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Throwing out the whole three-piece suite, are you? | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:07 | 0:00:09 | |
What have you been smashing up?! | 0:00:09 | 0:00:11 | |
The answer could be hiding in over 20 million tonnes of household waste | 0:00:11 | 0:00:16 | |
thrown out by us every year. | 0:00:16 | 0:00:18 | |
-Can I have them? -You're welcome to them, they're only going in the skip. | 0:00:18 | 0:00:22 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:22 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:28 | |
I'm a passionate maker, buyer, and user of old stuff, | 0:00:30 | 0:00:34 | |
and I've turned that passion into a money-making business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff, and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And with some of the country's elite designers and makers... | 0:00:41 | 0:00:45 | |
I think we can really be quite playful with this. | 0:00:45 | 0:00:47 | |
I could make several mankinis out of this, couldn't I? | 0:00:47 | 0:00:50 | |
She can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
Oh, that's such a relief. | 0:00:53 | 0:00:55 | |
Valuable... | 0:00:55 | 0:00:57 | |
It looks all shiny! | 0:00:57 | 0:00:59 | |
And, hopefully, saleable items. | 0:00:59 | 0:01:02 | |
I love them, you are a gem. | 0:01:02 | 0:01:04 | |
If Sarah is successful, | 0:01:04 | 0:01:06 | |
then she can hand the profits back to the very people who had no idea | 0:01:06 | 0:01:11 | |
there was cash to be made from their trash. | 0:01:11 | 0:01:13 | |
I really can't believe that, that's amazing. | 0:01:13 | 0:01:16 | |
Each month, Witley recycling centre in Surrey becomes home to over 600 tonnes of trash. | 0:01:27 | 0:01:34 | |
This makes it totally plunder-ful for eagle-eyed Sarah. | 0:01:34 | 0:01:39 | |
Well, I'm back in the office - well, the recycling centre - | 0:01:39 | 0:01:41 | |
but I've already been scanning for items that might be my next potential project. | 0:01:41 | 0:01:46 | |
Sarah's on the hunt for three items she can salvage and sell on for a profit. | 0:01:48 | 0:01:52 | |
What's that? | 0:01:52 | 0:01:54 | |
Before Sarah started her tip searching quest, | 0:01:54 | 0:01:57 | |
she got special permission to be here. | 0:01:57 | 0:02:00 | |
So if you're thinking of coming to raid the skips, hold your horses. | 0:02:00 | 0:02:05 | |
I love horsing around at the tip. | 0:02:05 | 0:02:06 | |
Come on, giddy-up. Actually, enough horsing around, | 0:02:06 | 0:02:09 | |
time to find some real rubbish. | 0:02:09 | 0:02:11 | |
You could be in luck. | 0:02:13 | 0:02:15 | |
Robert might have just what you're looking for. | 0:02:15 | 0:02:18 | |
Now, I recognise those legs. | 0:02:18 | 0:02:20 | |
That's not going in there, is it? | 0:02:20 | 0:02:21 | |
I was planning on doing so. | 0:02:21 | 0:02:23 | |
-Really? Is that yours? -It was my grandmother's but, yeah, it's mine. | 0:02:23 | 0:02:27 | |
-Do you know what that is? -Yes, Ercol. | 0:02:27 | 0:02:29 | |
-Ercol? -Yeah. -Not your bag, then, Ercol? | 0:02:29 | 0:02:31 | |
I've still got the dining table and chairs. | 0:02:31 | 0:02:33 | |
I love it, my uncle worked for them and my nan bought this brand-new. | 0:02:33 | 0:02:38 | |
-Really? -Yeah. | 0:02:38 | 0:02:39 | |
Since the 1920s, Ercol furniture has exuded elegant simplicity. | 0:02:39 | 0:02:45 | |
Early pieces are sought-after. | 0:02:45 | 0:02:47 | |
Well, the ones without big cracks in them. | 0:02:47 | 0:02:50 | |
Just before it goes in there, any chance I could take it away? | 0:02:50 | 0:02:53 | |
Yeah, course, yeah, why not? | 0:02:54 | 0:02:55 | |
Seeing that pitch up has absolutely made my day and I like it because it's not that heavy, either, is it? | 0:02:55 | 0:02:59 | |
-No, it's not. -I'm going to take that and say thank you so much, | 0:02:59 | 0:03:03 | |
-and I shall come and see you soon, hopefully. -OK. -Thanks a lot, bye. | 0:03:03 | 0:03:07 | |
That's our first item ready to renovate. | 0:03:07 | 0:03:09 | |
What would Robert like done to it? | 0:03:09 | 0:03:11 | |
I'd like to think Sarah could restore it back to its former glory, | 0:03:11 | 0:03:14 | |
but I'm sure she's got every intention of doing something great with it. | 0:03:14 | 0:03:18 | |
What a fantastic thing to end up at the tip. | 0:03:19 | 0:03:22 | |
It's not in perfect condition but this is iconic English furniture. | 0:03:22 | 0:03:26 | |
But this table should be restored, it will look amazing. | 0:03:26 | 0:03:30 | |
And there's definitely money to be made here. | 0:03:30 | 0:03:32 | |
Sarah knows exactly who she wants to take this on. | 0:03:32 | 0:03:35 | |
Meet the 3 Restorers, Johnny, Rosie and Tom. | 0:03:38 | 0:03:43 | |
They love taking old furniture and making it like new again. | 0:03:43 | 0:03:47 | |
A lot of antique stuff is nice because you know | 0:03:47 | 0:03:50 | |
it's got a nice history to it and most of them are family heirlooms, | 0:03:50 | 0:03:53 | |
so they've been through people's families for centuries and it's just nice | 0:03:53 | 0:03:57 | |
to give something back to someone who can then enjoy it again for a lot longer. | 0:03:57 | 0:04:01 | |
Even when it's broken, these three can make stuff beautiful. | 0:04:01 | 0:04:06 | |
I really love it when we get a project in that needs so much work, | 0:04:06 | 0:04:10 | |
so literally from being in bits, like a chair in bits, | 0:04:10 | 0:04:13 | |
you strip it right back to the start, maybe take it apart, | 0:04:13 | 0:04:17 | |
build it back together again. | 0:04:17 | 0:04:18 | |
Basically a full-on restoration. | 0:04:18 | 0:04:20 | |
They're game for a challenge, | 0:04:23 | 0:04:25 | |
but is this cracked coffee table a challenge too far? | 0:04:25 | 0:04:28 | |
That's one item down, two more to find, | 0:04:39 | 0:04:42 | |
and, with the day getting on, Sarah needs to strike while the iron's hot. | 0:04:42 | 0:04:46 | |
Any old iron? Any old iron? | 0:04:47 | 0:04:50 | |
Time to press ahead. | 0:04:50 | 0:04:51 | |
There's plenty to choose from out of Julian's trailer. | 0:04:53 | 0:04:56 | |
Sarah's picked from Julian in the past. | 0:04:56 | 0:05:00 | |
What's in store this time? | 0:05:00 | 0:05:02 | |
There's a lot going on round here. | 0:05:02 | 0:05:04 | |
-Whose is that? -That apparently was my dad's. | 0:05:04 | 0:05:06 | |
I don't know from what decade, | 0:05:06 | 0:05:08 | |
but it certainly hasn't seen the light of day for quite a few. | 0:05:08 | 0:05:11 | |
Julian is helping his mum clear her house after the death of his dad. | 0:05:11 | 0:05:16 | |
-Would it be all right to have a quick look at it? -Yeah. | 0:05:16 | 0:05:18 | |
The bike belonged to Julian's dad, who used it to commute to | 0:05:18 | 0:05:22 | |
the train station as part of his journey to work. | 0:05:22 | 0:05:25 | |
I think it's got a bit of style. I mean, I'd have loved to have seen that when it was... | 0:05:25 | 0:05:28 | |
Yeah, in its day I can see it must have been probably a nice bike. | 0:05:28 | 0:05:30 | |
It's got a nice lamp on front, all pretty furred up now, isn't it? | 0:05:30 | 0:05:34 | |
-Yeah. -No, that's probably not leather, it's pro plastic, but, yes, | 0:05:34 | 0:05:38 | |
I'm sure it had a look to it in its day. | 0:05:38 | 0:05:40 | |
I really like the fact that it's a bit tatty. | 0:05:40 | 0:05:43 | |
That's lucky! | 0:05:43 | 0:05:45 | |
It's amazing what I find appealing. | 0:05:45 | 0:05:46 | |
But there's something about it, it's got a bit of style. | 0:05:46 | 0:05:49 | |
I'd love to see if there's something that could be done with it, but I'm not sure what. | 0:05:49 | 0:05:53 | |
Well, it looks like it could, it's got a bit of nice colour underneath. | 0:05:53 | 0:05:56 | |
The paintwork's quite a nice colour, so maybe you can turn it into something. | 0:05:56 | 0:05:59 | |
-If I can take it away... -Please do. -..and do something with it. | 0:05:59 | 0:06:02 | |
If it saves me lifting it into a skip, that's absolutely fine by me. | 0:06:02 | 0:06:04 | |
I'm going to come and find you. I don't think I'll be riding to see you but I will keep in touch | 0:06:04 | 0:06:08 | |
to see if there's something I can make out of it. | 0:06:08 | 0:06:11 | |
Yeah, I'll be fascinated to see if you can manage to turn that into something useful! | 0:06:11 | 0:06:14 | |
-It's a challenge, isn't it? -It is a challenge, yeah. | 0:06:14 | 0:06:16 | |
-Brilliant, thank you very for letting me have it, I'll keep in touch. -No worries, good luck. | 0:06:16 | 0:06:20 | |
-Thanks. -Cheers. | 0:06:20 | 0:06:22 | |
Just when you think you've seen it all, Sarah takes a rusty, | 0:06:22 | 0:06:25 | |
seized old bike. | 0:06:25 | 0:06:27 | |
What could she possibly do with that? Julian? | 0:06:27 | 0:06:30 | |
I'm having a real struggle to see anything that's going to be salvaged worthwhile off that, | 0:06:30 | 0:06:34 | |
but, I mean, there is the nice red paintwork on it and hopefully she's got a good team of magicians | 0:06:34 | 0:06:38 | |
who are going to turn it into something interesting. | 0:06:38 | 0:06:40 | |
Well, it's a sweet old bike, isn't it, but it is in terrible condition. | 0:06:40 | 0:06:44 | |
I was hoping that the chrome, on closer inspection, | 0:06:44 | 0:06:46 | |
might be a bit better than it is, but it's got a solid frame, | 0:06:46 | 0:06:50 | |
it's got a sweet light on the front, | 0:06:50 | 0:06:51 | |
it's got a bit of a bell on it and a basket on the back. | 0:06:51 | 0:06:54 | |
I'm sure something can be made out of it but at the moment | 0:06:54 | 0:06:57 | |
I'm not quite sure what that might be. | 0:06:57 | 0:07:00 | |
If you think a bike is a surprising save, | 0:07:00 | 0:07:03 | |
just wait till you see who Sarah's picked to take it on. | 0:07:03 | 0:07:06 | |
Are you looking for luggage made from thrown away threads? | 0:07:09 | 0:07:13 | |
Then Neil Wragg is your man. | 0:07:13 | 0:07:15 | |
Neil's had just about everything beneath his sewing machine needle, | 0:07:15 | 0:07:20 | |
as he takes rugged materials destined for the dump and turns them into | 0:07:20 | 0:07:24 | |
bespoke bags and high-end holdalls, each one lasting a lifetime. | 0:07:24 | 0:07:30 | |
I've sewn out of necessity to begin with, I've sown to repair, | 0:07:30 | 0:07:36 | |
and then you end up just keep sewing until somebody says, | 0:07:36 | 0:07:40 | |
"You should sell those." | 0:07:40 | 0:07:42 | |
I love the creative side to it, | 0:07:43 | 0:07:45 | |
the fact that you can take a fabric and then work from there, | 0:07:45 | 0:07:49 | |
so instead of working from a template, a design, | 0:07:49 | 0:07:52 | |
you actually get the fabric, you start from there and then decide, | 0:07:52 | 0:07:55 | |
actually, what can this be made into? | 0:07:55 | 0:07:57 | |
Well, Neil, what if I was to tell you there is no fabric, | 0:07:57 | 0:08:02 | |
and that it's actually a bike? | 0:08:02 | 0:08:04 | |
With two items found, the hunt is on for a third. | 0:08:10 | 0:08:14 | |
One Sarah can work on at home. | 0:08:14 | 0:08:16 | |
Who knows where this junk might lead? | 0:08:18 | 0:08:21 | |
If you go walkies over to Colin's van, | 0:08:21 | 0:08:23 | |
there might be something very sweet indeed. | 0:08:23 | 0:08:27 | |
-Hi, there. -Hello. | 0:08:27 | 0:08:29 | |
-Hi, I'm Sarah. -Hello, Sarah, I'm Colin. | 0:08:29 | 0:08:32 | |
-Lovely to see you. -That's not going in there, is it? | 0:08:32 | 0:08:34 | |
It is, unfortunately, yes. | 0:08:34 | 0:08:36 | |
It looks like somebody's spent hours making it look like that, it's really beautiful. | 0:08:36 | 0:08:39 | |
My mother embroidered that, yes, my late mother. | 0:08:39 | 0:08:42 | |
My late father was doing it up, | 0:08:42 | 0:08:43 | |
-hence the difference in colour between this and this. -Right. | 0:08:43 | 0:08:46 | |
And then the dressing table to go with it? | 0:08:46 | 0:08:48 | |
Yes, that's the top over there. | 0:08:48 | 0:08:50 | |
Wow. | 0:08:52 | 0:08:53 | |
Shall we carry it out to the front? | 0:08:53 | 0:08:56 | |
Kidney-shaped table tops are a French design popular in the late 1600s | 0:08:56 | 0:09:01 | |
during Louis XIV's reign. | 0:09:01 | 0:09:03 | |
I think we're looking at a sort of mock Regency look. | 0:09:05 | 0:09:08 | |
Later, the design was copied by European furniture makers, | 0:09:08 | 0:09:12 | |
especially in the early 20th century. | 0:09:12 | 0:09:15 | |
It's great to see that it's all there, including the key, isn't it? | 0:09:15 | 0:09:19 | |
And that works, too, that lock. | 0:09:19 | 0:09:20 | |
It probably needs a bit of reimagining and a new look to it, | 0:09:20 | 0:09:23 | |
but is this something that, rather than sending off for re-use, | 0:09:23 | 0:09:27 | |
-we might be able to take away? -Absolutely, yes. -Brilliant. | 0:09:27 | 0:09:30 | |
You're more than welcome to it. | 0:09:30 | 0:09:31 | |
I might have to ask you to help me, because I think it's going to be heavy! | 0:09:31 | 0:09:35 | |
-Would you be all right just to carry it across with me? -Yes. | 0:09:35 | 0:09:37 | |
That would be fantastic, thank you so much. | 0:09:37 | 0:09:39 | |
Sarah's got herself a dated dressing table and stool. | 0:09:39 | 0:09:42 | |
What do you think she'll do with them, Colin? | 0:09:44 | 0:09:46 | |
It needs a little bit of care and attention. | 0:09:46 | 0:09:48 | |
I hope it goes to a nice home, a really good home, | 0:09:48 | 0:09:51 | |
because it's been a good friend to us. | 0:09:51 | 0:09:53 | |
So, look at it, it's just not desirable. | 0:09:54 | 0:09:57 | |
If this is going to sell for money, | 0:09:57 | 0:09:59 | |
it's going to need a really clever idea to bring it bang up to date, | 0:09:59 | 0:10:03 | |
and a lot of hard work. | 0:10:03 | 0:10:04 | |
Sarah has her three items. | 0:10:06 | 0:10:09 | |
Johnny, Rosie and Tom will crack on with the coffee table. | 0:10:09 | 0:10:13 | |
Neil... I don't know what he'll do with that bike. | 0:10:13 | 0:10:16 | |
And Sarah will try to bring the dressing table and stool bang up to date. | 0:10:16 | 0:10:20 | |
Well, the recycling centre has definitely delivered again. | 0:10:22 | 0:10:25 | |
It's time to take away the goodies and hopefully turn a tasty profit. | 0:10:25 | 0:10:28 | |
Deep in London's Crystal Palace, love is in the air. | 0:10:35 | 0:10:39 | |
Sarah's hoping her cracked coffee table will be a labour of love for | 0:10:39 | 0:10:44 | |
restorers Johnny, Rosie and Tom. | 0:10:44 | 0:10:47 | |
We're really looking forward to Sarah arriving, | 0:10:47 | 0:10:49 | |
really hoping that she brings us something classic in its design, | 0:10:49 | 0:10:53 | |
we don't have to add anything or embellish it too much. | 0:10:53 | 0:10:56 | |
I'm here in south London with my fantastic bit of Ercol tip-find furniture. | 0:10:57 | 0:11:01 | |
I've brought it to Tom, Johnny and Rosie and I'm hoping they're going to love its style. | 0:11:01 | 0:11:06 | |
But I think they're going to hate its condition. | 0:11:06 | 0:11:08 | |
Really, Sarah? I can't imagine why. | 0:11:08 | 0:11:11 | |
-Hiya. -Oh, hi. | 0:11:11 | 0:11:13 | |
Are you going to take that end? | 0:11:13 | 0:11:15 | |
Thank you. | 0:11:15 | 0:11:17 | |
Look what I've got for you. | 0:11:17 | 0:11:19 | |
Ercol. What do you think? Something you can work on? | 0:11:19 | 0:11:22 | |
At the moment, it's got cracks all the way through it. | 0:11:22 | 0:11:25 | |
It's got some really nasty movement going on here. | 0:11:25 | 0:11:29 | |
That's why it ended up at the tip. | 0:11:29 | 0:11:31 | |
It is a sweet, iconic piece of their design. | 0:11:31 | 0:11:34 | |
They do have a very strong market appeal, don't they? | 0:11:34 | 0:11:38 | |
This one obviously is in really bad condition. | 0:11:38 | 0:11:40 | |
I have seen people paint them, | 0:11:40 | 0:11:43 | |
I've seen them given a spruce-up in different ways. | 0:11:43 | 0:11:46 | |
-I was wondering if you fancied doing something more sympathetic with this one? -Yeah, definitely. | 0:11:46 | 0:11:50 | |
I think being solid, we can really take off all this old finish, | 0:11:50 | 0:11:55 | |
get it sanded and make the top look like new again. | 0:11:55 | 0:11:57 | |
Obviously once we've repaired the cracks. | 0:11:57 | 0:12:00 | |
Brilliant. Well, I think it's got some value to it once restored. | 0:12:00 | 0:12:04 | |
Can you give me a rough idea about how much it's going to cost to make it saleable at a high price? | 0:12:04 | 0:12:08 | |
-I think it's probably going to be 120 to 160. -That sort of price. | 0:12:09 | 0:12:14 | |
It really depends on whether these joins want to go back properly. | 0:12:14 | 0:12:18 | |
If they don't, then we might have to think of doing something slightly different. | 0:12:18 | 0:12:23 | |
It sounds like you've got a fair bit of work to do. | 0:12:23 | 0:12:25 | |
I think on that basis, if we're around about 150, maybe a bit lower, | 0:12:25 | 0:12:29 | |
that's perfect. There's money to be made on that. | 0:12:29 | 0:12:32 | |
I don't envy you trying to sort these out, | 0:12:32 | 0:12:34 | |
because I know wood can have a mind of its own. So, thanks very much. | 0:12:34 | 0:12:37 | |
-Tell me when it's done. I'll come and get it. -Cheers. -Bye! | 0:12:37 | 0:12:41 | |
This is exactly the sort of thing we wanted to see today. | 0:12:43 | 0:12:46 | |
It solid wood, solid elm. | 0:12:46 | 0:12:47 | |
Maybe a bit of a challenge, but that's what we like, with these splits. | 0:12:47 | 0:12:50 | |
But, yeah, really excited about it. | 0:12:50 | 0:12:52 | |
Well, isn't it great to see so much enthusiasm for what might just be a simple restoration? | 0:12:54 | 0:12:58 | |
With that table, it's all about the condition. | 0:12:58 | 0:13:00 | |
If that crack gives them a problem, | 0:13:00 | 0:13:02 | |
we are not going to come in on budget and I won't make any money. | 0:13:02 | 0:13:05 | |
With the cost between £120 and £160 to restore this table | 0:13:06 | 0:13:11 | |
to its former glory, Rosie, Johnny and Tom have their work cut out. | 0:13:11 | 0:13:16 | |
Next stop, Marlow in Buckinghamshire, | 0:13:26 | 0:13:29 | |
home to bag virtuoso Neil Wragg. | 0:13:29 | 0:13:32 | |
Neil makes bags from just about anything, old leather couches, tents. | 0:13:32 | 0:13:38 | |
Well, maybe not just about anything. | 0:13:38 | 0:13:40 | |
Honestly, what is Sarah thinking? | 0:13:40 | 0:13:42 | |
A bike into a bag? | 0:13:42 | 0:13:44 | |
This is going to be interesting. | 0:13:44 | 0:13:46 | |
Well, if Neil was just an ordinary amazing bag maker, | 0:13:48 | 0:13:50 | |
I'd be worried about bringing this old bike to him. | 0:13:50 | 0:13:52 | |
But I know something about Neil that you don't. | 0:13:52 | 0:13:54 | |
He is a Scout leader. | 0:13:54 | 0:13:56 | |
So I'm hoping he'll be prepared to take on the bike challenge. | 0:13:56 | 0:13:59 | |
Sarah's coming, it's always a challenge and always a pleasure. | 0:14:00 | 0:14:04 | |
I think you might change your tune in a minute. | 0:14:04 | 0:14:07 | |
-Hello. -Hi, Sarah. | 0:14:12 | 0:14:15 | |
You've brought me a bicycle. | 0:14:15 | 0:14:16 | |
Bicycle. You can use bicycles, can't you? | 0:14:16 | 0:14:19 | |
You'd better come in the back. | 0:14:19 | 0:14:22 | |
Oh, dear. Not good. | 0:14:22 | 0:14:23 | |
It's definitely seen better days. | 0:14:23 | 0:14:25 | |
Do you work with bikes often? | 0:14:25 | 0:14:27 | |
-I ride them. -Right. | 0:14:27 | 0:14:30 | |
But I haven't made a bag from one. | 0:14:30 | 0:14:32 | |
Before you say no, let me talk you through the idea I've had. | 0:14:32 | 0:14:35 | |
-Are you ready? -Ready. | 0:14:35 | 0:14:37 | |
This has been dropped off by a guy whose father passed away last year. | 0:14:37 | 0:14:41 | |
In the panniers here | 0:14:41 | 0:14:44 | |
are his train tickets. | 0:14:44 | 0:14:46 | |
I think it says 1982. | 0:14:46 | 0:14:49 | |
So, this was his old commuter bike. | 0:14:49 | 0:14:52 | |
I thought, how about using some really cool bits of the bike | 0:14:52 | 0:14:57 | |
to turn it into some kind of commuter luggage? | 0:14:57 | 0:15:00 | |
Commuter luggage, OK. | 0:15:00 | 0:15:02 | |
We can make some really nice exquisite, designer panniers | 0:15:02 | 0:15:07 | |
-for the bike. -Does that mean you're going to take it on? | 0:15:07 | 0:15:11 | |
Of course he'll do it, Sarah. | 0:15:11 | 0:15:13 | |
Neil's idea of bicycle panniers, bags you attach to your bike, | 0:15:13 | 0:15:18 | |
aren't as out there as you might think, as almost a million of us now cycle to work. | 0:15:18 | 0:15:23 | |
But just how a bike can be turned into bags is beyond me. | 0:15:23 | 0:15:28 | |
Neil, over to you, mate. | 0:15:28 | 0:15:30 | |
We could try and incorporate some of the bike into the bags, | 0:15:30 | 0:15:35 | |
so that the bike carries on cycling. | 0:15:35 | 0:15:39 | |
I thought some of these bits of bike, like here, the lovely logos, | 0:15:39 | 0:15:43 | |
there's a great badge on the front. | 0:15:43 | 0:15:45 | |
I was just hoping you could get a bit of that essence out of it. | 0:15:45 | 0:15:48 | |
I was just thinking of using the reflector. | 0:15:48 | 0:15:51 | |
-You want more than that? -I always want more. -You want more. | 0:15:51 | 0:15:54 | |
This all sounds lovely. | 0:15:54 | 0:15:56 | |
Two bike panniers made from bits of the bike. | 0:15:56 | 0:15:59 | |
But Neil still has to source the bulk of the material to make them, | 0:16:01 | 0:16:05 | |
so does all this come at a big cost? | 0:16:05 | 0:16:08 | |
Maybe you're looking at £100 for each one. | 0:16:08 | 0:16:11 | |
Something like a couple of hundred pounds for the pair. | 0:16:11 | 0:16:14 | |
So, when you're talking about it, £100 a bag was pretty much what I had in mind. 200 quid for the two? | 0:16:14 | 0:16:19 | |
-Always a pleasure. -Oh, dear. | 0:16:20 | 0:16:22 | |
Well, that is definitely one of the more obscure projects that I've come up with. | 0:16:23 | 0:16:28 | |
I love the idea that Neil is going to recycle the cycle and it's | 0:16:28 | 0:16:31 | |
definitely going to go on another journey. | 0:16:31 | 0:16:34 | |
This wasn't what I expected. | 0:16:34 | 0:16:35 | |
It's going to be tricky, but let's see what I can come up with. | 0:16:35 | 0:16:39 | |
I'm going to need my thinking cap on for this one. | 0:16:39 | 0:16:41 | |
Sarah's left Neil with £200 to create two upmarket bike panniers. | 0:16:43 | 0:16:48 | |
Neil's staying positive, but this could be hell on wheels. | 0:16:48 | 0:16:52 | |
Back home in West Sussex, | 0:16:59 | 0:17:01 | |
Sarah has a little tin of something to help her work her magic. | 0:17:01 | 0:17:05 | |
For now, she'll concentrate on the dressing table, rather than the stool. | 0:17:05 | 0:17:09 | |
Well, this sweet old dressing table ended up at the recycling centre for a reason. | 0:17:12 | 0:17:15 | |
It's really dated, it's got a sad white coat on it | 0:17:15 | 0:17:19 | |
that really needs refreshing. It just doesn't look appealing. | 0:17:19 | 0:17:22 | |
But I've got high hopes for it. | 0:17:22 | 0:17:24 | |
I think if I change the colour of it, strip it all back, | 0:17:24 | 0:17:27 | |
remove the mirror, try and make it look more like a desk, | 0:17:27 | 0:17:30 | |
then there's a chance I might make some money out of it. | 0:17:30 | 0:17:32 | |
First job, ready, steady, strip. | 0:17:32 | 0:17:35 | |
Steady on, Sarah. | 0:17:35 | 0:17:37 | |
Ah, you meant paint stripper. | 0:17:37 | 0:17:39 | |
Handling harsh chemicals means it's on with the protective gloves. | 0:17:39 | 0:17:43 | |
Nice! | 0:17:43 | 0:17:45 | |
And the safety glasses. | 0:17:45 | 0:17:46 | |
This is a strong stuff, so you really need to be safe. | 0:17:46 | 0:17:49 | |
This is the kind of stripping where you need to be wearing more clothes, rather than less. | 0:17:50 | 0:17:54 | |
Sarah's removing the many layers of old paint from the | 0:17:54 | 0:17:57 | |
dressing table by using a solvent-based paint stripper. | 0:17:57 | 0:18:01 | |
She's working in a well ventilated area. | 0:18:02 | 0:18:05 | |
However, with any paint thinner, or stripper, | 0:18:05 | 0:18:08 | |
always read the product guidelines as it may advise that a respiratory | 0:18:08 | 0:18:13 | |
mask should be worn at all times, or for prolonged use. | 0:18:13 | 0:18:17 | |
This is going to be a real challenge, to turn into something that's saleable. | 0:18:21 | 0:18:24 | |
It's so dated. | 0:18:24 | 0:18:26 | |
I quite like a challenge. | 0:18:27 | 0:18:28 | |
It's the moment of truth. | 0:18:28 | 0:18:29 | |
What will Sarah find under that paint? | 0:18:29 | 0:18:32 | |
Great, layers of paint. | 0:18:32 | 0:18:35 | |
Oh, more paint. | 0:18:35 | 0:18:36 | |
No exciting reveal of wood yet because there's another layer of paint under here. | 0:18:36 | 0:18:41 | |
There's a little peek of wood down there. | 0:18:41 | 0:18:43 | |
I think it might be beech and that's good, | 0:18:43 | 0:18:45 | |
because it would be pale and interesting and quite hard wearing. | 0:18:45 | 0:18:48 | |
Fingers crossed it's all made of that. | 0:18:48 | 0:18:51 | |
There are layers and layers of paint on this, | 0:18:53 | 0:18:55 | |
where people have updated it and changed their room schemes. | 0:18:55 | 0:18:58 | |
But I'm really committed, I want it to look lovely. I want to strip it. | 0:18:59 | 0:19:03 | |
I've got a feeling this could take for ever. | 0:19:04 | 0:19:08 | |
Sarah spent just £19.99 on the paint stripper, | 0:19:08 | 0:19:12 | |
although at this rate she might need to go back to the shop to get another tin. | 0:19:12 | 0:19:17 | |
In Crystal Palace, Johnny, Rosie and Tom | 0:19:24 | 0:19:28 | |
are getting to grips with the classic, if a little shabby, | 0:19:28 | 0:19:31 | |
coffee table. | 0:19:31 | 0:19:33 | |
Look at that. | 0:19:33 | 0:19:34 | |
It's coming apart. Shall we see what the base is like? | 0:19:35 | 0:19:39 | |
First things first, get this frame off? | 0:19:39 | 0:19:42 | |
-Yes, get this off. -Screwdriver? | 0:19:42 | 0:19:44 | |
Johnny starts by removing the legs to get a better look at that | 0:19:44 | 0:19:48 | |
problematic crack. | 0:19:48 | 0:19:50 | |
The biggest problem with this table is going to be how well this glues | 0:19:50 | 0:19:53 | |
back together and whether or not it's warped out of shape. | 0:19:53 | 0:19:56 | |
Hopefully, if we can get it back together, flat, | 0:19:56 | 0:19:59 | |
then that's sort of crisis averted. | 0:19:59 | 0:20:01 | |
Ercol furniture definitely is well worth restoring it. | 0:20:01 | 0:20:04 | |
At the moment it's very popular, particularly that 1950s blonde furniture look. | 0:20:04 | 0:20:08 | |
Very popular. I definitely think what we're doing is the right thing. | 0:20:08 | 0:20:12 | |
We don't want to be messing with it too much, | 0:20:12 | 0:20:14 | |
because it's famous for the design, it's famous for the wood. | 0:20:14 | 0:20:17 | |
So, I'd say, yeah, keep it to its original state. | 0:20:17 | 0:20:23 | |
With the legs off, they can now see if there's any warping in the wood. | 0:20:23 | 0:20:28 | |
So, is it warped? | 0:20:28 | 0:20:30 | |
It's warped quite a lot, hasn't it? | 0:20:30 | 0:20:31 | |
It's warped. | 0:20:31 | 0:20:33 | |
Where it's been detached for a while, it's kind of gone like that. | 0:20:33 | 0:20:37 | |
Over time, one side of the table top has curled up at the end, | 0:20:37 | 0:20:41 | |
making the surface difficult to join back together. | 0:20:41 | 0:20:44 | |
This looked like it was going to be straightforward to begin with. | 0:20:44 | 0:20:47 | |
Just a case of squashing it back together. | 0:20:47 | 0:20:49 | |
But we need to make sure everything's really flat | 0:20:49 | 0:20:51 | |
otherwise it will either come apart or it won't be a clean join. | 0:20:51 | 0:20:55 | |
So we have to figure out how to get it really nicely together. | 0:20:55 | 0:21:00 | |
-Might need bigger blocks across the whole thing. -This is the thing. | 0:21:00 | 0:21:04 | |
After much debate, our trio decides to support the troublesome warping | 0:21:04 | 0:21:08 | |
with lengths of strong wood and clamps. | 0:21:08 | 0:21:11 | |
These will level the two sides of the split | 0:21:13 | 0:21:16 | |
and help to create a smooth join. | 0:21:16 | 0:21:19 | |
We're just putting these batons on here to try to counter | 0:21:19 | 0:21:22 | |
the way that the wood is trying to move. | 0:21:22 | 0:21:25 | |
Once we've got everything looking pretty flat, | 0:21:25 | 0:21:27 | |
then we can worry about pressure this way to close up the gap. | 0:21:27 | 0:21:30 | |
-Shall we turn it back round again? -Yeah. | 0:21:30 | 0:21:33 | |
Ercol has been making furniture since 1920. | 0:21:35 | 0:21:38 | |
The beauty of their design is simplicity. | 0:21:38 | 0:21:41 | |
Not a word that springs to mind when looking at that support structure. | 0:21:42 | 0:21:46 | |
And the more complex it becomes, the more confusing it gets. | 0:21:46 | 0:21:51 | |
-I don't know if we're overcomplicating it. -Yeah. | 0:21:51 | 0:21:53 | |
Basically, we're just trying to put all our heads together and figure | 0:21:53 | 0:21:56 | |
out the best way of clamping it, without causing too much more damage to the piece already. | 0:21:56 | 0:22:02 | |
Once we've got this right, it's a case of putting some glue in and clamping. | 0:22:02 | 0:22:05 | |
It's really straightforward, but it's just this bit, | 0:22:05 | 0:22:08 | |
it's the sort of bit that takes time and effort to figure out. | 0:22:08 | 0:22:11 | |
You take all the time you need, Johnny. | 0:22:11 | 0:22:13 | |
Although you've taken up quite a bit just trying to fix that crack. | 0:22:13 | 0:22:17 | |
Plus, you don't even know if it's going to work. | 0:22:17 | 0:22:20 | |
Back we go to Marlow, | 0:22:24 | 0:22:27 | |
where Neil is working out how to incorporate | 0:22:27 | 0:22:30 | |
bits of that rusty old bike into a design for panniers. | 0:22:30 | 0:22:34 | |
OK. So, I locked myself in the local brewery overnight to give me time to think. | 0:22:36 | 0:22:41 | |
The ideas I've come up with will be two leather bags, | 0:22:41 | 0:22:46 | |
leather for the outside and possibly | 0:22:46 | 0:22:48 | |
see if the inner tubes from the bike are usable. | 0:22:48 | 0:22:51 | |
Inner tubes will be the lining. | 0:22:51 | 0:22:53 | |
I'm going to use the brake cables for piping and lining. | 0:22:53 | 0:22:57 | |
I'm going to use some of the fluorescent strips to add high-vis. | 0:22:57 | 0:23:01 | |
I'm going to use the grips for handles. | 0:23:01 | 0:23:04 | |
Anything else I can find from the bike that is going to help to make | 0:23:04 | 0:23:07 | |
this cycle luggage quite unique. | 0:23:07 | 0:23:10 | |
I don't think you have to worry about it being unique. | 0:23:10 | 0:23:13 | |
Neil starts by removing the brake cables, | 0:23:13 | 0:23:15 | |
followed by the wheel spokes. | 0:23:15 | 0:23:18 | |
He hopes to use these to make the bags more rigid. | 0:23:18 | 0:23:21 | |
So far, so good. I think I've got possibly enough spokes. | 0:23:21 | 0:23:24 | |
I'm not sure how many I'm going to need | 0:23:24 | 0:23:27 | |
to reinforce the bag, but not many. | 0:23:27 | 0:23:30 | |
The main body of the bags will be made up of leather | 0:23:30 | 0:23:33 | |
from an old couch. | 0:23:33 | 0:23:35 | |
For the lining, though, there's another part of the bike he can re-use. | 0:23:35 | 0:23:40 | |
The tyres are obviously no good at all. | 0:23:40 | 0:23:42 | |
They're completely perished and gone. | 0:23:42 | 0:23:45 | |
I'm hoping the inner tubes have some use in them. | 0:23:45 | 0:23:50 | |
Oh, yeah. They're good. | 0:23:51 | 0:23:53 | |
They will be fine. | 0:23:53 | 0:23:55 | |
Rubber inner tubes are an ideal lining, as they're strong, | 0:23:55 | 0:23:58 | |
bendy and waterproof. A bit like myself. | 0:23:58 | 0:24:01 | |
Next, Neil breaks out the angle grinder. | 0:24:05 | 0:24:08 | |
And, yes, those are swimming goggles. | 0:24:08 | 0:24:11 | |
If you're trying this at home, please use proper safety goggles. | 0:24:11 | 0:24:16 | |
Neil's cutting off the straight lengths of tubing. | 0:24:16 | 0:24:19 | |
These, he hopes, will also work as part of the design. | 0:24:19 | 0:24:22 | |
So far, this is what I've reclaimed from the bike. | 0:24:26 | 0:24:30 | |
So, the outside of the bag is going to be leather. | 0:24:30 | 0:24:33 | |
Some black leather. | 0:24:33 | 0:24:35 | |
From an old sofa. | 0:24:36 | 0:24:38 | |
And then for the lining for the bag, | 0:24:38 | 0:24:41 | |
I'm now going to cut the inner tubes up and get them into | 0:24:41 | 0:24:45 | |
as flat a piece as I can. | 0:24:45 | 0:24:47 | |
He cuts the inner tubes into sections and lays them out flat | 0:24:49 | 0:24:52 | |
ready to sew. | 0:24:52 | 0:24:54 | |
Before he adds the rubber lining, | 0:24:56 | 0:24:58 | |
Neil constructs the leather body of the bag. | 0:24:58 | 0:25:02 | |
And the metal bars have indeed nabbed a place in the design. | 0:25:02 | 0:25:06 | |
Right, so it goes in... | 0:25:07 | 0:25:09 | |
So, the rack of the bike is going to go along here and you just get a | 0:25:09 | 0:25:13 | |
buckle, a leather buckle and we're going to hold it to the rack | 0:25:13 | 0:25:17 | |
there and there. | 0:25:17 | 0:25:18 | |
And that keeps the structure of the bag, the rigidity, the strength, | 0:25:18 | 0:25:22 | |
it's not going to flap about and when you want to take | 0:25:22 | 0:25:25 | |
the bag away, you just do that. | 0:25:25 | 0:25:28 | |
Neil is on a roll. | 0:25:29 | 0:25:31 | |
But there's still an awful lot to get put into this design. | 0:25:31 | 0:25:34 | |
We'll just leave him to it. | 0:25:34 | 0:25:36 | |
In Sussex, Sarah's finally got the layers of paint | 0:25:42 | 0:25:45 | |
off the dressing table. | 0:25:45 | 0:25:47 | |
As time is ticking on, | 0:25:47 | 0:25:49 | |
she's leaving the stool out of the makeover and sticking to the job in | 0:25:49 | 0:25:53 | |
hand. What time is it, Sarah? | 0:25:53 | 0:25:56 | |
Time to lime. But I've never limed before. | 0:25:56 | 0:25:59 | |
Can't be that hard, can it? | 0:26:00 | 0:26:02 | |
Oh, that's quite white. | 0:26:03 | 0:26:05 | |
God, I hope it comes off. | 0:26:05 | 0:26:06 | |
So the theory behind the liming is that you brush on this lovely white wax | 0:26:08 | 0:26:12 | |
and it soaks into some of the grain of the wood and then you buff it off, | 0:26:12 | 0:26:15 | |
but you still get all that lovely wood pattern coming through. | 0:26:15 | 0:26:18 | |
I know what you're thinking. | 0:26:19 | 0:26:21 | |
I've spent hours stripping it and now she's painting it white again. | 0:26:21 | 0:26:24 | |
But I'm hoping it should buff off, | 0:26:24 | 0:26:28 | |
should be beautiful, waxed, | 0:26:28 | 0:26:30 | |
slightly limed and well worth the effort. | 0:26:30 | 0:26:33 | |
When Sarah spotted the dressing table, it was dated and out of favour. | 0:26:34 | 0:26:39 | |
Now it's totally transformed. | 0:26:41 | 0:26:44 | |
Gone are the old-fashioned mirror and fixings, | 0:26:44 | 0:26:47 | |
as are the layers of white gloss. | 0:26:47 | 0:26:49 | |
Sarah's hard work reveals a beautiful beech finish. | 0:26:50 | 0:26:54 | |
She's applied a subtle lime wax to give the wood a delicate | 0:26:54 | 0:26:58 | |
whitewash effect. | 0:26:58 | 0:27:01 | |
On the top, a contrasting chestnut paint creates a stunning leather inlay look. | 0:27:01 | 0:27:06 | |
Overall, the feel is no longer fussy but simple and elegant. | 0:27:06 | 0:27:11 | |
Stripped back, it's gone from wedding cake | 0:27:11 | 0:27:15 | |
to wonderful shabby chic bake. | 0:27:15 | 0:27:17 | |
Well, I think I've certainly achieved what I set out to do, | 0:27:17 | 0:27:20 | |
which is reposition that dated-looking dressing table into a piece of furniture | 0:27:20 | 0:27:23 | |
that can go into any room in the house. | 0:27:23 | 0:27:25 | |
I've given it a lovely, scruffy looking top, | 0:27:25 | 0:27:28 | |
hopefully so it looks like it's been made years ago rather than just finished. | 0:27:28 | 0:27:32 | |
And I think it should make a bit of money. | 0:27:32 | 0:27:35 | |
Do you like the desk? What do you think? Your cup of tea? | 0:27:35 | 0:27:38 | |
She's my biggest fan. | 0:27:38 | 0:27:40 | |
Do you like it? | 0:27:40 | 0:27:42 | |
Bramble certainly likes the smell of it. | 0:27:42 | 0:27:45 | |
All that's left is for Sarah to grab some snaps to show off online. | 0:27:45 | 0:27:49 | |
When Sarah saw Colin with his dressing table at the tip, | 0:27:50 | 0:27:54 | |
there was certainly a sentimental attachment. | 0:27:54 | 0:27:57 | |
My mother embroidered that. | 0:27:57 | 0:27:59 | |
Yes, my late mother. And my late father was doing it up, | 0:27:59 | 0:28:02 | |
hence the difference in colour. | 0:28:02 | 0:28:04 | |
And Sarah was happy to see that it was still in one piece. | 0:28:04 | 0:28:07 | |
It's great to see that it's all there, including the key, isn't it? | 0:28:08 | 0:28:12 | |
And that works too, that lock. | 0:28:12 | 0:28:14 | |
The table was bought by an interior shop in Marlow, | 0:28:15 | 0:28:19 | |
run by a different Sarah. | 0:28:19 | 0:28:20 | |
Sarah's done a fantastic job with this. | 0:28:22 | 0:28:24 | |
And she's stripped it back and look at the grain on here. | 0:28:24 | 0:28:26 | |
It feels lovely. | 0:28:26 | 0:28:29 | |
And I think once we dressed it up and put a mirror on it, | 0:28:29 | 0:28:31 | |
it will be lovely as a dressing table, or it could even be a little writing desk. | 0:28:31 | 0:28:35 | |
Meanwhile, our Sarah has returned to Haslemere to show Colin how his old | 0:28:35 | 0:28:40 | |
dressing table has changed. | 0:28:40 | 0:28:41 | |
-Hi, there. -Hello, Sarah. Very nice to see you again. -Yes, and you, too. | 0:28:41 | 0:28:45 | |
-I said I'd come and find you. -Absolutely, yeah. I'm very excited about that, actually. | 0:28:45 | 0:28:48 | |
-What have you done? -What did you think I would do? | 0:28:48 | 0:28:51 | |
Because it was a lovely old dressing table and a sweet stool, | 0:28:51 | 0:28:54 | |
but what did you think...? | 0:28:54 | 0:28:55 | |
Lovely piece of furniture, I don't know, perhaps stripped it down, | 0:28:55 | 0:28:58 | |
take the white paint off, or maybe paint it white again, I don't know. | 0:28:58 | 0:29:01 | |
But it certainly needed some refreshment, that's for sure. | 0:29:01 | 0:29:04 | |
-I have some pictures here to show you. -OK. | 0:29:04 | 0:29:06 | |
Here is your dressing table. | 0:29:06 | 0:29:08 | |
-And it has been... -My goodness, look at that. | 0:29:08 | 0:29:11 | |
That's totally transformed, isn't it? | 0:29:11 | 0:29:13 | |
I love the distressed look, actually. | 0:29:13 | 0:29:15 | |
It's a favourite style of mine, actually. | 0:29:15 | 0:29:17 | |
-It's really lovely. -Really? You think that's all right? -Yes, yes. | 0:29:17 | 0:29:20 | |
Can I have it back? | 0:29:20 | 0:29:22 | |
You can, but you'll have to travel to a shop to get it, | 0:29:22 | 0:29:25 | |
so I have managed to sell it. | 0:29:25 | 0:29:27 | |
I've got some money here for you, actually. | 0:29:27 | 0:29:29 | |
-Oh, wonderful. -I have got... | 0:29:29 | 0:29:31 | |
£142.50. | 0:29:32 | 0:29:36 | |
That's tremendous. | 0:29:36 | 0:29:38 | |
Well done. Oh, that's tremendous. | 0:29:38 | 0:29:41 | |
I wouldn't have room for it here anyway, so that's... | 0:29:41 | 0:29:43 | |
I'm glad it's gone to a good home. | 0:29:43 | 0:29:45 | |
What might you do with £142.50? | 0:29:45 | 0:29:48 | |
Well, that's pretty easy. My late wife died of cancer, | 0:29:48 | 0:29:51 | |
so it'll go to a cancer research charity, most definitely. | 0:29:51 | 0:29:54 | |
I loved working on it. | 0:29:54 | 0:29:56 | |
I'm so pleased that you're going to do that with it. | 0:29:56 | 0:29:58 | |
It's hopefully a happy ending for a lovely piece of furniture. | 0:29:58 | 0:30:01 | |
Oh, absolutely. My wife would be happy, too. | 0:30:01 | 0:30:04 | |
-That's wonderful. Thank you very much. -It's been so nice to catch up, thank you so much. | 0:30:04 | 0:30:08 | |
I don't often get a kiss! How lovely. | 0:30:08 | 0:30:11 | |
-Bye-bye. -Well done, that's tremendous. | 0:30:11 | 0:30:14 | |
You might not get kisses often, Sarah, but I think you should. | 0:30:14 | 0:30:18 | |
It's a great result for the dressing table. | 0:30:18 | 0:30:21 | |
Sarah spent £22.50 on paint stripper and wax. | 0:30:22 | 0:30:27 | |
She sold it for an impressive £165, | 0:30:27 | 0:30:31 | |
giving Colin a fabulous £142.50 profit. | 0:30:31 | 0:30:36 | |
That's our first item selling for a profit. | 0:30:40 | 0:30:43 | |
Sarah's back in Crystal Palace to see how our three restoration whizzes | 0:30:43 | 0:30:48 | |
have got on with the coffee table. | 0:30:48 | 0:30:50 | |
Were they able to solve the clamp conundrum and close those gaps? | 0:30:50 | 0:30:55 | |
I'm here to pick up my coffee table and I'm expecting to be wowed by its transformation, | 0:30:55 | 0:31:00 | |
not because it's had a massive overhaul, | 0:31:00 | 0:31:02 | |
but because it's had a delicate, subtle, lovely restoration. | 0:31:02 | 0:31:06 | |
-It's gone well, hasn't it? -Yeah. -Yeah, it's gone really well. | 0:31:09 | 0:31:12 | |
It looks great. It's gone back together pretty much perfect. | 0:31:12 | 0:31:15 | |
It's not warped any more. | 0:31:15 | 0:31:16 | |
I think we've returned it back to what it would look like originally if it was looked after. | 0:31:16 | 0:31:20 | |
It's still got signs of age, which is nice, | 0:31:20 | 0:31:21 | |
because it's an old table, but it looks, you know, neat, | 0:31:21 | 0:31:24 | |
tidy and the finish has come up nicely, you can see all the grain, | 0:31:24 | 0:31:27 | |
so really pleased with how it's turned out. | 0:31:27 | 0:31:29 | |
When Sarah salvaged the coffee table at the tip, | 0:31:29 | 0:31:32 | |
it was beaten and broken. | 0:31:32 | 0:31:34 | |
Now it has risen from the ashes. | 0:31:37 | 0:31:40 | |
The top is glued into one piece and the warping is gone, | 0:31:40 | 0:31:45 | |
clamped straight to create a crisp, | 0:31:45 | 0:31:47 | |
smooth surface with perfectly matched joins. | 0:31:47 | 0:31:50 | |
Underneath, the legs have being given a gentle, thorough clean. | 0:31:52 | 0:31:55 | |
And to finish, the whole table has been stripped, | 0:31:55 | 0:31:58 | |
with the varnish replaced by a wax finish. | 0:31:58 | 0:32:01 | |
Goes to show a bit of head scratching, | 0:32:01 | 0:32:03 | |
a lot of patience and plenty of TLC | 0:32:03 | 0:32:06 | |
can restore a table to its former glory. | 0:32:06 | 0:32:10 | |
-Hiya. -Hey. -Hello, are you all right? | 0:32:12 | 0:32:15 | |
I'm all right. | 0:32:15 | 0:32:17 | |
-That's not my one. -Yes. That's your one, yes. | 0:32:17 | 0:32:19 | |
Well, of course, I know it's my one, but... | 0:32:19 | 0:32:21 | |
That looks fantastic, it looks... | 0:32:21 | 0:32:23 | |
Well, I was going to say brand-new, but not quite brand-new. | 0:32:23 | 0:32:26 | |
How did it go? Because it looks just unreal. | 0:32:26 | 0:32:29 | |
It was good, it was fine. | 0:32:29 | 0:32:30 | |
There was a few issues with the clamping it back together. | 0:32:30 | 0:32:34 | |
I think we had to do a few, like test runs before we got there, | 0:32:34 | 0:32:37 | |
but, yeah, it's gone back really nicely. | 0:32:37 | 0:32:39 | |
It's a proper restoration job, isn't it? | 0:32:39 | 0:32:42 | |
It looks like it was never damaged and that was something that was | 0:32:42 | 0:32:45 | |
worrying me, that I'd come in here and it'd be, you know, | 0:32:45 | 0:32:48 | |
a little bit off and not quite right, | 0:32:48 | 0:32:50 | |
but that looks like it's been looked after all its life. | 0:32:50 | 0:32:53 | |
Did it come in on budget? Because I know that clamping and sorting out | 0:32:53 | 0:32:57 | |
all the top is quite tricky. Was it a difficult process? | 0:32:57 | 0:33:00 | |
Yeah, it was a little bit difficult. | 0:33:00 | 0:33:02 | |
Because we had to trial a few different ways of clamping. | 0:33:02 | 0:33:05 | |
Because it was warped, you clamped it one way and it would bend one way | 0:33:05 | 0:33:07 | |
and you clamped another way it would bend another, so we had to do a lot of sort of, | 0:33:07 | 0:33:11 | |
just took a bit more time figuring out the method. | 0:33:11 | 0:33:13 | |
Then once we figured it out, it went back quite well. | 0:33:13 | 0:33:16 | |
-Cool. -But it came in on budget, | 0:33:16 | 0:33:18 | |
but kind of more the higher end of what we sort of quoted. | 0:33:18 | 0:33:21 | |
So where did that leave us on the money? | 0:33:21 | 0:33:23 | |
We quoted about 120-160 and because of the time and how long it took, | 0:33:23 | 0:33:26 | |
especially with the sanding as well, because we didn't realise how deep the stains were in it, | 0:33:26 | 0:33:30 | |
it came to about 160 in total, which is what we quoted, | 0:33:30 | 0:33:32 | |
but sort of the upper end. | 0:33:32 | 0:33:34 | |
What you've done to it, I couldn't have hoped for anything better than that. | 0:33:34 | 0:33:38 | |
It looks fresh, but vintage. | 0:33:38 | 0:33:41 | |
It's got everything going for it, so that is a great job. | 0:33:41 | 0:33:44 | |
-Thanks so much. See you soon, guys. -See you later. -Bye. | 0:33:44 | 0:33:47 | |
Well, I was after a perfect restoration and that's just what they delivered. | 0:33:48 | 0:33:52 | |
That Ercol is now beautiful, saleable and really desirable. | 0:33:52 | 0:33:56 | |
It was a really nice response, I think. | 0:33:56 | 0:33:59 | |
It's exactly what we were hoping for. | 0:33:59 | 0:34:01 | |
I mean, we were proud of it anyway, but, you know, to get her response, | 0:34:01 | 0:34:04 | |
-after she's sent it in the state it was to what it is now, yeah, it was really nice, wasn't it? -Mm. | 0:34:04 | 0:34:08 | |
Yeah, yeah. | 0:34:08 | 0:34:09 | |
Back at the tip, Sarah was quick to spot the potential in Robert's boot. | 0:34:09 | 0:34:14 | |
-Look at those legs. -I reckon that's Ercol. | 0:34:14 | 0:34:17 | |
That's not going in there, is it? | 0:34:17 | 0:34:19 | |
I was planning on doing so. | 0:34:19 | 0:34:21 | |
Robert was reluctant to see it go. | 0:34:21 | 0:34:23 | |
-So you are an Ercol fan, then? -Yeah, I love it. | 0:34:23 | 0:34:26 | |
My uncle worked for them, my nan bought this from brand-new, so... | 0:34:26 | 0:34:30 | |
With a family connection, Robert had high hopes for its future. | 0:34:30 | 0:34:35 | |
I'm sure she's got every intention of doing something great with it. | 0:34:35 | 0:34:39 | |
So, yeah, I'm really pleased that she's taken it from me today. | 0:34:39 | 0:34:42 | |
I don't think you'll be disappointed, as the restoration is top-notch. | 0:34:42 | 0:34:46 | |
Sarah went straight home and posted pictures online, | 0:34:48 | 0:34:52 | |
and she found a private buyer. | 0:34:52 | 0:34:54 | |
Now, Sarah's travelled to Midhurst to show Robert the transformation | 0:34:57 | 0:35:01 | |
and hand over the profit. | 0:35:01 | 0:35:02 | |
-Hi, there. -Hello. -Hi, Robert. How are you doing? -Not too bad, yourself? | 0:35:05 | 0:35:09 | |
-Yeah, very well, thank you. Nice to see you again. -Yeah, you too. | 0:35:09 | 0:35:11 | |
So, you were dropping off an Ercol table at the tip. | 0:35:11 | 0:35:14 | |
-It was your grandmother's, is that right? -It was, yeah. | 0:35:14 | 0:35:16 | |
Your uncle used to work for Ercol? | 0:35:16 | 0:35:18 | |
-He'd done a brief apprenticeship there, yeah. -OK. | 0:35:18 | 0:35:20 | |
So, did you think, when I took it away, | 0:35:20 | 0:35:24 | |
what I might have done with your table? | 0:35:24 | 0:35:26 | |
Well, I weren't sure. | 0:35:26 | 0:35:28 | |
I was hoping that you were going to restore it yourself, but, you know, | 0:35:28 | 0:35:32 | |
I know also that you paint things and make other bits and pieces to them, so... | 0:35:32 | 0:35:36 | |
I'm not actually sure what you've done! | 0:35:36 | 0:35:39 | |
-It's all right, I've some pictures here to show you. -Excellent. | 0:35:39 | 0:35:42 | |
It wasn't something I'd worked on, it was something I took to south London to a fantastic team of guys. | 0:35:42 | 0:35:46 | |
They did a fantastic job on your table. | 0:35:46 | 0:35:48 | |
They've managed to get rid of all those cracks, | 0:35:48 | 0:35:51 | |
they have resurfaced it and it is now a pristine Ercol table. | 0:35:51 | 0:35:55 | |
-Excellent. -It did look amazing and we shared it on social media | 0:35:55 | 0:35:59 | |
and it got an instant buyer. | 0:35:59 | 0:36:02 | |
-So it did sell. -OK. | 0:36:02 | 0:36:04 | |
-I've got some money here. -OK. | 0:36:04 | 0:36:05 | |
I've got a fiver there for you. | 0:36:05 | 0:36:07 | |
-Lovely, OK. -And 130 quid there to go with it. | 0:36:07 | 0:36:11 | |
Wow, thank you. Oh, dear... | 0:36:11 | 0:36:14 | |
Thanks a lot. | 0:36:14 | 0:36:15 | |
I love handing over money. | 0:36:15 | 0:36:18 | |
Cheers, that's going to come in handy. | 0:36:18 | 0:36:20 | |
Well, you've just moved house. | 0:36:20 | 0:36:22 | |
-Is that where it's going to go? -Yeah, that's going on a coat hook. | 0:36:22 | 0:36:24 | |
Is it? I know somebody who can make a really nice one of those. | 0:36:24 | 0:36:28 | |
-Yeah, I'm sure you do. -Coat hooks, well, | 0:36:28 | 0:36:31 | |
thank you so much for your time at the tip and here today. | 0:36:31 | 0:36:34 | |
-Thank you very much. -Really good to catch up. Bye-bye. -Bye-bye. | 0:36:34 | 0:36:36 | |
The cost to restore the table was £160. | 0:36:39 | 0:36:44 | |
Sarah sold it for a cracking £295, | 0:36:44 | 0:36:48 | |
giving Robert a £135 pocket full of profit. | 0:36:48 | 0:36:52 | |
Back in Marlow in Buckinghamshire, | 0:36:56 | 0:36:58 | |
Sarah left the bike that belonged to Julian's late father. | 0:36:58 | 0:37:02 | |
Has bagman Neil turned it into fabulous bike panniers? | 0:37:02 | 0:37:06 | |
What was I thinking? | 0:37:08 | 0:37:10 | |
The last time I came to Marlow, I left my favourite bag maker, | 0:37:10 | 0:37:12 | |
Neil Wragg, with a bicycle. | 0:37:12 | 0:37:14 | |
What will he have made of that? | 0:37:14 | 0:37:16 | |
Well, this was a completely different challenge to what I'm used to. | 0:37:16 | 0:37:19 | |
I've managed to incorporate as much of the bike as I possibly can, | 0:37:19 | 0:37:23 | |
including some very personal touches, | 0:37:23 | 0:37:26 | |
and I hope Sarah's going to be quite thrilled. | 0:37:26 | 0:37:28 | |
When Sarah picked this bike up, its commuter days were long over. | 0:37:30 | 0:37:36 | |
Now Neil has made two bespoke bicycle panniers, | 0:37:36 | 0:37:39 | |
showcased beautifully on the back of Neil's own bike. | 0:37:39 | 0:37:43 | |
It's an ingenious use of materials throughout. | 0:37:44 | 0:37:48 | |
The handlebar grips are the top handles, | 0:37:48 | 0:37:50 | |
while the inner tubes formed the internal lining. | 0:37:50 | 0:37:54 | |
The brake cables are piping. | 0:37:54 | 0:37:56 | |
The frame struts are fixings. | 0:37:56 | 0:37:59 | |
And the spokes add rigidity. | 0:37:59 | 0:38:02 | |
Neil's vision even includes a rail ticket that once belonged to Julian's dad. | 0:38:02 | 0:38:07 | |
A wonderful touch and an inspiring design. | 0:38:07 | 0:38:10 | |
-Sarah, hi! -Hello, how are you doing? -Very well, how are you? | 0:38:15 | 0:38:18 | |
Yeah, I'm really well. Where's my bicycle? | 0:38:18 | 0:38:20 | |
This way, follow me. | 0:38:20 | 0:38:23 | |
Now, that's not my bike. | 0:38:23 | 0:38:24 | |
This isn't the bike but this is most of the bike. | 0:38:24 | 0:38:27 | |
Come on, then. Let's see, I'm so excited. | 0:38:27 | 0:38:29 | |
Let's have a look. | 0:38:29 | 0:38:31 | |
We've got the set of up-cycled leather cycle luggage. | 0:38:31 | 0:38:34 | |
What have you used from the bike, then? | 0:38:36 | 0:38:38 | |
So, from the bike, we've got his old steel tubes, | 0:38:38 | 0:38:41 | |
which were obviously from the bike and how you attach it to the frame. | 0:38:41 | 0:38:44 | |
-Yeah. -His old saddle bag straps. | 0:38:44 | 0:38:47 | |
Obviously you can see the grip. | 0:38:47 | 0:38:48 | |
We've got his brake cable as piping. | 0:38:48 | 0:38:51 | |
We've got the inner tubes from his old bike, with patch. | 0:38:51 | 0:38:57 | |
We've got the spokes to create the structure. | 0:38:57 | 0:39:00 | |
And I think you can see the last tickets he bought | 0:39:02 | 0:39:05 | |
incorporated into the label. | 0:39:05 | 0:39:07 | |
I'm speechless. Honestly, Neil, they're fantastic. | 0:39:09 | 0:39:12 | |
So, that's how you... | 0:39:12 | 0:39:14 | |
To get all of that in there is amazing. | 0:39:15 | 0:39:18 | |
There's a lot of the bike. | 0:39:18 | 0:39:20 | |
Neil's come up trumps with this clever design, | 0:39:20 | 0:39:23 | |
using so much of Julian's late father's bike. | 0:39:23 | 0:39:26 | |
But what about the budget? | 0:39:26 | 0:39:29 | |
Did you make it on budget? | 0:39:29 | 0:39:30 | |
I think they were £100 for the bag. | 0:39:30 | 0:39:32 | |
Yes, after all the angle grinding, | 0:39:32 | 0:39:35 | |
it was just some straightforward sewing. | 0:39:35 | 0:39:37 | |
I'm blown away. Honestly, I don't know what else to say. | 0:39:37 | 0:39:40 | |
It's just fantastic. Thank you, they are amazing. | 0:39:40 | 0:39:42 | |
And just to think, that bike is going on a completely different journey now. | 0:39:42 | 0:39:46 | |
-Going on another journey. -You are fantastic, well done. | 0:39:46 | 0:39:48 | |
-Thank you. -Beautiful. | 0:39:48 | 0:39:49 | |
Well, I am blown away with what Neil has managed to achieve, | 0:39:51 | 0:39:53 | |
but he has handed over the baton to me. | 0:39:53 | 0:39:56 | |
I've got to sell them now. | 0:39:56 | 0:39:58 | |
There was a lot of the bike involved in the, in the final product, | 0:39:58 | 0:40:02 | |
so it was nice. It was quite emotional. | 0:40:02 | 0:40:05 | |
I don't normally get the angle grinder out to do my sewing projects, | 0:40:05 | 0:40:08 | |
so this was quite a challenge. | 0:40:08 | 0:40:10 | |
But it's turned out very nice. | 0:40:10 | 0:40:12 | |
When Julian brought his trailer of trash to the tip, | 0:40:14 | 0:40:18 | |
Sarah was soon on the case. | 0:40:18 | 0:40:20 | |
-Whose is that? -That apparently was my dad's. | 0:40:20 | 0:40:23 | |
I don't know from what decade, | 0:40:23 | 0:40:25 | |
but it certainly hasn't seen the light of day for quite a few. | 0:40:25 | 0:40:27 | |
Recognising the bike had seen better days, Sarah wasn't put off. | 0:40:27 | 0:40:31 | |
I really liked the fact that it's a bit tatty. | 0:40:31 | 0:40:34 | |
-Yeah? -That's lucky. Yeah, I know. | 0:40:34 | 0:40:36 | |
Julian realised it was a massive task to make anything from the bike. | 0:40:36 | 0:40:40 | |
Hopefully she's got a good team of magicians who are going to turn it into something interesting. | 0:40:40 | 0:40:45 | |
Yeah, Julian, Sarah has friends who can work their magic. | 0:40:45 | 0:40:48 | |
On this occasion, though, it's Neil who pulled the panniers out of the hat. | 0:40:48 | 0:40:52 | |
Sarah snaps some pictures of the panniers to put them up for sale. | 0:40:55 | 0:40:59 | |
Now Sarah's in Godalming to show Julian what happened to his dad's bike. | 0:41:01 | 0:41:05 | |
And I reckon he'll be gobsmacked. | 0:41:05 | 0:41:07 | |
-Hi, there. -Hiya. -Nice to see you again. -Yeah, good to see you. | 0:41:13 | 0:41:16 | |
-How are you doing? -I'm really well. | 0:41:16 | 0:41:17 | |
Now, I said I'd pop back and see you if there was something to be done with that old bike. | 0:41:17 | 0:41:22 | |
-Yeah, yeah? -Did you think, what on earth's she going to do with that? | 0:41:22 | 0:41:25 | |
I couldn't really imagine seeing it turned into anything decent, no. | 0:41:25 | 0:41:28 | |
So I'll be impressed if you can transform it into something. | 0:41:28 | 0:41:32 | |
I have. Not personally. I took it to Neil Wragg, | 0:41:32 | 0:41:35 | |
who's a fantastic bag maker over in Marlow and he saw the bike, | 0:41:35 | 0:41:40 | |
-wasn't that impressed to begin with... -Understandably, yeah. | 0:41:40 | 0:41:43 | |
But he likes a challenge and I've got some pictures here to show you what he did with it. | 0:41:43 | 0:41:47 | |
OK, yeah, love to see it, yeah. | 0:41:47 | 0:41:48 | |
Your bike has been recycled into bike panniers. | 0:41:48 | 0:41:52 | |
Oh, right? OK. | 0:41:52 | 0:41:54 | |
So what he did is he used some of the frame to make the structure for | 0:41:54 | 0:41:58 | |
-the panniers. -Yeah. -He used the brake cables to make the piping | 0:41:58 | 0:42:01 | |
of the bags and he's even used some little train tickets | 0:42:01 | 0:42:04 | |
-that were in the back to make the labels. -Nice touch. | 0:42:04 | 0:42:07 | |
Right, yeah, that's all right. | 0:42:07 | 0:42:09 | |
I wouldn't have seen the bike in there unless you pointed it out, | 0:42:09 | 0:42:11 | |
but I can see now all the little elements of it, yeah. | 0:42:11 | 0:42:13 | |
-So, what do you think of that? -Yeah, amazing. | 0:42:13 | 0:42:16 | |
I'm absolutely astounded that he's managed to turn it into | 0:42:16 | 0:42:18 | |
something quite so attractive and useful looking, | 0:42:18 | 0:42:21 | |
because it was basically a pile of scrap, wasn't it? | 0:42:21 | 0:42:23 | |
I haven't sold them yet, I haven't had them for very long, | 0:42:23 | 0:42:26 | |
but I think they should sell well and give you some profit. | 0:42:26 | 0:42:29 | |
Thank you so much, especially for your time, I know you're very busy, | 0:42:29 | 0:42:31 | |
-so lovely to catch up with you. -Pleasure, thanks a lot. | 0:42:31 | 0:42:34 | |
-Thanks ever so much. -Take care. -Bye-bye. -Cheers. | 0:42:34 | 0:42:36 | |
Neil charged £200 to transform the bike into panniers. | 0:42:38 | 0:42:42 | |
With Sarah still to sell them, though, | 0:42:42 | 0:42:45 | |
it could mean a potential loss of £200. | 0:42:45 | 0:42:49 | |
But I'm sure it won't be long before Julian is pedalling away | 0:42:49 | 0:42:52 | |
with a profit. | 0:42:52 | 0:42:53 | |
Sarah salvaged three unwanted items from Witley recycling centre. | 0:42:57 | 0:43:03 | |
Colin's dressing table was given a fresh new look by Sarah. | 0:43:03 | 0:43:07 | |
Robert's coffee table has been lovingly restored by Rosie, Tom and Johnny. | 0:43:07 | 0:43:12 | |
And Julian's old bike continues life as panniers, courtesy of Neil. | 0:43:12 | 0:43:18 | |
Well, three fantastic finds that were about to be binned have been | 0:43:19 | 0:43:22 | |
transformed into unique and valuable items. | 0:43:22 | 0:43:25 | |
And what's more, we made some money for nothing along the way. | 0:43:25 | 0:43:28 |