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That's not going in there, is it? | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:06 | 0:00:09 | |
Oh! That's got lovely legs. | 0:00:09 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes of household waste, | 0:00:11 | 0:00:15 | |
thrown out by us every year. | 0:00:15 | 0:00:18 | |
-I'm now going to swan off. -OK! | 0:00:18 | 0:00:20 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:21 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:28 | |
I'm a passionate maker, buyer and user of old stuff | 0:00:30 | 0:00:34 | |
and I've turned that passion into a money-making business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:45 | |
Let's brainstorm a little bit and see what we can do with it. | 0:00:45 | 0:00:47 | |
It is absolutely gorgeous. | 0:00:47 | 0:00:49 | |
..she can transform her finds into desirable... | 0:00:49 | 0:00:53 | |
-I'm kind of speechless. -..valuable... | 0:00:53 | 0:00:57 | |
That looks amazing! | 0:00:57 | 0:00:59 | |
..and hopefully saleable items. | 0:00:59 | 0:01:02 | |
If Sarah is successful, | 0:01:04 | 0:01:06 | |
then she can hand the profits back to the very people who had no idea | 0:01:06 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:14 | |
Lovely. A lovely ending. | 0:01:14 | 0:01:16 | |
Welcome to Woking. | 0:01:24 | 0:01:27 | |
Woking Community Recycling Centre, to be precise. | 0:01:27 | 0:01:31 | |
Here, Sarah is starting her search. | 0:01:31 | 0:01:34 | |
What will Woking turn up today? | 0:01:34 | 0:01:37 | |
There's lots of potential here. | 0:01:37 | 0:01:39 | |
-Looks like it's going to be fun. -But it's not all fun and games. | 0:01:39 | 0:01:43 | |
Sarah needs to uncover three items with money-making potential. | 0:01:43 | 0:01:48 | |
How busy is it here? | 0:01:49 | 0:01:51 | |
If you're thinking of giving this a go, you won't get far. | 0:01:51 | 0:01:55 | |
Sarah has special permission to plunder from the public. | 0:01:55 | 0:02:00 | |
Now that looks good. | 0:02:00 | 0:02:02 | |
Looks like she's got her sights set on what Trevor's got in his boot. | 0:02:02 | 0:02:06 | |
-Morning. -Good morning, how are you? | 0:02:08 | 0:02:11 | |
Well, I'm better now. | 0:02:11 | 0:02:12 | |
-What is that? -Well, I've just been building an oak pergola. | 0:02:12 | 0:02:18 | |
It's air-dried oak. | 0:02:18 | 0:02:20 | |
-Right. -It's 30 years old and I've got this left over. | 0:02:20 | 0:02:23 | |
It's not much. It weighs a tonne. | 0:02:23 | 0:02:26 | |
-Absolute tonne. -It's such a great chunk. | 0:02:26 | 0:02:29 | |
-Do you think it's English oak? -Oh, definitely English oak, yep. | 0:02:29 | 0:02:32 | |
English oak all the way from Norfolk. | 0:02:32 | 0:02:33 | |
Would it be OK that I have it rather than go into the re-use bit? | 0:02:33 | 0:02:36 | |
Absolutely. I'd prefer you to have it. It's such a waste to throw it away. | 0:02:36 | 0:02:39 | |
Well, I'm so pleased that I was here to head it off from the re-use bit. | 0:02:39 | 0:02:42 | |
I will definitely try and make something out of this, | 0:02:42 | 0:02:44 | |
and then come and find you and show you what I've done. | 0:02:44 | 0:02:46 | |
That's perfect, yeah, I'd love it. | 0:02:46 | 0:02:48 | |
I'm going to lean that back there and go and get a trolley. | 0:02:48 | 0:02:50 | |
And say, "Thank you so much, and I'll keep in touch." | 0:02:50 | 0:02:52 | |
-Yep. -Let me go and get something. | 0:02:52 | 0:02:54 | |
-Thanks ever so much. -OK. You're welcome. | 0:02:54 | 0:02:56 | |
It's not everyday you see a bit of oak that size turning up at the tip. | 0:02:56 | 0:03:01 | |
But Trevor's happy to let it go. | 0:03:01 | 0:03:04 | |
I'm very glad she's taken it away. | 0:03:04 | 0:03:05 | |
I'm amazed that she can find something useful to do with it. | 0:03:05 | 0:03:08 | |
So, if she can do something with it, then, brilliant. | 0:03:08 | 0:03:11 | |
I'd love to know what comes of it. | 0:03:11 | 0:03:13 | |
So much potential here with these lovely big chunks of oak. | 0:03:13 | 0:03:16 | |
You can turn it, you can cut it, you can make furniture out of it. | 0:03:16 | 0:03:19 | |
But you can't let it go into the wood skip. | 0:03:19 | 0:03:22 | |
So pleased to find it. | 0:03:22 | 0:03:23 | |
When Sarah's got lumber like this there's two lads to turn to. | 0:03:23 | 0:03:28 | |
Meet Josh and Oli, designers, wood experts and best buds. | 0:03:28 | 0:03:33 | |
These boys think outside the box. | 0:03:33 | 0:03:36 | |
And the results are always interesting. | 0:03:36 | 0:03:38 | |
So I'm Josh and this is Oli. | 0:03:38 | 0:03:41 | |
We work well together because we've both got interesting ideas. | 0:03:41 | 0:03:45 | |
When Sarah turns up with whatever she's managed to find at the tip, | 0:03:46 | 0:03:50 | |
it's like problem-solving. | 0:03:50 | 0:03:51 | |
You're faced with a problem and you've got to then turn that into a product. | 0:03:51 | 0:03:55 | |
And it's really good. | 0:03:55 | 0:03:57 | |
It's difficult and challenging but it's a good process, isn't it? | 0:03:57 | 0:04:00 | |
Yeah, makes us think of new ideas | 0:04:00 | 0:04:02 | |
that we wouldn't have otherwise thought of. | 0:04:02 | 0:04:04 | |
Time to get your thinking caps on again, gentlemen. | 0:04:06 | 0:04:10 | |
Because the possibilities are endless. | 0:04:10 | 0:04:12 | |
One item down, two to go. | 0:04:21 | 0:04:24 | |
And the search is on for tip treasures with that | 0:04:24 | 0:04:28 | |
little extra bit of sparkle. | 0:04:28 | 0:04:31 | |
Good grief. | 0:04:31 | 0:04:32 | |
I hope your kids aren't watching this. | 0:04:32 | 0:04:35 | |
Perhaps you can boogie on over and see what Brian's chucking out. | 0:04:37 | 0:04:42 | |
-Oh, hello, do you need a hand? -Yes, please. | 0:04:42 | 0:04:45 | |
Throwing out the whole 3-piece suite, are you? | 0:04:45 | 0:04:47 | |
Yes, we are. It's done valiant service. | 0:04:47 | 0:04:51 | |
Let me have a look at that. | 0:04:51 | 0:04:53 | |
-So, how long have you had them? -Three generations of dogs. | 0:04:53 | 0:04:56 | |
Three generations... That's a really sweet way of putting it. | 0:04:56 | 0:04:59 | |
So, 20 plus years, then? | 0:04:59 | 0:05:01 | |
-Yes. -Well, I think it looks quite exciting. | 0:05:01 | 0:05:04 | |
What have you got in here? Two chairs? | 0:05:04 | 0:05:06 | |
Two armchairs and a settee and all the cushions. | 0:05:06 | 0:05:09 | |
-They look like they'll be really comfortable. -They are fabulous chairs. | 0:05:09 | 0:05:12 | |
I mean, in daylight, | 0:05:12 | 0:05:15 | |
I'm ashamed of them, but in the house they were just so comfortable. | 0:05:15 | 0:05:20 | |
Is this something, that rather than you throwing it away, I can take | 0:05:20 | 0:05:23 | |
away and try and refurbish or give a new lease of life to? | 0:05:23 | 0:05:26 | |
I would love it to have a new lease of life. | 0:05:26 | 0:05:29 | |
It's been a fabulous suite to us. | 0:05:29 | 0:05:31 | |
Well, it would be great to come and show you what I manage to do with | 0:05:31 | 0:05:34 | |
-it, if that would be OK. -Yes, that would be lovely. | 0:05:34 | 0:05:36 | |
Great. I'll come and see your new ones, see how they compare. | 0:05:36 | 0:05:38 | |
-You're welcome, Sarah. -What a find! | 0:05:38 | 0:05:41 | |
Sarah's bagged herself a 3-piece suite. | 0:05:41 | 0:05:44 | |
What does Brian think will happen to it? | 0:05:44 | 0:05:46 | |
It's got lots of life left in it. The springs are fine. | 0:05:46 | 0:05:49 | |
The cushions, the arms are fine. | 0:05:49 | 0:05:51 | |
It's just the covering is worn and dirty. | 0:05:51 | 0:05:54 | |
Well, there are three pieces here and I think they're sweet. | 0:05:56 | 0:05:59 | |
I love this classic English styling. | 0:05:59 | 0:06:01 | |
Their cottage charm. | 0:06:01 | 0:06:03 | |
But there is a heap of work to be done to this if we're going to turn a profit. | 0:06:03 | 0:06:07 | |
With a heap of work, you'll need a heap of help. | 0:06:07 | 0:06:12 | |
The Bristol Upholstery Collective | 0:06:14 | 0:06:16 | |
is a maker's space that welcomes all with | 0:06:16 | 0:06:19 | |
a shared passion for upholstery. | 0:06:19 | 0:06:22 | |
It was founded by Leigh-Anne Treadwell and together with her | 0:06:22 | 0:06:27 | |
group of gifted girls, | 0:06:27 | 0:06:29 | |
when they put their heads together there's nothing they can't achieve. | 0:06:29 | 0:06:33 | |
I love doing upholstery. | 0:06:33 | 0:06:34 | |
It led me to create the Bristol Upholstery Collective | 0:06:34 | 0:06:37 | |
just so that we could create a real magical space. | 0:06:37 | 0:06:40 | |
It means that people can really play with their skills and really take it | 0:06:40 | 0:06:43 | |
to the next level. | 0:06:43 | 0:06:45 | |
My favourite sort of project is actually one that involves collaboration. | 0:06:45 | 0:06:49 | |
We pull in all these different knowledge areas and resources and | 0:06:49 | 0:06:52 | |
together we can bounce ideas and create really incredible stuff. | 0:06:52 | 0:06:57 | |
Well, Leigh-Anne, you'd better get your team at the ready | 0:06:57 | 0:07:00 | |
because Sarah is bringing a busload. | 0:07:00 | 0:07:03 | |
Sarah is back on the lookout for one final item she can work on. | 0:07:10 | 0:07:14 | |
How exciting. Come with me. | 0:07:17 | 0:07:18 | |
It looks like she's spotted something good in Stuart's car. | 0:07:18 | 0:07:23 | |
Really, in that load of junk? | 0:07:23 | 0:07:26 | |
Oh, well, no harm in looking. | 0:07:26 | 0:07:28 | |
-Hello, there. -Hello. | 0:07:29 | 0:07:30 | |
Stop throwing stuff away. I love the look of your rubbish. | 0:07:30 | 0:07:34 | |
-What are you up to? -I'm throwing stuff away, yeah. | 0:07:34 | 0:07:37 | |
-Are you clearing out the house? -We are clearing out a big house. | 0:07:37 | 0:07:40 | |
This is loft, garage, lounge, | 0:07:40 | 0:07:42 | |
and all sorts of bits from a sadly deceased relative, yeah. | 0:07:42 | 0:07:46 | |
Oh, no, I'm sorry to hear that. Your legs, what were they from? | 0:07:46 | 0:07:49 | |
-I don't know. -They have got just enough about them to make something | 0:07:49 | 0:07:54 | |
-lovely out of. -OK. | 0:07:54 | 0:07:55 | |
-Can you see it? -I can. | 0:07:55 | 0:07:57 | |
Well, I'd like to know. | 0:07:57 | 0:07:59 | |
I love things like this because it only takes that amount of style to | 0:07:59 | 0:08:04 | |
make something that people think "Great, that looks '60s," | 0:08:04 | 0:08:06 | |
and then it becomes desirable. | 0:08:06 | 0:08:08 | |
So, rather than chucking them away, can I have them? | 0:08:08 | 0:08:11 | |
-Course you can, yeah, with pleasure. -You don't mind? | 0:08:11 | 0:08:14 | |
Not at all. I'd be delighted. | 0:08:14 | 0:08:15 | |
Brilliant. I'll take these and keep in contact. | 0:08:15 | 0:08:17 | |
-Very good. -Thank you so much. -All right. Bye. | 0:08:17 | 0:08:20 | |
There we have it. Four table legs without a table top. | 0:08:20 | 0:08:24 | |
Table must be the obvious choice to make. | 0:08:24 | 0:08:27 | |
What do you think, Stuart? | 0:08:27 | 0:08:29 | |
Well, I think it's nice that it might go to some use to someone and | 0:08:29 | 0:08:33 | |
if she can make something artistic or desirable then all the better. | 0:08:33 | 0:08:37 | |
Yeah, that would be cool. | 0:08:37 | 0:08:38 | |
I love these little legs. | 0:08:38 | 0:08:40 | |
They've got great colour. They've got style and they've got enough | 0:08:40 | 0:08:43 | |
about them. I'm really pleased to find them but sad to see | 0:08:43 | 0:08:46 | |
that one of the tops is missing. | 0:08:46 | 0:08:48 | |
That's not going to hold us back, though. | 0:08:48 | 0:08:50 | |
Sarah has her three items. | 0:08:52 | 0:08:55 | |
Josh and Oli have lots of options with that oak. | 0:08:55 | 0:08:59 | |
Leigh-Anne and the girls have a 3-piece suite to transform. | 0:08:59 | 0:09:03 | |
And Sarah will work wonders with those lovely legs. | 0:09:03 | 0:09:06 | |
I am so excited with the items I've collected but now it's time to turn | 0:09:09 | 0:09:13 | |
that excitement into profit. | 0:09:13 | 0:09:15 | |
In rural West Sussex, things are buzzing. | 0:09:26 | 0:09:29 | |
Sarah's brought along her chunks of old English oak to see what Josh and | 0:09:30 | 0:09:35 | |
Oli can bring to the table. | 0:09:35 | 0:09:37 | |
Looking forward to Sarah arriving. | 0:09:38 | 0:09:40 | |
Don't know what she's got but it's usually pretty cool, | 0:09:40 | 0:09:43 | |
so looking forward to it. | 0:09:43 | 0:09:45 | |
Well, it really doesn't get more solid than this. | 0:09:47 | 0:09:49 | |
Two fantastic chunks of English oak. | 0:09:49 | 0:09:52 | |
Where else to bring them but to Josh and Oli? | 0:09:52 | 0:09:55 | |
-Hello. -Hello! | 0:09:57 | 0:09:59 | |
-Look what I've got for you. -Wow. Shall we get it up on the bench? | 0:09:59 | 0:10:03 | |
So, there's two bits. This bit's the little bit but that's | 0:10:03 | 0:10:07 | |
-the big boy, there. -Yeah, nice. | 0:10:07 | 0:10:08 | |
I'm hoping this really is the real deal and is a properly useful bit of timber. | 0:10:08 | 0:10:12 | |
Yeah, yeah. Yeah, I can imagine it will be. | 0:10:12 | 0:10:16 | |
A lot of decent wood in there. | 0:10:16 | 0:10:18 | |
I thought possibly that it could be planked. | 0:10:18 | 0:10:20 | |
I've got this kind of vision about really thin, | 0:10:20 | 0:10:23 | |
beautiful planks of this stuff, because it feels just so hard. | 0:10:23 | 0:10:27 | |
I was thinking it could be almost like ethereal little wafers of oak | 0:10:27 | 0:10:30 | |
made into maybe a table or something. | 0:10:30 | 0:10:32 | |
But I'm going to put you on the spot. | 0:10:32 | 0:10:33 | |
-What are we going to do with it? -Well, it would be good to plank it | 0:10:33 | 0:10:36 | |
into thinner pieces but I'm not sure how thin we'd be able to go. | 0:10:36 | 0:10:39 | |
As soon as you cut that into a strip, it's just going to fall apart. | 0:10:39 | 0:10:43 | |
Falling apart doesn't sound very saleable, does it? | 0:10:43 | 0:10:45 | |
-Not really, not at the moment. -I wonder whether we could make, like, | 0:10:45 | 0:10:48 | |
a sideboard and somehow | 0:10:48 | 0:10:51 | |
use this as the front. | 0:10:51 | 0:10:53 | |
Do some nice cladding on the front of it. | 0:10:53 | 0:10:56 | |
I'd love a sideboard. | 0:10:56 | 0:10:57 | |
Well, that's definitely something we've wanted to make for a while. | 0:10:57 | 0:11:02 | |
So, yeah, we can kind of | 0:11:02 | 0:11:04 | |
sort something out with the oak, I reckon. | 0:11:04 | 0:11:07 | |
Good stuff. | 0:11:07 | 0:11:09 | |
The boys are going to sort out a sideboard. | 0:11:09 | 0:11:11 | |
They'll use strips of the old oak to clad the front. | 0:11:11 | 0:11:15 | |
Let's talk money. | 0:11:15 | 0:11:17 | |
So can you put a ballpark figure on it? | 0:11:17 | 0:11:20 | |
Because it's a bit tricky not knowing how it's going to work out. | 0:11:20 | 0:11:23 | |
What do you reckon to, sort of, £600? | 0:11:23 | 0:11:25 | |
Somewhere around that mark. | 0:11:25 | 0:11:27 | |
With that kind of money, I'm sure we'll be turning a profit. | 0:11:27 | 0:11:29 | |
I can see this beautiful ethereal thing. | 0:11:29 | 0:11:32 | |
-Cool. -Game on. -Yeah. | 0:11:32 | 0:11:34 | |
Fantastic. See you soon. | 0:11:34 | 0:11:36 | |
See you in a bit. | 0:11:36 | 0:11:37 | |
Ethereal isn't the word that springs to mind when I look at that thing. | 0:11:37 | 0:11:41 | |
Well, that's one solid piece of oak off my hands | 0:11:41 | 0:11:44 | |
and into the dedicated hands of Josh and Oli. | 0:11:44 | 0:11:47 | |
It's a big chunk of oak and I'm hoping for a chunk of profit. | 0:11:47 | 0:11:49 | |
Yeah, I think it's OK, isn't it? | 0:11:49 | 0:11:53 | |
This is "oak-a". | 0:11:53 | 0:11:55 | |
JOSH LAUGHS | 0:11:55 | 0:11:57 | |
Yeah, this is the right upholstery... | 0:11:57 | 0:12:00 | |
OK... Stick to carpentry, boys. | 0:12:00 | 0:12:04 | |
It'll be £600 to create a sideboard from old splitty wood. | 0:12:04 | 0:12:08 | |
If they can pull it off, it will be truly bespoke. | 0:12:08 | 0:12:13 | |
Nailed it. | 0:12:13 | 0:12:15 | |
Next stop for Sarah, Bristol. | 0:12:17 | 0:12:19 | |
She's brought along the dated 3-piece suite to see if Leigh-Anne | 0:12:21 | 0:12:25 | |
and her team can come up with a plan. | 0:12:25 | 0:12:28 | |
Well, there's a whole heap of upholstery in there, | 0:12:31 | 0:12:33 | |
and on the basis that many hands make light work I've brought all | 0:12:33 | 0:12:36 | |
this lot down to Bristol to the Upholstery Collective. | 0:12:36 | 0:12:39 | |
A bit nervous because you never know what's going to turn up. | 0:12:39 | 0:12:42 | |
Who knows what she's found? | 0:12:42 | 0:12:45 | |
Come and see what I've got. | 0:12:45 | 0:12:47 | |
As well as Leigh-Anne, there's Ellen, Fleur, Dorota, Charlotte, | 0:12:47 | 0:12:52 | |
Harriet and Bea who all work here too. | 0:12:52 | 0:12:56 | |
Here you are. Have one of those. | 0:12:56 | 0:12:58 | |
Thank you. | 0:12:58 | 0:13:00 | |
There's another one there. | 0:13:00 | 0:13:02 | |
Oops! Careful with the paint work, Sarah. | 0:13:03 | 0:13:07 | |
To me, to you, left a bit, right bit. | 0:13:07 | 0:13:10 | |
I'm not helping, am I? | 0:13:10 | 0:13:12 | |
I've had loads of ideas about what we could do with this. | 0:13:12 | 0:13:16 | |
But I'm slightly worried about it because it feels a bit dated. | 0:13:16 | 0:13:19 | |
It's not vintage. It's not new. | 0:13:19 | 0:13:20 | |
And it's going to need a little bit of repositioning, I think, | 0:13:20 | 0:13:23 | |
if we're going to make any money out of it. | 0:13:23 | 0:13:25 | |
Do you know what? I think it would be really awesome to actually play | 0:13:25 | 0:13:28 | |
around with how we might be able to connect these two armchairs. | 0:13:28 | 0:13:30 | |
I'm not too sure about the sofa, though. | 0:13:30 | 0:13:33 | |
I think we could use elements of it and bring it in to create one item | 0:13:33 | 0:13:37 | |
out of these two. | 0:13:37 | 0:13:39 | |
So, will you go for a kind of chaise look rather than a sofa? | 0:13:39 | 0:13:42 | |
Great idea. Yeah. | 0:13:42 | 0:13:43 | |
That would be perfect. | 0:13:43 | 0:13:46 | |
They'll put the sofa to one side and concentrate on making a luxury | 0:13:46 | 0:13:50 | |
chaise longue from the two armchairs. | 0:13:50 | 0:13:54 | |
Luxury often comes at a cost. | 0:13:54 | 0:13:56 | |
Let's hear it. | 0:13:56 | 0:13:58 | |
I think that with materials and all of us chipping in and doing our | 0:13:58 | 0:14:02 | |
magic we can probably do it for about 900 to £1,000? | 0:14:02 | 0:14:06 | |
OK. I think, leaving around... | 0:14:06 | 0:14:08 | |
If you can get as close to 900 as possible, that would be great, | 0:14:08 | 0:14:11 | |
just to give a bit of margin for making some money on it. | 0:14:11 | 0:14:14 | |
I think that sounds fab. Thank you so much for all your help and | 0:14:14 | 0:14:17 | |
good luck with it. It sounds like it's going to be a lot of fun. | 0:14:17 | 0:14:19 | |
-Thanks, Sarah. -Thanks very much. See you soon. Bye. -See you. | 0:14:19 | 0:14:23 | |
Well, that sounds so exciting. | 0:14:23 | 0:14:26 | |
So, many hands are going to make a chaise. | 0:14:26 | 0:14:28 | |
I just can't wait to see what they do with it. | 0:14:28 | 0:14:31 | |
Very excited about this one. | 0:14:31 | 0:14:32 | |
It's going to be a real challenge but I think it's really playful and | 0:14:32 | 0:14:36 | |
I think we can really do something quite wacky, a bit out there. | 0:14:36 | 0:14:40 | |
A bit different. Unexpected. And just make something really | 0:14:40 | 0:14:43 | |
luxurious for Sarah to make a profit. | 0:14:43 | 0:14:47 | |
It's a hefty £900 - £1,000 budget to create the luxury chaise longue. | 0:14:47 | 0:14:53 | |
I tell you, it will have to be luxury | 0:14:53 | 0:14:56 | |
to stand any chance of making a profit. | 0:14:56 | 0:14:58 | |
While our Bristol gals put their heads together to make a plan, | 0:15:04 | 0:15:08 | |
Sarah's back home in the Sussex countryside. | 0:15:08 | 0:15:11 | |
Here, she'll work with the four retro table legs. | 0:15:11 | 0:15:15 | |
OK, Bramble. You can help, too. | 0:15:17 | 0:15:19 | |
But we won't be playing fetch with them, | 0:15:22 | 0:15:24 | |
if that's what you're thinking. | 0:15:24 | 0:15:26 | |
Right, here's the plan. | 0:15:26 | 0:15:28 | |
I've got four legs here | 0:15:28 | 0:15:30 | |
but only three of them have got brass tips on them. | 0:15:30 | 0:15:33 | |
So I'm going to set one aside and just make a really simple | 0:15:33 | 0:15:36 | |
three-legged side table. | 0:15:36 | 0:15:39 | |
So I think the best thing to do is to sketch it out | 0:15:40 | 0:15:42 | |
and then just get to it. | 0:15:42 | 0:15:44 | |
It will be a simple saleable side table, smashing. | 0:15:44 | 0:15:49 | |
So, most side tables are round. | 0:15:49 | 0:15:50 | |
But I want mine to be a bit more interesting than that. | 0:15:50 | 0:15:54 | |
Sarah sketches her interesting shape on paper, | 0:15:54 | 0:15:57 | |
which will become the template to make the new wooden table top. | 0:15:57 | 0:16:01 | |
Looking interesting. Slightly irregular. | 0:16:03 | 0:16:05 | |
Like a big wonky 50p. | 0:16:05 | 0:16:07 | |
I think that's about right. | 0:16:11 | 0:16:12 | |
Three legs are also a lot easier to work with because they're self-levelling. | 0:16:12 | 0:16:15 | |
When you're onto four, you really need to be perfect. | 0:16:15 | 0:16:18 | |
All I need now is the wood. | 0:16:18 | 0:16:21 | |
Sarah wants this top to be as smart as possible | 0:16:23 | 0:16:26 | |
so she's taking it to her carpenter friend Paul. | 0:16:26 | 0:16:30 | |
-Hiya. -Hi. -I need a hand. | 0:16:30 | 0:16:32 | |
Right. | 0:16:32 | 0:16:33 | |
Paul has sourced some strong plywood. | 0:16:36 | 0:16:38 | |
He's cutting this into shape on the table saw. | 0:16:38 | 0:16:42 | |
Next, he clamps it in place | 0:16:42 | 0:16:44 | |
before bevelling the edges with a hand-held router. | 0:16:44 | 0:16:47 | |
With the wood cleaned and sanded, | 0:16:52 | 0:16:54 | |
Sarah moves on to painting the table top. | 0:16:54 | 0:16:57 | |
You won't believe what she has in mind. | 0:16:57 | 0:17:00 | |
Well, now it's all smooth I want to go for a really high-end finish. | 0:17:00 | 0:17:03 | |
So I'm going to put a single layer of white over the top | 0:17:03 | 0:17:05 | |
and then I'm hoping to transform this | 0:17:05 | 0:17:08 | |
into a high-end luxury marble top table. | 0:17:08 | 0:17:11 | |
It can't be that hard, can it? | 0:17:13 | 0:17:15 | |
It can if you don't have any marble. | 0:17:15 | 0:17:17 | |
Instead, Sarah is attempting a painted faux marble effect. | 0:17:19 | 0:17:24 | |
Let's call it farble. | 0:17:24 | 0:17:27 | |
I've never marbled anything before. | 0:17:27 | 0:17:29 | |
But I know that you can. | 0:17:29 | 0:17:30 | |
There's a special way of just blend and smudge paints together. | 0:17:30 | 0:17:33 | |
And apparently it looks just like the real thing. | 0:17:34 | 0:17:37 | |
Well, we'll be the judge of that. | 0:17:37 | 0:17:38 | |
After applying a white base coat, | 0:17:40 | 0:17:43 | |
Sarah's painting on thin lines to create a marble effect. | 0:17:43 | 0:17:47 | |
Looks a bit like veins in a stinky old cheese to me, though. | 0:17:47 | 0:17:51 | |
I've got some big smudges on here | 0:17:51 | 0:17:52 | |
and now I'm going for some smaller smudges. | 0:17:52 | 0:17:55 | |
A damp sponge can help blend the colours together. | 0:17:58 | 0:18:01 | |
Though Sarah's choosing to use her finger. | 0:18:02 | 0:18:04 | |
Well, I think I'm getting there. | 0:18:10 | 0:18:11 | |
I'm going to let it dry and maybe rub it back a little bit. | 0:18:11 | 0:18:13 | |
While the paint dries Sarah turns her attention to those retro legs. | 0:18:15 | 0:18:20 | |
So while I've been painting, | 0:18:20 | 0:18:22 | |
my carpenter friend Paul has made these for me. | 0:18:22 | 0:18:24 | |
Now, I couldn't fix these legs without having a really clever plan, | 0:18:24 | 0:18:27 | |
so he's made me some wedges and some little plates here. | 0:18:27 | 0:18:30 | |
She starts to attach the legs to the custom-made wedges. | 0:18:31 | 0:18:35 | |
Once the wedges are on the table top she'll be done. | 0:18:35 | 0:18:38 | |
So far, the total cost for paint, wood and Paul's labour | 0:18:42 | 0:18:46 | |
comes to £27.50. | 0:18:46 | 0:18:48 | |
Sarah's table top idea might, in fact, be genius. | 0:18:48 | 0:18:53 | |
Or she may have just lost her marbles. | 0:18:53 | 0:18:55 | |
Just a few miles down the road, | 0:19:00 | 0:19:02 | |
Josh and Oli are starting work on their new sideboard. | 0:19:02 | 0:19:06 | |
It will use planks of the air-dried oak as sliding doors. | 0:19:06 | 0:19:11 | |
The style's going to be a kind of low cabinet | 0:19:12 | 0:19:15 | |
which will have four doors on the front | 0:19:15 | 0:19:17 | |
and then we'll clad the doors in this nice characterful oak. | 0:19:17 | 0:19:21 | |
But, yeah, the main issue is going to be | 0:19:21 | 0:19:23 | |
cutting this big old chunk down, | 0:19:23 | 0:19:25 | |
so it's usable. | 0:19:25 | 0:19:26 | |
I think with all the cracks in that thing you'll be lucky | 0:19:26 | 0:19:29 | |
to get anything usable. | 0:19:29 | 0:19:31 | |
Before the boys tackle the oak, | 0:19:31 | 0:19:33 | |
Josh makes a start on the brand-new sideboard base. | 0:19:33 | 0:19:37 | |
So this is our sheet of birch ply. | 0:19:37 | 0:19:39 | |
This is going to form the carcass of our sideboard. | 0:19:39 | 0:19:43 | |
I'm going to cut the joints at 45 degrees. | 0:19:43 | 0:19:45 | |
If you imagine, like, a picture frame, | 0:19:45 | 0:19:47 | |
you cut both sides at 45 degrees and then obviously they meet | 0:19:47 | 0:19:50 | |
and make 90 degrees, and it's just a really tidy way of doing it. | 0:19:50 | 0:19:53 | |
To make his 45 degrees angle cuts, Josh is using a table saw. | 0:19:55 | 0:20:01 | |
But this ain't no ordinary table saw. | 0:20:01 | 0:20:04 | |
This machine can tilt the blade to whatever angle is desired. | 0:20:04 | 0:20:08 | |
Very cool. | 0:20:08 | 0:20:09 | |
This technology creates a more accurate join. | 0:20:12 | 0:20:15 | |
Oli, on the other hand, likes doing things the old-fashioned way. | 0:20:16 | 0:20:20 | |
Well, we've decided we want to do some nice little turned feet | 0:20:20 | 0:20:24 | |
for the sideboard, | 0:20:24 | 0:20:25 | |
so I've just made myself a nice little template | 0:20:25 | 0:20:29 | |
and that will just help me to get them all the same. | 0:20:29 | 0:20:32 | |
Oli is shaping the new feet in a wood turning lathe. | 0:20:33 | 0:20:38 | |
Lathes date back to around 1300 BC. | 0:20:38 | 0:20:42 | |
Early ones were the inspiration for machine tools. | 0:20:42 | 0:20:45 | |
I've got it to the shape that I want | 0:20:46 | 0:20:48 | |
but it's a bit rough at the moment | 0:20:48 | 0:20:49 | |
so I'm just going to give it a bit of sanding. | 0:20:49 | 0:20:51 | |
To make the feet identical, | 0:20:51 | 0:20:53 | |
Oli could have used a duplicating lathe, | 0:20:53 | 0:20:56 | |
which creates carbon copies of a standard pattern. | 0:20:56 | 0:20:59 | |
Looks good now. | 0:21:01 | 0:21:02 | |
But when you're as skilled as Oli, that's not necessary. | 0:21:02 | 0:21:05 | |
Josh has finished cutting his wood. | 0:21:06 | 0:21:09 | |
Let's see if it all fits together. | 0:21:09 | 0:21:11 | |
There needs to be a precise 90 degree angle. | 0:21:11 | 0:21:15 | |
Perfect. | 0:21:15 | 0:21:16 | |
The beauty of these is that you only really have this tiny little | 0:21:16 | 0:21:20 | |
join line down the corner there, | 0:21:20 | 0:21:23 | |
so the grain just kind of wraps around the side. | 0:21:23 | 0:21:26 | |
We're going to fit in some nice sliding doors into here | 0:21:26 | 0:21:30 | |
and that's where we'll mount the oak. | 0:21:30 | 0:21:33 | |
Talking of the oak, the boys have come up with a new plan - | 0:21:33 | 0:21:37 | |
how to cut it into planks without it splitting into bits. | 0:21:37 | 0:21:40 | |
So, after a while of having a look this beam, | 0:21:40 | 0:21:44 | |
we've decided the best option is going to be | 0:21:44 | 0:21:46 | |
to take it to a local timber yard and get them to cut it into | 0:21:46 | 0:21:51 | |
nice slices for us. | 0:21:51 | 0:21:52 | |
We're just thinking it's going to be the safest and the best solution, | 0:21:52 | 0:21:56 | |
to get a professional to do it. | 0:21:56 | 0:21:58 | |
Quite right, Oli. When it comes to cutting a monster chunk like that, | 0:21:58 | 0:22:02 | |
it's all down to whoever has the biggest saw. | 0:22:02 | 0:22:05 | |
And five minutes down the road, | 0:22:06 | 0:22:08 | |
brothers Adam and Paul have a whopper. | 0:22:08 | 0:22:11 | |
But will the cracked wood crumble under the pressure? | 0:22:13 | 0:22:17 | |
-Lovely job. -Well done, lads. | 0:22:17 | 0:22:20 | |
With just about enough planks to build the doors, | 0:22:22 | 0:22:25 | |
Oli goes back to making the remaining feet. | 0:22:25 | 0:22:28 | |
While Josh... | 0:22:28 | 0:22:29 | |
CLATTERING | 0:22:29 | 0:22:31 | |
..breaks one of the planks in half. | 0:22:31 | 0:22:34 | |
-Have you broken one? -Yep. | 0:22:34 | 0:22:36 | |
Sarah arrived and brought us a load of rubbishy wood, didn't she? | 0:22:38 | 0:22:41 | |
Just one little drop and it's smashed to pieces. | 0:22:41 | 0:22:44 | |
It's just not grown like it used to, is it? | 0:22:47 | 0:22:49 | |
This might be a problem. | 0:22:49 | 0:22:51 | |
Even if they stick this plank back together, it doesn't bode well. | 0:22:51 | 0:22:55 | |
The others could end up just like this, too. | 0:22:55 | 0:22:57 | |
Back we go to Bristol now, | 0:23:04 | 0:23:06 | |
where Leigh-Anne and the gang are hard at work. | 0:23:06 | 0:23:09 | |
Do you girls want to do some webbing? | 0:23:09 | 0:23:11 | |
They've stripped the two armchairs down | 0:23:11 | 0:23:13 | |
to their bare frames and joined them | 0:23:13 | 0:23:15 | |
together to make one massive chair. | 0:23:15 | 0:23:18 | |
-Do you want me to get you started and then you can keep going? -Yeah. | 0:23:18 | 0:23:22 | |
The original idea was to make a big cosy chaise longue, | 0:23:22 | 0:23:26 | |
but this looks more like a... | 0:23:26 | 0:23:28 | |
help me out, Leigh-Anne. | 0:23:28 | 0:23:29 | |
It's a bit of a play on the tub chair | 0:23:31 | 0:23:33 | |
and a love seat and we're calling it the lovetub. | 0:23:33 | 0:23:35 | |
And it actually looks a bit like a roll top bath right now. | 0:23:35 | 0:23:39 | |
Right, that's it then, it's a lovetub. | 0:23:39 | 0:23:41 | |
The brief was to try and join these two armchairs together, | 0:23:41 | 0:23:44 | |
so we've actually attached them face-to-face. | 0:23:44 | 0:23:47 | |
What we'll be doing is, | 0:23:47 | 0:23:48 | |
originally the sprung units were obviously facing this way, | 0:23:48 | 0:23:51 | |
now what we're going to do is we've taken them off | 0:23:51 | 0:23:54 | |
and we're going to bring them front to back. | 0:23:54 | 0:23:56 | |
Every member of the collective is an equal and they each use | 0:23:58 | 0:24:02 | |
this space independently for their own work. | 0:24:02 | 0:24:05 | |
But when a big project comes in like this one, | 0:24:05 | 0:24:08 | |
they like to collaborate. | 0:24:08 | 0:24:09 | |
Today, the girls have split into teams. | 0:24:09 | 0:24:12 | |
How is it going here? | 0:24:13 | 0:24:14 | |
Harriet and her helpers are designing | 0:24:15 | 0:24:17 | |
a brand-new fabric to cover parts of the new sofa. | 0:24:17 | 0:24:21 | |
While Leigh-Anne and Ellen try to reattach the spring units... | 0:24:21 | 0:24:26 | |
but it's tricky. | 0:24:26 | 0:24:27 | |
They ping up. It's going to be a couple of people working on this | 0:24:29 | 0:24:32 | |
to actually get them attached to the frames nice and sturdy | 0:24:32 | 0:24:35 | |
so they don't pop. | 0:24:35 | 0:24:37 | |
These chairs were built using serpentine or zigzag springs. | 0:24:37 | 0:24:41 | |
Why did we pick this bit? | 0:24:41 | 0:24:43 | |
I don't know! | 0:24:43 | 0:24:44 | |
Made from steel wire, these form into a continuous S-shape. | 0:24:44 | 0:24:49 | |
This allows for an even distribution of weight. | 0:24:49 | 0:24:52 | |
-My hands are killing! -SHE LAUGHS | 0:24:52 | 0:24:55 | |
They're regarded as a step up from traditional coil springs. | 0:24:55 | 0:24:59 | |
Oh! | 0:24:59 | 0:25:01 | |
But they can be a bother to fit. | 0:25:01 | 0:25:03 | |
SHE LAUGHS | 0:25:06 | 0:25:08 | |
We'd prefer to be doing this than springs. | 0:25:08 | 0:25:11 | |
At Team Harriet, they've been busy designing leaf patterns. | 0:25:11 | 0:25:16 | |
They plan to print this on the hessian | 0:25:16 | 0:25:18 | |
to create their own bespoke fabric. | 0:25:18 | 0:25:21 | |
We're going to try and do something a bit different | 0:25:21 | 0:25:24 | |
and do some screen printing techniques, | 0:25:24 | 0:25:26 | |
so we can really make a unique design. | 0:25:26 | 0:25:28 | |
So we've painstakingly cut out all of these shapes from the waxed paper | 0:25:28 | 0:25:33 | |
and now we're just going to put the screen on top. | 0:25:33 | 0:25:36 | |
Screen printing is a form of stencilling | 0:25:36 | 0:25:39 | |
practised for over a thousand years. | 0:25:39 | 0:25:42 | |
It works by using a blade or squeegee to force paint | 0:25:42 | 0:25:46 | |
through a fine mesh onto a printing surface. | 0:25:46 | 0:25:49 | |
Harriet wants the shapes cut out of wax paper, | 0:25:52 | 0:25:55 | |
to create a crisp, bold, colourful pattern onto the hessian underneath. | 0:25:55 | 0:25:59 | |
Come on, Harriet, don't keep us in suspense. | 0:26:00 | 0:26:04 | |
Not bad for a first go. | 0:26:04 | 0:26:05 | |
As Harriet gives it another go... | 0:26:08 | 0:26:11 | |
That way, that's it. | 0:26:11 | 0:26:13 | |
Yeah, that's good. | 0:26:13 | 0:26:14 | |
..Leigh-Anne's discovered there's a problem | 0:26:14 | 0:26:16 | |
with the size of the new sofa. | 0:26:16 | 0:26:18 | |
We can't get it out the door. | 0:26:20 | 0:26:22 | |
We've built it too big. | 0:26:24 | 0:26:26 | |
-We're just testing... -We reckon we've got about three inches. | 0:26:26 | 0:26:28 | |
..to see if once we've made it we can actually get it out of here to sell it. | 0:26:28 | 0:26:32 | |
Oh, dear. | 0:26:34 | 0:26:36 | |
Once the legs and padding are on there's no way Sarah's going | 0:26:36 | 0:26:40 | |
to be able to get it out of the workshop in one piece. | 0:26:40 | 0:26:43 | |
Next plan. | 0:26:43 | 0:26:44 | |
It's down tools all round | 0:26:45 | 0:26:47 | |
while Leigh-Anne thinks of a way to save the day. | 0:26:47 | 0:26:50 | |
It's back to the drawing board for Leigh-Anne and the girls, | 0:26:55 | 0:26:58 | |
but in Sussex, Sarah's nearly done with her faux marble-topped table. | 0:26:58 | 0:27:03 | |
Well, they're only little legs but I really think I've done the | 0:27:05 | 0:27:08 | |
right thing by them. | 0:27:08 | 0:27:09 | |
You know, fake marble top, gold trimmings. | 0:27:09 | 0:27:12 | |
Gold trimmings! | 0:27:12 | 0:27:14 | |
Ah, faux gold. | 0:27:14 | 0:27:15 | |
Sarah's really pushing the faux boat out on this one. | 0:27:15 | 0:27:19 | |
Without a top, those little legs had no use and no home. | 0:27:21 | 0:27:25 | |
But now... | 0:27:25 | 0:27:26 | |
..they're standing tall as a classy side table. | 0:27:29 | 0:27:32 | |
The painted marble effect is convincing, | 0:27:36 | 0:27:39 | |
even when you look at it close up. | 0:27:39 | 0:27:41 | |
Splashes of gold paint on the rim | 0:27:43 | 0:27:45 | |
along with the brass tips add an air of delightful decadence, | 0:27:45 | 0:27:50 | |
all contrasting with the jet-black painted legs. | 0:27:50 | 0:27:54 | |
Sarah proves yet again that you can create luxury on a budget. | 0:27:54 | 0:27:59 | |
This little table looks a million bucks. | 0:27:59 | 0:28:02 | |
Well, they say fake it till you make it, | 0:28:06 | 0:28:08 | |
and I've definitely made something here. | 0:28:08 | 0:28:10 | |
I'm hoping that this fake marble top does justice to those lovely legs, | 0:28:10 | 0:28:14 | |
because the moment I saw them, I thought they had style, | 0:28:14 | 0:28:16 | |
and I think there's a balance there between a bit of fun | 0:28:16 | 0:28:19 | |
on the top and some style on the bottom. | 0:28:19 | 0:28:21 | |
Somebody's going to give it a new home, aren't they? | 0:28:21 | 0:28:24 | |
Well, let's find out. | 0:28:24 | 0:28:26 | |
-Stop throwing stuff away. -I love the look of your rubbish. | 0:28:31 | 0:28:34 | |
When Sarah met Stuart at the tip, | 0:28:34 | 0:28:35 | |
she wanted to rifle through his boot. | 0:28:35 | 0:28:38 | |
This is loft, garage, lounge. | 0:28:38 | 0:28:41 | |
We are clearing out a big house. | 0:28:41 | 0:28:42 | |
Sarah saw potential in the legs, | 0:28:42 | 0:28:44 | |
though Stuart needed some convincing. | 0:28:44 | 0:28:47 | |
-Can you see it? -I can... Well, I'd like to know! | 0:28:47 | 0:28:50 | |
Sarah took them away to work on herself. | 0:28:52 | 0:28:55 | |
And if she can make something artistic or desirable | 0:28:55 | 0:28:58 | |
then all the better, yeah. | 0:28:58 | 0:29:00 | |
Well, Stuart, you wanted artistic | 0:29:00 | 0:29:03 | |
and that's exactly what you've got. | 0:29:03 | 0:29:05 | |
Sarah didn't have any bother selling it. | 0:29:08 | 0:29:10 | |
One-of-a-kind furniture studio in Gosport, South Hampshire, | 0:29:10 | 0:29:14 | |
bought it for their shop, | 0:29:14 | 0:29:16 | |
and owner Julie is blown away with the originality. | 0:29:16 | 0:29:20 | |
It's different, it's completely unique. | 0:29:21 | 0:29:23 | |
Three legs, nine sides, absolutely fabulous. | 0:29:23 | 0:29:26 | |
Sarah's in Knaphill in Woking | 0:29:29 | 0:29:31 | |
to show Stuart her fabulous faux furniture, | 0:29:31 | 0:29:35 | |
and to hand over a real profit. | 0:29:35 | 0:29:37 | |
-Hi, Stuart. -Hello, Sarah. | 0:29:40 | 0:29:42 | |
-Nice to see you again. -How are you? | 0:29:42 | 0:29:43 | |
-I'm really well. How are you? -All right, thank you very much, yeah. | 0:29:43 | 0:29:46 | |
Lovely. Now, I saw you and you were helping clear out | 0:29:46 | 0:29:48 | |
your uncle's house. | 0:29:48 | 0:29:50 | |
-That's right. -It was those little legs that I took away | 0:29:50 | 0:29:52 | |
that I was really interested in, | 0:29:52 | 0:29:53 | |
and they were something that I worked on. | 0:29:53 | 0:29:55 | |
-Right. -So I had a good look at them and, well, | 0:29:55 | 0:29:58 | |
I've made something out of them. What do you think it is? | 0:29:58 | 0:30:00 | |
I am intrigued. | 0:30:00 | 0:30:02 | |
-Come on. -It had to be a coffee table. | 0:30:02 | 0:30:03 | |
-Of some kind, yeah, OK. -It did, it did. | 0:30:03 | 0:30:05 | |
So, I've got some pictures here to show you. | 0:30:05 | 0:30:06 | |
-Oh, right. -What I did with them. | 0:30:06 | 0:30:08 | |
-Your legs have now been made into... -Oh, wow! | 0:30:08 | 0:30:11 | |
-..a coffee table. -Fantastic! | 0:30:11 | 0:30:12 | |
I had a lot of fun. I marbled the top, I just painted it. | 0:30:12 | 0:30:15 | |
-That looks brilliant. -Really? | 0:30:15 | 0:30:17 | |
-Yeah! -Is that all right? | 0:30:17 | 0:30:18 | |
Absolutely, yeah. | 0:30:18 | 0:30:19 | |
So it's actually been sold to a shop... | 0:30:19 | 0:30:21 | |
-OK. -..who deals in vintage stuff. | 0:30:21 | 0:30:23 | |
-OK. -And I've got some profit here for you. -Oh! | 0:30:23 | 0:30:26 | |
I've got a few coins, actually, and a couple of notes to go with it. | 0:30:26 | 0:30:29 | |
-Wow! -I've got £67.50 here... No! | 0:30:29 | 0:30:33 | |
..for your lovely legs. | 0:30:33 | 0:30:34 | |
Oh, fantastic! | 0:30:34 | 0:30:36 | |
Terrific! Well done! | 0:30:36 | 0:30:37 | |
So, I'm going to ask, what might you do with £67.50? | 0:30:37 | 0:30:41 | |
Well, that will go to the local Sam Beare and Woking Hospice, | 0:30:41 | 0:30:45 | |
which is where my uncle was being looked after, | 0:30:45 | 0:30:47 | |
and as they were his legs, | 0:30:47 | 0:30:48 | |
then I think that's probably a good place for them to go, don't you? | 0:30:48 | 0:30:51 | |
I think that's an absolutely lovely place for that to go | 0:30:51 | 0:30:53 | |
and I'm so pleased. I've really enjoyed making it | 0:30:53 | 0:30:55 | |
and if it's going to there then that's... | 0:30:55 | 0:30:57 | |
-Good job. -Thank you ever so much. Lovely to catch up. | 0:30:57 | 0:30:59 | |
-Fantastic. -Thanks, Stuart. -Thank you. -OK, bye. -See you. | 0:30:59 | 0:31:03 | |
The costs for paint, | 0:31:04 | 0:31:06 | |
plywood and for the labour of Sarah's friend Paul is £27.50. | 0:31:06 | 0:31:11 | |
Sarah sold the table for an impressive £95, | 0:31:11 | 0:31:15 | |
giving Stuart £67.50 | 0:31:15 | 0:31:19 | |
to donate to the hospice that cared for his uncle. | 0:31:19 | 0:31:22 | |
Sarah's proved she can produce something saleable. | 0:31:27 | 0:31:30 | |
Now it's time to pop in on Josh and Oli | 0:31:31 | 0:31:34 | |
to see if they've made something out of that crumbling oak. | 0:31:34 | 0:31:39 | |
It was quite an exciting little project, so, yeah. | 0:31:39 | 0:31:41 | |
I think maybe it's a bit different | 0:31:41 | 0:31:44 | |
and she won't really be expecting it, | 0:31:44 | 0:31:46 | |
so, yeah, but we're really happy. | 0:31:46 | 0:31:49 | |
Well, the weather might not be bright but there is never dull moment | 0:31:51 | 0:31:54 | |
around here cos Josh and Oli are going to show me what they've done with that huge oak beam. | 0:31:54 | 0:31:58 | |
I'm hoping it's a lovely sideboard. | 0:31:58 | 0:32:00 | |
Before, this old oak was a blank canvas. | 0:32:01 | 0:32:05 | |
Now... | 0:32:05 | 0:32:07 | |
..it's a work of art. | 0:32:12 | 0:32:13 | |
Josh and Oli have created a stunning '70s-inspired sideboard, | 0:32:15 | 0:32:20 | |
contrasting the sleek, crisp Birchwood base | 0:32:20 | 0:32:24 | |
with the aged oak doors. | 0:32:24 | 0:32:26 | |
And it's bursting with character. | 0:32:26 | 0:32:28 | |
Josh's clean, modern frame and Oli's handmade, | 0:32:30 | 0:32:33 | |
retro feet create a timeless look. | 0:32:33 | 0:32:36 | |
The doors slide open to reveal shelving, | 0:32:38 | 0:32:41 | |
making this sideboard suitable for the dining room, | 0:32:41 | 0:32:44 | |
living room or even the bedroom. | 0:32:44 | 0:32:46 | |
It's big, functional and fabulous. | 0:32:46 | 0:32:49 | |
What will Sarah make of it? | 0:32:49 | 0:32:51 | |
-Hello. -Hello. | 0:32:55 | 0:32:57 | |
-Ooh, how's it looking? -Yeah, good. | 0:32:57 | 0:32:59 | |
Yeah? Well done. | 0:32:59 | 0:33:01 | |
-Well done. -Thank you. | 0:33:01 | 0:33:02 | |
It looks so stylish. | 0:33:02 | 0:33:04 | |
It's really strong. | 0:33:04 | 0:33:05 | |
It looks rustic and crisp | 0:33:05 | 0:33:06 | |
and everything that it needs to be at the moment, don't you think? | 0:33:06 | 0:33:09 | |
-Yeah. -So did that oak beam, did it lend itself to it? | 0:33:09 | 0:33:12 | |
Was it all right for making? | 0:33:12 | 0:33:14 | |
Mm, I mean, even though there was a lot of oak, | 0:33:14 | 0:33:17 | |
we only just had enough to clad the doors. | 0:33:17 | 0:33:20 | |
-Right. -So yeah, it wasn't very usable. | 0:33:20 | 0:33:22 | |
Can I get in there? How does it open? | 0:33:22 | 0:33:24 | |
Yeah. So, they just slide, so... | 0:33:24 | 0:33:27 | |
It looks very good. | 0:33:27 | 0:33:29 | |
I know that there are so many people wanting that kind of cladding | 0:33:29 | 0:33:31 | |
and that natural wood look, so to put it all together like that, | 0:33:31 | 0:33:35 | |
it's fantastic, well done. | 0:33:35 | 0:33:37 | |
Budget-wise, did it test the budget? | 0:33:37 | 0:33:39 | |
We were in the £600 mark, weren't we? | 0:33:39 | 0:33:41 | |
I think we were probably all right budget-wise, yeah. | 0:33:41 | 0:33:43 | |
Yeah? You can go under, if you like! | 0:33:43 | 0:33:45 | |
No, we'll just call it, call it quits on that. | 0:33:45 | 0:33:49 | |
Nice try, Sarah. | 0:33:49 | 0:33:50 | |
-Thanks so much. -You're welcome. | 0:33:50 | 0:33:53 | |
The boss walks away happy. | 0:33:53 | 0:33:55 | |
You must be chuffed with that, boys. | 0:33:55 | 0:33:57 | |
We're really chuffed, she's really chuffed. | 0:33:58 | 0:34:01 | |
-Dead chuffed with that. -Dead chuffed! | 0:34:01 | 0:34:03 | |
Well, that's not a sideboard, is it, | 0:34:06 | 0:34:07 | |
that's a put it in the middle of the room, isn't it lovely, | 0:34:07 | 0:34:10 | |
look at it all the time board. | 0:34:10 | 0:34:11 | |
What a lovely piece of design | 0:34:11 | 0:34:13 | |
inspired by just an old piece of oak. | 0:34:13 | 0:34:14 | |
Morning. | 0:34:23 | 0:34:25 | |
The old oak once belonged to DIY fan Trevor. | 0:34:25 | 0:34:28 | |
I've just been building an oak pergola and I've got this left over. | 0:34:28 | 0:34:34 | |
Trevor knew a lot about it. | 0:34:34 | 0:34:35 | |
English oak wood all the way from Norfolk, | 0:34:35 | 0:34:38 | |
30 years old, air dried. | 0:34:38 | 0:34:40 | |
And he was happy for Sarah to save it from the skip. | 0:34:40 | 0:34:44 | |
If she can do something with it, then brilliant, | 0:34:44 | 0:34:46 | |
I'd love to know what comes of it. | 0:34:46 | 0:34:48 | |
Trevor, you won't be disappointed. | 0:34:50 | 0:34:52 | |
To sell the sideboard, | 0:34:55 | 0:34:56 | |
Sarah invited round Nicky from online interior shop Such & Such. | 0:34:56 | 0:35:02 | |
But is it a winner for her? | 0:35:02 | 0:35:03 | |
This is totally what we're looking for, yeah. | 0:35:05 | 0:35:07 | |
It's a really lovely piece and we'd really like to buy from you. | 0:35:07 | 0:35:10 | |
Fantastic news. | 0:35:10 | 0:35:11 | |
A deal was struck. | 0:35:11 | 0:35:13 | |
Sarah's in Addlestone in Surrey to tell Trevor | 0:35:15 | 0:35:18 | |
the good news and hand over the profit. | 0:35:18 | 0:35:21 | |
-Hi, Trevor. -Hello, Sarah. How are you? | 0:35:24 | 0:35:26 | |
I'm really well. How are you doing? | 0:35:26 | 0:35:28 | |
-I'm good, yeah. Nice to see you again. -Yeah, and you. | 0:35:28 | 0:35:30 | |
So, tell me, what, with that oak post, I had to carry it around, | 0:35:30 | 0:35:34 | |
-how heavy was that? -Oh, it weighed a tonne, didn't it? | 0:35:34 | 0:35:37 | |
It was unbelievably heavy, | 0:35:37 | 0:35:38 | |
just 30-year-old oak... I mean, it was like rock. | 0:35:38 | 0:35:42 | |
I took it to some guys called Josh and Oli. | 0:35:42 | 0:35:44 | |
Any ideas what they might have made out of it? | 0:35:44 | 0:35:46 | |
Absolutely none but really excited to see what they can do. | 0:35:46 | 0:35:49 | |
I've got some pictures here to show you. | 0:35:49 | 0:35:50 | |
-Oh, I can't wait, let's have a look. -Well, I'm quite excited. | 0:35:50 | 0:35:53 | |
-See what you think. -No! | 0:35:53 | 0:35:56 | |
-A sideboard? -Yeah. | 0:35:56 | 0:35:58 | |
No way! So they've sliced it? | 0:35:58 | 0:36:00 | |
They've literally taken off all those outside bits | 0:36:00 | 0:36:02 | |
that had all the wear on it. | 0:36:02 | 0:36:04 | |
I had no idea someone could do something as amazing as that with | 0:36:04 | 0:36:08 | |
-a piece of oak. -So, do you approve? -Absolutely. | 0:36:08 | 0:36:10 | |
It's been bought by an online retailer. | 0:36:10 | 0:36:12 | |
I've got some profit for you. | 0:36:12 | 0:36:14 | |
I've got 50 quid here, which was profit | 0:36:14 | 0:36:16 | |
after we paid for it to be made, | 0:36:16 | 0:36:18 | |
-so that's for you. -Right, thank you very much. | 0:36:18 | 0:36:20 | |
That's amazing for something that was going to be just thrown away. | 0:36:20 | 0:36:23 | |
Have you got a £50 hole somewhere that you...? | 0:36:23 | 0:36:25 | |
Oh, I've got lots of £50 holes! | 0:36:25 | 0:36:27 | |
Anywhere specifically that that might go? | 0:36:27 | 0:36:29 | |
My son's at university so maybe put it towards one of his costs. | 0:36:29 | 0:36:34 | |
Your oak was really inspiring. It was a great project for us, | 0:36:34 | 0:36:36 | |
-so thanks so much. -Brilliant. You're more than welcome. | 0:36:36 | 0:36:39 | |
I shall tell the boys that you approve of their re-use. | 0:36:39 | 0:36:41 | |
-Absolutely, 100%. -Thanks so much. Nice to catch up. -Thank you, Sarah. | 0:36:41 | 0:36:44 | |
-Bye-bye. -Bye. | 0:36:44 | 0:36:46 | |
Josh and Oli came in on budget at £600. | 0:36:46 | 0:36:51 | |
Sarah sold the sideboard for £650, | 0:36:51 | 0:36:55 | |
giving Trevor £50 to put towards his son's university costs. | 0:36:55 | 0:37:00 | |
With two items off to pastures new, | 0:37:04 | 0:37:06 | |
Sarah is back in Bristol, | 0:37:06 | 0:37:09 | |
but not to Leigh-Anne and the team's usual workshop. | 0:37:09 | 0:37:13 | |
They managed to get their creation out the front door, | 0:37:13 | 0:37:16 | |
but did that mean a compromise on design? | 0:37:16 | 0:37:19 | |
We encountered a slight problem. | 0:37:20 | 0:37:22 | |
Our design meant that the size of the frame | 0:37:22 | 0:37:25 | |
wouldn't fit out of our studio door. | 0:37:25 | 0:37:27 | |
So we've actually moved studios for a couple of weeks just | 0:37:27 | 0:37:31 | |
so we can get this made in the size that we want it. | 0:37:31 | 0:37:35 | |
Well, I've come a long way west to find out | 0:37:35 | 0:37:37 | |
if the collaborative talents of some of Bristol's best upholsterers | 0:37:37 | 0:37:40 | |
have managed to do anything with that three-piece suite. | 0:37:40 | 0:37:43 | |
And there's a new location, too. | 0:37:43 | 0:37:45 | |
Very exciting. | 0:37:45 | 0:37:46 | |
It certainly is. | 0:37:46 | 0:37:48 | |
When found, this furniture was all out of love. | 0:37:49 | 0:37:53 | |
But now, I can introduce you to... | 0:37:53 | 0:37:55 | |
..the lovetub. | 0:37:58 | 0:38:00 | |
Leigh-Anne and the gang have created a cosy three-seater sofa | 0:38:01 | 0:38:05 | |
that is unique. | 0:38:05 | 0:38:07 | |
From the one-of-a-kind design to the handmade bespoke fabric, | 0:38:08 | 0:38:12 | |
this comfy colossus makes you want to take your shoes off | 0:38:12 | 0:38:16 | |
and jump right in. | 0:38:16 | 0:38:18 | |
The whole thing has been upholstered in a bold and beautiful | 0:38:20 | 0:38:24 | |
turquoise wool that makes it eye-catching. | 0:38:24 | 0:38:27 | |
I love the lovetub, but will it make a splash with Sarah? | 0:38:27 | 0:38:31 | |
-Hello. -SHE GASPS | 0:38:33 | 0:38:36 | |
Oh, wow! | 0:38:36 | 0:38:37 | |
That is... It's given me goose bumps! | 0:38:37 | 0:38:40 | |
That is fantastic. | 0:38:40 | 0:38:42 | |
It's unbelievable, it's unrecognisable. | 0:38:42 | 0:38:44 | |
I'm just getting the merest hint of those old chairs on the ends of it. | 0:38:44 | 0:38:48 | |
Stunning, it looks like a sleigh. It looks beautiful. | 0:38:48 | 0:38:52 | |
So we attached the two armchairs, | 0:38:52 | 0:38:54 | |
the winged armchairs face-to-face, | 0:38:54 | 0:38:56 | |
and we removed the front arms and continued the wings down. | 0:38:56 | 0:38:59 | |
-And have you printed it? -This has been screen printed, yeah. | 0:38:59 | 0:39:02 | |
So we've got original fabric, unique piece. | 0:39:02 | 0:39:05 | |
Is that something to do with it, lovetub, is that what it's called? | 0:39:05 | 0:39:08 | |
Yeah. So because of the play on the love seat | 0:39:08 | 0:39:11 | |
and then also it being very tub-like in shape, | 0:39:11 | 0:39:14 | |
we were #lovetub, this is what we've created. | 0:39:14 | 0:39:17 | |
I can't imagine this was a cheap make because it looks so luxurious. | 0:39:17 | 0:39:21 | |
Where did you end up on budget? | 0:39:21 | 0:39:23 | |
So, the price is at the higher end of the scale, so it is £1,000, | 0:39:23 | 0:39:26 | |
but it's definitely got some value to it. | 0:39:26 | 0:39:29 | |
I think it's genuinely beautiful. | 0:39:29 | 0:39:31 | |
It's so unusual, and to create unique pieces these days, | 0:39:31 | 0:39:33 | |
it's really difficult, everybody's done it before, and I've never seen | 0:39:33 | 0:39:36 | |
anything like this, so congratulations to all of you. | 0:39:36 | 0:39:38 | |
I think it's a really inspiring piece of design. | 0:39:38 | 0:39:41 | |
Well done, ladies. | 0:39:42 | 0:39:44 | |
Sarah is over the moon. | 0:39:44 | 0:39:46 | |
And look, you're all getting high-fives as well. | 0:39:46 | 0:39:49 | |
Good job. | 0:39:49 | 0:39:50 | |
I'm going to miss the lovetub, it's been a lot of fun, | 0:39:52 | 0:39:55 | |
but I'm excited to see what comes next. | 0:39:55 | 0:39:57 | |
What a fantastic piece. | 0:40:00 | 0:40:01 | |
I have massive respect for everybody who worked on it. | 0:40:01 | 0:40:04 | |
Now I've just got to go and sell it. | 0:40:04 | 0:40:05 | |
#lovetub. | 0:40:05 | 0:40:07 | |
-Oh, hello, do you need a hand? -Yes, please. | 0:40:16 | 0:40:18 | |
When Sarah came to Brian's rescue at the tip, | 0:40:18 | 0:40:21 | |
she was after his three-piece suite. | 0:40:21 | 0:40:24 | |
-So how long have you had them? -Three generations of dogs. | 0:40:24 | 0:40:26 | |
Three generations... Oh, that's a really sweet way of putting it! | 0:40:26 | 0:40:29 | |
Even Brian was shocked by the state of the covers. | 0:40:29 | 0:40:32 | |
In daylight, I'm ashamed of them, | 0:40:32 | 0:40:34 | |
but in the house they were just so comfortable. | 0:40:34 | 0:40:37 | |
But Sarah saw the potential - so did Brian. | 0:40:37 | 0:40:41 | |
It's got lots of life left in it. | 0:40:41 | 0:40:43 | |
You don't know the half of it, Brian. | 0:40:43 | 0:40:45 | |
After Leigh-Anne and her friends worked their magic, | 0:40:45 | 0:40:49 | |
it was filled with life, love and luxury. | 0:40:49 | 0:40:52 | |
Sarah immediately got to work, | 0:40:54 | 0:40:56 | |
but selling a big-ticket item is no mean feat. | 0:40:56 | 0:40:59 | |
She uploaded pictures of the lovetub | 0:40:59 | 0:41:02 | |
onto various social media platforms and hoped for the best. | 0:41:02 | 0:41:06 | |
Sarah's travelled to Woking in Surrey | 0:41:10 | 0:41:13 | |
to catch up with Brian and show him the transformation. | 0:41:13 | 0:41:16 | |
-Hi, Brian. -Oh, hello, Sarah. | 0:41:19 | 0:41:21 | |
Lovely to see you again. How are you? | 0:41:21 | 0:41:23 | |
Very well, thank you. | 0:41:23 | 0:41:24 | |
So, how's the new three-piece suite? | 0:41:24 | 0:41:26 | |
It's settling in, thank you, and we're getting used to it. | 0:41:26 | 0:41:29 | |
Well, I thought your old one was very stylish, | 0:41:29 | 0:41:31 | |
and I know it was something that you were reluctant to get rid of. | 0:41:31 | 0:41:34 | |
So, did you think about what might happen to it in its new life? | 0:41:34 | 0:41:38 | |
We were just thrilled that it wasn't going to end up in landfill. | 0:41:38 | 0:41:41 | |
So, I set the sofa side | 0:41:41 | 0:41:42 | |
and took the two armchairs down to Bristol | 0:41:42 | 0:41:45 | |
and there is a fantastic collective of women upholsterers down there | 0:41:45 | 0:41:48 | |
who all work together, they collaborate. | 0:41:48 | 0:41:50 | |
So, I've got some pictures here to show you. | 0:41:50 | 0:41:52 | |
They now look like that. | 0:41:52 | 0:41:53 | |
Wow. | 0:41:55 | 0:41:56 | |
So, what happened was the girls decided to join them together | 0:41:56 | 0:41:58 | |
-to make this huge sofa. -Amazing. | 0:41:58 | 0:42:01 | |
-What do you think? -It's amazing. | 0:42:01 | 0:42:03 | |
-Do you like it? -Yes, I mean, the imagination that's gone into that | 0:42:03 | 0:42:05 | |
-is really impressive. -It was a big commission, | 0:42:05 | 0:42:08 | |
it cost £1,000 to have made, | 0:42:08 | 0:42:10 | |
and things like that when I have them made | 0:42:10 | 0:42:13 | |
take longer to sell, they're big ticket items, | 0:42:13 | 0:42:15 | |
so unfortunately I'm not standing here saying, | 0:42:15 | 0:42:17 | |
"I've got some money for you," | 0:42:17 | 0:42:19 | |
but it is something that I'm sure will sell. | 0:42:19 | 0:42:21 | |
OK. Well, you know the money's not important, so it's... | 0:42:21 | 0:42:25 | |
We'll give it to charity anyway, | 0:42:25 | 0:42:27 | |
but I'm just thrilled that something that gave us so much pleasure | 0:42:27 | 0:42:29 | |
for so many years has got a new lease of life. | 0:42:29 | 0:42:31 | |
Thank you so much for letting us have it and catching up today, | 0:42:31 | 0:42:34 | |
and I'll be back in touch as soon as there's a profit for you. | 0:42:34 | 0:42:36 | |
-Thank you so much indeed. -Thank you so much, bye-bye. -Thank you, bye-bye. | 0:42:36 | 0:42:40 | |
Well, you can't win them all. | 0:42:40 | 0:42:42 | |
The Bristol girls' total cost for the lovetub was £1,000. | 0:42:44 | 0:42:49 | |
But without someone loving it just yet, | 0:42:49 | 0:42:52 | |
Sarah does face a potential loss. | 0:42:52 | 0:42:55 | |
Not to worry, the right person will fall head over heels | 0:42:55 | 0:42:59 | |
with it very soon, | 0:42:59 | 0:43:00 | |
and Sarah can be back in touch with Brian with the profit. | 0:43:00 | 0:43:04 | |
Sarah saved three items from the skip. | 0:43:07 | 0:43:10 | |
Things that had lost their purpose and lost their love | 0:43:14 | 0:43:18 | |
can now all be cherished again. | 0:43:18 | 0:43:20 | |
Well, I gave the Bristol girls and Josh and Oli | 0:43:23 | 0:43:25 | |
a really big challenge, | 0:43:25 | 0:43:27 | |
and boy did they deliver. | 0:43:27 | 0:43:28 | |
Rubbish revamped into beautiful bespoke items. | 0:43:28 | 0:43:32 | |
It doesn't get much better than that. | 0:43:32 | 0:43:34 |