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I love these! What are these? | 0:00:03 | 0:00:04 | |
How do you make money for nothing? | 0:00:06 | 0:00:08 | |
This is beautiful, why are you getting rid of it? | 0:00:09 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes of household waste | 0:00:11 | 0:00:16 | |
thrown out by us every year. | 0:00:16 | 0:00:18 | |
I'll just do a quick check for granny's gold! | 0:00:18 | 0:00:21 | |
That's why reclamation expert | 0:00:21 | 0:00:23 | |
Jay Blades wants to get his hands on things | 0:00:23 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:27 | |
I've been a builder, I've been a philosophy student, | 0:00:29 | 0:00:32 | |
and now I'm a furniture restorer, | 0:00:32 | 0:00:34 | |
so I know more than most about transformations. | 0:00:34 | 0:00:37 | |
I revamp the old and turn it into the new and sell it on for a profit. | 0:00:37 | 0:00:41 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:45 | |
So what do you think? | 0:00:45 | 0:00:46 | |
HE LAUGHS | 0:00:46 | 0:00:48 | |
Oh! | 0:00:48 | 0:00:50 | |
..he can transform his finds into desirable... | 0:00:50 | 0:00:54 | |
Boom! Smashed it. | 0:00:54 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
It's got real potential. | 0:00:57 | 0:00:58 | |
..and hopefully saleable items. | 0:00:58 | 0:01:02 | |
I've got to take my hat off to you, sir. | 0:01:02 | 0:01:04 | |
If Jay is successful, then he can hand the profits back | 0:01:04 | 0:01:08 | |
to the very people who had no idea | 0:01:08 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:13 | |
That's surprising. | 0:01:13 | 0:01:15 | |
Is it? | 0:01:15 | 0:01:16 | |
Today, our restoration rocket, Jay Blades, is in wonderful Walsall. | 0:01:29 | 0:01:34 | |
-Morning. -And he wants your rubbish. | 0:01:34 | 0:01:36 | |
The trash is flooding in and I'm ready for a rummage. | 0:01:36 | 0:01:40 | |
Jay will not quit until he's saved three items | 0:01:42 | 0:01:45 | |
that have the potential to be turned from trash to cash. | 0:01:45 | 0:01:49 | |
Come on, Walsall! Get those boots open! | 0:01:50 | 0:01:53 | |
And just in case you fancied joining Jay on his mission, don't bother. | 0:01:53 | 0:01:58 | |
Jay had to get special permission to plunder from the public. | 0:01:58 | 0:02:01 | |
Won't be long now, don't worry. | 0:02:01 | 0:02:03 | |
And he's parked himself at the front gates so he doesn't miss a thing. | 0:02:03 | 0:02:07 | |
What you throwing away then? | 0:02:07 | 0:02:09 | |
-Wife. -The wife? | 0:02:09 | 0:02:10 | |
What a cheek! | 0:02:10 | 0:02:12 | |
JAY LAUGHS | 0:02:12 | 0:02:13 | |
Well, maybe you'll have more luck with what Indy's chucking out. | 0:02:14 | 0:02:18 | |
-How we doing, mate? You all right? -All right, mate, yeah. | 0:02:19 | 0:02:21 | |
Go on, Jay, give him a hand | 0:02:21 | 0:02:23 | |
and check out the lovely leather while you're at it. | 0:02:23 | 0:02:26 | |
-Why are you throwing it away? -It's part of an old sofa. | 0:02:26 | 0:02:29 | |
It's a centrepiece, | 0:02:29 | 0:02:30 | |
we used it for the kids' bedroom for a bit | 0:02:30 | 0:02:32 | |
-but the wife said just get rid of it. -So where's the rest of it, then? | 0:02:32 | 0:02:35 | |
-I'm a bit greedy! -The rest of it's in here somewhere, | 0:02:35 | 0:02:37 | |
about two months ago. | 0:02:37 | 0:02:39 | |
Oh, is it? Oh, man! Is this like Italian leather? | 0:02:39 | 0:02:41 | |
It's Natuzzi leather, yes. | 0:02:41 | 0:02:43 | |
-Natuzzi? -Yeah. -That's an expensive brand. -Yeah, yeah. | 0:02:43 | 0:02:45 | |
Yes indeed, it's a company known for making furniture | 0:02:45 | 0:02:49 | |
from the finest of leathers. | 0:02:49 | 0:02:51 | |
You've got to get your hands on this one, Jay. | 0:02:51 | 0:02:53 | |
So if it's all right with you, what I'd like to do, | 0:02:53 | 0:02:55 | |
stay in contact with you, | 0:02:55 | 0:02:56 | |
if we get a chance to transform this into something good, | 0:02:56 | 0:02:58 | |
we're going to get back in contact and let you know what we've done. | 0:02:58 | 0:03:01 | |
-Is that all right? -That's all right, yeah. | 0:03:01 | 0:03:02 | |
-So I can have this, yeah? -Yeah, that's yours. -Thank you. | 0:03:02 | 0:03:05 | |
-You take care. -No problem. And you. | 0:03:05 | 0:03:06 | |
Grazie dante! | 0:03:06 | 0:03:08 | |
So, Indy, do you think Jay will make your cream sofa | 0:03:09 | 0:03:13 | |
rise to the top again? | 0:03:13 | 0:03:14 | |
It might come in useful for something, I don't know. | 0:03:14 | 0:03:16 | |
You know what I mean. It's one of those things. | 0:03:16 | 0:03:19 | |
If he can do something, when somebody can use it for something, | 0:03:19 | 0:03:21 | |
-why not? -Well said. | 0:03:21 | 0:03:22 | |
Wow. This used to be a really luxurious modular sofa | 0:03:24 | 0:03:28 | |
and this would have been the middle section. | 0:03:28 | 0:03:30 | |
And the leather is just to die for. | 0:03:30 | 0:03:32 | |
There's a number of people that make great things from used leather. | 0:03:32 | 0:03:35 | |
It is hard work and I believe I know just the person to take this to. | 0:03:35 | 0:03:38 | |
If your sofa is starting to sag, then go and see Neil Wragg. | 0:03:41 | 0:03:45 | |
Neil creates handmade one-of-a-kind designer bags | 0:03:47 | 0:03:51 | |
from unwanted and unloved materials. | 0:03:51 | 0:03:53 | |
It may have fallen out of fashion, | 0:03:55 | 0:03:57 | |
but if he can get a needle through it, he'll work wonders. | 0:03:57 | 0:04:00 | |
Some of the bags I make could be described as eccentric | 0:04:03 | 0:04:05 | |
because I would keep some of the former character from the fabrics. | 0:04:05 | 0:04:10 | |
So if somebody's given me a leather jacket | 0:04:10 | 0:04:12 | |
that they can't wear any more, | 0:04:12 | 0:04:13 | |
I might keep a part of the jacket in the new bag. | 0:04:13 | 0:04:16 | |
I wouldn't say the bags are weird but they've certainly got | 0:04:16 | 0:04:19 | |
their own eccentric personality in every single one of them. | 0:04:19 | 0:04:22 | |
I love making stuff that is not only upcycled | 0:04:22 | 0:04:24 | |
from something that's unwanted | 0:04:24 | 0:04:26 | |
but it's something that is going to last another lifetime. | 0:04:26 | 0:04:29 | |
These are bags that have a second life. | 0:04:29 | 0:04:32 | |
Neil, you're just the man for the job | 0:04:32 | 0:04:34 | |
because this thing is firmly stuck in the past. | 0:04:34 | 0:04:37 | |
That's one item down, two to go, and Jay is in the groove. | 0:04:45 | 0:04:50 | |
You starting a party? Is that what that's all about? | 0:04:50 | 0:04:53 | |
-It works, you know. -It works? | 0:04:53 | 0:04:54 | |
We should have a dance then, shouldn't we? | 0:04:54 | 0:04:57 | |
That's my dance partner, not yours. Don't muscle in! | 0:04:57 | 0:04:59 | |
I've got her! | 0:04:59 | 0:05:01 | |
Now, now, boys, calm down. | 0:05:01 | 0:05:03 | |
Perhaps Jay should waltz over and see what Mike's up to? | 0:05:03 | 0:05:06 | |
Jay's met Mike before at the tip. | 0:05:07 | 0:05:09 | |
But will his box of metal bits take his fancy? | 0:05:10 | 0:05:14 | |
-What have we got here, then? -It's a last... | 0:05:15 | 0:05:18 | |
-A last leg? -No! | 0:05:18 | 0:05:20 | |
A last...for making shoes. | 0:05:20 | 0:05:23 | |
Oh, this is for making shoes? | 0:05:23 | 0:05:24 | |
Well, putting soles on shoes or making them. | 0:05:24 | 0:05:27 | |
Mike is right, Jay. It's a cobbler's last, | 0:05:27 | 0:05:30 | |
a holding device shaped like a foot | 0:05:30 | 0:05:32 | |
that's used to fashion or repair shoes. | 0:05:32 | 0:05:35 | |
-Put the shoe onto there. -Yeah? | 0:05:35 | 0:05:37 | |
You cut your leather for the sole, | 0:05:37 | 0:05:39 | |
then you put brands all the way round. | 0:05:39 | 0:05:42 | |
Will it come in different sizes, like...? | 0:05:42 | 0:05:45 | |
Yeah. Look, it says ten and a half. | 0:05:45 | 0:05:47 | |
-Yes. -Oh, wow! | 0:05:47 | 0:05:48 | |
All of these are different sizes and then you just stick it in there. | 0:05:48 | 0:05:53 | |
-That's right. -How come you've got one of these? | 0:05:53 | 0:05:55 | |
It was in the house when we bought it. | 0:05:55 | 0:05:57 | |
I don't know what you're going to do with them. | 0:05:57 | 0:05:59 | |
-I -don't know what I'm going to do with them. | 0:05:59 | 0:06:01 | |
But I'd like to take all of it. | 0:06:01 | 0:06:02 | |
I don't think we're going to use it all. | 0:06:02 | 0:06:04 | |
-Is that OK with you? -Marvellous, yes. | 0:06:04 | 0:06:06 | |
Jay's got a big box of bits. | 0:06:08 | 0:06:10 | |
Are you glad to see the back of it, Mike? | 0:06:10 | 0:06:13 | |
I'm delighted. | 0:06:13 | 0:06:14 | |
If he can make some use of it and it can be recycled, | 0:06:14 | 0:06:17 | |
then I'm all in favour. | 0:06:17 | 0:06:19 | |
To tell the truth, I haven't got a clue what to do with them | 0:06:21 | 0:06:24 | |
but I know someone who's got a bit more creativity | 0:06:24 | 0:06:26 | |
to turn this into something really, really beautiful. | 0:06:26 | 0:06:29 | |
So, what I need to do is take a step in the right direction. | 0:06:29 | 0:06:33 | |
Well, let's meet the man Jay will be hot-footing it to. | 0:06:33 | 0:06:37 | |
If it's old and rusty, you better believe that Guy Trench | 0:06:43 | 0:06:47 | |
has tried to stick a bulb in it! | 0:06:47 | 0:06:49 | |
Together with his band of happy helpers, | 0:06:49 | 0:06:52 | |
Guy creates one-of-a-kind lighting | 0:06:52 | 0:06:54 | |
that's guaranteed to brighten up any home. | 0:06:54 | 0:06:57 | |
I enjoy my work so much - every day is different. | 0:06:59 | 0:07:02 | |
I just can't sit still for a second, | 0:07:02 | 0:07:04 | |
my mind is always buzzing and I'm looking around everywhere, | 0:07:04 | 0:07:06 | |
whether it's a scrapyard, whether it's a skip. | 0:07:06 | 0:07:09 | |
"Ooh! That'll do, have that out of it, | 0:07:09 | 0:07:11 | |
And then clean it up and turn it into something of really great use. | 0:07:11 | 0:07:14 | |
Every day, I'm creating something. | 0:07:16 | 0:07:18 | |
I don't think... No banker, no insurance person, | 0:07:18 | 0:07:21 | |
no car salesman has got a better job than I've got. | 0:07:21 | 0:07:23 | |
It is a great thrill | 0:07:23 | 0:07:25 | |
to turn something, for nothing, into something. | 0:07:25 | 0:07:28 | |
He's a happy chappie, isn't he? | 0:07:28 | 0:07:30 | |
Well, let's see if he's still got a smile on his face | 0:07:30 | 0:07:33 | |
when he clocks this lot. | 0:07:33 | 0:07:36 | |
Fantastic! | 0:07:40 | 0:07:42 | |
That's two items now safely squirrelled away. | 0:07:42 | 0:07:45 | |
I know. It's close enough. | 0:07:45 | 0:07:47 | |
Whatever Jay finds next will be his to work on himself. | 0:07:49 | 0:07:52 | |
Look at that! Flipper's got a friend. | 0:07:54 | 0:07:56 | |
It's amazing what people throw away. | 0:07:56 | 0:07:58 | |
Yeah, astonishing. | 0:07:58 | 0:08:00 | |
Jay will really need to step it up a gear if he's to... | 0:08:00 | 0:08:03 | |
Wait! THERE'S a squirrel! | 0:08:03 | 0:08:05 | |
Quick, let me start over. | 0:08:05 | 0:08:07 | |
Bah! Here's Stan with some chairs. | 0:08:07 | 0:08:10 | |
-Hello. How are we doing, all right? -Not so bad, mate. Not so bad. | 0:08:10 | 0:08:12 | |
-Good morning. -Good morning. | 0:08:12 | 0:08:14 | |
My name's Jay. There you go. | 0:08:14 | 0:08:16 | |
-Stan. -All right? What you doing with these then, Stan? | 0:08:16 | 0:08:18 | |
-Dumping them. -Why are you dumping them? | 0:08:18 | 0:08:21 | |
-I don't want them. -You don't want them. | 0:08:21 | 0:08:23 | |
Ask a stupid question. | 0:08:23 | 0:08:25 | |
How long have you had these? | 0:08:25 | 0:08:27 | |
-About two years. -What did you use them for? | 0:08:27 | 0:08:29 | |
-In the garden. -You just had them in the garden? | 0:08:29 | 0:08:31 | |
-Yeah. -So what, are they all wet or are they waterproof...? | 0:08:31 | 0:08:34 | |
I don't know what they are but, to me, they're scrap! | 0:08:34 | 0:08:37 | |
THEY LAUGH | 0:08:37 | 0:08:39 | |
I've worked on something like this before, | 0:08:39 | 0:08:41 | |
and these are like a 1950s kitchen chair. | 0:08:41 | 0:08:43 | |
I've never heard of anybody using them out in the garden, though. | 0:08:43 | 0:08:46 | |
No, that's me! | 0:08:46 | 0:08:47 | |
If it's all right with you, I'd like to stay in contact, | 0:08:47 | 0:08:50 | |
just in case we're able to transform these | 0:08:50 | 0:08:52 | |
into something different than what they are. | 0:08:52 | 0:08:54 | |
-Yeah. -They look a bit rusty now. | 0:08:54 | 0:08:56 | |
And then I'll show you exactly what we've done. | 0:08:56 | 0:08:58 | |
-Is that all right with you? -Yeah, do me. | 0:08:58 | 0:09:00 | |
All right. That'll do you. | 0:09:00 | 0:09:02 | |
Cheers for the chairs, Stan. | 0:09:02 | 0:09:05 | |
But do you think Jay can make them desirable again? | 0:09:05 | 0:09:08 | |
If they do anybody any good, they can have them. That's all. | 0:09:08 | 0:09:12 | |
He tells it like it is. | 0:09:12 | 0:09:14 | |
The thing I love about old furniture is they made things to last. | 0:09:14 | 0:09:17 | |
You've got to think, these were made in the 1950s | 0:09:17 | 0:09:19 | |
AND they've been left outside in English weather. Come on. | 0:09:19 | 0:09:22 | |
The timber that's in there, it's not damp, it's really, really solid. | 0:09:22 | 0:09:26 | |
As you can see, these need a bit of work. | 0:09:26 | 0:09:28 | |
But I think we'll be sitting on a nice profit. | 0:09:28 | 0:09:31 | |
If you say so, Jay. | 0:09:31 | 0:09:32 | |
And, with that, we have our three items. | 0:09:34 | 0:09:36 | |
Neil will tackle the Italian leather sofa bit. | 0:09:36 | 0:09:40 | |
Guy will cobble something out of the collection of metal. | 0:09:40 | 0:09:44 | |
And Jay will bring the rusty kitchen chairs bang up to date. | 0:09:44 | 0:09:48 | |
What a fantastic array of items today. | 0:09:48 | 0:09:50 | |
But now I've got to take them from tip to top end | 0:09:50 | 0:09:54 | |
and really make some money for nothing. | 0:09:54 | 0:09:56 | |
For Jay's first stop, | 0:10:03 | 0:10:04 | |
he's travelled to the quaint town of Marlow in Buckinghamshire. | 0:10:04 | 0:10:08 | |
A place with so much bunting, if you laid it all out flat, | 0:10:08 | 0:10:12 | |
it would reached to the moon and back. | 0:10:12 | 0:10:15 | |
Well, near enough. | 0:10:15 | 0:10:16 | |
Jay's brought along the dated, cream-coloured sofa | 0:10:16 | 0:10:20 | |
to see if our bag man, Neil, can bring it up to date. | 0:10:20 | 0:10:23 | |
I've got Jay coming today. | 0:10:23 | 0:10:25 | |
I know he's got certain ideas on colours and schemes, | 0:10:25 | 0:10:29 | |
so it could be an interesting day. | 0:10:29 | 0:10:31 | |
Phew! | 0:10:32 | 0:10:34 | |
It's precious cargo, this is. | 0:10:34 | 0:10:35 | |
Brought this down to my main man, Neil, so he can make some bags. | 0:10:35 | 0:10:38 | |
Hopefully going to make something cool, and something contemporary. | 0:10:38 | 0:10:41 | |
Well, you've brought it to the right place. | 0:10:41 | 0:10:44 | |
-Jay. -How're you doing? You all right? -Good. How's yourself? | 0:10:44 | 0:10:46 | |
I'm good, I'm good. If you get on the end for us. | 0:10:46 | 0:10:49 | |
-OK. -Just carry that. -A bit of furniture removal. | 0:10:49 | 0:10:51 | |
Yes, please, yeah. | 0:10:51 | 0:10:53 | |
-Wow. It's lovely leather. -Yeah. | 0:10:53 | 0:10:55 | |
-So what are we thinking? -I'm thinking bags, but not just any bag. | 0:10:55 | 0:10:59 | |
Thinking a satchel. | 0:10:59 | 0:11:00 | |
The reason being is this used to be in a kids' room | 0:11:00 | 0:11:03 | |
and, hopefully, we can have that kind of link towards the kids, | 0:11:03 | 0:11:06 | |
-like going to school and stuff like that. -Yes. No, that's fine. | 0:11:06 | 0:11:09 | |
So a satchel. The leather's nice. | 0:11:09 | 0:11:12 | |
It's certainly something I can use. | 0:11:12 | 0:11:13 | |
For me, I like the idea of a satchel, but the colour, | 0:11:13 | 0:11:18 | |
can we do anything about this? | 0:11:18 | 0:11:19 | |
We certainly can. | 0:11:19 | 0:11:20 | |
-We can dye it, we can make it darker. -Cool. | 0:11:20 | 0:11:23 | |
We can go black, chocolate brown, or a saddle tan, | 0:11:23 | 0:11:27 | |
-whatever you want. -Black for me is like, yeah. | 0:11:27 | 0:11:30 | |
Could we leave an element of the bag in this colour? | 0:11:30 | 0:11:34 | |
That's fine. So we can go to black for the majority of the bag | 0:11:34 | 0:11:38 | |
and then keep some element of the original colour. | 0:11:38 | 0:11:41 | |
Just on a pocket, or something like that. | 0:11:41 | 0:11:43 | |
A monochrome look sounds nice, but Jay is all about the colour. | 0:11:43 | 0:11:47 | |
Luckily, Neil's got something to show Jay | 0:11:47 | 0:11:49 | |
that should be right up his street. | 0:11:49 | 0:11:52 | |
I love that. That's really, really cool. | 0:11:52 | 0:11:55 | |
-We can incorporate that orange. -Yeah? | 0:11:55 | 0:11:57 | |
-We can even get some orange thread. -Orange thread? | 0:11:57 | 0:12:00 | |
Yes, so we've got black, white, and the colour that says, you know, | 0:12:00 | 0:12:03 | |
-it's from you. -Oh, man. | 0:12:03 | 0:12:05 | |
You are certainly talking Jay's language, Neil. | 0:12:05 | 0:12:08 | |
Keep it colourful and you'll keep him happy. | 0:12:08 | 0:12:10 | |
So how many satchels can we get out of this? Not bags. | 0:12:10 | 0:12:13 | |
I know we'd probably get loads this size. | 0:12:13 | 0:12:15 | |
-You can get a few of those. -OK. | 0:12:15 | 0:12:17 | |
-But how many out of this? -With this, | 0:12:17 | 0:12:18 | |
we've got a bit on the back, as well, | 0:12:18 | 0:12:20 | |
so we can certainly get two satchels from this one chair. | 0:12:20 | 0:12:23 | |
-Oh, cool. The only thing is the price, now. -Right. | 0:12:23 | 0:12:25 | |
-What can we do? -We can do it for around £90, £85 a bag. | 0:12:25 | 0:12:30 | |
OK. I did like the 85. | 0:12:30 | 0:12:32 | |
-If we can do both of them for 85 each... -Yes? | 0:12:32 | 0:12:36 | |
-..I'm a happy bumblebee. -I'll be happy too. | 0:12:36 | 0:12:39 | |
That's good. Thank you, Neil. That's brilliant. | 0:12:39 | 0:12:43 | |
Jay's buzzing, | 0:12:43 | 0:12:44 | |
although is Neil definitely going to get two bags out of a single-seater? | 0:12:44 | 0:12:49 | |
There's going to be no room for error on this one. | 0:12:49 | 0:12:52 | |
I'm over the moon with that one. | 0:12:53 | 0:12:55 | |
Neil really gets it. So we've got two satchels, | 0:12:55 | 0:12:58 | |
a monochrome kind of theme going on, we've got a splash of colour. | 0:12:58 | 0:13:02 | |
The piece de resistance is that orange stitching | 0:13:02 | 0:13:04 | |
that we're going to have on there. £85 each. | 0:13:04 | 0:13:07 | |
I think the profit's in the bag. | 0:13:07 | 0:13:10 | |
Well, what do you think, Neil? | 0:13:10 | 0:13:11 | |
Actually, it's a bit too comfortable to cut up. | 0:13:11 | 0:13:14 | |
It'll be £170 in total for two bags. | 0:13:15 | 0:13:19 | |
That is if he manages two bags. | 0:13:19 | 0:13:22 | |
For our next stop, | 0:13:27 | 0:13:28 | |
Jay has travelled to the village of Woodham Mortimer in Essex. | 0:13:28 | 0:13:33 | |
And tucked away in the middle of nowhere, | 0:13:33 | 0:13:35 | |
happily scraping away at something or other, is Guy. | 0:13:35 | 0:13:39 | |
Jay's going to come and see me today and I'm hoping he's going to bring | 0:13:41 | 0:13:44 | |
something interesting and we can turn it into something of beauty | 0:13:44 | 0:13:47 | |
and something a bit different. | 0:13:47 | 0:13:49 | |
And when you walk in the room you go, "Wow, that's a bit different." | 0:13:49 | 0:13:52 | |
Reach for the stars, Guy. | 0:13:52 | 0:13:55 | |
So, today, I'm dropping off this box of odds and sods down to Guy. | 0:13:55 | 0:13:59 | |
I can't wait to see what ideas he comes up with. | 0:13:59 | 0:14:01 | |
Something different, I would imagine. | 0:14:01 | 0:14:04 | |
How are we doing, Guy? Are you all right? | 0:14:04 | 0:14:05 | |
-Hi, Jay. Good to see you again. -Likewise. | 0:14:05 | 0:14:08 | |
What I've got for you here is a box of goodies. | 0:14:08 | 0:14:10 | |
Hopefully, you should be able to make something out of this. | 0:14:10 | 0:14:13 | |
Tell me what you think. | 0:14:13 | 0:14:15 | |
This looks a bit interesting. It's an old cobbler's shoe last. | 0:14:15 | 0:14:19 | |
That's right. And that's my size, actually. | 0:14:19 | 0:14:21 | |
-Ten-and-a-half-inch. -That's me. | 0:14:21 | 0:14:22 | |
-Great. -What I was thinking is like a table lamp, or is it possible? | 0:14:22 | 0:14:27 | |
Cos you're the man that knows, really and truly. | 0:14:27 | 0:14:29 | |
I think we can do something like a table lamp, you know, | 0:14:29 | 0:14:32 | |
long granite base like this here. | 0:14:32 | 0:14:34 | |
-OK. -Pipe coming up the back. | 0:14:34 | 0:14:36 | |
Light bulb in here. Shade on top. | 0:14:36 | 0:14:37 | |
That would look nice. But these are quite interesting pieces. | 0:14:37 | 0:14:40 | |
I quite like the look of this as maybe a wall light. | 0:14:40 | 0:14:43 | |
-What do you think? -Oh, that would be cool. | 0:14:43 | 0:14:45 | |
It's got... Just seeing that by itself coming in, with, you know, | 0:14:45 | 0:14:48 | |
-a bulb on the top, I think that could be quite fun. -Yeah. | 0:14:48 | 0:14:52 | |
That's one word for it. | 0:14:52 | 0:14:54 | |
Yeah, I think that would make a really nice wall light. | 0:14:54 | 0:14:57 | |
This all sounds great. | 0:14:57 | 0:14:58 | |
A table lamp and a wall lamp. | 0:14:58 | 0:15:01 | |
But is it going to cost an arm and a foot? | 0:15:01 | 0:15:04 | |
I think this is a fairly simple one to do. | 0:15:04 | 0:15:06 | |
It's not an awful lot of cleaning up to do. | 0:15:06 | 0:15:08 | |
I would think about £100 to turn that into a table lamp. | 0:15:08 | 0:15:13 | |
-And then the wall light. -The wall light, yeah. | 0:15:13 | 0:15:15 | |
I think it would be £125 for this one. | 0:15:15 | 0:15:20 | |
OK. What I'll do, is if we say 120, so that's 220 in total. | 0:15:20 | 0:15:24 | |
-Have a got a deal? -We've got a deal. -Good man. | 0:15:24 | 0:15:26 | |
That Jay drives a hard bargain. | 0:15:28 | 0:15:31 | |
I can't wait to get into this one. | 0:15:31 | 0:15:32 | |
This is going to be really fun to make and I think whoever buys it | 0:15:32 | 0:15:36 | |
is going to have a big smile on their face when they see it. | 0:15:36 | 0:15:39 | |
You're right about that. | 0:15:39 | 0:15:41 | |
Really, really chuffed with that. | 0:15:41 | 0:15:42 | |
I just knew Guy was the man to bring that box of odds and sods to. | 0:15:42 | 0:15:46 | |
So we settled on two ideas for the lights | 0:15:46 | 0:15:49 | |
and now we just have to wait and see | 0:15:49 | 0:15:50 | |
if we're going to shine some light on some profit. | 0:15:50 | 0:15:54 | |
It'll be a total of £220 for the two metal shoe lamps. | 0:15:54 | 0:15:59 | |
Mm. Guy promised us different, but is this just too different? | 0:15:59 | 0:16:03 | |
With our makers off and running, | 0:16:09 | 0:16:11 | |
it's time to head to Jay Blades' HQ in wonderful Wolverhampton. | 0:16:11 | 0:16:15 | |
Jay's got his rusty '50s kitchen chairs to revamp. | 0:16:17 | 0:16:22 | |
Jay, how are they looking? | 0:16:24 | 0:16:25 | |
These, cleaned up and redone again, | 0:16:26 | 0:16:29 | |
I believe they're going to be smashing. | 0:16:29 | 0:16:31 | |
They just need a lot of work, | 0:16:31 | 0:16:32 | |
so that means taking off all of the dirt, | 0:16:32 | 0:16:35 | |
taking off the rust, giving them a new coat of paint | 0:16:35 | 0:16:37 | |
and then I've got some beautiful fabric. | 0:16:37 | 0:16:40 | |
It's really going to bring these back to life. | 0:16:40 | 0:16:42 | |
So, let's get to work, eh? | 0:16:42 | 0:16:44 | |
Jay's reupholstering the seats and backs | 0:16:45 | 0:16:48 | |
and giving it all a good clean-up. | 0:16:48 | 0:16:50 | |
He might have his work cut out with those frames. | 0:16:50 | 0:16:53 | |
Jay starts to dismantle the chairs. | 0:16:55 | 0:16:58 | |
He's hoping the wood under the orange vinyl | 0:16:58 | 0:17:00 | |
is still in good enough condition to use. | 0:17:00 | 0:17:03 | |
That's the hope, anyway. | 0:17:03 | 0:17:04 | |
What would have happened with this is it would have been sealed, | 0:17:04 | 0:17:07 | |
it would have been heat sealed, and that's why you see no tacks, | 0:17:07 | 0:17:10 | |
no stitching, nothing. | 0:17:10 | 0:17:12 | |
Heat sealing, or plastic welding, | 0:17:12 | 0:17:15 | |
is a quick and cost-effective way to create a strong and airtight seal | 0:17:15 | 0:17:20 | |
without the need for traditional stitching or tacks. | 0:17:20 | 0:17:23 | |
And it looks like it's done the job. | 0:17:23 | 0:17:26 | |
This is really clean. | 0:17:26 | 0:17:28 | |
This looks as if it's just come out the factory. | 0:17:28 | 0:17:30 | |
With the wood in good condition, Jay moves on to the new padding. | 0:17:32 | 0:17:36 | |
Now...let's do four backs. | 0:17:36 | 0:17:39 | |
Plastic foam padding revolutionised upholstery in the 1930s. | 0:17:39 | 0:17:44 | |
Before that, they would stuff anything in there | 0:17:44 | 0:17:46 | |
to make it soft on your bum - | 0:17:46 | 0:17:48 | |
sawdust, grass, feathers, and then, more commonly, horsehair. | 0:17:48 | 0:17:53 | |
Everything's cut out. So now it's sticking time. | 0:17:55 | 0:17:58 | |
You're going to get quite loose with it, so you're going to spray around. | 0:17:58 | 0:18:01 | |
You don't want anything next to it that you don't want to be stuck. | 0:18:01 | 0:18:05 | |
Jay's using an aerosol adhesive. | 0:18:06 | 0:18:09 | |
This will ensure the glue is spread evenly, | 0:18:09 | 0:18:12 | |
and will form a strong and lasting bond. | 0:18:12 | 0:18:14 | |
There you go. Simple as that. | 0:18:14 | 0:18:16 | |
Next, Jay adds a layer of fire-retardant polyester wadding. | 0:18:18 | 0:18:22 | |
This adds an extra layer of comfort | 0:18:22 | 0:18:24 | |
and makes it compliant with all UK fire safety regulations. | 0:18:24 | 0:18:28 | |
So now it's fabric time. | 0:18:30 | 0:18:32 | |
Clean-up and fabric time. | 0:18:32 | 0:18:34 | |
Seriously, though, that glue gets everywhere. | 0:18:34 | 0:18:37 | |
Jay's chosen a pale yellow, short pile velvet | 0:18:40 | 0:18:43 | |
to cover the seats and backs. | 0:18:43 | 0:18:45 | |
And the something a little bit special... | 0:18:47 | 0:18:49 | |
It's that, a lovely bit of leather. | 0:18:49 | 0:18:52 | |
..lovely leather. | 0:18:52 | 0:18:53 | |
Now this will be on the back | 0:18:54 | 0:18:56 | |
and then we'll have a black frame. | 0:18:56 | 0:18:58 | |
So it will just look like a plain black chair. | 0:18:58 | 0:19:01 | |
And when you come round to the front, | 0:19:01 | 0:19:04 | |
you're welcomed by sherbet yellow. | 0:19:04 | 0:19:06 | |
I'd say it's more canary. | 0:19:06 | 0:19:08 | |
With his trusty staple gun, Jay starts to re-cover the chairs. | 0:19:13 | 0:19:18 | |
And to add the luscious leather, Jay's using a backtacking strip. | 0:19:23 | 0:19:28 | |
Why do we use a backtacking strip, Jay? | 0:19:28 | 0:19:30 | |
Instead of having tacks all the way along there, | 0:19:30 | 0:19:33 | |
or staples all the way along there, | 0:19:33 | 0:19:35 | |
the way to make it look neat is to staple... | 0:19:35 | 0:19:40 | |
inside here and then, once you've stapled that, | 0:19:40 | 0:19:42 | |
you pull it back and there's your neat line. | 0:19:42 | 0:19:45 | |
So it finishes off like that. | 0:19:45 | 0:19:47 | |
Jay has spent £40 on materials and fabric for the new chairs | 0:19:50 | 0:19:55 | |
and they're turning out quite smart, | 0:19:55 | 0:19:57 | |
but it might all be for nothing | 0:19:57 | 0:20:00 | |
if he can't shift the layers of rust from those frames. | 0:20:00 | 0:20:03 | |
Back we go to bunting country in lovely Marlow, | 0:20:03 | 0:20:07 | |
where Neil honours the town's proud traditions | 0:20:07 | 0:20:11 | |
by having some up in his garden too. | 0:20:11 | 0:20:13 | |
Neil has already cut the cream sofa into the usable sections | 0:20:14 | 0:20:18 | |
for the new satchels. | 0:20:18 | 0:20:20 | |
Let's get started. | 0:20:20 | 0:20:22 | |
This is the messy bit, so it's time to get the pinny on. | 0:20:22 | 0:20:25 | |
Jay wants the leather in black, so I'm going to transform... | 0:20:25 | 0:20:29 | |
Strangle myself. | 0:20:30 | 0:20:32 | |
Take your time, Neil, and let's try that again. | 0:20:32 | 0:20:35 | |
Jay wants the cream leather sofa | 0:20:35 | 0:20:38 | |
turned into a rich, dark black here for the bags. | 0:20:38 | 0:20:42 | |
So what we need is the gloves, the rubber gloves, | 0:20:42 | 0:20:46 | |
and we're going to use a roller and we're going to use some oil dye. | 0:20:46 | 0:20:50 | |
Heavy-duty gloves are essential for handling leather dye | 0:20:51 | 0:20:55 | |
because if that stuff gets on your skin, it's not coming off. | 0:20:55 | 0:20:59 | |
Before Neil applies the dye, | 0:21:00 | 0:21:02 | |
he first gives the leather a liberal squirting of water. | 0:21:02 | 0:21:06 | |
In order to get the oil to distribute evenly, | 0:21:07 | 0:21:09 | |
the dye evenly across the leather, | 0:21:09 | 0:21:11 | |
we put some water on it and I'm just going to scrub it, | 0:21:11 | 0:21:15 | |
break up the surface a bit. | 0:21:15 | 0:21:16 | |
Rubbing leather with a fine sandpaper | 0:21:17 | 0:21:20 | |
removes the old surface coating and makes the fibres more absorbent. | 0:21:20 | 0:21:24 | |
And now I'm going to dye. | 0:21:25 | 0:21:28 | |
Neil's using an alcohol-based dye. | 0:21:28 | 0:21:30 | |
Time to roll. | 0:21:30 | 0:21:32 | |
Alcohol absorbs quickly into moistened leather | 0:21:33 | 0:21:36 | |
and carries the pigment deep into the surface. | 0:21:36 | 0:21:39 | |
Right, I'm going to leave this to dry now, | 0:21:41 | 0:21:43 | |
put on an acrylic protective glaze and then we'll be ready to sew. | 0:21:43 | 0:21:47 | |
Right, the dyeing is all done. | 0:21:50 | 0:21:52 | |
That was quick. | 0:21:52 | 0:21:53 | |
We've got the lining, which is going to be from an old scout tent, | 0:21:53 | 0:21:57 | |
some heavy-duty canvas, and it's time to start sewing now. | 0:21:57 | 0:22:01 | |
Neil has taken on board Jay's ideas and sourced some neon orange thread. | 0:22:02 | 0:22:08 | |
Jay should be over the moon with that. | 0:22:08 | 0:22:10 | |
Neil starts by making the front of the bag. | 0:22:13 | 0:22:16 | |
I'll make a couple of pockets in the front, | 0:22:16 | 0:22:18 | |
big enough for your mobile phone. | 0:22:18 | 0:22:20 | |
Leather is a very difficult material to sew. | 0:22:20 | 0:22:23 | |
A heavy-duty machine is required, | 0:22:23 | 0:22:25 | |
and you should always use a fresh needle. | 0:22:25 | 0:22:28 | |
I'm liking the orange, it's a nice contrast to the black, | 0:22:28 | 0:22:31 | |
to the monochrome and the black, just having a splash of colour. | 0:22:31 | 0:22:35 | |
You're starting to sound more and more like Jay. | 0:22:35 | 0:22:38 | |
The next thing I need to do, | 0:22:38 | 0:22:40 | |
cos all the bags are tough and rugged and built to last, | 0:22:40 | 0:22:43 | |
I'm going to put a stud in here just to reinforce the pockets. | 0:22:43 | 0:22:46 | |
Surely that would require a massive, shiny, hole punch? | 0:22:46 | 0:22:50 | |
Ah, you've got one. | 0:22:50 | 0:22:51 | |
That's all well and good having the massive hole punch, | 0:22:53 | 0:22:56 | |
but you would still need the machine that presses the studs. | 0:22:56 | 0:23:00 | |
Oh, of course, you've got one of them too. | 0:23:00 | 0:23:02 | |
Ah, this takes me back. | 0:23:03 | 0:23:05 | |
I had one of those in the '80s. | 0:23:05 | 0:23:07 | |
I used to stud all my leather jackets. | 0:23:07 | 0:23:09 | |
It just made them really heavy. | 0:23:09 | 0:23:12 | |
Now we've got a nice stud. | 0:23:12 | 0:23:14 | |
With the front done, | 0:23:14 | 0:23:16 | |
Neil now joins together the remaining panels into shape, | 0:23:16 | 0:23:20 | |
ready to sew. | 0:23:20 | 0:23:21 | |
I need to peg it all together. | 0:23:21 | 0:23:22 | |
He's using pegs instead of pins, | 0:23:22 | 0:23:25 | |
so as not to leave holes in the leather. | 0:23:25 | 0:23:28 | |
Jay's chair is starting to look like a bag now. | 0:23:28 | 0:23:31 | |
If you say so. | 0:23:31 | 0:23:32 | |
Right, this is the fun bit. Sewing around corners. | 0:23:33 | 0:23:37 | |
Because there's so little of this leather to work with, | 0:23:37 | 0:23:40 | |
Neil's only got one go to get it right, and it's a bit tricky. | 0:23:40 | 0:23:44 | |
It's always fun, stitching around corners. | 0:23:44 | 0:23:47 | |
You don't want to get any creases. | 0:23:47 | 0:23:48 | |
You want to keep it as smooth as you can, | 0:23:48 | 0:23:51 | |
but we are talking fairly thick upholstery leather here, | 0:23:51 | 0:23:54 | |
so it can be tricky. | 0:23:54 | 0:23:56 | |
It's a decent machine, so I can't blame the tools. | 0:23:56 | 0:23:59 | |
Take your time, Neil. We're after two of these, remember. | 0:24:00 | 0:24:04 | |
You'll have to tread carefully. | 0:24:04 | 0:24:06 | |
Or is it THREAD carefully? | 0:24:06 | 0:24:08 | |
And so we travel back to lovely Essex... | 0:24:14 | 0:24:17 | |
..where Guy Trench is about to make a light out of a foot | 0:24:18 | 0:24:22 | |
and he'll call it "The Trench Foot." | 0:24:22 | 0:24:25 | |
One sort of idea I've had for this, anyhow, | 0:24:27 | 0:24:30 | |
is that we mount this on one of my black granite stones | 0:24:30 | 0:24:34 | |
as a table lamp. | 0:24:34 | 0:24:35 | |
And, just to be a bit different, I think we're going to use this, | 0:24:36 | 0:24:41 | |
and this will be a wall light. | 0:24:41 | 0:24:43 | |
So what I'm going to do first is take the rust off, | 0:24:45 | 0:24:47 | |
get it back to a sort of clean metal look | 0:24:47 | 0:24:50 | |
and then we'll polish it. | 0:24:50 | 0:24:52 | |
Guy is attacking the rust with a wire brush attachment on his drill. | 0:24:53 | 0:24:57 | |
He wants to keep it rustic looking, | 0:24:57 | 0:25:00 | |
so he's not using a harsh chemical rust remover. | 0:25:00 | 0:25:03 | |
So now I'm going to give them a quick wire brush now, just to get | 0:25:03 | 0:25:06 | |
into the places I couldn't get in with the electric drill. | 0:25:06 | 0:25:09 | |
I hope they're not too ticklish. | 0:25:09 | 0:25:11 | |
Other common rust removers you might find around the house | 0:25:12 | 0:25:16 | |
include white vinegar, baking soda, and, get this, potatoes. | 0:25:16 | 0:25:20 | |
Seriously, rubbing with a potato removes rust, | 0:25:20 | 0:25:24 | |
something to do with the acids. | 0:25:24 | 0:25:26 | |
Oh, I don't know, look it up. | 0:25:26 | 0:25:27 | |
Right, so, they're ready now for polishing, | 0:25:29 | 0:25:34 | |
-and this is a... It's a... -HE SNIFFS | 0:25:34 | 0:25:37 | |
..turpentine base and it really brings up the gleam of the metal. | 0:25:37 | 0:25:40 | |
Guy is using a clear beeswax which will seal in the loose rust | 0:25:42 | 0:25:47 | |
and give the cast iron a lovely shine. | 0:25:47 | 0:25:49 | |
Now we're just going to give them a quick buff. | 0:25:49 | 0:25:53 | |
Shoe lasts were traditionally made with iron and hardwoods. | 0:25:53 | 0:25:57 | |
Modern lasts, especially those used in mass production factories, | 0:25:57 | 0:26:01 | |
are made from high-density plastic, | 0:26:01 | 0:26:04 | |
because they can be recycled when they wear out. | 0:26:04 | 0:26:07 | |
So we now have something looking pretty respectable, | 0:26:08 | 0:26:11 | |
ready to turn into a lamp. | 0:26:11 | 0:26:14 | |
Good job, Guy. | 0:26:14 | 0:26:16 | |
-Hi, Steve, good to see you again. -Morning, Guy. | 0:26:16 | 0:26:19 | |
As these lights will have to comply with all UK safety regulations, | 0:26:19 | 0:26:23 | |
Guy's asked his friend, Steve - a qualified electrician - | 0:26:23 | 0:26:27 | |
to help with the wiring. | 0:26:27 | 0:26:29 | |
So rather than having it... | 0:26:29 | 0:26:31 | |
Flat like that, I think tip it up on the angle | 0:26:31 | 0:26:33 | |
so it looks like he's a runner, | 0:26:33 | 0:26:35 | |
he's running, running away from the cobbler. | 0:26:35 | 0:26:38 | |
THEY LAUGH | 0:26:38 | 0:26:40 | |
For the table lamp, | 0:26:40 | 0:26:41 | |
Steve has come prepared with a custom-made metal tube, | 0:26:41 | 0:26:45 | |
which he's fixing to the side of the foot. | 0:26:45 | 0:26:47 | |
He can then pass the electrical flex through the tube to the other end. | 0:26:49 | 0:26:53 | |
Wait for it. | 0:26:54 | 0:26:55 | |
Any minute now. | 0:26:55 | 0:26:58 | |
Got a bit of a snag here, | 0:26:58 | 0:26:59 | |
because the flex isn't particularly strong to push through | 0:26:59 | 0:27:02 | |
and because of all these bends we have here, it's not going through, | 0:27:02 | 0:27:06 | |
so I'm going to have to feed one wire through first. | 0:27:06 | 0:27:09 | |
That will do it, Steve. | 0:27:09 | 0:27:10 | |
Jam a screwdriver up there. | 0:27:10 | 0:27:12 | |
-I can't grab it. -Like rodding your drains. | 0:27:12 | 0:27:15 | |
Oh, there you go. | 0:27:16 | 0:27:17 | |
I think we've got the better of it finally. | 0:27:17 | 0:27:19 | |
Success. | 0:27:19 | 0:27:21 | |
Steve attaches the foot to a piece | 0:27:22 | 0:27:24 | |
of salvaged granite already belonging to Guy | 0:27:24 | 0:27:27 | |
and moves on to the electrics. | 0:27:27 | 0:27:29 | |
Steve is soldering the ends of the wires, | 0:27:31 | 0:27:34 | |
as it helps the electric current pass through into the bulb. | 0:27:34 | 0:27:38 | |
I just need to finish wiring it up and put a switch and a plug on it | 0:27:39 | 0:27:42 | |
and it's virtually there, I think, this one. | 0:27:42 | 0:27:44 | |
With Steve's help, Guy is making good progress, | 0:27:44 | 0:27:47 | |
but next is the big, heavy wall light. | 0:27:47 | 0:27:50 | |
Where would you like the light bulb? | 0:27:50 | 0:27:53 | |
Honestly, that thing weighs a tonne. | 0:27:53 | 0:27:55 | |
This could get complicated. | 0:27:55 | 0:27:57 | |
Back in Wolverhampton, it's time to check in on Jay | 0:28:03 | 0:28:06 | |
and see how he's got on with the rusty kitchen chairs. | 0:28:06 | 0:28:10 | |
Oh, not a bit of rust in sight. | 0:28:10 | 0:28:12 | |
After Jay reattaches the seats and backs, he'll be done. | 0:28:14 | 0:28:18 | |
This is so important, | 0:28:19 | 0:28:22 | |
getting this measurement right, because if you don't get it right, | 0:28:22 | 0:28:26 | |
the chair would look a bit off centre. | 0:28:26 | 0:28:29 | |
So getting the first one bang on... | 0:28:29 | 0:28:31 | |
is so important. | 0:28:31 | 0:28:33 | |
Well, let's hope those measurements are correct. | 0:28:33 | 0:28:36 | |
When Jay rescued the chairs, | 0:28:36 | 0:28:38 | |
they were rusty, dusty and headed for the skip. | 0:28:38 | 0:28:41 | |
But now... | 0:28:41 | 0:28:42 | |
..they're sleek and oozing with class. | 0:28:44 | 0:28:47 | |
Jay has expertly covered the chairs in luscious, lemony velvet, | 0:28:47 | 0:28:52 | |
with black leather backs that give them that elegant touch. | 0:28:52 | 0:28:56 | |
Jay painstakingly sanded the rust off by hand | 0:28:58 | 0:29:01 | |
and spray-painted the frames to give a matte black finish. | 0:29:01 | 0:29:05 | |
And, as if that wasn't enough, just wait until you turn them over. | 0:29:05 | 0:29:10 | |
Jay has personalised the bottoms each with their own funky fabric. | 0:29:10 | 0:29:15 | |
Funky. | 0:29:15 | 0:29:17 | |
Now, that is what you call a transformation. | 0:29:17 | 0:29:19 | |
So, as you can see, I can do simple and elegant, | 0:29:19 | 0:29:22 | |
but it has to come with a twist. | 0:29:22 | 0:29:25 | |
Look at this. Underneath, they've all got jazzy bottoms. | 0:29:25 | 0:29:27 | |
-LAUGHING: -Jazzy bottoms! | 0:29:29 | 0:29:31 | |
Come along, Jay, hold it together. | 0:29:33 | 0:29:35 | |
You got to sell them now. | 0:29:35 | 0:29:37 | |
OK. | 0:29:37 | 0:29:38 | |
Hello, how are we doing? Are you all right? | 0:29:41 | 0:29:43 | |
Not so bad, mate. Not so bad. Good morning, eh? | 0:29:43 | 0:29:45 | |
When Jay met Stan at the tip, he loved the look of his old chairs. | 0:29:45 | 0:29:49 | |
Stan, though, had had enough. | 0:29:49 | 0:29:50 | |
I don't know what they are but, to me, they're scrap. | 0:29:50 | 0:29:53 | |
They're scrap! | 0:29:53 | 0:29:55 | |
Stan was happy for Jay to take them away... | 0:29:55 | 0:29:58 | |
All right, that'll do you. | 0:29:59 | 0:30:00 | |
..and try and make them desirable again. | 0:30:00 | 0:30:03 | |
If they do anybody any good, they can have them, that's all. | 0:30:03 | 0:30:07 | |
Well, Stan, after Jay was let loose with his staple gun, | 0:30:07 | 0:30:11 | |
they became four charming chairs and, yes, with jazzy bottoms. | 0:30:11 | 0:30:16 | |
Stop laughing. | 0:30:16 | 0:30:18 | |
Jay posted pictures of the chairs on social media | 0:30:18 | 0:30:21 | |
and quick as a flash... | 0:30:21 | 0:30:22 | |
Hello? | 0:30:22 | 0:30:23 | |
..he found a buyer. | 0:30:23 | 0:30:25 | |
Vintage and antiques shop Sixth Link in Shropshire | 0:30:25 | 0:30:29 | |
snapped up our lemony lovelies, | 0:30:29 | 0:30:31 | |
and manager River is over the moon. | 0:30:31 | 0:30:34 | |
I think these chairs are absolutely fantastic. | 0:30:34 | 0:30:36 | |
They remind me very much of lemon bonbons and I think my clients | 0:30:36 | 0:30:40 | |
are going to absolutely love these quirky things underneath. | 0:30:40 | 0:30:43 | |
Jay's back in Walsall to meet up with Stan and hand over the profit. | 0:30:45 | 0:30:49 | |
-Hi, there, Stan. -Nice to see you again. | 0:30:54 | 0:30:56 | |
-Likewise. Have you been keeping well? -Well, trying. | 0:30:56 | 0:30:59 | |
Trying! Bless you. | 0:30:59 | 0:31:00 | |
Do you remember the chairs that I picked off of you? | 0:31:00 | 0:31:02 | |
-The rubbish, yeah. -The rubbish, OK. | 0:31:02 | 0:31:05 | |
I had 'em in me greenhouse | 0:31:05 | 0:31:06 | |
and out in the back garden in the summertime, | 0:31:06 | 0:31:09 | |
but in the end I had a clear out, I took them down the tip again, | 0:31:09 | 0:31:12 | |
-so that's it. -I've transformed them... | 0:31:12 | 0:31:14 | |
-Never! -..into something really beautiful. | 0:31:14 | 0:31:16 | |
-Look at this. -Oh, come on. -Let me show you this. | 0:31:16 | 0:31:19 | |
No, no, no, no. | 0:31:20 | 0:31:21 | |
That's not good? What do you mean, "No, no, no"? | 0:31:21 | 0:31:24 | |
They ain't the same chairs. | 0:31:24 | 0:31:25 | |
-These are the same chairs. -You're cheating. | 0:31:25 | 0:31:27 | |
No, I'm not cheating. | 0:31:27 | 0:31:28 | |
We've sprayed them, all the legs and the frames, sprayed it all. | 0:31:28 | 0:31:31 | |
I can't believe it. | 0:31:31 | 0:31:32 | |
They've been sold and I'm pleased to tell you that I've got for you... | 0:31:32 | 0:31:37 | |
-No! -..£80. -What?! | 0:31:37 | 0:31:39 | |
Yes, £80 profit that we made. | 0:31:39 | 0:31:42 | |
-That's yours, sir. -For them? -For these chairs, yeah. | 0:31:42 | 0:31:45 | |
What do you think you're going to do with that? | 0:31:45 | 0:31:47 | |
I'll tell you what I'm going to do with it. | 0:31:47 | 0:31:48 | |
-OK. -I'll give it to the air ambulance. | 0:31:48 | 0:31:50 | |
You're going to give it to the air ambulance? | 0:31:50 | 0:31:52 | |
Yeah, I believe in the air ambulance. | 0:31:52 | 0:31:54 | |
-Well done, sir. Thank you. -Thank you very much indeed. | 0:31:54 | 0:31:57 | |
-Take care now. All right? -Bye-bye. Thank you very much, sir. | 0:31:57 | 0:32:00 | |
No problem, sir. All the best. Take care. You too. | 0:32:00 | 0:32:03 | |
Cor, can't believe this. | 0:32:03 | 0:32:04 | |
80 quid for them?! | 0:32:05 | 0:32:07 | |
Phew. | 0:32:07 | 0:32:08 | |
Good on you, Stan. | 0:32:08 | 0:32:10 | |
Jay spent just £40 on materials for the new chairs | 0:32:10 | 0:32:14 | |
and with a total sale of £120 for all four, | 0:32:14 | 0:32:19 | |
Stan has £80 to give to charity. | 0:32:19 | 0:32:22 | |
He was surprised, wasn't he? | 0:32:22 | 0:32:24 | |
With our first item setting the bar in the sales stakes, | 0:32:32 | 0:32:36 | |
Jay is headed back to Marlow to find out | 0:32:36 | 0:32:39 | |
if Neil managed to inject some colour into the cream-coloured sofa. | 0:32:39 | 0:32:43 | |
Well, we've got a couple of bags | 0:32:44 | 0:32:46 | |
completely transformed from what Jay brought me. | 0:32:46 | 0:32:48 | |
A bit of a challenge to get the colour in that he wanted, | 0:32:48 | 0:32:51 | |
but I think he's really going to like them. | 0:32:51 | 0:32:53 | |
I'm here to see Neil, | 0:32:55 | 0:32:56 | |
and I can't wait to see what he's done with that chair. | 0:32:56 | 0:32:59 | |
I'm expecting a brilliant transformation | 0:32:59 | 0:33:01 | |
and, if I know Neil, that's exactly what I'm going to get. | 0:33:01 | 0:33:04 | |
Well, let's see if you're right. | 0:33:04 | 0:33:06 | |
Before Neil got his hands on it, | 0:33:06 | 0:33:08 | |
the dated cream couch was a thing of the past, but now... | 0:33:08 | 0:33:13 | |
..they're a pair of modern, stylish satchels | 0:33:14 | 0:33:18 | |
and they don't just look good, they're functional too. | 0:33:18 | 0:33:22 | |
The bags are big enough to carry laptops and tablets. | 0:33:22 | 0:33:26 | |
The pockets can snugly store smartphones, | 0:33:26 | 0:33:29 | |
and there's even a hook for your keys. | 0:33:29 | 0:33:32 | |
Neil has kept strips of the original cream leather | 0:33:32 | 0:33:35 | |
which compliment the new, rich black. | 0:33:35 | 0:33:38 | |
The material for the lining and straps | 0:33:38 | 0:33:41 | |
has all been sourced from other salvaged materials. | 0:33:41 | 0:33:44 | |
But with a finish that looks brand-new. | 0:33:44 | 0:33:48 | |
All right, Neil? | 0:33:48 | 0:33:49 | |
But what will the big man think? | 0:33:49 | 0:33:52 | |
-Now, look at that. -Here we go. So what do you think? | 0:33:52 | 0:33:54 | |
Well, I like it a lot. | 0:33:54 | 0:33:56 | |
Now that is super cool. | 0:33:56 | 0:33:59 | |
We've left some of the old cream leather in there. | 0:33:59 | 0:34:01 | |
So you can see the stripes down the side... Cool | 0:34:01 | 0:34:03 | |
-..that was the original colour. -That's unbelievable. | 0:34:03 | 0:34:06 | |
-Do you like it? -I think they've come out really nice. | 0:34:06 | 0:34:09 | |
I really like them. | 0:34:09 | 0:34:10 | |
So not the old cream leather chair that you brought me. | 0:34:10 | 0:34:14 | |
No, not at all, cos that, to me... | 0:34:14 | 0:34:16 | |
That just looks like brand-new leather. | 0:34:16 | 0:34:18 | |
-That looks completely different. -Good. | 0:34:18 | 0:34:20 | |
All right, the next thing is budget. | 0:34:20 | 0:34:21 | |
Did we come in on budget or did we go over or...? | 0:34:21 | 0:34:24 | |
There was nothing that I hadn't already budgeted for | 0:34:24 | 0:34:28 | |
that cropped up, so it's all come in on budget. | 0:34:28 | 0:34:30 | |
I think these are a brilliant transformation, | 0:34:30 | 0:34:32 | |
so thank you for doing that. I'm going to take them off your hands. | 0:34:32 | 0:34:35 | |
-All yours. -Thank you, sir. You take care now. | 0:34:35 | 0:34:37 | |
Neil, at £170 for the two, you've done it again. | 0:34:37 | 0:34:42 | |
Well, that went well. I think the added splash of Jay's colour | 0:34:43 | 0:34:47 | |
was just what he was after, | 0:34:47 | 0:34:49 | |
so I'm very pleased that he went away happy. | 0:34:49 | 0:34:51 | |
I'm just loving this monochrome Callaway. | 0:34:52 | 0:34:55 | |
With a splash of colour - you know that's definitely me. | 0:34:55 | 0:34:58 | |
What a transformation. | 0:34:58 | 0:35:00 | |
Jay really loves bright colours, doesn't he? | 0:35:00 | 0:35:03 | |
But it's time to find out if anyone else does. | 0:35:03 | 0:35:06 | |
How are we doing, mate? You all right? | 0:35:11 | 0:35:13 | |
When Jay helped Indy get the sofa out of his car, | 0:35:13 | 0:35:16 | |
he was really after a closer look at his leather. | 0:35:16 | 0:35:19 | |
So where's the rest of it then? I'm a bit greedy. | 0:35:19 | 0:35:21 | |
-The rest of it's in here somewhere about two months ago. -Oh, is it? | 0:35:21 | 0:35:24 | |
Indy and his family had outgrown the old thing... | 0:35:24 | 0:35:28 | |
So we used it for the kids' bedroom for a bit, | 0:35:28 | 0:35:29 | |
but the wife said just get rid of it now. | 0:35:29 | 0:35:32 | |
..but was happy for Jay to take it away. | 0:35:32 | 0:35:34 | |
If he can do something and somebody can use it for something, why not? | 0:35:34 | 0:35:38 | |
Well, Indy, with the help of some industrial strength leather dye, | 0:35:39 | 0:35:43 | |
Neil made your sofa into a pair of smart, practical satchels. | 0:35:43 | 0:35:48 | |
In fact they looked so good, | 0:35:48 | 0:35:50 | |
they were snapped up by online retro and vintage shop | 0:35:50 | 0:35:53 | |
Smithers of Stamford and owner Nick is thrilled to have them. | 0:35:53 | 0:35:57 | |
Neil's bags, they always sell really well on the day, | 0:35:57 | 0:36:00 | |
so guaranteed these are. | 0:36:00 | 0:36:02 | |
Jay's back in Walsall to show Indy the transformation | 0:36:05 | 0:36:09 | |
and hand over the profit. | 0:36:09 | 0:36:11 | |
-Hello. -How we doing, Indy? Are you all right? | 0:36:14 | 0:36:16 | |
Yeah, not too bad, thank you. | 0:36:16 | 0:36:17 | |
So do you remember the old chair that we took off of you? | 0:36:17 | 0:36:20 | |
I do, yes. What it was, it was just a centrepiece | 0:36:20 | 0:36:22 | |
when you've got the two recliners, | 0:36:22 | 0:36:24 | |
and that was the centrepiece of the recliners. | 0:36:24 | 0:36:26 | |
The wife said just get rid of them. | 0:36:26 | 0:36:28 | |
-LAUGHING: -All right. | 0:36:28 | 0:36:29 | |
-So what I've got is a couple of pictures to show you. -Yeah? | 0:36:29 | 0:36:32 | |
-What we... Or what Neil transformed it into. -OK. | 0:36:32 | 0:36:36 | |
-So that's what he's transformed it into. -Oh, brilliant. | 0:36:36 | 0:36:38 | |
Oh, so you've actually taken the leather out and made it into bags? | 0:36:38 | 0:36:41 | |
Made it into bags. He stained it all black, | 0:36:41 | 0:36:44 | |
and we've got like an orange stitching on there. | 0:36:44 | 0:36:46 | |
Yeah, I'm amazed. | 0:36:46 | 0:36:48 | |
You're amazed? Well, you'll be amazed at this. | 0:36:48 | 0:36:50 | |
We were able to sell them and get you a bit of a profit. | 0:36:50 | 0:36:53 | |
I've got £65 for that old chair. | 0:36:53 | 0:36:56 | |
-OK. -Is that OK? -Fantastic. | 0:36:56 | 0:36:58 | |
Any ideas what you are going to do with the money? | 0:36:58 | 0:37:00 | |
-Probably cancer - Cancer Research. -Right, brilliant. Nice one. | 0:37:00 | 0:37:04 | |
-Fantastic. -Good on you, sir, that's a brilliant cause. | 0:37:04 | 0:37:07 | |
-Thank you. -Thank you very much. -You take care now. -And you. -All right. | 0:37:07 | 0:37:11 | |
Neil came in on budget at £170 for the two bags. | 0:37:11 | 0:37:16 | |
And with a great sale of £235 for the pair, | 0:37:16 | 0:37:21 | |
Indy has £65 to donate to a cancer charity. | 0:37:21 | 0:37:25 | |
Brilliant. | 0:37:25 | 0:37:26 | |
That's two of our items now producing a profit. | 0:37:32 | 0:37:36 | |
Jay's back in Woodham Mortimer | 0:37:36 | 0:37:38 | |
to see what Guy has managed to cobble together. | 0:37:38 | 0:37:42 | |
I think he'll like these a lot, these two. | 0:37:42 | 0:37:44 | |
They are different. Nobody's ever done them before | 0:37:44 | 0:37:46 | |
but I think, yeah, it will tick his box, I think. | 0:37:46 | 0:37:49 | |
I'm here to see Guy, see what he's done | 0:37:50 | 0:37:52 | |
with those foot lasts I gave him. | 0:37:52 | 0:37:54 | |
I love his style, | 0:37:54 | 0:37:56 | |
the way that he's able to put random bits together | 0:37:56 | 0:37:58 | |
to come up with something beautiful and useful is just amazing. | 0:37:58 | 0:38:02 | |
Let's go and see what he's done. | 0:38:02 | 0:38:04 | |
I can't wait. | 0:38:04 | 0:38:05 | |
These rusty shoe lasts were moments away from getting the boot. | 0:38:06 | 0:38:11 | |
But now... | 0:38:11 | 0:38:13 | |
..they're a pair of goody two shoes. | 0:38:16 | 0:38:18 | |
Guy's table lamp has hit the ground running | 0:38:18 | 0:38:21 | |
with the addition of a polished, granite base | 0:38:21 | 0:38:24 | |
and vintage electric flex. | 0:38:24 | 0:38:26 | |
The wall light has turned out equally as nice, | 0:38:26 | 0:38:29 | |
mounted on a varnished piece of salvaged wood. | 0:38:29 | 0:38:33 | |
With Steve's help, the electrics comply with all UK safety standards | 0:38:33 | 0:38:38 | |
and I'll tell you, if they gave out awards for quirky lighting, | 0:38:38 | 0:38:42 | |
Guy would be a SHOE-in. | 0:38:42 | 0:38:44 | |
-How are we doing, Guy? -Ah, Jay, very good to see you again. | 0:38:46 | 0:38:48 | |
-Likewise. Are you good? -Very well, thank you. | 0:38:48 | 0:38:51 | |
Oh, that's me, isn't it? Wow, so this is us. | 0:38:51 | 0:38:54 | |
That is... | 0:38:54 | 0:38:55 | |
They look really nice. | 0:38:56 | 0:38:58 | |
It's just a bit different. | 0:38:58 | 0:38:59 | |
We found a nice bit of timber that we just screwed it onto, | 0:38:59 | 0:39:03 | |
and Bob's your uncle. | 0:39:03 | 0:39:04 | |
When we had that, it was just a box of old bits and bobs | 0:39:04 | 0:39:07 | |
and then you've just turned it into a work of art. Look at that. | 0:39:07 | 0:39:10 | |
-Oh, thank you. -No, that is really nice. | 0:39:10 | 0:39:12 | |
I really like that one and I like that one as well, but what is that? | 0:39:12 | 0:39:15 | |
This is granite, so it's got that sort of antique look to it, | 0:39:15 | 0:39:19 | |
but again it's just quirky. | 0:39:19 | 0:39:22 | |
Quirky? That's a work of art. | 0:39:22 | 0:39:24 | |
-Thank you. -Yeah, shake that. | 0:39:24 | 0:39:26 | |
You've done good, man. I'm impressed with that. | 0:39:26 | 0:39:29 | |
Hold your horses, Jay, | 0:39:29 | 0:39:31 | |
the handshake comes after you've heard if it's come in on budget. | 0:39:31 | 0:39:35 | |
Did we come in on budget? | 0:39:35 | 0:39:37 | |
-Yes, you did. -Good. | 0:39:37 | 0:39:39 | |
-The shades included? -No. | 0:39:39 | 0:39:41 | |
-Oh. -The shades not included. | 0:39:41 | 0:39:42 | |
We charge £45 for both shades. | 0:39:42 | 0:39:45 | |
OK, that's cool. I think the shades work with them. | 0:39:45 | 0:39:47 | |
I can't sell them without the shades, really, so thank you, sir. | 0:39:47 | 0:39:50 | |
No problem at all. I hope you get some good money for them. | 0:39:50 | 0:39:52 | |
-You should do. -Yeah, so do I. -Thank you. | 0:39:52 | 0:39:54 | |
£220 for the lights, plus an extra 45, | 0:39:54 | 0:39:58 | |
but you won't have to go shopping for shades. | 0:39:58 | 0:40:01 | |
Jay, I think, was very, very pleased indeed. | 0:40:01 | 0:40:03 | |
He certainly showed it and it's bringing something old | 0:40:03 | 0:40:07 | |
back to life again and in another form. | 0:40:07 | 0:40:09 | |
I'm so chuffed that we was able to save those bits from the skip | 0:40:11 | 0:40:14 | |
and hopefully they're going to be a prize possession in someone's home. | 0:40:14 | 0:40:18 | |
Let's find out. | 0:40:18 | 0:40:19 | |
-So, what have we got here then? -It's a last. | 0:40:24 | 0:40:26 | |
When Jay met Mike at the tip, he got his first lesson in cobbling. | 0:40:26 | 0:40:31 | |
You put the shoe onto there, | 0:40:31 | 0:40:33 | |
you cut your leather for the sole | 0:40:33 | 0:40:35 | |
and you put brands all the way around. | 0:40:35 | 0:40:37 | |
Its origins were unknown. | 0:40:37 | 0:40:39 | |
It was in the house when we bought it. | 0:40:39 | 0:40:42 | |
So Mike was happy for Jay to take it all away. | 0:40:42 | 0:40:45 | |
If he can make some use of it and it can be recycled, | 0:40:45 | 0:40:48 | |
then I'm all in favour. | 0:40:48 | 0:40:50 | |
Well, Mike, once Guy got his hands on your feet, | 0:40:50 | 0:40:53 | |
he turned them into lovely lighting. | 0:40:53 | 0:40:56 | |
After Jay took them away, he posted pictures of the lamps online | 0:40:57 | 0:41:02 | |
and he sold them to a shoe repair company in Manchester. | 0:41:02 | 0:41:05 | |
Jay is back in Walsall to show Mike the transformation | 0:41:08 | 0:41:12 | |
and to hand over the profit. | 0:41:12 | 0:41:14 | |
Hello, Mike. How are you doing? | 0:41:19 | 0:41:21 | |
-All right, thank you. -Good on you. | 0:41:21 | 0:41:23 | |
So, do you remember the old box of odds and sods | 0:41:23 | 0:41:25 | |
that you brought down to the recycling centre? | 0:41:25 | 0:41:28 | |
Old scrap iron, yes. | 0:41:28 | 0:41:29 | |
Was it right to say that it was in your garage for quite a long time? | 0:41:29 | 0:41:32 | |
It was, yes. It had been there for years, 30-odd years or more. | 0:41:32 | 0:41:36 | |
Well, I was able to take it to a guy called Guy Trench, | 0:41:37 | 0:41:41 | |
who transformed the shoe lasts, | 0:41:41 | 0:41:43 | |
which is what we liked the most out of the box, | 0:41:43 | 0:41:46 | |
and I'll show you what he made. | 0:41:46 | 0:41:48 | |
Oh! | 0:41:48 | 0:41:49 | |
-Yes, I like that. -Made a wall lamp. | 0:41:50 | 0:41:53 | |
Yes, it's fantastic. | 0:41:53 | 0:41:54 | |
-And then... -Oh, I like that. | 0:41:54 | 0:41:57 | |
-You like that? -Oh, yes. | 0:41:57 | 0:41:59 | |
That fires up my imagination. | 0:41:59 | 0:42:01 | |
If I owned that lamp, I'd call it the Usain Bolt lamp. | 0:42:02 | 0:42:05 | |
-Wow. -It looks like it's about to take off. | 0:42:05 | 0:42:07 | |
I can see that. I'm pleased to tell you as well, | 0:42:07 | 0:42:10 | |
I was able to sell it and I have some money for you. | 0:42:10 | 0:42:13 | |
-We have £100. -Ooh. | 0:42:13 | 0:42:16 | |
Mind you, I'm not surprised, they're beautiful lamps. | 0:42:18 | 0:42:21 | |
They are, aren't they? | 0:42:21 | 0:42:23 | |
So, have you got any idea what you might do with the money? | 0:42:23 | 0:42:25 | |
Yes, it will go to the Marie Curie nurses. | 0:42:25 | 0:42:29 | |
Thank you very much indeed. | 0:42:29 | 0:42:30 | |
No, thank you for giving it to such a good cause. | 0:42:30 | 0:42:32 | |
-You take care now. -OK. Right, bye. -See you soon. Bye-bye. | 0:42:32 | 0:42:35 | |
Including the shades, the total cost of making the lamps came to £265. | 0:42:39 | 0:42:46 | |
Jay managed a cracking sale of £365, | 0:42:46 | 0:42:50 | |
giving Mike a cool £100 profit to donate to charity. | 0:42:50 | 0:42:55 | |
Jay's time at the tip has really paid off. | 0:42:59 | 0:43:03 | |
Things we hate to throw away have found a new lease of life... | 0:43:03 | 0:43:06 | |
..a new purpose... | 0:43:09 | 0:43:11 | |
..and a new home. | 0:43:13 | 0:43:15 | |
With lots of help from Guy and Neil, | 0:43:18 | 0:43:20 | |
we've taken three tip items and turned them into proper profit. | 0:43:20 | 0:43:24 | |
So that's three items transformed from dump to designer. | 0:43:24 | 0:43:28 | |
That's amazing. | 0:43:28 | 0:43:29 |