Browse content similar to Episode 19. Check below for episodes and series from the same categories and more!
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Throwing out the whole three-piece suite, are you? | 0:00:03 | 0:00:07 | |
How do you make money for nothing? | 0:00:07 | 0:00:09 | |
What have you been smashing up? | 0:00:09 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes of household waste | 0:00:11 | 0:00:16 | |
thrown out by us every year. | 0:00:16 | 0:00:18 | |
-Can I have them? -You're welcome to them. | 0:00:18 | 0:00:20 | |
They're only going in the skip. | 0:00:20 | 0:00:21 | |
That's why entrepreneur Sarah Moore wants to | 0:00:21 | 0:00:24 | |
get her hands on things before they hit the skip. | 0:00:24 | 0:00:27 | |
I'm a passionate maker, buyer and user of old stuff | 0:00:30 | 0:00:34 | |
and I've turned that passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:45 | |
I think we can really be quite playful with this. | 0:00:45 | 0:00:47 | |
I could make several mankinis out of this, couldn't I? | 0:00:47 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
Oh, that's such a relief. | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:56 | |
Oh, it looks all shiny! | 0:00:56 | 0:00:58 | |
..and hopefully saleable items. | 0:00:58 | 0:01:01 | |
I love them. You are a gem. | 0:01:01 | 0:01:04 | |
If Sarah is successful, | 0:01:04 | 0:01:06 | |
then she can hand the profits back to the very people who had no idea | 0:01:06 | 0:01:10 | |
there was cash to be made from their trash. | 0:01:10 | 0:01:13 | |
I really can't believe that. | 0:01:13 | 0:01:15 | |
That's amazing. | 0:01:15 | 0:01:16 | |
Some serious clearing out is going on in Witley in Surrey. | 0:01:27 | 0:01:32 | |
The recycling centre here is in full swing, as people slim down their | 0:01:32 | 0:01:37 | |
surplus and throw out their trash, | 0:01:37 | 0:01:41 | |
and we tip our hats to the 150,000 good folks that | 0:01:41 | 0:01:46 | |
visit here every year. | 0:01:46 | 0:01:47 | |
Thankfully, Sarah, champion of junk, | 0:01:49 | 0:01:52 | |
knows how to make sense of all this scrap. | 0:01:52 | 0:01:55 | |
It's that time again. | 0:01:57 | 0:01:58 | |
I'm back at the recycling centre and I absolutely love it. | 0:01:58 | 0:02:01 | |
If it's old, it's gold. | 0:02:01 | 0:02:03 | |
Let's go get it. | 0:02:03 | 0:02:04 | |
Now, before you make a beeline for your local tip, take note - | 0:02:04 | 0:02:08 | |
Sarah has special permission to do her thing here. | 0:02:08 | 0:02:11 | |
Sarah wants tempting by three ditched items that she can make | 0:02:13 | 0:02:17 | |
desirable and turn into cash. | 0:02:17 | 0:02:19 | |
What a load of rubbish? What a load of money. | 0:02:21 | 0:02:24 | |
Oh, no, that actually is rubbish, | 0:02:24 | 0:02:29 | |
and it's not long before Sarah spots Julian with a trailer full of stuff. | 0:02:29 | 0:02:34 | |
-Hi there. -Hi. -I love a trailer full of rubbish. | 0:02:35 | 0:02:38 | |
What are you up to? | 0:02:38 | 0:02:40 | |
Oh, just helping my mum clear out her garage. | 0:02:40 | 0:02:42 | |
She looks like she's got a great garage. | 0:02:42 | 0:02:44 | |
I'd like to see the rest of her house | 0:02:44 | 0:02:45 | |
if this is what's in the garage. | 0:02:45 | 0:02:46 | |
Yeah, well, this is the stuff that we don't need, so... Yeah. | 0:02:46 | 0:02:50 | |
I'm really liking the look of your telephone. | 0:02:50 | 0:02:52 | |
Do you know anything about it? | 0:02:52 | 0:02:53 | |
I think my mum said it was probably my grandpa's from the war. | 0:02:53 | 0:02:56 | |
I don't know any more than that about it, | 0:02:56 | 0:02:57 | |
other than it's obviously relatively old. | 0:02:57 | 0:03:00 | |
Old indeed, Julian - | 0:03:00 | 0:03:02 | |
field telephones were an essential piece of equipment used throughout | 0:03:02 | 0:03:06 | |
World War II and beyond. | 0:03:06 | 0:03:08 | |
-I've got a bit of a character, hasn't it? -I think it has. | 0:03:08 | 0:03:11 | |
I am always at the recycling centre looking for things that come in - | 0:03:11 | 0:03:14 | |
it's normally old stuff that I find appealing, | 0:03:14 | 0:03:16 | |
and that, I think, has got potential written all over it. | 0:03:16 | 0:03:20 | |
All right, yeah, OK. | 0:03:20 | 0:03:21 | |
Telephones like this were vital for battlefield communications. | 0:03:21 | 0:03:25 | |
Not only were they powered by battery, they had a hand-crank, too, | 0:03:25 | 0:03:29 | |
making them usable almost anywhere. | 0:03:29 | 0:03:32 | |
I'm not sure it'll ever make a call again | 0:03:33 | 0:03:35 | |
but it would be great to see if it could do something else or... | 0:03:35 | 0:03:37 | |
Yeah, go for it. If you think you can do something with it, | 0:03:37 | 0:03:39 | |
that'd be great. It'll be interesting to see if | 0:03:39 | 0:03:41 | |
you can turn it into something more exciting. | 0:03:41 | 0:03:43 | |
Well, can I come and find you if I do? | 0:03:43 | 0:03:45 | |
-Please, yeah. -I think this... | 0:03:45 | 0:03:46 | |
The more I look at it, the more appealing it's getting. | 0:03:46 | 0:03:49 | |
-Thanks so much... -Please do, yeah. Good luck with it. | 0:03:49 | 0:03:51 | |
..and I'll give you a bell, yeah? | 0:03:51 | 0:03:53 | |
Yeah, yeah. A bell, very good, yeah. Very good. | 0:03:53 | 0:03:56 | |
Sarah has her first item - | 0:03:56 | 0:03:58 | |
what might she do with it, Julian? | 0:03:58 | 0:04:00 | |
Not a clue. It looks like a good doorstop from where I'm standing. | 0:04:00 | 0:04:04 | |
Well, this is the original mobile telephone | 0:04:04 | 0:04:06 | |
and, I have to say, I absolutely love it. | 0:04:06 | 0:04:09 | |
As a piece of styling, it's fantastic. | 0:04:09 | 0:04:11 | |
As a piece of history, it's even better, | 0:04:11 | 0:04:13 | |
and, I have to say, frankly, I think that is a cracking find. | 0:04:13 | 0:04:18 | |
It's made my day. | 0:04:18 | 0:04:19 | |
When it comes to transforming a World War II field telephone, | 0:04:21 | 0:04:25 | |
Sarah knows just who to call. | 0:04:25 | 0:04:27 | |
Introducing Mark Haig, robo-chap. | 0:04:29 | 0:04:32 | |
Mark uses his years of engineering know-how to create | 0:04:32 | 0:04:36 | |
one-of-a-kind, bespoke robots from just about anything. | 0:04:36 | 0:04:40 | |
My dad was a clock repairer, | 0:04:41 | 0:04:43 | |
and I would sit in front of a three-bar electric fire | 0:04:43 | 0:04:46 | |
as a seven-year-old kid, | 0:04:46 | 0:04:48 | |
and I'd get some bits of clocks from my dad, | 0:04:48 | 0:04:49 | |
get bits of Meccano, and I'd make some kind of mad robot, | 0:04:49 | 0:04:53 | |
and, 40 years later, I'm still doing the same stuff. | 0:04:53 | 0:04:56 | |
To make these mechanical marvels really come to life, | 0:04:57 | 0:05:00 | |
each one comes with its own back-story. | 0:05:00 | 0:05:03 | |
I can create these fun stories that go with the robots, | 0:05:03 | 0:05:06 | |
and the combination of having this interesting story that goes with it | 0:05:06 | 0:05:11 | |
makes for a really unique object. | 0:05:11 | 0:05:14 | |
Hmm, a robot from a telephone - | 0:05:14 | 0:05:16 | |
I doubt that's going to work. | 0:05:16 | 0:05:18 | |
Mark, this could be your biggest challenge yet. | 0:05:18 | 0:05:21 | |
That's one item neatly packed away - just two more to go - | 0:05:30 | 0:05:35 | |
and Sarah's doing what she can to cover ground quickly. | 0:05:35 | 0:05:39 | |
It's a big tip. | 0:05:40 | 0:05:41 | |
It's big, it's busy and it's bursting with booty. | 0:05:41 | 0:05:44 | |
Suzanne has arrived to make her own contribution to the tip lot, | 0:05:47 | 0:05:51 | |
with a boot stuffed full of potential prizes. | 0:05:51 | 0:05:54 | |
-Hello there. -Hi. -I've been looking in your rubbish | 0:05:55 | 0:05:57 | |
and thinking it looks quite exciting. | 0:05:57 | 0:05:59 | |
There are lots of interesting things in my boot. | 0:05:59 | 0:06:01 | |
-Hi, I'm Sarah. -I'm Suzanne. | 0:06:01 | 0:06:02 | |
Hi there, Suzanne. | 0:06:02 | 0:06:04 | |
What are you doing? Is it building work? | 0:06:04 | 0:06:06 | |
It is. Yeah, I'm renovating a 1910 Victorian semi. | 0:06:06 | 0:06:11 | |
I'll tell you what's catching my eye, it's this. | 0:06:11 | 0:06:13 | |
-What was that for? -So, the house had subsidence at about 30 years ago... | 0:06:13 | 0:06:17 | |
-Right. -..so I think there are about six bars in total | 0:06:17 | 0:06:21 | |
through the side of the house to support it. | 0:06:21 | 0:06:23 | |
They feel like they literally weigh a tonne, don't they? | 0:06:23 | 0:06:26 | |
I know! I should keep one just to do... | 0:06:26 | 0:06:28 | |
-Yeah... -Evening. | 0:06:28 | 0:06:30 | |
Yeah, bingo wings. | 0:06:30 | 0:06:31 | |
Yeah, excellent, well, I think maybe that's a really good idea. | 0:06:31 | 0:06:35 | |
Yeah, well, they look like the kind of thing that we might be able to | 0:06:35 | 0:06:39 | |
use to make something else out of. | 0:06:39 | 0:06:41 | |
If it's OK, I will take them away... | 0:06:41 | 0:06:43 | |
-Yeah, yeah, do. -..and share them with my friends | 0:06:43 | 0:06:45 | |
-and see what we can come up with. -Do. | 0:06:45 | 0:06:47 | |
-They're brilliant, thank you. -You're very welcome. | 0:06:47 | 0:06:49 | |
Let me just start off with those two. | 0:06:49 | 0:06:50 | |
METAL CLANGS Ah, the sweet ring of potential profit. | 0:06:50 | 0:06:54 | |
-Well, thank you so much for that. -You're very welcome. | 0:06:54 | 0:06:56 | |
I'm going to try and shake hands. Sorry, gloves and everything. | 0:06:56 | 0:06:59 | |
-I shall take this off for my fitness. -Enjoy. | 0:06:59 | 0:07:03 | |
Muscle-building aside, | 0:07:03 | 0:07:04 | |
what else does Suzanne think Sarah could do with the steel bars? | 0:07:04 | 0:07:09 | |
I'm sure Sarah is going to completely take me by surprise | 0:07:09 | 0:07:13 | |
and reinvent them into something that I could not even imagine. | 0:07:13 | 0:07:17 | |
I mean, look at these - | 0:07:19 | 0:07:20 | |
they're really heavy and they're made of solid steel. | 0:07:20 | 0:07:23 | |
They're a good, pure, raw ingredient and they've got huge potential. | 0:07:23 | 0:07:28 | |
All I need to do is convince somebody | 0:07:28 | 0:07:30 | |
that these are just their cup of tea. | 0:07:30 | 0:07:32 | |
And that someone is Bex Simon. | 0:07:35 | 0:07:39 | |
Bex is one of the country's leading artist blacksmiths, | 0:07:39 | 0:07:43 | |
and, together with husband Dave, | 0:07:43 | 0:07:45 | |
this pair have certainly proved their mettle, | 0:07:45 | 0:07:48 | |
producing high-end furniture and bespoke metalwork commissions. | 0:07:48 | 0:07:53 | |
When I first came across someone working in | 0:07:53 | 0:07:56 | |
the blacksmith's workshop, | 0:07:56 | 0:07:57 | |
I just suddenly knew, "That is what I have to do." | 0:07:57 | 0:08:02 | |
Fire is incredibly exciting, you know? | 0:08:02 | 0:08:05 | |
It's orange, and it's bright, and it's loud and it can hurt you. | 0:08:05 | 0:08:11 | |
So, seeing fire, it lights my pilot light, | 0:08:11 | 0:08:15 | |
and I think that's because I'm a fire sign - | 0:08:15 | 0:08:18 | |
I'm a Leo. | 0:08:18 | 0:08:19 | |
Well, Bex, let's hope this steel lights up your imagination. | 0:08:23 | 0:08:27 | |
Back in Witley, Sarah is two items to the good, | 0:08:34 | 0:08:37 | |
with just one left to find. | 0:08:37 | 0:08:39 | |
This next item will be a project of her very own. | 0:08:39 | 0:08:44 | |
There's no containing my excitement. | 0:08:44 | 0:08:47 | |
I am loving your enthusiasm. | 0:08:47 | 0:08:49 | |
It looks like Jane and Mike are having a major clear-out, | 0:08:51 | 0:08:54 | |
and Sarah's already spotted them. | 0:08:54 | 0:08:56 | |
Hi there. Hello. | 0:08:58 | 0:08:59 | |
-Hello. -Hi. -That looks nice and solid. | 0:08:59 | 0:09:02 | |
-Have you had enough of it? -Well, it's certainly heavy. | 0:09:02 | 0:09:05 | |
-Wow, look at that. -Yeah. | 0:09:05 | 0:09:07 | |
Whose is that? How long have you had that? | 0:09:07 | 0:09:08 | |
Erm... Well, we've had it in our house probably about 20 years. | 0:09:08 | 0:09:13 | |
-Right. -It's been in the family... | 0:09:13 | 0:09:15 | |
I think it's probably... | 0:09:15 | 0:09:17 | |
It could be 100 years old... | 0:09:17 | 0:09:19 | |
-Wow. -..and it's been passed to various people, | 0:09:19 | 0:09:22 | |
but we're moving house, so we need to get rid of it now. | 0:09:22 | 0:09:25 | |
It seems Sarah has a fine eye for quality. | 0:09:27 | 0:09:30 | |
The logo says "Staples Mattress", | 0:09:30 | 0:09:33 | |
a company in the bed business since 1876. | 0:09:33 | 0:09:37 | |
In fact, the term "mattress" often referred to | 0:09:37 | 0:09:40 | |
the wireframe spring unit that was built into the bedstead. | 0:09:40 | 0:09:45 | |
Hmm, isn't it time for my afternoon nap, now I think about it? | 0:09:45 | 0:09:48 | |
It's just the kind of thing that I would love to have a go at | 0:09:50 | 0:09:53 | |
seeing if I could update a bit. | 0:09:53 | 0:09:54 | |
Would it be OK to have a go? | 0:09:54 | 0:09:56 | |
Oh, of course. | 0:09:56 | 0:09:57 | |
It seemed a shame to bring it to the tip in the first place, actually. | 0:09:57 | 0:10:00 | |
I'd love to come back and show you if there's something to be made. | 0:10:00 | 0:10:03 | |
-Oh, yeah, that'd be great. -Would that be all right? -Yeah. | 0:10:03 | 0:10:05 | |
I might have to ask your help to see if I can carry it away. | 0:10:05 | 0:10:07 | |
Certainly. | 0:10:07 | 0:10:08 | |
Jane and Mike's single bed was bound for the bin. | 0:10:09 | 0:10:13 | |
What do they make of Sarah taking it to pastures new? | 0:10:13 | 0:10:17 | |
I know that not many people want second-hand beds, | 0:10:17 | 0:10:20 | |
but it is... It's nice to think it might get used again. | 0:10:20 | 0:10:24 | |
Yeah. Yeah, and in the right place, it might be...look quite good. | 0:10:24 | 0:10:27 | |
-Yeah. -Yeah. | 0:10:27 | 0:10:28 | |
Well, it's a really sweet old bed. | 0:10:28 | 0:10:30 | |
It's chunky, it's easy to put together, | 0:10:30 | 0:10:33 | |
and I think it's absolutely ripe for a makeover. | 0:10:33 | 0:10:37 | |
Right now, it's not even good for a sleepover. | 0:10:37 | 0:10:40 | |
Sarah has collected her three items. | 0:10:45 | 0:10:47 | |
Mark will try and get through to this wartime phone, | 0:10:49 | 0:10:53 | |
Bex will take on the steel bars, | 0:10:53 | 0:10:57 | |
and, for Sarah, it's the heavy-duty single bed. | 0:10:57 | 0:11:01 | |
Well, there's no time for rest. | 0:11:01 | 0:11:02 | |
I've had success, but the hard work begins now. | 0:11:02 | 0:11:04 | |
Most magnificent Manchester is a hub of creativity - | 0:11:12 | 0:11:17 | |
at the forefront of this is engineer/robot-maker Mark. | 0:11:17 | 0:11:22 | |
He's waiting patiently for Sarah's arrival. | 0:11:22 | 0:11:25 | |
I'm looking forward to Sarah arriving. | 0:11:25 | 0:11:26 | |
I'm looking forward to what she's going to bring me. | 0:11:26 | 0:11:29 | |
Something nice, vintagey... | 0:11:29 | 0:11:31 | |
Well, it is most certainly nice and most certainly vintage. | 0:11:31 | 0:11:36 | |
Well, I'm calling in on Mark, and I've got a little plan for my phone, | 0:11:36 | 0:11:39 | |
and it's not a robot. | 0:11:39 | 0:11:41 | |
Let's hope he goes for it. | 0:11:41 | 0:11:43 | |
Mark's workshop is full of weird and wonderful objects... | 0:11:43 | 0:11:47 | |
Mark? | 0:11:47 | 0:11:48 | |
..but will Sarah's phone ring his bell? | 0:11:48 | 0:11:50 | |
-Hey, look what I've got. -Wow. | 0:11:50 | 0:11:53 | |
What a beautiful, beautiful object. | 0:11:53 | 0:11:56 | |
-Isn't it cool? -It is absolutely gorgeous. | 0:11:56 | 0:11:59 | |
It's a field telephone. | 0:11:59 | 0:12:01 | |
And someone was throwing this away? | 0:12:01 | 0:12:03 | |
Yeah. | 0:12:03 | 0:12:04 | |
I've had a good look at it, and I was thinking maybe it could be | 0:12:04 | 0:12:09 | |
-reaccessorised as a telephone... -Mm-hmm. | 0:12:09 | 0:12:12 | |
..something that we can use with a smartphone or... | 0:12:12 | 0:12:15 | |
You know, I'm open to ideas, | 0:12:15 | 0:12:16 | |
but I just love the idea of being able to take calls on it again. | 0:12:16 | 0:12:20 | |
-So do I. -I just don't know how that will work. | 0:12:20 | 0:12:22 | |
So, it isn't a robot this time - | 0:12:24 | 0:12:27 | |
Sarah wants Mark to re-engineer the old telephone | 0:12:27 | 0:12:30 | |
so that a smartphone can be connected to it. | 0:12:30 | 0:12:33 | |
When someone calls, instead of answering your mobile, | 0:12:33 | 0:12:37 | |
you can pick up the receiver of the field telephone instead. | 0:12:37 | 0:12:40 | |
Very clever indeed. | 0:12:40 | 0:12:42 | |
Is it possible, though? | 0:12:42 | 0:12:44 | |
Yeah, I think so. | 0:12:44 | 0:12:45 | |
I mean, these old phones, they strip down fairly easily. | 0:12:45 | 0:12:49 | |
-OK. -So, you've got the headphone in here. | 0:12:49 | 0:12:53 | |
That's us. There you go. There's the headphone. | 0:12:53 | 0:12:55 | |
-Wow. -It's old technology, | 0:12:55 | 0:12:57 | |
but it's how speakers still work nowadays, in essence. | 0:12:57 | 0:13:00 | |
To make a smartphone connect to the field telephone, | 0:13:00 | 0:13:04 | |
Mark needs to use Bluetooth technology. | 0:13:04 | 0:13:07 | |
This works by carrying data via radio waves | 0:13:07 | 0:13:10 | |
from one device to another. | 0:13:10 | 0:13:13 | |
So, do you think you can re-engineer that to get some kind of Bluetooth | 0:13:13 | 0:13:16 | |
-thing going on? -I do. | 0:13:16 | 0:13:18 | |
-That's what I hoped you were going to say - that it's doable. -Yeah. | 0:13:18 | 0:13:21 | |
What kind of cost is that going to be | 0:13:21 | 0:13:23 | |
to bring that up to good-looking, functional, | 0:13:23 | 0:13:26 | |
and saving it, basically? | 0:13:26 | 0:13:27 | |
I reckon about 150 quid. | 0:13:27 | 0:13:31 | |
I wasn't expecting it to be less than that, I have to say. | 0:13:31 | 0:13:34 | |
If we can just make sure that that doesn't end up in the skip, | 0:13:34 | 0:13:37 | |
then we're doing a good job. | 0:13:37 | 0:13:38 | |
If we make a bit of money, then that's excellent. | 0:13:38 | 0:13:41 | |
I hope it goes well. | 0:13:41 | 0:13:42 | |
-Yeah, OK. -Always nice to see you. | 0:13:42 | 0:13:44 | |
-And you. -Give me a call when it's done. | 0:13:44 | 0:13:46 | |
OK. Hello, Sarah? | 0:13:46 | 0:13:48 | |
Hold the line, Mark. | 0:13:48 | 0:13:50 | |
Well, that is great news. | 0:13:51 | 0:13:52 | |
Mark is definitely going to make the most of that phone | 0:13:52 | 0:13:54 | |
and I can't wait to hear and see what he does with it. | 0:13:54 | 0:13:57 | |
Thank you for holding. | 0:13:57 | 0:13:58 | |
Go ahead now, please. | 0:13:58 | 0:13:59 | |
I'm slightly nervous about working on it, to be honest with you, | 0:13:59 | 0:14:02 | |
but I'm always up for a challenge and hopefully this will go OK. | 0:14:02 | 0:14:07 | |
Mark's budget for re-engineering this World War II field telephone | 0:14:08 | 0:14:13 | |
so it connects to your smartphone is £150. | 0:14:13 | 0:14:18 | |
Ring-a-ding-ding, this could be a beautiful thing. | 0:14:18 | 0:14:21 | |
200 miles south, in the metropolitan green belt of Surrey, | 0:14:31 | 0:14:36 | |
Bex and husband Dave are their usual optimistic selves, | 0:14:36 | 0:14:39 | |
as Sarah makes her way with the steel tie bars from the tip. | 0:14:39 | 0:14:44 | |
It's nice, Sarah coming to bring us things, isn't it? | 0:14:44 | 0:14:47 | |
Cos we don't normally, you know, do this sort of thing, | 0:14:47 | 0:14:51 | |
so it, sort of, mixes up what we normally do. | 0:14:51 | 0:14:54 | |
It's a good challenge on design, trying to keep the budget low. | 0:14:54 | 0:14:59 | |
THEY GIGGLE | 0:14:59 | 0:15:01 | |
Well, I've brought my heavy metal to leafy Surrey, in the hope that | 0:15:01 | 0:15:04 | |
Bex and Dave want to take it on | 0:15:04 | 0:15:05 | |
and transform it into something beautiful. | 0:15:05 | 0:15:08 | |
It's going to need a lot of skill to make that into hard cash. | 0:15:08 | 0:15:12 | |
-Hi. -Hello. | 0:15:15 | 0:15:16 | |
# I've a little something for you. # | 0:15:16 | 0:15:18 | |
-I've got you heavy metal. -Cool. -Yeah, perfect. | 0:15:18 | 0:15:22 | |
Perfect...as in I'm in the right place? | 0:15:22 | 0:15:24 | |
-Yes, absolutely. -Yeah. | 0:15:24 | 0:15:25 | |
What was it? | 0:15:25 | 0:15:27 | |
It was a tie. You know if you have a house that's on the move? | 0:15:27 | 0:15:29 | |
-A wall tie? -It was, yeah. -Shall we put it all up here? | 0:15:29 | 0:15:32 | |
Do you want it up there? | 0:15:32 | 0:15:33 | |
Mind the ends, cos they've got burrs on the end of them. | 0:15:33 | 0:15:36 | |
So I'm hoping that they're something you can work with, | 0:15:36 | 0:15:39 | |
but they're not cast, are they? | 0:15:39 | 0:15:41 | |
So, presumably that's a steel that you could do something with. | 0:15:41 | 0:15:44 | |
Yeah, absolutely. We can shove that in the fire, | 0:15:44 | 0:15:46 | |
burn the paint off, and then it's ready to forge. | 0:15:46 | 0:15:50 | |
The guys seemed pleased with the steel, | 0:15:50 | 0:15:52 | |
but what does Sarah think they could make out of it? | 0:15:52 | 0:15:55 | |
I was wondering whether you could | 0:15:55 | 0:15:57 | |
spike some of the metal through some shelves. | 0:15:57 | 0:16:01 | |
Something like that, to make a set of shelving. | 0:16:03 | 0:16:06 | |
OK, so you've got your...the shelf, | 0:16:06 | 0:16:08 | |
and basically the metal's going to go through a pierced hole. | 0:16:08 | 0:16:13 | |
Yeah, so it's coming up through there, and... | 0:16:13 | 0:16:16 | |
It would just be quite tricky to get it to work with these angles. | 0:16:16 | 0:16:19 | |
Yeah, so maybe just keep it straight down then. | 0:16:19 | 0:16:21 | |
If we kept it straight and then... | 0:16:21 | 0:16:24 | |
I don't know, maybe do something at the ends. | 0:16:24 | 0:16:26 | |
I'm thinking that the shelves would be easier | 0:16:26 | 0:16:28 | |
if they were not metal, probably, wouldn't they? | 0:16:28 | 0:16:31 | |
Well, yeah, probably just, like, wood or something lighter. | 0:16:31 | 0:16:34 | |
I think it would be a better contrast as well, | 0:16:34 | 0:16:36 | |
-to have the metal and the wood. -Mmm. | 0:16:36 | 0:16:39 | |
What's the damage, then, Dave? | 0:16:39 | 0:16:41 | |
How much have you got? | 0:16:41 | 0:16:43 | |
Well, if it's big, impressive and room-divider size, | 0:16:44 | 0:16:47 | |
500 quid all in. | 0:16:47 | 0:16:50 | |
Yeah, we could probably work with that. | 0:16:50 | 0:16:52 | |
Oh, that sounds amazing. | 0:16:52 | 0:16:54 | |
I'm really excited. I can't wait to see it. | 0:16:54 | 0:16:55 | |
It's going to be huge, isn't it? | 0:16:55 | 0:16:57 | |
I hope it doesn't give you any trouble. | 0:16:57 | 0:16:58 | |
-No, same. -Don't burn yourself. No crushing. | 0:16:58 | 0:17:01 | |
OK? Thanks ever so much. | 0:17:01 | 0:17:02 | |
-See you later. -See you later. -Bye. -Bye. -Bye. | 0:17:02 | 0:17:04 | |
So, they really went for the shelf idea, | 0:17:06 | 0:17:08 | |
and that means the pressure's on me. | 0:17:08 | 0:17:10 | |
I'm hoping it's going to be a big statement piece. | 0:17:10 | 0:17:12 | |
It's got a big budget, but it really needs to perform. | 0:17:12 | 0:17:15 | |
It should look nice. | 0:17:16 | 0:17:18 | |
You know, again, it's a little bit of a challenge, | 0:17:18 | 0:17:20 | |
but that's what we like. | 0:17:20 | 0:17:21 | |
-Don't we? -Do we? -We do. | 0:17:21 | 0:17:23 | |
Of course we do. | 0:17:23 | 0:17:25 | |
Well, lucky for you, Bex, you've got one, | 0:17:25 | 0:17:28 | |
and, even with a budget of £500, | 0:17:28 | 0:17:31 | |
you may need extra steel from within to make this a reality. | 0:17:31 | 0:17:35 | |
Back home in Sussex, | 0:17:44 | 0:17:46 | |
Sarah is going to tackle the spring-filled single bed. | 0:17:46 | 0:17:52 | |
Well, I love going to the recycling centre, | 0:17:52 | 0:17:53 | |
and seeing what kind of stuff turns up, | 0:17:53 | 0:17:55 | |
and then I find something, and I think immediately, | 0:17:55 | 0:17:57 | |
"I know exactly what I'm going to do with that." | 0:17:57 | 0:18:00 | |
Until you come across something like this. This bed is just... | 0:18:00 | 0:18:03 | |
I don't know what to do with it, so I think the only thing I can do is | 0:18:03 | 0:18:06 | |
have a really close look at it, | 0:18:06 | 0:18:08 | |
see what kind of components it's made up out of, | 0:18:08 | 0:18:10 | |
and hope that provides the inspiration for making something | 0:18:10 | 0:18:13 | |
that will actually make some money, cos, at the moment, I'm baffled. | 0:18:13 | 0:18:17 | |
Oh, poor Sarah. | 0:18:18 | 0:18:20 | |
Well, how about this for inspiration? | 0:18:20 | 0:18:22 | |
King George V recovered so well from a back injury, using a bed just like | 0:18:22 | 0:18:27 | |
this one, that Staples, the company who supplied it, | 0:18:27 | 0:18:31 | |
earned a Royal warrant in 1932, | 0:18:31 | 0:18:34 | |
so a bed fit for a king - | 0:18:34 | 0:18:37 | |
not a bad starting point, Sarah. | 0:18:37 | 0:18:39 | |
I can't imagine what I saw in this at the recycling centre. | 0:18:39 | 0:18:42 | |
Why don't you break out the tools, | 0:18:42 | 0:18:44 | |
get started, and the inspiration will come? | 0:18:44 | 0:18:47 | |
Come on, then, Arthur. How do you get your nuts undone? | 0:18:52 | 0:18:55 | |
Well, I don't use pliers, Sarah, that's for sure. | 0:18:55 | 0:18:58 | |
Oh, there we go. | 0:18:58 | 0:18:59 | |
That is not the end to that bed. | 0:19:02 | 0:19:05 | |
These do not fit. Great(!) | 0:19:05 | 0:19:07 | |
No problem, Sarah - you love a challenge. | 0:19:07 | 0:19:10 | |
So, maybe I can just drop it on the floor | 0:19:10 | 0:19:12 | |
and use it as a big daybed, perhaps. | 0:19:12 | 0:19:14 | |
There you go, fantastic. | 0:19:14 | 0:19:16 | |
Who doesn't love a beautiful daybed? | 0:19:16 | 0:19:19 | |
They're nice. | 0:19:21 | 0:19:22 | |
Well, I'm really relieved, | 0:19:22 | 0:19:23 | |
because I've finally come up with a plan for this bed. | 0:19:23 | 0:19:25 | |
I'm going to go for beautiful raw linen, hessian, | 0:19:25 | 0:19:29 | |
to make a soft, utility-style, pioneer-inspired kind of daybed. | 0:19:29 | 0:19:34 | |
I'm hoping these stainless-steel legs will give the bed | 0:19:37 | 0:19:40 | |
the support it needs and a little extra style. | 0:19:40 | 0:19:43 | |
Lovely. | 0:19:43 | 0:19:45 | |
Yup, it's everything I imagined - | 0:19:49 | 0:19:53 | |
noisy, quite uncomfortable... | 0:19:53 | 0:19:55 | |
Don't forget, it was once fit for a king. | 0:19:55 | 0:19:57 | |
Sarah's first step in making the bed comfortable is to stretch hessian | 0:19:58 | 0:20:03 | |
across the metal springs. | 0:20:03 | 0:20:04 | |
This material is used in lots of furniture, | 0:20:06 | 0:20:09 | |
whether antique or modern, | 0:20:09 | 0:20:11 | |
as it supplies a strong base to work on. | 0:20:11 | 0:20:14 | |
I need to get this hessian really nice and tight. | 0:20:16 | 0:20:18 | |
I want a lovely sprung base to this. | 0:20:18 | 0:20:21 | |
STAPLER CLICKS | 0:20:21 | 0:20:24 | |
I've just got a really thin layer of foam going on top of the mattress, | 0:20:24 | 0:20:27 | |
so the springs don't come through, and, if anybody puts their hand | 0:20:27 | 0:20:30 | |
underneath the mattress, it's going to be nice and soft and safe. | 0:20:30 | 0:20:35 | |
Thankfully, it's also fire-retardant, | 0:20:35 | 0:20:38 | |
as this material meets UK fire-safety regulations. | 0:20:38 | 0:20:41 | |
So, after a bit of a slow start, | 0:20:44 | 0:20:46 | |
Sarah's dug deep and is well on her way to creating a delightful daybed. | 0:20:46 | 0:20:51 | |
Having spent £70 on a mattress and £45 on fabric, | 0:20:54 | 0:20:59 | |
the total spend so far is £115, | 0:20:59 | 0:21:04 | |
but will this daybed create sleepless nights for Sarah, | 0:21:04 | 0:21:08 | |
rather than a profit? | 0:21:08 | 0:21:09 | |
In Manchester, | 0:21:18 | 0:21:19 | |
Mark is re-engineering the World War II field telephone | 0:21:19 | 0:21:23 | |
so it takes calls from a smartphone. | 0:21:23 | 0:21:26 | |
If it works, calls will come through to the old telephone receiver - | 0:21:26 | 0:21:30 | |
sounds complicated! | 0:21:30 | 0:21:32 | |
Feeling nervous, Mark? | 0:21:32 | 0:21:34 | |
It's quite a scary one for me, | 0:21:35 | 0:21:37 | |
because it involves lots of work, lots of electronics, | 0:21:37 | 0:21:42 | |
and the stuff that you get nowadays isn't always that easy to work on, | 0:21:42 | 0:21:46 | |
so I've bought this little phone. | 0:21:46 | 0:21:48 | |
It's a Bluetooth phone. | 0:21:48 | 0:21:49 | |
Mark needs to get Bluetooth technology from this device into | 0:21:51 | 0:21:55 | |
the world War II phone, so it can wirelessly connect to a mobile. | 0:21:55 | 0:21:59 | |
He's also going to make the field telephone | 0:22:01 | 0:22:03 | |
a mobile phone docking station and charger. | 0:22:03 | 0:22:07 | |
Tricky! | 0:22:07 | 0:22:08 | |
So, this is the bit that's worrying me at the moment, | 0:22:09 | 0:22:12 | |
because, if you look at the handset here, | 0:22:12 | 0:22:16 | |
there's no actual way of splitting this, | 0:22:16 | 0:22:18 | |
so somehow I'm going to have to remove these buttons here | 0:22:18 | 0:22:23 | |
and wire them in to somewhere else on the actual phone. | 0:22:23 | 0:22:28 | |
First, though, Mark needs to strip the original components | 0:22:28 | 0:22:32 | |
to make room for the charging cables. | 0:22:32 | 0:22:34 | |
So, as you can see in here, there's this big bell... | 0:22:34 | 0:22:37 | |
that used to do the dinging. | 0:22:37 | 0:22:39 | |
It's got the guy's signature, there, | 0:22:39 | 0:22:41 | |
who actually built the thing in the first place, I imagine, | 0:22:41 | 0:22:45 | |
or tested it, which is amazing. | 0:22:45 | 0:22:47 | |
-BELL CHIMES -That rings a bell! | 0:22:47 | 0:22:50 | |
Listen, I do the jokes around here, Mark! | 0:22:50 | 0:22:52 | |
Unfortunately, the original bell in this old phone can't be | 0:22:54 | 0:22:58 | |
engineered to be part of the new design, | 0:22:58 | 0:23:00 | |
and, while some components can stay, | 0:23:00 | 0:23:03 | |
others need to be stripped out, too. | 0:23:03 | 0:23:06 | |
Once done, Mark can drill some holes and get wiring. | 0:23:06 | 0:23:09 | |
OK, so we'll give this a test. | 0:23:13 | 0:23:16 | |
We go mains into there, | 0:23:16 | 0:23:19 | |
USB into there, | 0:23:19 | 0:23:21 | |
the phone goes into there, | 0:23:21 | 0:23:27 | |
and, hopefully, we're charging, which is good. | 0:23:27 | 0:23:30 | |
Part one of the mission is accomplished, | 0:23:30 | 0:23:32 | |
as the smartphone charging station is up and running, | 0:23:32 | 0:23:35 | |
but what about the Bluetooth? | 0:23:35 | 0:23:37 | |
This is the part of the build I'm not looking forward to whatsoever. | 0:23:37 | 0:23:41 | |
Mark needs to transfer the new technology from the modern handset | 0:23:41 | 0:23:45 | |
over to the field telephone. | 0:23:45 | 0:23:47 | |
That is what a microphone looks like nowadays, | 0:23:50 | 0:23:53 | |
and this is a 60-odd-year-old microphone. | 0:23:53 | 0:23:57 | |
Things have moved on a little bit. | 0:23:57 | 0:23:59 | |
Ain't that the truth, Mark? | 0:23:59 | 0:24:00 | |
With the workings of the modern telephone extracted safely, | 0:24:03 | 0:24:09 | |
Mark can now use the headphone, mic and ringer | 0:24:09 | 0:24:12 | |
within the field telephone. | 0:24:12 | 0:24:14 | |
However... | 0:24:14 | 0:24:15 | |
This is the little Bluetooth module, | 0:24:15 | 0:24:17 | |
and these switches are quite problematic, actually, to cable off, | 0:24:17 | 0:24:21 | |
so somehow I'm going to have to make that sit in there and look pretty. | 0:24:21 | 0:24:29 | |
I'm not entirely sure how I'm going to do that at the moment. | 0:24:29 | 0:24:32 | |
I think we'll leave you to it! | 0:24:32 | 0:24:33 | |
Back in Surrey, work is well underway on the steel legs | 0:24:39 | 0:24:42 | |
that will hold the shelving unit. | 0:24:42 | 0:24:45 | |
Dave is measuring up the wood, and Bex is working on forging the bars. | 0:24:45 | 0:24:49 | |
So, just drawing it out, and then I'll know | 0:24:51 | 0:24:54 | |
what measurement I'm working to, | 0:24:54 | 0:24:56 | |
and I don't want to take it out down too far | 0:24:56 | 0:25:00 | |
and then be a bit thin in places. | 0:25:00 | 0:25:02 | |
The risk is, the longer the bars become, | 0:25:04 | 0:25:07 | |
the less able they are to hold weight, until, eventually, | 0:25:07 | 0:25:11 | |
they end up being too thin to support the shelves, | 0:25:11 | 0:25:15 | |
and unfortunately that's exactly what's happened here. | 0:25:15 | 0:25:18 | |
Radical rethink, anyone? | 0:25:19 | 0:25:21 | |
So, I think we've established that there's not enough steel | 0:25:21 | 0:25:25 | |
to make a big shelving room-divider, | 0:25:25 | 0:25:28 | |
but we really want to do something with this steel, | 0:25:28 | 0:25:30 | |
cos it's so nice, | 0:25:30 | 0:25:32 | |
so I think we're just going to forge some bottle-openers... | 0:25:32 | 0:25:36 | |
-And coasters. -..and coasters. | 0:25:36 | 0:25:38 | |
I think this is what one would call a creative curveball. | 0:25:42 | 0:25:46 | |
A new approach requires a new location - | 0:25:46 | 0:25:49 | |
next door with Terry, a fellow blacksmith, | 0:25:49 | 0:25:52 | |
with some serious machinery. | 0:25:52 | 0:25:54 | |
First up, the coasters... | 0:25:54 | 0:25:56 | |
OK, so this is the stock, | 0:25:56 | 0:25:58 | |
so we're just cutting it down into lengths of 70mm | 0:25:58 | 0:26:02 | |
so that we can squash it flat into coasters. | 0:26:02 | 0:26:04 | |
Once cut to size, | 0:26:10 | 0:26:11 | |
Bex takes the lead on the project and heats them in a furnace to | 0:26:11 | 0:26:15 | |
temperatures of over 1,000 Celsius. | 0:26:15 | 0:26:19 | |
This allows fellow blacksmith Terry to squash them with his impressive | 0:26:21 | 0:26:25 | |
mechanical hammer. | 0:26:25 | 0:26:26 | |
The result is perfectly round, perfectly flat coasters. | 0:26:28 | 0:26:32 | |
Very cool... | 0:26:32 | 0:26:34 | |
or very hot, but you know what I mean. | 0:26:34 | 0:26:36 | |
With the coasters coasting along, time to turn to the bottle-openers. | 0:26:38 | 0:26:44 | |
Like the coasters, | 0:26:48 | 0:26:49 | |
they require small sections of the steel to be heated | 0:26:49 | 0:26:53 | |
at high temperatures. | 0:26:53 | 0:26:54 | |
Nearly getting there, Dave. | 0:26:54 | 0:26:56 | |
Then they can be moulded into shape and have holes punched through | 0:26:56 | 0:27:00 | |
the softened steel. | 0:27:00 | 0:27:02 | |
Once this is done, the holes will be shaped to have a metal lip | 0:27:04 | 0:27:07 | |
to easily open your bottles of choice. | 0:27:07 | 0:27:10 | |
There we go. | 0:27:10 | 0:27:12 | |
It's starting to take shape. | 0:27:12 | 0:27:13 | |
-Yeah. -Who wouldn't want to have a lovely hand-forged bottle-opener | 0:27:13 | 0:27:18 | |
and a couple of coasters? | 0:27:18 | 0:27:20 | |
Me. | 0:27:20 | 0:27:22 | |
-Well, you're getting one for Christmas. -I hate forged work! | 0:27:22 | 0:27:24 | |
Ha-ha(!) | 0:27:24 | 0:27:26 | |
From where I'm standing, I'm not sure I want one of them, either. | 0:27:26 | 0:27:29 | |
With two transformations well underway, back in West Sussex, | 0:27:38 | 0:27:42 | |
Sarah's in our barn studio putting the final stitches | 0:27:42 | 0:27:46 | |
in her revamped bed. | 0:27:46 | 0:27:48 | |
Sarah started off with this old, unwanted single bed. | 0:27:53 | 0:27:58 | |
It was dull, it was cumbersome, | 0:27:58 | 0:28:00 | |
and the headboard didn't match the bed base. | 0:28:00 | 0:28:03 | |
But look at it now - | 0:28:07 | 0:28:08 | |
Sarah has channelled her pioneer spirit with this stunning daybed. | 0:28:08 | 0:28:13 | |
Stainless-steel legs and hessian on the base give a hardy, rustic feel. | 0:28:15 | 0:28:20 | |
A new mattress, covered in stunning 1930s vintage fabric, | 0:28:23 | 0:28:27 | |
also makes it bang-on trend and utterly timeless. | 0:28:27 | 0:28:31 | |
The final touch of those gorgeous floral pillows shows off this clever | 0:28:33 | 0:28:37 | |
transformation into a beautiful and practical ottoman. | 0:28:37 | 0:28:41 | |
Load this daybed onto the wagon, because I'm heading west! | 0:28:43 | 0:28:47 | |
Well, it's finally done. | 0:28:49 | 0:28:50 | |
It's got a whole new look and now it is really comfortable too. | 0:28:50 | 0:28:53 | |
But, altogether, I'm hoping that, | 0:28:53 | 0:28:55 | |
with this hand-stitched edge along here | 0:28:55 | 0:28:57 | |
and some nice pictures taken with the pretty cushions on it, | 0:28:57 | 0:28:59 | |
it's now much more saleable. | 0:28:59 | 0:29:01 | |
So, it's straight to the picture-taking. | 0:29:02 | 0:29:06 | |
The next step is to find a buyer. | 0:29:06 | 0:29:08 | |
At Witley Recycling Centre, Sarah met Jane and Mike. | 0:29:11 | 0:29:15 | |
That looks nice and solid. | 0:29:15 | 0:29:17 | |
-Have you had enough of it? -Well, it's certainly heavy. | 0:29:17 | 0:29:19 | |
They were getting rid of a very old spare bed. | 0:29:19 | 0:29:22 | |
I think it's probably... | 0:29:22 | 0:29:24 | |
It could be 100 years old. | 0:29:24 | 0:29:25 | |
Sarah took to the internet, and posted her pictures on social media | 0:29:26 | 0:29:31 | |
to try to find a buyer, | 0:29:31 | 0:29:33 | |
but were there any takers? | 0:29:33 | 0:29:35 | |
Sarah's travelled to Godalming in Surrey to meet up with Jane and Mike | 0:29:35 | 0:29:40 | |
to show them the transformation. | 0:29:40 | 0:29:42 | |
-Hi there. -Hello, Sarah. -How are you doing? | 0:29:44 | 0:29:46 | |
-Very well, thank you. Come on in. -Nice to see you. Thank you. | 0:29:46 | 0:29:48 | |
Hi, Mike. Hi, there. Nice to see you. | 0:29:50 | 0:29:52 | |
Hi. Nice to see you again. | 0:29:52 | 0:29:53 | |
So, you've arrived in your new house. | 0:29:53 | 0:29:54 | |
-Yes. -It looks amazing. | 0:29:54 | 0:29:56 | |
You were throwing out things from your old house, | 0:29:56 | 0:29:58 | |
is that right, which is where the bed came from? | 0:29:58 | 0:30:00 | |
-Yeah. -Your family, is that right? | 0:30:00 | 0:30:02 | |
My great-aunt owned it last | 0:30:02 | 0:30:03 | |
and, prior to that, it was in her family. | 0:30:03 | 0:30:06 | |
I tried to put it together and I couldn't make it work, so... | 0:30:06 | 0:30:08 | |
-What did you think I was going to do? -I don't know. | 0:30:08 | 0:30:11 | |
I know it's not normally what it started out as. | 0:30:11 | 0:30:13 | |
-Do you want to see some pictures? -Oh, yes. | 0:30:13 | 0:30:15 | |
It didn't go far from a bed. | 0:30:15 | 0:30:16 | |
-In fact, I turned it into a daybed. -Wow. | 0:30:16 | 0:30:19 | |
Oh, that's lovely. | 0:30:19 | 0:30:21 | |
-I used all of the frame, because it had such great springs in it. -Mmm. | 0:30:21 | 0:30:25 | |
It was a very good...obviously a very well-made bed in its time. | 0:30:25 | 0:30:28 | |
-Yes. -So, what do you think? | 0:30:28 | 0:30:30 | |
I love it. It's so nice that it's being used again. | 0:30:30 | 0:30:33 | |
I'm delighted. Very pleased. | 0:30:33 | 0:30:35 | |
Well, it didn't transform that much, | 0:30:35 | 0:30:37 | |
but it has managed to make a bit of a profit, | 0:30:37 | 0:30:39 | |
so I've brought that for you. | 0:30:39 | 0:30:41 | |
-I have got 85 quid here for your old bedframe. -Wow. | 0:30:41 | 0:30:46 | |
Who's having that? | 0:30:46 | 0:30:48 | |
You're the accountant. | 0:30:48 | 0:30:49 | |
-They're your accounts. You can take that. -Thank you. | 0:30:49 | 0:30:51 | |
Thank you very much. | 0:30:51 | 0:30:52 | |
That's a pleasure. Accounts, where is that money going to go? | 0:30:52 | 0:30:55 | |
Well, we went over the budget on this place, so... | 0:30:55 | 0:30:57 | |
-Oh, really? -So it will help us. | 0:30:57 | 0:30:59 | |
Well, actually, I think we should give at least some of it to charity, | 0:30:59 | 0:31:02 | |
and the aunt who owned the bed had dementia, | 0:31:02 | 0:31:05 | |
-so I think we should give it to a dementia charity. -Yeah, yeah. | 0:31:05 | 0:31:08 | |
OK, well, I'll leave that to you, | 0:31:08 | 0:31:09 | |
but thank you so much for letting me have it. | 0:31:09 | 0:31:11 | |
It was a lot of fun to work on. | 0:31:11 | 0:31:12 | |
Fantastic. It's been really interesting. | 0:31:12 | 0:31:14 | |
-Thank you so much. It was great to catch up. -Thank you, Sarah. | 0:31:14 | 0:31:17 | |
-Nice to see you again. Bye-bye. -Bye. -Bye. | 0:31:17 | 0:31:19 | |
Well, bed into daybed - | 0:31:19 | 0:31:20 | |
it wasn't a massive transformation, | 0:31:20 | 0:31:22 | |
but I reckon 85 quid is a nice, healthy profit. | 0:31:22 | 0:31:25 | |
Sarah's daybed costs came to £115, | 0:31:27 | 0:31:31 | |
and it sold for £200, | 0:31:31 | 0:31:34 | |
leaving an £85 profit for Jane and Mike. | 0:31:34 | 0:31:37 | |
In Manchester, Mark is doing his final checks on the field telephone | 0:31:44 | 0:31:48 | |
before Sarah arrives. | 0:31:48 | 0:31:51 | |
He's relieved he's finished what has been a very tricky task. | 0:31:51 | 0:31:55 | |
This was a very difficult project, but I've finally got it working | 0:31:58 | 0:32:00 | |
and I think she's going to be happy with it. | 0:32:00 | 0:32:02 | |
I'm not sure, but we'll see. | 0:32:02 | 0:32:04 | |
Indeed we will, Mark. | 0:32:04 | 0:32:06 | |
Well, I'm back to see if Mark has managed to fulfil the mission | 0:32:06 | 0:32:09 | |
to turn that old army phone into a working, modern, | 0:32:09 | 0:32:13 | |
useful piece of kit. | 0:32:13 | 0:32:15 | |
When Sarah met Julian at the tip, | 0:32:15 | 0:32:17 | |
he was about to call time on this World War II field telephone... | 0:32:17 | 0:32:22 | |
..and how sweet it is to see this piece of military engineering | 0:32:32 | 0:32:36 | |
come back to life with a modern twist. | 0:32:36 | 0:32:39 | |
Mark has created a perfect marriage of old and new, | 0:32:40 | 0:32:44 | |
by re-engineering this field telephone to not only allow you to | 0:32:44 | 0:32:48 | |
charge your phone, but also to receive calls from your smartphone. | 0:32:48 | 0:32:52 | |
Oh, I think I want one! | 0:32:52 | 0:32:54 | |
-Hello! -Hello, Sarah. | 0:32:57 | 0:32:58 | |
-How are you doing? -I'm fine, thank you. | 0:32:58 | 0:33:00 | |
-Two phones? -Two phones in one. | 0:33:00 | 0:33:02 | |
Go on, then, what happens? | 0:33:02 | 0:33:03 | |
So, you've got a dock on here, and that charges your telephone, | 0:33:03 | 0:33:08 | |
and then this is your handset. | 0:33:08 | 0:33:10 | |
-Lovely. -The phone doesn't have to be on there, by the way. | 0:33:10 | 0:33:13 | |
It can just be within, like, a few-metre range. | 0:33:13 | 0:33:15 | |
So it's worked, then? | 0:33:15 | 0:33:16 | |
-Oh, it works. -Really? | 0:33:16 | 0:33:18 | |
-Yeah. -Oh, fantastic. -I got it working, eventually. | 0:33:18 | 0:33:20 | |
-Can I give it a call? Can I have a go? -Yeah, of course. | 0:33:20 | 0:33:22 | |
Hold on, I've got your number. OK, so... | 0:33:22 | 0:33:24 | |
-Great, you have that, then. -OK. | 0:33:24 | 0:33:26 | |
So I'm ringing you. | 0:33:26 | 0:33:28 | |
-PHONE RINGS -'Phone call from...' -What do I do? | 0:33:28 | 0:33:30 | |
-Pick it up and press the button? -Press here. -'..07...' -Press that. | 0:33:30 | 0:33:33 | |
-Hello? -Hello? | 0:33:33 | 0:33:35 | |
Hey, that's fantastic! | 0:33:35 | 0:33:37 | |
Oh, it's really cool! | 0:33:37 | 0:33:38 | |
Very, very cool indeed. | 0:33:40 | 0:33:42 | |
While I've got you on the phone, talk me through the money. | 0:33:42 | 0:33:45 | |
It's come in on budget. | 0:33:45 | 0:33:46 | |
I mean, I wasn't dealing with too much expense | 0:33:46 | 0:33:48 | |
as far as the parts were concerned, it was just my time to work on it. | 0:33:48 | 0:33:51 | |
Well, that's a lovely call to have. | 0:33:51 | 0:33:53 | |
-I'm going to put the telephone down and say, thank you very much. -OK. | 0:33:53 | 0:33:56 | |
All right. There we go. | 0:33:56 | 0:33:58 | |
Oh, it really works! | 0:33:58 | 0:34:00 | |
-It really works. -That's fantastic! And you can use it... | 0:34:00 | 0:34:02 | |
So you can have your phone somewhere on the side, | 0:34:02 | 0:34:05 | |
and you can just walk over to this and answer? | 0:34:05 | 0:34:07 | |
-Yeah. -Brilliant. I think, to make something that old | 0:34:07 | 0:34:09 | |
useful and functioning again is really clever, so thank you so much. | 0:34:09 | 0:34:12 | |
-Absolute pleasure. -Can you get it packed up for me, | 0:34:12 | 0:34:14 | |
and I will get selling and then come and tell you what's happened to it? | 0:34:14 | 0:34:17 | |
-OK, lovely. -Thank you. -Nice one. | 0:34:17 | 0:34:18 | |
-See you. -Bye. | 0:34:18 | 0:34:20 | |
"Nice one" is right. | 0:34:20 | 0:34:22 | |
I salute you, sir. | 0:34:22 | 0:34:24 | |
Well, I don't think Mark's found a new calling - | 0:34:24 | 0:34:26 | |
I think he's going to be sticking to robots - | 0:34:26 | 0:34:28 | |
but he's done a great job on my phone. | 0:34:28 | 0:34:29 | |
I just can't wait to see where it ends up. | 0:34:29 | 0:34:31 | |
I'm so pleased that she liked it. | 0:34:31 | 0:34:33 | |
I'm happy with the end result, | 0:34:33 | 0:34:35 | |
but I think I'm sticking with the robots. | 0:34:35 | 0:34:37 | |
At Witley Recycling Centre, this World War II field telephone | 0:34:40 | 0:34:45 | |
originally belonged to Julian's grandfather, | 0:34:45 | 0:34:48 | |
and Julian was pleased to have been cut off from letting it go. | 0:34:48 | 0:34:51 | |
I haven't necessarily got the talent all the time to create something, | 0:34:51 | 0:34:54 | |
you know, good, so if someone else wants to take something away | 0:34:54 | 0:34:57 | |
and they think they can do something with it, then fantastic. | 0:34:57 | 0:34:59 | |
One man with bags of talent and just enough time was Mark, | 0:34:59 | 0:35:04 | |
and, after some tricky engineering... | 0:35:04 | 0:35:08 | |
Sarah was mighty pleased that he answered the call to transform this | 0:35:08 | 0:35:13 | |
beautiful piece from World War II. | 0:35:13 | 0:35:15 | |
The quirky mix of old and new is what attracted a buyer - | 0:35:17 | 0:35:21 | |
Reckage At Home, an interiors shop in Doncaster, loved Mark's phone, | 0:35:21 | 0:35:27 | |
and owner Rachel couldn't wait to get her hands on it. | 0:35:27 | 0:35:30 | |
I love this little piece. | 0:35:30 | 0:35:31 | |
It's quirky and funky and I'm sure our customers will love it. | 0:35:31 | 0:35:34 | |
Sarah is in Godalming to drop in on Julian and hand over some cash. | 0:35:36 | 0:35:41 | |
-Hiya! -All right? How are you doing? -I'm really well. How are you? | 0:35:45 | 0:35:48 | |
-Good to see you again. -Yes, and you. | 0:35:48 | 0:35:49 | |
And you were being a helpful son, I think, when I last saw you. | 0:35:49 | 0:35:51 | |
That's right, yeah - I was clearing out the garage. | 0:35:51 | 0:35:53 | |
And that old phone was your grandfather's, right? | 0:35:53 | 0:35:55 | |
-That's right. -What did you think I might do with it? | 0:35:55 | 0:35:57 | |
I couldn't have even hazarded a guess. | 0:35:57 | 0:35:59 | |
It was just a lump of metal, as far as I was concerned, | 0:35:59 | 0:36:01 | |
with a telephone on top. | 0:36:01 | 0:36:02 | |
Actually, it was a lump of metal with great character. | 0:36:02 | 0:36:04 | |
I took it to a man called Mark, up near Manchester, | 0:36:04 | 0:36:08 | |
-and he normally makes robots... -OK. | 0:36:08 | 0:36:10 | |
..and I've got a picture here to show you of what he's done with it. | 0:36:10 | 0:36:13 | |
-Right, yeah. -So, your phone now looks like this... | 0:36:13 | 0:36:16 | |
-Oh, right, cool! -I've turned it back into a telephone. | 0:36:18 | 0:36:20 | |
-Yeah, yeah. -So, basically, what he's done is set up a place | 0:36:20 | 0:36:24 | |
where you can go and charge your smartphone... | 0:36:24 | 0:36:26 | |
Right. Oh, as a charger, OK, yeah. | 0:36:26 | 0:36:28 | |
..and accept calls on it, so, when the phone rings, | 0:36:28 | 0:36:30 | |
you can go and pick up the old trumpet. | 0:36:30 | 0:36:32 | |
Oh, really? You can actually talk into it? | 0:36:32 | 0:36:34 | |
And have a proper conversation. | 0:36:34 | 0:36:35 | |
Oh, that is impressive. I like the re-usage, | 0:36:35 | 0:36:37 | |
and the reinvention of the telephone thing, | 0:36:37 | 0:36:39 | |
and to have it all working with the original handset is a nice touch. | 0:36:39 | 0:36:43 | |
-Very nice. -Excellent. Well, I'm glad you approve. | 0:36:43 | 0:36:46 | |
It has been sold. | 0:36:46 | 0:36:47 | |
-Oh, wow! -It's gone to a retro shop. | 0:36:47 | 0:36:49 | |
-Oh, great. -And I've got a bit of profit, here. | 0:36:49 | 0:36:51 | |
-Brilliant. -I've got a fab 50 quid for you. | 0:36:51 | 0:36:53 | |
Oh, happy days. Thank you very much. | 0:36:53 | 0:36:55 | |
That was unexpected...an unexpected surprise, so, yeah, excellent. | 0:36:55 | 0:36:58 | |
Well, I'm really pleased it made some money. | 0:36:58 | 0:37:00 | |
So, somebody's getting a new phone. | 0:37:00 | 0:37:01 | |
What are you going to do with that £50? | 0:37:01 | 0:37:03 | |
I would imagine it's going to be spent on my daughters. | 0:37:03 | 0:37:06 | |
I've got five-year-old twins, and things tend to... | 0:37:06 | 0:37:09 | |
money tends to disappear fairly quickly when it comes to them, | 0:37:09 | 0:37:11 | |
so I imagine that's where it's going. | 0:37:11 | 0:37:13 | |
Fantastic. Well, thank you so much. | 0:37:13 | 0:37:14 | |
I know you're very busy, so I'll say, lovely to see you again. | 0:37:14 | 0:37:17 | |
Thanks very much for coming back. | 0:37:17 | 0:37:18 | |
Bring that trailer back to the tip. | 0:37:18 | 0:37:20 | |
-Yeah, OK, cheers. -Thanks. Bye. -Bye. | 0:37:20 | 0:37:21 | |
Well, I think that's one phone update that Julian | 0:37:24 | 0:37:26 | |
really wasn't expecting. | 0:37:26 | 0:37:27 | |
Mark did a cracking job, | 0:37:27 | 0:37:29 | |
and I have a feeling that that money won't be hanging around for long. | 0:37:29 | 0:37:32 | |
Mark charged £150 to re-engineer the field telephone. | 0:37:35 | 0:37:40 | |
It was sold for £200, leaving a £50 profit for Julian's twin girls. | 0:37:40 | 0:37:46 | |
In Surrey, Bex and Dave are giving the coasters and bottle-openers | 0:37:52 | 0:37:56 | |
a once over before Sarah arrives. | 0:37:56 | 0:37:59 | |
After the U-turn on design, | 0:37:59 | 0:38:02 | |
they're understandably nervous about Sarah's reaction. | 0:38:02 | 0:38:05 | |
Sarah's coming to expect a big shelf, room-divider, | 0:38:05 | 0:38:12 | |
-type thing... -Yeah. | 0:38:12 | 0:38:13 | |
..and we're giving her something a lot smaller. | 0:38:13 | 0:38:17 | |
A few bits and bobs, really! | 0:38:17 | 0:38:21 | |
Well, I left Bex and Dave with a little bit of steel | 0:38:21 | 0:38:23 | |
and some very big ideas, and I just can't wait to see what they've made. | 0:38:23 | 0:38:27 | |
When Sarah dropped the steel tie bars off, | 0:38:30 | 0:38:33 | |
all they were fit for was the dump... | 0:38:33 | 0:38:35 | |
..but, now, just look at what the old steel has become - | 0:38:39 | 0:38:43 | |
a cleverly-forged ten sets of bottle openers and coasters. | 0:38:43 | 0:38:48 | |
Each one is completely unique, | 0:38:48 | 0:38:50 | |
with the addition of a little copper motif, | 0:38:50 | 0:38:52 | |
showing off Bex's incredible blacksmithing skills. | 0:38:52 | 0:38:56 | |
They're wonderfully quirky and definitely saleable, | 0:38:56 | 0:39:00 | |
but a shelving unit, this is not. | 0:39:00 | 0:39:03 | |
Just what will Sarah think? | 0:39:03 | 0:39:04 | |
Hiya, how are you? | 0:39:06 | 0:39:08 | |
-Hello! -Hello. | 0:39:08 | 0:39:10 | |
-Oh, no. -"Where is it?" -Where is it? | 0:39:10 | 0:39:13 | |
Did things not go to plan? | 0:39:13 | 0:39:14 | |
This is it. | 0:39:16 | 0:39:17 | |
Seriously?! | 0:39:17 | 0:39:18 | |
I was expecting a massive room-divider! | 0:39:20 | 0:39:22 | |
-Yeah. -Those are lovely. -LAUGHTER | 0:39:22 | 0:39:24 | |
Go on, then - tell me what happened. | 0:39:24 | 0:39:26 | |
Well, we started forging out the metal, | 0:39:26 | 0:39:28 | |
and we realised that there wasn't actually going to be | 0:39:28 | 0:39:31 | |
enough metal to make, you know, the structure of the room-divider. | 0:39:31 | 0:39:37 | |
So then we just thought, "Why don't we just, you know, | 0:39:37 | 0:39:40 | |
"forge the metal and make something very tactile with it?" | 0:39:40 | 0:39:43 | |
And so this is what we came up with. | 0:39:43 | 0:39:45 | |
It's fantastic. So, beautiful and useful. | 0:39:45 | 0:39:48 | |
Everybody needs one of these, don't they? | 0:39:48 | 0:39:51 | |
It's definitely happiness and relief all round, | 0:39:51 | 0:39:55 | |
but what has this total curveball done to the budget? | 0:39:55 | 0:39:59 | |
So, what has this cost, to produce this lot? | 0:39:59 | 0:40:02 | |
Well, it's the same. | 0:40:02 | 0:40:03 | |
Hold on, how many have we got? One, two, three... | 0:40:03 | 0:40:06 | |
OK. | 0:40:06 | 0:40:07 | |
Seriously? | 0:40:07 | 0:40:09 | |
I think it was £20 a set. | 0:40:09 | 0:40:11 | |
OK. Wow. £20 each, that's a great deal. | 0:40:11 | 0:40:14 | |
Thank you. I think they've come a long way from those really heavy, | 0:40:14 | 0:40:17 | |
awkward, black pieces of metal that were dropped off. | 0:40:17 | 0:40:20 | |
Thank you so much. | 0:40:20 | 0:40:21 | |
Well, it wasn't what I was expecting, | 0:40:24 | 0:40:25 | |
but I absolutely love these openers and the coasters. | 0:40:25 | 0:40:28 | |
All I've got to do now is find somebody who drinks beer. | 0:40:28 | 0:40:31 | |
That's not going to be difficult, is it? | 0:40:31 | 0:40:33 | |
When Sarah spied the bars in Suzanne's boot in Witley, | 0:40:37 | 0:40:41 | |
initial thoughts about what to do with them were, frankly, silly... | 0:40:41 | 0:40:45 | |
I could keep one just to do... | 0:40:45 | 0:40:47 | |
-A bit of... -Evening... -Yeah. | 0:40:47 | 0:40:48 | |
You know, bingo wings! | 0:40:48 | 0:40:50 | |
..but Suzanne was confident Sarah could transform them. | 0:40:50 | 0:40:53 | |
I'm sure Sarah is going to completely take me by surprise. | 0:40:53 | 0:40:57 | |
But what Sarah had originally imagined for them turned into | 0:40:57 | 0:41:01 | |
something completely different. | 0:41:01 | 0:41:03 | |
Sarah posted pictures of the bottle-openers and coasters online | 0:41:04 | 0:41:09 | |
and, very quickly, three sets were sold to a private buyer. | 0:41:09 | 0:41:13 | |
The other seven were bought by an antiques and vintage store | 0:41:13 | 0:41:17 | |
in Shropshire, and owner River is pleased with his purchase. | 0:41:17 | 0:41:21 | |
These are fantastic, how Bex has managed to forge these from steel. | 0:41:21 | 0:41:26 | |
I absolutely love how rustic and how hard-wearing they feel. | 0:41:26 | 0:41:29 | |
Sarah is in Haslemere in Surrey to meet up with Suzanne | 0:41:30 | 0:41:34 | |
and hand over the profit. | 0:41:34 | 0:41:36 | |
-Hi, Suzanne! -Hi! -Hi there. How are you doing? | 0:41:38 | 0:41:40 | |
-All right, how are you? -Yeah, really well. | 0:41:40 | 0:41:42 | |
So, this beautiful renovation work, all done. | 0:41:42 | 0:41:44 | |
Yes, all done, completed. | 0:41:44 | 0:41:46 | |
-Yeah. -I remember chatting to you at the recycling centre, and you saying | 0:41:46 | 0:41:49 | |
-that you were an avid recycler and user of materials. -Absolutely. | 0:41:49 | 0:41:52 | |
So, what did you think we did with your bars? | 0:41:52 | 0:41:55 | |
I've been racking my brain, "What on earth could they make out of them?" | 0:41:55 | 0:41:57 | |
I've got some pictures of what actually happened to them. | 0:41:57 | 0:42:00 | |
-Are you ready for this? -Oh, exciting! Yes! | 0:42:00 | 0:42:01 | |
-It doesn't look like a steel bar. -Oh, really? | 0:42:01 | 0:42:03 | |
-Your bars have been made into bottle-openers and coasters. -Oh! | 0:42:03 | 0:42:09 | |
Oh, my word, that's amazing! I love the copper. | 0:42:09 | 0:42:13 | |
They've been handmade, hand-forged, and are a lovely set. | 0:42:13 | 0:42:16 | |
-They're beautiful. -Well, they have been sold, | 0:42:16 | 0:42:19 | |
-and I've got some money from the proceeds of the sale. -Oh, really? | 0:42:19 | 0:42:22 | |
-I've got £50 here for you. -Oh, wow, that's fantastic. | 0:42:22 | 0:42:25 | |
So, that's for your steel that... | 0:42:25 | 0:42:27 | |
Whoa! That's lovely. A lovely ending! Thank you. | 0:42:27 | 0:42:31 | |
I'm glad you like that. | 0:42:31 | 0:42:32 | |
I always like to know, because I'm nosy - where does that go? | 0:42:32 | 0:42:36 | |
-Well, I am doing a charity walk around the Isle of Wight... -OK. | 0:42:36 | 0:42:41 | |
..so I think I'm going to put it towards that. | 0:42:41 | 0:42:43 | |
-That's a fantastic idea. -Thank you. | 0:42:43 | 0:42:46 | |
Thank you so much for catching up. | 0:42:46 | 0:42:47 | |
Good luck on the walk, and that sounds like a great cause for that. | 0:42:47 | 0:42:50 | |
-Thank you very much. -Bye-bye. -Thanks. Bye! | 0:42:50 | 0:42:52 | |
Bex and Dave charged £200 for ten sets of bottle-openers and coasters. | 0:42:56 | 0:43:02 | |
Sarah sold the whole lot for a total of £250, | 0:43:02 | 0:43:06 | |
leaving a £50 profit for Suzanne. | 0:43:06 | 0:43:08 | |
Sarah salvaged three items that were destined for the dump - | 0:43:12 | 0:43:17 | |
Mark scored a victory with the military phone, | 0:43:17 | 0:43:20 | |
Bex showed some steel with the metal poles, | 0:43:20 | 0:43:24 | |
and Sarah worked wonders with the single bed. | 0:43:24 | 0:43:28 | |
Well, I really enjoyed that. | 0:43:28 | 0:43:30 | |
We take stuff, we make stuff, and we send it off to new homes. | 0:43:30 | 0:43:33 | |
What could be better than that? | 0:43:33 | 0:43:35 |