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I love these! What are these? | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:05 | 0:00:08 | |
This is beautiful. Why are you getting rid of it? | 0:00:08 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes | 0:00:11 | 0:00:15 | |
of household waste, thrown out by us every year. | 0:00:15 | 0:00:18 | |
I'll just do a quick check for Granny's gold. | 0:00:18 | 0:00:21 | |
That's why reclamation expert Jay Blades | 0:00:21 | 0:00:23 | |
wants to get his hands on things before they hit the skip. | 0:00:23 | 0:00:27 | |
I've been a builder, I've been a philosophy student | 0:00:29 | 0:00:32 | |
and now, I'm a furniture restorer, | 0:00:32 | 0:00:34 | |
so I know more than most about transformations. | 0:00:34 | 0:00:37 | |
I revamp the old, turn it into the new and sell it on for a profit. | 0:00:37 | 0:00:41 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:45 | |
-Why would you chuck these chairs out? -So, what do you think? | 0:00:45 | 0:00:48 | |
JAY LAUGHS | 0:00:48 | 0:00:50 | |
..he can transform his finds into desirable... | 0:00:50 | 0:00:54 | |
Boom - smashed it! | 0:00:54 | 0:00:56 | |
-..valuable... -It's got real potential. | 0:00:56 | 0:00:58 | |
..and, hopefully, saleable items. | 0:00:58 | 0:01:01 | |
I've got to take my hat off to you, sir. | 0:01:01 | 0:01:04 | |
If Jay is successful, | 0:01:04 | 0:01:06 | |
then he can hand the profits back to the very people | 0:01:06 | 0:01:09 | |
who had no idea there was cash to be made from their trash. | 0:01:09 | 0:01:13 | |
-£80. -What? -Yes. | 0:01:13 | 0:01:16 | |
Welcome to Walsall, near Birmingham. | 0:01:26 | 0:01:29 | |
It's the birthplace of Noddy Holder | 0:01:29 | 0:01:31 | |
and home to Merchants Way Recycling Centre. | 0:01:31 | 0:01:34 | |
This is a non-stop hive of activity. | 0:01:34 | 0:01:38 | |
Furniture restorer and upcycler Jay is on a mission | 0:01:39 | 0:01:43 | |
to turn your trash into hard cash. | 0:01:43 | 0:01:47 | |
I love transforming things that have had it into must-have items | 0:01:47 | 0:01:51 | |
and then selling them on for a profit. | 0:01:51 | 0:01:54 | |
But before you make a beeline for your local tip, take note - | 0:01:55 | 0:02:00 | |
Jay's been given special permission to seek out three items | 0:02:00 | 0:02:03 | |
that he can rejuvenate, repurpose and sell on for a profit. | 0:02:03 | 0:02:08 | |
First up today are Tim and Christiane. | 0:02:11 | 0:02:14 | |
But is there anything here packed with potential? | 0:02:14 | 0:02:16 | |
Hello, guys, how are you doing? | 0:02:16 | 0:02:18 | |
-Hello. -Hello, my name's Jay. -Hello, Jay. -Christiane. | 0:02:18 | 0:02:21 | |
-What are you doing with that? -That's going... -No! It can't be. | 0:02:21 | 0:02:26 | |
So, OK, you're throwing this away. Why are you throwing it away? | 0:02:26 | 0:02:30 | |
It's rusty, it's rusty. | 0:02:30 | 0:02:32 | |
-Oh, it's rusty. -And you can't use it. | 0:02:32 | 0:02:34 | |
-OK, you can't use it. -And we're decluttering. | 0:02:34 | 0:02:36 | |
What's the history behind this then? How long have you had this? | 0:02:36 | 0:02:39 | |
-Well, I arrived in England in '85. -OK. | 0:02:39 | 0:02:41 | |
I bought it in France and when I arrived in London, | 0:02:41 | 0:02:44 | |
-I found a bag of stickers very cheaply somewhere. -Right. | 0:02:44 | 0:02:46 | |
I didn't realise what they were, actually, all these stickers. | 0:02:46 | 0:02:49 | |
-And they're football teams, aren't they? -Football teams, yeah. | 0:02:49 | 0:02:52 | |
I used it for travelling back to France and to London. | 0:02:52 | 0:02:55 | |
-That was in '85, '86. -So... | 0:02:55 | 0:02:57 | |
Then it went into the shed in the garden about 15 years ago. | 0:02:57 | 0:03:00 | |
This is really, really cool. If it's all right with you, | 0:03:00 | 0:03:03 | |
I would like to stay in contact with you guys, keep hold of this | 0:03:03 | 0:03:06 | |
and transform it into something and show you what we turn it into. | 0:03:06 | 0:03:09 | |
-Brilliant. -If that's all right. -Fine. -Yes, it's exciting. -Yeah. | 0:03:09 | 0:03:12 | |
-Thank you. -That's the life of a suitcase. | 0:03:12 | 0:03:14 | |
-Yeah, life of a suitcase, yeah. -Pleasure. -Bon voyage. | 0:03:14 | 0:03:17 | |
And bonne chance. You're going to need it with this one. | 0:03:17 | 0:03:21 | |
But what do Tim and Christiane reckon to Jay taking on their case? | 0:03:23 | 0:03:27 | |
It's really good, actually, | 0:03:27 | 0:03:29 | |
because it's a suitcase that's got lots of happy memories | 0:03:29 | 0:03:32 | |
and the idea that it's going to have another life is a really good one, | 0:03:32 | 0:03:35 | |
so good for him and we hope it's successful | 0:03:35 | 0:03:38 | |
in its new chapter of its life. | 0:03:38 | 0:03:41 | |
Look at this little beauty. I really, really love this. | 0:03:43 | 0:03:46 | |
I love two things about it, which is the colour - lovely blue - | 0:03:46 | 0:03:49 | |
and the timber that's going around it. It just oozes style to me. | 0:03:49 | 0:03:53 | |
Seen better days but to tell you the truth, it's not in bad nick. | 0:03:53 | 0:03:57 | |
I know someone that will be able to transform this into a thing of joy. | 0:03:57 | 0:04:01 | |
And that someone for the job is Daniel Heath. | 0:04:01 | 0:04:05 | |
Daniel is a designer and maker | 0:04:07 | 0:04:09 | |
who can turn his hand to just about anything. | 0:04:09 | 0:04:12 | |
A wallpaper and textiles designer by trade, | 0:04:12 | 0:04:15 | |
he produces everything from bespoke furniture to high-end furnishings. | 0:04:15 | 0:04:20 | |
I absolutely love coming to work because I love my studio, | 0:04:21 | 0:04:25 | |
I love making things and I get to do that most of the time. | 0:04:25 | 0:04:29 | |
The joy of working with salvaged material is that you've got | 0:04:29 | 0:04:33 | |
a material that you can give a second life to | 0:04:33 | 0:04:36 | |
and it's got provenance to it, | 0:04:36 | 0:04:38 | |
it's got a history that's built into that material, | 0:04:38 | 0:04:40 | |
and you're making it have some new character | 0:04:40 | 0:04:45 | |
and then putting it back out there again, | 0:04:45 | 0:04:47 | |
so that's extremely satisfying. | 0:04:47 | 0:04:49 | |
Let's hope you're as satisfied, Daniel, in this case. | 0:04:49 | 0:04:53 | |
That's one item safely tucked away and Jay's back on the trail | 0:04:57 | 0:05:02 | |
for our second challenge of the day. | 0:05:02 | 0:05:04 | |
Jay, being Jay, he likes to help out when he can, | 0:05:04 | 0:05:08 | |
but sometimes, it doesn't always go to plan. | 0:05:08 | 0:05:10 | |
Can't let your mum carry this stuff. That's not right, is it? | 0:05:10 | 0:05:13 | |
-Look at that. Look at that, eh. -Poor Jay. | 0:05:13 | 0:05:17 | |
Maybe Gemma and her old armchair will be a more successful encounter. | 0:05:17 | 0:05:21 | |
-Wow, this is really cool. How are you doing? I'm Jay. -Hello. | 0:05:22 | 0:05:25 | |
-Are you all right? -Yes. -Good on you. What are you doing with this? | 0:05:25 | 0:05:28 | |
-Obviously, you're throwing it away. -Yeah. -What's the history behind it? | 0:05:28 | 0:05:31 | |
Where's it come from? | 0:05:31 | 0:05:33 | |
My in-laws moved into a 1950s place and they had the whole suite. | 0:05:33 | 0:05:38 | |
-Of this? -Of this. And it was covered with hunting material. | 0:05:38 | 0:05:41 | |
-It was very kitch. -Right. -So, I stripped off the hunting thing. | 0:05:41 | 0:05:45 | |
-Yeah. -And my sister-in-law had one and I had another | 0:05:45 | 0:05:49 | |
-and the sofa was rehomed somewhere in a charity shop. -OK. | 0:05:49 | 0:05:52 | |
And I put it in my studio where the cats live | 0:05:52 | 0:05:55 | |
and they completely scratched it to pieces | 0:05:55 | 0:05:57 | |
and then I read this book about not keeping things | 0:05:57 | 0:06:00 | |
-for lots of stupid reasons. -OK. | 0:06:00 | 0:06:03 | |
-Or examining why you keep things. -Right. | 0:06:03 | 0:06:05 | |
And so I've been really trimming everything back completely, | 0:06:05 | 0:06:08 | |
so I got rid of it, put it in the garden, | 0:06:08 | 0:06:10 | |
thinking, "I'll find a home for that." | 0:06:10 | 0:06:12 | |
But then it tipped with rain and then cats came and lay on it. | 0:06:12 | 0:06:15 | |
-Right. -And it's been in the garden all summer. -Wow. | 0:06:15 | 0:06:17 | |
"Wow" is right, Jay. | 0:06:17 | 0:06:20 | |
This chair has most definitely been on a journey. | 0:06:20 | 0:06:23 | |
If it's all right with you, what I'd like to do is take this | 0:06:24 | 0:06:28 | |
and, if we get a chance to transform it, | 0:06:28 | 0:06:29 | |
-come back and show you exactly what we've done. -Oh, yeah. | 0:06:29 | 0:06:32 | |
-Would that be cool? -That would be really good. | 0:06:32 | 0:06:34 | |
I think Gemma is quite happy | 0:06:34 | 0:06:36 | |
that this chair won't be going in the tip. | 0:06:36 | 0:06:39 | |
I feel very good about Jay having taken away my old chair. | 0:06:39 | 0:06:43 | |
I'm hoping, cos it is a really lovely shape, | 0:06:43 | 0:06:45 | |
and I know it is, but I just don't have the wherewithal to do it - | 0:06:45 | 0:06:48 | |
I'm hoping that it will turn into something really funky. | 0:06:48 | 0:06:51 | |
I think the possibility of funkiness making an appearance is very high. | 0:06:51 | 0:06:57 | |
1950s armchair, wingback style, which is that bit there. | 0:06:57 | 0:07:01 | |
But you can see | 0:07:01 | 0:07:02 | |
the cats have had a brilliant time on this, | 0:07:02 | 0:07:04 | |
getting their claws into it and really pulling at this fabric. | 0:07:04 | 0:07:07 | |
But the fabric is still going strong, | 0:07:07 | 0:07:09 | |
so what I think needs to happen with this one | 0:07:09 | 0:07:12 | |
is it just needs to have a recover. | 0:07:12 | 0:07:14 | |
I know an upholsterer who's a very cool cat | 0:07:14 | 0:07:16 | |
-who would love to get their claws into this one. -He's not lying. | 0:07:16 | 0:07:19 | |
Meet Ray Clarke, upholsterer extraordinaire. | 0:07:21 | 0:07:25 | |
Ray made a name for himself in the world of fashion design, | 0:07:25 | 0:07:29 | |
before discovering his love of vintage furniture. | 0:07:29 | 0:07:33 | |
His fresh, modern designs mix practicality, comfort and luxury. | 0:07:33 | 0:07:38 | |
I never intended to become an upholsterer at the beginning. | 0:07:43 | 0:07:47 | |
It wasn't the thing I set out to do. | 0:07:47 | 0:07:50 | |
I suppose you could say upholstery found ME. | 0:07:50 | 0:07:52 | |
With my creative background in fashion design and textile design, | 0:07:56 | 0:08:00 | |
I was able to use those skills and redirect them | 0:08:00 | 0:08:03 | |
and now this is all I do. | 0:08:03 | 0:08:04 | |
I just give birth to chairs. I love them, yeah. | 0:08:04 | 0:08:09 | |
Well, that's great news, Ray, | 0:08:09 | 0:08:11 | |
because we have a chair for you that needs some serious TLC. | 0:08:11 | 0:08:15 | |
Two items loaded into the Money For Nothing van. | 0:08:23 | 0:08:27 | |
Now it's time for Jay to search for his own pound-making project. | 0:08:27 | 0:08:32 | |
Watch out, people. | 0:08:32 | 0:08:34 | |
Oh, that's a good one! That's a good one. | 0:08:35 | 0:08:38 | |
See, that's better than therapy, that is. That's what you need. | 0:08:38 | 0:08:41 | |
That may be so, Jay, | 0:08:41 | 0:08:43 | |
but what we really need is for you to find an item for yourself. | 0:08:43 | 0:08:47 | |
And Kevin might be the guy who puts a nice offer on the table for you. | 0:08:48 | 0:08:53 | |
-How we doing? Are you all right? -Yeah, fine, thank you very much. | 0:08:54 | 0:08:57 | |
This is quite nice. It's like going shopping. | 0:08:57 | 0:08:59 | |
-Sorry for rummaging in your boot. -You're absolutely fine. | 0:08:59 | 0:09:01 | |
-You help yourself. -That's quite nice. I do like those. | 0:09:01 | 0:09:04 | |
-Hold on, is that a table in there as well? -Yeah. | 0:09:04 | 0:09:08 | |
I'll put these to one side and then have a look at that. | 0:09:08 | 0:09:10 | |
That's nice. So, Kev, why are you throwing away this table? | 0:09:13 | 0:09:17 | |
-All this belongs to my mother-in-law. -OK. | 0:09:17 | 0:09:19 | |
And she's moving house, we've stuck her in a bungalow, | 0:09:19 | 0:09:22 | |
-and I'm clearing out the garage. -Cool, so how old is this? | 0:09:22 | 0:09:24 | |
How old does it go back? | 0:09:24 | 0:09:26 | |
-Ooh, judging by the look of it, I'd say it was about the '60s. -OK. | 0:09:26 | 0:09:29 | |
That's a really solid bit of table. Is it all right if I can have that? | 0:09:29 | 0:09:32 | |
-Course it is. -Yeah? -Absolutely. -Are you sure? -Yeah. -Cool. | 0:09:32 | 0:09:35 | |
Nice blag, Jay. | 0:09:35 | 0:09:37 | |
That's a cracking blank canvas to let your imagination run riot. | 0:09:37 | 0:09:42 | |
What I'm going to do, Kev, if it's all right with you, | 0:09:42 | 0:09:44 | |
I'm going to stay in contact and if I decide to do something | 0:09:44 | 0:09:46 | |
with this or we get something sorted, | 0:09:46 | 0:09:48 | |
I'll let you know exactly what we've done. Is that cool? | 0:09:48 | 0:09:51 | |
-Yeah, absolutely. -Nice one. Thanks for that. | 0:09:51 | 0:09:53 | |
-No problem, nice to talk to you. -Likewise. | 0:09:53 | 0:09:55 | |
Thank you, kind sir. | 0:09:55 | 0:09:57 | |
Any thoughts about what the future might hold for your little cast-off? | 0:09:57 | 0:10:01 | |
I think it's really good | 0:10:01 | 0:10:02 | |
that somebody's actually going to take some of this stuff away. | 0:10:02 | 0:10:05 | |
I was feeling a bit guilty putting it in the car | 0:10:05 | 0:10:07 | |
to bring it to the tip, just to throw it away, | 0:10:07 | 0:10:09 | |
so I would have thought that a good job on it, clean it all up, | 0:10:09 | 0:10:13 | |
sort it out, maybe change the colour of it or whatever, | 0:10:13 | 0:10:16 | |
that can give somebody a useful table and last for years to come. | 0:10:16 | 0:10:20 | |
Indeed. | 0:10:20 | 0:10:21 | |
I'm really chuffed I was able to save this. | 0:10:21 | 0:10:23 | |
It's got two things that I really do love. | 0:10:23 | 0:10:26 | |
One is Formica from the 1950s, '60s. And also, it's got some sexy legs. | 0:10:26 | 0:10:30 | |
The legs are tapered and they just look beautiful. | 0:10:30 | 0:10:33 | |
But I have to be able to turn this into a profit | 0:10:33 | 0:10:36 | |
and I believe I can do something really special with this, | 0:10:36 | 0:10:38 | |
so let's wait and see. | 0:10:38 | 0:10:40 | |
I very much look forward to it, Jay. | 0:10:41 | 0:10:43 | |
There you have it. Three items found. | 0:10:45 | 0:10:48 | |
Daniel will get on the case with Tim and Christiane's trunk. | 0:10:49 | 0:10:53 | |
Ray will tackle Gemma's wingback chair. | 0:10:53 | 0:10:57 | |
And Jay's got a good feeling about Kevin's table. | 0:10:57 | 0:11:00 | |
That's three incredible items that I've saved from the crusher. | 0:11:00 | 0:11:03 | |
Now what I've got to do is make them desirable and worth a bob or two. | 0:11:03 | 0:11:06 | |
Stratford in East London is home to a growing number of artists. | 0:11:14 | 0:11:18 | |
It's also where screen printer | 0:11:18 | 0:11:20 | |
and wallpaper designer Daniel has a studio. | 0:11:20 | 0:11:23 | |
I hope that Jay's brought me something interesting. | 0:11:23 | 0:11:26 | |
I know that he's aware of what I do | 0:11:26 | 0:11:28 | |
and that my comfort zone is printing | 0:11:28 | 0:11:31 | |
and putting imagery onto stuff. | 0:11:31 | 0:11:33 | |
I've travelled all this way to East London with my trusty case | 0:11:35 | 0:11:39 | |
to see my main man, Daniel. | 0:11:39 | 0:11:40 | |
I've got some ideas for this and I know he's just person | 0:11:40 | 0:11:43 | |
to actually turn them into reality. | 0:11:43 | 0:11:45 | |
-HE KNOCKS ON DOOR -Hello. | 0:11:47 | 0:11:49 | |
-Hey, Jay, how you doing? -You all right? | 0:11:49 | 0:11:51 | |
-Yeah, not bad. Good to see you. -Got you a little present. -Oh, right, OK. | 0:11:51 | 0:11:54 | |
-Let's have a look at this thing. -OK. | 0:11:54 | 0:11:56 | |
-It's really light. -It is quite light, actually. What do you think? | 0:11:56 | 0:12:01 | |
-Well, it... -It's nice, innit? | 0:12:01 | 0:12:04 | |
-It's drawn on. -It is drawn on, yeah. | 0:12:04 | 0:12:08 | |
It fooled me as well. I thought that was all hand-stitched. | 0:12:08 | 0:12:11 | |
-That's quite amazing. -Yeah, it's drawn on. | 0:12:11 | 0:12:14 | |
Hmm, so the case isn't quite as authentic as it first seemed. | 0:12:14 | 0:12:18 | |
Any other potential pitfalls, boys? | 0:12:18 | 0:12:21 | |
-It's cardboard, isn't it? -It is, yeah. 100% cardboard. | 0:12:22 | 0:12:26 | |
Genuine cardboard. | 0:12:26 | 0:12:27 | |
-It's like a breakfast cereal box or something like that. -There you go. | 0:12:27 | 0:12:32 | |
-Um... -I wouldn't have thought of it like that. | 0:12:32 | 0:12:35 | |
A breakfast cereal box with two wooden bits on top of it. | 0:12:35 | 0:12:37 | |
Suitcases date right back to Victorian times. | 0:12:39 | 0:12:43 | |
As car and air travel grew more popular, | 0:12:43 | 0:12:46 | |
different types of cases evolved. | 0:12:46 | 0:12:48 | |
Lightweight cardboard ones were most probably designed | 0:12:48 | 0:12:52 | |
to be lifted easily in and out of vehicles, | 0:12:52 | 0:12:55 | |
while more solid structured cases | 0:12:55 | 0:12:57 | |
would be used for taking abroad on holiday. | 0:12:57 | 0:13:00 | |
-I was thinking it can be turned into a table or something. -Yeah. | 0:13:00 | 0:13:03 | |
Like a coffee table, something like that, | 0:13:03 | 0:13:05 | |
where it's just keeping the kind of the character. | 0:13:05 | 0:13:08 | |
I think that sounds interesting | 0:13:08 | 0:13:10 | |
-because people like cases for that they are. -Yeah. | 0:13:10 | 0:13:13 | |
And then you don't want to detract | 0:13:13 | 0:13:15 | |
from the interesting piece that it is. | 0:13:15 | 0:13:18 | |
So, I think I'll try and make it continue to look like a case | 0:13:18 | 0:13:22 | |
but maybe give it a bit of a foundation inside. | 0:13:22 | 0:13:26 | |
Yes, please, cos it is, as you said, it's just a cereal box, isn't it? | 0:13:26 | 0:13:29 | |
-It is. -That's all it is. And that's not really durable at all. -No, no. | 0:13:29 | 0:13:33 | |
I think we're almost there. The only thing we're not on is the price. | 0:13:33 | 0:13:37 | |
-I think I can do it at £185. -£185, did you say? -I did. | 0:13:37 | 0:13:42 | |
-There we go, sir. -Brilliant. -I'm getting in there quick. -OK. | 0:13:42 | 0:13:44 | |
Thank you. That's... I'm a happy bumblebee, I must say. | 0:13:44 | 0:13:49 | |
As am I, Jay, as am I. | 0:13:50 | 0:13:52 | |
Why don't we buzz off and let Daniel do his thing? | 0:13:52 | 0:13:56 | |
I just knew it! Daniel's the man. | 0:13:57 | 0:13:59 | |
What he's going to do with his hand-printed wallpaper, | 0:13:59 | 0:14:02 | |
he's going to turn that cardboard into something really special. | 0:14:02 | 0:14:05 | |
I can't wait to see the end result. | 0:14:05 | 0:14:07 | |
It could be very special indeed, Jay. | 0:14:07 | 0:14:09 | |
Daniel has a budget of £185 to give this weary traveller a new identity. | 0:14:09 | 0:14:16 | |
But with material as fragile as this, | 0:14:16 | 0:14:20 | |
could it all come apart at those drawn-on seams? | 0:14:20 | 0:14:23 | |
Staying in the creative and hip world that is East London, | 0:14:28 | 0:14:32 | |
it's time to pay a visit to Poplar, | 0:14:32 | 0:14:34 | |
where upholsterer Ray is awaiting Jay and he's excited. | 0:14:34 | 0:14:39 | |
I've always wanted to work with Jay. | 0:14:39 | 0:14:41 | |
I love his eye for colour and detail. | 0:14:41 | 0:14:44 | |
He's bringing a piece of furniture | 0:14:44 | 0:14:45 | |
that the pair of us are going to work on. | 0:14:45 | 0:14:47 | |
I'm over the moon. I can't be happy enough. | 0:14:47 | 0:14:50 | |
This is like, yeah... Let's see what we can do together. | 0:14:50 | 0:14:54 | |
Jay meets Ray. Let's bring it on. | 0:14:54 | 0:14:57 | |
-Yeah. -Well, Ray, ten out of ten for enthusiasm. | 0:14:57 | 0:15:02 | |
Ray and Jay together at last. | 0:15:02 | 0:15:05 | |
Wow, it's a good thing this one's on wheels. It is really, really heavy. | 0:15:05 | 0:15:09 | |
So, I'm really chuffed now that I've brought this | 0:15:09 | 0:15:11 | |
to my old hunting ground, East London. | 0:15:11 | 0:15:14 | |
This is where Ray's new place is, | 0:15:14 | 0:15:15 | |
so I'm really chuffed that he's going to take this one on. | 0:15:15 | 0:15:18 | |
I've got some ideas of what I believe he could do to this | 0:15:18 | 0:15:21 | |
but I'm sure he's going to have some too, so the two of us together - | 0:15:21 | 0:15:24 | |
pff - it's going to be an amalgamation of creativity. | 0:15:24 | 0:15:26 | |
Let's go and take a look. | 0:15:26 | 0:15:28 | |
-JAY KNOCKS ON DOOR -Hello, Ray. Are you in there? | 0:15:30 | 0:15:33 | |
-Yeah. Hello, Jay. -Long time, no see, mate. | 0:15:33 | 0:15:36 | |
-All right? Good to see you. -You good? -I'm good, mate. Looking good. | 0:15:36 | 0:15:40 | |
-Thank you, sir, so are you. -Oh, there we go. | 0:15:40 | 0:15:42 | |
I'm looking pretty good myself. | 0:15:42 | 0:15:44 | |
Unlike this chair, which was left in the rain with some cats. | 0:15:44 | 0:15:49 | |
Oh. | 0:15:50 | 0:15:51 | |
So, what do you think of her? | 0:15:51 | 0:15:53 | |
Oh, er... Eurgh. | 0:15:53 | 0:15:56 | |
-Beautiful, beautiful. -It is, isn't it? | 0:15:56 | 0:15:59 | |
Lovely shape. | 0:15:59 | 0:16:00 | |
-Oh! -You're a brave man. -Yeah. | 0:16:00 | 0:16:04 | |
-I would not do that. I would not be smelling that. -I've done it now. | 0:16:04 | 0:16:07 | |
-Looks like it's got... Can I rip this down? -Yeah. | 0:16:07 | 0:16:12 | |
Oh, boy! | 0:16:13 | 0:16:14 | |
-That's a nice spring unit. -Yeah. -All in really good nick. -Yeah. | 0:16:14 | 0:16:19 | |
-None of them are broken, which is quite cool. -Or rusted or misshapen. | 0:16:19 | 0:16:23 | |
So, that could save us on some of the money, couldn't it, eh? | 0:16:24 | 0:16:26 | |
-You reckon? -Of course I reckon! I'm here to do a deal, mate. -All right. | 0:16:26 | 0:16:30 | |
I need to sell this. | 0:16:30 | 0:16:31 | |
So, despite the smell and damp, it looks like this chair is saveable. | 0:16:31 | 0:16:36 | |
It's a lovely shape, Jay. I'm thinking let's keep this simple. | 0:16:36 | 0:16:39 | |
I'm with you, 110%. Now, this is a classic. | 0:16:39 | 0:16:42 | |
-As you can see, these lines are really nice. -Yeah. | 0:16:42 | 0:16:44 | |
Lovely piping on here, | 0:16:44 | 0:16:46 | |
so let's bring it right up to the 21st century. | 0:16:46 | 0:16:48 | |
What kind of fabrics are you thinking of? | 0:16:48 | 0:16:50 | |
-Cos I'm thinking maybe wool. -I love wool. | 0:16:50 | 0:16:53 | |
I love wool or felt and the contrast. | 0:16:53 | 0:16:55 | |
And I'd probably add in a bit of velvet in there. | 0:16:55 | 0:16:57 | |
-I like that kind of luxurious feel. -Short-pile velvet for the piping. | 0:16:57 | 0:17:00 | |
-Definitely short-pile. -Yeah? -Yeah, and I think, on this one, | 0:17:00 | 0:17:03 | |
it looks like it belongs next to a fireplace, | 0:17:03 | 0:17:06 | |
so the more cosiness we could create within this chair | 0:17:06 | 0:17:09 | |
-and within the fabric, then we're laughing. -Yeah. | 0:17:09 | 0:17:11 | |
Oh, I can already hear the crackling of the fire, gentlemen. | 0:17:12 | 0:17:16 | |
Short-pile velvet is not only soft and luxurious to the touch, | 0:17:18 | 0:17:22 | |
but adds an air of sophistication. | 0:17:22 | 0:17:25 | |
-So, we're talking about modern reupholstery... -Yeah. | 0:17:25 | 0:17:28 | |
..using, like, some beautiful wools, some nice, subtle details, | 0:17:28 | 0:17:33 | |
-do you know what I mean? -Yeah. -Nothing too crazy. -Yes. | 0:17:33 | 0:17:37 | |
Just a nice, warm, considered piece | 0:17:37 | 0:17:40 | |
that will just suit anyone's home, really. | 0:17:40 | 0:17:43 | |
With the structure of the chair intact, | 0:17:43 | 0:17:46 | |
it's all about keeping the design as simple as possible. | 0:17:46 | 0:17:50 | |
Better still, Jay's got some surplus fabric, | 0:17:51 | 0:17:54 | |
left from a previous job, to help save the pennies. | 0:17:54 | 0:17:57 | |
And, on that note, what's the damage, Ray? | 0:17:57 | 0:18:00 | |
I'm saying £750? | 0:18:00 | 0:18:02 | |
I would say £675, and I'm going to give you the fabric | 0:18:02 | 0:18:05 | |
and next time I see you, I'll bring you a cup of tea. | 0:18:05 | 0:18:08 | |
-I think that's a good deal. -Yeah... But not Earl Grey, though. | 0:18:08 | 0:18:12 | |
-OK. -OK? -Done. -Done. -Thank you, sir. | 0:18:12 | 0:18:15 | |
Sounds like a good deal. Well done, boys. | 0:18:15 | 0:18:19 | |
I know what Jay wants. | 0:18:19 | 0:18:21 | |
This is going to turn out to be a really classic, beautiful, | 0:18:21 | 0:18:25 | |
subtle but...considered piece. | 0:18:25 | 0:18:29 | |
Wow, that's really special. | 0:18:29 | 0:18:31 | |
I can't wait to see the end result of that. | 0:18:31 | 0:18:33 | |
I knew I'd brought it to the right place. | 0:18:33 | 0:18:35 | |
My ideas and Ray's ideas come together to make one special chair. | 0:18:35 | 0:18:39 | |
I'm just hoping that we turn this one into a top cat again. | 0:18:39 | 0:18:43 | |
Indeed, Jay. | 0:18:43 | 0:18:45 | |
To transform the chair, Ray has a budget of £675, | 0:18:46 | 0:18:50 | |
including the material from Jay. | 0:18:50 | 0:18:53 | |
But has he underestimated the size of the task ahead? | 0:18:53 | 0:18:57 | |
Wolverhampton in the West Midlands is a town with a rich history, | 0:19:04 | 0:19:08 | |
from the woollen trade to coal mining, | 0:19:08 | 0:19:11 | |
steel production and automobile manufacturing. | 0:19:11 | 0:19:14 | |
Today, furniture designers and makers are adding | 0:19:14 | 0:19:17 | |
their own story to the city. | 0:19:17 | 0:19:19 | |
And it's where Jay has his workshop - | 0:19:20 | 0:19:22 | |
a good place to tackle this interesting table. | 0:19:22 | 0:19:26 | |
Formica is made of paper and it's layers and layers of thin paper, | 0:19:26 | 0:19:31 | |
with a kind of resin in between it | 0:19:31 | 0:19:33 | |
and then you have this protective layer on top, | 0:19:33 | 0:19:37 | |
which gives it heat resistance and you can put your pots, | 0:19:37 | 0:19:40 | |
and spillage, you can wipe them up. Really versatile. | 0:19:40 | 0:19:43 | |
But, over the years, it starts to give way - as we all do. | 0:19:43 | 0:19:48 | |
Speak for yourself, Jay! | 0:19:48 | 0:19:50 | |
Jay's decided to add some serious colour to the table, | 0:19:52 | 0:19:55 | |
using wallpaper and paint. | 0:19:55 | 0:19:57 | |
I'm going to bring this table from the '50s to the 21st century, | 0:19:57 | 0:20:01 | |
and with this colour combination, it's really going to pop. | 0:20:01 | 0:20:04 | |
First things first, is to take it apart. | 0:20:05 | 0:20:08 | |
In an ideal world, that should just lift off. Let's hope. | 0:20:10 | 0:20:14 | |
Perfection. | 0:20:15 | 0:20:16 | |
Next, it's time for some serious sanding. | 0:20:18 | 0:20:21 | |
That's a lovely bit of beech, that is. | 0:20:25 | 0:20:28 | |
And it's come up really, really nice. | 0:20:28 | 0:20:30 | |
European beech is a particular favourite | 0:20:30 | 0:20:33 | |
among those who regularly work with wood. | 0:20:33 | 0:20:36 | |
Due to the closed porous cell structure of the species, | 0:20:36 | 0:20:40 | |
a very high quality of finish can be achieved. | 0:20:40 | 0:20:43 | |
So, one down, three more to go. | 0:20:43 | 0:20:45 | |
With the legs sanded, | 0:20:51 | 0:20:53 | |
it's time to prep the table top frame in the same manner. | 0:20:53 | 0:20:56 | |
So, they're all sanded now. | 0:20:59 | 0:21:02 | |
And I'm going to paint this a really vibrant orange. | 0:21:02 | 0:21:05 | |
But I need to do an undercoat on that first. | 0:21:05 | 0:21:07 | |
The outside is going to be black | 0:21:07 | 0:21:09 | |
and the outside of this is going to be black. Let's get busy. | 0:21:09 | 0:21:13 | |
I do like it when we get busy. | 0:21:13 | 0:21:15 | |
Now, that's a colour, isn't it?! | 0:21:24 | 0:21:26 | |
Putting my sunglasses on now, Jay. Carry on. | 0:21:26 | 0:21:29 | |
I think it really, really does work. | 0:21:31 | 0:21:34 | |
With the crazy colours applied, it's on with the wallpaper paste. | 0:21:34 | 0:21:39 | |
This paste I've got is already mixed up, | 0:21:39 | 0:21:42 | |
so I don't need to get water and mix it, like the old-fashioned way. | 0:21:42 | 0:21:46 | |
Jay's colourful approach is definitely his signature look, | 0:21:48 | 0:21:52 | |
but having only spent £10 so far, | 0:21:52 | 0:21:55 | |
will this table be bright and beautiful or a total mishmash? | 0:21:55 | 0:22:00 | |
Back in Stratford, designer Daniel is about to take | 0:22:06 | 0:22:10 | |
the old blue suitcase on another journey - | 0:22:10 | 0:22:13 | |
one that will transform it into a coffee table. | 0:22:13 | 0:22:16 | |
It's a nice piece. | 0:22:16 | 0:22:18 | |
It's got character and colour to it, but it's pretty rickety. | 0:22:18 | 0:22:22 | |
So, what I'm going to do is line the inside with a wooden box, basically, | 0:22:22 | 0:22:29 | |
like a skeleton inside, to give it some strength, | 0:22:29 | 0:22:32 | |
some structure and some weight to it. | 0:22:32 | 0:22:34 | |
That would give me something I could put the legs into underneath, | 0:22:34 | 0:22:37 | |
through the bottom of the case. | 0:22:37 | 0:22:39 | |
And it'll also be an area that I can apply my wallpaper to as well, | 0:22:39 | 0:22:43 | |
so we can put some pattern into there and make it | 0:22:43 | 0:22:47 | |
a bit more interesting on the inside as well. | 0:22:47 | 0:22:49 | |
To get this coffee table off the ground, | 0:22:51 | 0:22:53 | |
Daniel strips down the case and begins the strengthening process. | 0:22:53 | 0:22:58 | |
It's quite challenging because the... | 0:22:58 | 0:23:01 | |
It's quite brittle but I have to be quite forceful | 0:23:02 | 0:23:05 | |
to wrench these bits off | 0:23:05 | 0:23:07 | |
and I just don't want to tear the whole thing in half. | 0:23:07 | 0:23:11 | |
To strengthen the case, Daniel cuts the ply to size and drops it in. | 0:23:12 | 0:23:18 | |
Now for the sides. | 0:23:19 | 0:23:21 | |
OK, so you can see I need to do some more adjustments on the sides | 0:23:23 | 0:23:28 | |
but, once that's in, we've got a good solid base | 0:23:28 | 0:23:31 | |
that we can screw the legs onto. | 0:23:31 | 0:23:34 | |
I think it's going to be a lot more sturdy. | 0:23:34 | 0:23:37 | |
With reinforcement a success, it's on to papering the insides. | 0:23:37 | 0:23:42 | |
I'm just making up a small amount of wallpaper paste, | 0:23:50 | 0:23:53 | |
so that I've got enough to line the suitcase, | 0:23:53 | 0:23:56 | |
or the panelling that I fitted out on the inside of the suitcase. | 0:23:56 | 0:24:01 | |
So, I'm not going to need very much, so there should be enough in here. | 0:24:01 | 0:24:04 | |
I'm going to start with doing the base. | 0:24:09 | 0:24:12 | |
-OK. -I had my doubts about this one, but do you know what? | 0:24:14 | 0:24:18 | |
It might just work. | 0:24:18 | 0:24:20 | |
Carry on, Daniel. You're definitely on the case. Oh, dear. | 0:24:20 | 0:24:25 | |
Barely three miles away, in Poplar, | 0:24:33 | 0:24:36 | |
Ray is about to take on the old wingback chair. | 0:24:36 | 0:24:40 | |
-Eurgh! -HE COUGHS | 0:24:40 | 0:24:42 | |
Eurgh! This is going to be a filthy rip-down. Filthy rip-down. | 0:24:42 | 0:24:47 | |
Oh, we like filthy rip-downs on this show. | 0:24:47 | 0:24:50 | |
Oh, I really hope there's nothing live in there. | 0:24:59 | 0:25:01 | |
It's making all kinds of funny noises. | 0:25:01 | 0:25:03 | |
Oh, I've just seen a woodlouse in there. Oh! | 0:25:10 | 0:25:14 | |
And it's crawling, which means eggs, which means larvae, | 0:25:14 | 0:25:20 | |
which means woodworm. | 0:25:20 | 0:25:22 | |
Let's continue on. | 0:25:23 | 0:25:25 | |
Although harmless, these slaters, sow bugs and pill bugs, | 0:25:26 | 0:25:30 | |
which woodlice are also known as, like to feed upon rotten wood. | 0:25:30 | 0:25:35 | |
There are sprays and powders available | 0:25:35 | 0:25:38 | |
to neutralise the unwelcome visitors, | 0:25:38 | 0:25:40 | |
but the best thing a homeowner can do is simply sweep them up | 0:25:40 | 0:25:44 | |
and put them back outside at a safe distance from your home. | 0:25:44 | 0:25:48 | |
I'm trying to save their life. I know they're woodlice, but... | 0:25:48 | 0:25:52 | |
Good man, Ray. | 0:25:52 | 0:25:54 | |
In view of the state of this chair, | 0:25:58 | 0:26:00 | |
it's going to look like a complete strip down to the frame and rebuild. | 0:26:00 | 0:26:03 | |
I can't risk re-covering any part of this upholstery | 0:26:03 | 0:26:07 | |
while this infestation has occurred. | 0:26:07 | 0:26:10 | |
It's going to mean more labour and more time, but it's got to be done. | 0:26:10 | 0:26:15 | |
And at the end of the day, Jay'll be happy to sit in a chair | 0:26:15 | 0:26:19 | |
that won't be crawling with woodlice, so... | 0:26:19 | 0:26:22 | |
I reckon you're right about that, Ray. | 0:26:22 | 0:26:26 | |
But, with some unexpected friends adding more time to Ray's task, | 0:26:27 | 0:26:32 | |
any future prospects of making a profit | 0:26:32 | 0:26:34 | |
have just got that bit smaller. | 0:26:34 | 0:26:37 | |
Ooh. | 0:26:38 | 0:26:39 | |
In Wolverhampton, Jay's hard at work | 0:26:46 | 0:26:49 | |
putting the finishing touches to the Formica table. | 0:26:49 | 0:26:52 | |
A little hair's dropped into that. | 0:26:52 | 0:26:54 | |
You might not have seen it but I did. | 0:26:56 | 0:26:57 | |
It's the little touches that make all the difference. | 0:26:57 | 0:27:01 | |
When Jay picked up the table, | 0:27:01 | 0:27:03 | |
it was moments away from being consigned to the tip. | 0:27:03 | 0:27:07 | |
# One, two, one, two, three, four... | 0:27:07 | 0:27:09 | |
# Fill me up | 0:27:11 | 0:27:13 | |
# Fill me up... # | 0:27:15 | 0:27:17 | |
But Jay saw its potential, stripping it right back, | 0:27:17 | 0:27:21 | |
giving it some care, attention, a whole lot of love | 0:27:21 | 0:27:24 | |
and, more importantly, lots of wonderful colour. | 0:27:24 | 0:27:28 | |
It is unrecognisable and it'll be a long time | 0:27:28 | 0:27:32 | |
before it faces any more trips to the tip. | 0:27:32 | 0:27:35 | |
The orange and black, I know just works really, really well together. | 0:27:35 | 0:27:39 | |
Hopefully, someone else will see the same thing that I do, | 0:27:39 | 0:27:42 | |
which is this is a gem of a design. | 0:27:42 | 0:27:45 | |
The legs, very contemporary. | 0:27:45 | 0:27:47 | |
The colour just oozes, | 0:27:47 | 0:27:49 | |
and the top now - come on - what's not to love on this one? | 0:27:49 | 0:27:52 | |
Very little, Jay, very little indeed. | 0:27:52 | 0:27:55 | |
Ready for a new home and to see some dinner parties | 0:27:57 | 0:28:00 | |
and it needs a little bit of dressing | 0:28:00 | 0:28:02 | |
before I take the pictures and post it up online. | 0:28:02 | 0:28:04 | |
Adding a bit of dressing is always a good thing | 0:28:06 | 0:28:08 | |
when it comes to netting a sale. | 0:28:08 | 0:28:11 | |
I think that is a picture. | 0:28:11 | 0:28:13 | |
It would help if I had my phone to take a picture. | 0:28:14 | 0:28:17 | |
Jay first caught sight of the table | 0:28:21 | 0:28:24 | |
whilst Kevin was being a dutiful son-in-law. | 0:28:24 | 0:28:26 | |
-All this belongs to my mother-in-law. -OK. | 0:28:26 | 0:28:28 | |
And she's moving house, we've stuck her in a bungalow | 0:28:28 | 0:28:31 | |
and I'm clearing out the garage. | 0:28:31 | 0:28:32 | |
Luckily, Jay could see a bright future for the table | 0:28:32 | 0:28:35 | |
and, with a colourful flick of the wrist... | 0:28:35 | 0:28:38 | |
Jay did eventually find his phone to post piccies of the table online. | 0:28:41 | 0:28:46 | |
And it sold to Petit Miracle Interiors, | 0:28:46 | 0:28:49 | |
a furniture restoration shop in London. | 0:28:49 | 0:28:52 | |
General manager Kate is a fan. | 0:28:52 | 0:28:54 | |
The thing that originally caught my eye | 0:28:54 | 0:28:57 | |
was the use of colour. It's really attractive. | 0:28:57 | 0:28:59 | |
It's not necessarily a mix of colours that I would put together | 0:28:59 | 0:29:02 | |
but I think, when you look at the table, | 0:29:02 | 0:29:05 | |
you can really tell how beautiful they look. | 0:29:05 | 0:29:07 | |
And it's quite unusual and that's what we like to look for as well. | 0:29:07 | 0:29:11 | |
Now Jay is en route to Kevin in Rugby to hand over some cash. | 0:29:11 | 0:29:16 | |
But how much? | 0:29:16 | 0:29:18 | |
JAY KNOCKS ON DOOR | 0:29:18 | 0:29:19 | |
-Hello, Jay. -How you doing, Kevin? You all right? | 0:29:21 | 0:29:23 | |
-Good, thank you. You? -Not too bad. -Nice to see you. -Likewise. | 0:29:23 | 0:29:26 | |
Do you remember the old table that you brought along | 0:29:26 | 0:29:28 | |
-to the recycling centre? -I certainly do, yeah. | 0:29:28 | 0:29:30 | |
-And it belonged to your...? -Mother-in-law. | 0:29:30 | 0:29:32 | |
-Well, I took it on as a project myself. -Yeah. -And I transformed it. | 0:29:32 | 0:29:36 | |
-OK. -Kept it as a table though. | 0:29:36 | 0:29:38 | |
And transformed it into... | 0:29:38 | 0:29:41 | |
Oh, yeah, wow! That is so different. Now that IS a transformation. | 0:29:41 | 0:29:46 | |
-It is a bit, isn't it? -Yeah, it's just incredible. | 0:29:46 | 0:29:49 | |
-My signature is, like, some bright vibrancy colour. -I can see THAT! | 0:29:49 | 0:29:54 | |
-And I'm pleased to tell you that we've sold it. -Right. | 0:29:54 | 0:29:58 | |
And I have some profit for you. | 0:29:58 | 0:30:00 | |
-So, I've got £125... -Oh, my goodness me! | 0:30:00 | 0:30:04 | |
-..for yourself, sir. -Thank you very much. -All right? -Wow! | 0:30:04 | 0:30:07 | |
Any ideas of what you might do with that? | 0:30:07 | 0:30:09 | |
-Well, we recently had a little granddaughter. -All right. | 0:30:09 | 0:30:12 | |
And we've spoken to the mother-in-law, so between us, | 0:30:12 | 0:30:15 | |
-we're going to buy something for the baby. -Ah, bless. That's perfect. | 0:30:15 | 0:30:21 | |
-Yeah. -All right. -All right, lovely. Nice to see you. -Likewise. | 0:30:21 | 0:30:25 | |
-Thank you very much. -And you never know, | 0:30:25 | 0:30:27 | |
-I might see you at the recycling centre again. -You never know. | 0:30:27 | 0:30:30 | |
-Right. -Take care. Bye-bye. -See you later. | 0:30:30 | 0:30:32 | |
Transforming that 1950s kitchen table was such a joy | 0:30:34 | 0:30:38 | |
and it's a pleasure to know that the profit we made is going towards | 0:30:38 | 0:30:42 | |
a present for Kevin's brand-new granddaughter. | 0:30:42 | 0:30:44 | |
Jay spent £10 on materials. | 0:30:46 | 0:30:49 | |
The interiors boutique bought it for £135, | 0:30:49 | 0:30:53 | |
leaving a £125 profit for Kevin's granddaughter. | 0:30:53 | 0:30:58 | |
Excellent! | 0:30:58 | 0:31:00 | |
In Stratford, East London, | 0:31:07 | 0:31:09 | |
Daniel is giving his coffee table a final polish. | 0:31:09 | 0:31:13 | |
I hope that Jay likes what we've done with it. | 0:31:13 | 0:31:16 | |
I think it looks very different to how it came here | 0:31:16 | 0:31:18 | |
but it still holds some of the character | 0:31:18 | 0:31:21 | |
and some of the telltale signs of wear | 0:31:21 | 0:31:24 | |
and the fact that it's had a life. | 0:31:24 | 0:31:26 | |
I'm back to see Daniel, to pick up that sweet little suitcase. | 0:31:26 | 0:31:30 | |
Hopefully, he's kept some of the charm | 0:31:30 | 0:31:32 | |
and added his own little twist to it. | 0:31:32 | 0:31:34 | |
Back at the tip, Jay spotted this old case | 0:31:34 | 0:31:37 | |
about to make its final journey. | 0:31:37 | 0:31:39 | |
And boy, oh, boy, this time it's travelled first class. | 0:31:47 | 0:31:52 | |
It was on the verge of falling apart, | 0:31:52 | 0:31:55 | |
but Daniel gave it a new solid interior and built it back up | 0:31:55 | 0:32:00 | |
by adding funky modern legs, | 0:32:00 | 0:32:02 | |
a beautiful design | 0:32:02 | 0:32:04 | |
and he's topped it off with solid glass. | 0:32:04 | 0:32:07 | |
There are coffee tables and then there are coffee tables by Daniel. | 0:32:09 | 0:32:13 | |
What a cracking result. | 0:32:13 | 0:32:14 | |
-Hello? -Hey. -How you doing, sir? -How you doing? | 0:32:14 | 0:32:18 | |
Oh, that looks special! | 0:32:18 | 0:32:21 | |
-Oh, that is nice. -I'm glad you like it. -Whoo! | 0:32:21 | 0:32:24 | |
I wanted to keep some of the outer | 0:32:24 | 0:32:27 | |
-because there was so little of the thing in the first place. -Yeah. | 0:32:27 | 0:32:31 | |
I didn't want to do too much to that | 0:32:31 | 0:32:34 | |
but then the inside is, obviously, a real contrast to that. | 0:32:34 | 0:32:38 | |
Oh, it's... It's cool! | 0:32:38 | 0:32:41 | |
Cool is a bit of an understatement, Jay. | 0:32:43 | 0:32:45 | |
I love this transformation, | 0:32:45 | 0:32:47 | |
especially considering the fragility of the suitcase | 0:32:47 | 0:32:50 | |
when it was handed over to Daniel. | 0:32:50 | 0:32:52 | |
That was the biggest challenge - | 0:32:52 | 0:32:54 | |
to make the case sturdy | 0:32:54 | 0:32:57 | |
and to give it, basically, some skeleton inside. | 0:32:57 | 0:33:00 | |
Rigidity, yeah. I really like it. | 0:33:00 | 0:33:02 | |
But has Daniel stayed within the budget of £185? | 0:33:02 | 0:33:07 | |
-Did we come in on budget? -Yeah. | 0:33:07 | 0:33:10 | |
It was, as ever, more time than expense, really. | 0:33:10 | 0:33:12 | |
I think you've made such a quirky little coffee table, | 0:33:12 | 0:33:17 | |
with storage, and I've just got to sell it. So, thank you, sir. | 0:33:17 | 0:33:21 | |
-Cheers, Jay. -I'll be off. All right? -Take care. -Take care. -Thank you. | 0:33:21 | 0:33:26 | |
Wow, what a transformation! | 0:33:26 | 0:33:28 | |
Daniel adding his printed designs inside that little suitcase | 0:33:28 | 0:33:32 | |
has just made sure it's ready for another journey. | 0:33:32 | 0:33:36 | |
I'm glad that he saw that what we'd done with it | 0:33:36 | 0:33:38 | |
maintained that character but gave it something fresh and new as well, | 0:33:38 | 0:33:42 | |
so, yeah, I'm glad he was pleased, yeah. | 0:33:42 | 0:33:46 | |
The blue suitcase caught Jay's eye | 0:33:50 | 0:33:53 | |
when Tim and Christiane decided it was time for a clear-out. | 0:33:53 | 0:33:57 | |
-It's rusty, it's rusty. -Oh, it's rusty. | 0:33:57 | 0:33:59 | |
-You can't use it. -OK you can't use it. -And we're decluttering. | 0:33:59 | 0:34:02 | |
With the suitcase saved from the tip, | 0:34:02 | 0:34:04 | |
Jay knew that Dan was the man for the job, and he was right. | 0:34:04 | 0:34:08 | |
The coffee table was snapped up | 0:34:11 | 0:34:14 | |
by a vintage and retro home furnishings company in Shropshire. | 0:34:14 | 0:34:18 | |
Now Jay is off to Walsall to visit Tim and Christiane | 0:34:20 | 0:34:24 | |
and hand over some cash. | 0:34:24 | 0:34:26 | |
Wow, now, that's a knocker, innit? | 0:34:28 | 0:34:30 | |
-Hello! -Hello. -Hello, Christiane. Are you all right? -Yes, thank you. | 0:34:32 | 0:34:35 | |
-How you doing, Tim? All right? -Yeah, well, thanks. | 0:34:35 | 0:34:37 | |
-So, how are you guys doing? -Very well, very well. -Very well? -Yeah. | 0:34:37 | 0:34:40 | |
Do you remember the suitcase that you guys brought down | 0:34:40 | 0:34:43 | |
-to the recycling centre? -We do. -And fond memories you have of that? | 0:34:43 | 0:34:47 | |
-Fonder than ever. -Oh, bless you. | 0:34:47 | 0:34:50 | |
Well, I took it to a young designer called Daniel Heath, | 0:34:50 | 0:34:53 | |
who worked his magic on it and turned it into... | 0:34:53 | 0:34:56 | |
-Oh, wow! -Let's see if I can get it... -Wow! -Oh, wow! | 0:34:56 | 0:35:00 | |
-It's a coffee table. -A coffee table with glass on top and sides. | 0:35:00 | 0:35:04 | |
-Beautiful! It's very smart. -It's amazing. -Very smart. | 0:35:04 | 0:35:07 | |
-It's classy, isn't it? -Yeah. | 0:35:07 | 0:35:09 | |
So, this is an art deco-inspired pattern by Daniel | 0:35:09 | 0:35:12 | |
and what he had to do, because the suitcase is made of cardboard, | 0:35:12 | 0:35:15 | |
he had to strengthen it inside for the glass to rest on something | 0:35:15 | 0:35:20 | |
and also the legs to be screwed in. | 0:35:20 | 0:35:22 | |
Cos it couldn't be screwed into cardboard. | 0:35:22 | 0:35:24 | |
-It certainly looks sturdy now, doesn't it? -It's very sturdy. | 0:35:24 | 0:35:27 | |
-You can still see it's very much a suitcase. -Yeah. | 0:35:27 | 0:35:30 | |
I think it's a work of art, to tell the honest truth. | 0:35:30 | 0:35:32 | |
-It is a work of art. -With the stickers. | 0:35:32 | 0:35:35 | |
The stickers are very important. | 0:35:35 | 0:35:37 | |
That combination between the really stylish art deco lining | 0:35:37 | 0:35:41 | |
and your sticker on the side is...just prefect. | 0:35:41 | 0:35:44 | |
-It makes you smile then, doesn't it? -It does. | 0:35:44 | 0:35:46 | |
-And I think the stickers are cool in their own right. -Of course they are. | 0:35:46 | 0:35:49 | |
-They're not art deco, but they are very cool. -I thought they were cool. | 0:35:49 | 0:35:52 | |
-I thought they were happy. -Yeah. | 0:35:52 | 0:35:53 | |
And you'll be pleased to know that we was able to sell that | 0:35:53 | 0:35:56 | |
and I have...some profit for you. | 0:35:56 | 0:36:00 | |
-Oh! -I have... -Some good news today. | 0:36:00 | 0:36:03 | |
-Some good news. £95. -Wow! -Wow! | 0:36:03 | 0:36:07 | |
-For doing nothing. For giving you a suitcase at the tip. -Yes. | 0:36:07 | 0:36:11 | |
-And seeing a beautiful product like that. -Exactly. | 0:36:11 | 0:36:13 | |
-What are you likely to do with £95? -I've spent it already. | 0:36:13 | 0:36:16 | |
But I won't let you spend it. It was MY suitcase. | 0:36:16 | 0:36:19 | |
I think it will go to children. | 0:36:19 | 0:36:21 | |
We support some children abroad in developing countries. | 0:36:21 | 0:36:23 | |
-We have four, so we can add something to their birthdays. -Yes. | 0:36:23 | 0:36:27 | |
And then we'll have a drink with our own children in England. | 0:36:27 | 0:36:29 | |
Ah, that's nice, that's nice. Bless you. | 0:36:29 | 0:36:32 | |
So, that's a good cause and I'm going to love you and leave you. | 0:36:32 | 0:36:35 | |
-So, thank you for the suitcase. -No, thank YOU. Very exciting, thank you. | 0:36:35 | 0:36:38 | |
We'll never go to the tip again! | 0:36:38 | 0:36:41 | |
Oh, bless you. You take care now. Bye-bye. | 0:36:41 | 0:36:43 | |
Christiane and Tim were over the moon with that transformation | 0:36:45 | 0:36:48 | |
and who could blame them? | 0:36:48 | 0:36:50 | |
Daniel charged £185 to work his magic. | 0:36:50 | 0:36:55 | |
The vintage store bought it for £280, | 0:36:55 | 0:36:59 | |
leaving a £95 profit for Tim and Christiane. | 0:36:59 | 0:37:03 | |
Back in East London, Ray is making some last-minute adjustments | 0:37:10 | 0:37:15 | |
to the wingback chair. | 0:37:15 | 0:37:17 | |
And there's not a whiff of cats to be had anywhere. | 0:37:17 | 0:37:20 | |
'Overall, I'm really pleased with the finished look.' | 0:37:20 | 0:37:24 | |
It's a pretty nice solid piece there, | 0:37:24 | 0:37:26 | |
so, yeah, I just hope Jay likes it. | 0:37:26 | 0:37:28 | |
I'm here to pick that old red chair up from Ray. | 0:37:29 | 0:37:31 | |
Hopefully, he's given me a very slick, cool, | 0:37:31 | 0:37:34 | |
contemporary transformation. | 0:37:34 | 0:37:36 | |
Back at the tip, Jay took a shine to a chair | 0:37:37 | 0:37:40 | |
that had reached the end of the road. | 0:37:40 | 0:37:43 | |
Now it's a chair with a whole new beginning. | 0:37:53 | 0:37:56 | |
Ray has made us very proud with this one. | 0:37:56 | 0:38:00 | |
After requiring a complete strip down, | 0:38:00 | 0:38:03 | |
as well as some pest control, | 0:38:03 | 0:38:05 | |
this really is a tremendous result. | 0:38:05 | 0:38:07 | |
That short-pile velvet from Jay works perfectly | 0:38:07 | 0:38:11 | |
and Ray's stitching, detail and overall craftsmanship | 0:38:11 | 0:38:15 | |
is as sophisticated as promised. | 0:38:15 | 0:38:18 | |
Nice one, Ray! | 0:38:18 | 0:38:20 | |
-How you doing, Ray? -How's it going, man? | 0:38:20 | 0:38:23 | |
Cor blimey, you've got some work in here now haven't you? | 0:38:23 | 0:38:25 | |
-Yeah, I'm very busy. -Very busy. Whoa-oa! Look at that, mate! | 0:38:25 | 0:38:29 | |
-It's all right, innit? -It's a bit more than all right! -Yeah. | 0:38:29 | 0:38:32 | |
That is nice! | 0:38:32 | 0:38:34 | |
Very nice. Very nice indeed. | 0:38:34 | 0:38:37 | |
I think what you've done is just... It works, 100% works. | 0:38:37 | 0:38:43 | |
You have most definitely surpassed yourself on this one, Ray. | 0:38:43 | 0:38:46 | |
-Thank you. -I'm telling, you this is supercool. | 0:38:46 | 0:38:49 | |
-I wanted something slick, cool, contemporary. -Yeah. | 0:38:49 | 0:38:52 | |
And you've given it to me. | 0:38:52 | 0:38:54 | |
Thank you, Ray. You are most kind. | 0:38:55 | 0:38:58 | |
Now, more importantly, is Ray within his £675 budget? | 0:38:59 | 0:39:04 | |
-Tell me you've come in on budget. -Mate, we've come in on budget. | 0:39:04 | 0:39:08 | |
-Thank you, sir! -Do you know what I mean? -That's good. | 0:39:08 | 0:39:10 | |
-I'm really glad of that. That's, oh, made my day. -Cool. Wicked. | 0:39:10 | 0:39:15 | |
-So, your work's done. -Mm-hmm. -Now my work begins. -Yeah. -All right. | 0:39:15 | 0:39:19 | |
-So, thank you. -Thank you. -And I'll see you again soon. -Nice one, Jay. | 0:39:19 | 0:39:22 | |
-Take care, Ray. -Take care. Bye-bye. | 0:39:22 | 0:39:24 | |
Overall, a tremendous result. | 0:39:26 | 0:39:29 | |
Ray has definitely pulled this one out the bag. | 0:39:29 | 0:39:32 | |
What he did was turn it into something cool, | 0:39:32 | 0:39:34 | |
contemporary and very stylish. | 0:39:34 | 0:39:37 | |
All I've got to do is sell it now. | 0:39:37 | 0:39:39 | |
I'm so pleased that he likes it. | 0:39:39 | 0:39:41 | |
I kind of got the impression, got the idea of what Jay was after, | 0:39:41 | 0:39:44 | |
and I'm glad I've been able to deliver it for him. | 0:39:44 | 0:39:47 | |
What a transformation it is | 0:39:47 | 0:39:50 | |
and it all began at Walsall Recycling Centre. | 0:39:50 | 0:39:53 | |
-How you doing? I'm Jay. -Hello. -You all right? -Yes. -Good on you. | 0:39:53 | 0:39:56 | |
-What you doing with this? Obviously, you're throwing it away. -Yeah. | 0:39:56 | 0:40:00 | |
The red chair was spotted by Jay | 0:40:00 | 0:40:02 | |
as Gemma was about to put it out of its misery. | 0:40:02 | 0:40:05 | |
So, I've been really trimming everything back completely, | 0:40:05 | 0:40:08 | |
so I got rid of it, put it in the garden, | 0:40:08 | 0:40:10 | |
thinking, "I'll find a home for that." | 0:40:10 | 0:40:12 | |
But then it tipped with rain and then cats came and lay on it | 0:40:12 | 0:40:15 | |
and it's been in the garden all summer. | 0:40:15 | 0:40:16 | |
Yeah, it was in a right mess, | 0:40:17 | 0:40:20 | |
but Jay knew that Ray had the skills to save it. | 0:40:20 | 0:40:23 | |
From the stinky cats... | 0:40:24 | 0:40:26 | |
..to the cat's meow. | 0:40:27 | 0:40:29 | |
Now Jay is in Walsall to see Gemma to show her the transformation. | 0:40:32 | 0:40:37 | |
-Hello, Gemma. -Hello, Jay. -How you doing? -All right. -You all right? | 0:40:42 | 0:40:45 | |
So, do you remember the red chair you brought to us | 0:40:45 | 0:40:48 | |
-at the recycling centre? -I do. -If I remember rightly, | 0:40:48 | 0:40:51 | |
you had it outside or did you have it in the garden? | 0:40:51 | 0:40:54 | |
It was, for a while, unfortunately. Got a little bit mouldy. | 0:40:54 | 0:40:58 | |
-And the cats were... -The cats completely scratched it to pieces, | 0:40:58 | 0:41:01 | |
which is why I took it out to the garden. | 0:41:01 | 0:41:03 | |
And you was a bit reluctant, if I remember rightly, | 0:41:03 | 0:41:05 | |
to take it to the dump. You was going to do it up yourself. | 0:41:05 | 0:41:08 | |
-I really hate throwing things away. I've been a hoarder for years. -Yeah. | 0:41:08 | 0:41:11 | |
And recently, um, I've been trying to get rid of being a hoarder. | 0:41:11 | 0:41:15 | |
As you see, I live in a small house and you can't keep everything. | 0:41:15 | 0:41:19 | |
No, you can't. What I did was I took it to a guy called Ray Clarke... | 0:41:19 | 0:41:22 | |
-OK. -..who transformed your red chair. | 0:41:22 | 0:41:24 | |
And, if you remember, that was what it looks like before. | 0:41:24 | 0:41:27 | |
-Yeah, I remember. -Yeah, red, cats tearing at it. -Scratched to pieces. | 0:41:27 | 0:41:31 | |
Oh, bless. And this is what he's done to it. | 0:41:31 | 0:41:34 | |
-Ooh, I like! It's kind of a bit asymmetric, isn't it? -Yeah. | 0:41:35 | 0:41:40 | |
-Oh, it's really beautiful. It's really stylish. -You like it, yeah? | 0:41:40 | 0:41:43 | |
-Yeah. It's really masculine. -It is a bit. | 0:41:43 | 0:41:46 | |
-It's supposed to be metrosexual, is what it's meant to be. -Oh, OK. -Yeah. | 0:41:46 | 0:41:49 | |
I still wouldn't let it near my cats. | 0:41:49 | 0:41:52 | |
-I'm sad to say that we wasn't able to sell it. -OK. | 0:41:52 | 0:41:54 | |
But I don't think it's not going to sell. | 0:41:54 | 0:41:57 | |
-I know it's going to sell, basically. -OK. | 0:41:57 | 0:41:59 | |
So, as soon as it does, I will get back to you | 0:41:59 | 0:42:01 | |
-and bring you the profit. -OK. -Is that cool? | 0:42:01 | 0:42:03 | |
-That's great. -No problem. -Thanks, Jay. -Thanks a lot. | 0:42:03 | 0:42:06 | |
-You take care. -Bye. -Bye-bye. | 0:42:06 | 0:42:07 | |
I think Gemma was rather pleased with that transformation | 0:42:10 | 0:42:14 | |
and she's got me thinking. Is my taste a bit too masculine? | 0:42:14 | 0:42:17 | |
Something to think about. | 0:42:17 | 0:42:19 | |
Ray charged £675 to work his magic. | 0:42:22 | 0:42:27 | |
This wonderful transformation has yet to be discovered by a buyer | 0:42:27 | 0:42:32 | |
but Jay is confident | 0:42:32 | 0:42:35 | |
that Gemma won't be waiting too long for the profit. | 0:42:35 | 0:42:38 | |
Jay salvaged three items that were destined for the dump. | 0:42:44 | 0:42:48 | |
Daniel worked wonders with the blue suitcase, | 0:42:48 | 0:42:52 | |
Ray showed his quality with the wingback chair | 0:42:52 | 0:42:56 | |
and Jay splashed the colour with the Formica table. | 0:42:56 | 0:43:00 | |
Turning a profit on rubbish is such a treat. It just goes to show, | 0:43:00 | 0:43:04 | |
with a little bit of design know-how and determination, | 0:43:04 | 0:43:07 | |
salvaged items can be given a whole new lease of life. | 0:43:07 | 0:43:10 |