Browse content similar to Episode 21. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Clearing out the whole three-piece suite, are you? | 0:00:03 | 0:00:07 | |
How do you make money for nothing? | 0:00:07 | 0:00:10 | |
What have you been smashing up? | 0:00:10 | 0:00:11 | |
The answer could be hiding in over 20-million tonnes of | 0:00:11 | 0:00:14 | |
household waste thrown out by us every year. | 0:00:14 | 0:00:18 | |
Can I have them? | 0:00:18 | 0:00:19 | |
You're welcome to them, they're only going in the skip. | 0:00:19 | 0:00:22 | |
That's why entrepreneur Sarah Moore wants to get her hands | 0:00:22 | 0:00:25 | |
on things before they hit the skip. | 0:00:25 | 0:00:28 | |
I'm a passionate maker, buyer and user of old staff. | 0:00:31 | 0:00:34 | |
And I've turned that passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:42 | 0:00:45 | |
I think we can really be quite playful with this. | 0:00:45 | 0:00:47 | |
I could make several mankinis out of this, couldn't I? | 0:00:47 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
Oh, that's such a relief. | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:57 | |
Oh, it looks all shiny. | 0:00:57 | 0:00:59 | |
..and hopefully saleable items. | 0:00:59 | 0:01:02 | |
I love them. You are a gem. | 0:01:02 | 0:01:04 | |
If Sarah is successful, then she can hand the profits | 0:01:04 | 0:01:08 | |
back to the very people who had no idea there was cash to be made | 0:01:08 | 0:01:12 | |
from their trash. | 0:01:12 | 0:01:14 | |
I really can't believe that. That's amazing. | 0:01:14 | 0:01:16 | |
Today, Sarah is in Altrincham at the Woodhouse Lane Recycling Centre. | 0:01:26 | 0:01:31 | |
Here, a whole load of Greater Manchester's surplus gets sorted. | 0:01:31 | 0:01:36 | |
Look at that. That is a department store for rubbish. | 0:01:36 | 0:01:39 | |
A playground for junk. | 0:01:39 | 0:01:40 | |
A mass of opportunity lies just there. | 0:01:40 | 0:01:43 | |
In fact, I don't know what I'm doing here. | 0:01:43 | 0:01:45 | |
I'm off to see what I can find. | 0:01:45 | 0:01:47 | |
Sarah's looking to salvage three skip-bound items | 0:01:47 | 0:01:50 | |
into which she can breathe new life. | 0:01:50 | 0:01:53 | |
Come with me, let's go and find something. Come on. | 0:01:53 | 0:01:56 | |
It's really good fun, you should try it. | 0:01:56 | 0:01:57 | |
Not here though cos you get told off. | 0:01:57 | 0:02:00 | |
Sarah had a point. | 0:02:00 | 0:02:01 | |
She has special permission to rake the refuse in Altrincham, | 0:02:01 | 0:02:05 | |
so don't you dash down here hoping to do the same. | 0:02:05 | 0:02:09 | |
Two folks who have dashed down here with stuff to dump | 0:02:09 | 0:02:12 | |
are mum Wendy and daughter Rachel. | 0:02:12 | 0:02:15 | |
Is there loot lurking in their boot? | 0:02:15 | 0:02:17 | |
-Hello, hello. -Hi. | 0:02:18 | 0:02:20 | |
Now what... What's a pair of nice girls like you | 0:02:20 | 0:02:23 | |
doing with that dirty chunk of metal? | 0:02:23 | 0:02:25 | |
-Erm... -Are you helping? Shall I help you get it out? -Yes. | 0:02:25 | 0:02:27 | |
-How did you get that in there then? -Struggled. | 0:02:27 | 0:02:30 | |
No, it's not coming out. | 0:02:30 | 0:02:32 | |
Wendy and Rachel are turfing out an old water tank. | 0:02:32 | 0:02:35 | |
Come on, girls, give it some welly. | 0:02:35 | 0:02:38 | |
Oh, well done, mind your car. | 0:02:38 | 0:02:40 | |
Fantastic. Pop it down. | 0:02:40 | 0:02:41 | |
Pop it down on the floor, let's have a look at it. | 0:02:41 | 0:02:43 | |
So, who's is this? | 0:02:43 | 0:02:45 | |
-It's Rachel's really. -Oh, really? | 0:02:45 | 0:02:48 | |
-Are you having some work done? -Yes, we are. Yes. Yeah. | 0:02:48 | 0:02:52 | |
With this being like 50 years old, | 0:02:52 | 0:02:56 | |
it's not acceptable to have it in the house. | 0:02:56 | 0:02:58 | |
It's probably slightly past its best, isn't it? | 0:02:58 | 0:03:01 | |
-But you haven't been drinking out of that then? -Yes. | 0:03:01 | 0:03:03 | |
-Have you? -Yeah, yeah, it has. | 0:03:03 | 0:03:05 | |
-Yeah. That's why it had to go. -Yeah. | 0:03:05 | 0:03:09 | |
I'm sure it's improved your immune system no end. | 0:03:09 | 0:03:12 | |
If it's all right to say please may I have it, | 0:03:12 | 0:03:15 | |
-if I can make something out of it. -Of course. | 0:03:15 | 0:03:17 | |
Can I come and find you and show you what I've done? | 0:03:17 | 0:03:19 | |
Yes, you can. Brilliant. | 0:03:19 | 0:03:20 | |
Galvanised water tanks can be found in lofts of older houses. | 0:03:20 | 0:03:25 | |
They often supply cold water to all areas but the kitchen. | 0:03:25 | 0:03:30 | |
These days, they're plastic. | 0:03:30 | 0:03:32 | |
But these old tanks can be made into all kinds of things, so I'm told. | 0:03:32 | 0:03:36 | |
Any thoughts, Rachel and Wendy? | 0:03:36 | 0:03:38 | |
A table. | 0:03:38 | 0:03:40 | |
Pubs tend to go for all that stuff, don't they? | 0:03:40 | 0:03:42 | |
The old-fashioned stuff. | 0:03:42 | 0:03:44 | |
You know, but it will be interesting to see what she does out of it. | 0:03:44 | 0:03:47 | |
Well, this is beautiful, isn't it? Look, it's got rivets, | 0:03:47 | 0:03:50 | |
it's got rust, it's got old taps sticking out of it. | 0:03:50 | 0:03:53 | |
Well, I think it needs saving. | 0:03:53 | 0:03:55 | |
It's got a lovely look to it | 0:03:55 | 0:03:57 | |
because you can't recreate age like this. | 0:03:57 | 0:03:59 | |
I've got a big plan for this. | 0:03:59 | 0:04:01 | |
And I think you're going to love it in the end. | 0:04:01 | 0:04:04 | |
But currently not looking good. | 0:04:04 | 0:04:07 | |
I think you're going to need some help with this one, Sarah. | 0:04:07 | 0:04:10 | |
Just as well you know who to take it to. | 0:04:10 | 0:04:12 | |
Introducing Lorna and Clinton, the Junk Gypsies. | 0:04:14 | 0:04:19 | |
This pair are on board the eco-locomotive, | 0:04:19 | 0:04:22 | |
steaming down the tracks to a greener future. | 0:04:22 | 0:04:26 | |
Combining Lorna's upholstery skills and Clinton's design talents, | 0:04:26 | 0:04:30 | |
they deliver quality handmade furniture with that | 0:04:30 | 0:04:34 | |
steampunk feel that's very on trend. | 0:04:34 | 0:04:37 | |
Using salvaged material gives you an opportunity to not just be | 0:04:40 | 0:04:45 | |
cleaner and greener, | 0:04:45 | 0:04:46 | |
but it gives you a chance to preserve pieces of history. | 0:04:46 | 0:04:50 | |
We're like yin and yang. | 0:04:50 | 0:04:52 | |
Like, I love all the soft, fluffy, warm, clean side of it. | 0:04:52 | 0:04:57 | |
-Clinton... -I just love the rust and the dirt and the grime. | 0:04:57 | 0:05:00 | |
But, actually, the collaboration of the two, | 0:05:00 | 0:05:03 | |
-that's what makes our small company work. -Yeah. | 0:05:03 | 0:05:05 | |
-We work well together, don't we, love? -We do. | 0:05:05 | 0:05:08 | |
It's difficult to see the soft, fluffy side, | 0:05:08 | 0:05:10 | |
but I think Clinton's going to be happy. | 0:05:10 | 0:05:13 | |
One item down, two more to find. | 0:05:19 | 0:05:22 | |
If people didn't know that Sarah was here today, they do now. | 0:05:22 | 0:05:27 | |
BELL RINGS | 0:05:27 | 0:05:29 | |
It wasn't me. | 0:05:30 | 0:05:31 | |
Now, if you hear that, | 0:05:32 | 0:05:33 | |
that means there's rubbish and we've got to go and find it. Ready? | 0:05:33 | 0:05:36 | |
BELL RINGS | 0:05:36 | 0:05:37 | |
Oh, all right, give it a rest, Sarah. | 0:05:37 | 0:05:39 | |
While my ears stop ringing, | 0:05:39 | 0:05:41 | |
why don't you see what Roy's got in his boot. | 0:05:41 | 0:05:44 | |
Oh, that's got lovely legs, hasn't it? | 0:05:44 | 0:05:46 | |
-Hello. -Oh, hello there. Yeah, hi. | 0:05:46 | 0:05:48 | |
They're not bad. | 0:05:48 | 0:05:50 | |
Have you had those legs long? | 0:05:50 | 0:05:52 | |
Since I was a child. They were my parents'. | 0:05:53 | 0:05:55 | |
My parents bought this in Manchester a long, long time ago. | 0:05:55 | 0:05:59 | |
And it's just sort of followed them. | 0:05:59 | 0:06:01 | |
-And in the last 20-odd years, followed my wife and I around. -OK. | 0:06:01 | 0:06:04 | |
But it's time for a change. | 0:06:04 | 0:06:05 | |
It looks like it had a lot of style. | 0:06:05 | 0:06:07 | |
I bet when this was first bought, it was pride of place, wasn't it? | 0:06:07 | 0:06:10 | |
Oh, I think so, it came with a little single wardrobe and it came | 0:06:10 | 0:06:13 | |
with a double wardrobe and it's got mirrors the go on the back of it. | 0:06:13 | 0:06:16 | |
Oh, really? Lovely. | 0:06:16 | 0:06:17 | |
-It does that and then two side mirrors that go with it. -Yeah. | 0:06:17 | 0:06:21 | |
So I understand why you might think that's dated. | 0:06:21 | 0:06:24 | |
Just before you slide it in there, can I have it instead? | 0:06:24 | 0:06:28 | |
You're more than welcome to it. | 0:06:28 | 0:06:29 | |
Is it going to a good home? | 0:06:29 | 0:06:31 | |
It definitely would be going to a good home. | 0:06:31 | 0:06:33 | |
And if it would be all right, | 0:06:33 | 0:06:34 | |
I'd love to catch up with you and show you what happens to it. | 0:06:34 | 0:06:37 | |
I'd be delighted. No, no, no issue at all. | 0:06:37 | 0:06:39 | |
-Lovely. -Yeah, that's nice. | 0:06:39 | 0:06:41 | |
I normally say, "Can I take this away now," | 0:06:41 | 0:06:42 | |
but what would be really helpful is if you could help me. | 0:06:42 | 0:06:45 | |
I'd be delighted to. | 0:06:45 | 0:06:47 | |
-I think just off this way would be lovely. -All right. | 0:06:47 | 0:06:50 | |
-The old things are always heavier than the new ones. -Certainly are. | 0:06:50 | 0:06:53 | |
Roy's dressing table and mirror combo are a hit with Sarah | 0:06:53 | 0:06:57 | |
as she sees a future for them. | 0:06:57 | 0:06:59 | |
But does Roy have any ideas what could happen to them? | 0:06:59 | 0:07:04 | |
I haven't got a clue. | 0:07:04 | 0:07:05 | |
I hardly think she's going to paint it in green gloss paint | 0:07:05 | 0:07:08 | |
or something, but maybe she is. No, I don't know. | 0:07:08 | 0:07:10 | |
I know nothing about restoration, | 0:07:10 | 0:07:12 | |
I just know the way it was and what it was meant to be. | 0:07:12 | 0:07:15 | |
And what will be will be. | 0:07:15 | 0:07:17 | |
This is just the kind of piece of furniture that you see all | 0:07:20 | 0:07:23 | |
the time given a lovely new coat of chalk paint | 0:07:23 | 0:07:26 | |
and upcycled for somebody's bedroom. | 0:07:26 | 0:07:27 | |
I think we can make it more cutting-edge though. | 0:07:27 | 0:07:29 | |
It's got a good shape, it's got nice legs. | 0:07:29 | 0:07:31 | |
And some really useful mirrors, | 0:07:31 | 0:07:33 | |
so something must be able to be done with this. | 0:07:33 | 0:07:35 | |
And Sarah knows just the chap to take this on. | 0:07:35 | 0:07:38 | |
Master carpenter Norman Wilkinson. | 0:07:41 | 0:07:44 | |
Norman's skill and attention to detail | 0:07:44 | 0:07:47 | |
shines through in everything he makes. | 0:07:47 | 0:07:49 | |
And Sarah is never disappointed. | 0:07:49 | 0:07:52 | |
Oh, what Sarah brings, well, it gets a bit more diverse every time. | 0:07:52 | 0:07:56 | |
It tests you. It can be fun. | 0:07:56 | 0:07:59 | |
As long as the job comes out looking good, saleable and someone | 0:07:59 | 0:08:02 | |
loves it at the end of it, that's all the matters. | 0:08:02 | 0:08:05 | |
Norman brings with him over 25 years of experience | 0:08:05 | 0:08:09 | |
and is the definition of old school. | 0:08:09 | 0:08:11 | |
I'm not into this modern world and the modern sayings. | 0:08:11 | 0:08:14 | |
Upcycling is a new word, I mean, we create I suppose. | 0:08:14 | 0:08:18 | |
That's what we call it. | 0:08:18 | 0:08:20 | |
I'm one of the lucky people in life. | 0:08:20 | 0:08:21 | |
I get up in the morning, I look forward to coming to work. | 0:08:21 | 0:08:24 | |
So can't ask for any more than that, can I? | 0:08:24 | 0:08:26 | |
That enthusiasm might be dampened somewhat when Norman claps his eyes | 0:08:27 | 0:08:32 | |
on the old dressing table Sarah's saved for him. | 0:08:32 | 0:08:35 | |
With two items secured, Sarah needs to find one more. | 0:08:40 | 0:08:44 | |
One that she can transform at home. | 0:08:44 | 0:08:47 | |
That is what I'm after. | 0:08:49 | 0:08:50 | |
Not that. | 0:08:50 | 0:08:52 | |
Well, you might find something in the back of Robert's boot. | 0:08:52 | 0:08:55 | |
Oh, are they prints? | 0:08:57 | 0:08:59 | |
Not sure. | 0:08:59 | 0:09:00 | |
-Are these yours then? -They are. | 0:09:00 | 0:09:02 | |
Have they been up in the sitting-room them? | 0:09:02 | 0:09:04 | |
Unfortunately, they've been hidden away in the attic. | 0:09:04 | 0:09:06 | |
So we're just clearing them out. | 0:09:06 | 0:09:08 | |
What do you think of them then? | 0:09:08 | 0:09:10 | |
-Are these your cup of tea? -Not my cup of tea, no, myself. | 0:09:10 | 0:09:13 | |
But, you know, I can see them being hung on the wall in | 0:09:13 | 0:09:15 | |
-a nice house somewhere. -OK. | 0:09:15 | 0:09:17 | |
What's that? Hold on. | 0:09:17 | 0:09:19 | |
Maleter. | 0:09:21 | 0:09:22 | |
"Paul Maleter is a young Hungarian artist | 0:09:22 | 0:09:25 | |
"living in Holland since 1958." | 0:09:25 | 0:09:27 | |
What's the reckoning, is Paul Maleter going to be... | 0:09:27 | 0:09:30 | |
I reckon he's just going to be... | 0:09:30 | 0:09:32 | |
-A good bet? -Well, safe to say, yeah. A good bet. | 0:09:32 | 0:09:36 | |
I think there is something about them that means they | 0:09:36 | 0:09:39 | |
shouldn't go in there. | 0:09:39 | 0:09:41 | |
By all means, if you think there's something about them, | 0:09:41 | 0:09:44 | |
I'm happy, free to a good home. | 0:09:44 | 0:09:46 | |
I'll take them away and if I find out they're worth anything, | 0:09:46 | 0:09:48 | |
or people just snap them up, I'll be back in touch. | 0:09:48 | 0:09:51 | |
-Yeah, no worries. -Thanks very much. -Oh, you'll need that. -Oh, yeah. | 0:09:51 | 0:09:54 | |
-That's provenance, you know. -Yeah, that's traceability. | 0:09:54 | 0:09:57 | |
Provenance is a massive, massive thing in the art world. | 0:09:57 | 0:09:59 | |
But thank you so much for these. | 0:09:59 | 0:10:01 | |
-OK, no worries. -OK, bye-bye. -Bye now. | 0:10:01 | 0:10:04 | |
Provenance is just a fancy word | 0:10:04 | 0:10:06 | |
for the history of the ownership of a painting. | 0:10:06 | 0:10:09 | |
But it is important as it can help confirm the authenticity of | 0:10:09 | 0:10:13 | |
a work of art. | 0:10:13 | 0:10:15 | |
Can Robert see the same potential as Sarah? | 0:10:15 | 0:10:18 | |
I'm not surprised that somebody wanted them because there's | 0:10:18 | 0:10:21 | |
someone out there who will always want something. | 0:10:21 | 0:10:23 | |
But hopefully she can have them repaired, | 0:10:23 | 0:10:25 | |
touched up and cleaned, and find a good home for them. | 0:10:25 | 0:10:28 | |
Me too, Robert. As long as it's not mine. | 0:10:28 | 0:10:30 | |
They look to me like they are painted at the end of the '60s, | 0:10:31 | 0:10:35 | |
they've got cheeky street appeal. | 0:10:35 | 0:10:37 | |
They're kitsch. | 0:10:37 | 0:10:38 | |
But he was quite good at it, wasn't he? | 0:10:39 | 0:10:41 | |
Definitely something here. | 0:10:41 | 0:10:44 | |
That makes up our three items. | 0:10:44 | 0:10:47 | |
The water tank will go to Lorna and Clinton, | 0:10:47 | 0:10:50 | |
the dressing table will get the Norman treatment | 0:10:50 | 0:10:53 | |
and Sarah will try and muster up a masterpiece with the paintings. | 0:10:53 | 0:10:57 | |
Well, that lot didn't make the cut, | 0:11:01 | 0:11:02 | |
but the other finds have been fabulous. | 0:11:02 | 0:11:05 | |
Let's go and make some money. | 0:11:05 | 0:11:07 | |
For our first stop, | 0:11:11 | 0:11:13 | |
we're off to the village of Dodford in the outskirts of Bromsgrove. | 0:11:13 | 0:11:17 | |
Sarah's lugged along the rusty water tank | 0:11:17 | 0:11:20 | |
to see what Lorna and Clinton make of it. | 0:11:20 | 0:11:22 | |
I actually hope I can get my hands on some metal, some wood, | 0:11:25 | 0:11:29 | |
something really bulky that I can turn in to a bit of a showpiece. | 0:11:29 | 0:11:33 | |
-I'm praying for a chair. -You want a chair? | 0:11:33 | 0:11:35 | |
-I want a really old chair. -OK. | 0:11:35 | 0:11:38 | |
Uh-oh. | 0:11:38 | 0:11:40 | |
Well, I suppose you could sit on it. | 0:11:40 | 0:11:42 | |
If you had to. | 0:11:42 | 0:11:43 | |
Well, it's looking a bit decrepit, isn't it? | 0:11:45 | 0:11:47 | |
Look at all that rust coming out of it. | 0:11:47 | 0:11:48 | |
I'm hoping that Lorna and Clinton won't get put off when I show them. | 0:11:48 | 0:11:51 | |
I've got a few ideas, | 0:11:51 | 0:11:52 | |
so I think they might be able to make a little something out of this. | 0:11:52 | 0:11:55 | |
It's going to take a bit more than a really good PR job, if you ask me. | 0:11:55 | 0:11:59 | |
Come and see this, look. | 0:11:59 | 0:12:01 | |
I saw this and I thought of you. | 0:12:01 | 0:12:03 | |
Wow. | 0:12:03 | 0:12:05 | |
Is that the right thing? | 0:12:05 | 0:12:06 | |
Not a chair. | 0:12:06 | 0:12:08 | |
Definitely not a chair. | 0:12:08 | 0:12:09 | |
Actually, I've got some really good ideas for it. | 0:12:09 | 0:12:11 | |
I think might keep you both busy. | 0:12:11 | 0:12:13 | |
-Shall we get it inside? -Fab. Let's go for it. | 0:12:13 | 0:12:16 | |
Another day I don't need to go to the gym. | 0:12:18 | 0:12:20 | |
Looks right at home, doesn't it? | 0:12:23 | 0:12:25 | |
-What is it? -Lorna, you must love the interior. | 0:12:25 | 0:12:27 | |
Look at that beautiful build-up of rust in there. | 0:12:27 | 0:12:30 | |
-It's awesome. -I wanted rust, I wanted metal. I'm semi-happy. | 0:12:30 | 0:12:34 | |
So you've got everything you wanted. | 0:12:34 | 0:12:36 | |
Don't worry, I mean, | 0:12:36 | 0:12:37 | |
let's brainstorm a little bit and see what we can do with it. | 0:12:37 | 0:12:40 | |
I've seen them made into great coffee tables, | 0:12:40 | 0:12:43 | |
-people make cupboards out of them, put doors on the front. -Yeah. | 0:12:43 | 0:12:46 | |
But I was wondering what would happen if we cut it in half. | 0:12:46 | 0:12:50 | |
Maybe make a coffee table and some sort of padded footstool | 0:12:50 | 0:12:54 | |
-ottoman thing out of it. -OK. -OK. | 0:12:54 | 0:12:57 | |
-Does that sound possible? -Yeah, sounds good. | 0:12:57 | 0:12:59 | |
So what we're talking is maybe cutting it in half. Yeah. | 0:12:59 | 0:13:03 | |
I'll take the top portion, | 0:13:03 | 0:13:05 | |
I'll make that and focus on making a coffee table. | 0:13:05 | 0:13:08 | |
I'll leave this bottom portion to you | 0:13:08 | 0:13:10 | |
and then we can come together and then we'll see... | 0:13:10 | 0:13:13 | |
We'll see if it works. | 0:13:13 | 0:13:14 | |
Well, there's your plan. | 0:13:15 | 0:13:17 | |
Although Lorna isn't that convinced. | 0:13:17 | 0:13:19 | |
She has the task of making the bottom portion | 0:13:19 | 0:13:22 | |
of this rusty old tank into a footstool. | 0:13:22 | 0:13:24 | |
While Clinton makes the top half into a coffee table. | 0:13:24 | 0:13:27 | |
Now, how much will all that cost? | 0:13:27 | 0:13:30 | |
I'm thinking overall cost including materials and bits and bobs, | 0:13:30 | 0:13:34 | |
I'm thinking around... | 0:13:34 | 0:13:36 | |
265. Normally, I would say | 0:13:36 | 0:13:37 | |
they're about 50 quid if you wanted to buy one. | 0:13:37 | 0:13:41 | |
But because you've already brought it I probably say...about 265. | 0:13:41 | 0:13:44 | |
265 is fab. | 0:13:44 | 0:13:46 | |
You're creating two pieces of furniture. | 0:13:46 | 0:13:48 | |
We can either sell them as a pair, or sell them separately. | 0:13:48 | 0:13:50 | |
-So, if you're happy with that, I'm happy with that. -I'm happy. | 0:13:50 | 0:13:53 | |
Yeah, I'm happy. I think for 265, if it does go to plan, | 0:13:53 | 0:13:57 | |
we can create two things which are going to be stunning. | 0:13:57 | 0:14:00 | |
Great, sounds like a good plan to me. | 0:14:00 | 0:14:02 | |
265 for two pieces of furniture. | 0:14:02 | 0:14:04 | |
-Go for it. -Happy with that. | 0:14:04 | 0:14:05 | |
Yeah, yeah, fantastic. | 0:14:05 | 0:14:07 | |
-Hope it goes well and give me a shout when it's ready. -OK. | 0:14:07 | 0:14:09 | |
-Nice to see you. -Lovely to see you again. | 0:14:09 | 0:14:11 | |
-Nice to see you, good luck. -Bye, see you soon. | 0:14:11 | 0:14:15 | |
Well, we always work really well together anyway, | 0:14:15 | 0:14:17 | |
so that's not really my worry. | 0:14:17 | 0:14:18 | |
My worry is if it doesn't go to plan, it's going to be a disaster. | 0:14:18 | 0:14:23 | |
Yeah. | 0:14:24 | 0:14:27 | |
-Yeah. -It's just not a chair, is it? | 0:14:27 | 0:14:29 | |
It's just not a chair. | 0:14:29 | 0:14:30 | |
Well, that's such a relief because Lorna and Clinton loved all | 0:14:32 | 0:14:35 | |
that rust on the tank, didn't they? | 0:14:35 | 0:14:37 | |
Well, I think they're going to in the end. | 0:14:37 | 0:14:39 | |
So that is going to be two great projects, | 0:14:39 | 0:14:40 | |
hopefully combining to make one great result. | 0:14:40 | 0:14:44 | |
Lorna and Clinton for a budget of £265 are going to transform the old | 0:14:44 | 0:14:50 | |
galvanised water tank | 0:14:50 | 0:14:52 | |
into an upholstered footstool and coffee table. | 0:14:52 | 0:14:55 | |
I just hope they haven't bitten off more than they can chew. | 0:14:55 | 0:14:59 | |
Our next stop is Hellingly, | 0:15:02 | 0:15:04 | |
a beautiful village nestling in the East Sussex countryside. | 0:15:04 | 0:15:08 | |
Sarah's brought along the dainty dressing table to see if it | 0:15:08 | 0:15:11 | |
appeals to our Norman. | 0:15:11 | 0:15:13 | |
Well, I've got a sweet dressing table that really needs dressing up | 0:15:15 | 0:15:18 | |
because I'd love to turn this into a really elegant, feminine piece. | 0:15:18 | 0:15:22 | |
So I've brought it to Norman, obviously. | 0:15:22 | 0:15:25 | |
Well, Sarah's due today, | 0:15:26 | 0:15:28 | |
so it's going to be interesting what she brings. | 0:15:28 | 0:15:31 | |
Let's just see where we go. | 0:15:31 | 0:15:33 | |
Good morning, where are you? | 0:15:34 | 0:15:36 | |
Hi, Sarah. | 0:15:36 | 0:15:38 | |
-Look what I've got for you. -Hello, you. | 0:15:38 | 0:15:40 | |
Oh, dear, another gem. | 0:15:40 | 0:15:41 | |
Let me put it down. It's got hidden depths. | 0:15:43 | 0:15:45 | |
Oh, it's got hidden treasures, has it? | 0:15:45 | 0:15:47 | |
-Well, there are some mirrors underneath it. -OK. | 0:15:47 | 0:15:51 | |
Shall we put the mirrors on top? There's another... | 0:15:51 | 0:15:54 | |
There's this one and then there's a few more. | 0:15:54 | 0:15:57 | |
You know how to spoil me, don't you? | 0:15:57 | 0:15:58 | |
So in my wild dreams, | 0:15:58 | 0:16:00 | |
I was thinking perhaps we could use this mirror to clad the drawers. | 0:16:00 | 0:16:07 | |
Oh, right, yeah. | 0:16:07 | 0:16:08 | |
And I think that these bits, I was thinking how about creating | 0:16:08 | 0:16:11 | |
a beautiful mirror backed Venetian-style dressing table? | 0:16:11 | 0:16:15 | |
Oh, speechless. | 0:16:18 | 0:16:19 | |
It's not like you to be lost for words. | 0:16:19 | 0:16:21 | |
Fantastic. | 0:16:21 | 0:16:23 | |
I'm not convinced you mean that, Norman. | 0:16:23 | 0:16:26 | |
Sarah's vision is for the mirror to be cut into small pieces. | 0:16:26 | 0:16:30 | |
These are to be attached to the front of each drawer. | 0:16:30 | 0:16:33 | |
The look is to be similar to early 15th century Venetian furniture, | 0:16:33 | 0:16:38 | |
often covered in mirrors and made by the craftsmen of Murano. | 0:16:38 | 0:16:42 | |
The only thing is, we've got a curved drawer there, | 0:16:42 | 0:16:44 | |
so we going to have to make that... | 0:16:44 | 0:16:45 | |
We're going to have to cut that square. | 0:16:45 | 0:16:47 | |
We'll have to cut it off there so we get the nice flat level. | 0:16:47 | 0:16:51 | |
And then we'll take the moulding off and then we'll remould it. | 0:16:51 | 0:16:54 | |
Just make it dark, beautiful, dazzling. | 0:16:54 | 0:16:57 | |
-Dazzling handles. -Dazzling handles. | 0:16:57 | 0:16:59 | |
Price for that, go on, hit me. | 0:16:59 | 0:17:00 | |
If we go for this look, with the mirrors and everything, erm... | 0:17:00 | 0:17:04 | |
We're going to be touching you on the £300 mark, 295. | 0:17:04 | 0:17:08 | |
You know. | 0:17:08 | 0:17:09 | |
I reckon for that, it's a good price. | 0:17:09 | 0:17:12 | |
I'll leave it to you. Go on, you know you want to. | 0:17:12 | 0:17:15 | |
-I really want to. -You know you want to. -Yes, OK. -Bye. | 0:17:15 | 0:17:18 | |
We might start with the drawers and the mirrors. | 0:17:20 | 0:17:22 | |
See if I have a complete disaster with them. | 0:17:22 | 0:17:24 | |
I mean, we'll have to make a decision whether I cut it | 0:17:24 | 0:17:26 | |
or I take it and have it professionally done. | 0:17:26 | 0:17:28 | |
But, yeah, what could go wrong? | 0:17:28 | 0:17:30 | |
Well, how do you think that went? | 0:17:32 | 0:17:35 | |
I think Norman might have taken on the Venetian idea, | 0:17:35 | 0:17:38 | |
but I might come back and find he's just painted it. | 0:17:38 | 0:17:41 | |
Who knows? | 0:17:42 | 0:17:44 | |
Sarah's left Norman with a budget of £295 | 0:17:44 | 0:17:47 | |
to create a classic Venetian masterpiece. | 0:17:47 | 0:17:51 | |
I can't wait to see this one. | 0:17:51 | 0:17:53 | |
In West Sussex, Sarah's back home with the two unusual oil paintings. | 0:17:57 | 0:18:03 | |
She's been reading up on the artist responsible for these creations, | 0:18:03 | 0:18:08 | |
so don't keep us in suspense. | 0:18:08 | 0:18:09 | |
Are they worth millions? | 0:18:09 | 0:18:12 | |
Well, I've done a little bit of research on these paintings. | 0:18:12 | 0:18:14 | |
Maleter was a prolific painter of | 0:18:14 | 0:18:17 | |
these kind of street urchin children back in the '50s. | 0:18:17 | 0:18:20 | |
There's one thing that is absolutely certain about these. | 0:18:20 | 0:18:23 | |
Loads of people will detest them. | 0:18:23 | 0:18:25 | |
I am worried that if I do these as a straight sell, | 0:18:27 | 0:18:30 | |
I might only get a car boot kind of price for them. | 0:18:30 | 0:18:33 | |
And what I'd really like to do is share the fantastic strong imagery | 0:18:33 | 0:18:36 | |
with all the people that love that kind of thing | 0:18:36 | 0:18:38 | |
and transfer it into fabric and make bags out of it. | 0:18:38 | 0:18:41 | |
The plan is to not only sell the paintings, | 0:18:43 | 0:18:46 | |
but to print the design onto fabric from which Sarah will make bags. | 0:18:46 | 0:18:50 | |
Sarah's taking high-quality digital images. | 0:18:52 | 0:18:55 | |
She will send these off to be printed. | 0:18:55 | 0:18:57 | |
I think I've got some great shots there. | 0:18:59 | 0:19:01 | |
I'm going to send them off and get some fabric printed. | 0:19:01 | 0:19:04 | |
And 48 hours after the picture taking, | 0:19:08 | 0:19:11 | |
Sarah's printed material arrives back. | 0:19:11 | 0:19:14 | |
That is just perfect. | 0:19:16 | 0:19:18 | |
I want these bags to look really strong, | 0:19:18 | 0:19:20 | |
I want them to look kitsch and vintage. | 0:19:20 | 0:19:22 | |
And I think this is just ticking all of those boxes. | 0:19:22 | 0:19:26 | |
Well, that's the easy bit. The fabric looks great. | 0:19:26 | 0:19:28 | |
All I've got to do is make a dozen tote bags out of it. | 0:19:28 | 0:19:32 | |
How hard can that be? | 0:19:32 | 0:19:33 | |
Tote means to carry by hand, | 0:19:35 | 0:19:37 | |
so tote bags kind of translate to handbags. | 0:19:37 | 0:19:41 | |
Which is strange | 0:19:41 | 0:19:43 | |
because you're more likely to sling them over your shoulder. | 0:19:43 | 0:19:48 | |
Well, there they are. 12 panels of each. | 0:19:48 | 0:19:50 | |
Perfect for turning into tote bags. | 0:19:50 | 0:19:52 | |
So it's a pretty simple process. | 0:19:52 | 0:19:54 | |
All I've got to do is put the panels right sides together, like that, | 0:19:54 | 0:19:57 | |
line them up nice and neatly and sew all the way around the outside. | 0:19:57 | 0:20:01 | |
But before I do that, | 0:20:01 | 0:20:02 | |
I think it'll be much easier to get the handles in place. | 0:20:02 | 0:20:04 | |
So I'm going to turn the little hem over the top and then | 0:20:04 | 0:20:07 | |
use some of this canvass fabric cut into strips to make some | 0:20:07 | 0:20:10 | |
really strong, sturdy handles. | 0:20:10 | 0:20:12 | |
Sarah's got to make 24 handles. | 0:20:14 | 0:20:17 | |
This could take some time. | 0:20:17 | 0:20:19 | |
I should probably be using lovely oatmeal-coloured thread. | 0:20:19 | 0:20:22 | |
But I'm going for pink. | 0:20:22 | 0:20:25 | |
Very nice. | 0:20:25 | 0:20:26 | |
It was just the one that was left in the machine. | 0:20:27 | 0:20:30 | |
Oh, and here's me thinking it was all part of the design. | 0:20:30 | 0:20:33 | |
Once the handles are sewn in place, | 0:20:33 | 0:20:36 | |
all that's left to do is to sew a lining on the inside. | 0:20:36 | 0:20:39 | |
Then the two sides can be sewn together. | 0:20:39 | 0:20:43 | |
I think that'll be just about all right. | 0:20:43 | 0:20:45 | |
It's strong enough. | 0:20:45 | 0:20:47 | |
It's going to be handy over the shoulder. | 0:20:47 | 0:20:49 | |
And I think it's going to look really unusual. | 0:20:49 | 0:20:52 | |
And that's in a good way. | 0:20:52 | 0:20:54 | |
Whatever you say, Sarah. | 0:20:54 | 0:20:56 | |
So far, Sarah's spent £60 on material and printing. | 0:20:56 | 0:21:01 | |
They certainly are unusual. | 0:21:01 | 0:21:03 | |
But will anyone want to buy them? | 0:21:03 | 0:21:05 | |
Back on board the upcycling locomotive are Lorna, | 0:21:10 | 0:21:13 | |
who's making a footstool, | 0:21:13 | 0:21:15 | |
and Clinton, who's creating a coffee table. | 0:21:15 | 0:21:18 | |
Both items from the old water tank that Sarah dropped off. | 0:21:18 | 0:21:22 | |
We started with the tank that Sarah brought. | 0:21:22 | 0:21:25 | |
We've measured and cut the two pieces that we're going to work on. | 0:21:25 | 0:21:29 | |
This is my favourite. | 0:21:29 | 0:21:30 | |
Like, working with rust, metal, rotten wood. | 0:21:30 | 0:21:33 | |
So, yeah, when Sarah brought me this rusty bucket, | 0:21:33 | 0:21:36 | |
Lorna weren't too impressed, but I actually really loved it. | 0:21:36 | 0:21:41 | |
If rusty buckets take your fancy, | 0:21:41 | 0:21:43 | |
then this one's right up your alley, Clinton. | 0:21:43 | 0:21:46 | |
But before tackling the rust, there's that tap to deal with. | 0:21:46 | 0:21:50 | |
Yes, that's the one. | 0:21:50 | 0:21:52 | |
Now, to remove all be loose rust. | 0:21:52 | 0:21:55 | |
Brute force in the shape of a mallet should do the trick. | 0:21:55 | 0:21:59 | |
As you can see, a lot of the surface type rust that was about to fall off | 0:21:59 | 0:22:03 | |
is dislodged, quite a lot of it. | 0:22:03 | 0:22:05 | |
It's hard to imagine at this point | 0:22:05 | 0:22:07 | |
when you're seeing all the rust and the dirt | 0:22:07 | 0:22:09 | |
that this will be a beautiful piece of furniture in someone's home. | 0:22:09 | 0:22:12 | |
That's where your vision comes in. | 0:22:12 | 0:22:14 | |
I'm glad Clinton has a vision, | 0:22:14 | 0:22:16 | |
as Lorna's struggling to see the finished footstool. | 0:22:16 | 0:22:19 | |
Clinton's cut me some wood for my top. | 0:22:19 | 0:22:22 | |
The dilemma is what fabric would look best to cover the top? | 0:22:24 | 0:22:28 | |
I've got some old coffee sacks. | 0:22:28 | 0:22:31 | |
Which I think are really cool. | 0:22:31 | 0:22:33 | |
Or, I were thinking like patchwork leather pieces. | 0:22:33 | 0:22:39 | |
I think leather. | 0:22:39 | 0:22:40 | |
I think I'm going to lean towards leather. | 0:22:40 | 0:22:42 | |
However, I like the simplicity of the hessian. | 0:22:42 | 0:22:46 | |
Because these items that we work with are so old, | 0:22:49 | 0:22:52 | |
they're not exactly square. | 0:22:52 | 0:22:54 | |
So if I order a square piece of glass and just measure it | 0:22:54 | 0:22:57 | |
across there, measure it across there, when you actually come | 0:22:57 | 0:22:59 | |
to put the piece of glass on, it's not going to look right. | 0:22:59 | 0:23:03 | |
It'll sit square if this is slightly out. | 0:23:03 | 0:23:05 | |
So the way I always combat that is simply going to use a piece of card. | 0:23:05 | 0:23:10 | |
You literally want to be the same size as the top of the lid. | 0:23:10 | 0:23:14 | |
Because it'll make it look super nice and refined. | 0:23:14 | 0:23:18 | |
It's a simple process of drawing round the edges | 0:23:18 | 0:23:21 | |
and cutting round the shape. | 0:23:21 | 0:23:22 | |
So, there's your template. | 0:23:26 | 0:23:27 | |
All you do now, | 0:23:27 | 0:23:29 | |
pop that in an envelope and send it off to the guy who makes my glass. | 0:23:29 | 0:23:33 | |
Back in the upholstery side, | 0:23:33 | 0:23:35 | |
Lorna's about to start cutting out the padding for the new cushion. | 0:23:35 | 0:23:39 | |
I'll basically measure this out with my wood. | 0:23:39 | 0:23:44 | |
But she still hasn't made a decision | 0:23:45 | 0:23:48 | |
about the fabric for the cover. | 0:23:48 | 0:23:49 | |
Which isn't a disaster because it looks like this project | 0:23:49 | 0:23:53 | |
is going to take a while. | 0:23:53 | 0:23:54 | |
I feel like I would be here for about a month with this. | 0:23:56 | 0:23:59 | |
Better let Sarah know not to rush back. | 0:23:59 | 0:24:01 | |
Hellingly in East Sussex is where Norman has his workshop. | 0:24:07 | 0:24:11 | |
He's about to bling up the old dressing table. | 0:24:11 | 0:24:14 | |
His challenge? To turn it into a mirrored Venetian beauty. | 0:24:14 | 0:24:18 | |
So, I'm going to strip it down. | 0:24:18 | 0:24:20 | |
Where we can see this has got a curved... | 0:24:20 | 0:24:24 | |
A curved drawer, we're actually going to have to | 0:24:24 | 0:24:27 | |
take the drawer front off and we're going to square it up. | 0:24:27 | 0:24:30 | |
And then we're going to square all these up. | 0:24:30 | 0:24:32 | |
Drill some holes and put some nice glass handles on it. | 0:24:32 | 0:24:35 | |
But I don't have a very good success rate with glass, or mirrors, | 0:24:35 | 0:24:40 | |
or whatever, I smash most of them and it costs me a fortune. | 0:24:40 | 0:24:43 | |
So I'm more likely going to take it down the glassworks that we | 0:24:43 | 0:24:46 | |
use and get them to do it. | 0:24:46 | 0:24:48 | |
And then if they smash it, then it's their fault, not mine. | 0:24:48 | 0:24:51 | |
The plan is to let somebody else | 0:24:51 | 0:24:52 | |
do the tricky bit of cutting the existing mirrors. | 0:24:52 | 0:24:56 | |
Norman will flatten the front and square the top, | 0:24:56 | 0:24:59 | |
ready to glue the mirrors onto the drawer fronts. | 0:24:59 | 0:25:02 | |
So, what's first? | 0:25:02 | 0:25:03 | |
First thing is we're going to take the drawers out. | 0:25:03 | 0:25:07 | |
We'll strip it all down, | 0:25:07 | 0:25:08 | |
strip it down to the basics and then we can start re-doing. | 0:25:08 | 0:25:11 | |
I'm just seeing if she left me any £50 notes under the paper, | 0:25:13 | 0:25:16 | |
but not my lucky day. | 0:25:16 | 0:25:18 | |
Yeah. | 0:25:20 | 0:25:22 | |
Well, there's no screws, so it's a case of hit and hope. | 0:25:22 | 0:25:26 | |
Hit and hope? | 0:25:26 | 0:25:27 | |
I don't like the sound of that. | 0:25:27 | 0:25:29 | |
Give it a tap first. | 0:25:29 | 0:25:31 | |
Oh. | 0:25:31 | 0:25:33 | |
I love smashing things apart. Love it. But this one's actually going... | 0:25:36 | 0:25:39 | |
I'm really pleased, this one's just pulling off lovely. | 0:25:39 | 0:25:42 | |
There's many a time when the glue sticks on, | 0:25:42 | 0:25:44 | |
you do that and the whole thing comes apart with you. | 0:25:44 | 0:25:47 | |
So someone likes me today. | 0:25:47 | 0:25:50 | |
Makes a change. | 0:25:51 | 0:25:53 | |
We always like you, Norman. | 0:25:53 | 0:25:55 | |
Anyway, so that's a bit of thin old veneered wood on it, so it was | 0:25:57 | 0:26:01 | |
obviously made the cheapest way they could at the time when they made it. | 0:26:01 | 0:26:05 | |
I've got the drawer fronts to sort out. | 0:26:05 | 0:26:07 | |
I got to try and get that... | 0:26:07 | 0:26:10 | |
Get that moulded edge off, so they've got to be nice and flat. | 0:26:10 | 0:26:12 | |
We have two chances, we can either replace the drawer front or... | 0:26:12 | 0:26:18 | |
I mean, I could cheat and run them through the saw and see where we go. | 0:26:18 | 0:26:20 | |
So I think I'll try cheating first. | 0:26:20 | 0:26:22 | |
All that's required to remove the moulding is to shave the | 0:26:24 | 0:26:27 | |
thinnest morsel from the front of each drawer. | 0:26:27 | 0:26:30 | |
I think we've got lady luck on our side. | 0:26:32 | 0:26:35 | |
Yeah, that one's looking great. We've lost the bevelled edge. | 0:26:35 | 0:26:37 | |
So I'll give that a light sand and then we can get the glass on it. | 0:26:37 | 0:26:41 | |
Mirror. Mirror, Mirror, mirror on the wall. | 0:26:41 | 0:26:44 | |
And, yeah, superb. | 0:26:44 | 0:26:46 | |
So far, so good. | 0:26:46 | 0:26:48 | |
But there's still lots to think about. | 0:26:48 | 0:26:50 | |
A paint finish, perhaps. | 0:26:50 | 0:26:52 | |
What will the glass handles look like? | 0:26:52 | 0:26:54 | |
Will there be enough mirror to cover the front? | 0:26:54 | 0:26:56 | |
I think we'll leave it to you, Norman. | 0:26:56 | 0:26:59 | |
Back in West Sussex, Sarah's at home putting the finishing touches | 0:27:06 | 0:27:10 | |
to the 12 kitsch tote shopping bags. | 0:27:10 | 0:27:13 | |
Well, it's been a bit of a process, but I think it's well worth it. | 0:27:13 | 0:27:17 | |
I mean, who else has got a tote bag | 0:27:17 | 0:27:19 | |
with an original oil painting on each side? | 0:27:19 | 0:27:22 | |
Definitely unique. | 0:27:22 | 0:27:24 | |
Really quite pleasing. | 0:27:25 | 0:27:26 | |
When Sarah saved the old paintings, | 0:27:29 | 0:27:31 | |
it's safe to say their appeal as works of art was limited. | 0:27:31 | 0:27:35 | |
But by taking those very same images, | 0:27:36 | 0:27:39 | |
she's broadened their appeal. | 0:27:39 | 0:27:41 | |
Making them into 12 TOTE-ally amazing bags. | 0:27:41 | 0:27:45 | |
The simple shape and design makes them suitable for all occasions | 0:27:46 | 0:27:49 | |
and the strong, hard-wearing linen she's chosen | 0:27:49 | 0:27:54 | |
will help these bags live on for years to come. | 0:27:54 | 0:27:58 | |
For collectors of kitch carry-alls, these beauties have it all. | 0:27:58 | 0:28:02 | |
Well, I had a production line going to make these bags, | 0:28:03 | 0:28:06 | |
but I think they've come out OK. | 0:28:06 | 0:28:08 | |
I love that kitsch face just looking out from each one and I'm hoping | 0:28:08 | 0:28:12 | |
that they'll be a load of people who just want to own one. | 0:28:12 | 0:28:15 | |
I'm going to take some pictures | 0:28:15 | 0:28:17 | |
of them and then I'm going to share them, find out if I can sell them. | 0:28:17 | 0:28:21 | |
Someone's going to want one. | 0:28:21 | 0:28:22 | |
In order to appeal to all the kitsch shopping bag lovers out there | 0:28:24 | 0:28:28 | |
in need of a new one, Sarah's posting some piccies online. | 0:28:28 | 0:28:33 | |
But will she be able to sell them? | 0:28:33 | 0:28:35 | |
When Sarah caught up with Robert at the tip, she was just in time. | 0:28:38 | 0:28:42 | |
That's it now, it'll just be the last few things and then... | 0:28:42 | 0:28:45 | |
Oh, are they prints? What are they? | 0:28:45 | 0:28:47 | |
Not sure. | 0:28:47 | 0:28:48 | |
The pictures weren't Robert's cup of tea. | 0:28:48 | 0:28:50 | |
Have they been up in the sitting room then? | 0:28:50 | 0:28:52 | |
Unfortunately, no, they've been hidden away in the attic. | 0:28:52 | 0:28:55 | |
Despite not being his brew, Robert still has high hopes for them. | 0:28:55 | 0:29:00 | |
Hopefully, she can have them repaired, touched up and cleaned, | 0:29:00 | 0:29:03 | |
and find a good home for them. | 0:29:03 | 0:29:04 | |
Well, Robert, that's exactly what happened. | 0:29:04 | 0:29:08 | |
Sarah shared pictures of the bags on social media | 0:29:08 | 0:29:11 | |
and all 12 were snaffled by private buyers. | 0:29:11 | 0:29:14 | |
Not only that, she sold the paintings, too. | 0:29:14 | 0:29:17 | |
Sarah's in Partington in Greater Manchester | 0:29:19 | 0:29:22 | |
to give Robert the good news and hand over the profit. | 0:29:22 | 0:29:26 | |
-Hello, Robert. -Hello, Sarah, how you doing? | 0:29:28 | 0:29:30 | |
-I'm really well, how are you? -I'm fine, I'm fine. | 0:29:30 | 0:29:32 | |
-Yourself? -I'm very well. | 0:29:32 | 0:29:33 | |
Now, I really was amazed to see | 0:29:33 | 0:29:35 | |
those pictures coming out of your car boot. | 0:29:35 | 0:29:38 | |
Did you wonder what I might do with them? If I sold them? | 0:29:38 | 0:29:40 | |
I thought you would have salvaged them and cut the little | 0:29:40 | 0:29:42 | |
pictures out and stuck them on some benches or something like that. | 0:29:42 | 0:29:45 | |
I actually sold the pictures | 0:29:45 | 0:29:47 | |
and with the profit had some fabric printed | 0:29:47 | 0:29:50 | |
using their images. | 0:29:50 | 0:29:51 | |
And I've got some pictures here to show you of what I did with them. | 0:29:51 | 0:29:53 | |
-Yeah. -Are you ready? -I am. | 0:29:53 | 0:29:56 | |
Your pictures have been turned into bags. | 0:29:56 | 0:30:01 | |
And I made a dozen of them. | 0:30:01 | 0:30:03 | |
-What do you reckon? -Really good, that. -Yeah. | 0:30:03 | 0:30:05 | |
It's still not my cup of tea, but someone would like them. | 0:30:05 | 0:30:09 | |
Well, somebody did like them, actually. | 0:30:09 | 0:30:11 | |
-In fact, I sold all the ones that I made. -Oh, did you? | 0:30:11 | 0:30:14 | |
-So, I've got some money for you. -Oh. -I've got 240 quid here for you. | 0:30:14 | 0:30:17 | |
You're joking. | 0:30:17 | 0:30:19 | |
240 quid? | 0:30:19 | 0:30:21 | |
That's actually astounding. | 0:30:21 | 0:30:23 | |
Is that a surprise? | 0:30:23 | 0:30:25 | |
That's a surprise, yeah. | 0:30:25 | 0:30:27 | |
So, £240 that you weren't expecting. What are you going to do with that? | 0:30:27 | 0:30:30 | |
10%, I'm going to give to a local charity. | 0:30:30 | 0:30:33 | |
And probably treat myself to a new bag. | 0:30:34 | 0:30:39 | |
-Fantastic. -But I'll never look at a picture the same now. | 0:30:39 | 0:30:41 | |
-Lovely to catch up with you. -Yeah. | 0:30:41 | 0:30:43 | |
-Any more pictures like that, send them my way. -I will do. | 0:30:43 | 0:30:45 | |
-No worries. -Thanks ever so much. -Yeah, cheers. -Bye. | 0:30:45 | 0:30:48 | |
The cost of making the tote bags was £60 for the picture-printed fabric. | 0:30:52 | 0:30:57 | |
The sale of all 12 bags and the pictures themselves made £300. | 0:30:57 | 0:31:03 | |
That left a profit of £240 for Robert to share between | 0:31:03 | 0:31:07 | |
a brand-new bag for himself and a local charity. | 0:31:07 | 0:31:10 | |
With the paintings having made a handsome profit, | 0:31:16 | 0:31:19 | |
Sarah's travelled back to Bromsgrove | 0:31:19 | 0:31:21 | |
to see how Clinton and Lorna have got on with the old water tank. | 0:31:21 | 0:31:25 | |
Well, this could be exciting | 0:31:27 | 0:31:29 | |
because I left Lorna and Clinton with a proper challenge. | 0:31:29 | 0:31:32 | |
I asked them to turn something that you wouldn't want | 0:31:32 | 0:31:34 | |
hidden in your loft into something that would take pride of place | 0:31:34 | 0:31:37 | |
in the smartest room in your house. | 0:31:37 | 0:31:39 | |
Let's see if they nailed it or failed it. | 0:31:39 | 0:31:41 | |
I think she's going to love it. | 0:31:43 | 0:31:45 | |
It's a little bit different to what I said I was going to do, | 0:31:45 | 0:31:48 | |
but a nice surprise. | 0:31:48 | 0:31:49 | |
Yeah, we've made a couple of alterations on the original design, | 0:31:49 | 0:31:52 | |
but I think she's going to be really pleased with what she sees. | 0:31:52 | 0:31:55 | |
The water tank was full of rust | 0:31:55 | 0:31:57 | |
and not something you'd want in the house. | 0:31:57 | 0:32:00 | |
Now, Lorna and Clinton have created a footstool | 0:32:01 | 0:32:05 | |
and coffee table fit to grace the fanciest of living rooms. | 0:32:05 | 0:32:09 | |
The rusty interior has been thoroughly cleaned | 0:32:09 | 0:32:12 | |
and sealed with a latex glue. | 0:32:12 | 0:32:14 | |
Lorna has upholstered the seat in lovely leather | 0:32:15 | 0:32:18 | |
and it's all compliant with all UK fire safety standards. | 0:32:18 | 0:32:23 | |
Clinton's elegant cut glass tabletop reveals the inside of the base. | 0:32:23 | 0:32:29 | |
He's even left the water tank's original ballcock in there | 0:32:29 | 0:32:32 | |
as a fun feature. | 0:32:32 | 0:32:34 | |
But will Sarah see the funny side of this transformation? | 0:32:34 | 0:32:37 | |
-Hello. -Hey. -Hi. | 0:32:38 | 0:32:41 | |
How are you? | 0:32:41 | 0:32:42 | |
Oh, it's success all round then. | 0:32:43 | 0:32:45 | |
-How you doing? -Do you like it? -Yes. Oh, nice to see you. | 0:32:45 | 0:32:47 | |
-How are you? -Yeah, really well. | 0:32:47 | 0:32:49 | |
It worked. It's great. | 0:32:49 | 0:32:51 | |
Lorna, that is just such a professional finish on that, | 0:32:51 | 0:32:53 | |
it's fantastic, isn't it? | 0:32:53 | 0:32:55 | |
-Are you pleased with it? -I'm really pleased with it. | 0:32:55 | 0:32:57 | |
This is one of them items where actually... | 0:32:57 | 0:32:59 | |
-Don't want to give it to you. -Yeah. | 0:32:59 | 0:33:01 | |
We sort of tried to design it to keep the box shape. | 0:33:01 | 0:33:05 | |
That was Lorna's brief and then the rivets on the sides, | 0:33:05 | 0:33:08 | |
she's just added one simple button to follow that seem through. | 0:33:08 | 0:33:12 | |
-Beautiful. -And then we've kept it level, | 0:33:12 | 0:33:14 | |
so with the glass and with the fabric, the idea was that you could | 0:33:14 | 0:33:19 | |
literally just push them together and it forms one coffee table. | 0:33:19 | 0:33:24 | |
-I remember the rubbish that was in the bottom of the tank. -Yeah. | 0:33:24 | 0:33:27 | |
And it looked like, you know, | 0:33:27 | 0:33:28 | |
you wouldn't give it house room in a million years. | 0:33:28 | 0:33:30 | |
This is beautiful. | 0:33:30 | 0:33:31 | |
It's all safety glass. | 0:33:31 | 0:33:33 | |
Everything else is 100% upcycled, as well. | 0:33:33 | 0:33:36 | |
I am confident this is going to be finding a new home really quickly. | 0:33:36 | 0:33:41 | |
I think Sarah likes it. | 0:33:41 | 0:33:43 | |
Ballcock and all. | 0:33:43 | 0:33:45 | |
Now, it's time to talk cash. | 0:33:45 | 0:33:47 | |
How did Lorna and Clinton do with the budget? | 0:33:47 | 0:33:50 | |
How was budget? I think we left somewhere like 265. | 0:33:50 | 0:33:53 | |
How did you get on? | 0:33:53 | 0:33:54 | |
Yeah, we brought it in exactly on budget. 265. | 0:33:54 | 0:33:57 | |
Guys, I think it's fantastic. Thanks so much. | 0:33:57 | 0:33:59 | |
I'll get it picked up and I'll let you know where it goes. | 0:33:59 | 0:34:01 | |
-Thanks a lot, bye. -Bye. | 0:34:01 | 0:34:02 | |
Well, of course they nailed it. | 0:34:06 | 0:34:07 | |
There are two beautiful pieces of furniture there. | 0:34:07 | 0:34:10 | |
And I think there's definitely money to be made. | 0:34:10 | 0:34:13 | |
I'm glad we got Sarah's seal of approval. | 0:34:13 | 0:34:15 | |
I actually felt in my bones it was a good piece anyway. | 0:34:15 | 0:34:18 | |
Definitely. | 0:34:18 | 0:34:19 | |
So I'm glad she really liked it and, you know what? | 0:34:19 | 0:34:21 | |
That's going to be... Someone's going to give that a nice home. | 0:34:21 | 0:34:24 | |
-They better do. -Yeah, picture of me and you on it. | 0:34:24 | 0:34:27 | |
Yeah. | 0:34:27 | 0:34:28 | |
When Sarah met mother and daughter Wendy and Rachel, | 0:34:29 | 0:34:32 | |
she was pleased to see them. | 0:34:32 | 0:34:34 | |
-Hello, hello. -Hi. | 0:34:34 | 0:34:36 | |
Now, what... What's a pair of nice girls like you | 0:34:36 | 0:34:38 | |
doing with that dirty chunk of metal? | 0:34:38 | 0:34:41 | |
They brought their old tank to the tip for a good reason. | 0:34:41 | 0:34:44 | |
With this being like 50 years old, | 0:34:44 | 0:34:48 | |
it's not acceptable to have it in the house. | 0:34:48 | 0:34:50 | |
Wendy had ideas about where it might end up. | 0:34:50 | 0:34:54 | |
Pubs tend to go for all that kind of stuff, don't they? | 0:34:54 | 0:34:56 | |
The old-fashioned stuff. | 0:34:56 | 0:34:58 | |
But it'll be interesting to see what she does out of it. | 0:34:58 | 0:35:02 | |
Well, Wendy, it's Clinton and Lorna you have to thank for this one. | 0:35:02 | 0:35:06 | |
In fact, they did such a good job, | 0:35:06 | 0:35:08 | |
Sarah had no problem finding a buyer. | 0:35:08 | 0:35:11 | |
Home furnishing shop French Cottage Inspired Living | 0:35:12 | 0:35:16 | |
in Petworth, West Sussex, loved their look. | 0:35:16 | 0:35:19 | |
And manager Michael couldn't be happier. | 0:35:19 | 0:35:23 | |
We think that they're ideal for our customers. | 0:35:23 | 0:35:25 | |
We do the unusual stuff here and this is... | 0:35:25 | 0:35:28 | |
This is just perfect. | 0:35:28 | 0:35:29 | |
Sarah's travelled to Urmston in Manchester to tell Wendy | 0:35:31 | 0:35:35 | |
the good news. | 0:35:35 | 0:35:36 | |
And hand over the profit. | 0:35:36 | 0:35:38 | |
-Hi, there. -Hi, Sarah. -Hello, nice to see you again. | 0:35:40 | 0:35:43 | |
-How are you? -Thank you. All right, thank you very much. | 0:35:43 | 0:35:45 | |
So, you were being a really helpful mummy the last time I saw you. | 0:35:45 | 0:35:47 | |
Yes, I was. | 0:35:47 | 0:35:49 | |
-So helping your daughter clear out her house. -Yes. | 0:35:49 | 0:35:52 | |
How's that all gone? | 0:35:52 | 0:35:54 | |
We're still halfway there from doing it. | 0:35:54 | 0:35:57 | |
We've still got the hall, stairs and landing to do. | 0:35:57 | 0:35:59 | |
But I think this year we'll get it completed one way or another. | 0:35:59 | 0:36:02 | |
Fantastic. So did you think... | 0:36:02 | 0:36:05 | |
Somebody comes your way and asks you for your old rusty water tank. | 0:36:05 | 0:36:07 | |
What are they going to do with that? | 0:36:07 | 0:36:09 | |
Well, I have thought about it in the back of my mind, | 0:36:09 | 0:36:13 | |
what you were going to do with it. | 0:36:13 | 0:36:15 | |
And we've sat there and discussed it, but I haven't got a clue. | 0:36:15 | 0:36:19 | |
I got some pictures to show you. | 0:36:19 | 0:36:20 | |
-That is how I think you might remember it. -Yeah. | 0:36:20 | 0:36:23 | |
It now is a coffee table and footstool set. | 0:36:23 | 0:36:27 | |
Oh, that's brilliant. | 0:36:27 | 0:36:29 | |
That looks fantastic. | 0:36:29 | 0:36:31 | |
-Do you like it? -Brilliant. It's great. | 0:36:31 | 0:36:33 | |
It's gone from the loft where you wouldn't want to see it, | 0:36:33 | 0:36:36 | |
into a shop where they just love the look of it, they going to sell it. | 0:36:36 | 0:36:40 | |
There's a little bit of profit for you. | 0:36:40 | 0:36:43 | |
-Oh, brilliant. -A smashing 45 quid here for you. | 0:36:43 | 0:36:45 | |
-Brilliant. -For your old tank. -That is absolutely fantastic. | 0:36:45 | 0:36:50 | |
-What might you do with that? -I'm going to go and have a holiday. | 0:36:50 | 0:36:53 | |
A long-earned holiday after all the work that we've been doing. | 0:36:53 | 0:36:56 | |
I'm so pleased for you. I hope you have a lovely time. | 0:36:56 | 0:36:59 | |
You definitely deserve to have a holiday after helping out. | 0:36:59 | 0:37:03 | |
-Thank you very much, Sarah. -Really good to catch up. | 0:37:03 | 0:37:05 | |
-Brilliant. -Nice to see you. -Thank you very much. -Bye-bye. -Bye. | 0:37:05 | 0:37:10 | |
Lorna and Clinton came in on budget at £265. | 0:37:10 | 0:37:16 | |
Sarah's sold the two pieces of furniture together | 0:37:16 | 0:37:20 | |
for an impressive £310. | 0:37:20 | 0:37:22 | |
Giving Wendy £45 to put towards her holiday. | 0:37:22 | 0:37:25 | |
Sarah has returned to Hellingly in East Sussex | 0:37:30 | 0:37:33 | |
to the workshop of Norman | 0:37:33 | 0:37:35 | |
in the hope of finding a mirrored Venetian beauty. | 0:37:35 | 0:37:38 | |
Instead of a weary old dressing table. | 0:37:38 | 0:37:41 | |
I think it's... I think it's come up really well. | 0:37:43 | 0:37:46 | |
I think Sarah will be really pleased. | 0:37:46 | 0:37:48 | |
We've done a nice bold colour, | 0:37:48 | 0:37:50 | |
the mirror is cut well and looks really cool. | 0:37:50 | 0:37:54 | |
Yeah, I'm really, really pleased with it. | 0:37:54 | 0:37:56 | |
Well, I'm so excited to be here picking up my dressing table | 0:37:57 | 0:38:00 | |
and I'm hoping Norman has gone for the full makeover | 0:38:00 | 0:38:03 | |
and used all those mirrors and not just a cosmetic update. | 0:38:03 | 0:38:06 | |
When Sarah left the dressing table with Norman, | 0:38:09 | 0:38:12 | |
she hoped for a radical transformation. | 0:38:12 | 0:38:14 | |
And Norman's come up trumps. | 0:38:18 | 0:38:20 | |
This is no longer a dowdy old dressing table, | 0:38:20 | 0:38:23 | |
but instead a sparkling Venetian-inspired beauty. | 0:38:23 | 0:38:28 | |
Norman has smoothed the surfaces, allowing the cut and polished | 0:38:28 | 0:38:32 | |
original central mirror | 0:38:32 | 0:38:34 | |
to be attached to the front of each drawer. | 0:38:34 | 0:38:37 | |
Cut glass crystal handles have been sourced to provide extra bling, | 0:38:37 | 0:38:41 | |
the side mirrors have been fixed in place horizontally | 0:38:41 | 0:38:44 | |
across the back of a brand-new top | 0:38:44 | 0:38:45 | |
and, finally, a striking Regency blue chalk paint | 0:38:45 | 0:38:52 | |
has been applied as a classic finish. | 0:38:52 | 0:38:54 | |
But will it be glassy enough to please Sarah? | 0:38:54 | 0:38:57 | |
-Norman. -Hello, you. -How are you? -How are you? | 0:38:57 | 0:39:01 | |
I'm well, how are you? Always get two in. | 0:39:01 | 0:39:03 | |
Always forget the two. | 0:39:03 | 0:39:05 | |
There you go. | 0:39:05 | 0:39:06 | |
-No. -Yeah. -Really? | 0:39:09 | 0:39:10 | |
What do you think? | 0:39:10 | 0:39:12 | |
That was really tired. | 0:39:12 | 0:39:14 | |
Not desirable. | 0:39:14 | 0:39:16 | |
-Now, it is. -Love it, love it. | 0:39:16 | 0:39:18 | |
We've done a nice strong colour inside, as well. | 0:39:18 | 0:39:20 | |
To compliment the inside of the drawers. | 0:39:20 | 0:39:22 | |
It's really good. | 0:39:22 | 0:39:23 | |
I had to take the glass down to a glass works. | 0:39:23 | 0:39:25 | |
Because we had to put... | 0:39:25 | 0:39:27 | |
We thought we needed a professional job. | 0:39:27 | 0:39:30 | |
But also they polish the edges, so you don't catch yourself on them, | 0:39:30 | 0:39:34 | |
so I think it's turned out really, really well. | 0:39:34 | 0:39:36 | |
To embrace all of that I think is really clever. | 0:39:36 | 0:39:38 | |
And these... | 0:39:38 | 0:39:40 | |
-Yeah, found them. -Who knew, Norman? | 0:39:40 | 0:39:43 | |
I found my feminine side. | 0:39:43 | 0:39:44 | |
Well, I have to say, I really like your feminine side. | 0:39:44 | 0:39:47 | |
How's your budget side? | 0:39:47 | 0:39:49 | |
Taking the mirrors down to the glass works to cut and everything, | 0:39:49 | 0:39:53 | |
-it just blew the budget away. -Right. -Because I really didn't think... | 0:39:53 | 0:39:56 | |
Because we hand-shaked and we're old school, | 0:39:56 | 0:39:58 | |
we'll still do it for the same money. | 0:39:58 | 0:40:00 | |
So 295? | 0:40:00 | 0:40:01 | |
Yeah, 295. Yeah. | 0:40:01 | 0:40:03 | |
-You've done a cracking job. -Fantastic. Sell it well. | 0:40:03 | 0:40:05 | |
See you soon. | 0:40:05 | 0:40:07 | |
Well, of course he used all the mirror. | 0:40:07 | 0:40:09 | |
I love the way Norman makes things for us | 0:40:09 | 0:40:11 | |
because they are beautiful and they're saleable. | 0:40:11 | 0:40:14 | |
I'm really happy. | 0:40:14 | 0:40:15 | |
Great response from Sarah. | 0:40:15 | 0:40:18 | |
Loved everything we did. | 0:40:18 | 0:40:20 | |
She should love it for the price we did, so happy days. | 0:40:20 | 0:40:24 | |
She'll hopefully selling well. | 0:40:24 | 0:40:26 | |
Brilliant. | 0:40:26 | 0:40:27 | |
When Sarah met Roy at the tip, | 0:40:27 | 0:40:29 | |
he was familiar with the history of the dressing table. | 0:40:29 | 0:40:33 | |
My parents bought this in Manchester a long, long time ago. | 0:40:33 | 0:40:36 | |
Although pleased to hand it over, there was one stipulation. | 0:40:37 | 0:40:41 | |
Is it going to a good home? | 0:40:41 | 0:40:42 | |
It definitely will be going to a good home. | 0:40:42 | 0:40:44 | |
Having agreed to let Sarah take it, | 0:40:44 | 0:40:46 | |
Roy had no idea how it would turn out. | 0:40:46 | 0:40:49 | |
I hardly think she's going to paint it in green gloss paint | 0:40:49 | 0:40:52 | |
or something, but maybe she is. I just... I don't know. | 0:40:52 | 0:40:54 | |
What will be will be. | 0:40:54 | 0:40:56 | |
Once back at home, Sarah posted pictures | 0:40:59 | 0:41:02 | |
of the dressing table online to try and hook a buyer. | 0:41:02 | 0:41:06 | |
And in no time at all, it was on its way to a new home. | 0:41:06 | 0:41:10 | |
Sarah is in Hale to show Roy what became of his old dressing table. | 0:41:12 | 0:41:17 | |
And to hand over the profit. | 0:41:17 | 0:41:18 | |
-Hello, there. -Hello. | 0:41:21 | 0:41:22 | |
-Nice to see you again, Roy. -Nice to see you again. | 0:41:22 | 0:41:24 | |
-Good weather for it? -I know, isn't it? | 0:41:24 | 0:41:26 | |
You never know what's going to happen next with | 0:41:26 | 0:41:28 | |
this weather, do you? No, it's just the way it is. | 0:41:28 | 0:41:30 | |
Your old dressing table was ending up at the tip, wasn't it? | 0:41:30 | 0:41:33 | |
Exactly. It had to go. | 0:41:33 | 0:41:35 | |
It was past its sell by date, so to speak. So it had to go. Yeah. | 0:41:35 | 0:41:38 | |
When you got home, did you wonder what I might do with it? | 0:41:38 | 0:41:41 | |
I wondered whether it was salvageable | 0:41:41 | 0:41:42 | |
and if anything could happen to it. But I don't know. | 0:41:42 | 0:41:45 | |
Well, I took it to a great mate of mine, Norman. | 0:41:45 | 0:41:47 | |
So I've got some pictures here to show you how it ended up. | 0:41:47 | 0:41:51 | |
My goodness! | 0:41:51 | 0:41:53 | |
It's changed colour, as well! | 0:41:53 | 0:41:55 | |
-So, what do you think of it? Do you approve? -I like it. | 0:41:55 | 0:41:57 | |
I wouldn't recognise it, I must confess. That is super. | 0:41:57 | 0:41:59 | |
It's actually been sold, so I've got some profit here for you. | 0:41:59 | 0:42:03 | |
Oh, well! | 0:42:03 | 0:42:05 | |
Not a huge amount, but I have got £40 here | 0:42:05 | 0:42:07 | |
that was profit after we sold the dressing table. | 0:42:07 | 0:42:10 | |
-That's for you. -Well done, you. | 0:42:10 | 0:42:12 | |
Well, yes, everyone's a winner. | 0:42:12 | 0:42:14 | |
-Indeed. -That is good. That's good. | 0:42:14 | 0:42:16 | |
What might you do with £40? | 0:42:16 | 0:42:18 | |
It'll go to a charity, but I don't know yet. | 0:42:18 | 0:42:21 | |
I'll talk it through with my wife and we'll decide which one. | 0:42:21 | 0:42:23 | |
We were expecting nothing, it was just going. | 0:42:23 | 0:42:26 | |
It'll go to some charity. | 0:42:26 | 0:42:27 | |
Well, I'll pass on your approval to Norman, I know he was really | 0:42:27 | 0:42:30 | |
pleased with it. So I'm glad you liked it. | 0:42:30 | 0:42:31 | |
-Oh, yes. Oh, please do. It was great. -Brilliant. | 0:42:31 | 0:42:33 | |
Can't believe it's the same thing. Sarah, thank you so much. | 0:42:33 | 0:42:36 | |
-Well done, you. Thanks a lot. -Thank you, bye-bye. | 0:42:36 | 0:42:38 | |
Cheerio now, bye-bye. Take care. | 0:42:38 | 0:42:40 | |
Oh! | 0:42:40 | 0:42:41 | |
Norman charged £295 to do up Roy's dressing table. | 0:42:43 | 0:42:48 | |
Sarah was able to sell it for £335. | 0:42:48 | 0:42:53 | |
Making a profit of £40 for Roy. | 0:42:53 | 0:42:56 | |
Sarah salvaged three items travelling to the trash. | 0:43:00 | 0:43:04 | |
Lorna and Clinton worked wonders on the water tank. | 0:43:05 | 0:43:09 | |
Norman totally transformed the dressing table. | 0:43:10 | 0:43:14 | |
And Sarah sent those two paintings on a wonderful new journey. | 0:43:14 | 0:43:18 | |
Well, with some imagination and lots of hard work, | 0:43:20 | 0:43:22 | |
we've created beautiful bespoke pieces | 0:43:22 | 0:43:24 | |
that will really stand the test of time. | 0:43:24 | 0:43:26 | |
What fantastic transformations. | 0:43:26 | 0:43:28 |