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You haven't got anything I can recycle, have you? | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:07 | 0:00:10 | |
Wow, look at that. | 0:00:10 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes of household waste | 0:00:11 | 0:00:16 | |
thrown out by us every year. | 0:00:16 | 0:00:18 | |
Well, don't get rid of it too quickly. | 0:00:18 | 0:00:20 | |
This stuff looks amazing. | 0:00:20 | 0:00:22 | |
That's why entrepreneur Sarah Moore | 0:00:22 | 0:00:24 | |
wants to get her hands on things | 0:00:24 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:27 | |
I'm a passionate maker, | 0:00:31 | 0:00:32 | |
buyer and user of old stuff, | 0:00:32 | 0:00:34 | |
and I've turned that passion into a money-making business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff, and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:42 | 0:00:46 | |
-Don't know what to say. -Did you drag it here behind a truck? | 0:00:46 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
It's enormous. | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:56 | |
Isn't that fantastic? | 0:00:57 | 0:00:59 | |
..and, hopefully, saleable items. | 0:00:59 | 0:01:02 | |
It's just given me goose bumps. | 0:01:02 | 0:01:04 | |
If Sarah is successful, then she can hand the profits back | 0:01:04 | 0:01:08 | |
to the very people who had no idea | 0:01:08 | 0:01:11 | |
there was cash to be made from their trash. | 0:01:11 | 0:01:13 | |
Thank you very much. | 0:01:13 | 0:01:15 | |
Marvellous. | 0:01:15 | 0:01:16 | |
Today, Sarah is in Surrey | 0:01:27 | 0:01:29 | |
at the Witley Recycling Centre | 0:01:29 | 0:01:31 | |
where she's on the hunt | 0:01:31 | 0:01:33 | |
for three items she can transform from trash to cash. | 0:01:33 | 0:01:37 | |
It's a tough task, but she's done it before, | 0:01:39 | 0:01:41 | |
and I'm sure she'll do it again. | 0:01:41 | 0:01:44 | |
So, how do you like them apples? | 0:01:44 | 0:01:47 | |
Well, I'm not too keen on the bushes and the grass trimmings, | 0:01:48 | 0:01:51 | |
but I know fabulous things will come in here today. | 0:01:51 | 0:01:54 | |
All I've got to do is get them from there before they get in there. | 0:01:54 | 0:01:57 | |
She's been given special permission to roam the recycling centre, | 0:01:59 | 0:02:03 | |
and, for her, a day at the dump is like a trip to a chic boutique. | 0:02:03 | 0:02:09 | |
There's nothing that could make her happier. | 0:02:09 | 0:02:11 | |
She's got a smile like a crocodile. | 0:02:11 | 0:02:14 | |
Get down here with your rubbish. | 0:02:14 | 0:02:15 | |
Make it snappy! | 0:02:15 | 0:02:16 | |
Will the junk in James's trunk keep Sarah grinning? | 0:02:21 | 0:02:25 | |
Stop, stop, stop. | 0:02:27 | 0:02:29 | |
They're all beautifully cut up. | 0:02:31 | 0:02:32 | |
-What's going on? -Well, it wouldn't go in the boot in random lengths, | 0:02:32 | 0:02:36 | |
so I did actually cut it up all the same length. | 0:02:36 | 0:02:39 | |
It's new floor time, is it? | 0:02:39 | 0:02:41 | |
Indeed, it's going down as we speak. | 0:02:41 | 0:02:43 | |
How old is it? Do you know what age the house is? | 0:02:43 | 0:02:44 | |
1926, the house was built. | 0:02:44 | 0:02:47 | |
-Right. -I've lived there 30 years. | 0:02:47 | 0:02:49 | |
And thought we'd have a bit of a change. | 0:02:49 | 0:02:51 | |
Fantastic. Well, it's my lucky day that you've done it today. | 0:02:51 | 0:02:54 | |
Would you mind if I took it, rather than it goes in there? | 0:02:54 | 0:02:57 | |
No. Where would you like me to put it? | 0:02:57 | 0:02:59 | |
I'll go and grab a trolley and get it loaded up. | 0:02:59 | 0:03:02 | |
I've had things like this before, | 0:03:02 | 0:03:03 | |
and I know it's just limitless. It's lovely timber. | 0:03:03 | 0:03:07 | |
-It's dry. -The old stuff is normally grown longer and slower, | 0:03:07 | 0:03:11 | |
and it's not quite like the modern timber, so it's quality stuff. | 0:03:11 | 0:03:14 | |
Even though it looks like this... | 0:03:14 | 0:03:15 | |
-Yeah. -It's going to be lovely. -Super. | 0:03:15 | 0:03:17 | |
Sarah's not the only one smiling now. | 0:03:19 | 0:03:23 | |
James is happy the wood's not going to waste. | 0:03:23 | 0:03:26 | |
When you've finished it, I shall go, "Why didn't I think of that?" | 0:03:26 | 0:03:29 | |
OK, well, I'm taking that as a challenge. | 0:03:29 | 0:03:32 | |
-OK. -Thanks so much. -Lovely to meet you. | 0:03:32 | 0:03:33 | |
-And you. -Bye-bye. | 0:03:33 | 0:03:35 | |
What does James think Sarah could make? | 0:03:37 | 0:03:39 | |
You could make a raft. | 0:03:39 | 0:03:41 | |
But I'm sure it will be more exotic than that. | 0:03:41 | 0:03:44 | |
I'm full of hope for it. | 0:03:44 | 0:03:45 | |
It will be really nice. | 0:03:45 | 0:03:46 | |
Well, every day, I hope that something turns up like this. | 0:03:48 | 0:03:51 | |
A whole trolley full of fantastic raw materials | 0:03:51 | 0:03:54 | |
with just heaps of potential. | 0:03:54 | 0:03:56 | |
I reckon there's something lovely to be made out of this lot. | 0:03:56 | 0:03:59 | |
Sarah knows just the fellows to help her turn potential into profit. | 0:04:01 | 0:04:05 | |
This is Josh, and this is his best mate Ollie. | 0:04:09 | 0:04:12 | |
Together, they've forged a name for themselves | 0:04:14 | 0:04:17 | |
as designer-makers with an eye for quirky cool. | 0:04:17 | 0:04:20 | |
When Sarah turns up with whatever she's managed to find at the tip, | 0:04:22 | 0:04:25 | |
it's like problem-solving. | 0:04:25 | 0:04:26 | |
So you're just faced with a problem, | 0:04:26 | 0:04:28 | |
and you've got to then turn that into a product, | 0:04:28 | 0:04:31 | |
and it's really good. | 0:04:31 | 0:04:33 | |
It's difficult and challenging, but it's a good process, isn't it? | 0:04:33 | 0:04:35 | |
Yeah. Makes us think of new ideas | 0:04:35 | 0:04:37 | |
that we wouldn't have otherwise thought of. | 0:04:37 | 0:04:40 | |
Better get your thinking caps at the ready, boys. | 0:04:41 | 0:04:44 | |
Sarah's got a treat for you. | 0:04:44 | 0:04:45 | |
Sarah's first item is in the bag, but there's still two to find. | 0:04:52 | 0:04:57 | |
At the tip, the trash ranges from the hefty to the humble. | 0:04:59 | 0:05:04 | |
Look at these in the passenger seat up here. | 0:05:06 | 0:05:08 | |
And it's not just the trash. | 0:05:09 | 0:05:11 | |
You meet all kinds of creatures here, both great and small. | 0:05:11 | 0:05:16 | |
Here's hoping Claire's got something great for Sarah. | 0:05:17 | 0:05:21 | |
Hello, hello. | 0:05:23 | 0:05:24 | |
-Hi, there. -Hello. -Is that going in there? | 0:05:24 | 0:05:27 | |
Well, it's going in the wooden one. | 0:05:27 | 0:05:29 | |
I think it's really cool. May I have a look at it? | 0:05:29 | 0:05:31 | |
-Is it a trolley? -It's... | 0:05:31 | 0:05:32 | |
Well, it's just an old... | 0:05:32 | 0:05:34 | |
Yeah, it's just an old trolley... | 0:05:34 | 0:05:36 | |
..which I haven't got any use for any more, sadly. | 0:05:37 | 0:05:40 | |
It's really quite cool. | 0:05:40 | 0:05:41 | |
Have you had it a long time? | 0:05:41 | 0:05:43 | |
Golly, I grew up with it. | 0:05:44 | 0:05:46 | |
I remember it well, it was in the TV room when I was a child. | 0:05:46 | 0:05:49 | |
So, yeah, Mum and Dad have downsized, | 0:05:49 | 0:05:52 | |
so I've got quite a big job of sort of clearing all the clutter. | 0:05:52 | 0:05:55 | |
I hear that story a lot. | 0:05:55 | 0:05:57 | |
I hear it. Yeah. Well, I definitely like the cut of their jib. | 0:05:57 | 0:05:59 | |
That is such a great retro style. | 0:05:59 | 0:06:02 | |
Right. | 0:06:02 | 0:06:03 | |
This little drinks trolley is in the Danish modern style | 0:06:03 | 0:06:06 | |
which was very popular in the '60s and '70s. | 0:06:06 | 0:06:10 | |
Danish modern furniture is known for its crisp, | 0:06:10 | 0:06:13 | |
clean lines and quality craftsmanship. | 0:06:13 | 0:06:15 | |
About five years ago, people weren't quite ready | 0:06:15 | 0:06:18 | |
for this kind of retro look, | 0:06:18 | 0:06:20 | |
but now they are gathering it up as fast as they can. | 0:06:20 | 0:06:22 | |
I would love to take this and see if I can find a new home for it. | 0:06:22 | 0:06:26 | |
-Would that be OK? -Yeah. Yeah, sooner than put it in the skip. | 0:06:26 | 0:06:29 | |
I would be interested to see what you could do with it, but, yeah. | 0:06:29 | 0:06:32 | |
Brilliant. Well, that's fantastic. | 0:06:32 | 0:06:33 | |
I shall, yeah, gather that up. | 0:06:33 | 0:06:35 | |
Thank you very much. | 0:06:35 | 0:06:36 | |
OK. | 0:06:36 | 0:06:37 | |
Is Claire happy to see Sarah toddle off with her trolley? | 0:06:39 | 0:06:44 | |
Well, I'm delighted that she thinks she CAN do something with it. | 0:06:44 | 0:06:47 | |
Glad that it won't go to waste, and it's not gone in the skip. | 0:06:47 | 0:06:49 | |
I was rather fond of it. I grew up with it, | 0:06:49 | 0:06:51 | |
so if she CAN do something with it, I would be delighted. | 0:06:51 | 0:06:55 | |
I think that this could be updated. | 0:06:57 | 0:07:00 | |
Could be painted. We can pretty much do what we like to this, | 0:07:00 | 0:07:02 | |
but there is money to be made here | 0:07:02 | 0:07:04 | |
because this retro styling is just what people are after. | 0:07:04 | 0:07:07 | |
Let's meet the maker Sarah's chosen for this item. | 0:07:09 | 0:07:13 | |
Daniel Heath has a passion for all things salvaged and sustainable. | 0:07:15 | 0:07:20 | |
He's an award-winning fabric and wallpaper designer | 0:07:21 | 0:07:24 | |
who loves adding artistic flair to bespoke furniture pieces. | 0:07:24 | 0:07:29 | |
I like the challenge of working with salvaged material. | 0:07:30 | 0:07:34 | |
You've got a material that you can give a second life to, | 0:07:34 | 0:07:38 | |
and it's got a history that is built into that. | 0:07:38 | 0:07:41 | |
And you're making it have some new character | 0:07:41 | 0:07:45 | |
and then putting it back out there again, | 0:07:45 | 0:07:48 | |
so that's extremely satisfying. | 0:07:48 | 0:07:50 | |
Let's hope Daniel doesn't think Sarah's off her trolley | 0:07:51 | 0:07:55 | |
when she shows him this. | 0:07:55 | 0:07:57 | |
Sarah's got dump discoveries for Josh and Ollie and Dan, | 0:08:03 | 0:08:07 | |
but now she needs to find an item she can work on. | 0:08:07 | 0:08:10 | |
Is there potential loot in Barry's boot? | 0:08:13 | 0:08:15 | |
Hi there. Are you dropping off anything exciting? | 0:08:17 | 0:08:20 | |
Well, I don't know about that. My brother used to do photo developing | 0:08:20 | 0:08:23 | |
years ago and dumped it in my house. | 0:08:23 | 0:08:25 | |
I was about to dump it here. | 0:08:25 | 0:08:27 | |
-Can I have a look? -Sure. | 0:08:27 | 0:08:29 | |
Looks quite cool, doesn't it? | 0:08:30 | 0:08:32 | |
Or is it just me? | 0:08:32 | 0:08:33 | |
-It's just me, is it? -For you, maybe. Not for me. | 0:08:33 | 0:08:35 | |
It's junk, as far as I'm concerned. | 0:08:35 | 0:08:37 | |
So that was nice of him to leave it with you. | 0:08:37 | 0:08:38 | |
How long have you had it? | 0:08:38 | 0:08:41 | |
-Found it in the loft. -Right. | 0:08:41 | 0:08:44 | |
This is a light projector, used for enlarging photos. | 0:08:46 | 0:08:50 | |
It was made by Zenit, | 0:08:50 | 0:08:52 | |
a Russian manufacturer, who, throughout the Soviet era, | 0:08:52 | 0:08:55 | |
exported cameras and equipment to the UK. | 0:08:55 | 0:08:58 | |
They were popular due to their quality and durability. | 0:08:59 | 0:09:03 | |
Is that something that is, rather than throwing it away, | 0:09:03 | 0:09:05 | |
I could take away and have a little play with, | 0:09:05 | 0:09:07 | |
and see if I can develop anything with it? | 0:09:07 | 0:09:09 | |
You can do whatever you want. | 0:09:09 | 0:09:10 | |
-Really? -And if it's no use, you can throw it away for me. | 0:09:10 | 0:09:12 | |
Fantastic. Well, it would be great to come back | 0:09:12 | 0:09:15 | |
and find you and show you if I can do something with it. | 0:09:15 | 0:09:17 | |
-Would that be all right? -That would be fine, yeah. | 0:09:17 | 0:09:20 | |
-Thank you so much. -Don't drop it. | 0:09:20 | 0:09:22 | |
Precious cargo. Have a lovely day. | 0:09:22 | 0:09:24 | |
Bye-bye. | 0:09:24 | 0:09:25 | |
Any ideas, Barry, | 0:09:25 | 0:09:27 | |
as to what Sarah might transform your trash into? | 0:09:27 | 0:09:30 | |
I have no idea. | 0:09:31 | 0:09:32 | |
HE LAUGHS | 0:09:32 | 0:09:34 | |
OK. Well, answer me this, what do you think attracted Sarah to it? | 0:09:34 | 0:09:38 | |
I have no idea why she would want it, | 0:09:39 | 0:09:42 | |
and what she's going to do with it. | 0:09:42 | 0:09:43 | |
All right, OK. | 0:09:43 | 0:09:45 | |
What about making some money? | 0:09:45 | 0:09:47 | |
Will Sarah be able to turn a profit from it? | 0:09:47 | 0:09:49 | |
I have no idea. Haven't got a clue. | 0:09:50 | 0:09:53 | |
Yeah, all right, let's just move on. | 0:09:53 | 0:09:55 | |
I love it when a little box of tricks like this turns up. | 0:09:55 | 0:09:58 | |
I mean, there's so many pieces in here, | 0:09:58 | 0:10:01 | |
and it's got some lovely industrial-looking detail to it. | 0:10:01 | 0:10:04 | |
Loads of different bits and pieces. | 0:10:04 | 0:10:06 | |
Got to be able to come up with a bright idea | 0:10:06 | 0:10:08 | |
about what to do with it. | 0:10:08 | 0:10:10 | |
Just have to see what develops. | 0:10:10 | 0:10:12 | |
Sarah has saved three items from the skip. | 0:10:14 | 0:10:17 | |
Josh and Ollie will take on the floorboards. | 0:10:17 | 0:10:21 | |
Daniel will work his makeover magic on the trolley. | 0:10:21 | 0:10:25 | |
And the photography equipment is for Sarah to transform. | 0:10:25 | 0:10:28 | |
Well, we've had a top day here, | 0:10:32 | 0:10:34 | |
and I reckon I've got some real gems out of the rubbish, | 0:10:34 | 0:10:36 | |
but now I've got my work cut out. | 0:10:36 | 0:10:39 | |
I've got to turn all of that lot into a load of hard cash. | 0:10:39 | 0:10:42 | |
This is Chichester in West Sussex. | 0:10:47 | 0:10:50 | |
It's known for its quiet country charm | 0:10:50 | 0:10:53 | |
and grand imposing architecture. | 0:10:53 | 0:10:55 | |
It's also got a vibrant music, film and arts scene. | 0:10:55 | 0:10:59 | |
It's home to my favourite bearded boy wonders, Josh and Ollie. | 0:11:02 | 0:11:07 | |
Hold on a minute. Ollie's here, but where's Josh? | 0:11:07 | 0:11:10 | |
Oh, right. Now, stop your showing off and get back to... | 0:11:17 | 0:11:20 | |
Whoa! | 0:11:20 | 0:11:21 | |
Did you see that? | 0:11:23 | 0:11:24 | |
He's so cool. | 0:11:24 | 0:11:26 | |
Yay! | 0:11:26 | 0:11:27 | |
I wonder what this dynamic duo's reaction will be | 0:11:31 | 0:11:35 | |
to Sarah's latest tip treasure. | 0:11:35 | 0:11:38 | |
Sarah always brings us something a bit random, | 0:11:38 | 0:11:41 | |
but we like kind of working out | 0:11:41 | 0:11:42 | |
how we can turn it into something desirable. | 0:11:42 | 0:11:45 | |
Good luck with this one. | 0:11:45 | 0:11:47 | |
Hi, guys. | 0:11:48 | 0:11:49 | |
I've been shopping at the tip. | 0:11:52 | 0:11:54 | |
-What do you reckon? -Yeah. | 0:11:54 | 0:11:55 | |
-Looks cool. -Yeah? | 0:11:55 | 0:11:57 | |
So, obviously, | 0:11:57 | 0:11:59 | |
you know what they are, but you've got a slight problem on the back. | 0:11:59 | 0:12:03 | |
-Oh... -Isn't that horrible? | 0:12:03 | 0:12:04 | |
If you've been shopping, Sarah, | 0:12:07 | 0:12:09 | |
I hope you've kept the receipt, as these may have to go back. | 0:12:09 | 0:12:13 | |
On closer inspection, | 0:12:13 | 0:12:15 | |
the floorboards are more damaged than Sarah first thought. | 0:12:15 | 0:12:18 | |
And the majority are covered in tar. | 0:12:18 | 0:12:21 | |
The tar on the back might be a bit of an issue. | 0:12:21 | 0:12:23 | |
It will take a lot of time and... | 0:12:23 | 0:12:25 | |
Just take a bit of time to scrape off. | 0:12:25 | 0:12:26 | |
They are pretty smashed up, | 0:12:26 | 0:12:28 | |
but I think once we get past that, you know, | 0:12:28 | 0:12:30 | |
they've got so much character from all this black | 0:12:30 | 0:12:32 | |
and plaster and paint on there, | 0:12:32 | 0:12:34 | |
I think they'll be really nice boards | 0:12:34 | 0:12:36 | |
when they're finished up. | 0:12:36 | 0:12:37 | |
Ah, Josh, that's the positive can-do attitude that keeps us coming back. | 0:12:37 | 0:12:42 | |
So, what are we going to do with all of these? | 0:12:43 | 0:12:45 | |
I reckon maybe a dining table, or something like that. | 0:12:45 | 0:12:47 | |
OK. | 0:12:47 | 0:12:49 | |
Yeah, I can see why. I mean, there's so much material here. | 0:12:49 | 0:12:51 | |
There's heaps of it. | 0:12:51 | 0:12:52 | |
We'll make, like, | 0:12:52 | 0:12:54 | |
a really nice top out of it or a kind of like mosaic-y... | 0:12:54 | 0:12:57 | |
Yeah, kind of like a herringbone, diamond pattern kind of thing. | 0:12:57 | 0:13:01 | |
Yeah, some kind of, like... | 0:13:01 | 0:13:02 | |
-Geometric? -..geometric parquet kind of pattern on the top. | 0:13:02 | 0:13:06 | |
Sounds bang-on, doesn't it? | 0:13:06 | 0:13:08 | |
I mean, I can see immediately | 0:13:08 | 0:13:10 | |
this sort of lovely chevron-y thing going on. | 0:13:10 | 0:13:13 | |
Yeah, to do the top, we would cut a plywood top and then... | 0:13:13 | 0:13:19 | |
Then arrange all of this however we want to do it and then put, like, | 0:13:19 | 0:13:22 | |
a lip around it so it could be as long as a board of ply. | 0:13:22 | 0:13:27 | |
OK, so that's a full sheet of it, that one? | 0:13:27 | 0:13:29 | |
2.4 metres, yeah. | 0:13:29 | 0:13:31 | |
That would be huge, wouldn't it? | 0:13:31 | 0:13:32 | |
-That would be great. -It would be a big boy. | 0:13:32 | 0:13:35 | |
There's big plans being hatched here. | 0:13:35 | 0:13:37 | |
Sarah and the boys have agreed a budget of £1,100. | 0:13:39 | 0:13:44 | |
It's a hefty price tag and for it, | 0:13:44 | 0:13:47 | |
Sarah's demanding a high-end designer dining table | 0:13:47 | 0:13:51 | |
that will appeal to buyers looking for luxury. | 0:13:51 | 0:13:54 | |
To see what we've got here now | 0:13:54 | 0:13:55 | |
which is basically on the edge of unsalvageable | 0:13:55 | 0:13:58 | |
because of the state of it, | 0:13:58 | 0:13:59 | |
if you can transform it into something that, you know, | 0:13:59 | 0:14:01 | |
people want to touch, rub their hands all over and sit at, | 0:14:01 | 0:14:03 | |
then that's going to be a real achievement, | 0:14:03 | 0:14:06 | |
and I don't envy you trying to convert that into high-end luxury. | 0:14:06 | 0:14:10 | |
But good luck. | 0:14:10 | 0:14:11 | |
-Thank you. -Thank you for taking it on, and I can't wait to see it. | 0:14:11 | 0:14:15 | |
I know it's going to be amazing. | 0:14:15 | 0:14:16 | |
Get to it, get to it! | 0:14:16 | 0:14:18 | |
That's it, boys. | 0:14:18 | 0:14:19 | |
She's cracking the whip. | 0:14:19 | 0:14:21 | |
They have got a really clear vision of what they want to create, | 0:14:21 | 0:14:24 | |
but they are going to have their work cut out | 0:14:24 | 0:14:26 | |
if they're going to transform that rubbish | 0:14:26 | 0:14:28 | |
into something really high-end. | 0:14:28 | 0:14:30 | |
It's a big job with a big price tag. | 0:14:32 | 0:14:36 | |
£1,100. | 0:14:36 | 0:14:39 | |
This parquet-floor-style dining table | 0:14:39 | 0:14:42 | |
will need to be spectacular | 0:14:42 | 0:14:44 | |
if Sarah's going to make a profit from it. | 0:14:44 | 0:14:46 | |
The sun is shining on East London. | 0:14:50 | 0:14:52 | |
Over the last decade, the East End has undergone a transformation. | 0:14:54 | 0:14:59 | |
Once synonymous with cockney geezers and Pearly Kings, | 0:15:00 | 0:15:05 | |
it's now home to young, hip and happening designers like Daniel. | 0:15:05 | 0:15:09 | |
Daniel thrives on a challenge, | 0:15:13 | 0:15:15 | |
and Sarah's brought him everything | 0:15:15 | 0:15:17 | |
from slabs of stone to rusty metal. | 0:15:17 | 0:15:20 | |
But what will he make of this trolley? | 0:15:21 | 0:15:24 | |
Tough to transform or easy peasy? | 0:15:24 | 0:15:27 | |
Sarah's on her way. | 0:15:28 | 0:15:29 | |
Erm... As ever, excited about what bounty she will bring to me today. | 0:15:29 | 0:15:37 | |
I hope it's something a little bit easy | 0:15:37 | 0:15:39 | |
because some of the things we've done recently have been challenging. | 0:15:39 | 0:15:44 | |
Hello. How you doing? | 0:15:49 | 0:15:50 | |
I'm really well, how are you? | 0:15:50 | 0:15:52 | |
I'm all right, yeah. | 0:15:52 | 0:15:53 | |
Check this out, then. | 0:15:53 | 0:15:55 | |
A little teak tea trolley. | 0:15:55 | 0:15:57 | |
-What do you reckon? -Oh, yeah. | 0:15:58 | 0:16:01 | |
-Comes off. -OK. | 0:16:01 | 0:16:03 | |
In fact, I think it's been used with that upside down | 0:16:03 | 0:16:06 | |
for its entire history | 0:16:06 | 0:16:08 | |
because it looks to me like it should go that way up... | 0:16:08 | 0:16:11 | |
-Oh, yeah! -..which has now created a brand-new trolley. | 0:16:11 | 0:16:14 | |
There you go, Daniel, me old mate. | 0:16:15 | 0:16:17 | |
Easiest transformation ever! | 0:16:17 | 0:16:20 | |
Sorry, fella. Job's not done yet. | 0:16:20 | 0:16:23 | |
Do you fancy it then? | 0:16:23 | 0:16:24 | |
Because I thought it was quite a cool piece of design. | 0:16:24 | 0:16:26 | |
Yeah, this is really, really flat | 0:16:26 | 0:16:28 | |
and unspoiled so fairly easy to work on, hopefully. | 0:16:28 | 0:16:31 | |
Do you think you could print on that, Dan? | 0:16:31 | 0:16:33 | |
I think so. | 0:16:33 | 0:16:35 | |
Yeah, I think it's a good piece and I think, yeah, | 0:16:35 | 0:16:38 | |
we'd want to keep it functioning as it is. | 0:16:38 | 0:16:41 | |
I don't think it's worth changing its use, but I think, yeah, | 0:16:41 | 0:16:45 | |
changing the wheels cos they're really plasticky. | 0:16:45 | 0:16:48 | |
We could do something a bit fancier, I reckon. | 0:16:48 | 0:16:51 | |
So, Daniel's aiming for a bit of fancification on this one | 0:16:51 | 0:16:54 | |
by printing one of his original designs | 0:16:54 | 0:16:57 | |
onto the trolley-top surface. | 0:16:57 | 0:16:59 | |
Sarah thinks the retro style of the trolley is bang on trend, | 0:16:59 | 0:17:03 | |
and with Daniel's makeover magic, it could be a real money-maker. | 0:17:03 | 0:17:07 | |
So, a quick zhuzh up? Put a figure on that, then. | 0:17:09 | 0:17:12 | |
So, I think we could probably zhuzh it up for about 100 quid. | 0:17:12 | 0:17:19 | |
Great. I think that is an appropriate kind of price tag for it | 0:17:19 | 0:17:23 | |
because the most stylish trolley in the world... | 0:17:23 | 0:17:26 | |
It is what it is, isn't it? | 0:17:26 | 0:17:28 | |
Still going to be a trolley. | 0:17:28 | 0:17:30 | |
Yeah! But that sounds great. | 0:17:30 | 0:17:32 | |
-OK. -Give us a shout when it's ready. -Great, will do. | 0:17:32 | 0:17:35 | |
I always get excited about the prospect of a quick zhuzhing up. | 0:17:35 | 0:17:38 | |
But what about Daniel? | 0:17:39 | 0:17:41 | |
I'm really, really pleased with this. | 0:17:41 | 0:17:43 | |
She's brought me just a really simple piece, | 0:17:43 | 0:17:46 | |
and it could be a lot fresher and nicer | 0:17:46 | 0:17:48 | |
when it comes out of here, so that'll be good. | 0:17:48 | 0:17:51 | |
The plan of action is a quick and easy style upgrade for £100. | 0:17:52 | 0:17:58 | |
I'm not sure Daniel does quick and easy, though. | 0:17:58 | 0:18:01 | |
From the urban streets of Walthamstow | 0:18:09 | 0:18:12 | |
to the quiet countryside of Sussex. | 0:18:12 | 0:18:14 | |
Sarah's dropped off the floorboards and the trolley, | 0:18:18 | 0:18:21 | |
and now, back at home, she can get cracking with her own item... | 0:18:21 | 0:18:26 | |
Come on, then. | 0:18:26 | 0:18:27 | |
..the Russian-made photography kit. | 0:18:28 | 0:18:31 | |
On hand to offer assistance is Bramble. | 0:18:31 | 0:18:33 | |
This way. | 0:18:35 | 0:18:37 | |
I think this is really quite a cool thing. | 0:18:37 | 0:18:39 | |
I'd really like to see what it looks like together, | 0:18:39 | 0:18:41 | |
have a little play with it, because who knows? | 0:18:41 | 0:18:44 | |
It might even inspire what we do with it. | 0:18:44 | 0:18:47 | |
The equipment may have come from Russia, | 0:18:47 | 0:18:49 | |
but it's been lacking in love in recent years. | 0:18:49 | 0:18:52 | |
The name's Moore, Sarah Moore. | 0:18:56 | 0:18:59 | |
Licensed to drill! | 0:18:59 | 0:19:00 | |
Never seen anything like this before. | 0:19:02 | 0:19:04 | |
The kits were very popular in the '60s and '70s, | 0:19:04 | 0:19:08 | |
meaning second-hand ones can be found online | 0:19:08 | 0:19:11 | |
for around the £30 mark. | 0:19:11 | 0:19:13 | |
Sarah's hoping to up her profit margins | 0:19:13 | 0:19:16 | |
so what's she thinking to create with this? | 0:19:16 | 0:19:19 | |
A wristwatch with hidden laser beam? | 0:19:19 | 0:19:22 | |
An umbrella-cum-rocket launcher? | 0:19:22 | 0:19:25 | |
Oh, I know, I know, an attache case/jet pack. | 0:19:25 | 0:19:29 | |
What I'd really like to do is use some of these lovely, strong, | 0:19:29 | 0:19:33 | |
stylish components to make a sweet bit of lighting. | 0:19:33 | 0:19:36 | |
Oh, that's a bit disappointing. | 0:19:37 | 0:19:39 | |
So, I've actually found an old clamp | 0:19:40 | 0:19:43 | |
that I'm thinking might be a useful addition | 0:19:43 | 0:19:46 | |
to take some of these bits | 0:19:46 | 0:19:48 | |
and turn it into a much more delicate piece of lighting. | 0:19:48 | 0:19:50 | |
But I'd like to use as much of this stuff as possible. | 0:19:50 | 0:19:54 | |
So a light it is, | 0:19:54 | 0:19:56 | |
using bits and bobs from the photography equipment | 0:19:56 | 0:19:59 | |
and the clamp to create a table lamp. | 0:19:59 | 0:20:02 | |
Obviously, the jet pack would have been better, but hey ho. | 0:20:02 | 0:20:06 | |
It is covered in this really sticky stuff | 0:20:06 | 0:20:08 | |
which I think is the foam that has deteriorated from the packaging. | 0:20:08 | 0:20:12 | |
Really needs a clean! | 0:20:12 | 0:20:13 | |
That's the type of thing Bramble could be helping with. | 0:20:13 | 0:20:16 | |
Where's she got to? | 0:20:16 | 0:20:18 | |
Oh, it's a dog's life, all right. | 0:20:19 | 0:20:21 | |
If you're planning on upcycling an item into a lamp, | 0:20:25 | 0:20:29 | |
bear in mind it will need to comply with United Kingdom regulations | 0:20:29 | 0:20:33 | |
on electrical safety... | 0:20:33 | 0:20:35 | |
I think that can go in there. | 0:20:35 | 0:20:37 | |
..which is why Sarah will have the wiring replaced | 0:20:37 | 0:20:41 | |
and an on-off switch fitted by a qualified electrician. | 0:20:41 | 0:20:44 | |
This is a bit like a technical jigsaw puzzle | 0:20:47 | 0:20:49 | |
because I feel like I've got all the components here | 0:20:49 | 0:20:52 | |
to make something really lovely. | 0:20:52 | 0:20:54 | |
A simple piece of classic lighting. | 0:20:54 | 0:20:56 | |
It's just going to be working out | 0:20:57 | 0:20:59 | |
which order to put them together in... | 0:20:59 | 0:21:01 | |
..to make the most effective piece of lighting. | 0:21:03 | 0:21:06 | |
That could be it. | 0:21:08 | 0:21:09 | |
Sarah already had the clamp she's using as a base sitting in the shed. | 0:21:12 | 0:21:17 | |
She's bought a new flex, switch and bulb, | 0:21:17 | 0:21:20 | |
the cost of which, added to the expense of an electrician, | 0:21:20 | 0:21:23 | |
will give Sarah a total spend of £40.50. | 0:21:23 | 0:21:27 | |
That's a pretty penny. | 0:21:27 | 0:21:29 | |
Let's hope she can turn a profit on it. | 0:21:29 | 0:21:31 | |
In West Sussex at Josh and Ollie's workshop... | 0:21:37 | 0:21:40 | |
..the boys are getting down to business | 0:21:44 | 0:21:46 | |
transforming the floorboards into a grand dining table. | 0:21:46 | 0:21:50 | |
This piece of plywood will be the base layer | 0:21:50 | 0:21:53 | |
which the floorboards will be placed onto. | 0:21:53 | 0:21:56 | |
But first, it needs cut to size. | 0:21:56 | 0:21:58 | |
The lads want the table to be big, but how big? | 0:21:59 | 0:22:03 | |
600 per person in length... | 0:22:03 | 0:22:06 | |
Then, if we're doing... | 0:22:07 | 0:22:09 | |
How many person table are we going to make? | 0:22:09 | 0:22:11 | |
Well, it's going to be like a ten-seater, wasn't it? | 0:22:12 | 0:22:14 | |
So six... Oh. | 0:22:14 | 0:22:16 | |
Erm... | 0:22:16 | 0:22:19 | |
This length, you'd get four people either side, wouldn't you? | 0:22:19 | 0:22:24 | |
So it's at least an eight-seater? | 0:22:24 | 0:22:27 | |
Oh, no! | 0:22:27 | 0:22:28 | |
Oh, no, ten-seater. | 0:22:28 | 0:22:30 | |
-Ten... Yeah. -Yeah. | 0:22:30 | 0:22:31 | |
I think we'll go for that. | 0:22:32 | 0:22:34 | |
Phew! I'm glad that's been decided. | 0:22:34 | 0:22:36 | |
Josh and Ollie's plan is to cut up the floorboards | 0:22:41 | 0:22:44 | |
and use them to create a geometric pattern on the table top. | 0:22:44 | 0:22:47 | |
They've divvied up the workload. | 0:22:48 | 0:22:51 | |
Josh will be in charge of cutting the timber to size | 0:22:51 | 0:22:54 | |
while Ollie works on the design. | 0:22:54 | 0:22:56 | |
We just want to do something that is a bit interesting, | 0:22:58 | 0:23:00 | |
and a bit different that hasn't been seen before. | 0:23:00 | 0:23:03 | |
The table-top design is inspired by parquet flooring. | 0:23:03 | 0:23:08 | |
This is an interlinked mosaic of wood | 0:23:08 | 0:23:11 | |
placed in a symmetrical pattern. | 0:23:11 | 0:23:13 | |
Ollie's adding his own twist to it. | 0:23:13 | 0:23:16 | |
I just like the idea of rather than just having, like, | 0:23:16 | 0:23:20 | |
a flat pattern like a floor, | 0:23:20 | 0:23:23 | |
have something a bit more interesting going on with it, | 0:23:23 | 0:23:27 | |
so that's why I was just including this kind of diamond shape. | 0:23:27 | 0:23:30 | |
With the table top cut to size, | 0:23:35 | 0:23:38 | |
Ollie is meticulously transferring his intricate design | 0:23:38 | 0:23:41 | |
onto the surface. | 0:23:41 | 0:23:43 | |
Any mistake with the angles will cause serious problems, | 0:23:43 | 0:23:47 | |
so Ollie's using a protractor to get this right. | 0:23:47 | 0:23:50 | |
Josh is cutting the floorboards to the required width | 0:23:54 | 0:23:57 | |
for Ollie's design, 100mm, using the table saw. | 0:23:57 | 0:24:02 | |
Hopefully, they're all going to be the same, | 0:24:02 | 0:24:05 | |
so when we line out our pattern on the table, | 0:24:05 | 0:24:07 | |
they should all, like, meet up nicely. | 0:24:07 | 0:24:11 | |
Hopefully?! Should?! | 0:24:11 | 0:24:13 | |
I'm getting a bit worried here, Josh. | 0:24:13 | 0:24:16 | |
So I've worked out the design. | 0:24:19 | 0:24:21 | |
Oh, yeah, nice. That looks really cool. | 0:24:21 | 0:24:24 | |
So, I guess we get started with these ones, then? | 0:24:24 | 0:24:26 | |
Yeah. | 0:24:26 | 0:24:27 | |
Hmm... That's annoying. | 0:24:29 | 0:24:31 | |
I've measured 10mm, 100mm on the straight and not on the... | 0:24:31 | 0:24:36 | |
..on there. | 0:24:37 | 0:24:38 | |
We're slightly off. | 0:24:40 | 0:24:43 | |
Uh-oh! | 0:24:43 | 0:24:44 | |
Ollie's made a mistake on his angle measurements, | 0:24:44 | 0:24:47 | |
meaning the space for the floorboards | 0:24:47 | 0:24:49 | |
is just a teeny, tiny bit narrow. | 0:24:49 | 0:24:52 | |
Oh, Ollie. It happens to the best of us. | 0:24:52 | 0:24:54 | |
OK... Are they all like that? | 0:24:57 | 0:24:59 | |
Yeah. | 0:24:59 | 0:25:00 | |
That's OK. Just have to... | 0:25:02 | 0:25:03 | |
..draw it out again. | 0:25:04 | 0:25:06 | |
You're going to need a bigger rubber than that, Ollie. | 0:25:07 | 0:25:10 | |
At Daniel's workshop in East London, | 0:25:18 | 0:25:20 | |
he's busy dismantling Sarah's tip-treasure trolley. | 0:25:20 | 0:25:24 | |
They agreed that all this little number needed | 0:25:25 | 0:25:28 | |
was a quick zhuzhing up. | 0:25:28 | 0:25:30 | |
It's just not glamorous enough. | 0:25:30 | 0:25:32 | |
This little trolley | 0:25:32 | 0:25:34 | |
needs to be like a little jewel. | 0:25:34 | 0:25:36 | |
Daniel's plan to add a little glam | 0:25:39 | 0:25:42 | |
is to screen print one of his own designs onto the trolley top. | 0:25:42 | 0:25:46 | |
In order to achieve a good-quality print, though, | 0:25:46 | 0:25:49 | |
it needs to be perfectly flat. | 0:25:49 | 0:25:51 | |
Because I want to print on this surface, | 0:25:51 | 0:25:54 | |
I'm going to see if I can tap these edges off | 0:25:54 | 0:25:57 | |
without damaging the piece. | 0:25:57 | 0:25:59 | |
Daniel's doing this job on a tight budget. | 0:26:01 | 0:26:04 | |
He wants it quick and easy, | 0:26:04 | 0:26:06 | |
so he better be careful not to damage the... | 0:26:06 | 0:26:09 | |
Oh, Daniel. | 0:26:09 | 0:26:11 | |
Not a big problem... | 0:26:12 | 0:26:13 | |
..provided this front edge comes off in one piece. | 0:26:14 | 0:26:19 | |
I can then glue it back together, sand it down and restore it. | 0:26:19 | 0:26:24 | |
This will require a firm, yet delicate touch. | 0:26:24 | 0:26:28 | |
-First time! -That was good. | 0:26:29 | 0:26:31 | |
To prime the surface for the print, | 0:26:36 | 0:26:39 | |
Daniel is sanding off the varnish to expose the grain of the wood. | 0:26:39 | 0:26:44 | |
It's coming up really, really nicely. | 0:26:44 | 0:26:46 | |
So nicely, in fact, | 0:26:47 | 0:26:49 | |
that Daniel has decided to sand down all the parts of the trolley | 0:26:49 | 0:26:52 | |
so that he can apply a new stain to it. | 0:26:52 | 0:26:55 | |
This zhuzhing up doesn't seem to be so quick after all. | 0:26:56 | 0:26:59 | |
I'm using quite a traditional wood finish. | 0:27:01 | 0:27:05 | |
It just brings out the grain, protects it as well, | 0:27:05 | 0:27:08 | |
gives it that really, really kind of rich finish to the wood. | 0:27:08 | 0:27:12 | |
Daniel is using Danish oil to protect and colour the wood. | 0:27:13 | 0:27:17 | |
This method will require multiple coats to achieve the desired finish. | 0:27:17 | 0:27:23 | |
It seems Daniel just doesn't do quick and easy. | 0:27:23 | 0:27:26 | |
Time now for the jewel in the crown - Daniel's print. | 0:27:28 | 0:27:31 | |
He's hoping this will give the trolley | 0:27:33 | 0:27:35 | |
the glamour it's crying out for. | 0:27:35 | 0:27:37 | |
I'm hoping... I'm hoping it will take well to the wood. | 0:27:39 | 0:27:43 | |
I've sanded the wood, so it's ready to take the ink. | 0:27:43 | 0:27:46 | |
I think, when you're working with salvage, | 0:27:46 | 0:27:48 | |
you're always going to get some element of unpredictability. | 0:27:48 | 0:27:52 | |
Don't worry. If it goes wrong, you can always wait for it to dry, | 0:27:52 | 0:27:56 | |
sand it down and try again. | 0:27:56 | 0:27:59 | |
Quick and easy, eh, Daniel? | 0:27:59 | 0:28:00 | |
It's all go, go, go with our artisans, | 0:28:08 | 0:28:11 | |
but has Sarah got to grips with | 0:28:11 | 0:28:13 | |
her photography-kit-to-table-lamp transformation? | 0:28:13 | 0:28:17 | |
Well, I think that's basically what I need to go for. | 0:28:17 | 0:28:21 | |
I think I've harnessed the style and know what I'm aiming at. | 0:28:21 | 0:28:23 | |
I think we could be onto something. | 0:28:23 | 0:28:25 | |
Does Sarah still have that golden touch? | 0:28:25 | 0:28:28 | |
Will we be shaken and stirred by her table lamp? | 0:28:30 | 0:28:34 | |
Let's find out. | 0:28:36 | 0:28:37 | |
Here it is, for your eyes only. | 0:28:37 | 0:28:40 | |
It's a classic piece of Sarah's styling, | 0:28:43 | 0:28:47 | |
mixing parts of the photography kit | 0:28:47 | 0:28:49 | |
with the freestanding clamp | 0:28:49 | 0:28:51 | |
to create an industrial chic retro table lamp. | 0:28:51 | 0:28:55 | |
It has a modern, urban look with a touch of vintage va-va-voom. | 0:28:57 | 0:29:01 | |
Sarah employed a qualified electrician | 0:29:05 | 0:29:07 | |
to change the cable flex and add an on-off switch, | 0:29:07 | 0:29:11 | |
making sure it was certified safe to sell. | 0:29:11 | 0:29:14 | |
Some people say you only live once. | 0:29:14 | 0:29:17 | |
In the case of this Russian photo kit, | 0:29:20 | 0:29:22 | |
perhaps you only live twice is more apt. | 0:29:22 | 0:29:25 | |
Well, that is definitely from Russia with love now. | 0:29:28 | 0:29:30 | |
I've added a silk-covered flex, | 0:29:30 | 0:29:33 | |
a nice Russian-looking in-line switch, | 0:29:33 | 0:29:36 | |
and I think all together, | 0:29:36 | 0:29:38 | |
it kind of works. | 0:29:38 | 0:29:39 | |
Barry was about to sling his brother's old photography equipment | 0:29:43 | 0:29:47 | |
in the skip before Sarah stepped in. | 0:29:47 | 0:29:50 | |
My brother used to do photo developing years ago, | 0:29:50 | 0:29:53 | |
and dumped it in my house. I was about to dump it here. | 0:29:53 | 0:29:56 | |
It was saved just in the nick of time. | 0:29:56 | 0:29:58 | |
Wheeler-dealer that she is, | 0:30:01 | 0:30:03 | |
Sarah sold it to London-based antique shop Joseph Berry Interiors | 0:30:03 | 0:30:08 | |
in Surbiton. | 0:30:08 | 0:30:10 | |
Now, Sarah is in Godalming, but is there a profit for Barry? | 0:30:10 | 0:30:14 | |
-Hello, there. -Hello, Sarah. -How you doing? | 0:30:15 | 0:30:17 | |
-Not so bad, you? -Yeah, very well. | 0:30:17 | 0:30:19 | |
Nice to see you. So, when I saw you at the recycling centre, | 0:30:19 | 0:30:22 | |
you were throwing out... It wasn't your camera kit. | 0:30:22 | 0:30:24 | |
It was the developing kit or some such. | 0:30:24 | 0:30:26 | |
-I don't know what it was. -It had a really strong industrial look to it. | 0:30:26 | 0:30:30 | |
I was trying to think of something to make out of it | 0:30:30 | 0:30:32 | |
that would be a money-maker. | 0:30:32 | 0:30:34 | |
I thought, "Brutal, Russian, let's go lighting." | 0:30:34 | 0:30:37 | |
So, here's how it ended up. | 0:30:37 | 0:30:39 | |
-What do you think? -That's good. | 0:30:40 | 0:30:42 | |
Not what I expected, but very good. | 0:30:42 | 0:30:44 | |
Because of the way it worked, | 0:30:44 | 0:30:45 | |
it already had a lamp and the fitting in it, | 0:30:45 | 0:30:47 | |
so it was a quick and easy conversion | 0:30:47 | 0:30:49 | |
to make a fun bit of lighting. | 0:30:49 | 0:30:51 | |
And I've got a little bit of profit too. | 0:30:51 | 0:30:53 | |
I've got... | 0:30:53 | 0:30:55 | |
£4.50 there and another 30 quid there to go with it. | 0:30:55 | 0:30:58 | |
-Good grief! -So, £34.50... | 0:30:58 | 0:31:00 | |
-Well done. -..for your old camera kit. | 0:31:00 | 0:31:03 | |
Excellent result. Thank you very much. | 0:31:03 | 0:31:05 | |
-Is that a surprise? -Absolute shock! | 0:31:05 | 0:31:07 | |
It was for me as well, | 0:31:07 | 0:31:08 | |
because I looked at it and I thought, "It's Russian, | 0:31:08 | 0:31:10 | |
"it's industrial, how am I going to make it into something beautiful?" | 0:31:10 | 0:31:13 | |
But actually, it sort of came together. | 0:31:13 | 0:31:15 | |
What might you do with £34.50? | 0:31:15 | 0:31:17 | |
Well... My brother's the nominal owner, or was. | 0:31:17 | 0:31:20 | |
His son goes to university next year, so I was thinking... | 0:31:20 | 0:31:24 | |
They probably don't use textbooks these days, | 0:31:24 | 0:31:26 | |
but I suspect it will be absorbed into his running costs. | 0:31:26 | 0:31:29 | |
-Fantastic. Thank you so much. -Thanks very much, Sarah. | 0:31:29 | 0:31:32 | |
OK, I hope he finds a use for that. | 0:31:32 | 0:31:33 | |
-I'm sure he will. -Not in the bar! | 0:31:33 | 0:31:34 | |
-Thanks a lot. -Thanks so much, Sarah. | 0:31:34 | 0:31:36 | |
Sarah spent £40.50 creating the lamp. | 0:31:40 | 0:31:45 | |
She sold it for 75 quid, | 0:31:45 | 0:31:47 | |
giving Barry £34.50 | 0:31:47 | 0:31:51 | |
which his uni-student nephew can spend on a round of drinks. | 0:31:51 | 0:31:55 | |
Sorry, I mean pencils, pens and ring binders. | 0:31:55 | 0:31:58 | |
Sarah's back at Josh and Ollie's workshop in West Sussex | 0:32:05 | 0:32:09 | |
to see if they have risen to her challenge | 0:32:09 | 0:32:12 | |
to create a spectacular designer dining table. | 0:32:12 | 0:32:15 | |
I've come to see Josh and Ollie and to find out if that pile of broken, | 0:32:18 | 0:32:22 | |
battered old floorboards really does have any potential at all. | 0:32:22 | 0:32:25 | |
I left them with a huge budget and so much work to do. | 0:32:25 | 0:32:29 | |
Let's hope they pulled it off. | 0:32:29 | 0:32:31 | |
For decades, these floorboards have been stood on and stamped upon. | 0:32:31 | 0:32:37 | |
Now... | 0:32:37 | 0:32:38 | |
It's their time to shine. | 0:32:39 | 0:32:41 | |
Josh and Ollie have come up trumps yet again. | 0:32:42 | 0:32:46 | |
The design hints at traditional parquet flooring of the past, | 0:32:47 | 0:32:52 | |
while feeling fresh and funky. | 0:32:52 | 0:32:54 | |
The floorboards have been finished with a clear varnish | 0:32:57 | 0:33:01 | |
which highlights the natural patina of the wood. | 0:33:01 | 0:33:03 | |
The legs have been made with reclaimed pine | 0:33:07 | 0:33:10 | |
and given a charred finish | 0:33:10 | 0:33:11 | |
which creates a smooth, matte black colour. | 0:33:11 | 0:33:15 | |
This brings out the grain and protects the wood. | 0:33:15 | 0:33:18 | |
Sarah wanted spectacular, and I think she's got it. | 0:33:20 | 0:33:25 | |
But let's find out from the boss herself. | 0:33:27 | 0:33:29 | |
-Hello. -Hello. | 0:33:31 | 0:33:32 | |
Hey! | 0:33:32 | 0:33:34 | |
-How are you? -Yeah, good. | 0:33:34 | 0:33:36 | |
-You all right? -I can tell why you're good. | 0:33:36 | 0:33:39 | |
Oh, that's such a relief. | 0:33:39 | 0:33:40 | |
-Yeah? -Yeah. -What were you expecting? | 0:33:40 | 0:33:42 | |
Well, I left you with those floorboards | 0:33:42 | 0:33:44 | |
so I wasn't expecting... | 0:33:44 | 0:33:46 | |
I was expecting something tricky. | 0:33:46 | 0:33:48 | |
I think I thought it would be sort of rougher and less... | 0:33:48 | 0:33:52 | |
..geometrically beautiful. | 0:33:53 | 0:33:55 | |
It looks like it must have taken ages. | 0:33:55 | 0:33:58 | |
It did take a while, the top. | 0:33:58 | 0:34:00 | |
-Yeah. -For sure, yeah. | 0:34:00 | 0:34:01 | |
I absolutely love the finish because you haven't overworked it, have you? | 0:34:01 | 0:34:04 | |
Once we nailed them down, then we gave it, like, | 0:34:04 | 0:34:06 | |
a little wire brushing, | 0:34:06 | 0:34:08 | |
but, yeah, we just really wanted to keep that original, like, | 0:34:08 | 0:34:11 | |
patina that was left on there because it's so nice. | 0:34:11 | 0:34:14 | |
I think that, because of that, | 0:34:14 | 0:34:15 | |
it will go into all sorts of different houses. | 0:34:15 | 0:34:17 | |
If it was highly polished, | 0:34:17 | 0:34:19 | |
there'd be people who have antique furniture | 0:34:19 | 0:34:21 | |
who couldn't have something like this in their house | 0:34:21 | 0:34:23 | |
cos it would really stand out | 0:34:23 | 0:34:24 | |
and that's quite cool for selling. | 0:34:24 | 0:34:26 | |
Yeah, yeah. | 0:34:26 | 0:34:27 | |
And size-wise, people will be able to do good, family dining, | 0:34:27 | 0:34:30 | |
loads of stuff in the middle. | 0:34:30 | 0:34:31 | |
I mean, have you thought how many people will actually sit at this? | 0:34:31 | 0:34:34 | |
-Well... -Yeah. | 0:34:34 | 0:34:36 | |
Oh, no, let's not start this again, please! | 0:34:36 | 0:34:39 | |
-Eight to ten? -Yeah. | 0:34:40 | 0:34:41 | |
I mean, ten at a real squeeze, I think. | 0:34:41 | 0:34:43 | |
-Yeah. -But probably comfortably, eight. | 0:34:43 | 0:34:45 | |
Yeah, if you wanted, | 0:34:45 | 0:34:47 | |
you could get quite a few people round it, I think. | 0:34:47 | 0:34:50 | |
Quite a few. | 0:34:50 | 0:34:51 | |
That'll do for me. | 0:34:51 | 0:34:53 | |
One number everyone agreed upon was the budget. | 0:34:53 | 0:34:56 | |
This was a big job with a budget to match, £1,100. | 0:34:56 | 0:35:02 | |
The boys have hit it bang on. | 0:35:02 | 0:35:04 | |
I have high hopes this will be into a family home, you know, | 0:35:05 | 0:35:08 | |
really quickly because I've never seen anything like it. | 0:35:08 | 0:35:11 | |
-Cool. -Well, good. | 0:35:11 | 0:35:13 | |
It's a one-of-a-kind masterpiece from Josh and Ollie. | 0:35:13 | 0:35:16 | |
Well, I think that is a lovely piece of design. | 0:35:18 | 0:35:21 | |
They have managed so much with just a pile of floorboards. | 0:35:21 | 0:35:24 | |
That can go into a bar, into a restaurant, | 0:35:24 | 0:35:26 | |
or a great addition to a family home. | 0:35:26 | 0:35:28 | |
That is a cracker. | 0:35:28 | 0:35:29 | |
The old floorboards belonged to James, | 0:35:32 | 0:35:35 | |
and all he could think to do with them | 0:35:35 | 0:35:37 | |
was sling them in the skip. | 0:35:37 | 0:35:39 | |
So, he was happy to hand them over to Sarah. | 0:35:39 | 0:35:41 | |
I'm full of hope for it. | 0:35:41 | 0:35:42 | |
It will be really nice. | 0:35:42 | 0:35:44 | |
I don't think you're going to be disappointed, James. | 0:35:44 | 0:35:47 | |
Sarah invited Amanda to view the table. | 0:35:51 | 0:35:54 | |
She's from vintage and antique boutique | 0:35:54 | 0:35:57 | |
Allinson Duke in County Durham. | 0:35:57 | 0:35:59 | |
Really, really beautiful. | 0:35:59 | 0:36:01 | |
-Wow! -Amanda was impressed. | 0:36:01 | 0:36:03 | |
But in order to make a profit, | 0:36:03 | 0:36:05 | |
Sarah had to sell it for over £1,100. | 0:36:05 | 0:36:08 | |
Now she's in Surrey to show James what became of his floorboards, | 0:36:10 | 0:36:14 | |
and, perhaps, hand over some cash. | 0:36:14 | 0:36:17 | |
-Hello, James. -Hello. | 0:36:17 | 0:36:19 | |
-How you doing? -Nice to see you. | 0:36:19 | 0:36:21 | |
-Yeah, and you. -It's a while. | 0:36:21 | 0:36:22 | |
It has been a while. So, have your renovations finished? | 0:36:22 | 0:36:25 | |
-Because this is the house, wasn't it? -We're done, yes. | 0:36:25 | 0:36:27 | |
My new floor is down. | 0:36:27 | 0:36:29 | |
-Lovely. -And the old floor is gone. | 0:36:29 | 0:36:31 | |
Well, it has gone, but it's not been forgotten. | 0:36:31 | 0:36:34 | |
-Ah, that's nice. -I took them to some really cool guys. | 0:36:34 | 0:36:37 | |
They're called Josh and Ollie, | 0:36:37 | 0:36:38 | |
and they love old stuff and making it into new stuff, | 0:36:38 | 0:36:41 | |
and so I've got some pictures here | 0:36:41 | 0:36:42 | |
to show you what happened to your floorboards. Are you ready? | 0:36:42 | 0:36:45 | |
I am. Go on. | 0:36:45 | 0:36:46 | |
I love this, and I'm really excited. | 0:36:46 | 0:36:49 | |
HE LAUGHS | 0:36:49 | 0:36:50 | |
Here is a table made out of your floorboards. | 0:36:50 | 0:36:53 | |
Oh, I say! | 0:36:53 | 0:36:54 | |
-Isn't that brilliant? -Josh and Ollie spent a very long time | 0:36:54 | 0:36:58 | |
making beautiful parquet out of them | 0:36:58 | 0:37:00 | |
to surface the table, and they kept all of that lovely black stain | 0:37:00 | 0:37:04 | |
that was on it originally. | 0:37:04 | 0:37:05 | |
Yeah, that's brilliant. Well done. | 0:37:05 | 0:37:08 | |
I have to say, I stuck my neck out on this one. | 0:37:08 | 0:37:10 | |
-Did you? -And I invested quite a bit of money. | 0:37:10 | 0:37:13 | |
-OK. -In fact, it was £1,100... | 0:37:13 | 0:37:14 | |
-OK. -..for them to make a table like that, | 0:37:14 | 0:37:16 | |
so it's quite difficult to make a profit on that. | 0:37:16 | 0:37:19 | |
But I'm delighted to say we did manage to sell it. | 0:37:19 | 0:37:21 | |
It's going all the way to County Durham to a shop. | 0:37:21 | 0:37:23 | |
-Is it? -And I have got £200 here for you for your old floorboards. | 0:37:23 | 0:37:27 | |
Well, it's hardly a trifle, then! | 0:37:27 | 0:37:28 | |
That's super. Well, I'm pleasantly surprised. | 0:37:28 | 0:37:31 | |
200 quid falls in your lap. | 0:37:31 | 0:37:32 | |
-What are you going to do with that? -I was thinking about a rug... | 0:37:32 | 0:37:35 | |
-Fantastic. -..and we can probably buy a very nice one for that. | 0:37:35 | 0:37:38 | |
Well, I would be so pleased to think that something like that | 0:37:38 | 0:37:41 | |
is going on with that money and it's right back where it should be. | 0:37:41 | 0:37:43 | |
That would be great. Thank you very much. | 0:37:43 | 0:37:45 | |
Total pleasure. Lovely to see you again. | 0:37:45 | 0:37:47 | |
-Thank you. Nice to see you. -Bye-bye. -Bye-bye. | 0:37:47 | 0:37:49 | |
Sarah spent a whopping £1,100 on the dining table, | 0:37:52 | 0:37:56 | |
but sold it for an even whoppinger 1,300, | 0:37:56 | 0:38:00 | |
giving James £200 that he'll spend on a new rug. | 0:38:00 | 0:38:05 | |
In East London, | 0:38:10 | 0:38:12 | |
Daniel is about to reveal the outcome | 0:38:12 | 0:38:14 | |
of his quick zhuzhing up to Sarah. | 0:38:14 | 0:38:16 | |
Well, I'm here to pick up my Danish drinks trolley | 0:38:18 | 0:38:20 | |
and find out if Dan's £100 face-lift has made it really sing. | 0:38:20 | 0:38:24 | |
This trolley was a stylish little number that had seen better days. | 0:38:26 | 0:38:30 | |
Those better days are back again. | 0:38:35 | 0:38:38 | |
And they are better than ever. | 0:38:38 | 0:38:39 | |
Daniel's screen printed an Art Deco design | 0:38:41 | 0:38:44 | |
inspired by the bright lights of the Big Apple. | 0:38:44 | 0:38:46 | |
His plan was to add a little glam | 0:38:51 | 0:38:53 | |
and make this rough diamond sparkle again. | 0:38:53 | 0:38:57 | |
The sheen of the Danish oil finish is silky smooth. | 0:38:57 | 0:39:00 | |
From tip to toe, | 0:39:03 | 0:39:04 | |
this trolley has never looked so good, | 0:39:04 | 0:39:07 | |
and I'm in no doubt Sarah will agree. | 0:39:07 | 0:39:10 | |
-Hey, Dan. -Hello. | 0:39:11 | 0:39:12 | |
-How you doing? -Yeah, good to see you. | 0:39:12 | 0:39:15 | |
Oh, Dan! | 0:39:15 | 0:39:16 | |
How cool's that? It's so fresh. | 0:39:16 | 0:39:19 | |
It looks... | 0:39:19 | 0:39:20 | |
It actually looks like it is something brand-new | 0:39:20 | 0:39:23 | |
that's just come out of a design house, doesn't it? | 0:39:23 | 0:39:25 | |
Well, yeah, I mean, it was in very good condition. | 0:39:25 | 0:39:28 | |
It just needed a sanding so, yeah, we were quite lucky there. | 0:39:28 | 0:39:31 | |
Oh, Daniel, don't be so humble. | 0:39:31 | 0:39:33 | |
You've done great work. | 0:39:33 | 0:39:35 | |
I'll big you up if you don't do it yourself. | 0:39:35 | 0:39:37 | |
Where does all the design come from? | 0:39:39 | 0:39:41 | |
The influence for this was New York skyscrapers and architecture, | 0:39:41 | 0:39:44 | |
so it's quite blocky, | 0:39:44 | 0:39:46 | |
there's some nice sort of detail elements | 0:39:46 | 0:39:48 | |
and just a nice combination of shapes. | 0:39:48 | 0:39:51 | |
I'm surprised how crisply it's printed onto here, | 0:39:51 | 0:39:53 | |
because it is wood. | 0:39:53 | 0:39:55 | |
You know, I'd expect it not to be quite so defined, | 0:39:55 | 0:39:58 | |
but that is a very sharp finish to it. | 0:39:58 | 0:40:01 | |
Did you manage to bring it in on budget? | 0:40:01 | 0:40:03 | |
Yeah, actually, it was OK. | 0:40:03 | 0:40:07 | |
I mean, the furniture piece was in good condition. | 0:40:07 | 0:40:09 | |
The only real cost was replacing the wheels | 0:40:09 | 0:40:12 | |
because we wanted to have that little bit of brass detailing. | 0:40:12 | 0:40:15 | |
Well, I think it's beautiful. | 0:40:15 | 0:40:17 | |
It's just sharp and fresh, and I love it. | 0:40:17 | 0:40:20 | |
Please can you wrap it up carefully for me? | 0:40:20 | 0:40:22 | |
-Yes. Absolutely. -And I will get that collected | 0:40:22 | 0:40:24 | |
and off to a new home very soon. | 0:40:24 | 0:40:26 | |
-Wonderful. -Thank you so much. -Thank you, Sarah. | 0:40:26 | 0:40:28 | |
Well, sometimes the simple transformations | 0:40:33 | 0:40:35 | |
are the most effective. | 0:40:35 | 0:40:37 | |
Dan has given it a lovely clean new design, | 0:40:37 | 0:40:39 | |
and that trolley is now a fine interiors piece. | 0:40:39 | 0:40:42 | |
Claire was about to toss the trolley in the trash before Sarah saved it. | 0:40:45 | 0:40:50 | |
I grew up with it so if she can do something with it, | 0:40:51 | 0:40:53 | |
I would be delighted. | 0:40:53 | 0:40:55 | |
Well, Claire, prepare to be delighted. | 0:40:55 | 0:40:58 | |
Pictures were posted online and the trolley sold to a private buyer. | 0:41:02 | 0:41:07 | |
Sarah is at Claire's home to tell her what became of the trolley. | 0:41:08 | 0:41:13 | |
-Hi there. -Hello, good morning. | 0:41:13 | 0:41:15 | |
-How are you, Claire? -I'm very well, thank you. | 0:41:15 | 0:41:17 | |
-Yeah. Yeah. -I said I'd come back and find you | 0:41:17 | 0:41:19 | |
if there was something to be done with your trolley. | 0:41:19 | 0:41:21 | |
Now, tell me, it was your parents' trolley, wasn't it? | 0:41:21 | 0:41:23 | |
It was, yes, yes, | 0:41:23 | 0:41:25 | |
and we were down in Wales where I was brought up, | 0:41:25 | 0:41:28 | |
and that old trolley just sat in our TV room, | 0:41:28 | 0:41:30 | |
and I remember it from my childhood. | 0:41:30 | 0:41:31 | |
We loved its retro style. | 0:41:31 | 0:41:33 | |
It had such a strong look. | 0:41:33 | 0:41:35 | |
It looked like it was sort of 1960s when it was bought or designed, | 0:41:35 | 0:41:40 | |
so we thought that it was worth going to town on it | 0:41:40 | 0:41:42 | |
and making it look lovely. | 0:41:42 | 0:41:44 | |
So I took it up to Walthamstow | 0:41:44 | 0:41:46 | |
to a lovely surface-pattern designer called Dan, | 0:41:46 | 0:41:48 | |
and I've got some pictures to show you of what he did with it. | 0:41:48 | 0:41:50 | |
-OK. -Here is your trolley after a makeover. | 0:41:50 | 0:41:55 | |
Oh, my goodness! | 0:41:55 | 0:41:56 | |
Goodness, that is so original. | 0:41:56 | 0:41:58 | |
He has screen-printed an original design on the top of it. | 0:41:58 | 0:42:02 | |
And polished it up to bring all that lovely teak right back | 0:42:02 | 0:42:06 | |
to where it would have been when it was made, | 0:42:06 | 0:42:09 | |
and popped some new casters on the bottom. | 0:42:09 | 0:42:11 | |
-Yes. -What do you think? -I think it's super. | 0:42:11 | 0:42:13 | |
-Absolutely lovely. -It was actually something that was snapped up | 0:42:13 | 0:42:16 | |
-as soon as he'd done it. -Good. | 0:42:16 | 0:42:18 | |
So it's sold already? | 0:42:18 | 0:42:19 | |
It's sold and it's gone on to a new home, | 0:42:19 | 0:42:21 | |
and I've got some profit here as well. | 0:42:21 | 0:42:23 | |
I've got £50 here as a little present for your trolley makeover. | 0:42:23 | 0:42:28 | |
Oh, thank you very much. | 0:42:28 | 0:42:30 | |
That's super. | 0:42:30 | 0:42:31 | |
Well, it was a great thing to work on, | 0:42:31 | 0:42:33 | |
so what might you do with a £50 windfall? | 0:42:33 | 0:42:37 | |
Well, it was my parents' trolley, | 0:42:37 | 0:42:39 | |
and they are only a few miles from here, and I asked them, | 0:42:39 | 0:42:43 | |
and one of the things that was close to their hearts | 0:42:43 | 0:42:45 | |
was the Army Benevolent Fund, so I'd like it to go to that. | 0:42:45 | 0:42:48 | |
Yeah. Fantastic. | 0:42:48 | 0:42:50 | |
-Lovely to see you. -And you. | 0:42:50 | 0:42:52 | |
Thank you very much. Bye. | 0:42:52 | 0:42:53 | |
Bye. | 0:42:53 | 0:42:54 | |
Sarah spent £100 revamping the trolley. | 0:42:57 | 0:43:01 | |
It was sold for £150, giving Claire £50 to donate to charity. | 0:43:01 | 0:43:07 | |
With a little help from her friends, | 0:43:11 | 0:43:13 | |
Sarah has transformed three skip-bound items | 0:43:13 | 0:43:17 | |
into a pocketful of profit. | 0:43:17 | 0:43:20 | |
That's what I call a job well done. | 0:43:20 | 0:43:23 | |
Well, Dan and the Forge boys proved that my tip finds | 0:43:23 | 0:43:26 | |
have real money-making potential. | 0:43:26 | 0:43:28 | |
They transformed items that were on the brink of being turfed | 0:43:28 | 0:43:31 | |
and made them into amazing, bespoke pieces. | 0:43:31 | 0:43:34 |