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I love these, what are these? | 0:00:03 | 0:00:04 | |
'How do you make money for nothing?' | 0:00:06 | 0:00:09 | |
This is beautiful. Why are you getting rid of it? | 0:00:09 | 0:00:11 | |
'The answer could be hiding in over 20 million tonnes of household waste | 0:00:11 | 0:00:16 | |
'thrown out by us every year.' | 0:00:16 | 0:00:18 | |
-It's a bit criminal to throw away stuff like this, isn't it? -I know. | 0:00:18 | 0:00:21 | |
'That's why reclamation expert, | 0:00:21 | 0:00:23 | |
'Jay Blades wants to get his hands on things before they hit the skip.' | 0:00:23 | 0:00:28 | |
I've been a builder, I've been a philosophy student | 0:00:29 | 0:00:32 | |
and now I'm a furniture restorer, | 0:00:32 | 0:00:34 | |
so I know more than most about transformations. | 0:00:34 | 0:00:37 | |
I revamp the old, turn it into the new and sell it on for a profit. | 0:00:37 | 0:00:41 | |
'And with some of the country's elite designers and makers...' | 0:00:41 | 0:00:45 | |
So what do you think? | 0:00:45 | 0:00:46 | |
Oh! | 0:00:48 | 0:00:50 | |
'..he can transform his finds into desirable...' | 0:00:50 | 0:00:54 | |
Boom! Smashed it. | 0:00:54 | 0:00:56 | |
-'..valuable...' -It's got real potential. | 0:00:56 | 0:00:58 | |
'..and hopefully saleable items.' | 0:00:58 | 0:01:01 | |
You've just turned it into a work of art. | 0:01:01 | 0:01:04 | |
'If Jay is successful, | 0:01:04 | 0:01:06 | |
'then he can hand the profits back to the very people | 0:01:06 | 0:01:09 | |
'who had no idea there was cash to be made from their trash.' | 0:01:09 | 0:01:13 | |
-£80. -What?! -Yes. | 0:01:13 | 0:01:16 | |
Today we're in the Black Country | 0:01:28 | 0:01:30 | |
in the former leather capital of the world, Walsall. | 0:01:30 | 0:01:34 | |
And down the local recycling centre, the spring cleaners, | 0:01:34 | 0:01:39 | |
garden tidiers and rubbish removers come in their hordes. | 0:01:39 | 0:01:43 | |
This is where restoration expert Jay loves to spend his days. | 0:01:45 | 0:01:51 | |
There's nothing I like more than a big hunk of junk, | 0:01:51 | 0:01:54 | |
cos there's definitely treasure to be found and profit to be made. | 0:01:54 | 0:01:57 | |
Do you see all these cars there? | 0:02:01 | 0:02:03 | |
For me, this is just like going shopping. | 0:02:03 | 0:02:05 | |
Jay is combing these cars for three items that can be rejuvenated | 0:02:05 | 0:02:09 | |
and sold for real money. | 0:02:09 | 0:02:12 | |
But don't be tempted to go trawling at your local tip | 0:02:12 | 0:02:15 | |
because Jay has organised special permission to be here. | 0:02:15 | 0:02:19 | |
-That's a cardigan, isn't it? -'Step away from that cardigan.' | 0:02:20 | 0:02:23 | |
No, no, it won't fit me, I don't think. | 0:02:23 | 0:02:25 | |
'Nicely dodged, Jay.' | 0:02:25 | 0:02:26 | |
Kate's got something heavy in the back of her car, | 0:02:31 | 0:02:34 | |
but does it spell potential for Jay? | 0:02:34 | 0:02:37 | |
-Oh, hold on a minute, let me give you a hand. -Oh, ta. | 0:02:38 | 0:02:41 | |
-There we go. And I should introduce myself. I'm Jay. -I'm Kate. | 0:02:41 | 0:02:44 | |
-Are you OK? -So, what are you up to with these doors? | 0:02:44 | 0:02:47 | |
Well, I've just bought my own house. | 0:02:47 | 0:02:48 | |
-Oh, well done. -And I'm just gutting it at the moment. | 0:02:48 | 0:02:50 | |
How old's the house cos these doors look quite old? | 0:02:50 | 0:02:53 | |
About 1950s. | 0:02:53 | 0:02:54 | |
This isn't from inside, is it? | 0:02:54 | 0:02:55 | |
It's the old bathroom door. | 0:02:55 | 0:02:57 | |
-Oh is it? -Yeah, yeah. | 0:02:57 | 0:02:58 | |
These old doors are all made of solid wood. | 0:02:58 | 0:03:01 | |
That's an internal door? | 0:03:02 | 0:03:04 | |
-Yeah. -That's heavy, isn't it? | 0:03:04 | 0:03:05 | |
With renovation the name of the game for Kate, | 0:03:06 | 0:03:09 | |
these doors have got to go. | 0:03:09 | 0:03:11 | |
So you're going to open it all up, what - top and bottom? | 0:03:11 | 0:03:14 | |
No, just the bottom, just the bottom, just downstairs. | 0:03:14 | 0:03:16 | |
Going to be open plan. So why don't you keep the doors | 0:03:16 | 0:03:18 | |
-you've got upstairs, then? -No. No, I want new doors. | 0:03:18 | 0:03:20 | |
I want, like, modern doors, I don't like these. | 0:03:20 | 0:03:22 | |
But these are quite cool, man. | 0:03:22 | 0:03:25 | |
It is, it's just having the time to restore it. | 0:03:25 | 0:03:28 | |
If it's all right with you, I'll take these and I'll stay in contact | 0:03:28 | 0:03:31 | |
and if we transform it into something nice | 0:03:31 | 0:03:33 | |
-I'll come along and show you, is that all right? -Yes, great, yeah. | 0:03:33 | 0:03:36 | |
-Brilliant. -Thank you. -No, thank you. | 0:03:36 | 0:03:38 | |
Oh, cor blimey, these are heavy, aren't they? | 0:03:38 | 0:03:41 | |
It's an open and shut case for item number one. | 0:03:41 | 0:03:44 | |
But is Kate happy to see her doors being nabbed? | 0:03:44 | 0:03:47 | |
I think it's exciting the fact that he can try and restore them | 0:03:47 | 0:03:50 | |
and try and re-use them again. | 0:03:50 | 0:03:52 | |
But re-use them as what? | 0:03:52 | 0:03:54 | |
Not sure, really. | 0:03:55 | 0:03:56 | |
I couldn't think of anything to do with them | 0:03:56 | 0:03:58 | |
but maybe just repaint them. | 0:03:58 | 0:03:59 | |
Maybe, but I bet Jay's got bigger ideas. | 0:03:59 | 0:04:03 | |
They don't make them like these any more. These are solid doors. | 0:04:03 | 0:04:06 | |
This is an internal door from the 1950s. | 0:04:06 | 0:04:09 | |
Another internal one and then a little baby one, | 0:04:09 | 0:04:11 | |
really, really, cute. | 0:04:11 | 0:04:12 | |
Turning internal doors into something has been done, | 0:04:12 | 0:04:15 | |
it's kind of boring. | 0:04:15 | 0:04:17 | |
But, to turn a toilet door into something new and different, | 0:04:17 | 0:04:20 | |
now, come on, I can't resist that. | 0:04:20 | 0:04:22 | |
Jay's pretty keen on his toilet door, | 0:04:22 | 0:04:25 | |
but who's he lined up to turn it from lavvy to lavish? | 0:04:25 | 0:04:29 | |
Say hello to Daniel Heath. | 0:04:32 | 0:04:34 | |
Daniel is a designer who can turn his hand to just about anything. | 0:04:35 | 0:04:40 | |
A wallpaper and textiles designer by trade, | 0:04:40 | 0:04:43 | |
he produces everything, from bespoke furniture to high-end furnishings. | 0:04:43 | 0:04:48 | |
For me, the creative process is in stages, really. | 0:04:49 | 0:04:53 | |
First, you try and work around an idea and you try and come up with | 0:04:53 | 0:04:56 | |
a theme that you want to work around for your imagery | 0:04:56 | 0:05:00 | |
and then you might be trying to find solutions to problems | 0:05:00 | 0:05:03 | |
and then you'll sort of get this moment, | 0:05:03 | 0:05:06 | |
this sort of eureka moment, where you find | 0:05:06 | 0:05:09 | |
that something is suddenly working | 0:05:09 | 0:05:11 | |
and you feel a lot happier about the time that you put in then. | 0:05:11 | 0:05:14 | |
So, yeah, the process is quite up and down, really. | 0:05:14 | 0:05:17 | |
Daniel loves that eureka moment. | 0:05:18 | 0:05:21 | |
But will this old loo door be a real stinker? | 0:05:23 | 0:05:26 | |
So far, Jay's nabbed one item. Only two to go. | 0:05:35 | 0:05:39 | |
I had that sinking feeling that was going to happen. | 0:05:41 | 0:05:43 | |
Very funny, get back to work, Jay. | 0:05:43 | 0:05:45 | |
What's all this in John's boot? | 0:05:47 | 0:05:49 | |
Wow, that's really nice. | 0:05:50 | 0:05:52 | |
-How are you doing? I'm Jay. -Hello. | 0:05:52 | 0:05:53 | |
-All right? -Pleased to meet you. | 0:05:53 | 0:05:55 | |
So, obviously you are throwing this away. | 0:05:55 | 0:05:58 | |
-Afraid so, yeah. -I really like that. | 0:05:58 | 0:06:00 | |
To me it looks like a lathe. So what's the history? | 0:06:00 | 0:06:03 | |
Well, it belonged to my father. | 0:06:03 | 0:06:04 | |
-He was quite a keen do-it-yourself guy back in the day. -Yeah. | 0:06:04 | 0:06:08 | |
-And it's a multi-purpose woodworking tool, basically. -Right. | 0:06:08 | 0:06:13 | |
It's got a planer, that's a saw table. | 0:06:13 | 0:06:16 | |
Wow, yeah, it is, look. | 0:06:16 | 0:06:17 | |
All right. And that's the lathe bit. | 0:06:17 | 0:06:19 | |
That's the lathe bit. | 0:06:19 | 0:06:20 | |
A lathe like this, used for smoothing and shaping wood, | 0:06:20 | 0:06:24 | |
was built small enough for your DIY enthusiast to use at home. | 0:06:24 | 0:06:28 | |
Well, I remember it as a child, | 0:06:28 | 0:06:30 | |
right back when I was a little toddler. | 0:06:30 | 0:06:32 | |
I don't mean to pry about your age, | 0:06:32 | 0:06:34 | |
but how old do you think this is, then? | 0:06:34 | 0:06:36 | |
Well, it's got to be over 50 years old. | 0:06:36 | 0:06:39 | |
-Wow. -It's got to be. -Well, it still looks in good condition. | 0:06:39 | 0:06:41 | |
John's dad really looked after his lathe and that's made it even harder | 0:06:41 | 0:06:46 | |
for John to part with this bit of family history. | 0:06:46 | 0:06:49 | |
I feel really guilty coming down with this cos it's still quite good. | 0:06:49 | 0:06:53 | |
You shouldn't feel guilty because hopefully we should be able | 0:06:53 | 0:06:56 | |
to transform this and turn it into something really nice. | 0:06:56 | 0:06:58 | |
That is such a better end for this | 0:06:58 | 0:07:01 | |
than to end up over there, isn't it? | 0:07:01 | 0:07:03 | |
-Over there in the metal bin. -The metal bin. | 0:07:03 | 0:07:05 | |
I can go home now a lot happier man than I came down, | 0:07:05 | 0:07:09 | |
with a view of throwing it away. | 0:07:09 | 0:07:10 | |
That's a weight off John's shoulders. | 0:07:10 | 0:07:12 | |
With a little help, Jay's taking away the rather heavy lathe. | 0:07:12 | 0:07:17 | |
But does John have any thoughts on what could be done with it? | 0:07:17 | 0:07:20 | |
Well, it could be restored to what it was | 0:07:20 | 0:07:22 | |
or possibly the components could be taken off. | 0:07:22 | 0:07:25 | |
I'll be really intrigued | 0:07:25 | 0:07:27 | |
as to what actually ends up happening to it. | 0:07:27 | 0:07:29 | |
Yeah, me, too, John, and Jay certainly has lathe love. | 0:07:29 | 0:07:34 | |
Everything is in working order. | 0:07:34 | 0:07:36 | |
It's been really well looked after. | 0:07:36 | 0:07:38 | |
But can you actually turn a profit on it? | 0:07:38 | 0:07:41 | |
This reminds me of a programme I used to watch when I was growing up, | 0:07:41 | 0:07:44 | |
Metal Mickey. This is definitely Mickey gone wrong. | 0:07:44 | 0:07:47 | |
But now it's up to us to turn this family heirloom | 0:07:47 | 0:07:52 | |
into a modern-day gem. | 0:07:52 | 0:07:54 | |
Well, if you want a modern-day gem, there's only one man for the job. | 0:07:54 | 0:07:58 | |
If it's old and rusty, | 0:08:03 | 0:08:05 | |
you'd better believe that Guy Trench has tried to stick a bulb in it. | 0:08:05 | 0:08:09 | |
Together with his band of happy helpers, | 0:08:09 | 0:08:12 | |
Guy creates one-of-a-kind lighting | 0:08:12 | 0:08:14 | |
that is guaranteed to brighten up any home. | 0:08:14 | 0:08:18 | |
I enjoy my work so much, every day is different. | 0:08:19 | 0:08:22 | |
I just can't sit still for a second. | 0:08:22 | 0:08:24 | |
My mind is always buzzing | 0:08:24 | 0:08:25 | |
and I'm looking around everywhere, | 0:08:25 | 0:08:27 | |
whether it's a scrapyard, whether it's a skip - | 0:08:27 | 0:08:29 | |
"Oh, I'll have that out of it," - | 0:08:29 | 0:08:30 | |
and then clean it up and turn it into something | 0:08:30 | 0:08:33 | |
of really great use. | 0:08:33 | 0:08:34 | |
Every day I'm creating something. | 0:08:36 | 0:08:38 | |
I don't think any banker, no insurance person, | 0:08:38 | 0:08:41 | |
no car salesman has a better job than I've got. | 0:08:41 | 0:08:43 | |
It is a great thrill to turn something, for nothing, | 0:08:43 | 0:08:46 | |
into something. | 0:08:46 | 0:08:48 | |
Guy gets a real kick out of his creations, | 0:08:48 | 0:08:51 | |
but how will he feel about this old lathe? | 0:08:51 | 0:08:54 | |
It's two down, one more to find, | 0:09:03 | 0:09:06 | |
and this time, it's an item for Jay to do up himself. | 0:09:06 | 0:09:10 | |
That's not one I would save, definitely destined for the bin. | 0:09:10 | 0:09:13 | |
Danny and his grandad Tony have a car full of stuff. | 0:09:15 | 0:09:19 | |
I bet you Jay's right on it. | 0:09:19 | 0:09:21 | |
-How are we doing? -All right? -My name's Jay. -Tony. | 0:09:21 | 0:09:24 | |
-Tony, and you are? -Danny. -Danny. All right, Dan. | 0:09:24 | 0:09:26 | |
-So, you're throwing away obviously this chair. -Yeah. | 0:09:26 | 0:09:29 | |
-Why are you throwing it away? -Well, we've had it years | 0:09:29 | 0:09:31 | |
and the wife says about time we got rid of it. | 0:09:31 | 0:09:33 | |
So how long have you had this then? | 0:09:33 | 0:09:35 | |
Oh, 20 years. | 0:09:35 | 0:09:36 | |
We had it from a motel that was being refurbished. | 0:09:36 | 0:09:39 | |
OK. Not Crossroads. | 0:09:39 | 0:09:41 | |
-No. -That's showing my age there, isn't it? | 0:09:41 | 0:09:43 | |
Yeah, you are, Jay, just like this chair is. | 0:09:43 | 0:09:46 | |
-Well, let's have a look at it, get it out. -Yeah. Yeah. | 0:09:46 | 0:09:48 | |
Wow, how tiny is that? | 0:09:48 | 0:09:50 | |
And it's got a big rip in it. | 0:09:50 | 0:09:52 | |
Wow. That's very, very retro. | 0:09:52 | 0:09:54 | |
That's quite cool. I'll just do a quick check for Granny's gold. | 0:09:54 | 0:09:58 | |
Finders keepers as they say. | 0:09:58 | 0:10:00 | |
Make sure you save some for me, Jay. | 0:10:00 | 0:10:02 | |
If it's all right with you guys, | 0:10:02 | 0:10:03 | |
could I take this and stay in contact with you | 0:10:03 | 0:10:06 | |
and show you what we turn it into, if we transform it into something? | 0:10:06 | 0:10:09 | |
-Yes. -Would that be all right? -Yes. | 0:10:09 | 0:10:10 | |
Jay's bagged himself a little green chair, but what can be done with it? | 0:10:10 | 0:10:15 | |
Tony? | 0:10:15 | 0:10:16 | |
I haven't got any idea myself what he would do. | 0:10:16 | 0:10:19 | |
But my wife's been on to me to get rid of it for years, | 0:10:19 | 0:10:21 | |
so she'll be very amazed when we get back and tell her | 0:10:21 | 0:10:25 | |
that it could be turned into something else. | 0:10:25 | 0:10:28 | |
This chair is definitely past its best, | 0:10:28 | 0:10:31 | |
but Jay thinks there's life left in it. | 0:10:31 | 0:10:33 | |
So that is a gorgeous, 1950s, I believe, cocktail chair. | 0:10:33 | 0:10:38 | |
Well, it could be the 1960s, | 0:10:39 | 0:10:41 | |
but the shape of it, look at that. | 0:10:41 | 0:10:43 | |
It's covered in the fabric of the time, which is kind of like a vinyl. | 0:10:44 | 0:10:49 | |
It's a little bit dated but I believe this is | 0:10:49 | 0:10:52 | |
an easy transformation because it's a gorgeous gem. | 0:10:52 | 0:10:56 | |
I'll believe that when I see it. | 0:10:56 | 0:10:58 | |
Jay's tracked down three very different items. | 0:10:59 | 0:11:03 | |
First, Daniel will get this exciting toilet door. | 0:11:03 | 0:11:07 | |
Guy will try to light up this lathe. | 0:11:07 | 0:11:10 | |
And this odd little chair is for Jay. | 0:11:10 | 0:11:12 | |
Good luck with that one, mate. | 0:11:12 | 0:11:14 | |
I really love that these guys have been so generous | 0:11:14 | 0:11:16 | |
with their unwanted items. | 0:11:16 | 0:11:18 | |
Now all I've got to do is transform them and turn a profit. | 0:11:18 | 0:11:21 | |
No pressure. | 0:11:21 | 0:11:22 | |
In Stratford, east London, | 0:11:31 | 0:11:33 | |
Daniel is waiting for Jay to turn up with a weird and wonderful tip find. | 0:11:33 | 0:11:37 | |
Jay's on his way over. | 0:11:37 | 0:11:39 | |
I hope he can bring me something that I can screen print onto. | 0:11:39 | 0:11:42 | |
It would be nice if it was something flat. | 0:11:42 | 0:11:45 | |
Not too much chopping things up | 0:11:45 | 0:11:48 | |
and unscrewing things or welding this time. | 0:11:48 | 0:11:53 | |
Let's see. | 0:11:53 | 0:11:54 | |
Now, that's a workout. | 0:11:57 | 0:11:58 | |
This old toilet door is going to have the transformation of its life. | 0:11:58 | 0:12:01 | |
But first things first, Daniel needs to give me a hand with this. | 0:12:01 | 0:12:05 | |
Daniel. How are you doing, mate? | 0:12:05 | 0:12:07 | |
-How are you doing? -Good. | 0:12:07 | 0:12:08 | |
Well, he wanted flat. | 0:12:08 | 0:12:10 | |
But a toilet door? | 0:12:10 | 0:12:12 | |
Mm, not so sure what he'll think of that. | 0:12:12 | 0:12:14 | |
Oh, wow. Cheers, Jay. | 0:12:16 | 0:12:18 | |
That's a door, isn't it? No, thank you. | 0:12:18 | 0:12:21 | |
-It's quite heavy. -It's very sturdy. | 0:12:21 | 0:12:24 | |
-Reassuringly heavy, I suppose. -Yeah. | 0:12:24 | 0:12:26 | |
So this is the side that I believe has all of the character. | 0:12:26 | 0:12:31 | |
Yeah, very nice. | 0:12:31 | 0:12:33 | |
But that would be quite hard to print on, do you think? | 0:12:33 | 0:12:35 | |
Yeah, it's got this kind of cladding on it, hasn't it? | 0:12:35 | 0:12:38 | |
-Yeah. -Yes, once that's off, | 0:12:38 | 0:12:41 | |
you're going to have the same amount of character printable | 0:12:41 | 0:12:45 | |
-obviously on the plank fronts. -But without the brace. -Yeah. | 0:12:45 | 0:12:49 | |
And without the toilet roll holder. | 0:12:49 | 0:12:52 | |
-I quite like that, I quite like that! -Er, hmm... | 0:12:52 | 0:12:56 | |
We could potentially turn this into a table and keep some of this... | 0:12:56 | 0:13:00 | |
-Yeah. -..kind of character here, underneath the table. | 0:13:00 | 0:13:03 | |
Well, I think, you know, the bracing's quite nice. | 0:13:03 | 0:13:06 | |
Hopefully when I, you know, if I take that bit off the front side... | 0:13:06 | 0:13:11 | |
-Yeah. -..it doesn't then fall to pieces, | 0:13:11 | 0:13:13 | |
it will, you know, be braced | 0:13:13 | 0:13:15 | |
and it should create quite a nice flat surface for a table, yeah. | 0:13:15 | 0:13:19 | |
So that could work really well. | 0:13:19 | 0:13:21 | |
Daniel's going to remove the front panel, | 0:13:21 | 0:13:23 | |
sand it down and then screen print his designs | 0:13:23 | 0:13:26 | |
onto one side of the door to make a very unusual table top. | 0:13:26 | 0:13:31 | |
But it's going to take hours, and as we all know, time is money. | 0:13:31 | 0:13:35 | |
So, how much would all that cost? | 0:13:35 | 0:13:38 | |
It is a big piece. | 0:13:38 | 0:13:40 | |
It's going to need a good couple of large screens | 0:13:40 | 0:13:42 | |
-to put the print onto it. -Yeah. -I think we're talking about 340. | 0:13:42 | 0:13:47 | |
340. I think 340 is good, and if we can, | 0:13:47 | 0:13:52 | |
let's try and keep some of the original for me, | 0:13:52 | 0:13:56 | |
please, pretty please. | 0:13:56 | 0:13:58 | |
For a dining table, really? | 0:13:58 | 0:14:01 | |
Let's just see how that's going to pan out? | 0:14:01 | 0:14:02 | |
-It's going to look really, cool. -Shall we just see? | 0:14:02 | 0:14:05 | |
-Now, that's a deal. -Just in case of any spillages on the dinner table. | 0:14:05 | 0:14:10 | |
-"It's all right..." -"I've got some tissue here." -Yeah! | 0:14:10 | 0:14:13 | |
Jay's getting a little bogged down with that toilet roll holder. | 0:14:13 | 0:14:16 | |
What does Daniel really think about the toilet door? | 0:14:16 | 0:14:20 | |
It's flat. | 0:14:20 | 0:14:22 | |
Brilliant. Thanks, Jay. | 0:14:22 | 0:14:24 | |
He had some pretty out-there suggestions, I'm not going to lie. | 0:14:24 | 0:14:28 | |
The only problem that I can see with this | 0:14:28 | 0:14:31 | |
is that when I've taken the front piece off, | 0:14:31 | 0:14:34 | |
I hope that there's not too many surprises behind there. | 0:14:34 | 0:14:38 | |
I'm really pleased that Daniel's accepted the challenge | 0:14:38 | 0:14:41 | |
of turning that old toilet door into a cool, contemporary table. | 0:14:41 | 0:14:45 | |
With his fantastic designs, | 0:14:45 | 0:14:46 | |
I know we're going to be serving up a profit. | 0:14:46 | 0:14:49 | |
It's £340 for Daniel to create a unique table. | 0:14:49 | 0:14:54 | |
As long as it doesn't all fall apart when that front panel's removed. | 0:14:54 | 0:14:58 | |
Not far from the Blackwater Estuary, in a tucked-away barn near Maldon, | 0:15:05 | 0:15:11 | |
Guy has his workshop. | 0:15:11 | 0:15:13 | |
He really loves a bit of rusty old metal. | 0:15:13 | 0:15:16 | |
But will he be as keen on this old lathe | 0:15:16 | 0:15:18 | |
that Jay saved from being scrapped? | 0:15:18 | 0:15:21 | |
Jay's probably a bit like a sort of scavenger. | 0:15:21 | 0:15:23 | |
He's at the coalface and he's digging around and he's looking for | 0:15:23 | 0:15:26 | |
all different sorts of things. | 0:15:26 | 0:15:27 | |
I've got the last bit left in the boot. | 0:15:27 | 0:15:29 | |
I've brought it to my main man Guy. | 0:15:29 | 0:15:30 | |
Now, Guy's the man that I believe will know what to do | 0:15:30 | 0:15:33 | |
with this stuff. | 0:15:33 | 0:15:35 | |
I love working with metals. | 0:15:35 | 0:15:37 | |
Old metals that's got lots of rust and dents and nuts and bolts in it. | 0:15:37 | 0:15:41 | |
I'm going to look forward to whatever he brings, | 0:15:41 | 0:15:43 | |
cos it's always a test for me - what can I actually do? | 0:15:43 | 0:15:46 | |
-Guy! -Hi, Jay, how are you? -How you doing? -Nice to see you. | 0:15:48 | 0:15:51 | |
-You all right? -Good to see you again. | 0:15:51 | 0:15:52 | |
-I've got something here for you. -Ah! | 0:15:52 | 0:15:55 | |
-What do you think? -This is a great lathe. | 0:15:55 | 0:15:58 | |
Probably a wood... it is a wood-turning lathe. | 0:15:58 | 0:16:01 | |
I'm thinking light, | 0:16:01 | 0:16:02 | |
is what I'm thinking, but this is quite a lot to deal with. | 0:16:02 | 0:16:05 | |
There's lot of component parts on this. | 0:16:05 | 0:16:08 | |
Yeah, we could turn that into a lamp no problem at all. | 0:16:08 | 0:16:11 | |
This is the motor, I think that's got quite a nice look to it. | 0:16:11 | 0:16:14 | |
I think we turn that into a wall light. | 0:16:14 | 0:16:15 | |
We've got the bracket at the back here. | 0:16:15 | 0:16:17 | |
I could see a light bulb coming out the top here | 0:16:17 | 0:16:20 | |
or something off the wall here and up the top. | 0:16:20 | 0:16:22 | |
Nice idea, but that motor looks kind of heavy to mount on a wall. | 0:16:22 | 0:16:27 | |
It does weigh a ton and I think it will pull someone's wall off. | 0:16:27 | 0:16:29 | |
-JAY LAUGHS -We can't have that. -No. | 0:16:29 | 0:16:32 | |
I think what we'll do, | 0:16:32 | 0:16:34 | |
we'll undo it here, inspect inside, | 0:16:34 | 0:16:35 | |
remove the guts, nobody's ever going to see that as a wall light | 0:16:35 | 0:16:39 | |
and we shall make it a lot lighter. | 0:16:39 | 0:16:41 | |
Guy's going to rip the motor's stuffing out, | 0:16:41 | 0:16:43 | |
to make it a wall-mountable light. | 0:16:43 | 0:16:46 | |
But what about the rest of the lathe? | 0:16:46 | 0:16:48 | |
For me, there's something about this that I really, really love. | 0:16:48 | 0:16:50 | |
Is it possible that we could use that as the switch? | 0:16:50 | 0:16:53 | |
I definitely think so. We could somehow fix this... | 0:16:53 | 0:16:57 | |
-Oh, what? -Into the bottom here. | 0:16:57 | 0:16:59 | |
It looks part of the unit and it looks like you're going to turn it | 0:16:59 | 0:17:02 | |
on and off from here, but I think, for simplicity's sake, | 0:17:02 | 0:17:04 | |
we'll just have a little draw string here and we can just click it on, | 0:17:04 | 0:17:08 | |
-click it off. -I like, I like. | 0:17:08 | 0:17:09 | |
And I think that'll just make it look a bit different, | 0:17:09 | 0:17:12 | |
a bit special and it'll be the only one in the world like this. | 0:17:12 | 0:17:14 | |
That's what I like to hear. That means we can charge more. | 0:17:14 | 0:17:16 | |
We can definitely... You can definitely charge more. | 0:17:16 | 0:17:19 | |
You've brought me right on to the main question, which is the money one. | 0:17:19 | 0:17:22 | |
How much is it going to cost me | 0:17:22 | 0:17:24 | |
to have that and that turned into a light? | 0:17:24 | 0:17:26 | |
-I think £140. -I'm happy with that. That's a fair price. | 0:17:26 | 0:17:30 | |
-Thank you. -Great. -It's a done deal. | 0:17:30 | 0:17:33 | |
But repurposing a lathe isn't going to be easy, even for Guy. | 0:17:33 | 0:17:37 | |
It's a real challenge. | 0:17:37 | 0:17:38 | |
I mean, there's so many bits and pieces here, | 0:17:38 | 0:17:40 | |
one could create all sorts of different things with, | 0:17:40 | 0:17:43 | |
but it's just getting the look right. That's the challenging bit, | 0:17:43 | 0:17:46 | |
to make it look rather special and that somebody wants to buy. | 0:17:46 | 0:17:49 | |
I just love coming down to Guy's workshop. | 0:17:49 | 0:17:52 | |
What we're going to produce is something really, really beautiful. | 0:17:52 | 0:17:55 | |
What could be better? | 0:17:55 | 0:17:56 | |
That's £140 to build a one-off wall light. | 0:17:56 | 0:18:00 | |
Sounds like an industrial mishmash to me. Good luck, Guy. | 0:18:00 | 0:18:04 | |
Just north-west of Birmingham is Wolverhampton, | 0:18:09 | 0:18:12 | |
home of '70s rock and Jay's workshop. | 0:18:12 | 0:18:15 | |
As a captain of colour, | 0:18:18 | 0:18:20 | |
he's got to come up with a plan to restyle this plasticky old chair | 0:18:20 | 0:18:25 | |
into an appealing pew. | 0:18:25 | 0:18:27 | |
How are you going to do that, Jay? | 0:18:27 | 0:18:29 | |
This mid-century cocktail chair has definitely seen its heyday, | 0:18:30 | 0:18:35 | |
but now, a bit worse for wear. | 0:18:35 | 0:18:38 | |
She's come to the right place to get this spruced up, | 0:18:38 | 0:18:41 | |
a new dress and also a lick of paint. | 0:18:41 | 0:18:46 | |
I didn't know chairs were female. | 0:18:46 | 0:18:48 | |
This new upholstery dress will come from some of Jay's | 0:18:48 | 0:18:52 | |
favourite fabrics. | 0:18:52 | 0:18:53 | |
And he loves a bright colour. | 0:18:53 | 0:18:55 | |
That colour with that is going to be the main body. | 0:18:55 | 0:19:00 | |
So... | 0:19:00 | 0:19:01 | |
Already you can see that's working. | 0:19:03 | 0:19:06 | |
So this, for me, is the deal clincher. | 0:19:06 | 0:19:09 | |
And instead of just being a normal button, | 0:19:09 | 0:19:11 | |
this is going to be a pom-pom, but then, | 0:19:11 | 0:19:13 | |
another element of surprise is what we'll put on the back. | 0:19:13 | 0:19:17 | |
Hang on, did he just say "pom-pom"? | 0:19:17 | 0:19:21 | |
Oh, that's mustard. | 0:19:21 | 0:19:22 | |
In Jay's speak, mustard means hot. | 0:19:22 | 0:19:25 | |
That's hot, as in a shocking pink pom-pom | 0:19:25 | 0:19:28 | |
sewn into a chair as a button. | 0:19:28 | 0:19:30 | |
I definitely need to see this. | 0:19:30 | 0:19:33 | |
After sanding down the chair legs, Jay's going to get them painted. | 0:19:33 | 0:19:38 | |
Better to be safe than sorry. | 0:19:38 | 0:19:39 | |
Put a dust mask on. A very good shake. | 0:19:39 | 0:19:42 | |
Jay's plan is to spray one leg shocking pink to go with the pom-pom | 0:19:42 | 0:19:47 | |
and the rest of them he'll paint black. | 0:19:47 | 0:19:50 | |
That is out there, Jay. | 0:19:50 | 0:19:52 | |
Now, that's pretty in pink, isn't it? | 0:19:52 | 0:19:55 | |
If you say so, mate. | 0:19:55 | 0:19:57 | |
Back in his studio, Jay's finishing painting the rest of the legs. | 0:19:58 | 0:20:02 | |
So, now I'm waiting for that to dry, | 0:20:02 | 0:20:05 | |
I can crack on with the pom-pom. | 0:20:05 | 0:20:07 | |
I've been waiting for this bit. | 0:20:07 | 0:20:09 | |
He's actually got a special pom-pom maker. | 0:20:11 | 0:20:15 | |
At primary school, didn't we just use a bit of cardboard. | 0:20:15 | 0:20:18 | |
Just wrap it around. | 0:20:18 | 0:20:20 | |
Jay winds the wool tightly round the plastic arches on the pom-pom maker. | 0:20:20 | 0:20:25 | |
Really just go for it, wrap it all on. | 0:20:25 | 0:20:28 | |
After some intense winding, | 0:20:30 | 0:20:32 | |
he just has to snip that wool all the way round. | 0:20:32 | 0:20:35 | |
Check out that pom-pom. | 0:20:37 | 0:20:40 | |
And he's adding a string. | 0:20:40 | 0:20:42 | |
The string goes in the middle. | 0:20:42 | 0:20:43 | |
Oh, I can hardly wait(!) | 0:20:43 | 0:20:45 | |
And there you have it. | 0:20:46 | 0:20:48 | |
It's a pink pom-pom. | 0:20:48 | 0:20:50 | |
So, with the pom-pom over there and the pink leg there, | 0:20:50 | 0:20:53 | |
that's a pretty popping pink. | 0:20:53 | 0:20:56 | |
And to give the chair a professionally upholstered finish, | 0:20:56 | 0:20:59 | |
Jay's taking it to his mate Linford. | 0:20:59 | 0:21:02 | |
-Afternoon, Jay. Nice to you see you again. -How are you doing? | 0:21:02 | 0:21:05 | |
-Good? -How are you keeping? | 0:21:05 | 0:21:06 | |
-Where you picked this up from, Jay? -Walsall. -Walsall. -Walsall tip. | 0:21:06 | 0:21:11 | |
What's underneath here, is it webbed? | 0:21:12 | 0:21:14 | |
-Yeah. -Oh, terrible. -Yeah. | 0:21:14 | 0:21:16 | |
Linford will have to replace all the old padding | 0:21:16 | 0:21:19 | |
to meet British fire safety standards. | 0:21:19 | 0:21:22 | |
And, to meet Jay's cool and trendy standard, | 0:21:22 | 0:21:25 | |
he's going to cover the front of the chair with blue material | 0:21:25 | 0:21:28 | |
and the back will be floral. | 0:21:28 | 0:21:31 | |
Then there's the pom-pom. Enough said. | 0:21:31 | 0:21:35 | |
Altogether, on upholstery, material and paint, | 0:21:35 | 0:21:38 | |
Jay's spending £210. | 0:21:38 | 0:21:41 | |
Let's hope this isn't a multicoloured fabric fiasco. | 0:21:41 | 0:21:45 | |
It's back to Stratford in London where Daniel's about to start | 0:21:52 | 0:21:55 | |
turning this toilet door into a table. | 0:21:55 | 0:21:59 | |
First to go is the bog-roll holder. | 0:21:59 | 0:22:01 | |
It's been many, many different colours, this door, over the years. | 0:22:08 | 0:22:12 | |
It looks like it's been blue, green, red. | 0:22:12 | 0:22:15 | |
This door's got a lot of history, | 0:22:15 | 0:22:18 | |
but will it have any damage under the cladding on the other side? | 0:22:18 | 0:22:22 | |
Now for the moment of truth. | 0:22:22 | 0:22:23 | |
There's a really nice colour underneath here. | 0:22:23 | 0:22:26 | |
Oh! | 0:22:28 | 0:22:30 | |
Well, at least there are no holes in it. | 0:22:30 | 0:22:32 | |
Daniel's using a heat gun to help scrape off some of the paint | 0:22:34 | 0:22:38 | |
so he can reveal the surface that he'll be printing his designs onto. | 0:22:38 | 0:22:42 | |
Ah, that looks quite satisfying. | 0:22:43 | 0:22:45 | |
I really like this pink. | 0:22:52 | 0:22:53 | |
I might use this pink as the base colour. | 0:22:53 | 0:22:57 | |
Next thing for me to do is work out a design to go onto this. | 0:22:57 | 0:23:01 | |
Influenced by a bit of Art Deco architecture, | 0:23:03 | 0:23:06 | |
Daniel's going for a geometric design. | 0:23:06 | 0:23:09 | |
This is a rough approximation at the moment, | 0:23:11 | 0:23:14 | |
but pink is going to be more peachy and dusty. | 0:23:14 | 0:23:19 | |
Dusty pink. | 0:23:19 | 0:23:20 | |
Lovely, Daniel. Once Daniel's decided on the pattern, | 0:23:20 | 0:23:24 | |
he has it make a silk screen of the design and print it onto the wood. | 0:23:24 | 0:23:29 | |
I'm really going to get one hit at this. | 0:23:29 | 0:23:31 | |
If I misprint it or print it wrongly, I'm going to have to sand | 0:23:31 | 0:23:34 | |
the whole thing back again and I'll lose some of those | 0:23:34 | 0:23:37 | |
qualities that I really like in a piece. | 0:23:37 | 0:23:40 | |
So, fingers crossed, I'll get it right first time. | 0:23:40 | 0:23:45 | |
No pressure. | 0:23:45 | 0:23:47 | |
The pressure is most definitely on Daniel. | 0:23:47 | 0:23:50 | |
Because at this moment, this is more dog's dinner than dinner table. | 0:23:50 | 0:23:55 | |
Back in Malden, salvage specialist Guy is sizing up the job | 0:23:59 | 0:24:04 | |
of turning this old lathe motor and industrial switch into a wall light, | 0:24:04 | 0:24:09 | |
with the help of his electrician pal, Steve. | 0:24:09 | 0:24:13 | |
Right, so, Steve, I'm thinking of... | 0:24:13 | 0:24:15 | |
..having this as the top. | 0:24:18 | 0:24:20 | |
-Right. -OK. | 0:24:20 | 0:24:21 | |
And having this, the switch point here. | 0:24:21 | 0:24:24 | |
Because I think it's quite important. It's part of it. | 0:24:24 | 0:24:28 | |
-Right, and then the whole thing as a wall light, right. -Exactly. -OK. | 0:24:28 | 0:24:31 | |
I'm with you, boys, top plan. | 0:24:31 | 0:24:34 | |
There's a big sort of magnet in here, Steve, is there? | 0:24:34 | 0:24:36 | |
-A motor and there's a lot of weight in there. -Lots of copper and magnets in there. | 0:24:36 | 0:24:40 | |
We need to get that out to make it lighter, | 0:24:40 | 0:24:43 | |
otherwise it's going to be a strong wall to put it on. | 0:24:43 | 0:24:46 | |
Jay's to done us well. He's trying to test me, I think. | 0:24:46 | 0:24:49 | |
THEY CHUCKLE | 0:24:49 | 0:24:51 | |
While Steve is off getting the electrical parts together, | 0:24:51 | 0:24:54 | |
Guy gets on with the graft - | 0:24:54 | 0:24:56 | |
cleaning the metal with wire wool. | 0:24:56 | 0:24:59 | |
I don't like taking too much off of the old character. | 0:24:59 | 0:25:02 | |
We just want to shine up some of those little nuts and bolts. | 0:25:02 | 0:25:05 | |
So now we're going to use a bit of our colour restorer. | 0:25:09 | 0:25:11 | |
This stuff takes off the top layer of paint | 0:25:11 | 0:25:14 | |
and so any scratches with it. | 0:25:14 | 0:25:16 | |
Here we can see, the colour is starting to come up a bit. | 0:25:16 | 0:25:19 | |
Lovely. Next to be cleaned up is this switch. | 0:25:19 | 0:25:22 | |
I'm just going to give this a tiny bit of beeswax, | 0:25:22 | 0:25:25 | |
it's going to liven this up a bit. | 0:25:25 | 0:25:28 | |
I thought beeswax was a wood polish. | 0:25:28 | 0:25:30 | |
Who knew it does a great job on metal? | 0:25:30 | 0:25:34 | |
Do you know, I think that's come up quite well. | 0:25:34 | 0:25:36 | |
Sparky Steve's up next to get the guts out of that motor. | 0:25:36 | 0:25:40 | |
We can be a little bit more destructive than normal, | 0:25:40 | 0:25:43 | |
which is a relief. | 0:25:43 | 0:25:45 | |
Yeah, that should do the trick, Steve. | 0:25:48 | 0:25:50 | |
Yeah, this is why the motor is so heavy. Lots of copper wires. | 0:25:52 | 0:25:56 | |
We need to extract all that. | 0:25:56 | 0:25:58 | |
Right, so... | 0:26:00 | 0:26:01 | |
Could we turn that into a lamp, Steve? | 0:26:02 | 0:26:04 | |
Not today. | 0:26:06 | 0:26:07 | |
I think Guy could turn just about anything into a lamp. | 0:26:07 | 0:26:11 | |
We'll earn a couple of bob out of that as well. | 0:26:11 | 0:26:13 | |
So no waste at all. | 0:26:13 | 0:26:15 | |
For a pile of copper wire like this, | 0:26:15 | 0:26:17 | |
he might get a couple of quid down his local scrapyard. | 0:26:17 | 0:26:21 | |
Next, the lamp will need a mount to be hung on a wall | 0:26:21 | 0:26:24 | |
and Guy's got an old bit of scaffolding board. | 0:26:24 | 0:26:27 | |
Perfect. | 0:26:27 | 0:26:28 | |
Let's have a look at that. | 0:26:28 | 0:26:30 | |
Do you know, I reckon that's not bad. | 0:26:31 | 0:26:34 | |
It still has to be wired up, | 0:26:34 | 0:26:36 | |
so Steve has made a special tube with threading | 0:26:36 | 0:26:39 | |
to fit the bulb and switch. Impressive work, Steve. | 0:26:39 | 0:26:43 | |
I'm just going to use some of this braided flex. | 0:26:44 | 0:26:48 | |
As a qualified electrician, | 0:26:48 | 0:26:50 | |
Steve will make sure this lamp complies with UK safety standards. | 0:26:50 | 0:26:55 | |
That looks like pretty clever work. | 0:26:55 | 0:26:58 | |
Just put another little bit of threaded tubing on that end | 0:26:58 | 0:27:01 | |
and that's how we're going to mount electrical connection for the bulb. | 0:27:01 | 0:27:04 | |
While Steve fixes up the wiring, | 0:27:04 | 0:27:07 | |
Guy's working on the wood mount, | 0:27:07 | 0:27:09 | |
but will this lamp be good taste? | 0:27:09 | 0:27:12 | |
Or industrial waste? | 0:27:12 | 0:27:13 | |
While work on the other two items is well under way, | 0:27:19 | 0:27:23 | |
in Wolverhampton, Jay is in his studio, | 0:27:23 | 0:27:26 | |
putting the final coat of paint on the chair legs. | 0:27:26 | 0:27:29 | |
The old chair is back from upholsterer Linford | 0:27:30 | 0:27:33 | |
with a brand-new seat and cover. | 0:27:33 | 0:27:35 | |
But for perfectionist Jay, the paint finish has to be immaculate. | 0:27:35 | 0:27:40 | |
It looks like the party was most definitely over | 0:27:45 | 0:27:48 | |
for this green vinyl cocktail chair, complete with a nasty rip. | 0:27:48 | 0:27:53 | |
Now... | 0:27:53 | 0:27:54 | |
..it's been reupholstered in striking, modern fabric. | 0:27:59 | 0:28:03 | |
Tactile blue velvet for the front | 0:28:03 | 0:28:06 | |
and this lush flowery design on the back. | 0:28:06 | 0:28:09 | |
And then there's the fabulous legs in black and pink. | 0:28:12 | 0:28:16 | |
Signature Jay in every way. | 0:28:16 | 0:28:18 | |
Finally, you cannot miss this pom-pom. | 0:28:20 | 0:28:23 | |
It might have seemed like primary school fancy, but looking at it now, | 0:28:23 | 0:28:27 | |
it looks gorgeous. | 0:28:27 | 0:28:29 | |
Linford's done a cracking job on this little cocktail chair. | 0:28:31 | 0:28:35 | |
The chair, the fabric, it just works. | 0:28:35 | 0:28:38 | |
The pom-pom has made it back into the mix, | 0:28:38 | 0:28:40 | |
so this chair is definitely ready for a party and I'm as happy | 0:28:40 | 0:28:45 | |
as a bumblebee in the summer, and what do bumblebees love? | 0:28:45 | 0:28:47 | |
Flowers. | 0:28:47 | 0:28:49 | |
Look at that. Now that... | 0:28:49 | 0:28:51 | |
-HE EXHALES -..it's just too much and then there's more. | 0:28:51 | 0:28:55 | |
It goes underneath the chair as well. | 0:28:55 | 0:28:57 | |
All that's left to do with this one is take some pictures, | 0:28:57 | 0:28:59 | |
get it online and get it sold. | 0:28:59 | 0:29:01 | |
That's what's got to be done. Let's get cracking. | 0:29:01 | 0:29:03 | |
Before you can say, "Fancy a cocktail?" | 0:29:03 | 0:29:06 | |
Jay is posting pictures online to try and land a buyer, | 0:29:06 | 0:29:10 | |
not forgetting the pom-pom, of course. | 0:29:10 | 0:29:12 | |
When Jay met Tony in Walsall, he was throwing out a burst chair. | 0:29:13 | 0:29:17 | |
We've had it years and my wife said it was about time to get rid of it. | 0:29:17 | 0:29:20 | |
He'd been given it for free, 20 years ago. | 0:29:20 | 0:29:23 | |
We had it from a motel that was being refurbished. | 0:29:23 | 0:29:26 | |
-OK. Not Crossroads. -No. | 0:29:26 | 0:29:28 | |
Jay was a sucker for that kitsch quality. | 0:29:28 | 0:29:31 | |
That's very, very retro, that's quite cool. | 0:29:31 | 0:29:34 | |
After swapping green vinyl for some velvet and a pom-pom, | 0:29:34 | 0:29:39 | |
Jay's pictures of the chair enticed a private buyer online. | 0:29:39 | 0:29:43 | |
Now Jay's in Birmingham to tell Tony | 0:29:44 | 0:29:47 | |
about the transformation of his chair. | 0:29:47 | 0:29:50 | |
There he is. | 0:29:50 | 0:29:52 | |
-Hello, Jay. -How are we doing, Tony? | 0:29:53 | 0:29:54 | |
-Are you all right? -Fine, thanks, yeah. Nice to see you. -Good on you. | 0:29:54 | 0:29:57 | |
So, do you remember the chair that we picked up off of you | 0:29:57 | 0:30:00 | |
-at the Walsall dump? -I do. Yeah. | 0:30:00 | 0:30:03 | |
Well, we've managed to transform it. | 0:30:03 | 0:30:05 | |
So we've got some pictures to show you. | 0:30:05 | 0:30:07 | |
I think it's quite amazing what we've turned it into. | 0:30:07 | 0:30:10 | |
So there's your green chair. | 0:30:11 | 0:30:14 | |
-Brilliant. -It's got a lovely blue velvet all over it | 0:30:14 | 0:30:17 | |
and then there we've got a lovely little pink pom-pom. | 0:30:17 | 0:30:21 | |
That's the whole point of that, to bring a smile and a bit of fun. | 0:30:21 | 0:30:25 | |
Oh, don't show it to my wife, she might want it back. | 0:30:25 | 0:30:28 | |
Well, she'll have to argue with the buyer who's bought that | 0:30:28 | 0:30:31 | |
because we've managed to sell it and we've got a bit of a profit. | 0:30:31 | 0:30:35 | |
-We've got £65... -Brilliant. -..to give to you. | 0:30:35 | 0:30:39 | |
-Thank you very much. -Any ideas of what you might do with the money? | 0:30:39 | 0:30:43 | |
Well, yeah, I used to have two topiary teddy bears | 0:30:43 | 0:30:46 | |
-which I nurtured for years... -Right, yeah. -..and they're diseased. | 0:30:46 | 0:30:50 | |
So that will buy me a couple of bushes, I think, to... | 0:30:50 | 0:30:53 | |
-That you're going to grow. -..start again. | 0:30:53 | 0:30:55 | |
-And you're going to make new teddy bears? Is that right? -I hope so. | 0:30:55 | 0:30:57 | |
I'll be round to see that. When they're finished let me know. | 0:30:57 | 0:30:59 | |
-I will do. -All right, Tony? -Thanks very much, Jay. | 0:30:59 | 0:31:02 | |
-Take care now. -Nice to see you again. | 0:31:02 | 0:31:03 | |
-Likewise. -Thank you. -See you soon. Bye. -Bye. | 0:31:03 | 0:31:08 | |
That former little green chair is one of my favourite transformations | 0:31:08 | 0:31:12 | |
and the £65 profit is going towards a topiary bear. | 0:31:12 | 0:31:15 | |
I'd never even heard of one of those, | 0:31:15 | 0:31:17 | |
but you learn something new every day. Absolutely brilliant. | 0:31:17 | 0:31:20 | |
Jay spent £210 on the reupholstery and sprucing up of the chair. | 0:31:21 | 0:31:28 | |
Then he sold it online for £275, | 0:31:28 | 0:31:32 | |
leaving £65 profit for Tony to tidy up his topiary. | 0:31:32 | 0:31:36 | |
Over in east London, Daniel's in his Stratford studio, | 0:31:44 | 0:31:47 | |
where he's been silk-screen printing onto an old door | 0:31:47 | 0:31:51 | |
and Jay's on his way over to see the results. | 0:31:51 | 0:31:55 | |
Jay brought me a really standard door. | 0:31:55 | 0:31:58 | |
It was great to work with, | 0:31:58 | 0:31:59 | |
a really, really flat piece, but I know that Jay was really concerned | 0:31:59 | 0:32:03 | |
about the pattern that I had in mind to put onto it. | 0:32:03 | 0:32:06 | |
I think I've done something subtle, but the scale is still striking. | 0:32:06 | 0:32:11 | |
I think it's a contemporary piece that he's going to like. | 0:32:11 | 0:32:14 | |
I'm here to see Daniel, to pick up that old toilet door. | 0:32:14 | 0:32:17 | |
Hopefully he's turned it into a cool table. | 0:32:17 | 0:32:20 | |
Let's have a look. | 0:32:20 | 0:32:21 | |
This bog-standard old door was covered in decades of gloss paint. | 0:32:21 | 0:32:26 | |
It even still had its loo-roll holder. | 0:32:26 | 0:32:28 | |
Now it's a sleek and sophisticated table | 0:32:32 | 0:32:35 | |
with an original screen-printed design in white. | 0:32:35 | 0:32:39 | |
Daniel's bold, clean shapes are inspired by modern architecture | 0:32:39 | 0:32:43 | |
and carefully finished to show off | 0:32:43 | 0:32:45 | |
the original wood grain underneath. | 0:32:45 | 0:32:48 | |
Supported by thin white metal legs that clinch the geometric feel, | 0:32:49 | 0:32:54 | |
this table looks so good you could eat your dinner off it. | 0:32:54 | 0:32:58 | |
-How are we doing, sir? -Hello, Jay, how are you doing? | 0:33:01 | 0:33:03 | |
Oh! Oh-oh! | 0:33:03 | 0:33:05 | |
-Look what you've done. -You like? | 0:33:05 | 0:33:07 | |
More than like. That's... | 0:33:07 | 0:33:10 | |
Oh-oh! You know, like, when you're little and you ask for something, | 0:33:13 | 0:33:17 | |
you don't think you're going to get it really, | 0:33:17 | 0:33:19 | |
but then you do get it and you've got it and it's like, | 0:33:19 | 0:33:22 | |
you just want to go... you want to pop. | 0:33:22 | 0:33:25 | |
It turns out that underneath there were all sorts of colours | 0:33:26 | 0:33:29 | |
of gloss paint and it was really, really thick, | 0:33:29 | 0:33:32 | |
-but it all came off in one, like cheese. -Cool. | 0:33:32 | 0:33:35 | |
And once we scraped it back, | 0:33:35 | 0:33:37 | |
there was a sort of a pinky tone to the wood underneath | 0:33:37 | 0:33:41 | |
which was perfect, really. | 0:33:41 | 0:33:43 | |
So I thought, "Let's take that back and do a white print on that | 0:33:43 | 0:33:47 | |
"to go with the legs," and, yeah, it came up really nicely. | 0:33:47 | 0:33:51 | |
It's come up more than... You're very modest, ain't you, hey? | 0:33:51 | 0:33:54 | |
It came up more than really nicely. | 0:33:54 | 0:33:55 | |
Look at it, man! | 0:33:55 | 0:33:57 | |
To me, that's a work of art, and this... Oh! | 0:33:57 | 0:34:00 | |
It's beautiful, but was it costly? | 0:34:02 | 0:34:05 | |
Next question is - did we come in on budget? | 0:34:05 | 0:34:07 | |
-Yeah. -We did! -Yeah. This was fine. | 0:34:07 | 0:34:10 | |
We printed this half and then we turned the screen round | 0:34:11 | 0:34:14 | |
and printed the other half, | 0:34:14 | 0:34:15 | |
so the printing and the sanding back | 0:34:15 | 0:34:18 | |
was the main time, really, on that. | 0:34:18 | 0:34:21 | |
It used to be a toilet door, now it's so much more. | 0:34:21 | 0:34:24 | |
It could be an outdoor table, indoor office table, dinner table, | 0:34:24 | 0:34:29 | |
homework table, inspirational table, it's endless. | 0:34:29 | 0:34:34 | |
I've got to be off. I've got to sell this before it ends up in my house. | 0:34:34 | 0:34:37 | |
-Brilliant. -Thank you, sir. | 0:34:37 | 0:34:39 | |
-Cheers, Jay. -You take care. -Take care. | 0:34:39 | 0:34:41 | |
Jay's reaction to the table was absolutely amazing. | 0:34:43 | 0:34:47 | |
So, yeah, I'm very pleased, very pleased indeed. | 0:34:47 | 0:34:50 | |
Wow! Now, that is what I call a transformation. | 0:34:52 | 0:34:55 | |
From an old toilet door. | 0:34:55 | 0:34:57 | |
Any doubts that I had of the geometric patterns that Daniel | 0:34:57 | 0:35:00 | |
was going to put on there, he's blown them out of the water. | 0:35:00 | 0:35:02 | |
I can definitely say - I 100% love it. | 0:35:02 | 0:35:06 | |
Jay spotted Kate at the tip with some heavy wooden doors. | 0:35:13 | 0:35:17 | |
Hold on a minute, let me give you a hand. | 0:35:17 | 0:35:19 | |
Jay was drawn to one door in particular. | 0:35:19 | 0:35:21 | |
It's the old bathroom door. | 0:35:21 | 0:35:23 | |
-Oh, is it? -Yeah, yeah. | 0:35:23 | 0:35:24 | |
For Kate, it was out with the old and in with the new. | 0:35:24 | 0:35:27 | |
I want modern doors. | 0:35:27 | 0:35:28 | |
-I don't like them. -But these are quite cool, man. | 0:35:28 | 0:35:32 | |
But she was chuffed they weren't going to waste. | 0:35:32 | 0:35:34 | |
I think it's exciting, the fact that he can try and restore them | 0:35:34 | 0:35:37 | |
and try and re-use them again. | 0:35:37 | 0:35:39 | |
And Jay's done exactly that | 0:35:39 | 0:35:41 | |
with Daniel's fabulous screen-printed table. | 0:35:41 | 0:35:44 | |
Jay shared pictures of the table online and it sold to Sixth Link, | 0:35:47 | 0:35:51 | |
a vintage and retro store in Shropshire, | 0:35:51 | 0:35:54 | |
and the owner, River, is pretty impressed. | 0:35:54 | 0:35:57 | |
I absolutely love what Daniel has done with this toilet door. | 0:35:58 | 0:36:02 | |
I can't believe he's created a fantastic table out of it. | 0:36:02 | 0:36:05 | |
Absolutely love the geometric pattern he's created | 0:36:05 | 0:36:08 | |
and the layers, too. It's such a great piece. | 0:36:08 | 0:36:10 | |
Jay is in Birmingham to catch up with Kate and to reveal | 0:36:13 | 0:36:16 | |
what happened to her old toilet door. | 0:36:16 | 0:36:19 | |
-Hello, Kate. -Hi, Jay, how's things? | 0:36:22 | 0:36:23 | |
-How are you doing? All right? -I'm all right, yeah, you? | 0:36:23 | 0:36:25 | |
-I'm very good. How's the house coming along? -Oh, don't ask. | 0:36:25 | 0:36:28 | |
-Is it slow? -Yeah. Well, no, I'm getting there, I'm getting there. | 0:36:28 | 0:36:31 | |
-Making progress. -Bless you. Well, remember the doors that you brought. | 0:36:31 | 0:36:35 | |
Yeah, I do, how can I forget? | 0:36:35 | 0:36:36 | |
One was a toilet door, if I'm not mistaken, but you said it wasn't. | 0:36:36 | 0:36:40 | |
Well, it was but it was used as a normal door inside the house, but... | 0:36:40 | 0:36:43 | |
-OK. -Yeah. -Well, what I've done is, I was able to transform it into... | 0:36:43 | 0:36:48 | |
Oh, wow, that looks really effective, doesn't it? | 0:36:48 | 0:36:50 | |
-Yeah. -It looks really good, doesn't it? -I'm pleased to tell you | 0:36:50 | 0:36:55 | |
I was able to sell it to a shop in Shropshire and I have for you... | 0:36:55 | 0:37:00 | |
-£50 profit. -Oh, thank you. -All right? -Yeah, great. | 0:37:00 | 0:37:04 | |
So, any ideas on what you might do with the money? | 0:37:04 | 0:37:06 | |
Probably buy another door to replace that one. | 0:37:06 | 0:37:09 | |
Well, I might see you again down the recycling centre. | 0:37:09 | 0:37:11 | |
Yeah, great. Thanks for that, Jay. I really appreciate it. | 0:37:11 | 0:37:14 | |
-You take care, yeah. -See you later. -See you later. | 0:37:14 | 0:37:16 | |
Daniel spent £340 turning the toilet door into a stylish dining table. | 0:37:18 | 0:37:25 | |
Jay sold it for an impressive £390, leaving a £50 profit for Kate. | 0:37:25 | 0:37:31 | |
In his workshop, | 0:37:35 | 0:37:36 | |
Guy is giving a final polish to his wall light as Jay is on his way | 0:37:36 | 0:37:41 | |
to see what's happened to the old red lathe. | 0:37:41 | 0:37:43 | |
Well, when I got hold of the lathe, I thought, | 0:37:43 | 0:37:45 | |
"How can we turn this into a lamp?" | 0:37:45 | 0:37:47 | |
I decided to do just one part of the lathe. | 0:37:47 | 0:37:50 | |
It's a bit off the wall with what I normally do, | 0:37:50 | 0:37:52 | |
although it's a wall light. | 0:37:52 | 0:37:53 | |
And I think Jay's going to like this when he comes to see it. | 0:37:53 | 0:37:57 | |
I'm delighted to be back here at Guy's | 0:37:58 | 0:38:00 | |
to see what he's done with that lathe. | 0:38:00 | 0:38:02 | |
And knowing him, it'll be pretty amazing. | 0:38:02 | 0:38:04 | |
This once much-loved wood-turning lathe had outlived its usefulness. | 0:38:04 | 0:38:10 | |
Now it's a unique wall light with the former lathe motor as the body | 0:38:13 | 0:38:17 | |
of the lamp and this original switch unit has a smart new chain pull | 0:38:17 | 0:38:22 | |
to turn on the light. | 0:38:22 | 0:38:24 | |
Guy's shined up the original metal a bit, but not too much, | 0:38:24 | 0:38:28 | |
so the history of this old tool lives on. | 0:38:28 | 0:38:31 | |
He's mounted it on a piece of scaffolding board | 0:38:33 | 0:38:35 | |
which he's cleaned up to perfection | 0:38:35 | 0:38:38 | |
to give this a gritty and industrial look | 0:38:38 | 0:38:41 | |
and he's topped it all off with a half-circle black shade | 0:38:41 | 0:38:45 | |
that's perfect for any man cave. | 0:38:45 | 0:38:48 | |
How are we doing, Guy? | 0:38:50 | 0:38:52 | |
Wow! Come on. | 0:38:52 | 0:38:53 | |
-What do you think? -What do I think? | 0:38:53 | 0:38:56 | |
I've got to take my hat off to you, sir, cor blimey! | 0:38:56 | 0:38:59 | |
-This is amazing! -Isn't it? | 0:38:59 | 0:39:02 | |
We put this little ticker on here to turn it on and off. | 0:39:02 | 0:39:05 | |
No, seriously? I'm telling you, you've blown me away. | 0:39:05 | 0:39:08 | |
I'm speechless, I really am, and to get me speechless is quite hard. | 0:39:08 | 0:39:13 | |
You can say that again, Jay. | 0:39:13 | 0:39:16 | |
-It's amazing. -We've kept the wheels on here and put a light bulb on top | 0:39:16 | 0:39:20 | |
-and Bob's your uncle. -It's way past cool. | 0:39:20 | 0:39:22 | |
Jay is dazzled by Guy's creation. | 0:39:22 | 0:39:25 | |
But there's also the unseen work inside the components | 0:39:25 | 0:39:29 | |
that make this a working light. | 0:39:29 | 0:39:32 | |
Where is the wiring? Is it going all the way through here? | 0:39:32 | 0:39:34 | |
The wire at the back here which comes through. | 0:39:34 | 0:39:36 | |
A little bit of engineering went on, | 0:39:36 | 0:39:38 | |
but Steve, the electrician, a magic chap, always gets it right. | 0:39:38 | 0:39:41 | |
To make and sell anything electrical, | 0:39:41 | 0:39:43 | |
it must be worked on by a qualified electrician | 0:39:43 | 0:39:47 | |
and conform to UK electrical safety regulations. | 0:39:47 | 0:39:51 | |
This light is compliant, but is it within the £140 budget? | 0:39:51 | 0:39:55 | |
So, how did we do with the budget, then? | 0:39:55 | 0:39:58 | |
-Spot on. -Is it? -Yeah. Spot on. -Oh, well done! | 0:39:58 | 0:40:02 | |
-And that includes the lamp... -Oh. | 0:40:02 | 0:40:05 | |
-Shades are always extra. -OK, how much? | 0:40:05 | 0:40:08 | |
-Basically, £30. -£30, yeah. | 0:40:08 | 0:40:10 | |
You've done a brilliant transformation there. | 0:40:11 | 0:40:14 | |
-Thank you. -Thank you very much indeed, Jay. | 0:40:14 | 0:40:16 | |
-I hope you sell it well. -I will do, definitely. -OK, bye-bye. | 0:40:16 | 0:40:19 | |
I haven't seen so much excitement out of somebody for a long time. | 0:40:19 | 0:40:22 | |
He really genuinely thought it was brilliant. So that's lovely. | 0:40:22 | 0:40:26 | |
He's only gone and done it again, hasn't he? | 0:40:26 | 0:40:28 | |
It takes a certain skill to get components together | 0:40:28 | 0:40:32 | |
in just the right way to go way past cool. | 0:40:32 | 0:40:34 | |
I'm lost for words, but I know one thing - I'm loving it. | 0:40:36 | 0:40:39 | |
Back at the recycling centre, | 0:40:46 | 0:40:48 | |
Jay met John who was clearing out an old lathe. | 0:40:48 | 0:40:52 | |
Well, it belonged to my father | 0:40:52 | 0:40:54 | |
and he was quite a keen do-it-yourself guy, | 0:40:54 | 0:40:57 | |
-back in the day. -Yeah. | 0:40:57 | 0:40:58 | |
John was finding it hard to chuck his dad's beloved tools. | 0:40:58 | 0:41:02 | |
I was feeling really guilty coming down with this, | 0:41:02 | 0:41:04 | |
-because it's still quite good... -Wait. You shouldn't feel guilty. | 0:41:04 | 0:41:08 | |
But Jay's offer to re-use it cheered John right up. | 0:41:08 | 0:41:12 | |
I can go home now, a lot happier man than I came down, | 0:41:12 | 0:41:16 | |
with a view of throwing it away. | 0:41:16 | 0:41:18 | |
And happy you should be, as Guy's wall light is a beauty. | 0:41:19 | 0:41:23 | |
Better still, it sold to interior specialists | 0:41:23 | 0:41:27 | |
Museum Context in Edinburgh | 0:41:27 | 0:41:29 | |
and shop owner, Andrew, couldn't be happier. | 0:41:29 | 0:41:32 | |
It's really the sort of piece that I think fits beautifully in the shop | 0:41:32 | 0:41:36 | |
and the collection here. | 0:41:36 | 0:41:37 | |
Now, Jay has travelled to Aldridge in Walsall | 0:41:39 | 0:41:42 | |
to show John what became of his dad's old lathe | 0:41:42 | 0:41:45 | |
and hand over the profit. | 0:41:45 | 0:41:47 | |
-Hello there. -How are we doing, John, are you all right? | 0:41:47 | 0:41:50 | |
-Yes. -Good to see you again. | 0:41:50 | 0:41:52 | |
-You remember the lathe that you brought to the... -Yeah, I do, yeah. | 0:41:52 | 0:41:56 | |
Any ideas on what you thought we might have done with it? | 0:41:56 | 0:41:59 | |
I have no idea and I'm so curious to find out. | 0:41:59 | 0:42:01 | |
Oh, bless you! | 0:42:01 | 0:42:03 | |
Took it down to a person called Guy | 0:42:03 | 0:42:05 | |
-and what he's done... -Oh, wow. | 0:42:05 | 0:42:08 | |
-So, he turned it into a light. -That is amazing. | 0:42:08 | 0:42:12 | |
I would never have thought you'd do that. | 0:42:12 | 0:42:14 | |
-What do you think? -I'm sure if poor old Daddy's up there watching, | 0:42:14 | 0:42:17 | |
he'd be pleased. It's got a new life. | 0:42:17 | 0:42:19 | |
-Fantastic. -It's got a new life. And it's got a new owner. | 0:42:19 | 0:42:21 | |
And I've got some profit for you. | 0:42:21 | 0:42:24 | |
I've got £30 profit. | 0:42:24 | 0:42:26 | |
-Wow. -For you. -Well, thank you, I'll put that to a good cause. | 0:42:26 | 0:42:30 | |
My father was at Manor Hospital. | 0:42:30 | 0:42:32 | |
I think I might see if they've got a benevolent fund | 0:42:32 | 0:42:35 | |
or something like that, I might put it there. | 0:42:35 | 0:42:37 | |
And match it. | 0:42:37 | 0:42:39 | |
Thank you, sir. You take care, now, John. | 0:42:39 | 0:42:42 | |
-You too. -Bye-bye. -Fantastic. | 0:42:42 | 0:42:43 | |
Guy spent £170 creating the lamp. | 0:42:43 | 0:42:47 | |
Jay sold it for an impressive £200, | 0:42:47 | 0:42:51 | |
leaving John £30 to donate to charity in honour of his father. | 0:42:51 | 0:42:56 | |
At Walsall recycling centre, | 0:42:59 | 0:43:02 | |
Jay saved three items from the skip, transforming the ordinary, | 0:43:02 | 0:43:07 | |
to the extraordinary. | 0:43:07 | 0:43:09 | |
The redundant into resplendent, | 0:43:09 | 0:43:12 | |
and the unloved into lovable. | 0:43:12 | 0:43:15 | |
Three unwanted items that were heading for the skip | 0:43:18 | 0:43:20 | |
have been revamped into stylish and cool pieces. | 0:43:20 | 0:43:24 | |
Even better still, they're off to new homes. | 0:43:24 | 0:43:27 |