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Throwing out the whole three-piece suite, are you? | 0:00:03 | 0:00:05 | |
How do you make money for nothing? | 0:00:07 | 0:00:09 | |
What have you been smashing up? | 0:00:09 | 0:00:11 | |
The answer could be hiding in | 0:00:11 | 0:00:13 | |
over 20 million tonnes of household waste, | 0:00:13 | 0:00:16 | |
thrown out by us every year. | 0:00:16 | 0:00:18 | |
-Can I have them? -You're welcome to them. | 0:00:18 | 0:00:20 | |
They're only going in the skip. | 0:00:20 | 0:00:21 | |
That's why entrepreneur Sarah Moore wants to get her hands on things | 0:00:21 | 0:00:26 | |
before they hit the skip. | 0:00:26 | 0:00:27 | |
I'm a passionate maker, buyer and user of old stuff, | 0:00:30 | 0:00:34 | |
and I turn that passion into a moneymaking business. | 0:00:34 | 0:00:37 | |
I make new stuff out of old stuff, and I sell it for a profit. | 0:00:37 | 0:00:40 | |
And, with some of the country's elite designers and makers... | 0:00:41 | 0:00:45 | |
I think we can really be quite playful with this. | 0:00:45 | 0:00:47 | |
I could make several mankinis out of this, couldn't I? | 0:00:47 | 0:00:50 | |
..she can transform her finds into desirable... | 0:00:50 | 0:00:53 | |
Oh, that's such a relief. | 0:00:53 | 0:00:55 | |
..valuable... | 0:00:55 | 0:00:56 | |
-It looks all shiny! -HE LAUGHS | 0:00:56 | 0:00:58 | |
..and hopefully saleable items. | 0:00:58 | 0:01:01 | |
I love them. You are a gem. | 0:01:01 | 0:01:04 | |
If Sarah is successful, | 0:01:04 | 0:01:06 | |
then she can hand the profits back to the very people | 0:01:06 | 0:01:09 | |
who had no idea there was cash to be made from their trash. | 0:01:09 | 0:01:13 | |
Really can't believe that. | 0:01:13 | 0:01:15 | |
That's amazing. | 0:01:15 | 0:01:16 | |
Today, Sarah's travelled to the largest industrial town | 0:01:30 | 0:01:34 | |
in the West Midlands, | 0:01:34 | 0:01:35 | |
Walsall. | 0:01:35 | 0:01:36 | |
Well, the boots are open, the gloves are on, | 0:01:38 | 0:01:40 | |
and we're game on for a great day hunting for gems in the junk. | 0:01:40 | 0:01:43 | |
Sarah needs to find three of those gems, | 0:01:45 | 0:01:48 | |
give them back their sparkle, | 0:01:48 | 0:01:50 | |
and hopefully sell them on. | 0:01:50 | 0:01:52 | |
Well, you'd be nuts to throw things away that have the potential | 0:01:54 | 0:01:57 | |
to turn a profit, wouldn't you? | 0:01:57 | 0:01:58 | |
Yeah, you would. | 0:01:58 | 0:01:59 | |
Let me remind you. | 0:02:01 | 0:02:02 | |
Sarah had to acquire special permission to raid the rubbish. | 0:02:02 | 0:02:06 | |
You can't just turn up and help yourself, | 0:02:06 | 0:02:09 | |
or you'll be one getting chucked out. | 0:02:09 | 0:02:11 | |
Has Kevin got anything worth transforming in his boot? | 0:02:13 | 0:02:16 | |
Hello, hello. What are you up to? | 0:02:18 | 0:02:19 | |
Getting rid of all the rubbish that I've been using to decorate. | 0:02:19 | 0:02:23 | |
OK. What are you decorating? | 0:02:23 | 0:02:25 | |
-At the moment, toilet, and man cave. -Man cave. | 0:02:25 | 0:02:28 | |
Almost finished the toilet, and that's what a lot of this is. | 0:02:28 | 0:02:30 | |
I bet you're looking forward to doing the man cave, aren't you? | 0:02:30 | 0:02:32 | |
Man cave more, but that was actually going to go in the man cave. | 0:02:32 | 0:02:37 | |
-What is it? -It's an old record player. | 0:02:37 | 0:02:39 | |
I think either '40s or '50s. | 0:02:39 | 0:02:41 | |
It's got some good retro styling though. I mean, look at that. | 0:02:41 | 0:02:43 | |
-That's fantastic, isn't it? -Well, that's what attracted us to it, | 0:02:43 | 0:02:46 | |
and it was just sat in my mother-in-law's loft, | 0:02:46 | 0:02:49 | |
doing nothing. | 0:02:49 | 0:02:50 | |
It used to belong to Kevin's late father-in-law | 0:02:50 | 0:02:53 | |
and it's no ordinary record player. | 0:02:53 | 0:02:55 | |
It's portable. | 0:02:55 | 0:02:57 | |
Groovy, baby. | 0:02:57 | 0:02:58 | |
I really wanted it to work, | 0:02:59 | 0:03:00 | |
because I've got some old albums that I wanted to play as well. | 0:03:00 | 0:03:05 | |
And vinyl's coming back, do you know that? It's... | 0:03:05 | 0:03:08 | |
So I'm convinced now I'll just buy myself a new vinyl player. | 0:03:08 | 0:03:11 | |
OK. Well, if you're buying a new vinyl player, | 0:03:11 | 0:03:13 | |
can I take away the old one and just see if there's anything that can be | 0:03:13 | 0:03:16 | |
-done with it? -Yeah, no problem. | 0:03:16 | 0:03:17 | |
See if we can get it going again or do something with it, at least. | 0:03:17 | 0:03:19 | |
-Yeah, good. -Brilliant. Thank you for letting me have it. So... | 0:03:19 | 0:03:22 | |
How heavy is it? | 0:03:22 | 0:03:24 | |
Not heavy at all. | 0:03:24 | 0:03:26 | |
He used to carry it around to his girlfriend's house apparently. | 0:03:26 | 0:03:28 | |
Really? I hope the mother-in-law... | 0:03:28 | 0:03:30 | |
I'm surprised the mother-in-law hung onto it for as long as she did then! | 0:03:30 | 0:03:33 | |
She was one of the girlfriends though. | 0:03:33 | 0:03:35 | |
Oh, how romantic! | 0:03:36 | 0:03:37 | |
I think. | 0:03:37 | 0:03:38 | |
So what could Sarah do with it? Any thoughts, Kevin? | 0:03:40 | 0:03:42 | |
Wouldn't be at all surprised if she completely upcycled it | 0:03:43 | 0:03:47 | |
into something crazy, like... | 0:03:47 | 0:03:49 | |
..a tea set holder or a drinks dispenser or something like that. | 0:03:50 | 0:03:54 | |
That's the sort of thing that her imagination can bring to that. | 0:03:54 | 0:03:58 | |
A tea set and drinks dispenser? | 0:03:58 | 0:04:01 | |
Now you're talking. | 0:04:01 | 0:04:03 | |
This thing weighs a tonne. | 0:04:03 | 0:04:04 | |
It's supposed to be a portable record player. | 0:04:04 | 0:04:06 | |
It's actually called the Portogram. | 0:04:06 | 0:04:09 | |
It's quite sweet. | 0:04:09 | 0:04:10 | |
It's got some lovely retro styling. | 0:04:10 | 0:04:12 | |
Even though it's not in perfect condition, | 0:04:12 | 0:04:14 | |
I reckon it deserves one last spin around the block | 0:04:14 | 0:04:16 | |
and, with the right person looking after it, | 0:04:16 | 0:04:18 | |
I reckon I could turn a profit on it, too. | 0:04:18 | 0:04:20 | |
And that person is Mark Phillips, | 0:04:21 | 0:04:24 | |
but everyone calls him Horse. | 0:04:24 | 0:04:26 | |
Horse was chief engineer for a world renowned audio recording company | 0:04:26 | 0:04:30 | |
for over a decade. | 0:04:30 | 0:04:32 | |
He has now taken his love for restoring vintage sound equipment | 0:04:32 | 0:04:36 | |
and made it into a business. | 0:04:36 | 0:04:38 | |
I like to utilise the items that look very nice | 0:04:39 | 0:04:43 | |
but don't necessarily have | 0:04:43 | 0:04:46 | |
much of a use in the modern age. | 0:04:46 | 0:04:47 | |
I kind of enjoy thinking about what I'm going to do with things. | 0:04:49 | 0:04:52 | |
I just find it very satisfying, | 0:04:52 | 0:04:54 | |
and then actually making it and building something to fruition | 0:04:54 | 0:04:58 | |
I find immensely satisfying. | 0:04:58 | 0:04:59 | |
Let's hope Horse is still in good spirits | 0:05:01 | 0:05:03 | |
when he claps eyes on Sarah's vintage record player. | 0:05:03 | 0:05:06 | |
That's one item down. | 0:05:11 | 0:05:13 | |
Sarah just has to find two more. | 0:05:13 | 0:05:16 | |
Actually, where is Sarah? | 0:05:16 | 0:05:18 | |
-Oh. -Ooh! | 0:05:18 | 0:05:20 | |
Lots of interesting things in there. | 0:05:20 | 0:05:22 | |
Better go and find my own. | 0:05:22 | 0:05:24 | |
Well, you might not be waiting long | 0:05:24 | 0:05:26 | |
once you've had a look through the beauties coming out of Neil's boot. | 0:05:26 | 0:05:29 | |
-Hello. -Hello there, how are you? -I love a bit of gold. | 0:05:30 | 0:05:33 | |
-How long have you had this lot? -A friend of mine, | 0:05:33 | 0:05:36 | |
his father passed on, | 0:05:36 | 0:05:37 | |
and he had to move out of his house | 0:05:37 | 0:05:40 | |
and gave me the rest of the stuff. | 0:05:40 | 0:05:42 | |
Yeah, cos this has got a real vintage look about it, hasn't it? | 0:05:42 | 0:05:46 | |
Neil's friends are helping him move house | 0:05:46 | 0:05:49 | |
and sadly, there's no space for this lot, | 0:05:49 | 0:05:51 | |
which is good news for Sarah. | 0:05:51 | 0:05:53 | |
-What's that? -That's a Singer sewing table. | 0:05:53 | 0:05:56 | |
-Is it? -Don't seem so surprised. | 0:05:56 | 0:05:58 | |
Sewing tables became very popular in the late 1800s. | 0:05:58 | 0:06:03 | |
-I have to show you how to fit it up. -Oh, yeah, go on, then. | 0:06:03 | 0:06:05 | |
Designed to have the appearance of an ordinary piece of furniture, | 0:06:05 | 0:06:08 | |
they would commonly have an extending drop leaf | 0:06:08 | 0:06:11 | |
to create extra space. | 0:06:11 | 0:06:12 | |
And all your sewing bits and bobs would be hidden inside. | 0:06:12 | 0:06:16 | |
I don't like throwing things away. | 0:06:16 | 0:06:17 | |
-But I've got to move. -Well, do you know something? | 0:06:17 | 0:06:19 | |
Today's your lucky day cos I don't like throwing things away either. | 0:06:19 | 0:06:22 | |
-No. -This is in beautiful condition so I would love to see | 0:06:22 | 0:06:25 | |
if I can do something with that, if that's all right? | 0:06:25 | 0:06:27 | |
Yeah, no problem. | 0:06:27 | 0:06:28 | |
That's item two sewn up. | 0:06:28 | 0:06:30 | |
Any thoughts on its future, Neil? | 0:06:30 | 0:06:32 | |
My end's all right, how's yours? | 0:06:32 | 0:06:34 | |
Ha-ha! | 0:06:34 | 0:06:35 | |
Hopefully, she'll be able to restore it, | 0:06:35 | 0:06:37 | |
or turn it into something else. | 0:06:37 | 0:06:39 | |
Something more... productive now. | 0:06:39 | 0:06:43 | |
THRESHING WHIR OF MACHINE | 0:06:43 | 0:06:45 | |
Listen to that. | 0:06:46 | 0:06:47 | |
MACHINE TRUNDLING | 0:06:47 | 0:06:49 | |
Such a sweet little machine. | 0:06:49 | 0:06:50 | |
It's in very good order. | 0:06:50 | 0:06:52 | |
The cabinet has seen a bit of wear and tear, but altogether, | 0:06:52 | 0:06:56 | |
it's quite a cool thing. | 0:06:56 | 0:06:57 | |
I think that its sewing days may be over. | 0:06:58 | 0:07:00 | |
It's got a few bits missing, | 0:07:00 | 0:07:01 | |
it hasn't got any of its spools or things like that... | 0:07:01 | 0:07:03 | |
..but there has to be something we can do | 0:07:05 | 0:07:06 | |
to give this a new lease of life. | 0:07:06 | 0:07:08 | |
Got a few ideas in fact. | 0:07:08 | 0:07:10 | |
And Sarah's got just the man to help her stitch out a plan. | 0:07:10 | 0:07:13 | |
Norman Wilkinson has been in the furniture trade for over 25 years. | 0:07:18 | 0:07:23 | |
He is a self-taught craftsman and a self-confessed cheeky chappie. | 0:07:24 | 0:07:28 | |
I think my personality is reflected in what I do. | 0:07:29 | 0:07:32 | |
I think I try to do everything to the best of my ability. | 0:07:32 | 0:07:36 | |
Everything we do, I think, looks A1. | 0:07:36 | 0:07:38 | |
Everything I make is fantastic, just like me. | 0:07:38 | 0:07:40 | |
He specialises in handmade, bespoke British furniture, | 0:07:42 | 0:07:46 | |
and he's got bags of experience. | 0:07:46 | 0:07:48 | |
If I actually told you how long I've been doing this, | 0:07:49 | 0:07:52 | |
it would give away my age. | 0:07:52 | 0:07:53 | |
I think I'm still 21. | 0:07:54 | 0:07:56 | |
In my dreams! | 0:07:56 | 0:07:57 | |
He likes a joke, but the joke may be on him | 0:07:59 | 0:08:02 | |
when he sees that sewing machine. | 0:08:02 | 0:08:03 | |
Two down, one to go. | 0:08:13 | 0:08:15 | |
The next find is for Sarah to revamp. | 0:08:15 | 0:08:18 | |
Well, it's been a smashing start to the day here | 0:08:19 | 0:08:21 | |
and I've got high hopes that some little gems are coming my way. | 0:08:21 | 0:08:24 | |
You might be right. | 0:08:25 | 0:08:26 | |
Mark might have something interesting | 0:08:26 | 0:08:28 | |
nestling in the back of his car. | 0:08:28 | 0:08:30 | |
Or should that be nesting? | 0:08:31 | 0:08:33 | |
Tell me you're not chucking it away, are you? | 0:08:35 | 0:08:37 | |
Yes. | 0:08:37 | 0:08:39 | |
How can you chuck it? It's so kitsch! | 0:08:39 | 0:08:41 | |
Is it yours? Come on, tell me. | 0:08:41 | 0:08:42 | |
No, it's come from my mother-in-law's house and she died, | 0:08:42 | 0:08:46 | |
so we had it. | 0:08:46 | 0:08:47 | |
But it's...sort of had its day. | 0:08:47 | 0:08:50 | |
I know it's had its day, | 0:08:50 | 0:08:52 | |
and I know it's 100% retro, kitsch. I absolutely love it. | 0:08:52 | 0:08:56 | |
-Can I have it? -You can have it, yes. | 0:08:57 | 0:08:59 | |
-Is it really heavy? -Yes. | 0:08:59 | 0:09:01 | |
-I keep finding things... -No, it's not that heavy. | 0:09:01 | 0:09:03 | |
Oh, I love it, look. | 0:09:03 | 0:09:05 | |
Look at my swan, isn't that sweet? | 0:09:05 | 0:09:08 | |
-Thank you. -That's all right. | 0:09:08 | 0:09:09 | |
You've made my day. I'm now going to swan off! | 0:09:09 | 0:09:12 | |
HE LAUGHS | 0:09:12 | 0:09:13 | |
Leave the comedy, Sarah. | 0:09:14 | 0:09:16 | |
Any thoughts, Mark, on what she'll do with it? | 0:09:16 | 0:09:19 | |
I don't honestly think it's of much value, | 0:09:19 | 0:09:22 | |
but somebody might get some pleasure out of it. | 0:09:22 | 0:09:24 | |
Mark's not too hopeful, | 0:09:24 | 0:09:27 | |
but what does the boss think? | 0:09:27 | 0:09:28 | |
Interior designers, antique shops and vintage enthusiasts | 0:09:29 | 0:09:32 | |
love this kind of thing because, pop it on a big table, | 0:09:32 | 0:09:35 | |
it's a stand-alone, beautiful thing. | 0:09:35 | 0:09:37 | |
You can have it inside, not outside. | 0:09:37 | 0:09:39 | |
Things like this as well, they sell for loads of money. | 0:09:39 | 0:09:42 | |
But at the moment, | 0:09:42 | 0:09:43 | |
I'm not sure I can part with it. | 0:09:43 | 0:09:45 | |
And neither should you, until it's laid a golden egg. | 0:09:45 | 0:09:49 | |
That's all three items collected. | 0:09:50 | 0:09:53 | |
The record player will be turned around by Horse. | 0:09:54 | 0:09:57 | |
Norman will tackle the sewing unit, | 0:09:57 | 0:10:00 | |
and Sarah will take on the swan. | 0:10:00 | 0:10:02 | |
Hopefully she can bear to part with it. | 0:10:02 | 0:10:04 | |
I can't believe they were going to throw that lot away. | 0:10:05 | 0:10:07 | |
But it's all right cos they're in safe hands now. | 0:10:07 | 0:10:09 | |
Let's go and see what we can do with them. | 0:10:09 | 0:10:11 | |
Sarah is off to Stockport, Greater Manchester, | 0:10:20 | 0:10:23 | |
famous for one of the British Isles' earliest mechanised silk factories, | 0:10:23 | 0:10:28 | |
dating back to 1732. | 0:10:28 | 0:10:31 | |
By the late 1800s, | 0:10:31 | 0:10:33 | |
high-quality hats were also one of the main industries here. | 0:10:33 | 0:10:37 | |
And it's also home to audio wizard Horse. | 0:10:37 | 0:10:40 | |
Sarah's brought along her hefty record player | 0:10:40 | 0:10:43 | |
to see what he makes of it. | 0:10:43 | 0:10:45 | |
The ideal equipment to work on for me is sort of compact audio devices, | 0:10:45 | 0:10:53 | |
radios, things like that. | 0:10:53 | 0:10:55 | |
Horse wants compact. | 0:10:56 | 0:10:58 | |
Well, it's not exactly that. | 0:10:58 | 0:11:00 | |
Well, I've bought my redundant record player to music man Horse. | 0:11:00 | 0:11:03 | |
And I'm hoping he'll be able to turn the tables on it | 0:11:03 | 0:11:05 | |
and make this box boom again. | 0:11:05 | 0:11:07 | |
Let's hope he can. | 0:11:08 | 0:11:10 | |
Almost there, Sarah, | 0:11:10 | 0:11:11 | |
good work. | 0:11:11 | 0:11:12 | |
-Horse? -Hiya. | 0:11:15 | 0:11:17 | |
-Hi, how are you doing? -Yeah, good, thanks. | 0:11:17 | 0:11:19 | |
I've got a little something for you. | 0:11:19 | 0:11:21 | |
-Right. -Tell me if you think you can do anything with it. | 0:11:21 | 0:11:24 | |
-Right. -Do you restore things like this? | 0:11:24 | 0:11:27 | |
Yeah, sometimes, if it works. | 0:11:27 | 0:11:30 | |
It would be nice to get that spinning at least | 0:11:30 | 0:11:32 | |
cos then you are at least making something | 0:11:32 | 0:11:34 | |
of the function of the record player. | 0:11:34 | 0:11:36 | |
One of my main concerns would be is it in any way working? | 0:11:36 | 0:11:39 | |
I've got a little test device that I can plug it into | 0:11:39 | 0:11:42 | |
that makes it non-lethal. | 0:11:42 | 0:11:44 | |
Now, this is very important, so pay attention, please. | 0:11:45 | 0:11:48 | |
You should never plug in old electrics | 0:11:48 | 0:11:50 | |
and hope for the best. | 0:11:50 | 0:11:51 | |
Horse is using a light bulb limiter which will stop any fuses blowing, | 0:11:52 | 0:11:57 | |
and stop anyone getting any nasty shocks. | 0:11:57 | 0:12:00 | |
So, does the record player actually work? | 0:12:01 | 0:12:04 | |
FAINT WHIRRING | 0:12:05 | 0:12:07 | |
It sounds... | 0:12:07 | 0:12:08 | |
Mmm, you can hear it running, yeah. | 0:12:08 | 0:12:10 | |
That's a good sign. | 0:12:10 | 0:12:11 | |
But does the turntable spin? | 0:12:11 | 0:12:13 | |
-Not quite, though, is it? -The reason it's not spinning this is cos | 0:12:15 | 0:12:19 | |
this is a heavy platter, that's an old piece of rubber, | 0:12:19 | 0:12:21 | |
and it's not getting enough traction against the inside of the platter. | 0:12:21 | 0:12:25 | |
So a good oiling and that should all work. | 0:12:25 | 0:12:27 | |
I quite like the idea of trying to see if it can be more like | 0:12:27 | 0:12:30 | |
a party box. | 0:12:30 | 0:12:31 | |
It'd be easier to sell it if there's something about it, | 0:12:31 | 0:12:33 | |
if it's got like lights, action. | 0:12:33 | 0:12:34 | |
Can I leave it with you to just have a tinker with it? | 0:12:34 | 0:12:37 | |
Yeah, yeah, definitely, yeah. | 0:12:37 | 0:12:39 | |
By "party box", | 0:12:40 | 0:12:42 | |
Sarah means a completely renovated audio system | 0:12:42 | 0:12:45 | |
that can play music from modern gadgets, | 0:12:45 | 0:12:48 | |
like your smartphone or tablet. | 0:12:48 | 0:12:50 | |
And she wants some lights on it, for a bit of razzmatazz. | 0:12:50 | 0:12:53 | |
Can you give me a ballpark figure for potentially updating it? | 0:12:55 | 0:12:59 | |
I don't know, probably around £300. | 0:12:59 | 0:13:02 | |
OK. Well, if you can make it all-singing, all-dancing, | 0:13:02 | 0:13:05 | |
really making it really rock, that would be amazing. | 0:13:05 | 0:13:08 | |
Brilliant. Yeah, well, I'll give it my best shot. | 0:13:08 | 0:13:10 | |
I know you will, you always do, thanks so much. | 0:13:11 | 0:13:13 | |
Horse is charged with bringing this old record player bang up-to-date, | 0:13:14 | 0:13:19 | |
as a "party box". | 0:13:19 | 0:13:20 | |
But just how much of a challenge is this? | 0:13:21 | 0:13:24 | |
For this one, I'm really going to have to get my thinking cap on... | 0:13:24 | 0:13:27 | |
..with regard to how to utilise the turntable, | 0:13:28 | 0:13:32 | |
and kind of possibly putting some kind of light on it. | 0:13:32 | 0:13:37 | |
But it's always fun to try to think of creative solutions | 0:13:37 | 0:13:40 | |
for things like that. | 0:13:40 | 0:13:41 | |
This is going to be interesting. | 0:13:42 | 0:13:44 | |
Well, I feel like I've left Horse with a few hurdles there | 0:13:45 | 0:13:48 | |
but I think he's really going to make that box | 0:13:48 | 0:13:51 | |
absolutely pack a party punch. | 0:13:51 | 0:13:53 | |
Mm, I'm not completely convinced. | 0:13:54 | 0:13:56 | |
For £300, | 0:13:56 | 0:13:57 | |
Horse will turn this old record player into a modern tech party box. | 0:13:57 | 0:14:03 | |
We hope. | 0:14:03 | 0:14:04 | |
Off to picturesque Hellingly in East Sussex, | 0:14:12 | 0:14:15 | |
to see furniture maestro, Norman, | 0:14:15 | 0:14:18 | |
who sounds a bit wary of Sarah's impending visit. | 0:14:18 | 0:14:21 | |
Nine times out of ten, I'm like, here we go again. | 0:14:23 | 0:14:26 | |
But one day she will surprise me, and I'll go, fantastic. | 0:14:26 | 0:14:30 | |
Let's hope that's today, Norman. | 0:14:31 | 0:14:33 | |
Well, I've bought my sweet old sewing machine and its cabinet | 0:14:33 | 0:14:36 | |
all the way across Sussex to see Norman. | 0:14:36 | 0:14:38 | |
I'm hoping he's going to transform this Singer for a song, | 0:14:38 | 0:14:41 | |
and turn it into something lovely, make me turn a profit. | 0:14:41 | 0:14:44 | |
I reckon there's a way to go before that happens. | 0:14:45 | 0:14:49 | |
Norman, look at this! | 0:14:49 | 0:14:50 | |
-Do you know what it is? -Do I know what it is? | 0:14:52 | 0:14:54 | |
-Um... -Let me show you, let me show you. | 0:14:54 | 0:14:56 | |
Let me show you. I mean, I know it looks ordinary, but look at it. | 0:14:56 | 0:14:59 | |
It's... | 0:14:59 | 0:15:01 | |
-Pull. -Pull. | 0:15:01 | 0:15:02 | |
-Ah! -Open. | 0:15:02 | 0:15:04 | |
It's a Singer sewing machine. | 0:15:04 | 0:15:06 | |
-Look. -This is in really good condition, isn't it? | 0:15:06 | 0:15:08 | |
They're normally quite battered up. | 0:15:08 | 0:15:11 | |
-What've you got in mind? -I did have a plan. | 0:15:11 | 0:15:14 | |
I quite like the look of these side panels. | 0:15:14 | 0:15:18 | |
When the door's shut you get quite a cool silhouette from them. | 0:15:18 | 0:15:21 | |
And I was thinking maybe they could be turned into the sides | 0:15:21 | 0:15:25 | |
-of a little chest of drawers. -A chest of drawers will be... | 0:15:25 | 0:15:29 | |
silly. | 0:15:29 | 0:15:30 | |
Go on, what's your idea? I know you're going to have a better one. | 0:15:30 | 0:15:33 | |
Frankly, I'm struggling. | 0:15:33 | 0:15:34 | |
Why don't we try and turn into maybe a little desk? | 0:15:34 | 0:15:37 | |
Throw that away, put that onto there. | 0:15:38 | 0:15:41 | |
-Right. -And then we have that as a door, obviously, | 0:15:41 | 0:15:44 | |
but then when they come to want to use it as a desk | 0:15:44 | 0:15:47 | |
you pull the door open, | 0:15:47 | 0:15:48 | |
we have the treadles, Singer sewing machine bit here, | 0:15:48 | 0:15:51 | |
and if we use that part of it, | 0:15:51 | 0:15:53 | |
we could try and make that into a stool. | 0:15:53 | 0:15:55 | |
We can put a drawer in here and the bit on the door | 0:15:55 | 0:15:57 | |
they could use for pens and everything, so, yeah. | 0:15:57 | 0:16:00 | |
What Norman's going to do is take off the old sewing machine | 0:16:01 | 0:16:05 | |
and turn the cabinet into a foldaway child's homework desk and stool. | 0:16:05 | 0:16:10 | |
It's a space-saver, | 0:16:10 | 0:16:12 | |
because it will all be storable within the original cabinet's form. | 0:16:12 | 0:16:16 | |
What kind of price are you thinking of for converting that? | 0:16:16 | 0:16:18 | |
I reckon it's going to cost around the 250 mark, | 0:16:19 | 0:16:22 | |
make it all singing and dancing. | 0:16:22 | 0:16:23 | |
Not Singer and dancing! | 0:16:24 | 0:16:26 | |
Oh, dear, it's another joke. | 0:16:26 | 0:16:27 | |
Go on, then, have a go, 250 quid. | 0:16:27 | 0:16:29 | |
Beautiful, saleable, small piece of furniture, suitable for children. | 0:16:31 | 0:16:35 | |
-Two bits of furniture. -Two bits of furniture. | 0:16:35 | 0:16:37 | |
I think it's going to be lovely. Give me a shout when it's done. | 0:16:38 | 0:16:40 | |
-Fantastic, I will. -OK. -See you soon. -Bye. -All the best. | 0:16:40 | 0:16:42 | |
It sounds like Norman has finally been won over by the sewing machine. | 0:16:44 | 0:16:48 | |
Happier now? | 0:16:48 | 0:16:50 | |
I think what we've come up with is I think quite a good idea, | 0:16:50 | 0:16:53 | |
so yeah, turn it into something hopefully that will be saleable. | 0:16:53 | 0:16:56 | |
Well, Norman is talking a big game for a small piece of furniture, | 0:16:56 | 0:17:00 | |
so this one's all on Norman, and I hope he can pull it off. | 0:17:00 | 0:17:03 | |
Sarah's spending £250 to turn the sewing machine unit | 0:17:04 | 0:17:08 | |
into a kids' foldaway desk and stool. | 0:17:08 | 0:17:11 | |
Could it be a risky endeavour, or has Norman got it all sewn up? | 0:17:11 | 0:17:16 | |
In Sussex, Sarah is taking her bird home to roost. | 0:17:31 | 0:17:35 | |
The terracotta swan is a decorative outdoor planter. | 0:17:35 | 0:17:40 | |
These were extremely popular in the '60s, | 0:17:40 | 0:17:42 | |
when elaborate garden furniture was all the rage. | 0:17:42 | 0:17:45 | |
Sarah thinks this may have hidden value, | 0:17:46 | 0:17:49 | |
so it won't require any sort of makeover. | 0:17:49 | 0:17:52 | |
Is she quackers? | 0:17:52 | 0:17:53 | |
Or might this really take flight? | 0:17:53 | 0:17:56 | |
Well, it looks like I'm either going to be on a wild goose chase here, | 0:17:56 | 0:17:59 | |
or I'm going to be swanning off with a profit. | 0:17:59 | 0:18:02 | |
I think it's profit, cos I love this swan. | 0:18:02 | 0:18:04 | |
To find out if she's right, she needs to research online. | 0:18:06 | 0:18:10 | |
Sarah is checking auction sites to see what she can find out about | 0:18:11 | 0:18:15 | |
its potential value. | 0:18:15 | 0:18:16 | |
There are lots of vintage planters coming up that are swan shape... | 0:18:18 | 0:18:22 | |
..but none of them are made out of terracotta, | 0:18:23 | 0:18:25 | |
and I'm not sure if that's a good thing or a bad thing, | 0:18:25 | 0:18:27 | |
cos normally that means you can get a good idea of what the price'll be. | 0:18:27 | 0:18:30 | |
But nobody is selling one of these, not historically, | 0:18:30 | 0:18:33 | |
not now, not in America, | 0:18:33 | 0:18:34 | |
so he's rare, | 0:18:34 | 0:18:36 | |
but I don't know if he's actually desirable. | 0:18:36 | 0:18:39 | |
But I am going to keep looking, | 0:18:39 | 0:18:40 | |
because I need to get some context for this. | 0:18:40 | 0:18:42 | |
I really like it. I think it's got decorative appeal. | 0:18:42 | 0:18:45 | |
But it would be really good to have a set price | 0:18:45 | 0:18:47 | |
that I can work on for sales. | 0:18:47 | 0:18:48 | |
Sarah eventually found a rough guide price of around £50. | 0:18:49 | 0:18:54 | |
If she wants to make more than that, | 0:18:54 | 0:18:56 | |
she's got to make this bird presentable. | 0:18:56 | 0:18:59 | |
Then post pictures of it on social media. | 0:18:59 | 0:19:01 | |
Can Sarah's flower arranging help net some interest? | 0:19:02 | 0:19:06 | |
Well, I'm not a natural florist, | 0:19:07 | 0:19:08 | |
but it's certainly looking a bit more saleable, | 0:19:08 | 0:19:10 | |
so I'm going to take it outside, | 0:19:10 | 0:19:11 | |
take some pictures of it against the flint wall. | 0:19:11 | 0:19:13 | |
Come on, swanny. | 0:19:13 | 0:19:14 | |
After a few snaps and a few uploads, | 0:19:16 | 0:19:19 | |
all she can do is wait and see what happens. | 0:19:19 | 0:19:22 | |
Sarah hasn't spent a penny so far. | 0:19:22 | 0:19:25 | |
If she does manage to bag a buyer, it'll be all profit. | 0:19:25 | 0:19:29 | |
To Stockport now, | 0:19:38 | 0:19:39 | |
where Sarah asked Horse to turn the old record player into a party box, | 0:19:39 | 0:19:44 | |
with new audio fittings for smart devices, | 0:19:44 | 0:19:48 | |
and a light display to dazzle while it plays tunes. | 0:19:48 | 0:19:51 | |
How's he getting on, then? | 0:19:54 | 0:19:55 | |
What I'm going to try and do is fit some kind of light | 0:19:55 | 0:20:00 | |
to shine onto this platter, | 0:20:00 | 0:20:02 | |
and put possibly a disco ball on the platter, | 0:20:02 | 0:20:05 | |
then, with a new circuit, | 0:20:05 | 0:20:07 | |
I'll get music coming out of the bottom of it, | 0:20:07 | 0:20:10 | |
so that you'll potentially have, um... | 0:20:10 | 0:20:13 | |
..a disco in a box, if you like. | 0:20:14 | 0:20:16 | |
Sounds funky. | 0:20:18 | 0:20:19 | |
What I'm hoping to do is retain the spinning mechanism, | 0:20:21 | 0:20:25 | |
but I'll probably have to get rid of the changer mechanism, | 0:20:25 | 0:20:29 | |
and the tone arm. | 0:20:29 | 0:20:31 | |
So let's have a look under here. | 0:20:32 | 0:20:34 | |
First job is to fix that faulty spinner. | 0:20:35 | 0:20:38 | |
What I think is the problem | 0:20:39 | 0:20:41 | |
is the arm that the idler wheel sits on is very stiff, | 0:20:41 | 0:20:46 | |
so I'm going to get some oil. | 0:20:46 | 0:20:47 | |
Horse loosens it up with sewing machine oil, | 0:20:50 | 0:20:53 | |
then gives all the bits a quick clean. | 0:20:53 | 0:20:55 | |
Has that done the trick? | 0:20:55 | 0:20:56 | |
That's definitely the best it's been. | 0:20:59 | 0:21:01 | |
It's working. | 0:21:01 | 0:21:02 | |
Oh, no, it's not. | 0:21:02 | 0:21:04 | |
What's the problem, Horse? | 0:21:04 | 0:21:05 | |
When it engages the different mechanisms | 0:21:05 | 0:21:08 | |
then it slows down the motor, | 0:21:08 | 0:21:10 | |
so that's not going to help what we need. | 0:21:10 | 0:21:13 | |
Basically he needs to disable some of the power | 0:21:13 | 0:21:16 | |
going to some of the parts. | 0:21:16 | 0:21:18 | |
Time to get out his trusty pliers. | 0:21:18 | 0:21:20 | |
I need part of it to work, | 0:21:21 | 0:21:23 | |
and part of it to not work, | 0:21:23 | 0:21:25 | |
and it's just trying to get the part I need to work to keep working | 0:21:25 | 0:21:29 | |
and the part not that I don't need to work, to stop working. | 0:21:29 | 0:21:32 | |
I think what he means is if you twiddle this bit, | 0:21:33 | 0:21:37 | |
take that bit off, and cut that bit, | 0:21:37 | 0:21:40 | |
it might work. | 0:21:40 | 0:21:41 | |
Let's try it. | 0:21:41 | 0:21:42 | |
Oh, we are at peak disco ball spinning speed. | 0:21:43 | 0:21:47 | |
I don't know what peak disco ball spinning speed is, | 0:21:47 | 0:21:51 | |
but it sure sounds fun. | 0:21:51 | 0:21:52 | |
And for the piece de resistance... | 0:21:54 | 0:21:56 | |
This is half a mirror ball I made earlier. | 0:21:57 | 0:21:59 | |
Looks like R2-D2 ready for a night on the town. | 0:22:00 | 0:22:03 | |
Could this get any more fun? | 0:22:04 | 0:22:06 | |
This is a little disco light. | 0:22:07 | 0:22:09 | |
Yes, it can. | 0:22:09 | 0:22:11 | |
By shining that onto there, | 0:22:11 | 0:22:13 | |
you can get some nice effects. | 0:22:13 | 0:22:16 | |
Let's just enjoy this for a moment. | 0:22:17 | 0:22:19 | |
Ah, bliss. | 0:22:22 | 0:22:24 | |
Let's hope this party box will be playing music soon. | 0:22:25 | 0:22:28 | |
Otherwise it's just half a revolving disco ball in a box. | 0:22:28 | 0:22:33 | |
Over in Hellingly, East Sussex, Norman is starting to create | 0:22:41 | 0:22:45 | |
his kids' foldaway homework desk and stool. | 0:22:45 | 0:22:48 | |
Norman won't be using the sewing machine in his design. | 0:22:49 | 0:22:52 | |
Instead, he'll be giving it back to Sarah to sell separately. | 0:22:52 | 0:22:56 | |
Steady on, Norman! | 0:22:57 | 0:22:58 | |
As for the rest of it, he's applying the age-old technique | 0:23:00 | 0:23:03 | |
of winging it. | 0:23:03 | 0:23:04 | |
When you're doing something like this, | 0:23:05 | 0:23:07 | |
you're almost making it up as you go along, | 0:23:07 | 0:23:09 | |
and deciding. | 0:23:09 | 0:23:11 | |
But nine times out of ten, | 0:23:11 | 0:23:12 | |
sometimes the best stuff always looks great when you make it up. | 0:23:12 | 0:23:15 | |
You know, I'm not one for doing sketches and doing whatever, | 0:23:17 | 0:23:20 | |
it all comes out of the head. | 0:23:20 | 0:23:21 | |
His rough plan is to turn the main unit into the desk, | 0:23:21 | 0:23:25 | |
and transform the old foot pedal into the stool. | 0:23:25 | 0:23:28 | |
Best get it out then, Norman. | 0:23:28 | 0:23:30 | |
Oh, look at that. | 0:23:31 | 0:23:32 | |
We don't need that. | 0:23:35 | 0:23:36 | |
So the plan is to actually make this into a stool, so, um... | 0:23:37 | 0:23:43 | |
We're going to have to cut that off there, aren't we? | 0:23:44 | 0:23:46 | |
Might even see if I can then grind them off. | 0:23:46 | 0:23:49 | |
Yeah, Norman, sharp sticky out bits aren't the best for sitting on. | 0:23:49 | 0:23:52 | |
Let's get them gone. | 0:23:52 | 0:23:54 | |
You know the old saying, you've got two chances. | 0:23:54 | 0:23:56 | |
It's either going to work, or not work. | 0:23:58 | 0:24:00 | |
Well, whatever happens, at least you look cool in those safety specs. | 0:24:00 | 0:24:05 | |
Success. | 0:24:06 | 0:24:07 | |
For the stool legs and base, Norman is using pine. | 0:24:08 | 0:24:11 | |
Chopping up and then assembling the tapered legs in no time. | 0:24:12 | 0:24:16 | |
Looking good, Norman. | 0:24:16 | 0:24:17 | |
I tell you what, we might make a little frame to go round that, | 0:24:20 | 0:24:22 | |
and then we can pop it in. | 0:24:22 | 0:24:24 | |
With the stool taking shape, | 0:24:24 | 0:24:26 | |
Norman moves on to the new desktop, | 0:24:26 | 0:24:28 | |
and he's just had an idea. | 0:24:28 | 0:24:29 | |
I'm going to take a template of that, cut it out | 0:24:29 | 0:24:32 | |
and then we can then, because like we said, | 0:24:32 | 0:24:34 | |
we weren't going to use the flap, | 0:24:34 | 0:24:35 | |
but we're going to use the flap now, | 0:24:35 | 0:24:37 | |
because you've got it round, you know, | 0:24:37 | 0:24:39 | |
they can have a friend or mate sitting at the end as well. | 0:24:39 | 0:24:42 | |
Or mum and dad can be sitting there while they're doing their homework. | 0:24:42 | 0:24:45 | |
Basically, he's taking some MDF, | 0:24:45 | 0:24:48 | |
cutting it up to match the old worktop's dimensions, | 0:24:48 | 0:24:51 | |
then he'll hinge them together to create a fold-up section | 0:24:51 | 0:24:55 | |
for more space. | 0:24:55 | 0:24:57 | |
Genius. | 0:24:57 | 0:24:58 | |
We've got to decide on, um... | 0:24:58 | 0:25:00 | |
..what construction we're going to have inside, but, um, | 0:25:01 | 0:25:04 | |
I need to think on that, | 0:25:04 | 0:25:06 | |
and decide whether we're going to put the drawer in or not, | 0:25:06 | 0:25:08 | |
and then basically then we've got to sand it down, | 0:25:08 | 0:25:11 | |
prepare it, and then get it the colour that we think. | 0:25:11 | 0:25:14 | |
We're going to... I think because it could either be, you know, | 0:25:14 | 0:25:17 | |
a boy or a girl or whatever, we could be very neutral. | 0:25:17 | 0:25:20 | |
I think we might even do it cream or something, but, um, | 0:25:20 | 0:25:23 | |
we'll make that decision when we get nearer the time, so, yeah, | 0:25:23 | 0:25:26 | |
happy days. I think we're doing well. | 0:25:26 | 0:25:28 | |
Norman seems confident, | 0:25:29 | 0:25:31 | |
but he's still got to finish the stool, | 0:25:31 | 0:25:33 | |
and the writing desk needs the new top fitted, | 0:25:33 | 0:25:36 | |
the inside rebuilt, | 0:25:36 | 0:25:37 | |
and, oh, yeah, he's got to repaint the whole thing. | 0:25:37 | 0:25:41 | |
Good luck, Norman. | 0:25:41 | 0:25:42 | |
In West Sussex, | 0:25:54 | 0:25:55 | |
Sarah has headed to Billingshurst, | 0:25:55 | 0:25:57 | |
to find a new home for her terracotta swan planter. | 0:25:57 | 0:26:01 | |
After posting piccies of the bird online, | 0:26:02 | 0:26:05 | |
she's had a lot of fanciers, | 0:26:05 | 0:26:07 | |
including a vintage and retro boutique. | 0:26:07 | 0:26:09 | |
But can Sarah strike a deal with the shop owner? | 0:26:10 | 0:26:13 | |
-Hi, Julia. -Oh, hi. | 0:26:14 | 0:26:17 | |
Oh, look at that. | 0:26:17 | 0:26:18 | |
-What do you think? -Oh, gosh, it's beautiful. | 0:26:18 | 0:26:21 | |
I absolutely love that. | 0:26:21 | 0:26:23 | |
I know you saw the picture on my page. | 0:26:23 | 0:26:25 | |
Is it bigger than you thought it was going to be? | 0:26:25 | 0:26:27 | |
I think it is, yes, I had no concept really of what it was going to be | 0:26:27 | 0:26:29 | |
like in the flesh. It's absolutely amazing. | 0:26:29 | 0:26:32 | |
I thought it was lovely the moment I saw it. | 0:26:32 | 0:26:34 | |
It actually divides opinion, | 0:26:34 | 0:26:35 | |
because kitsch swans are not everybody's cup of tea, | 0:26:35 | 0:26:38 | |
but do you think it is saleable? | 0:26:38 | 0:26:40 | |
Oh, definitely, and I think full of foliage, | 0:26:40 | 0:26:42 | |
or you could fill it with other things as well, | 0:26:42 | 0:26:45 | |
it would look absolutely stunning in the shop window, | 0:26:45 | 0:26:47 | |
or in the middle of a table even. | 0:26:47 | 0:26:48 | |
Sounds like the perfect place for Sarah's swan to nest, | 0:26:50 | 0:26:53 | |
and she strikes a deal with a delighted Julia. | 0:26:53 | 0:26:57 | |
I'm always amazed what people throw away. | 0:26:57 | 0:26:59 | |
When I go to the tip I see fantastic stuff being chucked in, | 0:26:59 | 0:27:02 | |
so to throw this away seems a crime, | 0:27:02 | 0:27:04 | |
so I'm really pleased that it's been rescued, and I got it! | 0:27:04 | 0:27:06 | |
Sarah found the terracotta swan in the back of Mark's motor. | 0:27:08 | 0:27:12 | |
Is it yours? Come on, tell me. | 0:27:13 | 0:27:15 | |
No, it's come from my mother-in-law's house, but she died, | 0:27:15 | 0:27:18 | |
so we had it, | 0:27:18 | 0:27:19 | |
but it's...sort of had its day. | 0:27:19 | 0:27:22 | |
Sarah thought otherwise, and happily flew away with the bird. | 0:27:22 | 0:27:26 | |
I don't honestly think it's of much value, | 0:27:27 | 0:27:30 | |
but somebody might get some pleasure out of it. | 0:27:30 | 0:27:32 | |
And that's just what's happened, | 0:27:33 | 0:27:35 | |
now Julia's has bought it. | 0:27:35 | 0:27:37 | |
But how much profit was made? | 0:27:37 | 0:27:39 | |
Sarah's in Aldridge to catch up with Mark, | 0:27:41 | 0:27:44 | |
and let him know what became of his old swan planter. | 0:27:44 | 0:27:47 | |
SHE KNOCKS | 0:27:49 | 0:27:50 | |
-Hello, Mark. -Hi. -Hi there, how are you doing? | 0:27:51 | 0:27:53 | |
-I'm all right. You? -Yeah, very well, thank you. | 0:27:53 | 0:27:55 | |
-Nice to see you again. -And you. | 0:27:55 | 0:27:57 | |
-Now I've been really looking forward to coming to find you. -Right. | 0:27:57 | 0:28:00 | |
Because I think when I saw you chucking out your... | 0:28:00 | 0:28:03 | |
I think it was your mother-in-law's swan at the tip, wasn't it? | 0:28:03 | 0:28:05 | |
-It was. Yes. -I think you said I'd find out that it was worth | 0:28:05 | 0:28:08 | |
-probably not very much. -I did. | 0:28:08 | 0:28:10 | |
THEY CHUCKLE | 0:28:10 | 0:28:11 | |
Have you been laughing about it since I took it away? | 0:28:11 | 0:28:14 | |
Well, I was expecting you to come and bring me a cheque | 0:28:14 | 0:28:16 | |
-for 500,000 or something, you know. -I wish, I wish. | 0:28:16 | 0:28:19 | |
It wasn't, it turned out, a Ming swan | 0:28:19 | 0:28:21 | |
or anything very exciting like that. | 0:28:21 | 0:28:23 | |
It was a terracotta... | 0:28:23 | 0:28:25 | |
Garden planter. Yes, yeah. | 0:28:26 | 0:28:27 | |
It didn't stop me. I put some pictures on social media. | 0:28:27 | 0:28:30 | |
-Yeah. -And I was right, actually, your swan was desirable. | 0:28:30 | 0:28:34 | |
OK, that's good, that's good. | 0:28:34 | 0:28:37 | |
80 quid desirable for your swan. | 0:28:37 | 0:28:39 | |
-Dear me! -He was decorative, | 0:28:39 | 0:28:41 | |
and he was beautiful and he's gone to a shop who paid 80 quid for him. | 0:28:41 | 0:28:45 | |
HE LAUGHS | 0:28:45 | 0:28:47 | |
Thank you very much, that's very nice of you. | 0:28:47 | 0:28:49 | |
What do you think of that? | 0:28:49 | 0:28:51 | |
I... Um... I'm speechless, if I'm honest. | 0:28:51 | 0:28:54 | |
I didn't think it was worth anything. | 0:28:54 | 0:28:56 | |
That's lovely, thank you very much. | 0:28:56 | 0:28:57 | |
What might you do with £80? | 0:28:57 | 0:28:59 | |
Um, I'm a member of a charity called the Blood Bikers, | 0:29:00 | 0:29:03 | |
Midland Freewheelers, so I shall probably give it to them. | 0:29:03 | 0:29:06 | |
That sounds like an amazing thing to do with it. | 0:29:06 | 0:29:08 | |
Thank you very much, that's very good. | 0:29:08 | 0:29:09 | |
My pleasure, he was a beauty, your swan, | 0:29:09 | 0:29:11 | |
so thank you so much for letting me have him. | 0:29:11 | 0:29:13 | |
I'm so pleased he didn't get smashed. | 0:29:13 | 0:29:15 | |
-No, that's fine. -Take care, thank you ever so much. | 0:29:15 | 0:29:18 | |
-Bye-bye. -Cheers, bye-bye. | 0:29:18 | 0:29:19 | |
Sarah didn't spend anything on the terracotta swan. | 0:29:24 | 0:29:27 | |
She sold it for a whopping £80, | 0:29:27 | 0:29:31 | |
meaning every penny could be passed on to Mark. | 0:29:31 | 0:29:34 | |
Good work, Sarah. | 0:29:34 | 0:29:35 | |
In Stockport, | 0:29:48 | 0:29:50 | |
Sarah is heading to see how Horse's party box has turned out... | 0:29:50 | 0:29:54 | |
..and it looks like Horse has had a smart haircut for her arrival. | 0:29:55 | 0:29:59 | |
Very dashing. | 0:29:59 | 0:30:00 | |
It's the weirdest thing I've ever made, | 0:30:02 | 0:30:04 | |
but it was a lot of fun to do and I'm pleased with the result. | 0:30:04 | 0:30:07 | |
I'm looking forward to showing Sarah, cos I think she'll like it, | 0:30:07 | 0:30:10 | |
cos she likes mad stuff. | 0:30:10 | 0:30:11 | |
She sure does. | 0:30:13 | 0:30:14 | |
And here she comes. | 0:30:14 | 0:30:15 | |
I'm here to pick up my tired old record player. | 0:30:17 | 0:30:20 | |
I left it with Horse with a remit to make it fun, fab, totally disco. | 0:30:20 | 0:30:24 | |
He's not really a disco man, so I'm wondering if he's pulled it off. | 0:30:24 | 0:30:27 | |
This dilapidated long player | 0:30:28 | 0:30:30 | |
was both long in the tooth and destined for the skip. But now... | 0:30:30 | 0:30:35 | |
..it's got the Saturday night fever, | 0:30:37 | 0:30:40 | |
and it's transformed into a sparkling party box. | 0:30:40 | 0:30:43 | |
It can play any number one from tablet or smartphone, | 0:30:43 | 0:30:47 | |
with a spinning disco and laser light combo. | 0:30:47 | 0:30:50 | |
It creates a dazzling display across the room. | 0:30:50 | 0:30:53 | |
This is enhanced by a selection of tiny mirrors across the box's lid. | 0:30:54 | 0:30:59 | |
The speaker grille has a hip new twist | 0:31:00 | 0:31:02 | |
thanks to a repurposed metal plate from a fire escape. | 0:31:02 | 0:31:06 | |
And all the electrics have been updated and PAT tested | 0:31:06 | 0:31:10 | |
to comply with UK electrical safety regulations. | 0:31:10 | 0:31:14 | |
Plus, there's a new amp, speakers, | 0:31:15 | 0:31:17 | |
audio connection and Bluetooth connectivity. | 0:31:17 | 0:31:21 | |
So, get ready to pair your smart device and get dancing. | 0:31:21 | 0:31:25 | |
If Sarah doesn't love this one, | 0:31:25 | 0:31:28 | |
I'll eat my spandex hot pants. | 0:31:28 | 0:31:30 | |
-Horse? Hiya. -Hiya. | 0:31:32 | 0:31:34 | |
-How are you doing? -Yeah, good, thanks. | 0:31:34 | 0:31:35 | |
Oh, wow, you've upgraded it. | 0:31:35 | 0:31:37 | |
Yeah, yeah. | 0:31:37 | 0:31:39 | |
Go on, then. Tell me. | 0:31:39 | 0:31:40 | |
Well, I haven't done that much to the outside. | 0:31:40 | 0:31:43 | |
It's more inside that's...different. | 0:31:43 | 0:31:46 | |
-I can't wait. Come on, let's see what you've done. -OK. | 0:31:46 | 0:31:48 | |
That looks amazing! | 0:31:50 | 0:31:52 | |
What have you done to it? | 0:31:52 | 0:31:53 | |
I've kept the turntable function, but that's now a disco ball, | 0:31:53 | 0:31:58 | |
ridiculously. | 0:31:58 | 0:31:59 | |
Of course it is! | 0:31:59 | 0:32:00 | |
HE LAUGHS | 0:32:00 | 0:32:01 | |
And then I put a little disco light shining on to it as well. | 0:32:01 | 0:32:05 | |
Come on, then, let's see it in action. | 0:32:05 | 0:32:07 | |
So, do you want music through it, yeah? | 0:32:07 | 0:32:10 | |
Yes, let's hear the tunes. | 0:32:10 | 0:32:11 | |
ELECTRO-SWING SONG STARTS | 0:32:11 | 0:32:13 | |
Oh, Horse! | 0:32:14 | 0:32:16 | |
THEY LAUGH | 0:32:16 | 0:32:17 | |
That is legendary. | 0:32:18 | 0:32:19 | |
The sound quality is amazing, isn't it? | 0:32:19 | 0:32:21 | |
It is good, yeah, yeah. | 0:32:21 | 0:32:22 | |
I'm pleased with the speaker that I put in it. | 0:32:22 | 0:32:25 | |
That is fantastic. | 0:32:26 | 0:32:28 | |
What a load of fun! | 0:32:28 | 0:32:29 | |
So, it's all singing, all dancing, | 0:32:33 | 0:32:34 | |
but did it come in on budget at 300 quid? | 0:32:34 | 0:32:37 | |
I got it in for about 250 in the end. | 0:32:37 | 0:32:39 | |
You legend! Really? | 0:32:39 | 0:32:41 | |
I cannot believe you've done that under budget | 0:32:41 | 0:32:43 | |
and packed so much into it. Fantastic, thank you. | 0:32:43 | 0:32:46 | |
Yeah, well done, Horse. | 0:32:47 | 0:32:48 | |
Good on you, son. | 0:32:48 | 0:32:49 | |
I really enjoyed doing that. It was a lot of fun to do. | 0:32:51 | 0:32:54 | |
It was the maddest thing I've ever done. | 0:32:54 | 0:32:56 | |
It's pretty strange for me, but I'm glad Sarah liked it. | 0:32:57 | 0:33:01 | |
I thought she might, but, yeah, I'm chuffed. | 0:33:02 | 0:33:04 | |
Well, I asked for a party in a box. | 0:33:05 | 0:33:07 | |
Horse has delivered a Disco Inferno. | 0:33:07 | 0:33:10 | |
Sarah found the record player in Kevin's car. | 0:33:12 | 0:33:15 | |
I think it's '40s or '50s. | 0:33:17 | 0:33:19 | |
It was just sat in my mother-in-law's loft, doing nothing. | 0:33:19 | 0:33:23 | |
Kevin was happy to let Sarah take away | 0:33:23 | 0:33:26 | |
his late father-in-law's pride and joy. | 0:33:26 | 0:33:28 | |
How heavy is it? | 0:33:30 | 0:33:31 | |
Not heavy at all. | 0:33:31 | 0:33:32 | |
He used to carry it round to his girlfriend's house, apparently. | 0:33:32 | 0:33:35 | |
Really? | 0:33:35 | 0:33:36 | |
I'm surprised the mother-in-law hung onto it | 0:33:37 | 0:33:39 | |
-for as long as she did, then! -She was one of the girlfriends! | 0:33:39 | 0:33:41 | |
A real labour of love, then. | 0:33:41 | 0:33:43 | |
And what a transformation. | 0:33:43 | 0:33:45 | |
Even better, Sarah's sold it to Smithers of Stamford, | 0:33:45 | 0:33:49 | |
an online retro and vintage shop. | 0:33:49 | 0:33:51 | |
And owner Nick is thrilled. | 0:33:51 | 0:33:53 | |
I feel like a DJ. | 0:33:54 | 0:33:55 | |
One happy customer, then. | 0:33:57 | 0:33:59 | |
But how much was he willing to spend? | 0:33:59 | 0:34:02 | |
Sarah is in Birmingham to let Kevin know. | 0:34:02 | 0:34:04 | |
DOORBELL RINGS | 0:34:05 | 0:34:06 | |
-Hi there. -Hi there. -Nice to see you again. | 0:34:08 | 0:34:10 | |
-How are you? -I'm really well. | 0:34:10 | 0:34:12 | |
-How are you? -All right, I'm OK. | 0:34:12 | 0:34:14 | |
I was so excited when I saw you dropping off that old record player | 0:34:14 | 0:34:17 | |
at the tip, but it wasn't yours, was it? | 0:34:17 | 0:34:18 | |
No, it was actually my father-in-law's, | 0:34:18 | 0:34:21 | |
and it was a real wrench for my wife to let me take it away, actually. | 0:34:21 | 0:34:25 | |
I took it to my go-to man for sound. | 0:34:25 | 0:34:27 | |
He's called Horse, who's up in Manchester. | 0:34:27 | 0:34:29 | |
And I've got some pictures here to show you what he did with it. | 0:34:29 | 0:34:32 | |
-That would be fantastic. -Are you ready? -Yes, please. | 0:34:32 | 0:34:34 | |
In fact, this one is a moving picture. | 0:34:34 | 0:34:36 | |
-Hopefully, you can see... -Oh, fantastic! | 0:34:36 | 0:34:39 | |
Oh, it's a disco ball. | 0:34:39 | 0:34:40 | |
Aah! | 0:34:40 | 0:34:41 | |
Crazy, crazy... | 0:34:41 | 0:34:43 | |
-It's a fully functioning, loud as you like party box. -Really? | 0:34:43 | 0:34:46 | |
It's got full Bluetooth connectivity. | 0:34:46 | 0:34:48 | |
You can plug anything into it, | 0:34:48 | 0:34:50 | |
and it has this lovely glitter ball that lights up the whole room. | 0:34:50 | 0:34:53 | |
It's gone from almost a wind-up to state-of-the-art. | 0:34:53 | 0:34:56 | |
Oh, fantastic. John would have loved that. | 0:34:56 | 0:34:58 | |
John's my father-in-law, by the way. He would have loved it. | 0:34:58 | 0:35:01 | |
That it's had another use. | 0:35:01 | 0:35:02 | |
It's actually been sold. | 0:35:02 | 0:35:03 | |
-Right. -So, it's going to have a new lease of life. | 0:35:03 | 0:35:06 | |
-And I've got some profit for you as well. -Oh, that's even better! | 0:35:06 | 0:35:09 | |
I've got 100 quid here for you. | 0:35:09 | 0:35:10 | |
Whoa! Thank you. | 0:35:10 | 0:35:12 | |
So I think we'll put this to good use. | 0:35:12 | 0:35:14 | |
A nice meal. | 0:35:14 | 0:35:15 | |
Is it OK if I show my wife and my daughter what you've done | 0:35:15 | 0:35:18 | |
-with the record player? -That would be great. Are they here now? | 0:35:18 | 0:35:20 | |
-Yeah, yeah. -Lovely, yeah, do. | 0:35:20 | 0:35:22 | |
Lorraine, Isabel, come and have a look. | 0:35:22 | 0:35:24 | |
-Hello there. -Hiya. -Hi, so it was your dad's player, was it? | 0:35:25 | 0:35:29 | |
-It was, yeah. -Oh, fantastic. | 0:35:29 | 0:35:31 | |
-Hi there. I'm Sarah. -Hi. | 0:35:31 | 0:35:32 | |
Do you want to see what it does now? | 0:35:32 | 0:35:34 | |
-Are you ready for this? -Look at this. | 0:35:34 | 0:35:36 | |
-Unbelievable. -That is so cool. -So cool. -That's so cool. | 0:35:36 | 0:35:41 | |
-What do you think of that? -Fantastic. -Fantastic. | 0:35:41 | 0:35:44 | |
That's made me feel quite emotional. | 0:35:44 | 0:35:46 | |
Aww. I really feel for you. | 0:35:46 | 0:35:49 | |
Lovely to catch up with you. | 0:35:49 | 0:35:50 | |
-Thank you very much. -Bye-bye. -Bye now. | 0:35:50 | 0:35:52 | |
Well, that's one tip find that now really rocks, | 0:35:56 | 0:35:59 | |
and Kevin is going out for dinner. | 0:35:59 | 0:36:00 | |
That's music to my ears. | 0:36:00 | 0:36:02 | |
Sarah spent £250 on the record player. | 0:36:05 | 0:36:08 | |
She sold it for a total of £350, | 0:36:08 | 0:36:12 | |
giving Kevin £100 to splash out on a slap-up meal for all the family. | 0:36:12 | 0:36:18 | |
Time to head back to Hellingly in East Sussex | 0:36:28 | 0:36:30 | |
to see how Norman has transformed the Singer sewing machine unit | 0:36:30 | 0:36:35 | |
into a desk for Sarah. | 0:36:35 | 0:36:37 | |
I think she's going to like it. It's a cool piece. | 0:36:38 | 0:36:41 | |
I think Sarah will be the judge of that, Norman. | 0:36:41 | 0:36:43 | |
Well, I'm here to pick up my old sewing machine table, | 0:36:46 | 0:36:48 | |
and I'm hoping that Norman has done something fantastic with it, | 0:36:48 | 0:36:52 | |
cos I have just no idea what this is going to look like. | 0:36:52 | 0:36:54 | |
Time to find out if Norman's idea has paid off. | 0:36:55 | 0:36:59 | |
And I'm delighted to see... | 0:36:59 | 0:37:01 | |
..that it has. | 0:37:02 | 0:37:04 | |
Norman has breathed life back into this old unit, | 0:37:06 | 0:37:10 | |
making it a perfectly formed, foldaway desk for a child. | 0:37:10 | 0:37:13 | |
The hinged MDF top doubles the desk space. | 0:37:15 | 0:37:19 | |
And inside, he's built an extra bit of storage for paper or books. | 0:37:19 | 0:37:23 | |
The new stool is delightful, | 0:37:25 | 0:37:27 | |
cleverly using the sewing machine foot pedal inside a bespoke frame. | 0:37:27 | 0:37:32 | |
The whole lot has been painted with regular wood paint, | 0:37:34 | 0:37:37 | |
and sealed with a wax polish. | 0:37:37 | 0:37:39 | |
It's modern, fresh | 0:37:39 | 0:37:41 | |
and perfect for a little one to sit and do their sums at. | 0:37:41 | 0:37:45 | |
But will Sarah give it top marks? | 0:37:47 | 0:37:49 | |
-Hello. -Hello! | 0:37:49 | 0:37:51 | |
Look at that! | 0:37:51 | 0:37:52 | |
-There we go. -It looks beautiful. | 0:37:52 | 0:37:54 | |
What's hiding inside? | 0:37:54 | 0:37:55 | |
Yeah, well, we've obviously done what we had to do. | 0:37:55 | 0:37:58 | |
Got the pencil thing there, put your pencils in. | 0:37:58 | 0:38:01 | |
That goes over to the flaps. | 0:38:02 | 0:38:03 | |
Love the choice of colour. The grey is really good. | 0:38:03 | 0:38:05 | |
And the stool, beautiful. | 0:38:05 | 0:38:07 | |
-Can I try it? -Yeah. -Is it comfortable? -Yeah. | 0:38:07 | 0:38:09 | |
It should take your weight. | 0:38:09 | 0:38:10 | |
THEY LAUGH | 0:38:11 | 0:38:12 | |
Yeah, that's really neat. | 0:38:14 | 0:38:15 | |
Yeah. Then also, if kids are doing it, | 0:38:15 | 0:38:17 | |
Mum and Dad can sit there while they're doing homework as well. | 0:38:17 | 0:38:19 | |
If they've got to help them out or whatever. | 0:38:19 | 0:38:21 | |
Yeah, because you can tuck in that side as well, can't you? | 0:38:21 | 0:38:23 | |
Tuck in that side as well, yeah. | 0:38:23 | 0:38:24 | |
So it's got the versatility of everything. | 0:38:24 | 0:38:26 | |
Brilliant. Well, I think that's what we're trying to create now, | 0:38:26 | 0:38:29 | |
isn't it? Pieces of furniture like this, | 0:38:29 | 0:38:31 | |
if they're flexible, they can go into so many different spaces. | 0:38:31 | 0:38:34 | |
Really sweet. | 0:38:34 | 0:38:35 | |
And then, when you're finished, | 0:38:35 | 0:38:36 | |
it just packs away really neat and tidy. | 0:38:36 | 0:38:39 | |
And then... | 0:38:40 | 0:38:42 | |
you can still have it as a piece of furniture | 0:38:42 | 0:38:44 | |
and do what you want with it. | 0:38:44 | 0:38:45 | |
How did you get on with the budget? | 0:38:45 | 0:38:47 | |
250 quid was left on that one, yeah, and we are bang on it. | 0:38:47 | 0:38:51 | |
-Good. -Yeah, really, really happy with it, and everything. | 0:38:51 | 0:38:53 | |
Brilliant. Well, thank you so much for doing that. | 0:38:53 | 0:38:55 | |
Fantastic. | 0:38:55 | 0:38:56 | |
-A really good makeover. -Brilliant. | 0:38:56 | 0:38:59 | |
A top-notch homework desk, | 0:38:59 | 0:39:01 | |
delivered on budget. | 0:39:01 | 0:39:03 | |
Top of the class, Norman. | 0:39:03 | 0:39:05 | |
Well, I think Sarah was pleased with that. | 0:39:05 | 0:39:07 | |
I think she likes the colour, | 0:39:07 | 0:39:08 | |
she likes what we did, nice little stool, | 0:39:08 | 0:39:10 | |
so... | 0:39:10 | 0:39:12 | |
Done it on budget, so happy days for everyone. | 0:39:12 | 0:39:15 | |
And hopefully she'll make lots of money. | 0:39:15 | 0:39:17 | |
If she doesn't, I'll tell her off. | 0:39:17 | 0:39:19 | |
Well, that is a sweet little transformation. | 0:39:20 | 0:39:22 | |
That's gone from sad sewing table | 0:39:22 | 0:39:24 | |
to very saleable item. | 0:39:24 | 0:39:26 | |
Sarah found the sewing machine unit in the back of Neil's car. | 0:39:28 | 0:39:32 | |
He was happy to see it saved. | 0:39:33 | 0:39:35 | |
I don't like throwing things away, but I've got to move. | 0:39:35 | 0:39:38 | |
Well, do you know something? Today's your lucky day, | 0:39:38 | 0:39:40 | |
-cos I don't like throwing things away, either. -No! | 0:39:40 | 0:39:42 | |
And Neil had a few ideas of what Sarah might do with it. | 0:39:42 | 0:39:46 | |
Hopefully, she'll be able to restore it | 0:39:46 | 0:39:49 | |
or turn it into something else, something more...productive, now. | 0:39:49 | 0:39:55 | |
Which is exactly what she's done. | 0:39:55 | 0:39:57 | |
And, more than that, | 0:40:00 | 0:40:01 | |
Sarah sold it to a sewing club in Kent. | 0:40:01 | 0:40:04 | |
And creative director, Angela, is thrilled with her purchase. | 0:40:04 | 0:40:09 | |
It's beautiful, it's lovely, | 0:40:09 | 0:40:11 | |
it's going to look really good in my studio, very versatile. | 0:40:11 | 0:40:14 | |
Sarah's back in Walsall to tell Neil the good news about the cabinet, | 0:40:16 | 0:40:20 | |
but did she manage to sell the sewing machine, too? | 0:40:20 | 0:40:23 | |
-Hello, Neil. -Hi there. -Nice to see you again. | 0:40:27 | 0:40:29 | |
Lovely, thank you. | 0:40:29 | 0:40:30 | |
So you were on the move when I last saw you, and ended up here. | 0:40:30 | 0:40:33 | |
-Yes, that's right. -Have you settled in? -Yeah, yeah, it's lovely. | 0:40:33 | 0:40:36 | |
Excellent. Now, I was a bit surprised to see a sewing machine | 0:40:36 | 0:40:38 | |
coming out of the back of a car. What were you doing with that? | 0:40:38 | 0:40:41 | |
It was a friend's relative, but it was going in the skip, so... | 0:40:41 | 0:40:45 | |
-You had to save it. -I rescued it, | 0:40:45 | 0:40:46 | |
but obviously I haven't got enough room here. | 0:40:46 | 0:40:48 | |
It was a sweet little sewing machine, | 0:40:48 | 0:40:50 | |
and I didn't want to do anything with that, | 0:40:50 | 0:40:52 | |
because it was still in working order, and in really good condition, | 0:40:52 | 0:40:56 | |
so I actually took the sewing machine out, | 0:40:56 | 0:40:58 | |
but the rest of it, the lovely case it came in | 0:40:58 | 0:41:01 | |
went all the way East Sussex and to a lovely guy called Norman, | 0:41:01 | 0:41:04 | |
who has made it into something really special. | 0:41:04 | 0:41:06 | |
So I've got some pictures here to show you. | 0:41:06 | 0:41:08 | |
This is how it ended up. | 0:41:08 | 0:41:09 | |
-Yeah. -He has transformed it... | 0:41:09 | 0:41:11 | |
Oh, the treadle's there as well. | 0:41:11 | 0:41:13 | |
He's made the whole unit into a desk that opens up, | 0:41:13 | 0:41:16 | |
and he used the treadle from the sewing machine | 0:41:16 | 0:41:18 | |
-to make the top of the stool. -Oh, that's lovely. | 0:41:18 | 0:41:21 | |
-What do you think about that? -Yeah, the treadle's really impressive. | 0:41:21 | 0:41:24 | |
The sewing machine has gone on to a new home, | 0:41:24 | 0:41:26 | |
and so has the old table. | 0:41:26 | 0:41:28 | |
In fact, just hold on to that for me, I've got 19p there. | 0:41:28 | 0:41:32 | |
Oh, lovely! | 0:41:32 | 0:41:33 | |
And 70 quid to go with it. | 0:41:33 | 0:41:35 | |
Oh, that's brilliant! Thank you. | 0:41:35 | 0:41:37 | |
-That's for you. -Yeah. | 0:41:37 | 0:41:38 | |
-Lovely. -What might you do with that? | 0:41:38 | 0:41:40 | |
Well, my son's girlfriend has just gone into labour today. | 0:41:40 | 0:41:43 | |
-Oh, really? -Yeah. He just phoned me, actually. | 0:41:43 | 0:41:46 | |
-Oh, brilliant. Congratulations. -That's lovely, yes, thank you. | 0:41:46 | 0:41:49 | |
Thank you so much for letting us have your sewing machine table, | 0:41:49 | 0:41:51 | |
-and that's great news. -Yeah, it is, that's lovely. | 0:41:51 | 0:41:53 | |
-Thanks ever so much. -Thank you very much. -Bye-bye. -Bye. | 0:41:53 | 0:41:57 | |
Well, I would say that is fortuitous timing. | 0:41:59 | 0:42:01 | |
Great news that Neil's about to be a grandpa. | 0:42:01 | 0:42:03 | |
And money to be spent there! | 0:42:03 | 0:42:04 | |
Norman came in on budget at £250. | 0:42:05 | 0:42:10 | |
Sarah sold the sewing machine on eBay for £25.19. | 0:42:10 | 0:42:16 | |
The desk sold for £295, | 0:42:16 | 0:42:19 | |
making a total of £320.19. | 0:42:19 | 0:42:24 | |
So Neil has £70.19 to spend on his new grandchild. | 0:42:24 | 0:42:29 | |
Sarah saved three unwanted items from being thrown in the tip. | 0:42:33 | 0:42:37 | |
And, with a bit of elbow grease and lots of love and attention... | 0:42:38 | 0:42:42 | |
..they've been completely transformed, | 0:42:43 | 0:42:46 | |
into fantastic, desirable objects. | 0:42:46 | 0:42:50 | |
I diverted items that were about to hit the skip | 0:42:53 | 0:42:55 | |
and, with the help of Horse and Norman, | 0:42:55 | 0:42:57 | |
have transformed them into truly special items, | 0:42:57 | 0:42:59 | |
and they're going to take pride of place in their new homes. | 0:42:59 | 0:43:02 |