So what you doing? Getting rid of that, obviously. -Yeah. -And why...? | 0:08:48 | 0:08:51 | |
-This is beautiful. Why you getting rid of it? -Well, it's old and... | 0:08:51 | 0:08:55 | |
It's not old, is it? How old is it? | 0:08:55 | 0:08:58 | |
It was me Nan's, so it's probably older than 60 years old. | 0:08:58 | 0:09:02 | |
Wow! But it's still going strong. It's not too bad, is it? | 0:09:02 | 0:09:06 | |
-Look at that. That's solid inside. -We used to spend summer holidays | 0:09:06 | 0:09:09 | |
with my nan. She used to keep stuff in it. | 0:09:09 | 0:09:12 | |
-There was all... What, sweets? -Little knick-knacks. Oh. | 0:09:12 | 0:09:14 | |
-Knick-knacks in there. -OK. No sweets, though? | 0:09:14 | 0:09:18 | |
-No cookies. -No sweets. Little games and what have you. | 0:09:18 | 0:09:21 | |
So you can entertain yourself during a rainy day outside | 0:09:21 | 0:09:24 | |
or something like that. All right. Cool! | 0:09:24 | 0:09:27 | |
Jay suspects that Peter's nan's knick-knack box may | 0:09:27 | 0:09:30 | |
be made by a well-known manufacturer. | 0:09:30 | 0:09:34 | |
I personally think this is like a Lloyd Loom. | 0:09:34 | 0:09:36 | |
Normally they have a label on the back there. | 0:09:36 | 0:09:39 | |
But this is, yeah, it's kind of the same style of the Lloyd Loom. | 0:09:39 | 0:09:43 | |
Lloyd Loom furniture was made in the UK from the 1920s. | 0:09:44 | 0:09:49 | |
Mechanically woven with specially treated paper, | 0:09:49 | 0:09:52 | |
furniture like this is tough, resistant to damp and built to last. | 0:09:52 | 0:09:58 | |
What I'd like to do is take this, and if we transform it | 0:09:58 | 0:10:01 | |
into something, then get back to you and let you know what we've done | 0:10:01 | 0:10:04 | |
-to it. Is that all right? -Yeah. | 0:10:04 | 0:10:06 | |
Nice one! Cheers for that. Nice one. Brilliant! Thank you. | 0:10:06 | 0:10:09 | |
What does Peter think Jay will do with the basket? | 0:10:09 | 0:10:13 | |
I think he'll turn it into something nice. | 0:10:15 | 0:10:18 | |
You know, it is a shame to just throw it away, but... | 0:10:18 | 0:10:22 | |
we had no use for it at the time. | 0:10:22 | 0:10:25 | |
It could be a Lloyd Loom. It could be somebody else. | 0:10:25 | 0:10:28 | |
But the beauty is, these are really easy to transform and turn into | 0:10:28 | 0:10:31 | |
something really beautiful. So I'm happy that we've got one of these. | 0:10:31 | 0:10:35 | |
Let's see if I can turn it into a profit. | 0:10:35 | 0:10:38 | |
It's been a good day at the dump. | 0:10:38 | 0:10:40 | |
Jay has successfully salvaged three items. | 0:10:40 | 0:10:44 | |
Anthony will work his makeover magic on the recliner. | 0:10:44 | 0:10:48 | |
Norman will take up the challenge of the broken-down writing bureau. | 0:10:48 | 0:10:53 | |
While Jay will make the basket into something saleable. | 0:10:53 | 0:10:56 | |
I am delighted with what I picked out today. | 0:10:59 | 0:11:01 | |
Now it's time to turn trash into cash. | 0:11:01 | 0:11:04 | |
Manchester - a creative powerhouse that has produced musicians, | 0:11:10 | 0:11:14 | |
film-makers, artists and designers | 0:11:14 | 0:11:17 | |
that pushed the boundaries of popular culture. | 0:11:17 | 0:11:20 | |
Thriving within the city's creative whirlwind | 0:11:22 | 0:11:25 | |
is upholsterer extraordinaire Anthony. | 0:11:25 | 0:11:29 | |
His work is at the cutting edge of contemporary furniture design. | 0:11:29 | 0:11:32 | |
So I'm sure he'll love this old thing... | 0:11:35 | 0:11:38 | |
I've been told this one's quite funky, | 0:11:38 | 0:11:40 | |
but on the wrong side of funky, | 0:11:40 | 0:11:42 | |
so hopefully we can turn it to the RIGHT side of funky and leave | 0:11:42 | 0:11:46 | |
-with a good item. -From junkified to funkified. | 0:11:46 | 0:11:50 | |
Anthony sounds like a man with a plan. | 0:11:50 | 0:11:53 | |
He has still to come face-to-face with Jay's little gem, though. | 0:11:53 | 0:11:57 | |
It's gorgeous, isn't it, I think? | 0:11:57 | 0:11:59 | |
Lovely(!) | 0:11:59 | 0:12:00 | |
But weighs a tonne. | 0:12:00 | 0:12:03 | |
Pull your britches up. | 0:12:03 | 0:12:05 | |
The G Plan brand undoubtedly adds a little vintage va-va-voom. | 0:12:05 | 0:12:10 | |
But this well-worn armchair is still in desperate need | 0:12:10 | 0:12:14 | |
-of Anthony's expertise. -I've never seen one of these before, | 0:12:14 | 0:12:18 | |
and I think it's a no-brainer to save this one. | 0:12:18 | 0:12:20 | |
-It's really, really gorgeous. -It's got real potential. | 0:12:20 | 0:12:24 | |
Mechanism still works. | 0:12:24 | 0:12:25 | |
It's basically, it's just what to do with it. | 0:12:27 | 0:12:29 | |
Well, the ideas are endless because it's quite a big space, | 0:12:29 | 0:12:33 | |
but I would prefer it to be toned down | 0:12:33 | 0:12:35 | |
because at the time of this being born, this fabric would have been | 0:12:35 | 0:12:38 | |
the height of sophistication, but now it's too busy. | 0:12:38 | 0:12:42 | |
I reckon one way to go with it would be just, like, make it a bit more | 0:12:42 | 0:12:47 | |
sophisticated... that was back in its day... | 0:12:47 | 0:12:50 | |
-sophisticated for today. -For today. Yeah. I like the sound of that. | 0:12:50 | 0:12:54 | |
So, what colours are you thinking, then? | 0:12:54 | 0:12:57 | |
-The obvious one's grey, isn't it? -Yeah. | 0:12:57 | 0:12:59 | |
But I do want to add some element of colour, | 0:12:59 | 0:13:02 | |
cos I do like the buttons we've got on the side. | 0:13:02 | 0:13:04 | |
They are quite big. If we can have a button, | 0:13:04 | 0:13:07 | |
-a different colour or something like that. -I knew you were going to say | 0:13:07 | 0:13:10 | |
-that. -You know I have to. | 0:13:10 | 0:13:12 | |
The colour-contrasting button - a Jay Blade signature style. | 0:13:12 | 0:13:16 | |
That will look really, really cool. | 0:13:18 | 0:13:20 | |
I'm stood behind you shaking my head. | 0:13:20 | 0:13:22 | |
-You do realise that? -That's cool! | 0:13:22 | 0:13:24 | |
Come on, boys. Let's not fall out over a button. | 0:13:24 | 0:13:27 | |
So, what kind of budget are we looking at? | 0:13:29 | 0:13:32 | |
I reckon about £450, £475. | 0:13:32 | 0:13:35 | |
£450, I like the sound of. | 0:13:35 | 0:13:37 | |
I know there's a lot of fabric in there. | 0:13:37 | 0:13:40 | |
So if you need a little bit extra in the budget, I could push it up to the £25. | 0:13:40 | 0:13:43 | |
-Got to pay for your buttons, haven't we? -I could probably sort you out with buttons. | 0:13:43 | 0:13:47 | |
But we need to digitally put a little "J" on there! | 0:13:47 | 0:13:49 | |
Whoa! £450. | 0:13:49 | 0:13:51 | |
If you need more, let me know. | 0:13:51 | 0:13:53 | |
-What a gent! -Thank you, sir. Very kind of ya. | 0:13:53 | 0:13:57 | |
It would seem Anthony is as smitten as Jay with this retro recliner. | 0:14:00 | 0:14:05 | |
Do a little drinks holder here. | 0:14:05 | 0:14:07 | |
And then obviously we're going to make it look pretty as well. | 0:14:08 | 0:14:11 | |
So I think this is quite good. I really quite like it. | 0:14:11 | 0:14:15 | |
Jay and Anthony have agreed a budget of £450, | 0:14:15 | 0:14:19 | |
with the possibility of another 25 quid on top. | 0:14:19 | 0:14:23 | |
Jay's biggest problem might be getting it back from Anthony. | 0:14:23 | 0:14:27 | |
SOOTHING CLASSICAL MUSIC PLAYS | 0:14:30 | 0:14:32 | |
From the hustle and bustle of Metropolitan Manchester, | 0:14:32 | 0:14:36 | |
to the quiet countryside of East Sussex. | 0:14:36 | 0:14:39 | |
Things move at a slightly slower pace in the village of Hellingly. | 0:14:41 | 0:14:45 | |
Which suits bespoke furniture Norman to a T. | 0:14:47 | 0:14:51 | |
He's as happy as happy can be, | 0:14:51 | 0:14:54 | |
working away in his little hidey-hole. | 0:14:54 | 0:14:57 | |
Seems a shame to disturb him, really. | 0:14:57 | 0:15:01 | |
The stuff you get from the tip, | 0:15:01 | 0:15:03 | |
it's quite fun. We've had a few bits and I'm thinking, | 0:15:03 | 0:15:07 | |
"Really? What are we doing?" | 0:15:07 | 0:15:09 | |
I'm sure Norman will love this old oak writing bureau, though. | 0:15:09 | 0:15:15 | |
So what do you think? | 0:15:15 | 0:15:16 | |
-You like it? -No. | 0:15:19 | 0:15:21 | |
Oh, well. Norman's not impressed. | 0:15:21 | 0:15:25 | |
There's only one thing for it. | 0:15:25 | 0:15:27 | |
Time to turn on the charm, Jay. | 0:15:27 | 0:15:30 | |
If anybody can turn this into something great, | 0:15:30 | 0:15:33 | |
he's standing right here, isn't he? | 0:15:33 | 0:15:34 | |
Flattery doesn't get you everywhere! | 0:15:34 | 0:15:36 | |
Come on, it's got to reflect in the price? | 0:15:36 | 0:15:39 | |
-Well, we haven't got that far yet. -All right, I'm just warming you up. | 0:15:39 | 0:15:42 | |
Warming me, are you? OK. | 0:15:42 | 0:15:44 | |
So what plans do you have for this delightful piece? | 0:15:44 | 0:15:47 | |
OK, that's failed too. | 0:15:49 | 0:15:50 | |
Norman may be lacking inspiration, but not to worry, | 0:15:50 | 0:15:55 | |
Jay's got plenty of ideas. | 0:15:55 | 0:15:57 | |
What I was thinking is just a modern desk. | 0:15:57 | 0:16:01 | |
Where you will have wires coming through the back to plug stuff in. | 0:16:01 | 0:16:05 | |
And I would like, if possible, | 0:16:05 | 0:16:06 | |
something that flips up so all of the stuff with a modern desk, | 0:16:06 | 0:16:10 | |
whether it is the laptop, smartphone, can just be stuffed | 0:16:10 | 0:16:13 | |
-inside the actual desk. -Hide it? -Hide it, there you go. | 0:16:13 | 0:16:16 | |
Similar to what they used to do here. | 0:16:16 | 0:16:19 | |
They used to have a flap there that would hide all of that stuff. | 0:16:19 | 0:16:23 | |
You can't have a desk with drawers like this, so they'll have to go, | 0:16:23 | 0:16:28 | |
to be replaced by legs. | 0:16:28 | 0:16:31 | |
What do you want to hold the top with? | 0:16:31 | 0:16:34 | |
Lovely contemporary tapered legs. | 0:16:34 | 0:16:37 | |
So basically...fine tapered leg and then we'll get the oak, | 0:16:37 | 0:16:40 | |
we will strip it and get it as light as we can, we'll bleach it | 0:16:40 | 0:16:44 | |
-and do it whatever we need to do. We will make the flap. -Cool. -OK. | 0:16:44 | 0:16:47 | |
What we have to do now is talk about price, then. | 0:16:47 | 0:16:50 | |
-Price? -Because all of that sounds really good. | 0:16:50 | 0:16:52 | |
-How much is that going to cost me? -How much is that going to cost you? | 0:16:52 | 0:16:56 | |
Yeah. | 0:16:56 | 0:16:57 | |
Now we're getting down to business. | 0:16:57 | 0:17:00 | |
Come on then, Norman, what are you thinking? | 0:17:00 | 0:17:03 | |
-Er... -500? 600? | 0:17:03 | 0:17:06 | |
8, 9? | 0:17:06 | 0:17:07 | |
Come on, Norman, I can't take this much more. | 0:17:07 | 0:17:11 | |
I could get that in showroom condition ready for sale | 0:17:11 | 0:17:14 | |
-for 325. -Great price! | 0:17:14 | 0:17:16 | |
-I think that's a good deal. I'm happy with that. -Are you? | 0:17:16 | 0:17:20 | |
-Yeah, I'm happy. -As long as you're happy, I'm happy. | 0:17:20 | 0:17:23 | |
That's good. Let me know when it's done and I'll come and pick it up. | 0:17:23 | 0:17:26 | |
Thank you. | 0:17:26 | 0:17:27 | |
Wow, I'm really chuffed with that. | 0:17:29 | 0:17:31 | |
I believe Norman gets my idea just a little bit, | 0:17:31 | 0:17:34 | |
but hopefully he's going to turn it into something REALLY great. | 0:17:34 | 0:17:37 | |
Jay's idea to turn the bureau | 0:17:40 | 0:17:42 | |
into a computer friendly desk is a challenge for Norman. | 0:17:42 | 0:17:46 | |
Can he come up with the goods on a tight budget of £325? | 0:17:46 | 0:17:51 | |
Jay has dropped off the armchair with Anthony | 0:17:57 | 0:18:00 | |
and the bureau with Norman. | 0:18:00 | 0:18:03 | |
Now he's making his way to his workshop in Wolverhampton so he can | 0:18:04 | 0:18:08 | |
get cracking with his own item - | 0:18:08 | 0:18:10 | |
the Lloyd Loom-style laundry basket. | 0:18:10 | 0:18:13 | |
A lovely little box here. In its current state nobody would want this | 0:18:16 | 0:18:20 | |
in the house, but I'm thinking toy box for the little children. | 0:18:20 | 0:18:24 | |
So you can have a storage area in there for some of the toys, | 0:18:24 | 0:18:27 | |
and I've been inspired by these blocks. | 0:18:27 | 0:18:30 | |
Jay loves the bold, rich colours | 0:18:32 | 0:18:33 | |
and the geometric pattern the building blocks create | 0:18:33 | 0:18:37 | |
when put together. Plus, he just likes messing about with toys. | 0:18:37 | 0:18:41 | |
There you go. Let me turn them around. | 0:18:43 | 0:18:45 | |
There's my swan. | 0:18:46 | 0:18:48 | |
-How cool is that? -Magnificent, Jay, magnificent. | 0:18:48 | 0:18:52 | |
Jay will paint a triangular pattern in vibrant colours on the basket. | 0:18:55 | 0:19:00 | |
Just going to give it a little rub down to get it prepared. | 0:19:00 | 0:19:04 | |
He's using a fine sanding pad to remove any dirt or grime | 0:19:04 | 0:19:08 | |
-from the surface. -Get my painting jacket on now. | 0:19:08 | 0:19:11 | |
-Get ready to paint. -Ooh, a painting jacket! | 0:19:11 | 0:19:15 | |
Ugh! | 0:19:15 | 0:19:16 | |
Oh, he even makes a scruffy, old jacket look cool. | 0:19:17 | 0:19:20 | |
First up, the base layer. | 0:19:25 | 0:19:27 | |
As this will be a child's toy box, | 0:19:27 | 0:19:30 | |
Jay's using mineral-based paint, which is solvent-free and non-toxic. | 0:19:30 | 0:19:34 | |
To apply the paint, Jay is using an oval paint brush | 0:19:35 | 0:19:38 | |
with extra-long bristles. | 0:19:38 | 0:19:41 | |
I find that this is really useful | 0:19:41 | 0:19:43 | |
for getting into all of the little nooks and crannies. | 0:19:43 | 0:19:47 | |
With the base layer dry, Jay can begin to apply | 0:19:49 | 0:19:53 | |
his background colour - blue. | 0:19:53 | 0:19:55 | |
I'm probably going to put about three coats on this. | 0:19:57 | 0:20:00 | |
So it allows the colour to do exactly what it's supposed to do, | 0:20:00 | 0:20:03 | |
which is look rich. Already, instantly, that is just looking... | 0:20:03 | 0:20:07 | |
..really quite cool, actually. | 0:20:09 | 0:20:11 | |
I'm sure Picasso would be absolutely proud of that. | 0:20:14 | 0:20:16 | |
He would say, "Jay, you've done really well there, son." | 0:20:16 | 0:20:19 | |
Who knew Picasso was a Cockney? | 0:20:19 | 0:20:22 | |
Blimey. To create the geometric pattern, | 0:20:22 | 0:20:25 | |
Jay is using tape to outline the triangular shapes. | 0:20:25 | 0:20:30 | |
If you had a flat surface, it would be a lot easier, | 0:20:30 | 0:20:33 | |
but I've got a surface that is made up of weaves, so | 0:20:33 | 0:20:37 | |
you just have to make sure this is really pushed down tight | 0:20:37 | 0:20:40 | |
so I get that clean line going straight across. | 0:20:40 | 0:20:43 | |
Achieving the smooth, straight line Jay's design requires on the bumpy | 0:20:45 | 0:20:50 | |
surface of the basket will be no easy task. | 0:20:50 | 0:20:54 | |
Jay is using paints and equipment he already had in his workshop. | 0:20:54 | 0:20:58 | |
But he has spent ten quid on an off-cut of vinyl. | 0:20:58 | 0:21:02 | |
He will use this to upholster the lid. | 0:21:02 | 0:21:04 | |
Let's make our way back to Manchester... | 0:21:08 | 0:21:10 | |
..where Anthony is struggling to reupholster | 0:21:14 | 0:21:17 | |
this big, old brute of a chair | 0:21:17 | 0:21:19 | |
in his attempt to give it a sophisticated new look. | 0:21:19 | 0:21:23 | |
This chair is a bit of a beast. | 0:21:24 | 0:21:26 | |
Every time we peel back, there is just another layer riddled | 0:21:26 | 0:21:32 | |
with more staples, and I know I should be used to it | 0:21:32 | 0:21:35 | |
-but this is trying my patience. -Come on, Anthony. | 0:21:35 | 0:21:38 | |
There's only 4,372 more staples to go - give or take a few hundred. | 0:21:38 | 0:21:45 | |
And besides, if you stop now, it couldn't look much worse. | 0:21:45 | 0:21:48 | |
Perhaps we could describe it as the Mad Max makeover. | 0:21:51 | 0:21:54 | |
It looks like it's almost been... | 0:21:54 | 0:21:57 | |
apoco...acop... I can't even say it. | 0:21:57 | 0:22:00 | |
Oh, Anthony I think you'll find it's pronounced...apocalytic... | 0:22:00 | 0:22:04 | |
apocalopa...apocalystic... Oh, dear. | 0:22:04 | 0:22:08 | |
It looks like it just came through the apocalypse. | 0:22:08 | 0:22:11 | |
That's the one! | 0:22:12 | 0:22:14 | |
There are still plenty of staples to remove, but Anthony has come to the | 0:22:15 | 0:22:19 | |
conclusion that he and the armchair need some time apart. | 0:22:19 | 0:22:23 | |
I've decided to have a little break from the beast | 0:22:23 | 0:22:27 | |
and do the nice bits of the chair. | 0:22:27 | 0:22:29 | |
These are the two colours we've chosen. | 0:22:29 | 0:22:31 | |
This will be for the main body of the chair, | 0:22:31 | 0:22:35 | |
But we also want to do it sophisticated, | 0:22:35 | 0:22:37 | |
so we are going to add in aspects of this darker grey, | 0:22:37 | 0:22:40 | |
which I think will look rather nice. | 0:22:40 | 0:22:42 | |
Now, we've took all the staples out. | 0:22:46 | 0:22:47 | |
It's time to put them all back in again. | 0:22:49 | 0:22:52 | |
Anthony will begin his sophistication transformation | 0:22:52 | 0:22:56 | |
by reupholstering the footboard. For the first layer, | 0:22:56 | 0:23:00 | |
he's using high-density foam for cushioning and comfort. | 0:23:00 | 0:23:04 | |
The foam is stapled to shape a smooth curve at the sides. | 0:23:04 | 0:23:08 | |
The second layer is polyester wadding, | 0:23:10 | 0:23:12 | |
which removes the friction from the foam, while helping to maintain | 0:23:12 | 0:23:16 | |
the shape of the fabric. | 0:23:16 | 0:23:18 | |
And, of course, all the materials Anthony is using | 0:23:18 | 0:23:21 | |
meet UK fire safety standards. | 0:23:21 | 0:23:24 | |
I've kind of nicknamed this chair the Beast, | 0:23:28 | 0:23:30 | |
so here we have the Beast, and now we're starting to develop | 0:23:30 | 0:23:34 | |
the Beauty. So beauty, beast... Beast, beauty. Beauty, beast. | 0:23:34 | 0:23:38 | |
You're beginning to worry me a bit now, Anthony. | 0:23:40 | 0:23:43 | |
Beast, beauty. Beauty, beast. | 0:23:43 | 0:23:45 | |
I'll stick with the beauty. | 0:23:46 | 0:23:48 | |
Ditch the beast. | 0:23:48 | 0:23:50 | |
This is man versus chair in an epic tussle that will test | 0:23:50 | 0:23:55 | |
Anthony's upholstery skills and his sanity to the limit. | 0:23:55 | 0:24:00 | |
Beware of the Beast, Anthony. | 0:24:00 | 0:24:02 | |
GROWLING | 0:24:04 | 0:24:07 | |
Ah, the bright blue skies and lush green fields of rural Sussex. | 0:24:12 | 0:24:17 | |
In Norman's workshop, the oak writing bureau is awaiting | 0:24:20 | 0:24:25 | |
-his skilled touch. -Tidy workshop, tidy mind. | 0:24:25 | 0:24:28 | |
Jay's plan is to transform this relic of a bygone era | 0:24:29 | 0:24:33 | |
into a desk suitable for use with computers and tablets. | 0:24:33 | 0:24:38 | |
So, Norman, where do we begin? | 0:24:38 | 0:24:40 | |
The first thing we're going to do with it, | 0:24:40 | 0:24:42 | |
we are going to be like a demolition yard and smash it to smithereens. | 0:24:42 | 0:24:45 | |
Let the carnage commence. | 0:24:45 | 0:24:47 | |
This may look like wanton destruction, | 0:24:51 | 0:24:54 | |
but Norman is actually breaking the bureau down | 0:24:54 | 0:24:57 | |
into its individual panels, | 0:24:57 | 0:25:00 | |
as he wants to use as much of the old oak as possible. | 0:25:00 | 0:25:03 | |
It's always satisfying smashing something up, isn't it? | 0:25:05 | 0:25:07 | |
It's quite good fun watching too. | 0:25:07 | 0:25:10 | |
When upcycling for sale, it is important to remember | 0:25:11 | 0:25:14 | |
the marketplace. There's not much call for a dedicated bureau | 0:25:14 | 0:25:19 | |
for writing letters. | 0:25:19 | 0:25:20 | |
However, a desk you can use your computer at has wider appeal. | 0:25:20 | 0:25:24 | |
Norman is using the drawer fronts to make the legs. | 0:25:30 | 0:25:33 | |
He is cutting them into 2½ inch wide strips. | 0:25:33 | 0:25:37 | |
We'll try and make the legs a little bit modern, | 0:25:40 | 0:25:43 | |
we'll cut them to a standard height for a table, | 0:25:43 | 0:25:46 | |
and then we will atually taper the leg both sides, | 0:25:46 | 0:25:49 | |
so it looks nice and contemporary and everything, and go from there. | 0:25:49 | 0:25:53 | |
When the strips are cut to the correct length, | 0:25:53 | 0:25:56 | |
Norman will glue two of them together to create each leg. | 0:25:56 | 0:26:00 | |
Just give it a quick sand just to... | 0:26:00 | 0:26:03 | |
Yes? Just to...? | 0:26:04 | 0:26:06 | |
-Just to... -Come on, Norman, spit it out. | 0:26:06 | 0:26:09 | |
Take off any muck or anything. | 0:26:09 | 0:26:11 | |
So when we glue it up, it will hold lovely. | 0:26:11 | 0:26:15 | |
To ensure a strong bond, | 0:26:19 | 0:26:21 | |
Norman is using G clamps to apply pressure. | 0:26:21 | 0:26:25 | |
These will remain in place for 24 hours. | 0:26:25 | 0:26:28 | |
To make the desktop, Norman will use the sides of the bureau, | 0:26:29 | 0:26:33 | |
but first he has to remove the nails. | 0:26:33 | 0:26:35 | |
It's just making sure we get all the nails out so the saw, | 0:26:35 | 0:26:38 | |
and different things like that... It's a bit time-consuming, | 0:26:38 | 0:26:41 | |
but once we're there we can really start rocking and rolling. | 0:26:41 | 0:26:44 | |
-This one, we've got a hairline crack in. -Peek-a-boo, Norman. | 0:26:46 | 0:26:51 | |
We could glue it, so it's not the end of the world. | 0:26:51 | 0:26:54 | |
Using reclaimed wood like this | 0:26:55 | 0:26:57 | |
is far from the easy option, but for Norman it's all part of the fun. | 0:26:57 | 0:27:01 | |
I love old timber. I love the character in it. | 0:27:05 | 0:27:08 | |
You know, you get something old, something rubbish, | 0:27:08 | 0:27:11 | |
and turn it into something great. | 0:27:11 | 0:27:12 | |
Right now, Norman, to MY eye, all you seem to be doing is taking | 0:27:12 | 0:27:17 | |
someone's rubbish and making it even rubbisher. | 0:27:17 | 0:27:20 | |
Can't wait to see it when it's not a pile of dirty old wood. | 0:27:20 | 0:27:24 | |
It's all go with our artisans. | 0:27:29 | 0:27:31 | |
And also with Jay. | 0:27:34 | 0:27:36 | |
He's putting the finishing touches to his transformation. | 0:27:36 | 0:27:40 | |
That will be one really cool toy box. | 0:27:40 | 0:27:44 | |
This basket was tired, tatty and in dire need of TLC. | 0:27:46 | 0:27:51 | |
Now it's a fun-filled toy box. | 0:27:53 | 0:27:57 | |
Unable to achieve a smooth geometric line, | 0:27:58 | 0:28:02 | |
Jay developed his idea into a lovely mountain scene - | 0:28:02 | 0:28:06 | |
the triangles forming hills, trees and snow-capped mountains. | 0:28:06 | 0:28:10 | |
Jay added an eye-catching forest of handles on the reupholstered lid | 0:28:13 | 0:28:18 | |
using vinyl to ensure it's easy to clean after the kiddiewinks | 0:28:18 | 0:28:22 | |
have had their sticky fingers all over it. | 0:28:22 | 0:28:25 | |
This toy box will trigger the imagination and be a fantastic | 0:28:25 | 0:28:29 | |
addition to any kids' bedroom. | 0:28:29 | 0:28:31 | |
I've done it all, inspired by my dear friend Henry the horse, | 0:28:31 | 0:28:35 | |
who's come along to check out the forest. And I tell you, | 0:28:35 | 0:28:38 | |
he does love it. He wants to have a butcher's inside. | 0:28:38 | 0:28:43 | |
There's plenty of room for him and his mates. He agrees, it looks good. | 0:28:43 | 0:28:47 | |
Now what I've got to do is take some pictures, | 0:28:47 | 0:28:49 | |
get this online and get it sold. | 0:28:49 | 0:28:51 | |
Peter was just about to sling the basket in the skip, | 0:28:53 | 0:28:56 | |
-when Jay stopped him in his tracks. -How old is it? | 0:28:56 | 0:29:01 | |
-It was me nan's. -No. -Seriously? | 0:29:01 | 0:29:04 | |
-So it's probably older than 60 years old. -Wow. | 0:29:04 | 0:29:07 | |
Jay set about transforming it. | 0:29:07 | 0:29:10 | |
For him, it was child's play. | 0:29:12 | 0:29:14 | |
The toy box was sold to Sixth Link - | 0:29:16 | 0:29:18 | |
a vintage and retro store in Shropshire. | 0:29:18 | 0:29:21 | |
The shop's owner, River, was well pleased. | 0:29:21 | 0:29:25 | |
Absolutely love how it's inspired by a small little toy, | 0:29:25 | 0:29:28 | |
and it's created such a lovely item. | 0:29:28 | 0:29:30 | |
Now Jay is in Brownhills in the West Midlands to catch up with Peter, | 0:29:30 | 0:29:35 | |
and tell him what became of his box. | 0:29:35 | 0:29:37 | |
-Morning. -Morning, Peter. How are you doing? -Not too bad at all. | 0:29:39 | 0:29:43 | |
Good on you. So do you remember the box that you brought down | 0:29:43 | 0:29:46 | |
-to the recycling centre? -Yes. -It's been in your family for a while? | 0:29:46 | 0:29:49 | |
Yeah, it is about 60 years old, I'd imagine, yeah. | 0:29:49 | 0:29:51 | |
Wow! So I was able to do something to it. | 0:29:51 | 0:29:55 | |
It was a little project I took on myself. | 0:29:55 | 0:29:57 | |
And I transformed it into a kid's toy box. | 0:29:57 | 0:30:01 | |
-Get this up the right way. -Oh, that's nice. | 0:30:01 | 0:30:04 | |
Doesn't look the same, does it?! | 0:30:04 | 0:30:06 | |
No! I tried my best not to make it look the same. | 0:30:06 | 0:30:09 | |
So...painted it with some mountains | 0:30:09 | 0:30:11 | |
on the front and a little bit of padding on the top. | 0:30:11 | 0:30:14 | |
-Looks completely different. -Yeah, it's lovely. -And it was inspired | 0:30:14 | 0:30:18 | |
by Henry the horse, that's just there on top. | 0:30:18 | 0:30:21 | |
-Yeah, it looks nice. -And I am pleased to tell you | 0:30:21 | 0:30:25 | |
I was able to sell it, and I've got | 0:30:25 | 0:30:29 | |
£35 profit for you, sir. | 0:30:29 | 0:30:32 | |
Thank you. That's nice. | 0:30:32 | 0:30:34 | |
So any ideas what you want to do with the money? | 0:30:34 | 0:30:37 | |
Well, I was going to put it towards a meal for the wife's 60th. | 0:30:37 | 0:30:42 | |
-That sounds good. -That's what we'll do with it. | 0:30:43 | 0:30:45 | |
Bless you. Well, I might see you again at the recycling centre. | 0:30:45 | 0:30:49 | |
-Right. -And you take care now. | 0:30:49 | 0:30:52 | |
-Thank you. Bye. -See you. | 0:30:52 | 0:30:54 | |
Creating the toy box cost Jay £10. | 0:30:57 | 0:31:01 | |
He sold it for £45, | 0:31:01 | 0:31:04 | |
giving Peter £35 to put towards a birthday treat. | 0:31:04 | 0:31:08 | |
In Manchester, the drizzly, overcast sky | 0:31:14 | 0:31:17 | |
is reflected in Anthony's downbeat disposition. | 0:31:17 | 0:31:21 | |
Taming the Beast has proven to be an ordeal. | 0:31:23 | 0:31:26 | |
This chair has been a definite struggle. | 0:31:26 | 0:31:31 | |
Just been...almost, like, a career-deciding chair, this one. | 0:31:31 | 0:31:36 | |
But we got there. | 0:31:36 | 0:31:38 | |
We finished it. Just. | 0:31:38 | 0:31:40 | |
Yeah, so hopefully Jay will be pleased with the transformation. | 0:31:41 | 0:31:45 | |
The chair was Jay's little gem. | 0:31:48 | 0:31:51 | |
A vintage G Plan recliner that he hoped to give a little va-va-voom | 0:31:52 | 0:31:57 | |
with a sophisticated new look. | 0:31:57 | 0:31:59 | |
Fantastic! | 0:32:03 | 0:32:05 | |
Gone are the drab and dreary browns, to be replaced by sleek and suave | 0:32:05 | 0:32:11 | |
grey. The wool fabric is luxurious and looks simply sumptuous. | 0:32:11 | 0:32:16 | |
As this is a recliner, | 0:32:16 | 0:32:19 | |
Anthony faced the difficult challenge of ensuring that | 0:32:19 | 0:32:22 | |
the moving parts look as cool when reclined as they do when upright. | 0:32:22 | 0:32:26 | |
He's succeeded! But it tested his skills to the max. | 0:32:27 | 0:32:32 | |
This chair has been transformed from beastly to beautiful. | 0:32:32 | 0:32:36 | |
One thing it doesn't have, though, is a colour-contrasting button - | 0:32:36 | 0:32:41 | |
Jay's signature look he hoped Anthony would add. | 0:32:41 | 0:32:46 | |
Anthony, you could be in trouble. | 0:32:46 | 0:32:49 | |
How are we doing, sir? | 0:32:49 | 0:32:51 | |
-All right. Are you all right? -I'm very good. Very good. | 0:32:51 | 0:32:54 | |
Oh-ho-ho! | 0:32:54 | 0:32:56 | |
I do like. | 0:32:57 | 0:32:59 | |
I do like. See, sometimes... | 0:33:00 | 0:33:03 | |
..less is definitely more. | 0:33:05 | 0:33:08 | |
This has got more than any other chair I've ever known! | 0:33:08 | 0:33:11 | |
I wish it was less! | 0:33:11 | 0:33:12 | |
-It does look cool. And this is wool, isn't it? -Yeah, yeah. | 0:33:13 | 0:33:17 | |
I think the real key was to try and lose a lot of its weight by getting | 0:33:19 | 0:33:22 | |
rid of that kind of heavy fabric, trying to slim it all down. | 0:33:22 | 0:33:24 | |
-Yeah. -Plus, make it look stylish. | 0:33:24 | 0:33:27 | |
Plus, you know, not make it TOO alpha-male looking. | 0:33:27 | 0:33:31 | |
Still the big armchair that it is. | 0:33:31 | 0:33:33 | |
Yeah. | 0:33:33 | 0:33:35 | |
Jay's loving it. Anthony has done a great job. | 0:33:35 | 0:33:39 | |
But has he managed to do it for the £450 he agreed with Jay? | 0:33:39 | 0:33:44 | |
-Did we come in on budget? -To be honest, I've been on such a journey, | 0:33:44 | 0:33:47 | |
I can't even remember. | 0:33:47 | 0:33:49 | |
But, yes. | 0:33:49 | 0:33:51 | |
The one thing that would have taken it over budget, which we didn't have | 0:33:51 | 0:33:55 | |
enough in the budget for, is unfortunately we had to forget your button. | 0:33:55 | 0:33:59 | |
-I tell you the truth, I didn't even notice the button. -You see? -I didn't notice it. | 0:33:59 | 0:34:02 | |
-That's what I thought, "He's not going to mention it!" -No, I didn't notice it. | 0:34:02 | 0:34:06 | |
So yeah. It looks cool without the button. | 0:34:06 | 0:34:08 | |
-But you've got that detail there. -Yeah, I mean, like, to be honest, | 0:34:08 | 0:34:12 | |
-that was one of the first bits I did to it. -So we've come in on budget, | 0:34:12 | 0:34:16 | |
looks cool, I haven't got a button - but I don't need a button. | 0:34:16 | 0:34:19 | |
All I've got to do is sell it now. So, thank you, sir. | 0:34:19 | 0:34:24 | |
-Good luck. -I don't need it, after what you've done. | 0:34:24 | 0:34:26 | |
Wow, now that's what I call a transformation - | 0:34:29 | 0:34:31 | |
from a beast of a chair | 0:34:31 | 0:34:33 | |
to a slick, cool, grey and contemporary masterpiece. | 0:34:33 | 0:34:37 | |
Anthony has done it again. And he's taught me something as well. | 0:34:37 | 0:34:40 | |
You don't always need a coloured button on a chair. | 0:34:40 | 0:34:43 | |
-Or do you? -You've missed your chance, Jay. | 0:34:43 | 0:34:46 | |
Fortunately, he didn't miss Scott and Terry, | 0:34:46 | 0:34:48 | |
as they were about to chuck the chair. What did Terry think Jay would do with it? | 0:34:48 | 0:34:54 | |
I reckon Jay could clean it up, paint it, | 0:34:54 | 0:34:56 | |
perhaps a nice few pillows on it. | 0:34:56 | 0:34:58 | |
I think you boys are in for a nice surprise. | 0:34:58 | 0:35:01 | |
Jay wasted no time in finding a buyer. | 0:35:05 | 0:35:08 | |
Boutique hotel Monachyle Mhor in Perthshire in Scotland | 0:35:08 | 0:35:12 | |
loved Anthony's work. And owner Tom couldn't wait to put his feet up. | 0:35:12 | 0:35:17 | |
Perfect! | 0:35:17 | 0:35:19 | |
Jay has travelled to Aldridge in Walsall | 0:35:21 | 0:35:24 | |
to meet up with Terry and Scott, | 0:35:24 | 0:35:26 | |
show them the transformation and hand over the profit. | 0:35:26 | 0:35:29 | |
-How are you doing? -Hello. -Hi, Scott. | 0:35:32 | 0:35:35 | |
-How are you doing, mate? You all right? -Very good. -So do you remember | 0:35:35 | 0:35:38 | |
the old, I think, G Plan recliner chair that you brought down? | 0:35:38 | 0:35:43 | |
Well, I was able to take it to a guy called Anthony up in Manchester, and | 0:35:43 | 0:35:46 | |
he transformed it into something quite beautiful, I think. | 0:35:46 | 0:35:49 | |
And here's what your recliner looks like now. | 0:35:51 | 0:35:54 | |
We have finished it in a lovely grey wool. | 0:35:54 | 0:35:56 | |
-Look at that. -Completely transformed. | 0:35:56 | 0:35:59 | |
-Yeah, it's nice. -So what do you guys think of that? | 0:35:59 | 0:36:02 | |
-Absolutely beautiful. -Yeah. -Yeah? | 0:36:02 | 0:36:04 | |
Bless you. Pleased to say that we've managed to sell it, | 0:36:05 | 0:36:09 | |
and I've got for you guys £50 profit. | 0:36:09 | 0:36:12 | |
-Great. -So any ideas of what you might do with the money? | 0:36:12 | 0:36:16 | |
No. Perhaps have a drink! | 0:36:16 | 0:36:18 | |
Have a drink? Don't blame you! All right, well, I'll be off | 0:36:18 | 0:36:22 | |
-on my travels. -Thank you very much. -Have a nice drink. | 0:36:22 | 0:36:24 | |
-Take care and have a good one. -OK. Thank you very much. | 0:36:24 | 0:36:27 | |
-No problem. -Bye-bye. -See you later. | 0:36:27 | 0:36:30 | |
Anthony's labour and materials came to £450. | 0:36:31 | 0:36:36 | |
Jay sold the recliner for a cracking £500, | 0:36:36 | 0:36:40 | |
giving Terry and Scott £50 for a night down the pub. | 0:36:40 | 0:36:44 | |
Lovely. | 0:36:44 | 0:36:45 | |
In East Sussex, has Norman repurposed the writing bureau | 0:36:49 | 0:36:54 | |
into the contemporary desk Jay believed would have | 0:36:54 | 0:36:58 | |
-wider sales potential? -I had to think about what we were doing | 0:36:58 | 0:37:01 | |
because of the base and the legs and things like that, but we've done it | 0:37:01 | 0:37:04 | |
and I think it has turned out really well. | 0:37:04 | 0:37:06 | |
I think we will get a good response from him. | 0:37:06 | 0:37:09 | |
I had to try and get into Jay's head and maybe what he'd do. | 0:37:09 | 0:37:12 | |
-But I think it's got the look. -Inside Jay's head? | 0:37:12 | 0:37:16 | |
Who knows what's going on in there?! | 0:37:17 | 0:37:20 | |
The writing bureau was a relic of a bygone age. | 0:37:24 | 0:37:28 | |
Jay wanted to give it a new purpose, | 0:37:28 | 0:37:30 | |
so it could have a new lease of life. | 0:37:30 | 0:37:32 | |
Norman was lacking inspiration when he first saw the bureau, | 0:37:34 | 0:37:38 | |
but it's well and truly struck now. This is lovely. | 0:37:38 | 0:37:42 | |
He has taken Jay's concept and crafted a beautiful desk, | 0:37:44 | 0:37:48 | |
using only wood from the bureau, | 0:37:48 | 0:37:51 | |
finished with a clear varnish to highlight the grain. | 0:37:51 | 0:37:54 | |
It also accentuates the wear and tear of the antique oak. | 0:37:54 | 0:37:59 | |
These imperfections achieved over decades add character. | 0:37:59 | 0:38:03 | |
The desk is given a contemporary edge | 0:38:05 | 0:38:07 | |
with the colour highlights that Jay will definitely approve of. | 0:38:07 | 0:38:10 | |
And Norman has integrated a tablet holder, | 0:38:12 | 0:38:15 | |
which gives this desk a modern spin. | 0:38:15 | 0:38:18 | |
I'm impressed, but what about Jay? | 0:38:22 | 0:38:25 | |
-How are you? -I'm very good, sir. | 0:38:28 | 0:38:30 | |
-Nice strong grip. -Thank you, thank you. -There we go. -Where are we? | 0:38:30 | 0:38:34 | |
Oh! | 0:38:34 | 0:38:36 | |
-Do you like it? -That is amazing! | 0:38:36 | 0:38:38 | |
I remember the bureau looking like a bureau. Now... | 0:38:38 | 0:38:41 | |
That's amazing. I mean, look at it! | 0:38:42 | 0:38:45 | |
-You set the task, so we've done what you wanted. -No, I set the task, | 0:38:45 | 0:38:48 | |
but sometimes I am a bit like, "Is he going to do it or not?" | 0:38:48 | 0:38:51 | |
but look at it, man. That is like... that is the whole bureau. | 0:38:51 | 0:38:54 | |
Wow! You've done it. | 0:38:54 | 0:38:56 | |
Proper, like, smashed it. | 0:38:56 | 0:38:58 | |
Done it. Like, oh, man. | 0:38:58 | 0:39:01 | |
I think it's safe to say he is quite pleased. | 0:39:01 | 0:39:05 | |
The legs are part of the drawers and we thought, | 0:39:05 | 0:39:07 | |
"Let's do the Jay touch." We got the legs painted inside as well. | 0:39:07 | 0:39:11 | |
-I've only just noticed that. -And then we open it up. | 0:39:11 | 0:39:14 | |
Piece de resistance. Oh-ho! | 0:39:15 | 0:39:18 | |
So we tied the inside colour with the legs. | 0:39:18 | 0:39:22 | |
We made it so it can fit an iPad or a Samsung or whatever. | 0:39:22 | 0:39:26 | |
You've got the hole there for the charger as well. | 0:39:26 | 0:39:28 | |
This is really good. The yellow in the inside is an extra detail. | 0:39:28 | 0:39:32 | |
-Happy days. -More than happy days, mate. | 0:39:32 | 0:39:34 | |
I'm as happy as a bumblebee in the summer. | 0:39:34 | 0:39:36 | |
Going from flower to flower to flower. I'm pollinating, | 0:39:36 | 0:39:39 | |
and look what I've ended up with. Not a pot of honey. But that. | 0:39:39 | 0:39:43 | |
Look, I have to be honest, I have absolutely no idea | 0:39:43 | 0:39:47 | |
what he's talking now. | 0:39:47 | 0:39:49 | |
And when Jay thought he reached peak happiness, | 0:39:49 | 0:39:52 | |
it turns out Norman is bang on his £325 budget. | 0:39:52 | 0:39:56 | |
I'm going to get someone to pick that up. | 0:39:56 | 0:39:59 | |
-Thank you very much. -Thank you. -I'm glad you're pleased. | 0:39:59 | 0:40:02 | |
-I am over the moon. -If you're happy, I'm happy. -I'm over the moon. | 0:40:02 | 0:40:05 | |
-More than happy. -See you soon. -Take care. -All the best, mate. | 0:40:05 | 0:40:08 | |
Can't believe his response, Jay. I mean, it was great. | 0:40:08 | 0:40:11 | |
I'm glad he loved it. Makes the job worthwhile when someone shows | 0:40:11 | 0:40:15 | |
that much appreciation. I would say we smashed it. | 0:40:15 | 0:40:18 | |
Mike had owned the writing bureau for over 30 years. | 0:40:20 | 0:40:24 | |
He had started to break it up for chucking in the skip, | 0:40:24 | 0:40:27 | |
but Jay soon put a stop to that. | 0:40:27 | 0:40:30 | |
Several years ago, when we had it first, | 0:40:30 | 0:40:32 | |
my wife used it as a writing desk and I used it occasionally as well. | 0:40:32 | 0:40:37 | |
Yes, it's been very useful. | 0:40:37 | 0:40:39 | |
And now that Jay and Norman have finished with it, | 0:40:39 | 0:40:42 | |
it could be used for another 30 years. | 0:40:42 | 0:40:45 | |
The desk was sold to a vintage and antique shop in Kent. | 0:40:48 | 0:40:52 | |
Now Jay is back in Walsall to tell Mike what happened to the bureau | 0:40:54 | 0:40:59 | |
and pass on a little bit of profit. | 0:40:59 | 0:41:01 | |
-Hello, Michael. -Good morning. -How are you doing? | 0:41:01 | 0:41:05 | |
-Not too bad, thank you. -Good. So do you remember the old writing bureau? | 0:41:05 | 0:41:10 | |
Yes. My wife bought it, oh, years ago. | 0:41:10 | 0:41:13 | |
-Somewhere in Walsall. -OK. Did she used to write on it? | 0:41:14 | 0:41:18 | |
Yes, she used to use it to... | 0:41:18 | 0:41:19 | |
Well, she used to stand in front of it with her music | 0:41:19 | 0:41:24 | |
and mark it all up and whatnot for her concerts. | 0:41:24 | 0:41:28 | |
OK. Well, I took it to a guy called Norman | 0:41:28 | 0:41:31 | |
and he worked his magic on this bureau of yours, | 0:41:31 | 0:41:35 | |
and turned it into a very sleek and contemporary... | 0:41:35 | 0:41:39 | |
Very nice. | 0:41:39 | 0:41:41 | |
-..desk. -I really like that. | 0:41:41 | 0:41:42 | |
And this is all made from the writing bureau. | 0:41:42 | 0:41:45 | |
-Yeah. -He's done some yellow inside. | 0:41:45 | 0:41:47 | |
And also gave me some yellow legs. | 0:41:49 | 0:41:52 | |
Right, very good. Beautiful, really. | 0:41:52 | 0:41:55 | |
Especially the way the wood has come up, now it's been cleaned up. | 0:41:55 | 0:41:59 | |
-Yeah. -My wife would have approved of that. -Oh, bless. | 0:41:59 | 0:42:02 | |
She wouldn't have had a laptop in it. She would have had sheet music. | 0:42:02 | 0:42:06 | |
Oh, right! I'm pleased to tell you I was able to sell it, and I have... | 0:42:06 | 0:42:13 | |
£75 profit for you, sir. | 0:42:13 | 0:42:18 | |
Oh! Thank you very much indeed. | 0:42:18 | 0:42:19 | |
Any ideas of what you might do with the money? | 0:42:19 | 0:42:22 | |
Well, it's going to go to the palliative care nurses | 0:42:22 | 0:42:26 | |
who looked after my wife in her last two years. | 0:42:26 | 0:42:30 | |
-So that's where that'll end up. -That's a good cause. | 0:42:30 | 0:42:36 | |
-Thank you. -Well, hopefully I might see you again. | 0:42:36 | 0:42:39 | |
-You take care now. -Bye. -Bye-bye. | 0:42:39 | 0:42:42 | |
Norman charged Jay £325 to transform the bureau. | 0:42:44 | 0:42:50 | |
Jay sold it for £400, | 0:42:50 | 0:42:53 | |
giving Mike £75 to donate to the nurses charity | 0:42:53 | 0:42:56 | |
that cared for his wife. | 0:42:56 | 0:42:58 | |
With more than a little help from his friends, | 0:43:01 | 0:43:04 | |
Jay has managed to transform these dumped diamonds | 0:43:04 | 0:43:08 | |
into a pocket full of profit. | 0:43:08 | 0:43:11 | |
Three unwanted items that were destined for the skip have been | 0:43:11 | 0:43:16 | |
revamped into cool and stylish pieces. | 0:43:16 | 0:43:19 | |
Even better - they are heading for new homes. | 0:43:19 | 0:43:22 |