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You haven't got anything I can recycle, have you? | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:07 | 0:00:10 | |
Wow, look at that! | 0:00:10 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes of household waste | 0:00:11 | 0:00:15 | |
thrown out by us every year. | 0:00:15 | 0:00:17 | |
Well, don't get rid of it too quickly. This stuff looks amazing. | 0:00:17 | 0:00:20 | |
That's why entrepreneur Sarah Moore | 0:00:20 | 0:00:23 | |
wants to get her hands on things before they hit the skip. | 0:00:23 | 0:00:26 | |
I'm a passionate maker, buyer and user of old stuff | 0:00:30 | 0:00:34 | |
and I turn that passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff and sell it for profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:40 | 0:00:45 | |
-I don't know what to say. -Did you drag it here behind the truck? | 0:00:45 | 0:00:48 | |
..she can transform her finds into desirable... | 0:00:48 | 0:00:52 | |
It's enormous. | 0:00:52 | 0:00:53 | |
..valuable... | 0:00:53 | 0:00:56 | |
Isn't that fantastic? | 0:00:56 | 0:00:57 | |
..and hopefully saleable items. | 0:00:57 | 0:01:01 | |
It's just given me goose bumps. | 0:01:01 | 0:01:02 | |
If Sarah is successful, | 0:01:04 | 0:01:06 | |
she can hand the profits back to the very people who had no idea | 0:01:06 | 0:01:09 | |
there was cash to be made from their trash. | 0:01:09 | 0:01:12 | |
Thank you very much! Marvellous! | 0:01:14 | 0:01:16 | |
When it comes to recycling, Witley in Surrey has got it covered... | 0:01:26 | 0:01:30 | |
..as does our very own Sarah Moore. | 0:01:32 | 0:01:34 | |
I am feeling so lucky today. I can feel it in the air. | 0:01:34 | 0:01:38 | |
Things are going to flood in here | 0:01:38 | 0:01:39 | |
and I'm going to turn them into hard cash. | 0:01:39 | 0:01:43 | |
Witley processes over 600 tonnes of household waste each month, | 0:01:43 | 0:01:48 | |
and it's where Sarah has come to search for three items | 0:01:48 | 0:01:52 | |
which she believes can be revived | 0:01:52 | 0:01:54 | |
in the hope of creating a profit for their owners. | 0:01:54 | 0:01:57 | |
I think that's brilliant rubbish | 0:01:57 | 0:01:59 | |
that's just turned up over there right on cue. | 0:01:59 | 0:02:02 | |
You would never be snookered with this amount of trash to potentially | 0:02:02 | 0:02:05 | |
pocket but don't you go dashing off to your local tip, | 0:02:05 | 0:02:09 | |
as Sarah has been given special permission to hunt here. | 0:02:09 | 0:02:13 | |
Look at that! | 0:02:13 | 0:02:15 | |
Could what's lurking in Dominique's boot be booty? | 0:02:15 | 0:02:19 | |
That looks interesting - what is that? | 0:02:19 | 0:02:22 | |
-I have no idea. -Is it yours, then, or not? | 0:02:22 | 0:02:25 | |
It is mine. It's been in the fireplace with cobwebs | 0:02:25 | 0:02:28 | |
and we just don't want it any more. | 0:02:28 | 0:02:30 | |
I wonder what it was. It looks like some sort of hopper, | 0:02:30 | 0:02:32 | |
-doesn't it? -I've no idea what it was used for. | 0:02:32 | 0:02:35 | |
It's just always been in the fireplace. | 0:02:35 | 0:02:38 | |
-I love it. -OK. | 0:02:38 | 0:02:40 | |
-Have you polished it for years? -No. -It's just as it is. | 0:02:40 | 0:02:43 | |
It's obviously made of copper and it looks like it might have been | 0:02:43 | 0:02:47 | |
the kind of thing that was feeding some sort | 0:02:47 | 0:02:49 | |
of industrial or farm-related... | 0:02:49 | 0:02:51 | |
You know, or coffee beans or something like that. | 0:02:51 | 0:02:53 | |
I really like it, can I have it? | 0:02:53 | 0:02:55 | |
You can have it, yes, sure. | 0:02:55 | 0:02:56 | |
Excellent. I'm not sure which way up it will go | 0:02:56 | 0:02:58 | |
but I'm going to say thank you so much | 0:02:58 | 0:03:01 | |
and run away with that, it's brilliant. | 0:03:01 | 0:03:02 | |
-Pleasure. -OK, thanks. -Bye. | 0:03:02 | 0:03:04 | |
Though Dominique has no clue to this little hopper's history, | 0:03:04 | 0:03:07 | |
does she have any idea of what Sarah might do with it? | 0:03:07 | 0:03:11 | |
I hope she's going to get inspiration from it | 0:03:11 | 0:03:13 | |
and make it into something really special. | 0:03:13 | 0:03:15 | |
OK, who knows what that is, then? | 0:03:16 | 0:03:18 | |
Well, I don't like to be a smart aleck, Sarah... | 0:03:18 | 0:03:20 | |
Well, actually I do. | 0:03:20 | 0:03:22 | |
It's a copper beer funnel, | 0:03:22 | 0:03:24 | |
used in the process of brewing beer in days gone by. | 0:03:24 | 0:03:27 | |
I do know one thing about it, | 0:03:27 | 0:03:30 | |
metallic trends are still really strong in interiors | 0:03:30 | 0:03:32 | |
and this is a great copper colour so somebody's going to like it. | 0:03:32 | 0:03:35 | |
I just need to find somebody who really likes working with metal. | 0:03:35 | 0:03:39 | |
Who will that be? | 0:03:39 | 0:03:41 | |
Meet Josh and Oli, designer-makers and best buds. | 0:03:42 | 0:03:46 | |
These boys really think outside the box | 0:03:46 | 0:03:48 | |
and the results are always interesting. | 0:03:48 | 0:03:52 | |
I think what's probably most exciting about what we do | 0:03:52 | 0:03:55 | |
is the fact we have this workshop | 0:03:55 | 0:03:56 | |
and we have these different materials we can work with | 0:03:56 | 0:03:59 | |
so there's just quite a large scope for what we could potentially make. | 0:03:59 | 0:04:03 | |
Quite often when I'm at home I have a little idea come into my head and | 0:04:03 | 0:04:08 | |
it's really nice to then be able to come in, we've got all the tools, | 0:04:08 | 0:04:12 | |
all the materials you need to just be then like, right, | 0:04:12 | 0:04:14 | |
"I'm actually going to make this thing," | 0:04:14 | 0:04:16 | |
and that's really satisfying. | 0:04:16 | 0:04:18 | |
The good news is that Sarah has already had a little idea | 0:04:18 | 0:04:22 | |
for the copper hopper and it will look great as a hat! | 0:04:22 | 0:04:25 | |
With one item found, Sarah's still on the hunt for two further finds. | 0:04:31 | 0:04:36 | |
It might be bad luck to throw a gnome away. | 0:04:38 | 0:04:40 | |
You need to give a gnome a home. | 0:04:40 | 0:04:41 | |
I agree, Sarah. | 0:04:41 | 0:04:44 | |
And he's a treasure, as is Clive. | 0:04:44 | 0:04:46 | |
Is there something special in the back of his car? | 0:04:46 | 0:04:49 | |
Hmm, not so sure. | 0:04:50 | 0:04:52 | |
Hi, there. Having a bit of a clear out? | 0:04:52 | 0:04:56 | |
Yes, that's right, redundant furniture. | 0:04:56 | 0:04:58 | |
And what is it about the brown bedside single table | 0:04:58 | 0:05:02 | |
that you're not keen on? | 0:05:02 | 0:05:04 | |
Yes, yes, my kids are all grown up and it's not of any use any more, | 0:05:04 | 0:05:08 | |
-so... -And how long have you had that, then? | 0:05:08 | 0:05:11 | |
-Just pop it down. -I don't know. -But you didn't buy that new, that's old, | 0:05:11 | 0:05:15 | |
-isn't it? That's old. -No, exactly. | 0:05:15 | 0:05:17 | |
What do you reckon, 1950-something? | 0:05:17 | 0:05:19 | |
Probably something like that. | 0:05:19 | 0:05:21 | |
I like it, I like it's... I think with pieces like this... | 0:05:21 | 0:05:25 | |
Does it open? Oh, it does. | 0:05:25 | 0:05:26 | |
Rather than you putting it in the wood skip, | 0:05:26 | 0:05:28 | |
could I take it away and see what I can do with it? | 0:05:28 | 0:05:30 | |
-Course you can, sure. -That's brilliant, thank you so much. | 0:05:30 | 0:05:34 | |
Clive has had it with this bedside cabinet, | 0:05:34 | 0:05:36 | |
but what does he think Sarah has got in store for it? | 0:05:36 | 0:05:39 | |
I would think she's going to strip it down | 0:05:39 | 0:05:41 | |
and perhaps use it for a child's bedside table or something. | 0:05:41 | 0:05:43 | |
I really don't know. | 0:05:43 | 0:05:45 | |
What do you reckon? | 0:05:45 | 0:05:48 | |
I reckon that was harvest gold and painted in about 1972, | 0:05:48 | 0:05:52 | |
but it has got some redeeming features of pretty little legs, | 0:05:52 | 0:05:56 | |
and I know somebody who loves this kind of thing | 0:05:56 | 0:05:59 | |
and they are going to make it into something absolutely awesome, | 0:05:59 | 0:06:01 | |
fingers crossed. | 0:06:01 | 0:06:03 | |
Emma Walker is a furniture restyler. | 0:06:12 | 0:06:15 | |
She takes furniture destined for landfill, expertly restores it, | 0:06:17 | 0:06:21 | |
and lavishes it with layers of luscious coverings. | 0:06:21 | 0:06:25 | |
Emma likes to get to know a piece of furniture. | 0:06:25 | 0:06:29 | |
Does that mean she talks to the furniture? | 0:06:29 | 0:06:32 | |
That's exactly what it means. | 0:06:33 | 0:06:35 | |
A piece of furniture will just tell you what to do, | 0:06:35 | 0:06:39 | |
whether it needs a geometric pattern | 0:06:39 | 0:06:41 | |
or it needs to be told a story with flowers and birds. | 0:06:41 | 0:06:45 | |
That does actually happen. | 0:06:45 | 0:06:47 | |
Furniture starts talking back to me. | 0:06:47 | 0:06:49 | |
It literally sort of comes alive. | 0:06:49 | 0:06:51 | |
The worst thing that Sarah can bring me is a wardrobe. | 0:06:52 | 0:06:56 | |
If Sarah brought me a wardrobe, | 0:06:56 | 0:06:57 | |
I don't know what that would be saying back | 0:06:57 | 0:06:59 | |
to me but I know what I would be saying to it! | 0:06:59 | 0:07:02 | |
It's not a wardrobe this time, Emma, | 0:07:02 | 0:07:04 | |
but I do wonder what this piece is going to say to you. | 0:07:04 | 0:07:07 | |
Two items taken, leaving Sarah with just one to find - | 0:07:14 | 0:07:18 | |
an item which she can work wonders with herself, | 0:07:18 | 0:07:22 | |
an item which suits her to a T. | 0:07:22 | 0:07:24 | |
This is the one I like. This is my favourite one. | 0:07:24 | 0:07:27 | |
How much use... Oh, it looks like you might... | 0:07:27 | 0:07:30 | |
I used that one extensively! | 0:07:30 | 0:07:33 | |
Leave the golf to the professionals, Sarah, and get back to it. | 0:07:33 | 0:07:36 | |
I recognise these two. | 0:07:36 | 0:07:38 | |
Sarah has met David and Vanessa here before. | 0:07:38 | 0:07:40 | |
Have they something else in their car which might reflect a profit? | 0:07:40 | 0:07:45 | |
A looking glass! That looks fantastic. | 0:07:45 | 0:07:48 | |
Well, I think it was my grandmother's | 0:07:48 | 0:07:51 | |
-and we don't have a place for it. -OK. | 0:07:51 | 0:07:53 | |
And it's kind of big and heavy and someone has painted it, | 0:07:53 | 0:07:58 | |
-which clearly they shouldn't have done. -It's really cool. | 0:07:58 | 0:08:00 | |
What else have you got? What are you dropping off today? | 0:08:00 | 0:08:03 | |
We have got this and we have got a sort of pot cupboard over here... | 0:08:03 | 0:08:07 | |
Oh, wow! | 0:08:07 | 0:08:08 | |
..which must have been in the old days | 0:08:08 | 0:08:11 | |
when they had no plumbing, I guess. | 0:08:11 | 0:08:13 | |
There's not a lot of use for the washstand any more. | 0:08:13 | 0:08:15 | |
-It's a derelict piece of furniture, isn't it? -It is. | 0:08:15 | 0:08:18 | |
I think people put plant pots in them, don't they, or something? | 0:08:18 | 0:08:21 | |
-Yes. -Or I don't know. | 0:08:21 | 0:08:22 | |
There's something about the pair of them that probably they are both | 0:08:22 | 0:08:25 | |
-bedroom-related. -Yes. | 0:08:25 | 0:08:27 | |
It might be nice to keep them together | 0:08:27 | 0:08:29 | |
and see if we can put them as one piece or something | 0:08:29 | 0:08:31 | |
but they are... | 0:08:31 | 0:08:33 | |
all you could hope for, turning up at the tip. | 0:08:33 | 0:08:35 | |
Good, well, absolutely. Well, I don't want them so I'm delighted. | 0:08:35 | 0:08:38 | |
Let me take that one away first. | 0:08:38 | 0:08:40 | |
Right, well, that's a job well done. | 0:08:43 | 0:08:46 | |
More space in the shed. | 0:08:46 | 0:08:49 | |
And you can never have enough space in the shed. | 0:08:49 | 0:08:51 | |
Sarah seems to think these two very disparate objects | 0:08:51 | 0:08:54 | |
might be a marriage made in heaven. | 0:08:54 | 0:08:57 | |
I can't see how but she's obviously cleverer than me so | 0:08:57 | 0:09:01 | |
let's see what she comes up with. | 0:09:01 | 0:09:04 | |
I will be interested to see the end result. | 0:09:04 | 0:09:06 | |
Look at these two. | 0:09:06 | 0:09:07 | |
That is a pot stand and that is a beautiful Victorian mirror | 0:09:07 | 0:09:10 | |
so I'm hoping the pair of them might be able to be married together | 0:09:10 | 0:09:13 | |
to make one thing or perhaps we could just concentrate | 0:09:13 | 0:09:16 | |
on this lovely mirror and turn that into a profit. | 0:09:16 | 0:09:20 | |
Sarah has her three sets of items from the tip. | 0:09:22 | 0:09:25 | |
Josh and Oli will work on the copper hopper, | 0:09:25 | 0:09:29 | |
Emma will transform the tan bedside table, | 0:09:29 | 0:09:32 | |
and Sarah will see what can be done to the washstand and mirror. | 0:09:32 | 0:09:35 | |
It's been hard work today but well worth it. | 0:09:35 | 0:09:38 | |
I'm so pleased with what turned up here and I think there is potential | 0:09:38 | 0:09:42 | |
to make lots of money. | 0:09:42 | 0:09:44 | |
In the tranquil countryside of West Sussex | 0:09:47 | 0:09:51 | |
lies the workshop of Josh and Oli. | 0:09:51 | 0:09:53 | |
Their speciality is creating handcrafted items | 0:09:53 | 0:09:57 | |
with a contemporary style. | 0:09:57 | 0:09:59 | |
What's not a speciality of theirs is synchronised mallet juggling. | 0:09:59 | 0:10:03 | |
But to be fair, | 0:10:03 | 0:10:06 | |
what better way to pass the time awaiting the arrival of Sarah? | 0:10:06 | 0:10:10 | |
We're looking forward to Sarah turning up here | 0:10:10 | 0:10:12 | |
with some weird thing, | 0:10:12 | 0:10:14 | |
-aren't we? -Some random bit of junk she's found at a tip somewhere. | 0:10:14 | 0:10:18 | |
No, it is good. | 0:10:18 | 0:10:20 | |
It does bring about a good opportunity to design something | 0:10:20 | 0:10:23 | |
you wouldn't ordinarily do, so it's good. | 0:10:23 | 0:10:26 | |
It's like a hive of creativity around here | 0:10:26 | 0:10:28 | |
so I've brought the boys my copper hopper-whatever-it-is, | 0:10:28 | 0:10:31 | |
and I'm hoping they're going to have some bright ideas | 0:10:31 | 0:10:34 | |
about what to turn that into. | 0:10:34 | 0:10:36 | |
Look, I've told you already, Sarah, it's a copper beer funnel. | 0:10:36 | 0:10:39 | |
Hello! Hi, how are you doing? | 0:10:39 | 0:10:41 | |
-Nice to see you. -You OK? | 0:10:41 | 0:10:43 | |
-Yeah, look what I've got. -Cool, very nice. | 0:10:44 | 0:10:46 | |
Any immediate thoughts what to do with it? | 0:10:46 | 0:10:49 | |
Yeah. I've got an idea. Have you got an idea? | 0:10:49 | 0:10:51 | |
-I've got an idea. -Is it a light bulb moment? | 0:10:51 | 0:10:53 | |
Yeah, pretty much, you could say that. | 0:10:53 | 0:10:56 | |
-It's just... -It's just crying out for lighting, isn't it? | 0:10:56 | 0:10:58 | |
Yes. | 0:10:58 | 0:10:59 | |
An easy option would be just have it as a hanging thing, | 0:10:59 | 0:11:02 | |
but it might be nice to do a floor standing... | 0:11:02 | 0:11:05 | |
Some kind of floor standing light. | 0:11:05 | 0:11:07 | |
I mean, we've got loads of old copper pipe - we could use that | 0:11:07 | 0:11:11 | |
as its stand and then make a big old base for it or something like that. | 0:11:11 | 0:11:14 | |
Like one of those big old bow lamps you get. | 0:11:14 | 0:11:17 | |
Maybe we could do a concrete base for it. | 0:11:17 | 0:11:20 | |
We could use a bit of black concrete dye or something. | 0:11:20 | 0:11:22 | |
-Yeah, that would be smarter than copper. -That sounds amazing. | 0:11:22 | 0:11:26 | |
Maybe black concrete, potentially copper piping, | 0:11:26 | 0:11:29 | |
possibly wooden floor-standing bow light. | 0:11:29 | 0:11:33 | |
All sounds interesting to me. But how much is this going to cost? | 0:11:33 | 0:11:37 | |
For us, like, the idea that we've got for a bow lamp... | 0:11:37 | 0:11:40 | |
..there's a lot of work in that just to produce one lamp. | 0:11:42 | 0:11:45 | |
What about somewhere in the region of £300? | 0:11:46 | 0:11:50 | |
I think that sounds fine. 300 quid, floor lamp, statement piece. | 0:11:50 | 0:11:53 | |
-That should be all right, shouldn't it? -Yes. -Sounds great. | 0:11:53 | 0:11:57 | |
-OK. -Looking forward to seeing how it turns out. | 0:11:57 | 0:11:59 | |
-Yes. -I love a surprise. | 0:11:59 | 0:12:01 | |
Well, that little copper dish wasn't the biggest thing to arrive with. | 0:12:02 | 0:12:06 | |
The boys have got massive ideas for it. | 0:12:06 | 0:12:08 | |
Black concrete, wood, copper piping. | 0:12:08 | 0:12:10 | |
I just hope they can bring it all together for that budget of 300 quid | 0:12:10 | 0:12:13 | |
and create something really special. | 0:12:13 | 0:12:15 | |
Let's make some money for nothing! | 0:12:18 | 0:12:21 | |
Rarely am I lost for words, but what can you say? | 0:12:24 | 0:12:27 | |
Sarah has left a budget of £300 | 0:12:27 | 0:12:30 | |
to turn the old copper hopper into a beautiful bow light. | 0:12:30 | 0:12:35 | |
With so many elements undecided, | 0:12:35 | 0:12:37 | |
will the boys be able to pull it off? | 0:12:37 | 0:12:39 | |
I've got my trousers rolled up and my hanky on my head | 0:12:47 | 0:12:50 | |
as I do like to be beside the seaside, | 0:12:50 | 0:12:53 | |
which is just as well, as Sarah has arrived in Brighton | 0:12:53 | 0:12:57 | |
to deliver the tan bedside drawers to Emma. | 0:12:57 | 0:13:00 | |
I'll do my best with whatever she brings me. | 0:13:01 | 0:13:05 | |
You know, I will do, I'm sure it's going to be fine. | 0:13:05 | 0:13:08 | |
I know it's going to be fine. | 0:13:08 | 0:13:11 | |
Well, I've brought my bedside cabinet to Brighton. | 0:13:11 | 0:13:14 | |
It's in a sorry state at the moment but I'm hoping Emma | 0:13:14 | 0:13:17 | |
is going to take on the challenge to make it beautiful again. | 0:13:17 | 0:13:20 | |
Beautiful again? Sounds like a big ask to me. | 0:13:20 | 0:13:24 | |
-Hello. -Hello. | 0:13:26 | 0:13:28 | |
-Hi, how are you doing? -I'm fine, how are you? | 0:13:28 | 0:13:30 | |
I'm all right. | 0:13:30 | 0:13:32 | |
I've brought something little and in need of help. | 0:13:32 | 0:13:35 | |
I love those sweet little atomic legs. | 0:13:35 | 0:13:39 | |
It's one little cupboard | 0:13:39 | 0:13:40 | |
that was going to be crushed that I just thought | 0:13:40 | 0:13:42 | |
needed to be given a new lease of life. | 0:13:42 | 0:13:44 | |
What kind of thing have you done with this before? | 0:13:44 | 0:13:46 | |
-What ideas do you have? -I am thinking Ordnance Survey map | 0:13:46 | 0:13:50 | |
with a coastline on it somewhere. Hopefully so it travels all around. | 0:13:50 | 0:13:54 | |
Because I live in Brighton, | 0:13:54 | 0:13:57 | |
I quite often do Brighton or the Brighton coast, | 0:13:57 | 0:14:01 | |
Shoreham to Eastbourne, Beachy Head. | 0:14:01 | 0:14:03 | |
I think I've got some maps, actually. | 0:14:03 | 0:14:07 | |
So you can see that's the width of it and it would just sort of... | 0:14:07 | 0:14:10 | |
I might just be able to use the one map. | 0:14:10 | 0:14:13 | |
-Yeah, you're in. -And then up the top as well, possibly at the back, | 0:14:13 | 0:14:16 | |
maybe inside or maybe another colour inside but there you see, | 0:14:16 | 0:14:20 | |
you have the coastline, you've got the lovely blue of the coastline. | 0:14:20 | 0:14:24 | |
Yes. | 0:14:24 | 0:14:25 | |
The plan is to put these dowdy old drawers back on the map | 0:14:25 | 0:14:28 | |
and that sounds like a lot of work. | 0:14:28 | 0:14:31 | |
How much is it going to cost? | 0:14:31 | 0:14:34 | |
Not sure what I'll do with the inside yet | 0:14:34 | 0:14:36 | |
and I'll do the insides of the drawers as well. | 0:14:36 | 0:14:38 | |
It will be a smart piece but for you, oh, gosh, | 0:14:38 | 0:14:42 | |
I would... I can do it for £100. | 0:14:42 | 0:14:45 | |
£100, I'm going to see a profit and more importantly, | 0:14:45 | 0:14:47 | |
the brown is going to be banished and we're going to end up with | 0:14:47 | 0:14:50 | |
-something... -The brown will definitely be... | 0:14:50 | 0:14:52 | |
You won't recognise it. | 0:14:52 | 0:14:54 | |
Well, you will, but you won't. | 0:14:54 | 0:14:56 | |
It's just... It's that I'd like one of them myself. | 0:14:56 | 0:15:00 | |
Lovely. Well, I think that you won't be alone so I'm going to say | 0:15:00 | 0:15:03 | |
-thank you so much. -You're very welcome. | 0:15:03 | 0:15:05 | |
-Thank you. -Good luck with getting that done. | 0:15:05 | 0:15:07 | |
Nice tidy piece to be getting on with. | 0:15:07 | 0:15:10 | |
Well, that seemed to go well. | 0:15:10 | 0:15:13 | |
Nice. I think, you know, | 0:15:13 | 0:15:15 | |
I can see that that's just going to turn out quite, | 0:15:15 | 0:15:19 | |
quite the ticket. Happy with that. | 0:15:19 | 0:15:22 | |
Well, who have thought you'd get such a passionate response | 0:15:22 | 0:15:27 | |
about a small, brown side cabinet? | 0:15:27 | 0:15:28 | |
Emma's got the idea nailed | 0:15:28 | 0:15:30 | |
and I think she's going to make it look fantastic. | 0:15:30 | 0:15:33 | |
£100 will map out a fabulous new future | 0:15:33 | 0:15:35 | |
for those drab little drawers. | 0:15:35 | 0:15:38 | |
But will Brighton mark the spot when it comes to a profit? | 0:15:38 | 0:15:41 | |
Mirror, mirror on the wall, who's the most creative of them all? | 0:15:44 | 0:15:48 | |
Back home in Sussex, | 0:15:48 | 0:15:50 | |
Sarah's decided that the washstand | 0:15:50 | 0:15:52 | |
is likely to sell in its original condition. | 0:15:52 | 0:15:55 | |
So, she's going to concentrate on the dressing table mirror. | 0:15:55 | 0:15:59 | |
Well, as it stands, this dressing table mirror is just not commercial. | 0:15:59 | 0:16:03 | |
I think I'm going to try and give it a really lovely new lease of life, | 0:16:03 | 0:16:06 | |
inject some colour, bit of paint and hopefully | 0:16:06 | 0:16:09 | |
turn it into something saleable, but before I start, | 0:16:09 | 0:16:11 | |
I need to dismantle the mirror and also try and sand it down a bit | 0:16:11 | 0:16:15 | |
to get a good surface to paint on. | 0:16:15 | 0:16:17 | |
This has had so many coats of paint | 0:16:20 | 0:16:22 | |
I can't even get a screwdriver into the screws, let alone undo them. | 0:16:22 | 0:16:25 | |
I thought this was going to be a bit of fun but I think | 0:16:25 | 0:16:28 | |
it's more hard work than I was thinking about. | 0:16:28 | 0:16:31 | |
Come on, Sarah, persevere. | 0:16:31 | 0:16:33 | |
You've only just started. | 0:16:33 | 0:16:35 | |
Well, that's great, it's finally in two pieces and I've got this idea - | 0:16:37 | 0:16:40 | |
turning it from white, pale, not very interesting, | 0:16:40 | 0:16:44 | |
into dark and really handsome | 0:16:44 | 0:16:46 | |
and I'm hoping with a bit of floral colour on top, it might really pop. | 0:16:46 | 0:16:50 | |
So I've got some card here because I want to try and work out the designs | 0:16:50 | 0:16:53 | |
before I begin so I know that the whole idea | 0:16:53 | 0:16:55 | |
is actually going to work. | 0:16:55 | 0:16:57 | |
It's a good idea to try out designs | 0:16:57 | 0:16:59 | |
before rushing headlong into applying paint. | 0:16:59 | 0:17:01 | |
Gauging size and scale helps when designing the layout. | 0:17:01 | 0:17:05 | |
I think if I get the colours really bright on this, | 0:17:09 | 0:17:12 | |
I think it'll work. | 0:17:12 | 0:17:14 | |
Let's give it a go. | 0:17:14 | 0:17:15 | |
Black first. | 0:17:15 | 0:17:17 | |
A bit of sanding down to do, though. | 0:17:17 | 0:17:20 | |
Sarah's using wire wool to sand down the mirror. | 0:17:20 | 0:17:23 | |
I just want to really soften up all these knocks and dings on here. | 0:17:23 | 0:17:30 | |
You certainly don't want to be breathing in this paint | 0:17:30 | 0:17:32 | |
because we can pretty much guarantee | 0:17:32 | 0:17:35 | |
it's not the kind of thing you really want to be breathing in. | 0:17:35 | 0:17:38 | |
Up until the 1960s, lead was widely used when making paint | 0:17:38 | 0:17:42 | |
and lead is, of course, a toxin if inhaled. | 0:17:42 | 0:17:45 | |
The easiest and safest way to deal with lead-based paint | 0:17:45 | 0:17:48 | |
if it's in good condition | 0:17:48 | 0:17:50 | |
is to seal it with an over-coating of modern paint. | 0:17:50 | 0:17:53 | |
But if it does need to be removed, | 0:17:53 | 0:17:55 | |
it's vital to wear a good quality breathing filter. | 0:17:55 | 0:17:59 | |
This is multisurface paint - | 0:17:59 | 0:18:01 | |
that's what it says on the tin and that's what it does and it provides | 0:18:01 | 0:18:04 | |
this fantastic cover-all effect | 0:18:04 | 0:18:07 | |
that means that you can make something really scruffy | 0:18:07 | 0:18:09 | |
look really cool. | 0:18:09 | 0:18:11 | |
I hate painting. I'm useless at painting. | 0:18:11 | 0:18:14 | |
It takes consistency, patience, diligence. | 0:18:18 | 0:18:22 | |
SHE EXHALES | 0:18:23 | 0:18:25 | |
With Sarah deciding that the washstand will sell without work, | 0:18:25 | 0:18:29 | |
it's only the paint for the mirror to pay for and at just £5, | 0:18:29 | 0:18:34 | |
that could mean a potential profit. | 0:18:34 | 0:18:37 | |
Ten miles away from Sarah in Halnaker, | 0:18:42 | 0:18:45 | |
Josh and Oli have been left with the copper hopper. | 0:18:45 | 0:18:49 | |
And the boys are well under way with the design process. | 0:18:49 | 0:18:53 | |
Their initial thought was to make the stand of the lamp from salvaged | 0:18:53 | 0:18:57 | |
copper pipe. But it looks like there's been a change of heart. | 0:18:57 | 0:19:00 | |
It would have been good to use the pipe but, | 0:19:00 | 0:19:03 | |
one, it's really difficult to get a clean bend on it and, two, | 0:19:03 | 0:19:09 | |
you're really limited with what you've got here | 0:19:09 | 0:19:11 | |
so it might be a bit kind of like | 0:19:11 | 0:19:13 | |
chaotic and not very tidy, | 0:19:13 | 0:19:15 | |
so I think we're just going to make up a wooden one. | 0:19:15 | 0:19:18 | |
-All right, shall we clear away those pipes, then? -Yeah, OK. | 0:19:18 | 0:19:22 | |
Copper is no longer to be the showstopper of this lamp design. | 0:19:22 | 0:19:27 | |
The boys will now create the stand from wood instead. | 0:19:27 | 0:19:31 | |
That's one way of clearing up. | 0:19:31 | 0:19:33 | |
-All right, then, Milney. -Concrete. -Let's get these mixed up. | 0:19:36 | 0:19:39 | |
Yeah. Better get the old beast. | 0:19:39 | 0:19:43 | |
Yeah. And get cracking. | 0:19:43 | 0:19:45 | |
The beast! That's a strange name | 0:19:46 | 0:19:48 | |
for what's simply a mains-powered hand-held mixer | 0:19:48 | 0:19:53 | |
used to mix the concrete for the lamp base. | 0:19:53 | 0:19:55 | |
For the lamp to be stable, | 0:19:55 | 0:19:58 | |
the boys are creating a polished concrete base. | 0:19:58 | 0:20:01 | |
They will colour it black using concrete dye added to the mixture. | 0:20:01 | 0:20:06 | |
And, yes, probably best to avoid the head-banging. | 0:20:06 | 0:20:10 | |
That's an age-old technique handed down through generations | 0:20:10 | 0:20:13 | |
for getting bubbles out of concrete. | 0:20:13 | 0:20:15 | |
If you say so, Josh. | 0:20:15 | 0:20:18 | |
With a dustbin being used as the mould, | 0:20:18 | 0:20:22 | |
the time the concrete takes to set | 0:20:22 | 0:20:25 | |
allows the boys to attach the wooden stand | 0:20:25 | 0:20:27 | |
and they have an ambitious plan. | 0:20:27 | 0:20:28 | |
This process is going to be called laminating. | 0:20:28 | 0:20:32 | |
So, we'll make up loads of strips like this out of our oak | 0:20:32 | 0:20:35 | |
and then we're going to plot out the shape on this board. | 0:20:35 | 0:20:39 | |
We'll then glue all of these strips together... | 0:20:39 | 0:20:43 | |
..while they're in that shape | 0:20:44 | 0:20:46 | |
and once the glue's gone completely hard, | 0:20:46 | 0:20:48 | |
you should be left with the shape that you want. | 0:20:48 | 0:20:51 | |
So that's the plan. We've never done this before so it could go horribly | 0:20:51 | 0:20:55 | |
wrong but should be all right. | 0:20:55 | 0:20:58 | |
The lamp stand is to be a beautiful oak curve | 0:20:58 | 0:21:01 | |
created by cutting the oak thin enough to flex. | 0:21:01 | 0:21:04 | |
Then they'll glue together the thinly cut strips | 0:21:06 | 0:21:09 | |
using a home-made mould | 0:21:09 | 0:21:12 | |
to hold it in shape while it sets. | 0:21:12 | 0:21:15 | |
Like making icing. | 0:21:15 | 0:21:17 | |
So, we're using Cascamite to glue up the wood, | 0:21:18 | 0:21:20 | |
which is like a powdered glue. | 0:21:20 | 0:21:21 | |
So you mix it with water... | 0:21:21 | 0:21:24 | |
and then just paint it on. | 0:21:24 | 0:21:26 | |
The boys apply a thin layer of the synthetic resin glue | 0:21:26 | 0:21:31 | |
to each of the eight strips of oak. | 0:21:31 | 0:21:34 | |
They hope this will hold the shape rigid once it's dry. | 0:21:34 | 0:21:38 | |
Time is of the essence at this critical stage, | 0:21:38 | 0:21:41 | |
as they still have to clamp the wood sandwich | 0:21:41 | 0:21:43 | |
to their home-made jig before the glue begins to set. | 0:21:43 | 0:21:49 | |
Gluing up's always really stressful, | 0:21:49 | 0:21:51 | |
especially when it's like this. | 0:21:51 | 0:21:52 | |
That's the most clamps I've ever used, I think, | 0:21:52 | 0:21:55 | |
but I think it's... I think it looks promising so fingers crossed. | 0:21:55 | 0:22:00 | |
-We'll find out tomorrow. -Yeah. | 0:22:00 | 0:22:03 | |
A good day's work, gentlemen. | 0:22:03 | 0:22:06 | |
I just hope for you and the budget it's still a success in the morning. | 0:22:06 | 0:22:10 | |
Brighton is famous for its pier, its rock, Graham Greene novels, | 0:22:16 | 0:22:19 | |
mods and rockers and its Bohemian vibe. | 0:22:19 | 0:22:23 | |
It's also where Emma is considering | 0:22:23 | 0:22:25 | |
how to transform the bedside drawers Sarah left | 0:22:25 | 0:22:29 | |
into an attraction all of their own. | 0:22:29 | 0:22:31 | |
First thing I'm going to do is give it all a cursory sand | 0:22:31 | 0:22:35 | |
so quickly hand-sand the outside and clean it | 0:22:35 | 0:22:39 | |
ready for the white primer to go on, | 0:22:39 | 0:22:42 | |
which will also show up anything that I might have missed. | 0:22:42 | 0:22:46 | |
I've learnt to love this part. | 0:22:49 | 0:22:52 | |
I used to hate all this part and I've learned to love it | 0:22:52 | 0:22:55 | |
because it has to be done. | 0:22:55 | 0:22:56 | |
If you don't do it properly, | 0:22:56 | 0:22:58 | |
it ruins the final effect. | 0:22:58 | 0:23:01 | |
The plan is to cover the drawers with a map of Brighton | 0:23:03 | 0:23:06 | |
and the surrounding area. | 0:23:06 | 0:23:08 | |
But before Emma can navigate down that route, | 0:23:08 | 0:23:11 | |
the drawers have to be sanded back, | 0:23:11 | 0:23:14 | |
the old gloss paint needs to be removed and then they need primed | 0:23:14 | 0:23:19 | |
with a white undercoat to prevent colour showing through. | 0:23:19 | 0:23:22 | |
And what I will be doing | 0:23:25 | 0:23:29 | |
is making sure... | 0:23:29 | 0:23:32 | |
I get Brighton on the front and get this coastline running right round. | 0:23:32 | 0:23:38 | |
That'll be nice. | 0:23:38 | 0:23:39 | |
I'm going to start by just checking it out | 0:23:39 | 0:23:44 | |
from the end of the map here, | 0:23:44 | 0:23:45 | |
the bottom of the bedside or little unit there. | 0:23:45 | 0:23:51 | |
Portslade... Oh, we've got Hove and Brighton on the front. | 0:23:51 | 0:23:54 | |
That is good. So, Brighton will sit just there... | 0:23:54 | 0:23:59 | |
..and Hove just there. | 0:24:01 | 0:24:03 | |
Making sure that Brighton ends up on the front of your drawers | 0:24:03 | 0:24:07 | |
rather than your drawers ending up on Brighton front | 0:24:07 | 0:24:11 | |
involves careful measurement, | 0:24:11 | 0:24:13 | |
pinpoint cutting and accurate gluing. | 0:24:13 | 0:24:16 | |
You don't need a lot of wallpaper paste using these maps. | 0:24:16 | 0:24:20 | |
I've tried using just PVA, just wallpaper paste. | 0:24:20 | 0:24:25 | |
Now I use a mixture of both. | 0:24:25 | 0:24:27 | |
Roller it on. | 0:24:27 | 0:24:29 | |
You want an even...layer. | 0:24:29 | 0:24:34 | |
With paper this thin, | 0:24:34 | 0:24:36 | |
you're in danger of tearing it if you move it about too much or if you | 0:24:36 | 0:24:39 | |
stretch it. My heart's in my mouth every time I do this with a map. | 0:24:39 | 0:24:44 | |
Really it is. But I seem to be coping all right and I think | 0:24:44 | 0:24:47 | |
if I just realised it's not the end of the world if the map does tear. | 0:24:47 | 0:24:51 | |
What I'm doing is I'm placing it in the right place | 0:24:51 | 0:24:55 | |
and then I'm going to smooth it carefully. | 0:24:55 | 0:24:59 | |
What I'm aiming to do is get out any air bubbles or creases | 0:24:59 | 0:25:04 | |
that I can see now | 0:25:04 | 0:25:07 | |
because I don't want to rely on the fact that it will just magically | 0:25:07 | 0:25:11 | |
all adhere to each other. | 0:25:11 | 0:25:12 | |
You've got to do it yourself. | 0:25:14 | 0:25:16 | |
Now I haven't torn it, I probably won't tear | 0:25:16 | 0:25:18 | |
any of the rest of it that I'm going to do because I can see it's acting | 0:25:18 | 0:25:21 | |
all right, it's all in a good mood today, like me. | 0:25:21 | 0:25:25 | |
It should look lovely. | 0:25:25 | 0:25:27 | |
In West Sussex, Sarah's back home at Reclamation HQ. | 0:25:31 | 0:25:36 | |
She set aside the washstand to sell as is. | 0:25:36 | 0:25:40 | |
She's also putting the finishing touches to the mirror | 0:25:41 | 0:25:44 | |
and it's been a painstaking process. | 0:25:44 | 0:25:47 | |
This is taking forever. But it's really good fun. | 0:25:47 | 0:25:51 | |
I feel like it's coming on and it's looking quite pretty. | 0:25:51 | 0:25:55 | |
But I think it needs just one extra detail. | 0:25:55 | 0:25:57 | |
I'm going for gold. | 0:25:57 | 0:26:00 | |
You just have to wait for this glue to go a tiny bit tacky | 0:26:00 | 0:26:04 | |
and then drop the gold leaf on. | 0:26:04 | 0:26:07 | |
That's beautiful. That's definitely adding value, look at that. | 0:26:07 | 0:26:11 | |
I love gold. | 0:26:11 | 0:26:14 | |
Sarah uses Dutch metal, which is actually an imitation gold leaf. | 0:26:14 | 0:26:19 | |
Wow! | 0:26:19 | 0:26:21 | |
That's changed. | 0:26:21 | 0:26:23 | |
When Sarah saved the mirror from the skip in Witley, | 0:26:23 | 0:26:27 | |
it was dull and distressed. | 0:26:27 | 0:26:30 | |
Sarah's stripped down the mirror to its parts, | 0:26:30 | 0:26:34 | |
sanded back the painted surfaces | 0:26:34 | 0:26:36 | |
and given it a completely contrasting paint job. | 0:26:36 | 0:26:41 | |
She has painstakingly painted each and every leaf and flower | 0:26:41 | 0:26:44 | |
by hand, finishing off the look with imitation gold leaf. | 0:26:44 | 0:26:49 | |
It certainly does look different. | 0:26:49 | 0:26:52 | |
But will it be too radical to reflect a profit? | 0:26:52 | 0:26:55 | |
Well, it's certainly a look, isn't it? | 0:26:55 | 0:26:57 | |
People are either going to love it or hate it | 0:26:57 | 0:26:59 | |
and I'm hoping there's a few people out there that love it. | 0:26:59 | 0:27:02 | |
I think the gold detail really lifts it and I'm hoping it's going to lift | 0:27:02 | 0:27:05 | |
it into profit. I've just got to find somebody who loves it. | 0:27:05 | 0:27:07 | |
With the transformation complete, | 0:27:09 | 0:27:11 | |
all that's required is to let the world have a gander | 0:27:11 | 0:27:14 | |
and what better way than the internet? | 0:27:14 | 0:27:16 | |
Who's going to buy this one, then? | 0:27:16 | 0:27:19 | |
That's a very good question, Sarah. | 0:27:19 | 0:27:21 | |
When Sarah spotted Vanessa at the tip in Witley, | 0:27:21 | 0:27:25 | |
she couldn't have been more pleased. | 0:27:25 | 0:27:27 | |
They are all you could hope for turning up at a tip. | 0:27:27 | 0:27:29 | |
Good, well, absolutely. Well, I don't want them, so I'm delighted. | 0:27:29 | 0:27:32 | |
It was the dressing table mirror which caught Sarah's eye. | 0:27:32 | 0:27:35 | |
She's obviously cleverer than me and so let's see what she comes up with, | 0:27:35 | 0:27:39 | |
I'll be very interested to see the end result. | 0:27:39 | 0:27:41 | |
Sarah decided it was the mirror that needed a revamp | 0:27:41 | 0:27:43 | |
as the washstand might just sell as it was. | 0:27:43 | 0:27:48 | |
Altrincham Market was the final destination for the mirror. | 0:27:48 | 0:27:51 | |
Stallholder Gareth snapped it up after it was advertised online. | 0:27:51 | 0:27:56 | |
So as people who upcycle ourselves, | 0:27:56 | 0:27:58 | |
we can really appreciate the work that's gone into the mirror, | 0:27:58 | 0:28:01 | |
that Sarah's put in and because it is such a beautiful piece, | 0:28:01 | 0:28:03 | |
we're going to gift it on to my mother-in-law | 0:28:03 | 0:28:06 | |
and my partner's mum to say thank you for all the hard work | 0:28:06 | 0:28:09 | |
she's done over the years to help us build this business. | 0:28:09 | 0:28:12 | |
Hello, boys. | 0:28:12 | 0:28:14 | |
Not only did the mirror sell, but the washstand cleaned up too | 0:28:14 | 0:28:19 | |
after Sarah posted pictures of it on Instagram. | 0:28:19 | 0:28:22 | |
Sarah's back in Godalming to tell Vanessa | 0:28:22 | 0:28:25 | |
what became of her throwaways and to reveal if they've made a profit. | 0:28:25 | 0:28:30 | |
-Hi. -Hello, Vanessa. -Hi, Sarah. How are you? -I'm very well. | 0:28:30 | 0:28:32 | |
-How are you? -Fine, thank you, fine. | 0:28:32 | 0:28:35 | |
So, I said I'd be back in touch. | 0:28:35 | 0:28:37 | |
When you turned up at the recycling centre with all that stuff | 0:28:37 | 0:28:40 | |
that was coming out of the back of your car, | 0:28:40 | 0:28:43 | |
it was literally the stuff of my dreams. | 0:28:43 | 0:28:45 | |
Tell me about the dressing table mirror and the washstand. | 0:28:45 | 0:28:48 | |
I think it must've been my grandmother's | 0:28:48 | 0:28:50 | |
-and I think somebody painted it white at some stage. -Yes. | 0:28:50 | 0:28:53 | |
Maybe my South African mother, it looks like, but I don't know, | 0:28:53 | 0:28:57 | |
-but I don't need it. -Well, it had lovely age to it. | 0:28:57 | 0:29:00 | |
They aren't hugely commercial | 0:29:00 | 0:29:03 | |
because we just don't sit at dressing tables as much | 0:29:03 | 0:29:05 | |
but they are things that are decorative | 0:29:05 | 0:29:07 | |
so I went down that route. | 0:29:07 | 0:29:08 | |
I thought it would be lovely to make it look as pretty as possible | 0:29:08 | 0:29:11 | |
and see where that led. | 0:29:11 | 0:29:13 | |
So I've got some pictures to show you what I did with it. | 0:29:13 | 0:29:15 | |
-You did it yourself? -Yes. I hope you approve. | 0:29:15 | 0:29:17 | |
-Your mirror now looks like that. -Oh, my word, psychedelic! | 0:29:17 | 0:29:21 | |
Oh, it's amazing. | 0:29:21 | 0:29:23 | |
I hand painted the frame with lots of little leaves... | 0:29:23 | 0:29:25 | |
It's beautiful, Sarah. | 0:29:25 | 0:29:27 | |
..and detail and that's how it ended up. | 0:29:27 | 0:29:30 | |
That's amazing, you'd never recognise it. | 0:29:30 | 0:29:33 | |
And it also came with that lovely little washstand, | 0:29:33 | 0:29:35 | |
-which I thought... -Yes, I remember, yes. -I thought | 0:29:35 | 0:29:37 | |
that might be a nice project for somebody else to take on. | 0:29:37 | 0:29:40 | |
So with the sale of the mirror and the sale of the washstand I've got | 0:29:40 | 0:29:43 | |
some profit here. In fact, I have £165 here for you | 0:29:43 | 0:29:45 | |
for your mirror and your washstand. | 0:29:45 | 0:29:48 | |
Oh, Sarah, well done, thank you very much, | 0:29:48 | 0:29:50 | |
especially as you did it all yourself. | 0:29:50 | 0:29:53 | |
So, what would you do with £165? | 0:29:53 | 0:29:55 | |
Well, right now, probably some new Hoovers! | 0:29:55 | 0:29:59 | |
I love a woman with lots of Hoovers! | 0:29:59 | 0:30:02 | |
-Great to catch up. -And you, Sarah. | 0:30:02 | 0:30:04 | |
-So glamorous! Bye-bye. -Thank you. | 0:30:04 | 0:30:06 | |
Sarah spent just £5 on materials revamping the mirror. | 0:30:10 | 0:30:14 | |
And with the washstand selling without being worked on, | 0:30:14 | 0:30:18 | |
£170 was generated in combined sales, | 0:30:18 | 0:30:22 | |
leaving Vanessa £165 to put towards a new vacuum cleaner. | 0:30:22 | 0:30:27 | |
Sarah has returned to the seaside, | 0:30:36 | 0:30:38 | |
to Brighton on the south coast, | 0:30:38 | 0:30:41 | |
not for ice cream or deckchairs, but to catch up with Emma, | 0:30:41 | 0:30:44 | |
who has been remapping the future of the old brown bedside drawers. | 0:30:44 | 0:30:50 | |
You can never be sure, but I think that Sarah will quite like | 0:30:50 | 0:30:55 | |
a bit of Brighton map and coastline | 0:30:55 | 0:30:58 | |
on this dinky little piece of furniture. | 0:30:58 | 0:31:00 | |
I've gone the extra mile with this one, as well, just for Sarah. | 0:31:00 | 0:31:04 | |
Just for her approval. We need her approval. | 0:31:04 | 0:31:08 | |
Well, I'm here to pick up | 0:31:09 | 0:31:11 | |
my small, sad side table that I left Emma with. | 0:31:11 | 0:31:12 | |
I'm hoping that she's given it a total makeover | 0:31:12 | 0:31:16 | |
and put it back on the map. | 0:31:16 | 0:31:18 | |
This small chest of drawers was saved from certain destruction | 0:31:18 | 0:31:22 | |
and was brought to Brighton for a transformation. | 0:31:22 | 0:31:25 | |
And what a transformation it is. | 0:31:27 | 0:31:29 | |
Emma's provided a fresh, contemporary new look by sanding, | 0:31:29 | 0:31:33 | |
priming and covering it with a map of the local area. | 0:31:33 | 0:31:37 | |
Emma has revived it completely. | 0:31:37 | 0:31:40 | |
Adding a glass top for durability, | 0:31:40 | 0:31:43 | |
the legs and interior of the drawers have been painted | 0:31:43 | 0:31:46 | |
complementary colours of green, white and red. | 0:31:46 | 0:31:50 | |
Let's hope Sarah will appreciate the route Emma has taken. | 0:31:52 | 0:31:56 | |
-Hi. -Hi. -Oooh! | 0:31:56 | 0:31:59 | |
-Let's see it. -See the front of it. | 0:31:59 | 0:32:01 | |
-Oh, Emma! -All the way round. -It looks really cool. | 0:32:01 | 0:32:04 | |
Yeah, well, it's a really neat shape, this, | 0:32:04 | 0:32:07 | |
right on trend, this shaped furniture. | 0:32:07 | 0:32:11 | |
The inset handles here and what have you. | 0:32:11 | 0:32:13 | |
All nice and streamlined. | 0:32:13 | 0:32:15 | |
It was brown, glossy... | 0:32:15 | 0:32:17 | |
I mean, personally, it wasn't my cup of tea at all, | 0:32:17 | 0:32:20 | |
but now it looks lovely. | 0:32:20 | 0:32:21 | |
And you've managed to get some glass on the top. | 0:32:21 | 0:32:23 | |
Yeah, I put some glass on the top. I don't often do that, | 0:32:23 | 0:32:26 | |
but it sort of smartens it up and makes it a more complete piece | 0:32:26 | 0:32:29 | |
of furniture, as well. | 0:32:29 | 0:32:32 | |
-Wow! -A little pop of colour. | 0:32:32 | 0:32:34 | |
That's fantastic. I love that. | 0:32:34 | 0:32:35 | |
That's what they say, isn't it? | 0:32:35 | 0:32:38 | |
Oh, look. OK. So, I think we were hoping for around 100 quid | 0:32:38 | 0:32:41 | |
to convert it, to make it look lovely again. | 0:32:41 | 0:32:44 | |
-How are we doing on that? -Well, | 0:32:44 | 0:32:46 | |
still 100 for the work and I used an extra map, as well, but, | 0:32:46 | 0:32:51 | |
if I can put £10 on top for the glass that I didn't factor in, | 0:32:51 | 0:32:54 | |
-would that be OK? -Yeah, that's great. | 0:32:54 | 0:32:58 | |
No problem. So 110? | 0:32:58 | 0:32:59 | |
-We're going to make some money on that, aren't we? -I think so, yeah. | 0:32:59 | 0:33:02 | |
I think you've done a very, very good job on it. | 0:33:02 | 0:33:05 | |
I hope so. I think, yeah, someone will want this | 0:33:05 | 0:33:09 | |
whether they're in Brighton or not. | 0:33:09 | 0:33:11 | |
-Yeah. -Yeah. -People like Brighton, don't they? | 0:33:11 | 0:33:14 | |
They've got a soft spot for it. | 0:33:14 | 0:33:15 | |
I'm going to take that away and get that sold. | 0:33:15 | 0:33:19 | |
That's brilliant. Thank you so much. | 0:33:19 | 0:33:22 | |
-You're welcome. -I'll be in touch. -It's lovely to see you. | 0:33:22 | 0:33:24 | |
-And you. -Thank you. -Bye. -Bye. | 0:33:24 | 0:33:27 | |
Well, before, it was dowdy, dull and a little bit depressing. | 0:33:31 | 0:33:35 | |
Look at it now, bright and beautiful. | 0:33:35 | 0:33:37 | |
Yeah, I'm happy with that. | 0:33:39 | 0:33:41 | |
I have done a few map pieces before, but this one was just... | 0:33:41 | 0:33:44 | |
Just went a little bit more slick with the glass and boxing in, | 0:33:44 | 0:33:49 | |
so I learnt a couple of things on it and I think it turned out well. | 0:33:49 | 0:33:55 | |
When Sarah met Clive at the tip, his chest of drawers were done. | 0:33:55 | 0:33:59 | |
Having a bit of a clear-out, then? | 0:33:59 | 0:34:01 | |
Yeah, that's right, yeah. Redundant furniture. | 0:34:01 | 0:34:04 | |
Having had it for years, the appearance was wearing thin. | 0:34:04 | 0:34:08 | |
-So are you keen on that nice brown colour? -Not in particular, no. | 0:34:08 | 0:34:13 | |
He did have some original ideas as to what Sarah might do with it. | 0:34:13 | 0:34:17 | |
Perhaps use it for a child's bedside table, or something. | 0:34:17 | 0:34:19 | |
-I really don't know. -That's very considerate, Clive. | 0:34:19 | 0:34:23 | |
But Emma had other ideas. | 0:34:23 | 0:34:26 | |
Sarah advertised the chest online | 0:34:26 | 0:34:28 | |
and it was Chris who spotted its potential. | 0:34:28 | 0:34:31 | |
It now has pride of place in his reclaimed furniture shop, | 0:34:31 | 0:34:34 | |
Modish Living, in Haywards Heath. | 0:34:34 | 0:34:37 | |
We absolutely love this bedside table. | 0:34:37 | 0:34:40 | |
I think it's beautiful what she's done | 0:34:40 | 0:34:42 | |
and the quality of the finish is just amazing. | 0:34:42 | 0:34:45 | |
And, for us, being just outside Brighton and Hove, | 0:34:45 | 0:34:47 | |
the locality of the map is just perfect. | 0:34:47 | 0:34:52 | |
Sarah is at the vicarage in Milford where Clive is the local vicar. | 0:34:53 | 0:34:57 | |
But does Sarah have a profit for him? | 0:34:57 | 0:35:00 | |
-Hello, there. -Oh, good morning. | 0:35:02 | 0:35:04 | |
-Hi, Clive, how you doing? -Hi, good, thanks, yeah. | 0:35:04 | 0:35:06 | |
-How are you? -Yeah, very well, very well. | 0:35:06 | 0:35:08 | |
-Good. -So just remind me. | 0:35:08 | 0:35:10 | |
We took a bedside cabinet from you. | 0:35:10 | 0:35:12 | |
-Yes. -It wasn't yours but you'd been helping and storing it for a while, | 0:35:12 | 0:35:15 | |
-is that right? -A couple of years and it's redundant, yeah, yeah. | 0:35:15 | 0:35:18 | |
It was a fantastic brown colour, wasn't it? | 0:35:18 | 0:35:20 | |
-It was, yeah. -What did you think was going to happen to it | 0:35:20 | 0:35:22 | |
after we took it away? Any thoughts at all? | 0:35:22 | 0:35:24 | |
Haven't got a clue. | 0:35:24 | 0:35:26 | |
Emma was the person who refurbished your cabinet. | 0:35:26 | 0:35:29 | |
She's down in Brighton. | 0:35:29 | 0:35:31 | |
She does something really special with furniture | 0:35:31 | 0:35:33 | |
and I've got some pictures here to show you what she's done. | 0:35:33 | 0:35:35 | |
-Oh, excellent. -She has done this to your bedside cabinet. | 0:35:35 | 0:35:39 | |
My word! | 0:35:39 | 0:35:41 | |
That's incredible. | 0:35:41 | 0:35:43 | |
She has covered it all with a map of Brighton, | 0:35:43 | 0:35:45 | |
because that's where she lives. She's painted it inside and outside. | 0:35:45 | 0:35:48 | |
She has really refreshed it and, well, | 0:35:48 | 0:35:51 | |
made it look quite different to that. | 0:35:51 | 0:35:53 | |
How lovely. That's really good. | 0:35:53 | 0:35:55 | |
Beyond imagination. | 0:35:55 | 0:35:58 | |
-Well done her. -She's very good at it. | 0:35:58 | 0:36:01 | |
It was a sweet little cabinet, but because it's so small, | 0:36:01 | 0:36:04 | |
it's quite difficult to make money on something that's that small. | 0:36:04 | 0:36:07 | |
Sure, money's not the object of it, it's fine. | 0:36:07 | 0:36:10 | |
There is money, though. There's a little. | 0:36:10 | 0:36:12 | |
There's a £25 little windfall for your bedside cabinet. | 0:36:12 | 0:36:17 | |
Oh, brilliant. Oh, thank you. | 0:36:17 | 0:36:18 | |
Well, that's great, because, | 0:36:18 | 0:36:20 | |
-as a church, we support lots of things, yeah. -Fantastic. | 0:36:20 | 0:36:23 | |
If that goes into those coffers, I'm delighted. | 0:36:23 | 0:36:25 | |
-Thank you. -Thank you so much for your time today | 0:36:25 | 0:36:27 | |
-and for catching up again. -You're welcome. Well, good to see you. | 0:36:27 | 0:36:29 | |
-Bye-bye. -Thank you, bye. | 0:36:29 | 0:36:31 | |
Well, it was lovely to catch up with Clive. | 0:36:35 | 0:36:38 | |
I think he was really enthusiastic | 0:36:38 | 0:36:39 | |
about the way Emma had rejuvenated that cabinet. | 0:36:39 | 0:36:41 | |
And that money sounds like it's going to some great causes. | 0:36:41 | 0:36:45 | |
With Emma's costs totalling £110, | 0:36:47 | 0:36:51 | |
Sarah was able to sell the revamped bedside drawers for £135, | 0:36:51 | 0:36:56 | |
which meant a £25 profit for Clive. | 0:36:56 | 0:37:00 | |
With the old dressing table mirror turning a profit | 0:37:04 | 0:37:09 | |
and the revamped drawers off to a new home, | 0:37:09 | 0:37:11 | |
Sarah has returned to West Sussex and the workshop of Oli and Josh | 0:37:11 | 0:37:16 | |
to find out what became of the copper hopper. | 0:37:16 | 0:37:18 | |
Yeah, it was quite a fun project, this one. | 0:37:18 | 0:37:21 | |
We immediately knew we wanted to make a lamp. | 0:37:21 | 0:37:23 | |
Yeah, that was obvious, wasn't it? | 0:37:23 | 0:37:25 | |
Yeah. Yeah, no, I think Sarah is going to... | 0:37:25 | 0:37:27 | |
Although she knows it's a lamp, | 0:37:27 | 0:37:28 | |
I think she's still going to be surprised, | 0:37:28 | 0:37:30 | |
er, as to what we've done with it and how we've actually used these | 0:37:30 | 0:37:34 | |
materials, so, yeah, I think she will be pleased. | 0:37:34 | 0:37:38 | |
Our tip-find flour-holding copper hopper has hopefully undergone | 0:37:38 | 0:37:43 | |
a total transformation. | 0:37:43 | 0:37:44 | |
I'm hoping Josh and Oli have given it a style injection | 0:37:44 | 0:37:47 | |
and it'll now have a place in the limelight. | 0:37:47 | 0:37:51 | |
When Sarah dropped off the copper hopper, it had a certain charm, | 0:37:51 | 0:37:54 | |
but lacked a purpose. | 0:37:54 | 0:37:57 | |
Now it's full of purpose, | 0:37:57 | 0:38:00 | |
acting as the shade on a beautiful floor-standing lamp. | 0:38:00 | 0:38:05 | |
Lacquered oak strips to create a wooden arc | 0:38:05 | 0:38:07 | |
and dyed concrete to make the base, | 0:38:07 | 0:38:10 | |
the boys have created the epitome of modern design chic, | 0:38:10 | 0:38:14 | |
mixing old and new. | 0:38:14 | 0:38:16 | |
-Hello. -Hello. -Oh. Wow. | 0:38:19 | 0:38:21 | |
Hey! | 0:38:21 | 0:38:23 | |
Lads, that is a stunner. | 0:38:23 | 0:38:25 | |
Isn't that cool? | 0:38:26 | 0:38:28 | |
-Thank you very much. -How does that stay up there like that? | 0:38:28 | 0:38:32 | |
-Yeah. -Some really clever planning. -That is fantastic. | 0:38:32 | 0:38:39 | |
Genius. I thought it'd be really clunky, or, you know, not clunky, | 0:38:39 | 0:38:44 | |
I thought it might be a struggle | 0:38:44 | 0:38:45 | |
to get this into the right kind of scale. | 0:38:45 | 0:38:47 | |
We did think about building it out of copper pipes, | 0:38:47 | 0:38:51 | |
but we decided it would be much sleeker | 0:38:51 | 0:38:53 | |
if we did something with a nice oak. | 0:38:53 | 0:38:55 | |
It's lovely. How is it...? | 0:38:55 | 0:38:59 | |
-Go on, then, give us the reveal. -Do you want to do the honours? | 0:38:59 | 0:39:02 | |
What, floor...? Yeah, go on, then. | 0:39:02 | 0:39:04 | |
-Doo-doo! -Ah. | 0:39:04 | 0:39:05 | |
That's really quite subtle, isn't it? | 0:39:05 | 0:39:09 | |
-So, has it got...? -Yeah, it's just one of the nice, | 0:39:09 | 0:39:11 | |
warm squirrel-cage bulbs. | 0:39:11 | 0:39:13 | |
It's fantastic. Tell me you're pleased with it. | 0:39:13 | 0:39:15 | |
-Yeah, definitely. -Yeah, yeah. | 0:39:15 | 0:39:18 | |
How about budget, because I know lighting, | 0:39:18 | 0:39:20 | |
you can sell for a good budget, | 0:39:20 | 0:39:21 | |
but what did you come out on this one? | 0:39:21 | 0:39:23 | |
It was pretty tight on this one, wasn't it? | 0:39:25 | 0:39:28 | |
Cos it was... There was 300 quid left on it, | 0:39:28 | 0:39:30 | |
so are we squeaking in on that, | 0:39:30 | 0:39:32 | |
-is that all right? -Well, yeah, we'll stick to it. | 0:39:32 | 0:39:34 | |
It's very clever. | 0:39:34 | 0:39:35 | |
-Cool. -I love it. | 0:39:35 | 0:39:37 | |
I'm so pleased. | 0:39:37 | 0:39:38 | |
-Good. -Thank you. Absolutely fantastic, this design. | 0:39:38 | 0:39:41 | |
Cool. Thank you very much. | 0:39:41 | 0:39:42 | |
Lovely. I shall see you very soon. | 0:39:42 | 0:39:45 | |
See you later. | 0:39:45 | 0:39:46 | |
It's another winner from Josh and Oli. | 0:39:46 | 0:39:48 | |
All that's left is for Sarah to find a buyer. | 0:39:48 | 0:39:51 | |
It turned out kind of how we wanted it, really, | 0:39:51 | 0:39:53 | |
like, quite sleek and designery. | 0:39:53 | 0:39:56 | |
I'm really pleased with how it went | 0:39:56 | 0:39:58 | |
and Sarah seemed to be equally happy, so that's cool. | 0:39:58 | 0:40:02 | |
Well, in different hands, that old copper hopper could have been | 0:40:02 | 0:40:04 | |
transformed into a salad bowl, or something. | 0:40:04 | 0:40:07 | |
But Josh and Oli have turned it | 0:40:07 | 0:40:08 | |
into something cool and contemporary. | 0:40:08 | 0:40:10 | |
It's a stunning piece of design. | 0:40:10 | 0:40:11 | |
When Sarah caught up with Dominique and her copper hopper, | 0:40:13 | 0:40:17 | |
its purpose was unclear. | 0:40:17 | 0:40:19 | |
I've no idea what it was used for. | 0:40:19 | 0:40:21 | |
It's just always been in the fireplace. | 0:40:21 | 0:40:24 | |
A lack of clarity has never stopped Sarah before, | 0:40:24 | 0:40:27 | |
and it didn't this time. | 0:40:27 | 0:40:29 | |
I'll be very interested to see what you can do with it. | 0:40:29 | 0:40:32 | |
Happy to see it go, Dominique hopes for the best. | 0:40:32 | 0:40:35 | |
I hope she's going to get inspiration from it | 0:40:35 | 0:40:38 | |
and make it into something really special. | 0:40:38 | 0:40:40 | |
Is there anybody there who likes working with metal? | 0:40:40 | 0:40:44 | |
Sarah advertised the lamp online | 0:40:44 | 0:40:47 | |
and it was lighting shop owner Matt who bought it. | 0:40:47 | 0:40:50 | |
A really great industrial style lamp, | 0:40:50 | 0:40:53 | |
especially with the concrete base. | 0:40:53 | 0:40:54 | |
It goes in with the rest of our stock. | 0:40:54 | 0:40:57 | |
We'll be able to get rid of it pretty quick. | 0:40:57 | 0:40:59 | |
Sarah is in Haslemere in Surrey to catch up with Dominique and show her | 0:40:59 | 0:41:04 | |
what became of the copper hopper. | 0:41:04 | 0:41:06 | |
-Hi, there. -Hello. -How are you? -Fine, thank you, and you? | 0:41:09 | 0:41:12 | |
Very well. Nice to see you again. | 0:41:12 | 0:41:14 | |
-And you. -So, the copper thing that you brought to the tip was | 0:41:14 | 0:41:19 | |
-in your fireplace for a while, is that right? -That's right, yes, yes. | 0:41:19 | 0:41:22 | |
And it actually went down to West Sussex, | 0:41:22 | 0:41:24 | |
to a couple of great guys called Josh and Oli. | 0:41:24 | 0:41:27 | |
-You want to see what they made of it? -Please. | 0:41:27 | 0:41:30 | |
So, here is... | 0:41:30 | 0:41:31 | |
That's beautiful! | 0:41:31 | 0:41:34 | |
It really is. I'd have that in my house. | 0:41:34 | 0:41:36 | |
I'm really pleased to hear you say that. | 0:41:36 | 0:41:39 | |
You're not the only one who has admired it, | 0:41:39 | 0:41:41 | |
because there is a company called Arc Lighting, who make lighting, | 0:41:41 | 0:41:44 | |
but also buy bespoke lighting, and they snapped it up. | 0:41:44 | 0:41:47 | |
So, I did sell it and I've got a little profit here for you. | 0:41:47 | 0:41:50 | |
I have got £150-worth of profit for you. | 0:41:50 | 0:41:55 | |
That's amazing! | 0:41:55 | 0:41:58 | |
-Thank you very much. -It's a pleasure, it's a pleasure. | 0:41:58 | 0:42:01 | |
So, I'm pleased to be able to hand that over, | 0:42:01 | 0:42:03 | |
-but what might you do with it? -I'd like to give it to | 0:42:03 | 0:42:06 | |
the Monte San Martino Trust, which is a charity close to my heart. | 0:42:06 | 0:42:09 | |
I loved that hopper the moment it turned up at the tip, | 0:42:09 | 0:42:12 | |
so thank you so much for letting us have it. | 0:42:12 | 0:42:14 | |
-Pleasure. Thank you very much. -Bye-bye. -Thanks, bye. | 0:42:14 | 0:42:16 | |
It turns out Dominique's chosen charity provides bursaries | 0:42:16 | 0:42:20 | |
for Italian students who come to the UK to study English. | 0:42:20 | 0:42:24 | |
Well, I'm happy that Dominique's happy | 0:42:24 | 0:42:27 | |
because I knew the moment I saw | 0:42:27 | 0:42:28 | |
that copper hopper that it had moneymaking potential. | 0:42:28 | 0:42:31 | |
And it sounds like there's a little charity | 0:42:31 | 0:42:33 | |
who's going to get a very generous gift. | 0:42:33 | 0:42:35 | |
Josh and Oli charged £300 to turn the old copper funnel into a stylish | 0:42:37 | 0:42:42 | |
standing lamp. Sarah was able to sell it for £450. | 0:42:42 | 0:42:46 | |
That left a profit of £150 to hand over to Dominique. | 0:42:46 | 0:42:51 | |
Sarah salvaged unwanted items from the Witley recycling centre. | 0:42:59 | 0:43:04 | |
Clive's bedside cabinet was remapped by Emma, | 0:43:04 | 0:43:08 | |
Dominique's copper hopper was lit up by Josh and Oli, | 0:43:08 | 0:43:12 | |
and Sarah took on Vanessa's mirror and washstand. | 0:43:12 | 0:43:16 | |
Well, with the help of my talented friends, | 0:43:16 | 0:43:18 | |
we've managed to save stuff from the skips and turn them into stylish, | 0:43:18 | 0:43:21 | |
saleable items, and we've handed over some money for nothing, too. | 0:43:21 | 0:43:25 | |
That's a bonus. | 0:43:25 | 0:43:26 |