Browse content similar to Episode 16. Check below for episodes and series from the same categories and more!
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That's not going in there, is it? | 0:00:03 | 0:00:06 | |
How do you make money for nothing? | 0:00:06 | 0:00:10 | |
Oh, that's got lovely legs! | 0:00:10 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes of household waste | 0:00:11 | 0:00:16 | |
thrown out by us every year. | 0:00:16 | 0:00:18 | |
-I'm now going to swan off! -OK! | 0:00:18 | 0:00:19 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:22 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:27 | |
I'm a passionate maker, buyer and user of old stuff | 0:00:30 | 0:00:33 | |
and I've turned that passion into a moneymaking business. | 0:00:33 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:45 | |
Let's brainstorm a little bit and see what we can do with it. | 0:00:45 | 0:00:48 | |
It's absolutely gorgeous. | 0:00:48 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:54 | |
I'm speechless. | 0:00:54 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:56 | |
That looks amazing! | 0:00:57 | 0:00:59 | |
..and, hopefully, saleable items. | 0:00:59 | 0:01:02 | |
If Sarah is successful, | 0:01:04 | 0:01:06 | |
then she can hand the profits back to the very people who had no idea | 0:01:06 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:14 | |
Lovely! Lovely ending! | 0:01:14 | 0:01:15 | |
Today, Sarah is at Woodhouse Lane recycling centre in Altrincham. | 0:01:28 | 0:01:33 | |
Here, the good people of Greater Manchester have turned out | 0:01:33 | 0:01:37 | |
in their droves to dump their junk. | 0:01:37 | 0:01:39 | |
Look at them all flooding in, here. | 0:01:39 | 0:01:40 | |
There are 19 skips and no end of potential. | 0:01:40 | 0:01:43 | |
Sarah's after three things which, if all goes well, | 0:01:45 | 0:01:49 | |
will be made over and sold on to produce a tidy bit of profit. | 0:01:49 | 0:01:53 | |
What are you dropping off, then? | 0:01:53 | 0:01:54 | |
But don't think about trying this yourself. | 0:01:54 | 0:01:57 | |
Sarah had to get special permission for her mission, | 0:01:57 | 0:02:00 | |
and she will not fail. | 0:02:00 | 0:02:02 | |
One way or another, I'm having the rubbish. | 0:02:02 | 0:02:04 | |
Well, why don't you start by having a look at what Kate has in her boot? | 0:02:06 | 0:02:10 | |
-Hello, hello. -Hi. -Sorry to bother you in the rain. | 0:02:11 | 0:02:14 | |
-That's all right. -That looks pretty amazing. | 0:02:14 | 0:02:17 | |
-Have you had it long? -I've had it quite a while, it was my gran's. | 0:02:17 | 0:02:21 | |
But I've got nowhere for it and it's quite damaged now. | 0:02:21 | 0:02:24 | |
This bulrush bench is missing two of its stretchers - | 0:02:24 | 0:02:27 | |
connecting beams that help support the legs. | 0:02:27 | 0:02:31 | |
Better not sit on it, then, Sarah. | 0:02:31 | 0:02:33 | |
It's quite difficult to restore something like that, isn't it? | 0:02:33 | 0:02:36 | |
It takes up quite a lot of space, as well. | 0:02:36 | 0:02:38 | |
It's got a really strong look to it. | 0:02:38 | 0:02:40 | |
I don't know, is it Arts and Crafts, something like that? | 0:02:40 | 0:02:43 | |
Probably, yes, cos she had a few different pieces. | 0:02:43 | 0:02:45 | |
Due to the age and the handmade qualities of the bench, | 0:02:45 | 0:02:48 | |
Sarah believes it to be part of the Arts and Crafts design movement. | 0:02:48 | 0:02:52 | |
Started in Britain in the 1880s, it advocated a revival | 0:02:52 | 0:02:56 | |
of traditional handicrafts in the design of domestic furniture. | 0:02:56 | 0:03:00 | |
It's got some decorative appeal to it. | 0:03:00 | 0:03:03 | |
-Yeah. -I think there's a lot of wicker and natural wood | 0:03:03 | 0:03:05 | |
and all this sort of stuff | 0:03:05 | 0:03:06 | |
and that people are liking to put in their houses at the moment. | 0:03:06 | 0:03:09 | |
So, if you don't mind, | 0:03:09 | 0:03:10 | |
could I take it away and try and breathe new life into it? | 0:03:10 | 0:03:13 | |
Yeah, that would be great, better than it going in a skip. | 0:03:13 | 0:03:16 | |
Lovely. And I bet it's not too heavy either, is it? | 0:03:16 | 0:03:18 | |
No, you can manage! | 0:03:18 | 0:03:20 | |
Brilliant. My perfect criteria - stylish and light! | 0:03:20 | 0:03:23 | |
-Thank you so much. -You're welcome. | 0:03:23 | 0:03:25 | |
That's our first item saved from the skip. | 0:03:27 | 0:03:30 | |
But what does Kate think Sarah will do with her woven wonder? | 0:03:30 | 0:03:34 | |
I don't know what she might do, but possibly paint it up or something, | 0:03:34 | 0:03:37 | |
I don't know. I don't really mind, | 0:03:37 | 0:03:39 | |
as long as it gets a new home and somebody loves it, really. | 0:03:39 | 0:03:42 | |
I am loving this little bench. | 0:03:47 | 0:03:48 | |
It's a really sweet piece of furniture. | 0:03:48 | 0:03:50 | |
Such a shame that it's missing its stretchers. | 0:03:50 | 0:03:52 | |
I'm so pleased to have found it. | 0:03:52 | 0:03:53 | |
And I'm sure I know somebody who'll be able to turn this around. | 0:03:53 | 0:03:56 | |
Without further ado, let's meet the man who will be taking this on. | 0:03:57 | 0:04:01 | |
Norman Wilkinson, our woodworking wonder. | 0:04:05 | 0:04:08 | |
Norman creates high-end furniture | 0:04:08 | 0:04:11 | |
from unloved and undervalued materials, | 0:04:11 | 0:04:13 | |
although Sarah's finds can be a challenge. | 0:04:13 | 0:04:16 | |
Oh, the stuff we get from the tip, some of it I'm thinking, | 0:04:18 | 0:04:20 | |
"What are we doing?" But, you know, it's great fun. | 0:04:20 | 0:04:23 | |
And also when you turn the weird and wonderful ones into something great, | 0:04:23 | 0:04:26 | |
and they sell it as well, and if someone's going to love it, I mean, | 0:04:26 | 0:04:30 | |
that's what it's all about, isn't it? | 0:04:30 | 0:04:31 | |
Norman brings with him over 25 years of experience | 0:04:31 | 0:04:35 | |
and he's loved every second. | 0:04:35 | 0:04:37 | |
I enjoy my work. I think if anyone enjoys their work, | 0:04:37 | 0:04:40 | |
it comes out in the piece of furniture because, you know, | 0:04:40 | 0:04:43 | |
you love it and then it hopefully reflects when someone buys it, | 0:04:43 | 0:04:46 | |
that they can see the love that we've put into it. | 0:04:46 | 0:04:50 | |
You know, it's a joy to get up and come to work in the mornings. | 0:04:50 | 0:04:53 | |
Norman is passionate about his craft, | 0:04:53 | 0:04:56 | |
but I'm not sure how he'll feel about Arts and Crafts. | 0:04:56 | 0:04:59 | |
That's one item ready to transform. | 0:05:07 | 0:05:09 | |
Sarah just needs to find two more. | 0:05:09 | 0:05:12 | |
And it looks like someone has beaten her to it! | 0:05:12 | 0:05:15 | |
They've recycled those horses into zebras! Look at them! | 0:05:15 | 0:05:18 | |
Well, if you want to earn your stripes, | 0:05:20 | 0:05:23 | |
why don't you have a look at what Dan's pulling out of his boot? | 0:05:23 | 0:05:26 | |
-Hello, hello. -Hi. -You haven't smashed up your sofa, have you? | 0:05:26 | 0:05:29 | |
I certainly have, yeah. | 0:05:29 | 0:05:30 | |
I'm trying to make stuff out of old things, | 0:05:30 | 0:05:32 | |
and people keep breaking them up before they get here. | 0:05:32 | 0:05:34 | |
-Apologies. -Shall we get it out and have a closer look? | 0:05:34 | 0:05:37 | |
-Yeah, absolutely, sure. -So how long have you had your sofa? | 0:05:37 | 0:05:39 | |
Oh, this is about seven or eight years old, this one. | 0:05:39 | 0:05:42 | |
Just bought a new one, so just had it delivered. | 0:05:42 | 0:05:44 | |
-And it's leather? Leather, leather? -Yeah, it is, yeah. | 0:05:44 | 0:05:46 | |
Looks like it's been in the garden. Have you been storing it? | 0:05:46 | 0:05:49 | |
It's been sat out on the driveway for the last week, | 0:05:49 | 0:05:51 | |
waiting for me to smash it up and take it to the tip. | 0:05:51 | 0:05:53 | |
Would you mind if I took your sofa | 0:05:53 | 0:05:54 | |
and tried to make something out of it? | 0:05:54 | 0:05:56 | |
-Not at all. -You sure? -You can help yourself. -Thank you. | 0:05:56 | 0:05:58 | |
Shall we just pop it over there? | 0:05:58 | 0:06:00 | |
Mmm, a smashed up, mouldy sofa. | 0:06:00 | 0:06:02 | |
I think this one's better off in the skip! | 0:06:02 | 0:06:05 | |
Dan, what do you think? | 0:06:05 | 0:06:07 | |
Yeah, I'm really surprised that Sarah wants the sofa. | 0:06:07 | 0:06:09 | |
To me it was just a piece of junk. | 0:06:09 | 0:06:10 | |
But hopefully she'll be able to do something nice with it. | 0:06:10 | 0:06:13 | |
Not sure what she can make, but good luck to her | 0:06:13 | 0:06:15 | |
if she wants to have a go at it. | 0:06:15 | 0:06:17 | |
I think it'll take more than luck. | 0:06:17 | 0:06:19 | |
Well, you've got to wonder what I'm going to make out of this because | 0:06:20 | 0:06:22 | |
basically, it's seen better days, hasn't it? | 0:06:22 | 0:06:25 | |
But it is leather, and it's got a lovely worn, soft look to it. | 0:06:25 | 0:06:30 | |
I think there's something to be made, here. | 0:06:30 | 0:06:32 | |
And I know who's going to help me, too. | 0:06:32 | 0:06:34 | |
Meet Anthony Devine, upholsterer extraordinaire. | 0:06:38 | 0:06:41 | |
Anthony takes his two decades of design experience and passes it on | 0:06:43 | 0:06:48 | |
to the younger generation at his school of upholstery. | 0:06:48 | 0:06:51 | |
His designs are bold, experimental, and never boring. | 0:06:51 | 0:06:55 | |
If I was to say I had a style, it would probably be erratic. | 0:06:57 | 0:07:02 | |
There's loads of ideas washing around in my head | 0:07:03 | 0:07:06 | |
and whichever pops out first is the one, normally, that gets done. | 0:07:06 | 0:07:09 | |
Anthony's seen it all but there's a few things left on his bucket list. | 0:07:11 | 0:07:15 | |
I'd love to make a chair for Barack Obama. | 0:07:15 | 0:07:18 | |
If the Queen came knocking, I'd make her something. | 0:07:18 | 0:07:21 | |
Well, if you do get the call from Buckingham Palace, | 0:07:21 | 0:07:24 | |
something tells me you won't be making Her Majesty a sofa | 0:07:24 | 0:07:27 | |
from this thing. | 0:07:27 | 0:07:28 | |
That's our second item saved. | 0:07:37 | 0:07:39 | |
Now Sarah just needs to find something to work on herself | 0:07:39 | 0:07:43 | |
and we can call it a day. | 0:07:43 | 0:07:45 | |
I reckon this could be a penguin, what do you think? Look! | 0:07:45 | 0:07:48 | |
I think she's been out there too long! | 0:07:49 | 0:07:51 | |
Perhaps Cynthia and Mike can bring Sarah back to reality with what | 0:07:51 | 0:07:55 | |
they've got in the back of their car. | 0:07:55 | 0:07:57 | |
That looks very interesting. Hi, there. I'm Sarah. | 0:07:59 | 0:08:02 | |
-I'm Cynthia. -Cynthia, hello. Who are you? -Mike. -Mike, hello there. | 0:08:02 | 0:08:05 | |
How do you do? Wow. How long have you had it? | 0:08:05 | 0:08:07 | |
-Where's it from? -It's my grandmother's. | 0:08:07 | 0:08:10 | |
-Right. -She had it in her lounge for many years. | 0:08:10 | 0:08:13 | |
But, of course, the way they are these days, | 0:08:13 | 0:08:17 | |
it just won't fit in our houses. | 0:08:17 | 0:08:19 | |
It's got to be 100 years old, hasn't it? | 0:08:19 | 0:08:21 | |
-It definitely is old. -It's got that sort of... | 0:08:21 | 0:08:23 | |
-It's got the look. -Probably more than that. | 0:08:23 | 0:08:26 | |
Yeah. Wow. What a piece! I'd love to see it out. | 0:08:26 | 0:08:28 | |
What's the best thing to do? If we just try and... | 0:08:28 | 0:08:30 | |
Considering its age, this Victorian display cabinet | 0:08:30 | 0:08:34 | |
is in pretty good condition, although it is a whopper. | 0:08:34 | 0:08:37 | |
Oh, my word! It's a beast! | 0:08:38 | 0:08:41 | |
I didn't realise it was that high! | 0:08:41 | 0:08:43 | |
That is huge, isn't it? | 0:08:43 | 0:08:45 | |
You don't know the half of it, Sarah! | 0:08:45 | 0:08:46 | |
They've still got another great big bit in the boot. | 0:08:46 | 0:08:49 | |
Wow! | 0:08:49 | 0:08:50 | |
Well, you have absolutely made by day. | 0:08:52 | 0:08:54 | |
I have never seen anything like it. | 0:08:54 | 0:08:56 | |
I can't thank you enough for letting me have it. | 0:08:56 | 0:08:58 | |
I hope you can make use of it, cos I'm sure you will. | 0:08:58 | 0:09:00 | |
Thank you so much. It's amazing. | 0:09:00 | 0:09:02 | |
Sarah's bagged herself a lovely, | 0:09:03 | 0:09:05 | |
but rather spooky looking Victorian cabinet. | 0:09:05 | 0:09:09 | |
Let's hope she can do something to make it a little less imposing. | 0:09:09 | 0:09:13 | |
But what do Cynthia and Mike think? | 0:09:13 | 0:09:15 | |
Very interesting as to what she's going to... | 0:09:15 | 0:09:17 | |
What anybody can do with it, because it's a beautiful piece. | 0:09:17 | 0:09:20 | |
And it's beyond us to bring it back to how it was originally. | 0:09:20 | 0:09:24 | |
Considering it's in the, you know, 1880s probably when it was made, | 0:09:25 | 0:09:29 | |
it makes it 120, 130 years old by now. | 0:09:29 | 0:09:32 | |
So it's seriously old. | 0:09:32 | 0:09:34 | |
It's enormous. It's pretty brutal stuff. | 0:09:34 | 0:09:38 | |
But it's got a charm of its own, hasn't it? | 0:09:38 | 0:09:40 | |
And there must be something to be done with this that makes you want | 0:09:40 | 0:09:43 | |
to put it in your sitting room, because at the moment, | 0:09:43 | 0:09:45 | |
I don't think it's going to find a home. | 0:09:45 | 0:09:48 | |
And with that, Sarah has her items. | 0:09:48 | 0:09:50 | |
Norman will get crafty with the bench. | 0:09:50 | 0:09:54 | |
Anthony will try and do something with that broken sofa. | 0:09:54 | 0:09:58 | |
And Sarah will try to brighten up the cabinet. | 0:09:58 | 0:10:00 | |
Well, salvaging today has worked like a charm. | 0:10:03 | 0:10:05 | |
I just hope my luck doesn't run out | 0:10:05 | 0:10:07 | |
when it comes to turning things into little money-makers. | 0:10:07 | 0:10:09 | |
For our first stop, | 0:10:17 | 0:10:18 | |
we've headed to the village of Hellingly in East Sussex... | 0:10:18 | 0:10:22 | |
..where our master craftsman, Norman, | 0:10:24 | 0:10:26 | |
is giving the place a quick tidy. | 0:10:26 | 0:10:29 | |
Oh, you missed a bit! | 0:10:29 | 0:10:31 | |
Sarah's brought Norman the Arts and Crafts bench, | 0:10:31 | 0:10:34 | |
although Arts and Crafts for a master craftsman, | 0:10:34 | 0:10:37 | |
I'm not sure they all go together. | 0:10:37 | 0:10:40 | |
Well, Sarah's on her way. | 0:10:40 | 0:10:41 | |
Sometimes I wish she'd just drive straight past! | 0:10:41 | 0:10:43 | |
But no, no, not really. | 0:10:43 | 0:10:45 | |
I look forward to seeing her, | 0:10:45 | 0:10:46 | |
so let's just see what she's going to bring and go from there. | 0:10:46 | 0:10:49 | |
Well, I just loved this Arts and Crafts bench the moment I saw it. | 0:10:50 | 0:10:54 | |
But will Norman? | 0:10:54 | 0:10:56 | |
We're about to find out! | 0:10:56 | 0:10:58 | |
-Norman? -Hello, you. -How are you? -I'm good. | 0:10:58 | 0:11:00 | |
Can I put that on there? | 0:11:00 | 0:11:03 | |
-Isn't it lovely? -Yeah. | 0:11:03 | 0:11:04 | |
-Are you a fan? -Yeah, it's quite cool, isn't it? Lovely. | 0:11:04 | 0:11:08 | |
Ah, he likes it. | 0:11:08 | 0:11:10 | |
-Let's turn it upside down so we can have a look. -OK. | 0:11:10 | 0:11:13 | |
Ah, right then. We're not going to do anything silly with this, are we? | 0:11:13 | 0:11:17 | |
I've had two thoughts. | 0:11:17 | 0:11:19 | |
One is to do something just to use this lovely base, | 0:11:19 | 0:11:22 | |
maybe drop it into a bench or a storage box or something like that. | 0:11:22 | 0:11:26 | |
Oh, he's not happy with that! | 0:11:26 | 0:11:28 | |
OK. Two, restore. | 0:11:28 | 0:11:30 | |
I think we should have a go at restoration, really. | 0:11:30 | 0:11:32 | |
With these stretchers missing, | 0:11:32 | 0:11:33 | |
I just don't know if we can restore it. | 0:11:33 | 0:11:35 | |
I mean, yeah, it will be a little bit tricky, | 0:11:35 | 0:11:38 | |
but I'm sure we can manage it. | 0:11:38 | 0:11:40 | |
I'm so pleased to hear you say that. | 0:11:40 | 0:11:42 | |
I think that would be just the right thing to do with it. | 0:11:42 | 0:11:44 | |
But the seat is definitely tricky in places. That bit there is loose. | 0:11:44 | 0:11:47 | |
Yeah, we're going to have to be very careful with what we do. | 0:11:47 | 0:11:49 | |
We'll have to stick it down | 0:11:49 | 0:11:51 | |
and cover them up and then give it a really good wax up and a clean. | 0:11:51 | 0:11:54 | |
And I think you'll get a really, really lovely looking stool. | 0:11:54 | 0:11:57 | |
I mean, it'd be sacrilege to make something else out of it. | 0:11:57 | 0:12:01 | |
-You know? -Well, who knew you were so sensitive, Norman? | 0:12:01 | 0:12:04 | |
Well, one tries. | 0:12:04 | 0:12:05 | |
Sensitive Norman wants a simple restoration. | 0:12:05 | 0:12:08 | |
Lovely. But it'll be a lot of work to make new stretchers. | 0:12:08 | 0:12:12 | |
Will that come at a price? | 0:12:12 | 0:12:14 | |
How much is it going to cost? | 0:12:14 | 0:12:16 | |
-£80 - £100, I reckon that's going to cost. -That price, | 0:12:16 | 0:12:20 | |
to bring a bit of Arts and Crafts furniture back to life, lovely. | 0:12:20 | 0:12:24 | |
-Well, who knew, Norman? Nice to see you. -See you soon. -Bye. | 0:12:24 | 0:12:28 | |
So, it will be simple and straightforward, except it never is! | 0:12:28 | 0:12:33 | |
It's nice to have a straightforward restoration job. | 0:12:33 | 0:12:36 | |
It'll be a nice change | 0:12:36 | 0:12:37 | |
to do something that we should be doing to it. | 0:12:37 | 0:12:39 | |
Well, who knew Norman liked Arts and Crafts? | 0:12:40 | 0:12:43 | |
I think he's going to do the best thing for that little bench | 0:12:43 | 0:12:46 | |
and I can't wait to see it when it's restored. | 0:12:46 | 0:12:48 | |
It'll be £80 - £100 for Norman to restore the bench. | 0:12:49 | 0:12:53 | |
But with bits missing and other bits broken, | 0:12:53 | 0:12:56 | |
it might prove to be a bigger job than he first thought. | 0:12:56 | 0:12:59 | |
Welcome to Manchester. | 0:13:07 | 0:13:09 | |
With a population of over half a million, | 0:13:09 | 0:13:12 | |
it's a veritable cooking pot of creativity. | 0:13:12 | 0:13:15 | |
But there's one person Sarah loves to get creative with her furniture - | 0:13:15 | 0:13:20 | |
Anthony Devine. | 0:13:20 | 0:13:21 | |
Though it'll take some imagination | 0:13:22 | 0:13:24 | |
to create anything out of that smashed up sofa! | 0:13:24 | 0:13:27 | |
So, Sarah's on her way. | 0:13:27 | 0:13:29 | |
I'm pretty excited, I like to always get stuck in | 0:13:29 | 0:13:31 | |
with the stuff that she's got. | 0:13:31 | 0:13:32 | |
Yeah, it's going to be a challenge. | 0:13:32 | 0:13:35 | |
Anthony, you have no idea. | 0:13:35 | 0:13:37 | |
It might be broken now, it's in a dreadful state, | 0:13:39 | 0:13:42 | |
but I've brought this old sofa | 0:13:42 | 0:13:43 | |
all the way to Manchester to see if Anthony can turn it into a winner. | 0:13:43 | 0:13:47 | |
OK, Anthony, it's over to you. | 0:13:47 | 0:13:49 | |
What a joy! | 0:13:52 | 0:13:53 | |
It's... I'm just having a moment. | 0:13:55 | 0:13:56 | |
Yeah, that's how I felt first time I saw it. | 0:13:57 | 0:14:00 | |
There's another half, right? | 0:14:00 | 0:14:02 | |
-No. -I can't believe I'm asking for more of it! | 0:14:02 | 0:14:04 | |
This is what you've got and it doesn't look great at the moment. | 0:14:04 | 0:14:08 | |
It's brown, verging on maroon! | 0:14:08 | 0:14:10 | |
You're going to turn this into something amazing. | 0:14:12 | 0:14:14 | |
That's why I brought it to you, because you have that imagination. | 0:14:14 | 0:14:17 | |
Don't you? | 0:14:17 | 0:14:18 | |
I'm struggling. | 0:14:19 | 0:14:20 | |
I have no idea. | 0:14:21 | 0:14:22 | |
Come on, Anthony. There must be something! | 0:14:23 | 0:14:26 | |
Erm, footstool! | 0:14:26 | 0:14:28 | |
-Not big enough. -Small child's chair. | 0:14:28 | 0:14:31 | |
Not commercial enough. | 0:14:31 | 0:14:32 | |
Dog bed? | 0:14:33 | 0:14:35 | |
Keep going! | 0:14:35 | 0:14:36 | |
Some sort of armchair? | 0:14:38 | 0:14:40 | |
OK, I'd love an armchair. | 0:14:40 | 0:14:42 | |
Phew! | 0:14:42 | 0:14:43 | |
But how on earth are you going to create an armchair out of all that? | 0:14:43 | 0:14:48 | |
It's just showing its true beauty! | 0:14:48 | 0:14:51 | |
Right. I think, basically, | 0:14:51 | 0:14:53 | |
we take the leather off and we work out what we've got from there. | 0:14:53 | 0:14:57 | |
It'll be a chair of some description. | 0:14:57 | 0:14:58 | |
Failing that, it'll be a footstool. | 0:14:58 | 0:15:00 | |
Failing that, I'll end up with a scatter cushion! | 0:15:00 | 0:15:02 | |
If we say 600 quid, we'll see what we come up with. | 0:15:02 | 0:15:05 | |
I know, I'm being vague. | 0:15:05 | 0:15:06 | |
I apologise, but to be honest, | 0:15:06 | 0:15:08 | |
it's going to take a bit of digesting, this one. | 0:15:08 | 0:15:11 | |
I'm going to leave it with you. It'll be amazing. | 0:15:11 | 0:15:13 | |
-Nice to see you. -See you later. | 0:15:13 | 0:15:15 | |
£600 quid for some kind of armchair! | 0:15:15 | 0:15:19 | |
Good luck with that, Anthony! | 0:15:19 | 0:15:20 | |
In true Sarah style, she's left it and legged it. | 0:15:22 | 0:15:25 | |
We've set a budget. | 0:15:27 | 0:15:28 | |
It's going to be a challenge. It's going to be a tough one, this. | 0:15:29 | 0:15:33 | |
Well, predictably, Anthony wasn't that keen on that broken up sofa. | 0:15:33 | 0:15:37 | |
I'm not really certain exactly what I've commissioned, | 0:15:37 | 0:15:39 | |
but I have high hopes. | 0:15:39 | 0:15:41 | |
I don't think he's going to give up | 0:15:41 | 0:15:42 | |
till he's made something really special. | 0:15:42 | 0:15:44 | |
So, it's a hefty £600 budget. | 0:15:47 | 0:15:50 | |
That's fine for an armchair, but if all we get is a footstool, | 0:15:50 | 0:15:54 | |
we could be in real trouble. | 0:15:54 | 0:15:55 | |
While Anthony hums and haws over that sofa, | 0:16:04 | 0:16:08 | |
Sarah's headed back home to the West Sussex countryside. | 0:16:08 | 0:16:11 | |
She's about to start work on the big, old Victorian cabinet. | 0:16:14 | 0:16:18 | |
And I tell you, this thing really needs brightening up. | 0:16:18 | 0:16:21 | |
It looks haunted. | 0:16:21 | 0:16:22 | |
Well, I've had some time to think while I'm dusting | 0:16:26 | 0:16:28 | |
and I think it's in the wrong place. | 0:16:28 | 0:16:30 | |
This isn't going to fit into a modern home, | 0:16:30 | 0:16:32 | |
but it would look fantastic as a display piece in a shop. | 0:16:32 | 0:16:35 | |
I need to embrace its theatrical design and just really go for it. | 0:16:35 | 0:16:39 | |
Make it sing. | 0:16:39 | 0:16:41 | |
To turn this cabinet into a shop front show stopper, | 0:16:41 | 0:16:45 | |
Sarah is going to remove some of the more decorative elements. | 0:16:45 | 0:16:49 | |
And I can tell she's feeling a bit guilty about it. | 0:16:49 | 0:16:53 | |
So, I'm putting it out there right now. | 0:16:53 | 0:16:54 | |
This might be antique, it might be 100 years old, | 0:16:54 | 0:16:58 | |
but something has got to go. | 0:16:58 | 0:16:59 | |
It needs a style update and if I can get some of this cornicing | 0:16:59 | 0:17:03 | |
and the moulding, just to give it a little bit of a fresher look. | 0:17:03 | 0:17:07 | |
Victorian designs are now widely viewed | 0:17:08 | 0:17:11 | |
as having indulged in a grand excess of ornamentation. | 0:17:11 | 0:17:15 | |
It's quite well made! | 0:17:15 | 0:17:17 | |
Display cases like this were focal points in houses from this period, | 0:17:17 | 0:17:22 | |
so were often extravagantly decorated. | 0:17:22 | 0:17:24 | |
Getting there. | 0:17:26 | 0:17:27 | |
But this is the 21st century. | 0:17:27 | 0:17:29 | |
So it's time to make the cornicing a thing of the past. | 0:17:29 | 0:17:33 | |
Looks better already. | 0:17:36 | 0:17:38 | |
Still a bit scary! | 0:17:38 | 0:17:39 | |
But Sarah's got a bright idea that could turn things round. | 0:17:42 | 0:17:46 | |
Well, I've got my paint and it's looking a bit blue at the moment, | 0:17:46 | 0:17:48 | |
but there's a very good reason for that. | 0:17:48 | 0:17:50 | |
I kept on looking at this piece and thinking it reminds me of something | 0:17:50 | 0:17:53 | |
and then I remembered what it was. | 0:17:53 | 0:17:56 | |
It's my china. | 0:17:56 | 0:17:57 | |
This willow pattern is full of the kind of motifs | 0:17:57 | 0:18:00 | |
that are appearing on here. | 0:18:00 | 0:18:02 | |
I thought, "Why not turn this into a beautiful chinoiserie inspired | 0:18:02 | 0:18:06 | |
"piece of eccentric English furniture?" | 0:18:06 | 0:18:08 | |
It's going to take ages. | 0:18:09 | 0:18:12 | |
Chinoiserie derives from the French word chinois, meaning Chinese. | 0:18:12 | 0:18:17 | |
First job, base coat for the whole lot. | 0:18:17 | 0:18:20 | |
It's the European interpretation of Chinese artistic traditions, | 0:18:20 | 0:18:25 | |
popularised in the 18th century. | 0:18:25 | 0:18:28 | |
And chinoiserie was all the rage - | 0:18:28 | 0:18:30 | |
everybody wanted to have | 0:18:30 | 0:18:31 | |
that sort of hand painted Chinese look going on. | 0:18:31 | 0:18:34 | |
One of the things that contributed to its popularity | 0:18:34 | 0:18:37 | |
was the 18th century vogue for tea drinking. | 0:18:37 | 0:18:41 | |
The demand for chinoiserie porcelain sky rocketed, | 0:18:41 | 0:18:45 | |
as the la-di-da wanted something nice to dunk their biscuits in. | 0:18:45 | 0:18:49 | |
With the base coat applied and time to dry, | 0:18:50 | 0:18:53 | |
Sarah can begin to make it look like a dinner plate. | 0:18:53 | 0:18:56 | |
So, the sensible thing to do with this would be to plan it all out, | 0:18:58 | 0:19:01 | |
maybe in pencil and put all the pattern on, | 0:19:01 | 0:19:03 | |
exactly where the blue design is going to go. | 0:19:03 | 0:19:05 | |
I'm just going to freestyle it. | 0:19:06 | 0:19:09 | |
Of course you are. | 0:19:09 | 0:19:10 | |
I'll do a tree first. That looks easy. | 0:19:10 | 0:19:12 | |
The design Sarah is attempting to recreate is known as | 0:19:12 | 0:19:16 | |
Willow Pattern, the distinctive blue and white chinoiserie pattern, | 0:19:16 | 0:19:19 | |
used on ceramic, kitchen and house wares. | 0:19:19 | 0:19:22 | |
This is way more difficult than it looks. | 0:19:22 | 0:19:24 | |
Really?! Because it looks quite difficult! | 0:19:24 | 0:19:26 | |
And to cover the whole thing with it, | 0:19:28 | 0:19:29 | |
I think you'll be here for a while. | 0:19:29 | 0:19:31 | |
So far, Sarah's spent just £10 on paint. | 0:19:33 | 0:19:37 | |
She's got a colossal task ahead of her | 0:19:37 | 0:19:39 | |
and I've got a feeling she's got too much on her plate. | 0:19:39 | 0:19:42 | |
From West Sussex, we travel east, to East Sussex | 0:19:47 | 0:19:52 | |
where our big cuddly timber teddy bear, Norman, | 0:19:52 | 0:19:55 | |
is about to begin the restoration of the old bench. | 0:19:55 | 0:19:59 | |
So, Norman, what's the plan? | 0:19:59 | 0:20:01 | |
I'm going to glue that back. | 0:20:02 | 0:20:04 | |
We'll glue it back and make sure everywhere is all neat and tidy | 0:20:04 | 0:20:07 | |
and then we've got a couple of stretchers missing. | 0:20:07 | 0:20:09 | |
So we're going to cut some timber up, shape them, put them in | 0:20:09 | 0:20:12 | |
and see how we get on. | 0:20:12 | 0:20:13 | |
Norman starts to make the stretchers. | 0:20:16 | 0:20:18 | |
I'll cut it to 30 inches | 0:20:18 | 0:20:19 | |
and then that gives me enough to play with, then. | 0:20:19 | 0:20:21 | |
He's cutting to size some new oak, | 0:20:23 | 0:20:25 | |
which will match the existing oak framework. | 0:20:25 | 0:20:28 | |
The challenge with any restoration is making the new elements | 0:20:28 | 0:20:32 | |
look similar in appearance to the old ones. | 0:20:32 | 0:20:35 | |
Norman will have to make this brand-new timber | 0:20:37 | 0:20:40 | |
look like it's around 60 years old. | 0:20:40 | 0:20:43 | |
Beautiful! | 0:20:46 | 0:20:47 | |
Yes, you are, Norman! | 0:20:47 | 0:20:49 | |
I think I'm going to drill these holes out now. | 0:20:49 | 0:20:52 | |
Next, Norman will clear out the old wood from the holes in the legs | 0:20:52 | 0:20:56 | |
with his trusty drill. | 0:20:56 | 0:20:57 | |
HIGH-PITCHED DRILLING | 0:20:57 | 0:20:59 | |
Ugh! Does that remind anyone else of the dentist? | 0:20:59 | 0:21:01 | |
Oh, I can't even look! | 0:21:03 | 0:21:04 | |
I'll have to have a dig out with a chisel. | 0:21:06 | 0:21:09 | |
As part of the Arts and Crafts movement, | 0:21:09 | 0:21:12 | |
this bench would've been handmade. | 0:21:12 | 0:21:14 | |
That's it. It's coming out. | 0:21:14 | 0:21:15 | |
Pioneered by artist William Morris, | 0:21:15 | 0:21:18 | |
the movement was a reaction against machine and factory production, | 0:21:18 | 0:21:22 | |
instead, advocating traditional methods. | 0:21:22 | 0:21:25 | |
That's it. Beautiful. | 0:21:25 | 0:21:27 | |
He's all about the beautiful, this guy! | 0:21:27 | 0:21:29 | |
And staying true to the Arts and Crafts vibe, | 0:21:31 | 0:21:34 | |
Norman's going to whittle the stretchers into shape by hand, | 0:21:34 | 0:21:38 | |
rather than using a wood-turning lathe. | 0:21:38 | 0:21:41 | |
Obviously they've done it by eye. | 0:21:41 | 0:21:43 | |
They haven't had, like, a copying lathe, like they have today, | 0:21:43 | 0:21:46 | |
chuck a bit of wood in and, er... | 0:21:46 | 0:21:48 | |
chuck a bit of wood in and it just copies it and they throw it out. | 0:21:48 | 0:21:52 | |
This was done by a bloke with his eye, | 0:21:52 | 0:21:54 | |
you know, so really that's just... | 0:21:54 | 0:21:57 | |
..see what my eye's like. | 0:21:58 | 0:21:59 | |
I would say beautiful! | 0:21:59 | 0:22:02 | |
All the legs and stretchers are delicately tapered in at each end. | 0:22:02 | 0:22:07 | |
Norman's using a plane to gradually shave the wood | 0:22:07 | 0:22:10 | |
until it reaches the right thickness, | 0:22:10 | 0:22:13 | |
although this way is taking ages. | 0:22:13 | 0:22:15 | |
Time to break out the belt sander. | 0:22:15 | 0:22:18 | |
Oh! Careful, Norman! | 0:22:21 | 0:22:23 | |
Oh, Norman, do you want to find something to hold it while you sand? | 0:22:23 | 0:22:27 | |
Yes! That's more like it. | 0:22:29 | 0:22:30 | |
Right, let's go for it. | 0:22:30 | 0:22:31 | |
Once Norman is happy with the stretchers, | 0:22:33 | 0:22:35 | |
it's on to the broken bulrush top. | 0:22:35 | 0:22:38 | |
Bulrushes are a wetland grass-like plant. | 0:22:38 | 0:22:41 | |
They're a bit like wicker, or even rattan. | 0:22:41 | 0:22:45 | |
Bulrushes are strong and flexible, but, over time, get dry and brittle. | 0:22:45 | 0:22:49 | |
I'm really pleased with it. I think it looks great. | 0:22:50 | 0:22:53 | |
We're just trying to keep it... | 0:22:53 | 0:22:54 | |
I know we're using electric bits | 0:22:54 | 0:22:56 | |
but we're trying to keep in the spirit of it and do it by eye. | 0:22:56 | 0:23:00 | |
Yeah, really pleased with it. I think it's come along really well. | 0:23:00 | 0:23:02 | |
I imagine by the time we've coloured that up and done it, | 0:23:02 | 0:23:05 | |
I think we'll get away with it. | 0:23:05 | 0:23:06 | |
Norman's done a great job making the stretchers the same size and shape, | 0:23:06 | 0:23:11 | |
but now comes the hard part. | 0:23:11 | 0:23:14 | |
If they don't match in colour, they'll stand out like a sore thumb. | 0:23:14 | 0:23:18 | |
Some days it goes absolutely perfect and other days it doesn't. | 0:23:19 | 0:23:22 | |
So, you know, when you put it on, rub it back, start again, | 0:23:22 | 0:23:25 | |
rub it back and hopefully you get to where you can. | 0:23:25 | 0:23:28 | |
I'm going to start with the orangey, reddy colour first. | 0:23:28 | 0:23:31 | |
Let's just rock 'n' roll and see what happens. | 0:23:31 | 0:23:34 | |
This could be a lengthy process. | 0:23:34 | 0:23:37 | |
Norman will have to let each coat dry before applying more | 0:23:37 | 0:23:41 | |
to achieve the perfect colour. | 0:23:41 | 0:23:43 | |
Rather him than me! | 0:23:43 | 0:23:45 | |
And he's still got the top to fix, too. | 0:23:45 | 0:23:47 | |
Back we go to Manchester, | 0:23:54 | 0:23:56 | |
where upholsterer Anthony is still trying to work out how | 0:23:56 | 0:24:00 | |
to turn this broken sofa into some kind of armchair, was it? | 0:24:00 | 0:24:05 | |
Although, at the moment, | 0:24:05 | 0:24:06 | |
it looks like he's about to pick a fight with it. | 0:24:06 | 0:24:09 | |
I've been having a long, hard think about this one since Sarah's left. | 0:24:11 | 0:24:14 | |
Trying to find some inspiration amongst this. | 0:24:15 | 0:24:18 | |
I've got a few ideas starting to bubble away, | 0:24:18 | 0:24:21 | |
but I've got to know what I'm playing with. | 0:24:21 | 0:24:23 | |
I've got to get it all stripped off, discard the bits I don't want, | 0:24:23 | 0:24:27 | |
try and find something we do want and take it from there, really. | 0:24:27 | 0:24:32 | |
I think you'll be struggling to find anything you do want | 0:24:34 | 0:24:37 | |
inside that busted up base. | 0:24:37 | 0:24:40 | |
Still, at least Anthony has lots of usable leather to work with. | 0:24:40 | 0:24:44 | |
Or does he? | 0:24:44 | 0:24:46 | |
This sofa appears to be a leather sofa, but it's not entirely leather. | 0:24:46 | 0:24:52 | |
The sides, and especially the back, is all kind of man-made kind of PVC, | 0:24:52 | 0:24:58 | |
reconstructed leather. | 0:24:58 | 0:25:00 | |
Reconstructed or bonded leather is made by shredding leather scraps, | 0:25:00 | 0:25:05 | |
sticking it back together on to a bit of cloth | 0:25:05 | 0:25:08 | |
and embossing it with a leather-like texture, | 0:25:08 | 0:25:11 | |
which is no good to Anthony, | 0:25:11 | 0:25:13 | |
because it leaves him with half the leather he thought he had. | 0:25:13 | 0:25:17 | |
Brilliant! | 0:25:17 | 0:25:18 | |
And how's that base looking? | 0:25:18 | 0:25:20 | |
It's not getting any better. | 0:25:20 | 0:25:22 | |
Brilliant! | 0:25:22 | 0:25:23 | |
So this is the first time ever, in my whole entire career, | 0:25:24 | 0:25:29 | |
that the one thing I've actually kept from a job is the fabric | 0:25:29 | 0:25:33 | |
rather than the sofa itself. | 0:25:33 | 0:25:35 | |
So, yeah, she's brought something from the tip | 0:25:35 | 0:25:39 | |
that I'm actually going to have to take to the tip myself, so... | 0:25:39 | 0:25:43 | |
I'm not sure how that one quite worked out, really. | 0:25:44 | 0:25:47 | |
This just keeps getting worse. | 0:25:48 | 0:25:51 | |
Normally I'd be chucking them on the floor. | 0:25:51 | 0:25:54 | |
That's going to be a chair. | 0:25:54 | 0:25:56 | |
Well, we'll wait and see about that! | 0:25:56 | 0:25:58 | |
After a quick trip to the skip to discard the sofa base, | 0:25:59 | 0:26:03 | |
Anthony moves on to preparing the usable leather. | 0:26:03 | 0:26:07 | |
I'm going to try and keep everything intact, dye it all | 0:26:07 | 0:26:11 | |
and then work out exactly what I've got, start re-cutting it all up. | 0:26:11 | 0:26:15 | |
I've never dyed leather before, | 0:26:15 | 0:26:17 | |
so it's going to be all kinds of interesting. | 0:26:17 | 0:26:18 | |
We're going to get rid of this brown, horrible stuff | 0:26:18 | 0:26:21 | |
and try and make it black and beautiful. | 0:26:21 | 0:26:24 | |
To colour the leather, | 0:26:24 | 0:26:25 | |
Anthony is using an oil-based dye, which will... | 0:26:25 | 0:26:29 | |
Oh, are you all right there, Anthony? | 0:26:29 | 0:26:30 | |
Do you want a hand with that? | 0:26:30 | 0:26:32 | |
I might have to get a responsible adult to help me with this bit. | 0:26:32 | 0:26:34 | |
First things first, try and remove the lid. | 0:26:37 | 0:26:40 | |
Can you tell he's never done this before? | 0:26:40 | 0:26:42 | |
I probably should be wearing gloves. | 0:26:42 | 0:26:44 | |
Anthony should absolutely be wearing gloves, | 0:26:44 | 0:26:47 | |
because that stuff is really powerful. | 0:26:47 | 0:26:49 | |
I'm starting to feel... Oh! | 0:26:49 | 0:26:52 | |
Seriously, he'll be scrubbing that off for days! | 0:26:52 | 0:26:55 | |
I've started to feel quite relaxed about it already. | 0:26:57 | 0:26:59 | |
If you're planning on dyeing leather at home, | 0:26:59 | 0:27:02 | |
please do some research beforehand. | 0:27:02 | 0:27:04 | |
I'm quite impressed, to be honest. | 0:27:04 | 0:27:06 | |
Or at least read the instructions on the bottle. | 0:27:06 | 0:27:09 | |
I really hope it comes off your hands. | 0:27:09 | 0:27:12 | |
And your face. | 0:27:13 | 0:27:14 | |
Confident the other panels will turn out just as well as the first, | 0:27:15 | 0:27:19 | |
Anthony moves on to the armchair frame. | 0:27:19 | 0:27:22 | |
Hold the phone. That doesn't look like any armchair I've ever seen. | 0:27:22 | 0:27:26 | |
So, we've been prototyping a new footstool here and basically, | 0:27:28 | 0:27:34 | |
I think we're going to use this. | 0:27:34 | 0:27:36 | |
So now you're making a footstool. | 0:27:36 | 0:27:38 | |
Do you think Sarah will be happy with that? | 0:27:38 | 0:27:41 | |
If somebody drops off a leather sofa and you're chucking away the frame | 0:27:41 | 0:27:44 | |
and you're only keeping a couple of square foot of leather, | 0:27:44 | 0:27:47 | |
what do you expect? | 0:27:47 | 0:27:48 | |
So, yeah, she's definitely in for a shock on this one. | 0:27:48 | 0:27:51 | |
On your own head be it, Anthony! | 0:27:53 | 0:27:55 | |
I can't wait to see Sarah's face. | 0:27:55 | 0:27:57 | |
And talking of Sarah, it's time to head back to Sussex, | 0:28:03 | 0:28:07 | |
to see how she's got on with her chinoiserie - | 0:28:07 | 0:28:10 | |
you know, those Chinese designs. | 0:28:10 | 0:28:13 | |
And she's nearly done. | 0:28:14 | 0:28:15 | |
Well, it's definitely getting there. | 0:28:18 | 0:28:19 | |
I've got some lovely wallpaper panels, here, just to go on | 0:28:19 | 0:28:22 | |
the sides and into the alcoves just to make it really pack a punch. | 0:28:22 | 0:28:25 | |
Well, let's find out if all your hard work has paid off. | 0:28:25 | 0:28:29 | |
Lovely. | 0:28:29 | 0:28:30 | |
Before, the Victorian cabinet was dark, | 0:28:32 | 0:28:35 | |
foreboding and frankly frightening but now... | 0:28:35 | 0:28:38 | |
..it's light, bright and simply stunning. | 0:28:41 | 0:28:44 | |
Sarah has painstakingly hand painted the intricate willow pattern which | 0:28:47 | 0:28:52 | |
has created a beautiful Chinese inspired design. | 0:28:52 | 0:28:56 | |
The bold patterns of the wallpaper contrast with the delicate and | 0:28:58 | 0:29:03 | |
elegant arrangement on the surface. | 0:29:03 | 0:29:05 | |
The whole look has turned from eerie to exquisite. | 0:29:05 | 0:29:09 | |
Well, I know it's a really out there design, but then again | 0:29:17 | 0:29:19 | |
it was quite an unusual piece of furniture to start with. | 0:29:19 | 0:29:22 | |
It might end up in a shop, but you never know, | 0:29:22 | 0:29:25 | |
somebody might even give it house room. | 0:29:25 | 0:29:27 | |
Well, let's find out, shall we? | 0:29:27 | 0:29:30 | |
That looks very interesting. | 0:29:36 | 0:29:38 | |
When Sarah met Cynthia and Mike at the tip, | 0:29:38 | 0:29:41 | |
she couldn't miss their massive family heirloom. | 0:29:41 | 0:29:45 | |
It's my grandmother's, she had it in her lounge for many years. | 0:29:45 | 0:29:48 | |
Sarah was bowled over by the size of it. | 0:29:49 | 0:29:52 | |
-Oh, my word! -It's a beast. | 0:29:52 | 0:29:55 | |
I didn't realise it was that high. | 0:29:55 | 0:29:57 | |
And Cynthia and Mike were happy to let it go. | 0:29:57 | 0:30:00 | |
Very interested in to what she's going to... | 0:30:00 | 0:30:02 | |
What anybody can do with it, because it's a beautiful piece. | 0:30:02 | 0:30:05 | |
Well, with a plate full of inspiration, Sarah worked her magic. | 0:30:08 | 0:30:12 | |
And it wasn't long before she found a buyer. | 0:30:15 | 0:30:19 | |
The new cabinet was shipped off to an upcycled furniture shop | 0:30:19 | 0:30:22 | |
in Alton in Hampshire and owner Jackie is over the moon. | 0:30:22 | 0:30:27 | |
This Victorian hall cabinet is absolutely beautiful. | 0:30:28 | 0:30:32 | |
The detail Sarah has done is just lovely. | 0:30:32 | 0:30:35 | |
I do believe my customers will really want to purchase this. | 0:30:35 | 0:30:41 | |
Sarah's off to see Cynthia and Mike in their new home in Portishead | 0:30:41 | 0:30:45 | |
in Bristol to show them her handiwork and hand over the profit. | 0:30:45 | 0:30:49 | |
-Well, hello. -Lovely to see you, Mike. -Lovely to see you again. | 0:30:50 | 0:30:54 | |
-Hello, Cynthia. -Hello, Sarah. | 0:30:54 | 0:30:56 | |
I was so surprised the day you turned up at the recycling centre | 0:30:56 | 0:30:59 | |
with your furniture. | 0:30:59 | 0:31:00 | |
I mean, you just don't see things like that any more, do you? | 0:31:00 | 0:31:03 | |
And it'd been in your family for ages, hadn't it? | 0:31:03 | 0:31:06 | |
It has, since, well, 1910 or so. | 0:31:06 | 0:31:08 | |
Did you think, "I wonder what will happen to it?" | 0:31:08 | 0:31:10 | |
-We did. -Yes. -But on the other hand, we knew that it was very difficult | 0:31:10 | 0:31:15 | |
to go into modern houses so you, being who you are, would probably | 0:31:15 | 0:31:19 | |
modify it in such a way that it would become very modern. | 0:31:19 | 0:31:22 | |
-Let me show you some pictures of how it ended up. -Oh, excellent. | 0:31:22 | 0:31:26 | |
-That's unbelievable. -I can't believe it. | 0:31:26 | 0:31:29 | |
I actually thought I would have a go | 0:31:29 | 0:31:30 | |
at putting some willow pattern designs. | 0:31:30 | 0:31:32 | |
-You've done that yourself? -Yes. What do you think? -Beautiful. | 0:31:32 | 0:31:35 | |
That is unbelievable, it looks absolutely marvellous. | 0:31:35 | 0:31:38 | |
That's very kind of you to say. | 0:31:38 | 0:31:39 | |
I did want it to sell and I did want it to be something that was useful | 0:31:39 | 0:31:43 | |
because it should be a good piece of furniture for storage. | 0:31:43 | 0:31:46 | |
It has been bought and I've got profit for you. | 0:31:46 | 0:31:48 | |
-I have got £220 for you. -Wow. I can't believe it. | 0:31:48 | 0:31:55 | |
-I can't believe that. -That's unbelievable. | 0:31:55 | 0:31:57 | |
I'm very nosy, I always like to ask, what might you do with £220? | 0:31:57 | 0:32:01 | |
We've talked about this and what we decided, | 0:32:01 | 0:32:03 | |
we're going to get a picture round about this area. | 0:32:03 | 0:32:05 | |
First of all, it will remind us of this area but also to remind us of | 0:32:05 | 0:32:09 | |
the history of why we got that picture. | 0:32:09 | 0:32:11 | |
I'm so pleased, that is such a great idea, | 0:32:11 | 0:32:13 | |
I hope you find a lovely picture. | 0:32:13 | 0:32:15 | |
I certainly had fun painting all over your furniture, | 0:32:15 | 0:32:18 | |
so it's the right thing to do, isn't it? It is. | 0:32:18 | 0:32:21 | |
-Thank you very much. -Lovely to catch up | 0:32:21 | 0:32:23 | |
and so pleased you're settled in your new home. | 0:32:23 | 0:32:25 | |
-Thank you very much indeed. -Great to see you. -Nice to see you. | 0:32:25 | 0:32:27 | |
-Bye-bye. -Bye-bye. | 0:32:27 | 0:32:28 | |
Sarah spent just £10 on paint and wallpaper, | 0:32:32 | 0:32:36 | |
she sold it for an incredible £230, | 0:32:36 | 0:32:40 | |
giving Mike and Cynthia £220 to spend on a lovely new picture. | 0:32:40 | 0:32:46 | |
That's our first item transformed and sent off to a new home. | 0:32:50 | 0:32:55 | |
Sarah's back again in East Sussex | 0:32:55 | 0:32:58 | |
to see how Norman got on restoring the old bench. | 0:32:58 | 0:33:02 | |
Ah, he's got a smile on his face. | 0:33:02 | 0:33:04 | |
I think we've done exactly what she wants, | 0:33:05 | 0:33:08 | |
so I think we are going to have, hopefully, a ten out of ten here. | 0:33:08 | 0:33:11 | |
Well, I'm back to pick up my battered but beautiful bench | 0:33:14 | 0:33:17 | |
and I'm hoping for a very sympathetic restoration. | 0:33:17 | 0:33:20 | |
Before Norman got his hands on it, | 0:33:22 | 0:33:24 | |
it seemed there was no way back for the bench. | 0:33:24 | 0:33:27 | |
But now he's restored our faith in furniture. | 0:33:30 | 0:33:34 | |
Norman's new handcrafted stretchers | 0:33:34 | 0:33:37 | |
blend in perfectly with the existing dark brown oak. | 0:33:37 | 0:33:41 | |
The bulrush top has been expertly repaired and waxed | 0:33:41 | 0:33:45 | |
to give a smooth and shiny sheen. | 0:33:45 | 0:33:48 | |
Norman has sanded and refinished the frame making it look as good | 0:33:48 | 0:33:52 | |
as new. This is a real masterclass on restoration, | 0:33:52 | 0:33:56 | |
with the emphasis on class. | 0:33:56 | 0:33:58 | |
-Norm? -Hiya. -Hello. -How are you? | 0:34:01 | 0:34:04 | |
Oh, Norman, you saved it. | 0:34:05 | 0:34:08 | |
Where was the broken bit? | 0:34:08 | 0:34:09 | |
-Oh, I see. -You see, yeah. | 0:34:09 | 0:34:11 | |
-Those two. -Yeah. | 0:34:11 | 0:34:12 | |
I can only tell because I'm looking. Nice to see you. | 0:34:14 | 0:34:16 | |
-And you. -Great job, isn't it? | 0:34:16 | 0:34:18 | |
We've made the new stretchers. | 0:34:18 | 0:34:19 | |
-They're great. -Two new stretchers. | 0:34:19 | 0:34:21 | |
Cleaned it up. We've then waxed it, got it nice and shiny, | 0:34:21 | 0:34:24 | |
and then we've polished this as well. | 0:34:24 | 0:34:26 | |
So it just makes it look like a nice, tidy job. | 0:34:26 | 0:34:29 | |
Beautiful job. Lovely, sympathetic, good looking restoration. | 0:34:29 | 0:34:34 | |
We had a bit of a wishy-washy budget, 80 to £100. | 0:34:34 | 0:34:37 | |
-Wishy-washy? -You normally give me a bang on figure but I think there was | 0:34:37 | 0:34:41 | |
-80-100 on this. -OK. Well, why don't we just go in the centre at £90. | 0:34:41 | 0:34:44 | |
90 quid sounds like a good deal. | 0:34:44 | 0:34:46 | |
Fantastic, as long as you're happy. | 0:34:46 | 0:34:48 | |
Definitely happy, this is a gem. | 0:34:48 | 0:34:49 | |
-Thank you. -Thank you very much. | 0:34:49 | 0:34:51 | |
-Have a good day. -And you. | 0:34:51 | 0:34:53 | |
You've done it again, Norman. Ten out of ten. | 0:34:53 | 0:34:56 | |
Well, Norman has done a great job. That is just what I'd hoped for. | 0:34:57 | 0:35:00 | |
It was tired, it was old, it had pieces missing. | 0:35:00 | 0:35:03 | |
Now, it's a beautiful, complete, and I think really expensive bench. | 0:35:03 | 0:35:08 | |
Well then, let's flog it. | 0:35:08 | 0:35:10 | |
-Hi. -Sorry to bother you in the rain. | 0:35:16 | 0:35:18 | |
When Sarah met Kate at the tip, the bulrush bench caught her eye. | 0:35:18 | 0:35:22 | |
I've had it quite a while, it was my gran's but I've got nowhere for it. | 0:35:22 | 0:35:26 | |
Sarah recognised the style. | 0:35:26 | 0:35:28 | |
-Is it Arts and Crafts, something like that? -Probably, yes. | 0:35:28 | 0:35:30 | |
She's had a few different pieces. | 0:35:30 | 0:35:32 | |
So, she took it away and Kate was just happy | 0:35:32 | 0:35:34 | |
it wasn't ending up in the skip. | 0:35:34 | 0:35:36 | |
I don't really mind, as long as it gets a new home | 0:35:36 | 0:35:39 | |
and somebody loves it, really. | 0:35:39 | 0:35:41 | |
Well, Kate, Norman loved it and that love shines through | 0:35:43 | 0:35:46 | |
in his beautiful restoration. | 0:35:46 | 0:35:48 | |
And now, someone else loves it. | 0:35:50 | 0:35:52 | |
Antique furniture specialists Puritan Values in London | 0:35:52 | 0:35:56 | |
bought it for their shop. | 0:35:56 | 0:35:58 | |
And owner Tony is absolutely chuffed with it. | 0:35:58 | 0:36:01 | |
What's really nice about it, | 0:36:01 | 0:36:03 | |
it's the restoration to the front stretcher, | 0:36:03 | 0:36:05 | |
which, I wonder if you know which one it was? | 0:36:05 | 0:36:08 | |
It's such a good job. | 0:36:08 | 0:36:09 | |
Unfortunately, Kate isn't able to meet up with me again but I have got | 0:36:13 | 0:36:17 | |
a fantastic 35 quid here to send on to her, | 0:36:17 | 0:36:19 | |
for her beautifully restored bench. | 0:36:19 | 0:36:21 | |
Norman charged £90 for the restoration. | 0:36:23 | 0:36:27 | |
It was sold on for £125, meaning Sarah has £35 to send to Kate. | 0:36:27 | 0:36:33 | |
Marvellous. | 0:36:35 | 0:36:36 | |
That's two of our items now selling on for a profit. | 0:36:41 | 0:36:44 | |
Sarah's back in Manchester and, my goodness, is she in for a surprise. | 0:36:45 | 0:36:50 | |
Anthony promised her some kind of armchair, | 0:36:52 | 0:36:55 | |
but instead it'll be some kind of footstool... I think. | 0:36:55 | 0:36:59 | |
There was a £600 budget attached to this. | 0:36:59 | 0:37:02 | |
So, how are you feeling, Anthony? | 0:37:02 | 0:37:05 | |
I'm a teeny-weeny bit nervous today, because she's here, | 0:37:05 | 0:37:08 | |
probably thinking she's picking up a chair | 0:37:08 | 0:37:10 | |
cos that's what we discussed but personally, I love it. | 0:37:10 | 0:37:14 | |
Get ready for fireworks. | 0:37:14 | 0:37:16 | |
Well, I've come back to find out what Anthony has done | 0:37:17 | 0:37:20 | |
with my beaten up, battered old leather sofa. | 0:37:20 | 0:37:22 | |
He's got a big budget to spend on it. | 0:37:22 | 0:37:24 | |
Let's go find out what he's done. | 0:37:24 | 0:37:27 | |
I, for one, can't wait. | 0:37:27 | 0:37:29 | |
This sofa has been taken to the tip, | 0:37:29 | 0:37:32 | |
saved and then taken back to the tip. | 0:37:32 | 0:37:35 | |
But now, it's a smart, stylish and massive footstool. | 0:37:35 | 0:37:41 | |
The frame is a one of a kind design created by Anthony and his team | 0:37:41 | 0:37:45 | |
at his school of upholstery. | 0:37:45 | 0:37:48 | |
It's a footstool but big enough to seat a couple of people too. | 0:37:48 | 0:37:52 | |
So it's a kind of sofa, as well. | 0:37:52 | 0:37:55 | |
Scandinavian-inspired atomic legs complement the sleek, curved base | 0:37:55 | 0:38:01 | |
with the newly dyed leather turning out very nice. | 0:38:01 | 0:38:05 | |
It's a lovely looking thing. | 0:38:05 | 0:38:06 | |
But will it impress the boss? | 0:38:07 | 0:38:09 | |
Anthony? | 0:38:12 | 0:38:13 | |
Hello. | 0:38:14 | 0:38:15 | |
OK, Sarah, before you say anything, | 0:38:17 | 0:38:19 | |
remember that that sofa was in pretty bad nick. | 0:38:19 | 0:38:23 | |
And Anthony has turned out a really nice footstool. | 0:38:23 | 0:38:28 | |
It's cool and calm and really flipping excellent. | 0:38:29 | 0:38:34 | |
Thank goodness for that. | 0:38:36 | 0:38:38 | |
I absolutely love it. | 0:38:38 | 0:38:39 | |
The more we cut into the sofa and the more leather we didn't have, | 0:38:40 | 0:38:45 | |
we were thinking, "Right, we're going to have to downscale, | 0:38:45 | 0:38:48 | |
-"downscale, downscale." Here it is. -I love it. | 0:38:48 | 0:38:51 | |
It's got a pure, mid century excellent look to it. | 0:38:51 | 0:38:55 | |
It's excellent all right, | 0:38:55 | 0:38:56 | |
but there's still the little matter of the big budget. | 0:38:56 | 0:39:00 | |
Go on, then, tell me about the budget, | 0:39:00 | 0:39:02 | |
I'm not paying 600 quid for it. | 0:39:02 | 0:39:03 | |
No, you're not. The good news is, 240 quid - | 0:39:03 | 0:39:05 | |
you've got yourself a bargain. | 0:39:05 | 0:39:07 | |
You surprise me every time. | 0:39:09 | 0:39:11 | |
That's better. £240 for the first of its kind, | 0:39:11 | 0:39:16 | |
a footstool seat thing or whatever it actually is. | 0:39:16 | 0:39:20 | |
It's a footstool but also, | 0:39:20 | 0:39:22 | |
you could fit a couple of people on, so it's a sofa as well. | 0:39:22 | 0:39:24 | |
-What are we going to call it? -Stofa? | 0:39:24 | 0:39:26 | |
-Hashtag stofa. -Hashtag stofa. | 0:39:27 | 0:39:29 | |
The first. Great job. Come on! | 0:39:29 | 0:39:32 | |
Ugh! Why is everything at hashtag these days? | 0:39:32 | 0:39:35 | |
I was a little bit nervous because I really wanted to do her proud and | 0:39:35 | 0:39:40 | |
I have to say, she is overwhelmed with it which makes me feel good. | 0:39:40 | 0:39:44 | |
So, job's a good'un. | 0:39:44 | 0:39:45 | |
Well, if I was writing headlines, | 0:39:46 | 0:39:48 | |
I'd be saying, "Skip Find Sofa | 0:39:48 | 0:39:50 | |
"Inspires Iconic Design Hashtag Stofa." | 0:39:50 | 0:39:53 | |
You haven't smashed up your sofa, have you? | 0:40:02 | 0:40:04 | |
-I certainly have. -When Sarah saw Dan pulling the old sofa | 0:40:04 | 0:40:07 | |
out the back of his car, she just had to have it. | 0:40:07 | 0:40:10 | |
Just bought a new one so just had it delivered. | 0:40:10 | 0:40:12 | |
The sofa wasn't in the best nick. | 0:40:12 | 0:40:14 | |
It's been sat out on the driveway for the last week, | 0:40:14 | 0:40:17 | |
waiting for me to smash it up and take it to the tip. | 0:40:17 | 0:40:19 | |
But that didn't stop Sarah. | 0:40:19 | 0:40:21 | |
Not sure what she can make but good luck to her | 0:40:21 | 0:40:23 | |
if she wants to have a go at it. | 0:40:23 | 0:40:25 | |
And what a journey it's been on - | 0:40:25 | 0:40:27 | |
from sofa, to armchair, to fabulous footstool. | 0:40:27 | 0:40:31 | |
Sarah sold the first of its kind stofa to Roost Interiors in Glasgow, | 0:40:34 | 0:40:39 | |
and co-owner Greg is pretty impressed with Anthony's handiwork. | 0:40:39 | 0:40:43 | |
There's a lot of customers coming in and looking for bespoke items and | 0:40:43 | 0:40:47 | |
I think this will be right up their street. | 0:40:47 | 0:40:49 | |
Sarah's travelled to Altrincham to catch up with Dan, | 0:40:51 | 0:40:54 | |
show him what happened to his sofa and hand over the profit. | 0:40:54 | 0:40:58 | |
-Hello. How are you doing? -Very good, thank you. How are you? | 0:41:01 | 0:41:03 | |
Very well, nice to see you again. | 0:41:03 | 0:41:05 | |
-And you. -So this is where your sofa ended up? | 0:41:05 | 0:41:07 | |
You said it had been outside your house. | 0:41:07 | 0:41:09 | |
I laid it on the drive, here, yeah. | 0:41:09 | 0:41:10 | |
-It was there for about five or six days. -And smashed it up. | 0:41:10 | 0:41:13 | |
Cut it up with a saw so I could fit it into the boot of the car. | 0:41:13 | 0:41:15 | |
So were you a bit surprised when you got to the tip and somebody said, | 0:41:15 | 0:41:18 | |
-"Can I have your sofa?" -Yeah, because it was junk. | 0:41:18 | 0:41:21 | |
Even the charity shop didn't want it, so, yeah. | 0:41:21 | 0:41:23 | |
I thought even in its bashed up state, it had some good leather | 0:41:23 | 0:41:26 | |
on it and it must be fit for something. | 0:41:26 | 0:41:28 | |
So I took it to a great mate of mine, Anthony, | 0:41:28 | 0:41:30 | |
who is a fantastic upholsterer, who actually works in Manchester. | 0:41:30 | 0:41:33 | |
I've got some pictures here to show you what he did with it. | 0:41:33 | 0:41:36 | |
So this might be how you remember it. | 0:41:36 | 0:41:38 | |
Yeah, very much so. | 0:41:38 | 0:41:40 | |
-Now looks like that. -Wow. | 0:41:40 | 0:41:41 | |
Crikey. I'm shocked, I really am shocked. | 0:41:42 | 0:41:45 | |
-That's lovely. -He's christened this the stofa -, half stool, half sofa. | 0:41:45 | 0:41:49 | |
It's really nice. I'm really impressed with the stofa. | 0:41:49 | 0:41:51 | |
There aren't any other ones out there. | 0:41:51 | 0:41:53 | |
-I've never seen anything... -I like it. It's unique. | 0:41:53 | 0:41:55 | |
It is unique. It's been bought by a shop in Glasgow. | 0:41:55 | 0:41:58 | |
OK, excellent. | 0:41:58 | 0:41:59 | |
So I have got £25 here made up from your beaten up broken sofa. | 0:41:59 | 0:42:05 | |
That's brilliant, thank you. | 0:42:05 | 0:42:07 | |
Every penny counts so I will put this to a good use. | 0:42:07 | 0:42:10 | |
Any idea what that might be? | 0:42:10 | 0:42:11 | |
Well, we have a new baby so everything's very expensive. | 0:42:11 | 0:42:16 | |
Yeah. So possibly just something towards the baby. | 0:42:16 | 0:42:19 | |
Brilliant, thank you so much for letting us have your sofa. | 0:42:19 | 0:42:21 | |
Thank you. I really appreciate it. Glad it's gone to a good use. | 0:42:21 | 0:42:24 | |
It has gone to a good use. There are going to be stofas everywhere. | 0:42:24 | 0:42:27 | |
-Lovely to catch up. -Bye-bye. -See you. Bye-bye now. | 0:42:27 | 0:42:30 | |
The total cost for Anthony's hard work was £240. | 0:42:32 | 0:42:37 | |
Sarah sold it for £265, giving Dan 25 quid to spend on his new arrival. | 0:42:37 | 0:42:44 | |
Hashtag lovely. | 0:42:44 | 0:42:46 | |
Sarah salvaged three items that were destined for the dump. | 0:42:48 | 0:42:52 | |
With some skill... | 0:42:53 | 0:42:55 | |
..and a lot of imagination... | 0:42:58 | 0:43:00 | |
..they can all live again. | 0:43:01 | 0:43:03 | |
I would say that's a great result. | 0:43:05 | 0:43:06 | |
We saved three things that were definitely destined to be skipped, | 0:43:06 | 0:43:09 | |
we had some fantastic transformations, | 0:43:09 | 0:43:11 | |
and we made some money for nothing. | 0:43:11 | 0:43:13 |